diff --git a/.gitignore b/.gitignore index a1558ce..ac24148 100644 --- a/.gitignore +++ b/.gitignore @@ -1,4 +1,8 @@ .idea/ .cache *.pyc -*.egg-info \ No newline at end of file +*.egg-info +.DS_Store +build/ +WikiWho/_structural_native*.so +WikiWho/_structural_native*.pyd diff --git a/WikiWho/_structural_native.c b/WikiWho/_structural_native.c new file mode 100644 index 0000000..86884c2 --- /dev/null +++ b/WikiWho/_structural_native.c @@ -0,0 +1,3989 @@ +#define PY_SSIZE_T_CLEAN +#include +#include +#include +#include + +typedef struct { + Py_ssize_t paragraph; + Py_ssize_t start; + Py_ssize_t end; + int target; +} Range; + +typedef struct { + uint64_t hash; + PyObject *pattern_values; + Py_ssize_t pattern_start; + Py_ssize_t prev_start; + Py_ssize_t prev_paragraph; + Py_ssize_t prev_local; + Py_ssize_t curr_paragraph; + Py_ssize_t curr_local; + unsigned char prev_count; + unsigned char curr_count; + unsigned char prev_target; + unsigned char curr_target; + unsigned char occupied; +} Entry; + +typedef struct { + Entry *entries; + size_t capacity; + size_t used; +} Table; + +typedef struct { + uint64_t hash; + PyObject *pattern; + unsigned char count; + unsigned char occupied; +} CandidateEntry; + +typedef struct { + CandidateEntry *entries; + size_t capacity; + size_t used; +} CandidateTable; + +typedef struct { + Py_ssize_t matches; + Py_ssize_t runs; + Py_ssize_t informative; + Py_ssize_t displacement; + unsigned char valid; +} AlignmentScore; + +typedef struct { + int type; + PyObject *context; + Py_ssize_t argument_index; +} ConstructFrame; + +typedef struct { + Py_ssize_t prev_paragraph; + Py_ssize_t prev_start; + Py_ssize_t prev_end; + Py_ssize_t curr_paragraph; + Py_ssize_t curr_start; + Py_ssize_t curr_end; +} AnchorSegment; + +typedef struct { + uintptr_t *entries; + size_t capacity; + size_t used; +} PointerSet; + +/* Call-scoped raw snapshots. Token values remain owned by the previous + * document list; only hierarchy identities and compact offsets are cached. */ +typedef struct { + PyObject *sentence; + Py_ssize_t value_length; + Py_ssize_t word_count; +} CachedSentence; + +typedef struct { + uintptr_t paragraph; + Py_ssize_t value_start; + Py_ssize_t sentence_start; + Py_ssize_t sentence_count; + Py_ssize_t word_start; +} CachedParagraph; + +typedef struct { + CachedParagraph *paragraphs; + size_t paragraph_capacity; + CachedSentence *sentences; + size_t sentence_count; + size_t sentence_capacity; + PyObject **words; + size_t word_count; + size_t word_capacity; + PyObject *values; + PyObject *current_paragraphs; +} ParagraphCache; + +/* Shared immutable labels used in contextual token keys. Py_BuildValue's + * ``s`` format creates a fresh Unicode object on every call; these labels are + * constants, so allocating them per structural token adds traced allocations + * without changing key equality. */ +static PyObject *context_wikitext = NULL; +static PyObject *context_template = NULL; +static PyObject *context_link = NULL; +static PyObject *context_comment = NULL; +static PyObject *context_template_field = NULL; +static PyObject *context_template_arg = NULL; +static PyObject *attr_ordered_paragraphs = NULL; +static PyObject *attr_paragraphs = NULL; +static PyObject *attr_ordered_sentences = NULL; +static PyObject *attr_sentences = NULL; +static PyObject *attr_words = NULL; +static PyObject *attr_splitted = NULL; +static PyObject *attr_value = NULL; +static PyObject *token_symbols_text = NULL; +static PyObject *pipe_token = NULL; + +static int +compare_ssize(Py_ssize_t left, Py_ssize_t right) +{ + return left < right ? -1 : (left > right ? 1 : 0); +} + +static int +compare_anchor_segments(const void *left_pointer, const void *right_pointer) +{ + const AnchorSegment *left = (const AnchorSegment *)left_pointer; + const AnchorSegment *right = (const AnchorSegment *)right_pointer; + Py_ssize_t left_diagonal = left->prev_start - left->curr_start; + Py_ssize_t right_diagonal = right->prev_start - right->curr_start; + int result; + result = compare_ssize(left->prev_paragraph, right->prev_paragraph); + if (result) return result; + result = compare_ssize(left->curr_paragraph, right->curr_paragraph); + if (result) return result; + result = compare_ssize(left_diagonal, right_diagonal); + if (result) return result; + result = compare_ssize(left->prev_start, right->prev_start); + if (result) return result; + result = compare_ssize(left->prev_end, right->prev_end); + if (result) return result; + result = compare_ssize(left->curr_start, right->curr_start); + if (result) return result; + return compare_ssize(left->curr_end, right->curr_end); +} + +static int +append_anchor_segment(PyObject *output, const AnchorSegment *segment) +{ + PyObject *record = Py_BuildValue( + "(nnnnnn)", segment->prev_paragraph, segment->prev_start, + segment->prev_end, segment->curr_paragraph, segment->curr_start, + segment->curr_end + ); + int status; + if (record == NULL) { + return -1; + } + status = PyList_Append(output, record); + Py_DECREF(record); + return status; +} + +#define STRUCTURAL_ROLLING_BASE UINT64_C(0x9e3779b185ebca87) + +static uint64_t +structural_token_hash(Py_hash_t hash) +{ + uint64_t token = (uint64_t)hash; + token ^= token >> 30; + token *= UINT64_C(0xbf58476d1ce4e5b9); + token ^= token >> 27; + token *= UINT64_C(0x94d049bb133111eb); + token ^= token >> 31; + return token + UINT64_C(0x517cc1b727220a95); +} + +static int +copy_rolling_hash_prefix(PyObject *keys, uint64_t **result) +{ + Py_ssize_t length = PyList_GET_SIZE(keys); + uint64_t *prefix = (uint64_t *)malloc( + (size_t)(length + 1) * sizeof(uint64_t) + ); + Py_ssize_t index; + if (prefix == NULL) { + PyErr_NoMemory(); + return -1; + } + prefix[0] = 0; + for (index = 0; index < length; index++) { + Py_hash_t hash = PyObject_Hash(PyList_GET_ITEM(keys, index)); + if (hash == -1 && PyErr_Occurred()) { + free(prefix); + return -1; + } + prefix[index + 1] = + prefix[index] * STRUCTURAL_ROLLING_BASE + + structural_token_hash(hash); + } + *result = prefix; + return 0; +} + +static uint64_t +rolling_window_hash(const uint64_t *prefix, Py_ssize_t start, + Py_ssize_t size, uint64_t base_power) +{ + return prefix[start + size] - prefix[start] * base_power; +} + +static int +windows_equal(PyObject *left, Py_ssize_t left_start, + PyObject *right, Py_ssize_t right_start, Py_ssize_t size) +{ + Py_ssize_t offset; + if (left == right && left_start == right_start) { + return 1; + } + for (offset = 0; offset < size; offset++) { + PyObject *left_item = PyList_GET_ITEM(left, left_start + offset); + PyObject *right_item = PyList_GET_ITEM(right, right_start + offset); + if (left_item == right_item) { + continue; + } + int equal = PyObject_RichCompareBool( + left_item, right_item, Py_EQ + ); + if (equal <= 0) { + return equal; + } + } + return 1; +} + +static int +table_init(Table *table, size_t expected) +{ + size_t capacity = 16; + while (capacity < expected * 2 && capacity <= SIZE_MAX / 2) { + capacity *= 2; + } + table->entries = (Entry *)calloc(capacity, sizeof(Entry)); + if (table->entries == NULL) { + PyErr_NoMemory(); + return -1; + } + table->capacity = capacity; + table->used = 0; + return 0; +} + +static void +table_clear(Table *table) +{ + free(table->entries); + table->entries = NULL; + table->capacity = 0; + table->used = 0; +} + +static size_t +pointer_hash(uintptr_t pointer) +{ + uint64_t value = (uint64_t)pointer; + value ^= value >> 30; + value *= UINT64_C(0xbf58476d1ce4e5b9); + value ^= value >> 27; + value *= UINT64_C(0x94d049bb133111eb); + value ^= value >> 31; + return (size_t)value; +} + +static int +pointer_set_init(PointerSet *set, size_t expected) +{ + size_t capacity = 16; + while (capacity < expected * 2 && capacity <= SIZE_MAX / 2) { + capacity *= 2; + } + set->entries = (uintptr_t *)calloc(capacity, sizeof(uintptr_t)); + if (set->entries == NULL) { + PyErr_NoMemory(); + return -1; + } + set->capacity = capacity; + set->used = 0; + return 0; +} + +static void +pointer_set_clear(PointerSet *set) +{ + free(set->entries); + set->entries = NULL; + set->capacity = 0; + set->used = 0; +} + +static int +pointer_set_resize(PointerSet *set) +{ + size_t old_capacity = set->capacity; + uintptr_t *old_entries = set->entries; + size_t new_capacity; + uintptr_t *new_entries; + size_t index; + if (old_capacity > SIZE_MAX / 2) { + PyErr_NoMemory(); + return -1; + } + new_capacity = old_capacity * 2; + new_entries = (uintptr_t *)calloc( + new_capacity, sizeof(uintptr_t) + ); + if (new_entries == NULL) { + PyErr_NoMemory(); + return -1; + } + for (index = 0; index < old_capacity; index++) { + uintptr_t pointer = old_entries[index]; + size_t slot; + if (!pointer) { + continue; + } + slot = pointer_hash(pointer) & (new_capacity - 1); + while (new_entries[slot]) { + slot = (slot + 1) & (new_capacity - 1); + } + new_entries[slot] = pointer; + } + free(old_entries); + set->entries = new_entries; + set->capacity = new_capacity; + return 0; +} + +/* Return 1 for a new identity, 0 for a duplicate, and -1 on failure. */ +static int +pointer_set_add(PointerSet *set, PyObject *object) +{ + uintptr_t pointer = (uintptr_t)object; + size_t slot; + if ((set->used + 1) * 10 >= set->capacity * 7) { + if (pointer_set_resize(set) < 0) { + return -1; + } + } + slot = pointer_hash(pointer) & (set->capacity - 1); + while (set->entries[slot]) { + if (set->entries[slot] == pointer) { + return 0; + } + slot = (slot + 1) & (set->capacity - 1); + } + set->entries[slot] = pointer; + set->used++; + return 1; +} + +static int +paragraph_cache_init(ParagraphCache *cache, PyObject *current, + size_t expected_paragraphs) +{ + size_t capacity = 16; + size_t target; + if (expected_paragraphs > (SIZE_MAX - 1) / 2) { + PyErr_NoMemory(); + return -1; + } + target = expected_paragraphs + expected_paragraphs / 2 + 1; + while (capacity < target) { + if (capacity > SIZE_MAX / 2) { + PyErr_NoMemory(); + return -1; + } + capacity *= 2; + } + cache->paragraphs = (CachedParagraph *)calloc( + capacity, sizeof(CachedParagraph) + ); + if (cache->paragraphs == NULL) { + PyErr_NoMemory(); + return -1; + } + cache->paragraph_capacity = capacity; + cache->current_paragraphs = PyObject_GetAttr( + current, attr_paragraphs + ); + if (cache->current_paragraphs == NULL) { + return -1; + } + return 0; +} + +static void +paragraph_cache_clear(ParagraphCache *cache) +{ + size_t index; + for (index = 0; index < cache->sentence_count; index++) { + Py_DECREF(cache->sentences[index].sentence); + } + for (index = 0; index < cache->word_count; index++) { + Py_DECREF(cache->words[index]); + } + free(cache->paragraphs); + free(cache->sentences); + free(cache->words); + Py_XDECREF(cache->current_paragraphs); + memset(cache, 0, sizeof(*cache)); +} + +static int +paragraph_cache_may_reuse(ParagraphCache *cache, PyObject *paragraph_hash) +{ + if (!PyDict_Check(cache->current_paragraphs)) { + return 0; + } + return PyDict_Contains(cache->current_paragraphs, paragraph_hash); +} + +static int +paragraph_cache_reserve_sentences(ParagraphCache *cache, size_t needed) +{ + size_t capacity = cache->sentence_capacity ? + cache->sentence_capacity : 256; + CachedSentence *sentences; + while (capacity < needed) { + if (capacity > SIZE_MAX / 2) { + PyErr_NoMemory(); + return -1; + } + capacity *= 2; + } + if (capacity == cache->sentence_capacity) { + return 0; + } + if (capacity > SIZE_MAX / sizeof(CachedSentence)) { + PyErr_NoMemory(); + return -1; + } + sentences = (CachedSentence *)realloc( + cache->sentences, capacity * sizeof(CachedSentence) + ); + if (sentences == NULL) { + PyErr_NoMemory(); + return -1; + } + cache->sentences = sentences; + cache->sentence_capacity = capacity; + return 0; +} + +static int +paragraph_cache_reserve_words(ParagraphCache *cache, size_t needed) +{ + size_t capacity = cache->word_capacity ? cache->word_capacity : 1024; + PyObject **words; + while (capacity < needed) { + if (capacity > SIZE_MAX / 2) { + PyErr_NoMemory(); + return -1; + } + capacity *= 2; + } + if (capacity == cache->word_capacity) { + return 0; + } + if (capacity > SIZE_MAX / sizeof(PyObject *)) { + PyErr_NoMemory(); + return -1; + } + words = (PyObject **)realloc( + cache->words, capacity * sizeof(PyObject *) + ); + if (words == NULL) { + PyErr_NoMemory(); + return -1; + } + cache->words = words; + cache->word_capacity = capacity; + return 0; +} + +static int +paragraph_cache_append_word(ParagraphCache *cache, PyObject *word) +{ + if (paragraph_cache_reserve_words( + cache, cache->word_count + 1) < 0) { + return -1; + } + Py_INCREF(word); + cache->words[cache->word_count++] = word; + return 0; +} + +static int +paragraph_cache_append_sentence( + ParagraphCache *cache, PyObject *sentence, + Py_ssize_t value_length, Py_ssize_t word_count) +{ + CachedSentence *cached; + if (paragraph_cache_reserve_sentences( + cache, cache->sentence_count + 1) < 0) { + return -1; + } + cached = &cache->sentences[cache->sentence_count++]; + Py_INCREF(sentence); + cached->sentence = sentence; + cached->value_length = value_length; + cached->word_count = word_count; + return 0; +} + +static int +paragraph_cache_insert( + ParagraphCache *cache, PyObject *paragraph, + Py_ssize_t value_start, Py_ssize_t sentence_start, + Py_ssize_t sentence_count, Py_ssize_t word_start) +{ + uintptr_t pointer = (uintptr_t)paragraph; + size_t slot = pointer_hash(pointer) & + (cache->paragraph_capacity - 1); + CachedParagraph *cached; + while (cache->paragraphs[slot].paragraph) { + if (cache->paragraphs[slot].paragraph == pointer) { + return 0; + } + slot = (slot + 1) & (cache->paragraph_capacity - 1); + } + cached = &cache->paragraphs[slot]; + cached->paragraph = pointer; + cached->value_start = value_start; + cached->sentence_start = sentence_start; + cached->sentence_count = sentence_count; + cached->word_start = word_start; + return 1; +} + +static CachedParagraph * +paragraph_cache_lookup(ParagraphCache *cache, PyObject *paragraph) +{ + uintptr_t pointer = (uintptr_t)paragraph; + size_t slot = pointer_hash(pointer) & + (cache->paragraph_capacity - 1); + while (cache->paragraphs[slot].paragraph) { + if (cache->paragraphs[slot].paragraph == pointer) { + return &cache->paragraphs[slot]; + } + slot = (slot + 1) & (cache->paragraph_capacity - 1); + } + return NULL; +} + +static int +table_resize(Table *table) +{ + size_t old_capacity = table->capacity; + Entry *old_entries = table->entries; + size_t new_capacity; + Entry *new_entries; + size_t index; + + if (old_capacity > SIZE_MAX / 2) { + PyErr_NoMemory(); + return -1; + } + new_capacity = old_capacity * 2; + new_entries = (Entry *)calloc(new_capacity, sizeof(Entry)); + if (new_entries == NULL) { + PyErr_NoMemory(); + return -1; + } + for (index = 0; index < old_capacity; index++) { + Entry entry = old_entries[index]; + size_t slot; + if (!entry.occupied) { + continue; + } + slot = (size_t)entry.hash & (new_capacity - 1); + while (new_entries[slot].occupied) { + slot = (slot + 1) & (new_capacity - 1); + } + new_entries[slot] = entry; + } + free(old_entries); + table->entries = new_entries; + table->capacity = new_capacity; + return 0; +} + +static int +table_add_previous(Table *table, PyObject *prev_keys, + Py_ssize_t start, Py_ssize_t size, + Py_ssize_t paragraph, Py_ssize_t local, int target, + uint64_t hash) +{ + size_t slot; + if ((table->used + 1) * 10 >= table->capacity * 7) { + if (table_resize(table) < 0) { + return -1; + } + } + slot = (size_t)hash & (table->capacity - 1); + while (table->entries[slot].occupied) { + Entry *entry = &table->entries[slot]; + if (entry->hash == hash) { + int equal = windows_equal( + entry->pattern_values, entry->pattern_start, + prev_keys, start, size + ); + if (equal < 0) { + return -1; + } + if (equal) { + if (entry->prev_count < 2) { + entry->prev_count++; + } + if (target) { + entry->prev_target = 1; + } + return 0; + } + } + slot = (slot + 1) & (table->capacity - 1); + } + table->entries[slot].occupied = 1; + table->entries[slot].hash = hash; + table->entries[slot].pattern_values = prev_keys; + table->entries[slot].pattern_start = start; + table->entries[slot].prev_start = start; + table->entries[slot].prev_paragraph = paragraph; + table->entries[slot].prev_local = local; + table->entries[slot].prev_count = 1; + table->entries[slot].prev_target = target ? 1 : 0; + table->used++; + return 0; +} + +static int +table_add_current(Table *table, PyObject *prev_keys, PyObject *curr_keys, + Py_ssize_t start, Py_ssize_t size, + Py_ssize_t paragraph, Py_ssize_t local, int target, + uint64_t hash) +{ + size_t slot = (size_t)hash & (table->capacity - 1); + while (table->entries[slot].occupied) { + Entry *entry = &table->entries[slot]; + if (entry->hash == hash) { + int equal = windows_equal( + entry->pattern_values, entry->pattern_start, + curr_keys, start, size + ); + if (equal < 0) { + return -1; + } + if (equal) { + if (entry->prev_count == 1) { + if (entry->curr_count == 0) { + entry->curr_paragraph = paragraph; + entry->curr_local = local; + } + if (entry->curr_count < 2) { + entry->curr_count++; + } + if (target) { + entry->curr_target = 1; + } + } + return 0; + } + } + slot = (slot + 1) & (table->capacity - 1); + } + return 0; +} + +static int +table_add_target_candidate(Table *table, PyObject *keys, + Py_ssize_t start, Py_ssize_t size, + uint64_t hash) +{ + size_t slot; + if ((table->used + 1) * 10 >= table->capacity * 7) { + if (table_resize(table) < 0) { + return -1; + } + } + slot = (size_t)hash & (table->capacity - 1); + while (table->entries[slot].occupied) { + Entry *entry = &table->entries[slot]; + if (entry->hash == hash) { + int equal = windows_equal( + entry->pattern_values, entry->pattern_start, + keys, start, size + ); + if (equal < 0) { + return -1; + } + if (equal) { + return 0; + } + } + slot = (slot + 1) & (table->capacity - 1); + } + table->entries[slot].occupied = 1; + table->entries[slot].hash = hash; + table->entries[slot].pattern_values = keys; + table->entries[slot].pattern_start = start; + table->used++; + return 0; +} + +static int +table_count_target_previous(Table *table, PyObject *keys, + Py_ssize_t start, Py_ssize_t size, + Py_ssize_t paragraph, Py_ssize_t local, + uint64_t hash) +{ + size_t slot = (size_t)hash & (table->capacity - 1); + while (table->entries[slot].occupied) { + Entry *entry = &table->entries[slot]; + if (entry->hash == hash) { + int equal = windows_equal( + entry->pattern_values, entry->pattern_start, + keys, start, size + ); + if (equal < 0) { + return -1; + } + if (equal) { + if (entry->prev_count == 0) { + entry->prev_start = start; + entry->prev_paragraph = paragraph; + entry->prev_local = local; + } + if (entry->prev_count < 2) { + entry->prev_count++; + } + return 0; + } + } + slot = (slot + 1) & (table->capacity - 1); + } + return 0; +} + +static int +table_count_target_current(Table *table, PyObject *keys, + Py_ssize_t start, Py_ssize_t size, + Py_ssize_t paragraph, Py_ssize_t local, + uint64_t hash) +{ + size_t slot = (size_t)hash & (table->capacity - 1); + while (table->entries[slot].occupied) { + Entry *entry = &table->entries[slot]; + if (entry->hash == hash) { + int equal = windows_equal( + entry->pattern_values, entry->pattern_start, + keys, start, size + ); + if (equal < 0) { + return -1; + } + if (equal) { + if (entry->curr_count == 0) { + entry->curr_paragraph = paragraph; + entry->curr_local = local; + } + if (entry->curr_count < 2) { + entry->curr_count++; + } + return 0; + } + } + slot = (slot + 1) & (table->capacity - 1); + } + return 0; +} + +static int +copy_prefix(PyObject *prefix, Py_ssize_t expected, Py_ssize_t **result) +{ + Py_ssize_t *values; + Py_ssize_t index; + values = (Py_ssize_t *)malloc( + (size_t)(expected + 1) * sizeof(Py_ssize_t) + ); + if (values == NULL) { + PyErr_NoMemory(); + return -1; + } + + if (PyList_Check(prefix)) { + if (PyList_GET_SIZE(prefix) != expected + 1) { + free(values); + PyErr_SetString(PyExc_ValueError, "invalid informative prefix"); + return -1; + } + for (index = 0; index <= expected; index++) { + values[index] = PyLong_AsSsize_t( + PyList_GET_ITEM(prefix, index) + ); + if (values[index] == -1 && PyErr_Occurred()) { + free(values); + return -1; + } + } + } else { + Py_buffer view; + if (PyObject_GetBuffer(prefix, &view, PyBUF_CONTIG_RO) < 0) { + free(values); + return -1; + } + if (view.len != (expected + 1) * (Py_ssize_t)sizeof(uint64_t)) { + PyBuffer_Release(&view); + free(values); + PyErr_SetString(PyExc_ValueError, "invalid informative prefix"); + return -1; + } + for (index = 0; index <= expected; index++) { + uint64_t item; + memcpy( + &item, + (const unsigned char *)view.buf + + (size_t)index * sizeof(uint64_t), + sizeof(uint64_t) + ); + if (item > (uint64_t)PY_SSIZE_T_MAX) { + PyBuffer_Release(&view); + free(values); + PyErr_SetString(PyExc_OverflowError, + "informative prefix is too large"); + return -1; + } + values[index] = (Py_ssize_t)item; + } + PyBuffer_Release(&view); + } + *result = values; + return 0; +} + +static int +copy_ranges(PyObject *ranges, PyObject *targets, Range **result, + Py_ssize_t *result_count) +{ + Py_ssize_t count; + Range *copied; + Py_ssize_t position = 0; + Py_ssize_t iteration = 0; + PyObject *key; + PyObject *value; + + if (!PyDict_Check(ranges) || !PySet_Check(targets)) { + PyErr_SetString(PyExc_TypeError, "ranges must be dict and targets set"); + return -1; + } + count = PyDict_Size(ranges); + copied = (Range *)malloc( + (size_t)(count > 0 ? count : 1) * sizeof(Range) + ); + if (copied == NULL) { + PyErr_NoMemory(); + return -1; + } + while (PyDict_Next(ranges, &iteration, &key, &value)) { + int target; + if (!PyTuple_Check(value) || PyTuple_GET_SIZE(value) != 2) { + free(copied); + PyErr_SetString(PyExc_ValueError, "invalid paragraph range"); + return -1; + } + copied[position].paragraph = PyLong_AsSsize_t(key); + copied[position].start = PyLong_AsSsize_t(PyTuple_GET_ITEM(value, 0)); + copied[position].end = PyLong_AsSsize_t(PyTuple_GET_ITEM(value, 1)); + if (PyErr_Occurred()) { + free(copied); + return -1; + } + target = PySet_Contains(targets, key); + if (target < 0) { + free(copied); + return -1; + } + copied[position].target = target; + position++; + } + *result = copied; + *result_count = count; + return 0; +} + +static void +candidate_table_clear(CandidateTable *table) +{ + size_t index; + if (table->entries != NULL) { + for (index = 0; index < table->capacity; index++) { + if (table->entries[index].occupied) { + Py_DECREF(table->entries[index].pattern); + } + } + } + free(table->entries); + table->entries = NULL; + table->capacity = 0; + table->used = 0; +} + +static int +candidate_pattern_equal(PyObject *pattern, PyObject *values, + Py_ssize_t start) +{ + Py_ssize_t offset; + Py_ssize_t size = PyTuple_GET_SIZE(pattern); + for (offset = 0; offset < size; offset++) { + int equal = PyObject_RichCompareBool( + PyTuple_GET_ITEM(pattern, offset), + PyList_GET_ITEM(values, start + offset), + Py_EQ + ); + if (equal <= 0) { + return equal; + } + } + return 1; +} + +static PyObject * +duplicated_candidate_windows(PyObject *self, PyObject *args) +{ + PyObject *values; + PyObject *ranges_obj; + PyObject *candidates; + PyObject *iterator = NULL; + PyObject *pattern; + PyObject *output = NULL; + uint64_t *hash_prefix = NULL; + uint64_t base_powers[64]; + CandidateTable table = {NULL, 0, 0}; + unsigned char sizes[64] = {0}; + Py_ssize_t candidate_count; + size_t capacity = 16; + Py_ssize_t iteration = 0; + PyObject *paragraph_key; + PyObject *range_obj; + + if (!PyArg_ParseTuple( + args, "OOO:duplicated_candidate_windows", + &values, &ranges_obj, &candidates)) { + return NULL; + } + if (!PyList_Check(values) || !PyDict_Check(ranges_obj) || + !PySet_Check(candidates)) { + PyErr_SetString( + PyExc_TypeError, "values list, ranges dict, and candidates set required" + ); + return NULL; + } + candidate_count = PySet_Size(candidates); + if (candidate_count == 0) { + return PySet_New(NULL); + } + while (capacity < (size_t)candidate_count * 2 && + capacity <= SIZE_MAX / 2) { + capacity *= 2; + } + table.entries = (CandidateEntry *)calloc( + capacity, sizeof(CandidateEntry) + ); + if (table.entries == NULL) { + PyErr_NoMemory(); + goto error; + } + table.capacity = capacity; + base_powers[0] = 1; + for (iteration = 1; iteration < 64; iteration++) { + base_powers[iteration] = + base_powers[iteration - 1] * STRUCTURAL_ROLLING_BASE; + } + iteration = 0; + + iterator = PyObject_GetIter(candidates); + if (iterator == NULL) { + goto error; + } + while ((pattern = PyIter_Next(iterator)) != NULL) { + Py_ssize_t size; + Py_ssize_t offset; + uint64_t hash; + size_t slot; + if (!PyTuple_Check(pattern)) { + Py_DECREF(pattern); + PyErr_SetString(PyExc_TypeError, "candidate must be a tuple"); + goto error; + } + size = PyTuple_GET_SIZE(pattern); + if (size <= 0 || size >= (Py_ssize_t)sizeof(sizes)) { + Py_DECREF(pattern); + PyErr_SetString(PyExc_ValueError, "candidate width out of range"); + goto error; + } + sizes[size] = 1; + hash = 0; + for (offset = 0; offset < size; offset++) { + Py_hash_t token_hash = PyObject_Hash( + PyTuple_GET_ITEM(pattern, offset) + ); + if (token_hash == -1 && PyErr_Occurred()) { + Py_DECREF(pattern); + goto error; + } + hash = hash * STRUCTURAL_ROLLING_BASE + + structural_token_hash(token_hash); + } + slot = (size_t)hash & (capacity - 1); + while (table.entries[slot].occupied) { + slot = (slot + 1) & (capacity - 1); + } + table.entries[slot].occupied = 1; + table.entries[slot].hash = hash; + table.entries[slot].pattern = pattern; + table.used++; + } + if (PyErr_Occurred()) { + goto error; + } + Py_CLEAR(iterator); + if (copy_rolling_hash_prefix(values, &hash_prefix) < 0) { + goto error; + } + + while (PyDict_Next( + ranges_obj, &iteration, ¶graph_key, &range_obj)) { + Py_ssize_t paragraph_start; + Py_ssize_t paragraph_end; + Py_ssize_t size; + if (!PyTuple_Check(range_obj) || PyTuple_GET_SIZE(range_obj) != 2) { + PyErr_SetString(PyExc_ValueError, "invalid paragraph range"); + goto error; + } + paragraph_start = PyLong_AsSsize_t(PyTuple_GET_ITEM(range_obj, 0)); + paragraph_end = PyLong_AsSsize_t(PyTuple_GET_ITEM(range_obj, 1)); + if (PyErr_Occurred()) { + goto error; + } + for (size = 1; size < (Py_ssize_t)sizeof(sizes); size++) { + Py_ssize_t start; + if (!sizes[size] || size > paragraph_end - paragraph_start) { + continue; + } + for (start = paragraph_start; + start + size <= paragraph_end; start++) { + uint64_t hash = rolling_window_hash( + hash_prefix, start, size, base_powers[size] + ); + size_t slot = (size_t)hash & (capacity - 1); + while (table.entries[slot].occupied) { + CandidateEntry *entry = &table.entries[slot]; + if (entry->hash == hash && entry->count < 2) { + int equal = candidate_pattern_equal( + entry->pattern, values, start + ); + if (equal < 0) { + goto error; + } + if (equal) { + entry->count++; + break; + } + } + slot = (slot + 1) & (capacity - 1); + } + } + } + } + + output = PySet_New(NULL); + if (output == NULL) { + goto error; + } + { + size_t index; + for (index = 0; index < table.capacity; index++) { + CandidateEntry *entry = &table.entries[index]; + if (entry->occupied && entry->count >= 2 && + PySet_Add(output, entry->pattern) < 0) { + goto error; + } + } + } + free(hash_prefix); + candidate_table_clear(&table); + return output; + +error: + Py_XDECREF(iterator); + Py_XDECREF(output); + free(hash_prefix); + candidate_table_clear(&table); + return NULL; +} + +static int +score_compare(const AlignmentScore *left, const AlignmentScore *right) +{ + if (left->matches != right->matches) { + return left->matches > right->matches ? 1 : -1; + } + if (left->runs != right->runs) { + return left->runs > right->runs ? 1 : -1; + } + if (left->informative != right->informative) { + return left->informative > right->informative ? 1 : -1; + } + if (left->displacement != right->displacement) { + return left->displacement > right->displacement ? 1 : -1; + } + return 0; +} + +static const AlignmentScore * +best_alignment_state(const AlignmentScore *matched, + const AlignmentScore *gapped, + unsigned char *state) +{ + if (!matched->valid) { + *state = 2; + return gapped->valid ? gapped : NULL; + } + if (!gapped->valid || score_compare(matched, gapped) > 0) { + *state = 1; + return matched; + } + *state = 2; + return gapped; +} + +static int +native_informative_token(PyObject *token, PyObject *structural_tokens) +{ + Py_ssize_t length; + Py_ssize_t index; + int structural; + if (!PyUnicode_Check(token)) { + return 0; + } + length = PyUnicode_GET_LENGTH(token); + if (length == 0) { + return 0; + } + structural = PySet_Contains(structural_tokens, token); + if (structural < 0) { + return -1; + } + if (structural) { + return 0; + } + for (index = 0; index < length; index++) { + if (Py_UNICODE_ISALNUM(PyUnicode_READ_CHAR(token, index))) { + return 1; + } + } + return 0; +} + +static PyObject * +lcs_token_pairs(PyObject *self, PyObject *args) +{ + PyObject *prev_keys; + PyObject *curr_keys; + PyObject *prev_values; + PyObject *curr_values; + PyObject *structural_tokens; + Py_ssize_t max_cells; + Py_ssize_t prev_len; + Py_ssize_t curr_len; + Py_ssize_t columns; + size_t cell_count; + AlignmentScore *matched = NULL; + AlignmentScore *gapped = NULL; + unsigned char *matched_back = NULL; + unsigned char *gapped_back = NULL; + PyObject *pairs = NULL; + Py_ssize_t prev_count; + Py_ssize_t curr_count; + unsigned char state; + + if (!PyArg_ParseTuple( + args, "OOOOOn:lcs_token_pairs", &prev_keys, &curr_keys, + &prev_values, &curr_values, &structural_tokens, &max_cells)) { + return NULL; + } + if (!PyList_Check(prev_keys) || !PyList_Check(curr_keys) || + !PyList_Check(prev_values) || !PyList_Check(curr_values) || + !PyAnySet_Check(structural_tokens)) { + PyErr_SetString(PyExc_TypeError, "alignment inputs must be lists and set"); + return NULL; + } + prev_len = PyList_GET_SIZE(prev_keys); + curr_len = PyList_GET_SIZE(curr_keys); + if (PyList_GET_SIZE(prev_values) != prev_len || + PyList_GET_SIZE(curr_values) != curr_len) { + PyErr_SetString(PyExc_ValueError, "alignment values must match keys"); + return NULL; + } + if (prev_len == 0 || curr_len == 0 || + (prev_len > 0 && curr_len > max_cells / prev_len)) { + return PyList_New(0); + } + columns = curr_len + 1; + cell_count = (size_t)(prev_len + 1) * (size_t)columns; + matched = (AlignmentScore *)calloc(cell_count, sizeof(AlignmentScore)); + gapped = (AlignmentScore *)calloc(cell_count, sizeof(AlignmentScore)); + matched_back = (unsigned char *)calloc(cell_count, 1); + gapped_back = (unsigned char *)calloc(cell_count, 1); + if (matched == NULL || gapped == NULL || matched_back == NULL || + gapped_back == NULL) { + PyErr_NoMemory(); + goto error; + } + gapped[0].valid = 1; + + for (prev_count = 0; prev_count <= prev_len; prev_count++) { + for (curr_count = 0; curr_count <= curr_len; curr_count++) { + size_t cell = (size_t)prev_count * (size_t)columns + + (size_t)curr_count; + if (prev_count || curr_count) { + const AlignmentScore *chosen = NULL; + unsigned char chosen_state = 0; + unsigned char chosen_back = 0; + if (prev_count) { + size_t prior_cell = cell - (size_t)columns; + const AlignmentScore *score = best_alignment_state( + &matched[prior_cell], &gapped[prior_cell], + &chosen_state + ); + if (score != NULL) { + chosen = score; + chosen_back = chosen_state == 1 ? 1 : 2; + } + } + if (curr_count) { + size_t prior_cell = cell - 1; + unsigned char candidate_state; + const AlignmentScore *score = best_alignment_state( + &matched[prior_cell], &gapped[prior_cell], + &candidate_state + ); + if (score != NULL && + (chosen == NULL || score_compare(score, chosen) > 0)) { + chosen = score; + chosen_back = candidate_state == 1 ? 3 : 4; + } + } + if (chosen != NULL) { + gapped[cell] = *chosen; + gapped_back[cell] = chosen_back; + } + } + + if (prev_count && curr_count) { + int equal = PyObject_RichCompareBool( + PyList_GET_ITEM(prev_keys, prev_count - 1), + PyList_GET_ITEM(curr_keys, curr_count - 1), + Py_EQ + ); + if (equal < 0) { + goto error; + } + if (equal) { + size_t prior_cell = cell - (size_t)columns - 1; + const AlignmentScore *chosen = NULL; + unsigned char chosen_state = 0; + int prev_info = native_informative_token( + PyList_GET_ITEM(prev_values, prev_count - 1), + structural_tokens + ); + int curr_info = native_informative_token( + PyList_GET_ITEM(curr_values, curr_count - 1), + structural_tokens + ); + Py_ssize_t prev_index = prev_count - 1; + Py_ssize_t curr_index = curr_count - 1; + Py_ssize_t prev_scale = curr_len > 1 ? curr_len - 1 : 1; + Py_ssize_t curr_scale = prev_len > 1 ? prev_len - 1 : 1; + Py_ssize_t delta; + Py_ssize_t displacement; + AlignmentScore candidate; + if (prev_info < 0 || curr_info < 0) { + goto error; + } + delta = prev_index * prev_scale - curr_index * curr_scale; + displacement = delta < 0 ? -delta : delta; + if (matched[prior_cell].valid) { + candidate = matched[prior_cell]; + candidate.matches++; + candidate.informative += prev_info && curr_info; + candidate.displacement -= displacement; + matched[cell] = candidate; + matched[cell].valid = 1; + chosen = &matched[cell]; + chosen_state = 1; + } + if (gapped[prior_cell].valid) { + candidate = gapped[prior_cell]; + candidate.matches++; + candidate.runs--; + candidate.informative += prev_info && curr_info; + candidate.displacement -= displacement; + if (chosen == NULL || + score_compare(&candidate, chosen) > 0) { + matched[cell] = candidate; + matched[cell].valid = 1; + chosen_state = 2; + } + } + if (chosen_state) { + matched_back[cell] = chosen_state; + } + } + } + } + } + + { + size_t final_cell = (size_t)prev_len * (size_t)columns + + (size_t)curr_len; + if (best_alignment_state( + &matched[final_cell], &gapped[final_cell], &state) == NULL) { + state = 0; + } + } + pairs = PyList_New(0); + if (pairs == NULL) { + goto error; + } + prev_count = prev_len; + curr_count = curr_len; + while ((prev_count || curr_count) && state) { + size_t cell = (size_t)prev_count * (size_t)columns + + (size_t)curr_count; + if (state == 1) { + PyObject *pair = Py_BuildValue( + "(nn)", prev_count - 1, curr_count - 1 + ); + if (pair == NULL || PyList_Append(pairs, pair) < 0) { + Py_XDECREF(pair); + goto error; + } + Py_DECREF(pair); + state = matched_back[cell]; + prev_count--; + curr_count--; + } else { + unsigned char back = gapped_back[cell]; + if (!back) { + break; + } + if (back <= 2) { + prev_count--; + state = back == 1 ? 1 : 2; + } else { + curr_count--; + state = back == 3 ? 1 : 2; + } + } + } + if (PyList_Reverse(pairs) < 0) { + goto error; + } + free(matched); + free(gapped); + free(matched_back); + free(gapped_back); + return pairs; + +error: + Py_XDECREF(pairs); + free(matched); + free(gapped); + free(matched_back); + free(gapped_back); + return NULL; +} + +static PyObject * +available_residual_windows(PyObject *self, PyObject *args) +{ + PyObject *values; + PyObject *ranges; + PyObject *residual_by_article; + PyObject *availability; + PyObject *structural_tokens; + PyObject *sizes; + int previous_mode; + int minimum_info; + unsigned char *available = NULL; + unsigned char *informative = NULL; + PyObject *output = NULL; + Py_ssize_t value_count; + Py_ssize_t iteration = 0; + PyObject *article_key; + PyObject *residual; + + if (!PyArg_ParseTuple( + args, "OOOOpOOi:available_residual_windows", + &values, &ranges, &residual_by_article, &availability, + &previous_mode, &structural_tokens, &sizes, &minimum_info)) { + return NULL; + } + if (!PyList_Check(values) || !PyDict_Check(ranges) || + !PyDict_Check(residual_by_article) || + !PyAnySet_Check(structural_tokens) || !PyTuple_Check(sizes) || + (previous_mode && !PyDict_Check(availability)) || + (!previous_mode && !PyList_Check(availability))) { + PyErr_SetString(PyExc_TypeError, "invalid residual-window inputs"); + return NULL; + } + value_count = PyList_GET_SIZE(values); + available = (unsigned char *)calloc( + (size_t)(value_count > 0 ? value_count : 1), 1 + ); + informative = (unsigned char *)calloc( + (size_t)(value_count > 0 ? value_count : 1), 1 + ); + if (available == NULL || informative == NULL) { + PyErr_NoMemory(); + goto error; + } + { + Py_ssize_t index; + for (index = 0; index < value_count; index++) { + int info = native_informative_token( + PyList_GET_ITEM(values, index), structural_tokens + ); + if (info < 0) { + goto error; + } + informative[index] = info ? 1 : 0; + } + } + while (PyDict_Next( + residual_by_article, &iteration, &article_key, &residual)) { + Py_ssize_t article_index = PyLong_AsSsize_t(article_key); + PyObject *residual_index_obj; + Py_ssize_t residual_index; + int is_available; + if (article_index == -1 && PyErr_Occurred()) { + goto error; + } + if (!PyTuple_Check(residual) || PyTuple_GET_SIZE(residual) < 1) { + PyErr_SetString(PyExc_ValueError, "invalid residual mapping"); + goto error; + } + residual_index_obj = PyTuple_GET_ITEM(residual, 0); + residual_index = PyLong_AsSsize_t(residual_index_obj); + if (residual_index == -1 && PyErr_Occurred()) { + goto error; + } + if (previous_mode) { + int used = PyDict_Contains(availability, residual_index_obj); + if (used < 0) { + goto error; + } + is_available = !used; + } else { + if (residual_index < 0 || + residual_index >= PyList_GET_SIZE(availability)) { + PyErr_SetString(PyExc_IndexError, "residual index out of range"); + goto error; + } + is_available = ( + PyList_GET_ITEM(availability, residual_index) == Py_None + ); + } + if (is_available && article_index >= 0 && article_index < value_count) { + available[article_index] = 1; + } + } + + output = PySet_New(NULL); + if (output == NULL) { + goto error; + } + iteration = 0; + { + PyObject *paragraph_key; + PyObject *range_obj; + while (PyDict_Next(ranges, &iteration, ¶graph_key, &range_obj)) { + Py_ssize_t paragraph_start; + Py_ssize_t paragraph_end; + Py_ssize_t run_start = -1; + Py_ssize_t index; + if (!PyTuple_Check(range_obj) || PyTuple_GET_SIZE(range_obj) != 2) { + PyErr_SetString(PyExc_ValueError, "invalid paragraph range"); + goto error; + } + paragraph_start = PyLong_AsSsize_t(PyTuple_GET_ITEM(range_obj, 0)); + paragraph_end = PyLong_AsSsize_t(PyTuple_GET_ITEM(range_obj, 1)); + if (PyErr_Occurred()) { + goto error; + } + for (index = paragraph_start; index <= paragraph_end; index++) { + int at_end = index == paragraph_end; + if (!at_end && available[index]) { + if (run_start < 0) { + run_start = index; + } + continue; + } + if (run_start >= 0) { + Py_ssize_t size_index; + Py_ssize_t run_end = index; + for (size_index = 0; + size_index < PyTuple_GET_SIZE(sizes); size_index++) { + Py_ssize_t size = PyLong_AsSsize_t( + PyTuple_GET_ITEM(sizes, size_index) + ); + Py_ssize_t start; + if (size <= 0 || (size == -1 && PyErr_Occurred())) { + PyErr_SetString(PyExc_ValueError, "invalid window size"); + goto error; + } + for (start = run_start; start + size <= run_end; start++) { + Py_ssize_t info = 0; + Py_ssize_t offset; + PyObject *window; + for (offset = 0; offset < size; offset++) { + info += informative[start + offset]; + } + if (info < minimum_info) { + continue; + } + window = PyTuple_New(size); + if (window == NULL) { + goto error; + } + for (offset = 0; offset < size; offset++) { + PyObject *item = PyList_GET_ITEM( + values, start + offset + ); + Py_INCREF(item); + PyTuple_SET_ITEM(window, offset, item); + } + if (PySet_Add(output, window) < 0) { + Py_DECREF(window); + goto error; + } + Py_DECREF(window); + } + } + run_start = -1; + } + } + } + } + free(available); + free(informative); + return output; + +error: + Py_XDECREF(output); + free(available); + free(informative); + return NULL; +} + +static int +token_equals_ascii(PyObject *token, const char *text) +{ + return PyUnicode_Check(token) && + PyUnicode_CompareWithASCIIString(token, text) == 0; +} + +static PyObject * +configure_token_symbols(PyObject *self, PyObject *symbols) +{ + PyObject *separator; + PyObject *joined; + if (!PyTuple_Check(symbols)) { + PyErr_SetString(PyExc_TypeError, "token symbols must be a tuple"); + return NULL; + } + separator = PyUnicode_FromString(""); + if (separator == NULL) { + return NULL; + } + joined = PyUnicode_Join(separator, symbols); + Py_DECREF(separator); + if (joined == NULL) { + return NULL; + } + Py_XDECREF(token_symbols_text); + token_symbols_text = joined; + Py_RETURN_NONE; +} + +static int +is_cjk_token_character(Py_UCS4 character) +{ + return ((character >= 0x2E80 && character <= 0x9FFF) || + (character >= 0xF900 && character <= 0xFAFF) || + (character >= 0xFE00 && character <= 0xFE1F) || + (character >= 0xFE30 && character <= 0xFE6F) || + (character >= 0xFF00 && character <= 0xFFEF) || + (character >= 0x16FE0 && character <= 0x1B2FF) || + (character >= 0x1F000 && character <= 0x1F2FF) || + (character >= 0x20000 && character <= 0x3347F) || + (character >= 0xE0100 && character <= 0xE01EF)); +} + +static int +is_token_symbol_character(Py_UCS4 character) +{ + Py_ssize_t found; + if (token_symbols_text == NULL) { + PyErr_SetString(PyExc_RuntimeError, + "native token symbols are not configured"); + return -1; + } + found = PyUnicode_FindChar( + token_symbols_text, character, 0, + PyUnicode_GET_LENGTH(token_symbols_text), 1 + ); + if (found < 0 && PyErr_Occurred()) { + return -1; + } + return found >= 0; +} + +static int +append_token_slice(PyObject *output, PyObject *text, + Py_ssize_t start, Py_ssize_t end) +{ + PyObject *token; + int status; + if (start >= end) { + return 0; + } + if (end - start == 4 && + PyUnicode_READ_CHAR(text, start) == 0xE6 && + PyUnicode_READ_CHAR(text, start + 1) == 0xE6 && + PyUnicode_READ_CHAR(text, start + 2) == 0xE6 && + PyUnicode_READ_CHAR(text, start + 3) == 0xE6) { + return PyList_Append(output, pipe_token); + } + token = PyUnicode_Substring(text, start, end); + if (token == NULL) { + return -1; + } + status = PyList_Append(output, token); + Py_DECREF(token); + return status; +} + +static int +unicode_matches_ascii_at(PyObject *text, Py_ssize_t start, + Py_ssize_t text_length, const char *pattern, + Py_ssize_t pattern_length) +{ + Py_ssize_t offset; + if (start < 0 || pattern_length > text_length - start) { + return 0; + } + for (offset = 0; offset < pattern_length; offset++) { + if (PyUnicode_READ_CHAR(text, start + offset) != + (unsigned char)pattern[offset]) { + return 0; + } + } + return 1; +} + +/* Return the length of a paragraph delimiter-adjacent tag at ``start`` and + * set ``side`` to -1 for a leading delimiter or +1 for a trailing delimiter. + * These are exactly the literal replacements performed by + * utils.split_into_paragraphs before its line-start ``|}`` rule. */ +static Py_ssize_t +paragraph_tag_at(PyObject *text, Py_ssize_t start, Py_ssize_t length, + int *side) +{ + Py_UCS4 first = PyUnicode_READ_CHAR(text, start); + if (first == '<') { + if (unicode_matches_ascii_at(text, start, length, "", 7)) { + *side = -1; + return 7; + } + if (unicode_matches_ascii_at(text, start, length, "
", 8)) { + *side = 1; + return 8; + } + if (unicode_matches_ascii_at(text, start, length, "", 4)) { + *side = -1; + return 4; + } + if (unicode_matches_ascii_at(text, start, length, "", 5)) { + *side = 1; + return 5; + } + } else if (first == '{' && + unicode_matches_ascii_at(text, start, length, "{|", 2)) { + *side = -1; + return 2; + } + return 0; +} + +static PyObject * +paragraph_stage_one(PyObject *text) +{ + Py_ssize_t length = PyUnicode_GET_LENGTH(text); + Py_ssize_t output_length = 0; + Py_ssize_t input_index = 0; + Py_ssize_t output_index = 0; + PyObject *output; + int output_kind; + void *output_data; + + while (input_index < length) { + Py_UCS4 character = PyUnicode_READ_CHAR(text, input_index); + Py_ssize_t tag_length; + int side = 0; + tag_length = paragraph_tag_at( + text, input_index, length, &side + ); + if (tag_length) { + if (output_length > PY_SSIZE_T_MAX - tag_length - 2) { + PyErr_SetString(PyExc_OverflowError, + "paragraph text is too large"); + return NULL; + } + output_length += tag_length + 2; + input_index += tag_length; + } else { + if (output_length == PY_SSIZE_T_MAX) { + PyErr_SetString(PyExc_OverflowError, + "paragraph text is too large"); + return NULL; + } + output_length++; + input_index++; + if (character == '\r' && input_index < length && + PyUnicode_READ_CHAR(text, input_index) == '\n') { + input_index++; + } + } + } + + output = PyUnicode_New( + output_length, PyUnicode_MAX_CHAR_VALUE(text) + ); + if (output == NULL) { + return NULL; + } + output_kind = PyUnicode_KIND(output); + output_data = PyUnicode_DATA(output); + input_index = 0; + while (input_index < length) { + Py_UCS4 character = PyUnicode_READ_CHAR(text, input_index); + Py_ssize_t tag_length; + Py_ssize_t offset; + int side = 0; + tag_length = paragraph_tag_at( + text, input_index, length, &side + ); + if (tag_length) { + if (side < 0) { + PyUnicode_WRITE(output_kind, output_data, output_index++, '\n'); + PyUnicode_WRITE(output_kind, output_data, output_index++, '\n'); + } + for (offset = 0; offset < tag_length; offset++) { + PyUnicode_WRITE( + output_kind, output_data, output_index++, + PyUnicode_READ_CHAR(text, input_index + offset) + ); + } + if (side > 0) { + PyUnicode_WRITE(output_kind, output_data, output_index++, '\n'); + PyUnicode_WRITE(output_kind, output_data, output_index++, '\n'); + } + input_index += tag_length; + } else { + PyUnicode_WRITE( + output_kind, output_data, output_index++, + character == '\r' ? '\n' : character + ); + input_index++; + if (character == '\r' && input_index < length && + PyUnicode_READ_CHAR(text, input_index) == '\n') { + input_index++; + } + } + } + return output; +} + +static Py_ssize_t +paragraph_line_close_end(PyObject *text, Py_ssize_t line_start, + Py_ssize_t length) +{ + Py_ssize_t index = line_start; + while (index < length) { + Py_UCS4 character = PyUnicode_READ_CHAR(text, index); + if (character != ' ' && character != '\t') { + break; + } + index++; + } + if (index + 1 < length && + PyUnicode_READ_CHAR(text, index) == '|' && + PyUnicode_READ_CHAR(text, index + 1) == '}' && + (index + 2 >= length || + PyUnicode_READ_CHAR(text, index + 2) != '}')) { + return index + 2; + } + return -1; +} + +static PyObject * +paragraph_stage_two(PyObject *text) +{ + Py_ssize_t length = PyUnicode_GET_LENGTH(text); + Py_ssize_t match_count = 0; + Py_ssize_t index; + Py_ssize_t next_match_end; + Py_ssize_t output_index = 0; + PyObject *output; + int output_kind; + void *output_data; + + next_match_end = paragraph_line_close_end(text, 0, length); + if (next_match_end >= 0) { + match_count++; + } + for (index = 0; index < length; index++) { + if (PyUnicode_READ_CHAR(text, index) == '\n' && index + 1 < length) { + Py_ssize_t match_end = paragraph_line_close_end( + text, index + 1, length + ); + if (match_end >= 0) { + match_count++; + } + } + } + if (!match_count) { + Py_INCREF(text); + return text; + } + if (match_count > (PY_SSIZE_T_MAX - length) / 2) { + PyErr_SetString(PyExc_OverflowError, "paragraph text is too large"); + return NULL; + } + output = PyUnicode_New( + length + 2 * match_count, PyUnicode_MAX_CHAR_VALUE(text) + ); + if (output == NULL) { + return NULL; + } + output_kind = PyUnicode_KIND(output); + output_data = PyUnicode_DATA(output); + next_match_end = paragraph_line_close_end(text, 0, length); + for (index = 0; index < length; index++) { + PyUnicode_WRITE( + output_kind, output_data, output_index++, + PyUnicode_READ_CHAR(text, index) + ); + if (index + 1 == next_match_end) { + PyUnicode_WRITE(output_kind, output_data, output_index++, '\n'); + PyUnicode_WRITE(output_kind, output_data, output_index++, '\n'); + } + if (PyUnicode_READ_CHAR(text, index) == '\n' && index + 1 < length) { + next_match_end = paragraph_line_close_end( + text, index + 1, length + ); + } + } + return output; +} + +static PyObject * +split_into_paragraphs_native(PyObject *self, PyObject *text) +{ + PyObject *stage_one; + PyObject *stage_two; + PyObject *marker; + PyObject *replacement; + PyObject *separator; + PyObject *stage_three; + PyObject *output; + if (!PyUnicode_Check(text)) { + PyErr_SetString(PyExc_TypeError, "paragraph splitter input must be text"); + return NULL; + } + stage_one = paragraph_stage_one(text); + if (stage_one == NULL) { + return NULL; + } + stage_two = paragraph_stage_two(stage_one); + Py_DECREF(stage_one); + if (stage_two == NULL) { + return NULL; + } + marker = PyUnicode_FromString("|-\n"); + replacement = PyUnicode_FromString("\n\n|-\n"); + separator = PyUnicode_FromString("\n\n"); + if (marker == NULL || replacement == NULL || separator == NULL) { + Py_XDECREF(marker); + Py_XDECREF(replacement); + Py_XDECREF(separator); + Py_DECREF(stage_two); + return NULL; + } + stage_three = PyUnicode_Replace( + stage_two, marker, replacement, -1 + ); + Py_DECREF(stage_two); + Py_DECREF(marker); + Py_DECREF(replacement); + if (stage_three == NULL) { + Py_DECREF(separator); + return NULL; + } + output = PyUnicode_Split(stage_three, separator, -1); + Py_DECREF(stage_three); + Py_DECREF(separator); + return output; +} + +static PyObject * +split_into_tokens_native(PyObject *self, PyObject *text) +{ + PyObject *output; + Py_ssize_t length; + Py_ssize_t index = 0; + Py_ssize_t word_start = 0; + if (!PyUnicode_Check(text)) { + PyErr_SetString(PyExc_TypeError, "tokenizer input must be text"); + return NULL; + } + if (token_symbols_text == NULL || pipe_token == NULL) { + PyErr_SetString(PyExc_RuntimeError, + "native tokenizer is not configured"); + return NULL; + } + output = PyList_New(0); + if (output == NULL) { + return NULL; + } + length = PyUnicode_GET_LENGTH(text); + while (index < length) { + Py_UCS4 character = PyUnicode_READ_CHAR(text, index); + Py_ssize_t marker_length = 0; + int symbol; + int delimiter; + if (index + 3 < length && character == '<' && + PyUnicode_READ_CHAR(text, index + 1) == '!' && + PyUnicode_READ_CHAR(text, index + 2) == '-' && + PyUnicode_READ_CHAR(text, index + 3) == '-') { + marker_length = 4; + } else if (index + 2 < length && character == '-' && + PyUnicode_READ_CHAR(text, index + 1) == '-' && + PyUnicode_READ_CHAR(text, index + 2) == '>') { + marker_length = 3; + } else if (index + 1 < length && + ((character == '[' && + PyUnicode_READ_CHAR(text, index + 1) == '[') || + (character == ']' && + PyUnicode_READ_CHAR(text, index + 1) == ']') || + (character == '{' && + PyUnicode_READ_CHAR(text, index + 1) == '{') || + (character == '}' && + PyUnicode_READ_CHAR(text, index + 1) == '}'))) { + marker_length = 2; + } + symbol = (marker_length || character == '|') ? 1 : + is_token_symbol_character(character); + if (symbol < 0) { + Py_DECREF(output); + return NULL; + } + delimiter = ( + character == ' ' || character == '\n' || symbol || + is_cjk_token_character(character) + ); + if (!delimiter) { + index++; + continue; + } + if (append_token_slice(output, text, word_start, index) < 0) { + Py_DECREF(output); + return NULL; + } + if (character != ' ' && character != '\n') { + Py_ssize_t token_end = index + (marker_length ? marker_length : 1); + if (character == '|' && marker_length == 0) { + if (PyList_Append(output, pipe_token) < 0) { + Py_DECREF(output); + return NULL; + } + } else if (append_token_slice( + output, text, index, token_end) < 0) { + Py_DECREF(output); + return NULL; + } + index = token_end; + } else { + index++; + } + word_start = index; + } + if (append_token_slice(output, text, word_start, length) < 0) { + Py_DECREF(output); + return NULL; + } + return output; +} + +static int +token_window_equals_tuple(PyObject *tokens, Py_ssize_t start, + PyObject *needle) +{ + Py_ssize_t offset; + Py_ssize_t needle_length = PyTuple_GET_SIZE(needle); + for (offset = 0; offset < needle_length; offset++) { + PyObject *left = PyList_GET_ITEM(tokens, start + offset); + PyObject *right = PyTuple_GET_ITEM(needle, offset); + int equal; + if (left == right) { + continue; + } + equal = PyObject_RichCompareBool(left, right, Py_EQ); + if (equal <= 0) { + return equal; + } + } + return 1; +} + +/* Count a needle only up to two occurrences, using the same first/last pair + * candidate lists as the Python fallback. Moved-run copy safety only asks + * whether an occurrence is absent, unique, or repeated. */ +static PyObject * +count_subsequence_at_positions(PyObject *self, PyObject *args) +{ + PyObject *tokens; + PyObject *needle; + PyObject *first_positions; + PyObject *last_positions; + PyObject *positions_fast = NULL; + Py_ssize_t token_length; + Py_ssize_t needle_length; + Py_ssize_t count = 0; + Py_ssize_t index; + int use_last; + + if (!PyArg_ParseTuple( + args, "OOOO:count_subsequence_at_positions", &tokens, &needle, + &first_positions, &last_positions)) { + return NULL; + } + if (!PyList_Check(tokens) || !PyTuple_Check(needle)) { + PyErr_SetString(PyExc_TypeError, + "tokens must be a list and needle a tuple"); + return NULL; + } + token_length = PyList_GET_SIZE(tokens); + needle_length = PyTuple_GET_SIZE(needle); + if (needle_length == 0 || needle_length > token_length) { + return PyLong_FromLong(0); + } + if (needle_length == 1) { + PyObject *target = PyTuple_GET_ITEM(needle, 0); + for (index = 0; index < token_length; index++) { + PyObject *token = PyList_GET_ITEM(tokens, index); + int equal = token == target ? 1 : + PyObject_RichCompareBool(token, target, Py_EQ); + if (equal < 0) { + return NULL; + } + if (equal && ++count == 2) { + break; + } + } + return PyLong_FromSsize_t(count); + } + + use_last = PySequence_Size(last_positions) < + PySequence_Size(first_positions); + if (PyErr_Occurred()) { + return NULL; + } + positions_fast = PySequence_Fast( + use_last ? last_positions : first_positions, + "pair positions must be a sequence" + ); + if (positions_fast == NULL) { + return NULL; + } + for (index = 0; index < PySequence_Fast_GET_SIZE(positions_fast); index++) { + Py_ssize_t pair_index = PyLong_AsSsize_t( + PySequence_Fast_GET_ITEM(positions_fast, index) + ); + Py_ssize_t start; + int equal; + if (pair_index == -1 && PyErr_Occurred()) { + Py_DECREF(positions_fast); + return NULL; + } + start = use_last ? pair_index - needle_length + 2 : pair_index; + if (start < 0 || start > token_length - needle_length) { + continue; + } + equal = token_window_equals_tuple(tokens, start, needle); + if (equal < 0) { + Py_DECREF(positions_fast); + return NULL; + } + if (equal && ++count == 2) { + break; + } + } + Py_DECREF(positions_fast); + return PyLong_FromSsize_t(count); +} + +enum { + TOKEN_MARKUP_NONE = 0, + TOKEN_MARKUP_TEMPLATE_OPEN, + TOKEN_MARKUP_TEMPLATE_CLOSE, + TOKEN_MARKUP_LINK_OPEN, + TOKEN_MARKUP_LINK_CLOSE, + TOKEN_MARKUP_COMMENT_OPEN, + TOKEN_MARKUP_COMMENT_CLOSE, + TOKEN_MARKUP_PIPE, + TOKEN_MARKUP_EQUALS +}; + +static int +token_markup_kind(PyObject *token) +{ + Py_ssize_t length; + Py_UCS4 first; + if (!PyUnicode_Check(token)) { + return TOKEN_MARKUP_NONE; + } + length = PyUnicode_GET_LENGTH(token); + if (!length) { + return TOKEN_MARKUP_NONE; + } + first = PyUnicode_READ_CHAR(token, 0); + if (length == 1) { + if (first == '|') return TOKEN_MARKUP_PIPE; + if (first == '=') return TOKEN_MARKUP_EQUALS; + return TOKEN_MARKUP_NONE; + } + if (length == 2) { + Py_UCS4 second = PyUnicode_READ_CHAR(token, 1); + if (first == '{' && second == '{') { + return TOKEN_MARKUP_TEMPLATE_OPEN; + } + if (first == '}' && second == '}') { + return TOKEN_MARKUP_TEMPLATE_CLOSE; + } + if (first == '[' && second == '[') { + return TOKEN_MARKUP_LINK_OPEN; + } + if (first == ']' && second == ']') { + return TOKEN_MARKUP_LINK_CLOSE; + } + return TOKEN_MARKUP_NONE; + } + if (length == 3 && first == '-' && + PyUnicode_READ_CHAR(token, 1) == '-' && + PyUnicode_READ_CHAR(token, 2) == '>') { + return TOKEN_MARKUP_COMMENT_CLOSE; + } + if (length == 4 && first == '<' && + PyUnicode_READ_CHAR(token, 1) == '!' && + PyUnicode_READ_CHAR(token, 2) == '-' && + PyUnicode_READ_CHAR(token, 3) == '-') { + return TOKEN_MARKUP_COMMENT_OPEN; + } + return TOKEN_MARKUP_NONE; +} + +static int +token_is_any_stop(PyObject *token, const char **stops, Py_ssize_t stop_count) +{ + Py_ssize_t index; + for (index = 0; index < stop_count; index++) { + if (token_equals_ascii(token, stops[index])) { + return 1; + } + } + return 0; +} + +static PyObject * +tokens_until(PyObject *tokens, Py_ssize_t start, + const char **stops, Py_ssize_t stop_count, + Py_ssize_t *end) +{ + Py_ssize_t length = PyList_GET_SIZE(tokens); + Py_ssize_t index = start; + PyObject *collected; + Py_ssize_t offset; + while (index < length && !token_is_any_stop( + PyList_GET_ITEM(tokens, index), stops, stop_count)) { + index++; + } + collected = PyTuple_New(index - start); + if (collected == NULL) { + return NULL; + } + for (offset = start; offset < index; offset++) { + PyObject *item = PyList_GET_ITEM(tokens, offset); + Py_INCREF(item); + PyTuple_SET_ITEM(collected, offset - start, item); + } + *end = index; + return collected; +} + +static PyObject * +template_field_before(PyObject *tokens, Py_ssize_t equals_index) +{ + Py_ssize_t index = equals_index - 1; + Py_ssize_t count = 0; + PyObject *field; + while (index >= 0) { + PyObject *token = PyList_GET_ITEM(tokens, index); + if (token_equals_ascii(token, "{{") || + token_equals_ascii(token, "|") || + token_equals_ascii(token, "}}")) { + break; + } + count++; + index--; + } + if (index < 0 || count == 0 || + !token_equals_ascii(PyList_GET_ITEM(tokens, index), "|")) { + Py_RETURN_NONE; + } + field = PyTuple_New(count); + if (field == NULL) { + return NULL; + } + { + Py_ssize_t offset; + for (offset = 0; offset < count; offset++) { + PyObject *item = PyList_GET_ITEM(tokens, index + 1 + offset); + Py_INCREF(item); + PyTuple_SET_ITEM(field, offset, item); + } + } + return field; +} + +static int +replace_list_item(PyObject *list, Py_ssize_t index, PyObject *replacement) +{ + PyObject *previous; + if (replacement == NULL) { + return -1; + } + previous = PyList_GET_ITEM(list, index); + PyList_SET_ITEM(list, index, replacement); + Py_DECREF(previous); + return 0; +} + +static int +pop_construct(ConstructFrame *stack, Py_ssize_t *depth, int type, + ConstructFrame *result) +{ + Py_ssize_t index; + for (index = *depth - 1; index >= 0; index--) { + if (stack[index].type == type) { + Py_ssize_t discard; + *result = stack[index]; + for (discard = index + 1; discard < *depth; discard++) { + Py_XDECREF(stack[discard].context); + } + *depth = index; + return 1; + } + } + return 0; +} + +/* Return 1 with a borrowed occurrence, 0 for malformed hierarchy state, and + * -1 for an exception. */ +static int +ordered_occurrence(PyObject *mapping, PyObject *counts, PyObject *key, + PyObject **result) +{ + PyObject *occurrences = PyDict_GetItemWithError(mapping, key); + PyObject *count_object; + PyObject *next_count; + Py_ssize_t count = 0; + if (occurrences == NULL) { + return PyErr_Occurred() ? -1 : 0; + } + if (!PyList_Check(occurrences)) { + return 0; + } + count_object = PyDict_GetItemWithError(counts, key); + if (count_object != NULL) { + count = PyLong_AsSsize_t(count_object); + if (count == -1 && PyErr_Occurred()) { + return -1; + } + } else if (PyErr_Occurred()) { + return -1; + } + if (count < 0 || count >= PyList_GET_SIZE(occurrences)) { + return 0; + } + next_count = PyLong_FromSsize_t(count + 1); + if (next_count == NULL) { + return -1; + } + if (PyDict_SetItem(counts, key, next_count) < 0) { + Py_DECREF(next_count); + return -1; + } + Py_DECREF(next_count); + *result = PyList_GET_ITEM(occurrences, count); + return 1; +} + +/* Append one sentence's normalized values while reproducing the Python + * hierarchy consistency checks. */ +static int +append_sentence_values(PyObject *sentence, PyObject *values, + PointerSet *seen_words, ParagraphCache *cache, + Py_ssize_t *sentence_start, + Py_ssize_t *sentence_length) +{ + PyObject *words = PyObject_GetAttr(sentence, attr_words); + PyObject *splitted = NULL; + PyObject *split_values = NULL; + Py_ssize_t start = PyList_GET_SIZE(values); + Py_ssize_t split_length = 0; + Py_ssize_t index; + int split_truth; + int status = 1; + if (words == NULL) { + return -1; + } + splitted = PyObject_GetAttr(sentence, attr_splitted); + if (splitted == NULL) { + Py_DECREF(words); + return -1; + } + if (!PyList_Check(words)) { + status = 0; + goto done; + } + split_truth = PyObject_IsTrue(splitted); + if (split_truth < 0) { + status = -1; + goto done; + } + if (split_truth) { + split_values = PySequence_Fast( + splitted, "sentence split values are not iterable" + ); + if (split_values == NULL) { + status = -1; + goto done; + } + split_length = PySequence_Fast_GET_SIZE(split_values); + } + if (PyList_GET_SIZE(words)) { + for (index = 0; index < PyList_GET_SIZE(words); index++) { + PyObject *word = PyList_GET_ITEM(words, index); + PyObject *value; + int added = pointer_set_add(seen_words, word); + if (added <= 0) { + status = added; + goto done; + } + if (cache != NULL && + paragraph_cache_append_word(cache, word) < 0) { + status = -1; + goto done; + } + value = PyObject_GetAttr(word, attr_value); + if (value == NULL) { + status = -1; + goto done; + } + if (PyList_Append(values, value) < 0) { + Py_DECREF(value); + status = -1; + goto done; + } + Py_DECREF(value); + } + if (split_length) { + if (split_length != PyList_GET_SIZE(words)) { + status = 0; + goto done; + } + for (index = 0; index < split_length; index++) { + int equal = PyObject_RichCompareBool( + PySequence_Fast_GET_ITEM(split_values, index), + PyList_GET_ITEM(values, start + index), Py_EQ + ); + if (equal <= 0) { + status = equal; + goto done; + } + } + } + } else if (split_length) { + for (index = 0; index < split_length; index++) { + if (PyList_Append( + values, PySequence_Fast_GET_ITEM( + split_values, index + )) < 0) { + status = -1; + goto done; + } + } + } else { + status = 0; + goto done; + } + *sentence_start = start; + *sentence_length = PyList_GET_SIZE(values) - start; + +done: + Py_XDECREF(split_values); + Py_DECREF(words); + Py_DECREF(splitted); + return status; +} + +static int +append_cached_paragraph( + ParagraphCache *cache, CachedParagraph *paragraph, + PyObject *targets, Py_ssize_t paragraph_index, PyObject *values, + PyObject *paragraph_ranges, PyObject *sentence_ranges, + PointerSet *seen_sentences, PointerSet *seen_words) +{ + Py_ssize_t paragraph_start = PyList_GET_SIZE(values); + Py_ssize_t value_cursor = paragraph->value_start; + Py_ssize_t word_cursor = paragraph->word_start; + Py_ssize_t sentence_offset; + for (sentence_offset = 0; + sentence_offset < paragraph->sentence_count; + sentence_offset++) { + CachedSentence *sentence = &cache->sentences[ + paragraph->sentence_start + sentence_offset + ]; + Py_ssize_t word_offset; + Py_ssize_t value_offset; + Py_ssize_t sentence_start; + int status = pointer_set_add( + seen_sentences, sentence->sentence + ); + int retain; + if (status <= 0) { + return status; + } + for (word_offset = 0; + word_offset < sentence->word_count; + word_offset++) { + status = pointer_set_add( + seen_words, cache->words[word_cursor + word_offset] + ); + if (status <= 0) { + return status; + } + } + sentence_start = PyList_GET_SIZE(values); + for (value_offset = 0; + value_offset < sentence->value_length; + value_offset++) { + if (PyList_Append( + values, PyList_GET_ITEM( + cache->values, + value_cursor + value_offset + )) < 0) { + return -1; + } + } + word_cursor += sentence->word_count; + value_cursor += sentence->value_length; + if (targets == Py_None) { + retain = 1; + } else { + retain = PySet_Contains(targets, sentence->sentence); + if (retain < 0) { + return -1; + } + } + if (retain) { + PyObject *range = Py_BuildValue( + "(nnnn)", paragraph_index, sentence_offset, + sentence_start, sentence->value_length + ); + if (range == NULL || PyDict_SetItem( + sentence_ranges, sentence->sentence, range) < 0) { + Py_XDECREF(range); + return -1; + } + Py_DECREF(range); + } + } + { + PyObject *paragraph_key = PyLong_FromSsize_t(paragraph_index); + PyObject *paragraph_range = Py_BuildValue( + "(nn)", paragraph_start, PyList_GET_SIZE(values) + ); + if (paragraph_key == NULL || paragraph_range == NULL || + PyDict_SetItem( + paragraph_ranges, paragraph_key, + paragraph_range) < 0) { + Py_XDECREF(paragraph_key); + Py_XDECREF(paragraph_range); + return -1; + } + Py_DECREF(paragraph_key); + Py_DECREF(paragraph_range); + } + return 1; +} + +/* Return 1 with owned outputs, 0 for fail-closed hierarchy state, and -1 for + * an exception. */ +static int +build_structural_document(PyObject *revision, PyObject *targets, + ParagraphCache *cache, int populate_cache, + PyObject *cache_peer, + PyObject **values_result, + PyObject **paragraph_ranges_result, + PyObject **sentence_ranges_result) +{ + PyObject *ordered_paragraphs = NULL; + PyObject *paragraphs = NULL; + PyObject *paragraph_counts = NULL; + PyObject *values = NULL; + PyObject *paragraph_ranges = NULL; + PyObject *sentence_ranges = NULL; + PointerSet seen_paragraphs = {NULL, 0, 0}; + PointerSet seen_sentences = {NULL, 0, 0}; + PointerSet seen_words = {NULL, 0, 0}; + Py_ssize_t paragraph_index; + int status = -1; + + ordered_paragraphs = PyObject_GetAttr( + revision, attr_ordered_paragraphs + ); + paragraphs = PyObject_GetAttr(revision, attr_paragraphs); + if (ordered_paragraphs == NULL || paragraphs == NULL) { + goto done; + } + if (!PyList_Check(ordered_paragraphs) || !PyDict_Check(paragraphs) || + (targets != Py_None && !PyAnySet_Check(targets))) { + status = 0; + goto done; + } + if (populate_cache && paragraph_cache_init( + cache, cache_peer, + (size_t)PyList_GET_SIZE(ordered_paragraphs)) < 0) { + goto done; + } + paragraph_counts = PyDict_New(); + values = PyList_New(0); + paragraph_ranges = PyDict_New(); + sentence_ranges = PyDict_New(); + if (paragraph_counts == NULL || values == NULL || + paragraph_ranges == NULL || sentence_ranges == NULL || + pointer_set_init( + &seen_paragraphs, + (size_t)PyList_GET_SIZE(ordered_paragraphs) + ) < 0 || + pointer_set_init(&seen_sentences, 256) < 0 || + pointer_set_init(&seen_words, 1024) < 0) { + goto done; + } + + for (paragraph_index = 0; + paragraph_index < PyList_GET_SIZE(ordered_paragraphs); + paragraph_index++) { + PyObject *paragraph_hash = PyList_GET_ITEM( + ordered_paragraphs, paragraph_index + ); + PyObject *paragraph; + PyObject *ordered_sentences = NULL; + PyObject *sentences = NULL; + PyObject *sentence_counts = NULL; + PyObject *paragraph_key = NULL; + PyObject *paragraph_range = NULL; + Py_ssize_t paragraph_start = PyList_GET_SIZE(values); + Py_ssize_t cached_sentence_start = populate_cache ? + (Py_ssize_t)cache->sentence_count : 0; + Py_ssize_t cached_word_start = populate_cache ? + (Py_ssize_t)cache->word_count : 0; + Py_ssize_t sentence_index; + int cache_paragraph = 0; + int occurrence_status = ordered_occurrence( + paragraphs, paragraph_counts, paragraph_hash, ¶graph + ); + if (occurrence_status <= 0) { + status = occurrence_status; + goto done; + } + if (populate_cache) { + cache_paragraph = paragraph_cache_may_reuse( + cache, paragraph_hash + ); + if (cache_paragraph < 0) { + goto done; + } + } + occurrence_status = pointer_set_add(&seen_paragraphs, paragraph); + if (occurrence_status <= 0) { + status = occurrence_status; + goto done; + } + if (!populate_cache) { + CachedParagraph *cached = paragraph_cache_lookup( + cache, paragraph + ); + if (cached != NULL) { + occurrence_status = append_cached_paragraph( + cache, cached, targets, paragraph_index, values, + paragraph_ranges, sentence_ranges, + &seen_sentences, &seen_words + ); + if (occurrence_status <= 0) { + status = occurrence_status; + goto done; + } + continue; + } + } + ordered_sentences = PyObject_GetAttr( + paragraph, attr_ordered_sentences + ); + sentences = PyObject_GetAttr(paragraph, attr_sentences); + if (ordered_sentences == NULL || sentences == NULL) { + Py_XDECREF(ordered_sentences); + Py_XDECREF(sentences); + goto done; + } + if (!PyList_Check(ordered_sentences) || !PyDict_Check(sentences)) { + Py_DECREF(ordered_sentences); + Py_DECREF(sentences); + status = 0; + goto done; + } + sentence_counts = PyDict_New(); + if (sentence_counts == NULL) { + Py_DECREF(ordered_sentences); + Py_DECREF(sentences); + goto done; + } + for (sentence_index = 0; + sentence_index < PyList_GET_SIZE(ordered_sentences); + sentence_index++) { + PyObject *sentence_hash = PyList_GET_ITEM( + ordered_sentences, sentence_index + ); + PyObject *sentence; + Py_ssize_t sentence_start; + Py_ssize_t sentence_length; + Py_ssize_t cached_sentence_word_start = populate_cache ? + (Py_ssize_t)cache->word_count : 0; + int retain; + occurrence_status = ordered_occurrence( + sentences, sentence_counts, sentence_hash, &sentence + ); + if (occurrence_status <= 0) { + Py_DECREF(sentence_counts); + Py_DECREF(ordered_sentences); + Py_DECREF(sentences); + status = occurrence_status; + goto done; + } + occurrence_status = pointer_set_add( + &seen_sentences, sentence + ); + if (occurrence_status <= 0) { + Py_DECREF(sentence_counts); + Py_DECREF(ordered_sentences); + Py_DECREF(sentences); + status = occurrence_status; + goto done; + } + occurrence_status = append_sentence_values( + sentence, values, &seen_words, + cache_paragraph ? cache : NULL, + &sentence_start, &sentence_length + ); + if (occurrence_status <= 0) { + Py_DECREF(sentence_counts); + Py_DECREF(ordered_sentences); + Py_DECREF(sentences); + status = occurrence_status; + goto done; + } + if (cache_paragraph && paragraph_cache_append_sentence( + cache, sentence, sentence_length, + (Py_ssize_t)cache->word_count - + cached_sentence_word_start) < 0) { + Py_DECREF(sentence_counts); + Py_DECREF(ordered_sentences); + Py_DECREF(sentences); + goto done; + } + if (targets == Py_None) { + retain = 1; + } else { + retain = PySet_Contains(targets, sentence); + if (retain < 0) { + Py_DECREF(sentence_counts); + Py_DECREF(ordered_sentences); + Py_DECREF(sentences); + goto done; + } + } + if (retain) { + PyObject *range = Py_BuildValue( + "(nnnn)", paragraph_index, sentence_index, + sentence_start, sentence_length + ); + if (range == NULL || PyDict_SetItem( + sentence_ranges, sentence, range) < 0) { + Py_XDECREF(range); + Py_DECREF(sentence_counts); + Py_DECREF(ordered_sentences); + Py_DECREF(sentences); + goto done; + } + Py_DECREF(range); + } + } + Py_DECREF(sentence_counts); + Py_DECREF(ordered_sentences); + Py_DECREF(sentences); + if (cache_paragraph) { + occurrence_status = paragraph_cache_insert( + cache, paragraph, paragraph_start, + cached_sentence_start, + (Py_ssize_t)cache->sentence_count - + cached_sentence_start, + cached_word_start + ); + if (occurrence_status <= 0) { + status = occurrence_status; + goto done; + } + } + paragraph_key = PyLong_FromSsize_t(paragraph_index); + paragraph_range = Py_BuildValue( + "(nn)", paragraph_start, PyList_GET_SIZE(values) + ); + if (paragraph_key == NULL || paragraph_range == NULL || + PyDict_SetItem( + paragraph_ranges, paragraph_key, paragraph_range + ) < 0) { + Py_XDECREF(paragraph_key); + Py_XDECREF(paragraph_range); + goto done; + } + Py_DECREF(paragraph_key); + Py_DECREF(paragraph_range); + } + *values_result = values; + *paragraph_ranges_result = paragraph_ranges; + *sentence_ranges_result = sentence_ranges; + values = NULL; + paragraph_ranges = NULL; + sentence_ranges = NULL; + status = 1; + +done: + pointer_set_clear(&seen_paragraphs); + pointer_set_clear(&seen_sentences); + pointer_set_clear(&seen_words); + Py_XDECREF(ordered_paragraphs); + Py_XDECREF(paragraphs); + Py_XDECREF(paragraph_counts); + Py_XDECREF(values); + Py_XDECREF(paragraph_ranges); + Py_XDECREF(sentence_ranges); + return status; +} + +static PyObject * +document_pair(PyObject *self, PyObject *args) +{ + PyObject *previous; + PyObject *current; + PyObject *previous_targets; + PyObject *current_targets; + PyObject *prev_values = NULL; + PyObject *prev_paragraph_ranges = NULL; + PyObject *prev_sentence_ranges = NULL; + PyObject *curr_values = NULL; + PyObject *curr_paragraph_ranges = NULL; + PyObject *curr_sentence_ranges = NULL; + PyObject *result = NULL; + ParagraphCache cache = {0}; + int status; + if (!PyArg_ParseTuple( + args, "OOOO:document_pair", &previous, ¤t, + &previous_targets, ¤t_targets)) { + return NULL; + } + status = build_structural_document( + previous, previous_targets, &cache, 1, current, &prev_values, + &prev_paragraph_ranges, &prev_sentence_ranges + ); + if (status < 0) { + goto error; + } + if (!status) { + paragraph_cache_clear(&cache); + Py_RETURN_NONE; + } + cache.values = prev_values; + status = build_structural_document( + current, current_targets, &cache, 0, NULL, &curr_values, + &curr_paragraph_ranges, &curr_sentence_ranges + ); + if (status < 0) { + goto error; + } + if (!status) { + paragraph_cache_clear(&cache); + Py_DECREF(prev_values); + Py_DECREF(prev_paragraph_ranges); + Py_DECREF(prev_sentence_ranges); + Py_RETURN_NONE; + } + result = PyTuple_Pack( + 6, prev_values, prev_paragraph_ranges, prev_sentence_ranges, + curr_values, curr_paragraph_ranges, curr_sentence_ranges + ); + +error: + paragraph_cache_clear(&cache); + Py_XDECREF(prev_values); + Py_XDECREF(prev_paragraph_ranges); + Py_XDECREF(prev_sentence_ranges); + Py_XDECREF(curr_values); + Py_XDECREF(curr_paragraph_ranges); + Py_XDECREF(curr_sentence_ranges); + return result; +} + +static PyObject * +document_index(PyObject *self, PyObject *args) +{ + PyObject *tokens; + PyObject *structural_tokens; + PyObject *keys = NULL; + PyObject *prefix = NULL; + PyObject *result = NULL; + ConstructFrame *stack = NULL; + uint64_t *prefix_values = NULL; + Py_ssize_t depth = 0; + Py_ssize_t length; + Py_ssize_t index; + Py_ssize_t information = 0; + const char *template_stops[] = {"|", "}}"}; + const char *field_stops[] = {"=", "|", "}}"}; + const char *link_stops[] = {"|", "]]"}; + + if (!PyArg_ParseTuple(args, "OO:document_index", &tokens, + &structural_tokens)) { + return NULL; + } + if (!PyList_Check(tokens) || !PyAnySet_Check(structural_tokens)) { + PyErr_SetString(PyExc_TypeError, "tokens list and structural set required"); + return NULL; + } + length = PyList_GET_SIZE(tokens); + keys = PyList_New(length); + if ((size_t)length > (SIZE_MAX / sizeof(uint64_t)) - 1) { + PyErr_NoMemory(); + goto error; + } + prefix = PyByteArray_FromStringAndSize( + NULL, (length + 1) * (Py_ssize_t)sizeof(uint64_t) + ); + stack = (ConstructFrame *)calloc( + (size_t)(length > 0 ? length : 1), sizeof(ConstructFrame) + ); + if (keys == NULL || prefix == NULL || stack == NULL) { + if (stack == NULL && !PyErr_Occurred()) { + PyErr_NoMemory(); + } + goto error; + } + prefix_values = (uint64_t *)PyByteArray_AS_STRING(prefix); + prefix_values[0] = 0; + + for (index = 0; index < length; index++) { + PyObject *token = PyList_GET_ITEM(tokens, index); + PyObject *replacement = NULL; + int markup_kind = token_markup_kind(token); + int info = native_informative_token(token, structural_tokens); + Py_INCREF(token); + PyList_SET_ITEM(keys, index, token); + if (info < 0) { + goto error; + } + information += info; + prefix_values[index + 1] = (uint64_t)information; + + if (markup_kind == TOKEN_MARKUP_TEMPLATE_OPEN) { + Py_ssize_t end; + PyObject *name = tokens_until( + tokens, index + 1, template_stops, 2, &end + ); + if (name == NULL) { + goto error; + } + if (PyTuple_GET_SIZE(name)) { + replacement = PyTuple_Pack( + 4, context_wikitext, token, context_template, name + ); + } + stack[depth].type = 1; + stack[depth].context = name; + stack[depth].argument_index = 0; + depth++; + } else if (markup_kind == TOKEN_MARKUP_TEMPLATE_CLOSE) { + ConstructFrame frame = {0, NULL, 0}; + if (pop_construct(stack, &depth, 1, &frame)) { + if (frame.context != NULL && + PyTuple_GET_SIZE(frame.context)) { + replacement = PyTuple_Pack( + 4, context_wikitext, token, context_template, + frame.context + ); + } + Py_XDECREF(frame.context); + } + } else if (markup_kind == TOKEN_MARKUP_LINK_OPEN) { + Py_ssize_t end; + PyObject *target = tokens_until( + tokens, index + 1, link_stops, 2, &end + ); + if (target == NULL) { + goto error; + } + if (PyTuple_GET_SIZE(target)) { + replacement = PyTuple_Pack( + 4, context_wikitext, token, context_link, target + ); + } + stack[depth].type = 2; + stack[depth].context = target; + stack[depth].argument_index = 0; + depth++; + } else if (markup_kind == TOKEN_MARKUP_LINK_CLOSE) { + ConstructFrame frame = {0, NULL, 0}; + if (pop_construct(stack, &depth, 2, &frame)) { + if (frame.context != NULL && + PyTuple_GET_SIZE(frame.context)) { + replacement = PyTuple_Pack( + 4, context_wikitext, token, context_link, + frame.context + ); + } + Py_XDECREF(frame.context); + } + } else if (markup_kind == TOKEN_MARKUP_COMMENT_OPEN) { + replacement = PyTuple_Pack( + 3, context_wikitext, token, context_comment + ); + stack[depth].type = 3; + stack[depth].context = NULL; + stack[depth].argument_index = 0; + depth++; + } else if (markup_kind == TOKEN_MARKUP_COMMENT_CLOSE) { + ConstructFrame frame = {0, NULL, 0}; + pop_construct(stack, &depth, 3, &frame); + replacement = PyTuple_Pack( + 3, context_wikitext, token, context_comment + ); + } else if (markup_kind == TOKEN_MARKUP_PIPE && depth) { + ConstructFrame *frame = &stack[depth - 1]; + if (frame->type == 2) { + Py_ssize_t end; + PyObject *option = tokens_until( + tokens, index + 1, link_stops, 2, &end + ); + if (option == NULL) { + goto error; + } + { + PyObject *argument = PyLong_FromSsize_t( + frame->argument_index + ); + if (argument != NULL) { + replacement = PyTuple_Pack( + 6, context_wikitext, token, context_link, + frame->context, argument, option + ); + Py_DECREF(argument); + } + } + frame->argument_index++; + Py_DECREF(option); + } else if (frame->type == 1) { + Py_ssize_t end; + PyObject *field = tokens_until( + tokens, index + 1, field_stops, 3, &end + ); + if (field == NULL) { + goto error; + } + if (end < length && + token_equals_ascii(PyList_GET_ITEM(tokens, end), "=") && + PyTuple_GET_SIZE(field)) { + replacement = PyTuple_Pack( + 5, context_wikitext, token, + context_template_field, frame->context, field + ); + } else { + PyObject *argument = PyLong_FromSsize_t( + frame->argument_index + ); + if (argument != NULL) { + replacement = PyTuple_Pack( + 5, context_wikitext, token, + context_template_arg, frame->context, argument + ); + Py_DECREF(argument); + } + } + frame->argument_index++; + Py_DECREF(field); + } + } else if (markup_kind == TOKEN_MARKUP_EQUALS && depth && + stack[depth - 1].type == 1) { + PyObject *field = template_field_before(tokens, index); + if (field == NULL) { + goto error; + } + if (field != Py_None) { + replacement = PyTuple_Pack( + 5, context_wikitext, token, context_template_field, + stack[depth - 1].context, field + ); + } + Py_DECREF(field); + } + if (replacement != NULL && + replace_list_item(keys, index, replacement) < 0) { + goto error; + } + } + + result = PyTuple_Pack(2, keys, prefix); + if (result == NULL) { + goto error; + } + for (index = 0; index < depth; index++) { + Py_XDECREF(stack[index].context); + } + free(stack); + Py_DECREF(keys); + Py_DECREF(prefix); + return result; + +error: + if (stack != NULL) { + for (index = 0; index < depth; index++) { + Py_XDECREF(stack[index].context); + } + } + free(stack); + Py_XDECREF(keys); + Py_XDECREF(prefix); + Py_XDECREF(result); + return NULL; +} + +static PyObject * +token_window_tuple(PyObject *values, Py_ssize_t start, Py_ssize_t size) +{ + PyObject *window = PyTuple_New(size); + Py_ssize_t offset; + if (window == NULL) { + return NULL; + } + for (offset = 0; offset < size; offset++) { + PyObject *item = PyList_GET_ITEM(values, start + offset); + Py_INCREF(item); + PyTuple_SET_ITEM(window, offset, item); + } + return window; +} + +static PyObject * +residual_structural_windows(PyObject *self, PyObject *args) +{ + PyObject *keys; + PyObject *prefix; + PyObject *residual_flags; + Py_ssize_t range_start; + Py_ssize_t range_end; + PyObject *allowed; + PyObject *sizes; + int minimum_info; + Py_buffer prefix_view = {0}; + Py_buffer flags_view = {0}; + PyObject *output = NULL; + const unsigned char *flags; + Py_ssize_t index; + + if (!PyArg_ParseTuple( + args, "OOOnnOOi:residual_structural_windows", + &keys, &prefix, &residual_flags, &range_start, &range_end, + &allowed, &sizes, &minimum_info)) { + return NULL; + } + if (!PyList_Check(keys) || !PyTuple_Check(sizes) || + (allowed != Py_None && !PyAnySet_Check(allowed)) || + range_start < 0 || range_end < range_start || + range_end > PyList_GET_SIZE(keys)) { + PyErr_SetString(PyExc_ValueError, + "invalid residual structural window inputs"); + return NULL; + } + if (PyObject_GetBuffer(prefix, &prefix_view, PyBUF_CONTIG_RO) < 0 || + PyObject_GetBuffer( + residual_flags, &flags_view, PyBUF_CONTIG_RO + ) < 0) { + goto error; + } + if (prefix_view.len != + (PyList_GET_SIZE(keys) + 1) * + (Py_ssize_t)sizeof(uint64_t) || + flags_view.len < PyList_GET_SIZE(keys)) { + PyErr_SetString(PyExc_ValueError, + "invalid structural prefix or residual flags"); + goto error; + } + flags = (const unsigned char *)flags_view.buf; + output = PySet_New(NULL); + if (output == NULL) { + goto error; + } + index = range_start; + while (index < range_end) { + Py_ssize_t run_start; + Py_ssize_t size_index; + while (index < range_end && !flags[index]) { + index++; + } + run_start = index; + while (index < range_end && flags[index]) { + index++; + } + if (run_start == index) { + continue; + } + for (size_index = 0; size_index < PyTuple_GET_SIZE(sizes); + size_index++) { + Py_ssize_t size = PyLong_AsSsize_t( + PyTuple_GET_ITEM(sizes, size_index) + ); + Py_ssize_t start; + if (size <= 0 || (size == -1 && PyErr_Occurred())) { + PyErr_SetString(PyExc_ValueError, + "invalid structural window size"); + goto error; + } + for (start = run_start; start + size <= index; start++) { + uint64_t prefix_start; + uint64_t prefix_end; + PyObject *window; + int retained; + memcpy( + &prefix_start, + (const unsigned char *)prefix_view.buf + + (size_t)start * sizeof(uint64_t), + sizeof(uint64_t) + ); + memcpy( + &prefix_end, + (const unsigned char *)prefix_view.buf + + (size_t)(start + size) * sizeof(uint64_t), + sizeof(uint64_t) + ); + if (prefix_end - prefix_start < (uint64_t)minimum_info) { + continue; + } + window = token_window_tuple(keys, start, size); + if (window == NULL) { + goto error; + } + retained = allowed == Py_None ? 1 : + PySet_Contains(allowed, window); + if (retained < 0 || + (retained && PySet_Add(output, window) < 0)) { + Py_DECREF(window); + goto error; + } + Py_DECREF(window); + } + } + } + PyBuffer_Release(&prefix_view); + PyBuffer_Release(&flags_view); + return output; + +error: + if (prefix_view.obj != NULL) { + PyBuffer_Release(&prefix_view); + } + if (flags_view.obj != NULL) { + PyBuffer_Release(&flags_view); + } + Py_XDECREF(output); + return NULL; +} + +static PyObject * +unresolved_residual_windows(PyObject *self, PyObject *args) +{ + PyObject *prev_values; + PyObject *curr_values; + PyObject *prev_used; + PyObject *curr_mapping; + PyObject *structural_tokens; + PyObject *sizes; + int minimum_info; + unsigned char *prev_available = NULL; + unsigned char *curr_available = NULL; + unsigned char *prev_informative = NULL; + unsigned char *curr_informative = NULL; + PyObject *triplets = NULL; + PyObject *previous_windows = NULL; + PyObject *output = NULL; + Py_ssize_t prev_len; + Py_ssize_t curr_len; + Py_ssize_t index; + + if (!PyArg_ParseTuple( + args, "OOOOOOi:unresolved_residual_windows", + &prev_values, &curr_values, &prev_used, &curr_mapping, + &structural_tokens, &sizes, &minimum_info)) { + return NULL; + } + if (!PyList_Check(prev_values) || !PyList_Check(curr_values) || + !PyDict_Check(prev_used) || !PyList_Check(curr_mapping) || + !PyAnySet_Check(structural_tokens) || !PyTuple_Check(sizes)) { + PyErr_SetString(PyExc_TypeError, "invalid unresolved-window inputs"); + return NULL; + } + prev_len = PyList_GET_SIZE(prev_values); + curr_len = PyList_GET_SIZE(curr_values); + if (PyList_GET_SIZE(curr_mapping) != curr_len) { + PyErr_SetString(PyExc_ValueError, "current mapping length mismatch"); + return NULL; + } + prev_available = (unsigned char *)malloc( + (size_t)(prev_len > 0 ? prev_len : 1) + ); + curr_available = (unsigned char *)malloc( + (size_t)(curr_len > 0 ? curr_len : 1) + ); + prev_informative = (unsigned char *)malloc( + (size_t)(prev_len > 0 ? prev_len : 1) + ); + curr_informative = (unsigned char *)malloc( + (size_t)(curr_len > 0 ? curr_len : 1) + ); + if (prev_available == NULL || curr_available == NULL || + prev_informative == NULL || curr_informative == NULL) { + PyErr_NoMemory(); + goto error; + } + memset(prev_available, 1, (size_t)prev_len); + { + Py_ssize_t iteration = 0; + PyObject *key; + PyObject *value; + while (PyDict_Next(prev_used, &iteration, &key, &value)) { + Py_ssize_t used_index = PyLong_AsSsize_t(key); + if (used_index == -1 && PyErr_Occurred()) { + goto error; + } + if (used_index >= 0 && used_index < prev_len) { + prev_available[used_index] = 0; + } + } + } + for (index = 0; index < prev_len; index++) { + int info = native_informative_token( + PyList_GET_ITEM(prev_values, index), structural_tokens + ); + if (info < 0) { + goto error; + } + prev_informative[index] = info ? 1 : 0; + } + for (index = 0; index < curr_len; index++) { + int info = native_informative_token( + PyList_GET_ITEM(curr_values, index), structural_tokens + ); + if (info < 0) { + goto error; + } + curr_available[index] = PyList_GET_ITEM(curr_mapping, index) == Py_None; + curr_informative[index] = info ? 1 : 0; + } + + triplets = PySet_New(NULL); + if (triplets == NULL) { + goto error; + } + { + Py_ssize_t run = 0; + for (index = 0; index < prev_len; index++) { + if (!prev_available[index]) { + run = 0; + continue; + } + run++; + if (run >= 3) { + PyObject *window = token_window_tuple( + prev_values, index - 2, 3 + ); + if (window == NULL || PySet_Add(triplets, window) < 0) { + Py_XDECREF(window); + goto error; + } + Py_DECREF(window); + } + } + } + if (PySet_Size(triplets) == 0) { + output = PySet_New(NULL); + goto success; + } + { + Py_ssize_t run = 0; + int shared = 0; + for (index = 0; index < curr_len; index++) { + if (!curr_available[index]) { + run = 0; + continue; + } + run++; + if (run >= 3) { + PyObject *window = token_window_tuple( + curr_values, index - 2, 3 + ); + int present; + if (window == NULL) { + goto error; + } + present = PySet_Contains(triplets, window); + Py_DECREF(window); + if (present < 0) { + goto error; + } + if (present) { + shared = 1; + break; + } + } + } + if (!shared) { + output = PySet_New(NULL); + goto success; + } + } + + previous_windows = PySet_New(NULL); + output = PySet_New(NULL); + if (previous_windows == NULL || output == NULL) { + goto error; + } + { + Py_ssize_t run_start = -1; + for (index = 0; index <= prev_len; index++) { + if (index < prev_len && prev_available[index]) { + if (run_start < 0) { + run_start = index; + } + continue; + } + if (run_start >= 0) { + Py_ssize_t size_index; + for (size_index = 0; + size_index < PyTuple_GET_SIZE(sizes); size_index++) { + Py_ssize_t size = PyLong_AsSsize_t( + PyTuple_GET_ITEM(sizes, size_index) + ); + Py_ssize_t start; + if (size <= 0 || (size == -1 && PyErr_Occurred())) { + PyErr_SetString(PyExc_ValueError, "invalid window size"); + goto error; + } + for (start = run_start; start + size <= index; start++) { + Py_ssize_t offset; + int info = 0; + PyObject *window; + for (offset = 0; offset < size; offset++) { + info += prev_informative[start + offset]; + } + if (info < minimum_info) { + continue; + } + window = token_window_tuple(prev_values, start, size); + if (window == NULL || + PySet_Add(previous_windows, window) < 0) { + Py_XDECREF(window); + goto error; + } + Py_DECREF(window); + } + } + run_start = -1; + } + } + } + if (PySet_Size(previous_windows) == 0) { + goto success; + } + { + Py_ssize_t run_start = -1; + for (index = 0; index <= curr_len; index++) { + if (index < curr_len && curr_available[index]) { + if (run_start < 0) { + run_start = index; + } + continue; + } + if (run_start >= 0) { + Py_ssize_t size_index; + for (size_index = 0; + size_index < PyTuple_GET_SIZE(sizes); size_index++) { + Py_ssize_t size = PyLong_AsSsize_t( + PyTuple_GET_ITEM(sizes, size_index) + ); + Py_ssize_t start; + for (start = run_start; start + size <= index; start++) { + Py_ssize_t offset; + int info = 0; + PyObject *window; + int present; + for (offset = 0; offset < size; offset++) { + info += curr_informative[start + offset]; + } + if (info < minimum_info) { + continue; + } + window = token_window_tuple(curr_values, start, size); + if (window == NULL) { + goto error; + } + present = PySet_Contains(previous_windows, window); + if (present > 0 && PySet_Add(output, window) < 0) { + Py_DECREF(window); + goto error; + } + Py_DECREF(window); + if (present < 0) { + goto error; + } + } + } + run_start = -1; + } + } + } + +success: + if (output == NULL) { + goto error; + } + Py_XDECREF(triplets); + Py_XDECREF(previous_windows); + free(prev_available); + free(curr_available); + free(prev_informative); + free(curr_informative); + return output; + +error: + Py_XDECREF(triplets); + Py_XDECREF(previous_windows); + Py_XDECREF(output); + free(prev_available); + free(curr_available); + free(prev_informative); + free(curr_informative); + return NULL; +} + +static PyObject * +unique_anchor_occurrences(PyObject *self, PyObject *args) +{ + PyObject *prev_keys; + PyObject *curr_keys; + PyObject *prev_ranges_obj; + PyObject *curr_ranges_obj; + PyObject *prev_prefix_obj; + PyObject *curr_prefix_obj; + PyObject *prev_targets; + PyObject *curr_targets; + PyObject *sizes_obj; + int minimum_info; + int include_all; + uint64_t *prev_hash_prefix = NULL; + uint64_t *curr_hash_prefix = NULL; + Py_ssize_t *prev_prefix = NULL; + Py_ssize_t *curr_prefix = NULL; + Range *prev_ranges = NULL; + Range *curr_ranges = NULL; + Py_ssize_t prev_range_count = 0; + Py_ssize_t curr_range_count = 0; + PyObject *output = NULL; + AnchorSegment *segments = NULL; + size_t segment_count = 0; + size_t segment_capacity = 0; + Py_ssize_t size_index; + + if (!PyArg_ParseTuple( + args, "OOOOOOOOOip:unique_anchor_occurrences", + &prev_keys, &curr_keys, &prev_ranges_obj, &curr_ranges_obj, + &prev_prefix_obj, &curr_prefix_obj, &prev_targets, &curr_targets, + &sizes_obj, &minimum_info, &include_all)) { + return NULL; + } + if (!PyList_Check(prev_keys) || !PyList_Check(curr_keys) || + !PyTuple_Check(sizes_obj)) { + PyErr_SetString(PyExc_TypeError, "keys must be lists and sizes a tuple"); + return NULL; + } + if (copy_rolling_hash_prefix(prev_keys, &prev_hash_prefix) < 0 || + copy_rolling_hash_prefix(curr_keys, &curr_hash_prefix) < 0 || + copy_prefix(prev_prefix_obj, PyList_GET_SIZE(prev_keys), + &prev_prefix) < 0 || + copy_prefix(curr_prefix_obj, PyList_GET_SIZE(curr_keys), + &curr_prefix) < 0 || + copy_ranges(prev_ranges_obj, prev_targets, &prev_ranges, + &prev_range_count) < 0 || + copy_ranges(curr_ranges_obj, curr_targets, &curr_ranges, + &curr_range_count) < 0) { + goto error; + } + for (size_index = 0; size_index < PyTuple_GET_SIZE(sizes_obj); + size_index++) { + Py_ssize_t size = PyLong_AsSsize_t( + PyTuple_GET_ITEM(sizes_obj, size_index) + ); + Table table = {NULL, 0, 0}; + Py_ssize_t range_index; + size_t entry_index; + size_t expected = (size_t)PyList_GET_SIZE(prev_keys); + uint64_t base_power = 1; + Py_ssize_t power_index; + if (size <= 0 || (size == -1 && PyErr_Occurred())) { + table_clear(&table); + PyErr_SetString(PyExc_ValueError, "anchor sizes must be positive"); + goto error; + } + for (power_index = 0; power_index < size; power_index++) { + base_power *= STRUCTURAL_ROLLING_BASE; + } + if (!include_all) { + expected = 0; + for (range_index = 0; range_index < prev_range_count; + range_index++) { + Range *range = &prev_ranges[range_index]; + if (range->target && range->end - range->start >= size) { + expected += (size_t)( + range->end - range->start - size + 1 + ); + } + } + for (range_index = 0; range_index < curr_range_count; + range_index++) { + Range *range = &curr_ranges[range_index]; + if (range->target && range->end - range->start >= size) { + expected += (size_t)( + range->end - range->start - size + 1 + ); + } + } + } + if (table_init(&table, expected) < 0) { + goto error; + } + if (include_all) { + for (range_index = 0; range_index < prev_range_count; + range_index++) { + Range *range = &prev_ranges[range_index]; + Py_ssize_t start; + for (start = range->start; + start + size <= range->end; start++) { + if (prev_prefix[start + size] - prev_prefix[start] < + minimum_info) { + continue; + } + if (table_add_previous( + &table, prev_keys, start, size, + range->paragraph, start - range->start, + range->target, rolling_window_hash( + prev_hash_prefix, start, size, base_power + )) < 0) { + table_clear(&table); + goto error; + } + } + } + for (range_index = 0; range_index < curr_range_count; + range_index++) { + Range *range = &curr_ranges[range_index]; + Py_ssize_t start; + for (start = range->start; + start + size <= range->end; start++) { + if (curr_prefix[start + size] - curr_prefix[start] < + minimum_info) { + continue; + } + if (table_add_current( + &table, prev_keys, curr_keys, start, size, + range->paragraph, start - range->start, + range->target, rolling_window_hash( + curr_hash_prefix, start, size, base_power + )) < 0) { + table_clear(&table); + goto error; + } + } + } + } else { + /* Build only the candidate universe incident to a residual + * paragraph. Global scans below still establish exact revision- + * wide uniqueness for every retained key. */ + for (range_index = 0; range_index < prev_range_count; + range_index++) { + Range *range = &prev_ranges[range_index]; + Py_ssize_t start; + if (!range->target) { + continue; + } + for (start = range->start; + start + size <= range->end; start++) { + if (prev_prefix[start + size] - prev_prefix[start] < + minimum_info) { + continue; + } + if (table_add_target_candidate( + &table, prev_keys, start, size, + rolling_window_hash( + prev_hash_prefix, start, size, base_power + )) < 0) { + table_clear(&table); + goto error; + } + } + } + for (range_index = 0; range_index < curr_range_count; + range_index++) { + Range *range = &curr_ranges[range_index]; + Py_ssize_t start; + if (!range->target) { + continue; + } + for (start = range->start; + start + size <= range->end; start++) { + if (curr_prefix[start + size] - curr_prefix[start] < + minimum_info) { + continue; + } + if (table_add_target_candidate( + &table, curr_keys, start, size, + rolling_window_hash( + curr_hash_prefix, start, size, base_power + )) < 0) { + table_clear(&table); + goto error; + } + } + } + if (table.used) { + for (range_index = 0; range_index < prev_range_count; + range_index++) { + Range *range = &prev_ranges[range_index]; + Py_ssize_t start; + for (start = range->start; + start + size <= range->end; start++) { + if (prev_prefix[start + size] - prev_prefix[start] < + minimum_info) { + continue; + } + if (table_count_target_previous( + &table, prev_keys, start, size, + range->paragraph, start - range->start, + rolling_window_hash( + prev_hash_prefix, start, size, base_power + )) < 0) { + table_clear(&table); + goto error; + } + } + } + for (range_index = 0; range_index < curr_range_count; + range_index++) { + Range *range = &curr_ranges[range_index]; + Py_ssize_t start; + for (start = range->start; + start + size <= range->end; start++) { + if (curr_prefix[start + size] - curr_prefix[start] < + minimum_info) { + continue; + } + if (table_count_target_current( + &table, curr_keys, start, size, + range->paragraph, start - range->start, + rolling_window_hash( + curr_hash_prefix, start, size, base_power + )) < 0) { + table_clear(&table); + goto error; + } + } + } + } + } + for (entry_index = 0; entry_index < table.capacity; entry_index++) { + Entry *entry = &table.entries[entry_index]; + if (!entry->occupied || entry->prev_count != 1 || + entry->curr_count != 1) { + continue; + } + if (segment_count == segment_capacity) { + size_t new_capacity = segment_capacity ? + segment_capacity * 2 : 1024; + AnchorSegment *resized = (AnchorSegment *)realloc( + segments, new_capacity * sizeof(AnchorSegment) + ); + if (resized == NULL) { + PyErr_NoMemory(); + table_clear(&table); + goto error; + } + segments = resized; + segment_capacity = new_capacity; + } + segments[segment_count].prev_paragraph = entry->prev_paragraph; + segments[segment_count].prev_start = entry->prev_local; + segments[segment_count].prev_end = entry->prev_local + size; + segments[segment_count].curr_paragraph = entry->curr_paragraph; + segments[segment_count].curr_start = entry->curr_local; + segments[segment_count].curr_end = entry->curr_local + size; + segment_count++; + } + table_clear(&table); + } + + output = PyList_New(0); + if (output == NULL) { + goto error; + } + if (segment_count) { + size_t index; + AnchorSegment merged; + qsort( + segments, segment_count, sizeof(AnchorSegment), + compare_anchor_segments + ); + merged = segments[0]; + for (index = 1; index < segment_count; index++) { + AnchorSegment *next = &segments[index]; + Py_ssize_t merged_diagonal = merged.prev_start - merged.curr_start; + Py_ssize_t next_diagonal = next->prev_start - next->curr_start; + if (merged.prev_paragraph == next->prev_paragraph && + merged.curr_paragraph == next->curr_paragraph && + merged_diagonal == next_diagonal && + next->prev_start <= merged.prev_end && + next->curr_start <= merged.curr_end) { + if (next->prev_end > merged.prev_end) { + merged.prev_end = next->prev_end; + } + if (next->curr_end > merged.curr_end) { + merged.curr_end = next->curr_end; + } + continue; + } + if (append_anchor_segment(output, &merged) < 0) { + goto error; + } + merged = *next; + } + if (append_anchor_segment(output, &merged) < 0) { + goto error; + } + } + + free(prev_hash_prefix); + free(curr_hash_prefix); + free(prev_prefix); + free(curr_prefix); + free(prev_ranges); + free(curr_ranges); + free(segments); + return output; + +error: + Py_XDECREF(output); + free(prev_hash_prefix); + free(curr_hash_prefix); + free(prev_prefix); + free(curr_prefix); + free(prev_ranges); + free(curr_ranges); + free(segments); + return NULL; +} + +static PyMethodDef methods[] = { + { + "configure_token_symbols", + configure_token_symbols, + METH_O, + "Configure the exact symbol alphabet used by the native tokenizer." + }, + { + "split_into_tokens", + split_into_tokens_native, + METH_O, + "Split wikitext using the exact WikiWho token contract." + }, + { + "split_into_paragraphs", + split_into_paragraphs_native, + METH_O, + "Split wikitext using the exact WikiWho paragraph contract." + }, + { + "count_subsequence_at_positions", + count_subsequence_at_positions, + METH_VARARGS, + "Count an exact token subsequence up to two occurrences." + }, + { + "unique_anchor_occurrences", + unique_anchor_occurrences, + METH_VARARGS, + "Find exact globally unique structural anchor occurrences." + }, + { + "duplicated_candidate_windows", + duplicated_candidate_windows, + METH_VARARGS, + "Return exact candidate windows occurring at least twice." + }, + { + "lcs_token_pairs", + lcs_token_pairs, + METH_VARARGS, + "Return the exact lexicographically best bounded gap alignment." + }, + { + "available_residual_windows", + available_residual_windows, + METH_VARARGS, + "Return exact available raw-value windows within paragraph bounds." + }, + { + "document_pair", + document_pair, + METH_VARARGS, + "Build exact compact structural documents from adjacent revisions." + }, + { + "document_index", + document_index, + METH_VARARGS, + "Build exact contextual token keys and informative prefix in one pass." + }, + { + "residual_structural_windows", + residual_structural_windows, + METH_VARARGS, + "Return exact contextual windows inside residual-only gap runs." + }, + { + "unresolved_residual_windows", + unresolved_residual_windows, + METH_VARARGS, + "Return the exact available residual ambiguity-window intersection." + }, + {NULL, NULL, 0, NULL} +}; + +static struct PyModuleDef module = { + PyModuleDef_HEAD_INIT, + "_structural_native", + NULL, + -1, + methods +}; + +PyMODINIT_FUNC +PyInit__structural_native(void) +{ + PyObject *created = PyModule_Create(&module); + if (created == NULL) { + return NULL; + } + context_wikitext = PyUnicode_InternFromString("wikitext"); + context_template = PyUnicode_InternFromString("template"); + context_link = PyUnicode_InternFromString("link"); + context_comment = PyUnicode_InternFromString("comment"); + context_template_field = PyUnicode_InternFromString("template-field"); + context_template_arg = PyUnicode_InternFromString("template-arg"); + attr_ordered_paragraphs = PyUnicode_InternFromString( + "ordered_paragraphs" + ); + attr_paragraphs = PyUnicode_InternFromString("paragraphs"); + attr_ordered_sentences = PyUnicode_InternFromString( + "ordered_sentences" + ); + attr_sentences = PyUnicode_InternFromString("sentences"); + attr_words = PyUnicode_InternFromString("words"); + attr_splitted = PyUnicode_InternFromString("splitted"); + attr_value = PyUnicode_InternFromString("value"); + pipe_token = PyUnicode_InternFromString("|"); + if (context_wikitext == NULL || context_template == NULL || + context_link == NULL || context_comment == NULL || + context_template_field == NULL || context_template_arg == NULL || + attr_ordered_paragraphs == NULL || attr_paragraphs == NULL || + attr_ordered_sentences == NULL || attr_sentences == NULL || + attr_words == NULL || attr_splitted == NULL || + attr_value == NULL || pipe_token == NULL) { + Py_XDECREF(context_wikitext); + Py_XDECREF(context_template); + Py_XDECREF(context_link); + Py_XDECREF(context_comment); + Py_XDECREF(context_template_field); + Py_XDECREF(context_template_arg); + Py_XDECREF(attr_ordered_paragraphs); + Py_XDECREF(attr_paragraphs); + Py_XDECREF(attr_ordered_sentences); + Py_XDECREF(attr_sentences); + Py_XDECREF(attr_words); + Py_XDECREF(attr_splitted); + Py_XDECREF(attr_value); + Py_XDECREF(pipe_token); + context_wikitext = NULL; + context_template = NULL; + context_link = NULL; + context_comment = NULL; + context_template_field = NULL; + context_template_arg = NULL; + attr_ordered_paragraphs = NULL; + attr_paragraphs = NULL; + attr_ordered_sentences = NULL; + attr_sentences = NULL; + attr_words = NULL; + attr_splitted = NULL; + attr_value = NULL; + pipe_token = NULL; + Py_DECREF(created); + return NULL; + } + return created; +} diff --git a/WikiWho/utils.py b/WikiWho/utils.py index d9dbd93..d4a738e 100644 --- a/WikiWho/utils.py +++ b/WikiWho/utils.py @@ -42,7 +42,10 @@ def split_into_paragraphs(text): text = text.replace('', '\n\n
').replace('
', '\n\n') text = text.replace('', '\n\n').replace('', '\n\n') # wp table syntax - text = text.replace('{|', '\n\n{|').replace('|}', '|}\n\n') + text = text.replace('{|', '\n\n{|') + # Treat a line-start `|}}` as a template ending. It is ambiguous with a + # table close followed by a literal `}`, which this fast path cannot parse. + text = re.sub(r'(?m)^([ \t]*\|\})(?!\})', r'\1\n\n', text) text = text.replace('|-\n', '\n\n|-\n') return text.split('\n\n') @@ -122,25 +125,20 @@ def compute_avg_word_freq(token_list): def iter_rev_tokens(revision): """Yield tokens of the revision in order.""" - # from copy import deepcopy - # ps_copy = deepcopy(revision.paragraphs) - tmp = {'p': [], 's': []} + paragraph_counts = {} for hash_paragraph in revision.ordered_paragraphs: - # paragraph = ps_copy[hash_paragraph].pop(0) - if len(revision.paragraphs[hash_paragraph]) > 1: - tmp['p'].append(hash_paragraph) - paragraph = revision.paragraphs[hash_paragraph][tmp['p'].count(hash_paragraph)-1] - else: - paragraph = revision.paragraphs[hash_paragraph][0] - tmp['s'][:] = [] + paragraph_occurrence = paragraph_counts.get(hash_paragraph, 0) + paragraph_counts[hash_paragraph] = paragraph_occurrence + 1 + paragraph = revision.paragraphs[hash_paragraph][ + paragraph_occurrence + ] + sentence_counts = {} for hash_sentence in paragraph.ordered_sentences: - if len(paragraph.sentences[hash_sentence]) > 1: - # tmp['s'].append('{}-{}'.format(hash_paragraph, hash_sentence)) # and dont do tmp['s'][:] = [] - tmp['s'].append(hash_sentence) - sentence = paragraph.sentences[hash_sentence][tmp['s'].count(hash_sentence)-1] - else: - sentence = paragraph.sentences[hash_sentence][0] - # sentence = paragraph.sentences[hash_sentence].pop(0) + sentence_occurrence = sentence_counts.get(hash_sentence, 0) + sentence_counts[hash_sentence] = sentence_occurrence + 1 + sentence = paragraph.sentences[hash_sentence][ + sentence_occurrence + ] for word in sentence.words: yield word diff --git a/WikiWho/wikiwho.py b/WikiWho/wikiwho.py index 43ea431..76e2bfd 100644 --- a/WikiWho/wikiwho.py +++ b/WikiWho/wikiwho.py @@ -15,10 +15,21 @@ from bisect import bisect_left from collections import Counter, defaultdict from difflib import SequenceMatcher +from heapq import merge from .structures import Word, Sentence, Paragraph, Revision from .utils import calculate_hash, split_into_paragraphs, split_into_sentences, split_into_tokens, \ - compute_avg_word_freq, iter_rev_tokens + compute_avg_word_freq, iter_rev_tokens, TOKEN_SYMBOLS + +try: + from . import _structural_native +except ImportError: + _structural_native = None + +if _structural_native is not None: + _structural_native.configure_token_symbols(TOKEN_SYMBOLS) + split_into_tokens = _structural_native.split_into_tokens + split_into_paragraphs = _structural_native.split_into_paragraphs # Spam detection variables. @@ -46,16 +57,59 @@ WORD_MATCH_CONF_LOCAL = 20 WORD_MATCH_CONF_SEQUENCE_EQUAL = 90 WORD_MATCH_CONF_STRUCTURAL_BOUNDARY = 92 +# Structurally anchored local matches must outrank the generic article-wide +# SequenceMatcher alignment, while remaining below full-revision-unique moved +# runs. This is deliberately a separate tier rather than another local score. +WORD_MATCH_CONF_STRUCTURAL_GAP = 94 WORD_MATCH_CONF_MOVED_RUN = 95 WORD_MATCH_CONF_EDGE = 100 +# Structural correspondence is established by globally unique informative +# windows and alignment is restricted to bounded gaps between those anchors. +WORD_MATCH_STRUCTURAL_ANCHOR_SIZES = (10, 8, 6, 4) +WORD_MATCH_STRUCTURAL_MIN_ANCHOR_INFO = 4 +WORD_MATCH_STRUCTURAL_AMBIGUITY_SIZES = (6, 5, 4, 3) +WORD_MATCH_STRUCTURAL_INDEX_SIZES = (10, 8, 6, 5, 4, 3) +# A paragraph pair must carry more than one short coincidental anchor's worth +# of lexical evidence before its gaps can confer structural lineage. One long +# merged unchanged block also satisfies this requirement. +WORD_MATCH_STRUCTURAL_MIN_PAIR_INFO = 2 * max(WORD_MATCH_STRUCTURAL_ANCHOR_SIZES) +WORD_MATCH_STRUCTURAL_MIN_RUN_INFO = 3 +WORD_MATCH_STRUCTURAL_MAX_GAP_CELLS = 50000 +# Below these measured crossover points, short tuple windows are cheaper than +# constructing a failure automaton. Both paths perform exact tuple equality +# and saturated occurrence counting; these constants affect cost, not matching +# semantics. +WORD_MATCH_STRUCTURAL_ANCHOR_AUTOMATON_MIN_TOKENS = 50000 +WORD_MATCH_STRUCTURAL_DUPLICATE_AUTOMATON_MIN_TOKENS = 25000 +# The automata allocate Python dictionaries and lists per trie state. Bound +# the total input symbols so an unusually broad residual edit cannot exchange +# several linear tuple scans for an unbounded transient object graph. +WORD_MATCH_STRUCTURAL_ANCHOR_AUTOMATON_MAX_PATTERN_SYMBOLS = 250000 +WORD_MATCH_STRUCTURAL_DUPLICATE_AUTOMATON_MAX_PATTERN_SYMBOLS = 250000 +# Structural evidence is deliberately local. If structural and generic runs +# form a conflict component larger than this many token endpoints, the +# occurrence assignment is too broad to resolve safely and retains the legacy +# mapping. This also bounds resolver work on mass template/reference edits. +WORD_MATCH_STRUCTURAL_MAX_CONFLICT_TOKENS = 512 + # Moved-run recovery looks for unique informative n-grams in unmatched diff regions. The sizes/caps below bound how much extra indexing we do per word diff while still finding copied or moved runs that SequenceMatcher misses. WORD_MATCH_MOVE_NGRAM_SIZES = (10, 8, 6, 4, 3) +# Run admission and per-token coverage use different evidence floors. An +# unstructured content core needs four informative tokens to admit a moved run +# by itself. After separate structural evidence admits the run, unique windows +# with three informative tokens can provide per-token coverage. WORD_MATCH_MOVE_MIN_INFO_TOKENS = 3 -WORD_MATCH_MOVE_TOKEN_WINDOW = 4 +WORD_MATCH_MOVE_MIN_ANCHOR_INFO_TOKENS = 4 WORD_MATCH_MOVE_MIN_RECOVERABLE_TOKENS = 24 +WORD_MATCH_MOVE_MIN_LINK_WINDOW = 6 WORD_MATCH_MOVE_MAX_WINDOWS = 300000 +# Partial historical-sentence restoration needs enough unchanged context to make the old sentence identity stronger than the few token identities already occupied elsewhere. +WORD_MATCH_HISTORICAL_MIN_AVAILABLE_TOKENS = 24 +WORD_MATCH_HISTORICAL_MAX_OCCUPIED_TOKENS = 2 +WORD_MATCH_HISTORICAL_MIN_EVIDENCE_RATIO = 4 + # A large pure deletion immediately before an unchanged suffix can otherwise keep very old glue words alive by edge matching. Limit that correction to the first suffix window so normal suffix preservation remains cheap. WORD_MATCH_EDGE_STALE_REWRITE_MIN_TOKENS = 24 WORD_MATCH_EDGE_STALE_WINDOW = 64 @@ -75,6 +129,47 @@ WIKITEXT_OPEN_TO_CLOSE = dict(WIKITEXT_CONSTRUCT_PAIRS) WIKITEXT_CLOSE_TO_OPEN = dict((close, open_) for open_, close in WIKITEXT_CONSTRUCT_PAIRS) +class _TokenSlot(object): + """One token occurrence with its revision-local structural path.""" + + __slots__ = ( + 'value', 'word', 'article_index', 'paragraph_index', + 'sentence_index', 'word_index', 'residual_index', + ) + + def __init__(self, value, article_index, paragraph_index, sentence_index, + word_index, word=None, residual_index=None): + self.value = value + self.word = word + self.article_index = article_index + self.paragraph_index = paragraph_index + self.sentence_index = sentence_index + self.word_index = word_index + self.residual_index = residual_index + + @property + def path(self): + return (self.paragraph_index, self.sentence_index, self.word_index) + + +class _MatchCandidate(object): + """A run-level proposal; Word identities are assigned only after resolve.""" + + __slots__ = ( + 'pairs', 'confidence', 'source', 'support', 'displacement', 'order', + 'paths', + ) + + def __init__(self, pairs, confidence, source, support, displacement, order, + paths=None): + self.pairs = tuple(pairs) + self.confidence = confidence + self.source = source + self.support = support + self.displacement = displacement + self.order = order + self.paths = tuple(paths) if paths is not None else None + def _common_prefix_len(left, right): limit = min(len(left), len(right)) @@ -264,6 +359,342 @@ def _word_match_keys(tokens): return keys +def _ordered_paragraph_occurrences(revision): + counts = defaultdict(int) + for paragraph_index, paragraph_hash in enumerate(revision.ordered_paragraphs): + occurrence = counts[paragraph_hash] + counts[paragraph_hash] += 1 + yield paragraph_index, revision.paragraphs[paragraph_hash][occurrence] + + +def _ordered_sentence_occurrences(paragraph): + counts = defaultdict(int) + for sentence_index, sentence_hash in enumerate(paragraph.ordered_sentences): + occurrence = counts[sentence_hash] + counts[sentence_hash] += 1 + yield sentence_index, paragraph.sentences[sentence_hash][occurrence] + + +def _revision_token_slots(revision): + """Return persistent revision words with explicit occurrence paths.""" + slots = [] + article_index = 0 + for paragraph_index, paragraph in _ordered_paragraph_occurrences(revision): + for sentence_index, sentence in _ordered_sentence_occurrences(paragraph): + for word_index, word in enumerate(sentence.words): + slots.append(_TokenSlot( + word.value, article_index, paragraph_index, sentence_index, + word_index, word=word, + )) + article_index += 1 + return slots + + +def _text_token_slots(text): + """Tokenize current wikitext with the hierarchy used to build Revision.""" + slots = [] + article_index = 0 + paragraph_index = 0 + for raw_paragraph in split_into_paragraphs(text): + paragraph = raw_paragraph.strip() + if not paragraph: + continue + sentence_index = 0 + for raw_sentence in split_into_sentences(paragraph): + sentence = raw_sentence.strip() + if not sentence: + continue + for word_index, value in enumerate(split_into_tokens(sentence)): + slots.append(_TokenSlot( + value, article_index, paragraph_index, sentence_index, + word_index, + )) + article_index += 1 + sentence_index += 1 + paragraph_index += 1 + return slots + + +def _current_revision_token_slots(revision): + """Build current-side slots from the hierarchy already parsed this edit. + + Exact or historically reused sentences already contain ``Word`` objects. + Newly unmatched sentences have their normalized values in ``splitted`` by + the time word matching can request structural context. ``None`` signals + an incomplete or inconsistent hierarchy so the caller can use the original + tokenizer as a correctness fallback. + """ + slots = [] + article_index = 0 + for paragraph_index, paragraph in _ordered_paragraph_occurrences(revision): + for sentence_index, sentence in _ordered_sentence_occurrences(paragraph): + if sentence.words: + persistent_words = sentence.words + values = [word.value for word in persistent_words] + if sentence.splitted and list(sentence.splitted) != values: + return None + elif sentence.splitted: + persistent_words = None + values = sentence.splitted + else: + return None + for word_index, value in enumerate(values): + slots.append(_TokenSlot( + value, article_index, paragraph_index, sentence_index, + word_index, + word=(persistent_words[word_index] + if persistent_words is not None else None), + )) + article_index += 1 + return slots + + +class _StructuralDocument(object): + """A compact hierarchy view used only by structural disambiguation. + + Full token values and paragraph/sentence offsets are retained from the + hierarchy scan already needed by the duplicate gate. Context-sensitive + matching keys and informative prefix sums remain lazy until that gate has + proved that structural matching may contribute. + """ + + __slots__ = ( + 'values', 'paragraph_ranges', 'sentence_ranges', 'keys', + 'informative_prefix', + ) + + def __init__(self, values, paragraph_ranges, sentence_ranges): + self.values = values + self.paragraph_ranges = paragraph_ranges + self.sentence_ranges = sentence_ranges + self.keys = None + self.informative_prefix = None + + def ensure_index(self): + if self.keys is not None: + return + if _structural_native is not None: + self.keys, native_prefix = ( + _structural_native.document_index( + self.values, WORD_MATCH_MOVE_STRUCTURAL_TOKENS, + ) + ) + self.informative_prefix = memoryview(native_prefix).cast('Q') + else: + self.keys = _word_match_keys(self.values) + self.informative_prefix = _informative_move_token_prefix( + self.values, + ) + + def paragraph_range(self, paragraph_index): + return self.paragraph_ranges[paragraph_index] + + def paragraph_length(self, paragraph_index): + start, end = self.paragraph_ranges[paragraph_index] + return end - start + + def informative_count(self, paragraph_index, start, end): + paragraph_start, _ = self.paragraph_ranges[paragraph_index] + article_start = paragraph_start + start + return ( + self.informative_prefix[paragraph_start + end] - + self.informative_prefix[article_start] + ) + + def window_key(self, paragraph_index, start, size): + paragraph_start, _ = self.paragraph_ranges[paragraph_index] + article_start = paragraph_start + start + return tuple(self.keys[article_start:article_start + size]) + + +def _revision_structural_document(revision): + """Build a compact view from an already parsed revision hierarchy. + + ``None`` retains the existing tokenizer/slot fallback for an incomplete or + inconsistent hierarchy. + """ + values = [] + paragraph_ranges = {} + sentence_ranges = {} + seen_paragraphs = set() + seen_sentences = set() + seen_words = set() + for paragraph_index, paragraph in _ordered_paragraph_occurrences(revision): + if paragraph in seen_paragraphs: + return None + seen_paragraphs.add(paragraph) + paragraph_start = len(values) + for sentence_index, sentence in _ordered_sentence_occurrences(paragraph): + if sentence in seen_sentences: + return None + seen_sentences.add(sentence) + if sentence.words: + word_identities = set(sentence.words) + if (len(word_identities) != len(sentence.words) or + not seen_words.isdisjoint(word_identities)): + return None + seen_words.update(word_identities) + sentence_values = [word.value for word in sentence.words] + if (sentence.splitted and + list(sentence.splitted) != sentence_values): + return None + elif sentence.splitted: + sentence_values = sentence.splitted + else: + return None + sentence_start = len(values) + values.extend(sentence_values) + sentence_ranges[sentence] = ( + paragraph_index, sentence_index, sentence_start, + len(sentence_values), + ) + paragraph_ranges[paragraph_index] = (paragraph_start, len(values)) + return _StructuralDocument(values, paragraph_ranges, sentence_ranges) + + +def _revision_structural_document_pair( + previous, current, previous_target_sentences=None, + current_target_sentences=None): + """Build adjacent compact documents while scanning shared paragraphs once. + + Sentence offsets are needed only to align residual sentences back to the + complete document. When both target collections are supplied, retain + offsets only for those sentences while continuing to validate every + sentence and word in both revisions. + """ + paragraph_cache = {} + invalid = object() + retain_all_sentences = ( + previous_target_sentences is None or + current_target_sentences is None + ) + if retain_all_sentences: + previous_targets = None + current_targets = None + all_targets = None + else: + previous_targets = set(previous_target_sentences) + current_targets = set(current_target_sentences) + all_targets = previous_targets.union(current_targets) + + if _structural_native is not None: + native_documents = _structural_native.document_pair( + previous, current, previous_targets, current_targets, + ) + if native_documents is None: + return None, None + (prev_values, prev_paragraph_ranges, prev_sentence_ranges, + curr_values, curr_paragraph_ranges, + curr_sentence_ranges) = native_documents + return ( + _StructuralDocument( + prev_values, prev_paragraph_ranges, prev_sentence_ranges, + ), + _StructuralDocument( + curr_values, curr_paragraph_ranges, curr_sentence_ranges, + ), + ) + + def paragraph_snapshot(paragraph): + cached = paragraph_cache.get(paragraph) + if cached is invalid: + return None + if cached is not None: + return cached + + values = [] + sentence_entries = [] + sentence_identities = set() + word_identities = set() + for sentence_index, sentence in _ordered_sentence_occurrences( + paragraph): + if sentence in sentence_identities: + paragraph_cache[paragraph] = invalid + return None + sentence_identities.add(sentence) + if sentence.words: + current_word_identities = set(sentence.words) + if (len(current_word_identities) != len(sentence.words) or + not word_identities.isdisjoint( + current_word_identities)): + paragraph_cache[paragraph] = invalid + return None + word_identities.update(current_word_identities) + sentence_values = [word.value for word in sentence.words] + if (sentence.splitted and + list(sentence.splitted) != sentence_values): + paragraph_cache[paragraph] = invalid + return None + elif sentence.splitted: + sentence_values = list(sentence.splitted) + else: + paragraph_cache[paragraph] = invalid + return None + if all_targets is None or sentence in all_targets: + sentence_entries.append(( + sentence, sentence_index, len(values), + len(sentence_values), + )) + values.extend(sentence_values) + snapshot = ( + values, sentence_entries, sentence_identities, word_identities, + ) + paragraph_cache[paragraph] = snapshot + return snapshot + + def build(revision, targets): + values = [] + paragraph_ranges = {} + sentence_ranges = {} + seen_paragraphs = set() + seen_sentences = set() + seen_words = set() + for paragraph_index, paragraph in _ordered_paragraph_occurrences( + revision): + if paragraph in seen_paragraphs: + return None + seen_paragraphs.add(paragraph) + snapshot = paragraph_snapshot(paragraph) + if snapshot is None: + return None + (paragraph_values, sentence_entries, + sentence_identities, word_identities) = snapshot + if (not seen_sentences.isdisjoint(sentence_identities) or + not seen_words.isdisjoint(word_identities)): + return None + seen_sentences.update(sentence_identities) + seen_words.update(word_identities) + paragraph_start = len(values) + values.extend(paragraph_values) + for (sentence, sentence_index, sentence_start, + sentence_length) in sentence_entries: + if targets is not None and sentence not in targets: + continue + sentence_ranges[sentence] = ( + paragraph_index, sentence_index, + paragraph_start + sentence_start, sentence_length, + ) + paragraph_ranges[paragraph_index] = ( + paragraph_start, len(values), + ) + return _StructuralDocument( + values, paragraph_ranges, sentence_ranges, + ) + + return ( + build(previous, previous_targets), + build(current, current_targets), + ) + + +def _sentence_occurrence_paths(revision): + paths = {} + for paragraph_index, paragraph in _ordered_paragraph_occurrences(revision): + for sentence_index, sentence in _ordered_sentence_occurrences(paragraph): + paths[id(sentence)] = (paragraph_index, sentence_index) + return paths + + def _link_spans(tokens): # Capture only the target portion of each internal link. Boundary recovery is intentionally disabled for piped links because target/display edits need stricter handling than plain target extension. spans = [] @@ -319,7 +750,7 @@ def _link_target_reused(prev_link, curr_link, prev_for_curr): return True -def _recover_edited_link_boundaries(text_prev, text_curr, prev_for_curr, match_conf, prev_used_by): +def _recover_edited_link_boundaries(text_prev, text_curr, ledger): # Link delimiters are keyed by full target in _word_match_keys, so an edited target can leave [[ and ]] unmatched even when the target body was reused. Recover those delimiters after the body tokens have already matched. curr_links_by_first = defaultdict(list) for curr_link in _link_spans(text_curr): @@ -330,14 +761,12 @@ def _recover_edited_link_boundaries(text_prev, text_curr, prev_for_curr, match_c if not prev_link['target']: continue for curr_link in curr_links_by_first.get(prev_link['target'][0], ()): - if not _link_target_reused(prev_link, curr_link, prev_for_curr): + if not _link_target_reused(prev_link, curr_link, ledger.prev_for_curr): continue - _assign_word_match(prev_for_curr, match_conf, prev_used_by, - curr_link['open'], prev_link['open'], - WORD_MATCH_CONF_STRUCTURAL_BOUNDARY) - _assign_word_match(prev_for_curr, match_conf, prev_used_by, - curr_link['close'], prev_link['close'], - WORD_MATCH_CONF_STRUCTURAL_BOUNDARY) + ledger.propose_pairs(( + (curr_link['open'], prev_link['open']), + (curr_link['close'], prev_link['close']), + ), WORD_MATCH_CONF_STRUCTURAL_BOUNDARY, 'edited-link-boundary') break @@ -438,13 +867,261 @@ def _unassign_word_match(prev_for_curr, match_conf, prev_used_by, curr_index): return True +class _MatchCandidateLedger(object): + """Collect competing proposals and resolve Word reuse in one place. + + The provisional arrays reproduce the old stage-by-stage eligibility view + for candidate generators which still need to inspect earlier evidence. + They never mutate Word objects. ``resolve`` disregards that provisional + history and derives the final one-to-one mapping from all candidates. + """ + + def __init__(self, prev_length, curr_length): + self.prev_length = prev_length + self.prev_for_curr = [None] * curr_length + self.match_conf = [0] * curr_length + self.prev_used_by = {} + self.candidates = [] + self.blocked_curr = set() + self._next_order = 0 + + def propose_pairs(self, pairs, confidence, source, support=0, + displacement=None, paths=None): + pairs = tuple(pairs) + if not pairs: + return None + if paths is not None: + paths = tuple(paths) + if len(paths) != len(pairs): + raise ValueError("candidate paths must align with candidate pairs") + if displacement is None: + displacement = min(abs(prev_index - curr_index) + for curr_index, prev_index in pairs) + candidate = _MatchCandidate( + pairs, confidence, source, support, displacement, self._next_order, + paths=paths, + ) + self._next_order += 1 + self.candidates.append(candidate) + + # Keep the legacy confidence view solely for later candidate discovery. + for curr_index, prev_index in pairs: + if curr_index in self.blocked_curr: + continue + _assign_word_match( + self.prev_for_curr, self.match_conf, self.prev_used_by, + curr_index, prev_index, confidence, + ) + return candidate + + def propose(self, curr_index, prev_index, confidence, source, support=0): + return self.propose_pairs( + ((curr_index, prev_index),), confidence, source, support=support, + displacement=abs(prev_index - curr_index), + ) + + def block_current(self, curr_index): + # Stale-edge rejection intentionally leaves the token unmatched rather + # than reviving evidence which the legacy matcher had already displaced. + self.blocked_curr.add(curr_index) + _unassign_word_match( + self.prev_for_curr, self.match_conf, self.prev_used_by, curr_index, + ) + + def resolve(self): + """Resolve all proposals by categorical evidence and stable tie rules.""" + higher_candidates = [] + lower_candidates = [] + structural_candidates = [] + for candidate in self.candidates: + is_structural = candidate.source.startswith('structural-') + if is_structural: + structural_candidates.append(candidate) + elif candidate.confidence > WORD_MATCH_CONF_STRUCTURAL_GAP: + higher_candidates.append(candidate) + else: + lower_candidates.append(candidate) + + def candidate_edges(candidates): + edges = [] + for candidate in candidates: + for pair_order, (curr_index, prev_index) in enumerate(candidate.pairs): + if curr_index in self.blocked_curr: + continue + edges.append(( + -candidate.confidence, + candidate.order, + pair_order, + curr_index, + prev_index, + )) + return edges + + legacy_prev_for_curr = [None] * len(self.prev_for_curr) + legacy_prev_used_by = {} + for _, _, _, curr_index, prev_index in sorted(candidate_edges( + higher_candidates + lower_candidates)): + if (legacy_prev_for_curr[curr_index] is not None or + prev_index in legacy_prev_used_by): + continue + legacy_prev_for_curr[curr_index] = prev_index + legacy_prev_used_by[prev_index] = curr_index + + prev_for_curr = [None] * len(self.prev_for_curr) + prev_used_by = {} + + def assign_edge(curr_index, prev_index): + if (prev_for_curr[curr_index] is not None or + prev_index in prev_used_by): + return False + prev_for_curr[curr_index] = prev_index + prev_used_by[prev_index] = curr_index + return True + + # Lock evidence above the structural-gap tier first. These are exact + # edges and full-revision-unique moved runs, which must not be displaced + # by a merely local structural correspondence. + for _, _, _, curr_index, prev_index in sorted( + candidate_edges(higher_candidates)): + assign_edge(curr_index, prev_index) + + # Build bounded conflict components before choosing structural runs. + # A structural and a lower-tier candidate conflict when either claims + # the same current slot or reuses the same previous slot. Components + # are expanded through both candidate families so a large duplicate + # permutation cannot masquerade as many independent local decisions. + structural_by_curr = defaultdict(set) + structural_by_prev = defaultdict(set) + lower_by_curr = defaultdict(set) + lower_by_prev = defaultdict(set) + for index, candidate in enumerate(structural_candidates): + for curr_index, prev_index in candidate.pairs: + if curr_index not in self.blocked_curr: + structural_by_curr[curr_index].add(index) + structural_by_prev[prev_index].add(index) + for index, candidate in enumerate(lower_candidates): + for curr_index, prev_index in candidate.pairs: + if curr_index not in self.blocked_curr: + lower_by_curr[curr_index].add(index) + lower_by_prev[prev_index].add(index) + + eligible_structural = set() + visited_structural = set() + for initial_index in range(len(structural_candidates)): + if initial_index in visited_structural: + continue + component_structural = set() + component_lower = set() + pending_structural = [initial_index] + pending_lower = [] + while pending_structural or pending_lower: + while pending_structural: + candidate_index = pending_structural.pop() + if candidate_index in component_structural: + continue + component_structural.add(candidate_index) + candidate = structural_candidates[candidate_index] + for curr_index, prev_index in candidate.pairs: + pending_structural.extend( + structural_by_curr.get(curr_index, ())) + pending_structural.extend( + structural_by_prev.get(prev_index, ())) + pending_lower.extend(lower_by_curr.get(curr_index, ())) + pending_lower.extend(lower_by_prev.get(prev_index, ())) + while pending_lower: + candidate_index = pending_lower.pop() + if candidate_index in component_lower: + continue + component_lower.add(candidate_index) + candidate = lower_candidates[candidate_index] + for curr_index, prev_index in candidate.pairs: + pending_structural.extend( + structural_by_curr.get(curr_index, ())) + pending_structural.extend( + structural_by_prev.get(prev_index, ())) + pending_lower.extend( + lower_by_curr.get(curr_index, ())) + pending_lower.extend( + lower_by_prev.get(prev_index, ())) + + visited_structural.update(component_structural) + component_curr = set() + component_prev = set() + for candidate_index in component_structural: + for curr_index, prev_index in structural_candidates[candidate_index].pairs: + component_curr.add(curr_index) + component_prev.add(prev_index) + for candidate_index in component_lower: + for curr_index, prev_index in lower_candidates[candidate_index].pairs: + component_curr.add(curr_index) + component_prev.add(prev_index) + if (len(component_curr) + len(component_prev) <= + WORD_MATCH_STRUCTURAL_MAX_CONFLICT_TOKENS): + eligible_structural.update(component_structural) + + # Structural evidence belongs to the complete run. Greedily taking + # individual edges from overlapping runs can synthesize an assignment + # which no candidate generator proposed. Accept a run atomically, or + # reject it if any edge conflicts with a higher or already-selected + # structural mapping. Identical locked edges may be clipped because + # they independently prove the same correspondence. + for candidate in sorted( + (structural_candidates[index] + for index in eligible_structural), + key=lambda item: ( + -item.confidence, -item.support, item.displacement, + item.order, + )): + pairs = tuple( + pair for pair in candidate.pairs + if pair[0] not in self.blocked_curr + ) + if not pairs: + continue + conflicts = False + for curr_index, prev_index in pairs: + assigned_prev = prev_for_curr[curr_index] + assigned_curr = prev_used_by.get(prev_index) + if ((assigned_prev is not None and assigned_prev != prev_index) or + (assigned_curr is not None and assigned_curr != curr_index)): + conflicts = True + break + if conflicts: + continue + for curr_index, prev_index in pairs: + if prev_for_curr[curr_index] is None: + assign_edge(curr_index, prev_index) + + # Preserve the established ordering of the remaining matcher evidence. + for _, _, _, curr_index, prev_index in sorted( + candidate_edges(lower_candidates)): + assign_edge(curr_index, prev_index) + + deleted_prev = [ + index for index in range(self.prev_length) + if index not in prev_used_by + ] + cardinality_gain = len(prev_used_by) - len(legacy_prev_used_by) + # A structural reassignment may exchange identities at equal + # cardinality or recover a complete informative run. It must never + # discard more established matches than it adds, nor promote an + # isolated one- or two-token recovery. + if (cardinality_gain < 0 or + 0 < cardinality_gain < WORD_MATCH_STRUCTURAL_MIN_RUN_INFO): + legacy_deleted_prev = [ + index for index in range(self.prev_length) + if index not in legacy_prev_used_by + ] + return legacy_prev_for_curr, legacy_deleted_prev + return prev_for_curr, deleted_prev + + def _is_low_authorship_edge_token(token): return isinstance(token, str) and len(token) <= 2 and token.isalpha() def _demote_stale_suffix_edge_matches(text_prev, text_curr, prev_words, - prev_for_curr, match_conf, prev_used_by, - prefix_len, suffix_len): + ledger, prefix_len, suffix_len): # Edge suffixes are usually reliable, but after a large pure deletion they can over-preserve old "glue" tokens at the start of a mature rewritten suffix. Demote only those low-authorship tokens and leave content words and replacement edits alone. if not prev_words or not suffix_len: return @@ -460,8 +1137,8 @@ def _demote_stale_suffix_edge_matches(text_prev, text_curr, prev_words, limit = min(suffix_len, WORD_MATCH_EDGE_STALE_WINDOW) for offset in range(limit): curr_index = suffix_curr_start + offset - prev_index = prev_for_curr[curr_index] - if prev_index is None or match_conf[curr_index] != WORD_MATCH_CONF_EDGE: + prev_index = ledger.prev_for_curr[curr_index] + if prev_index is None or ledger.match_conf[curr_index] != WORD_MATCH_CONF_EDGE: continue if prev_index >= len(prev_words): continue @@ -469,7 +1146,7 @@ def _demote_stale_suffix_edge_matches(text_prev, text_curr, prev_words, if word_prev.origin_rev_id == word_prev.last_rev_id: continue if _is_low_authorship_edge_token(text_curr[curr_index]): - _unassign_word_match(prev_for_curr, match_conf, prev_used_by, curr_index) + ledger.block_current(curr_index) def _contiguous_spans(indices): @@ -490,9 +1167,14 @@ def _contiguous_spans(indices): def _is_informative_move_token(token): - return isinstance(token, str) and token not in WORD_MATCH_MOVE_STRUCTURAL_TOKENS and any( - char.isalnum() for char in token - ) + if (not isinstance(token, str) or not token or + token in WORD_MATCH_MOVE_STRUCTURAL_TOKENS): + return False + # Most word tokens start or end in an alphanumeric character. Preserve + # the exact predicate while avoiding a generator allocation and a full + # Unicode scan for that common case. + return (token[0].isalnum() or token[-1].isalnum() or + any(char.isalnum() for char in token[1:-1])) def _informative_move_token_prefix(tokens): @@ -593,6 +1275,12 @@ def _count_subsequence_cached(tokens, needle, count_state): positions = _pair_positions(tokens, count_state) first_positions = positions.get((needle[0], needle[1]), ()) last_positions = positions.get((needle[-2], needle[-1]), ()) + if _structural_native is not None: + count = _structural_native.count_subsequence_at_positions( + tokens, needle, first_positions, last_positions, + ) + counts[count_key] = count + return count max_start = len(tokens) - needle_len count = 0 if len(last_positions) < len(first_positions): @@ -612,52 +1300,110 @@ def _count_subsequence_cached(tokens, needle, count_state): return count -def _copy_safe_moved_run(count_text_prev, count_text_curr, text_curr, curr_start, length, count_state): - core = _longest_content_core(text_curr[curr_start:curr_start + length]) - if len(core) < WORD_MATCH_MOVE_MIN_INFO_TOKENS: - return False - return (_count_subsequence_cached(count_text_prev, core, count_state) == 1 and - _count_subsequence_cached(count_text_curr, core, count_state) == 1) - +def _link_anchor_bounds(tokens): + try: + link_open = tokens.index('[[') + link_close = tokens.index(']]', link_open + 1) + except ValueError: + return None + if link_open < 2 or not all( + _is_informative_move_token(token) for token in tokens[link_open - 2:link_open]): + return None + if sum(_is_informative_move_token(token) for token in tokens[link_open + 1:link_close]) < 2: + return None + return link_open, link_close -def _content_run_bounds(tokens, index): - start = index - while start > 0 and _is_informative_move_token(tokens[start - 1]): - start -= 1 - end = index + 1 - while end < len(tokens) and _is_informative_move_token(tokens[end]): - end += 1 - return start, end +def _template_field_anchor(run, content_core): + """Return whether a content core follows a raw ``| name =`` opener.""" + core_length = len(content_core) + for start in range(len(run) - core_length + 1): + if tuple(run[start:start + core_length]) != content_core: + continue + if start < 3 or run[start - 1] != '=': + continue + index = start - 2 + while index >= 0 and _is_informative_move_token(run[index]): + index -= 1 + if index >= 0 and index < start - 2 and run[index] == '|': + return True + return False -def _has_unique_content_window(count_text_prev, count_text_curr, text_curr, curr_index, count_state): - if not _is_informative_move_token(text_curr[curr_index]): - return True - run_start, run_end = _content_run_bounds(text_curr, curr_index) - if run_end - run_start < WORD_MATCH_MOVE_TOKEN_WINDOW: - if run_end - run_start >= WORD_MATCH_MOVE_MIN_INFO_TOKENS: - needle = tuple(text_curr[run_start:run_end]) - if any(any(char.isdigit() for char in token) for token in needle): - return (_count_subsequence_cached(count_text_prev, needle, count_state) == 1 and - _count_subsequence_cached(count_text_curr, needle, count_state) == 1) +def _copy_safe_moved_run(count_text_prev, count_text_curr, text_curr, curr_start, length, count_state): + run = text_curr[curr_start:curr_start + length] + content_core = _longest_content_core(run) + # Four content tokens are normally required to establish a moved run. Allow + # an exact unique three-token value only when the run itself contains its + # template-field opener. This does not admit weak prose anchors such as + # "across the country". A bare digit-bearing exception is deliberately not + # used here: repeated citation dates can otherwise swap token lineages. + if (len(content_core) >= WORD_MATCH_MOVE_MIN_ANCHOR_INFO_TOKENS or + (len(content_core) >= WORD_MATCH_MOVE_MIN_INFO_TOKENS and + _template_field_anchor(run, content_core))): + return (_count_subsequence_cached(count_text_prev, content_core, count_state) == 1 and + _count_subsequence_cached(count_text_curr, content_core, count_state) == 1) + if _link_anchor_bounds(run) is None: return False - - earliest = max(run_start, curr_index - WORD_MATCH_MOVE_TOKEN_WINDOW + 1) - latest = min(curr_index, run_end - WORD_MATCH_MOVE_TOKEN_WINDOW) - for start in range(earliest, latest + 1): - needle = tuple(text_curr[start:start + WORD_MATCH_MOVE_TOKEN_WINDOW]) - if (_count_subsequence_cached(count_text_prev, needle, count_state) == 1 and - _count_subsequence_cached(count_text_curr, needle, count_state) == 1): - return True + return (_count_subsequence_cached(count_text_prev, run, count_state) == 1 and + _count_subsequence_cached(count_text_curr, run, count_state) == 1) + + +def _has_unique_link_move_window(count_text_prev, count_text_curr, text_curr, + curr_index, run_start, run_end, count_state): + max_window = min(run_end - run_start, max(WORD_MATCH_MOVE_NGRAM_SIZES)) + for ngram_size in range(max_window, WORD_MATCH_MOVE_MIN_LINK_WINDOW - 1, -1): + earliest = max(run_start, curr_index - ngram_size + 1) + latest = min(curr_index, run_end - ngram_size) + for start in range(earliest, latest + 1): + needle = tuple(text_curr[start:start + ngram_size]) + anchor = _link_anchor_bounds(needle) + if anchor is None: + continue + link_open, _ = anchor + if not start + link_open - 2 <= curr_index < start + link_open: + continue + if (_count_subsequence_cached(count_text_prev, needle, count_state) == 1 and + _count_subsequence_cached(count_text_curr, needle, count_state) == 1): + return True return False -def _can_assign_moved_match(match_conf, prev_used_by, curr_index, prev_index): - if match_conf[curr_index] >= WORD_MATCH_CONF_MOVED_RUN: +def _unique_moved_run_coverage(count_text_prev, count_text_curr, text_curr, + run_start, run_end, count_state, + minimum_informative=WORD_MATCH_MOVE_MIN_INFO_TOKENS): + run_length = run_end - run_start + max_window = min(run_length, max(WORD_MATCH_MOVE_NGRAM_SIZES)) + if max_window < minimum_informative: + return set() + + informative_prefix = [0] + informative_count = 0 + for token in text_curr[run_start:run_end]: + if _is_informative_move_token(token): + informative_count += 1 + informative_prefix.append(informative_count) + + covered = set() + for window_size in range(minimum_informative, max_window + 1): + for relative_start in range(run_length - window_size + 1): + relative_end = relative_start + window_size + if (informative_prefix[relative_end] - informative_prefix[relative_start] < + minimum_informative): + continue + start = run_start + relative_start + needle = tuple(text_curr[start:start + window_size]) + if (_count_subsequence_cached(count_text_prev, needle, count_state) == 1 and + _count_subsequence_cached(count_text_curr, needle, count_state) == 1): + covered.update(range(start, start + window_size)) + return covered + + +def _can_assign_moved_match(ledger, curr_index, prev_index): + if ledger.match_conf[curr_index] >= WORD_MATCH_CONF_MOVED_RUN: return False - old_curr = prev_used_by.get(prev_index) - return old_curr is None or match_conf[old_curr] < WORD_MATCH_CONF_MOVED_RUN + old_curr = ledger.prev_used_by.get(prev_index) + return old_curr is None or ledger.match_conf[old_curr] < WORD_MATCH_CONF_MOVED_RUN def _moved_run_confidence(length, seed_length): @@ -666,15 +1412,14 @@ def _moved_run_confidence(length, seed_length): return WORD_MATCH_CONF_MOVED_RUN + bonus -def _extend_moved_run(prev_keys, curr_keys, prev_for_curr, match_conf, prev_used_by, - prev_start, curr_start, length): +def _extend_moved_run(prev_keys, curr_keys, ledger, prev_start, curr_start, length): left = 0 while curr_start - left - 1 >= 0 and prev_start - left - 1 >= 0: curr_index = curr_start - left - 1 prev_index = prev_start - left - 1 if prev_keys[prev_index] != curr_keys[curr_index]: break - if not _can_assign_moved_match(match_conf, prev_used_by, curr_index, prev_index): + if not _can_assign_moved_match(ledger, curr_index, prev_index): break left += 1 @@ -684,7 +1429,7 @@ def _extend_moved_run(prev_keys, curr_keys, prev_for_curr, match_conf, prev_used prev_index = prev_start + length + right if prev_keys[prev_index] != curr_keys[curr_index]: break - if not _can_assign_moved_match(match_conf, prev_used_by, curr_index, prev_index): + if not _can_assign_moved_match(ledger, curr_index, prev_index): break right += 1 @@ -698,6 +1443,154 @@ def _move_ngram_sizes(recoverable_count): return sizes +def _raw_context_ngram_sizes(prev_len, curr_len): + sizes = [] + indexed_windows = 0 + for ngram_size in WORD_MATCH_MOVE_NGRAM_SIZES: + window_count = (max(0, prev_len - ngram_size + 1) + + max(0, curr_len - ngram_size + 1)) + if not window_count: + continue + if indexed_windows + window_count > WORD_MATCH_MOVE_MAX_WINDOWS: + break + sizes.append(ngram_size) + indexed_windows += window_count + return sizes + + +_TEMPLATE_PIPE_KEY_KINDS = frozenset(('template-field', 'template-arg')) + + +def _is_template_pipe_key(key): + return (isinstance(key, tuple) and len(key) == 5 and + key[:2] == ('wikitext', '|') and + key[2] in _TEMPLATE_PIPE_KEY_KINDS and + isinstance(key[3], tuple)) + + +def _pipe_key_changed_only_by_template_spacing(prev_key, curr_key): + if not (_is_template_pipe_key(prev_key) and + _is_template_pipe_key(curr_key)): + return False + if prev_key[:3] != curr_key[:3] or prev_key[4:] != curr_key[4:]: + return False + prev_name = prev_key[3] + curr_name = curr_key[3] + return prev_name != curr_name and ''.join(prev_name) == ''.join(curr_name) + + +def _has_template_name_spacing_change(prev_keys, curr_keys): + forms = [] + for keys in (prev_keys, curr_keys): + by_compact_name = defaultdict(set) + for key in keys: + if _is_template_pipe_key(key): + by_compact_name[''.join(key[3])].add(key[3]) + forms.append(by_compact_name) + + prev_forms, curr_forms = forms + for compact_name in set(prev_forms).intersection(curr_forms): + if any( + prev_name != curr_name + for prev_name in prev_forms[compact_name] + for curr_name in curr_forms[compact_name]): + return True + return False + + +def _recover_unique_template_field_words(text_prev, text_curr, + prev_keys, curr_keys, + ledger, + full_text_prev=None, full_text_curr=None, + get_full_texts=None, count_state=None): + # Template renames change the contextual keys of their separators. Preserve + # still-unmatched field content when it remains bracketed by the same exact + # raw context and both separator keys changed together. + recoverable_count = len(text_prev) + len(text_curr) + if recoverable_count < WORD_MATCH_MOVE_MIN_RECOVERABLE_TOKENS: + return + if not _has_template_name_spacing_change(prev_keys, curr_keys): + return + + if not any( + _is_informative_move_token(token) and index not in ledger.prev_used_by + for index, token in enumerate(text_prev)): + return + if not any( + _is_informative_move_token(token) and ledger.prev_for_curr[index] is None + for index, token in enumerate(text_curr)): + return + + ngram_sizes = _raw_context_ngram_sizes(len(text_prev), len(text_curr)) + if not ngram_sizes: + return + + count_texts = [full_text_prev, full_text_curr] + + def ensure_count_texts(): + if count_texts[0] is None or count_texts[1] is None: + if get_full_texts is not None: + count_texts[0], count_texts[1] = get_full_texts() + else: + count_texts[0] = text_prev + count_texts[1] = text_curr + return count_texts[0], count_texts[1] + + if count_state is None: + count_state = {'counts': {}} + prev_info = _informative_move_token_prefix(text_prev) + curr_info = _informative_move_token_prefix(text_curr) + prev_spans = [(0, len(text_prev))] + curr_spans = [(0, len(text_curr))] + + for ngram_size in ngram_sizes: + prev_contexts = _index_move_ngrams( + text_prev, prev_spans, ngram_size, prev_info, + ) + curr_contexts = _index_move_ngrams( + text_curr, curr_spans, ngram_size, curr_info, + ) + candidates = [] + for key, prev_positions in prev_contexts.items(): + curr_positions = curr_contexts.get(key) + if (len(prev_positions) != 1 or not curr_positions or + len(curr_positions) != 1): + continue + prev_start = prev_positions[0] + curr_start = curr_positions[0] + changed_pipes = tuple( + offset for offset in range(ngram_size) + if text_curr[curr_start + offset] == '|' and + _pipe_key_changed_only_by_template_spacing( + prev_keys[prev_start + offset], + curr_keys[curr_start + offset], + ) + ) + if len(changed_pipes) >= 2: + candidates.append((abs(prev_start - curr_start), + prev_start, curr_start, key, changed_pipes)) + + for _, prev_start, curr_start, key, changed_pipes in sorted(candidates, reverse=True): + count_text_prev, count_text_curr = ensure_count_texts() + if (_count_subsequence_cached(count_text_prev, key, count_state) != 1 or + _count_subsequence_cached(count_text_curr, key, count_state) != 1): + continue + for offset in range(ngram_size): + prev_index = prev_start + offset + curr_index = curr_start + offset + if not _is_informative_move_token(text_curr[curr_index]): + continue + if not (any(pipe < offset for pipe in changed_pipes) and + any(pipe > offset for pipe in changed_pipes)): + continue + if (ledger.prev_for_curr[curr_index] is not None or + prev_index in ledger.prev_used_by): + continue + ledger.propose(curr_index, prev_index, + WORD_MATCH_CONF_MOVED_RUN, + 'template-field') + + def _recoverable_indices_from_spans(spans, start_allowed): indices = [] for span_start, span_end in spans: @@ -707,11 +1600,166 @@ def _recoverable_indices_from_spans(spans, start_allowed): return indices +def _template_field_before_content(tokens, content_start): + if content_start < 3 or tokens[content_start - 1] != '=': + return None + field_end = content_start - 1 + index = field_end - 1 + while index >= 0 and tokens[index] != '|': + if not (_is_informative_move_token(tokens[index]) or tokens[index] == '_'): + return None + index -= 1 + if index < 0 or index == field_end - 1: + return None + raw_field = tuple(tokens[index + 1:field_end]) + normalized = ''.join( + token for token in raw_field if _is_informative_move_token(token) + ).rstrip('0123456789') + if not normalized: + return None + return raw_field, normalized + + +def _recover_unique_short_numeric_template_fields( + text_prev, text_curr, ledger, + full_text_prev=None, full_text_curr=None, + get_full_texts=None, + prev_candidate_spans=None, + curr_candidate_spans=None, + count_state=None): + """Repair a renamed numeric template field split by one weaker match. + + A SequenceMatcher equal opcode can claim the year of an otherwise intact + date for an unrelated newly added date. Moved-run recovery then cannot seed + the old three-token run because one previous position lies outside its + replace spans. Reconsider only maximal, digit-bearing three-token values + whose template field changed to an equivalent compact name (for example, + ``term_start`` to ``termstart2``), whose current positions are all in + replace spans, and whose previous occurrence retains at least two positions + there. Exact full-revision uniqueness and the confidence ladder still + decide the assignment. Same-name citation date fields are excluded because + their repeated values can otherwise exchange token lineages. + """ + run_length = WORD_MATCH_MOVE_MIN_INFO_TOKENS + if run_length != 3: + return + + if curr_candidate_spans is None: + candidate_ranges = [] + index = 0 + while index < len(text_curr): + if not _is_informative_move_token(text_curr[index]): + index += 1 + continue + run_start = index + index += 1 + while index < len(text_curr) and _is_informative_move_token(text_curr[index]): + index += 1 + if index - run_start == run_length: + candidate_ranges.append((run_start, index)) + else: + # The conflict this pass repairs leaves the complete current value as + # one three-token replace span. Inspecting only those spans makes the + # common path proportional to the opcode count, without expanding span + # sets or scanning the complete unmatched text. + candidate_ranges = [ + (start, end) for start, end in curr_candidate_spans + if end - start == run_length + ] + + candidates = [] + for run_start, run_end in candidate_ranges: + if ((run_start > 0 and _is_informative_move_token(text_curr[run_start - 1])) or + (run_end < len(text_curr) and _is_informative_move_token(text_curr[run_end]))): + continue + if not all(_is_informative_move_token(text_curr[position]) + for position in range(run_start, run_end)): + continue + needle = tuple(text_curr[run_start:run_end]) + if not any(char.isdigit() for token in needle for char in token): + continue + curr_field = _template_field_before_content(text_curr, run_start) + if curr_field is None: + continue + if any(ledger.match_conf[position] >= WORD_MATCH_CONF_MOVED_RUN + for position in range(run_start, run_end)): + continue + candidates.append((run_start, needle, curr_field)) + + if not candidates: + return + + candidate_needles = set(needle for _, needle, _ in candidates) + prev_positions = defaultdict(list) + for prev_start in range(len(text_prev) - run_length + 1): + prev_end = prev_start + run_length + needle = tuple(text_prev[prev_start:prev_end]) + if needle not in candidate_needles: + continue + if ((prev_start > 0 and _is_informative_move_token(text_prev[prev_start - 1])) or + (prev_end < len(text_prev) and _is_informative_move_token(text_prev[prev_end]))): + continue + prev_positions[needle].append(prev_start) + + if count_state is None: + count_state = {'counts': {}} + count_texts = [full_text_prev, full_text_curr] + + def ensure_count_texts(): + if count_texts[0] is None or count_texts[1] is None: + if get_full_texts is not None: + count_texts[0], count_texts[1] = get_full_texts() + else: + count_texts[0] = text_prev + count_texts[1] = text_curr + return count_texts[0], count_texts[1] + + for curr_start, needle, curr_field in candidates: + positions = prev_positions.get(needle, ()) + if len(positions) != 1: + continue + prev_start = positions[0] + prev_field = _template_field_before_content(text_prev, prev_start) + if (prev_field is None or prev_field[1] != curr_field[1] or + prev_field[0] == curr_field[0]): + continue + previous_indices = range(prev_start, prev_start + run_length) + if prev_candidate_spans is not None: + candidate_count = 0 + for span_start, span_end in prev_candidate_spans: + if span_end <= prev_start: + continue + if span_start >= prev_start + run_length: + break + candidate_count += max( + 0, + min(span_end, prev_start + run_length) - max(span_start, prev_start), + ) + if candidate_count < run_length - 1: + continue + if any( + ledger.prev_used_by.get(position) is not None and + ledger.match_conf[ledger.prev_used_by[position]] >= + WORD_MATCH_CONF_MOVED_RUN + for position in previous_indices): + continue + + count_text_prev, count_text_curr = ensure_count_texts() + if (_count_subsequence_cached(count_text_prev, needle, count_state) != 1 or + _count_subsequence_cached(count_text_curr, needle, count_state) != 1): + continue + for offset in range(run_length): + ledger.propose( + curr_start + offset, prev_start + offset, + WORD_MATCH_CONF_MOVED_RUN, 'template-numeric-field', + ) + + def _recover_moved_word_runs(text_prev, text_curr, prev_keys, curr_keys, - prev_for_curr, match_conf, prev_used_by, + ledger, full_text_prev=None, full_text_curr=None, get_full_texts=None, prev_candidate_spans=None, - curr_candidate_spans=None): + curr_candidate_spans=None, count_state=None): count_texts = [full_text_prev, full_text_curr] if prev_candidate_spans is not None and curr_candidate_spans is not None: if not prev_candidate_spans or not curr_candidate_spans: @@ -732,12 +1780,14 @@ def ensure_count_texts(): prev_info_prefix = _informative_move_token_prefix(prev_keys) curr_info_prefix = _informative_move_token_prefix(curr_keys) - count_state = {'counts': {}} + if count_state is None: + count_state = {'counts': {}} checked_runs = set() for ngram_size in _move_ngram_sizes(recoverable_count): protected_prev = set( - prev_index for curr_index, prev_index in enumerate(prev_for_curr) - if prev_index is not None and match_conf[curr_index] >= WORD_MATCH_CONF_MOVED_RUN + prev_index for curr_index, prev_index in enumerate(ledger.prev_for_curr) + if (prev_index is not None and + ledger.match_conf[curr_index] >= WORD_MATCH_CONF_MOVED_RUN) ) if prev_candidate_spans is None: recoverable_prev = [ @@ -751,13 +1801,13 @@ def ensure_count_texts(): ) if curr_candidate_spans is None: recoverable_curr = [ - index for index, confidence in enumerate(match_conf) + index for index, confidence in enumerate(ledger.match_conf) if confidence < WORD_MATCH_CONF_MOVED_RUN ] else: recoverable_curr = _recoverable_indices_from_spans( curr_candidate_spans, - lambda index: match_conf[index] < WORD_MATCH_CONF_MOVED_RUN, + lambda index: ledger.match_conf[index] < WORD_MATCH_CONF_MOVED_RUN, ) prev_spans = _contiguous_spans(recoverable_prev) @@ -774,15 +1824,15 @@ def ensure_count_texts(): for _, prev_start, curr_start in sorted(candidates, reverse=True): if any( - not _can_assign_moved_match(match_conf, prev_used_by, - curr_start + offset, prev_start + offset) + not _can_assign_moved_match( + ledger, curr_start + offset, prev_start + offset, + ) for offset in range(ngram_size) ): continue prev_start, curr_start, length = _extend_moved_run( - prev_keys, curr_keys, prev_for_curr, match_conf, prev_used_by, - prev_start, curr_start, ngram_size, + prev_keys, curr_keys, ledger, prev_start, curr_start, ngram_size, ) run_key = (prev_start, curr_start, length) if run_key in checked_runs: @@ -794,108 +1844,2421 @@ def ensure_count_texts(): continue confidence = _moved_run_confidence(length, ngram_size) + requires_complete_link_window = ( + len(_longest_content_core(text_curr[curr_start:curr_start + length])) < + WORD_MATCH_MOVE_MIN_INFO_TOKENS + ) + covered = None + if not requires_complete_link_window: + covered = _unique_moved_run_coverage( + count_text_prev, count_text_curr, text_curr, + curr_start, curr_start + length, count_state, + ) for offset in range(length): curr_index = curr_start + offset - if not _has_unique_content_window(count_text_prev, count_text_curr, - text_curr, curr_index, count_state): + if requires_complete_link_window: + if not _has_unique_link_move_window( + count_text_prev, count_text_curr, text_curr, + curr_index, curr_start, curr_start + length, + count_state, + ): + continue + elif curr_index not in covered: continue - _assign_word_match(prev_for_curr, match_conf, prev_used_by, - curr_index, prev_start + offset, - confidence) + ledger.propose(curr_index, prev_start + offset, + confidence, 'moved-run') -def _match_word_sequences(text_prev, text_curr, full_text_prev=None, full_text_curr=None, - get_full_texts=None, prev_words=None): - prev_for_curr = [None] * len(text_curr) - match_conf = [0] * len(text_curr) - prev_used_by = {} +def _slots_grouped_by_paragraph(slots): + grouped = defaultdict(list) + for slot in slots: + grouped[slot.paragraph_index].append(slot) + return grouped - prev_keys = _word_match_keys(text_prev) - curr_keys = _word_match_keys(text_curr) - prefix_len = _common_prefix_len(prev_keys, curr_keys) - prefix_len, suffix_len = _rollback_common_construct_edges(text_prev, text_curr, - prev_keys, curr_keys, - prefix_len) - for index in range(prefix_len): - _assign_word_match(prev_for_curr, match_conf, prev_used_by, - index, index, WORD_MATCH_CONF_EDGE) - for index in range(suffix_len): - prev_index = len(text_prev) - suffix_len + index - curr_index = len(text_curr) - suffix_len + index - _assign_word_match(prev_for_curr, match_conf, prev_used_by, - curr_index, prev_index, WORD_MATCH_CONF_EDGE) +class _StructuralIndex(object): + """Ephemeral, revision-local data shared by structural matching passes.""" - prev_mid_start = prefix_len - prev_mid_end = len(text_prev) - suffix_len - curr_mid_start = prefix_len - curr_mid_end = len(text_curr) - suffix_len - prev_mid = text_prev[prev_mid_start:prev_mid_end] - curr_mid = text_curr[curr_mid_start:curr_mid_end] - prev_mid_keys = prev_keys[prev_mid_start:prev_mid_end] - curr_mid_keys = curr_keys[curr_mid_start:curr_mid_end] - move_prev_spans = [] - move_curr_spans = [] + __slots__ = ( + 'slots', 'paragraphs', 'keys', 'informative_prefix', + '_occurrence_states', + ) - if prev_mid and curr_mid: - max_drift = _word_match_drift_limit(len(prev_mid), len(curr_mid)) - if _word_match_pair_estimate(prev_mid_keys, curr_mid_keys) <= WORD_MATCH_MAX_SEQUENCE_PAIRS: - matcher = SequenceMatcher(None, prev_mid_keys, curr_mid_keys, autojunk=False) - for tag, i1, i2, j1, j2 in matcher.get_opcodes(): - if tag == 'equal': - for prev_index, curr_index in zip(range(i1, i2), range(j1, j2)): - _assign_word_match(prev_for_curr, match_conf, prev_used_by, - curr_mid_start + curr_index, - prev_mid_start + prev_index, - WORD_MATCH_CONF_SEQUENCE_EQUAL) - else: - if tag in ('replace', 'delete') and i1 < i2: - move_prev_spans.append((prev_mid_start + i1, prev_mid_start + i2)) - if tag in ('replace', 'insert') and j1 < j2: - move_curr_spans.append((curr_mid_start + j1, curr_mid_start + j2)) - if tag == 'replace' and (i2 - i1) * (j2 - j1) <= WORD_MATCH_MAX_LOCAL_PAIRS: - local_matches = _nearest_word_matches(prev_mid_keys[i1:i2], - curr_mid_keys[j1:j2], - prev_mid_start + i1, - curr_mid_start + j1, - max_drift) - for curr_index, prev_index in local_matches.items(): - _assign_word_match(prev_for_curr, match_conf, prev_used_by, - curr_mid_start + j1 + curr_index, - prev_mid_start + i1 + prev_index, - WORD_MATCH_CONF_LOCAL) + def __init__(self, slots, build_occurrences=True): + self.slots = slots + self.paragraphs = _slots_grouped_by_paragraph(slots) + values = [slot.value for slot in slots] + self.keys = _word_match_keys(values) + self.informative_prefix = [0] + informative_total = 0 + for value in values: + informative_total += int(_is_informative_move_token(value)) + self.informative_prefix.append( + informative_total + ) + self._occurrence_states = {} + if build_occurrences: + self._occurrence_states = self._build_occurrence_states() + + @staticmethod + def _record_occurrence(states, key, position): + if key in states: + states[key] = None else: - move_prev_spans.append((prev_mid_start, prev_mid_end)) - move_curr_spans.append((curr_mid_start, curr_mid_end)) - local_matches = _nearest_word_matches(prev_mid_keys, curr_mid_keys, - prev_mid_start, curr_mid_start, - max_drift) - for curr_index, prev_index in local_matches.items(): - _assign_word_match(prev_for_curr, match_conf, prev_used_by, - curr_mid_start + curr_index, - prev_mid_start + prev_index, - WORD_MATCH_CONF_LOCAL) + states[key] = position - _recover_moved_word_runs(text_prev, text_curr, prev_keys, curr_keys, - prev_for_curr, match_conf, prev_used_by, - full_text_prev=full_text_prev, - full_text_curr=full_text_curr, - get_full_texts=get_full_texts, - prev_candidate_spans=move_prev_spans, - curr_candidate_spans=move_curr_spans) - _recover_edited_link_boundaries(text_prev, text_curr, prev_for_curr, - match_conf, prev_used_by) - _demote_stale_suffix_edge_matches(text_prev, text_curr, prev_words, - prev_for_curr, match_conf, prev_used_by, - prefix_len, suffix_len) + def _build_occurrence_states(self): + """Build every structural occurrence tier in one shared index pass. - matched_prev = set(prev_index for prev_index in prev_for_curr if prev_index is not None) - deleted_prev = [index for index in range(len(text_prev)) if index not in matched_prev] - return prev_for_curr, deleted_prev + Four- and six-token keys serve both ambiguity detection (three + informative tokens) and anchor uniqueness (four informative tokens). + The two occurrence states remain independent, but the normalized key + is allocated only once per position. + """ + states = {} + for size in WORD_MATCH_STRUCTURAL_ANCHOR_SIZES: + states[(size, WORD_MATCH_STRUCTURAL_MIN_ANCHOR_INFO)] = {} + for size in WORD_MATCH_STRUCTURAL_AMBIGUITY_SIZES: + states[(size, 3)] = {} + + keys = self.keys + informative_prefix = self.informative_prefix + for paragraph_index, slots in self.paragraphs.items(): + paragraph_length = len(slots) + if not paragraph_length: + continue + paragraph_start = slots[0].article_index + for size in WORD_MATCH_STRUCTURAL_INDEX_SIZES: + if size > paragraph_length: + continue + ambiguity_state = states.get((size, 3)) + anchor_state = states.get(( + size, WORD_MATCH_STRUCTURAL_MIN_ANCHOR_INFO, + )) + minimum_informative = ( + 3 if ambiguity_state is not None + else WORD_MATCH_STRUCTURAL_MIN_ANCHOR_INFO + ) + for start in range(paragraph_length - size + 1): + article_start = paragraph_start + start + informative = ( + informative_prefix[article_start + size] - + informative_prefix[article_start] + ) + if informative < minimum_informative: + continue + key = self._article_window_key(article_start, size) + position = None + if ambiguity_state is not None: + if key in ambiguity_state: + ambiguity_state[key] = None + else: + position = (paragraph_index, start) + ambiguity_state[key] = position + if (anchor_state is not None and + informative >= + WORD_MATCH_STRUCTURAL_MIN_ANCHOR_INFO): + if position is None: + position = (paragraph_index, start) + if key in anchor_state: + anchor_state[key] = None + else: + anchor_state[key] = position + return states + + @staticmethod + def _article_span(slots, start, end): + if start >= end: + return None + article_start = slots[start].article_index + article_end = slots[end - 1].article_index + 1 + if article_end - article_start != end - start: + return None + return article_start, article_end + + def informative_count(self, slots, start, end): + span = self._article_span(slots, start, end) + if span is not None: + return ( + self.informative_prefix[span[1]] - + self.informative_prefix[span[0]] + ) + return sum( + _is_informative_move_token(slots[index].value) + for index in range(start, end) + ) + def _article_window_key(self, article_start, size): + return tuple(self.keys[article_start:article_start + size]) -class Wikiwho: - def __init__(self, article_title): + def window_key(self, slots, start, end): + span = self._article_span(slots, start, end) + if span is not None: + return self._article_window_key(span[0], span[1] - span[0]) + return tuple( + self.keys[slots[index].article_index] + for index in range(start, end) + ) + + def occurrence_states(self, size, min_informative): + """Map a qualifying key to its sole position, or ``None`` if repeated.""" + cache_key = (size, min_informative) + cached = self._occurrence_states.get(cache_key) + if cached is not None: + return cached + + states = {} + for paragraph_index, slots in self.paragraphs.items(): + if size > len(slots): + continue + for start in range(len(slots) - size + 1): + end = start + size + if self.informative_count(slots, start, end) < min_informative: + continue + key = self.window_key(slots, start, end) + self._record_occurrence( + states, key, (paragraph_index, start), + ) + self._occurrence_states[cache_key] = states + return states + + +def _record_structural_anchor_occurrence(state, key, paragraph_index, + start): + if key in state: + state[key] = None + else: + state[key] = (paragraph_index, start) + + +def _index_structural_anchor_size(structural_index, paragraph_index, + size, state): + slots = structural_index.paragraphs[paragraph_index] + paragraph_length = len(slots) + if size > paragraph_length: + return + paragraph_start = slots[0].article_index + informative_prefix = structural_index.informative_prefix + for start in range(paragraph_length - size + 1): + article_start = paragraph_start + start + informative = ( + informative_prefix[article_start + size] - + informative_prefix[article_start] + ) + if informative < WORD_MATCH_STRUCTURAL_MIN_ANCHOR_INFO: + continue + key = structural_index._article_window_key(article_start, size) + _record_structural_anchor_occurrence( + state, key, paragraph_index, start, + ) + + +def _targeted_structural_anchor_occurrences( + prev_index, curr_index, size, prev_target_paragraphs, + curr_target_paragraphs): + """Count globally unique anchors incident to a residual paragraph. + + Chains whose two endpoints both lack residual words cannot produce a + structural candidate or compete with a potentially productive pair in + :func:`_unique_best_structural_pairs`. Generate the union of keys found in + residual-bearing paragraphs, then count only those exact keys across both + complete revisions. This retains every productive pair and every chain + sharing either endpoint with one. + """ + unseen = object() + occurrences = {} + + def add_target_keys(structural_index, paragraph_indexes): + for paragraph_index in paragraph_indexes: + slots = structural_index.paragraphs.get(paragraph_index) + if not slots or size > len(slots): + continue + paragraph_start = slots[0].article_index + informative_prefix = structural_index.informative_prefix + for start in range(len(slots) - size + 1): + article_start = paragraph_start + start + informative = ( + informative_prefix[article_start + size] - + informative_prefix[article_start] + ) + if informative < WORD_MATCH_STRUCTURAL_MIN_ANCHOR_INFO: + continue + key = structural_index._article_window_key( + article_start, size, + ) + occurrences.setdefault(key, unseen) + + add_target_keys(prev_index, prev_target_paragraphs) + add_target_keys(curr_index, curr_target_paragraphs) + if not occurrences: + return occurrences + + missing = object() + for paragraph_index, slots in prev_index.paragraphs.items(): + if size > len(slots): + continue + paragraph_start = slots[0].article_index + informative_prefix = prev_index.informative_prefix + for start in range(len(slots) - size + 1): + article_start = paragraph_start + start + informative = ( + informative_prefix[article_start + size] - + informative_prefix[article_start] + ) + if informative < WORD_MATCH_STRUCTURAL_MIN_ANCHOR_INFO: + continue + key = prev_index._article_window_key(article_start, size) + previous = occurrences.get(key, missing) + if previous is missing or previous is None: + continue + if previous is unseen: + occurrences[key] = (paragraph_index, start) + else: + occurrences[key] = None + + for paragraph_index, slots in curr_index.paragraphs.items(): + if size > len(slots): + continue + paragraph_start = slots[0].article_index + informative_prefix = curr_index.informative_prefix + for start in range(len(slots) - size + 1): + article_start = paragraph_start + start + informative = ( + informative_prefix[article_start + size] - + informative_prefix[article_start] + ) + if informative < WORD_MATCH_STRUCTURAL_MIN_ANCHOR_INFO: + continue + key = curr_index._article_window_key(article_start, size) + previous = occurrences.get(key) + if not isinstance(previous, tuple): + continue + if len(previous) == 2: + occurrences[key] = previous + (paragraph_index, start) + else: + occurrences[key] = None + return occurrences + + +def _matched_structural_anchor_occurrences( + prev_index, curr_index, size, prev_target_paragraphs=None, + curr_target_paragraphs=None): + """Join exact windows while retaining one revision-wide state map. + + The previous scan records a window's sole position, or ``None`` after a + duplicate. The current scan expands that position on its first occurrence + and invalidates it on a second. Four-item values are therefore exactly the + windows unique in both complete revisions; current-only keys are never + retained. + """ + if (prev_target_paragraphs is not None and + curr_target_paragraphs is not None): + target_tokens = sum( + len(prev_index.paragraphs[index]) + for index in prev_target_paragraphs + ) + sum( + len(curr_index.paragraphs[index]) + for index in curr_target_paragraphs + ) + # Candidate generation adds one pass over target paragraphs. Use it + # only when that pass covers less than half of the complete input; the + # full single-map join has a smaller constant when nearly every + # paragraph is already in scope. + if target_tokens * 2 < len(prev_index.slots) + len(curr_index.slots): + return _targeted_structural_anchor_occurrences( + prev_index, curr_index, size, prev_target_paragraphs, + curr_target_paragraphs, + ) + + occurrences = {} + for paragraph_index in prev_index.paragraphs: + _index_structural_anchor_size( + prev_index, paragraph_index, size, occurrences, + ) + + informative_prefix = curr_index.informative_prefix + for paragraph_index, slots in curr_index.paragraphs.items(): + paragraph_length = len(slots) + if size > paragraph_length: + continue + paragraph_start = slots[0].article_index + for start in range(paragraph_length - size + 1): + article_start = paragraph_start + start + informative = ( + informative_prefix[article_start + size] - + informative_prefix[article_start] + ) + if informative < WORD_MATCH_STRUCTURAL_MIN_ANCHOR_INFO: + continue + key = curr_index._article_window_key(article_start, size) + previous = occurrences.get(key) + if previous is None: + continue + if len(previous) == 2: + occurrences[key] = previous + (paragraph_index, start) + else: + occurrences[key] = None + return occurrences + + +def _append_merged_structural_anchor(bucket, raw_anchor): + if (bucket and + raw_anchor[0] <= bucket[-1][1] and + raw_anchor[2] <= bucket[-1][3]): + bucket[-1] = ( + bucket[-1][0], max(bucket[-1][1], raw_anchor[1]), + bucket[-1][2], max(bucket[-1][3], raw_anchor[3]), + ) + else: + bucket.append(raw_anchor) + + +def _structural_anchor_chains( + prev_index, curr_index, prev_target_paragraphs=None, + curr_target_paragraphs=None): + prev_paragraphs = prev_index.paragraphs + curr_paragraphs = curr_index.paragraphs + + # Global uniqueness is measured over the complete revisions. Index and + # consume one width at a time, joining the current scan into the previous + # state so only one revision-wide occurrence map is live. + segments_by_diagonal = defaultdict(dict) + for size in WORD_MATCH_STRUCTURAL_ANCHOR_SIZES: + occurrences = _matched_structural_anchor_occurrences( + prev_index, curr_index, size, prev_target_paragraphs, + curr_target_paragraphs, + ) + + size_segments = defaultdict(list) + for occurrence in occurrences.values(): + if not isinstance(occurrence, tuple) or len(occurrence) != 4: + continue + (prev_paragraph_index, prev_start, + curr_paragraph_index, curr_start) = occurrence + pair = (prev_paragraph_index, curr_paragraph_index) + diagonal = prev_start - curr_start + _append_merged_structural_anchor( + size_segments[(pair, diagonal)], + ( + prev_start, prev_start + size, + curr_start, curr_start + size, + ), + ) + for diagonal_key, segments in size_segments.items(): + segments_by_diagonal[diagonal_key][size] = segments + + merged_by_diagonal = {} + for diagonal_key, segments_by_size in segments_by_diagonal.items(): + bucket = [] + streams = [ + segments_by_size[size] + for size in WORD_MATCH_STRUCTURAL_ANCHOR_SIZES + if size in segments_by_size + ] + for raw_anchor in merge(*streams): + _append_merged_structural_anchor(bucket, raw_anchor) + merged_by_diagonal[diagonal_key] = bucket + + anchors_by_pair = defaultdict(list) + for (pair, _), merged_anchors in merged_by_diagonal.items(): + anchors_by_pair[pair].extend(merged_anchors) + + chains = {} + for pair, merged in anchors_by_pair.items(): + anchors = [] + for prev_start, prev_end, curr_start, curr_end in merged: + info = prev_index.informative_count( + prev_paragraphs[pair[0]], prev_start, prev_end, + ) + anchors.append((prev_start, prev_end, curr_start, curr_end, info)) + anchors.sort() + best_scores = [] + previous = [] + for index, anchor in enumerate(anchors): + length = anchor[1] - anchor[0] + best_score = (anchor[4], length) + best_previous = None + for prior_index in range(index): + prior = anchors[prior_index] + if prior[1] > anchor[0] or prior[3] > anchor[2]: + continue + candidate_score = ( + best_scores[prior_index][0] + anchor[4], + best_scores[prior_index][1] + length, + ) + if candidate_score > best_score: + best_score = candidate_score + best_previous = prior_index + best_scores.append(best_score) + previous.append(best_previous) + + if not anchors: + continue + end_index = max( + range(len(anchors)), + key=lambda index: (best_scores[index], -anchors[index][0], -anchors[index][2]), + ) + chain = [] + while end_index is not None: + chain.append(anchors[end_index]) + end_index = previous[end_index] + chain.reverse() + chains[pair] = (chain, best_scores[max( + range(len(anchors)), + key=lambda index: (best_scores[index], -anchors[index][0], -anchors[index][2]), + )]) + return prev_paragraphs, curr_paragraphs, chains + + +def _compact_index_anchor_size(document, paragraph_index, size, state): + paragraph_start, paragraph_end = document.paragraph_range(paragraph_index) + paragraph_length = paragraph_end - paragraph_start + if size > paragraph_length: + return + informative_prefix = document.informative_prefix + keys = document.keys + for start in range(paragraph_length - size + 1): + article_start = paragraph_start + start + if (informative_prefix[article_start + size] - + informative_prefix[article_start]) < ( + WORD_MATCH_STRUCTURAL_MIN_ANCHOR_INFO): + continue + key = tuple(keys[article_start:article_start + size]) + _record_structural_anchor_occurrence( + state, key, paragraph_index, start, + ) + + +def _compact_targeted_anchor_occurrences( + prev_document, curr_document, size, prev_target_paragraphs, + curr_target_paragraphs): + unseen = object() + occurrences = {} + + def add_target_keys(document, paragraph_indexes): + for paragraph_index in paragraph_indexes: + paragraph_range = document.paragraph_ranges.get(paragraph_index) + if paragraph_range is None: + continue + paragraph_start, paragraph_end = paragraph_range + paragraph_length = paragraph_end - paragraph_start + if size > paragraph_length: + continue + informative_prefix = document.informative_prefix + keys = document.keys + for start in range(paragraph_length - size + 1): + article_start = paragraph_start + start + if (informative_prefix[article_start + size] - + informative_prefix[article_start]) < ( + WORD_MATCH_STRUCTURAL_MIN_ANCHOR_INFO): + continue + occurrences.setdefault( + tuple(keys[article_start:article_start + size]), unseen, + ) + + add_target_keys(prev_document, prev_target_paragraphs) + add_target_keys(curr_document, curr_target_paragraphs) + if not occurrences: + return occurrences + + missing = object() + informative_prefix = prev_document.informative_prefix + keys = prev_document.keys + for paragraph_index, paragraph_range in ( + prev_document.paragraph_ranges.items()): + paragraph_start, paragraph_end = paragraph_range + paragraph_length = paragraph_end - paragraph_start + if size > paragraph_length: + continue + for start in range(paragraph_length - size + 1): + article_start = paragraph_start + start + if (informative_prefix[article_start + size] - + informative_prefix[article_start]) < ( + WORD_MATCH_STRUCTURAL_MIN_ANCHOR_INFO): + continue + key = tuple(keys[article_start:article_start + size]) + previous = occurrences.get(key, missing) + if previous is missing or previous is None: + continue + if previous is unseen: + occurrences[key] = (paragraph_index, start) + else: + occurrences[key] = None + + informative_prefix = curr_document.informative_prefix + keys = curr_document.keys + for paragraph_index, paragraph_range in ( + curr_document.paragraph_ranges.items()): + paragraph_start, paragraph_end = paragraph_range + paragraph_length = paragraph_end - paragraph_start + if size > paragraph_length: + continue + for start in range(paragraph_length - size + 1): + article_start = paragraph_start + start + if (informative_prefix[article_start + size] - + informative_prefix[article_start]) < ( + WORD_MATCH_STRUCTURAL_MIN_ANCHOR_INFO): + continue + key = tuple(keys[article_start:article_start + size]) + previous = occurrences.get(key) + if not isinstance(previous, tuple): + continue + if len(previous) == 2: + occurrences[key] = previous + (paragraph_index, start) + else: + occurrences[key] = None + return occurrences + + +def _compact_matched_anchor_occurrences( + prev_document, curr_document, size, prev_target_paragraphs, + curr_target_paragraphs): + target_tokens = sum( + prev_document.paragraph_length(index) + for index in prev_target_paragraphs + ) + sum( + curr_document.paragraph_length(index) + for index in curr_target_paragraphs + ) + if target_tokens * 2 < ( + len(prev_document.values) + len(curr_document.values)): + return _compact_targeted_anchor_occurrences( + prev_document, curr_document, size, prev_target_paragraphs, + curr_target_paragraphs, + ) + + occurrences = {} + for paragraph_index in prev_document.paragraph_ranges: + _compact_index_anchor_size( + prev_document, paragraph_index, size, occurrences, + ) + + informative_prefix = curr_document.informative_prefix + keys = curr_document.keys + for paragraph_index, paragraph_range in ( + curr_document.paragraph_ranges.items()): + paragraph_start, paragraph_end = paragraph_range + paragraph_length = paragraph_end - paragraph_start + if size > paragraph_length: + continue + for start in range(paragraph_length - size + 1): + article_start = paragraph_start + start + if (informative_prefix[article_start + size] - + informative_prefix[article_start]) < ( + WORD_MATCH_STRUCTURAL_MIN_ANCHOR_INFO): + continue + key = tuple(keys[article_start:article_start + size]) + previous = occurrences.get(key) + if previous is None: + continue + if len(previous) == 2: + occurrences[key] = previous + (paragraph_index, start) + else: + occurrences[key] = None + return occurrences + + +def _compact_target_anchor_candidates( + prev_document, curr_document, prev_target_paragraphs, + curr_target_paragraphs): + candidates = {} + unseen = object() + + def add_document(document, paragraph_indexes): + keys = document.keys + informative_prefix = document.informative_prefix + for paragraph_index in paragraph_indexes: + paragraph_range = document.paragraph_ranges.get(paragraph_index) + if paragraph_range is None: + continue + paragraph_start, paragraph_end = paragraph_range + paragraph_length = paragraph_end - paragraph_start + for size in WORD_MATCH_STRUCTURAL_ANCHOR_SIZES: + if size > paragraph_length: + continue + for start in range(paragraph_length - size + 1): + article_start = paragraph_start + start + if (informative_prefix[article_start + size] - + informative_prefix[article_start]) < ( + WORD_MATCH_STRUCTURAL_MIN_ANCHOR_INFO): + continue + candidates.setdefault(tuple( + keys[article_start:article_start + size] + ), unseen) + + add_document(prev_document, prev_target_paragraphs) + add_document(curr_document, curr_target_paragraphs) + return candidates, unseen + + +def _compact_anchor_pattern_symbol_bound(document, paragraph_indexes): + """Return a no-allocation upper bound on candidate trie symbols.""" + return sum( + size * max(0, document.paragraph_length(paragraph_index) - size + 1) + for paragraph_index in paragraph_indexes + for size in WORD_MATCH_STRUCTURAL_ANCHOR_SIZES + ) + + +def _build_structural_pattern_automaton(patterns): + patterns = list(patterns) + transitions = [{}] + failures = [0] + outputs = [[]] + for pattern_index, pattern in enumerate(patterns): + state = 0 + for token in pattern: + next_state = transitions[state].get(token) + if next_state is None: + next_state = len(transitions) + transitions[state][token] = next_state + transitions.append({}) + failures.append(0) + outputs.append([]) + state = next_state + outputs[state].append(pattern_index) + + queue = list(transitions[0].values()) + queue_index = 0 + while queue_index < len(queue): + state = queue[queue_index] + queue_index += 1 + for token, next_state in transitions[state].items(): + queue.append(next_state) + failure = failures[state] + while failure and token not in transitions[failure]: + failure = failures[failure] + failures[next_state] = transitions[failure].get(token, 0) + failure_outputs = outputs[failures[next_state]] + if failure_outputs: + outputs[next_state].extend(failure_outputs) + return patterns, transitions, failures, outputs + + +def _scan_structural_pattern_automaton(document, automaton, visit): + patterns, transitions, failures, outputs = automaton + keys = document.keys + for paragraph_index, paragraph_range in ( + document.paragraph_ranges.items()): + paragraph_start, paragraph_end = paragraph_range + state = 0 + for article_index in range(paragraph_start, paragraph_end): + token = keys[article_index] + while state and token not in transitions[state]: + state = failures[state] + state = transitions[state].get(token, 0) + if not outputs[state]: + continue + local_end = article_index - paragraph_start + 1 + for pattern_index in outputs[state]: + pattern = patterns[pattern_index] + visit( + pattern, paragraph_index, local_end - len(pattern), + ) + + +def _compact_targeted_anchor_occurrences_all( + prev_document, curr_document, prev_target_paragraphs, + curr_target_paragraphs): + occurrences, unseen = _compact_target_anchor_candidates( + prev_document, curr_document, prev_target_paragraphs, + curr_target_paragraphs, + ) + if not occurrences: + return occurrences + + def visit_previous(pattern, paragraph_index, start): + previous = occurrences[pattern] + if previous is unseen: + occurrences[pattern] = (paragraph_index, start) + elif previous is not None: + occurrences[pattern] = None + + _scan_structural_pattern_automaton( + prev_document, + _build_structural_pattern_automaton(occurrences), + visit_previous, + ) + unique_previous = [ + pattern for pattern, occurrence in occurrences.items() + if isinstance(occurrence, tuple) and len(occurrence) == 2 + ] + if not unique_previous: + return occurrences + + def visit_current(pattern, paragraph_index, start): + previous = occurrences[pattern] + if not isinstance(previous, tuple): + return + if len(previous) == 2: + occurrences[pattern] = previous + (paragraph_index, start) + else: + occurrences[pattern] = None + + _scan_structural_pattern_automaton( + curr_document, + _build_structural_pattern_automaton(unique_previous), + visit_current, + ) + return occurrences + + +def _compact_structural_anchor_chains( + prev_document, curr_document, prev_target_paragraphs, + curr_target_paragraphs): + segments_by_diagonal = defaultdict(dict) + + def add_occurrences(size, occurrences): + size_segments = defaultdict(list) + for occurrence in occurrences.values(): + if not isinstance(occurrence, tuple) or len(occurrence) != 4: + continue + (prev_paragraph_index, prev_start, + curr_paragraph_index, curr_start) = occurrence + pair = (prev_paragraph_index, curr_paragraph_index) + diagonal = prev_start - curr_start + _append_merged_structural_anchor( + size_segments[(pair, diagonal)], + ( + prev_start, prev_start + size, + curr_start, curr_start + size, + ), + ) + for diagonal_key, segments in size_segments.items(): + segments_by_diagonal[diagonal_key][size] = segments + + target_tokens = sum( + prev_document.paragraph_length(index) + for index in prev_target_paragraphs + ) + sum( + curr_document.paragraph_length(index) + for index in curr_target_paragraphs + ) + complete_tokens = ( + len(prev_document.values) + len(curr_document.values) + ) + use_targeted = target_tokens * 2 < complete_tokens + if _structural_native is not None: + native_occurrences = _structural_native.unique_anchor_occurrences( + prev_document.keys, curr_document.keys, + prev_document.paragraph_ranges, curr_document.paragraph_ranges, + prev_document.informative_prefix, + curr_document.informative_prefix, + prev_target_paragraphs, curr_target_paragraphs, + WORD_MATCH_STRUCTURAL_ANCHOR_SIZES, + WORD_MATCH_STRUCTURAL_MIN_ANCHOR_INFO, + not use_targeted, + ) + merged_size = WORD_MATCH_STRUCTURAL_ANCHOR_SIZES[0] + for (prev_paragraph_index, prev_start, prev_end, + curr_paragraph_index, curr_start, + curr_end) in native_occurrences: + pair = (prev_paragraph_index, curr_paragraph_index) + diagonal = prev_start - curr_start + segments_by_diagonal[(pair, diagonal)].setdefault( + merged_size, [], + ).append((prev_start, prev_end, curr_start, curr_end)) + + use_automaton = ( + use_targeted and complete_tokens >= + WORD_MATCH_STRUCTURAL_ANCHOR_AUTOMATON_MIN_TOKENS and + _compact_anchor_pattern_symbol_bound( + prev_document, prev_target_paragraphs, + ) + _compact_anchor_pattern_symbol_bound( + curr_document, curr_target_paragraphs, + ) <= WORD_MATCH_STRUCTURAL_ANCHOR_AUTOMATON_MAX_PATTERN_SYMBOLS + ) + if _structural_native is not None: + pass + elif use_automaton: + for pattern, occurrence in ( + _compact_targeted_anchor_occurrences_all( + prev_document, curr_document, + prev_target_paragraphs, curr_target_paragraphs, + ).items()): + if not isinstance(occurrence, tuple) or len(occurrence) != 4: + continue + size = len(pattern) + (prev_paragraph_index, prev_start, + curr_paragraph_index, curr_start) = occurrence + pair = (prev_paragraph_index, curr_paragraph_index) + diagonal = prev_start - curr_start + bucket = segments_by_diagonal[(pair, diagonal)].setdefault( + size, [], + ) + _append_merged_structural_anchor( + bucket, + ( + prev_start, prev_start + size, + curr_start, curr_start + size, + ), + ) + else: + # Retain only one revision-wide occurrence map at a time. Keeping all + # four maps alive defeats a material part of the compact-document + # memory saving on histories below the automaton crossover. + for size in WORD_MATCH_STRUCTURAL_ANCHOR_SIZES: + add_occurrences( + size, _compact_matched_anchor_occurrences( + prev_document, curr_document, size, + prev_target_paragraphs, curr_target_paragraphs, + ), + ) + + merged_by_diagonal = {} + for diagonal_key, segments_by_size in segments_by_diagonal.items(): + bucket = [] + streams = [ + segments_by_size[size] + for size in WORD_MATCH_STRUCTURAL_ANCHOR_SIZES + if size in segments_by_size + ] + for raw_anchor in merge(*streams): + _append_merged_structural_anchor(bucket, raw_anchor) + merged_by_diagonal[diagonal_key] = bucket + + anchors_by_pair = defaultdict(list) + for (pair, _), merged_anchors in merged_by_diagonal.items(): + anchors_by_pair[pair].extend(merged_anchors) + + chains = {} + for pair, merged_anchors in anchors_by_pair.items(): + anchors = [] + for prev_start, prev_end, curr_start, curr_end in merged_anchors: + info = prev_document.informative_count( + pair[0], prev_start, prev_end, + ) + anchors.append(( + prev_start, prev_end, curr_start, curr_end, info, + )) + anchors.sort() + best_scores = [] + previous = [] + for index, anchor in enumerate(anchors): + length = anchor[1] - anchor[0] + best_score = (anchor[4], length) + best_previous = None + for prior_index in range(index): + prior = anchors[prior_index] + if prior[1] > anchor[0] or prior[3] > anchor[2]: + continue + candidate_score = ( + best_scores[prior_index][0] + anchor[4], + best_scores[prior_index][1] + length, + ) + if candidate_score > best_score: + best_score = candidate_score + best_previous = prior_index + best_scores.append(best_score) + previous.append(best_previous) + + if not anchors: + continue + end_index = max( + range(len(anchors)), + key=lambda index: ( + best_scores[index], -anchors[index][0], -anchors[index][2], + ), + ) + winning_index = end_index + chain = [] + while end_index is not None: + chain.append(anchors[end_index]) + end_index = previous[end_index] + chain.reverse() + chains[pair] = (chain, best_scores[winning_index]) + return chains + + +def _unique_best_structural_pairs(chains): + by_prev = defaultdict(list) + by_curr = defaultdict(list) + for pair, (_, score) in chains.items(): + by_prev[pair[0]].append((score, pair)) + by_curr[pair[1]].append((score, pair)) + + def unique_best(entries): + ordered = sorted(entries, reverse=True) + if not ordered: + return None + if len(ordered) > 1 and ordered[0][0] == ordered[1][0]: + return None + # Any independently certifiable secondary chain means this paragraph + # participates in a split/merge. Relative dominance is insufficient: + # a large merged paragraph can contain one source region with twice the + # support of another while both correspondences are still real. Such + # a paragraph must not receive virtual outer anchors. Its explicit + # unique intervals remain available to the ordinary moved matcher. + if (len(ordered) > 1 and + ordered[1][0][0] >= WORD_MATCH_STRUCTURAL_MIN_PAIR_INFO): + return None + return ordered[0][1] + + best_for_prev = dict((index, unique_best(entries)) + for index, entries in by_prev.items()) + best_for_curr = dict((index, unique_best(entries)) + for index, entries in by_curr.items()) + return set( + pair for pair in chains + if best_for_prev.get(pair[0]) == pair and best_for_curr.get(pair[1]) == pair + ) + + +def _structural_window_keys(slots, structural_index): + windows = set() + for size in WORD_MATCH_STRUCTURAL_AMBIGUITY_SIZES: + if size > len(slots): + continue + for start in range(len(slots) - size + 1): + end = start + size + if structural_index.informative_count(slots, start, end) < 3: + continue + windows.add(structural_index.window_key(slots, start, end)) + return windows + + +def _ambiguous_windows_in_both(prev_slots, curr_slots, prev_index, curr_index, + ambiguous_windows): + prev_windows = _structural_window_keys(prev_slots, prev_index) + curr_windows = _structural_window_keys(curr_slots, curr_index) + return bool(prev_windows.intersection(curr_windows, ambiguous_windows)) + + +def _residual_structural_window_keys( + slots, structural_index, residual_by_path, allowed_windows=None): + """Return qualifying windows wholly inside maximal residual-only spans.""" + windows = set() + run = [] + + def add_run(): + if not run: + return + candidates = _structural_window_keys(run, structural_index) + if allowed_windows is not None: + candidates.intersection_update(allowed_windows) + windows.update(candidates) + + for slot in slots: + if slot.path in residual_by_path: + run.append(slot) + else: + add_run() + run = [] + add_run() + return windows + + +def _duplicated_structural_candidate_windows(structural_index, candidates): + """Count only structural windows that a certified gap can consume. + + Anchor discovery must retain a complete revision-wide index. Ambiguity + evidence has a narrower consumer: only a key present in both sides of a + certified gap can admit an LCS run. Scan the complete revision for those + exact keys, saturating each count at two, instead of retaining occurrence + state for every three- through six-token window in the revision. + """ + remaining_by_size = {} + signatures_by_size = {} + for candidate in candidates: + size = len(candidate) + remaining_by_size.setdefault(size, set()).add(candidate) + signatures = signatures_by_size.setdefault(size, {}) + by_middle = signatures.setdefault(candidate[0], {}) + by_last = by_middle.setdefault(candidate[size // 2], set()) + by_last.add(candidate[-1]) + candidate_count = sum(len(values) for values in remaining_by_size.values()) + if not candidate_count: + return set() + + keys = structural_index.keys + seen_once = set() + duplicated = set() + for slots in structural_index.paragraphs.values(): + paragraph_length = len(slots) + if not paragraph_length: + continue + paragraph_start = slots[0].article_index + for size in WORD_MATCH_STRUCTURAL_AMBIGUITY_SIZES: + remaining = remaining_by_size.get(size) + if not remaining or size > paragraph_length: + continue + signatures = signatures_by_size[size] + for offset in range(paragraph_length - size + 1): + start = paragraph_start + offset + by_middle = signatures.get(keys[start]) + if by_middle is None: + continue + by_last = by_middle.get(keys[start + size // 2]) + if by_last is None or keys[start + size - 1] not in by_last: + continue + key = structural_index._article_window_key(start, size) + if key not in remaining: + continue + if key in seen_once: + duplicated.add(key) + remaining.remove(key) + if len(duplicated) == candidate_count: + return duplicated + else: + seen_once.add(key) + return duplicated + + +def _structural_gap_ranges(chain, prev_length, curr_length): + gaps = [(0, chain[0][0], 0, chain[0][2])] + for left, right in zip(chain, chain[1:]): + gaps.append((left[1], right[0], left[3], right[2])) + gaps.append((chain[-1][1], prev_length, + chain[-1][3], curr_length)) + return gaps + + +def _compact_available_residual_windows( + document, residual_by_article, is_available, + native_availability=None, native_previous_mode=False): + """Return exact raw-value windows available inside paragraph boundaries.""" + if _structural_native is not None and native_availability is not None: + return _structural_native.available_residual_windows( + document.values, document.paragraph_ranges, + residual_by_article, native_availability, + native_previous_mode, WORD_MATCH_MOVE_STRUCTURAL_TOKENS, + WORD_MATCH_STRUCTURAL_AMBIGUITY_SIZES, 3, + ) + windows = set() + + def add_run(start, end): + length = end - start + for size in WORD_MATCH_STRUCTURAL_AMBIGUITY_SIZES: + if size > length: + continue + for article_start in range(start, end - size + 1): + values = document.values[article_start:article_start + size] + if sum(_is_informative_move_token(value) + for value in values) >= 3: + windows.add(tuple(values)) + + for paragraph_start, paragraph_end in document.paragraph_ranges.values(): + run_start = None + for article_index in range(paragraph_start, paragraph_end): + residual = residual_by_article.get(article_index) + available = ( + residual is not None and is_available(residual[0]) + ) + if available: + if run_start is None: + run_start = article_index + elif run_start is not None: + add_run(run_start, article_index) + run_start = None + if run_start is not None: + add_run(run_start, paragraph_end) + return windows + + +def _compact_residual_structural_window_keys( + document, paragraph_index, start, end, residual_by_article, + allowed_windows=None, residual_flags=None): + windows = set() + paragraph_start, _ = document.paragraph_range(paragraph_index) + if _structural_native is not None and residual_flags is not None: + return _structural_native.residual_structural_windows( + document.keys, document.informative_prefix, residual_flags, + paragraph_start + start, paragraph_start + end, + allowed_windows, WORD_MATCH_STRUCTURAL_AMBIGUITY_SIZES, 3, + ) + run_start = None + + def add_run(article_start, article_end): + length = article_end - article_start + for size in WORD_MATCH_STRUCTURAL_AMBIGUITY_SIZES: + if size > length: + continue + for window_start in range( + article_start, article_end - size + 1): + if (document.informative_prefix[window_start + size] - + document.informative_prefix[window_start]) < 3: + continue + key = tuple( + document.keys[window_start:window_start + size] + ) + if allowed_windows is None or key in allowed_windows: + windows.add(key) + + for article_index in range(paragraph_start + start, + paragraph_start + end): + if article_index in residual_by_article: + if run_start is None: + run_start = article_index + elif run_start is not None: + add_run(run_start, article_index) + run_start = None + if run_start is not None: + add_run(run_start, paragraph_start + end) + return windows + + +def _compact_duplicated_structural_candidate_windows(document, candidates): + if _structural_native is not None: + return _structural_native.duplicated_candidate_windows( + document.keys, document.paragraph_ranges, set(candidates), + ) + remaining_by_size = {} + signatures_by_size = {} + for candidate in candidates: + size = len(candidate) + remaining_by_size.setdefault(size, set()).add(candidate) + signatures = signatures_by_size.setdefault(size, {}) + by_middle = signatures.setdefault(candidate[0], {}) + by_last = by_middle.setdefault(candidate[size // 2], set()) + by_last.add(candidate[-1]) + candidate_count = sum(len(values) for values in remaining_by_size.values()) + if not candidate_count: + return set() + + keys = document.keys + seen_once = set() + duplicated = set() + for paragraph_start, paragraph_end in document.paragraph_ranges.values(): + paragraph_length = paragraph_end - paragraph_start + for size in WORD_MATCH_STRUCTURAL_AMBIGUITY_SIZES: + remaining = remaining_by_size.get(size) + if not remaining or size > paragraph_length: + continue + signatures = signatures_by_size[size] + for start in range(paragraph_start, paragraph_end - size + 1): + by_middle = signatures.get(keys[start]) + if by_middle is None: + continue + by_last = by_middle.get(keys[start + size // 2]) + if by_last is None or keys[start + size - 1] not in by_last: + continue + key = tuple(keys[start:start + size]) + if key not in remaining: + continue + if key in seen_once: + duplicated.add(key) + remaining.remove(key) + if len(duplicated) == candidate_count: + return duplicated + else: + seen_once.add(key) + return duplicated + + +def _compact_structural_run_has_boundary_context( + prev_gap_values, curr_gap_values, run): + informative_offsets = [ + offset for offset, (prev_index, curr_index) in enumerate(run) + if (_is_informative_move_token(prev_gap_values[prev_index]) and + _is_informative_move_token(curr_gap_values[curr_index])) + ] + if len(informative_offsets) < WORD_MATCH_STRUCTURAL_MIN_RUN_INFO: + return False + has_informative_support = ( + len(informative_offsets) >= WORD_MATCH_STRUCTURAL_MIN_ANCHOR_INFO + ) + if not has_informative_support: + first = informative_offsets[0] + last = informative_offsets[-1] + has_informative_support = first > 0 and last < len(run) - 1 + if not has_informative_support: + return False + + prev_values = [prev_gap_values[prev_index] for prev_index, _ in run] + values = [curr_gap_values[curr_index] for _, curr_index in run] + + def cuts_template_field_tail(gap, indices, run_values): + if (not run_values or run_values[0] != '|' or + '=' not in run_values[1:]): + return False + last_index = indices[-1] + if last_index + 1 >= len(gap): + return False + return gap[last_index + 1] not in ('|', '}}') + + if (cuts_template_field_tail( + prev_gap_values, [prev_index for prev_index, _ in run], + prev_values) or + cuts_template_field_tail( + curr_gap_values, [curr_index for _, curr_index in run], + values)): + return False + + leading_equals = 0 + for value in values: + if value != '=': + break + leading_equals += 1 + trailing_equals = 0 + for value in reversed(values): + if value != '=': + break + trailing_equals += 1 + has_open_heading = leading_equals >= 2 + has_close_heading = trailing_equals >= 2 + if (has_open_heading != has_close_heading or + (has_open_heading and leading_equals != trailing_equals)): + return False + + construct_pairs = {'{{': '}}', '[[': ']]', '<': '>'} + closing_tokens = dict( + (close, open_) for open_, close in construct_pairs.items() + ) + stack = [] + for value in values: + if value in construct_pairs: + stack.append(value) + elif value in closing_tokens: + if not stack or stack[-1] != closing_tokens[value]: + return False + stack.pop() + return not stack + + +def _compact_run_has_ambiguous_window( + prev_document, curr_document, prev_article_start, curr_article_start, + run, ambiguous_windows): + prev_windows = set() + for size in WORD_MATCH_STRUCTURAL_AMBIGUITY_SIZES: + if size > len(run): + continue + for offset in range(len(run) - size + 1): + prev_start = prev_article_start + run[offset][0] + prev_end = prev_start + size + if (prev_document.informative_prefix[prev_end] - + prev_document.informative_prefix[prev_start]) < 3: + continue + prev_windows.add(tuple( + prev_document.keys[prev_start:prev_end] + )) + if not prev_windows: + return False + candidates = prev_windows.intersection(ambiguous_windows) + if not candidates: + return False + for size in WORD_MATCH_STRUCTURAL_AMBIGUITY_SIZES: + if size > len(run): + continue + for offset in range(len(run) - size + 1): + curr_start = curr_article_start + run[offset][1] + curr_end = curr_start + size + if (curr_document.informative_prefix[curr_end] - + curr_document.informative_prefix[curr_start]) < 3: + continue + if tuple(curr_document.keys[curr_start:curr_end]) in candidates: + return True + return False + + +def _lcs_token_pairs(prev_keys, curr_keys, prev_values=None, curr_values=None): + """Return the lexicographically best order-preserving alignment. + + The score follows the structural-matching contract, in order: maximize + matches, minimize disconnected runs, maximize informative matches, and + minimize normalized displacement. Exact score ties retain the earlier + alignment, which implements the declared left-to-right duplicate rule. + """ + prev_len = len(prev_keys) + curr_len = len(curr_keys) + if not prev_len or not curr_len: + return [] + if prev_len * curr_len > WORD_MATCH_STRUCTURAL_MAX_GAP_CELLS: + return [] + if prev_values is None: + prev_values = prev_keys + if curr_values is None: + curr_values = curr_keys + if (len(prev_values) != prev_len or len(curr_values) != curr_len): + raise ValueError("alignment values must match alignment keys") + if (_structural_native is not None and + isinstance(prev_keys, list) and isinstance(curr_keys, list) and + isinstance(prev_values, list) and isinstance(curr_values, list)): + return _structural_native.lcs_token_pairs( + prev_keys, curr_keys, prev_values, curr_values, + WORD_MATCH_MOVE_STRUCTURAL_TOKENS, + WORD_MATCH_STRUCTURAL_MAX_GAP_CELLS, + ) + + # ``matched`` contains alignments whose final operation paired the last + # tokens. ``gapped`` contains alignments whose final operation skipped at + # least one token. Keeping those states distinct lets a contiguous match + # extend the current run without paying for a new disconnected run. + matched = [[None] * (curr_len + 1) for _ in range(prev_len + 1)] + gapped = [[None] * (curr_len + 1) for _ in range(prev_len + 1)] + matched_back = [[None] * (curr_len + 1) for _ in range(prev_len + 1)] + gapped_back = [[None] * (curr_len + 1) for _ in range(prev_len + 1)] + gapped[0][0] = (0, 0, 0, 0) + + def best_state(prev_index, curr_index): + matched_score = matched[prev_index][curr_index] + gapped_score = gapped[prev_index][curr_index] + if matched_score is None: + return gapped_score, 'gapped' + if gapped_score is None or matched_score > gapped_score: + return matched_score, 'matched' + # On an exact tie the gapped state already contains an earlier match, + # whereas the matched state ends at the latest possible occurrence. + return gapped_score, 'gapped' + + for prev_count in range(prev_len + 1): + for curr_count in range(curr_len + 1): + if prev_count or curr_count: + skip_candidates = [] + if prev_count: + score, state = best_state(prev_count - 1, curr_count) + if score is not None: + # Prefer this top transition on a score tie: it keeps + # an already-selected earlier previous occurrence. + skip_candidates.append((score, 1, 'prev', state)) + if curr_count: + score, state = best_state(prev_count, curr_count - 1) + if score is not None: + skip_candidates.append((score, 0, 'curr', state)) + if skip_candidates: + score, _, direction, state = max(skip_candidates) + gapped[prev_count][curr_count] = score + gapped_back[prev_count][curr_count] = (direction, state) + + if (not prev_count or not curr_count or + prev_keys[prev_count - 1] != curr_keys[curr_count - 1]): + continue + prev_index = prev_count - 1 + curr_index = curr_count - 1 + informative = int( + _is_informative_move_token(prev_values[prev_index]) and + _is_informative_move_token(curr_values[curr_index]) + ) + # Compare relative positions without floating point. The common + # denominator is irrelevant because every candidate in this gap + # uses the same two lengths. + displacement = abs( + prev_index * max(curr_len - 1, 1) - + curr_index * max(prev_len - 1, 1) + ) + match_candidates = [] + prior = matched[prev_count - 1][curr_count - 1] + if prior is not None: + match_candidates.append(( + (prior[0] + 1, prior[1], prior[2] + informative, + prior[3] - displacement), + 1, + 'matched', + )) + prior = gapped[prev_count - 1][curr_count - 1] + if prior is not None: + match_candidates.append(( + (prior[0] + 1, prior[1] - 1, + prior[2] + informative, prior[3] - displacement), + 0, + 'gapped', + )) + if match_candidates: + score, _, state = max(match_candidates) + matched[prev_count][curr_count] = score + matched_back[prev_count][curr_count] = state + + _, state = best_state(prev_len, curr_len) + pairs = [] + prev_count = prev_len + curr_count = curr_len + while prev_count or curr_count: + if state == 'matched': + pairs.append((prev_count - 1, curr_count - 1)) + state = matched_back[prev_count][curr_count] + prev_count -= 1 + curr_count -= 1 + continue + back = gapped_back[prev_count][curr_count] + if back is None: + break + direction, state = back + if direction == 'prev': + prev_count -= 1 + else: + curr_count -= 1 + pairs.reverse() + return pairs + + +def _contiguous_pair_runs(pairs): + if not pairs: + return [] + runs = [] + run = [pairs[0]] + for pair in pairs[1:]: + if pair[0] == run[-1][0] + 1 and pair[1] == run[-1][1] + 1: + run.append(pair) + else: + runs.append(run) + run = [pair] + runs.append(run) + return runs + + +def _structural_run_has_boundary_context(prev_gap, curr_gap, run): + """Require context around the minimum-size informative core. + + Three informative tokens alone are common enough to be a prefix of an + edited phrase. They are accepted only when the same contiguous run also + includes matched low-information boundary tokens on both sides. Runs + with four or more informative tokens already meet the ordinary anchor + standard. + """ + informative_offsets = [ + offset for offset, (prev_index, curr_index) in enumerate(run) + if (_is_informative_move_token(prev_gap[prev_index].value) and + _is_informative_move_token(curr_gap[curr_index].value)) + ] + if len(informative_offsets) < WORD_MATCH_STRUCTURAL_MIN_RUN_INFO: + return False + has_informative_support = ( + len(informative_offsets) >= WORD_MATCH_STRUCTURAL_MIN_ANCHOR_INFO + ) + if not has_informative_support: + first = informative_offsets[0] + last = informative_offsets[-1] + has_informative_support = first > 0 and last < len(run) - 1 + if not has_informative_support: + return False + + # Do not promote a fragment which cuts through a markup construct. Its + # informative words may repeat, but the candidate does not represent a + # complete syntactic occurrence and therefore cannot carry run-level + # structural evidence. + prev_values = [prev_gap[prev_index].value for prev_index, _ in run] + values = [curr_gap[curr_index].value for _, curr_index in run] + + def cuts_template_field_tail(gap, indices, run_values): + # A run beginning with ``| field =`` claims structural evidence for a + # template-field occurrence. If matching stops in the middle of its + # value, the run is merely a common prefix of an edited field (for + # example, a date or URL) and must remain lower-tier evidence. + if (not run_values or run_values[0] != '|' or + '=' not in run_values[1:]): + return False + last_index = indices[-1] + if last_index + 1 >= len(gap): + return False + return gap[last_index + 1].value not in ('|', '}}') + + if (cuts_template_field_tail( + prev_gap, [prev_index for prev_index, _ in run], prev_values) or + cuts_template_field_tail( + curr_gap, [curr_index for _, curr_index in run], values)): + return False + + leading_equals = 0 + for value in values: + if value != '=': + break + leading_equals += 1 + trailing_equals = 0 + for value in reversed(values): + if value != '=': + break + trailing_equals += 1 + has_open_heading = leading_equals >= 2 + has_close_heading = trailing_equals >= 2 + if (has_open_heading != has_close_heading or + (has_open_heading and leading_equals != trailing_equals)): + return False + + construct_pairs = {'{{': '}}', '[[': ']]', '<': '>'} + closing_tokens = dict((close, open_) for open_, close in construct_pairs.items()) + stack = [] + for value in values: + if value in construct_pairs: + stack.append(value) + elif value in closing_tokens: + if not stack or stack[-1] != closing_tokens[value]: + return False + stack.pop() + return not stack + + +def _available_structural_windows(slots, is_available): + windows = set() + run = [] + for slot in slots: + if (is_available(slot) and + (not run or + (slot.paragraph_index == run[-1].paragraph_index and + slot.article_index == run[-1].article_index + 1))): + run.append(slot) + else: + if run: + for size in WORD_MATCH_STRUCTURAL_AMBIGUITY_SIZES: + for start in range(max(0, len(run) - size + 1)): + window = run[start:start + size] + if sum(_is_informative_move_token(item.value) + for item in window) >= 3: + windows.add(tuple(item.value for item in window)) + run = [slot] if is_available(slot) else [] + if run: + for size in WORD_MATCH_STRUCTURAL_AMBIGUITY_SIZES: + for start in range(max(0, len(run) - size + 1)): + window = run[start:start + size] + if sum(_is_informative_move_token(item.value) + for item in window) >= 3: + windows.add(tuple(item.value for item in window)) + return windows + + +def _available_residual_windows(values, is_available): + """Return a conservative superset of available structural windows. + + Residual word arrays preserve article order but omit exact sentence and + paragraph matches. Consequently every paragraph-local structural window + is present here, while a residual window may additionally cross an omitted + structural boundary. The latter only causes lazy context construction; it + can never suppress structural matching. + """ + windows = set() + run = [] + + def add_run_windows(): + for size in WORD_MATCH_STRUCTURAL_AMBIGUITY_SIZES: + if size > len(run): + continue + for start in range(len(run) - size + 1): + window = run[start:start + size] + if sum(_is_informative_move_token(value) + for value in window) >= 3: + windows.add(tuple(window)) + + for index, value in enumerate(values): + if is_available(index): + run.append(value) + else: + if run: + add_run_windows() + run = [] + if run: + add_run_windows() + return windows + + +def _has_shared_available_triplet( + text_prev, text_curr, prev_is_available, curr_is_available): + """Return whether the available residuals share any exact triplet. + + Every structural ambiguity window is at least three tokens long. Its + first three tokens therefore form a shared available triplet. A negative + result is a sound early exit; positives still use the full exact gate. + """ + previous_triplets = set() + run_length = 0 + for index, value in enumerate(text_prev): + if prev_is_available(index): + run_length += 1 + if run_length >= 3: + previous_triplets.add(( + text_prev[index - 2], text_prev[index - 1], value, + )) + else: + run_length = 0 + if not previous_triplets: + return False + + run_length = 0 + for index, value in enumerate(text_curr): + if curr_is_available(index): + run_length += 1 + if (run_length >= 3 and + (text_curr[index - 2], text_curr[index - 1], value) + in previous_triplets): + return True + else: + run_length = 0 + return False + + +def _unresolved_residual_windows(ledger, text_prev, text_curr): + """Return the conservative residual intersection used by the lazy gate.""" + if _structural_native is not None: + return _structural_native.unresolved_residual_windows( + text_prev, text_curr, ledger.prev_used_by, + ledger.prev_for_curr, WORD_MATCH_MOVE_STRUCTURAL_TOKENS, + WORD_MATCH_STRUCTURAL_AMBIGUITY_SIZES, 3, + ) + prev_is_available = lambda index: index not in ledger.prev_used_by + curr_is_available = lambda index: ledger.prev_for_curr[index] is None + if not _has_shared_available_triplet( + text_prev, text_curr, prev_is_available, curr_is_available): + return set() + prev_windows = _available_residual_windows( + text_prev, prev_is_available, + ) + if not prev_windows: + return set() + curr_windows = _available_residual_windows( + text_curr, curr_is_available, + ) + return prev_windows.intersection(curr_windows) + + +def _candidate_windows_by_size(candidates): + remaining_by_size = {} + for candidate in candidates: + size = len(candidate) + if (size not in WORD_MATCH_STRUCTURAL_AMBIGUITY_SIZES or + sum(_is_informative_move_token(value) + for value in candidate) < 3): + continue + remaining_by_size.setdefault(size, set()).add(candidate) + return remaining_by_size + + +def _candidate_window_signatures(remaining_by_size): + signatures_by_size = {} + for size, candidates in remaining_by_size.items(): + signatures = signatures_by_size.setdefault(size, {}) + for candidate in candidates: + by_middle = signatures.setdefault(candidate[0], {}) + by_last = by_middle.setdefault(candidate[size // 2], set()) + by_last.add(candidate[-1]) + return signatures_by_size + + +def _candidate_window_search_state(candidates): + remaining_by_size = _candidate_windows_by_size(candidates) + signatures_by_size = _candidate_window_signatures(remaining_by_size) + candidate_count = sum( + len(values) for values in remaining_by_size.values() + ) + return remaining_by_size, signatures_by_size, candidate_count + + +def _duplicated_candidate_windows(slots, candidates): + """Return candidate windows occurring at least twice within paragraphs. + + ``candidates`` is normally the small residual intersection found by the + exact structural gate. Occurrence state is capped at two because callers + only distinguish unique from duplicated windows. Revision-order slots + make paragraph boundaries contiguous, so no grouping lists or counters for + unrelated windows are needed. + """ + (remaining_by_size, signatures_by_size, + candidate_count) = _candidate_window_search_state(candidates) + if not candidate_count: + return set() + + seen_once = set() + duplicated = set() + paragraph_start = 0 + while paragraph_start < len(slots): + paragraph_index = slots[paragraph_start].paragraph_index + paragraph_end = paragraph_start + 1 + while (paragraph_end < len(slots) and + slots[paragraph_end].paragraph_index == paragraph_index): + paragraph_end += 1 + + paragraph_length = paragraph_end - paragraph_start + for size in sorted(remaining_by_size, reverse=True): + remaining = remaining_by_size[size] + if not remaining or size > paragraph_length: + continue + for start in range(paragraph_start, paragraph_end - size + 1): + signatures = signatures_by_size[size] + by_middle = signatures.get(slots[start].value) + if by_middle is None: + continue + by_last = by_middle.get(slots[start + size // 2].value) + if (by_last is None or + slots[start + size - 1].value not in by_last): + continue + window = tuple( + slots[index].value for index in range(start, start + size) + ) + if window not in remaining: + continue + if window in seen_once: + duplicated.add(window) + remaining.remove(window) + if len(duplicated) == candidate_count: + return duplicated + else: + seen_once.add(window) + paragraph_start = paragraph_end + return duplicated + + +def _duplicated_candidate_windows_in_revision(revision, candidates): + """Count candidate windows directly in an existing revision hierarchy. + + ``None`` means that the hierarchy cannot reproduce a complete token stream + and the caller must retain the slot/tokenizer fallback. Otherwise the + result has the same paragraph-local, count-saturated semantics as + :func:`_duplicated_candidate_windows` without allocating one slot object + per full-revision token. + """ + (remaining_by_size, signatures_by_size, + candidate_count) = _candidate_window_search_state(candidates) + if not candidate_count: + return set() + + seen_once = set() + duplicated = set() + for _, paragraph in _ordered_paragraph_occurrences(revision): + values = [] + for _, sentence in _ordered_sentence_occurrences(paragraph): + if sentence.words: + sentence_values = [word.value for word in sentence.words] + if (sentence.splitted and + list(sentence.splitted) != sentence_values): + return None + elif sentence.splitted: + sentence_values = sentence.splitted + else: + return None + values.extend(sentence_values) + + paragraph_length = len(values) + for size in sorted(remaining_by_size, reverse=True): + remaining = remaining_by_size[size] + if not remaining or size > paragraph_length: + continue + signatures = signatures_by_size[size] + for start in range(paragraph_length - size + 1): + by_middle = signatures.get(values[start]) + if by_middle is None: + continue + by_last = by_middle.get(values[start + size // 2]) + if (by_last is None or + values[start + size - 1] not in by_last): + continue + window = tuple(values[start:start + size]) + if window not in remaining: + continue + if window in seen_once: + duplicated.add(window) + remaining.remove(window) + if len(duplicated) == candidate_count: + return duplicated + else: + seen_once.add(window) + return duplicated + + +def _duplicated_candidate_windows_in_document(document, candidates): + """Count exact candidate occurrences with one multi-width scan.""" + if _structural_native is not None: + return _structural_native.duplicated_candidate_windows( + document.values, document.paragraph_ranges, set(candidates), + ) + remaining_by_size = _candidate_windows_by_size(candidates) + candidate_count = sum( + len(values) for values in remaining_by_size.values() + ) + if not candidate_count: + return set() + + values = document.values + pattern_symbols = sum( + size * len(patterns) + for size, patterns in remaining_by_size.items() + ) + use_automaton = ( + len(remaining_by_size) > 1 and + len(values) >= + WORD_MATCH_STRUCTURAL_DUPLICATE_AUTOMATON_MIN_TOKENS and + pattern_symbols <= + WORD_MATCH_STRUCTURAL_DUPLICATE_AUTOMATON_MAX_PATTERN_SYMBOLS + ) + if not use_automaton: + signatures_by_size = _candidate_window_signatures( + remaining_by_size, + ) + seen_once = set() + duplicated = set() + for paragraph_start, paragraph_end in ( + document.paragraph_ranges.values()): + paragraph_length = paragraph_end - paragraph_start + for size in sorted(remaining_by_size, reverse=True): + remaining = remaining_by_size[size] + if not remaining or size > paragraph_length: + continue + signatures = signatures_by_size[size] + for start in range( + paragraph_start, paragraph_end - size + 1): + by_middle = signatures.get(values[start]) + if by_middle is None: + continue + by_last = by_middle.get(values[start + size // 2]) + if (by_last is None or + values[start + size - 1] not in by_last): + continue + window = tuple(values[start:start + size]) + if window not in remaining: + continue + if window in seen_once: + duplicated.add(window) + remaining.remove(window) + if len(duplicated) == candidate_count: + return duplicated + else: + seen_once.add(window) + return duplicated + + patterns = [ + candidate + for size in WORD_MATCH_STRUCTURAL_AMBIGUITY_SIZES + for candidate in remaining_by_size.get(size, ()) + ] + automaton = _build_structural_pattern_automaton(patterns) + patterns, transitions, failures, outputs = automaton + seen_once = set() + duplicated = set() + for paragraph_start, paragraph_end in document.paragraph_ranges.values(): + state = 0 + for article_index in range(paragraph_start, paragraph_end): + token = values[article_index] + while state and token not in transitions[state]: + state = failures[state] + state = transitions[state].get(token, 0) + for pattern_index in outputs[state]: + pattern = patterns[pattern_index] + if pattern in duplicated: + continue + if pattern in seen_once: + duplicated.add(pattern) + if len(duplicated) == candidate_count: + return duplicated + else: + seen_once.add(pattern) + return duplicated + + +def _has_unresolved_duplicate_window(ledger, prev_slots, curr_slots, + full_prev_slots, full_curr_slots, + duplicated_candidates=None): + prev_windows = _available_structural_windows( + prev_slots, + lambda slot: slot.residual_index not in ledger.prev_used_by, + ) + if not prev_windows: + return False + curr_windows = _available_structural_windows( + curr_slots, + lambda slot: ledger.prev_for_curr[slot.residual_index] is None, + ) + unresolved_windows = prev_windows.intersection(curr_windows) + if not unresolved_windows: + return False + if duplicated_candidates is not None: + duplicated_both = unresolved_windows.intersection( + duplicated_candidates, + ) + if not duplicated_both: + return None + return True + # Structural disambiguation is needed only while multiple old occurrences + # are competing with multiple current occurrences. A one-sided duplicate + # is a copy/deletion problem, for which paragraph context alone is not + # sufficient evidence to override the existing copy and reinsertion rules. + duplicated_prev = _duplicated_candidate_windows( + full_prev_slots, unresolved_windows, + ) + if not duplicated_prev: + return None + duplicated_both = _duplicated_candidate_windows( + full_curr_slots, duplicated_prev, + ) + if not duplicated_both: + return None + return True + + +def _propose_structural_word_matches_slots( + ledger, text_prev, text_curr, prev_slots=None, curr_slots=None, + full_prev_slots=None, full_curr_slots=None, + get_structural_context=None, get_structural_duplicates=None): + unresolved_candidates = _unresolved_residual_windows( + ledger, text_prev, text_curr, + ) + if not unresolved_candidates: + return + duplicated_candidates = None + if get_structural_duplicates is not None: + hierarchy_duplicates = get_structural_duplicates( + unresolved_candidates, + ) + if hierarchy_duplicates is not None: + if not hierarchy_duplicates: + return + duplicated_candidates = hierarchy_duplicates + if get_structural_context is not None: + (prev_slots, curr_slots, + full_prev_slots, full_curr_slots) = get_structural_context() + if not (prev_slots and curr_slots and full_prev_slots and full_curr_slots): + return + trigger = _has_unresolved_duplicate_window( + ledger, prev_slots, curr_slots, full_prev_slots, full_curr_slots, + duplicated_candidates=duplicated_candidates, + ) + if not trigger: + return + + prev_residual_by_path = dict((slot.path, slot.residual_index) for slot in prev_slots) + curr_residual_by_path = dict((slot.path, slot.residual_index) for slot in curr_slots) + if (len(prev_residual_by_path) != len(prev_slots) or + len(curr_residual_by_path) != len(curr_slots)): + return + + # Once a genuine duplicate competition is established, preserve the + # complete structural evidence universe across every certified pair. The + # later residual-completeness rule means only windows wholly contained in + # residual spans can contribute a candidate, so global ambiguity counting + # can be restricted exactly to that complete necessary set. + prev_index = _StructuralIndex( + full_prev_slots, build_occurrences=False, + ) + curr_index = _StructuralIndex( + full_curr_slots, build_occurrences=False, + ) + prev_keys = prev_index.keys + curr_keys = curr_index.keys + prev_target_paragraphs = set( + path[0] for path in prev_residual_by_path + ) + curr_target_paragraphs = set( + path[0] for path in curr_residual_by_path + ) + prev_paragraphs, curr_paragraphs, chains = _structural_anchor_chains( + prev_index, curr_index, prev_target_paragraphs, + curr_target_paragraphs, + ) + certified_pairs = _unique_best_structural_pairs(chains) + + ambiguity_candidates = set() + candidate_gaps = defaultdict(list) + for pair in sorted(certified_pairs): + chain, pair_score = chains[pair] + if pair_score[0] < WORD_MATCH_STRUCTURAL_MIN_PAIR_INFO: + continue + prev_paragraph = prev_paragraphs[pair[0]] + curr_paragraph = curr_paragraphs[pair[1]] + for prev_start, prev_end, curr_start, curr_end in ( + _structural_gap_ranges( + chain, len(prev_paragraph), len(curr_paragraph))): + prev_gap = prev_paragraph[prev_start:prev_end] + curr_gap = curr_paragraph[curr_start:curr_end] + prev_windows = _residual_structural_window_keys( + prev_gap, prev_index, prev_residual_by_path, + ) + if not prev_windows: + continue + shared_windows = _residual_structural_window_keys( + curr_gap, curr_index, curr_residual_by_path, prev_windows, + ) + if not shared_windows: + continue + gap = (prev_start, prev_end, curr_start, curr_end) + candidate_gaps[pair].append((gap, shared_windows)) + ambiguity_candidates.update(shared_windows) + if not ambiguity_candidates: + return + + duplicated_prev = _duplicated_structural_candidate_windows( + prev_index, ambiguity_candidates, + ) + ambiguous_windows = _duplicated_structural_candidate_windows( + curr_index, duplicated_prev, + ) + if not ambiguous_windows: + return + + for pair in sorted(candidate_gaps): + chain, pair_score = chains[pair] + prev_paragraph = prev_paragraphs[pair[0]] + curr_paragraph = curr_paragraphs[pair[1]] + + for gap, gap_candidates in candidate_gaps[pair]: + if not gap_candidates.intersection(ambiguous_windows): + continue + prev_start, prev_end, curr_start, curr_end = gap + prev_gap = prev_paragraph[prev_start:prev_end] + curr_gap = curr_paragraph[curr_start:curr_end] + gap_pairs = _lcs_token_pairs( + [prev_keys[slot.article_index] for slot in prev_gap], + [curr_keys[slot.article_index] for slot in curr_gap], + [slot.value for slot in prev_gap], + [slot.value for slot in curr_gap], + ) + for run in _contiguous_pair_runs(gap_pairs): + informative = sum( + _is_informative_move_token( + prev_gap[prev_offset].value + ) + for prev_offset, _ in run + ) + if informative < WORD_MATCH_STRUCTURAL_MIN_RUN_INFO: + continue + if not _structural_run_has_boundary_context( + prev_gap, curr_gap, run): + continue + run_prev_slots = [prev_gap[prev_offset] for prev_offset, _ in run] + run_curr_slots = [curr_gap[curr_offset] for _, curr_offset in run] + if not _ambiguous_windows_in_both( + run_prev_slots, run_curr_slots, + prev_index, curr_index, ambiguous_windows): + continue + residual_pairs = [] + residual_paths = [] + for prev_offset, curr_offset in run: + prev_slot = prev_gap[prev_offset] + curr_slot = curr_gap[curr_offset] + prev_residual = prev_residual_by_path.get(prev_slot.path) + curr_residual = curr_residual_by_path.get(curr_slot.path) + if prev_residual is not None and curr_residual is not None: + residual_pairs.append((curr_residual, prev_residual)) + residual_paths.append((curr_slot.path, prev_slot.path)) + # Evidence belongs to the complete aligned run. If an exact + # paragraph/sentence reuse has already removed part of it from + # the residual word problem, the remaining fragment cannot + # inherit the evidence tier of the original run. + if len(residual_pairs) != len(run): + continue + ledger.propose_pairs( + residual_pairs, WORD_MATCH_CONF_STRUCTURAL_GAP, + 'structural-gap', support=pair_score[0] + informative, + paths=residual_paths, + ) + + +def _propose_structural_word_matches_document( + ledger, text_prev, text_curr, get_structural_documents, + get_structural_duplicates): + """Propose the same structural runs over a compact offset document. + + ``True`` means the compact path handled the decision, including a proven + no-op. ``False`` requests the original slot/tokenizer fallback. + """ + unresolved_candidates = _unresolved_residual_windows( + ledger, text_prev, text_curr, + ) + if not unresolved_candidates: + return True + + duplicated_candidates = get_structural_duplicates( + unresolved_candidates, + ) + if duplicated_candidates is None: + return False + if not duplicated_candidates: + return True + + context = get_structural_documents() + if context is None: + return False + if len(context) == 4: + (prev_document, curr_document, + prev_residual_by_article, curr_residual_by_article) = context + prev_residual_flags = None + curr_residual_flags = None + else: + (prev_document, curr_document, + prev_residual_by_article, curr_residual_by_article, + prev_residual_flags, curr_residual_flags) = context + if not (prev_residual_by_article and curr_residual_by_article): + return True + + prev_windows = _compact_available_residual_windows( + prev_document, prev_residual_by_article, + lambda index: index not in ledger.prev_used_by, + native_availability=ledger.prev_used_by, + native_previous_mode=True, + ) + if not prev_windows: + return True + curr_windows = _compact_available_residual_windows( + curr_document, curr_residual_by_article, + lambda index: ledger.prev_for_curr[index] is None, + native_availability=ledger.prev_for_curr, + ) + if not prev_windows.intersection( + curr_windows, duplicated_candidates): + return True + + prev_document.ensure_index() + curr_document.ensure_index() + prev_target_paragraphs = set( + residual[1][0] for residual in prev_residual_by_article.values() + ) + curr_target_paragraphs = set( + residual[1][0] for residual in curr_residual_by_article.values() + ) + chains = _compact_structural_anchor_chains( + prev_document, curr_document, prev_target_paragraphs, + curr_target_paragraphs, + ) + certified_pairs = _unique_best_structural_pairs(chains) + + ambiguity_candidates = set() + candidate_gaps = defaultdict(list) + for pair in sorted(certified_pairs): + chain, pair_score = chains[pair] + if pair_score[0] < WORD_MATCH_STRUCTURAL_MIN_PAIR_INFO: + continue + prev_length = prev_document.paragraph_length(pair[0]) + curr_length = curr_document.paragraph_length(pair[1]) + for prev_start, prev_end, curr_start, curr_end in ( + _structural_gap_ranges(chain, prev_length, curr_length)): + prev_windows = _compact_residual_structural_window_keys( + prev_document, pair[0], prev_start, prev_end, + prev_residual_by_article, + residual_flags=prev_residual_flags, + ) + if not prev_windows: + continue + shared_windows = _compact_residual_structural_window_keys( + curr_document, pair[1], curr_start, curr_end, + curr_residual_by_article, prev_windows, + residual_flags=curr_residual_flags, + ) + if not shared_windows: + continue + gap = (prev_start, prev_end, curr_start, curr_end) + candidate_gaps[pair].append((gap, shared_windows)) + ambiguity_candidates.update(shared_windows) + if not ambiguity_candidates: + return True + + duplicated_prev = _compact_duplicated_structural_candidate_windows( + prev_document, ambiguity_candidates, + ) + ambiguous_windows = _compact_duplicated_structural_candidate_windows( + curr_document, duplicated_prev, + ) + if not ambiguous_windows: + return True + + for pair in sorted(candidate_gaps): + _, pair_score = chains[pair] + prev_paragraph_start, _ = prev_document.paragraph_range(pair[0]) + curr_paragraph_start, _ = curr_document.paragraph_range(pair[1]) + for gap, gap_candidates in candidate_gaps[pair]: + if not gap_candidates.intersection(ambiguous_windows): + continue + prev_start, prev_end, curr_start, curr_end = gap + prev_article_start = prev_paragraph_start + prev_start + prev_article_end = prev_paragraph_start + prev_end + curr_article_start = curr_paragraph_start + curr_start + curr_article_end = curr_paragraph_start + curr_end + prev_gap_values = prev_document.values[ + prev_article_start:prev_article_end + ] + curr_gap_values = curr_document.values[ + curr_article_start:curr_article_end + ] + gap_pairs = _lcs_token_pairs( + prev_document.keys[prev_article_start:prev_article_end], + curr_document.keys[curr_article_start:curr_article_end], + prev_gap_values, curr_gap_values, + ) + for run in _contiguous_pair_runs(gap_pairs): + informative = sum( + _is_informative_move_token( + prev_gap_values[prev_offset] + ) + for prev_offset, _ in run + ) + if informative < WORD_MATCH_STRUCTURAL_MIN_RUN_INFO: + continue + if not _compact_structural_run_has_boundary_context( + prev_gap_values, curr_gap_values, run): + continue + if not _compact_run_has_ambiguous_window( + prev_document, curr_document, + prev_article_start, curr_article_start, run, + ambiguous_windows): + continue + + residual_pairs = [] + residual_paths = [] + for prev_offset, curr_offset in run: + prev_residual = prev_residual_by_article.get( + prev_article_start + prev_offset + ) + curr_residual = curr_residual_by_article.get( + curr_article_start + curr_offset + ) + if prev_residual is not None and curr_residual is not None: + residual_pairs.append(( + curr_residual[0], prev_residual[0], + )) + residual_paths.append(( + curr_residual[1], prev_residual[1], + )) + if len(residual_pairs) != len(run): + continue + ledger.propose_pairs( + residual_pairs, WORD_MATCH_CONF_STRUCTURAL_GAP, + 'structural-gap', support=pair_score[0] + informative, + paths=residual_paths, + ) + return True + + +def _propose_structural_word_matches( + ledger, text_prev, text_curr, prev_slots=None, curr_slots=None, + full_prev_slots=None, full_curr_slots=None, + get_structural_context=None, get_structural_duplicates=None, + get_structural_documents=None): + if (get_structural_documents is not None and + get_structural_duplicates is not None): + handled = _propose_structural_word_matches_document( + ledger, text_prev, text_curr, get_structural_documents, + get_structural_duplicates, + ) + if handled: + return + _propose_structural_word_matches_slots( + ledger, text_prev, text_curr, + prev_slots=prev_slots, curr_slots=curr_slots, + full_prev_slots=full_prev_slots, full_curr_slots=full_curr_slots, + get_structural_context=get_structural_context, + get_structural_duplicates=get_structural_duplicates, + ) + + +def _match_word_sequences(text_prev, text_curr, full_text_prev=None, full_text_curr=None, + get_full_texts=None, prev_words=None, + prev_slots=None, curr_slots=None, + full_prev_slots=None, full_curr_slots=None, + get_structural_context=None, + get_structural_duplicates=None, + get_structural_documents=None): + ledger = _MatchCandidateLedger(len(text_prev), len(text_curr)) + prev_keys = _word_match_keys(text_prev) + curr_keys = _word_match_keys(text_curr) + + prefix_len = _common_prefix_len(prev_keys, curr_keys) + prefix_len, suffix_len = _rollback_common_construct_edges(text_prev, text_curr, + prev_keys, curr_keys, + prefix_len) + ledger.propose_pairs( + ((index, index) for index in range(prefix_len)), + WORD_MATCH_CONF_EDGE, 'common-prefix', + ) + ledger.propose_pairs(( + (len(text_curr) - suffix_len + index, + len(text_prev) - suffix_len + index) + for index in range(suffix_len) + ), WORD_MATCH_CONF_EDGE, 'common-suffix') + + prev_mid_start = prefix_len + prev_mid_end = len(text_prev) - suffix_len + curr_mid_start = prefix_len + curr_mid_end = len(text_curr) - suffix_len + prev_mid = text_prev[prev_mid_start:prev_mid_end] + curr_mid = text_curr[curr_mid_start:curr_mid_end] + prev_mid_keys = prev_keys[prev_mid_start:prev_mid_end] + curr_mid_keys = curr_keys[curr_mid_start:curr_mid_end] + move_prev_spans = [] + move_curr_spans = [] + + if prev_mid and curr_mid: + max_drift = _word_match_drift_limit(len(prev_mid), len(curr_mid)) + if _word_match_pair_estimate(prev_mid_keys, curr_mid_keys) <= WORD_MATCH_MAX_SEQUENCE_PAIRS: + matcher = SequenceMatcher(None, prev_mid_keys, curr_mid_keys, autojunk=False) + for tag, i1, i2, j1, j2 in matcher.get_opcodes(): + if tag == 'equal': + ledger.propose_pairs(( + (curr_mid_start + curr_index, + prev_mid_start + prev_index) + for prev_index, curr_index in zip( + range(i1, i2), range(j1, j2), + ) + ), WORD_MATCH_CONF_SEQUENCE_EQUAL, 'sequence-equal') + else: + if tag in ('replace', 'delete') and i1 < i2: + move_prev_spans.append((prev_mid_start + i1, prev_mid_start + i2)) + if tag in ('replace', 'insert') and j1 < j2: + move_curr_spans.append((curr_mid_start + j1, curr_mid_start + j2)) + if tag == 'replace' and (i2 - i1) * (j2 - j1) <= WORD_MATCH_MAX_LOCAL_PAIRS: + local_matches = _nearest_word_matches(prev_mid_keys[i1:i2], + curr_mid_keys[j1:j2], + prev_mid_start + i1, + curr_mid_start + j1, + max_drift) + ledger.propose_pairs(( + (curr_mid_start + j1 + curr_index, + prev_mid_start + i1 + prev_index) + for curr_index, prev_index in sorted(local_matches.items()) + ), WORD_MATCH_CONF_LOCAL, 'local-nearest') + else: + move_prev_spans.append((prev_mid_start, prev_mid_end)) + move_curr_spans.append((curr_mid_start, curr_mid_end)) + local_matches = _nearest_word_matches(prev_mid_keys, curr_mid_keys, + prev_mid_start, curr_mid_start, + max_drift) + ledger.propose_pairs(( + (curr_mid_start + curr_index, prev_mid_start + prev_index) + for curr_index, prev_index in sorted(local_matches.items()) + ), WORD_MATCH_CONF_LOCAL, 'local-nearest') + + recovery_count_state = {'counts': {}} + _recover_moved_word_runs(text_prev, text_curr, prev_keys, curr_keys, + ledger, + full_text_prev=full_text_prev, + full_text_curr=full_text_curr, + get_full_texts=get_full_texts, + prev_candidate_spans=move_prev_spans, + curr_candidate_spans=move_curr_spans, + count_state=recovery_count_state) + _recover_unique_short_numeric_template_fields( + text_prev, text_curr, ledger, + full_text_prev=full_text_prev, + full_text_curr=full_text_curr, + get_full_texts=get_full_texts, + prev_candidate_spans=move_prev_spans, + curr_candidate_spans=move_curr_spans, + count_state=recovery_count_state, + ) + _recover_unique_template_field_words( + text_prev, text_curr, prev_keys, curr_keys, + ledger, + full_text_prev=full_text_prev, + full_text_curr=full_text_curr, + get_full_texts=get_full_texts, + count_state=recovery_count_state, + ) + _recover_edited_link_boundaries(text_prev, text_curr, ledger) + _demote_stale_suffix_edge_matches(text_prev, text_curr, prev_words, + ledger, prefix_len, suffix_len) + _propose_structural_word_matches( + ledger, text_prev, text_curr, + prev_slots=prev_slots, curr_slots=curr_slots, + full_prev_slots=full_prev_slots, full_curr_slots=full_curr_slots, + get_structural_context=get_structural_context, + get_structural_duplicates=get_structural_duplicates, + get_structural_documents=get_structural_documents, + ) + + return ledger.resolve() + + +def _can_partially_restore_historical_sentence(words, previous_revision_id): + available = [word for word in words if not word.matched] + occupied_count = len(words) - len(available) + if (occupied_count == 0 or + occupied_count > WORD_MATCH_HISTORICAL_MAX_OCCUPIED_TOKENS or + len(available) < WORD_MATCH_HISTORICAL_MIN_AVAILABLE_TOKENS or + len(available) < WORD_MATCH_HISTORICAL_MIN_EVIDENCE_RATIO * occupied_count): + return False + removal_revisions = { + word.outbound[-1] + for word in available + if word.outbound + } + return (len(removal_revisions) == 1 and + previous_revision_id not in removal_revisions and + all(word.outbound for word in available)) + + +class Wikiwho: + def __init__(self, article_title): # Hash tables. self.paragraphs_ht = {} self.sentences_ht = {} @@ -1082,6 +4445,7 @@ def analyse_article(self, page): def determine_authorship(self): # Containers for unmatched paragraphs and sentences in both revisions. unmatched_sentences_curr = [] + restored_sentences_curr = [] unmatched_sentences_prev = [] matched_paragraphs_prev = [] matched_sentences_prev = [] @@ -1096,7 +4460,8 @@ def determine_authorship(self): # Analysis of the sentences in the unmatched paragraphs of the current revision. if unmatched_paragraphs_curr: - unmatched_sentences_curr, unmatched_sentences_prev, matched_sentences_prev, total_sentences = \ + unmatched_sentences_curr, restored_sentences_curr, unmatched_sentences_prev, \ + matched_sentences_prev, total_sentences = \ self.analyse_sentences_in_paragraphs(unmatched_paragraphs_curr, unmatched_paragraphs_prev) # TODO: spam detection @@ -1189,13 +4554,25 @@ def determine_authorship(self): unmatched_paragraph.value = '' # hash value is not used for next rev analysis # Add the new sentences to hash table of sentences. - for unmatched_sentence in unmatched_sentences_curr: - if unmatched_sentence.hash_value in self.sentences_ht: - self.sentences_ht[unmatched_sentence.hash_value].append(unmatched_sentence) + for sentence_curr in unmatched_sentences_curr: + if sentence_curr.hash_value in self.sentences_ht: + self.sentences_ht[sentence_curr.hash_value].append(sentence_curr) + else: + self.sentences_ht.update({sentence_curr.hash_value: [sentence_curr]}) + sentence_curr.value = '' # hash value is not used for next rev analysis + sentence_curr.splitted = None # splitted word values are not used for next rev analysis + + # A partially restored sentence supersedes the stale historical + # representation whose occupied words forced reconstruction. Put + # it first so a later delete-and-reinsert tries the current token + # identities before that stale representation. + for sentence_curr in restored_sentences_curr: + if sentence_curr.hash_value in self.sentences_ht: + self.sentences_ht[sentence_curr.hash_value].insert(0, sentence_curr) else: - self.sentences_ht.update({unmatched_sentence.hash_value: [unmatched_sentence]}) - unmatched_sentence.value = '' # hash value is not used for next rev analysis - unmatched_sentence.splitted = None # splitted word values are not used for next rev analysis + self.sentences_ht.update({sentence_curr.hash_value: [sentence_curr]}) + sentence_curr.value = '' + sentence_curr.splitted = None return vandalism @@ -1336,6 +4713,7 @@ def analyse_paragraphs_in_revision(self): def analyse_sentences_in_paragraphs(self, unmatched_paragraphs_curr, unmatched_paragraphs_prev): # Containers for unmatched and matched sentences. unmatched_sentences_curr = [] + restored_sentences_curr = [] unmatched_sentences_prev = [] matched_sentences_prev = [] total_sentences = 0 @@ -1423,6 +4801,40 @@ def analyse_sentences_in_paragraphs(self, unmatched_paragraphs_curr, unmatched_p # if all prev words in this sentence are already matched sentence_prev.matched = True matched_sentences_prev.append(sentence_prev) + elif _can_partially_restore_historical_sentence( + sentence_prev.words, self.revision_prev.id): + # An exact historical sentence can return after a few of its + # generic token objects have been reused elsewhere. Restore the + # available identities and create new tokens only for occupied + # positions instead of rejecting the entire sentence. + sentence_reused = Sentence() + sentence_reused.hash_value = hash_curr + sentence_reused.value = sentence + for word_prev in sentence_prev.words: + if word_prev.matched: + word_curr = Word() + word_curr.value = word_prev.value + word_curr.token_id = self.token_id + word_curr.origin_rev_id = self.revision_curr.id + word_curr.last_rev_id = self.revision_curr.id + sentence_reused.words.append(word_curr) + self.token_id += 1 + self.revision_curr.original_adds += 1 + self.tokens.append(word_curr) + else: + word_prev.matched = True + sentence_reused.words.append(word_prev) + + sentence_prev.matched = True + matched_curr = True + matched_sentences_prev.append(sentence_prev) + if hash_curr in paragraph_curr.sentences: + paragraph_curr.sentences[hash_curr].append(sentence_reused) + else: + paragraph_curr.sentences.update({hash_curr: [sentence_reused]}) + paragraph_curr.ordered_sentences.append(hash_curr) + restored_sentences_curr.append(sentence_reused) + break # If the sentence did not match, # then include in the container of unmatched sentences for further analysis. @@ -1455,7 +4867,8 @@ def analyse_sentences_in_paragraphs(self, unmatched_paragraphs_curr, unmatched_p sentence_prev.matched = True matched_sentences_prev.append(sentence_prev) - return unmatched_sentences_curr, unmatched_sentences_prev, matched_sentences_prev, total_sentences + return (unmatched_sentences_curr, restored_sentences_curr, + unmatched_sentences_prev, matched_sentences_prev, total_sentences) def analyse_words_in_sentences(self, unmatched_sentences_curr, unmatched_sentences_prev, possible_vandalism): matched_words_prev = [] @@ -1507,6 +4920,190 @@ def analyse_words_in_sentences(self, unmatched_sentences_curr, unmatched_sentenc self.tokens.append(word_curr) return matched_words_prev, possible_vandalism + structural_context = [] + structural_documents = [] + aligned_structural_documents = [] + + def ensure_structural_documents(): + if not structural_documents: + structural_documents.append( + _revision_structural_document_pair( + self.revision_prev, self.revision_curr, + unmatched_sentences_prev, + unmatched_sentences_curr, + ) + ) + return structural_documents[0] + + def get_structural_duplicates(candidates): + prev_document, curr_document = ensure_structural_documents() + if prev_document is None or curr_document is None: + return None + duplicated_prev = _duplicated_candidate_windows_in_document( + prev_document, candidates, + ) + if not duplicated_prev: + return set() + duplicated_curr = _duplicated_candidate_windows_in_document( + curr_document, duplicated_prev, + ) + return duplicated_curr + + def get_structural_documents(): + if aligned_structural_documents: + return aligned_structural_documents[0] + prev_document, curr_document = ensure_structural_documents() + if prev_document is None or curr_document is None: + return None + + prev_residual_by_article = {} + prev_residual_flags = bytearray(len(prev_document.values)) + prev_residual_index = 0 + for sentence_prev in unmatched_sentences_prev: + metadata = prev_document.sentence_ranges.get( + sentence_prev + ) + if (metadata is None or + metadata[3] != len(sentence_prev.words)): + return None + paragraph_index, sentence_index, sentence_start, _ = metadata + for word_index, word_prev in enumerate(sentence_prev.words): + if word_prev.matched: + continue + article_index = sentence_start + word_index + if prev_document.values[article_index] != word_prev.value: + return None + prev_residual_by_article[article_index] = ( + prev_residual_index, + (paragraph_index, sentence_index, word_index), + ) + prev_residual_flags[article_index] = 1 + prev_residual_index += 1 + if (prev_residual_index != len(text_prev) or + len(prev_residual_by_article) != len(text_prev)): + return None + + curr_residual_by_article = {} + curr_residual_flags = bytearray(len(curr_document.values)) + curr_residual_index = 0 + for sentence_curr in unmatched_sentences_curr: + metadata = curr_document.sentence_ranges.get( + sentence_curr + ) + if (metadata is None or + metadata[3] != len(sentence_curr.splitted)): + return None + paragraph_index, sentence_index, sentence_start, _ = metadata + for word_index, word in enumerate(sentence_curr.splitted): + article_index = sentence_start + word_index + if curr_document.values[article_index] != word: + return None + curr_residual_by_article[article_index] = ( + curr_residual_index, + (paragraph_index, sentence_index, word_index), + ) + curr_residual_flags[article_index] = 1 + curr_residual_index += 1 + if (curr_residual_index != len(text_curr) or + len(curr_residual_by_article) != len(text_curr)): + return None + + context = ( + prev_document, curr_document, + prev_residual_by_article, curr_residual_by_article, + prev_residual_flags, curr_residual_flags, + ) + aligned_structural_documents.append(context) + return context + + def get_structural_context(): + if structural_context: + return structural_context[0] + + # Preserve the revision-local owner of every residual word only + # after the residual gate has shown that structural matching may + # contribute. ``id`` is a lookup key for an ordinal path; it is + # never itself matching evidence. + full_prev_slots = _revision_token_slots(self.revision_prev) + prev_slot_by_word = dict( + (id(slot.word), slot) for slot in full_prev_slots + ) + prev_sentence_paths = _sentence_occurrence_paths( + self.revision_prev + ) + curr_sentence_paths = _sentence_occurrence_paths( + self.revision_curr + ) + prev_match_slots = [] + prev_slots_valid = True + + prev_residual_index = 0 + for sentence_prev in unmatched_sentences_prev: + sentence_path = prev_sentence_paths.get(id(sentence_prev)) + if sentence_path is None: + prev_slots_valid = False + for word_index, word_prev in enumerate(sentence_prev.words): + if word_prev.matched: + continue + slot = prev_slot_by_word.get(id(word_prev)) + if (slot is None or sentence_path is None or + slot.path != sentence_path + (word_index,)): + prev_slots_valid = False + else: + slot.residual_index = prev_residual_index + prev_match_slots.append(slot) + prev_residual_index += 1 + + if prev_residual_index != len(text_prev): + prev_slots_valid = False + + def align_current_slots(full_curr_slots): + if not prev_slots_valid or full_curr_slots is None: + return None + curr_slot_by_path = dict( + (slot.path, slot) for slot in full_curr_slots + ) + if len(curr_slot_by_path) != len(full_curr_slots): + return None + + curr_match_slots = [] + curr_residual_index = 0 + for sentence_curr in unmatched_sentences_curr: + sentence_path = curr_sentence_paths.get(id(sentence_curr)) + if sentence_path is None: + return None + for word_index, word in enumerate(sentence_curr.splitted): + slot = curr_slot_by_path.get( + sentence_path + (word_index,) + ) + if slot is None or slot.value != word: + return None + slot.residual_index = curr_residual_index + curr_match_slots.append(slot) + curr_residual_index += 1 + + if curr_residual_index != len(text_curr): + return None + return ( + prev_match_slots, curr_match_slots, + full_prev_slots, full_curr_slots, + ) + + # The current hierarchy is the normalized parse already produced + # for this edit, so using it avoids parsing and tokenizing the full + # wikitext a second time. Retain the original tokenizer as a + # correctness fallback for incomplete or inconsistent hierarchy + # state rather than silently disabling structural matching. + context = align_current_slots( + _current_revision_token_slots(self.revision_curr) + ) + if context is None: + context = align_current_slots(_text_token_slots(self.text_curr)) + if context is None: + context = (None, None, None, None) + structural_context.append(context) + return context + full_texts = [] def get_full_texts(): @@ -1522,6 +5119,9 @@ def get_full_texts(): text_curr, get_full_texts=get_full_texts, prev_words=unmatched_words_prev, + get_structural_context=get_structural_context, + get_structural_duplicates=get_structural_duplicates, + get_structural_documents=get_structural_documents, ) for curr_index, prev_index in enumerate(prev_for_curr): sentence_curr, word = curr_slots[curr_index] diff --git a/setup.py b/setup.py index c608afb..2ddbefd 100644 --- a/setup.py +++ b/setup.py @@ -5,10 +5,11 @@ """ # Always prefer setuptools over distutils -from setuptools import setup, find_packages +from setuptools import setup, find_packages, Extension # To use a consistent encoding from codecs import open from os import path +import sys here = path.abspath(path.dirname(__file__)) @@ -69,6 +70,16 @@ # simple. Or you can use find_packages(). packages=find_packages(exclude=['contrib', 'docs', 'tests']), + ext_modules=[ + Extension( + 'WikiWho._structural_native', + sources=['WikiWho/_structural_native.c'], + # Keep source installs fail-open: WikiWho has exact Python + # fallbacks for every accelerated kernel. + optional=True, + ), + ] if sys.version_info[0] >= 3 else [], + # Alternatively, if you want to distribute just a my_module.py, uncomment # this: # py_modules=["my_module"], diff --git a/tests/authorship_cases.json b/tests/authorship_cases.json index dc8e012..7272199 100644 --- a/tests/authorship_cases.json +++ b/tests/authorship_cases.json @@ -136,6 +136,23 @@ } ] }, + { + "title": "Bradshaw, West Virginia", + "fixture": "fixtures/bradshaw,_west_virginia_revisions.json", + "history_through_revid": 511877979, + "cases": [ + { + "id": "bradshaw_bias_date_survives_unref_removal", + "snapshot_revid": 511877979, + "context": "{{bias|date=September 2012}}", + "focus": ["2012"], + "expected": { + "values": ["2012"], + "origin_rev_ids": [510854404] + } + } + ] + }, { "title": "Splatoon 3", "fixture": "fixtures/splatoon_3_revisions.json", @@ -162,6 +179,56 @@ } ] }, + { + "title": "Yeah Yeah Yeahs (EP)", + "fixture": "fixtures/yeah_yeah_yeahs_(ep)_revisions.json", + "cases": [ + { + "id": "yeah_lead_title_before_duplicate_lineage_loss", + "snapshot_revid": 687881195, + "context": "'''''Yeah Yeah Yeahs''''' (mislabeled as", + "focus": ["Yeah Yeah Yeahs"], + "expected": { + "values": ["yeah", "yeah", "yeahs"], + "token_ids": [5, 6, 7], + "origin_rev_ids": [1625540, 1625540, 1625540] + } + }, + { + "id": "yeah_lead_title_survives_article_restructure", + "snapshot_revid": 748288963, + "context": "'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American", + "focus": ["Yeah Yeah Yeahs"], + "expected": { + "values": ["yeah", "yeah", "yeahs"], + "token_ids": [5, 6, 7], + "origin_rev_ids": [1625540, 1625540, 1625540] + } + }, + { + "id": "yeah_lead_title_survives_infobox_duplicate_removal", + "snapshot_revid": 865416272, + "context": "'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American", + "focus": ["Yeah Yeah Yeahs"], + "expected": { + "values": ["yeah", "yeah", "yeahs"], + "token_ids": [5, 6, 7], + "origin_rev_ids": [1625540, 1625540, 1625540] + } + }, + { + "id": "yeah_lead_title_retains_original_lineage_in_latest_revision", + "snapshot_revid": 1367918295, + "context": "'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American", + "focus": ["Yeah Yeah Yeahs"], + "expected": { + "values": ["yeah", "yeah", "yeahs"], + "token_ids": [5, 6, 7], + "origin_rev_ids": [1625540, 1625540, 1625540] + } + } + ] + }, { "title": "2026 Canvas security incident", "fixture": "fixtures/2026_canvas_security_incident_revisions.json", @@ -293,5 +360,248 @@ } } ] + }, + { + "title": "The Tell-Tale Brain", + "fixture": "fixtures/the_tell-tale_brain_revisions.json", + "history_through_revid": 466775504, + "snapshot_revid": 466775504, + "cases": [ + { + "id": "tell_tale_brain_partial_historical_sentence_restore", + "context": "When VS Ramachandran, one of the", + "focus": ["When VS Ramachandran, one of the"], + "expected": { + "values": ["when", "vs", "ramachandran", ",", "one", "of", "the"], + "origin_rev_ids": [460801847, 460730548, 460730548, 466775504, 460730548, 466775504, 460730548], + "last_rev_ids": [466775504, 466775504, 466775504, 466775504, 466775504, 466775504, 466775504], + "inbound": [[466775504], [466775504], [466775504], [], [466775504], [], [466775504]], + "outbound": [[463754831], [463754831], [463754831], [], [463754831], [], [463754831]] + } + } + ] + }, + { + "title": "Luis Donaldo Colosio Riojas", + "fixture": "fixtures/luis_donaldo_colosio_riojas_revisions.json", + "history_through_revid": 1222367802, + "snapshot_revid": 1222367802, + "cases": [ + { + "id": "colosio_citation_title_move_across_punctuation", + "context": "|title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=", + "focus": ["Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México"], + "expected": { + "values": ["colosio", ",", "vizcaíno", ",", "marina", "y", "cerqueda", ",", "las", "nuevas", "caras", "de", "la", "política", "en", "méxico"], + "origin_rev_ids": [1028074078, 1028074078, 1028074078, 1028074078, 1028074078, 1028074078, 1028074078, 1028074078, 1028074078, 1028074078, 1028074078, 1028074078, 1028074078, 1028074078, 1028074078, 1028074078], + "last_rev_ids": [1222367802, 1222367802, 1222367802, 1222367802, 1222367802, 1222367802, 1222367802, 1222367802, 1222367802, 1222367802, 1222367802, 1222367802, 1222367802, 1222367802, 1222367802, 1222367802] + } + }, + { + "id": "colosio_citation_date_survives_field_reorder", + "context": "{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda", + "focus": ["8 June 2021"], + "expected": { + "values": ["8", "june", "2021"], + "origin_rev_ids": [1028074078, 1028074078, 1028074078], + "last_rev_ids": [1222367802, 1222367802, 1222367802] + } + }, + { + "id": "colosio_second_citation_date_survives_field_reorder", + "context": "|last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado", + "focus": ["23 March 2019"], + "expected": { + "values": ["23", "march", "2019"], + "origin_rev_ids": [1028090673, 1028090673, 1028090673], + "last_rev_ids": [1222367802, 1222367802, 1222367802] + } + } + ] + }, + { + "title": "Luis Donaldo Colosio Riojas", + "fixture": "fixtures/luis_donaldo_colosio_riojas_revisions.json", + "history_through_revid": 1347221443, + "snapshot_revid": 1347221443, + "cases": [ + { + "id": "colosio_term_start_survives_infobox_restructure", + "context": "|term_start2=4 June 2024 |term_end2=22 August 2024", + "focus": ["4 June 2024"], + "expected": { + "values": ["4", "june", "2024"], + "origin_rev_ids": [1227424767, 1227424767, 1227424767], + "last_rev_ids": [1347221443, 1347221443, 1347221443] + } + } + ] + }, + { + "title": "One Thing Leads 2 Another", + "fixture": "fixtures/one_thing_leads_2_another_revisions.json", + "history_through_revid": 1153115618, + "snapshot_revid": 1153115618, + "cases": [ + { + "id": "one_thing_leads_2_another_template_spacing_preserves_field", + "context": "{{single chart|Switzerland|62|artist=Vanessa Amorosi|song=One Thing Leads 2 Another|accessdate", + "focus": ["Switzerland"], + "expected": { + "values": ["switzerland"], + "origin_rev_ids": [925279062], + "last_rev_ids": [1153115618], + "inbound": [[]], + "outbound": [[]] + } + } + ] + }, + { + "title": "Yoshiminosato Station", + "fixture": "fixtures/yoshiminosato_station_revisions.json", + "history_through_revid": 957802210, + "snapshot_revid": 957802210, + "cases": [ + { + "id": "evaluation_yoshiminosato_infobox_url_origin", + "context": "| website = {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}}", + "focus": ["http://www.nankai.co.jp/traffic/station/yoshiminosato"], + "expected": { + "values": ["http", ":", "/", "/", "www", ".", "nankai", ".", "co", ".", "jp", "/", "traffic", "/", "station", "/", "yoshiminosato"], + "origin_rev_ids": [777311072, 777311072, 777311072, 777311072, 777311072, 777311072, 777311072, 777311072, 777311072, 777311072, 777311072, 777311072, 777311072, 777311072, 777311072, 777311072, 777311072] + } + } + ] + }, + { + "title": "天草市立二浦小学校", + "fixture": "fixtures/amakusa_futaura_elementary_school_revisions.json", + "history_through_revid": 106452677, + "snapshot_revid": 106452677, + "cases": [ + { + "id": "evaluation_amakusa_former_school_name_origin", + "context": "早浦亀浦両村組合立 白石小学校", + "context_occurrence": 2, + "focus": [{"text": "浦", "occurrence": 1}, "村"], + "expected": { + "values": ["浦", "村"], + "origin_rev_ids": [106452677, 106452677] + } + } + ] + }, + { + "title": "Jewish Sports Review", + "fixture": "fixtures/jewish_sports_review_revisions.json", + "history_through_revid": 425223184, + "snapshot_revid": 425223184, + "cases": [ + { + "id": "evaluation_jewish_sports_review_publisher_field_origin", + "context": "|title=Jewish sports legends: the International Jewish Hall of Fame |publisher=Books.google.com |date= |accessdate=May 12, 2010}}", + "focus": ["publisher"], + "expected": { + "values": ["publisher"], + "origin_rev_ids": [361653377] + } + }, + { + "id": "evaluation_jewish_sports_review_google_books_host_origin", + "context": "|title=Jewish sports legends: the International Jewish Hall of Fame |publisher=Books.google.com |date= |accessdate=May 12, 2010}}", + "focus": ["Books.google.com"], + "expected": { + "values": ["books", ".", "google", ".", "com"], + "origin_rev_ids": [361653377, 361653377, 361653377, 361653377, 361653377] + } + }, + { + "id": "evaluation_jewish_sports_review_date_fields_origin", + "context": "|title=Jewish sports legends: the International Jewish Hall of Fame |publisher=Books.google.com |date= |accessdate=May 12, 2010}}", + "focus": ["date", "accessdate"], + "expected": { + "values": ["date", "accessdate"], + "origin_rev_ids": [361653377, 361653377] + } + } + ] + }, + { + "title": "Richard Thompson (marine biologist)", + "fixture": "fixtures/richard_thompson_marine_biologist_revisions.json", + "history_through_revid": 954149685, + "snapshot_revid": 954149685, + "cases": [ + { + "id": "evaluation_richard_thompson_moved_award_origin", + "context": "*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]", + "focus": ["Marsh Award for Marine and Freshwater Conservation"], + "expected": { + "values": ["marsh", "award", "for", "marine", "and", "freshwater", "conservation"], + "origin_rev_ids": [933675168, 933675168, 933675168, 933675168, 933675168, 933675168, 933675168] + } + } + ] + }, + { + "title": "Meeting at Night", + "fixture": "fixtures/meeting_at_night_revisions.json", + "history_through_revid": 744563761, + "snapshot_revid": 744563761, + "cases": [ + { + "id": "evaluation_meeting_at_night_rewritten_lead_phrase_origin", + "context": "The original poem appeared in ''[[Dramatic Romances and Lyrics]]'' (1845) in which \"Night\" and \"Morning\" were two sections.", + "focus": ["\"Night\" and \"Morning\""], + "expected": { + "values": ["\"", "night", "\"", "and", "\"", "morning", "\""], + "origin_rev_ids": [575833625, 575833625, 575833625, 575833625, 575833625, 575833625, 575833625] + } + } + ] + }, + { + "title": "Johannes Westö", + "fixture": "fixtures/johannes_westo_revisions.json", + "history_through_revid": 957571858, + "snapshot_revid": 957571858, + "cases": [ + { + "id": "evaluation_johannes_westo_youth_club_origin", + "context": "| youthclubs1 = [[HJK Helsinki|HJK]]", + "focus": [{"text": "HJK", "occurrence": 1}], + "expected": { + "values": ["hjk"], + "origin_rev_ids": [390661514] + } + } + ] + }, + { + "title": "1925 Seanad election", + "fixture": "fixtures/1925_seanad_revisions.json", + "history_through_revid": 507079169, + "snapshot_revid": 507079169, + "cases": [ + { + "id": "evaluation_seanad_by_election_phrase_origin", + "context": "[[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]", + "focus": ["elected at a by-election"], + "expected": { + "values": ["elected", "at", "a", "by", "-", "election"], + "origin_rev_ids": [326650275, 326650275, 326650275, 326650275, 326650275, 326650275] + } + }, + { + "id": "evaluation_seanad_replacement_phrase_origin", + "context": "[[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]", + "focus": ["to replace"], + "expected": { + "values": ["to", "replace"], + "origin_rev_ids": [326650275, 326650275] + } + } + ] } ] diff --git a/tests/fixtures/1925_seanad_revisions.json b/tests/fixtures/1925_seanad_revisions.json new file mode 100644 index 0000000..198c450 --- /dev/null +++ b/tests/fixtures/1925_seanad_revisions.json @@ -0,0 +1,365 @@ +[ + { + "revid": 326404585, + "parentid": 0, + "minor": false, + "user": "Spleodrach", + "userid": 277086, + "timestamp": "2009-11-17T20:29:53Z", + "sha1": "5034890222460860d4b722b0485149e692793904", + "comment": "Article creation", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\n\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of three senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. In 1925, 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1925\n!colspan=3|Elected in 1922\n!colspan=2|Nominated by the [[President of the Executive Council of the Irish Free State|President]]\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedhael]] || 1 || 2 || 5 || 0 || 0 || 0 || 0 || 0 || '''8''' || style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 0 || 3 || 0 || 3 || 0 || 0 || 0 || '''4''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 3 || 0 || 0 || 0 || 0 || 0 || '''1''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 0 || 0 || 1 || 3 || 12 || 1 || 5 || 6 || '''32''' || style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total'''|| '''1''' || '''3''' || '''15''' || '''3''' || '''15''' || '''2''' || '''12''' || '''13''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 3 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1922\n | term = 3 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Richard A. \n | lastname = Butler\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 3 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 3 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Peter\n | lastname = de Loughry\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1922\n | term = 3 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Irwin\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1922\n | term = 3 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 3 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = Clayton Love\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1922\n | term = 3 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edward\n | lastname = MacEvoy\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1922\n | term = 3 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edward\n | lastname = MacLysaght\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 3 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edward\n | lastname = Mansfield\n | articlename = Edward Mansfield (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 3 years\n | filledvacancy = \n | notes = Resigned on on 12 December 1922\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1522&ConstID=215\n|title=Mr. Edward Mansfield\n|work=Oireachtas Members Database \n|accessdate=14 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = George\n | lastname = Nesbitt\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1922\n | term = 3 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = O'Dea\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1922\n | term = 3 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 3 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1922\n | term = 3 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Douglas\n | articlename = James Douglas (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = MacPartlin\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = Died on 20 October 1923\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1506&ConstID=215\n|title=Mr. Thomas MacPartlin\n|work=Oireachtas Members Database \n|accessdate=15 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Sir Nugent Everard, 1st Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Horace\n | lastname = Plunkett\n | articlename = Horace Plunkett\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 28 November 1923\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1636&ConstID=214\n|title=Sir Horace Plunkett\n|work=Oireachtas Members Database \n|accessdate=15 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Sir William Hutcheson\n | lastname = Poë\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 9 December 1924\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2135&ConstID=214\n|title=Sir William Hutcheson Poë\n|work=Oireachtas Members Database \n|accessdate=15 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = George\n | lastname = Sigerson\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 17 February 1925\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1681&ConstID=214\n|title=Dr. George Sigerson\n|work=Oireachtas Members Database \n|accessdate=15 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1923\n | term = Until 1925 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 21 February 1923, replacing [[Edward Mansfield (Irish politician)|Edward Mansfield]]\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1246&ConstID=215\n|title=Mr. William Cummins\n|work=Oireachtas Members Database \n|accessdate=15 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1923\n | term = Until 1925 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 28 November 1923, replacing [[Thomas MacPartlin]]\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1328&ConstID=215\n|title=Mr. Thomas Foran\n|work=Oireachtas Members Database \n|accessdate=15 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1923\n | term = Until 1925 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 12 December 1923, replacing [[Horace Plunkett|Sir Horace Plunkett]]\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215\n|title=Mr. Samuel Lombard Brown\n|work=Oireachtas Members Database \n|accessdate=15 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Douglas\n | lastname = Hyde\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = Until 1925 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 4 February 1925, replacing [[Sir William Hutcheson Poë]]\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1393&ConstID=215\n|title=Dr. Douglas Hyde\n|work=Oireachtas Members Database \n|accessdate=15 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Neill\n | articlename = John O'Neill (Irish politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = Until 1925 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 5 March 1925, replacing [[George Sigerson]]\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1606&ConstID=215\n|title=Mr. John O'Neill\n|work=Oireachtas Members Database \n|accessdate=15 November 2009\n}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n\n{{First Seanad Éireann Changes\n|date = 6\n|month = December\n|year = 1922\n|gain = \n|loss = Independent (politician)\n|note = [[James Campbell, 1st Baron Glenavy|Lord Glenavy]] elected as [[Cathaoirleach]]\n}}\n{{First Seanad Éireann Changes\n|date = 12\n|month = December\n|year = 1922\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Edward Mansfield (Irish politician)|Edward Mansfield]]\n}}\n{{First Seanad Éireann Changes\n|date = 21\n|month = February\n|year = 1923\n|gain = Labour Party (Ireland)\n|loss = \n|note = [[William Cummins (Irish politician)|William Cummins]] elected at a by-election to replace [[Edward Mansfield (Irish politician)|Edward Mansfield]]\n}}\n{{First Seanad Éireann Changes\n|date = 20\n|month = October\n|year = 1923\n|gain = \n|loss = Labour Party (Ireland)\n|note = Death of [[Thomas MacPartlin]]\n}}\n{{First Seanad Éireann Changes\n|date = 28\n|month = November\n|year = 1923\n|gain = Labour Party (Ireland)\n|loss = \n|note = [[Thomas Foran]] elected at a by-election to replace [[Thomas MacPartlin]]\n}}\n{{First Seanad Éireann Changes\n|date = 28\n|month = November\n|year = 1923\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Horace Plunkett|Sir Horace Plunkett]]\n}}\n{{First Seanad Éireann Changes\n|date = 12\n|month = December\n|year = 1923\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Horace Plunkett|Sir Horace Plunkett]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = December\n|year = 1924\n|con = \n|gain = \n|loss = \n|note = Resignation of [[Sir William Hutcheson Poë]]\n}}\n{{First Seanad Éireann Changes\n|date = 4\n|month = February\n|year = 1925\n|gain = Independent (politician)\n|loss = \n|note = [[Douglas Hyde]] elected at a by-election to replace [[Sir William Hutcheson Poë]]\n}}\n{{First Seanad Éireann Changes\n|date = 17\n|month = February\n|year = 1925\n|gain = \n|loss = \n|note = Death of [[George Sigerson]]\n}}\n{{First Seanad Éireann Changes\n|date = 5\n|month = March\n|year = 1925\n|gain = Cumann na nGaedhael\n|loss = \n|note = [[John O'Neill (Irish politician)|John O'Neill]] elected at a by-election to replace [[George Sigerson]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n*{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem\n|title=1925 Seanad \n|work=Oireachtas Members Database\n|accessdate=17 November 2009\n}}\n----\n{{reflist}}\n\n{{Lists of members of Seanad Éireann}}\n\n[ [Category:Members of the 1925 Seanad| ]]\n[ [Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 326593076, + "parentid": 326404585, + "minor": false, + "user": "Spleodrach", + "userid": 277086, + "timestamp": "2009-11-18T19:52:23Z", + "sha1": "725f00484f6ca1b448c06b9b39f686986598ed5d", + "comment": "copyedit", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\n\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of three senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. In 1925, 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1925\n!colspan=3|Elected in 1922\n!colspan=2|Nominated by the [[President of the Executive Council of the Irish Free State|President]]\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedhael]] || 1 || 2 || 5 || 0 || 0 || 0 || 0 || 0 || '''8''' || style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 0 || 3 || 0 || 3 || 0 || 0 || 0 || '''6''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 3 || 0 || 0 || 0 || 0 || 0 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 0 || 0 || 1 || 3 || 11 || 1 || 5 || 6 || '''27''' || style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total'''|| '''1''' || '''3''' || '''15''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = \n | lastname = \n | articlename = \n | party = \n | term = \n | enteredoffice = \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Richard A. \n | lastname = Butler\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 3 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Peter\n | lastname = de Loughry\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1922\n | term = 3 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Irwin\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1922\n | term = 3 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 3 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = Clayton Love\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1922\n | term = 3 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edward\n | lastname = MacEvoy\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1922\n | term = 3 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edward\n | lastname = MacLysaght\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 3 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = George\n | lastname = Nesbitt\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1922\n | term = 3 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = O'Dea\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1922\n | term = 3 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 3 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1922\n | term = 3 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Douglas\n | articlename = James Douglas (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Sir Nugent Everard, 1st Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1923\n | term = Until 1925 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 12 December 1923, replacing [[Horace Plunkett|Sir Horace Plunkett]]\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215\n|title=Mr. Samuel Lombard Brown\n|work=Oireachtas Members Database \n|accessdate=15 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Douglas\n | lastname = Hyde\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = Until 1925 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 4 February 1925, replacing [[Sir William Hutcheson Poë]]\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1393&ConstID=215\n|title=Dr. Douglas Hyde\n|work=Oireachtas Members Database \n|accessdate=15 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Neill\n | articlename = John O'Neill (Irish politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = Until 1925 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 5 March 1925, replacing [[George Sigerson]]\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1606&ConstID=215\n|title=Mr. John O'Neill\n|work=Oireachtas Members Database \n|accessdate=15 November 2009\n}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n\n{{First Seanad Éireann Changes\n|date = 21\n|month = February\n|year = 1923\n|gain = Labour Party (Ireland)\n|loss = \n|note = [[William Cummins (Irish politician)|William Cummins]] elected at a by-election to replace [[Edward Mansfield (Irish politician)|Edward Mansfield]]\n}}\n{{First Seanad Éireann Changes\n|date = 20\n|month = October\n|year = 1923\n|gain = \n|loss = Labour Party (Ireland)\n|note = Death of [[Thomas MacPartlin]]\n}}\n{{First Seanad Éireann Changes\n|date = 28\n|month = November\n|year = 1923\n|gain = Labour Party (Ireland)\n|loss = \n|note = [[Thomas Foran]] elected at a by-election to replace [[Thomas MacPartlin]]\n}}\n{{First Seanad Éireann Changes\n|date = 28\n|month = November\n|year = 1923\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Horace Plunkett|Sir Horace Plunkett]]\n}}\n{{First Seanad Éireann Changes\n|date = 12\n|month = December\n|year = 1923\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Horace Plunkett|Sir Horace Plunkett]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = December\n|year = 1924\n|con = \n|gain = \n|loss = \n|note = Resignation of [[Sir William Hutcheson Poë]]\n}}\n{{First Seanad Éireann Changes\n|date = 4\n|month = February\n|year = 1925\n|gain = Independent (politician)\n|loss = \n|note = [[Douglas Hyde]] elected at a by-election to replace [[Sir William Hutcheson Poë]]\n}}\n{{First Seanad Éireann Changes\n|date = 17\n|month = February\n|year = 1925\n|gain = \n|loss = \n|note = Death of [[George Sigerson]]\n}}\n{{First Seanad Éireann Changes\n|date = 5\n|month = March\n|year = 1925\n|gain = Cumann na nGaedhael\n|loss = \n|note = [[John O'Neill (Irish politician)|John O'Neill]] elected at a by-election to replace [[George Sigerson]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n*{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem\n|title=1925 Seanad \n|work=Oireachtas Members Database\n|accessdate=17 November 2009\n}}\n----\n{{reflist}}\n\n{{Lists of members of Seanad Éireann}}\n\n[ [Category:Members of the 1925 Seanad| ]]\n[ [Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 326650275, + "parentid": 326593076, + "minor": false, + "user": "Spleodrach", + "userid": 277086, + "timestamp": "2009-11-19T01:30:00Z", + "sha1": "fa31303a47da86f70ae528712bf7a1095ba08a81", + "comment": "copyedit", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\n\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of three senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. In 1925, 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedhael]] || 0 || 0 || 0 || 0 || 0 || 1 || 2 || 5 || '''8''' || style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 3 || 0 || 0 || 0 || 0 || 0 || 3 || '''6''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 11 || 1 || 5 || 6 || 0 || 0 || 1 || '''27''' || style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Douglas\n | articlename = James Douglas (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215\n|title= Mr. Martin Fitzgerald \n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Sir Nugent Everard, 1st Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214\n|title=Earl of Mayo\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214\n|title=Earl of Dunraven\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215\n|title=Mr. Stephen O'Mara\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215\n|title=Mr. Samuel Lombard Brown\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215\n|title=Mr. Patrick J. Brady\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215\n|title=Mr. Patrick Hooper\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215\n|title=Sir Walter Nugent, Bart.\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedhael\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = \n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = \n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n*{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem\n|title=1925 Seanad \n|work=Oireachtas Members Database\n|accessdate=17 November 2009\n}}\n----\n{{reflist}}\n\n{{Lists of members of Seanad Éireann}}\n\n[ [Category:Members of the 1925 Seanad| ]]\n[ [Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 326650404, + "parentid": 326650275, + "minor": true, + "user": "Spleodrach", + "userid": 277086, + "timestamp": "2009-11-19T01:30:45Z", + "sha1": "fa31303a47da86f70ae528712bf7a1095ba08a81", + "comment": "moved [[User:Snappy/Members of the 1925 Seanad]] to [[Members of the 1925 Seanad]]: move to main space", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\n\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of three senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. In 1925, 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedhael]] || 0 || 0 || 0 || 0 || 0 || 1 || 2 || 5 || '''8''' || style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 3 || 0 || 0 || 0 || 0 || 0 || 3 || '''6''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 11 || 1 || 5 || 6 || 0 || 0 || 1 || '''27''' || style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Douglas\n | articlename = James Douglas (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215\n|title= Mr. Martin Fitzgerald \n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Sir Nugent Everard, 1st Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214\n|title=Earl of Mayo\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214\n|title=Earl of Dunraven\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215\n|title=Mr. Stephen O'Mara\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215\n|title=Mr. Samuel Lombard Brown\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215\n|title=Mr. Patrick J. Brady\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215\n|title=Mr. Patrick Hooper\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215\n|title=Sir Walter Nugent, Bart.\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedhael\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = \n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = \n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n*{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem\n|title=1925 Seanad \n|work=Oireachtas Members Database\n|accessdate=17 November 2009\n}}\n----\n{{reflist}}\n\n{{Lists of members of Seanad Éireann}}\n\n[ [Category:Members of the 1925 Seanad| ]]\n[ [Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 326650481, + "parentid": 326650404, + "minor": false, + "user": "Spleodrach", + "userid": 277086, + "timestamp": "2009-11-19T01:31:11Z", + "sha1": "e92e59b24daae568c797d60f3acc054e692e4985", + "comment": "/* References */ cats", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\n\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of three senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. In 1925, 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedhael]] || 0 || 0 || 0 || 0 || 0 || 1 || 2 || 5 || '''8''' || style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 3 || 0 || 0 || 0 || 0 || 0 || 3 || '''6''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 11 || 1 || 5 || 6 || 0 || 0 || 1 || '''27''' || style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Douglas\n | articlename = James Douglas (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215\n|title= Mr. Martin Fitzgerald \n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Sir Nugent Everard, 1st Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214\n|title=Earl of Mayo\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214\n|title=Earl of Dunraven\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215\n|title=Mr. Stephen O'Mara\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215\n|title=Mr. Samuel Lombard Brown\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215\n|title=Mr. Patrick J. Brady\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215\n|title=Mr. Patrick Hooper\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215\n|title=Sir Walter Nugent, Bart.\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedhael\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = \n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = \n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n*{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem\n|title=1925 Seanad \n|work=Oireachtas Members Database\n|accessdate=17 November 2009\n}}\n----\n{{reflist}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 326776629, + "parentid": 326650481, + "minor": false, + "user": "Spleodrach", + "userid": 277086, + "timestamp": "2009-11-19T18:54:29Z", + "sha1": "a025d67b0ca435ae5f5a22974444a3d3d1af1dfd", + "comment": "+ James Dillon", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\n\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of three senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. In 1925, 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedhael]] || 0 || 0 || 0 || 0 || 0 || 1 || 2 || 5 || '''8''' || style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 3 || 0 || 0 || 0 || 0 || 0 || 3 || '''6''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 11 || 1 || 5 || 6 || 0 || 0 || 1 || '''27''' || style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Douglas\n | articlename = James Douglas (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215\n|title= Mr. Martin Fitzgerald \n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Sir Nugent Everard, 1st Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214\n|title=Earl of Mayo\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214\n|title=Earl of Dunraven\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Dillon\n | articlename = James Dillon (Irish senator)\n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215\n|title=Mr. Stephen O'Mara\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215\n|title=Mr. Samuel Lombard Brown\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215\n|title=Mr. Patrick J. Brady\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215\n|title=Mr. Patrick Hooper\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215\n|title=Sir Walter Nugent, Bart.\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedhael\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = \n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = \n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n*{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem\n|title=1925 Seanad \n|work=Oireachtas Members Database\n|accessdate=17 November 2009\n}}\n----\n{{reflist}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 326777556, + "parentid": 326776629, + "minor": false, + "user": "Spleodrach", + "userid": 277086, + "timestamp": "2009-11-19T18:59:25Z", + "sha1": "ac5cace3ecb45462f7fd8f48ae308fb35fc5a081", + "comment": "/* Composition of the 1925 Seanad */ figures", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\n\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of three senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. In 1925, 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedhael]] || 0 || 0 || 0 || 0 || 0 || 1 || 2 || 5 || '''8''' || style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 2 || 0 || 0 || 0 || 0 || 0 || 3 || '''6''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 12 || 1 || 5 || 6 || 0 || 0 || 1 || '''27''' || style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Douglas\n | articlename = James Douglas (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215\n|title= Mr. Martin Fitzgerald \n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Sir Nugent Everard, 1st Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214\n|title=Earl of Mayo\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214\n|title=Earl of Dunraven\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Dillon\n | articlename = James Dillon (Irish senator)\n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215\n|title=Mr. Stephen O'Mara\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215\n|title=Mr. Samuel Lombard Brown\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215\n|title=Mr. Patrick J. Brady\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215\n|title=Mr. Patrick Hooper\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215\n|title=Sir Walter Nugent, Bart.\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedhael\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = \n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = \n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n*{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem\n|title=1925 Seanad \n|work=Oireachtas Members Database\n|accessdate=17 November 2009\n}}\n----\n{{reflist}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 327177654, + "parentid": 326777556, + "minor": false, + "user": "Spleodrach", + "userid": 277086, + "timestamp": "2009-11-21T21:48:44Z", + "sha1": "8a3d11e5e6a868a90a7699cfc2b37d5cef4ad2b6", + "comment": "copyedit", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\n\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of five senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedhael]] || 0 || 0 || 0 || 0 || 0 || 1 || 2 || 5 || '''8''' || style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 2 || 0 || 0 || 0 || 0 || 0 || 3 || '''6''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 12 || 1 || 5 || 6 || 0 || 0 || 1 || '''27''' || style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Douglas\n | articlename = James Douglas (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215\n|title= Mr. Martin Fitzgerald \n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Sir Nugent Everard, 1st Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214\n|title=Earl of Mayo\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214\n|title=Earl of Dunraven\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Dillon\n | articlename = James Dillon (Irish senator)\n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215\n|title=Mr. Stephen O'Mara\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215\n|title=Mr. Samuel Lombard Brown\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215\n|title=Mr. Patrick J. Brady\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215\n|title=Mr. Patrick Hooper\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215\n|title=Sir Walter Nugent, Bart.\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedhael\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = \n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = \n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n*{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem\n|title=1925 Seanad \n|work=Oireachtas Members Database\n|accessdate=17 November 2009\n}}\n----\n{{reflist}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 327348587, + "parentid": 327177654, + "minor": true, + "user": "Spleodrach", + "userid": 277086, + "timestamp": "2009-11-22T21:06:01Z", + "sha1": "32eedcc2c9b61d1e289a865b7a37ef1eee3c2a67", + "comment": "copyedit", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\n\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of five senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedhael]] || 0 || 0 || 0 || 0 || 0 || 1 || 2 || 5 || '''8''' || style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 2 || 0 || 0 || 0 || 0 || 0 || 3 || '''6''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 12 || 1 || 5 || 6 || 0 || 0 || 1 || '''27''' || style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Douglas\n | articlename = James Douglas (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215\n|title= Mr. Martin Fitzgerald \n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Sir Nugent Everard, 1st Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214\n|title=Earl of Mayo\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214\n|title=Earl of Dunraven\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Dillon\n | articlename = James Dillon (Irish senator)\n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215\n|title=Mr. Stephen O'Mara\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215\n|title=Mr. Samuel Lombard Brown\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215\n|title=Mr. Patrick J. Brady\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215\n|title=Mr. Patrick Hooper\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215\n|title=Sir Walter Nugent, Bart.\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedhael\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = \n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = \n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n*{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem\n|title=1925 Seanad \n|work=Oireachtas Members Database\n|accessdate=17 November 2009\n}}\n----\n{{reflist}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 327787049, + "parentid": 327348587, + "minor": true, + "user": "Cathar11", + "userid": 10231760, + "timestamp": "2009-11-25T02:19:39Z", + "sha1": "34b76b0e494b19e01f2fac349cc2243075a34f90", + "comment": "/* List of senators */ Bernard", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\n\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of five senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedhael]] || 0 || 0 || 0 || 0 || 0 || 1 || 2 || 5 || '''8''' || style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 2 || 0 || 0 || 0 || 0 || 0 || 3 || '''6''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 12 || 1 || 5 || 6 || 0 || 0 || 1 || '''27''' || style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Douglas\n | articlename = James Douglas (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = O'Rourke\n | articlename = Bernard O'Rourke (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215\n|title= Mr. Martin Fitzgerald \n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Sir Nugent Everard, 1st Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214\n|title=Earl of Mayo\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214\n|title=Earl of Dunraven\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Dillon\n | articlename = James Dillon (Irish senator)\n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215\n|title=Mr. Stephen O'Mara\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215\n|title=Mr. Samuel Lombard Brown\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215\n|title=Mr. Patrick J. Brady\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215\n|title=Mr. Patrick Hooper\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215\n|title=Sir Walter Nugent, Bart.\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedhael\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = \n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = \n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n*{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem\n|title=1925 Seanad \n|work=Oireachtas Members Database\n|accessdate=17 November 2009\n}}\n----\n{{reflist}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 327846321, + "parentid": 327787049, + "minor": false, + "user": "Spleodrach", + "userid": 277086, + "timestamp": "2009-11-25T11:25:00Z", + "sha1": "32eedcc2c9b61d1e289a865b7a37ef1eee3c2a67", + "comment": "Reverted to revision 327348587 by [[Special:Contributions/Snappy|Snappy]]; Oireachtas db says Brian. ([[WP:TW|TW]])", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\n\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of five senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedhael]] || 0 || 0 || 0 || 0 || 0 || 1 || 2 || 5 || '''8''' || style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 2 || 0 || 0 || 0 || 0 || 0 || 3 || '''6''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 12 || 1 || 5 || 6 || 0 || 0 || 1 || '''27''' || style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Douglas\n | articlename = James Douglas (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215\n|title= Mr. Martin Fitzgerald \n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Sir Nugent Everard, 1st Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214\n|title=Earl of Mayo\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214\n|title=Earl of Dunraven\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Dillon\n | articlename = James Dillon (Irish senator)\n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215\n|title=Mr. Stephen O'Mara\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215\n|title=Mr. Samuel Lombard Brown\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215\n|title=Mr. Patrick J. Brady\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215\n|title=Mr. Patrick Hooper\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215\n|title=Sir Walter Nugent, Bart.\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedhael\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = \n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = \n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n*{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem\n|title=1925 Seanad \n|work=Oireachtas Members Database\n|accessdate=17 November 2009\n}}\n----\n{{reflist}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 330576402, + "parentid": 327846321, + "minor": true, + "user": "Phoe", + "userid": 1507770, + "timestamp": "2009-12-09T01:05:38Z", + "sha1": "465aa345f7069d3efaff57a46532a4632e8bcc3a", + "comment": "Disambiguate [[William Barrington]] to [[William Barrington (Irish politician)]] using [[:en:Wikipedia:Tools/Navigation_popups|popups]]", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\n\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of five senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedhael]] || 0 || 0 || 0 || 0 || 0 || 1 || 2 || 5 || '''8''' || style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 2 || 0 || 0 || 0 || 0 || 0 || 3 || '''6''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 12 || 1 || 5 || 6 || 0 || 0 || 1 || '''27''' || style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = William Barrington (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Douglas\n | articlename = James Douglas (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215\n|title= Mr. Martin Fitzgerald \n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Sir Nugent Everard, 1st Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214\n|title=Earl of Mayo\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214\n|title=Earl of Dunraven\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Dillon\n | articlename = James Dillon (Irish senator)\n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215\n|title=Mr. Stephen O'Mara\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215\n|title=Mr. Samuel Lombard Brown\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215\n|title=Mr. Patrick J. Brady\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215\n|title=Mr. Patrick Hooper\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215\n|title=Sir Walter Nugent, Bart.\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedhael\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = \n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = \n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n*{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem\n|title=1925 Seanad \n|work=Oireachtas Members Database\n|accessdate=17 November 2009\n}}\n----\n{{reflist}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 352352310, + "parentid": 330576402, + "minor": false, + "user": "Spleodrach", + "userid": 277086, + "timestamp": "2010-03-27T16:02:08Z", + "sha1": "09391e9c46993a10340f337fdf26ea16a474d677", + "comment": "copyedit", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\n\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of five senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedhael]] || 0 || 0 || 0 || 0 || 0 || 1 || 2 || 5 || '''8''' || style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 2 || 0 || 0 || 0 || 0 || 0 || 3 || '''6''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 12 || 1 || 5 || 6 || 0 || 0 || 1 || '''27''' || style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = William Barrington (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Douglas\n | articlename = James Douglas (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215\n|title= Mr. Martin Fitzgerald \n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Sir Nugent Everard, 1st Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214\n|title=Earl of Mayo\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214\n|title=Earl of Dunraven\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Dillon\n | articlename = James Dillon (Irish senator)\n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215\n|title=Mr. Stephen O'Mara\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215\n|title=Mr. Samuel Lombard Brown\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215\n|title=Mr. Patrick J. Brady\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215\n|title=Mr. Patrick Hooper\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215\n|title=Sir Walter Nugent, Bart.\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedhael\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = \n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = \n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n{{reflist}}\n\n==External links==\n*{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem\n|title=1925 Seanad \n|work=Oireachtas Members Database\n|accessdate=17 November 2009\n}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 365225127, + "parentid": 352352310, + "minor": false, + "user": "RashersTierney", + "userid": 5119202, + "timestamp": "2010-05-31T14:34:26Z", + "sha1": "5d35fb0da84436fadd924a250c2cb36ca2880896", + "comment": "/* List of senators */ link douglas", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\n\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of five senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedhael]] || 0 || 0 || 0 || 0 || 0 || 1 || 2 || 5 || '''8''' || style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 2 || 0 || 0 || 0 || 0 || 0 || 3 || '''6''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 12 || 1 || 5 || 6 || 0 || 0 || 1 || '''27''' || style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = William Barrington (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Douglas\n | articlename = James G. Douglas (Irish Senator)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215\n|title= Mr. Martin Fitzgerald \n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Sir Nugent Everard, 1st Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214\n|title=Earl of Mayo\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214\n|title=Earl of Dunraven\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Dillon\n | articlename = James Dillon (Irish senator)\n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215\n|title=Mr. Stephen O'Mara\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215\n|title=Mr. Samuel Lombard Brown\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215\n|title=Mr. Patrick J. Brady\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215\n|title=Mr. Patrick Hooper\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215\n|title=Sir Walter Nugent, Bart.\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedhael\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = \n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = \n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n{{reflist}}\n\n==External links==\n*{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem\n|title=1925 Seanad \n|work=Oireachtas Members Database\n|accessdate=17 November 2009\n}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 365254713, + "parentid": 365225127, + "minor": false, + "user": "Spleodrach", + "userid": 277086, + "timestamp": "2010-05-31T17:42:17Z", + "sha1": "4f069877ea1324807af31cd22031027864e9b643", + "comment": "bypass redirect", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\n\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of five senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedhael]] || 0 || 0 || 0 || 0 || 0 || 1 || 2 || 5 || '''8''' || style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 2 || 0 || 0 || 0 || 0 || 0 || 3 || '''6''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 12 || 1 || 5 || 6 || 0 || 0 || 1 || '''27''' || style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = William Barrington (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Douglas\n | articlename = James G. Douglas (Irish senator)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215\n|title= Mr. Martin Fitzgerald \n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Sir Nugent Everard, 1st Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214\n|title=Earl of Mayo\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214\n|title=Earl of Dunraven\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Dillon\n | articlename = James Dillon (Irish senator)\n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215\n|title=Mr. Stephen O'Mara\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215\n|title=Mr. Samuel Lombard Brown\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215\n|title=Mr. Patrick J. Brady\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215\n|title=Mr. Patrick Hooper\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215\n|title=Sir Walter Nugent, Bart.\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedhael\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = \n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = \n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n{{reflist}}\n\n==External links==\n*{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem\n|title=1925 Seanad \n|work=Oireachtas Members Database\n|accessdate=17 November 2009\n}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 367824584, + "parentid": 365254713, + "minor": false, + "user": "Spleodrach", + "userid": 277086, + "timestamp": "2010-06-13T19:54:04Z", + "sha1": "10d8ab989103ca28dfe86e4335bc6292221e225d", + "comment": "/* List of senators */ bypass direct", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\n\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of five senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedhael]] || 0 || 0 || 0 || 0 || 0 || 1 || 2 || 5 || '''8''' || style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 2 || 0 || 0 || 0 || 0 || 0 || 3 || '''6''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 12 || 1 || 5 || 6 || 0 || 0 || 1 || '''27''' || style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = William Barrington (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Douglas\n | articlename = James G. Douglas (Irish senator)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215\n|title= Mr. Martin Fitzgerald \n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Nugent Everard\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214\n|title=Earl of Mayo\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214\n|title=Earl of Dunraven\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Dillon\n | articlename = James Dillon (Irish senator)\n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215\n|title=Mr. Stephen O'Mara\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215\n|title=Mr. Samuel Lombard Brown\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215\n|title=Mr. Patrick J. Brady\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215\n|title=Mr. Patrick Hooper\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215\n|title=Sir Walter Nugent, Bart.\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedhael\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = \n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = \n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n{{reflist}}\n\n==External links==\n*{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem\n|title=1925 Seanad \n|work=Oireachtas Members Database\n|accessdate=17 November 2009\n}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 369445724, + "parentid": 367824584, + "minor": false, + "user": "Spleodrach", + "userid": 277086, + "timestamp": "2010-06-21T22:33:27Z", + "sha1": "96654ec1a3f2205287e6056358d84a1fffb0a161", + "comment": "Edward Coey Bigger - Ind", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\n\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of five senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedhael]] || 0 || 0 || 0 || 0 || 0 || 1 || 2 || 5 || '''8''' || style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 2 || 0 || 0 || 0 || 0 || 0 || 3 || '''5''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 12 || 1 || 5 || 6 || 0 || 1 || 1 || '''29''' || style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = William Barrington (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Douglas\n | articlename = James G. Douglas (Irish senator)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215\n|title= Mr. Martin Fitzgerald \n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Nugent Everard\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214\n|title=Earl of Mayo\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214\n|title=Earl of Dunraven\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Dillon\n | articlename = James Dillon (Irish senator)\n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215\n|title=Mr. Stephen O'Mara\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215\n|title=Mr. Samuel Lombard Brown\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215\n|title=Mr. Patrick J. Brady\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215\n|title=Mr. Patrick Hooper\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215\n|title=Sir Walter Nugent, Bart.\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedhael\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = \n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = \n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n{{reflist}}\n\n==External links==\n*{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem\n|title=1925 Seanad \n|work=Oireachtas Members Database\n|accessdate=17 November 2009\n}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 369449846, + "parentid": 369445724, + "minor": false, + "user": "Spleodrach", + "userid": 277086, + "timestamp": "2010-06-21T22:58:28Z", + "sha1": "1d60fc417a31de312a55f4a03b4396c431091179", + "comment": "Andrew Jameson - Ind", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\n\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of five senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedhael]] || 0 || 0 || 0 || 0 || 0 || 1 || 2 || 5 || '''8''' || style=\"background-color: {{Cumann na nGaedhael/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 2 || 0 || 0 || 0 || 0 || 0 || 3 || '''5''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 12 || 1 || 5 || 6 || 0 || 1 || 1 || '''29''' || style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = William Barrington (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Douglas\n | articlename = James G. Douglas (Irish senator)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215\n|title= Mr. Martin Fitzgerald \n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Nugent Everard\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214\n|title=Earl of Mayo\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214\n|title=Earl of Dunraven\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Dillon\n | articlename = James Dillon (Irish senator)\n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215\n|title=Mr. Stephen O'Mara\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedhael\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215\n|title=Mr. Samuel Lombard Brown\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215\n|title=Mr. Patrick J. Brady\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215\n|title=Mr. Patrick Hooper\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215\n|title=Sir Walter Nugent, Bart.\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedhael\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = \n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = \n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n{{reflist}}\n\n==External links==\n*{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem\n|title=1925 Seanad \n|work=Oireachtas Members Database\n|accessdate=17 November 2009\n}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 387396807, + "parentid": 369449846, + "minor": false, + "user": "Spleodrach", + "userid": 277086, + "timestamp": "2010-09-27T21:05:45Z", + "sha1": "7167f95c9de6f28d7e27da72d49222cdf7892523", + "comment": "bypass redirects", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\n\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of five senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedheal]] || 0 || 0 || 0 || 0 || 0 || 1 || 2 || 5 || '''8''' || style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 2 || 0 || 0 || 0 || 0 || 0 || 3 || '''5''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 12 || 1 || 5 || 6 || 0 || 1 || 1 || '''29''' || style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = William Barrington (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Douglas\n | articlename = James G. Douglas (Irish senator)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215\n|title= Mr. Martin Fitzgerald \n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Nugent Everard\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214\n|title=Earl of Mayo\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214\n|title=Earl of Dunraven\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Dillon\n | articlename = James Dillon (Irish senator)\n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215\n|title=Mr. Stephen O'Mara\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215\n|title=Mr. Samuel Lombard Brown\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215\n|title=Mr. Patrick J. Brady\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215\n|title=Mr. Patrick Hooper\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215\n|title=Sir Walter Nugent, Bart.\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedheal\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = \n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = \n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n{{reflist}}\n\n==External links==\n*{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem\n|title=1925 Seanad \n|work=Oireachtas Members Database\n|accessdate=17 November 2009\n}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 407525381, + "parentid": 387396807, + "minor": false, + "user": "Spleodrach", + "userid": 277086, + "timestamp": "2011-01-12T19:59:28Z", + "sha1": "2812a2c0df70e06266f8ee9019d50c88c0ac1a33", + "comment": "/* List of senators */ Stephen O'Mara (senator)", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\n\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of five senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedheal]] || 0 || 0 || 0 || 0 || 0 || 1 || 2 || 5 || '''8''' || style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 2 || 0 || 0 || 0 || 0 || 0 || 3 || '''5''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 12 || 1 || 5 || 6 || 0 || 1 || 1 || '''29''' || style=\"background-color: {{Independent politician (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = William Barrington (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Douglas\n | articlename = James G. Douglas (Irish senator)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215\n|title= Mr. Martin Fitzgerald \n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Nugent Everard\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214\n|title=Earl of Mayo\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214\n|title=Earl of Dunraven\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Dillon\n | articlename = James Dillon (Irish senator)\n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = Stephen O'Mara (senator)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215\n|title=Mr. Stephen O'Mara\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215\n|title=Mr. Samuel Lombard Brown\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215\n|title=Mr. Patrick J. Brady\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215\n|title=Mr. Patrick Hooper\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215\n|title=Sir Walter Nugent, Bart.\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedheal\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = \n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = \n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n{{reflist}}\n\n==External links==\n*{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem\n|title=1925 Seanad \n|work=Oireachtas Members Database\n|accessdate=17 November 2009\n}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 469397253, + "parentid": 407525381, + "minor": false, + "user": "Spleodrach", + "userid": 277086, + "timestamp": "2012-01-03T21:30:13Z", + "sha1": "5854e5d2190aaf875c5c0fd8359e5b50cce5a84e", + "comment": "copyedit", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of five senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedheal]] || 0 || 0 || 0 || 0 || 0 || 1 || 2 || 5 || '''8''' || style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 2 || 0 || 0 || 0 || 0 || 0 || 3 || '''5''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent (politician)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 12 || 1 || 5 || 6 || 0 || 1 || 1 || '''29''' || style=\"background-color: {{Independent (politician)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = William Barrington (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Douglas\n | articlename = James G. Douglas (Irish senator)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215\n|title= Mr. Martin Fitzgerald \n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Nugent Everard\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214\n|title=Earl of Mayo\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214\n|title=Earl of Dunraven\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Dillon\n | articlename = James Dillon (Irish senator)\n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = Stephen O'Mara (senator)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215\n|title=Mr. Stephen O'Mara\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n{{cite web \n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215\n|title=Mr. Samuel Lombard Brown\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215\n|title=Mr. Patrick J. Brady\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215\n|title=Mr. Patrick Hooper\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215\n|title=Sir Walter Nugent, Bart.\n|work=Oireachtas Members Database \n|accessdate=19 November 2009\n}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedheal\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = \n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = \n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n{{reflist}}\n\n==External links==\n*{{cite web\n|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem\n|title=1925 Seanad \n|work=Oireachtas Members Database\n|accessdate=17 November 2009\n}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 479850411, + "parentid": 469397253, + "minor": false, + "user": "Spleodrach", + "userid": 277086, + "timestamp": "2012-03-02T18:00:09Z", + "sha1": "501898827b6fd36d3befcaceda18ada7c85ec7dd", + "comment": "Michael Fanning (politician)", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of five senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedheal]] || 0 || 0 || 0 || 0 || 0 || 1 || 2 || 5 || '''8''' || style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 2 || 0 || 0 || 0 || 0 || 0 || 3 || '''5''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent (politician)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 12 || 1 || 5 || 6 || 0 || 1 || 1 || '''29''' || style=\"background-color: {{Independent (politician)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = William Barrington (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Douglas\n | articlename = James G. Douglas (Irish senator)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215|title= Mr. Martin Fitzgerald|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Nugent Everard\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214|title=Earl of Mayo|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214|title=Earl of Dunraven|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Dillon\n | articlename = James Dillon (Irish senator)\n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = Michael Fanning (politician)\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = Stephen O'Mara (senator)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215|title=Mr. Stephen O'Mara|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215|title=Mr. Samuel Lombard Brown|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215|title=Mr. Patrick J. Brady|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215|title=Mr. Patrick Hooper|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215|title=Sir Walter Nugent, Bart.|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedheal\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = \n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = \n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n{{Reflist}}\n\n==External links==\n*{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem|title=1925 Seanad|work=Oireachtas Members Database|accessdate=17 November 2009}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 495667500, + "parentid": 479850411, + "minor": false, + "user": "Spleodrach", + "userid": 277086, + "timestamp": "2012-06-02T20:05:43Z", + "sha1": "54d6a9c7df0a76669fe2c2bfb8a60faa0c21a808", + "comment": "bypass redirect", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of five senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedheal]] || 0 || 0 || 0 || 0 || 0 || 1 || 2 || 5 || '''8''' || style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 2 || 0 || 0 || 0 || 0 || 0 || 3 || '''5''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent (politician)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 12 || 1 || 5 || 6 || 0 || 1 || 1 || '''29''' || style=\"background-color: {{Independent (politician)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = William Barrington (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Douglas\n | articlename = James G. Douglas (Irish senator)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215|title= Mr. Martin Fitzgerald|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Sir Nugent Everard, 1st Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214|title=Earl of Mayo|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214|title=Earl of Dunraven|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Dillon\n | articlename = James Dillon (Irish senator)\n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = Michael Fanning (politician)\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = Stephen O'Mara (senator)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215|title=Mr. Stephen O'Mara|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215|title=Mr. Samuel Lombard Brown|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215|title=Mr. Patrick J. Brady|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215|title=Mr. Patrick Hooper|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215|title=Sir Walter Nugent, Bart.|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedheal\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = \n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = \n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n{{Reflist}}\n\n==External links==\n*{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem|title=1925 Seanad|work=Oireachtas Members Database|accessdate=17 November 2009}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 501420679, + "parentid": 495667500, + "minor": false, + "user": "Spleodrach", + "userid": 277086, + "timestamp": "2012-07-09T16:38:09Z", + "sha1": "d90bf8951e494e56211a3e501bf212faac6f519d", + "comment": "copyedit", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of five senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedheal]] || 0 || 0 || 0 || 0 || 0 || 1 || 2 || 5 || '''8''' || style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 2 || 0 || 0 || 0 || 0 || 0 || 3 || '''5''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent (politician)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 12 || 1 || 5 || 6 || 0 || 1 || 1 || '''29''' || style=\"background-color: {{Independent (politician)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = William Barrington (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James G.\n | lastname = Douglas\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215|title= Mr. Martin Fitzgerald|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Sir Nugent Everard, 1st Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214|title=Earl of Mayo|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214|title=Earl of Dunraven|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Dillon\n | articlename = James Dillon (Irish senator)\n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = Michael Fanning (politician)\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = Stephen O'Mara (senator)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215|title=Mr. Stephen O'Mara|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215|title=Mr. Samuel Lombard Brown|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215|title=Mr. Patrick J. Brady|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215|title=Mr. Patrick Hooper|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215|title=Sir Walter Nugent, Bart.|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedheal\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = \n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = \n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n{{Reflist}}\n\n==External links==\n*{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem|title=1925 Seanad|work=Oireachtas Members Database|accessdate=17 November 2009}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 506919879, + "parentid": 501420679, + "minor": false, + "user": "Spleodrach", + "userid": 277086, + "timestamp": "2012-08-11T18:21:20Z", + "sha1": "08c46dd411bba8f821afe76678ee06e5c5a34a6d", + "comment": "updated", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of five senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedheal]] || 0 || 0 || 0 || 1 || 0 || 1 || 2 || 5 || '''9''' || style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 2 || 0 || 0 || 0 || 0 || 0 || 3 || '''5''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent (politician)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 12 || 1 || 6 || 6 || 0 || 1 || 1 || '''30''' || style=\"background-color: {{Independent (politician)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = William Barrington (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James G.\n | lastname = Douglas\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215|title= Mr. Martin Fitzgerald|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Sir Nugent Everard, 1st Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214|title=Earl of Mayo|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214|title=Earl of Dunraven|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Dillon\n | articlename = James Dillon (Irish senator)\n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = Michael Fanning (politician)\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = Stephen O'Mara (senator)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215|title=Mr. Stephen O'Mara|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215|title=Mr. Samuel Lombard Brown|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215|title=Mr. Patrick J. Brady|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215|title=Mr. Patrick Hooper|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Independent (politician)\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215|title=Sir Walter Nugent, Bart.|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedheal\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = Independent (politician)\n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = Independent (politician)\n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n{{Reflist}}\n\n==External links==\n*{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem|title=1925 Seanad|work=Oireachtas Members Database|accessdate=17 November 2009}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 506924800, + "parentid": 506919879, + "minor": false, + "user": "Spleodrach", + "userid": 277086, + "timestamp": "2012-08-11T18:57:53Z", + "sha1": "9053fb4524cf60c68f4bd5b3f4fc10daac3398f3", + "comment": "updated", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of five senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedheal]] || 0 || 0 || 0 || 1 || 0 || 1 || 2 || 5 || '''9''' || style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 2 || 0 || 0 || 0 || 0 || 0 || 3 || '''5''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent (politician)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 12 || 1 || 6 || 6 || 0 || 1 || 1 || '''30''' || style=\"background-color: {{Independent (politician)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = William Barrington (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James G.\n | lastname = Douglas\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215|title= Mr. Martin Fitzgerald|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Sir Nugent Everard, 1st Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214|title=Earl of Mayo|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214|title=Earl of Dunraven|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Dillon\n | articlename = James Dillon (Irish senator)\n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = Michael Fanning (politician)\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = Stephen O'Mara (senator)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215|title=Mr. Stephen O'Mara|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215|title=Mr. Samuel Lombard Brown|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215|title=Mr. Patrick J. Brady|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215|title=Mr. Patrick Hooper|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Independent (politician)\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215|title=Sir Walter Nugent, Bart.|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedheal\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = Independent (politician)\n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = Independent (politician)\n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n{{Reflist}}\n\n==External links==\n*{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem|title=1925 Seanad|work=Oireachtas Members Database|accessdate=17 November 2009}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 506951551, + "parentid": 506924800, + "minor": false, + "user": "Spleodrach", + "userid": 277086, + "timestamp": "2012-08-11T22:17:59Z", + "sha1": "037cd584721a51f929686c21e54cf772acf3922b", + "comment": "updated", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of five senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedheal]] || 0 || 0 || 0 || 1 || 0 || 1 || 2 || 5 || '''9''' || style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 2 || 0 || 0 || 0 || 0 || 0 || 3 || '''5''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent (politician)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 12 || 1 || 6 || 6 || 0 || 1 || 1 || '''30''' || style=\"background-color: {{Independent (politician)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = William Barrington (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James G.\n | lastname = Douglas\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215|title= Mr. Martin Fitzgerald|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Sir Nugent Everard, 1st Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214|title=Earl of Mayo|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214|title=Earl of Dunraven|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Dillon\n | articlename = James Dillon (Irish senator)\n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = Michael Fanning (politician)\n | party = Unknown\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = Stephen O'Mara (senator)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215|title=Mr. Stephen O'Mara|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215|title=Mr. Samuel Lombard Brown|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215|title=Mr. Patrick J. Brady|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215|title=Mr. Patrick Hooper|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Independent (politician)\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215|title=Sir Walter Nugent, Bart.|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedheal\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = Independent (politician)\n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = Independent (politician)\n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n{{Reflist}}\n\n==External links==\n*{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem|title=1925 Seanad|work=Oireachtas Members Database|accessdate=17 November 2009}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 506956609, + "parentid": 506951551, + "minor": false, + "user": "Spleodrach", + "userid": 277086, + "timestamp": "2012-08-11T22:58:35Z", + "sha1": "1cc9558bc7a8550cd50221d75a04e4d359524006", + "comment": "updated", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of five senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedheal]] || 0 || 0 || 0 || 1 || 0 || 1 || 2 || 5 || '''9''' || style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 2 || 0 || 0 || 0 || 0 || 0 || 3 || '''5''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent (politician)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 12 || 1 || 6 || 6 || 0 || 1 || 1 || '''30''' || style=\"background-color: {{Independent (politician)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = William Barrington (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James G.\n | lastname = Douglas\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215|title= Mr. Martin Fitzgerald|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Sir Nugent Everard, 1st Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214|title=Earl of Mayo|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214|title=Earl of Dunraven|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Dillon\n | articlename = James Dillon (Irish senator)\n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = Michael Fanning (politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = Stephen O'Mara (senator)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215|title=Mr. Stephen O'Mara|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215|title=Mr. Samuel Lombard Brown|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215|title=Mr. Patrick J. Brady|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215|title=Mr. Patrick Hooper|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Independent (politician)\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215|title=Sir Walter Nugent, Bart.|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedheal\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = Independent (politician)\n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = Independent (politician)\n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n{{Reflist}}\n\n==External links==\n*{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem|title=1925 Seanad|work=Oireachtas Members Database|accessdate=17 November 2009}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 507040689, + "parentid": 506956609, + "minor": true, + "user": "Devite", + "userid": 16115403, + "timestamp": "2012-08-12T13:59:28Z", + "sha1": "523c8e34c69cdd9c48c4d31d528e9129347a2ecc", + "comment": "/* List of senators */", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of five senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedheal]] || 0 || 0 || 0 || 1 || 0 || 1 || 2 || 5 || '''9''' || style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 2 || 0 || 0 || 0 || 0 || 0 || 3 || '''5''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent (politician)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 12 || 1 || 6 || 6 || 0 || 1 || 1 || '''30''' || style=\"background-color: {{Independent (politician)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = William Barrington (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James G.\n | lastname = Douglas\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215|title= Mr. Martin Fitzgerald|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Sir Nugent Everard, 1st Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214|title=Earl of Mayo|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214|title=Earl of Dunraven|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Dillon\n | articlename = James Dillon (Irish senator)\n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = Michael Fanning (politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = Resigned from the [[Farmers' Party (Ireland)|Farmers' Party]] in Spring 1927 and joined Cumann na nGaedheal. O'Sullivan, Donal (1940). \"The Irish Free State and Its Senate: A Study in Contemporary Politics\". London, Faber and Faber, p. 191.\n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = Stephen O'Mara (senator)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215|title=Mr. Stephen O'Mara|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215|title=Mr. Samuel Lombard Brown|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215|title=Mr. Patrick J. Brady|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215|title=Mr. Patrick Hooper|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Independent (politician)\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215|title=Sir Walter Nugent, Bart.|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedheal\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = Independent (politician)\n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = Independent (politician)\n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n{{Reflist}}\n\n==External links==\n*{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem|title=1925 Seanad|work=Oireachtas Members Database|accessdate=17 November 2009}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 507041637, + "parentid": 507040689, + "minor": true, + "user": "Devite", + "userid": 16115403, + "timestamp": "2012-08-12T14:07:02Z", + "sha1": "097eeb23cfe59e2862973be94477c47b486ab664", + "comment": "/* List of senators */", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of five senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedheal]] || 0 || 0 || 0 || 1 || 0 || 1 || 2 || 5 || '''9''' || style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 2 || 0 || 0 || 0 || 0 || 0 || 3 || '''5''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent (politician)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 12 || 1 || 6 || 6 || 0 || 1 || 1 || '''30''' || style=\"background-color: {{Independent (politician)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = William Barrington (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James G.\n | lastname = Douglas\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215|title= Mr. Martin Fitzgerald|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Sir Nugent Everard, 1st Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214|title=Earl of Mayo|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214|title=Earl of Dunraven|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Dillon\n | articlename = James Dillon (Irish senator)\n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = Michael Fanning (politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = Resigned from the Farmers' Party (Ireland) in Spring 1927.O'Sullivan, Donal (1940). \"The Irish Free State and Its Senate: A Study in Contemporary Politics\". Faber and Faber, London, p. 191.\n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = Stephen O'Mara (senator)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215|title=Mr. Stephen O'Mara|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215|title=Mr. Samuel Lombard Brown|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215|title=Mr. Patrick J. Brady|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215|title=Mr. Patrick Hooper|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Independent (politician)\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215|title=Sir Walter Nugent, Bart.|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedheal\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = Independent (politician)\n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = Independent (politician)\n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n{{Reflist}}\n\n==External links==\n*{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem|title=1925 Seanad|work=Oireachtas Members Database|accessdate=17 November 2009}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 507043622, + "parentid": 507041637, + "minor": false, + "user": "AnomieBOT", + "userid": 7611264, + "timestamp": "2012-08-12T14:23:24Z", + "sha1": "8e55d7a922a0daef9b0a29899f18197283d99fc8", + "comment": "Fixing reference errors", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of five senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedheal]] || 0 || 0 || 0 || 1 || 0 || 1 || 2 || 5 || '''9''' || style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 2 || 0 || 0 || 0 || 0 || 0 || 3 || '''5''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent (politician)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 12 || 1 || 6 || 6 || 0 || 1 || 1 || '''30''' || style=\"background-color: {{Independent (politician)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = William Barrington (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James G.\n | lastname = Douglas\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215|title= Mr. Martin Fitzgerald|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Sir Nugent Everard, 1st Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214|title=Earl of Mayo|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214|title=Earl of Dunraven|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Dillon\n | articlename = James Dillon (Irish senator)\n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = Michael Fanning (politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = Resigned from the Farmers' Party (Ireland) in Spring 1927.O'Sullivan, Donal (1940). \"The Irish Free State and Its Senate: A Study in Contemporary Politics\". Faber and Faber, London, p. 191.\n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = Stephen O'Mara (senator)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215|title=Mr. Stephen O'Mara|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215|title=Mr. Samuel Lombard Brown|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215|title=Mr. Patrick J. Brady|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215|title=Mr. Patrick Hooper|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Independent (politician)\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215|title=Sir Walter Nugent, Bart.|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedheal\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = Independent (politician)\n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = Independent (politician)\n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n{{Reflist}}\n\n==External links==\n*{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem|title=1925 Seanad|work=Oireachtas Members Database|accessdate=17 November 2009}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 507077513, + "parentid": 507043622, + "minor": false, + "user": "Spleodrach", + "userid": 277086, + "timestamp": "2012-08-12T18:37:59Z", + "sha1": "197dc38d7dc9e16cabbb9bedd1186273f5ff1dbe", + "comment": "main table for election results, move change to Changes table", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of five senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\" style=\"font-size: 95%;\"\n|-\n!rowspan=2 colspan=2|  \n!colspan=3|Elected in 1922\n!colspan=2|Nominated in 1922\n!colspan=3|Elected in 1925\n!colspan=2 rowspan=2|Total\n|-\n!6 years\n!9 years\n!12 years\n!6 years\n!12 years\n!6 years\n!9 years\n!12 years\n|- style=\"text-align:center\"\n| style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |  \n|align=\"left\"| [[Cumann na nGaedheal]] || 0 || 0 || 0 || 1 || 0 || 1 || 2 || 5 || '''9''' || style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Labour Party (Ireland)|Labour Party]] || 0 || 2 || 0 || 0 || 0 || 0 || 0 || 3 || '''5''' || style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|align=\"left\"| [[Farmers' Party (Ireland)|Farmers' Party]] || 0 || 0 || 0 || 0 || 0 || 0 || 0 || 3 || '''3''' || style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|- style=\"text-align:center\"\n| style=\"background-color: {{Independent (politician)/meta/color}}\" |\n|align=\"left\"| [[Independent (politician)|Independents]] || 3 || 12 || 1 || 6 || 6 || 0 || 1 || 1 || '''30''' || style=\"background-color: {{Independent (politician)/meta/color}}\" |\n|- style=\"text-align:center\"\n|colspan=2|'''Total''' || '''3''' || '''14''' || '''2''' || '''12''' || '''10''' || '''1''' || '''3''' || '''15''' || '''60''' ||\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = William Barrington (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James G.\n | lastname = Douglas\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215|title= Mr. Martin Fitzgerald|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Sir Nugent Everard, 1st Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214|title=Earl of Mayo|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214|title=Earl of Dunraven|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Dillon\n | articlename = James Dillon (Irish senator)\n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = Michael Fanning (politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = Resigned from the Farmers' Party in Spring 1927 and joined Cumann na nGaedheal.O'Sullivan, Donal (1940). \"The Irish Free State and Its Senate: A Study in Contemporary Politics\". Faber and Faber, London, p. 191.\n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = Stephen O'Mara (senator)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215|title=Mr. Stephen O'Mara|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215|title=Mr. Samuel Lombard Brown|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215|title=Mr. Patrick J. Brady|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215|title=Mr. Patrick Hooper|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Independent (politician)\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215|title=Sir Walter Nugent, Bart.|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedheal\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1927\n|gain = Cumann na nGaedheal\n|loss = Farmers' Party (Ireland)\n|note = [[Michael F. O'Hanlon]] resigned from the Farmers' Party in Spring 1927 and joined Cumann na nGaedheal.\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = Independent (politician)\n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = Independent (politician)\n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n{{Reflist}}\n\n==External links==\n*{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem|title=1925 Seanad|work=Oireachtas Members Database|accessdate=17 November 2009}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + }, + { + "revid": 507079169, + "parentid": 507077513, + "minor": false, + "user": "Spleodrach", + "userid": 277086, + "timestamp": "2012-08-12T18:49:04Z", + "sha1": "3437f2df290ef831906d1d6f48df161da2c9df85", + "comment": "simplify totals table - due to changes in party affiliation since senators were elected/nominated", + "*": "{| id=toc style=\"float:right\"\n|-\n|[[Members of the 1922 Seanad|1922 Seanad]]\n|([[Irish general election, 1922|1922]])\n|-\n|'''1925 Seanad'''\n|([[Irish Free State Seanad election, 1925|1925]])\n|-\n|[[Members of the 1928 Seanad|1928 Seanad]]\n|\n|-\n|[[Members of the 1931 Seanad|1931 Seanad]]\n|\n|}\nThis is a list of the members of the '''1925 [[Seanad Éireann (Irish Free State)|Seanad Éireann]]''', the [[upper house]] of the [[Oireachtas of the Irish Free State|Oireachtas]] (legislature) of the [[Irish Free State]]. These [[Senate|Senator]]s were elected or appointed in 1922, and also elected at the [[Irish Free State Seanad election, 1925|1925 Seanad election]].\n\n==Composition of the 1925 Seanad==\nThe Free State Seanad was elected in stages and thus considered to be in permanent session. However, as a gesture of continuity with its Free State predecessor, the first [[Seanad Éireann|Seanad elected after 1937]] is numbered as the \"Second Seanad\". The Free State Senate, despite the occurrence of five senatorial elections before its abolition, is considered to have been a single 'Seanad' for the duration of its existence and is thus referred for that whole period as the \"First Seanad\".\n\nThere were a total of 60 seats in the Free State Seanad. 19 Senators were elected at the [[Irish Free State Seanad election, 1925|1925 Free State Seanad election]], which was the only Seanad [[Universal suffrage|popular election]]. In 1922, 35 Senators had been elected by [[Dáil Éireann (Irish Free State)|Dáil Éireann]], and 25 had been nominated by the [[President of the Executive Council of the Irish Free State|President of the Executive Council]], [[W. T. Cosgrave]].\n\nThe following table shows the composition by party when the 1925 Seanad first met on 6 December 1925.\n\n{| class=\"wikitable\"\n!colspan=2|Party\n!Seats\n|- \n| style=\"background-color: {{Cumann na nGaedheal/meta/color}}\" |\n|[[Cumann na nGaedheal]]\n|15 \n|- \n| style=\"background-color: {{Labour Party (Ireland)/meta/color}}\" |\n|[[Labour Party (Ireland)|Labour Party]]\n|5 \n|- \n| style=\"background-color: {{Farmers' Party (Ireland)/meta/color}}\" |\n|[[Farmers' Party (Ireland)|Farmers' Party]]\n|3 \n|- \n| style=\"background-color: {{Independent (politician)/meta/color}}\" |\n|[[Independent (politician)|Independents]]\n|31\n|- \n|colspan=2|'''Total'''\n|'''60'''\n|}\n*Note: The figure above do not add up due to the Senators whose political affiliations are currently unknown.\n\n==List of senators==\n{{First Seanad member list start}}\n{{First Seanad member entry\n | firstname = Henry Givens\n | lastname = Burgess\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Greer\n | articlename = Henry Greer (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Benjamin\n | lastname = Haughton\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Barrington\n | articlename = William Barrington (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Eileen\n | lastname = Costello\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James G.\n | lastname = Douglas\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Duffy\n | articlename = Michael Duffy (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Farren\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Alice Stopford\n | lastname = Green\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Griffith\n | articlename = John Griffith (engineer)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Patrick W.\n | lastname = Kenny\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James J.\n | lastname = MacKean\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = MacLoughlin\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Molloy\n | articlename = William Molloy (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Maurice George\n | lastname = Moore\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Brian\n | lastname = O'Rourke\n | articlename = Brian O'Rourke (Irish politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = O'Sullivan\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1922\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Martin\n | lastname = Fitzgerald\n | articlename = Martin Fitzgerald (Irish politician)\n | party = Unknown\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 9 March 1927{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1319&ConstID=215|title= Mr. Martin Fitzgerald|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Guinness\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John Philip\n | lastname = Bagwell\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Lord\n | lastname = Glenavy\n | articlename = James Campbell, 1st Baron Glenavy\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = [[Cathaoirleach]]\n}}\n{{First Seanad member entry\n | firstname = Sir Nugent\n | lastname = Everard\n | articlename = Sir Nugent Everard, 1st Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Edmund W.\n | lastname = Eyre\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Oliver St. John\n | lastname = Gogarty\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Perry\n | lastname = Goodbody\n | articlename = \n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Ralph\n | lastname = Howard\n | articlename = Ralph Howard, 7th Earl of Wicklow\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Arthur\n | lastname = Jackson\n | articlename = Arthur Jackson (Irish politician)\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Andrew\n | lastname = Jameson\n | articlename = Andrew Jameson (politician)\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Bryan\n | lastname = Mahon\n | articlename = Bryan Mahon\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Geoffrey\n | lastname = Taylour\n | articlename = Geoffrey Taylour, 4th Marquess of Headfort\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William Butler\n | lastname = Yeats\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Dermot\n | lastname = Bourke\n | articlename = Dermot Bourke, 7th Earl of Mayo\n | party = Unknown\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Died on 31 December 1927{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1527&ConstID=214|title=Earl of Mayo|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Ellen\n | lastname = Cuffe\n | articlename = Ellen Cuffe, Countess of Desart\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James Charles\n | lastname = Dowdall\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Thomas\n | lastname = Esmonde\n | articlename = Sir Thomas Esmonde, 11th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Bernard\n | lastname = Forbes\n | articlename = Bernard Forbes, 8th Earl of Granard\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir John\n | lastname = Keane\n | articlename = Sir John Keane, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Moran\n | articlename = James Moran (Irish politician)\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Petty-Fitzmaurice\n | articlename = Henry Petty-Fitzmaurice, 6th Marquess of Lansdowne\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Windham\n | lastname = Wyndham-Quin\n | articlename = Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl\n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = Resigned on 27 January 1926{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=1287&ConstID=214|title=Earl of Dunraven|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Jennie \n | lastname = Wyse Power\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Nominated in 1922\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = Counihan\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 6 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas Westropp\n | lastname = Bennett\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Coey Bigger\n | articlename = Edward Coey Bigger\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Francis\n | lastname = McGuinness\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 9 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Henry\n | lastname = Barniville\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir Edward\n | lastname = Bellingham\n | articlename = Sir Edward Bellingham, 5th Baronet\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = William\n | lastname = Cummins\n | articlename = William Cummins (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Dillon\n | articlename = James Dillon (Irish senator)\n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael\n | lastname = Fanning\n | articlename = Michael Fanning (politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Foran\n | articlename = \n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Sir William Bernard\n | lastname = Hickie\n | articlename = William Bernard Hickie\n | party = Independent (politician)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Cornelius\n | lastname = Kennedy\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Linehan\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Joseph\n | lastname = O'Connor\n | articlename = Joseph O'Connor (politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = John\n | lastname = O'Farrell\n | articlename = John O'Farrell (Irish politician)\n | party = Labour Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Michael F.\n | lastname = O'Hanlon\n | articlename = \n | party = Farmers' Party (Ireland)\n | enteredoffice = Elected in 1925\n | term = 12 years\n | filledvacancy = \n | notes = Resigned from the Farmers' Party in Spring 1927 and joined Cumann na nGaedheal.O'Sullivan, Donal (1940). \"The Irish Free State and Its Senate: A Study in Contemporary Politics\". Faber and Faber, London, p. 191.\n}}\n{{First Seanad member entry\n | firstname = Stephen\n | lastname = O'Mara\n | articlename = Stephen O'Mara (senator)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = Died on 26 July 1926{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1605&ConstID=215|title=Mr. Stephen O'Mara|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = James\n | lastname = Parkinson\n | articlename = James Parkinson (Irish politician)\n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Thomas\n | lastname = Toal\n | articlename = \n | party = Cumann na nGaedheal\n | enteredoffice = Elected in 1925\n | term = 12 years \n | filledvacancy = \n | notes = \n}}\n{{First Seanad member entry\n | firstname = Samuel Lombard\n | lastname = Brown\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1926\n | term = 12 years\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 10 February 1926, replacing [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1922&MemberID=2109&ConstID=215|title=Mr. Samuel Lombard Brown|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = P. J.\n | lastname = Brady\n | articlename = \n | party = Unknown\n | enteredoffice = Elected in 1927\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 26 January 1927, replacing [[Stephen O'Mara]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=2107&ConstID=215|title=Mr. Patrick J. Brady|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Patrick\n | lastname = Hooper\n | articlename = \n | party = Independent (politician)\n | enteredoffice = Elected in 1927\n | term = Until 1934 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 23 March 1927, replacing [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1383&ConstID=215|title=Mr. Patrick Hooper|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{First Seanad member entry\n | firstname = Sir Walter\n | lastname = Nugent\n | articlename = Sir Walter Nugent, 4th Baronet\n | party = Independent (politician)\n | enteredoffice = Elected in 1928\n | term = Until 1928 election\n | filledvacancy = yes\n | notes = Elected to Seanad at a by-election on 1 March 1928, replacing [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&MemberID=1557&ConstID=215|title=Sir Walter Nugent, Bart.|work=Oireachtas Members Database|accessdate=19 November 2009}}\n}}\n{{end}}\n\n==Changes==\n{{First Seanad Éireann Changes Start}}\n{{First Seanad Éireann Changes\n|date = 27\n|month = January\n|year = 1926\n|gain = \n|loss = Independent (politician)\n|note = Resignation of [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 10\n|month = February\n|year = 1926\n|gain = Independent (politician)\n|loss = \n|note = [[Samuel Lombard Brown]] elected at a by-election to replace [[Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl|Windham Wyndham-Quin]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = July\n|year = 1926\n|gain = \n|loss = Cumann na nGaedheal\n|note = Death of [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 26\n|month = January\n|year = 1927\n|gain = \n|loss = \n|note = [[P. J. Brady]] elected at a by-election to replace [[Stephen O'Mara]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1927\n|gain = Cumann na nGaedheal\n|loss = Farmers' Party (Ireland)\n|note = [[Michael F. O'Hanlon]] resigned from the Farmers' Party in Spring 1927 and joined Cumann na nGaedheal.\n}}\n{{First Seanad Éireann Changes\n|date = 9\n|month = March\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 23\n|month = March\n|year = 1927\n|gain = Independent (politician)\n|loss = \n|note = [[Patrick Hooper]] elected at a by-election to replace [[Martin Fitzgerald (Irish politician)|Martin Fitzgerald]]\n}}\n{{First Seanad Éireann Changes\n|date = 31\n|month = December\n|year = 1927\n|gain = \n|loss =\n|note = Death of [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{First Seanad Éireann Changes\n|date = 1\n|month = March\n|year = 1928\n|gain = Independent (politician)\n|loss = \n|note = [[Sir Walter Nugent, 4th Baronet|Sir Walter Nugent]] elected at a by-election to replace [[Dermot Bourke, 7th Earl of Mayo|Dermot Bourke]]\n}}\n{{end}}\n\n==See also==\n*[[Members of the 4th Dáil]]\n*[[Government of the 4th Dáil]]\n*[[Parliamentary Secretaries of the 4th Dáil]]\n\n==References==\n{{Reflist}}\n\n==External links==\n*{{cite web|url=http://www.oireachtas.ie/members-hist/default.asp?housetype=1&HouseNum=1925&disp=mem|title=1925 Seanad|work=Oireachtas Members Database|accessdate=17 November 2009}}\n\n{{Lists of members of Seanad Éireann}}\n\n[[Category:Members of the 1925 Seanad| ]]\n[[Category:Lists of members of Seanad Éireann| 1925]]" + } +] diff --git a/tests/fixtures/adam_himebauch_golden.json b/tests/fixtures/adam_himebauch_golden.json index 4cee59d..2ea365c 100644 --- a/tests/fixtures/adam_himebauch_golden.json +++ b/tests/fixtures/adam_himebauch_golden.json @@ -1359,18 +1359,14 @@ "token_id": 147, "o_rev_id": 678458561, "in": [], - 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754869525 + 1078016622 ] }, { @@ -2883,7 +2871,7 @@ "o_rev_id": 678462685, "in": [], "out": [ - 754869525 + 1078016622 ] }, { @@ -2901,7 +2889,7 @@ "o_rev_id": 678462685, "in": [], "out": [ - 754869525 + 1078016622 ] }, { @@ -2910,7 +2898,7 @@ "o_rev_id": 678462685, "in": [], "out": [ - 754869525 + 1078016622 ] }, { @@ -3302,14 +3290,18 @@ "token_id": 377, "o_rev_id": 678462685, "in": [], - "out": [] + "out": [ + 754869525 + ] }, { "str": "<", "token_id": 378, "o_rev_id": 678462685, "in": [], - "out": [] + "out": [ + 754869525 + ] }, { "str": "ref", @@ -3334,21 +3326,27 @@ "token_id": 381, "o_rev_id": 678462685, "in": [], - "out": [] + "out": [ + 754869525 + ] }, { "str": "\"", "token_id": 382, "o_rev_id": 678462685, "in": [], - "out": [] + "out": [ + 754869525 + ] }, { "str": ":", "token_id": 383, "o_rev_id": 678462685, "in": [], - "out": [] + "out": [ + 754869525 + ] }, { "str": "0", @@ -3364,7 +3362,9 @@ "token_id": 385, "o_rev_id": 678462685, "in": [], - "out": [] + "out": [ + 754869525 + ] }, { "str": "/", @@ -13380,7 +13380,7 @@ "o_rev_id": 701771237, "in": [], "out": [ - 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"str": "success", + "str": "worst", "token_id": 3080, "o_rev_id": 754869525, "in": [ @@ -26297,7 +26295,7 @@ ] }, { - "str": "of", + "str": "'", "token_id": 3081, "o_rev_id": 754869525, "in": [ @@ -26308,7 +26306,7 @@ ] }, { - "str": "the", + "str": "'", "token_id": 3082, "o_rev_id": 754869525, "in": [ @@ -26319,7 +26317,7 @@ ] }, { - "str": "'", + "str": "installation", "token_id": 3083, "o_rev_id": 754869525, "in": [ @@ -26330,7 +26328,7 @@ ] }, { - "str": "'", + "str": ",", "token_id": 3084, "o_rev_id": 754869525, "in": [ @@ -26341,7 +26339,7 @@ ] }, { - "str": "best", + "str": "hanksy", "token_id": 3085, "o_rev_id": 754869525, "in": [ @@ -26352,7 +26350,7 @@ ] }, { - "str": "of", + "str": "began", "token_id": 3086, "o_rev_id": 754869525, "in": [ @@ -26363,7 +26361,7 @@ ] }, { - "str": "the", + "str": "his", "token_id": 3087, "o_rev_id": 754869525, "in": [ @@ -26374,7 +26372,7 @@ ] }, { - "str": "worst", + "str": "'", "token_id": 3088, "o_rev_id": 754869525, "in": [ @@ -26395,97 +26393,9 @@ 1163557557 ] }, - { - "str": "'", - "token_id": 3090, - "o_rev_id": 754869525, - "in": [ - 1163557612 - ], - "out": [ - 1163557557 - ] - }, - { - "str": "installation", - "token_id": 3091, - "o_rev_id": 754869525, - "in": [ - 1163557612 - ], - "out": [ - 1163557557 - ] - }, - { - "str": ",", - "token_id": 3092, - "o_rev_id": 754869525, - "in": [ - 1163557612 - ], - "out": [ - 1163557557 - ] - }, - { - "str": "hanksy", - "token_id": 3093, - "o_rev_id": 754869525, - "in": [ - 1163557612 - ], - "out": [ - 1163557557 - ] - }, - { - "str": "began", - "token_id": 3094, - "o_rev_id": 754869525, - "in": [ - 1163557612 - ], - "out": [ - 1163557557 - ] - }, - { - "str": "his", - "token_id": 3095, - "o_rev_id": 754869525, - "in": [ - 1163557612 - ], - "out": [ - 1163557557 - ] - }, - { - "str": "'", - "token_id": 3096, - "o_rev_id": 754869525, - "in": [ - 1163557612 - ], - "out": [ - 1163557557 - ] - }, - { - "str": "'", - "token_id": 3097, - "o_rev_id": 754869525, - "in": [ - 1163557612 - ], - "out": [ - 1163557557 - ] - }, { "str": "surplus", - "token_id": 3098, + "token_id": 3090, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26496,7 +26406,7 @@ }, { "str": "candy", - "token_id": 3099, + "token_id": 3091, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26507,7 +26417,7 @@ }, { "str": "'", - "token_id": 3100, + "token_id": 3092, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26518,7 +26428,7 @@ }, { "str": "'", - "token_id": 3101, + "token_id": 3093, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26529,7 +26439,7 @@ }, { "str": "initiative", - "token_id": 3102, + "token_id": 3094, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26540,7 +26450,7 @@ }, { "str": "—", - "token_id": 3103, + "token_id": 3095, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26551,7 +26461,7 @@ }, { "str": "highly", - "token_id": 3104, + "token_id": 3096, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26562,7 +26472,7 @@ }, { "str": "interactive", - "token_id": 3105, + "token_id": 3097, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26573,7 +26483,7 @@ }, { "str": "events", - "token_id": 3106, + "token_id": 3098, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26584,7 +26494,7 @@ }, { "str": "that", - "token_id": 3107, + "token_id": 3099, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26595,7 +26505,7 @@ }, { "str": "he", - "token_id": 3108, + "token_id": 3100, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26606,7 +26516,7 @@ }, { "str": "has", - "token_id": 3109, + "token_id": 3101, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26617,7 +26527,7 @@ }, { "str": "hosted", - "token_id": 3110, + "token_id": 3102, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26628,7 +26538,7 @@ }, { "str": "in", - "token_id": 3111, + "token_id": 3103, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26639,7 +26549,7 @@ }, { "str": "multiple", - "token_id": 3112, + "token_id": 3104, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26650,7 +26560,7 @@ }, { "str": "cities", - "token_id": 3113, + "token_id": 3105, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26661,7 +26571,7 @@ }, { "str": "including", - "token_id": 3114, + "token_id": 3106, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26672,7 +26582,7 @@ }, { "str": "new", - "token_id": 3115, + "token_id": 3107, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26683,7 +26593,7 @@ }, { "str": "york", - "token_id": 3116, + "token_id": 3108, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26694,7 +26604,7 @@ }, { "str": "city", - "token_id": 3117, + "token_id": 3109, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26705,7 +26615,7 @@ }, { "str": "and", - "token_id": 3118, + "token_id": 3110, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26716,7 +26626,7 @@ }, { "str": "los", - "token_id": 3119, + "token_id": 3111, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26727,7 +26637,7 @@ }, { "str": "angeles", - "token_id": 3120, + "token_id": 3112, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26738,7 +26648,7 @@ }, { "str": ".", - "token_id": 3121, + "token_id": 3113, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26749,7 +26659,7 @@ }, { "str": "in", - "token_id": 3122, + "token_id": 3114, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26760,7 +26670,7 @@ }, { "str": "each", - "token_id": 3123, + "token_id": 3115, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26771,7 +26681,7 @@ }, { "str": "installment", - "token_id": 3124, + "token_id": 3116, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26782,7 +26692,7 @@ }, { "str": ",", - "token_id": 3125, + "token_id": 3117, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26793,7 +26703,7 @@ }, { "str": "hanksy", - "token_id": 3126, + "token_id": 3118, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26804,7 +26714,7 @@ }, { "str": "secures", - "token_id": 3127, + "token_id": 3119, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26815,7 +26725,7 @@ }, { "str": "an", - "token_id": 3128, + "token_id": 3120, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26826,7 +26736,7 @@ }, { "str": "abandoned", - "token_id": 3129, + "token_id": 3121, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26837,7 +26747,7 @@ }, { "str": "space", - "token_id": 3130, + "token_id": 3122, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26848,7 +26758,7 @@ }, { "str": ",", - "token_id": 3131, + "token_id": 3123, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26859,7 +26769,7 @@ }, { "str": "transforming", - "token_id": 3132, + "token_id": 3124, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26870,7 +26780,7 @@ }, { "str": "it", - "token_id": 3133, + "token_id": 3125, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26881,7 +26791,7 @@ }, { "str": "with", - "token_id": 3134, + "token_id": 3126, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26892,7 +26802,7 @@ }, { "str": "art", - "token_id": 3135, + "token_id": 3127, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26903,7 +26813,7 @@ }, { "str": "and", - "token_id": 3136, + "token_id": 3128, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26914,7 +26824,7 @@ }, { "str": "activity", - "token_id": 3137, + "token_id": 3129, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26925,7 +26835,7 @@ }, { "str": ",", - "token_id": 3138, + "token_id": 3130, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26936,7 +26846,7 @@ }, { "str": "then", - "token_id": 3139, + "token_id": 3131, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26947,7 +26857,7 @@ }, { "str": "opens", - "token_id": 3140, + "token_id": 3132, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26958,7 +26868,7 @@ }, { "str": "that", - "token_id": 3141, + "token_id": 3133, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26969,7 +26879,7 @@ }, { "str": "space", - "token_id": 3142, + "token_id": 3134, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26980,7 +26890,7 @@ }, { "str": "up", - "token_id": 3143, + "token_id": 3135, "o_rev_id": 754869525, "in": [ 1163557612 @@ -26991,7 +26901,7 @@ }, { "str": "to", - "token_id": 3144, + "token_id": 3136, "o_rev_id": 754869525, "in": [ 1163557612 @@ -27002,7 +26912,7 @@ }, { "str": "the", - "token_id": 3145, + "token_id": 3137, "o_rev_id": 754869525, "in": [ 1163557612 @@ -27013,7 +26923,7 @@ }, { "str": "public", - "token_id": 3146, + "token_id": 3138, "o_rev_id": 754869525, "in": [ 1163557612 @@ -27024,7 +26934,7 @@ }, { "str": "couple", - "token_id": 3147, + "token_id": 3139, "o_rev_id": 754869525, "in": [ 1163557612 @@ -27035,7 +26945,7 @@ }, { "str": "of", - "token_id": 3148, + "token_id": 3140, "o_rev_id": 754869525, "in": [ 1163557612 @@ -27046,7 +26956,7 @@ }, { "str": "hours", - "token_id": 3149, + "token_id": 3141, "o_rev_id": 754869525, "in": [ 1163557612 @@ -27057,7 +26967,7 @@ }, { "str": "before", - "token_id": 3150, + "token_id": 3142, "o_rev_id": 754869525, "in": [ 1163557612 @@ -27068,7 +26978,7 @@ }, { "str": "taking", - "token_id": 3151, + "token_id": 3143, "o_rev_id": 754869525, "in": [ 1163557612 @@ -27079,7 +26989,7 @@ }, { "str": "it", - "token_id": 3152, + "token_id": 3144, "o_rev_id": 754869525, "in": [ 1163557612 @@ -27090,7 +27000,7 @@ }, { "str": "down", - "token_id": 3153, + "token_id": 3145, "o_rev_id": 754869525, "in": [ 1163557612 @@ -27101,7 +27011,7 @@ }, { "str": "<", - "token_id": 3154, + "token_id": 3146, "o_rev_id": 754869525, "in": [ 755162424 @@ -27112,7 +27022,7 @@ }, { "str": "ref", - "token_id": 3155, + "token_id": 3147, "o_rev_id": 754869525, "in": [ 755162424 @@ -27123,7 +27033,7 @@ }, { "str": ">", - "token_id": 3156, + "token_id": 3148, "o_rev_id": 754869525, "in": [ 755162424 @@ -27134,7 +27044,7 @@ }, { "str": "{{", - "token_id": 3157, + "token_id": 3149, "o_rev_id": 754869525, "in": [ 755162424 @@ -27145,7 +27055,7 @@ }, { "str": "cite", - "token_id": 3158, + "token_id": 3150, "o_rev_id": 754869525, "in": [ 755162424 @@ -27156,7 +27066,7 @@ }, { "str": "news", - "token_id": 3159, + "token_id": 3151, "o_rev_id": 754869525, "in": [ 755162424 @@ -27167,7 +27077,7 @@ }, { "str": "|", - "token_id": 3160, + "token_id": 3152, "o_rev_id": 754869525, "in": [ 755162424 @@ -27178,7 +27088,7 @@ }, { "str": "url", - "token_id": 3161, + "token_id": 3153, "o_rev_id": 754869525, "in": [ 755162424 @@ -27189,7 +27099,7 @@ }, { "str": "=", - "token_id": 3162, + "token_id": 3154, "o_rev_id": 754869525, "in": [ 755162424 @@ -27200,7 +27110,7 @@ }, { "str": "ovationtv", - "token_id": 3163, + "token_id": 3155, "o_rev_id": 754869525, "in": [ 1163557612 @@ -27211,7 +27121,7 @@ }, { "str": "ovation", - "token_id": 3164, + "token_id": 3156, "o_rev_id": 754869525, "in": [], "out": [ @@ -27220,7 +27130,7 @@ }, { "str": "to", - "token_id": 3165, + "token_id": 3157, "o_rev_id": 754869525, "in": [], "out": [ @@ -27229,7 +27139,7 @@ }, { "str": "-", - "token_id": 3166, + "token_id": 3158, "o_rev_id": 754869525, "in": [], "out": [ @@ -27238,7 +27148,7 @@ }, { "str": "premiere", - "token_id": 3167, + "token_id": 3159, "o_rev_id": 754869525, "in": [], "out": [ @@ -27247,7 +27157,7 @@ }, { "str": "presents", - "token_id": 3168, + "token_id": 3160, "o_rev_id": 754869525, "in": [], "out": [ @@ -27256,7 +27166,7 @@ }, { "str": "surplus", - "token_id": 3169, + "token_id": 3161, "o_rev_id": 754869525, "in": [], "out": [ @@ -27265,7 +27175,7 @@ }, { "str": "candy", - "token_id": 3170, + "token_id": 3162, "o_rev_id": 754869525, "in": [], "out": [ @@ -27274,7 +27184,7 @@ }, { "str": "across", - "token_id": 3171, + "token_id": 3163, "o_rev_id": 754869525, "in": [], "out": [ @@ -27283,7 +27193,7 @@ }, { "str": "linear", - "token_id": 3172, + "token_id": 3164, "o_rev_id": 754869525, "in": [], "out": [ @@ -27292,7 +27202,7 @@ }, { "str": "digital", - "token_id": 3173, + "token_id": 3165, "o_rev_id": 754869525, "in": [], "out": [ @@ -27301,7 +27211,7 @@ }, { "str": "social", - "token_id": 3174, + "token_id": 3166, "o_rev_id": 754869525, "in": [], "out": [ @@ -27310,7 +27220,7 @@ }, { "str": "-", - "token_id": 3175, + "token_id": 3167, "o_rev_id": 754869525, "in": [], "out": [ @@ -27319,7 +27229,7 @@ }, { "str": "platforms", - "token_id": 3176, + "token_id": 3168, "o_rev_id": 754869525, "in": [], "out": [ @@ -27328,7 +27238,7 @@ }, { "str": "-", - "token_id": 3177, + "token_id": 3169, "o_rev_id": 754869525, "in": [], "out": [ @@ -27337,7 +27247,7 @@ }, { "str": "on", - "token_id": 3178, + "token_id": 3170, "o_rev_id": 754869525, "in": [], "out": [ @@ -27346,7 +27256,7 @@ }, { "str": "-", - 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"token_id": 3451, + "token_id": 3445, + "o_rev_id": 754869826, + "in": [], + "out": [ + 797537354 + ] + }, + { + "str": ".", + "token_id": 3446, "o_rev_id": 754869826, "in": [], "out": [ @@ -30057,7 +29994,16 @@ }, { "str": "jpg", - "token_id": 3452, + "token_id": 3447, + "o_rev_id": 754869826, + "in": [], + "out": [ + 797537354 + ] + }, + { + "str": "|", + "token_id": 3448, "o_rev_id": 754869826, "in": [], "out": [ @@ -30066,6 +30012,42 @@ }, { "str": "thumb", + "token_id": 3449, + "o_rev_id": 754869826, + "in": [], + "out": [ + 797537354 + ] + }, + { + "str": "|", + "token_id": 3450, + "o_rev_id": 754869826, + "in": [], + "out": [ + 797537354 + ] + }, + { + "str": "2015", + "token_id": 3451, + "o_rev_id": 754869826, + "in": [], + "out": [ + 797537354 + ] + }, + { + "str": "mural", + "token_id": 3452, + "o_rev_id": 754869826, + "in": [], + "out": [ + 797537354 + ] + }, + { + "str": "in", "token_id": 3453, "o_rev_id": 754869826, "in": [], @@ -30074,7 +30056,7 @@ ] }, { - "str": "manhattan", + "str": "[[", "token_id": 3454, "o_rev_id": 754869826, "in": [], @@ -30083,7 +30065,7 @@ ] }, { - "str": "s", + "str": "manhattan", "token_id": 3455, "o_rev_id": 754869826, "in": [], @@ -30092,7 +30074,7 @@ ] }, { - "str": "lower", + "str": "]]", "token_id": 3456, "o_rev_id": 754869826, "in": [], @@ -30101,7 +30083,7 @@ ] }, { - "str": "east", + "str": "'", "token_id": 3457, "o_rev_id": 754869826, "in": [], @@ -30110,7 +30092,7 @@ ] }, { - "str": "side", + "str": "s", "token_id": 3458, "o_rev_id": 754869826, "in": [], @@ -30119,50 +30101,104 @@ ] }, { - "str": "{{", + "str": "[[", "token_id": 3459, + "o_rev_id": 754869826, + "in": [], + "out": [ + 797537354 + ] + }, + { + "str": "lower", + "token_id": 3460, + "o_rev_id": 754869826, + "in": [], + "out": [ + 797537354 + ] + }, + { + "str": "east", + "token_id": 3461, + "o_rev_id": 754869826, + "in": [], + "out": [ + 797537354 + ] + }, + { + "str": "side", + "token_id": 3462, + "o_rev_id": 754869826, + "in": [], + "out": [ + 797537354 + ] + }, + { + "str": "]]", + "token_id": 3463, + "o_rev_id": 754869826, + "in": [], + "out": [ + 797537354 + ] + }, + { + "str": "]]", + "token_id": 3464, + "o_rev_id": 754869826, + "in": [], + "out": [ + 797537354 + ] + }, + { + "str": "{{", + "token_id": 3465, "o_rev_id": 754870462, "in": [], "out": [] }, { "str": "infobox", - 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"token_id": 3469, + "token_id": 3475, "o_rev_id": 754870462, "in": [], "out": [ @@ -30210,42 +30246,42 @@ }, { "str": "|", - "token_id": 3470, + "token_id": 3476, "o_rev_id": 754870462, "in": [], "out": [] }, { "str": "known", - "token_id": 3471, + "token_id": 3477, "o_rev_id": 754870462, "in": [], "out": [] }, { "str": "_", - "token_id": 3472, + "token_id": 3478, "o_rev_id": 754870462, "in": [], "out": [] }, { "str": "for", - "token_id": 3473, + "token_id": 3479, "o_rev_id": 754870462, "in": [], "out": [] }, { "str": "=", - "token_id": 3474, + "token_id": 3480, "o_rev_id": 754870462, "in": [], "out": [] }, { "str": "graffiti", - "token_id": 3475, + "token_id": 3481, "o_rev_id": 754870462, "in": [], "out": [ @@ -30254,7 +30290,7 @@ }, { "str": ",", - "token_id": 3476, + "token_id": 3482, "o_rev_id": 754870462, "in": [], "out": [ @@ -30263,7 +30299,7 @@ }, { "str": "street", - "token_id": 3477, + "token_id": 3483, "o_rev_id": 754870462, "in": [], "out": [ @@ -30272,7 +30308,7 @@ }, { "str": "art", - "token_id": 3478, + "token_id": 3484, "o_rev_id": 754870462, "in": [], "out": [ @@ -30281,7 +30317,7 @@ }, { "str": "|", - "token_id": 3479, + "token_id": 3485, "o_rev_id": 754870462, "in": [], "out": [ @@ -30290,7 +30326,7 @@ }, { "str": "movement", - "token_id": 3480, + "token_id": 3486, "o_rev_id": 754870462, "in": [], "out": [ @@ -30299,7 +30335,7 @@ }, { "str": "=", - "token_id": 3481, + "token_id": 3487, "o_rev_id": 754870462, "in": [], "out": [ @@ -30308,7 +30344,7 @@ }, { "str": "[[", - "token_id": 3482, + "token_id": 3488, "o_rev_id": 754870462, "in": [], "out": [ @@ -30317,7 +30353,7 @@ }, { "str": "graffiti", - "token_id": 3483, + "token_id": 3489, "o_rev_id": 754870462, "in": [], "out": [ @@ -30326,7 +30362,7 @@ }, { "str": "]]", - "token_id": 3484, + "token_id": 3490, "o_rev_id": 754870462, "in": [], "out": [ @@ -30335,7 +30371,7 @@ }, { "str": ",", - "token_id": 3485, + "token_id": 3491, "o_rev_id": 754870462, "in": [], "out": [ @@ -30344,56 +30380,56 @@ }, { "str": "[[", - "token_id": 3486, + "token_id": 3492, "o_rev_id": 754870462, "in": [], "out": [] }, { "str": "street", - "token_id": 3487, + "token_id": 3493, "o_rev_id": 754870462, "in": [], "out": [] }, { "str": "art", - "token_id": 3488, + "token_id": 3494, "o_rev_id": 754870462, "in": [], "out": [] }, { "str": "]]", - "token_id": 3489, + "token_id": 3495, "o_rev_id": 754870462, "in": [], "out": [] }, { "str": "|", - "token_id": 3490, + "token_id": 3496, "o_rev_id": 754870462, "in": [], "out": [] }, { "str": "website", - "token_id": 3491, + "token_id": 3497, "o_rev_id": 754870462, "in": [], "out": [] }, { "str": "=", - "token_id": 3492, + "token_id": 3498, "o_rev_id": 754870462, "in": [], "out": [] }, { "str": "", - "token_id": 3504, + "token_id": 3510, "o_rev_id": 754870462, "in": [], "out": [ @@ -30501,14 +30537,14 @@ }, { "str": "}}", - "token_id": 3505, + "token_id": 3511, "o_rev_id": 754870462, "in": [], "out": [] }, { "str": "\"", - "token_id": 3506, + "token_id": 3512, "o_rev_id": 754870595, "in": [], "out": [ @@ -30517,7 +30553,7 @@ }, { "str": "hanksy", - "token_id": 3507, + "token_id": 3513, "o_rev_id": 754870595, "in": [], "out": [ @@ -30526,7 +30562,7 @@ }, { "str": "\"", - "token_id": 3508, + "token_id": 3514, "o_rev_id": 754870595, "in": [], "out": [ @@ -30535,7 +30571,7 @@ }, { "str": "{{", - "token_id": 3509, + "token_id": 3515, "o_rev_id": 754870604, "in": [], "out": [ @@ -30544,7 +30580,7 @@ }, { "str": "url", - "token_id": 3510, + "token_id": 3516, "o_rev_id": 754870604, "in": [], "out": [ @@ -30553,7 +30589,7 @@ }, { "str": "|", - "token_id": 3511, + "token_id": 3517, "o_rev_id": 754870604, "in": [], "out": [ @@ -30562,7 +30598,7 @@ }, { "str": ":", - "token_id": 3512, + "token_id": 3518, "o_rev_id": 754870604, "in": [], "out": [ @@ -30571,7 +30607,7 @@ }, { "str": "/", - "token_id": 3513, + "token_id": 3519, "o_rev_id": 754870604, "in": [], "out": [ @@ -30580,7 +30616,7 @@ }, { "str": "}}", - "token_id": 3514, + "token_id": 3520, "o_rev_id": 754870604, "in": [], "out": [ @@ -30589,28 +30625,28 @@ }, { "str": "|", - "token_id": 3515, + "token_id": 3521, "o_rev_id": 754871023, "in": [], "out": [] }, { "str": "<", - "token_id": 3516, + "token_id": 3522, "o_rev_id": 754871023, "in": [], "out": [] }, { "str": "ref", - "token_id": 3517, + "token_id": 3523, "o_rev_id": 754871023, "in": [], "out": [] }, { "str": ">", - "token_id": 3518, + "token_id": 3524, "o_rev_id": 754871023, "in": [], "out": [ @@ -30619,7 +30655,7 @@ }, { "str": "{{", - "token_id": 3519, + "token_id": 3525, "o_rev_id": 754871023, "in": [], "out": [ @@ -30628,7 +30664,7 @@ }, { "str": "cite", - "token_id": 3520, + "token_id": 3526, "o_rev_id": 754871023, "in": [], "out": [ @@ -30637,7 +30673,7 @@ }, { "str": "news", - "token_id": 3521, + "token_id": 3527, "o_rev_id": 754871023, "in": [], "out": [ @@ -30646,7 +30682,7 @@ }, { "str": "|", - "token_id": 3522, + "token_id": 3528, "o_rev_id": 754871023, "in": [], "out": [ @@ -30655,7 +30691,7 @@ }, { "str": "url", - "token_id": 3523, + "token_id": 3529, "o_rev_id": 754871023, "in": [], "out": [ @@ -30664,7 +30700,7 @@ }, { "str": "=", - "token_id": 3524, + "token_id": 3530, "o_rev_id": 754871023, "in": [], "out": [ @@ -30673,7 +30709,7 @@ }, { "str": "title", - "token_id": 3525, + "token_id": 3531, "o_rev_id": 754871023, "in": [], "out": [ @@ -30682,7 +30718,7 @@ }, { "str": "=", - "token_id": 3526, + "token_id": 3532, "o_rev_id": 754871023, "in": [], "out": [ @@ -30691,7 +30727,7 @@ }, { "str": "hanksy", - "token_id": 3527, + "token_id": 3533, "o_rev_id": 754871023, "in": [], "out": [ @@ -30700,7 +30736,7 @@ }, { "str": "brings", - "token_id": 3528, + "token_id": 3534, "o_rev_id": 754871023, "in": [], "out": [ @@ -30709,7 +30745,7 @@ }, { "str": "his", - "token_id": 3529, + "token_id": 3535, "o_rev_id": 754871023, "in": [], "out": [ @@ -30718,7 +30754,7 @@ }, { "str": "\"", - "token_id": 3530, + "token_id": 3536, "o_rev_id": 754871023, "in": [], "out": [ @@ -30727,7 +30763,7 @@ }, { "str": "best", - "token_id": 3531, + "token_id": 3537, "o_rev_id": 754871023, "in": [], "out": [ @@ -30736,7 +30772,7 @@ }, { "str": "of", - "token_id": 3532, + "token_id": 3538, "o_rev_id": 754871023, "in": [], "out": [ @@ -30745,7 +30781,7 @@ }, { "str": "the", - "token_id": 3533, + "token_id": 3539, "o_rev_id": 754871023, "in": [], "out": [ @@ -30754,7 +30790,7 @@ }, { "str": "worst", - "token_id": 3534, + "token_id": 3540, "o_rev_id": 754871023, "in": [], "out": [ @@ -30763,7 +30799,7 @@ }, { "str": "\"", - "token_id": 3535, + "token_id": 3541, "o_rev_id": 754871023, "in": [], "out": [ @@ -30772,7 +30808,7 @@ }, { "str": "to", - "token_id": 3536, + "token_id": 3542, "o_rev_id": 754871023, "in": [], "out": [ @@ -30781,7 +30817,7 @@ }, { "str": "old", - "token_id": 3537, + "token_id": 3543, "o_rev_id": 754871023, "in": [], "out": [ @@ -30790,7 +30826,7 @@ }, { "str": "les", - "token_id": 3538, + "token_id": 3544, "o_rev_id": 754871023, "in": [], "out": [ @@ -30799,7 +30835,7 @@ }, { "str": "chase", - "token_id": 3539, + "token_id": 3545, "o_rev_id": 754871023, "in": [], "out": [ @@ -30808,7 +30844,7 @@ }, { "str": "bank", - "token_id": 3540, + "token_id": 3546, "o_rev_id": 754871023, "in": [], "out": [ @@ -30817,7 +30853,7 @@ }, { "str": "|", - "token_id": 3541, + "token_id": 3547, "o_rev_id": 754871023, "in": [], "out": [ @@ -30826,7 +30862,7 @@ }, { "str": "newspaper", - "token_id": 3542, + "token_id": 3548, "o_rev_id": 754871023, "in": [], "out": [ @@ -30835,7 +30871,7 @@ }, { "str": "=", - "token_id": 3543, + "token_id": 3549, "o_rev_id": 754871023, "in": [], "out": [ @@ -30844,7 +30880,7 @@ }, { "str": "gothamist", - "token_id": 3544, + "token_id": 3550, "o_rev_id": 754871023, "in": [], "out": [ @@ -30853,7 +30889,7 @@ }, { "str": "|", - "token_id": 3545, + "token_id": 3551, "o_rev_id": 754871023, "in": [], "out": [ @@ -30862,7 +30898,7 @@ }, { "str": "language", - "token_id": 3546, + "token_id": 3552, "o_rev_id": 754871023, "in": [], "out": [ @@ -30871,7 +30907,7 @@ }, { "str": "=", - "token_id": 3547, + "token_id": 3553, "o_rev_id": 754871023, "in": [], "out": [ @@ -30880,7 +30916,7 @@ }, { "str": "en", - "token_id": 3548, + "token_id": 3554, "o_rev_id": 754871023, "in": [], "out": [ @@ -30889,7 +30925,7 @@ }, { "str": "-", - "token_id": 3549, + "token_id": 3555, "o_rev_id": 754871023, "in": [], "out": [ @@ -30898,7 +30934,7 @@ }, { "str": "us", - "token_id": 3550, + "token_id": 3556, "o_rev_id": 754871023, "in": [], "out": [ @@ -30907,7 +30943,7 @@ }, { "str": "|", - "token_id": 3551, + "token_id": 3557, "o_rev_id": 754871023, "in": [], "out": [ @@ -30916,7 +30952,7 @@ }, { "str": "access", - "token_id": 3552, + "token_id": 3558, "o_rev_id": 754871023, "in": [], "out": [ @@ -30925,7 +30961,7 @@ }, { "str": "-", - "token_id": 3553, + "token_id": 3559, "o_rev_id": 754871023, "in": [], "out": [ @@ -30934,7 +30970,7 @@ }, { "str": "date", - "token_id": 3554, + "token_id": 3560, "o_rev_id": 754871023, "in": [], "out": [ @@ -30943,7 +30979,7 @@ }, { "str": "=", - "token_id": 3555, + "token_id": 3561, "o_rev_id": 754871023, "in": [], "out": [ @@ -30952,7 +30988,7 @@ }, { "str": "2016", - "token_id": 3556, + "token_id": 3562, "o_rev_id": 754871023, "in": [], "out": [ @@ -30961,7 +30997,7 @@ }, { "str": "-", - "token_id": 3557, + "token_id": 3563, "o_rev_id": 754871023, "in": [], "out": [ @@ -30970,7 +31006,7 @@ }, { "str": "12", - "token_id": 3558, + "token_id": 3564, "o_rev_id": 754871023, "in": [], "out": [ @@ -30979,7 +31015,7 @@ }, { "str": "-", - "token_id": 3559, + "token_id": 3565, "o_rev_id": 754871023, "in": [], "out": [ @@ -30988,7 +31024,7 @@ }, { "str": "14", - "token_id": 3560, + "token_id": 3566, "o_rev_id": 754871023, "in": [], "out": [ @@ -30997,7 +31033,7 @@ }, { "str": "}}", - "token_id": 3561, + "token_id": 3567, "o_rev_id": 754871023, "in": [], "out": [ @@ -31006,7 +31042,7 @@ }, { "str": "<", - "token_id": 3562, + "token_id": 3568, "o_rev_id": 754871023, "in": [], "out": [ @@ -31015,7 +31051,7 @@ }, { "str": "/", - "token_id": 3563, + "token_id": 3569, "o_rev_id": 754871023, "in": [], "out": [ @@ -31024,7 +31060,7 @@ }, { "str": "ref", - "token_id": 3564, + "token_id": 3570, "o_rev_id": 754871023, "in": [], "out": [ @@ -31033,14 +31069,14 @@ }, { "str": ">", - "token_id": 3565, + "token_id": 3571, "o_rev_id": 754871023, "in": [], "out": [] }, { "str": "'", - "token_id": 3566, + "token_id": 3572, "o_rev_id": 754871172, "in": [ 754872353, @@ -31055,7 +31091,7 @@ }, { "str": "'", - "token_id": 3567, + "token_id": 3573, "o_rev_id": 754871172, "in": [], "out": [ @@ -31064,7 +31100,7 @@ }, { "str": "taylor", - "token_id": 3568, + "token_id": 3574, "o_rev_id": 754871172, "in": [], "out": [ @@ -31073,7 +31109,7 @@ }, { "str": "photo", - "token_id": 3569, + "token_id": 3575, "o_rev_id": 754871172, "in": [ 754871949 @@ -31084,7 +31120,7 @@ }, { "str": "booth", - "token_id": 3570, + "token_id": 3576, "o_rev_id": 754871172, "in": [ 754871949 @@ -31095,7 +31131,7 @@ }, { "str": "'", - "token_id": 3571, + "token_id": 3577, "o_rev_id": 754871172, "in": [ 754871949 @@ -31106,7 +31142,7 @@ }, { "str": "\"", - "token_id": 3572, + "token_id": 3578, "o_rev_id": 754871172, "in": [ 754871949 @@ -31117,7 +31153,7 @@ }, { "str": "hanksy", - "token_id": 3573, + "token_id": 3579, "o_rev_id": 754871172, "in": [ 754871949 @@ -31128,7 +31164,7 @@ }, { "str": "\"", - "token_id": 3574, + "token_id": 3580, "o_rev_id": 754871172, "in": [ 754871652 @@ -31139,7 +31175,7 @@ }, { "str": "{{", - "token_id": 3575, + "token_id": 3581, "o_rev_id": 754871338, "in": [], "out": [ @@ -31148,7 +31184,7 @@ }, { "str": "external", - "token_id": 3576, + "token_id": 3582, "o_rev_id": 754871338, "in": [], "out": [ @@ -31157,7 +31193,7 @@ }, { "str": "links", - "token_id": 3577, + "token_id": 3583, "o_rev_id": 754871338, "in": [], "out": [ @@ -31166,7 +31202,7 @@ }, { "str": "|", - "token_id": 3578, + "token_id": 3584, "o_rev_id": 754871338, "in": [], "out": [ @@ -31175,7 +31211,7 @@ }, { "str": "date", - "token_id": 3579, + "token_id": 3585, "o_rev_id": 754871338, "in": [], "out": [ @@ -31184,7 +31220,7 @@ }, { "str": "=", - "token_id": 3580, + "token_id": 3586, "o_rev_id": 754871338, "in": [], "out": [ @@ -31193,7 +31229,7 @@ }, { "str": "june", - "token_id": 3581, + "token_id": 3587, "o_rev_id": 754871338, "in": [], "out": [ @@ -31202,7 +31238,7 @@ }, { "str": "2016", - "token_id": 3582, + "token_id": 3588, "o_rev_id": 754871338, "in": [], "out": [ @@ -31211,7 +31247,7 @@ }, { "str": "}}", - "token_id": 3583, + "token_id": 3589, "o_rev_id": 754871338, "in": [], "out": [ @@ -31220,7 +31256,7 @@ }, { "str": "*", - "token_id": 3584, + "token_id": 3590, "o_rev_id": 754871338, "in": [], "out": [ @@ -31229,7 +31265,7 @@ }, { "str": "http", - "token_id": 3585, + "token_id": 3591, "o_rev_id": 754871338, "in": [], "out": [ @@ -31238,7 +31274,7 @@ }, { "str": ":", - "token_id": 3586, + "token_id": 3592, "o_rev_id": 754871338, "in": [], "out": [ @@ -31247,7 +31283,7 @@ }, { "str": "/", - "token_id": 3587, + "token_id": 3593, "o_rev_id": 754871338, "in": [], "out": [ @@ -31256,7 +31292,7 @@ }, { "str": "/", - "token_id": 3588, + "token_id": 3594, "o_rev_id": 754871338, "in": [], "out": [ @@ -31265,7 +31301,7 @@ }, { "str": ".", - "token_id": 3589, + "token_id": 3595, "o_rev_id": 754871338, "in": [], "out": [ @@ -31274,7 +31310,7 @@ }, { "str": "com", - "token_id": 3590, + "token_id": 3596, "o_rev_id": 754871338, "in": [], "out": [ @@ -31283,7 +31319,7 @@ }, { "str": "/", - "token_id": 3591, + "token_id": 3597, "o_rev_id": 754871338, "in": [], "out": [ @@ -31292,7 +31328,7 @@ }, { "str": "(", - "token_id": 3592, + "token_id": 3598, "o_rev_id": 754871338, "in": [], "out": [ @@ -31301,7 +31337,7 @@ }, { "str": "website", - "token_id": 3593, + "token_id": 3599, "o_rev_id": 754871338, "in": [], "out": [ @@ -31310,7 +31346,7 @@ }, { "str": ")", - "token_id": 3594, + "token_id": 3600, "o_rev_id": 754871338, "in": [], "out": [ @@ -31319,7 +31355,7 @@ }, { "str": "*", - "token_id": 3595, + "token_id": 3601, "o_rev_id": 754871338, "in": [], "out": [ @@ -31328,7 +31364,7 @@ }, { "str": "http", - "token_id": 3596, + "token_id": 3602, "o_rev_id": 754871338, "in": [], "out": [ @@ -31337,7 +31373,7 @@ }, { "str": ":", - "token_id": 3597, + "token_id": 3603, "o_rev_id": 754871338, "in": [], "out": [ @@ -31346,7 +31382,7 @@ }, { "str": "/", - "token_id": 3598, + "token_id": 3604, "o_rev_id": 754871338, "in": [], "out": [ @@ -31355,7 +31391,7 @@ }, { "str": "/", - "token_id": 3599, + "token_id": 3605, "o_rev_id": 754871338, "in": [], "out": [ @@ -31364,7 +31400,7 @@ }, { "str": "http", - "token_id": 3600, + "token_id": 3606, "o_rev_id": 754871338, "in": [], "out": [ @@ -31373,7 +31409,7 @@ }, { "str": ":", - "token_id": 3601, + "token_id": 3607, "o_rev_id": 754871338, "in": [], "out": [ @@ -31382,7 +31418,7 @@ }, { "str": "/", - "token_id": 3602, + "token_id": 3608, "o_rev_id": 754871338, "in": [], "out": [ @@ -31391,7 +31427,7 @@ }, { "str": "/", - "token_id": 3603, + "token_id": 3609, "o_rev_id": 754871338, "in": [], "out": [ @@ -31400,7 +31436,7 @@ }, { "str": "www", - "token_id": 3604, + "token_id": 3610, "o_rev_id": 754871338, "in": [], "out": [ @@ -31409,7 +31445,7 @@ }, { "str": ".", - "token_id": 3605, + "token_id": 3611, "o_rev_id": 754871338, "in": [], "out": [ @@ -31418,7 +31454,7 @@ }, { "str": "ovationtv", - "token_id": 3606, + "token_id": 3612, "o_rev_id": 754871338, "in": [], "out": [ @@ -31427,7 +31463,7 @@ }, { "str": ".", - "token_id": 3607, + "token_id": 3613, "o_rev_id": 754871338, "in": [], "out": [ @@ -31436,7 +31472,7 @@ }, { "str": "com", - "token_id": 3608, + "token_id": 3614, "o_rev_id": 754871338, "in": [], "out": [ @@ -31445,7 +31481,7 @@ }, { "str": "/", - "token_id": 3609, + "token_id": 3615, "o_rev_id": 754871338, "in": [], "out": [ @@ -31454,7 +31490,7 @@ }, { "str": "series", - "token_id": 3610, + "token_id": 3616, "o_rev_id": 754871338, "in": [], "out": [ @@ -31463,7 +31499,7 @@ }, { "str": "/", - "token_id": 3611, + "token_id": 3617, "o_rev_id": 754871338, "in": [], "out": [ @@ -31472,7 +31508,7 @@ }, { "str": "hanksy", - "token_id": 3612, + "token_id": 3618, "o_rev_id": 754871338, "in": [], "out": [ @@ -31481,7 +31517,7 @@ }, { "str": "-", - "token_id": 3613, + "token_id": 3619, "o_rev_id": 754871338, "in": [], "out": [ @@ -31490,7 +31526,7 @@ }, { "str": "surplus", - "token_id": 3614, + "token_id": 3620, "o_rev_id": 754871338, "in": [], "out": [ @@ -31499,7 +31535,7 @@ }, { "str": "-", - "token_id": 3615, + "token_id": 3621, "o_rev_id": 754871338, "in": [], "out": [ @@ -31508,7 +31544,7 @@ }, { "str": "candy", - "token_id": 3616, + "token_id": 3622, "o_rev_id": 754871338, "in": [], "out": [ @@ -31517,7 +31553,7 @@ }, { "str": "/", - "token_id": 3617, + "token_id": 3623, "o_rev_id": 754871338, "in": [], "out": [ @@ -31526,7 +31562,7 @@ }, { "str": "/", - "token_id": 3618, + "token_id": 3624, "o_rev_id": 754871338, "in": [], "out": [ @@ -31535,7 +31571,7 @@ }, { "str": "(", - "token_id": 3619, + "token_id": 3625, "o_rev_id": 754871338, "in": [], "out": [ @@ -31544,7 +31580,7 @@ }, { "str": "ovation", - "token_id": 3620, + "token_id": 3626, "o_rev_id": 754871338, "in": [], "out": [ @@ -31553,7 +31589,7 @@ }, { "str": "tv", - "token_id": 3621, + "token_id": 3627, "o_rev_id": 754871338, "in": [], "out": [ @@ -31562,7 +31598,7 @@ }, { "str": ":", - "token_id": 3622, + "token_id": 3628, "o_rev_id": 754871338, "in": [], "out": [ @@ -31571,7 +31607,7 @@ }, { "str": "surplus", - "token_id": 3623, + "token_id": 3629, "o_rev_id": 754871338, "in": [], "out": [ @@ -31580,7 +31616,7 @@ }, { "str": "candy", - "token_id": 3624, + "token_id": 3630, "o_rev_id": 754871338, "in": [], "out": [ @@ -31589,7 +31625,7 @@ }, { "str": ")", - "token_id": 3625, + "token_id": 3631, "o_rev_id": 754871338, "in": [], "out": [ @@ -31598,7 +31634,7 @@ }, { "str": "\"", - "token_id": 3626, + "token_id": 3632, "o_rev_id": 754871652, "in": [], "out": [ @@ -31607,7 +31643,7 @@ }, { "str": "hanksy", - "token_id": 3627, + "token_id": 3633, "o_rev_id": 754871652, "in": [], "out": [ @@ -31616,142 +31652,88 @@ }, { "str": "[[", - "token_id": 3628, + "token_id": 3634, "o_rev_id": 754871949, "in": [], "out": [] }, { "str": "wonka", - "token_id": 3629, + "token_id": 3635, "o_rev_id": 754871949, "in": [], "out": [] }, { "str": "&", - "token_id": 3630, + "token_id": 3636, "o_rev_id": 754871949, "in": [], "out": [] }, { "str": "the", - "token_id": 3631, + "token_id": 3637, "o_rev_id": 754871949, "in": [], "out": [] }, { "str": "chocolate", - "token_id": 3632, + "token_id": 3638, "o_rev_id": 754871949, "in": [], "out": [] }, { "str": "factory", - "token_id": 3633, + "token_id": 3639, "o_rev_id": 754871949, "in": [], "out": [] }, { "str": "|", - "token_id": 3634, + "token_id": 3640, "o_rev_id": 754871949, "in": [], "out": [] }, { "str": "willy", - "token_id": 3635, + "token_id": 3641, "o_rev_id": 754871949, "in": [], "out": [] }, { "str": "wonka", - "token_id": 3636, + "token_id": 3642, "o_rev_id": 754871949, "in": [], "out": [] }, { "str": "]]", - "token_id": 3637, + "token_id": 3643, "o_rev_id": 754871949, "in": [], "out": [] }, { "str": "[[", - 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"token_id": 3661, + "token_id": 3667, "o_rev_id": 754872629, "in": [ 754873396 @@ -31904,7 +31940,7 @@ }, { "str": "[[", - "token_id": 3662, + "token_id": 3668, "o_rev_id": 754872629, "in": [ 825656022 @@ -31916,7 +31952,7 @@ }, { "str": "]]", - "token_id": 3663, + "token_id": 3669, "o_rev_id": 754872629, "in": [ 825656022 @@ -31928,56 +31964,56 @@ }, { "str": "[[", - "token_id": 3664, + "token_id": 3670, "o_rev_id": 754872629, "in": [], "out": [] }, { "str": "banksy", - "token_id": 3665, + "token_id": 3671, "o_rev_id": 754872629, "in": [], "out": [] }, { "str": "]]", - "token_id": 3666, + "token_id": 3672, "o_rev_id": 754872629, "in": [], "out": [] }, { "str": "'", - "token_id": 3667, + "token_id": 3673, "o_rev_id": 754872629, "in": [], "out": [] }, { "str": "[[", - "token_id": 3668, + "token_id": 3674, "o_rev_id": 754872629, "in": [], "out": [] }, { "str": "]]", - "token_id": 3669, + "token_id": 3675, "o_rev_id": 754872629, "in": [], "out": [] }, { "str": "[[", - "token_id": 3670, + "token_id": 3676, "o_rev_id": 754872629, "in": [], "out": [] }, { "str": "]]", - 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"token_id": 3681, + "token_id": 3687, "o_rev_id": 754872629, "in": [], "out": [] }, { "str": "[[", - "token_id": 3682, + "token_id": 3688, "o_rev_id": 754872629, "in": [], "out": [] }, { "str": "]]", - "token_id": 3683, + "token_id": 3689, "o_rev_id": 754872629, "in": [], "out": [ @@ -32076,35 +32112,35 @@ }, { "str": "'", - "token_id": 3684, + "token_id": 3690, "o_rev_id": 754872629, "in": [], "out": [] }, { "str": "'", - "token_id": 3685, + "token_id": 3691, "o_rev_id": 754872629, "in": [], "out": [] }, { "str": "'", - "token_id": 3686, + "token_id": 3692, "o_rev_id": 754872629, "in": [], "out": [] }, { "str": "'", - "token_id": 3687, + "token_id": 3693, "o_rev_id": 754872629, "in": [], "out": [] }, { "str": "[[", - "token_id": 3688, + "token_id": 3694, "o_rev_id": 754872629, "in": [], "out": [ @@ -32113,7 +32149,7 @@ }, { "str": "ovation", - "token_id": 3689, + "token_id": 3695, "o_rev_id": 754872629, "in": [], "out": [ @@ -32122,7 +32158,7 @@ }, { "str": "(", - "token_id": 3690, + "token_id": 3696, "o_rev_id": 754872629, "in": [], "out": [ @@ -32131,7 +32167,7 @@ }, { "str": "disambiguation", - 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"token_id": 3718, + "token_id": 3724, "o_rev_id": 754872913, "in": [], "out": [ @@ -32361,7 +32397,7 @@ }, { "str": "]]", - "token_id": 3719, + "token_id": 3725, "o_rev_id": 754872913, "in": [], "out": [ @@ -32370,21 +32406,21 @@ }, { "str": "[[", - "token_id": 3720, + "token_id": 3726, "o_rev_id": 754872913, "in": [], "out": [] }, { "str": "]]", - "token_id": 3721, + "token_id": 3727, "o_rev_id": 754872913, "in": [], "out": [] }, { "str": "[[", - "token_id": 3722, + "token_id": 3728, "o_rev_id": 754872913, "in": [ 1163557612 @@ -32395,7 +32431,7 @@ }, { "str": "]]", - "token_id": 3723, + "token_id": 3729, "o_rev_id": 754872913, "in": [ 1163557612 @@ -32406,7 +32442,7 @@ }, { "str": "[[", - "token_id": 3724, + "token_id": 3730, "o_rev_id": 754872913, "in": [ 1163557612 @@ -32417,7 +32453,7 @@ }, { "str": "]]", - "token_id": 3725, + "token_id": 3731, "o_rev_id": 754872913, "in": [ 1163557612 @@ -32428,7 +32464,7 @@ }, { "str": "[[", - "token_id": 3726, + "token_id": 3732, "o_rev_id": 754872913, "in": [ 1163557612 @@ -32439,7 +32475,7 @@ }, { "str": ",", - "token_id": 3727, + "token_id": 3733, "o_rev_id": 754872913, "in": [ 1163557612 @@ -32450,7 +32486,7 @@ }, { "str": "los", - "token_id": 3728, + "token_id": 3734, "o_rev_id": 754872913, "in": [ 1163557612 @@ -32461,7 +32497,7 @@ }, { "str": "angeles", - "token_id": 3729, + "token_id": 3735, "o_rev_id": 754872913, "in": [ 1163557612 @@ -32472,7 +32508,7 @@ }, { "str": "|", - "token_id": 3730, + "token_id": 3736, "o_rev_id": 754872913, "in": [ 1163557612 @@ -32483,7 +32519,7 @@ }, { "str": "west", - "token_id": 3731, + "token_id": 3737, "o_rev_id": 754872913, "in": [ 1163557612 @@ -32494,7 +32530,7 @@ }, { "str": "adams", - "token_id": 3732, + "token_id": 3738, "o_rev_id": 754872913, "in": [ 1163557612 @@ -32505,7 +32541,7 @@ }, { "str": "]]", - "token_id": 3733, + "token_id": 3739, "o_rev_id": 754872913, "in": [ 1163557612 @@ -32516,7 +32552,7 @@ }, { "str": "[[", - "token_id": 3734, + "token_id": 3740, "o_rev_id": 754872913, "in": [], "out": [ @@ -32525,7 +32561,7 @@ }, { "str": "ovation", - "token_id": 3735, + "token_id": 3741, "o_rev_id": 754872913, "in": [], "out": [ @@ -32534,7 +32570,7 @@ }, { "str": "(", - "token_id": 3736, + "token_id": 3742, "o_rev_id": 754872913, "in": [], "out": [ @@ -32543,7 +32579,7 @@ }, { "str": "disambiguation", - "token_id": 3737, + "token_id": 3743, "o_rev_id": 754872913, "in": [], "out": [ @@ -32552,7 +32588,7 @@ }, { "str": ")", - "token_id": 3738, + "token_id": 3744, "o_rev_id": 754872913, "in": [], "out": [ @@ -32561,7 +32597,7 @@ }, { "str": "|", - "token_id": 3739, + "token_id": 3745, "o_rev_id": 754872913, "in": [], "out": [ @@ -32570,7 +32606,7 @@ }, { "str": "]]", - "token_id": 3740, + "token_id": 3746, "o_rev_id": 754872913, "in": [], "out": [ @@ -32579,7 +32615,7 @@ }, { "str": "[[", - "token_id": 3741, + "token_id": 3747, "o_rev_id": 754872941, "in": [ 754874216 @@ -32591,7 +32627,7 @@ }, { "str": "anonymity", - "token_id": 3742, + "token_id": 3748, "o_rev_id": 754872941, "in": [ 754874216 @@ -32603,7 +32639,7 @@ }, { "str": "|", - 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"str": "'", + "str": "new", "token_id": 3755, "o_rev_id": 754872941, "in": [], + "out": [ + 754920833 + ] + }, + { + "str": "york", + "token_id": 3756, + "o_rev_id": 754872941, + "in": [], + "out": [ + 754920833 + ] + }, + { + "str": "times", + "token_id": 3757, + "o_rev_id": 754872941, + "in": [], + "out": [ + 754920833 + ] + }, + { + "str": "'", + "token_id": 3758, + "o_rev_id": 754872941, + "in": [], "out": [] }, { "str": "'", - "token_id": 3756, + "token_id": 3759, + "o_rev_id": 754872941, + "in": [], + "out": [] + }, + { + "str": "|", + "token_id": 3760, + "o_rev_id": 754872941, + "in": [], + "out": [ + 754920833 + ] + }, + { + "str": "'", + "token_id": 3761, + "o_rev_id": 754872941, + "in": [], + "out": [] + }, + { + "str": "'", + "token_id": 3762, "o_rev_id": 754872941, "in": [], "out": [] }, { "str": "rolling", - "token_id": 3757, + "token_id": 3763, "o_rev_id": 754872941, "in": [], "out": [ @@ -32732,7 +32768,7 @@ }, { "str": "stone", - "token_id": 3758, + "token_id": 3764, "o_rev_id": 754872941, "in": [], "out": [ @@ -32741,7 +32777,7 @@ }, { "str": "'", - "token_id": 3759, + "token_id": 3765, "o_rev_id": 754872941, "in": [], "out": [ @@ -32750,7 +32786,7 @@ }, { "str": "'", - "token_id": 3760, + "token_id": 3766, "o_rev_id": 754872941, "in": [], "out": [ @@ -32759,42 +32795,42 @@ }, { "str": "|", - "token_id": 3761, + "token_id": 3767, "o_rev_id": 754872941, "in": [], "out": [] }, { "str": "'", - "token_id": 3762, + "token_id": 3768, "o_rev_id": 754872941, "in": [], "out": [] }, { "str": "'", - "token_id": 3763, + "token_id": 3769, "o_rev_id": 754872941, "in": [], "out": [] }, { "str": "'", - "token_id": 3764, + "token_id": 3770, "o_rev_id": 754872941, "in": [], "out": [] }, { "str": "'", - "token_id": 3765, + "token_id": 3771, "o_rev_id": 754872941, "in": [], "out": [] }, { "str": "|", - "token_id": 3766, + "token_id": 3772, "o_rev_id": 754872941, "in": [], "out": [ @@ -32803,21 +32839,21 @@ }, { "str": "'", - "token_id": 3767, + "token_id": 3773, "o_rev_id": 754872941, "in": [], "out": [] }, { "str": "'", - "token_id": 3768, + "token_id": 3774, "o_rev_id": 754872941, "in": [], "out": [] }, { "str": "the", - "token_id": 3769, + "token_id": 3775, "o_rev_id": 754872941, "in": [], "out": [ @@ -32826,7 +32862,7 @@ }, { "str": "washington", - "token_id": 3770, + "token_id": 3776, "o_rev_id": 754872941, "in": [], "out": [ @@ -32835,7 +32871,7 @@ }, { "str": "post", - "token_id": 3771, + "token_id": 3777, "o_rev_id": 754872941, "in": [], "out": [ @@ -32844,7 +32880,7 @@ }, { "str": "'", - "token_id": 3772, + "token_id": 3778, "o_rev_id": 754872941, "in": [], "out": [ @@ -32853,7 +32889,7 @@ }, { "str": "'", - "token_id": 3773, + "token_id": 3779, "o_rev_id": 754872941, "in": [], "out": [ @@ -32862,7 +32898,7 @@ }, { "str": "'", - "token_id": 3774, + "token_id": 3780, "o_rev_id": 754873335, "in": [], "out": [ @@ -32871,7 +32907,7 @@ }, { "str": "[[", - "token_id": 3775, + "token_id": 3781, "o_rev_id": 754873396, "in": [], "out": [ @@ -32880,21 +32916,21 @@ }, { "str": "ovation", - "token_id": 3776, + "token_id": 3782, "o_rev_id": 754873396, "in": [], "out": [] }, { "str": "(", - "token_id": 3777, + "token_id": 3783, "o_rev_id": 754873396, "in": [], "out": [] }, { "str": "disambiguation", - "token_id": 3778, + "token_id": 3784, "o_rev_id": 754873396, "in": [], "out": [ @@ -32903,14 +32939,14 @@ }, { "str": ")", - "token_id": 3779, + "token_id": 3785, "o_rev_id": 754873396, "in": [], "out": [] }, { "str": "|", - "token_id": 3780, + "token_id": 3786, "o_rev_id": 754873396, "in": [], "out": [ @@ -32919,7 +32955,7 @@ }, { "str": "]]", - "token_id": 3781, + "token_id": 3787, "o_rev_id": 754873396, "in": [], "out": [ @@ -32928,70 +32964,70 @@ }, { "str": "<", - "token_id": 3782, + "token_id": 3788, "o_rev_id": 754873396, "in": [], "out": [] }, { "str": "ref", - "token_id": 3783, + "token_id": 3789, "o_rev_id": 754873396, "in": [], "out": [] }, { "str": ">", - "token_id": 3784, + "token_id": 3790, "o_rev_id": 754873396, "in": [], "out": [] }, { "str": "{{", - "token_id": 3785, + "token_id": 3791, "o_rev_id": 754873396, "in": [], "out": [] }, { "str": "cite", - "token_id": 3786, + "token_id": 3792, "o_rev_id": 754873396, "in": [], "out": [] }, { "str": "web", - "token_id": 3787, + "token_id": 3793, "o_rev_id": 754873396, "in": [], "out": [] }, { "str": "|", - "token_id": 3788, + "token_id": 3794, "o_rev_id": 754873396, "in": [], "out": [] }, { "str": "url", - "token_id": 3789, + "token_id": 3795, "o_rev_id": 754873396, "in": [], "out": [] }, { "str": "=", - "token_id": 3790, + "token_id": 3796, "o_rev_id": 754873396, "in": [], "out": [] }, { "str": "http", - "token_id": 3791, + "token_id": 3797, "o_rev_id": 754873396, "in": [], "out": [ @@ -33000,7 +33036,7 @@ }, { "str": ":", - "token_id": 3792, + "token_id": 3798, "o_rev_id": 754873396, "in": [], "out": [ @@ -33009,7 +33045,7 @@ }, { "str": "/", - "token_id": 3793, + "token_id": 3799, "o_rev_id": 754873396, "in": [], "out": [ @@ -33018,7 +33054,7 @@ }, { "str": "/", - "token_id": 3794, + "token_id": 3800, "o_rev_id": 754873396, "in": [], "out": [ @@ -33027,7 +33063,7 @@ }, { "str": "www", - "token_id": 3795, + "token_id": 3801, "o_rev_id": 754873396, "in": [], "out": [ @@ -33036,7 +33072,7 @@ }, { "str": ".", - "token_id": 3796, + "token_id": 3802, "o_rev_id": 754873396, "in": [], "out": [ @@ -33045,35 +33081,35 @@ }, { "str": "artnet", - 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早浦小学校簡易教場・亀浦小学...'", + "*": "{{日本の小学校\n|校名=天草市立二浦小学校\n|画像=\n|過去校名=早浦小学校・亀浦小学校
早浦小学校簡易教場・亀浦小学校簡易教場
早浦尋常小学校・亀浦尋常小学校
白石尋常小学校
白石尋常高等小学校
白石国民学校
二浦村立白石小学校
牛深市立二浦小学校\n|国公私立=[[公立学校]]\n|設置者=[[天草市]]\n|併合学校=天草町立大江小学校向辺田分校\n|校訓=\n|設立年月日=[[1947年]]\n|記念日名称=\n|創立記念日=\n|共学・別学=[[男女共学]]\n|分校=\n|学期=\n|小学校コード=\n|郵便番号=863-1432\n|所在地=熊本県天草市二浦町亀浦4407番地1\n|外部リンク=[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 公式サイト]\n}}\n\n'''天草市立二浦小学校'''（あまくさしりつ ふたうらしょうがっこう）は、[[熊本県]][[天草市]]二浦町亀浦にある[[小学校]]。\n\n== 沿革 ==\n* [[1875年|1875年(明治8年)]] - 早浦小学校、亀浦小学校創立\n* [[1886年|1886年(明治19年)]] - 両校とも小学校簡易教場となる。\n* [[1892年|1892年(明治25年)]] - 両校とも尋常小学校となる。\n* [[1922年|1922年(大正11年)]] - 両校が合併し白石尋常小学校となる。\n* [[1923年|1923年(大正12年)]] - 白石尋常高等小学校と改称\n* [[1940年|1940年(昭和15年)]] - 白石国民学校と改称\n* [[1947年|1947年(昭和22年)]] - 二浦村立白石小学校と改称\n* [[1954年|1954年(昭和29年)]] - [[牛深市]]立二浦小学校と改称\n* [[2004年|2004年(平成16年)]] - 天草町立大江小学校向辺田分校を統合。\n* [[2006年|2006年(平成18年)]] - 天草市立魚貫小学校と改称。\n\n== 歴代校長 ==\n* - 初代校長 \n* - 現校長 \n\n== 委員会 ==\n\n== クラブ活動 ==\n=== 運動部 ===\n\n== 関連項目 ==\n* [[熊本県小学校一覧]]\n* [[天草市立牛深中学校]]\n\n== 学校周辺 ==\n* [[熊本県道35号牛深天草線]]\n* [[羊角湾]]\n\n== 外部リンク ==\n*[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 天草市立二浦小学校]\n{{School-stub|pref=熊本県}}\n\n{{DEFAULTSORT:あまくさしりつふたうら}}\n[[Category:熊本県の公立小学校]]\n[[Category:天草市|ふたうらしよう]]\n[[Category:学校記事]]" + }, + { + "revid": 37342363, + "parentid": 37043401, + "minor": false, + "user": "122.31.9.103", + "anon": true, + "userid": 0, + "timestamp": "2011-04-26T14:53:20Z", + "sha1": "cec6392c478dbed84970584b173c393f8c01157c", + "comment": "", + "*": "{{日本の小学校\n|校名=天草市立二浦小学校\n|画像=\n|過去校名=早浦小学校・亀浦小学校
早浦小学校簡易教場・亀浦小学校簡易教場
早浦尋常小学校・亀浦尋常小学校
白石尋常小学校
白石尋常高等小学校
白石国民学校
二浦村立白石小学校
牛深市立二浦小学校\n|国公私立=[[公立学校]]\n|設置者=[[天草市]]\n|併合学校=天草町立大江小学校向辺田分校\n|校訓=\n|設立年月日=[[1947年]]\n|記念日名称=\n|創立記念日=\n|共学・別学=[[男女共学]]\n|分校=\n|学期=\n|小学校コード=\n|郵便番号=863-1432\n|所在地=熊本県天草市二浦町亀浦4407番地1\n|外部リンク=[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 公式サイト]\n}}\n\n'''天草市立二浦小学校'''（あまくさしりつ ふたうらしょうがっこう）は、[[熊本県]][[天草市]]二浦町亀浦にある[[小学校]]。\n\n== 沿革 ==\n* [[1875年|1875年(明治8年)]] - 早浦小学校、亀浦小学校創立\n* [[1886年|1886年(明治19年)]] - 両校とも小学校簡易教場となる。\n* [[1892年|1892年(明治25年)]] - 両校とも尋常小学校となる。\n* [[1922年|1922年(大正11年)]] - 両校が合併し白石尋常小学校となる。\n* [[1923年|1923年(大正12年)]] - 白石尋常高等小学校と改称\n* [[1940年|1940年(昭和15年)]] - 白石国民学校と改称\n* [[1947年|1947年(昭和22年)]] - 二浦村立白石小学校と改称\n* [[1954年|1954年(昭和29年)]] - [[牛深市]]立二浦小学校と改称\n* [[2004年|2004年(平成16年)]] - 天草町立大江小学校向辺田分校を統合。\n* [[2006年|2006年(平成18年)]] - 天草市立二浦小学校と改称。\n\n== 歴代校長 ==\n* - 初代校長 \n* - 現校長 \n\n== 委員会 ==\n\n== クラブ活動 ==\n=== 運動部 ===\n\n== 関連項目 ==\n* [[熊本県小学校一覧]]\n* [[天草市立牛深中学校]]\n\n== 学校周辺 ==\n* [[熊本県道35号牛深天草線]]\n* [[羊角湾]]\n\n== 外部リンク ==\n*[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 天草市立二浦小学校]\n{{School-stub|pref=熊本県}}\n\n{{DEFAULTSORT:あまくさしりつふたうら}}\n[[Category:熊本県の公立小学校]]\n[[Category:天草市|ふたうらしよう]]\n[[Category:学校記事]]" + }, + { + "revid": 37785263, + "parentid": 37342363, + "minor": false, + "user": "122.31.14.209", + "anon": true, + "userid": 0, + "timestamp": "2011-05-29T11:50:28Z", + "sha1": "35b17a501cb926212e9901916074a9fd7610e3ca", + "comment": "", + "*": "{{日本の小学校\n|校名=天草市立二浦小学校\n|画像=\n|過去校名=早浦小学校・亀浦小学校
早浦小学校簡易教場・亀浦小学校簡易教場
早浦尋常小学校・亀浦尋常小学校
白石尋常小学校
白石尋常高等小学校
白石国民学校
二浦村立白石小学校
牛深市立二浦小学校\n|国公私立=[[公立学校]]\n|設置者=[[天草市]]\n|併合学校=天草町立大江小学校向辺田分校\n|校訓=\n|設立年月日=[[1875年]]\n|記念日名称=\n|創立記念日=\n|共学・別学=[[男女共学]]\n|分校=\n|学期=\n|小学校コード=\n|郵便番号=863-1432\n|所在地=熊本県天草市二浦町亀浦4407番地1\n|外部リンク=[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 公式サイト]\n}}\n\n'''天草市立二浦小学校'''（あまくさしりつ ふたうらしょうがっこう）は、[[熊本県]][[天草市]]二浦町亀浦にある[[小学校]]。\n\n== 沿革 ==\n* [[1875年|1875年(明治8年)]] - 早浦小学校、亀浦小学校創立\n* [[1886年|1886年(明治19年)]] - 両校とも小学校簡易教場となる。\n* [[1892年|1892年(明治25年)]] - 両校とも尋常小学校となる。\n* [[1922年|1922年(大正11年)]] - 両校が合併し白石尋常小学校となる。\n* [[1923年|1923年(大正12年)]] - 白石尋常高等小学校と改称\n* [[1940年|1940年(昭和15年)]] - 白石国民学校と改称\n* [[1947年|1947年(昭和22年)]] - 二浦村立白石小学校と改称\n* [[1954年|1954年(昭和29年)]] - [[牛深市]]立二浦小学校と改称\n* [[2004年|2004年(平成16年)]] - 天草町立大江小学校向辺田分校を統合。\n* [[2006年|2006年(平成18年)]] - 天草市立二浦小学校と改称。\n\n== 歴代校長 ==\n* - 初代校長 \n* - 現校長 \n\n== 委員会 ==\n\n== クラブ活動 ==\n=== 運動部 ===\n\n== 関連項目 ==\n* [[熊本県小学校一覧]]\n* [[天草市立牛深中学校]]\n\n== 学校周辺 ==\n* [[熊本県道35号牛深天草線]]\n* [[羊角湾]]\n\n== 外部リンク ==\n*[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 天草市立二浦小学校]\n{{School-stub|pref=熊本県}}\n\n{{DEFAULTSORT:あまくさしりつふたうら}}\n[[Category:熊本県の公立小学校]]\n[[Category:天草市|ふたうらしよう]]\n[[Category:学校記事]]" + }, + { + "revid": 40845886, + "parentid": 37785263, + "minor": false, + "user": "220.108.236.169", + "anon": true, + "userid": 0, + "timestamp": "2012-01-17T20:17:39Z", + "sha1": "94d6279faed03ec267d4410526247c4b7747c95f", + "comment": "/* 外部リンク */", + "*": "{{日本の小学校\n|校名=天草市立二浦小学校\n|画像=\n|過去校名=早浦小学校・亀浦小学校
早浦小学校簡易教場・亀浦小学校簡易教場
早浦尋常小学校・亀浦尋常小学校
白石尋常小学校
白石尋常高等小学校
白石国民学校
二浦村立白石小学校
牛深市立二浦小学校\n|国公私立=[[公立学校]]\n|設置者=[[天草市]]\n|併合学校=天草町立大江小学校向辺田分校\n|校訓=\n|設立年月日=[[1875年]]\n|記念日名称=\n|創立記念日=\n|共学・別学=[[男女共学]]\n|分校=\n|学期=\n|小学校コード=\n|郵便番号=863-1432\n|所在地=熊本県天草市二浦町亀浦4407番地1\n|外部リンク=[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 公式サイト]\n}}\n\n'''天草市立二浦小学校'''（あまくさしりつ ふたうらしょうがっこう）は、[[熊本県]][[天草市]]二浦町亀浦にある[[小学校]]。\n\n== 沿革 ==\n* [[1875年|1875年(明治8年)]] - 早浦小学校、亀浦小学校創立\n* [[1886年|1886年(明治19年)]] - 両校とも小学校簡易教場となる。\n* [[1892年|1892年(明治25年)]] - 両校とも尋常小学校となる。\n* [[1922年|1922年(大正11年)]] - 両校が合併し白石尋常小学校となる。\n* [[1923年|1923年(大正12年)]] - 白石尋常高等小学校と改称\n* [[1940年|1940年(昭和15年)]] - 白石国民学校と改称\n* [[1947年|1947年(昭和22年)]] - 二浦村立白石小学校と改称\n* [[1954年|1954年(昭和29年)]] - [[牛深市]]立二浦小学校と改称\n* [[2004年|2004年(平成16年)]] - 天草町立大江小学校向辺田分校を統合。\n* [[2006年|2006年(平成18年)]] - 天草市立二浦小学校と改称。\n\n== 歴代校長 ==\n* - 初代校長 \n* - 現校長 \n\n== 委員会 ==\n\n== クラブ活動 ==\n=== 運動部 ===\n\n== 関連項目 ==\n* [[熊本県小学校一覧]]\n* [[天草市立牛深中学校]]\n\n== 学校周辺 ==\n* [[熊本県道35号牛深天草線]]\n* [[羊角湾]]\n\n== 外部リンク ==\n*[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 天草市立二浦小学校]\n\n{{School-stub|pref=熊本県}}\n{{DEFAULTSORT:あまくさしりつふたうら}}\n[[Category:熊本県の公立小学校]]\n[[Category:天草市の学校|ふたうらしよう]]\n[[Category:学校記事]]" + }, + { + "revid": 41011782, + "parentid": 40845886, + "minor": false, + "user": "121.113.185.169", + "anon": true, + "userid": 0, + "timestamp": "2012-01-29T17:26:49Z", + "sha1": "7ef412de359defae03976606fe81b48784468de5", + "comment": "/* 外部リンク */", + "*": "{{日本の小学校\n|校名=天草市立二浦小学校\n|画像=\n|過去校名=早浦小学校・亀浦小学校
早浦小学校簡易教場・亀浦小学校簡易教場
早浦尋常小学校・亀浦尋常小学校
白石尋常小学校
白石尋常高等小学校
白石国民学校
二浦村立白石小学校
牛深市立二浦小学校\n|国公私立=[[公立学校]]\n|設置者=[[天草市]]\n|併合学校=天草町立大江小学校向辺田分校\n|校訓=\n|設立年月日=[[1875年]]\n|記念日名称=\n|創立記念日=\n|共学・別学=[[男女共学]]\n|分校=\n|学期=\n|小学校コード=\n|郵便番号=863-1432\n|所在地=熊本県天草市二浦町亀浦4407番地1\n|外部リンク=[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 公式サイト]\n}}\n\n'''天草市立二浦小学校'''（あまくさしりつ ふたうらしょうがっこう）は、[[熊本県]][[天草市]]二浦町亀浦にある[[小学校]]。\n\n== 沿革 ==\n* [[1875年|1875年(明治8年)]] - 早浦小学校、亀浦小学校創立\n* [[1886年|1886年(明治19年)]] - 両校とも小学校簡易教場となる。\n* [[1892年|1892年(明治25年)]] - 両校とも尋常小学校となる。\n* [[1922年|1922年(大正11年)]] - 両校が合併し白石尋常小学校となる。\n* [[1923年|1923年(大正12年)]] - 白石尋常高等小学校と改称\n* [[1940年|1940年(昭和15年)]] - 白石国民学校と改称\n* [[1947年|1947年(昭和22年)]] - 二浦村立白石小学校と改称\n* [[1954年|1954年(昭和29年)]] - [[牛深市]]立二浦小学校と改称\n* [[2004年|2004年(平成16年)]] - 天草町立大江小学校向辺田分校を統合。\n* [[2006年|2006年(平成18年)]] - 天草市立二浦小学校と改称。\n\n== 歴代校長 ==\n* - 初代校長 \n* - 現校長 \n\n== 委員会 ==\n\n== クラブ活動 ==\n=== 運動部 ===\n\n== 関連項目 ==\n* [[熊本県小学校一覧]]\n* [[天草市立牛深中学校]]\n\n== 学校周辺 ==\n* [[熊本県道35号牛深天草線]]\n* [[羊角湾]]\n\n== 外部リンク ==\n*[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 天草市立二浦小学校]\n\n{{School-stub|pref=熊本県}}\n{{DEFAULTSORT:あまくさしりつふたうら}}\n[[Category:熊本県の公立小学校]]\n[[Category:天草市の小学校|ふたうら]]\n[[Category:学校記事]]" + }, + { + "revid": 45468022, + "parentid": 41011782, + "minor": false, + "user": "Sloopy-sloopy", + "userid": 588487, + "timestamp": "2012-12-21T14:30:02Z", + "sha1": "33b100ced570b903cbbf96bd5db007a138b58ef1", + "comment": "座標", + "*": "{{日本の小学校\n|校名=天草市立二浦小学校\n|画像=\n|過去校名=早浦小学校・亀浦小学校
早浦小学校簡易教場・亀浦小学校簡易教場
早浦尋常小学校・亀浦尋常小学校
白石尋常小学校
白石尋常高等小学校
白石国民学校
二浦村立白石小学校
牛深市立二浦小学校\n|国公私立=[[公立学校]]\n|設置者=[[天草市]]\n|併合学校=天草町立大江小学校向辺田分校\n|校訓=\n|設立年月日=[[1875年]]\n|記念日名称=\n|創立記念日=\n|共学・別学=[[男女共学]]\n|分校=\n|学期=\n|小学校コード=\n|郵便番号=863-1432\n|所在地=熊本県天草市二浦町亀浦4407番地1\n|座標={{ウィキ座標度分秒|32|16|38.5|N|130|2|14.2|E|region:JP}}\n|外部リンク=[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 公式サイト]\n}}\n\n'''天草市立二浦小学校'''（あまくさしりつ ふたうらしょうがっこう）は、[[熊本県]][[天草市]]二浦町亀浦にある[[小学校]]。\n\n== 沿革 ==\n* [[1875年|1875年(明治8年)]] - 早浦小学校、亀浦小学校創立\n* [[1886年|1886年(明治19年)]] - 両校とも小学校簡易教場となる。\n* [[1892年|1892年(明治25年)]] - 両校とも尋常小学校となる。\n* [[1922年|1922年(大正11年)]] - 両校が合併し白石尋常小学校となる。\n* [[1923年|1923年(大正12年)]] - 白石尋常高等小学校と改称\n* [[1940年|1940年(昭和15年)]] - 白石国民学校と改称\n* [[1947年|1947年(昭和22年)]] - 二浦村立白石小学校と改称\n* [[1954年|1954年(昭和29年)]] - [[牛深市]]立二浦小学校と改称\n* [[2004年|2004年(平成16年)]] - 天草町立大江小学校向辺田分校を統合。\n* [[2006年|2006年(平成18年)]] - 天草市立二浦小学校と改称。\n\n== 歴代校長 ==\n* - 初代校長 \n* - 現校長 \n\n== 委員会 ==\n\n== クラブ活動 ==\n=== 運動部 ===\n\n== 関連項目 ==\n* [[熊本県小学校一覧]]\n* [[天草市立牛深中学校]]\n\n== 学校周辺 ==\n* [[熊本県道35号牛深天草線]]\n* [[羊角湾]]\n\n== 外部リンク ==\n*[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 天草市立二浦小学校]\n\n{{School-stub|pref=熊本県}}\n{{DEFAULTSORT:あまくさしりつふたうら}}\n[[Category:熊本県の公立小学校]]\n[[Category:天草市の小学校|ふたうら]]\n[[Category:学校記事]]" + }, + { + "revid": 47334441, + "parentid": 45468022, + "minor": true, + "user": "BankuBot", + "userid": 726097, + "timestamp": "2013-04-12T04:39:07Z", + "sha1": "c19c5f5b6d4f8c69c30524e58ba679831c9c104b", + "comment": "[[:Category:画像提供依頼]]細分化に伴うカテゴライズ。[[Wikipedia‐ノート:画像提供依頼#画像提供依頼カテゴリの細分化|作業概要]] using [[Project:AWB|AWB]]", + "*": "{{日本の小学校\n|校名=天草市立二浦小学校\n|画像 = {{画像募集中|cat=熊本県}}\n|過去校名=早浦小学校・亀浦小学校
早浦小学校簡易教場・亀浦小学校簡易教場
早浦尋常小学校・亀浦尋常小学校
白石尋常小学校
白石尋常高等小学校
白石国民学校
二浦村立白石小学校
牛深市立二浦小学校\n|国公私立=[[公立学校]]\n|設置者=[[天草市]]\n|併合学校=天草町立大江小学校向辺田分校\n|校訓=\n|設立年月日=[[1875年]]\n|記念日名称=\n|創立記念日=\n|共学・別学=[[男女共学]]\n|分校=\n|学期=\n|小学校コード=\n|郵便番号=863-1432\n|所在地=熊本県天草市二浦町亀浦4407番地1\n|座標={{ウィキ座標度分秒|32|16|38.5|N|130|2|14.2|E|region:JP}}\n|外部リンク=[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 公式サイト]\n}}\n\n'''天草市立二浦小学校'''（あまくさしりつ ふたうらしょうがっこう）は、[[熊本県]][[天草市]]二浦町亀浦にある[[小学校]]。\n\n== 沿革 ==\n* [[1875年|1875年(明治8年)]] - 早浦小学校、亀浦小学校創立\n* [[1886年|1886年(明治19年)]] - 両校とも小学校簡易教場となる。\n* [[1892年|1892年(明治25年)]] - 両校とも尋常小学校となる。\n* [[1922年|1922年(大正11年)]] - 両校が合併し白石尋常小学校となる。\n* [[1923年|1923年(大正12年)]] - 白石尋常高等小学校と改称\n* [[1940年|1940年(昭和15年)]] - 白石国民学校と改称\n* [[1947年|1947年(昭和22年)]] - 二浦村立白石小学校と改称\n* [[1954年|1954年(昭和29年)]] - [[牛深市]]立二浦小学校と改称\n* [[2004年|2004年(平成16年)]] - 天草町立大江小学校向辺田分校を統合。\n* [[2006年|2006年(平成18年)]] - 天草市立二浦小学校と改称。\n\n== 歴代校長 ==\n* - 初代校長 \n* - 現校長 \n\n== 委員会 ==\n\n== クラブ活動 ==\n=== 運動部 ===\n\n== 関連項目 ==\n* [[熊本県小学校一覧]]\n* [[天草市立牛深中学校]]\n\n== 学校周辺 ==\n* [[熊本県道35号牛深天草線]]\n* [[羊角湾]]\n\n== 外部リンク ==\n*[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 天草市立二浦小学校]\n\n{{School-stub|pref=熊本県}}\n{{DEFAULTSORT:あまくさしりつふたうら}}\n[[Category:熊本県の公立小学校]]\n[[Category:天草市の小学校|ふたうら]]\n[[Category:学校記事]]" + }, + { + "revid": 51218167, + "parentid": 47334441, + "minor": false, + "user": "122.31.14.111", + "anon": true, + "userid": 0, + "timestamp": "2014-04-02T15:25:40Z", + "sha1": "3e44df7832505f44a646d3dd73fe9bcbc1d0b310", + "comment": "", + "*": "{{日本の小学校\n|校名=天草市立二浦小学校\n|画像 = {{画像募集中|cat=熊本県}}\n|過去校名=早浦小学校・亀浦小学校
早浦小学校簡易教場・亀浦小学校簡易教場
早浦尋常小学校・亀浦尋常小学校
白石尋常小学校
白石尋常高等小学校
白石国民学校
二浦村立白石小学校
牛深市立二浦小学校\n|国公私立=[[公立学校]]\n|設置者=[[天草市]]\n|併合学校=天草町立大江小学校向辺田分校\n|校訓=\n|設立年月日=[[1875年]]\n|閉校年月日=[[2014年]]\n|記念日名称=\n|創立記念日=\n|共学・別学=[[男女共学]]\n|分校=\n|学期=\n|小学校コード=\n|郵便番号=863-1432\n|所在地=熊本県天草市二浦町亀浦4407番地1\n|座標={{ウィキ座標度分秒|32|16|38.5|N|130|2|14.2|E|region:JP}}\n|外部リンク=[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 公式サイト]\n}}\n\n'''天草市立二浦小学校'''（あまくさしりつ ふたうらしょうがっこう）は、[[熊本県]][[天草市]]二浦町亀浦にある[[小学校]]。\n\n== 沿革 ==\n* [[1875年|1875年(明治8年)]] - 早浦小学校、亀浦小学校創立\n* [[1886年|1886年(明治19年)]] - 両校とも小学校簡易教場となる。\n* [[1892年|1892年(明治25年)]] - 両校とも尋常小学校となる。\n* [[1922年|1922年(大正11年)]] - 両校が合併し白石尋常小学校となる。\n* [[1923年|1923年(大正12年)]] - 白石尋常高等小学校と改称\n* [[1940年|1940年(昭和15年)]] - 白石国民学校と改称\n* [[1947年|1947年(昭和22年)]] - 二浦村立白石小学校と改称\n* [[1954年|1954年(昭和29年)]] - [[牛深市]]立二浦小学校と改称\n* [[2004年|2004年(平成16年)]] - 天草町立大江小学校向辺田分校を統合。\n* [[2006年|2006年(平成18年)]] - 天草市立二浦小学校と改称。\n* [[2014年|2014年(平成26年)]] - [[天草市立牛深小学校]]へ統合。\n\n== 歴代校長 ==\n* - 初代校長 \n* - 現校長 \n\n== 委員会 ==\n\n== クラブ活動 ==\n=== 運動部 ===\n\n== 関連項目 ==\n* [[熊本県小学校一覧]]\n* [[天草市立牛深中学校]]\n\n== 学校周辺 ==\n* [[熊本県道35号牛深天草線]]\n* [[羊角湾]]\n\n== 外部リンク ==\n*[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 天草市立二浦小学校]\n\n{{School-stub|pref=熊本県}}\n{{DEFAULTSORT:あまくさしりつふたうら}}\n[[Category:日本の公立小学校 (廃止)]]\n[[Category:熊本県の公立小学校|廃]]\n[[Category:天草市の小学校|ふたうら]]\n[[Category:学校記事]]" + }, + { + "revid": 53656415, + "parentid": 51218167, + "minor": true, + "user": "Miyuki Meinaka", + "userid": 251638, + "timestamp": "2014-11-29T08:27:30Z", + "sha1": "2f8a95b07a6c831001c9c0683dc1402b1a00fbd1", + "comment": "[[Category:2014年廃止]]を追加 ([[WP:HotCat|HotCat]]使用)", + "*": "{{日本の小学校\n|校名=天草市立二浦小学校\n|画像 = {{画像募集中|cat=熊本県}}\n|過去校名=早浦小学校・亀浦小学校
早浦小学校簡易教場・亀浦小学校簡易教場
早浦尋常小学校・亀浦尋常小学校
白石尋常小学校
白石尋常高等小学校
白石国民学校
二浦村立白石小学校
牛深市立二浦小学校\n|国公私立=[[公立学校]]\n|設置者=[[天草市]]\n|併合学校=天草町立大江小学校向辺田分校\n|校訓=\n|設立年月日=[[1875年]]\n|閉校年月日=[[2014年]]\n|記念日名称=\n|創立記念日=\n|共学・別学=[[男女共学]]\n|分校=\n|学期=\n|小学校コード=\n|郵便番号=863-1432\n|所在地=熊本県天草市二浦町亀浦4407番地1\n|座標={{ウィキ座標度分秒|32|16|38.5|N|130|2|14.2|E|region:JP}}\n|外部リンク=[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 公式サイト]\n}}\n\n'''天草市立二浦小学校'''（あまくさしりつ ふたうらしょうがっこう）は、[[熊本県]][[天草市]]二浦町亀浦にある[[小学校]]。\n\n== 沿革 ==\n* [[1875年|1875年(明治8年)]] - 早浦小学校、亀浦小学校創立\n* [[1886年|1886年(明治19年)]] - 両校とも小学校簡易教場となる。\n* [[1892年|1892年(明治25年)]] - 両校とも尋常小学校となる。\n* [[1922年|1922年(大正11年)]] - 両校が合併し白石尋常小学校となる。\n* [[1923年|1923年(大正12年)]] - 白石尋常高等小学校と改称\n* [[1940年|1940年(昭和15年)]] - 白石国民学校と改称\n* [[1947年|1947年(昭和22年)]] - 二浦村立白石小学校と改称\n* [[1954年|1954年(昭和29年)]] - [[牛深市]]立二浦小学校と改称\n* [[2004年|2004年(平成16年)]] - 天草町立大江小学校向辺田分校を統合。\n* [[2006年|2006年(平成18年)]] - 天草市立二浦小学校と改称。\n* [[2014年|2014年(平成26年)]] - [[天草市立牛深小学校]]へ統合。\n\n== 歴代校長 ==\n* - 初代校長 \n* - 現校長 \n\n== 委員会 ==\n\n== クラブ活動 ==\n=== 運動部 ===\n\n== 関連項目 ==\n* [[熊本県小学校一覧]]\n* [[天草市立牛深中学校]]\n\n== 学校周辺 ==\n* [[熊本県道35号牛深天草線]]\n* [[羊角湾]]\n\n== 外部リンク ==\n*[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 天草市立二浦小学校]\n\n{{School-stub|pref=熊本県}}\n{{DEFAULTSORT:あまくさしりつふたうら}}\n[[Category:日本の公立小学校 (廃止)]]\n[[Category:熊本県の公立小学校|廃]]\n[[Category:天草市の小学校|ふたうら]]\n[[Category:学校記事]]\n[[Category:2014年廃止]]" + }, + { + "revid": 54659136, + "parentid": 53656415, + "minor": false, + "user": "鐵の時代", + "userid": 747603, + "timestamp": "2015-03-08T17:19:53Z", + "sha1": "15f26d6d8f0428bdc6e0d8366e5da563e8b1f42c", + "comment": "", + "*": "{{日本の小学校\n|校名=天草市立二浦小学校\n|画像 = {{画像募集中|cat=天草市}}\n|過去校名=早浦小学校・亀浦小学校
早浦小学校簡易教場・亀浦小学校簡易教場
早浦尋常小学校・亀浦尋常小学校
白石尋常小学校
白石尋常高等小学校
白石国民学校
二浦村立白石小学校
牛深市立二浦小学校\n|国公私立=[[公立学校]]\n|設置者=[[天草市]]\n|併合学校=天草町立大江小学校向辺田分校\n|校訓=\n|設立年月日=[[1875年]]\n|閉校年月日=[[2014年]]\n|記念日名称=\n|創立記念日=\n|共学・別学=[[男女共学]]\n|分校=\n|学期=\n|小学校コード=\n|郵便番号=863-1432\n|所在地=熊本県天草市二浦町亀浦4407番地1\n|座標={{ウィキ座標度分秒|32|16|38.5|N|130|2|14.2|E|region:JP}}\n|外部リンク=[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 公式サイト]\n}}\n\n'''天草市立二浦小学校'''（あまくさしりつ ふたうらしょうがっこう）は、かつて[[熊本県]][[天草市]]二浦町亀浦にあった[[小学校]]。\n\n== 沿革 ==\n* [[1875年|1875年(明治8年)]] - 早浦小学校、亀浦小学校創立\n* [[1886年|1886年(明治19年)]] - 両校とも小学校簡易教場となる。\n* [[1892年|1892年(明治25年)]] - 両校とも尋常小学校となる。\n* [[1922年|1922年(大正11年)]] - 両校が合併し白石尋常小学校となる。\n* [[1923年|1923年(大正12年)]] - 白石尋常高等小学校と改称\n* [[1941年|1941年(昭和16年)]][[4月1日]] - 白石国民学校と改称\n* [[1947年|1947年(昭和22年)]]4月1日 - 二浦村立白石小学校と改称\n* [[1954年|1954年(昭和29年)]][[7月1日]] - [[牛深市]]立二浦小学校と改称\n* [[2004年|2004年(平成16年)]] - 天草町立大江小学校向辺田分校を統合。\n* [[2006年|2006年(平成18年)]][[3月27日]] - 天草市立二浦小学校と改称。\n* [[2014年|2014年(平成26年)]] - [[天草市立牛深小学校]]へ統合。\n\n== 関連項目 ==\n* [[熊本県小学校一覧]]\n* [[天草市立牛深中学校]]\n\n== 学校周辺 ==\n* [[熊本県道35号牛深天草線]]\n* [[羊角湾]]\n\n== 外部リンク ==\n*[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 天草市立二浦小学校] {{リンク切れ|date=2015年3月}}\n\n{{School-stub|pref=熊本県}}\n{{DEFAULTSORT:あまくさしりつふたうら}}\n[[Category:日本の公立小学校 (廃止)]]\n[[Category:熊本県の公立小学校|廃]]\n[[Category:天草市の小学校|ふたうら]]\n[[Category:学校記事]]\n[[Category:2014年廃止]]" + }, + { + "revid": 55942077, + "parentid": 54659136, + "minor": true, + "user": "Opqr", + "userid": 11316, + "timestamp": "2015-06-22T11:26:47Z", + "sha1": "886f29a52b665fae1315c092f1eb32ca3f6054c6", + "comment": "", + "*": "{{日本の小学校\n|校名=天草市立二浦小学校\n|画像 = no\n|過去校名=早浦小学校・亀浦小学校
早浦小学校簡易教場・亀浦小学校簡易教場
早浦尋常小学校・亀浦尋常小学校
白石尋常小学校
白石尋常高等小学校
白石国民学校
二浦村立白石小学校
牛深市立二浦小学校\n|国公私立=[[公立学校]]\n|設置者=[[天草市]]\n|併合学校=天草町立大江小学校向辺田分校\n|校訓=\n|設立年月日=[[1875年]]\n|閉校年月日=[[2014年]]\n|記念日名称=\n|創立記念日=\n|共学・別学=[[男女共学]]\n|分校=\n|学期=\n|小学校コード=\n|郵便番号=863-1432\n|所在地=熊本県天草市二浦町亀浦4407番地1\n|座標={{ウィキ座標度分秒|32|16|38.5|N|130|2|14.2|E|region:JP}}\n|外部リンク=[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 公式サイト]\n}}\n\n'''天草市立二浦小学校'''（あまくさしりつ ふたうらしょうがっこう）は、かつて[[熊本県]][[天草市]]二浦町亀浦にあった[[小学校]]。\n\n== 沿革 ==\n* [[1875年|1875年(明治8年)]] - 早浦小学校、亀浦小学校創立\n* [[1886年|1886年(明治19年)]] - 両校とも小学校簡易教場となる。\n* [[1892年|1892年(明治25年)]] - 両校とも尋常小学校となる。\n* [[1922年|1922年(大正11年)]] - 両校が合併し白石尋常小学校となる。\n* [[1923年|1923年(大正12年)]] - 白石尋常高等小学校と改称\n* [[1941年|1941年(昭和16年)]][[4月1日]] - 白石国民学校と改称\n* [[1947年|1947年(昭和22年)]]4月1日 - 二浦村立白石小学校と改称\n* [[1954年|1954年(昭和29年)]][[7月1日]] - [[牛深市]]立二浦小学校と改称\n* [[2004年|2004年(平成16年)]] - 天草町立大江小学校向辺田分校を統合。\n* [[2006年|2006年(平成18年)]][[3月27日]] - 天草市立二浦小学校と改称。\n* [[2014年|2014年(平成26年)]] - [[天草市立牛深小学校]]へ統合。\n\n== 関連項目 ==\n* [[熊本県小学校一覧]]\n* [[天草市立牛深中学校]]\n\n== 学校周辺 ==\n* [[熊本県道35号牛深天草線]]\n* [[羊角湾]]\n\n== 外部リンク ==\n*[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 天草市立二浦小学校] {{リンク切れ|date=2015年3月}}\n\n{{School-stub|pref=熊本県}}\n{{DEFAULTSORT:あまくさしりつふたうら}}\n[[Category:日本の公立小学校 (廃止)]]\n[[Category:熊本県の公立小学校|廃]]\n[[Category:天草市の小学校|ふたうら]]\n[[Category:学校記事]]\n[[Category:2014年廃止]]" + }, + { + "revid": 55952651, + "parentid": 55942077, + "minor": false, + "user": "Opqr", + "userid": 11316, + "timestamp": "2015-06-23T12:27:20Z", + "sha1": "15f26d6d8f0428bdc6e0d8366e5da563e8b1f42c", + "comment": "[[Special:Contributions/Opqr|Opqr]] ([[User talk:Opqr|会話]]) による ID:55942077 の版を[[H:RV|取り消し]]", + "*": "{{日本の小学校\n|校名=天草市立二浦小学校\n|画像 = {{画像募集中|cat=天草市}}\n|過去校名=早浦小学校・亀浦小学校
早浦小学校簡易教場・亀浦小学校簡易教場
早浦尋常小学校・亀浦尋常小学校
白石尋常小学校
白石尋常高等小学校
白石国民学校
二浦村立白石小学校
牛深市立二浦小学校\n|国公私立=[[公立学校]]\n|設置者=[[天草市]]\n|併合学校=天草町立大江小学校向辺田分校\n|校訓=\n|設立年月日=[[1875年]]\n|閉校年月日=[[2014年]]\n|記念日名称=\n|創立記念日=\n|共学・別学=[[男女共学]]\n|分校=\n|学期=\n|小学校コード=\n|郵便番号=863-1432\n|所在地=熊本県天草市二浦町亀浦4407番地1\n|座標={{ウィキ座標度分秒|32|16|38.5|N|130|2|14.2|E|region:JP}}\n|外部リンク=[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 公式サイト]\n}}\n\n'''天草市立二浦小学校'''（あまくさしりつ ふたうらしょうがっこう）は、かつて[[熊本県]][[天草市]]二浦町亀浦にあった[[小学校]]。\n\n== 沿革 ==\n* [[1875年|1875年(明治8年)]] - 早浦小学校、亀浦小学校創立\n* [[1886年|1886年(明治19年)]] - 両校とも小学校簡易教場となる。\n* [[1892年|1892年(明治25年)]] - 両校とも尋常小学校となる。\n* [[1922年|1922年(大正11年)]] - 両校が合併し白石尋常小学校となる。\n* [[1923年|1923年(大正12年)]] - 白石尋常高等小学校と改称\n* [[1941年|1941年(昭和16年)]][[4月1日]] - 白石国民学校と改称\n* [[1947年|1947年(昭和22年)]]4月1日 - 二浦村立白石小学校と改称\n* [[1954年|1954年(昭和29年)]][[7月1日]] - [[牛深市]]立二浦小学校と改称\n* [[2004年|2004年(平成16年)]] - 天草町立大江小学校向辺田分校を統合。\n* [[2006年|2006年(平成18年)]][[3月27日]] - 天草市立二浦小学校と改称。\n* [[2014年|2014年(平成26年)]] - [[天草市立牛深小学校]]へ統合。\n\n== 関連項目 ==\n* [[熊本県小学校一覧]]\n* [[天草市立牛深中学校]]\n\n== 学校周辺 ==\n* [[熊本県道35号牛深天草線]]\n* [[羊角湾]]\n\n== 外部リンク ==\n*[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 天草市立二浦小学校] {{リンク切れ|date=2015年3月}}\n\n{{School-stub|pref=熊本県}}\n{{DEFAULTSORT:あまくさしりつふたうら}}\n[[Category:日本の公立小学校 (廃止)]]\n[[Category:熊本県の公立小学校|廃]]\n[[Category:天草市の小学校|ふたうら]]\n[[Category:学校記事]]\n[[Category:2014年廃止]]" + }, + { + "revid": 58025440, + "parentid": 55952651, + "minor": false, + "user": "KASEI", + "userid": 516177, + "timestamp": "2015-12-27T05:33:00Z", + "sha1": "32cd48d539ee2da5b503ecd13a3d3c414b427c96", + "comment": "+[[Category:1875年設立]]; ±[[Category:熊本県の公立小学校]]; ±[[Category:天草市の小学校]] ([[WP:HotCat|HotCat]]使用)", + "*": "{{日本の小学校\n|校名=天草市立二浦小学校\n|画像 = {{画像募集中|cat=天草市}}\n|過去校名=早浦小学校・亀浦小学校
早浦小学校簡易教場・亀浦小学校簡易教場
早浦尋常小学校・亀浦尋常小学校
白石尋常小学校
白石尋常高等小学校
白石国民学校
二浦村立白石小学校
牛深市立二浦小学校\n|国公私立=[[公立学校]]\n|設置者=[[天草市]]\n|併合学校=天草町立大江小学校向辺田分校\n|校訓=\n|設立年月日=[[1875年]]\n|閉校年月日=[[2014年]]\n|記念日名称=\n|創立記念日=\n|共学・別学=[[男女共学]]\n|分校=\n|学期=\n|小学校コード=\n|郵便番号=863-1432\n|所在地=熊本県天草市二浦町亀浦4407番地1\n|座標={{ウィキ座標度分秒|32|16|38.5|N|130|2|14.2|E|region:JP}}\n|外部リンク=[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 公式サイト]\n}}\n\n'''天草市立二浦小学校'''（あまくさしりつ ふたうらしょうがっこう）は、かつて[[熊本県]][[天草市]]二浦町亀浦にあった[[小学校]]。\n\n== 沿革 ==\n* [[1875年|1875年(明治8年)]] - 早浦小学校、亀浦小学校創立\n* [[1886年|1886年(明治19年)]] - 両校とも小学校簡易教場となる。\n* [[1892年|1892年(明治25年)]] - 両校とも尋常小学校となる。\n* [[1922年|1922年(大正11年)]] - 両校が合併し白石尋常小学校となる。\n* [[1923年|1923年(大正12年)]] - 白石尋常高等小学校と改称\n* [[1941年|1941年(昭和16年)]][[4月1日]] - 白石国民学校と改称\n* [[1947年|1947年(昭和22年)]]4月1日 - 二浦村立白石小学校と改称\n* [[1954年|1954年(昭和29年)]][[7月1日]] - [[牛深市]]立二浦小学校と改称\n* [[2004年|2004年(平成16年)]] - 天草町立大江小学校向辺田分校を統合。\n* [[2006年|2006年(平成18年)]][[3月27日]] - 天草市立二浦小学校と改称。\n* [[2014年|2014年(平成26年)]] - [[天草市立牛深小学校]]へ統合。\n\n== 関連項目 ==\n* [[熊本県小学校の廃校一覧]]\n* [[天草市立牛深中学校]]\n\n== 学校周辺 ==\n* [[熊本県道35号牛深天草線]]\n* [[羊角湾]]\n\n== 外部リンク ==\n*[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 天草市立二浦小学校] {{リンク切れ|date=2015年3月}}\n\n{{School-stub|pref=熊本県}}\n{{DEFAULTSORT:あまくさしりつふたうら}}\n[[Category:日本の公立小学校 (廃止)]]\n[[Category:熊本県の公立小学校|廃あまくさしりつふたうら]]\n[[Category:天草市の小学校|廃ふたうら]]\n[[Category:学校記事]]\n[[Category:2014年廃止]]\n[[Category:1875年設立]]" + }, + { + "revid": 61799621, + "parentid": 58025440, + "minor": false, + "user": "Opqr", + "userid": 11316, + "timestamp": "2016-11-04T13:56:31Z", + "sha1": "1207046ecebbe6cf29657549b70d157f6e26df56", + "comment": "", + "*": "{{日本の小学校\n|校名=天草市立二浦小学校\n|画像 = [[File:旧二浦小学校 20140901.jpg|300px]]\n|過去校名=早浦小学校・亀浦小学校
早浦小学校簡易教場・亀浦小学校簡易教場
早浦尋常小学校・亀浦尋常小学校
白石尋常小学校
白石尋常高等小学校
白石国民学校
二浦村立白石小学校
牛深市立二浦小学校\n|国公私立=[[公立学校]]\n|設置者=[[天草市]]\n|併合学校=天草町立大江小学校向辺田分校\n|校訓=\n|設立年月日=[[1875年]]\n|閉校年月日=[[2014年]]\n|記念日名称=\n|創立記念日=\n|共学・別学=[[男女共学]]\n|分校=\n|学期=\n|小学校コード=\n|郵便番号=863-1432\n|所在地=熊本県天草市二浦町亀浦4407番地1\n|座標={{ウィキ座標度分秒|32|16|38.5|N|130|2|14.2|E|region:JP}}\n|外部リンク=[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 公式サイト]\n}}\n\n'''天草市立二浦小学校'''（あまくさしりつ ふたうらしょうがっこう）は、かつて[[熊本県]][[天草市]]二浦町亀浦にあった[[小学校]]。\n\n== 沿革 ==\n* [[1875年|1875年(明治8年)]] - 早浦小学校、亀浦小学校創立\n* [[1886年|1886年(明治19年)]] - 両校とも小学校簡易教場となる。\n* [[1892年|1892年(明治25年)]] - 両校とも尋常小学校となる。\n* [[1922年|1922年(大正11年)]] - 両校が合併し白石尋常小学校となる。\n* [[1923年|1923年(大正12年)]] - 白石尋常高等小学校と改称\n* [[1941年|1941年(昭和16年)]][[4月1日]] - 白石国民学校と改称\n* [[1947年|1947年(昭和22年)]]4月1日 - 二浦村立白石小学校と改称\n* [[1954年|1954年(昭和29年)]][[7月1日]] - [[牛深市]]立二浦小学校と改称\n* [[2004年|2004年(平成16年)]] - 天草町立大江小学校向辺田分校を統合。\n* [[2006年|2006年(平成18年)]][[3月27日]] - 天草市立二浦小学校と改称。\n* [[2014年|2014年(平成26年)]] - [[天草市立牛深小学校]]へ統合。\n\n== 関連項目 ==\n* [[熊本県小学校の廃校一覧]]\n* [[天草市立牛深中学校]]\n\n== 学校周辺 ==\n* [[熊本県道35号牛深天草線]]\n* [[羊角湾]]\n\n== 外部リンク ==\n*[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 天草市立二浦小学校] {{リンク切れ|date=2015年3月}}\n\n{{School-stub|pref=熊本県}}\n{{DEFAULTSORT:あまくさしりつふたうら}}\n[[Category:日本の公立小学校 (廃止)]]\n[[Category:熊本県の公立小学校|廃あまくさしりつふたうら]]\n[[Category:天草市の小学校|廃ふたうら]]\n[[Category:学校記事]]\n[[Category:2014年廃止]]\n[[Category:1875年設立]]" + }, + { + "revid": 69108188, + "parentid": 61799621, + "minor": false, + "user": "KASEI", + "userid": 516177, + "timestamp": "2018-07-04T12:39:21Z", + "sha1": "b6a929f640b0b719eb4c6d9f73f394d4d0929df4", + "comment": "-[[Category:熊本県の公立小学校]]; ±[[Category:日本の公立小学校 (廃止)]]→[[Category:熊本県の公立小学校 (廃止)]]; ±[[Category:1875年設立]]→[[Category:1875年設立の教育機関]] ([[WP:HotCat|HotCat]]使用)", + "*": "{{日本の小学校\n|校名=天草市立二浦小学校\n|画像 = [[File:旧二浦小学校 20140901.jpg|300px]]\n|過去校名=早浦小学校・亀浦小学校
早浦小学校簡易教場・亀浦小学校簡易教場
早浦尋常小学校・亀浦尋常小学校
白石尋常小学校
白石尋常高等小学校
白石国民学校
二浦村立白石小学校
牛深市立二浦小学校\n|国公私立=[[公立学校]]\n|設置者=[[天草市]]\n|併合学校=天草町立大江小学校向辺田分校\n|校訓=\n|設立年月日=[[1875年]]\n|閉校年月日=[[2014年]]\n|記念日名称=\n|創立記念日=\n|共学・別学=[[男女共学]]\n|分校=\n|学期=\n|小学校コード=\n|郵便番号=863-1432\n|所在地=熊本県天草市二浦町亀浦4407番地1\n|座標={{ウィキ座標度分秒|32|16|38.5|N|130|2|14.2|E|region:JP}}\n|外部リンク=[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 公式サイト]\n}}\n\n'''天草市立二浦小学校'''（あまくさしりつ ふたうらしょうがっこう）は、かつて[[熊本県]][[天草市]]二浦町亀浦にあった[[小学校]]。\n\n== 沿革 ==\n* [[1875年|1875年(明治8年)]] - 早浦小学校、亀浦小学校創立\n* [[1886年|1886年(明治19年)]] - 両校とも小学校簡易教場となる。\n* [[1892年|1892年(明治25年)]] - 両校とも尋常小学校となる。\n* [[1922年|1922年(大正11年)]] - 両校が合併し白石尋常小学校となる。\n* [[1923年|1923年(大正12年)]] - 白石尋常高等小学校と改称\n* [[1941年|1941年(昭和16年)]][[4月1日]] - 白石国民学校と改称\n* [[1947年|1947年(昭和22年)]]4月1日 - 二浦村立白石小学校と改称\n* [[1954年|1954年(昭和29年)]][[7月1日]] - [[牛深市]]立二浦小学校と改称\n* [[2004年|2004年(平成16年)]] - 天草町立大江小学校向辺田分校を統合。\n* [[2006年|2006年(平成18年)]][[3月27日]] - 天草市立二浦小学校と改称。\n* [[2014年|2014年(平成26年)]] - [[天草市立牛深小学校]]へ統合。\n\n== 関連項目 ==\n* [[熊本県小学校の廃校一覧]]\n* [[天草市立牛深中学校]]\n\n== 学校周辺 ==\n* [[熊本県道35号牛深天草線]]\n* [[羊角湾]]\n\n== 外部リンク ==\n*[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 天草市立二浦小学校] {{リンク切れ|date=2015年3月}}\n\n{{School-stub|pref=熊本県}}\n{{DEFAULTSORT:あまくさしりつふたうら}}\n[[Category:熊本県の公立小学校 (廃止)]]\n[[Category:天草市の小学校|廃ふたうら]]\n[[Category:学校記事]]\n[[Category:1875年設立の教育機関]]\n[[Category:2014年廃止]]" + }, + { + "revid": 70352492, + "parentid": 69108188, + "minor": false, + "user": "KASEI", + "userid": 516177, + "timestamp": "2018-10-21T03:41:28Z", + "sha1": "f411a5265352518813b271275e43329cb7e2ebac", + "comment": "+[[Category:天草市の歴史]]; ±[[Category:2014年廃止]]→[[Category:2014年廃止の教育機関]] ([[WP:HotCat|HotCat]]使用)", + "*": "{{日本の小学校\n|校名=天草市立二浦小学校\n|画像 = [[File:旧二浦小学校 20140901.jpg|300px]]\n|過去校名=早浦小学校・亀浦小学校
早浦小学校簡易教場・亀浦小学校簡易教場
早浦尋常小学校・亀浦尋常小学校
白石尋常小学校
白石尋常高等小学校
白石国民学校
二浦村立白石小学校
牛深市立二浦小学校\n|国公私立=[[公立学校]]\n|設置者=[[天草市]]\n|併合学校=天草町立大江小学校向辺田分校\n|校訓=\n|設立年月日=[[1875年]]\n|閉校年月日=[[2014年]]\n|記念日名称=\n|創立記念日=\n|共学・別学=[[男女共学]]\n|分校=\n|学期=\n|小学校コード=\n|郵便番号=863-1432\n|所在地=熊本県天草市二浦町亀浦4407番地1\n|座標={{ウィキ座標度分秒|32|16|38.5|N|130|2|14.2|E|region:JP}}\n|外部リンク=[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 公式サイト]\n}}\n\n'''天草市立二浦小学校'''（あまくさしりつ ふたうらしょうがっこう）は、かつて[[熊本県]][[天草市]]二浦町亀浦にあった[[小学校]]。\n\n== 沿革 ==\n* [[1875年|1875年(明治8年)]] - 早浦小学校、亀浦小学校創立\n* [[1886年|1886年(明治19年)]] - 両校とも小学校簡易教場となる。\n* [[1892年|1892年(明治25年)]] - 両校とも尋常小学校となる。\n* [[1922年|1922年(大正11年)]] - 両校が合併し白石尋常小学校となる。\n* [[1923年|1923年(大正12年)]] - 白石尋常高等小学校と改称\n* [[1941年|1941年(昭和16年)]][[4月1日]] - 白石国民学校と改称\n* [[1947年|1947年(昭和22年)]]4月1日 - 二浦村立白石小学校と改称\n* [[1954年|1954年(昭和29年)]][[7月1日]] - [[牛深市]]立二浦小学校と改称\n* [[2004年|2004年(平成16年)]] - 天草町立大江小学校向辺田分校を統合。\n* [[2006年|2006年(平成18年)]][[3月27日]] - 天草市立二浦小学校と改称。\n* [[2014年|2014年(平成26年)]] - [[天草市立牛深小学校]]へ統合。\n\n== 関連項目 ==\n* [[熊本県小学校の廃校一覧]]\n* [[天草市立牛深中学校]]\n\n== 学校周辺 ==\n* [[熊本県道35号牛深天草線]]\n* [[羊角湾]]\n\n== 外部リンク ==\n*[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 天草市立二浦小学校] {{リンク切れ|date=2015年3月}}\n\n{{School-stub|pref=熊本県}}\n{{DEFAULTSORT:あまくさしりつふたうら}}\n[[Category:熊本県の公立小学校 (廃止)]]\n[[Category:天草市の小学校|廃ふたうら]]\n[[Category:天草市の歴史|ふたうらしよう]]\n[[Category:学校記事]]\n[[Category:1875年設立の教育機関]]\n[[Category:2014年廃止の教育機関]]" + }, + { + "revid": 91841212, + "parentid": 70352492, + "minor": true, + "user": "Cewbot", + "userid": 1094317, + "timestamp": "2022-10-07T19:09:54Z", + "sha1": "a091bc48fb01145f374800e11d5013412783111e", + "comment": "[[Special:Diff/91804262#学校インフォボックステンプレート統合に伴う変更|Bot作業依頼]]: [[プロジェクト‐ノート:学校#学校インフォボックステンプレートの統合提案|学校インフォボックステンプレート統合に伴う変更]] (Template:Infobox 日本の学校) - [[User:Cewbot/log/20190913|log]]", + "*": "{{Infobox 日本の学校\n|校名=天草市立二浦小学校\n|画像 = [[File:旧二浦小学校 20140901.jpg|300px]]\n|過去校名=早浦小学校・亀浦小学校
早浦小学校簡易教場・亀浦小学校簡易教場
早浦尋常小学校・亀浦尋常小学校
白石尋常小学校
白石尋常高等小学校
白石国民学校
二浦村立白石小学校
牛深市立二浦小学校\n|国公私立=[[公立学校]]\n|設置者=[[天草市]]\n|併合学校=天草町立大江小学校向辺田分校\n|校訓=\n|設立年月日=[[1875年]]\n|閉校年月日=[[2014年]]\n|記念日名称=\n|創立記念日=\n|共学・別学=[[男女共学]]\n|分校=\n|学期=\n|小学校コード=\n|郵便番号=863-1432\n|所在地=熊本県天草市二浦町亀浦4407番地1\n|座標={{ウィキ座標度分秒|32|16|38.5|N|130|2|14.2|E|region:JP}}\n|外部リンク=[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 公式サイト]\n}}\n\n'''天草市立二浦小学校'''（あまくさしりつ ふたうらしょうがっこう）は、かつて[[熊本県]][[天草市]]二浦町亀浦にあった[[小学校]]。\n\n== 沿革 ==\n* [[1875年|1875年(明治8年)]] - 早浦小学校、亀浦小学校創立\n* [[1886年|1886年(明治19年)]] - 両校とも小学校簡易教場となる。\n* [[1892年|1892年(明治25年)]] - 両校とも尋常小学校となる。\n* [[1922年|1922年(大正11年)]] - 両校が合併し白石尋常小学校となる。\n* [[1923年|1923年(大正12年)]] - 白石尋常高等小学校と改称\n* [[1941年|1941年(昭和16年)]][[4月1日]] - 白石国民学校と改称\n* [[1947年|1947年(昭和22年)]]4月1日 - 二浦村立白石小学校と改称\n* [[1954年|1954年(昭和29年)]][[7月1日]] - [[牛深市]]立二浦小学校と改称\n* [[2004年|2004年(平成16年)]] - 天草町立大江小学校向辺田分校を統合。\n* [[2006年|2006年(平成18年)]][[3月27日]] - 天草市立二浦小学校と改称。\n* [[2014年|2014年(平成26年)]] - [[天草市立牛深小学校]]へ統合。\n\n== 関連項目 ==\n* [[熊本県小学校の廃校一覧]]\n* [[天草市立牛深中学校]]\n\n== 学校周辺 ==\n* [[熊本県道35号牛深天草線]]\n* [[羊角湾]]\n\n== 外部リンク ==\n*[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 天草市立二浦小学校] {{リンク切れ|date=2015年3月}}\n\n{{School-stub|pref=熊本県}}\n{{DEFAULTSORT:あまくさしりつふたうら}}\n[[Category:熊本県の公立小学校 (廃止)]]\n[[Category:天草市の小学校|廃ふたうら]]\n[[Category:天草市の歴史|ふたうらしよう]]\n[[Category:学校記事]]\n[[Category:1875年設立の教育機関]]\n[[Category:2014年廃止の教育機関]]" + }, + { + "revid": 96295163, + "parentid": 91841212, + "minor": true, + "user": "Anakabot", + "userid": 1780509, + "timestamp": "2023-08-06T06:13:30Z", + "sha1": "c43c9e5cce628fd00b7506e42e89b6ef7a9ee037", + "comment": "Bot作業依頼#学校記事の「設立年・廃止年カテゴリ」除去依頼", + "*": "{{Infobox 日本の学校\n|校名=天草市立二浦小学校\n|画像 = [[File:旧二浦小学校 20140901.jpg|300px]]\n|過去校名=早浦小学校・亀浦小学校
早浦小学校簡易教場・亀浦小学校簡易教場
早浦尋常小学校・亀浦尋常小学校
白石尋常小学校
白石尋常高等小学校
白石国民学校
二浦村立白石小学校
牛深市立二浦小学校\n|国公私立=[[公立学校]]\n|設置者=[[天草市]]\n|併合学校=天草町立大江小学校向辺田分校\n|校訓=\n|設立年月日=[[1875年]]\n|閉校年月日=[[2014年]]\n|記念日名称=\n|創立記念日=\n|共学・別学=[[男女共学]]\n|分校=\n|学期=\n|小学校コード=\n|郵便番号=863-1432\n|所在地=熊本県天草市二浦町亀浦4407番地1\n|座標={{ウィキ座標度分秒|32|16|38.5|N|130|2|14.2|E|region:JP}}\n|外部リンク=[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 公式サイト]\n}}\n\n'''天草市立二浦小学校'''（あまくさしりつ ふたうらしょうがっこう）は、かつて[[熊本県]][[天草市]]二浦町亀浦にあった[[小学校]]。\n\n== 沿革 ==\n* [[1875年|1875年(明治8年)]] - 早浦小学校、亀浦小学校創立\n* [[1886年|1886年(明治19年)]] - 両校とも小学校簡易教場となる。\n* [[1892年|1892年(明治25年)]] - 両校とも尋常小学校となる。\n* [[1922年|1922年(大正11年)]] - 両校が合併し白石尋常小学校となる。\n* [[1923年|1923年(大正12年)]] - 白石尋常高等小学校と改称\n* [[1941年|1941年(昭和16年)]][[4月1日]] - 白石国民学校と改称\n* [[1947年|1947年(昭和22年)]]4月1日 - 二浦村立白石小学校と改称\n* [[1954年|1954年(昭和29年)]][[7月1日]] - [[牛深市]]立二浦小学校と改称\n* [[2004年|2004年(平成16年)]] - 天草町立大江小学校向辺田分校を統合。\n* [[2006年|2006年(平成18年)]][[3月27日]] - 天草市立二浦小学校と改称。\n* [[2014年|2014年(平成26年)]] - [[天草市立牛深小学校]]へ統合。\n\n== 関連項目 ==\n* [[熊本県小学校の廃校一覧]]\n* [[天草市立牛深中学校]]\n\n== 学校周辺 ==\n* [[熊本県道35号牛深天草線]]\n* [[羊角湾]]\n\n== 外部リンク ==\n*[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 天草市立二浦小学校] {{リンク切れ|date=2015年3月}}\n\n{{School-stub|pref=熊本県}}\n{{DEFAULTSORT:あまくさしりつふたうら}}\n[[Category:熊本県の公立小学校 (廃止)]]\n[[Category:天草市の小学校|廃ふたうら]]\n[[Category:天草市の歴史|ふたうらしよう]]\n[[Category:学校記事]]" + }, + { + "revid": 102587470, + "parentid": 96295163, + "minor": false, + "user": "Xiaohang", + "userid": 682484, + "timestamp": "2024-11-15T13:42:27Z", + "sha1": "9059797cbcbd2ef8deb4fb08013cf14590cf396f", + "comment": "/* 沿革 */", + "*": "{{Infobox 日本の学校\n|校名=天草市立二浦小学校\n|画像 = [[File:旧二浦小学校 20140901.jpg|300px]]\n|過去校名=早浦小学校・亀浦小学校
早浦小学校簡易教場・亀浦小学校簡易教場
早浦尋常小学校・亀浦尋常小学校
白石尋常小学校
白石尋常高等小学校
白石国民学校
二浦村立白石小学校
牛深市立二浦小学校\n|国公私立=[[公立学校]]\n|設置者=[[天草市]]\n|併合学校=天草町立大江小学校向辺田分校\n|校訓=\n|設立年月日=[[1875年]]\n|閉校年月日=[[2014年]]\n|記念日名称=\n|創立記念日=\n|共学・別学=[[男女共学]]\n|分校=\n|学期=\n|小学校コード=\n|郵便番号=863-1432\n|所在地=熊本県天草市二浦町亀浦4407番地1\n|座標={{ウィキ座標度分秒|32|16|38.5|N|130|2|14.2|E|region:JP}}\n|外部リンク=[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 公式サイト]\n}}\n\n'''天草市立二浦小学校'''（あまくさしりつ ふたうらしょうがっこう）は、かつて[[熊本県]][[天草市]]二浦町亀浦にあった[[小学校]]。\n\n== 沿革 ==\n* [[1875年]]（[[明治]]8年）- 早浦小学校、亀浦小学校創立\n* [[1886年]]（明治19年）- 両校とも小学校簡易教場となる。\n* [[1892年]]（明治25年）- 両校とも[[尋常小学校]]となる。\n* [[1922年]]（[[大正]]11年）- 両校が合併し、白石尋常小学校となる。\n* [[1923年]]（大正12年）- 白石[[尋常高等小学校]]と改称\n* [[1941年]]（[[昭和]]16年）4月1日 - 白石[[国民学校]]と改称\n* [[1947年]]（昭和22年）4月1日 - [[二浦村]]立白石小学校と改称\n* [[1954年]]（昭和29年）7月1日 - 牛深市立二浦小学校と改称\n* [[2004年]]（[[平成]]16年）- [[天草町立大江小学校向辺田分校]]を統合。\n* [[2006年]]（平成18年）3月27日 - 天草市立二浦小学校と改称。\n* [[2014年]]（平成26年）- [[天草市立牛深小学校]]へ統合。\n\n== 関連項目 ==\n* [[熊本県小学校の廃校一覧]]\n* [[天草市立牛深中学校]]\n\n== 学校周辺 ==\n* [[熊本県道35号牛深天草線]]\n* [[羊角湾]]\n\n== 外部リンク ==\n*[http://www.city.amakusa.kumamoto.jp/amakusa_gakkou/asp/default.asp?sc=69&page= 天草市立二浦小学校] {{リンク切れ|date=2015年3月}}\n\n{{School-stub|pref=熊本県}}\n{{DEFAULTSORT:あまくさしりつふたうら}}\n[[Category:熊本県の公立小学校 (廃止)]]\n[[Category:天草市の小学校|廃ふたうら]]\n[[Category:天草市の歴史|ふたうらしよう]]\n[[Category:学校記事]]" + }, + { + "revid": 106452677, + "parentid": 102587470, + "minor": false, + "user": "Ackeyyama", + "userid": 515419, + "timestamp": "2025-09-13T13:52:49Z", + "sha1": "e0cdec1de11246b6011ca8aa6bf4fa2808cbffaf", + "comment": "", + "*": "{{Infobox 日本の学校\n| 校名 = 天草市立二浦小学校\n| 画像 = [[File:旧二浦小学校 20140901.jpg|280px]]
閉校年の2014年（平成26年）に撮影\n| 過去校名 = 白石尋常小学校
白石尋常高等小学校
天草郡白石国民学校
早浦亀浦両村組合立白石小学校
二浦村立二浦小学校
牛深市立二浦小学校\n| 国公私立 = [[公立学校]]\n| 設置者 = [[天草市]]\n| 併合学校 = 早浦尋常小学校
亀浦尋常小学校
天草町立大江小学校向辺田分校\n| 校訓 = 正しく、明るく、強く\n| 設立年月日 = [[1875年]]（[[明治]]8年）\n| 閉校年月日 = [[2014年]]（[[平成]]26年）[[3月31日]]\n| 記念日名称 = \n| 創立記念日 = \n| 共学・別学 = [[男女共学]]\n| 分校 = \n| 学期 = \n| 小学校コード = \n| 郵便番号 = 863-1432\n| 所在地 = 熊本県天草市二浦町亀浦4407番地1\n| 座標 = {{ウィキ座標度分秒|32|16|38.5|N|130|2|14.2|E|region:JP}}\n| 外部リンク = \n}}\n\n'''天草市立二浦小学校'''（あまくさしりつ ふたうらしょうがっこう）は、かつて[[熊本県]][[天草市]]二浦町亀浦にあった[[公立学校|公立]]の[[小学校]]。\n\n[[2014年]]（[[平成]]26年）3月末をもって閉校し、「'''[[天草市立牛深小学校]]'''」に統合された。\n\n== 概要 ==\n; 歴史\n: [[1875年]]（[[明治]]8年）創立の小学校2校（早浦・亀浦）が[[1922年]]（[[大正]]11年）に統合し「白石尋常小学校」となる。2014年（平成26年）に閉校し、129年の歴史に幕を下ろした。\n; 校訓\n:「正しく、明るく、強く」\n; 校章\n: 3枚の[[花弁]]と3枚の[[葉]]を組み合わせたものを背景にし、中央に二本線（＝）と「小」の文字を配している。\n; 校歌\n: 作詞・作曲ともに諸井栄による。歌詞は3番まであり、各番の歌詞中に校名の「二浦」が登場する。\n; 通学区域\n: 中学校区は以下の通り\n:* 二浦中学校（[[1947年]]（昭和22年）4月から[[1958年]]（昭和33年）8月まで）\n:* 魚浦中学校（1958年（昭和33年）9月から[[2005年]]（平成17年）3月まで）\n:* [[天草市立牛深中学校|牛深中学校]]（2005年（平成17年）4月から閉校まで）\n\n== 沿革 ==\n; 前史\n* '''1875年（明治8年）'''-「早浦小学校」と「亀浦小学校」の2校が創立。\n* [[1886年]]（明治19年）- [[小学校令]]施行により、簡易科を設置の上、「早浦小学簡易科教場」・「亀浦小学簡易科教場」に改称。\n* [[1889年]]（明治22年）[[4月1日]] - [[町村制]]施行により、天草郡「[[早浦村]]」・「[[亀浦村 (熊本県)|亀浦村]]」が発足。\n* [[1890年]]（明治23年）- 尋常科を設置の上、「尋常早浦小学校」・「尋常亀浦小学校」に改称。\n* [[1892年]]（明治25年）-「早浦[[尋常小学校]]」・「亀浦尋常小学校」に改称。\n* [[1908年]]（明治41年）4月 - 改正小学校令により、尋常科（義務教育年限）が4年制から6年制に改められる。尋常科5年を新設。\n* [[1909年]]（明治42年）4月 - 尋常科6年を新設。\n; 統合\n* '''1922年（大正11年）'''- 両校（早浦・亀浦）が統合の上、「'''白石尋常小学校'''」となる。\n* [[1923年]]（大正12年）- 高等科を併置の上、「'''白石[[尋常高等小学校]]'''」（尋常科6年・高等科2年）と改称。\n* [[1941年]]（[[昭和]]16年）4月1日 - [[国民学校令]]施行により、「'''天草郡白石[[国民学校]]'''」と改称。尋常科を初等科に改める。\n* 1947年（昭和22年）4月1日 - [[学制改革]]が行われる（六・三制の実施）\n** 国民学校初等科は、新制小学校「'''早浦亀浦両村組合立 白石小学校'''」に改組・改称。\n** 国民学校高等科は[[青年学校]]普通科とともに、[[新制中学校]]「早浦亀浦両村組合立 白石中学校」に改組・改称。小学校に併設される。\n* [[1948年]]（昭和23年）4月1日 - 2村（早浦・亀浦）合併により「[[二浦村]]」が発足。「'''二浦村立二浦小学校'''」に改称。\n** 中学校も「二浦村立二浦中学校」に改称。\n* [[1954年]]（昭和29年）[[7月1日]] - 1町4村の合併により「[[牛深市]]」が発足。「'''牛深市立二浦小学校'''」と改称。\n* 1958年（昭和33年）9月1日 - 中学校2校（二浦・魚貫）の統合により、[[牛深市立魚浦中学校]]が開校。\n* [[1969年]]（昭和44年）- 校章を制定。\n* [[1986年]]（昭和63年）- 新校舎が完成。\n* [[1998年]]（平成10年）- [[体育館]]が完成。\n* [[2004年]]（平成16年）- [[天草町立大江小学校向辺田分校]]を統合。\n* [[2005年]]（平成17年）4月1日 - 牛府下市立魚浦中学校が閉校し、[[天草市立牛深中学校|牛深市立牛深中学校]]に統合される。\n* [[2006年]]（平成18年）[[3月27日]] - 2市8町の合併により「天草市」が発足。「'''天草市立二浦小学校'''」（最終名）と改称。\n* 2014年（平成26年）\n** 3月31日 - 統合により閉校。\n** 4月1日 - 天草市立小学校4校（牛深（初代）・'''二浦'''・[[天草市立魚貫小学校|魚貫]]・[[天草市立天附小学校|天附]]）が統合し、「[[天草市立牛深小学校]]」（二代目）が創立。旧・牛深小学校の校地・校舎を継承。\n\n
\n\nFormer Amakusa Futaura Elementary School 2024-4.JPG|校舎
（2024年）\nFormer Amakusa Futaura Elementary School 2024.JPG|校門
（2024年）\nFormer Amakusa Futaura Elementary School 2024-3.JPG|閉校記念碑
（2024年）\n\n
\n\n== 交通アクセス ==\n; 最寄りの幹線道路\n* [[熊本県道35号牛深天草線]]\n\n== 周辺 ==\n* 二浦郵便局\n* 羊角湾\n\n== 脚注 ==\n{{Reflist}}{{脚注ヘルプ}}\n\n== 参考文献 ==\n*「[https://amakusa-gouyuukai.com/amakusakouka/shougaku/futaurashogakufu.pdf 二浦小学校]」- 東京天草郷友会ウェブサイト\n*「[https://www.city.amakusa.kumamoto.jp/kiji0031888/3_1888_1_up_p30vzh6g.pdf 閉校記念シリーズありがとう。わが母校（市政だより天草 2014年（平成26年）2月1日, No.188）p.13]」- 天草市ウェブサイト\n*「[https://www.youtube.com/watch?v=nl6xSmfxjiY 二浦（ふたうら）小学校跡をめぐる【天草市立･牛深市立･二浦村立】熊本県天草市の閉校･廃校になった学校]」\n\n== 関連項目 ==\n* [[熊本県小学校の廃校一覧]]\n\n\n{{School-stub|pref=熊本県}}\n{{DEFAULTSORT:あまくさしりつふたうら}}\n[[Category:熊本県の公立小学校 (廃止)]]\n[[Category:天草市の小学校|廃ふたうら]]\n[[Category:天草市の歴史|ふたうらしよう]]\n[[Category:学校記事]]" + }, + { + "revid": 106452753, + "parentid": 106452677, + "minor": false, + "user": "Ackeyyama", + "userid": 515419, + "timestamp": "2025-09-13T14:01:16Z", + "sha1": "9d40545d1fbe27738e5921eaab1f2d7b76b7d208", + "comment": "/* 交通アクセス */", + "*": "{{Infobox 日本の学校\n| 校名 = 天草市立二浦小学校\n| 画像 = [[File:旧二浦小学校 20140901.jpg|280px]]
閉校年の2014年（平成26年）に撮影\n| 過去校名 = 白石尋常小学校
白石尋常高等小学校
天草郡白石国民学校
早浦亀浦両村組合立白石小学校
二浦村立二浦小学校
牛深市立二浦小学校\n| 国公私立 = [[公立学校]]\n| 設置者 = [[天草市]]\n| 併合学校 = 早浦尋常小学校
亀浦尋常小学校
天草町立大江小学校向辺田分校\n| 校訓 = 正しく、明るく、強く\n| 設立年月日 = [[1875年]]（[[明治]]8年）\n| 閉校年月日 = [[2014年]]（[[平成]]26年）[[3月31日]]\n| 記念日名称 = \n| 創立記念日 = \n| 共学・別学 = [[男女共学]]\n| 分校 = \n| 学期 = \n| 小学校コード = \n| 郵便番号 = 863-1432\n| 所在地 = 熊本県天草市二浦町亀浦4407番地1\n| 座標 = {{ウィキ座標度分秒|32|16|38.5|N|130|2|14.2|E|region:JP}}\n| 外部リンク = \n}}\n\n'''天草市立二浦小学校'''（あまくさしりつ ふたうらしょうがっこう）は、かつて[[熊本県]][[天草市]]二浦町亀浦にあった[[公立学校|公立]]の[[小学校]]。\n\n[[2014年]]（[[平成]]26年）3月末をもって閉校し、「'''[[天草市立牛深小学校]]'''」に統合された。\n\n== 概要 ==\n; 歴史\n: [[1875年]]（[[明治]]8年）創立の小学校2校（早浦・亀浦）が[[1922年]]（[[大正]]11年）に統合し「白石尋常小学校」となる。2014年（平成26年）に閉校し、129年の歴史に幕を下ろした。\n; 校訓\n:「正しく、明るく、強く」\n; 校章\n: 3枚の[[花弁]]と3枚の[[葉]]を組み合わせたものを背景にし、中央に二本線（＝）と「小」の文字を配している。\n; 校歌\n: 作詞・作曲ともに諸井栄による。歌詞は3番まであり、各番の歌詞中に校名の「二浦」が登場する。\n; 通学区域\n: 中学校区は以下の通り\n:* 二浦中学校（[[1947年]]（昭和22年）4月から[[1958年]]（昭和33年）8月まで）\n:* 魚浦中学校（1958年（昭和33年）9月から[[2005年]]（平成17年）3月まで）\n:* [[天草市立牛深中学校|牛深中学校]]（2005年（平成17年）4月から閉校まで）\n\n== 沿革 ==\n; 前史\n* '''1875年（明治8年）'''-「早浦小学校」と「亀浦小学校」の2校が創立。\n* [[1886年]]（明治19年）- [[小学校令]]施行により、簡易科を設置の上、「早浦小学簡易科教場」・「亀浦小学簡易科教場」に改称。\n* [[1889年]]（明治22年）[[4月1日]] - [[町村制]]施行により、天草郡「[[早浦村]]」・「[[亀浦村 (熊本県)|亀浦村]]」が発足。\n* [[1890年]]（明治23年）- 尋常科を設置の上、「尋常早浦小学校」・「尋常亀浦小学校」に改称。\n* [[1892年]]（明治25年）-「早浦[[尋常小学校]]」・「亀浦尋常小学校」に改称。\n* [[1908年]]（明治41年）4月 - 改正小学校令により、尋常科（義務教育年限）が4年制から6年制に改められる。尋常科5年を新設。\n* [[1909年]]（明治42年）4月 - 尋常科6年を新設。\n; 統合\n* '''1922年（大正11年）'''- 両校（早浦・亀浦）が統合の上、「'''白石尋常小学校'''」となる。\n* [[1923年]]（大正12年）- 高等科を併置の上、「'''白石[[尋常高等小学校]]'''」（尋常科6年・高等科2年）と改称。\n* [[1941年]]（[[昭和]]16年）4月1日 - [[国民学校令]]施行により、「'''天草郡白石[[国民学校]]'''」と改称。尋常科を初等科に改める。\n* 1947年（昭和22年）4月1日 - [[学制改革]]が行われる（六・三制の実施）\n** 国民学校初等科は、新制小学校「'''早浦亀浦両村組合立 白石小学校'''」に改組・改称。\n** 国民学校高等科は[[青年学校]]普通科とともに、[[新制中学校]]「早浦亀浦両村組合立 白石中学校」に改組・改称。小学校に併設される。\n* [[1948年]]（昭和23年）4月1日 - 2村（早浦・亀浦）合併により「[[二浦村]]」が発足。「'''二浦村立二浦小学校'''」に改称。\n** 中学校も「二浦村立二浦中学校」に改称。\n* [[1954年]]（昭和29年）[[7月1日]] - 1町4村の合併により「[[牛深市]]」が発足。「'''牛深市立二浦小学校'''」と改称。\n* 1958年（昭和33年）9月1日 - 中学校2校（二浦・魚貫）の統合により、[[牛深市立魚浦中学校]]が開校。\n* [[1969年]]（昭和44年）- 校章を制定。\n* [[1986年]]（昭和63年）- 新校舎が完成。\n* [[1998年]]（平成10年）- [[体育館]]が完成。\n* [[2004年]]（平成16年）- [[天草町立大江小学校向辺田分校]]を統合。\n* [[2005年]]（平成17年）4月1日 - 牛府下市立魚浦中学校が閉校し、[[天草市立牛深中学校|牛深市立牛深中学校]]に統合される。\n* [[2006年]]（平成18年）[[3月27日]] - 2市8町の合併により「天草市」が発足。「'''天草市立二浦小学校'''」（最終名）と改称。\n* 2014年（平成26年）\n** 3月31日 - 統合により閉校。\n** 4月1日 - 天草市立小学校4校（牛深（初代）・'''二浦'''・[[天草市立魚貫小学校|魚貫]]・[[天草市立天附小学校|天附]]）が統合し、「[[天草市立牛深小学校]]」（二代目）が創立。旧・牛深小学校の校地・校舎を継承。\n\n
\n\nFormer Amakusa Futaura Elementary School 2024-4.JPG|校舎
（2024年）\nFormer Amakusa Futaura Elementary School 2024.JPG|校門
（2024年）\nFormer Amakusa Futaura Elementary School 2024-3.JPG|閉校記念碑
（2024年）\n\n
\n\n== 交通アクセス ==\n; 最寄りのバス停留所\n* [[九州産交バス]]「二浦郵便局前」停留所\n; 最寄りの幹線道路\n* [[熊本県道35号牛深天草線]]\n\n== 周辺 ==\n* 二浦郵便局\n* 羊角湾\n\n== 脚注 ==\n{{Reflist}}{{脚注ヘルプ}}\n\n== 参考文献 ==\n*「[https://amakusa-gouyuukai.com/amakusakouka/shougaku/futaurashogakufu.pdf 二浦小学校]」- 東京天草郷友会ウェブサイト\n*「[https://www.city.amakusa.kumamoto.jp/kiji0031888/3_1888_1_up_p30vzh6g.pdf 閉校記念シリーズありがとう。わが母校（市政だより天草 2014年（平成26年）2月1日, No.188）p.13]」- 天草市ウェブサイト\n*「[https://www.youtube.com/watch?v=nl6xSmfxjiY 二浦（ふたうら）小学校跡をめぐる【天草市立･牛深市立･二浦村立】熊本県天草市の閉校･廃校になった学校]」\n\n== 関連項目 ==\n* [[熊本県小学校の廃校一覧]]\n\n\n{{School-stub|pref=熊本県}}\n{{DEFAULTSORT:あまくさしりつふたうら}}\n[[Category:熊本県の公立小学校 (廃止)]]\n[[Category:天草市の小学校|廃ふたうら]]\n[[Category:天草市の歴史|ふたうらしよう]]\n[[Category:学校記事]]" + }, + { + "revid": 106452810, + "parentid": 106452753, + "minor": false, + "user": "Ackeyyama", + "userid": 515419, + "timestamp": "2025-09-13T14:06:35Z", + "sha1": "9367cbfdabf06b441e06912529a12631d41206ef", + "comment": "", + "*": "{{Infobox 日本の学校\n| 校名 = 天草市立二浦小学校\n| 画像 = [[File:旧二浦小学校 20140901.jpg|280px]]
閉校年の2014年（平成26年）に撮影\n| 過去校名 = 白石尋常小学校
白石尋常高等小学校
天草郡白石国民学校
早浦亀浦両村組合立白石小学校
二浦村立白石小学校
二浦村立二浦小学校
牛深市立二浦小学校\n| 国公私立 = [[公立学校]]\n| 設置者 = [[天草市]]\n| 併合学校 = 早浦尋常小学校
亀浦尋常小学校
天草町立大江小学校向辺田分校\n| 校訓 = 正しく、明るく、強く\n| 設立年月日 = [[1875年]]（[[明治]]8年）\n| 閉校年月日 = [[2014年]]（[[平成]]26年）[[3月31日]]\n| 記念日名称 = \n| 創立記念日 = \n| 共学・別学 = [[男女共学]]\n| 分校 = \n| 学期 = \n| 小学校コード = \n| 郵便番号 = 863-1432\n| 所在地 = 熊本県天草市二浦町亀浦4407番地1\n| 座標 = {{ウィキ座標度分秒|32|16|38.5|N|130|2|14.2|E|region:JP}}\n| 外部リンク = \n}}\n\n'''天草市立二浦小学校'''（あまくさしりつ ふたうらしょうがっこう）は、かつて[[熊本県]][[天草市]]二浦町亀浦にあった[[公立学校|公立]]の[[小学校]]。\n\n[[2014年]]（[[平成]]26年）3月末をもって閉校し、「'''[[天草市立牛深小学校]]'''」に統合された。\n\n== 概要 ==\n; 歴史\n: [[1875年]]（[[明治]]8年）創立の小学校2校（早浦・亀浦）が[[1922年]]（[[大正]]11年）に統合し「白石尋常小学校」となる。2014年（平成26年）に閉校し、129年の歴史に幕を下ろした。\n; 校訓\n:「正しく、明るく、強く」\n; 校章\n: 3枚の[[花弁]]と3枚の[[葉]]を組み合わせたものを背景にし、中央に二本線（＝）と「小」の文字を配している。\n; 校歌\n: 作詞・作曲ともに諸井栄による。歌詞は3番まであり、各番の歌詞中に校名の「二浦」が登場する。\n; 通学区域\n: 中学校区は以下の通り\n:* 二浦中学校（[[1947年]]（昭和22年）4月から[[1958年]]（昭和33年）8月まで）\n:* 魚浦中学校（1958年（昭和33年）9月から[[2005年]]（平成17年）3月まで）\n:* [[天草市立牛深中学校|牛深中学校]]（2005年（平成17年）4月から閉校まで）\n\n== 沿革 ==\n; 前史\n* '''1875年（明治8年）'''-「早浦小学校」と「亀浦小学校」の2校が創立。\n* [[1886年]]（明治19年）- [[小学校令]]施行により、簡易科を設置の上、「早浦小学簡易科教場」・「亀浦小学簡易科教場」に改称。\n* [[1889年]]（明治22年）[[4月1日]] - [[町村制]]施行により、天草郡「[[早浦村]]」・「[[亀浦村 (熊本県)|亀浦村]]」が発足。\n* [[1890年]]（明治23年）- 尋常科を設置の上、「尋常早浦小学校」・「尋常亀浦小学校」に改称。\n* [[1892年]]（明治25年）-「早浦[[尋常小学校]]」・「亀浦尋常小学校」に改称。\n* [[1908年]]（明治41年）4月 - 改正小学校令により、尋常科（義務教育年限）が4年制から6年制に改められる。尋常科5年を新設。\n* [[1909年]]（明治42年）4月 - 尋常科6年を新設。\n; 統合\n* '''1922年（大正11年）'''- 両校（早浦・亀浦）が統合の上、「'''白石尋常小学校'''」となる。\n* [[1923年]]（大正12年）- 高等科を併置の上、「'''白石[[尋常高等小学校]]'''」（尋常科6年・高等科2年）と改称。\n* [[1941年]]（[[昭和]]16年）4月1日 - [[国民学校令]]施行により、「'''天草郡白石[[国民学校]]'''」と改称。尋常科を初等科に改める。\n* 1947年（昭和22年）4月1日 - [[学制改革]]が行われる（六・三制の実施）\n** 国民学校初等科は、新制小学校「'''早浦亀浦両村組合立 白石小学校'''」に改組・改称。\n** 国民学校高等科は[[青年学校]]普通科とともに、[[新制中学校]]「早浦亀浦両村組合立 白石中学校」に改組・改称。小学校に併設される。\n* [[1948年]]（昭和23年）4月1日 - 2村（早浦・亀浦）合併により「[[二浦村]]」が発足。「'''二浦村立白石小学校'''」に改称。\n* [[1950年]]（昭和25年）[[5月31日]] -「'''二浦村立二浦小学校'''」に改称。中学校もこの時「二浦村立二浦中学校」に改称。\n* [[1954年]]（昭和29年）[[7月1日]] - 1町4村の合併により「[[牛深市]]」が発足。「'''牛深市立二浦小学校'''」と改称。\n* 1958年（昭和33年）9月1日 - 中学校2校（二浦・魚貫）の統合により、[[牛深市立魚浦中学校]]が開校。\n* [[1969年]]（昭和44年）- 校章を制定。\n* [[1986年]]（昭和63年）- 新校舎が完成。\n* [[1998年]]（平成10年）- [[体育館]]が完成。\n* [[2004年]]（平成16年）- [[天草町立大江小学校向辺田分校]]を統合。\n* [[2005年]]（平成17年）4月1日 - 牛府下市立魚浦中学校が閉校し、[[天草市立牛深中学校|牛深市立牛深中学校]]に統合される。\n* [[2006年]]（平成18年）[[3月27日]] - 2市8町の合併により「天草市」が発足。「'''天草市立二浦小学校'''」（最終名）と改称。\n* 2014年（平成26年）\n** 3月31日 - 統合により閉校。\n** 4月1日 - 天草市立小学校4校（牛深（初代）・'''二浦'''・[[天草市立魚貫小学校|魚貫]]・[[天草市立天附小学校|天附]]）が統合し、「[[天草市立牛深小学校]]」（二代目）が創立。旧・牛深小学校の校地・校舎を継承。\n\n
\n\nFormer Amakusa Futaura Elementary School 2024-4.JPG|校舎
（2024年）\nFormer Amakusa Futaura Elementary School 2024.JPG|校門
（2024年）\nFormer Amakusa Futaura Elementary School 2024-3.JPG|閉校記念碑
（2024年）\n\n
\n\n== 交通アクセス ==\n; 最寄りのバス停留所\n* [[九州産交バス]]「二浦郵便局前」停留所\n; 最寄りの幹線道路\n* [[熊本県道35号牛深天草線]]\n\n== 周辺 ==\n* 二浦郵便局\n* 羊角湾\n\n== 脚注 ==\n{{Reflist}}{{脚注ヘルプ}}\n\n== 参考文献 ==\n*「[https://amakusa-gouyuukai.com/amakusakouka/shougaku/futaurashogakufu.pdf 二浦小学校]」- 東京天草郷友会ウェブサイト\n*「[https://www.city.amakusa.kumamoto.jp/kiji0031888/3_1888_1_up_p30vzh6g.pdf 閉校記念シリーズありがとう。わが母校（市政だより天草 2014年（平成26年）2月1日, No.188）p.13]」- 天草市ウェブサイト\n*「[https://www.youtube.com/watch?v=nl6xSmfxjiY 二浦（ふたうら）小学校跡をめぐる【天草市立･牛深市立･二浦村立】熊本県天草市の閉校･廃校になった学校]」\n\n== 関連項目 ==\n* [[熊本県小学校の廃校一覧]]\n\n\n{{School-stub|pref=熊本県}}\n{{DEFAULTSORT:あまくさしりつふたうら}}\n[[Category:熊本県の公立小学校 (廃止)]]\n[[Category:天草市の小学校|廃ふたうら]]\n[[Category:天草市の歴史|ふたうらしよう]]\n[[Category:学校記事]]" + }, + { + "revid": 106452831, + "parentid": 106452810, + "minor": false, + "user": "Ackeyyama", + "userid": 515419, + "timestamp": "2025-09-13T14:08:51Z", + "sha1": "2f31c224f42eebc76e3292c8ccab791e89201a7e", + "comment": "", + "*": "{{Infobox 日本の学校\n| 校名 = 天草市立二浦小学校\n| 画像 = [[File:旧二浦小学校 20140901.jpg|280px]]
閉校年の2014年（平成26年）に撮影\n| 過去校名 = 白石尋常小学校
白石尋常高等小学校
天草郡白石国民学校
早浦亀浦両村組合立白石小学校
二浦村立白石小学校
二浦村立二浦小学校
牛深市立二浦小学校\n| 国公私立 = [[公立学校]]\n| 設置者 = [[天草市]]\n| 併合学校 = 早浦尋常小学校
亀浦尋常小学校
天草町立大江小学校向辺田分校\n| 校訓 = 正しく、明るく、強く\n| 設立年月日 = [[1875年]]（[[明治]]8年）\n| 閉校年月日 = [[2014年]]（[[平成]]26年）[[3月31日]]\n| 記念日名称 = \n| 創立記念日 = \n| 共学・別学 = [[男女共学]]\n| 分校 = \n| 学期 = \n| 小学校コード = \n| 郵便番号 = 863-1432\n| 所在地 = 熊本県天草市二浦町亀浦4407番地1\n| 座標 = {{ウィキ座標度分秒|32|16|38.5|N|130|2|14.2|E|region:JP}}\n| 外部リンク = \n}}\n\n'''天草市立二浦小学校'''（あまくさしりつ ふたうらしょうがっこう）は、かつて[[熊本県]][[天草市]]二浦町亀浦にあった[[公立学校|公立]]の[[小学校]]。\n\n[[2014年]]（[[平成]]26年）3月末をもって閉校し、「'''[[天草市立牛深小学校]]'''」に統合された。\n\n== 概要 ==\n; 歴史\n: [[1875年]]（[[明治]]8年）創立の小学校2校（早浦・亀浦）が[[1922年]]（[[大正]]11年）に統合し「白石尋常小学校」となる。2014年（平成26年）に閉校し、129年の歴史に幕を下ろした。\n; 校訓\n:「正しく、明るく、強く」\n; 校章\n: 3枚の[[花弁]]と3枚の[[葉]]を組み合わせたものを背景にし、中央に二本線（＝）と「小」の文字を配している。\n; 校歌\n: 作詞・作曲ともに諸井栄による。歌詞は3番まであり、各番の歌詞中に校名の「二浦」が登場する。\n; 通学区域\n: 中学校区は以下の通り\n:* 白石・二浦中学校（[[1947年]]（昭和22年）4月から[[1958年]]（昭和33年）8月まで）\n:* [[牛深市立魚浦中学校|魚浦中学校]]（1958年（昭和33年）9月から[[2005年]]（平成17年）3月まで）\n:* [[天草市立牛深中学校|牛深中学校]]（2005年（平成17年）4月から閉校まで）\n\n== 沿革 ==\n; 前史\n* '''1875年（明治8年）'''-「早浦小学校」と「亀浦小学校」の2校が創立。\n* [[1886年]]（明治19年）- [[小学校令]]施行により、簡易科を設置の上、「早浦小学簡易科教場」・「亀浦小学簡易科教場」に改称。\n* [[1889年]]（明治22年）[[4月1日]] - [[町村制]]施行により、天草郡「[[早浦村]]」・「[[亀浦村 (熊本県)|亀浦村]]」が発足。\n* [[1890年]]（明治23年）- 尋常科を設置の上、「尋常早浦小学校」・「尋常亀浦小学校」に改称。\n* [[1892年]]（明治25年）-「早浦[[尋常小学校]]」・「亀浦尋常小学校」に改称。\n* [[1908年]]（明治41年）4月 - 改正小学校令により、尋常科（義務教育年限）が4年制から6年制に改められる。尋常科5年を新設。\n* [[1909年]]（明治42年）4月 - 尋常科6年を新設。\n; 統合\n* '''1922年（大正11年）'''- 両校（早浦・亀浦）が統合の上、「'''白石尋常小学校'''」となる。\n* [[1923年]]（大正12年）- 高等科を併置の上、「'''白石[[尋常高等小学校]]'''」（尋常科6年・高等科2年）と改称。\n* [[1941年]]（[[昭和]]16年）4月1日 - [[国民学校令]]施行により、「'''天草郡白石[[国民学校]]'''」と改称。尋常科を初等科に改める。\n* 1947年（昭和22年）4月1日 - [[学制改革]]が行われる（六・三制の実施）\n** 国民学校初等科は、新制小学校「'''早浦亀浦両村組合立 白石小学校'''」に改組・改称。\n** 国民学校高等科は[[青年学校]]普通科とともに、[[新制中学校]]「早浦亀浦両村組合立 白石中学校」に改組・改称。小学校に併設される。\n* [[1948年]]（昭和23年）4月1日 - 2村（早浦・亀浦）合併により「[[二浦村]]」が発足。「'''二浦村立白石小学校'''」に改称。\n* [[1950年]]（昭和25年）[[5月31日]] -「'''二浦村立二浦小学校'''」に改称。中学校もこの時「二浦村立二浦中学校」に改称。\n* [[1954年]]（昭和29年）[[7月1日]] - 1町4村の合併により「[[牛深市]]」が発足。「'''牛深市立二浦小学校'''」と改称。\n* 1958年（昭和33年）9月1日 - 中学校2校（二浦・魚貫）の統合により、[[牛深市立魚浦中学校]]が開校。\n* [[1969年]]（昭和44年）- 校章を制定。\n* [[1986年]]（昭和63年）- 新校舎が完成。\n* [[1998年]]（平成10年）- [[体育館]]が完成。\n* [[2004年]]（平成16年）- [[天草町立大江小学校向辺田分校]]を統合。\n* [[2005年]]（平成17年）4月1日 - 牛府下市立魚浦中学校が閉校し、[[天草市立牛深中学校|牛深市立牛深中学校]]に統合される。\n* [[2006年]]（平成18年）[[3月27日]] - 2市8町の合併により「天草市」が発足。「'''天草市立二浦小学校'''」（最終名）と改称。\n* 2014年（平成26年）\n** 3月31日 - 統合により閉校。\n** 4月1日 - 天草市立小学校4校（牛深（初代）・'''二浦'''・[[天草市立魚貫小学校|魚貫]]・[[天草市立天附小学校|天附]]）が統合し、「[[天草市立牛深小学校]]」（二代目）が創立。旧・牛深小学校の校地・校舎を継承。\n\n
\n\nFormer Amakusa Futaura Elementary School 2024-4.JPG|校舎
（2024年）\nFormer Amakusa Futaura Elementary School 2024.JPG|校門
（2024年）\nFormer Amakusa Futaura Elementary School 2024-3.JPG|閉校記念碑
（2024年）\n\n
\n\n== 交通アクセス ==\n; 最寄りのバス停留所\n* [[九州産交バス]]「二浦郵便局前」停留所\n; 最寄りの幹線道路\n* [[熊本県道35号牛深天草線]]\n\n== 周辺 ==\n* 二浦郵便局\n* 羊角湾\n\n== 脚注 ==\n{{Reflist}}{{脚注ヘルプ}}\n\n== 参考文献 ==\n*「[https://amakusa-gouyuukai.com/amakusakouka/shougaku/futaurashogakufu.pdf 二浦小学校]」- 東京天草郷友会ウェブサイト\n*「[https://www.city.amakusa.kumamoto.jp/kiji0031888/3_1888_1_up_p30vzh6g.pdf 閉校記念シリーズありがとう。わが母校（市政だより天草 2014年（平成26年）2月1日, No.188）p.13]」- 天草市ウェブサイト\n*「[https://www.youtube.com/watch?v=nl6xSmfxjiY 二浦（ふたうら）小学校跡をめぐる【天草市立･牛深市立･二浦村立】熊本県天草市の閉校･廃校になった学校]」\n\n== 関連項目 ==\n* [[熊本県小学校の廃校一覧]]\n\n\n{{School-stub|pref=熊本県}}\n{{DEFAULTSORT:あまくさしりつふたうら}}\n[[Category:熊本県の公立小学校 (廃止)]]\n[[Category:天草市の小学校|廃ふたうら]]\n[[Category:天草市の歴史|ふたうらしよう]]\n[[Category:学校記事]]" + }, + { + "revid": 106453138, + "parentid": 106452831, + "minor": false, + "user": "Ackeyyama", + "userid": 515419, + "timestamp": "2025-09-13T14:33:05Z", + "sha1": "9000697af2f668e14b48e9081b107edaeaffd101", + "comment": "", + "*": "{{Infobox 日本の学校\n| 校名 = 天草市立二浦小学校\n| 画像 = [[File:旧二浦小学校 20140901.jpg|280px]]
閉校年の2014年（平成26年）に撮影\n| 過去校名 = 白石尋常小学校
白石尋常高等小学校
天草郡白石国民学校
早浦亀浦両村組合立白石小学校
二浦村立白石小学校
二浦村立二浦小学校
牛深市立二浦小学校\n| 国公私立 = [[公立学校]]\n| 設置者 = [[天草市]]\n| 併合学校 = 早浦尋常小学校
亀浦尋常小学校
天草町立大江小学校向辺田分校\n| 校訓 = 正しく、明るく、強く\n| 設立年月日 = [[1875年]]（[[明治]]8年）\n| 閉校年月日 = [[2014年]]（[[平成]]26年）[[3月31日]]\n| 記念日名称 = \n| 創立記念日 = \n| 共学・別学 = [[男女共学]]\n| 分校 = \n| 学期 = \n| 小学校コード = \n| 郵便番号 = 863-1432\n| 所在地 = 熊本県天草市二浦町亀浦4407番地1\n| 座標 = {{ウィキ座標度分秒|32|16|38.5|N|130|2|14.2|E|region:JP}}\n| 外部リンク = \n}}\n\n'''天草市立二浦小学校'''（あまくさしりつ ふたうらしょうがっこう）は、かつて[[熊本県]][[天草市]]二浦町亀浦にあった[[公立学校|公立]]の[[小学校]]。\n\n[[2014年]]（[[平成]]26年）3月末をもって閉校し、「'''[[天草市立牛深小学校]]'''」に統合された。\n\n== 概要 ==\n; 歴史\n: [[1875年]]（[[明治]]8年）創立の小学校2校（早浦・亀浦）が[[1922年]]（[[大正]]11年）に統合し「白石尋常小学校」となる。2014年（平成26年）に閉校し、129年の歴史に幕を下ろした。\n; 校訓\n:「正しく、明るく、強く」\n; 校章\n: 3枚の[[花弁]]と3枚の[[葉]]を組み合わせたものを背景にし、中央に二本線（＝）と「小」の文字を配している。\n; 校歌\n: 作詞・作曲ともに諸井栄による。歌詞は3番まであり、各番の歌詞中に校名の「二浦」が登場する。\n; 通学区域\n: 中学校区は以下の通り\n:* 白石・二浦中学校（[[1947年]]（昭和22年）4月から[[1958年]]（昭和33年）8月まで）\n:* [[牛深市立魚浦中学校|魚浦中学校]]（1958年（昭和33年）9月から[[2005年]]（平成17年）3月まで）\n:* [[天草市立牛深中学校|牛深中学校]]（2005年（平成17年）4月から閉校まで）\n\n== 沿革 ==\n; 前史\n* '''1875年（明治8年）'''-「早浦小学校」と「亀浦小学校」の2校が創立。\n* [[1886年]]（明治19年）- [[小学校令]]施行により、簡易科を設置の上、「早浦小学簡易科教場」・「亀浦小学簡易科教場」に改称。\n* [[1889年]]（明治22年）[[4月1日]] - [[町村制]]施行により、天草郡「[[早浦村]]」・「[[亀浦村 (熊本県)|亀浦村]]」が発足。\n* [[1890年]]（明治23年）- 尋常科を設置の上、「尋常早浦小学校」・「尋常亀浦小学校」に改称。\n* [[1892年]]（明治25年）-「早浦[[尋常小学校]]」・「亀浦尋常小学校」に改称。\n* [[1908年]]（明治41年）4月 - 改正小学校令により、尋常科（義務教育年限）が4年制から6年制に改められる。尋常科5年を新設。\n* [[1909年]]（明治42年）4月 - 尋常科6年を新設。\n; 統合\n* '''1922年（大正11年）'''- 両校（早浦・亀浦）が統合の上、「'''白石尋常小学校'''」となる。\n* [[1923年]]（大正12年）- 高等科を併置の上、「'''白石[[尋常高等小学校]]'''」（尋常科6年・高等科2年）と改称。\n* [[1941年]]（[[昭和]]16年）4月1日 - [[国民学校令]]施行により、「'''天草郡白石[[国民学校]]'''」と改称。尋常科を初等科に改める。\n* 1947年（昭和22年）4月1日 - [[学制改革]]が行われる（六・三制の実施）\n** 国民学校初等科は、新制小学校「'''早浦亀浦両村組合立 白石小学校'''」に改組・改称。\n** 国民学校高等科は[[青年学校]]普通科とともに、[[新制中学校]]「早浦亀浦両村組合立 白石中学校」に改組・改称。小学校に併設される。\n* [[1948年]]（昭和23年）4月1日 - 2村（早浦・亀浦）合併により「[[二浦村]]」が発足。「'''二浦村立白石小学校'''」に改称。\n* [[1950年]]（昭和25年）[[5月31日]] -「'''二浦村立二浦小学校'''」に改称。中学校もこの時「二浦村立二浦中学校」に改称。\n* [[1954年]]（昭和29年）[[7月1日]] - 1町4村の合併により「[[牛深市]]」が発足。「'''牛深市立二浦小学校'''」と改称。\n* 1958年（昭和33年）9月1日 - 中学校2校（二浦・魚貫）の統合により、[[牛深市立魚浦中学校]]が開校。\n* [[1969年]]（昭和44年）- 校章を制定。\n* [[1986年]]（昭和63年）- 新校舎が完成。\n* [[1998年]]（平成10年）- [[体育館]]が完成。\n* [[2004年]]（平成16年）- [[天草町立大江小学校向辺田分校]]を統合。\n* [[2005年]]（平成17年）4月1日 - 牛府下市立魚浦中学校が閉校し、[[天草市立牛深中学校|牛深市立牛深中学校]]に統合される。\n* [[2006年]]（平成18年）[[3月27日]] - 2市8町の合併により「天草市」が発足。「'''天草市立二浦小学校'''」（最終名）と改称。\n* 2014年（平成26年）\n** 3月31日 - 統合により閉校。\n** 4月1日 - 天草市立小学校4校（牛深（初代）・'''二浦'''・[[天草市立魚貫小学校|魚貫]]・[[天草市立天附小学校|天附]]）が統合し、「[[天草市立牛深小学校]]」（二代目）が創立。旧・牛深小学校の校地・校舎を継承。\n\n
\n\nFormer Amakusa Futaura Elementary School 2024-4.JPG|校舎
（2024年）\nFormer Amakusa Futaura Elementary School 2024.JPG|校門
（2024年）\nFormer Amakusa Futaura Elementary School 2024-3.JPG|閉校記念碑
（2024年）\n\n
\n\n== 交通アクセス ==\n; 最寄りのバス停留所\n* [[九州産交バス]]「二浦郵便局前」停留所\n; 最寄りの幹線道路\n* [[熊本県道35号牛深天草線]]\n\n== 周辺 ==\n* 二浦郵便局\n* 羊角湾\n\n== 脚注 ==\n{{Reflist}}{{脚注ヘルプ}}\n\n== 参考文献 ==\n*「[https://amakusa-gouyuukai.com/amakusakouka/shougaku/futaurashogakufu.pdf 二浦小学校]」- 東京天草郷友会ウェブサイト\n*「[https://www.city.amakusa.kumamoto.jp/kiji0031888/3_1888_1_up_p30vzh6g.pdf 閉校記念シリーズありがとう。わが母校（市政だより天草 2014年（平成26年）2月1日, No.188）p.13 二浦小学校]」- 天草市ウェブサイト\n*「[https://www.youtube.com/watch?v=nl6xSmfxjiY 二浦（ふたうら）小学校跡をめぐる【天草市立･牛深市立･二浦村立】熊本県天草市の閉校･廃校になった学校]」\n\n== 関連項目 ==\n* [[熊本県小学校の廃校一覧]]\n\n\n{{School-stub|pref=熊本県}}\n{{DEFAULTSORT:あまくさしりつふたうら}}\n[[Category:熊本県の公立小学校 (廃止)]]\n[[Category:天草市の小学校|廃ふたうら]]\n[[Category:天草市の歴史|ふたうらしよう]]\n[[Category:学校記事]]" + }, + { + "revid": 106456809, + "parentid": 106453138, + "minor": false, + "user": "Ackeyyama", + "userid": 515419, + "timestamp": "2025-09-14T00:48:50Z", + "sha1": "f7c38582c13028fa21860f3c43b0c95d664f560c", + "comment": "/* 沿革 */", + "*": "{{Infobox 日本の学校\n| 校名 = 天草市立二浦小学校\n| 画像 = [[File:旧二浦小学校 20140901.jpg|280px]]
閉校年の2014年（平成26年）に撮影\n| 過去校名 = 白石尋常小学校
白石尋常高等小学校
天草郡白石国民学校
早浦亀浦両村組合立白石小学校
二浦村立白石小学校
二浦村立二浦小学校
牛深市立二浦小学校\n| 国公私立 = [[公立学校]]\n| 設置者 = [[天草市]]\n| 併合学校 = 早浦尋常小学校
亀浦尋常小学校
天草町立大江小学校向辺田分校\n| 校訓 = 正しく、明るく、強く\n| 設立年月日 = [[1875年]]（[[明治]]8年）\n| 閉校年月日 = [[2014年]]（[[平成]]26年）[[3月31日]]\n| 記念日名称 = \n| 創立記念日 = \n| 共学・別学 = [[男女共学]]\n| 分校 = \n| 学期 = \n| 小学校コード = \n| 郵便番号 = 863-1432\n| 所在地 = 熊本県天草市二浦町亀浦4407番地1\n| 座標 = {{ウィキ座標度分秒|32|16|38.5|N|130|2|14.2|E|region:JP}}\n| 外部リンク = \n}}\n\n'''天草市立二浦小学校'''（あまくさしりつ ふたうらしょうがっこう）は、かつて[[熊本県]][[天草市]]二浦町亀浦にあった[[公立学校|公立]]の[[小学校]]。\n\n[[2014年]]（[[平成]]26年）3月末をもって閉校し、「'''[[天草市立牛深小学校]]'''」に統合された。\n\n== 概要 ==\n; 歴史\n: [[1875年]]（[[明治]]8年）創立の小学校2校（早浦・亀浦）が[[1922年]]（[[大正]]11年）に統合し「白石尋常小学校」となる。2014年（平成26年）に閉校し、129年の歴史に幕を下ろした。\n; 校訓\n:「正しく、明るく、強く」\n; 校章\n: 3枚の[[花弁]]と3枚の[[葉]]を組み合わせたものを背景にし、中央に二本線（＝）と「小」の文字を配している。\n; 校歌\n: 作詞・作曲ともに諸井栄による。歌詞は3番まであり、各番の歌詞中に校名の「二浦」が登場する。\n; 通学区域\n: 中学校区は以下の通り\n:* 白石・二浦中学校（[[1947年]]（昭和22年）4月から[[1958年]]（昭和33年）8月まで）\n:* [[牛深市立魚浦中学校|魚浦中学校]]（1958年（昭和33年）9月から[[2005年]]（平成17年）3月まで）\n:* [[天草市立牛深中学校|牛深中学校]]（2005年（平成17年）4月から閉校まで）\n\n== 沿革 ==\n; 前史\n* '''1875年（明治8年）'''-「早浦小学校」と「亀浦小学校」の2校が創立。\n* [[1886年]]（明治19年）- [[小学校令]]施行により、簡易科を設置の上、「早浦小学簡易科教場」・「亀浦小学簡易科教場」に改称。\n* [[1889年]]（明治22年）[[4月1日]] - [[町村制]]施行により、天草郡「[[早浦村]]」・「[[亀浦村 (熊本県)|亀浦村]]」が発足。\n* [[1890年]]（明治23年）- 尋常科を設置の上、「尋常早浦小学校」・「尋常亀浦小学校」に改称。\n* [[1892年]]（明治25年）-「早浦[[尋常小学校]]」・「亀浦尋常小学校」に改称。\n* [[1908年]]（明治41年）4月 - 改正小学校令により、尋常科（義務教育年限）が4年制から6年制に改められる。尋常科5年を新設。\n* [[1909年]]（明治42年）4月 - 尋常科6年を新設。\n; 統合\n* '''1922年（大正11年）'''- 両校（早浦・亀浦）が統合の上、「'''白石尋常小学校'''」となる。\n* [[1923年]]（大正12年）- 高等科を併置の上、「'''白石[[尋常高等小学校]]'''」（尋常科6年・高等科2年）と改称。\n* [[1941年]]（[[昭和]]16年）4月1日 - [[国民学校令]]施行により、「'''天草郡白石[[国民学校]]'''」と改称。尋常科を初等科に改める。\n* 1947年（昭和22年）4月1日 - [[学制改革]]が行われる（六・三制の実施）\n** 国民学校初等科は、新制小学校「'''早浦亀浦両村組合立 白石小学校'''」に改組・改称。\n** 国民学校高等科は[[青年学校]]普通科とともに、[[新制中学校]]「早浦亀浦両村組合立 白石中学校」に改組・改称。小学校に併設される。\n* [[1948年]]（昭和23年）4月1日 - 2村（早浦・亀浦）合併により「[[二浦村]]」が発足。「'''二浦村立白石小学校'''」に改称。\n* [[1950年]]（昭和25年）[[5月31日]] -「'''二浦村立二浦小学校'''」に改称。中学校もこの時「二浦村立二浦中学校」に改称。\n* [[1954年]]（昭和29年）[[7月1日]] - 1町4村の合併により「[[牛深市]]」が発足。「'''牛深市立二浦小学校'''」と改称。\n* 1958年（昭和33年）9月1日 - 中学校2校（二浦・魚貫）の統合により、[[牛深市立魚浦中学校]]が開校。\n* [[1969年]]（昭和44年）- 校章を制定。\n* [[1986年]]（昭和63年）- 新校舎が完成。\n* [[1998年]]（平成10年）- [[体育館]]が完成。\n* [[2004年]]（平成16年）- [[天草町立大江小学校向辺田分校]]を統合。\n* [[2005年]]（平成17年）4月1日 - 牛深市立魚浦中学校が閉校し、[[天草市立牛深中学校|牛深市立牛深中学校]]に統合される。\n* [[2006年]]（平成18年）[[3月27日]] - 2市8町の合併により「天草市」が発足。「'''天草市立二浦小学校'''」（最終名）と改称。\n* 2014年（平成26年）\n** 3月31日 - 統合により閉校。\n** 4月1日 - 天草市立小学校4校（牛深（初代）・'''二浦'''・[[天草市立魚貫小学校|魚貫]]・[[天草市立天附小学校|天附]]）が統合し、「[[天草市立牛深小学校]]」（二代目）が創立。旧・牛深小学校の校地・校舎を継承。\n\n
\n\nFormer Amakusa Futaura Elementary School 2024-4.JPG|校舎
（2024年）\nFormer Amakusa Futaura Elementary School 2024.JPG|校門
（2024年）\nFormer Amakusa Futaura Elementary School 2024-3.JPG|閉校記念碑
（2024年）\n\n
\n\n== 交通アクセス ==\n; 最寄りのバス停留所\n* [[九州産交バス]]「二浦郵便局前」停留所\n; 最寄りの幹線道路\n* [[熊本県道35号牛深天草線]]\n\n== 周辺 ==\n* 二浦郵便局\n* 羊角湾\n\n== 脚注 ==\n{{Reflist}}{{脚注ヘルプ}}\n\n== 参考文献 ==\n*「[https://amakusa-gouyuukai.com/amakusakouka/shougaku/futaurashogakufu.pdf 二浦小学校]」- 東京天草郷友会ウェブサイト\n*「[https://www.city.amakusa.kumamoto.jp/kiji0031888/3_1888_1_up_p30vzh6g.pdf 閉校記念シリーズありがとう。わが母校（市政だより天草 2014年（平成26年）2月1日, No.188）p.13 二浦小学校]」- 天草市ウェブサイト\n*「[https://www.youtube.com/watch?v=nl6xSmfxjiY 二浦（ふたうら）小学校跡をめぐる【天草市立･牛深市立･二浦村立】熊本県天草市の閉校･廃校になった学校]」\n\n== 関連項目 ==\n* [[熊本県小学校の廃校一覧]]\n\n\n{{School-stub|pref=熊本県}}\n{{DEFAULTSORT:あまくさしりつふたうら}}\n[[Category:熊本県の公立小学校 (廃止)]]\n[[Category:天草市の小学校|廃ふたうら]]\n[[Category:天草市の歴史|ふたうらしよう]]\n[[Category:学校記事]]" + }, + { + "revid": 109797120, + "parentid": 106456809, + "minor": true, + "user": "Anakabot", + "userid": 1780509, + "timestamp": "2026-06-04T00:16:07Z", + "sha1": "3ed23cf929b3a63eb294b059b02660670195af34", + "comment": "Bot作業依頼#[[特別:LintErrors/obsolete-tag]]を修正", + "*": "{{Infobox 日本の学校\n| 校名 = 天草市立二浦小学校\n| 画像 = [[File:旧二浦小学校 20140901.jpg|280px]]
閉校年の2014年（平成26年）に撮影\n| 過去校名 = 白石尋常小学校
白石尋常高等小学校
天草郡白石国民学校
早浦亀浦両村組合立白石小学校
二浦村立白石小学校
二浦村立二浦小学校
牛深市立二浦小学校\n| 国公私立 = [[公立学校]]\n| 設置者 = [[天草市]]\n| 併合学校 = 早浦尋常小学校
亀浦尋常小学校
天草町立大江小学校向辺田分校\n| 校訓 = 正しく、明るく、強く\n| 設立年月日 = [[1875年]]（[[明治]]8年）\n| 閉校年月日 = [[2014年]]（[[平成]]26年）[[3月31日]]\n| 記念日名称 = \n| 創立記念日 = \n| 共学・別学 = [[男女共学]]\n| 分校 = \n| 学期 = \n| 小学校コード = \n| 郵便番号 = 863-1432\n| 所在地 = 熊本県天草市二浦町亀浦4407番地1\n| 座標 = {{ウィキ座標度分秒|32|16|38.5|N|130|2|14.2|E|region:JP}}\n| 外部リンク = \n}}\n\n'''天草市立二浦小学校'''（あまくさしりつ ふたうらしょうがっこう）は、かつて[[熊本県]][[天草市]]二浦町亀浦にあった[[公立学校|公立]]の[[小学校]]。\n\n[[2014年]]（[[平成]]26年）3月末をもって閉校し、「'''[[天草市立牛深小学校]]'''」に統合された。\n\n== 概要 ==\n; 歴史\n: [[1875年]]（[[明治]]8年）創立の小学校2校（早浦・亀浦）が[[1922年]]（[[大正]]11年）に統合し「白石尋常小学校」となる。2014年（平成26年）に閉校し、129年の歴史に幕を下ろした。\n; 校訓\n:「正しく、明るく、強く」\n; 校章\n: 3枚の[[花弁]]と3枚の[[葉]]を組み合わせたものを背景にし、中央に二本線（＝）と「小」の文字を配している。\n; 校歌\n: 作詞・作曲ともに諸井栄による。歌詞は3番まであり、各番の歌詞中に校名の「二浦」が登場する。\n; 通学区域\n: 中学校区は以下の通り\n:* 白石・二浦中学校（[[1947年]]（昭和22年）4月から[[1958年]]（昭和33年）8月まで）\n:* [[牛深市立魚浦中学校|魚浦中学校]]（1958年（昭和33年）9月から[[2005年]]（平成17年）3月まで）\n:* [[天草市立牛深中学校|牛深中学校]]（2005年（平成17年）4月から閉校まで）\n\n== 沿革 ==\n; 前史\n* '''1875年（明治8年）'''-「早浦小学校」と「亀浦小学校」の2校が創立。\n* [[1886年]]（明治19年）- [[小学校令]]施行により、簡易科を設置の上、「早浦小学簡易科教場」・「亀浦小学簡易科教場」に改称。\n* [[1889年]]（明治22年）[[4月1日]] - [[町村制]]施行により、天草郡「[[早浦村]]」・「[[亀浦村 (熊本県)|亀浦村]]」が発足。\n* [[1890年]]（明治23年）- 尋常科を設置の上、「尋常早浦小学校」・「尋常亀浦小学校」に改称。\n* [[1892年]]（明治25年）-「早浦[[尋常小学校]]」・「亀浦尋常小学校」に改称。\n* [[1908年]]（明治41年）4月 - 改正小学校令により、尋常科（義務教育年限）が4年制から6年制に改められる。尋常科5年を新設。\n* [[1909年]]（明治42年）4月 - 尋常科6年を新設。\n; 統合\n* '''1922年（大正11年）'''- 両校（早浦・亀浦）が統合の上、「'''白石尋常小学校'''」となる。\n* [[1923年]]（大正12年）- 高等科を併置の上、「'''白石[[尋常高等小学校]]'''」（尋常科6年・高等科2年）と改称。\n* [[1941年]]（[[昭和]]16年）4月1日 - [[国民学校令]]施行により、「'''天草郡白石[[国民学校]]'''」と改称。尋常科を初等科に改める。\n* 1947年（昭和22年）4月1日 - [[学制改革]]が行われる（六・三制の実施）\n** 国民学校初等科は、新制小学校「'''早浦亀浦両村組合立 白石小学校'''」に改組・改称。\n** 国民学校高等科は[[青年学校]]普通科とともに、[[新制中学校]]「早浦亀浦両村組合立 白石中学校」に改組・改称。小学校に併設される。\n* [[1948年]]（昭和23年）4月1日 - 2村（早浦・亀浦）合併により「[[二浦村]]」が発足。「'''二浦村立白石小学校'''」に改称。\n* [[1950年]]（昭和25年）[[5月31日]] -「'''二浦村立二浦小学校'''」に改称。中学校もこの時「二浦村立二浦中学校」に改称。\n* [[1954年]]（昭和29年）[[7月1日]] - 1町4村の合併により「[[牛深市]]」が発足。「'''牛深市立二浦小学校'''」と改称。\n* 1958年（昭和33年）9月1日 - 中学校2校（二浦・魚貫）の統合により、[[牛深市立魚浦中学校]]が開校。\n* [[1969年]]（昭和44年）- 校章を制定。\n* [[1986年]]（昭和63年）- 新校舎が完成。\n* [[1998年]]（平成10年）- [[体育館]]が完成。\n* [[2004年]]（平成16年）- [[天草町立大江小学校向辺田分校]]を統合。\n* [[2005年]]（平成17年）4月1日 - 牛深市立魚浦中学校が閉校し、[[天草市立牛深中学校|牛深市立牛深中学校]]に統合される。\n* [[2006年]]（平成18年）[[3月27日]] - 2市8町の合併により「天草市」が発足。「'''天草市立二浦小学校'''」（最終名）と改称。\n* 2014年（平成26年）\n** 3月31日 - 統合により閉校。\n** 4月1日 - 天草市立小学校4校（牛深（初代）・'''二浦'''・[[天草市立魚貫小学校|魚貫]]・[[天草市立天附小学校|天附]]）が統合し、「[[天草市立牛深小学校]]」（二代目）が創立。旧・牛深小学校の校地・校舎を継承。\n\n
\n\nFormer Amakusa Futaura Elementary School 2024-4.JPG|校舎
（2024年）\nFormer Amakusa Futaura Elementary School 2024.JPG|校門
（2024年）\nFormer Amakusa Futaura Elementary School 2024-3.JPG|閉校記念碑
（2024年）\n\n
\n\n== 交通アクセス ==\n; 最寄りのバス停留所\n* [[九州産交バス]]「二浦郵便局前」停留所\n; 最寄りの幹線道路\n* [[熊本県道35号牛深天草線]]\n\n== 周辺 ==\n* 二浦郵便局\n* 羊角湾\n\n== 脚注 ==\n{{Reflist}}{{脚注ヘルプ}}\n\n== 参考文献 ==\n*「[https://amakusa-gouyuukai.com/amakusakouka/shougaku/futaurashogakufu.pdf 二浦小学校]」- 東京天草郷友会ウェブサイト\n*「[https://www.city.amakusa.kumamoto.jp/kiji0031888/3_1888_1_up_p30vzh6g.pdf 閉校記念シリーズありがとう。わが母校（市政だより天草 2014年（平成26年）2月1日, No.188）p.13 二浦小学校]」- 天草市ウェブサイト\n*「[https://www.youtube.com/watch?v=nl6xSmfxjiY 二浦（ふたうら）小学校跡をめぐる【天草市立･牛深市立･二浦村立】熊本県天草市の閉校･廃校になった学校]」\n\n== 関連項目 ==\n* [[熊本県小学校の廃校一覧]]\n\n\n{{School-stub|pref=熊本県}}\n{{DEFAULTSORT:あまくさしりつふたうら}}\n[[Category:熊本県の公立小学校 (廃止)]]\n[[Category:天草市の小学校|廃ふたうら]]\n[[Category:天草市の歴史|ふたうらしよう]]\n[[Category:学校記事]]" + } +] diff --git a/tests/fixtures/bradshaw,_west_virginia_revisions.json b/tests/fixtures/bradshaw,_west_virginia_revisions.json new file mode 100644 index 0000000..a4eed54 --- /dev/null +++ b/tests/fixtures/bradshaw,_west_virginia_revisions.json @@ -0,0 +1,1668 @@ +[ + { + "revid": 505189, + "parentid": 0, + "minor": "", + "user": "Ram-Man", + "userid": 3903, + "timestamp": "2002-10-25T21:23:18Z", + "sha1": "7d926c850ad3cbe4d373281556ecca9c7b8cf488", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "geography and demographics", + "*": "'''Bradshaw''' is a town located in [[McDowell County, West Virginia]]. As of the [[2000]] census, the town had a total population of 289.\n\n== Geography ==\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[square kilometer|km²]] (0.8 [[square mile|mi²]]). 2.1 km² (0.8 mi²) of it is land and none of the area is covered with water.\n\n== Demographics ==\nAs of the [[census]] of [[2000]], there are 289 people, 135 households, and 83 families residing in the town. The population density is 139.5/km² (362.8/mi²). There are 174 housing units at an average density of 84.0 persons/km² (218.4 persons/mi²). The racial makeup of the town is 99.65% White, 0.00% [[African American]], 0.00% [[Native American]], 0.00% [[Asia|Asian]], 0.00% Pacific Islander, 0.00% from other races, and 0.35% from two or more races. 0.00% of the population are [[Hispanic]] or [[Latino]] of any race.\n\nThere are 135 households out of which 22.2% have children under the age of 18 living with them, 45.2% are married couples living together, 13.3% have a woman whose husband does not live with her, and 38.5% are non-families. 36.3% of all households are made up of individuals and 14.1% have someone living alone who is 65 years of age or older. The average household size is 2.14 and the average family size is 2.77.\n\nIn the town the population is spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who are 65 years of age or older. The median age is 41 years. For every 100 females there are 82.9 males. For every 100 females age 18 and over, there are 80.3 males.\n\nThe median income for a household in the town is $12,083, and the median income for a family is $14,750. Males have a median income of $35,625 versus $25,625 for females. The per capita income for the town is $9,458. 54.9% of the population and 43.7% of families are below the poverty line. Out of the total people living in poverty, 87.5% are under the age of 18 and 31.0% are 65 or older." + }, + { + "revid": 3738521, + "parentid": 505189, + "user": "Rambot", + "userid": 6120, + "timestamp": "2002-12-15T10:14:38Z", + "sha1": "434519822ff070ed56c0e415ec8088201e192873", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "misc updates", + "*": "'''Bradshaw''' is a town located in [[McDowell County, West Virginia]]. As of the [[2000]] census, the town had a total population of 289.\n\n== Geography ==\nBradshaw is located at 37°21'6\" North, 81°47'57\" West (37.351676, -81.799086)[[Geographic references|1]].\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[square kilometer|km²]] (0.8 [[square mile|mi²]]). 2.1 km² (0.8 mi²) of it is land and none of the area is covered with water.\n\n== Demographics ==\nAs of the [[census]] of [[2000]], there are 289 people, 135 households, and 83 families residing in the town. The [[population density]] is 139.5/km² (362.8/mi²). There are 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town is 99.65% White, 0.00% [[African American]], 0.00% [[Native American]], 0.00% [[Asia|Asian]], 0.00% Pacific Islander, 0.00% from other races, and 0.35% from two or more races. 0.00% of the population are [[Hispanic]] or [[Latino]] of any race.\n\nThere are 135 households out of which 22.2% have children under the age of 18 living with them, 45.2% are married couples living together, 13.3% have a female householder with no husband present, and 38.5% are non-families. 36.3% of all households are made up of individuals and 14.1% have someone living alone who is 65 years of age or older. The average household size is 2.14 and the average family size is 2.77.\n\nIn the town the population is spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who are 65 years of age or older. The median age is 41 years. For every 100 females there are 82.9 males. For every 100 females age 18 and over, there are 80.3 males.\n\nThe median income for a household in the town is $12,083, and the median income for a family is $14,750. Males have a median income of $35,625 versus $25,625 for females. The per capita income for the town is $9,458. 54.9% of the population and 43.7% of families are below the poverty line. Out of the total people living in poverty, 87.5% are under the age of 18 and 31.0% are 65 or older." + }, + { + "revid": 5312302, + "parentid": 3738521, + "user": "Seth Ilys", + "userid": 35314, + "timestamp": "2004-05-26T14:37:30Z", + "sha1": "3f14cad30ce69af3c65e6f1c559bb57e616d0561", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "map", + "*": "'''Bradshaw''' is a town located in [[McDowell County, West Virginia]]. As of the [[2000]] census, the town had a total population of 289.\r\n\r\n== Geography ==\r\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\r\nBradshaw is located at 37°21'6\" North, 81°47'57\" West (37.351676, -81.799086)[[Geographic references|1]].\r\n\r\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[square kilometer|km²]] (0.8 [[square mile|mi²]]). 2.1 km² (0.8 mi²) of it is land and none of the area is covered with water.\r\n\r\n== Demographics ==\r\nAs of the [[census]] of [[2000]], there are 289 people, 135 households, and 83 families residing in the town. The [[population density]] is 139.5/km² (362.8/mi²). There are 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town is 99.65% White, 0.00% [[African American]], 0.00% [[Native American]], 0.00% [[Asia|Asian]], 0.00% Pacific Islander, 0.00% from other races, and 0.35% from two or more races. 0.00% of the population are [[Hispanic]] or [[Latino]] of any race.\r\n\r\nThere are 135 households out of which 22.2% have children under the age of 18 living with them, 45.2% are married couples living together, 13.3% have a female householder with no husband present, and 38.5% are non-families. 36.3% of all households are made up of individuals and 14.1% have someone living alone who is 65 years of age or older. The average household size is 2.14 and the average family size is 2.77.\r\n\r\nIn the town the population is spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who are 65 years of age or older. The median age is 41 years. For every 100 females there are 82.9 males. For every 100 females age 18 and over, there are 80.3 males.\r\n\r\nThe median income for a household in the town is $12,083, and the median income for a family is $14,750. Males have a median income of $35,625 versus $25,625 for females. The per capita income for the town is $9,458. 54.9% of the population and 43.7% of families are below the poverty line. Out of the total people living in poverty, 87.5% are under the age of 18 and 31.0% are 65 or older." + }, + { + "revid": 7071901, + "parentid": 5312302, + "minor": "", + "user": "KevinBot", + "userid": 89080, + "timestamp": "2004-08-19T20:53:13Z", + "sha1": "39a9ffd3f7be504a64d6b4b15705045cdf3c6581", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "KevinBot fixing of Rambot links.", + "*": "'''Bradshaw''' is a town located in [[McDowell County, West Virginia]]. As of the [[2000]] census, the town had a total population of 289.\n\n== Geography ==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at 37°21'6\" North, 81°47'57\" West (37.351676, -81.799086)[[Geographic references|1]].\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[square kilometer|km²]] (0.8 [[square mile|mi²]]). 2.1 km² (0.8 mi²) of it is land and none of the area is covered with water.\n\n== Demographics ==\nAs of the [[census]] of [[2000]], there are 289 people, 135 households, and 83 families residing in the town. The [[population density]] is 139.5/km² (362.8/mi²). There are 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town is 99.65% [[White (U.S. Census)|White]], 0.00% [[African American (U.S. Census)|African American]], 0.00% [[Native American (U.S. Census)|Native American]], 0.00% [[Asian (U.S. Census)|Asian]], 0.00% [[Pacific Islander (U.S. Census)|Pacific Islander]], 0.00% from other races, and 0.35% from two or more races. 0.00% of the population are [[Hispanic (U.S. Census)|Hispanic]] or [[Latino (U.S. Census)|Latino]] of any race.\n\nThere are 135 households out of which 22.2% have children under the age of 18 living with them, 45.2% are married couples living together, 13.3% have a female householder with no husband present, and 38.5% are non-families. 36.3% of all households are made up of individuals and 14.1% have someone living alone who is 65 years of age or older. The average household size is 2.14 and the average family size is 2.77.\n\nIn the town the population is spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who are 65 years of age or older. The median age is 41 years. For every 100 females there are 82.9 males. For every 100 females age 18 and over, there are 80.3 males.\n\nThe median income for a household in the town is $12,083, and the median income for a family is $14,750. Males have a median income of $35,625 versus $25,625 for females. The per capita income for the town is $9,458. 54.9% of the population and 43.7% of families are below the poverty line. Out of the total people living in poverty, 87.5% are under the age of 18 and 31.0% are 65 or older." + }, + { + "revid": 7071905, + "parentid": 7071901, + "user": "Pearle", + "userid": 112114, + "timestamp": "2004-11-03T09:30:43Z", + "sha1": "946860b30a224ad4b5797a5442253f4b7a84cdc4", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Added to Category:McDowell_County,_West_Virginia", + "*": "'''Bradshaw''' is a town located in [[McDowell County, West Virginia]]. As of the [[2000]] census, the town had a total population of 289.\n\n== Geography ==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at 37°21'6\" North, 81°47'57\" West (37.351676, -81.799086)[[Geographic references|1]].\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[square kilometer|km²]] (0.8 [[square mile|mi²]]). 2.1 km² (0.8 mi²) of it is land and none of the area is covered with water.\n\n== Demographics ==\nAs of the [[census]] of [[2000]], there are 289 people, 135 households, and 83 families residing in the town. The [[population density]] is 139.5/km² (362.8/mi²). There are 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town is 99.65% [[White (U.S. Census)|White]], 0.00% [[African American (U.S. Census)|African American]], 0.00% [[Native American (U.S. Census)|Native American]], 0.00% [[Asian (U.S. Census)|Asian]], 0.00% [[Pacific Islander (U.S. Census)|Pacific Islander]], 0.00% from other races, and 0.35% from two or more races. 0.00% of the population are [[Hispanic (U.S. Census)|Hispanic]] or [[Latino (U.S. Census)|Latino]] of any race.\n\nThere are 135 households out of which 22.2% have children under the age of 18 living with them, 45.2% are married couples living together, 13.3% have a female householder with no husband present, and 38.5% are non-families. 36.3% of all households are made up of individuals and 14.1% have someone living alone who is 65 years of age or older. The average household size is 2.14 and the average family size is 2.77.\n\nIn the town the population is spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who are 65 years of age or older. The median age is 41 years. For every 100 females there are 82.9 males. For every 100 females age 18 and over, there are 80.3 males.\n\nThe median income for a household in the town is $12,083, and the median income for a family is $14,750. Males have a median income of $35,625 versus $25,625 for females. The per capita income for the town is $9,458. 54.9% of the population and 43.7% of families are below the poverty line. Out of the total people living in poverty, 87.5% are under the age of 18 and 31.0% are 65 or older.\n[[Category:McDowell County, West Virginia]]" + }, + { + "revid": 7414312, + "parentid": 7071905, + "user": "Pearle", + "userid": 112114, + "timestamp": "2004-11-03T09:30:56Z", + "sha1": "18b066633ec8bf02272df8052105dc10fe7c3d81", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Added to Category:Towns_in_West_Virginia", + "*": "'''Bradshaw''' is a town located in [[McDowell County, West Virginia]]. As of the [[2000]] census, the town had a total population of 289.\n\n== Geography ==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at 37°21'6\" North, 81°47'57\" West (37.351676, -81.799086)[[Geographic references|1]].\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[square kilometer|km²]] (0.8 [[square mile|mi²]]). 2.1 km² (0.8 mi²) of it is land and none of the area is covered with water.\n\n== Demographics ==\nAs of the [[census]] of [[2000]], there are 289 people, 135 households, and 83 families residing in the town. The [[population density]] is 139.5/km² (362.8/mi²). There are 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town is 99.65% [[White (U.S. Census)|White]], 0.00% [[African American (U.S. Census)|African American]], 0.00% [[Native American (U.S. Census)|Native American]], 0.00% [[Asian (U.S. Census)|Asian]], 0.00% [[Pacific Islander (U.S. Census)|Pacific Islander]], 0.00% from other races, and 0.35% from two or more races. 0.00% of the population are [[Hispanic (U.S. Census)|Hispanic]] or [[Latino (U.S. Census)|Latino]] of any race.\n\nThere are 135 households out of which 22.2% have children under the age of 18 living with them, 45.2% are married couples living together, 13.3% have a female householder with no husband present, and 38.5% are non-families. 36.3% of all households are made up of individuals and 14.1% have someone living alone who is 65 years of age or older. The average household size is 2.14 and the average family size is 2.77.\n\nIn the town the population is spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who are 65 years of age or older. The median age is 41 years. For every 100 females there are 82.9 males. For every 100 females age 18 and over, there are 80.3 males.\n\nThe median income for a household in the town is $12,083, and the median income for a family is $14,750. Males have a median income of $35,625 versus $25,625 for females. The per capita income for the town is $9,458. 54.9% of the population and 43.7% of families are below the poverty line. Out of the total people living in poverty, 87.5% are under the age of 18 and 31.0% are 65 or older.\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]" + }, + { + "revid": 8686778, + "parentid": 7414312, + "user": "Rambot", + "userid": 6120, + "timestamp": "2004-11-13T05:20:26Z", + "sha1": "6e8c7e3b0bea19569e30111e45e5d656126144f3", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Added links to racial definitions. Fixed poverty stat wording.", + "*": "'''Bradshaw''' is a town located in [[McDowell County, West Virginia]]. As of the [[2000]] census, the town had a total population of 289.\n\n== Geography ==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at 37°21'6\" North, 81°47'57\" West (37.351676, -81.799086)[[Geographic references#1|1]].\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[square kilometer|km²]] (0.8 [[square mile|mi²]]). 2.1 km² (0.8 mi²) of it is land and none of the area is covered with water.\n\n== Demographics ==\nAs of the [[census]][[Geographic references#2|2]] of [[2000]], there are 289 people, 135 households, and 83 families residing in the town. The [[population density]] is 139.5/km² (362.8/mi²). There are 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town is 99.65% [[White (U.S. Census)|White]], 0.00% [[African American (U.S. Census)|African American]], 0.00% [[Native American (U.S. Census)|Native American]], 0.00% [[Asian (U.S. Census)|Asian]], 0.00% [[Pacific Islander (U.S. Census)|Pacific Islander]], 0.00% from [[Race (U.S. Census)|other races]], and 0.35% from two or more races. 0.00% of the population are [[Hispanic (U.S. Census)|Hispanic]] or [[Latino (U.S. Census)|Latino]] of any race.\n\nThere are 135 households out of which 22.2% have children under the age of 18 living with them, 45.2% are [[Marriage|married couples]] living together, 13.3% have a female householder with no husband present, and 38.5% are non-families. 36.3% of all households are made up of individuals and 14.1% have someone living alone who is 65 years of age or older. The average household size is 2.14 and the average family size is 2.77.\n\nIn the town the population is spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who are 65 years of age or older. The median age is 41 years. For every 100 females there are 82.9 males. For every 100 females age 18 and over, there are 80.3 males.\n\nThe median income for a household in the town is $12,083, and the median income for a family is $14,750. Males have a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town is $9,458. 54.9% of the population and 43.7% of families are below the [[poverty line]]. Out of the total population, 87.5% of those under the age of 18 and 31.0% of those 65 and older are living below the poverty line.\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]" + }, + { + "revid": 16027996, + "parentid": 8686778, + "user": "Rambot", + "userid": 6120, + "timestamp": "2004-12-21T19:49:26Z", + "sha1": "87a63bca29ec59852ddb986be738f2a723cd3c61", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Updated internal [[Geographic References|references]]. Added [[Template:Mapit-US-cityscale]] external links. Reorganized and cleaned up the page.", + "*": "'''Bradshaw''' is a town located in [[McDowell County, West Virginia]]. As of the [[2000]] census, the town had a total population of 289.\n\n== Geography ==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at 37°21'6\" North, 81°47'57\" West (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[square kilometer|km²]] (0.8 [[square mile|mi²]]). 2.1 km² (0.8 mi²) of it is land and none of the area is covered with water.\n\n== Demographics ==\nAs of the [[census]]{{GR|2}} of [[2000]], there are 289 people, 135 households, and 83 families residing in the town. The [[population density]] is 139.5/km² (362.8/mi²). There are 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town is 99.65% [[White (U.S. Census)|White]], 0.00% [[African American (U.S. Census)|African American]], 0.00% [[Native American (U.S. Census)|Native American]], 0.00% [[Asian (U.S. Census)|Asian]], 0.00% [[Pacific Islander (U.S. Census)|Pacific Islander]], 0.00% from [[Race (U.S. Census)|other races]], and 0.35% from two or more races. 0.00% of the population are [[Hispanic (U.S. Census)|Hispanic]] or [[Latino (U.S. Census)|Latino]] of any race.\n\nThere are 135 households out of which 22.2% have children under the age of 18 living with them, 45.2% are [[Marriage|married couples]] living together, 13.3% have a female householder with no husband present, and 38.5% are non-families. 36.3% of all households are made up of individuals and 14.1% have someone living alone who is 65 years of age or older. The average household size is 2.14 and the average family size is 2.77.\n\nIn the town the population is spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who are 65 years of age or older. The median age is 41 years. For every 100 females there are 82.9 males. For every 100 females age 18 and over, there are 80.3 males.\n\nThe median income for a household in the town is $12,083, and the median income for a family is $14,750. Males have a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town is $9,458. 54.9% of the population and 43.7% of families are below the [[poverty line]]. Out of the total population, 87.5% of those under the age of 18 and 31.0% of those 65 and older are living below the poverty line.\n\n== External links ==\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]" + }, + { + "revid": 24848616, + "parentid": 16027996, + "user": "West Virginian", + "userid": 422817, + "timestamp": "2005-10-05T22:52:27Z", + "sha1": "b33ae4c6846a03895319c32e9b0118fb64e33d1a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "'''Bradshaw''' is a town located in [[McDowell County, West Virginia]]. As of the [[2000]] census, the town had a total population of 289.\n\n== Geography ==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at 37°21'6\" North, 81°47'57\" West (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[square kilometer|km²]] (0.8 [[square mile|mi²]]). 2.1 km² (0.8 mi²) of it is land and none of the area is covered with water.\n\n== Demographics ==\nAs of the [[census]]{{GR|2}} of [[2000]], there are 289 people, 135 households, and 83 families residing in the town. The [[population density]] is 139.5/km² (362.8/mi²). There are 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town is 99.65% [[White (U.S. Census)|White]], 0.00% [[African American (U.S. Census)|African American]], 0.00% [[Native American (U.S. Census)|Native American]], 0.00% [[Asian (U.S. Census)|Asian]], 0.00% [[Pacific Islander (U.S. Census)|Pacific Islander]], 0.00% from [[Race (U.S. Census)|other races]], and 0.35% from two or more races. 0.00% of the population are [[Hispanic (U.S. Census)|Hispanic]] or [[Latino (U.S. Census)|Latino]] of any race.\n\nThere are 135 households out of which 22.2% have children under the age of 18 living with them, 45.2% are [[Marriage|married couples]] living together, 13.3% have a female householder with no husband present, and 38.5% are non-families. 36.3% of all households are made up of individuals and 14.1% have someone living alone who is 65 years of age or older. The average household size is 2.14 and the average family size is 2.77.\n\nIn the town the population is spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who are 65 years of age or older. The median age is 41 years. For every 100 females there are 82.9 males. For every 100 females age 18 and over, there are 80.3 males.\n\nThe median income for a household in the town is $12,083, and the median income for a family is $14,750. Males have a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town is $9,458. 54.9% of the population and 43.7% of families are below the [[poverty line]]. Out of the total population, 87.5% of those under the age of 18 and 31.0% of those 65 and older are living below the poverty line.\n\n== External links ==\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:West Virginia geography]]" + }, + { + "revid": 24849486, + "parentid": 24848616, + "user": "West Virginian", + "userid": 422817, + "timestamp": "2005-10-05T23:05:30Z", + "sha1": "42ca2e5b94b5b6a874665a5dc39ab8f0ca39a615", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* External links */", + "*": "'''Bradshaw''' is a town located in [[McDowell County, West Virginia]]. As of the [[2000]] census, the town had a total population of 289.\n\n== Geography ==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at 37°21'6\" North, 81°47'57\" West (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[square kilometer|km²]] (0.8 [[square mile|mi²]]). 2.1 km² (0.8 mi²) of it is land and none of the area is covered with water.\n\n== Demographics ==\nAs of the [[census]]{{GR|2}} of [[2000]], there are 289 people, 135 households, and 83 families residing in the town. The [[population density]] is 139.5/km² (362.8/mi²). There are 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town is 99.65% [[White (U.S. Census)|White]], 0.00% [[African American (U.S. Census)|African American]], 0.00% [[Native American (U.S. Census)|Native American]], 0.00% [[Asian (U.S. Census)|Asian]], 0.00% [[Pacific Islander (U.S. Census)|Pacific Islander]], 0.00% from [[Race (U.S. Census)|other races]], and 0.35% from two or more races. 0.00% of the population are [[Hispanic (U.S. Census)|Hispanic]] or [[Latino (U.S. Census)|Latino]] of any race.\n\nThere are 135 households out of which 22.2% have children under the age of 18 living with them, 45.2% are [[Marriage|married couples]] living together, 13.3% have a female householder with no husband present, and 38.5% are non-families. 36.3% of all households are made up of individuals and 14.1% have someone living alone who is 65 years of age or older. The average household size is 2.14 and the average family size is 2.77.\n\nIn the town the population is spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who are 65 years of age or older. The median age is 41 years. For every 100 females there are 82.9 males. For every 100 females age 18 and over, there are 80.3 males.\n\nThe median income for a household in the town is $12,083, and the median income for a family is $14,750. Males have a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town is $9,458. 54.9% of the population and 43.7% of families are below the [[poverty line]]. Out of the total population, 87.5% of those under the age of 18 and 31.0% of those 65 and older are living below the poverty line.\n\n== External links ==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:West Virginia geography]]" + }, + { + "revid": 25715287, + "parentid": 24849486, + "user": "24.17.48.241", + "anon": "", + "userid": 0, + "timestamp": "2005-10-17T05:28:04Z", + "sha1": "76298fe1d60b77ddc91af48c4c0b3540607d1088", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "us", + "*": "'''Bradshaw''' is a town located in [[McDowell County, West Virginia]], USA. As of the [[2000]] census, the town had a total population of 289.\n\n== Geography ==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at 37°21'6\" North, 81°47'57\" West (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[square kilometer|km²]] (0.8 [[square mile|mi²]]). 2.1 km² (0.8 mi²) of it is land and none of the area is covered with water.\n\n== Demographics ==\nAs of the [[census]]{{GR|2}} of [[2000]], there are 289 people, 135 households, and 83 families residing in the town. The [[population density]] is 139.5/km² (362.8/mi²). There are 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town is 99.65% [[White (U.S. Census)|White]], 0.00% [[African American (U.S. Census)|African American]], 0.00% [[Native American (U.S. Census)|Native American]], 0.00% [[Asian (U.S. Census)|Asian]], 0.00% [[Pacific Islander (U.S. Census)|Pacific Islander]], 0.00% from [[Race (U.S. Census)|other races]], and 0.35% from two or more races. 0.00% of the population are [[Hispanic (U.S. Census)|Hispanic]] or [[Latino (U.S. Census)|Latino]] of any race.\n\nThere are 135 households out of which 22.2% have children under the age of 18 living with them, 45.2% are [[Marriage|married couples]] living together, 13.3% have a female householder with no husband present, and 38.5% are non-families. 36.3% of all households are made up of individuals and 14.1% have someone living alone who is 65 years of age or older. The average household size is 2.14 and the average family size is 2.77.\n\nIn the town the population is spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who are 65 years of age or older. The median age is 41 years. For every 100 females there are 82.9 males. For every 100 females age 18 and over, there are 80.3 males.\n\nThe median income for a household in the town is $12,083, and the median income for a family is $14,750. Males have a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town is $9,458. 54.9% of the population and 43.7% of families are below the [[poverty line]]. Out of the total population, 87.5% of those under the age of 18 and 31.0% of those 65 and older are living below the poverty line.\n\n== External links ==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:West Virginia geography]]" + }, + { + "revid": 28126760, + "parentid": 25715287, + "user": "West Virginian", + "userid": 422817, + "timestamp": "2005-11-12T17:15:20Z", + "sha1": "076ddf974c1e63ff02caf7e5f72ff35018ec4fcd", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Added info", + "*": "'''Bradshaw''' is a town located in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], USA. As of the [[2000]] census, the town had a total population of 289. Bradshaw was [[incorporated]] in December [[1979]] and is named for a man who settled at the mouth of Bradshaw Creek in about [[1840]]. His gravesite overlooks the town.\n\n== Geography ==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at 37°21'6\" North, 81°47'57\" West (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[square kilometer|km²]] (0.8 [[square mile|mi²]]). 2.1 km² (0.8 mi²) of it is land and none of the area is covered with water.\n\n== Demographics ==\nAs of the [[census]]{{GR|2}} of [[2000]], there are 289 people, 135 households, and 83 families residing in the town. The [[population density]] is 139.5/km² (362.8/mi²). There are 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town is 99.65% [[White (U.S. Census)|White]], 0.00% [[African American (U.S. Census)|African American]], 0.00% [[Native American (U.S. Census)|Native American]], 0.00% [[Asian (U.S. Census)|Asian]], 0.00% [[Pacific Islander (U.S. Census)|Pacific Islander]], 0.00% from [[Race (U.S. Census)|other races]], and 0.35% from two or more races. 0.00% of the population are [[Hispanic (U.S. Census)|Hispanic]] or [[Latino (U.S. Census)|Latino]] of any race.\n\nThere are 135 households out of which 22.2% have children under the age of 18 living with them, 45.2% are [[Marriage|married couples]] living together, 13.3% have a female householder with no husband present, and 38.5% are non-families. 36.3% of all households are made up of individuals and 14.1% have someone living alone who is 65 years of age or older. The average household size is 2.14 and the average family size is 2.77.\n\nIn the town the population is spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who are 65 years of age or older. The median age is 41 years. For every 100 females there are 82.9 males. For every 100 females age 18 and over, there are 80.3 males.\n\nThe median income for a household in the town is $12,083, and the median income for a family is $14,750. Males have a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town is $9,458. 54.9% of the population and 43.7% of families are below the [[poverty line]]. Out of the total population, 87.5% of those under the age of 18 and 31.0% of those 65 and older are living below the poverty line.\n\n== External links ==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:West Virginia geography]]" + }, + { + "revid": 28316172, + "parentid": 28126760, + "minor": "", + "user": "Bluebot", + "userid": 527862, + "timestamp": "2005-11-14T17:49:47Z", + "sha1": "72442228676ab3eae872af5d65e9680bb92f95e9", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Robot: Changing category West Virginia geography", + "*": "'''Bradshaw''' is a town located in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], USA. As of the [[2000]] census, the town had a total population of 289. Bradshaw was [[incorporated]] in December [[1979]] and is named for a man who settled at the mouth of Bradshaw Creek in about [[1840]]. His gravesite overlooks the town.\n\n== Geography ==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at 37°21'6\" North, 81°47'57\" West (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[square kilometer|km²]] (0.8 [[square mile|mi²]]). 2.1 km² (0.8 mi²) of it is land and none of the area is covered with water.\n\n== Demographics ==\nAs of the [[census]]{{GR|2}} of [[2000]], there are 289 people, 135 households, and 83 families residing in the town. The [[population density]] is 139.5/km² (362.8/mi²). There are 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town is 99.65% [[White (U.S. Census)|White]], 0.00% [[African American (U.S. Census)|African American]], 0.00% [[Native American (U.S. Census)|Native American]], 0.00% [[Asian (U.S. Census)|Asian]], 0.00% [[Pacific Islander (U.S. Census)|Pacific Islander]], 0.00% from [[Race (U.S. Census)|other races]], and 0.35% from two or more races. 0.00% of the population are [[Hispanic (U.S. Census)|Hispanic]] or [[Latino (U.S. Census)|Latino]] of any race.\n\nThere are 135 households out of which 22.2% have children under the age of 18 living with them, 45.2% are [[Marriage|married couples]] living together, 13.3% have a female householder with no husband present, and 38.5% are non-families. 36.3% of all households are made up of individuals and 14.1% have someone living alone who is 65 years of age or older. The average household size is 2.14 and the average family size is 2.77.\n\nIn the town the population is spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who are 65 years of age or older. The median age is 41 years. For every 100 females there are 82.9 males. For every 100 females age 18 and over, there are 80.3 males.\n\nThe median income for a household in the town is $12,083, and the median income for a family is $14,750. Males have a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town is $9,458. 54.9% of the population and 43.7% of families are below the [[poverty line]]. Out of the total population, 87.5% of those under the age of 18 and 31.0% of those 65 and older are living below the poverty line.\n\n== External links ==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n[[Category:Geography of West Virginia]]\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]" + }, + { + "revid": 31769579, + "parentid": 28316172, + "minor": "", + "user": "RussBot", + "userid": 279219, + "timestamp": "2005-12-17T21:18:54Z", + "sha1": "6d84e416723e2de75e1f756a328a69edf0390fc0", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Robot-assisted disambiguation ([[WP:DPL|you can help!]]): Incorporation", + "*": "'''Bradshaw''' is a town located in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], USA. As of the [[2000]] census, the town had a total population of 289. Bradshaw was [[incorporation (municipal government)|incorporated]] in December [[1979]] and is named for a man who settled at the mouth of Bradshaw Creek in about [[1840]]. His gravesite overlooks the town.\n\n== Geography ==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at 37°21'6\" North, 81°47'57\" West (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[square kilometer|km²]] (0.8 [[square mile|mi²]]). 2.1 km² (0.8 mi²) of it is land and none of the area is covered with water.\n\n== Demographics ==\nAs of the [[census]]{{GR|2}} of [[2000]], there are 289 people, 135 households, and 83 families residing in the town. The [[population density]] is 139.5/km² (362.8/mi²). There are 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town is 99.65% [[White (U.S. Census)|White]], 0.00% [[African American (U.S. Census)|African American]], 0.00% [[Native American (U.S. Census)|Native American]], 0.00% [[Asian (U.S. Census)|Asian]], 0.00% [[Pacific Islander (U.S. Census)|Pacific Islander]], 0.00% from [[Race (U.S. Census)|other races]], and 0.35% from two or more races. 0.00% of the population are [[Hispanic (U.S. Census)|Hispanic]] or [[Latino (U.S. Census)|Latino]] of any race.\n\nThere are 135 households out of which 22.2% have children under the age of 18 living with them, 45.2% are [[Marriage|married couples]] living together, 13.3% have a female householder with no husband present, and 38.5% are non-families. 36.3% of all households are made up of individuals and 14.1% have someone living alone who is 65 years of age or older. The average household size is 2.14 and the average family size is 2.77.\n\nIn the town the population is spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who are 65 years of age or older. The median age is 41 years. For every 100 females there are 82.9 males. For every 100 females age 18 and over, there are 80.3 males.\n\nThe median income for a household in the town is $12,083, and the median income for a family is $14,750. Males have a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town is $9,458. 54.9% of the population and 43.7% of families are below the [[poverty line]]. Out of the total population, 87.5% of those under the age of 18 and 31.0% of those 65 and older are living below the poverty line.\n\n== External links ==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n[[Category:Geography of West Virginia]]\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]" + }, + { + "revid": 31799613, + "parentid": 31769579, + "user": "West Virginian", + "userid": 422817, + "timestamp": "2005-12-18T02:09:35Z", + "sha1": "5bbe3ff43dce5632294aa297ffd52142cb343b66", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Removed [[Category:Geography of West Virginia]]", + "*": "'''Bradshaw''' is a town located in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], USA. As of the [[2000]] census, the town had a total population of 289. Bradshaw was [[incorporation (municipal government)|incorporated]] in December [[1979]] and is named for a man who settled at the mouth of Bradshaw Creek in about [[1840]]. His gravesite overlooks the town.\n\n== Geography ==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at 37°21'6\" North, 81°47'57\" West (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[square kilometer|km²]] (0.8 [[square mile|mi²]]). 2.1 km² (0.8 mi²) of it is land and none of the area is covered with water.\n\n== Demographics ==\nAs of the [[census]]{{GR|2}} of [[2000]], there are 289 people, 135 households, and 83 families residing in the town. The [[population density]] is 139.5/km² (362.8/mi²). There are 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town is 99.65% [[White (U.S. Census)|White]], 0.00% [[African American (U.S. Census)|African American]], 0.00% [[Native American (U.S. Census)|Native American]], 0.00% [[Asian (U.S. Census)|Asian]], 0.00% [[Pacific Islander (U.S. Census)|Pacific Islander]], 0.00% from [[Race (U.S. Census)|other races]], and 0.35% from two or more races. 0.00% of the population are [[Hispanic (U.S. Census)|Hispanic]] or [[Latino (U.S. Census)|Latino]] of any race.\n\nThere are 135 households out of which 22.2% have children under the age of 18 living with them, 45.2% are [[Marriage|married couples]] living together, 13.3% have a female householder with no husband present, and 38.5% are non-families. 36.3% of all households are made up of individuals and 14.1% have someone living alone who is 65 years of age or older. The average household size is 2.14 and the average family size is 2.77.\n\nIn the town the population is spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who are 65 years of age or older. The median age is 41 years. For every 100 females there are 82.9 males. For every 100 females age 18 and over, there are 80.3 males.\n\nThe median income for a household in the town is $12,083, and the median income for a family is $14,750. Males have a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town is $9,458. 54.9% of the population and 43.7% of families are below the [[poverty line]]. Out of the total population, 87.5% of those under the age of 18 and 31.0% of those 65 and older are living below the poverty line.\n\n== External links ==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]" + }, + { + "revid": 33411606, + "parentid": 31799613, + "user": "TimK MSI", + "userid": 345020, + "timestamp": "2005-12-31T20:46:43Z", + "sha1": "6639d079d91127a497cd3e4d3e6a1686e1dd7491", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "[[Category:1979 establishments]]", + "*": "'''Bradshaw''' is a town located in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], USA. As of the [[2000]] census, the town had a total population of 289. Bradshaw was [[incorporation (municipal government)|incorporated]] in December [[1979]] and is named for a man who settled at the mouth of Bradshaw Creek in about [[1840]]. His gravesite overlooks the town.\n\n== Geography ==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at 37°21'6\" North, 81°47'57\" West (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[square kilometer|km²]] (0.8 [[square mile|mi²]]). 2.1 km² (0.8 mi²) of it is land and none of the area is covered with water.\n\n== Demographics ==\nAs of the [[census]]{{GR|2}} of [[2000]], there are 289 people, 135 households, and 83 families residing in the town. The [[population density]] is 139.5/km² (362.8/mi²). There are 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town is 99.65% [[White (U.S. Census)|White]], 0.00% [[African American (U.S. Census)|African American]], 0.00% [[Native American (U.S. Census)|Native American]], 0.00% [[Asian (U.S. Census)|Asian]], 0.00% [[Pacific Islander (U.S. Census)|Pacific Islander]], 0.00% from [[Race (U.S. Census)|other races]], and 0.35% from two or more races. 0.00% of the population are [[Hispanic (U.S. Census)|Hispanic]] or [[Latino (U.S. Census)|Latino]] of any race.\n\nThere are 135 households out of which 22.2% have children under the age of 18 living with them, 45.2% are [[Marriage|married couples]] living together, 13.3% have a female householder with no husband present, and 38.5% are non-families. 36.3% of all households are made up of individuals and 14.1% have someone living alone who is 65 years of age or older. The average household size is 2.14 and the average family size is 2.77.\n\nIn the town the population is spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who are 65 years of age or older. The median age is 41 years. For every 100 females there are 82.9 males. For every 100 females age 18 and over, there are 80.3 males.\n\nThe median income for a household in the town is $12,083, and the median income for a family is $14,750. Males have a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town is $9,458. 54.9% of the population and 43.7% of families are below the [[poverty line]]. Out of the total population, 87.5% of those under the age of 18 and 31.0% of those 65 and older are living below the poverty line.\n\n== External links ==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:1979 establishments]]" + }, + { + "revid": 43573383, + "parentid": 33411606, + "minor": "", + "user": "SmackBot", + "userid": 433328, + "timestamp": "2006-03-13T10:35:41Z", + "sha1": "ac52bb60c5a0dbd1ecd0f50d9e1edff66d45275c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Census data - past tense - and/or general fixes using [[Wikipedia:AutoWikiBrowser|AWB]]", + "*": "'''Bradshaw''' is a town located in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], USA. As of the 2000 census, the town had a total population of 289. Bradshaw was [[incorporation (municipal government)|incorporated]] in December [[1979]] and is named for a man who settled at the mouth of Bradshaw Creek in about [[1840]]. His gravesite overlooks the town.\n\n==Geography==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at 37°21'6\" North, 81°47'57\" West (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[square kilometer|km²]] (0.8 [[square mile|mi²]]). 2.1 km² (0.8 mi²) of it is land and none of the area is covered with water.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was 139.5/km² (362.8/mi²). There were 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], 0.00% [[African American (U.S. Census)|African American]], 0.00% [[Native American (U.S. Census)|Native American]], 0.00% [[Asian (U.S. Census)|Asian]], 0.00% [[Pacific Islander (U.S. Census)|Pacific Islander]], 0.00% from [[Race (U.S. Census)|other races]], and 0.35% from two or more races. 0.00% of the population were [[Hispanic (U.S. Census)|Hispanic]] or [[Latino (U.S. Census)|Latino]] of any race.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. 54.9% of the population and 43.7% of families were below the [[poverty line]]. 87.5% of those under the age of 18 and 31.0% of those 65 and older were living below the poverty line.\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:1979 establishments]]" + }, + { + "revid": 46894117, + "parentid": 43573383, + "user": "Bluebot", + "userid": 527862, + "timestamp": "2006-04-04T08:49:10Z", + "sha1": "4d0d801244f63adf0426b8c1cf4a477b0e452bda", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Unicodifying using [[Wikipedia:AutoWikiBrowser|AWB]]", + "*": "'''Bradshaw''' is a town located in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], USA. As of the 2000 census, the town had a total population of 289. Bradshaw was [[incorporation (municipal government)|incorporated]] in December [[1979]] and is named for a man who settled at the mouth of Bradshaw Creek in about [[1840]]. His gravesite overlooks the town.\n\n==Geography==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at 37°21'6\" North, 81°47'57\" West (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[square kilometer|km²]] (0.8 [[square mile|mi²]]). 2.1 km² (0.8 mi²) of it is land and none of the area is covered with water.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was 139.5/km² (362.8/mi²). There were 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], 0.00% [[African American (U.S. Census)|African American]], 0.00% [[Native American (U.S. Census)|Native American]], 0.00% [[Asian (U.S. Census)|Asian]], 0.00% [[Pacific Islander (U.S. Census)|Pacific Islander]], 0.00% from [[Race (U.S. Census)|other races]], and 0.35% from two or more races. 0.00% of the population were [[Hispanic (U.S. Census)|Hispanic]] or [[Latino (U.S. Census)|Latino]] of any race.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. 54.9% of the population and 43.7% of families were below the [[poverty line]]. 87.5% of those under the age of 18 and 31.0% of those 65 and older were living below the poverty line.\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:1979 establishments]]" + }, + { + "revid": 49402452, + "parentid": 46894117, + "minor": "", + "user": "West Virginian", + "userid": 422817, + "timestamp": "2006-04-21T05:23:30Z", + "sha1": "9554a5d886efa31a4fd66a1801ebd9a5be2484f5", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "'''Bradshaw''' is a town located in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[USA]]. As of the 2000 census, the town had a total population of 289. Bradshaw was [[incorporation (municipal government)|incorporated]] in December [[1979]] and is named for a man who settled at the mouth of Bradshaw Creek in about [[1840]]. His gravesite overlooks the town.\n\n==Geography==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at 37°21'6\" North, 81°47'57\" West (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[square kilometer|km²]] (0.8 [[square mile|mi²]]). 2.1 km² (0.8 mi²) of it is land and none of the area is covered with water.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was 139.5/km² (362.8/mi²). There were 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], 0.00% [[African American (U.S. Census)|African American]], 0.00% [[Native American (U.S. Census)|Native American]], 0.00% [[Asian (U.S. Census)|Asian]], 0.00% [[Pacific Islander (U.S. Census)|Pacific Islander]], 0.00% from [[Race (U.S. Census)|other races]], and 0.35% from two or more races. 0.00% of the population were [[Hispanic (U.S. Census)|Hispanic]] or [[Latino (U.S. Census)|Latino]] of any race.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. 54.9% of the population and 43.7% of families were below the [[poverty line]]. 87.5% of those under the age of 18 and 31.0% of those 65 and older were living below the poverty line.\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:1979 establishments]]" + }, + { + "revid": 55339673, + "parentid": 49402452, + "minor": "", + "user": "SmackBot", + "userid": 433328, + "timestamp": "2006-05-26T23:47:13Z", + "sha1": "4da9d36c689272c2bbe9f23f096c45e7fd2a1c91", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Simplify where possible &/or add state link, United States., map ref template, & or 00.00% .&/or other minor fixes using [[Wikipedia:AutoWikiBrowser|AWB]]", + "*": "'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[USA]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December [[1979]] and is named for a man who settled at the mouth of Bradshaw Creek in about [[1840]]. His gravesite overlooks the town.\n\n==Geography==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at {{coor dms|37|21|6|N|81|47|57|W|city}} (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[km²]] (0.8 [[square mile|mi²]]), all land.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was 139.5/km² (362.8/mi²). There were 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:1979 establishments]]" + }, + { + "revid": 69912194, + "parentid": 55339673, + "minor": "", + "user": "West Virginian", + "userid": 422817, + "timestamp": "2006-08-15T23:38:50Z", + "sha1": "4da9d36c689272c2bbe9f23f096c45e7fd2a1c91", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "moved [[Bradshaw, West Virginia]] to [[Bradshaw, McDowell County, West Virginia]]", + "*": "'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[USA]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December [[1979]] and is named for a man who settled at the mouth of Bradshaw Creek in about [[1840]]. His gravesite overlooks the town.\n\n==Geography==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at {{coor dms|37|21|6|N|81|47|57|W|city}} (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[km²]] (0.8 [[square mile|mi²]]), all land.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was 139.5/km² (362.8/mi²). There were 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:1979 establishments]]" + }, + { + "revid": 153768615, + "parentid": 69912194, + "user": "Jaraalbe", + "userid": 261435, + "timestamp": "2007-08-26T16:38:31Z", + "sha1": "db55651c6f25e0fb027a92b2ed1d90539550d087", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "reclassify", + "*": "'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[USA]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December [[1979]] and is named for a man who settled at the mouth of Bradshaw Creek in about [[1840]]. His gravesite overlooks the town.\n\n==Geography==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at {{coor dms|37|21|6|N|81|47|57|W|city}} (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[km²]] (0.8 [[square mile|mi²]]), all land.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was 139.5/km² (362.8/mi²). There were 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Settlements established in 1979]]" + }, + { + "revid": 156486988, + "parentid": 153768615, + "user": "70.18.249.138", + "anon": "", + "userid": 0, + "timestamp": "2007-09-08T14:31:58Z", + "sha1": "60dc025c613a97ccff53de3ae5351b1880204677", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[USA]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December [[1979]] and is named for a man who settled at the mouth of Bradshaw Creek in about [[1840]]. His gravesite overlooks the town.\n\n==Geography==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at {{coor dms|37|21|6|N|81|47|57|W|city}} (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[km²]] (0.8 [[square mile|mi²]]), all land.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was 139.5/km² (362.8/mi²). There were 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\nSome of the prominent familes have been the Burl Laxton Family, James Edward Payne Family, Al Carolla Family and the Bradley Gregory Family.\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Settlements established in 1979]]" + }, + { + "revid": 156487364, + "parentid": 156486988, + "user": "70.18.249.138", + "anon": "", + "userid": 0, + "timestamp": "2007-09-08T14:34:12Z", + "sha1": "2e00403dbe779c9ce8690174a5d7154ab217b9d8", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[USA]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December [[1979]] and is named for a man who settled at the mouth of Bradshaw Creek in about [[1840]]. His gravesite overlooks the town. The town was famous for it's caol deposits that would play an important part in the steel manufactuting in the 30's and on. The town currently struggles as the loss of coal production jobs has caused a struggle. The towns people are friendly and helpful.\n\n==Geography==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at {{coor dms|37|21|6|N|81|47|57|W|city}} (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[km²]] (0.8 [[square mile|mi²]]), all land.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was 139.5/km² (362.8/mi²). There were 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\nSome of the prominent familes have been the Burl Laxton Family, James Edward Payne Family, Al Carolla Family and the Bradley Gregory Family.\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Settlements established in 1979]]" + }, + { + "revid": 156705570, + "parentid": 156487364, + "user": "70.18.249.138", + "anon": "", + "userid": 0, + "timestamp": "2007-09-09T14:25:52Z", + "sha1": "1ee7e4cd27c417c9717c8aa9d1f10166531f2acd", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Demographics */", + "*": "'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[USA]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December [[1979]] and is named for a man who settled at the mouth of Bradshaw Creek in about [[1840]]. His gravesite overlooks the town. The town was famous for it's caol deposits that would play an important part in the steel manufactuting in the 30's and on. The town currently struggles as the loss of coal production jobs has caused a struggle. The towns people are friendly and helpful.\n\n==Geography==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at {{coor dms|37|21|6|N|81|47|57|W|city}} (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[km²]] (0.8 [[square mile|mi²]]), all land.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was 139.5/km² (362.8/mi²). There were 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Settlements established in 1979]]" + }, + { + "revid": 156706517, + "parentid": 156705570, + "user": "70.18.249.138", + "anon": "", + "userid": 0, + "timestamp": "2007-09-09T14:29:34Z", + "sha1": "09d6292909cc8d8b787bcbb826dd12974f0f8859", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Demographics */", + "*": "'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[USA]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December [[1979]] and is named for a man who settled at the mouth of Bradshaw Creek in about [[1840]]. His gravesite overlooks the town. The town was famous for it's caol deposits that would play an important part in the steel manufactuting in the 30's and on. The town currently struggles as the loss of coal production jobs has caused a struggle. The towns people are friendly and helpful.\n\n==Geography==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at {{coor dms|37|21|6|N|81|47|57|W|city}} (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[km²]] (0.8 [[square mile|mi²]]), all land.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was 139.5/km² (362.8/mi²). There were 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n Over the past 50 years the areas main employment, coal production, has been reduced to a mere trickle of what it previously had been in its hey day. This has created a struggle for the people of Bradshaw to maintain an average income for supporting theit families.\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Settlements established in 1979]]" + }, + { + "revid": 157294283, + "parentid": 156706517, + "minor": "", + "user": "West Virginian", + "userid": 422817, + "timestamp": "2007-09-12T02:35:46Z", + "sha1": "a55780d30082d6ce5a250c050f614cdca0b27001", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "{{McDowell County, West Virginia}}", + "*": "'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[USA]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December [[1979]] and is named for a man who settled at the mouth of Bradshaw Creek in about [[1840]]. His gravesite overlooks the town. The town was famous for it's caol deposits that would play an important part in the steel manufactuting in the 30's and on. The town currently struggles as the loss of coal production jobs has caused a struggle. The towns people are friendly and helpful.\n\n==Geography==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at {{coor dms|37|21|6|N|81|47|57|W|city}} (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[km²]] (0.8 [[square mile|mi²]]), all land.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was 139.5/km² (362.8/mi²). There were 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n Over the past 50 years the areas main employment, coal production, has been reduced to a mere trickle of what it previously had been in its hey day. This has created a struggle for the people of Bradshaw to maintain an average income for supporting theit families.\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n\n{{McDowell County, West Virginia}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Settlements established in 1979]]" + }, + { + "revid": 159735449, + "parentid": 157294283, + "user": "71.207.43.8", + "anon": "", + "userid": 0, + "timestamp": "2007-09-23T04:07:33Z", + "sha1": "cef30d5ff3125af4dce1658d6fd6916c76cdd442", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[USA]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December [[1979]] and is named for a man who settled at the mouth of Bradshaw Creek in about [[1840]]. His gravesite overlooks the town. The town was famous for it's coal deposits that would play an important part in the steel manufactuting in the 30's and on. The town currently struggles as the loss of coal production jobs has caused a struggle. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location flooding has occured many times through out its history causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club Sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n==Geography==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at {{coor dms|37|21|6|N|81|47|57|W|city}} (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[km²]] (0.8 [[square mile|mi²]]), all land.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was 139.5/km² (362.8/mi²). There were 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n Over the past 50 years the areas main employment, coal production, has been reduced to a mere trickle of what it previously had been in its hey day. This has created a struggle for the people of Bradshaw to maintain an average income for supporting theit families.\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n\n{{McDowell County, West Virginia}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Settlements established in 1979]]" + }, + { + "revid": 159736340, + "parentid": 159735449, + "user": "71.207.43.8", + "anon": "", + "userid": 0, + "timestamp": "2007-09-23T04:13:54Z", + "sha1": "95f61088550148110eb7fff09621abd9ecb71c0e", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Demographics */", + "*": "'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[USA]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December [[1979]] and is named for a man who settled at the mouth of Bradshaw Creek in about [[1840]]. His gravesite overlooks the town. The town was famous for it's coal deposits that would play an important part in the steel manufactuting in the 30's and on. The town currently struggles as the loss of coal production jobs has caused a struggle. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location flooding has occured many times through out its history causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club Sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n==Geography==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at {{coor dms|37|21|6|N|81|47|57|W|city}} (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[km²]] (0.8 [[square mile|mi²]]), all land.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was 139.5/km² (362.8/mi²). There were 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n\n{{McDowell County, West Virginia}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Settlements established in 1979]]" + }, + { + "revid": 159839704, + "parentid": 159736340, + "minor": "", + "user": "PrestonH", + "userid": 2331971, + "timestamp": "2007-09-23T18:04:55Z", + "sha1": "62f2d6d4810aff6c628706e263f6c170f4531b38", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "correct spelling", + "*": "'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[USA]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December [[1979]] and is named for a man who settled at the mouth of Bradshaw Creek in about [[1840]]. His gravesite overlooks the town. The town was famous for it's coal deposits that would play an important part in the steel manufactuting in the 30's and on. The town currently struggles as the loss of coal production jobs has caused a struggle. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location flooding has occurred many times through out its history causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club Sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n==Geography==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at {{coor dms|37|21|6|N|81|47|57|W|city}} (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[km²]] (0.8 [[square mile|mi²]]), all land.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was 139.5/km² (362.8/mi²). There were 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n\n{{McDowell County, West Virginia}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Settlements established in 1979]]" + }, + { + "revid": 159880510, + "parentid": 159839704, + "minor": "", + "user": "SieBot", + "userid": 4005189, + "timestamp": "2007-09-23T21:30:50Z", + "sha1": "0244e41cacc0d50d4bd31201062f578dab5fcc83", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "robot Adding: [[vo:Bradshaw (West Virginia)]]", + "*": "'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[USA]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December [[1979]] and is named for a man who settled at the mouth of Bradshaw Creek in about [[1840]]. His gravesite overlooks the town. The town was famous for it's coal deposits that would play an important part in the steel manufactuting in the 30's and on. The town currently struggles as the loss of coal production jobs has caused a struggle. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location flooding has occurred many times through out its history causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club Sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n==Geography==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at {{coor dms|37|21|6|N|81|47|57|W|city}} (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[km²]] (0.8 [[square mile|mi²]]), all land.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was 139.5/km² (362.8/mi²). There were 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n\n{{McDowell County, West Virginia}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Settlements established in 1979]]\n\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 162256673, + "parentid": 159880510, + "user": "SmackBot", + "userid": 433328, + "timestamp": "2007-10-04T15:22:10Z", + "sha1": "ddc6d844c872db2115c7fe1a94d942efb9362700", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Use U.S. per MoS and/or general fixes.", + "*": "'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December [[1979]] and is named for a man who settled at the mouth of Bradshaw Creek in about [[1840]]. His gravesite overlooks the town. The town was famous for it's coal deposits that would play an important part in the steel manufactuting in the 30's and on. The town currently struggles as the loss of coal production jobs has caused a struggle. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location flooding has occurred many times through out its history causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club Sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n==Geography==\n[[Image:WVMap-doton-Bradshaw.PNG|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at {{coor dms|37|21|6|N|81|47|57|W|city}} (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[km²]] (0.8 [[square mile|mi²]]), all land.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was 139.5/km² (362.8/mi²). There were 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n{{McDowell County, West Virginia}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Settlements established in 1979]]\n\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 171532356, + "parentid": 162256673, + "minor": "", + "user": "CommonsDelinker", + "userid": 2304267, + "timestamp": "2007-11-14T22:25:34Z", + "sha1": "db6cfd08b1b6ade2383b695d574321388a78e0bc", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Replacing [[Image:WVMap-doton-Bradshaw.PNG]] with [[Image:WVMap-doton-Bradshaw.png]] (by [[commons:User:Siebrand|Siebrand]] because: Was in category \"Duplicate\", exact duplicate).", + "*": "'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December [[1979]] and is named for a man who settled at the mouth of Bradshaw Creek in about [[1840]]. His gravesite overlooks the town. The town was famous for it's coal deposits that would play an important part in the steel manufactuting in the 30's and on. The town currently struggles as the loss of coal production jobs has caused a struggle. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location flooding has occurred many times through out its history causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club Sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n==Geography==\n[[Image:WVMap-doton-Bradshaw.png|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at {{coor dms|37|21|6|N|81|47|57|W|city}} (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[km²]] (0.8 [[square mile|mi²]]), all land.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was 139.5/km² (362.8/mi²). There were 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n{{McDowell County, West Virginia}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Settlements established in 1979]]\n\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 177609122, + "parentid": 171532356, + "minor": "", + "user": "Robbot", + "userid": 25261, + "timestamp": "2007-12-13T06:54:51Z", + "sha1": "8ae74589a27262ba1338952164d8c9d684dbd1b7", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "robot Adding: [[nl:Bradshaw (West Virginia)]]", + "*": "'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December [[1979]] and is named for a man who settled at the mouth of Bradshaw Creek in about [[1840]]. His gravesite overlooks the town. The town was famous for it's coal deposits that would play an important part in the steel manufactuting in the 30's and on. The town currently struggles as the loss of coal production jobs has caused a struggle. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location flooding has occurred many times through out its history causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club Sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n==Geography==\n[[Image:WVMap-doton-Bradshaw.png|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at {{coor dms|37|21|6|N|81|47|57|W|city}} (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[km²]] (0.8 [[square mile|mi²]]), all land.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was 139.5/km² (362.8/mi²). There were 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n{{McDowell County, West Virginia}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Settlements established in 1979]]\n\n[[nl:Bradshaw (West Virginia)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 203256444, + "parentid": 177609122, + "minor": "", + "user": "SmackBot", + "userid": 433328, + "timestamp": "2008-04-04T10:12:55Z", + "sha1": "10275158ffd067eeb38da6294999649301bff6f3", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Add references section and/or general fixes.", + "*": "'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December [[1979]] and is named for a man who settled at the mouth of Bradshaw Creek in about [[1840]]. His gravesite overlooks the town. The town was famous for it's coal deposits that would play an important part in the steel manufactuting in the 30's and on. The town currently struggles as the loss of coal production jobs has caused a struggle. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location flooding has occurred many times through out its history causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club Sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n==Geography==\n[[Image:WVMap-doton-Bradshaw.png|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at {{coor dms|37|21|6|N|81|47|57|W|city}} (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[km²]] (0.8 [[square mile|mi²]]), all land.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was 139.5/km² (362.8/mi²). There were 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n{{McDowell County, West Virginia}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Settlements established in 1979]]\n\n[[nl:Bradshaw (West Virginia)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 204573978, + "parentid": 203256444, + "minor": "", + "user": "Rei-bot", + "userid": 3258344, + "timestamp": "2008-04-09T23:47:02Z", + "sha1": "796a749760bfa80a4db6eeedc1292d88a0a9522a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "robot Adding: [[pt:Bradshaw (Virgínia Ocidental)]]", + "*": "'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December [[1979]] and is named for a man who settled at the mouth of Bradshaw Creek in about [[1840]]. His gravesite overlooks the town. The town was famous for it's coal deposits that would play an important part in the steel manufactuting in the 30's and on. The town currently struggles as the loss of coal production jobs has caused a struggle. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location flooding has occurred many times through out its history causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club Sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n==Geography==\n[[Image:WVMap-doton-Bradshaw.png|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at {{coor dms|37|21|6|N|81|47|57|W|city}} (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[km²]] (0.8 [[square mile|mi²]]), all land.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was 139.5/km² (362.8/mi²). There were 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n{{McDowell County, West Virginia}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Settlements established in 1979]]\n\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 240061896, + "parentid": 204573978, + "user": "Lightbot", + "userid": 7178666, + "timestamp": "2008-09-21T19:31:52Z", + "sha1": "b73eb504cfa1c9abad5eb34e230a1d6b26c24e67", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Units/dates/other", + "*": "'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for it's coal deposits that would play an important part in the steel manufactuting in the 30's and on. The town currently struggles as the loss of coal production jobs has caused a struggle. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location flooding has occurred many times through out its history causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club Sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n==Geography==\n[[Image:WVMap-doton-Bradshaw.png|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at {{coor dms|37|21|6|N|81|47|57|W|city}} (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[km²]] (0.8 [[square mile|mi²]]), all land.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was 139.5/km² (362.8/mi²). There were 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n{{McDowell County, West Virginia}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Settlements established in 1979]]\n\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 244818472, + "parentid": 240061896, + "user": "98.203.252.255", + "anon": "", + "userid": 0, + "timestamp": "2008-10-12T18:31:01Z", + "sha1": "953ad8f4de2866b65dd0c1f0056e888cce735b87", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "spelling", + "*": "'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n==Geography==\n[[Image:WVMap-doton-Bradshaw.png|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at {{coor dms|37|21|6|N|81|47|57|W|city}} (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[km²]] (0.8 [[square mile|mi²]]), all land.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was 139.5/km² (362.8/mi²). There were 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n{{McDowell County, West Virginia}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Settlements established in 1979]]\n\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 249568774, + "parentid": 244818472, + "minor": "", + "user": "Legobot", + "userid": 7304691, + "timestamp": "2008-11-04T03:35:06Z", + "sha1": "58da2daf9806de66d7d8e562e86aa6b34c13589a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Robot: replacing deprecated templates (-{{coor dms(.*?)}} +{{coord\\1}})", + "*": "'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n==Geography==\n[[Image:WVMap-doton-Bradshaw.png|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|city}} (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 [[km²]] (0.8 [[square mile|mi²]]), all land.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was 139.5/km² (362.8/mi²). There were 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n{{McDowell County, West Virginia}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Settlements established in 1979]]\n\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 261041981, + "parentid": 249568774, + "user": "Lightbot", + "userid": 7178666, + "timestamp": "2008-12-31T06:21:08Z", + "sha1": "8b92b37415873a59eb6401c78f9a3c68c8d933b8", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Units/dates/other", + "*": "'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n==Geography==\n[[Image:WVMap-doton-Bradshaw.png|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|city}} (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of 2.1 km² (0.8 mi²), all land.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was 139.5/km² (362.8/mi²). There were 174 housing units at an average density of 84.0/km² (218.4/mi²). The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n{{McDowell County, West Virginia}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Settlements established in 1979]]\n\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 270601513, + "parentid": 261041981, + "user": "76.226.116.99", + "anon": "", + "userid": 0, + "timestamp": "2009-02-14T04:33:52Z", + "sha1": "77fcec5deb1a5da348e0ee628de560f84d2c6e53", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "style", + "*": "'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n==Geography==\n[[Image:WVMap-doton-Bradshaw.png|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|city}} (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.8|sqmi}}, all land.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was {{convert|362.8|PD/sqmi}}. There were 174 housing units at an average density of {{convert|218.4|/sqmi}}. The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n{{McDowell County, West Virginia}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Settlements established in 1979]]\n\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 321165275, + "parentid": 270601513, + "minor": "", + "user": "Saga City", + "userid": 138511, + "timestamp": "2009-10-21T09:49:03Z", + "sha1": "da272d5327e20a553def289ce878cfe67b21365b", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "sourced from disambig page", + "*": "'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia.\nBradshaw was originally named after the railroad stop known as Dan along the Dryfork River.\nRich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation.\nThe J.D. Kennedy family was one of its earliest settlers and one of the original town founders.\nThe town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns.\nToday Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton, Al Carolla, Bradley Gregory, Eddie Payne and the Davis and Dawson families.\n\n==Geography==\n[[Image:WVMap-doton-Bradshaw.png|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|city}} (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.8|sqmi}}, all land.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was {{convert|362.8|PD/sqmi}}. There were 174 housing units at an average density of {{convert|218.4|/sqmi}}. The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n{{McDowell County, West Virginia}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Settlements established in 1979]]\n\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 343422218, + "parentid": 321165275, + "user": "174.42.224.157", + "anon": "", + "userid": 0, + "timestamp": "2010-02-11T21:39:43Z", + "sha1": "1a3cbcde9355b5c4950284f838a0aadfe1352851", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia.\nBradshaw was originally named after the railroad stop known as Dan along the Dryfork River.\nRich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation.\nThe J.D. Kennedy family was one of its earliest settlers and one of the original town founders.\nThe town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns.\nToday Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families.\n\n==Geography==\n[[Image:WVMap-doton-Bradshaw.png|right|Location of Bradshaw, West Virginia]]\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|city}} (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.8|sqmi}}, all land.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was {{convert|362.8|PD/sqmi}}. There were 174 housing units at an average density of {{convert|218.4|/sqmi}}. The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n{{Mapit-US-cityscale|37.351676|-81.799086}}\n\n{{McDowell County, West Virginia}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Settlements established in 1979]]\n\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 344115786, + "parentid": 343422218, + "minor": "", + "user": "Plastikspork", + "userid": 5075409, + "timestamp": "2010-02-15T00:31:55Z", + "sha1": "0cbe1c37833a7be0b71b79b434a7de6b182b94e6", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Add infobox", + "*": "{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto = \n\n\n|image_skyline = \n|imagesize = \n|image_caption = \n|image_flag = \n|image_seal = \n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map = \n|map_caption = Location within McDowell county\n|image_map1 = \n|mapsize1 = \n|map_caption1 = \n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title =\n|leader_name =\n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date = \n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude = \n|area_total_km2 = 2.1\n|area_land_km2 = 2.1\n|area_water_km2 = \n\n\n|population_as_of = [[United States Census, 2000|2000]]\n|population_footnotes = \n|population_total = 289\n|population_density_km2 = auto\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code = \n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info =\n|website = \n|footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia.\nBradshaw was originally named after the railroad stop known as Dan along the Dryfork River.\nRich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation.\nThe J.D. Kennedy family was one of its earliest settlers and one of the original town founders.\nThe town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns.\nToday Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families.\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.8|sqmi}}, all land.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was {{convert|362.8|PD/sqmi}}. There were 174 housing units at an average density of {{convert|218.4|/sqmi}}. The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Settlements established in 1979]]\n\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 366785214, + "parentid": 344115786, + "minor": "", + "user": "Cydebot", + "userid": 1215485, + "timestamp": "2010-06-08T13:26:54Z", + "sha1": "c40698497466a5f854e50f499ec255a06e551444", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Robot - Moving category Settlements established in 1979 to Populated places established in 1979 per [[WP:CFD|CFD]] at [[Wikipedia:Categories for discussion/Log/2010 May 28]].", + "*": "{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto = \n\n\n|image_skyline = \n|imagesize = \n|image_caption = \n|image_flag = \n|image_seal = \n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map = \n|map_caption = Location within McDowell county\n|image_map1 = \n|mapsize1 = \n|map_caption1 = \n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title =\n|leader_name =\n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date = \n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude = \n|area_total_km2 = 2.1\n|area_land_km2 = 2.1\n|area_water_km2 = \n\n\n|population_as_of = [[United States Census, 2000|2000]]\n|population_footnotes = \n|population_total = 289\n|population_density_km2 = auto\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code = \n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info =\n|website = \n|footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia.\nBradshaw was originally named after the railroad stop known as Dan along the Dryfork River.\nRich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation.\nThe J.D. Kennedy family was one of its earliest settlers and one of the original town founders.\nThe town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns.\nToday Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families.\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, -81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.8|sqmi}}, all land.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was {{convert|362.8|PD/sqmi}}. There were 174 housing units at an average density of {{convert|218.4|/sqmi}}. The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Populated places established in 1979]]\n\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 372627775, + "parentid": 366785214, + "minor": "", + "user": "Nascar1996", + "userid": 10808414, + "timestamp": "2010-07-09T19:14:27Z", + "sha1": "0c17cb531592dfb897c1d9c7c4e7ac526096b499", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "fixed [[MOS:DASH|dashes]] using a [[User:GregU/dashes.js|script]]; formatting: 27x whitespace (using [[User:Cameltrader#Advisor.js|Advisor.js]])", + "*": "{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline =\n|imagesize =\n|image_caption =\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes =\n|area_magnitude =\n|area_total_km2 = 2.1\n|area_land_km2 = 2.1\n|area_water_km2 =\n\n\n|population_as_of = [[United States Census, 2000|2000]]\n|population_footnotes =\n|population_total = 289\n|population_density_km2 = auto\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code =\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info =\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia.\nBradshaw was originally named after the railroad stop known as Dan along the Dryfork River.\nRich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation.\nThe J.D. Kennedy family was one of its earliest settlers and one of the original town founders.\nThe town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns.\nToday Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families.\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.8|sqmi}}, all land.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was {{convert|362.8|PD/sqmi}}. There were 174 housing units at an average density of {{convert|218.4|/sqmi}}. The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Populated places established in 1979]]\n\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 379215923, + "parentid": 372627775, + "minor": "", + "user": "EmausBot", + "userid": 11292982, + "timestamp": "2010-08-16T13:33:03Z", + "sha1": "f0c840043cfb65a3fa6d4df17175c46a590585a9", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "robot Adding: [[ca:Bradshaw (Virgínia de l'Oest)]]", + "*": "{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline =\n|imagesize =\n|image_caption =\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes =\n|area_magnitude =\n|area_total_km2 = 2.1\n|area_land_km2 = 2.1\n|area_water_km2 =\n\n\n|population_as_of = [[United States Census, 2000|2000]]\n|population_footnotes =\n|population_total = 289\n|population_density_km2 = auto\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code =\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info =\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia.\nBradshaw was originally named after the railroad stop known as Dan along the Dryfork River.\nRich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation.\nThe J.D. Kennedy family was one of its earliest settlers and one of the original town founders.\nThe town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns.\nToday Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families.\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.8|sqmi}}, all land.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was {{convert|362.8|PD/sqmi}}. There were 174 housing units at an average density of {{convert|218.4|/sqmi}}. The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Populated places established in 1979]]\n\n[[ca:Bradshaw (Virgínia de l'Oest)]]\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 399589442, + "parentid": 379215923, + "user": "98.143.11.150", + "anon": "", + "userid": 0, + "timestamp": "2010-11-29T21:39:56Z", + "sha1": "16bc75e67c3931135304ac8b2b0427a097802c43", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Geography */", + "*": "{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline =\n|imagesize =\n|image_caption =\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes =\n|area_magnitude =\n|area_total_km2 = 2.1\n|area_land_km2 = 2.1\n|area_water_km2 =\n\n\n|population_as_of = [[United States Census, 2000|2000]]\n|population_footnotes =\n|population_total = 289\n|population_density_km2 = auto\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code =\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info =\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia.\nBradshaw was originally named after the railroad stop known as Dan along the Dryfork River.\nRich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation.\nThe J.D. Kennedy family was one of its earliest settlers and one of the original town founders.\nThe town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns.\nToday Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families.\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.8|sqmi}}, all land.\nBradshaw is a town in McDowell County, West Virginia, United States. The population was 289 at the 2000 census. Bradshaw was incorporated in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia. Bradshaw was originally named after the railroad stop known as Dan along the Dryfork River. Rich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation. The J.D. Kennedy family was one of its earliest settlers and one of the original town founders. The town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns. Today Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton,Former Police chief Franklin Church, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was {{convert|362.8|PD/sqmi}}. There were 174 housing units at an average density of {{convert|218.4|/sqmi}}. The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Populated places established in 1979]]\n\n[[ca:Bradshaw (Virgínia de l'Oest)]]\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 401367544, + "parentid": 399589442, + "user": "69.247.14.170", + "anon": "", + "userid": 0, + "timestamp": "2010-12-09T01:56:38Z", + "sha1": "6ff95e87f481e645f0d6db2eb7007d82b87e8b0f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Geography */", + "*": "{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline =\n|imagesize =\n|image_caption =\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes =\n|area_magnitude =\n|area_total_km2 = 2.1\n|area_land_km2 = 2.1\n|area_water_km2 =\n\n\n|population_as_of = [[United States Census, 2000|2000]]\n|population_footnotes =\n|population_total = 289\n|population_density_km2 = auto\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code =\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info =\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia.\nBradshaw was originally named after the railroad stop known as Dan along the Dryfork River.\nRich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation.\nThe J.D. Kennedy family was one of its earliest settlers and one of the original town founders.\nThe town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns.\nToday Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families.\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.8|sqmi}}, all land.\nBradshaw is a town in McDowell County, West Virginia, United States. The population was 289 at the 2000 census. Bradshaw was incorporated in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia. Bradshaw was originally named after the railroad stop known as Dan along the Dryfork River. Rich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation. The J.D. Kennedy family was one of its earliest settlers and one of the original town founders. The town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns. Today Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton,Former Police chief Franklin Church, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families, along with members of the high school football team over the years, Aaron Lowe,Matthew Grizzel,Phillip Hopkins, Bradley Kelly, and others.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was {{convert|362.8|PD/sqmi}}. There were 174 housing units at an average density of {{convert|218.4|/sqmi}}. The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Populated places established in 1979]]\n\n[[ca:Bradshaw (Virgínia de l'Oest)]]\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 409185677, + "parentid": 401367544, + "user": "71.72.37.13", + "anon": "", + "userid": 0, + "timestamp": "2011-01-21T16:23:15Z", + "sha1": "be8f86982373ec30e40c302962a2a7f92b401ee4", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline =\n|imagesize =\n|image_caption =\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes =\n|area_magnitude =\n|area_total_km2 = 2.1\n|area_land_km2 = 2.1\n|area_water_km2 =\n\n\n|population_as_of = [[United States Census, 2000|2000]]\n|population_footnotes =\n|population_total = 289\n|population_density_km2 = auto\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code =\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info =\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia.\nBradshaw was originally named after the railroad stop known as Dan along the Dryfork River.\nRich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation.\nThe J.D. Kennedy family was one of its earliest settlers and one of the original town founders.\nThe town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns.\nToday Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families.\nThose of you who know Burl Laxton as a famous man obviously don't know his dark side. He has three daughters in Ohio and a ex-wife. When those three girls and their mother lived him he was a monster. He would beat his wife and did absolutely nothing to take care of the girls. Unfortunately the mother had to resort to rummage through peoples garbage to feed her daughters, his daughters. To this day he has NOT accepted any responsibility for his wrong doings. His present wife has suffered through years of physical and mental abuse as well.\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.8|sqmi}}, all land.\nBradshaw is a town in McDowell County, West Virginia, United States. The population was 289 at the 2000 census. Bradshaw was incorporated in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia. Bradshaw was originally named after the railroad stop known as Dan along the Dryfork River. Rich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation. The J.D. Kennedy family was one of its earliest settlers and one of the original town founders. The town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns. Today Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton,Former Police chief Franklin Church, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families, along with members of the high school football team over the years, Aaron Lowe,Matthew Grizzel,Phillip Hopkins, Bradley Kelly, and others.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was {{convert|362.8|PD/sqmi}}. There were 174 housing units at an average density of {{convert|218.4|/sqmi}}. The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Populated places established in 1979]]\n\n[[ca:Bradshaw (Virgínia de l'Oest)]]\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 409493002, + "parentid": 409185677, + "user": "Erechtheus", + "userid": 1595581, + "timestamp": "2011-01-23T04:35:34Z", + "sha1": "5c2be16ffb348a5e4780c9ebb26e600d1a6d8fa4", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "remove massive BLP violation", + "*": "{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline =\n|imagesize =\n|image_caption =\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes =\n|area_magnitude =\n|area_total_km2 = 2.1\n|area_land_km2 = 2.1\n|area_water_km2 =\n\n\n|population_as_of = [[United States Census, 2000|2000]]\n|population_footnotes =\n|population_total = 289\n|population_density_km2 = auto\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code =\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info =\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia.\nBradshaw was originally named after the railroad stop known as Dan along the Dryfork River.\nRich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation.\nThe J.D. Kennedy family was one of its earliest settlers and one of the original town founders.\nThe town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns.\nToday Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families.\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.8|sqmi}}, all land.\nBradshaw is a town in McDowell County, West Virginia, United States. The population was 289 at the 2000 census. Bradshaw was incorporated in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia. Bradshaw was originally named after the railroad stop known as Dan along the Dryfork River. Rich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation. The J.D. Kennedy family was one of its earliest settlers and one of the original town founders. The town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns. Today Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton,Former Police chief Franklin Church, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families, along with members of the high school football team over the years, Aaron Lowe,Matthew Grizzel,Phillip Hopkins, Bradley Kelly, and others.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was {{convert|362.8|PD/sqmi}}. There were 174 housing units at an average density of {{convert|218.4|/sqmi}}. The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n\n[[Category:McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Populated places established in 1979]]\n\n[[ca:Bradshaw (Virgínia de l'Oest)]]\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 422586345, + "parentid": 409493002, + "user": "Jllm06", + "userid": 1918920, + "timestamp": "2011-04-05T21:36:55Z", + "sha1": "0b63afdcc2fc6ad874577fe80e74a0966da70ad8", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "removed [[Category:McDowell County, West Virginia]]; added [[Category:Populated places in McDowell County, West Virginia]] using [[WP:HC|HotCat]]", + "*": "{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline =\n|imagesize =\n|image_caption =\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes =\n|area_magnitude =\n|area_total_km2 = 2.1\n|area_land_km2 = 2.1\n|area_water_km2 =\n\n\n|population_as_of = [[United States Census, 2000|2000]]\n|population_footnotes =\n|population_total = 289\n|population_density_km2 = auto\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code =\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info =\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia.\nBradshaw was originally named after the railroad stop known as Dan along the Dryfork River.\nRich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation.\nThe J.D. Kennedy family was one of its earliest settlers and one of the original town founders.\nThe town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns.\nToday Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families.\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.8|sqmi}}, all land.\nBradshaw is a town in McDowell County, West Virginia, United States. The population was 289 at the 2000 census. Bradshaw was incorporated in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia. Bradshaw was originally named after the railroad stop known as Dan along the Dryfork River. Rich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation. The J.D. Kennedy family was one of its earliest settlers and one of the original town founders. The town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns. Today Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton,Former Police chief Franklin Church, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families, along with members of the high school football team over the years, Aaron Lowe,Matthew Grizzel,Phillip Hopkins, Bradley Kelly, and others.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was {{convert|362.8|PD/sqmi}}. There were 174 housing units at an average density of {{convert|218.4|/sqmi}}. The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n\n[[Category:Populated places in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Populated places established in 1979]]\n\n[[ca:Bradshaw (Virgínia de l'Oest)]]\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 465575390, + "parentid": 422586345, + "user": "98.143.11.124", + "anon": "", + "userid": 0, + "timestamp": "2011-12-13T03:51:37Z", + "sha1": "761e6ab43b0b7053a215c85f6b510d116681e44a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Geography */", + "*": "{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline =\n|imagesize =\n|image_caption =\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes =\n|area_magnitude =\n|area_total_km2 = 2.1\n|area_land_km2 = 2.1\n|area_water_km2 =\n\n\n|population_as_of = [[United States Census, 2000|2000]]\n|population_footnotes =\n|population_total = 289\n|population_density_km2 = auto\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code =\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info =\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia.\nBradshaw was originally named after the railroad stop known as Dan along the Dryfork River.\nRich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation.\nThe J.D. Kennedy family was one of its earliest settlers and one of the original town founders.\nThe town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns.\nToday Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families.\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.8|sqmi}}, all land.\nBradshaw is a town in McDowell County, West Virginia, United States. The population was 289 at the 2000 census. Bradshaw was incorporated in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia. Bradshaw was originally named after the railroad stop known as Dan along the Dryfork River. Rich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation. The J.D. Kennedy family was one of its earliest settlers and one of the original town founders. The town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns. Today Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton,Former Police chief Franklin Church, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was {{convert|362.8|PD/sqmi}}. There were 174 housing units at an average density of {{convert|218.4|/sqmi}}. The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n\n[[Category:Populated places in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Populated places established in 1979]]\n\n[[ca:Bradshaw (Virgínia de l'Oest)]]\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 507217205, + "parentid": 465575390, + "minor": "", + "user": "Magioladitis", + "userid": 1862829, + "timestamp": "2012-08-13T15:05:32Z", + "sha1": "9a3d1ad063753ce780604ff40bec57148b76a353", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Removed empty comments and/or general fixes, removed: using [[Project:AWB|AWB]] (8252)", + "*": "{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline =\n|imagesize =\n|image_caption =\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes =\n|area_magnitude =\n|area_total_km2 = 2.1\n|area_land_km2 = 2.1\n|area_water_km2 =\n\n\n|population_as_of = [[United States Census, 2000|2000]]\n|population_footnotes =\n|population_total = 289\n|population_density_km2 = auto\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code =\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info =\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia.\nBradshaw was originally named after the railroad stop known as Dan along the Dryfork River.\nRich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation.\nThe J.D. Kennedy family was one of its earliest settlers and one of the original town founders.\nThe town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns.\nToday Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families.\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.8|sqmi}}, all land.\nBradshaw is a town in McDowell County, West Virginia, United States. The population was 289 at the 2000 census. Bradshaw was incorporated in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia. Bradshaw was originally named after the railroad stop known as Dan along the Dryfork River. Rich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation. The J.D. Kennedy family was one of its earliest settlers and one of the original town founders. The town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns. Today Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton,Former Police chief Franklin Church, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was {{convert|362.8|PD/sqmi}}. There were 174 housing units at an average density of {{convert|218.4|/sqmi}}. The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n\n[[Category:Populated places in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Populated places established in 1979]]\n\n[[ca:Bradshaw (Virgínia de l'Oest)]]\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 510852310, + "parentid": 507217205, + "user": "Erechtheus", + "userid": 1595581, + "timestamp": "2012-09-05T01:58:24Z", + "sha1": "80bfda7a9cda252d44075fc1e3847f002f237fe9", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "unref", + "*": "{{unref|date=September 2012}}{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline =\n|imagesize =\n|image_caption =\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes =\n|area_magnitude =\n|area_total_km2 = 2.1\n|area_land_km2 = 2.1\n|area_water_km2 =\n\n\n|population_as_of = [[United States Census, 2000|2000]]\n|population_footnotes =\n|population_total = 289\n|population_density_km2 = auto\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code =\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info =\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia.\nBradshaw was originally named after the railroad stop known as Dan along the Dryfork River.\nRich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation.\nThe J.D. Kennedy family was one of its earliest settlers and one of the original town founders.\nThe town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns.\nToday Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families.\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.8|sqmi}}, all land.\nBradshaw is a town in McDowell County, West Virginia, United States. The population was 289 at the 2000 census. Bradshaw was incorporated in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia. Bradshaw was originally named after the railroad stop known as Dan along the Dryfork River. Rich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation. The J.D. Kennedy family was one of its earliest settlers and one of the original town founders. The town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns. Today Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton,Former Police chief Franklin Church, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was {{convert|362.8|PD/sqmi}}. There were 174 housing units at an average density of {{convert|218.4|/sqmi}}. The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n\n[[Category:Populated places in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Populated places established in 1979]]\n\n[[ca:Bradshaw (Virgínia de l'Oest)]]\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 510852398, + "parentid": 510852310, + "user": "Erechtheus", + "userid": 1595581, + "timestamp": "2012-09-05T01:59:21Z", + "sha1": "dbe5de2fd43b10f498c09ca8a7c9780f08d5b671", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "bias", + "*": "{{bias}}{{unref|date=September 2012}}{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline =\n|imagesize =\n|image_caption =\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes =\n|area_magnitude =\n|area_total_km2 = 2.1\n|area_land_km2 = 2.1\n|area_water_km2 =\n\n\n|population_as_of = [[United States Census, 2000|2000]]\n|population_footnotes =\n|population_total = 289\n|population_density_km2 = auto\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code =\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info =\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia.\nBradshaw was originally named after the railroad stop known as Dan along the Dryfork River.\nRich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation.\nThe J.D. Kennedy family was one of its earliest settlers and one of the original town founders.\nThe town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns.\nToday Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families.\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.8|sqmi}}, all land.\nBradshaw is a town in McDowell County, West Virginia, United States. The population was 289 at the 2000 census. Bradshaw was incorporated in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia. Bradshaw was originally named after the railroad stop known as Dan along the Dryfork River. Rich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation. The J.D. Kennedy family was one of its earliest settlers and one of the original town founders. The town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns. Today Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton,Former Police chief Franklin Church, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was {{convert|362.8|PD/sqmi}}. There were 174 housing units at an average density of {{convert|218.4|/sqmi}}. The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n\n[[Category:Populated places in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Populated places established in 1979]]\n\n[[ca:Bradshaw (Virgínia de l'Oest)]]\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 510854404, + "parentid": 510852398, + "minor": "", + "user": "AnomieBOT", + "userid": 7611264, + "timestamp": "2012-09-05T02:19:27Z", + "sha1": "d52fbe08b76a51c16f5686a81419e3cae3dfc4c7", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Dating maintenance tags: {{Bias}}", + "*": "{{bias|date=September 2012}}{{unref|date=September 2012}}{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline =\n|imagesize =\n|image_caption =\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes =\n|area_magnitude =\n|area_total_km2 = 2.1\n|area_land_km2 = 2.1\n|area_water_km2 =\n\n\n|population_as_of = [[United States Census, 2000|2000]]\n|population_footnotes =\n|population_total = 289\n|population_density_km2 = auto\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code =\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info =\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia.\nBradshaw was originally named after the railroad stop known as Dan along the Dryfork River.\nRich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation.\nThe J.D. Kennedy family was one of its earliest settlers and one of the original town founders.\nThe town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns.\nToday Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families.\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.8|sqmi}}, all land.\nBradshaw is a town in McDowell County, West Virginia, United States. The population was 289 at the 2000 census. Bradshaw was incorporated in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia. Bradshaw was originally named after the railroad stop known as Dan along the Dryfork River. Rich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation. The J.D. Kennedy family was one of its earliest settlers and one of the original town founders. The town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns. Today Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton,Former Police chief Franklin Church, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was {{convert|362.8|PD/sqmi}}. There were 174 housing units at an average density of {{convert|218.4|/sqmi}}. The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n\n[[Category:Populated places in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Populated places established in 1979]]\n\n[[ca:Bradshaw (Virgínia de l'Oest)]]\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 511877979, + "parentid": 510854404, + "user": "Vanished user 7b1215e7ef746ac20682e3dbe03f5b84", + "userid": 16555343, + "timestamp": "2012-09-11T17:01:01Z", + "sha1": "bd694e0883d0206138151369a3b10f03aa88463a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "added coal town cat, added gnis data, removed ref challenge", + "*": "{{bias|date=September 2012}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline =\n|imagesize =\n|image_caption =\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes =\n|area_magnitude =\n|area_total_km2 = 2.1\n|area_land_km2 = 2.1\n|area_water_km2 =\n\n\n|population_as_of = [[United States Census, 2000|2000]]\n|population_footnotes =\n|population_total = 289\n|population_density_km2 = auto\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code =\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia.\nBradshaw was originally named after the railroad stop known as Dan along the Dryfork River.\nRich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation.\nThe J.D. Kennedy family was one of its earliest settlers and one of the original town founders.\nThe town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns.\nToday Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families.\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.8|sqmi}}, all land.\nBradshaw is a town in McDowell County, West Virginia, United States. The population was 289 at the 2000 census. Bradshaw was incorporated in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia. Bradshaw was originally named after the railroad stop known as Dan along the Dryfork River. Rich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation. The J.D. Kennedy family was one of its earliest settlers and one of the original town founders. The town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns. Today Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton,Former Police chief Franklin Church, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was {{convert|362.8|PD/sqmi}}. There were 174 housing units at an average density of {{convert|218.4|/sqmi}}. The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n\n[[Category:Populated places in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal town]]\n[[Category:Populated places established in 1979]]\n\n[[ca:Bradshaw (Virgínia de l'Oest)]]\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 514845733, + "parentid": 511877979, + "minor": "", + "user": "Cydebot", + "userid": 1215485, + "timestamp": "2012-09-27T18:20:05Z", + "sha1": "ef2fc7d69750fbff638b081c3d43f70d288472ea", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Robot - Speedily moving category Coal town to [[:Category:Coal towns]] per [[WP:CFDS|CFDS]].", + "*": "{{bias|date=September 2012}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline =\n|imagesize =\n|image_caption =\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes =\n|area_magnitude =\n|area_total_km2 = 2.1\n|area_land_km2 = 2.1\n|area_water_km2 =\n\n\n|population_as_of = [[United States Census, 2000|2000]]\n|population_footnotes =\n|population_total = 289\n|population_density_km2 = auto\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code =\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia.\nBradshaw was originally named after the railroad stop known as Dan along the Dryfork River.\nRich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation.\nThe J.D. Kennedy family was one of its earliest settlers and one of the original town founders.\nThe town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns.\nToday Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families.\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.8|sqmi}}, all land.\nBradshaw is a town in McDowell County, West Virginia, United States. The population was 289 at the 2000 census. Bradshaw was incorporated in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia. Bradshaw was originally named after the railroad stop known as Dan along the Dryfork River. Rich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation. The J.D. Kennedy family was one of its earliest settlers and one of the original town founders. The town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns. Today Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton,Former Police chief Franklin Church, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was {{convert|362.8|PD/sqmi}}. There were 174 housing units at an average density of {{convert|218.4|/sqmi}}. The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n\n[[Category:Populated places in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns]]\n[[Category:Populated places established in 1979]]\n\n[[ca:Bradshaw (Virgínia de l'Oest)]]\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 526640471, + "parentid": 514845733, + "user": "Vanished user 7b1215e7ef746ac20682e3dbe03f5b84", + "userid": 16555343, + "timestamp": "2012-12-06T02:34:28Z", + "sha1": "42ce3c921a0789fdf79113f28534ada92c1ababc", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "removed duplicate sentences", + "*": "{{bias|date=September 2012}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline =\n|imagesize =\n|image_caption =\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes =\n|area_magnitude =\n|area_total_km2 = 2.1\n|area_land_km2 = 2.1\n|area_water_km2 =\n\n\n|population_as_of = [[United States Census, 2000|2000]]\n|population_footnotes =\n|population_total = 289\n|population_density_km2 = auto\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code =\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia.\nBradshaw was originally named after the railroad stop known as Dan along the Dryfork River.\nRich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation.\nThe J.D. Kennedy family was one of its earliest settlers and one of the original town founders.\nThe town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns.\nToday Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families.\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.8|sqmi}}, all land.\nThe population was 289 at the 2000 census. Bradshaw was incorporated in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\nBradshaw was originally named after the railroad stop known as Dan along the Dryfork River. Rich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation. The J.D. Kennedy family was one of its earliest settlers and one of the original town founders. The town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns. Today Bradshaw struggles against the loss of the mining industry in southern West Virginia. Some of its most famous people are former Mayor Burl Laxton,Former Police chief Franklin Church, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families.\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was {{convert|362.8|PD/sqmi}}. There were 174 housing units at an average density of {{convert|218.4|/sqmi}}. The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n\n[[Category:Populated places in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns]]\n[[Category:Populated places established in 1979]]\n\n[[ca:Bradshaw (Virgínia de l'Oest)]]\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 526640775, + "parentid": 526640471, + "user": "Vanished user 7b1215e7ef746ac20682e3dbe03f5b84", + "userid": 16555343, + "timestamp": "2012-12-06T02:37:35Z", + "sha1": "00d889e22c2334b11f64b869ef020fe97f2dd87c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "removed duplicate paragraphs", + "*": "{{bias|date=September 2012}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline =\n|imagesize =\n|image_caption =\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes =\n|area_magnitude =\n|area_total_km2 = 2.1\n|area_land_km2 = 2.1\n|area_water_km2 =\n\n\n|population_as_of = [[United States Census, 2000|2000]]\n|population_footnotes =\n|population_total = 289\n|population_density_km2 = auto\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code =\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia.\nBradshaw was originally named after the railroad stop known as Dan along the Dryfork River.\nRich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation.\nThe J.D. Kennedy family was one of its earliest settlers and one of the original town founders.\nThe town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns.\nToday Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton, Al Carolla, Bradley Gregory, Eddie Payne, Davis and Dawson families.\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.8|sqmi}}, all land.\n\n\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was {{convert|362.8|PD/sqmi}}. There were 174 housing units at an average density of {{convert|218.4|/sqmi}}. The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n\n[[Category:Populated places in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns]]\n[[Category:Populated places established in 1979]]\n\n[[ca:Bradshaw (Virgínia de l'Oest)]]\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 534387706, + "parentid": 526640775, + "user": "98.143.9.102", + "anon": "", + "userid": 0, + "timestamp": "2013-01-22T21:44:24Z", + "sha1": "4f5a3fb3d4a198881538c4cd13540487cf27d144", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{bias|date=September 2012}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline =\n|imagesize =\n|image_caption =\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes =\n|area_magnitude =\n|area_total_km2 = 2.1\n|area_land_km2 = 2.1\n|area_water_km2 =\n\n\n|population_as_of = [[United States Census, 2000|2000]]\n|population_footnotes =\n|population_total = 289\n|population_density_km2 = auto\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code =\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. His gravesite overlooks the town. The town was famous for its coal deposits that would play an important part in the steel manufacturing from the '30s onward. The town currently struggles as the loss of coal production jobs has caused widespread unemployment. Located at the convergence of Bradshaw Creek and the Dry Fork River, Bradshaw has played an important part as a hub of coal production and shipping. Due to its location, flooding has occurred many times throughout its history, causing serious damage. The former Bradshaw Elementary School is now the location of the City Hall and various community services. The annual Lions Club sponsored Fall Festival is the highlight of community fun for the fall season when the town's majestic mountains begin the changing of the colors of the leaves for fall.\n\nBradshaw West Virginia is located in the county of McDowell, the most southern county in the state. Originally McDowell County was part of Tazewell County, Virginia.\nBradshaw was originally named after the railroad stop known as Dan along the Dryfork River.\nRich in coal deposits and one of the towns that spawned the American steel years, Bradshaw contributed the coal that would build a nation.\nThe J.D. Kennedy family was one of its earliest settlers and one of the original town founders.\nThe town would eventually become incorporated in 1979 and become a jewel of southern West Virginia towns.\nToday Bradshaw struggles against the loss of the mining industry in southern West Virginia. The people of the town are friendly and good people and always make strangers feel welcome. Some of its most famous people are former Mayor Burl Laxton, Al Carolla, Bradley Gregory, Eddie Payne,Franklin Church, Davis and Dawson families.\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.8|sqmi}}, all land.\n\n\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was {{convert|362.8|PD/sqmi}}. There were 174 housing units at an average density of {{convert|218.4|/sqmi}}. The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n\n[[Category:Populated places in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns]]\n[[Category:Populated places established in 1979]]\n\n[[ca:Bradshaw (Virgínia de l'Oest)]]\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 534400783, + "parentid": 534387706, + "user": "Vanished user 7b1215e7ef746ac20682e3dbe03f5b84", + "userid": 16555343, + "timestamp": "2013-01-22T23:18:58Z", + "sha1": "e8b3e7a522d55db9d207df0c155a34e9ce2d990c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "edited article, its a total copy of a college site article, I will post the link. Sorry kids, we cant copy another web page verbatim........AND give zero credit", + "*": "{{bias|date=September 2012}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline =\n|imagesize =\n|image_caption =\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes =\n|area_magnitude =\n|area_total_km2 = 2.1\n|area_land_km2 = 2.1\n|area_water_km2 =\n\n\n|population_as_of = [[United States Census, 2000|2000]]\n|population_footnotes =\n|population_total = 289\n|population_density_km2 = auto\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code =\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 289 at the 2000 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. \n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.8|sqmi}}, all land.\n\n\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2000, there were 289 people, 135 households, and 83 families residing in the town. The [[population density]] was {{convert|362.8|PD/sqmi}}. There were 174 housing units at an average density of {{convert|218.4|/sqmi}}. The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n\n[[Category:Populated places in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns]]\n[[Category:Populated places established in 1979]]\n\n[[ca:Bradshaw (Virgínia de l'Oest)]]\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 534421721, + "parentid": 534400783, + "user": "Vanished user 7b1215e7ef746ac20682e3dbe03f5b84", + "userid": 16555343, + "timestamp": "2013-01-23T01:50:05Z", + "sha1": "5e614f714f402b1a8b5d28988ff94176941a6129", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "added zip code and current census data", + "*": "{{bias|date=September 2012}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline =\n|imagesize =\n|image_caption =\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes =\n|area_magnitude =\n|area_total_km2 = 2.1\n|area_land_km2 = 2.1\n|area_water_km2 =\n\n\n|population_as_of = [[United States Census, 2010|2010]]\n|population_footnotes =\n|population_total = 385\n|population_density_km2 = auto\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 385 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. \n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.8|sqmi}}, all land.\n\n\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2010, there were 385 people, 135 households, and 83 families residing in the town. The [[population density]] was {{convert|362.8|PD/sqmi}}. There were 174 housing units at an average density of {{convert|218.4|/sqmi}}. The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n\n[[Category:Populated places in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns]]\n[[Category:Populated places established in 1979]]\n\n[[ca:Bradshaw (Virgínia de l'Oest)]]\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 534422777, + "parentid": 534421721, + "minor": "", + "user": "Vanished user 7b1215e7ef746ac20682e3dbe03f5b84", + "userid": 16555343, + "timestamp": "2013-01-23T01:59:05Z", + "sha1": "999dbb0b35451bdfcdc9f9ed3ca6329fcd4d7a1c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{bias|date=September 2012}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline =\n|imagesize =\n|image_caption =\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes =\n|area_magnitude =\n|area_total_km2 = 2.1\n|area_land_km2 = 2.1\n|area_water_km2 =\n\n\n|population_as_of = [[United States Census, 2010|2010]]\n|population_footnotes =\n|population_total = 337\n|population_density_km2 = auto\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. \n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.8|sqmi}}, all land.\n\n\n\n==Demographics==\nAs of the [[census]]{{GR|2}} of 2010, there were 385 people, 135 households, and 83 families residing in the town. The [[population density]] was {{convert|362.8|PD/sqmi}}. There were 174 housing units at an average density of {{convert|218.4|/sqmi}}. The racial makeup of the town was 99.65% [[White (U.S. Census)|White]], and 0.35% from two or more races.\n\nThere were 135 households out of which 22.2% had children under the age of 18 living with them, 45.2% were [[Marriage|married couples]] living together, 13.3% had a female householder with no husband present, and 38.5% were non-families. 36.3% of all households were made up of individuals and 14.1% had someone living alone who was 65 years of age or older. The average household size was 2.14 and the average family size was 2.77.\n\nIn the town the population was spread out with 20.8% under the age of 18, 8.3% from 18 to 24, 27.7% from 25 to 44, 28.4% from 45 to 64, and 14.9% who were 65 years of age or older. The median age was 41 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 80.3 males.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n\n[[Category:Populated places in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns]]\n[[Category:Populated places established in 1979]]\n\n[[ca:Bradshaw (Virgínia de l'Oest)]]\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 534776510, + "parentid": 534422777, + "user": "JBradley Bot", + "userid": 17164356, + "timestamp": "2013-01-25T05:15:05Z", + "sha1": "0833038a68972172928530e9bec42c42974fb8f3", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Update to 2010 census data (automatic).", + "*": "{{bias|date=September 2012}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline =\n|imagesize =\n|image_caption =\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude =\n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 332\n|pop_est_as_of = 2011{{cite web|title=Population Estimates|url=http://www.census.gov/popest/data/cities/totals/2011/files/SUB-EST2011-IP.csv|publisher={{URL|1=http://en.wikipedia.org/wiki/United_States_Census_Bureau|2=United States Census Bureau}}|accessdate=2013-01-24}}\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. \n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010|url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt|publisher={{URL|1=http://en.wikipedia.org/wiki/United_States_Census_Bureau|2=United States Census Bureau}}|accessdate=2013-01-24}}\n\n\n\n==Demographics==\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher={{URL|1=http://en.wikipedia.org/wiki/United_States_Census_Bureau|2=United States Census Bureau}}|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households out of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n\n[[Category:Populated places in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns]]\n[[Category:Populated places established in 1979]]\n\n[[ca:Bradshaw (Virgínia de l'Oest)]]\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 534928324, + "parentid": 534776510, + "user": "Jamo2008", + "userid": 2451038, + "timestamp": "2013-01-26T03:13:43Z", + "sha1": "ae2f207a460d44460b8487e13e4543c79857c0a7", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Created 2010 census subsection.", + "*": "{{bias|date=September 2012}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline =\n|imagesize =\n|image_caption =\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude =\n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 332\n|pop_est_as_of = 2011{{cite web|title=Population Estimates|url=http://www.census.gov/popest/data/cities/totals/2011/files/SUB-EST2011-IP.csv|publisher={{URL|1=http://en.wikipedia.org/wiki/United_States_Census_Bureau|2=United States Census Bureau}}|accessdate=2013-01-24}}\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. \n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010|url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt|publisher={{URL|1=http://en.wikipedia.org/wiki/United_States_Census_Bureau|2=United States Census Bureau}}|accessdate=2013-01-24}}\n\n==Demographics==\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher={{URL|1=http://en.wikipedia.org/wiki/United_States_Census_Bureau|2=United States Census Bureau}}|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households out of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n\n[[Category:Populated places in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns]]\n[[Category:Populated places established in 1979]]\n\n[[ca:Bradshaw (Virgínia de l'Oest)]]\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 534928883, + "parentid": 534928324, + "user": "Jamo2008", + "userid": 2451038, + "timestamp": "2013-01-26T03:20:27Z", + "sha1": "45d4670d897dfc4a92ace47c62610d918b3d6a59", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Removed bias template from September 2012 whatever the issue was there is nothing left on the page besides statistics so there can't really be any bias.", + "*": "{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline =\n|imagesize =\n|image_caption =\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude =\n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 332\n|pop_est_as_of = 2011{{cite web|title=Population Estimates|url=http://www.census.gov/popest/data/cities/totals/2011/files/SUB-EST2011-IP.csv|publisher={{URL|1=http://en.wikipedia.org/wiki/United_States_Census_Bureau|2=United States Census Bureau}}|accessdate=2013-01-24}}\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. \n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010|url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt|publisher={{URL|1=http://en.wikipedia.org/wiki/United_States_Census_Bureau|2=United States Census Bureau}}|accessdate=2013-01-24}}\n\n==Demographics==\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher={{URL|1=http://en.wikipedia.org/wiki/United_States_Census_Bureau|2=United States Census Bureau}}|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households out of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n\n[[Category:Populated places in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns]]\n[[Category:Populated places established in 1979]]\n\n[[ca:Bradshaw (Virgínia de l'Oest)]]\n[[nl:Bradshaw (West Virginia)]]\n[[pt:Bradshaw (Virgínia Ocidental)]]\n[[vo:Bradshaw (West Virginia)]]" + }, + { + "revid": 541202420, + "parentid": 534928883, + "minor": "", + "user": "Addbot", + "userid": 6569922, + "timestamp": "2013-02-28T10:05:10Z", + "sha1": "9a66a3470d5ae85508c9d301a52f213df225d363", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "[[User:Addbot|Bot:]] Migrating 4 interwiki links, now provided by [[Wikipedia:Wikidata|Wikidata]] on [[d:q1923412]] ([[User talk:Addbot|Report Errors]])", + "*": "{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline =\n|imagesize =\n|image_caption =\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude =\n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 332\n|pop_est_as_of = 2011{{cite web|title=Population Estimates|url=http://www.census.gov/popest/data/cities/totals/2011/files/SUB-EST2011-IP.csv|publisher={{URL|1=http://en.wikipedia.org/wiki/United_States_Census_Bureau|2=United States Census Bureau}}|accessdate=2013-01-24}}\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. \n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010|url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt|publisher={{URL|1=http://en.wikipedia.org/wiki/United_States_Census_Bureau|2=United States Census Bureau}}|accessdate=2013-01-24}}\n\n==Demographics==\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher={{URL|1=http://en.wikipedia.org/wiki/United_States_Census_Bureau|2=United States Census Bureau}}|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households out of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n\n[[Category:Populated places in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 561760821, + "parentid": 541202420, + "user": "JBradley Bot", + "userid": 17164356, + "timestamp": "2013-06-27T02:03:19Z", + "sha1": "f8c0962ad5e5fbffe1ee77195d09800def07d6e6", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Update to 2012 population estimate and requested cleanup (automatic).", + "*": "{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline =\n|imagesize =\n|image_caption =\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude =\n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 325\n|pop_est_as_of = 2012{{cite web|title=Population Estimates|url=http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html|publisher=[[United States Census Bureau]]|accessdate=2013-06-26}}\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840. \n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010|url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}}\n\n==Demographics==\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n\n[[Category:Populated places in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 574951176, + "parentid": 561760821, + "minor": "", + "user": "Hmains", + "userid": 508734, + "timestamp": "2013-09-29T02:51:16Z", + "sha1": "75421f4720ef9e7113a4c02916b583190d8dcb35", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "copyedit, refine cat, and AWB general fixes using [[Project:AWB|AWB]]", + "*": "{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline =\n|imagesize =\n|image_caption =\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude =\n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 325\n|pop_est_as_of = 2012{{cite web|title=Population Estimates|url=http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html|publisher=[[United States Census Bureau]]|accessdate=2013-06-26}}\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840.\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010|url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}}\n\n==Demographics==\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 574966173, + "parentid": 574951176, + "user": "West Virginian", + "userid": 422817, + "timestamp": "2013-09-29T05:54:11Z", + "sha1": "47e3b4255a81c261701f1daa3a45f4547f21dc1e", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* External links */ {{West Virginia municipalities}}", + "*": "{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline =\n|imagesize =\n|image_caption =\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude =\n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 325\n|pop_est_as_of = 2012{{cite web|title=Population Estimates|url=http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html|publisher=[[United States Census Bureau]]|accessdate=2013-06-26}}\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840.\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010|url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}}\n\n==Demographics==\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 587047386, + "parentid": 574966173, + "minor": "", + "user": "Hmains", + "userid": 508734, + "timestamp": "2013-12-21T03:12:39Z", + "sha1": "db0e5f0920a2865426560105dcdd117ac0b12c18", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* External links */copyedit, refine cat, and AWB general fixes using [[Project:AWB|AWB]]", + "*": "{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline =\n|imagesize =\n|image_caption =\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude =\n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 325\n|pop_est_as_of = 2012{{cite web|title=Population Estimates|url=http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html|publisher=[[United States Census Bureau]]|accessdate=2013-06-26}}\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840.\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010|url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}}\n\n==Demographics==\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 615197455, + "parentid": 587047386, + "user": "Magnolia677", + "userid": 18130370, + "timestamp": "2014-07-01T19:46:24Z", + "sha1": "8a0b6f627d2fffd4a98cce5eafc789081f18f203", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "added photo", + "*": "{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize =\n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude =\n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 325\n|pop_est_as_of = 2012{{cite web|title=Population Estimates|url=http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html|publisher=[[United States Census Bureau]]|accessdate=2013-06-26}}\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840.\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010|url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}}\n\n==Demographics==\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 615777171, + "parentid": 615197455, + "user": "50.121.249.200", + "anon": "", + "userid": 0, + "timestamp": "2014-07-06T03:46:27Z", + "sha1": "2af711a75fb542a9b731705a95ee81491809cdf5", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Changed photo caption.", + "*": "{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize =\n|image_caption = Main Street in Bradshaw\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude =\n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 325\n|pop_est_as_of = 2012{{cite web|title=Population Estimates|url=http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html|publisher=[[United States Census Bureau]]|accessdate=2013-06-26}}\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840.\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010|url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}}\n\n==Demographics==\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 615821451, + "parentid": 615777171, + "user": "Magnolia677", + "userid": 18130370, + "timestamp": "2014-07-06T14:05:23Z", + "sha1": "8a0b6f627d2fffd4a98cce5eafc789081f18f203", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Undid revision 615777171 by [[Special:Contributions/50.121.249.200|50.121.249.200]] ([[User talk:50.121.249.200|talk]])Both Google Maps and Open Street Maps call it \"Bartley Store Bottom Road\"; neither mentions \"Main Street\"", + "*": "{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize =\n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude =\n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 325\n|pop_est_as_of = 2012{{cite web|title=Population Estimates|url=http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html|publisher=[[United States Census Bureau]]|accessdate=2013-06-26}}\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840.\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{GR|1}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010|url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}}\n\n==Demographics==\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 618664203, + "parentid": 615821451, + "minor": "", + "user": "SporkBot", + "userid": 12406635, + "timestamp": "2014-07-27T11:31:02Z", + "sha1": "20a83aa07b3a91f10cf7817fe98ea5d90cdac8fc", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Replace template per [[Wikipedia:Templates for discussion/Log/2014 June 24|TFD outcome]]; no change in content", + "*": "{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize =\n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude =\n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 325\n|pop_est_as_of = 2012{{cite web|title=Population Estimates|url=http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html|publisher=[[United States Census Bureau]]|accessdate=2013-06-26}}\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840.\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086){{cite web|url=http://www.census.gov/geo/www/gazetteer/gazette.html|publisher=[[United States Census Bureau]]|accessdate=2011-04-23|date=2011-02-12|title=US Gazetteer files: 2010, 2000, and 1990}}.\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010|url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}}\n\n==Demographics==\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 621620961, + "parentid": 618664203, + "minor": "", + "user": "Yobot", + "userid": 7328338, + "timestamp": "2014-08-17T13:00:30Z", + "sha1": "a76534eb321c154da1512f08eed0d54527acba69", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Geography */[[WP:CHECKWIKI]] error fixes using [[Project:AWB|AWB]] (10381)", + "*": "{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize =\n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude =\n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 325\n|pop_est_as_of = 2012{{cite web|title=Population Estimates|url=http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html|publisher=[[United States Census Bureau]]|accessdate=2013-06-26}}\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840.\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086).{{cite web|url=http://www.census.gov/geo/www/gazetteer/gazette.html|publisher=[[United States Census Bureau]]|accessdate=2011-04-23|date=2011-02-12|title=US Gazetteer files: 2010, 2000, and 1990}}\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010|url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}}\n\n==Demographics==\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 627096890, + "parentid": 621620961, + "user": "75.136.98.65", + "anon": "", + "userid": 0, + "timestamp": "2014-09-26T00:23:14Z", + "sha1": "e8411aec145c526db5bc077f2989ad989156e630", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize =\n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude =\n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 325\n|pop_est_as_of = 2012{{cite web|title=Population Estimates|url=http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html|publisher=[[United States Census Bureau]]|accessdate=2013-06-26}}\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840.\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086).{{cite web|url=http://www.census.gov/geo/www/gazetteer/gazette.html|publisher=[[United States Census Bureau]]|accessdate=2011-04-23|date=2011-02-12|title=US Gazetteer files: 2010, 2000, and 1990}}\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010|url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}}\n\n==Demographics==\nThe median income for a household in the town was $12,083, and the median income for a family was, i farted 14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 627099597, + "parentid": 627096890, + "minor": "", + "user": "Magnolia677", + "userid": 18130370, + "timestamp": "2014-09-26T00:48:03Z", + "sha1": "a76534eb321c154da1512f08eed0d54527acba69", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Reverted 1 edit by [[Special:Contributions/75.136.98.65|75.136.98.65]] ([[User talk:75.136.98.65|talk]]) to last revision by Yobot. ([[WP:TW|TW]])", + "*": "{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize =\n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude =\n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 325\n|pop_est_as_of = 2012{{cite web|title=Population Estimates|url=http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html|publisher=[[United States Census Bureau]]|accessdate=2013-06-26}}\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840.\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086).{{cite web|url=http://www.census.gov/geo/www/gazetteer/gazette.html|publisher=[[United States Census Bureau]]|accessdate=2011-04-23|date=2011-02-12|title=US Gazetteer files: 2010, 2000, and 1990}}\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010|url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}}\n\n==Demographics==\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 670816901, + "parentid": 627099597, + "user": "DemocraticLuntz", + "userid": 7627388, + "timestamp": "2015-07-10T11:55:39Z", + "sha1": "2d4132d20e6f94e7143cc7e16bcf3e325057c565", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Demographics */", + "*": "{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize =\n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude =\n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 325\n|pop_est_as_of = 2012{{cite web|title=Population Estimates|url=http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html|publisher=[[United States Census Bureau]]|accessdate=2013-06-26}}\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840.\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086).{{cite web|url=http://www.census.gov/geo/www/gazetteer/gazette.html|publisher=[[United States Census Bureau]]|accessdate=2011-04-23|date=2011-02-12|title=US Gazetteer files: 2010, 2000, and 1990}}\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010|url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}}\n\n==Demographics==\n{{USCensusPop\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2014\n|estimate=313\n|estref={{cite web|url=http://www.census.gov/popest/data/cities/totals/2014/SUB-EST2014.html|title=Annual Estimates of the Resident Population for Incorporated Places: April 1, 2010 to July 1, 2014|accessdate=June 4, 2015}}\n|footnote=
U.S. Decennial Census{{cite web|url=http://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015}}
\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 683208870, + "parentid": 670816901, + "minor": "", + "user": "Nyttend", + "userid": 1960810, + "timestamp": "2015-09-28T21:08:02Z", + "sha1": "2d4132d20e6f94e7143cc7e16bcf3e325057c565", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Nyttend moved page [[Bradshaw, McDowell County, West Virginia]] to [[Bradshaw, West Virginia]]: Primary topic. Some content was merged to this article from the page now at [[Talk:Bradshaw, West Virginia/Old history]]", + "*": "{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize =\n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude =\n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 325\n|pop_est_as_of = 2012{{cite web|title=Population Estimates|url=http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html|publisher=[[United States Census Bureau]]|accessdate=2013-06-26}}\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840.\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086).{{cite web|url=http://www.census.gov/geo/www/gazetteer/gazette.html|publisher=[[United States Census Bureau]]|accessdate=2011-04-23|date=2011-02-12|title=US Gazetteer files: 2010, 2000, and 1990}}\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010|url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}}\n\n==Demographics==\n{{USCensusPop\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2014\n|estimate=313\n|estref={{cite web|url=http://www.census.gov/popest/data/cities/totals/2014/SUB-EST2014.html|title=Annual Estimates of the Resident Population for Incorporated Places: April 1, 2010 to July 1, 2014|accessdate=June 4, 2015}}\n|footnote=
U.S. Decennial Census{{cite web|url=http://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015}}
\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 683236571, + "parentid": 683208870, + "user": "TheCatalyst31", + "userid": 4850051, + "timestamp": "2015-09-29T00:58:13Z", + "sha1": "35b51912992dc973585cbc5aee41f36ed003761b", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "hatnote", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize =\n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude =\n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 325\n|pop_est_as_of = 2012{{cite web|title=Population Estimates|url=http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html|publisher=[[United States Census Bureau]]|accessdate=2013-06-26}}\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840.\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086).{{cite web|url=http://www.census.gov/geo/www/gazetteer/gazette.html|publisher=[[United States Census Bureau]]|accessdate=2011-04-23|date=2011-02-12|title=US Gazetteer files: 2010, 2000, and 1990}}\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010|url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}}\n\n==Demographics==\n{{USCensusPop\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2014\n|estimate=313\n|estref={{cite web|url=http://www.census.gov/popest/data/cities/totals/2014/SUB-EST2014.html|title=Annual Estimates of the Resident Population for Incorporated Places: April 1, 2010 to July 1, 2014|accessdate=June 4, 2015}}\n|footnote=
U.S. Decennial Census{{cite web|url=http://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015}}
\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 710262469, + "parentid": 683236571, + "user": "Gilliam", + "userid": 506179, + "timestamp": "2016-03-15T22:49:21Z", + "sha1": "d276b983cfdcf785d803c7ee4bb31b35b857cad2", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* top */ ref", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize =\n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude =\n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 325\n|pop_est_as_of = 2012{{cite web|title=Population Estimates|url=http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html|publisher=[[United States Census Bureau]]|accessdate=2013-06-26}}\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and is named for a man who settled at the mouth of Bradshaw Creek in about 1840.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086).{{cite web|url=http://www.census.gov/geo/www/gazetteer/gazette.html|publisher=[[United States Census Bureau]]|accessdate=2011-04-23|date=2011-02-12|title=US Gazetteer files: 2010, 2000, and 1990}}\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010|url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}}\n\n==Demographics==\n{{USCensusPop\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2014\n|estimate=313\n|estref={{cite web|url=http://www.census.gov/popest/data/cities/totals/2014/SUB-EST2014.html|title=Annual Estimates of the Resident Population for Incorporated Places: April 1, 2010 to July 1, 2014|accessdate=June 4, 2015}}\n|footnote=
U.S. Decennial Census{{cite web|url=http://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015}}
\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 710262646, + "parentid": 710262469, + "user": "Gilliam", + "userid": 506179, + "timestamp": "2016-03-15T22:50:39Z", + "sha1": "4445214b7a7d5f7ecddba952d7ae4cc2e4a91c2e", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "reduce possible copyvio version", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize =\n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude =\n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 325\n|pop_est_as_of = 2012{{cite web|title=Population Estimates|url=http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html|publisher=[[United States Census Bureau]]|accessdate=2013-06-26}}\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086).{{cite web|url=http://www.census.gov/geo/www/gazetteer/gazette.html|publisher=[[United States Census Bureau]]|accessdate=2011-04-23|date=2011-02-12|title=US Gazetteer files: 2010, 2000, and 1990}}\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010|url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}}\n\n==Demographics==\n{{USCensusPop\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2014\n|estimate=313\n|estref={{cite web|url=http://www.census.gov/popest/data/cities/totals/2014/SUB-EST2014.html|title=Annual Estimates of the Resident Population for Incorporated Places: April 1, 2010 to July 1, 2014|accessdate=June 4, 2015}}\n|footnote=
U.S. Decennial Census{{cite web|url=http://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015}}
\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 729683535, + "parentid": 710262646, + "user": "DemocraticLuntz", + "userid": 7627388, + "timestamp": "2016-07-13T21:18:09Z", + "sha1": "e72d1a1a71b50bf0a8b6bbf47ce4b48f88ff99eb", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Modified historical population template (via CenPop script)", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize =\n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude =\n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 325\n|pop_est_as_of = 2012{{cite web|title=Population Estimates|url=http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html|publisher=[[United States Census Bureau]]|accessdate=2013-06-26}}\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086).{{cite web|url=http://www.census.gov/geo/www/gazetteer/gazette.html|publisher=[[United States Census Bureau]]|accessdate=2011-04-23|date=2011-02-12|title=US Gazetteer files: 2010, 2000, and 1990}}\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010|url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}}\n\n==Demographics==\n{{US Census population\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2015\n|estimate=307\n|estref={{cite web|url=http://www.census.gov/popest/data/cities/totals/2015/SUB-EST2015.html|title=Annual Estimates of the Resident Population for Incorporated Places: April 1, 2010 to July 1, 2015|accessdate=July 2, 2016}}\n|footnote=
U.S. Decennial Census{{cite web|url=http://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015}}
\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n==External links==\n*[http://boe.mcdo.k12.wv.us/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 748244627, + "parentid": 729683535, + "user": "InternetArchiveBot", + "userid": 27015025, + "timestamp": "2016-11-07T05:20:41Z", + "sha1": "287ddbfea7c9e0fe27d89eb65b1683da393fc0c4", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Rescuing 4 sources and tagging 0 as dead. #IABot (v1.2.6)", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize =\n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude =\n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 325\n|pop_est_as_of = 2012{{cite web|title=Population Estimates |url=http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html |publisher=[[United States Census Bureau]] |accessdate=2013-06-26 |deadurl=yes |archiveurl=http://www.webcitation.org/6HQu4Spqa?url=http%3A%2F%2Fwww.census.gov%2Fpopest%2Fdata%2Fcities%2Ftotals%2F2012%2FSUB-EST2012.html |archivedate=2013-06-17 |df= }}\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates_display = inline,title\n|coordinates_type = region:US_type:city\n|latd = 37|latm = 21 |lats = 6|latNS = N\n|longd = 81|longm = 47|longs = 57|longEW = W\n\n\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086).{{cite web|url=http://www.census.gov/geo/www/gazetteer/gazette.html|publisher=[[United States Census Bureau]]|accessdate=2011-04-23|date=2011-02-12|title=US Gazetteer files: 2010, 2000, and 1990}}\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010 |url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |deadurl=yes |archiveurl=http://www.webcitation.org/64vfLAeJ2?url=http%3A%2F%2Fwww.census.gov%2Fgeo%2Fwww%2Fgazetteer%2Ffiles%2FGaz_places_national.txt |archivedate=2012-01-24 |df= }}\n\n==Demographics==\n{{US Census population\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2015\n|estimate=307\n|estref={{cite web|url=http://www.census.gov/popest/data/cities/totals/2015/SUB-EST2015.html|title=Annual Estimates of the Resident Population for Incorporated Places: April 1, 2010 to July 1, 2015|accessdate=July 2, 2016}}\n|footnote=
U.S. Decennial Census{{cite web|url=http://www.census.gov/prod/www/decennial.html |title=Census of Population and Housing |publisher=Census.gov |accessdate=June 4, 2015 |deadurl=yes |archiveurl=http://www.webcitation.org/6YSasqtfX?url=http%3A%2F%2Fwww.census.gov%2Fprod%2Fwww%2Fdecennial.html |archivedate=May 11, 2015 |df= }}
\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n==External links==\n*[https://web.archive.org/web/20051224115339/http://boe.mcdo.k12.wv.us:80/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 764379537, + "parentid": 748244627, + "user": "JJMC89 bot", + "userid": 27446209, + "timestamp": "2017-02-08T16:28:54Z", + "sha1": "8d62dc70ce01773aaf11ab15bc3ae34d01c4e77c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Migrate {{Infobox settlement}} coordinates parameters to {{Coord}}, see [[Wikipedia:Coordinates in infoboxes]]", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize =\n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude =\n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 325\n|pop_est_as_of = 2012{{cite web|title=Population Estimates |url=http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html |publisher=[[United States Census Bureau]] |accessdate=2013-06-26 |deadurl=yes |archiveurl=http://www.webcitation.org/6HQu4Spqa?url=http%3A%2F%2Fwww.census.gov%2Fpopest%2Fdata%2Fcities%2Ftotals%2F2012%2FSUB-EST2012.html |archivedate=2013-06-17 |df= }}\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086).{{cite web|url=http://www.census.gov/geo/www/gazetteer/gazette.html|publisher=[[United States Census Bureau]]|accessdate=2011-04-23|date=2011-02-12|title=US Gazetteer files: 2010, 2000, and 1990}}\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010 |url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |deadurl=yes |archiveurl=http://www.webcitation.org/64vfLAeJ2?url=http%3A%2F%2Fwww.census.gov%2Fgeo%2Fwww%2Fgazetteer%2Ffiles%2FGaz_places_national.txt |archivedate=2012-01-24 |df= }}\n\n==Demographics==\n{{US Census population\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2015\n|estimate=307\n|estref={{cite web|url=http://www.census.gov/popest/data/cities/totals/2015/SUB-EST2015.html|title=Annual Estimates of the Resident Population for Incorporated Places: April 1, 2010 to July 1, 2015|accessdate=July 2, 2016}}\n|footnote=
U.S. Decennial Census{{cite web|url=http://www.census.gov/prod/www/decennial.html |title=Census of Population and Housing |publisher=Census.gov |accessdate=June 4, 2015 |deadurl=yes |archiveurl=http://www.webcitation.org/6YSasqtfX?url=http%3A%2F%2Fwww.census.gov%2Fprod%2Fwww%2Fdecennial.html |archivedate=May 11, 2015 |df= }}
\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n==External links==\n*[https://web.archive.org/web/20051224115339/http://boe.mcdo.k12.wv.us:80/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 767553593, + "parentid": 764379537, + "minor": "", + "user": "GreenC bot", + "userid": 27823944, + "timestamp": "2017-02-26T16:13:13Z", + "sha1": "e8f97e7a918c6aad86f9e1482cb8b2f3e2112ac8", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Reformat 1 archive link. [[User:Green Cardamom/WaybackMedic_2.1|Wayback Medic 2.1]]", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize =\n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude =\n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 325\n|pop_est_as_of = 2012{{cite web|title=Population Estimates |url=http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html |publisher=[[United States Census Bureau]] |accessdate=2013-06-26 |deadurl=yes |archiveurl=http://www.webcitation.org/6HQu4Spqa?url=http%3A%2F%2Fwww.census.gov%2Fpopest%2Fdata%2Fcities%2Ftotals%2F2012%2FSUB-EST2012.html |archivedate=2013-06-17 |df= }}\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nBradshaw is located at {{coord|37|21|6|N|81|47|57|W|region:US_type:city}} (37.351676, −81.799086).{{cite web|url=http://www.census.gov/geo/www/gazetteer/gazette.html|publisher=[[United States Census Bureau]]|accessdate=2011-04-23|date=2011-02-12|title=US Gazetteer files: 2010, 2000, and 1990}}\n\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010 |url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |deadurl=yes |archiveurl=http://www.webcitation.org/64vfLAeJ2?url=http%3A%2F%2Fwww.census.gov%2Fgeo%2Fwww%2Fgazetteer%2Ffiles%2FGaz_places_national.txt |archivedate=2012-01-24 |df= }}\n\n==Demographics==\n{{US Census population\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2015\n|estimate=307\n|estref={{cite web|url=http://www.census.gov/popest/data/cities/totals/2015/SUB-EST2015.html|title=Annual Estimates of the Resident Population for Incorporated Places: April 1, 2010 to July 1, 2015|accessdate=July 2, 2016}}\n|footnote=
U.S. Decennial Census{{cite web|url=http://www.census.gov/prod/www/decennial.html |title=Census of Population and Housing |publisher=Census.gov |accessdate=June 4, 2015 |deadurl=yes |archiveurl=http://www.webcitation.org/6YSasqtfX?url=http%3A%2F%2Fwww.census.gov%2Fprod%2Fwww%2Fdecennial.html |archivedate=May 12, 2015 |df= }}
\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n==External links==\n*[https://web.archive.org/web/20051224115339/http://boe.mcdo.k12.wv.us:80/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 776585586, + "parentid": 767553593, + "user": "Magnolia677", + "userid": 18130370, + "timestamp": "2017-04-21T22:54:17Z", + "sha1": "7f07be17b9dfc672f9dca0911c99e456805540d4", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Geography */ per [[WP:USCITIES#Geography]]", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize =\n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude =\n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 325\n|pop_est_as_of = 2012{{cite web|title=Population Estimates |url=http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html |publisher=[[United States Census Bureau]] |accessdate=2013-06-26 |deadurl=yes |archiveurl=http://www.webcitation.org/6HQu4Spqa?url=http%3A%2F%2Fwww.census.gov%2Fpopest%2Fdata%2Fcities%2Ftotals%2F2012%2FSUB-EST2012.html |archivedate=2013-06-17 |df= }}\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010 |url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |deadurl=yes |archiveurl=http://www.webcitation.org/64vfLAeJ2?url=http%3A%2F%2Fwww.census.gov%2Fgeo%2Fwww%2Fgazetteer%2Ffiles%2FGaz_places_national.txt |archivedate=2012-01-24 |df= }}\n\n==Demographics==\n{{US Census population\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2015\n|estimate=307\n|estref={{cite web|url=http://www.census.gov/popest/data/cities/totals/2015/SUB-EST2015.html|title=Annual Estimates of the Resident Population for Incorporated Places: April 1, 2010 to July 1, 2015|accessdate=July 2, 2016}}\n|footnote=
U.S. Decennial Census{{cite web|url=http://www.census.gov/prod/www/decennial.html |title=Census of Population and Housing |publisher=Census.gov |accessdate=June 4, 2015 |deadurl=yes |archiveurl=http://www.webcitation.org/6YSasqtfX?url=http%3A%2F%2Fwww.census.gov%2Fprod%2Fwww%2Fdecennial.html |archivedate=May 12, 2015 |df= }}
\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n==External links==\n*[https://web.archive.org/web/20051224115339/http://boe.mcdo.k12.wv.us:80/bradshaw/ Bradshaw Elementary School]\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 776585649, + "parentid": 776585586, + "user": "Magnolia677", + "userid": 18130370, + "timestamp": "2017-04-21T22:54:55Z", + "sha1": "06f2d06aa22ae8bd729385c18a31ace0315d3686", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "per [[WP:ELMINOFFICIAL]]", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize =\n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude =\n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 325\n|pop_est_as_of = 2012{{cite web|title=Population Estimates |url=http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html |publisher=[[United States Census Bureau]] |accessdate=2013-06-26 |deadurl=yes |archiveurl=http://www.webcitation.org/6HQu4Spqa?url=http%3A%2F%2Fwww.census.gov%2Fpopest%2Fdata%2Fcities%2Ftotals%2F2012%2FSUB-EST2012.html |archivedate=2013-06-17 |df= }}\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010 |url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |deadurl=yes |archiveurl=http://www.webcitation.org/64vfLAeJ2?url=http%3A%2F%2Fwww.census.gov%2Fgeo%2Fwww%2Fgazetteer%2Ffiles%2FGaz_places_national.txt |archivedate=2012-01-24 |df= }}\n\n==Demographics==\n{{US Census population\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2015\n|estimate=307\n|estref={{cite web|url=http://www.census.gov/popest/data/cities/totals/2015/SUB-EST2015.html|title=Annual Estimates of the Resident Population for Incorporated Places: April 1, 2010 to July 1, 2015|accessdate=July 2, 2016}}\n|footnote=
U.S. Decennial Census{{cite web|url=http://www.census.gov/prod/www/decennial.html |title=Census of Population and Housing |publisher=Census.gov |accessdate=June 4, 2015 |deadurl=yes |archiveurl=http://www.webcitation.org/6YSasqtfX?url=http%3A%2F%2Fwww.census.gov%2Fprod%2Fwww%2Fdecennial.html |archivedate=May 12, 2015 |df= }}
\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 776585768, + "parentid": 776585649, + "user": "Magnolia677", + "userid": 18130370, + "timestamp": "2017-04-21T22:56:03Z", + "sha1": "878172b71969ff7260099b2d226de7260b48812d", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "layout", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize =\n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude =\n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 325\n|pop_est_as_of = 2012{{cite web|title=Population Estimates |url=http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html |publisher=[[United States Census Bureau]] |accessdate=2013-06-26 |deadurl=yes |archiveurl=http://www.webcitation.org/6HQu4Spqa?url=http%3A%2F%2Fwww.census.gov%2Fpopest%2Fdata%2Fcities%2Ftotals%2F2012%2FSUB-EST2012.html |archivedate=2013-06-17 |df= }}\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010 |url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |deadurl=yes |archiveurl=http://www.webcitation.org/64vfLAeJ2?url=http%3A%2F%2Fwww.census.gov%2Fgeo%2Fwww%2Fgazetteer%2Ffiles%2FGaz_places_national.txt |archivedate=2012-01-24 |df= }}\n\n==Demographics==\n{{US Census population|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2015\n|estimate=307\n|estref={{cite web|url=http://www.census.gov/popest/data/cities/totals/2015/SUB-EST2015.html|title=Annual Estimates of the Resident Population for Incorporated Places: April 1, 2010 to July 1, 2015|accessdate=July 2, 2016}}\n|footnote=
U.S. Decennial Census{{cite web|url=http://www.census.gov/prod/www/decennial.html |title=Census of Population and Housing |publisher=Census.gov |accessdate=June 4, 2015 |deadurl=yes |archiveurl=http://www.webcitation.org/6YSasqtfX?url=http%3A%2F%2Fwww.census.gov%2Fprod%2Fwww%2Fdecennial.html |archivedate=May 12, 2015 |df= }}
\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 785823185, + "parentid": 776585768, + "user": "DemocraticLuntz", + "userid": 7627388, + "timestamp": "2017-06-15T16:27:27Z", + "sha1": "88f44c8bdd399dee98229251b8d17aca4a1d71e7", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Modified historical population template (via CenPop script)", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name =\n|settlement_type = Town\n|nickname =\n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize =\n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag =\n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize =\n|image_map =\n|map_caption = Location within McDowell county\n|image_map1 =\n|mapsize1 =\n|map_caption1 =\n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes =\n|government_type =\n|leader_title =\n|leader_name =\n|leader_title1 =\n|leader_name1 =\n|established_title =\n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude =\n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 325\n|pop_est_as_of = 2012{{cite web|title=Population Estimates |url=http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html |publisher=[[United States Census Bureau]] |accessdate=2013-06-26 |deadurl=yes |archiveurl=http://www.webcitation.org/6HQu4Spqa?url=http%3A%2F%2Fwww.census.gov%2Fpopest%2Fdata%2Fcities%2Ftotals%2F2012%2FSUB-EST2012.html |archivedate=2013-06-17 |df= }}\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes =\n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code =\n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info =\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website =\n|footnotes =\n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010 |url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |deadurl=yes |archiveurl=http://www.webcitation.org/64vfLAeJ2?url=http%3A%2F%2Fwww.census.gov%2Fgeo%2Fwww%2Fgazetteer%2Ffiles%2FGaz_places_national.txt |archivedate=2012-01-24 |df= }}\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2016\n|estimate=296\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2016.html|title=Population and Housing Unit Estimates|accessdate=June 9, 2017}}\n|footnote=
U.S. Decennial Census{{cite web|url=http://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015|deadurl=yes|archiveurl=http://www.webcitation.org/6YSasqtfX?url=http%3A%2F%2Fwww.census.gov%2Fprod%2Fwww%2Fdecennial.html|archivedate=May 12, 2015|df= }}
\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 789152645, + "parentid": 785823185, + "user": "DemocraticLuntz", + "userid": 7627388, + "timestamp": "2017-07-05T17:47:39Z", + "sha1": "22def2f26d2ffe87ac7ffd1db5ee4b07e22b12e0", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "infobox (via CenPop script)", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto = \n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal = \n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = \n|map_caption = Location within McDowell county\n|image_map1 = \n|mapsize1 = \n|map_caption1 = \n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date = \n\n\n|unit_pref = Imperial\n|area_footnotes = \n|area_magnitude = \n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 1.99\n|area_water_km2 = 0.08\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 296\n|pop_est_as_of = 2016\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 169.0\n|population_density_sq_mi = 437.7\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010 |url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |deadurl=yes |archiveurl=http://www.webcitation.org/64vfLAeJ2?url=http%3A%2F%2Fwww.census.gov%2Fgeo%2Fwww%2Fgazetteer%2Ffiles%2FGaz_places_national.txt |archivedate=2012-01-24 |df= }}\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2016\n|estimate=296\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2016.html|title=Population and Housing Unit Estimates|accessdate=June 9, 2017}}\n|footnote=
U.S. Decennial Census{{cite web|url=http://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015|deadurl=yes|archiveurl=http://www.webcitation.org/6YSasqtfX?url=http%3A%2F%2Fwww.census.gov%2Fprod%2Fwww%2Fdecennial.html|archivedate=May 12, 2015|df= }}
\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 790641452, + "parentid": 789152645, + "user": "DemocraticLuntz", + "userid": 7627388, + "timestamp": "2017-07-15T02:43:34Z", + "sha1": "5c13efb23471ce9ed60e5aabcffb7ad867351c03", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "infobox (via CenPop script)", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto = \n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal = \n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 = \n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date = \n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2016 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2016_Gazetteer/2016_gaz_place_54.txt|publisher=United States Census Bureau|accessdate=Jul 14, 2017}}\n|area_magnitude = \n|area_total_sq_mi = 1.45\n|area_land_sq_mi = 1.45\n|area_water_sq_mi = 0.00\n|area_total_km2 = 3.77\n|area_land_km2 = 3.77\n|area_water_km2 = 0.00\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 296\n|pop_est_as_of = 2016\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 78.60\n|population_density_sq_mi = 203.58\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web|title=US Gazetteer files 2010 |url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |deadurl=yes |archiveurl=http://www.webcitation.org/64vfLAeJ2?url=http%3A%2F%2Fwww.census.gov%2Fgeo%2Fwww%2Fgazetteer%2Ffiles%2FGaz_places_national.txt |archivedate=2012-01-24 |df= }}\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2016\n|estimate=296\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2016.html|title=Population and Housing Unit Estimates|accessdate=June 9, 2017}}\n|footnote=
U.S. Decennial Census{{cite web|url=http://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015|deadurl=yes|archiveurl=http://www.webcitation.org/6YSasqtfX?url=http%3A%2F%2Fwww.census.gov%2Fprod%2Fwww%2Fdecennial.html|archivedate=May 12, 2015|df= }}
\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 792096496, + "parentid": 790641452, + "user": "InternetArchiveBot", + "userid": 27015025, + "timestamp": "2017-07-24T12:46:27Z", + "sha1": "8c1558a4eb950c8ceebb66f97d62841a83d7c7e0", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Rescuing 2 sources and tagging 0 as dead. #IABot (v1.4.2)", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto = \n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal = \n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 = \n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date = \n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2016 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2016_Gazetteer/2016_gaz_place_54.txt|publisher=United States Census Bureau|accessdate=Jul 14, 2017}}\n|area_magnitude = \n|area_total_sq_mi = 1.45\n|area_land_sq_mi = 1.45\n|area_water_sq_mi = 0.00\n|area_total_km2 = 3.77\n|area_land_km2 = 3.77\n|area_water_km2 = 0.00\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 296\n|pop_est_as_of = 2016\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 78.60\n|population_density_sq_mi = 203.58\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |deadurl=yes |archiveurl=http://www.webcitation.org/64vfLAeJ2?url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archivedate=2012-01-24 |df= }}\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2016\n|estimate=296\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2016.html|title=Population and Housing Unit Estimates|accessdate=June 9, 2017}}\n|footnote=
U.S. Decennial Census{{cite web|url=http://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015|deadurl=yes|archiveurl=http://www.webcitation.org/6YSasqtfX?url=http://www.census.gov/prod/www/decennial.html|archivedate=May 12, 2015|df=}}
\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 801401889, + "parentid": 792096496, + "minor": "", + "user": "KolbertBot", + "userid": 31691822, + "timestamp": "2017-09-19T13:03:10Z", + "sha1": "330dfc925127accfad4d534fadc0be7d4ffff609", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Bot: [[User:KolbertBot|HTTP→HTTPS]] (v456)", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto = \n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal = \n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 = \n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date = \n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2016 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2016_Gazetteer/2016_gaz_place_54.txt|publisher=United States Census Bureau|accessdate=Jul 14, 2017}}\n|area_magnitude = \n|area_total_sq_mi = 1.45\n|area_land_sq_mi = 1.45\n|area_water_sq_mi = 0.00\n|area_total_km2 = 3.77\n|area_land_km2 = 3.77\n|area_water_km2 = 0.00\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 296\n|pop_est_as_of = 2016\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 78.60\n|population_density_sq_mi = 203.58\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |deadurl=yes |archiveurl=https://www.webcitation.org/64vfLAeJ2?url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archivedate=2012-01-24 |df= }}\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2016\n|estimate=296\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2016.html|title=Population and Housing Unit Estimates|accessdate=June 9, 2017}}\n|footnote=
U.S. Decennial Census{{cite web|url=http://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015|deadurl=yes|archiveurl=https://www.webcitation.org/6YSasqtfX?url=http://www.census.gov/prod/www/decennial.html|archivedate=May 12, 2015|df=}}
\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 814189395, + "parentid": 801401889, + "minor": "", + "user": "KolbertBot", + "userid": 31691822, + "timestamp": "2017-12-07T10:32:52Z", + "sha1": "51b88e1dc5ab7dab3a41f38bb815fa187d70a3a1", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Bot: [[User:KolbertBot|HTTP→HTTPS]] (v478)", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto = \n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal = \n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 = \n\n\n|subdivision_type = [[List of countries|Country]]\n|subdivision_name = [[United States]]\n|subdivision_type1 = [[Political divisions of the United States|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date = \n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2016 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2016_Gazetteer/2016_gaz_place_54.txt|publisher=United States Census Bureau|accessdate=Jul 14, 2017}}\n|area_magnitude = \n|area_total_sq_mi = 1.45\n|area_land_sq_mi = 1.45\n|area_water_sq_mi = 0.00\n|area_total_km2 = 3.77\n|area_land_km2 = 3.77\n|area_water_km2 = 0.00\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 296\n|pop_est_as_of = 2016\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 78.60\n|population_density_sq_mi = 203.58\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], [[United States]]. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |deadurl=yes |archiveurl=https://www.webcitation.org/64vfLAeJ2?url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archivedate=2012-01-24 |df= }}\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2016\n|estimate=296\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2016.html|title=Population and Housing Unit Estimates|accessdate=June 9, 2017}}\n|footnote=
U.S. Decennial Census{{cite web|url=https://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015|deadurl=yes|archiveurl=https://www.webcitation.org/6YSasqtfX?url=http://www.census.gov/prod/www/decennial.html|archivedate=May 12, 2015|df=}}
\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 820228388, + "parentid": 814189395, + "minor": "", + "user": "Illegitimate Barrister", + "userid": 12006778, + "timestamp": "2018-01-13T20:02:17Z", + "sha1": "a8cace8d85fb20b2672c75098f46ea1171096d4a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* top */clean up, replaced: List of countries| → List of sovereign states|, Political divisions of the United States|State → U.S. state|State, [[United States]] → United States (2) using [[Project:AWB|AWB]]", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 =\n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2016 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2016_Gazetteer/2016_gaz_place_54.txt|publisher=United States Census Bureau|accessdate=Jul 14, 2017}}\n|area_magnitude = \n|area_total_sq_mi = 1.45\n|area_land_sq_mi = 1.45\n|area_water_sq_mi = 0.00\n|area_total_km2 = 3.77\n|area_land_km2 = 3.77\n|area_water_km2 = 0.00\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 296\n|pop_est_as_of = 2016\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 78.60\n|population_density_sq_mi = 203.58\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |deadurl=yes |archiveurl=https://www.webcitation.org/64vfLAeJ2?url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archivedate=2012-01-24 |df= }}\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2016\n|estimate=296\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2016.html|title=Population and Housing Unit Estimates|accessdate=June 9, 2017}}\n|footnote=
U.S. Decennial Census{{cite web|url=https://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015|deadurl=yes|archiveurl=https://www.webcitation.org/6YSasqtfX?url=http://www.census.gov/prod/www/decennial.html|archivedate=May 12, 2015|df=}}
\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 826226824, + "parentid": 820228388, + "minor": "", + "user": "IznoBot", + "userid": 32366448, + "timestamp": "2018-02-17T23:18:07Z", + "sha1": "43ec18bd21a596fbdec7b6aff0dd9af5af97d632", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Demographics */[[WP:Lint]]
in [[Template:US Census population]], and gen fixes ([[User:IznoBot#Task 1|task 1]]) using [[Project:AWB|AWB]]", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 =\n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2016 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2016_Gazetteer/2016_gaz_place_54.txt|publisher=United States Census Bureau|accessdate=Jul 14, 2017}}\n|area_magnitude = \n|area_total_sq_mi = 1.45\n|area_land_sq_mi = 1.45\n|area_water_sq_mi = 0.00\n|area_total_km2 = 3.77\n|area_land_km2 = 3.77\n|area_water_km2 = 0.00\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 296\n|pop_est_as_of = 2016\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 78.60\n|population_density_sq_mi = 203.58\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |deadurl=yes |archiveurl=https://www.webcitation.org/64vfLAeJ2?url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archivedate=2012-01-24 |df= }}\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2016\n|estimate=296\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2016.html|title=Population and Housing Unit Estimates|accessdate=June 9, 2017}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015|deadurl=yes|archiveurl=https://www.webcitation.org/6YSasqtfX?url=http://www.census.gov/prod/www/decennial.html|archivedate=May 12, 2015|df=}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 849322044, + "parentid": 826226824, + "user": "110.174.62.147", + "anon": "", + "userid": 0, + "timestamp": "2018-07-08T05:44:08Z", + "sha1": "7b56d291ec0826da2812ace547a0640ca18abf0b", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Geography */", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 =\n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2016 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2016_Gazetteer/2016_gaz_place_54.txt|publisher=United States Census Bureau|accessdate=Jul 14, 2017}}\n|area_magnitude = \n|area_total_sq_mi = 1.45\n|area_land_sq_mi = 1.45\n|area_water_sq_mi = 0.00\n|area_total_km2 = 3.77\n|area_land_km2 = 3.77\n|area_water_km2 = 0.00\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 296\n|pop_est_as_of = 2016\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 78.60\n|population_density_sq_mi = 203.58\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |deadurl=yes |archiveurl=https://www.webcitation.org/64vfLAeJ2?url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archivedate=2012-01-24 |df= }}\n\nBradshaw is on the [[Tug Fork]] river and is serviced by the [[Norfolk Southern Railway]](former [[Norfolk and Western]]) network. The town has a [[high school]].\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2016\n|estimate=296\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2016.html|title=Population and Housing Unit Estimates|accessdate=June 9, 2017}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015|deadurl=yes|archiveurl=https://www.webcitation.org/6YSasqtfX?url=http://www.census.gov/prod/www/decennial.html|archivedate=May 12, 2015|df=}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 849322169, + "parentid": 849322044, + "user": "110.174.62.147", + "anon": "", + "userid": 0, + "timestamp": "2018-07-08T05:45:42Z", + "sha1": "ded25a73e43dd57f688f2faf9ed252e9c4270c3a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Geography */", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 =\n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2016 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2016_Gazetteer/2016_gaz_place_54.txt|publisher=United States Census Bureau|accessdate=Jul 14, 2017}}\n|area_magnitude = \n|area_total_sq_mi = 1.45\n|area_land_sq_mi = 1.45\n|area_water_sq_mi = 0.00\n|area_total_km2 = 3.77\n|area_land_km2 = 3.77\n|area_water_km2 = 0.00\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 296\n|pop_est_as_of = 2016\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 78.60\n|population_density_sq_mi = 203.58\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |deadurl=yes |archiveurl=https://www.webcitation.org/64vfLAeJ2?url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archivedate=2012-01-24 |df= }}\n\nBradshaw is on the [[Tug Fork]] river and is serviced by the [[Norfolk Southern Railway]](former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2016\n|estimate=296\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2016.html|title=Population and Housing Unit Estimates|accessdate=June 9, 2017}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015|deadurl=yes|archiveurl=https://www.webcitation.org/6YSasqtfX?url=http://www.census.gov/prod/www/decennial.html|archivedate=May 12, 2015|df=}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 883160875, + "parentid": 849322169, + "user": "50.110.7.68", + "anon": "", + "userid": 0, + "timestamp": "2019-02-13T17:22:44Z", + "sha1": "8b379185c96f17c547f49cc85fda3113fbb48493", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Demographics */", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 =\n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2016 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2016_Gazetteer/2016_gaz_place_54.txt|publisher=United States Census Bureau|accessdate=Jul 14, 2017}}\n|area_magnitude = \n|area_total_sq_mi = 1.45\n|area_land_sq_mi = 1.45\n|area_water_sq_mi = 0.00\n|area_total_km2 = 3.77\n|area_land_km2 = 3.77\n|area_water_km2 = 0.00\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 296\n|pop_est_as_of = 2016\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 78.60\n|population_density_sq_mi = 203.58\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |deadurl=yes |archiveurl=https://www.webcitation.org/64vfLAeJ2?url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archivedate=2012-01-24 |df= }}\n\nBradshaw is on the [[Tug Fork]] river and is serviced by the [[Norfolk Southern Railway]](former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2016\n|estimate=296\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2016.html|title=Population and Housing Unit Estimates|accessdate=June 9, 2017}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015|deadurl=yes|archiveurl=https://www.webcitation.org/6YSasqtfX?url=http://www.census.gov/prod/www/decennial.html|archivedate=May 12, 2015|df=}}\n}}\nbc we are poor The median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 883160913, + "parentid": 883160875, + "minor": "", + "user": "Theinstantmatrix", + "userid": 31567860, + "timestamp": "2019-02-13T17:23:00Z", + "sha1": "ded25a73e43dd57f688f2faf9ed252e9c4270c3a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Reverted edits by [[Special:Contribs/50.110.7.68|50.110.7.68]] ([[User talk:50.110.7.68|talk]]) to last version by 110.174.62.147", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 =\n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2016 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2016_Gazetteer/2016_gaz_place_54.txt|publisher=United States Census Bureau|accessdate=Jul 14, 2017}}\n|area_magnitude = \n|area_total_sq_mi = 1.45\n|area_land_sq_mi = 1.45\n|area_water_sq_mi = 0.00\n|area_total_km2 = 3.77\n|area_land_km2 = 3.77\n|area_water_km2 = 0.00\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 296\n|pop_est_as_of = 2016\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 78.60\n|population_density_sq_mi = 203.58\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |deadurl=yes |archiveurl=https://www.webcitation.org/64vfLAeJ2?url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archivedate=2012-01-24 |df= }}\n\nBradshaw is on the [[Tug Fork]] river and is serviced by the [[Norfolk Southern Railway]](former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2016\n|estimate=296\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2016.html|title=Population and Housing Unit Estimates|accessdate=June 9, 2017}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015|deadurl=yes|archiveurl=https://www.webcitation.org/6YSasqtfX?url=http://www.census.gov/prod/www/decennial.html|archivedate=May 12, 2015|df=}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 889706027, + "parentid": 883160913, + "user": "DemocraticLuntz", + "userid": 7627388, + "timestamp": "2019-03-27T12:23:10Z", + "sha1": "eb1a6e27f9cecb0d4a26c4744424095e0416c3c2", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Modified historical population, infobox (via CenPop script)", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto = \n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal = \n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 = \n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date = \n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2017 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2017_Gazetteer/2017_gaz_place_54.txt|publisher=United States Census Bureau|accessdate=Mar 27, 2019}}\n|area_magnitude = \n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 2.00\n|area_water_km2 = 0.07\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 286\n|pop_est_as_of = 2017\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 142.71\n|population_density_sq_mi = 369.51\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |deadurl=yes |archiveurl=https://www.webcitation.org/64vfLAeJ2?url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archivedate=2012-01-24 |df= }}\n\nBradshaw is on the [[Tug Fork]] river and is serviced by the [[Norfolk Southern Railway]](former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2017\n|estimate=286\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2017.html|title=Population and Housing Unit Estimates|accessdate=March 24, 2018}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015|deadurl=yes|archiveurl=https://www.webcitation.org/6YSasqtfX?url=http://www.census.gov/prod/www/decennial.html|archivedate=May 12, 2015|df=}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 902106169, + "parentid": 889706027, + "user": "2606:A000:1217:C026:1027:BEA7:ACBB:5882", + "anon": "", + "userid": 0, + "timestamp": "2019-06-16T16:02:16Z", + "sha1": "1b9f220dda5aeb40f02f032e314577276383c6ac", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Demographics */", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto = \n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal = \n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 = \n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date = \n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2017 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2017_Gazetteer/2017_gaz_place_54.txt|publisher=United States Census Bureau|accessdate=Mar 27, 2019}}\n|area_magnitude = \n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 2.00\n|area_water_km2 = 0.07\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 286\n|pop_est_as_of = 2017\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 142.71\n|population_density_sq_mi = 369.51\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |deadurl=yes |archiveurl=https://www.webcitation.org/64vfLAeJ2?url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archivedate=2012-01-24 |df= }}\n\nBradshaw is on the [[Tug Fork]] river and is serviced by the [[Norfolk Southern Railway]](former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2018\n|estimate=283\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2017.html|title=Population and Housing Unit Estimates|accessdate=March 24, 2018}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015|deadurl=yes|archiveurl=https://www.webcitation.org/6YSasqtfX?url=http://www.census.gov/prod/www/decennial.html|archivedate=May 12, 2015|df=}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 902123221, + "parentid": 902106169, + "user": "Magnolia677", + "userid": 18130370, + "timestamp": "2019-06-16T18:29:58Z", + "sha1": "eb1a6e27f9cecb0d4a26c4744424095e0416c3c2", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Undid revision 902106169 by [[Special:Contributions/2606:A000:1217:C026:1027:BEA7:ACBB:5882|2606:A000:1217:C026:1027:BEA7:ACBB:5882]] ([[User talk:2606:A000:1217:C026:1027:BEA7:ACBB:5882|talk]]) Removing unsourced content", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto = \n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal = \n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 = \n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date = \n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2017 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2017_Gazetteer/2017_gaz_place_54.txt|publisher=United States Census Bureau|accessdate=Mar 27, 2019}}\n|area_magnitude = \n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 2.00\n|area_water_km2 = 0.07\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 286\n|pop_est_as_of = 2017\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 142.71\n|population_density_sq_mi = 369.51\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |deadurl=yes |archiveurl=https://www.webcitation.org/64vfLAeJ2?url=http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archivedate=2012-01-24 |df= }}\n\nBradshaw is on the [[Tug Fork]] river and is serviced by the [[Norfolk Southern Railway]](former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2017\n|estimate=286\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2017.html|title=Population and Housing Unit Estimates|accessdate=March 24, 2018}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015|deadurl=yes|archiveurl=https://www.webcitation.org/6YSasqtfX?url=http://www.census.gov/prod/www/decennial.html|archivedate=May 12, 2015|df=}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 905566986, + "parentid": 902123221, + "user": "GreenC bot", + "userid": 27823944, + "timestamp": "2019-07-09T23:08:30Z", + "sha1": "60ff7ec0e2dc56f4e96c4d930cbb86e3d4bd8c3a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Rescued 2 archive links. [[User:GreenC/WaybackMedic_2.5|Wayback Medic 2.5]]", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto = \n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal = \n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 = \n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date = \n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2017 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2017_Gazetteer/2017_gaz_place_54.txt|publisher=United States Census Bureau|accessdate=Mar 27, 2019}}\n|area_magnitude = \n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 2.00\n|area_water_km2 = 0.07\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 286\n|pop_est_as_of = 2017\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 142.71\n|population_density_sq_mi = 369.51\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |deadurl=yes |archiveurl=https://web.archive.org/web/20120125061959/http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archivedate=2012-01-25 |df= }}\n\nBradshaw is on the [[Tug Fork]] river and is serviced by the [[Norfolk Southern Railway]](former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2017\n|estimate=286\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2017.html|title=Population and Housing Unit Estimates|accessdate=March 24, 2018}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015|deadurl=yes|archiveurl=https://web.archive.org/web/20150426102944/http://www.census.gov/prod/www/decennial.html|archivedate=April 26, 2015|df=}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 915566627, + "parentid": 905566986, + "user": "2600:1702:2B70:5250:58D6:5D8:CC57:3B0D", + "anon": "", + "userid": 0, + "timestamp": "2019-09-14T01:31:03Z", + "sha1": "ffbd44ef6310468917c7b3fdd74ed3d2404be90a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "The Tug Fork River is in Iaeger. The Sandy River is the correct name for the river that runs through Bradshaw.", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto = \n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal = \n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 = \n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date = \n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2017 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2017_Gazetteer/2017_gaz_place_54.txt|publisher=United States Census Bureau|accessdate=Mar 27, 2019}}\n|area_magnitude = \n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 2.00\n|area_water_km2 = 0.07\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 286\n|pop_est_as_of = 2017\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 142.71\n|population_density_sq_mi = 369.51\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |deadurl=yes |archiveurl=https://web.archive.org/web/20120125061959/http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archivedate=2012-01-25 |df= }}\n\nBradshaw is on the [[Sandy River]] and is serviced by the [[Norfolk Southern Railway]](former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2017\n|estimate=286\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2017.html|title=Population and Housing Unit Estimates|accessdate=March 24, 2018}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015|deadurl=yes|archiveurl=https://web.archive.org/web/20150426102944/http://www.census.gov/prod/www/decennial.html|archivedate=April 26, 2015|df=}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 915721728, + "parentid": 915566627, + "minor": "", + "user": "Monkbot", + "userid": 20483999, + "timestamp": "2019-09-14T23:28:52Z", + "sha1": "701b3373454acf96cab9bf01fcffb1e7c51014cb", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "[[User:Monkbot/task 16: remove replace deprecated dead-url params|Task 16]]: replaced (2×) / removed (0×) deprecated |dead-url= and |deadurl= with |url-status=;", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto = \n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal = \n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 = \n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date = \n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2017 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2017_Gazetteer/2017_gaz_place_54.txt|publisher=United States Census Bureau|accessdate=Mar 27, 2019}}\n|area_magnitude = \n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 2.00\n|area_water_km2 = 0.07\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 286\n|pop_est_as_of = 2017\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 142.71\n|population_density_sq_mi = 369.51\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |url-status=dead |archiveurl=https://web.archive.org/web/20120125061959/http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archivedate=2012-01-25 }}\n\nBradshaw is on the [[Sandy River]] and is serviced by the [[Norfolk Southern Railway]](former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2017\n|estimate=286\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2017.html|title=Population and Housing Unit Estimates|accessdate=March 24, 2018}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015|url-status=dead|archiveurl=https://web.archive.org/web/20150426102944/http://www.census.gov/prod/www/decennial.html|archivedate=April 26, 2015}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 918582201, + "parentid": 915721728, + "user": "Narky Blert", + "userid": 22041646, + "timestamp": "2019-09-29T11:04:13Z", + "sha1": "ebea3345d987093a7945c3064dec61cb5bb448a2", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Link to DAB page -> redlink", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto = \n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal = \n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 = \n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date = \n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2017 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2017_Gazetteer/2017_gaz_place_54.txt|publisher=United States Census Bureau|accessdate=Mar 27, 2019}}\n|area_magnitude = \n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 2.00\n|area_water_km2 = 0.07\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 286\n|pop_est_as_of = 2017\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 142.71\n|population_density_sq_mi = 369.51\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |url-status=dead |archiveurl=https://web.archive.org/web/20120125061959/http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archivedate=2012-01-25 }}\n\nBradshaw is on the [[Sandy River (West Virginia)|Sandy River]] and is serviced by the [[Norfolk Southern Railway]](former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2017\n|estimate=286\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2017.html|title=Population and Housing Unit Estimates|accessdate=March 24, 2018}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015|url-status=dead|archiveurl=https://web.archive.org/web/20150426102944/http://www.census.gov/prod/www/decennial.html|archivedate=April 26, 2015}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families residing in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 934144217, + "parentid": 918582201, + "minor": "", + "user": "Rich Farmbrough", + "userid": 82835, + "timestamp": "2020-01-05T00:10:44Z", + "sha1": "f3395bb1529e0032cbc26689c2ecdae7e9de3c09", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "clean up", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 =\n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2017 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2017_Gazetteer/2017_gaz_place_54.txt|publisher=United States Census Bureau|accessdate=Mar 27, 2019}}\n|area_magnitude = \n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 2.00\n|area_water_km2 = 0.07\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 286\n|pop_est_as_of = 2017\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 142.71\n|population_density_sq_mi = 369.51\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |url-status=dead |archiveurl=https://web.archive.org/web/20120125061959/http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archivedate=2012-01-25 }}\n\nBradshaw is on the [[Sandy River (West Virginia)|Sandy River]] and is serviced by the [[Norfolk Southern Railway]](former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2017\n|estimate=286\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2017.html|title=Population and Housing Unit Estimates|accessdate=March 24, 2018}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015|url-status=dead|archiveurl=https://web.archive.org/web/20150426102944/http://www.census.gov/prod/www/decennial.html|archivedate=April 26, 2015}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families living in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 937789062, + "parentid": 934144217, + "user": "Ser Amantio di Nicolao", + "userid": 753665, + "timestamp": "2020-01-27T06:26:08Z", + "sha1": "a7b75410a7ea028509395df7a3ecebed08072979", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* References */add authority control", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 =\n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2017 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2017_Gazetteer/2017_gaz_place_54.txt|publisher=United States Census Bureau|accessdate=Mar 27, 2019}}\n|area_magnitude = \n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 2.00\n|area_water_km2 = 0.07\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 286\n|pop_est_as_of = 2017\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 142.71\n|population_density_sq_mi = 369.51\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |url-status=dead |archiveurl=https://web.archive.org/web/20120125061959/http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archivedate=2012-01-25 }}\n\nBradshaw is on the [[Sandy River (West Virginia)|Sandy River]] and is serviced by the [[Norfolk Southern Railway]](former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2017\n|estimate=286\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2017.html|title=Population and Housing Unit Estimates|accessdate=March 24, 2018}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015|url-status=dead|archiveurl=https://web.archive.org/web/20150426102944/http://www.census.gov/prod/www/decennial.html|archivedate=April 26, 2015}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families living in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n{{authority control}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 941073239, + "parentid": 937789062, + "user": "DemocraticLuntz", + "userid": 7627388, + "timestamp": "2020-02-16T12:44:03Z", + "sha1": "e8e92afa3c55c84f7d9aa0a80708896dfa2e01d2", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Modified historical population, infobox (via [[User:DemocraticLuntz/CenPop|CenPop]] script)", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto = \n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal = \n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 = \n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date = \n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2018 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2018_Gazetteer/2018_gaz_place_54.txt|publisher=United States Census Bureau|accessdate=Feb 16, 2020}}\n|area_magnitude = \n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 2.00\n|area_water_km2 = 0.07\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 283\n|pop_est_as_of = 2018\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 141.21\n|population_density_sq_mi = 365.63\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |url-status=dead |archiveurl=https://web.archive.org/web/20120125061959/http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archivedate=2012-01-25 }}\n\nBradshaw is on the [[Sandy River (West Virginia)|Sandy River]] and is serviced by the [[Norfolk Southern Railway]](former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2018\n|estimate=283\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2018.html|title=Population and Housing Unit Estimates|accessdate=June 4, 2019}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015|url-status=dead|archiveurl=https://web.archive.org/web/20150426102944/http://www.census.gov/prod/www/decennial.html|archivedate=April 26, 2015}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder2.census.gov/faces/nav/jsf/pages/index.xhtml|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families living in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n{{authority control}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 948913405, + "parentid": 941073239, + "user": "GreenC bot", + "userid": 27823944, + "timestamp": "2020-04-03T18:26:03Z", + "sha1": "e046fb2dbd0824a247917112feaf3ff10a6c5ac9", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Rescued 1 archive link; Move 1 url. [[User:GreenC/WaybackMedic_2.5|Wayback Medic 2.5]]", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto = \n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal = \n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 = \n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date = \n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2018 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2018_Gazetteer/2018_gaz_place_54.txt|publisher=United States Census Bureau|accessdate=Feb 16, 2020}}\n|area_magnitude = \n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 2.00\n|area_water_km2 = 0.07\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 283\n|pop_est_as_of = 2018\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 141.21\n|population_density_sq_mi = 365.63\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |url-status=dead |archiveurl=https://web.archive.org/web/20120125061959/http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archivedate=2012-01-25 }}\n\nBradshaw is on the [[Sandy River (West Virginia)|Sandy River]] and is serviced by the [[Norfolk Southern Railway]](former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2018\n|estimate=283\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2018.html|title=Population and Housing Unit Estimates|accessdate=June 4, 2019}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/prod/www/decennial.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015|url-status=dead|archiveurl=https://web.archive.org/web/20150426102944/http://www.census.gov/prod/www/decennial.html|archivedate=April 26, 2015}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=American FactFinder|url=http://factfinder.census.gov/faces/nav/jsf/pages/index.xhtml|archive-url=https://archive.today/20200212234628/http://factfinder.census.gov/faces/nav/jsf/pages/index.xhtml|url-status=dead|archive-date=2020-02-12|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families living in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n{{authority control}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 950011072, + "parentid": 948913405, + "user": "GreenC bot", + "userid": 27823944, + "timestamp": "2020-04-09T19:40:08Z", + "sha1": "7f67723780e5883da349c089dc991c7a69e2f949", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Move 4 urls. [[User:GreenC/WaybackMedic_2.5|Wayback Medic 2.5]]", + "*": "{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto = \n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal = \n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 = \n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date = \n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2018 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2018_Gazetteer/2018_gaz_place_54.txt|publisher=United States Census Bureau|accessdate=Feb 16, 2020}}\n|area_magnitude = \n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 2.00\n|area_water_km2 = 0.07\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 283\n|pop_est_as_of = 2018\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 141.21\n|population_density_sq_mi = 365.63\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |url-status=dead |archiveurl=https://web.archive.org/web/20120125061959/http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archivedate=2012-01-25 }}\n\nBradshaw is on the [[Sandy River (West Virginia)|Sandy River]] and is serviced by the [[Norfolk Southern Railway]](former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2018\n|estimate=283\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2018.html|title=Population and Housing Unit Estimates|accessdate=June 4, 2019}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/programs-surveys/decennial-census.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=U.S. Census website|url=https://www.census.gov|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families living in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n{{authority control}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 959101112, + "parentid": 950011072, + "user": "Hatchens", + "userid": 38674656, + "timestamp": "2020-05-27T04:33:03Z", + "sha1": "0fe5870f8393720a2c18b7253f26886895590f1c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Adding custom [[Wikipedia:Short description|short description]]: \"Town in West Virginia, United States\" ([[Wikipedia:Shortdesc helper|Shortdesc helper]])", + "*": "{{short description|Town in West Virginia, United States}}\n{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto = \n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal = \n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 = \n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date = \n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2018 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2018_Gazetteer/2018_gaz_place_54.txt|publisher=United States Census Bureau|accessdate=Feb 16, 2020}}\n|area_magnitude = \n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 2.00\n|area_water_km2 = 0.07\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 283\n|pop_est_as_of = 2018\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 141.21\n|population_density_sq_mi = 365.63\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |url-status=dead |archiveurl=https://web.archive.org/web/20120125061959/http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archivedate=2012-01-25 }}\n\nBradshaw is on the [[Sandy River (West Virginia)|Sandy River]] and is serviced by the [[Norfolk Southern Railway]](former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2018\n|estimate=283\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2018.html|title=Population and Housing Unit Estimates|accessdate=June 4, 2019}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/programs-surveys/decennial-census.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=U.S. Census website|url=https://www.census.gov|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families living in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n{{authority control}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 971725277, + "parentid": 959101112, + "user": "DemocraticLuntz", + "userid": 7627388, + "timestamp": "2020-08-07T20:51:55Z", + "sha1": "d50f184aa8948ca21cca4c5c7f2ea6fc8f26fd69", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Modified historical population, infobox (via [[User:DemocraticLuntz/CenPop|CenPop]] script)", + "*": "{{short description|Town in West Virginia, United States}}\n{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto = \n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal = \n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 = \n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date = \n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2019 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2019_Gazetteer/2019_gaz_place_54.txt|publisher=United States Census Bureau|accessdate=August 7, 2020}}\n|area_magnitude = \n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 2.00\n|area_water_km2 = 0.07\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 271\n|pop_est_as_of = 2019\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 135.22\n|population_density_sq_mi = 350.13\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |url-status=dead |archiveurl=https://web.archive.org/web/20120125061959/http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archivedate=2012-01-25 }}\n\nBradshaw is on the [[Sandy River (West Virginia)|Sandy River]] and is serviced by the [[Norfolk Southern Railway]](former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2019\n|estimate=271\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2019.html|date=May 24, 2020|title=Population and Housing Unit Estimates|publisher=United States Census Bureau|accessdate=May 27, 2020}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/programs-surveys/decennial-census.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those sixty five or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=U.S. Census website|url=https://www.census.gov|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families living in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n{{authority control}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 974288924, + "parentid": 971725277, + "minor": "", + "user": "Chris the speller", + "userid": 525927, + "timestamp": "2020-08-22T04:26:37Z", + "sha1": "324000be6ef2870065aba9e0c3f72234f048b9f6", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "replaced: sixty five → 65, households → households,, individuals → individuals,", + "*": "{{short description|Town in West Virginia, United States}}\n{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto = \n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal = \n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 = \n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date = \n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2019 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2019_Gazetteer/2019_gaz_place_54.txt|publisher=United States Census Bureau|accessdate=August 7, 2020}}\n|area_magnitude = \n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 2.00\n|area_water_km2 = 0.07\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 271\n|pop_est_as_of = 2019\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 135.22\n|population_density_sq_mi = 350.13\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |accessdate=2013-01-24 |url-status=dead |archiveurl=https://web.archive.org/web/20120125061959/http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archivedate=2012-01-25 }}\n\nBradshaw is on the [[Sandy River (West Virginia)|Sandy River]] and is serviced by the [[Norfolk Southern Railway]](former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2019\n|estimate=271\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2019.html|date=May 24, 2020|title=Population and Housing Unit Estimates|publisher=United States Census Bureau|accessdate=May 27, 2020}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/programs-surveys/decennial-census.html|title=Census of Population and Housing|publisher=Census.gov|accessdate=June 4, 2015}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those 65 or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=U.S. Census website|url=https://www.census.gov|publisher=[[United States Census Bureau]]|accessdate=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families living in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households, of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals, and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n{{authority control}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 996909403, + "parentid": 974288924, + "minor": "", + "user": "Monkbot", + "userid": 20483999, + "timestamp": "2020-12-29T04:04:05Z", + "sha1": "d1e56b38b1c625fe85b512548991fd3bca68123e", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "[[User:Monkbot/task 18|Task 18 (cosmetic)]]: eval 6 templates: hyphenate params (7×);", + "*": "{{short description|Town in West Virginia, United States}}\n{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto = \n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal = \n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 = \n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date = \n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2019 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2019_Gazetteer/2019_gaz_place_54.txt|publisher=United States Census Bureau|access-date=August 7, 2020}}\n|area_magnitude = \n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 2.00\n|area_water_km2 = 0.07\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 271\n|pop_est_as_of = 2019\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 135.22\n|population_density_sq_mi = 350.13\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which, {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |access-date=2013-01-24 |url-status=dead |archive-url=https://web.archive.org/web/20120125061959/http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archive-date=2012-01-25 }}\n\nBradshaw is on the [[Sandy River (West Virginia)|Sandy River]] and is serviced by the [[Norfolk Southern Railway]](former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2019\n|estimate=271\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2019.html|date=May 24, 2020|title=Population and Housing Unit Estimates|publisher=United States Census Bureau|access-date=May 27, 2020}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/programs-surveys/decennial-census.html|title=Census of Population and Housing|publisher=Census.gov|access-date=June 4, 2015}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those 65 or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=U.S. Census website|url=https://www.census.gov|publisher=[[United States Census Bureau]]|access-date=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families living in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households, of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals, and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n{{authority control}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 1023894508, + "parentid": 996909403, + "user": "Hushpuckena", + "userid": 8965090, + "timestamp": "2021-05-18T23:18:44Z", + "sha1": "ef2ba90c98ca1607a77eaf5771820d6d432ca6d9", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Geography */ rm superfluous comma", + "*": "{{short description|Town in West Virginia, United States}}\n{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto = \n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal = \n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 = \n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date = \n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2019 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2019_Gazetteer/2019_gaz_place_54.txt|publisher=United States Census Bureau|access-date=August 7, 2020}}\n|area_magnitude = \n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 2.00\n|area_water_km2 = 0.07\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 271\n|pop_est_as_of = 2019\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 135.22\n|population_density_sq_mi = 350.13\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |access-date=2013-01-24 |url-status=dead |archive-url=https://web.archive.org/web/20120125061959/http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archive-date=2012-01-25 }}\n\nBradshaw is on the [[Sandy River (West Virginia)|Sandy River]] and is serviced by the [[Norfolk Southern Railway]](former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2019\n|estimate=271\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2019.html|date=May 24, 2020|title=Population and Housing Unit Estimates|publisher=United States Census Bureau|access-date=May 27, 2020}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/programs-surveys/decennial-census.html|title=Census of Population and Housing|publisher=Census.gov|access-date=June 4, 2015}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those 65 or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=U.S. Census website|url=https://www.census.gov|publisher=[[United States Census Bureau]]|access-date=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families living in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households, of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals, and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n{{authority control}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 1038691330, + "parentid": 1023894508, + "user": "172.243.180.226", + "anon": "", + "userid": 0, + "timestamp": "2021-08-14T03:42:54Z", + "sha1": "c39856ca2bfb69f559d7080bb722e2483f439dd8", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{short description|Town in West Virginia, United States}}\n{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\nFormer Mayor Steven Mullins 2012 to 2014\n\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto = \n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal = \n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 = \n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date = \n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2019 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2019_Gazetteer/2019_gaz_place_54.txt|publisher=United States Census Bureau|access-date=August 7, 2020}}\n|area_magnitude = \n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 2.00\n|area_water_km2 = 0.07\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 271\n|pop_est_as_of = 2019\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 135.22\n|population_density_sq_mi = 350.13\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |access-date=2013-01-24 |url-status=dead |archive-url=https://web.archive.org/web/20120125061959/http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archive-date=2012-01-25 }}\n\nBradshaw is on the [[Sandy River (West Virginia)|Sandy River]] and is serviced by the [[Norfolk Southern Railway]](former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2019\n|estimate=271\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2019.html|date=May 24, 2020|title=Population and Housing Unit Estimates|publisher=United States Census Bureau|access-date=May 27, 2020}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/programs-surveys/decennial-census.html|title=Census of Population and Housing|publisher=Census.gov|access-date=June 4, 2015}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those 65 or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=U.S. Census website|url=https://www.census.gov|publisher=[[United States Census Bureau]]|access-date=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families living in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households, of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals, and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n{{authority control}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 1038691389, + "parentid": 1038691330, + "user": "Fade258", + "userid": 40145326, + "timestamp": "2021-08-14T03:43:44Z", + "sha1": "ef2ba90c98ca1607a77eaf5771820d6d432ca6d9", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Undid revision 1038691330 by [[Special:Contributions/172.243.180.226|172.243.180.226]] ([[User talk:172.243.180.226|talk]])", + "*": "{{short description|Town in West Virginia, United States}}\n{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto = \n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal = \n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 = \n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date = \n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2019 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2019_Gazetteer/2019_gaz_place_54.txt|publisher=United States Census Bureau|access-date=August 7, 2020}}\n|area_magnitude = \n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 2.00\n|area_water_km2 = 0.07\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 271\n|pop_est_as_of = 2019\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 135.22\n|population_density_sq_mi = 350.13\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |access-date=2013-01-24 |url-status=dead |archive-url=https://web.archive.org/web/20120125061959/http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archive-date=2012-01-25 }}\n\nBradshaw is on the [[Sandy River (West Virginia)|Sandy River]] and is serviced by the [[Norfolk Southern Railway]](former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2019\n|estimate=271\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2019.html|date=May 24, 2020|title=Population and Housing Unit Estimates|publisher=United States Census Bureau|access-date=May 27, 2020}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/programs-surveys/decennial-census.html|title=Census of Population and Housing|publisher=Census.gov|access-date=June 4, 2015}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those 65 or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=U.S. Census website|url=https://www.census.gov|publisher=[[United States Census Bureau]]|access-date=2013-01-24}} of 2010, there were 337 people, 131 households, and 97 families living in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households, of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals, and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n{{authority control}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 1038691612, + "parentid": 1038691389, + "user": "172.243.180.226", + "anon": "", + "userid": 0, + "timestamp": "2021-08-14T03:46:03Z", + "sha1": "d5923cf9cc22601428fbe21400cf756a864ba8a4", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* 2010 census */", + "*": "{{short description|Town in West Virginia, United States}}\n{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto = \n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal = \n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 = \n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date = \n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2019 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2019_Gazetteer/2019_gaz_place_54.txt|publisher=United States Census Bureau|access-date=August 7, 2020}}\n|area_magnitude = \n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 2.00\n|area_water_km2 = 0.07\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 271\n|pop_est_as_of = 2019\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 135.22\n|population_density_sq_mi = 350.13\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |access-date=2013-01-24 |url-status=dead |archive-url=https://web.archive.org/web/20120125061959/http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archive-date=2012-01-25 }}\n\nBradshaw is on the [[Sandy River (West Virginia)|Sandy River]] and is serviced by the [[Norfolk Southern Railway]](former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2019\n|estimate=271\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2019.html|date=May 24, 2020|title=Population and Housing Unit Estimates|publisher=United States Census Bureau|access-date=May 27, 2020}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/programs-surveys/decennial-census.html|title=Census of Population and Housing|publisher=Census.gov|access-date=June 4, 2015}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those 65 or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=U.S. Census website|url=https://www.census.gov|publisher=[[United States Census Bureau]]|access-date=2013-01-24}} of 2010, 2010 to 2012 Mayor Steven Mullins there were 337 people, 131 households, and 97 families living in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households, of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals, and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n{{authority control}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 1038692210, + "parentid": 1038691612, + "user": "172.243.180.226", + "anon": "", + "userid": 0, + "timestamp": "2021-08-14T03:51:06Z", + "sha1": "1c4ac2e55c29f1bf15ec76d2957cec770e5ec456", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* 2010 census */", + "*": "{{short description|Town in West Virginia, United States}}\n{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto = \n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal = \n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 = \n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date = \n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2019 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2019_Gazetteer/2019_gaz_place_54.txt|publisher=United States Census Bureau|access-date=August 7, 2020}}\n|area_magnitude = \n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 2.00\n|area_water_km2 = 0.07\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 271\n|pop_est_as_of = 2019\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 135.22\n|population_density_sq_mi = 350.13\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |access-date=2013-01-24 |url-status=dead |archive-url=https://web.archive.org/web/20120125061959/http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archive-date=2012-01-25 }}\n\nBradshaw is on the [[Sandy River (West Virginia)|Sandy River]] and is serviced by the [[Norfolk Southern Railway]](former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2019\n|estimate=271\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2019.html|date=May 24, 2020|title=Population and Housing Unit Estimates|publisher=United States Census Bureau|access-date=May 27, 2020}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/programs-surveys/decennial-census.html|title=Census of Population and Housing|publisher=Census.gov|access-date=June 4, 2015}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those 65 or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=U.S. Census website|url=https://www.census.gov|publisher=[[United States Census Bureau]]|access-date=2013-01-24}} of 2010, Mayor Steven Mullins there were 337 people, 131 households, and 97 families living in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households, of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals, and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n{{authority control}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 1160927124, + "parentid": 1038692210, + "user": "216.30.147.70", + "anon": "", + "userid": 0, + "timestamp": "2023-06-19T15:36:05Z", + "sha1": "c32a8e4c0c12fa86cb5a82bcb8969743c2e5e4d7", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* 2010 census */Fixed Mayor Steven Mullins to Mayor Lawrence Crigger. \n\nBradshaw, WV has never had a Steven Mullins as Mayor. \n\nLawrence Crigger was Mayor in 2010. I'm the current Mayor. Brian Harrison.", + "*": "{{short description|Town in West Virginia, United States}}\n{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto = \n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal = \n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 = \n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date = \n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2019 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2019_Gazetteer/2019_gaz_place_54.txt|publisher=United States Census Bureau|access-date=August 7, 2020}}\n|area_magnitude = \n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 2.00\n|area_water_km2 = 0.07\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 271\n|pop_est_as_of = 2019\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 135.22\n|population_density_sq_mi = 350.13\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |access-date=2013-01-24 |url-status=dead |archive-url=https://web.archive.org/web/20120125061959/http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archive-date=2012-01-25 }}\n\nBradshaw is on the [[Sandy River (West Virginia)|Sandy River]] and is serviced by the [[Norfolk Southern Railway]](former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2019\n|estimate=271\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2019.html|date=May 24, 2020|title=Population and Housing Unit Estimates|publisher=United States Census Bureau|access-date=May 27, 2020}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/programs-surveys/decennial-census.html|title=Census of Population and Housing|publisher=Census.gov|access-date=June 4, 2015}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those 65 or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=U.S. Census website|url=https://www.census.gov|publisher=[[United States Census Bureau]]|access-date=2013-01-24}} of 2010, Mayor Lawrence Crigger there were 337 people, 131 households, and 97 families living in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households, of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals, and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n{{authority control}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 1166016155, + "parentid": 1160927124, + "user": "Ser Amantio di Nicolao", + "userid": 753665, + "timestamp": "2023-07-18T21:38:16Z", + "sha1": "31a9bf57c915fa0239e73857a399368dbb168ea5", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* top */add \"use mdy dates\" template", + "*": "{{short description|Town in West Virginia, United States}}\n{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Use mdy dates|date=July 2023}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal =\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 =\n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2019 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2019_Gazetteer/2019_gaz_place_54.txt|publisher=United States Census Bureau|access-date=August 7, 2020}}\n|area_magnitude = \n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 2.00\n|area_water_km2 = 0.07\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 271\n|pop_est_as_of = 2019\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 135.22\n|population_density_sq_mi = 350.13\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |access-date=2013-01-24 |url-status=dead |archive-url=https://web.archive.org/web/20120125061959/http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archive-date=2012-01-25 }}\n\nBradshaw is on the [[Sandy River (West Virginia)|Sandy River]] and is serviced by the [[Norfolk Southern Railway]](former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2019\n|estimate=271\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2019.html|date=May 24, 2020|title=Population and Housing Unit Estimates|publisher=United States Census Bureau|access-date=May 27, 2020}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/programs-surveys/decennial-census.html|title=Census of Population and Housing|publisher=Census.gov|access-date=June 4, 2015}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those 65 or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=U.S. Census website|url=https://www.census.gov|publisher=[[United States Census Bureau]]|access-date=2013-01-24}} of 2010, Mayor Lawrence Crigger there were 337 people, 131 households, and 97 families living in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households, of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals, and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n{{authority control}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 1175008835, + "parentid": 1166016155, + "user": "Frank Zigler", + "userid": 44607077, + "timestamp": "2023-09-12T05:29:50Z", + "sha1": "a38f9fefbf8c81a5fd42935cd5ec99fbcd059cc5", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "added seal", + "*": "{{short description|Town in West Virginia, United States}}\n{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Use mdy dates|date=July 2023}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal = Seal of Bradshaw, West Virginia.png\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 =\n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2019 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2019_Gazetteer/2019_gaz_place_54.txt|publisher=United States Census Bureau|access-date=August 7, 2020}}\n|area_magnitude = \n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 2.00\n|area_water_km2 = 0.07\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 271\n|pop_est_as_of = 2019\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 135.22\n|population_density_sq_mi = 350.13\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |access-date=2013-01-24 |url-status=dead |archive-url=https://web.archive.org/web/20120125061959/http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archive-date=2012-01-25 }}\n\nBradshaw is on the [[Sandy River (West Virginia)|Sandy River]] and is serviced by the [[Norfolk Southern Railway]](former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2019\n|estimate=271\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2019.html|date=May 24, 2020|title=Population and Housing Unit Estimates|publisher=United States Census Bureau|access-date=May 27, 2020}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/programs-surveys/decennial-census.html|title=Census of Population and Housing|publisher=Census.gov|access-date=June 4, 2015}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those 65 or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=U.S. Census website|url=https://www.census.gov|publisher=[[United States Census Bureau]]|access-date=2013-01-24}} of 2010, Mayor Lawrence Crigger there were 337 people, 131 households, and 97 families living in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households, of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals, and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n{{authority control}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 1218598302, + "parentid": 1175008835, + "user": "Gepard123", + "userid": 37864508, + "timestamp": "2024-04-12T17:36:38Z", + "sha1": "f1c2d909bb394018faec4878bf43ba91f5d4d7ed", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Geography */", + "*": "{{short description|Town in West Virginia, United States}}\n{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Use mdy dates|date=July 2023}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal = Seal of Bradshaw, West Virginia.png\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 =\n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2019 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2019_Gazetteer/2019_gaz_place_54.txt|publisher=United States Census Bureau|access-date=August 7, 2020}}\n|area_magnitude = \n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 2.00\n|area_water_km2 = 0.07\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 271\n|pop_est_as_of = 2019\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 135.22\n|population_density_sq_mi = 350.13\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |access-date=2013-01-24 |url-status=dead |archive-url=https://web.archive.org/web/20120125061959/http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archive-date=2012-01-25 }}\n\nBradshaw is on the [[Sandy River (West Virginia)|Sandy River]] and is serviced by the [[Norfolk Southern Railway]] (former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2019\n|estimate=271\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2019.html|date=May 24, 2020|title=Population and Housing Unit Estimates|publisher=United States Census Bureau|access-date=May 27, 2020}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/programs-surveys/decennial-census.html|title=Census of Population and Housing|publisher=Census.gov|access-date=June 4, 2015}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those 65 or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=U.S. Census website|url=https://www.census.gov|publisher=[[United States Census Bureau]]|access-date=2013-01-24}} of 2010, Mayor Lawrence Crigger there were 337 people, 131 households, and 97 families living in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households, of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals, and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n{{authority control}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 1222546284, + "parentid": 1218598302, + "minor": "", + "user": "Red Director", + "userid": 1261736, + "timestamp": "2024-05-06T15:36:38Z", + "sha1": "9628eaea06e3716310dc8ea2a01903e3bec7de71", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "[[Wikipedia:MOSNUMscript|script]]-assisted date audit and style fixes per [[MOS:NUM]]", + "*": "{{short description|Town in West Virginia, United States}}\n{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Use mdy dates|date=May 2024}}\n{{Infobox settlement\n|name = Bradshaw\n|official_name = \n|settlement_type = Town\n|nickname = \n|motto =\n\n\n|image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n|imagesize = \n|image_caption = Bartley Store Bottom Road in Bradshaw\n|image_flag = \n|image_seal = Seal of Bradshaw, West Virginia.png\n\n\n|pushpin_map = West Virginia\n|pushpin_label_position = \n|pushpin_map_caption = Location within the state of West Virginia\n|pushpin_mapsize = \n|image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n|map_caption = Location of Bradshaw in McDowell County, West Virginia.\n|image_map1 = \n|mapsize1 = \n|map_caption1 =\n\n\n|subdivision_type = [[List of sovereign states|Country]]\n|subdivision_name = United States\n|subdivision_type1 = [[U.S. state|State]]\n|subdivision_name1 = [[West Virginia]]\n|subdivision_type2 = [[List of counties in West Virginia|County]]\n|subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n|government_footnotes = \n|government_type = \n|leader_title = \n|leader_name = \n|leader_title1 = \n|leader_name1 = \n|established_title = \n|established_date =\n\n\n|unit_pref = Imperial\n|area_footnotes = {{cite web|title=2019 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2019_Gazetteer/2019_gaz_place_54.txt|publisher=United States Census Bureau|access-date=August 7, 2020}}\n|area_magnitude = \n|area_total_sq_mi = 0.80\n|area_land_sq_mi = 0.77\n|area_water_sq_mi = 0.03\n|area_total_km2 = 2.07\n|area_land_km2 = 2.00\n|area_water_km2 = 0.07\n\n\n|population_as_of = [[2010 United States Census|2010]]\n|population_est = 271\n|pop_est_as_of = 2019\n|population_footnotes = \n|population_total = 337\n|population_density_km2 = 135.22\n|population_density_sq_mi = 350.13\n\n\n|timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n|utc_offset = -5\n|timezone_DST = EDT\n|utc_offset_DST = -4\n|elevation_footnotes = \n|elevation_ft = \n|coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n|postal_code_type = [[ZIP code]]s\n|postal_code = 24817\n|area_code = \n|blank_name = [[Federal Information Processing Standard|FIPS code]]\n|blank_info = 54-09700\n|blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n|blank1_info = 2390746{{gnis|2390746}}\n|website = \n|footnotes = \n|pop_est_footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 337 at the 2010 census. Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |access-date=January 24, 2013 |url-status=dead |archive-url=https://web.archive.org/web/20120125061959/http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archive-date=January 25, 2012 }}\n\nBradshaw is on the [[Sandy River (West Virginia)|Sandy River]] and is serviced by the [[Norfolk Southern Railway]] (former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n|align=left\n|1990= 394\n|2000= 289\n|2010= 337\n|estyear=2019\n|estimate=271\n|estref={{cite web|url=https://www.census.gov/programs-surveys/popest/data/tables.2019.html|date=May 24, 2020|title=Population and Housing Unit Estimates|publisher=United States Census Bureau|access-date=May 27, 2020}}\n|footnote=U.S. Decennial Census{{cite web|url=https://www.census.gov/programs-surveys/decennial-census.html|title=Census of Population and Housing|publisher=Census.gov|access-date=June 4, 2015}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those 65 or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=U.S. Census website|url=https://www.census.gov|publisher=[[United States Census Bureau]]|access-date=January 24, 2013}} of 2010, Mayor Lawrence Crigger there were 337 people, 131 households, and 97 families living in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households, of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals, and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n{{authority control}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 1296923628, + "parentid": 1222546284, + "user": "AEtheEditor", + "userid": 47525731, + "timestamp": "2025-06-23T04:17:59Z", + "sha1": "c68d0f9cc7fbc13d5a115c3f6f161f1a24a524a8", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "2020 census", + "*": "{{short description|Town in West Virginia, United States}}\n{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Use mdy dates|date=May 2024}}\n{{Infobox settlement\n| name = Bradshaw\n| official_name = \n| settlement_type = Town\n| nickname = \n| motto = \n| image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n| imagesize = \n| image_caption = Bartley Store Bottom Road in Bradshaw\n| image_flag = \n| image_seal = Seal of Bradshaw, West Virginia.png\n\n| pushpin_map = West Virginia\n| pushpin_label_position = \n| pushpin_map_caption = Location within the state of West Virginia\n| pushpin_mapsize = \n| image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n| map_caption = Location of Bradshaw in McDowell County, West Virginia.\n| image_map1 = \n| mapsize1 = \n| map_caption1 = \n| subdivision_type = [[List of sovereign states|Country]]\n| subdivision_name = United States\n| subdivision_type1 = [[U.S. state|State]]\n| subdivision_name1 = [[West Virginia]]\n| subdivision_type2 = [[List of counties in West Virginia|County]]\n| subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n| government_footnotes = \n| government_type = \n| leader_title = \n| leader_name = \n| leader_title1 = \n| leader_name1 = \n| established_title = \n| established_date = \n| unit_pref = Imperial\n| area_footnotes = {{cite web|title=2019 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2019_Gazetteer/2019_gaz_place_54.txt|publisher=United States Census Bureau|access-date=August 7, 2020}}\n| area_magnitude = \n| area_total_sq_mi = 0.80\n| area_land_sq_mi = 0.77\n| area_water_sq_mi = 0.03\n| area_total_km2 = 2.07\n| area_land_km2 = 2.00\n| area_water_km2 = 0.07\n\n| population_as_of = [[2020 United States census|2020]]\n| population_footnotes = \n| population_total = 207\n| population_density_km2 = 135.22\n| population_density_sq_mi = 350.13\n\n| timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n| utc_offset = -5\n| timezone_DST = EDT\n| utc_offset_DST = -4\n| elevation_footnotes = \n| elevation_ft = \n| coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n| postal_code_type = [[ZIP code]]s\n| postal_code = 24817\n| area_code = \n| blank_name = [[Federal Information Processing Standard|FIPS code]]\n| blank_info = 54-09700\n| blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n| blank1_info = 2390746{{gnis|2390746}}\n| website = \n| footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 207 at the [[2020 United States census|2020 census]].{{cite web |date=May 2023 |title=Census Bureau profile: Bradshaw town, West Virginia |url=https://data.census.gov/all?q=Bradshaw+town,+West+Virginia |access-date=June 23, 2025 |publisher=[[United States Census Bureau]]}} Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |access-date=January 24, 2013 |url-status=dead |archive-url=https://web.archive.org/web/20120125061959/http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archive-date=January 25, 2012 }}\n\nBradshaw is on the [[Sandy River (West Virginia)|Sandy River]] and is serviced by the [[Norfolk Southern Railway]] (former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n| align = left\n| 1990 = 394\n| 2000 = 289\n| 2010 = 337\n| 2020 = 207\n| footnote = U.S. Decennial Census{{cite web|url=https://www.census.gov/programs-surveys/decennial-census.html|title=Census of Population and Housing|publisher=Census.gov|access-date=June 4, 2015}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those 65 or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=U.S. Census website|url=https://www.census.gov|publisher=[[United States Census Bureau]]|access-date=January 24, 2013}} of 2010, Mayor Lawrence Crigger there were 337 people, 131 households, and 97 families living in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households, of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals, and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n{{authority control}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 1298013637, + "parentid": 1296923628, + "minor": "", + "user": "Panamitsu", + "userid": 44217690, + "timestamp": "2025-06-30T00:27:18Z", + "sha1": "2067c5a6c880e1cdec21270ce55a51e61c820258", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "add {{Use American English}} template per [[MOS:TIES]]", + "*": "{{short description|Town in West Virginia, United States}}\n{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Use American English|date=June 2025}}\n{{Use mdy dates|date=May 2024}}\n{{Infobox settlement\n| name = Bradshaw\n| official_name = \n| settlement_type = Town\n| nickname = \n| motto = \n| image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n| imagesize = \n| image_caption = Bartley Store Bottom Road in Bradshaw\n| image_flag = \n| image_seal = Seal of Bradshaw, West Virginia.png\n\n| pushpin_map = West Virginia\n| pushpin_label_position = \n| pushpin_map_caption = Location within the state of West Virginia\n| pushpin_mapsize = \n| image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n| map_caption = Location of Bradshaw in McDowell County, West Virginia.\n| image_map1 = \n| mapsize1 = \n| map_caption1 = \n| subdivision_type = [[List of sovereign states|Country]]\n| subdivision_name = United States\n| subdivision_type1 = [[U.S. state|State]]\n| subdivision_name1 = [[West Virginia]]\n| subdivision_type2 = [[List of counties in West Virginia|County]]\n| subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n| government_footnotes = \n| government_type = \n| leader_title = \n| leader_name = \n| leader_title1 = \n| leader_name1 = \n| established_title = \n| established_date = \n| unit_pref = Imperial\n| area_footnotes = {{cite web|title=2019 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2019_Gazetteer/2019_gaz_place_54.txt|publisher=United States Census Bureau|access-date=August 7, 2020}}\n| area_magnitude = \n| area_total_sq_mi = 0.80\n| area_land_sq_mi = 0.77\n| area_water_sq_mi = 0.03\n| area_total_km2 = 2.07\n| area_land_km2 = 2.00\n| area_water_km2 = 0.07\n\n| population_as_of = [[2020 United States census|2020]]\n| population_footnotes = \n| population_total = 207\n| population_density_km2 = 135.22\n| population_density_sq_mi = 350.13\n\n| timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n| utc_offset = -5\n| timezone_DST = EDT\n| utc_offset_DST = -4\n| elevation_footnotes = \n| elevation_ft = \n| coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n| postal_code_type = [[ZIP code]]s\n| postal_code = 24817\n| area_code = \n| blank_name = [[Federal Information Processing Standard|FIPS code]]\n| blank_info = 54-09700\n| blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n| blank1_info = 2390746{{gnis|2390746}}\n| website = \n| footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 207 at the [[2020 United States census|2020 census]].{{cite web |date=May 2023 |title=Census Bureau profile: Bradshaw town, West Virginia |url=https://data.census.gov/all?q=Bradshaw+town,+West+Virginia |access-date=June 23, 2025 |publisher=[[United States Census Bureau]]}} Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |access-date=January 24, 2013 |url-status=dead |archive-url=https://web.archive.org/web/20120125061959/http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archive-date=January 25, 2012 }}\n\nBradshaw is on the [[Sandy River (West Virginia)|Sandy River]] and is serviced by the [[Norfolk Southern Railway]] (former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n| align = left\n| 1990 = 394\n| 2000 = 289\n| 2010 = 337\n| 2020 = 207\n| footnote = U.S. Decennial Census{{cite web|url=https://www.census.gov/programs-surveys/decennial-census.html|title=Census of Population and Housing|publisher=Census.gov|access-date=June 4, 2015}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those 65 or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=U.S. Census website|url=https://www.census.gov|publisher=[[United States Census Bureau]]|access-date=January 24, 2013}} of 2010, Mayor Lawrence Crigger there were 337 people, 131 households, and 97 families living in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households, of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals, and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n{{authority control}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + }, + { + "revid": 1341566231, + "parentid": 1298013637, + "user": "VWF bot", + "userid": 49119992, + "timestamp": "2026-03-03T22:17:01Z", + "sha1": "3b921d600600b12e5ebd6085f288e2178551b013", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "[[Wikipedia:Bots/Requests for approval/VWF bot 6|Bot]]: Delink 'Country' in Infobox settlement subdivision_type as [[WP:EASTEREGG|Easter egg]]", + "*": "{{short description|Town in West Virginia, United States}}\n{{for|the community in Logan County|Bradshaw, Logan County, West Virginia}}\n{{Use American English|date=June 2025}}\n{{Use mdy dates|date=May 2024}}\n{{Infobox settlement\n| name = Bradshaw\n| official_name = \n| settlement_type = Town\n| nickname = \n| motto = \n| image_skyline = Bradshaw, McDowell County, West Virginia.jpg\n| imagesize = \n| image_caption = Bartley Store Bottom Road in Bradshaw\n| image_flag = \n| image_seal = Seal of Bradshaw, West Virginia.png\n\n| pushpin_map = West Virginia\n| pushpin_label_position = \n| pushpin_map_caption = Location within the state of West Virginia\n| pushpin_mapsize = \n| image_map = File:McDowell County West Virginia Incorporated and Unincorporated areas Bradshaw Highlighted.svg\n| map_caption = Location of Bradshaw in McDowell County, West Virginia.\n| image_map1 = \n| mapsize1 = \n| map_caption1 = \n| subdivision_type = Country\n| subdivision_name = United States\n| subdivision_type1 = [[U.S. state|State]]\n| subdivision_name1 = [[West Virginia]]\n| subdivision_type2 = [[List of counties in West Virginia|County]]\n| subdivision_name2 = [[McDowell County, West Virginia|McDowell]]\n| government_footnotes = \n| government_type = \n| leader_title = \n| leader_name = \n| leader_title1 = \n| leader_name1 = \n| established_title = \n| established_date = \n| unit_pref = Imperial\n| area_footnotes = {{cite web|title=2019 U.S. Gazetteer Files|url=https://www2.census.gov/geo/docs/maps-data/data/gazetteer/2019_Gazetteer/2019_gaz_place_54.txt|publisher=United States Census Bureau|access-date=August 7, 2020}}\n| area_magnitude = \n| area_total_sq_mi = 0.80\n| area_land_sq_mi = 0.77\n| area_water_sq_mi = 0.03\n| area_total_km2 = 2.07\n| area_land_km2 = 2.00\n| area_water_km2 = 0.07\n\n| population_as_of = [[2020 United States census|2020]]\n| population_footnotes = \n| population_total = 207\n| population_density_km2 = 135.22\n| population_density_sq_mi = 350.13\n\n| timezone = [[North American Eastern Time Zone|Eastern (EST)]]\n| utc_offset = -5\n| timezone_DST = EDT\n| utc_offset_DST = -4\n| elevation_footnotes = \n| elevation_ft = \n| coordinates = {{coord|37|21|6|N|81|47|57|W|region:US_type:city|display=inline,title}}\n| postal_code_type = [[ZIP code]]s\n| postal_code = 24817\n| area_code = \n| blank_name = [[Federal Information Processing Standard|FIPS code]]\n| blank_info = 54-09700\n| blank1_name = [[Geographic Names Information System|GNIS]] feature ID\n| blank1_info = 2390746{{gnis|2390746}}\n| website = \n| footnotes = \n}}\n'''Bradshaw''' is a town in [[McDowell County, West Virginia|McDowell County]], [[West Virginia]], United States. The population was 207 at the [[2020 United States census|2020 census]].{{cite web |date=May 2023 |title=Census Bureau profile: Bradshaw town, West Virginia |url=https://data.census.gov/all?q=Bradshaw+town,+West+Virginia |access-date=June 23, 2025 |publisher=[[United States Census Bureau]]}} Bradshaw was [[incorporation (municipal government)|incorporated]] in December 1979 and named for a pioneer settler.{{cite book|last=Kenny|first=Hamill|title=West Virginia Place Names: Their Origin and Meaning, Including the Nomenclature of the Streams and Mountains|url=http://babel.hathitrust.org/cgi/pt?id=mdp.39015009099824;view=1up;seq=155|year=1945|publisher=The Place Name Press |location=Piedmont, WV|page=127}}\n\n==Geography==\nAccording to the [[United States Census Bureau]], the town has a total area of {{convert|0.80|sqmi|sqkm|2}}, of which {{convert|0.77|sqmi|sqkm|2}} is land and {{convert|0.03|sqmi|sqkm|2}} is water.{{cite web |title=US Gazetteer files 2010 |url=https://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |publisher=[[United States Census Bureau]] |access-date=January 24, 2013 |url-status=dead |archive-url=https://web.archive.org/web/20120125061959/http://www.census.gov/geo/www/gazetteer/files/Gaz_places_national.txt |archive-date=January 25, 2012 }}\n\nBradshaw is on the [[Sandy River (West Virginia)|Sandy River]] and is serviced by the [[Norfolk Southern Railway]] (former [[Norfolk and Western]]) network. The town has [[River View High School (West Virginia)]] one of only two [[high school]]s in the County.\n\n==Demographics==\n{{US Census population\n| align = left\n| 1990 = 394\n| 2000 = 289\n| 2010 = 337\n| 2020 = 207\n| footnote = U.S. Decennial Census{{cite web|url=https://www.census.gov/programs-surveys/decennial-census.html|title=Census of Population and Housing|publisher=Census.gov|access-date=June 4, 2015}}\n}}\nThe median income for a household in the town was $12,083, and the median income for a family was $14,750. Males had a median income of $35,625 versus $25,625 for females. The [[per capita income]] for the town was $9,458. About 43.7% of families and 54.9% of the population were below the [[poverty line]], including 87.5% of those under the age of eighteen and 31.0% of those 65 or over.\n\n===2010 census===\nAs of the [[census]]{{cite web|title=U.S. Census website|url=https://www.census.gov|publisher=[[United States Census Bureau]]|access-date=January 24, 2013}} of 2010, Mayor Lawrence Crigger there were 337 people, 131 households, and 97 families living in the town. The [[population density]] was {{convert|437.7|PD/sqmi|PD/km2|1}}. There were 166 housing units at an average density of {{convert|215.6|/sqmi|/km2|1}}. The racial makeup of the town was 98.5% [[White (U.S. Census)|White]], 0.6% [[African American (U.S. Census)|African American]], 0.3% [[Native American (U.S. Census)|Native American]], and 0.6% from two or more races.\n\nThere were 131 households, of which 38.9% had children under the age of 18 living with them, 52.7% were [[Marriage|married couples]] living together, 17.6% had a female householder with no husband present, 3.8% had a male householder with no wife present, and 26.0% were non-families. 23.7% of all households were made up of individuals, and 11.4% had someone living alone who was 65 years of age or older. The average household size was 2.57 and the average family size was 2.98.\n\nThe median age in the town was 40.6 years. 25.8% of residents were under the age of 18; 8.9% were between the ages of 18 and 24; 21.9% were from 25 to 44; 30.2% were from 45 to 64; and 13.1% were 65 years of age or older. The gender makeup of the town was 49.0% male and 51.0% female.\n\n==References==\n\n\n{{McDowell County, West Virginia}}\n{{West Virginia municipalities}}\n\n{{authority control}}\n\n[[Category:Towns in McDowell County, West Virginia]]\n[[Category:Towns in West Virginia]]\n[[Category:Coal towns in West Virginia]]\n[[Category:Populated places established in 1979]]" + } +] \ No newline at end of file diff --git a/tests/fixtures/jewish_sports_review_revisions.json b/tests/fixtures/jewish_sports_review_revisions.json new file mode 100644 index 0000000..b06be02 --- /dev/null +++ b/tests/fixtures/jewish_sports_review_revisions.json @@ -0,0 +1,289 @@ +[ + { + "revid": 361652961, + "parentid": 0, + "minor": false, + "user": "Epeefleche", + "userid": 1752945, + "timestamp": "2010-05-12T10:11:53Z", + "sha1": "8ec786d984b1a3b83c6b35a8d8b70f270160f0f1", + "comment": "[[WP:AES|←]]Created page with '{{Infobox magazine | title = Jewish Sports Review | image_file = | image_size = | image_alt = | image_caption = | editor = ...'", + "*": "{{Infobox magazine\n| title = Jewish Sports Review\n| image_file = \n| image_size = \n| image_alt = \n| image_caption = \n| editor = Ephraim Moxson; Shel Wallman\n| editor_title = Editors\n| previous_editor = \n| staff_writer = Neil Keller; Stan Ramati\n| frequency = Bi-monthly\n| circulation = \n| category = Jewish Sports\n| company = \n| publisher = Ephraim Moxson; Shel Wallman\n| firstdate = May–June 1997[http://www.jewishsportsreview.com/Subscriptions.html]\n| country = U.S.\n| based = [[Los Angeles, California]][http://www.jewishsportsreview.com/About-Us.html]\n| language = \n| website = [http://www.jewishsportsreview.com/ www.jewishsportsreview.com]\n| issn = \n}}\nThe '''''Jewish Sports Review''''' (''JSR'') is a bi-monthly magazine that was established in 1997.[http://www.jewishsportsreview.com/][http://www.jewishsportsreview.com/Subscriptions.html][http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html][http://theminaretonline.com/2010/04/28/article11429][http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm][http://www.nydailynews.com/archives/sports/2000/01/13/2000-01-13_film_recalls_greenberg_war_v.html] Its editors are Ephraim Moxson and Shel Wallman.\n\nThe magazine identifies which star and professional athletes are Jewish.[http://www.jewishsportsreview.com/][http://theminaretonline.com/2010/04/28/article11429][http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm] It also covers and has all-time lists for Jewish players in major league baseball,[http://www.taipeitimes.com/News/sport/archives/2009/07/03/2003447694][http://www.clevelandjewishnews.com/articles/2010/04/16/arts/jewish_stars/doc4bc77d3bbc236279484076.txt] pro football,[http://www.sanfranciscosentinel.com/?p=71276] pro basketball,[http://www.clevelandjewishnews.com/articles/2010/01/22/arts/jewish_stars/doc4b58c3eeb6312045104359.txt] and pro hockey;[http://www.clevelandjewishnews.com/articles/2010/01/22/arts/jewish_stars/doc4b58c3eeb6312045104359.txt][http://www.jweekly.com/article/full/41080/jews-and-mel-on-the-big-screen-winter-sports-roundup/][http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html] selects Jewish All-America College teams in baseball,[http://www.google.com/url?sa=t&source=news&oi=news_result&ct=res&cd=4&ved=0CDcQqQIwAw&url=http%3A%2F%2Fwww.courierpostonline.com%2Farticle%2F20100422%2FSPORTS%2F4220346%2F1002%2Fsports&ei=9lDqS4uYDoK0lQeMgYnVCg&usg=AFQjCNEQ36GdmOMaJjNLofkJY8EdQTlDmw&sig2=yfKr6QP7HgaJkNkgKGlnCQ] football, basketball,[http://bearsports.wustl.edu/releases/mbk5-6-10.html] softball,[http://www.northshoreoflongisland.com/Articles-i-2008-07-24-73420.113114_Jacobs_Kavitsky_honored_for_softball_efforts.html] soccer,[http://www.cstv.com/sports/w-soccer/stories/012705aaa.html] and lacrosse;[http://media.www.thetriangle.org/media/storage/paper689/news/2004/08/20/Sports/Jewish.Sports.Review.Honors.Lacrosse.Player-703300.shtml] covers international athletic events;[http://www.clevelandjewishnews.com/articles/2010/02/12/arts/jewish_stars/doc4b74847fd85a4658916074.txt] selects high school Jewish All-America teams in basketball; and names the top graduating Jewish high school athletes.[http://www.jewishsportsreview.com/][http://www.jewishledger.com/articles/2004/03/24/news/on_the_cover/news02.txt] In addition, it covers \"minor sports\", such as boxing.[http://www.jewishsportsreview.com/][http://www.nytimes.com/2003/07/26/sports/boxing-one-fight-too-many-costs-boxer-his-life.html?pagewanted=1] \n\nAs to his inspiration for launching the magazine, Wallman—speaking on a panel on Jews in baseball at the Cooperstown [[Baseball Hall of Fame]]—said: \"I was always curious to know who was Jewish as a kid. And there wasn't a list.\"[http://www.jewishledger.com/articles/2004/09/22/news/on_the_cover/news02.txt]\n\n==Jewish athletes==\nThe ''JSR'' provides information as to who is Jewish in the sports world, verifying the Jewish background of every athlete covered.[http://www.jewishsportsreview.com/][http://theminaretonline.com/2010/04/28/article11429][http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm] \n\nWallman said: \"These days, most Jewish parents with a kid who has a good chance to play in the pros will encourage them,\" adding with a smile, \"You can always go to medical school afterward.\"[http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html] \n\n===Criteria===\nThe ''JSR'''s criteria are that an athlete is Jewish if one of his parents is Jewish, he did not practice any other religion while he played, and he identified ethnically as a member of the Jewish community.[http://www.jewishledger.com/articles/2004/09/22/news/on_the_cover/news02.txt][http://njjewishnews.com/kaplanskorner/2008/11/05/the-phone-books-here-the-phone-books-here/] If an athlete has a Jewish parent but was raised in, or converted to, another faith, or indicated to the ''JSR'' that he did not wish to be considered Jewish, he is excluded (even though under Jewish law he might be considered Jewish).[http://njjewishnews.com/kaplanskorner/2008/11/05/the-phone-books-here-the-phone-books-here/] Moxson indicates that [[David Beckham]] is not included, as only his mother's father is Jewish, and he doesn't identify himself as Jewish.[http://charlotte.creativeloafing.com/gyrobase/where_have_you_gone_sandy_koufax_/Content?oid=4463]\n\n===Verification===\nColumnist Nate Bloom described how the JSR researches whether an athlete is Jewish as follows:\n
\nEvery once in a while, the Review adds a player because he is clearly identified as Jewish in a very good news source like an interview. More often, they decide to contact a player (or a player's representative, or very close family member)--because of a tip or because the player has a \"Jewish sounding\" name. If they are told (by the player or his rep) that the player has one or more Jewish parents—they then inquire if the player was raised in and/or currently adheres to a faith other than Judaism. If the player answers \"yes\" to either of those questions—that ends the Review's inquiries and they don't cover the player. On the other hand, if they are told the player was raised Jewish or \"nothing\"--the Review then asks if the player has any objection to being identified as Jewish in the pages of the Review. If not, then they add him.[http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/Interfaith_Celebrities_Play_Ball.shtml?rd=2]
\n\nThe magazine get tips on athletes from their subscribers, public relations directors for pro teams, school coaches, parents, and students.[http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html] Wallman searches by phone and on the internet for top Jewish athletes in pro, college, and high school ranks.[http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html] \n\nSome athletes are not \"obviously\" Jewish, such as former major league baseball player, [[Ruben Amaro, Jr.]][http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html] \n\nThe ''JSR'' also lists athletes frequently misidentified as Jewish, among them second baseman [[Rod Carew]] (\"never converted, although his children were raised Jewish\"), pitcher [[Mike LaCoss]] (\"born Marks, but took his stepfather's name and becomes irate when he is categorized as a Jew\"), and quarterback [[Rex Grossman]] (German-Catholic).[http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm][http://www.nysun.com/sports/sports-desk-2007-02-06/48070/]\n\n==Baseball==\n[[File:KevinYouklis.jpg|left|thumb|222px|[[Kevin Youkilis]]]]\nIn 2009, as Jewish baseball players [[Ryan Braun]], [[Ian Kinsler]], and [[Kevin Youkilis]] were leading in voting for their positions on their [[2009 Major League Baseball All-Star Game|All Star teams]], the ''JSR'' noted that 160 Jews had played in the major leagues.[http://www.bloomberg.com/apps/news?pid=20601079&sid=al9oTr_MYZKk] \n\nThe ''[[New York Daily News]]'' reported that according to the ''JSR'', there were almost three dozen Jews in baseball before [[Hank Greenberg]], but unlike Greenberg many had changed their names as they played in the majors. Michael Silverman changed his name to Baker, Rosenblum to Bennett, Lifsit to Bostwick, Solomon to Reese, and Makowsky to Markel.[http://www.nydailynews.com/archives/sports/2000/01/13/2000-01-13_film_recalls_greenberg_war_v.html] And Bohne, Cooney, Ewing, Kane, and Corey were all Cohens in the off-season.[http://www.nydailynews.com/archives/sports/2000/01/13/2000-01-13_film_recalls_greenberg_war_v.html] \n\nWhen the [[American Jewish Historical Society]] published a set of baseball cards of Jews in the major leagues (in conjunction with Major League Baseball and the Major League Baseball Players Association, and with the support of the National Baseball Hall of Fame and Museum), the project founder Martin Abramowitz of Jewish Major Leaguers Inc. relied on research by the ''JSR''.[http://www.jewishledger.com/articles/2004/09/22/news/on_the_cover/news02.txt][http://www.forward.com/articles/6844/][http://www.boston.com/news/globe/living/articles/2003/10/13/tribute_is_in_the_cards_for_jewish_ballplayers/] Also, when the [[Israel Baseball League]] was active, teams in it would recruit top college baseball players from the ''JSR'''s Jewish All-Americans in [[NCAA]] Divisions I, II, and III.[http://www.studlife.com/archives/Sports/2007/09/12/FromKellyFieldtotheFieldofDreams/]\n\n==Basketball==\n[[File:Scheyer.jpg|right|thumb|180px|[[Jon Scheyer]]]]\nAfter \n[[Jon Scheyer]], later an [[2010 NCAA Men's Basketball All-Americans|All-American]] captain of the [[2009–10 Duke Blue Devils men's basketball team|2010 Duke national championship team]], led his high school team of five Jewish starters to an Illinois state championship, ''[[The Forward]]'' quoted Wallman as speculating that an all-Jewish starting lineup may have won a state title in the 1940s, but that it hadn’t happened in the recent past.\n\n==In the media==\nPeter Horvitz, in ''The Big Book of Jewish Sports Heroes: An Illustrated Compendium of Sports History and The 150 Greatest Jewish Sports Stars'' (2007), calls Wallman the \"best and most dependable source of up-to-date information on the subject\" of Jews in sports.[http://books.google.com/books?id=voCnkWSOoRsC&pg=PA7&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDkQ6AEwAQ#v=onepage&q=%22jewish%20sports%20review%22&f=false] Joseph Siegman, in his book ''Jewish sports legends: the International Jewish Hall of Fame'' (2005), listed Moxson as a distinguished authority on sports.[http://books.google.com/books?id=oZxnNt28DhcC&pg=PA240&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CD4Q6AEwAg#v=onepage&q=%22jewish%20sports%20review%22&f=false] ''[[The New York Times]]'' noted that the ''JSR'' \"aims to be rigorously comprehensive\".[http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html] ''[[Sports Illustrated]]'' called the JSR \"tireless in its service mission\".[http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm]\n\nThe ''JSR'' has been featured in ''Sports Illustrated'',[http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm] ''The New York Times'',[http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html] ''[[Los Angeles Times]]'', and ''[[Baltimore Sun]]''.[http://www.jewishsportsreview.com/]\n\n==References==\n{{Reflist|2}}\n\n==External links==\n*[http://www.jewishsportsreview.com/ ''Jewish Sports Review'']" + }, + { + "revid": 361653377, + "parentid": 361652961, + "minor": false, + "user": "Epeefleche", + "userid": 1752945, + "timestamp": "2010-05-12T10:15:56Z", + "sha1": "4cdd309cc37560c91411f9c8c84ad2a9f35b8714", + "comment": "Filling in 30 references using [[WP:REFLINKS|Reflinks]] | Script assisted date formatting", + "*": "{{Infobox magazine\n| title = Jewish Sports Review\n| image_file = \n| image_size = \n| image_alt = \n| image_caption = \n| editor = Ephraim Moxson; Shel Wallman\n| editor_title = Editors\n| previous_editor = \n| staff_writer = Neil Keller; Stan Ramati\n| frequency = Bi-monthly\n| circulation = \n| category = Jewish Sports\n| company = \n| publisher = Ephraim Moxson; Shel Wallman\n| firstdate = May–June 1997{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| country = U.S.\n| based = [[Los Angeles, California]]{{cite web|url=http://www.jewishsportsreview.com/About-Us.html |title=About Us |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| language = \n| website = [http://www.jewishsportsreview.com/ www.jewishsportsreview.com]\n| issn = \n}}\nThe '''''Jewish Sports Review''''' (''JSR'') is a bi-monthly magazine that was established in 1997.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite web|last=Solomon |first=John |url=http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html |title=Neighborhood Report - Upper West Side - Neighborhood Report - Upper West Side - Honoring, Yes, The Jewish Athlete |publisher=NYTimes.com |date=October 25, 1998 |accessdate=May 12, 2010}}{{cite web|url=http://theminaretonline.com/2010/04/28/article11429 |title=Breakdown of Tampa’s Star Designated Hitter Mike Schwartz | The Minaret |publisher=Theminaretonline.com |date=April 28, 2010 |accessdate=May 12, 2010}}{{cite web|author=Steve Rushin |url=http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm |title=There's burgeoning subculture of devoted sports fans for - 02.07.00 - SI Vault |publisher=Sportsillustrated.cnn.com |date=February 7, 2000 |accessdate=May 12, 2010}}{{cite web|last=Ziegel |first=Vic |url=http://www.nydailynews.com/archives/sports/2000/01/13/2000-01-13_film_recalls_greenberg_war_v.html |title=Film Recalls Greenberg War Vs. Pitchers, Prejudice |publisher=Nydailynews.com |date=January 13, 2000 |accessdate=May 12, 2010}} Its editors are Ephraim Moxson and Shel Wallman.\n\nThe magazine identifies which star and professional athletes are Jewish.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}} It also covers and has all-time lists for Jewish players in major league baseball,{{cite web|url=http://www.taipeitimes.com/News/sport/archives/2009/07/03/2003447694 |title=archives |publisher=Taipei Times |date=July 3, 2009 |accessdate=May 12, 2010}}{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/04/16/arts/jewish_stars/doc4bc77d3bbc236279484076.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 4/16 |publisher=Cleveland Jewish News |date=April 16, 2010 |accessdate=May 12, 2010}} pro football,{{cite web|url=http://www.sanfranciscosentinel.com/?p=71276 |title=Blog Archives » SAN FRANCISCO 49ERS SELECT JEWISH SAFETY TAYLOR MAYS |publisher=San Francisco Sentinel |date=April 30, 2010 |accessdate=May 12, 2010}} pro basketball,{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/01/22/arts/jewish_stars/doc4b58c3eeb6312045104359.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 1/29 |publisher=Cleveland Jewish News |date=January 22, 2010 |accessdate=May 12, 2010}} and pro hockey;{{cite web|url=http://www.jweekly.com/article/full/41080/jews-and-mel-on-the-big-screen-winter-sports-roundup/ |title=Jews (and Mel) on the big screen, Winter sports roundup | j. the Jewish news weekly of Northern California |publisher=Jweekly.com |date=January 21, 2010 |accessdate=May 12, 2010}} selects Jewish All-America College teams in baseball,[http://www.google.com/url?sa=t&source=news&oi=news_result&ct=res&cd=4&ved=0CDcQqQIwAw&url=http%3A%2F%2Fwww.courierpostonline.com%2Farticle%2F20100422%2FSPORTS%2F4220346%2F1002%2Fsports&ei=9lDqS4uYDoK0lQeMgYnVCg&usg=AFQjCNEQ36GdmOMaJjNLofkJY8EdQTlDmw&sig2=yfKr6QP7HgaJkNkgKGlnCQ] football, basketball,{{cite web|url=http://bearsports.wustl.edu/releases/mbk5-6-10.html |title=Washington University Athletics |publisher=Bearsports.wustl.edu |date=May 6, 2010 |accessdate=May 12, 2010}} softball,{{cite web|url=http://www.northshoreoflongisland.com/Articles-i-2008-07-24-73420.113114_Jacobs_Kavitsky_honored_for_softball_efforts.html |title=Jacobs, Kavitsky honored for softball efforts |publisher=Northshoreoflongisland.com |date=July 25, 2008 |accessdate=May 12, 2010}} soccer,{{cite web|url=http://www.cstv.com/sports/w-soccer/stories/012705aaa.html |title=UAB Women's Soccer Player Pam Cooney Named To Jewish Sports Review 2004 Women's Soccer All-America Team :: Sophomore garners first-team honors |publisher=Cstv.com |date=January 27, 2005 |accessdate=May 12, 2010}} and lacrosse;{{cite web|url=http://media.www.thetriangle.org/media/storage/paper689/news/2004/08/20/Sports/Jewish.Sports.Review.Honors.Lacrosse.Player-703300.shtml |title=Jewish Sports Review honors lacrosse player - Sports |publisher=Media.www.thetriangle.org |date=August 20, 2004 |accessdate=May 12, 2010}} covers international athletic events;{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/02/12/arts/jewish_stars/doc4b74847fd85a4658916074.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 2/12 |publisher=Cleveland Jewish News |date=February 12, 2010 |accessdate=May 12, 2010}} selects high school Jewish All-America teams in basketball; and names the top graduating Jewish high school athletes.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite web|last=Casper |first=Joshua |url=http://www.jewishledger.com/articles/2004/03/24/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=March 24, 2004 |accessdate=May 12, 2010}} In addition, it covers \"minor sports\", such as boxing.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite web|last=Gray |first=Geoffrey |url=http://www.nytimes.com/2003/07/26/sports/boxing-one-fight-too-many-costs-boxer-his-life.html?pagewanted=1 |title=BOXING - BOXING - One Fight Too Many Costs Boxer His Life |publisher=NYTimes.com |date=July 26, 2003 |accessdate=May 12, 2010}} \n\nAs to his inspiration for launching the magazine, Wallman—speaking on a panel on Jews in baseball at the Cooperstown [[Baseball Hall of Fame]]—said: \"I was always curious to know who was Jewish as a kid. And there wasn't a list.\"{{cite web|last=Ephross |first=Peter |url=http://www.jewishledger.com/articles/2004/09/22/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=September 22, 2004 |accessdate=May 12, 2010}}\n\n==Jewish athletes==\nThe ''JSR'' provides information as to who is Jewish in the sports world, verifying the Jewish background of every athlete covered.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}} \n\nWallman said: \"These days, most Jewish parents with a kid who has a good chance to play in the pros will encourage them,\" adding with a smile, \"You can always go to medical school afterward.\" \n\n===Criteria===\nThe ''JSR'''s criteria are that an athlete is Jewish if one of his parents is Jewish, he did not practice any other religion while he played, and he identified ethnically as a member of the Jewish community.{{cite web|url=http://njjewishnews.com/kaplanskorner/2008/11/05/the-phone-books-here-the-phone-books-here/ |title=“The phone book’s here, the phone book’s here!” * » Kaplan’s Korner on Jews and Sports |publisher=Njjewishnews.com |date=January 4, 2010 |accessdate=May 12, 2010}} If an athlete has a Jewish parent but was raised in, or converted to, another faith, or indicated to the ''JSR'' that he did not wish to be considered Jewish, he is excluded (even though under Jewish law he might be considered Jewish). Moxson indicates that [[David Beckham]] is not included, as only his mother's father is Jewish, and he doesn't identify himself as Jewish.{{cite web|last=Salkin |first=Allen |url=http://charlotte.creativeloafing.com/gyrobase/where_have_you_gone_sandy_koufax_/Content?oid=4463 |title=Where have you gone, Sandy Koufax? | Charlotte | News | Cover |publisher=Charlotte.creativeloafing.com |date= |accessdate=May 12, 2010}}\n\n===Verification===\nColumnist Nate Bloom described how the JSR researches whether an athlete is Jewish as follows:\n
\nEvery once in a while, the Review adds a player because he is clearly identified as Jewish in a very good news source like an interview. More often, they decide to contact a player (or a player's representative, or very close family member)--because of a tip or because the player has a \"Jewish sounding\" name. If they are told (by the player or his rep) that the player has one or more Jewish parents—they then inquire if the player was raised in and/or currently adheres to a faith other than Judaism. If the player answers \"yes\" to either of those questions—that ends the Review's inquiries and they don't cover the player. On the other hand, if they are told the player was raised Jewish or \"nothing\"--the Review then asks if the player has any objection to being identified as Jewish in the pages of the Review. If not, then they add him.{{cite web|last=Bloom |first=Nate |url=http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/Interfaith_Celebrities_Play_Ball.shtml?rd=2 |title=Interfaith Celebrities Play Ball |publisher=InterfaithFamily.com |date= |accessdate=May 12, 2010}}
\n\nThe magazine get tips on athletes from their subscribers, public relations directors for pro teams, school coaches, parents, and students. Wallman searches by phone and on the internet for top Jewish athletes in pro, college, and high school ranks. \n\nSome athletes are not \"obviously\" Jewish, such as former major league baseball player, [[Ruben Amaro, Jr.]] \n\nThe ''JSR'' also lists athletes frequently misidentified as Jewish, among them second baseman [[Rod Carew]] (\"never converted, although his children were raised Jewish\"), pitcher [[Mike LaCoss]] (\"born Marks, but took his stepfather's name and becomes irate when he is categorized as a Jew\"), and quarterback [[Rex Grossman]] (German-Catholic).{{cite web|url=http://www.nysun.com/sports/sports-desk-2007-02-06/48070/ |title=Sports Desk - February 6, 2007 - The New York Sun |publisher=Nysun.com |date=February 6, 2007 |accessdate=May 12, 2010}}\n\n==Baseball==\n[[File:KevinYouklis.jpg|left|thumb|222px|[[Kevin Youkilis]]]]\nIn 2009, as Jewish baseball players [[Ryan Braun]], [[Ian Kinsler]], and [[Kevin Youkilis]] were leading in voting for their positions on their [[2009 Major League Baseball All-Star Game|All Star teams]], the ''JSR'' noted that 160 Jews had played in the major leagues.{{cite web|url=http://www.bloomberg.com/apps/news?pid=20601079&sid=al9oTr_MYZKk |title=What Does It Mean for the Jews With Youkilis, Braun, Kinsler? |publisher=Bloomberg.com |date=July 2, 2009 |accessdate=May 12, 2010}} \n\nThe ''[[New York Daily News]]'' reported that according to the ''JSR'', there were almost three dozen Jews in baseball before [[Hank Greenberg]], but unlike Greenberg many had changed their names as they played in the majors. Michael Silverman changed his name to Baker, Rosenblum to Bennett, Lifsit to Bostwick, Solomon to Reese, and Makowsky to Markel. And Bohne, Cooney, Ewing, Kane, and Corey were all Cohens in the off-season. \n\nWhen the [[American Jewish Historical Society]] published a set of baseball cards of Jews in the major leagues (in conjunction with Major League Baseball and the Major League Baseball Players Association, and with the support of the National Baseball Hall of Fame and Museum), the project founder Martin Abramowitz of Jewish Major Leaguers Inc. relied on research by the ''JSR''.{{cite web|last=Lowenfish |first=Lee |url=http://www.forward.com/articles/6844/ |title=New Cards Mine Baseball’s Jewish Bench – The Jewish Daily Forward |publisher=Forward.com |date=March 24, 2006 |accessdate=May 12, 2010}}{{cite web|last=Cobb |first=Nathan |url=http://www.boston.com/news/globe/living/articles/2003/10/13/tribute_is_in_the_cards_for_jewish_ballplayers/ |title=/ News / Boston Globe / Living / Arts / Tribute is in the cards for Jewish ballplayers |publisher=Boston.com |date=October 13, 2003 |accessdate=May 12, 2010}} Also, when the [[Israel Baseball League]] was active, teams in it would recruit top college baseball players from the ''JSR'''s Jewish All-Americans in [[NCAA]] Divisions I, II, and III.{{cite web|last=Wieczorek |first=Allie |url=http://www.studlife.com/archives/Sports/2007/09/12/FromKellyFieldtotheFieldofDreams/ |title=From Kelly Field to the ‘Field of Dreams’ |publisher=Studlife.com |date=September 12, 2007 |accessdate=May 12, 2010}}\n\n==Basketball==\n[[File:Scheyer.jpg|right|thumb|180px|[[Jon Scheyer]]]]\nAfter \n[[Jon Scheyer]], later an [[2010 NCAA Men's Basketball All-Americans|All-American]] captain of the [[2009–10 Duke Blue Devils men's basketball team|2010 Duke national championship team]], led his high school team of five Jewish starters to an Illinois state championship, ''[[The Forward]]'' quoted Wallman as speculating that an all-Jewish starting lineup may have won a state title in the 1940s, but that it hadn’t happened in the recent past.\n\n==In the media==\nPeter Horvitz, in ''The Big Book of Jewish Sports Heroes: An Illustrated Compendium of Sports History and The 150 Greatest Jewish Sports Stars'' (2007), calls Wallman the \"best and most dependable source of up-to-date information on the subject\" of Jews in sports.{{cite web|url=http://books.google.com/books?id=voCnkWSOoRsC&pg=PA7&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDkQ6AEwAQ#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=The Big Book of Jewish Sports Heros ... - Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} Joseph Siegman, in his book ''Jewish sports legends: the International Jewish Hall of Fame'' (2005), listed Moxson as a distinguished authority on sports.{{cite web|url=http://books.google.com/books?id=oZxnNt28DhcC&pg=PA240&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CD4Q6AEwAg#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=Jewish sports legends: the ... - Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} ''[[The New York Times]]'' noted that the ''JSR'' \"aims to be rigorously comprehensive\". ''[[Sports Illustrated]]'' called the JSR \"tireless in its service mission\".\n\nThe ''JSR'' has been featured in ''Sports Illustrated'', ''The New York Times'', ''[[Los Angeles Times]]'', and ''[[Baltimore Sun]]''.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n\n==References==\n{{Reflist|2}}\n\n==External links==\n*[http://www.jewishsportsreview.com/ ''Jewish Sports Review'']" + }, + { + "revid": 361653493, + "parentid": 361653377, + "minor": true, + "user": "Epeefleche", + "userid": 1752945, + "timestamp": "2010-05-12T10:16:57Z", + "sha1": "aa9c6aa408de765bed05c872344f480ecc6e41ea", + "comment": "Adding category [[:Category:Sports magazines]] (using [[WP:HOTCAT|HotCat]])", + "*": "{{Infobox magazine\n| title = Jewish Sports Review\n| image_file = \n| image_size = \n| image_alt = \n| image_caption = \n| editor = Ephraim Moxson; Shel Wallman\n| editor_title = Editors\n| previous_editor = \n| staff_writer = Neil Keller; Stan Ramati\n| frequency = Bi-monthly\n| circulation = \n| category = Jewish Sports\n| company = \n| publisher = Ephraim Moxson; Shel Wallman\n| firstdate = May–June 1997{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| country = U.S.\n| based = [[Los Angeles, California]]{{cite web|url=http://www.jewishsportsreview.com/About-Us.html |title=About Us |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| language = \n| website = [http://www.jewishsportsreview.com/ www.jewishsportsreview.com]\n| issn = \n}}\nThe '''''Jewish Sports Review''''' (''JSR'') is a bi-monthly magazine that was established in 1997.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite web|last=Solomon |first=John |url=http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html |title=Neighborhood Report - Upper West Side - Neighborhood Report - Upper West Side - Honoring, Yes, The Jewish Athlete |publisher=NYTimes.com |date=October 25, 1998 |accessdate=May 12, 2010}}{{cite web|url=http://theminaretonline.com/2010/04/28/article11429 |title=Breakdown of Tampa’s Star Designated Hitter Mike Schwartz | The Minaret |publisher=Theminaretonline.com |date=April 28, 2010 |accessdate=May 12, 2010}}{{cite web|author=Steve Rushin |url=http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm |title=There's burgeoning subculture of devoted sports fans for - 02.07.00 - SI Vault |publisher=Sportsillustrated.cnn.com |date=February 7, 2000 |accessdate=May 12, 2010}}{{cite web|last=Ziegel |first=Vic |url=http://www.nydailynews.com/archives/sports/2000/01/13/2000-01-13_film_recalls_greenberg_war_v.html |title=Film Recalls Greenberg War Vs. Pitchers, Prejudice |publisher=Nydailynews.com |date=January 13, 2000 |accessdate=May 12, 2010}} Its editors are Ephraim Moxson and Shel Wallman.\n\nThe magazine identifies which star and professional athletes are Jewish.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}} It also covers and has all-time lists for Jewish players in major league baseball,{{cite web|url=http://www.taipeitimes.com/News/sport/archives/2009/07/03/2003447694 |title=archives |publisher=Taipei Times |date=July 3, 2009 |accessdate=May 12, 2010}}{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/04/16/arts/jewish_stars/doc4bc77d3bbc236279484076.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 4/16 |publisher=Cleveland Jewish News |date=April 16, 2010 |accessdate=May 12, 2010}} pro football,{{cite web|url=http://www.sanfranciscosentinel.com/?p=71276 |title=Blog Archives » SAN FRANCISCO 49ERS SELECT JEWISH SAFETY TAYLOR MAYS |publisher=San Francisco Sentinel |date=April 30, 2010 |accessdate=May 12, 2010}} pro basketball,{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/01/22/arts/jewish_stars/doc4b58c3eeb6312045104359.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 1/29 |publisher=Cleveland Jewish News |date=January 22, 2010 |accessdate=May 12, 2010}} and pro hockey;{{cite web|url=http://www.jweekly.com/article/full/41080/jews-and-mel-on-the-big-screen-winter-sports-roundup/ |title=Jews (and Mel) on the big screen, Winter sports roundup | j. the Jewish news weekly of Northern California |publisher=Jweekly.com |date=January 21, 2010 |accessdate=May 12, 2010}} selects Jewish All-America College teams in baseball,[http://www.google.com/url?sa=t&source=news&oi=news_result&ct=res&cd=4&ved=0CDcQqQIwAw&url=http%3A%2F%2Fwww.courierpostonline.com%2Farticle%2F20100422%2FSPORTS%2F4220346%2F1002%2Fsports&ei=9lDqS4uYDoK0lQeMgYnVCg&usg=AFQjCNEQ36GdmOMaJjNLofkJY8EdQTlDmw&sig2=yfKr6QP7HgaJkNkgKGlnCQ] football, basketball,{{cite web|url=http://bearsports.wustl.edu/releases/mbk5-6-10.html |title=Washington University Athletics |publisher=Bearsports.wustl.edu |date=May 6, 2010 |accessdate=May 12, 2010}} softball,{{cite web|url=http://www.northshoreoflongisland.com/Articles-i-2008-07-24-73420.113114_Jacobs_Kavitsky_honored_for_softball_efforts.html |title=Jacobs, Kavitsky honored for softball efforts |publisher=Northshoreoflongisland.com |date=July 25, 2008 |accessdate=May 12, 2010}} soccer,{{cite web|url=http://www.cstv.com/sports/w-soccer/stories/012705aaa.html |title=UAB Women's Soccer Player Pam Cooney Named To Jewish Sports Review 2004 Women's Soccer All-America Team :: Sophomore garners first-team honors |publisher=Cstv.com |date=January 27, 2005 |accessdate=May 12, 2010}} and lacrosse;{{cite web|url=http://media.www.thetriangle.org/media/storage/paper689/news/2004/08/20/Sports/Jewish.Sports.Review.Honors.Lacrosse.Player-703300.shtml |title=Jewish Sports Review honors lacrosse player - Sports |publisher=Media.www.thetriangle.org |date=August 20, 2004 |accessdate=May 12, 2010}} covers international athletic events;{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/02/12/arts/jewish_stars/doc4b74847fd85a4658916074.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 2/12 |publisher=Cleveland Jewish News |date=February 12, 2010 |accessdate=May 12, 2010}} selects high school Jewish All-America teams in basketball; and names the top graduating Jewish high school athletes.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite web|last=Casper |first=Joshua |url=http://www.jewishledger.com/articles/2004/03/24/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=March 24, 2004 |accessdate=May 12, 2010}} In addition, it covers \"minor sports\", such as boxing.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite web|last=Gray |first=Geoffrey |url=http://www.nytimes.com/2003/07/26/sports/boxing-one-fight-too-many-costs-boxer-his-life.html?pagewanted=1 |title=BOXING - BOXING - One Fight Too Many Costs Boxer His Life |publisher=NYTimes.com |date=July 26, 2003 |accessdate=May 12, 2010}} \n\nAs to his inspiration for launching the magazine, Wallman—speaking on a panel on Jews in baseball at the Cooperstown [[Baseball Hall of Fame]]—said: \"I was always curious to know who was Jewish as a kid. And there wasn't a list.\"{{cite web|last=Ephross |first=Peter |url=http://www.jewishledger.com/articles/2004/09/22/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=September 22, 2004 |accessdate=May 12, 2010}}\n\n==Jewish athletes==\nThe ''JSR'' provides information as to who is Jewish in the sports world, verifying the Jewish background of every athlete covered.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}} \n\nWallman said: \"These days, most Jewish parents with a kid who has a good chance to play in the pros will encourage them,\" adding with a smile, \"You can always go to medical school afterward.\" \n\n===Criteria===\nThe ''JSR'''s criteria are that an athlete is Jewish if one of his parents is Jewish, he did not practice any other religion while he played, and he identified ethnically as a member of the Jewish community.{{cite web|url=http://njjewishnews.com/kaplanskorner/2008/11/05/the-phone-books-here-the-phone-books-here/ |title=“The phone book’s here, the phone book’s here!” * » Kaplan’s Korner on Jews and Sports |publisher=Njjewishnews.com |date=January 4, 2010 |accessdate=May 12, 2010}} If an athlete has a Jewish parent but was raised in, or converted to, another faith, or indicated to the ''JSR'' that he did not wish to be considered Jewish, he is excluded (even though under Jewish law he might be considered Jewish). Moxson indicates that [[David Beckham]] is not included, as only his mother's father is Jewish, and he doesn't identify himself as Jewish.{{cite web|last=Salkin |first=Allen |url=http://charlotte.creativeloafing.com/gyrobase/where_have_you_gone_sandy_koufax_/Content?oid=4463 |title=Where have you gone, Sandy Koufax? | Charlotte | News | Cover |publisher=Charlotte.creativeloafing.com |date= |accessdate=May 12, 2010}}\n\n===Verification===\nColumnist Nate Bloom described how the JSR researches whether an athlete is Jewish as follows:\n
\nEvery once in a while, the Review adds a player because he is clearly identified as Jewish in a very good news source like an interview. More often, they decide to contact a player (or a player's representative, or very close family member)--because of a tip or because the player has a \"Jewish sounding\" name. If they are told (by the player or his rep) that the player has one or more Jewish parents—they then inquire if the player was raised in and/or currently adheres to a faith other than Judaism. If the player answers \"yes\" to either of those questions—that ends the Review's inquiries and they don't cover the player. On the other hand, if they are told the player was raised Jewish or \"nothing\"--the Review then asks if the player has any objection to being identified as Jewish in the pages of the Review. If not, then they add him.{{cite web|last=Bloom |first=Nate |url=http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/Interfaith_Celebrities_Play_Ball.shtml?rd=2 |title=Interfaith Celebrities Play Ball |publisher=InterfaithFamily.com |date= |accessdate=May 12, 2010}}
\n\nThe magazine get tips on athletes from their subscribers, public relations directors for pro teams, school coaches, parents, and students. Wallman searches by phone and on the internet for top Jewish athletes in pro, college, and high school ranks. \n\nSome athletes are not \"obviously\" Jewish, such as former major league baseball player, [[Ruben Amaro, Jr.]] \n\nThe ''JSR'' also lists athletes frequently misidentified as Jewish, among them second baseman [[Rod Carew]] (\"never converted, although his children were raised Jewish\"), pitcher [[Mike LaCoss]] (\"born Marks, but took his stepfather's name and becomes irate when he is categorized as a Jew\"), and quarterback [[Rex Grossman]] (German-Catholic).{{cite web|url=http://www.nysun.com/sports/sports-desk-2007-02-06/48070/ |title=Sports Desk - February 6, 2007 - The New York Sun |publisher=Nysun.com |date=February 6, 2007 |accessdate=May 12, 2010}}\n\n==Baseball==\n[[File:KevinYouklis.jpg|left|thumb|222px|[[Kevin Youkilis]]]]\nIn 2009, as Jewish baseball players [[Ryan Braun]], [[Ian Kinsler]], and [[Kevin Youkilis]] were leading in voting for their positions on their [[2009 Major League Baseball All-Star Game|All Star teams]], the ''JSR'' noted that 160 Jews had played in the major leagues.{{cite web|url=http://www.bloomberg.com/apps/news?pid=20601079&sid=al9oTr_MYZKk |title=What Does It Mean for the Jews With Youkilis, Braun, Kinsler? |publisher=Bloomberg.com |date=July 2, 2009 |accessdate=May 12, 2010}} \n\nThe ''[[New York Daily News]]'' reported that according to the ''JSR'', there were almost three dozen Jews in baseball before [[Hank Greenberg]], but unlike Greenberg many had changed their names as they played in the majors. Michael Silverman changed his name to Baker, Rosenblum to Bennett, Lifsit to Bostwick, Solomon to Reese, and Makowsky to Markel. And Bohne, Cooney, Ewing, Kane, and Corey were all Cohens in the off-season. \n\nWhen the [[American Jewish Historical Society]] published a set of baseball cards of Jews in the major leagues (in conjunction with Major League Baseball and the Major League Baseball Players Association, and with the support of the National Baseball Hall of Fame and Museum), the project founder Martin Abramowitz of Jewish Major Leaguers Inc. relied on research by the ''JSR''.{{cite web|last=Lowenfish |first=Lee |url=http://www.forward.com/articles/6844/ |title=New Cards Mine Baseball’s Jewish Bench – The Jewish Daily Forward |publisher=Forward.com |date=March 24, 2006 |accessdate=May 12, 2010}}{{cite web|last=Cobb |first=Nathan |url=http://www.boston.com/news/globe/living/articles/2003/10/13/tribute_is_in_the_cards_for_jewish_ballplayers/ |title=/ News / Boston Globe / Living / Arts / Tribute is in the cards for Jewish ballplayers |publisher=Boston.com |date=October 13, 2003 |accessdate=May 12, 2010}} Also, when the [[Israel Baseball League]] was active, teams in it would recruit top college baseball players from the ''JSR'''s Jewish All-Americans in [[NCAA]] Divisions I, II, and III.{{cite web|last=Wieczorek |first=Allie |url=http://www.studlife.com/archives/Sports/2007/09/12/FromKellyFieldtotheFieldofDreams/ |title=From Kelly Field to the ‘Field of Dreams’ |publisher=Studlife.com |date=September 12, 2007 |accessdate=May 12, 2010}}\n\n==Basketball==\n[[File:Scheyer.jpg|right|thumb|180px|[[Jon Scheyer]]]]\nAfter \n[[Jon Scheyer]], later an [[2010 NCAA Men's Basketball All-Americans|All-American]] captain of the [[2009–10 Duke Blue Devils men's basketball team|2010 Duke national championship team]], led his high school team of five Jewish starters to an Illinois state championship, ''[[The Forward]]'' quoted Wallman as speculating that an all-Jewish starting lineup may have won a state title in the 1940s, but that it hadn’t happened in the recent past.\n\n==In the media==\nPeter Horvitz, in ''The Big Book of Jewish Sports Heroes: An Illustrated Compendium of Sports History and The 150 Greatest Jewish Sports Stars'' (2007), calls Wallman the \"best and most dependable source of up-to-date information on the subject\" of Jews in sports.{{cite web|url=http://books.google.com/books?id=voCnkWSOoRsC&pg=PA7&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDkQ6AEwAQ#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=The Big Book of Jewish Sports Heros ... - Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} Joseph Siegman, in his book ''Jewish sports legends: the International Jewish Hall of Fame'' (2005), listed Moxson as a distinguished authority on sports.{{cite web|url=http://books.google.com/books?id=oZxnNt28DhcC&pg=PA240&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CD4Q6AEwAg#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=Jewish sports legends: the ... - Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} ''[[The New York Times]]'' noted that the ''JSR'' \"aims to be rigorously comprehensive\". ''[[Sports Illustrated]]'' called the JSR \"tireless in its service mission\".\n\nThe ''JSR'' has been featured in ''Sports Illustrated'', ''The New York Times'', ''[[Los Angeles Times]]'', and ''[[Baltimore Sun]]''.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n\n==References==\n{{Reflist|2}}\n\n==External links==\n*[http://www.jewishsportsreview.com/ ''Jewish Sports Review'']\n\n[[Category:Sports magazines]]" + }, + { + "revid": 361653553, + "parentid": 361653493, + "minor": true, + "user": "Epeefleche", + "userid": 1752945, + "timestamp": "2010-05-12T10:17:33Z", + "sha1": "57603aca84807337806e7c4d21e63af909dd3290", + "comment": "Adding category [[:Category:Jewish magazines published in the United States]] (using [[WP:HOTCAT|HotCat]])", + "*": "{{Infobox magazine\n| title = Jewish Sports Review\n| image_file = \n| image_size = \n| image_alt = \n| image_caption = \n| editor = Ephraim Moxson; Shel Wallman\n| editor_title = Editors\n| previous_editor = \n| staff_writer = Neil Keller; Stan Ramati\n| frequency = Bi-monthly\n| circulation = \n| category = Jewish Sports\n| company = \n| publisher = Ephraim Moxson; Shel Wallman\n| firstdate = May–June 1997{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| country = U.S.\n| based = [[Los Angeles, California]]{{cite web|url=http://www.jewishsportsreview.com/About-Us.html |title=About Us |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| language = \n| website = [http://www.jewishsportsreview.com/ www.jewishsportsreview.com]\n| issn = \n}}\nThe '''''Jewish Sports Review''''' (''JSR'') is a bi-monthly magazine that was established in 1997.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite web|last=Solomon |first=John |url=http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html |title=Neighborhood Report - Upper West Side - Neighborhood Report - Upper West Side - Honoring, Yes, The Jewish Athlete |publisher=NYTimes.com |date=October 25, 1998 |accessdate=May 12, 2010}}{{cite web|url=http://theminaretonline.com/2010/04/28/article11429 |title=Breakdown of Tampa’s Star Designated Hitter Mike Schwartz | The Minaret |publisher=Theminaretonline.com |date=April 28, 2010 |accessdate=May 12, 2010}}{{cite web|author=Steve Rushin |url=http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm |title=There's burgeoning subculture of devoted sports fans for - 02.07.00 - SI Vault |publisher=Sportsillustrated.cnn.com |date=February 7, 2000 |accessdate=May 12, 2010}}{{cite web|last=Ziegel |first=Vic |url=http://www.nydailynews.com/archives/sports/2000/01/13/2000-01-13_film_recalls_greenberg_war_v.html |title=Film Recalls Greenberg War Vs. Pitchers, Prejudice |publisher=Nydailynews.com |date=January 13, 2000 |accessdate=May 12, 2010}} Its editors are Ephraim Moxson and Shel Wallman.\n\nThe magazine identifies which star and professional athletes are Jewish.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}} It also covers and has all-time lists for Jewish players in major league baseball,{{cite web|url=http://www.taipeitimes.com/News/sport/archives/2009/07/03/2003447694 |title=archives |publisher=Taipei Times |date=July 3, 2009 |accessdate=May 12, 2010}}{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/04/16/arts/jewish_stars/doc4bc77d3bbc236279484076.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 4/16 |publisher=Cleveland Jewish News |date=April 16, 2010 |accessdate=May 12, 2010}} pro football,{{cite web|url=http://www.sanfranciscosentinel.com/?p=71276 |title=Blog Archives » SAN FRANCISCO 49ERS SELECT JEWISH SAFETY TAYLOR MAYS |publisher=San Francisco Sentinel |date=April 30, 2010 |accessdate=May 12, 2010}} pro basketball,{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/01/22/arts/jewish_stars/doc4b58c3eeb6312045104359.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 1/29 |publisher=Cleveland Jewish News |date=January 22, 2010 |accessdate=May 12, 2010}} and pro hockey;{{cite web|url=http://www.jweekly.com/article/full/41080/jews-and-mel-on-the-big-screen-winter-sports-roundup/ |title=Jews (and Mel) on the big screen, Winter sports roundup | j. the Jewish news weekly of Northern California |publisher=Jweekly.com |date=January 21, 2010 |accessdate=May 12, 2010}} selects Jewish All-America College teams in baseball,[http://www.google.com/url?sa=t&source=news&oi=news_result&ct=res&cd=4&ved=0CDcQqQIwAw&url=http%3A%2F%2Fwww.courierpostonline.com%2Farticle%2F20100422%2FSPORTS%2F4220346%2F1002%2Fsports&ei=9lDqS4uYDoK0lQeMgYnVCg&usg=AFQjCNEQ36GdmOMaJjNLofkJY8EdQTlDmw&sig2=yfKr6QP7HgaJkNkgKGlnCQ] football, basketball,{{cite web|url=http://bearsports.wustl.edu/releases/mbk5-6-10.html |title=Washington University Athletics |publisher=Bearsports.wustl.edu |date=May 6, 2010 |accessdate=May 12, 2010}} softball,{{cite web|url=http://www.northshoreoflongisland.com/Articles-i-2008-07-24-73420.113114_Jacobs_Kavitsky_honored_for_softball_efforts.html |title=Jacobs, Kavitsky honored for softball efforts |publisher=Northshoreoflongisland.com |date=July 25, 2008 |accessdate=May 12, 2010}} soccer,{{cite web|url=http://www.cstv.com/sports/w-soccer/stories/012705aaa.html |title=UAB Women's Soccer Player Pam Cooney Named To Jewish Sports Review 2004 Women's Soccer All-America Team :: Sophomore garners first-team honors |publisher=Cstv.com |date=January 27, 2005 |accessdate=May 12, 2010}} and lacrosse;{{cite web|url=http://media.www.thetriangle.org/media/storage/paper689/news/2004/08/20/Sports/Jewish.Sports.Review.Honors.Lacrosse.Player-703300.shtml |title=Jewish Sports Review honors lacrosse player - Sports |publisher=Media.www.thetriangle.org |date=August 20, 2004 |accessdate=May 12, 2010}} covers international athletic events;{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/02/12/arts/jewish_stars/doc4b74847fd85a4658916074.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 2/12 |publisher=Cleveland Jewish News |date=February 12, 2010 |accessdate=May 12, 2010}} selects high school Jewish All-America teams in basketball; and names the top graduating Jewish high school athletes.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite web|last=Casper |first=Joshua |url=http://www.jewishledger.com/articles/2004/03/24/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=March 24, 2004 |accessdate=May 12, 2010}} In addition, it covers \"minor sports\", such as boxing.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite web|last=Gray |first=Geoffrey |url=http://www.nytimes.com/2003/07/26/sports/boxing-one-fight-too-many-costs-boxer-his-life.html?pagewanted=1 |title=BOXING - BOXING - One Fight Too Many Costs Boxer His Life |publisher=NYTimes.com |date=July 26, 2003 |accessdate=May 12, 2010}} \n\nAs to his inspiration for launching the magazine, Wallman—speaking on a panel on Jews in baseball at the Cooperstown [[Baseball Hall of Fame]]—said: \"I was always curious to know who was Jewish as a kid. And there wasn't a list.\"{{cite web|last=Ephross |first=Peter |url=http://www.jewishledger.com/articles/2004/09/22/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=September 22, 2004 |accessdate=May 12, 2010}}\n\n==Jewish athletes==\nThe ''JSR'' provides information as to who is Jewish in the sports world, verifying the Jewish background of every athlete covered.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}} \n\nWallman said: \"These days, most Jewish parents with a kid who has a good chance to play in the pros will encourage them,\" adding with a smile, \"You can always go to medical school afterward.\" \n\n===Criteria===\nThe ''JSR'''s criteria are that an athlete is Jewish if one of his parents is Jewish, he did not practice any other religion while he played, and he identified ethnically as a member of the Jewish community.{{cite web|url=http://njjewishnews.com/kaplanskorner/2008/11/05/the-phone-books-here-the-phone-books-here/ |title=“The phone book’s here, the phone book’s here!” * » Kaplan’s Korner on Jews and Sports |publisher=Njjewishnews.com |date=January 4, 2010 |accessdate=May 12, 2010}} If an athlete has a Jewish parent but was raised in, or converted to, another faith, or indicated to the ''JSR'' that he did not wish to be considered Jewish, he is excluded (even though under Jewish law he might be considered Jewish). Moxson indicates that [[David Beckham]] is not included, as only his mother's father is Jewish, and he doesn't identify himself as Jewish.{{cite web|last=Salkin |first=Allen |url=http://charlotte.creativeloafing.com/gyrobase/where_have_you_gone_sandy_koufax_/Content?oid=4463 |title=Where have you gone, Sandy Koufax? | Charlotte | News | Cover |publisher=Charlotte.creativeloafing.com |date= |accessdate=May 12, 2010}}\n\n===Verification===\nColumnist Nate Bloom described how the JSR researches whether an athlete is Jewish as follows:\n
\nEvery once in a while, the Review adds a player because he is clearly identified as Jewish in a very good news source like an interview. More often, they decide to contact a player (or a player's representative, or very close family member)--because of a tip or because the player has a \"Jewish sounding\" name. If they are told (by the player or his rep) that the player has one or more Jewish parents—they then inquire if the player was raised in and/or currently adheres to a faith other than Judaism. If the player answers \"yes\" to either of those questions—that ends the Review's inquiries and they don't cover the player. On the other hand, if they are told the player was raised Jewish or \"nothing\"--the Review then asks if the player has any objection to being identified as Jewish in the pages of the Review. If not, then they add him.{{cite web|last=Bloom |first=Nate |url=http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/Interfaith_Celebrities_Play_Ball.shtml?rd=2 |title=Interfaith Celebrities Play Ball |publisher=InterfaithFamily.com |date= |accessdate=May 12, 2010}}
\n\nThe magazine get tips on athletes from their subscribers, public relations directors for pro teams, school coaches, parents, and students. Wallman searches by phone and on the internet for top Jewish athletes in pro, college, and high school ranks. \n\nSome athletes are not \"obviously\" Jewish, such as former major league baseball player, [[Ruben Amaro, Jr.]] \n\nThe ''JSR'' also lists athletes frequently misidentified as Jewish, among them second baseman [[Rod Carew]] (\"never converted, although his children were raised Jewish\"), pitcher [[Mike LaCoss]] (\"born Marks, but took his stepfather's name and becomes irate when he is categorized as a Jew\"), and quarterback [[Rex Grossman]] (German-Catholic).{{cite web|url=http://www.nysun.com/sports/sports-desk-2007-02-06/48070/ |title=Sports Desk - February 6, 2007 - The New York Sun |publisher=Nysun.com |date=February 6, 2007 |accessdate=May 12, 2010}}\n\n==Baseball==\n[[File:KevinYouklis.jpg|left|thumb|222px|[[Kevin Youkilis]]]]\nIn 2009, as Jewish baseball players [[Ryan Braun]], [[Ian Kinsler]], and [[Kevin Youkilis]] were leading in voting for their positions on their [[2009 Major League Baseball All-Star Game|All Star teams]], the ''JSR'' noted that 160 Jews had played in the major leagues.{{cite web|url=http://www.bloomberg.com/apps/news?pid=20601079&sid=al9oTr_MYZKk |title=What Does It Mean for the Jews With Youkilis, Braun, Kinsler? |publisher=Bloomberg.com |date=July 2, 2009 |accessdate=May 12, 2010}} \n\nThe ''[[New York Daily News]]'' reported that according to the ''JSR'', there were almost three dozen Jews in baseball before [[Hank Greenberg]], but unlike Greenberg many had changed their names as they played in the majors. Michael Silverman changed his name to Baker, Rosenblum to Bennett, Lifsit to Bostwick, Solomon to Reese, and Makowsky to Markel. And Bohne, Cooney, Ewing, Kane, and Corey were all Cohens in the off-season. \n\nWhen the [[American Jewish Historical Society]] published a set of baseball cards of Jews in the major leagues (in conjunction with Major League Baseball and the Major League Baseball Players Association, and with the support of the National Baseball Hall of Fame and Museum), the project founder Martin Abramowitz of Jewish Major Leaguers Inc. relied on research by the ''JSR''.{{cite web|last=Lowenfish |first=Lee |url=http://www.forward.com/articles/6844/ |title=New Cards Mine Baseball’s Jewish Bench – The Jewish Daily Forward |publisher=Forward.com |date=March 24, 2006 |accessdate=May 12, 2010}}{{cite web|last=Cobb |first=Nathan |url=http://www.boston.com/news/globe/living/articles/2003/10/13/tribute_is_in_the_cards_for_jewish_ballplayers/ |title=/ News / Boston Globe / Living / Arts / Tribute is in the cards for Jewish ballplayers |publisher=Boston.com |date=October 13, 2003 |accessdate=May 12, 2010}} Also, when the [[Israel Baseball League]] was active, teams in it would recruit top college baseball players from the ''JSR'''s Jewish All-Americans in [[NCAA]] Divisions I, II, and III.{{cite web|last=Wieczorek |first=Allie |url=http://www.studlife.com/archives/Sports/2007/09/12/FromKellyFieldtotheFieldofDreams/ |title=From Kelly Field to the ‘Field of Dreams’ |publisher=Studlife.com |date=September 12, 2007 |accessdate=May 12, 2010}}\n\n==Basketball==\n[[File:Scheyer.jpg|right|thumb|180px|[[Jon Scheyer]]]]\nAfter \n[[Jon Scheyer]], later an [[2010 NCAA Men's Basketball All-Americans|All-American]] captain of the [[2009–10 Duke Blue Devils men's basketball team|2010 Duke national championship team]], led his high school team of five Jewish starters to an Illinois state championship, ''[[The Forward]]'' quoted Wallman as speculating that an all-Jewish starting lineup may have won a state title in the 1940s, but that it hadn’t happened in the recent past.\n\n==In the media==\nPeter Horvitz, in ''The Big Book of Jewish Sports Heroes: An Illustrated Compendium of Sports History and The 150 Greatest Jewish Sports Stars'' (2007), calls Wallman the \"best and most dependable source of up-to-date information on the subject\" of Jews in sports.{{cite web|url=http://books.google.com/books?id=voCnkWSOoRsC&pg=PA7&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDkQ6AEwAQ#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=The Big Book of Jewish Sports Heros ... - Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} Joseph Siegman, in his book ''Jewish sports legends: the International Jewish Hall of Fame'' (2005), listed Moxson as a distinguished authority on sports.{{cite web|url=http://books.google.com/books?id=oZxnNt28DhcC&pg=PA240&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CD4Q6AEwAg#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=Jewish sports legends: the ... - Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} ''[[The New York Times]]'' noted that the ''JSR'' \"aims to be rigorously comprehensive\". ''[[Sports Illustrated]]'' called the JSR \"tireless in its service mission\".\n\nThe ''JSR'' has been featured in ''Sports Illustrated'', ''The New York Times'', ''[[Los Angeles Times]]'', and ''[[Baltimore Sun]]''.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n\n==References==\n{{Reflist|2}}\n\n==External links==\n*[http://www.jewishsportsreview.com/ ''Jewish Sports Review'']\n\n[[Category:Sports magazines]]\n[[Category:Jewish magazines published in the United States]]" + }, + { + "revid": 361653642, + "parentid": 361653553, + "minor": true, + "user": "Epeefleche", + "userid": 1752945, + "timestamp": "2010-05-12T10:18:24Z", + "sha1": "dff3c9c05fca62182d2b1dcac5230c84112b0f30", + "comment": "Adding category [[:Category:Magazines published in California]] (using [[WP:HOTCAT|HotCat]])", + "*": "{{Infobox magazine\n| title = Jewish Sports Review\n| image_file = \n| image_size = \n| image_alt = \n| image_caption = \n| editor = Ephraim Moxson; Shel Wallman\n| editor_title = Editors\n| previous_editor = \n| staff_writer = Neil Keller; Stan Ramati\n| frequency = Bi-monthly\n| circulation = \n| category = Jewish Sports\n| company = \n| publisher = Ephraim Moxson; Shel Wallman\n| firstdate = May–June 1997{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| country = U.S.\n| based = [[Los Angeles, California]]{{cite web|url=http://www.jewishsportsreview.com/About-Us.html |title=About Us |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| language = \n| website = [http://www.jewishsportsreview.com/ www.jewishsportsreview.com]\n| issn = \n}}\nThe '''''Jewish Sports Review''''' (''JSR'') is a bi-monthly magazine that was established in 1997.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite web|last=Solomon |first=John |url=http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html |title=Neighborhood Report - Upper West Side - Neighborhood Report - Upper West Side - Honoring, Yes, The Jewish Athlete |publisher=NYTimes.com |date=October 25, 1998 |accessdate=May 12, 2010}}{{cite web|url=http://theminaretonline.com/2010/04/28/article11429 |title=Breakdown of Tampa’s Star Designated Hitter Mike Schwartz | The Minaret |publisher=Theminaretonline.com |date=April 28, 2010 |accessdate=May 12, 2010}}{{cite web|author=Steve Rushin |url=http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm |title=There's burgeoning subculture of devoted sports fans for - 02.07.00 - SI Vault |publisher=Sportsillustrated.cnn.com |date=February 7, 2000 |accessdate=May 12, 2010}}{{cite web|last=Ziegel |first=Vic |url=http://www.nydailynews.com/archives/sports/2000/01/13/2000-01-13_film_recalls_greenberg_war_v.html |title=Film Recalls Greenberg War Vs. Pitchers, Prejudice |publisher=Nydailynews.com |date=January 13, 2000 |accessdate=May 12, 2010}} Its editors are Ephraim Moxson and Shel Wallman.\n\nThe magazine identifies which star and professional athletes are Jewish.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}} It also covers and has all-time lists for Jewish players in major league baseball,{{cite web|url=http://www.taipeitimes.com/News/sport/archives/2009/07/03/2003447694 |title=archives |publisher=Taipei Times |date=July 3, 2009 |accessdate=May 12, 2010}}{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/04/16/arts/jewish_stars/doc4bc77d3bbc236279484076.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 4/16 |publisher=Cleveland Jewish News |date=April 16, 2010 |accessdate=May 12, 2010}} pro football,{{cite web|url=http://www.sanfranciscosentinel.com/?p=71276 |title=Blog Archives » SAN FRANCISCO 49ERS SELECT JEWISH SAFETY TAYLOR MAYS |publisher=San Francisco Sentinel |date=April 30, 2010 |accessdate=May 12, 2010}} pro basketball,{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/01/22/arts/jewish_stars/doc4b58c3eeb6312045104359.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 1/29 |publisher=Cleveland Jewish News |date=January 22, 2010 |accessdate=May 12, 2010}} and pro hockey;{{cite web|url=http://www.jweekly.com/article/full/41080/jews-and-mel-on-the-big-screen-winter-sports-roundup/ |title=Jews (and Mel) on the big screen, Winter sports roundup | j. the Jewish news weekly of Northern California |publisher=Jweekly.com |date=January 21, 2010 |accessdate=May 12, 2010}} selects Jewish All-America College teams in baseball,[http://www.google.com/url?sa=t&source=news&oi=news_result&ct=res&cd=4&ved=0CDcQqQIwAw&url=http%3A%2F%2Fwww.courierpostonline.com%2Farticle%2F20100422%2FSPORTS%2F4220346%2F1002%2Fsports&ei=9lDqS4uYDoK0lQeMgYnVCg&usg=AFQjCNEQ36GdmOMaJjNLofkJY8EdQTlDmw&sig2=yfKr6QP7HgaJkNkgKGlnCQ] football, basketball,{{cite web|url=http://bearsports.wustl.edu/releases/mbk5-6-10.html |title=Washington University Athletics |publisher=Bearsports.wustl.edu |date=May 6, 2010 |accessdate=May 12, 2010}} softball,{{cite web|url=http://www.northshoreoflongisland.com/Articles-i-2008-07-24-73420.113114_Jacobs_Kavitsky_honored_for_softball_efforts.html |title=Jacobs, Kavitsky honored for softball efforts |publisher=Northshoreoflongisland.com |date=July 25, 2008 |accessdate=May 12, 2010}} soccer,{{cite web|url=http://www.cstv.com/sports/w-soccer/stories/012705aaa.html |title=UAB Women's Soccer Player Pam Cooney Named To Jewish Sports Review 2004 Women's Soccer All-America Team :: Sophomore garners first-team honors |publisher=Cstv.com |date=January 27, 2005 |accessdate=May 12, 2010}} and lacrosse;{{cite web|url=http://media.www.thetriangle.org/media/storage/paper689/news/2004/08/20/Sports/Jewish.Sports.Review.Honors.Lacrosse.Player-703300.shtml |title=Jewish Sports Review honors lacrosse player - Sports |publisher=Media.www.thetriangle.org |date=August 20, 2004 |accessdate=May 12, 2010}} covers international athletic events;{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/02/12/arts/jewish_stars/doc4b74847fd85a4658916074.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 2/12 |publisher=Cleveland Jewish News |date=February 12, 2010 |accessdate=May 12, 2010}} selects high school Jewish All-America teams in basketball; and names the top graduating Jewish high school athletes.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite web|last=Casper |first=Joshua |url=http://www.jewishledger.com/articles/2004/03/24/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=March 24, 2004 |accessdate=May 12, 2010}} In addition, it covers \"minor sports\", such as boxing.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite web|last=Gray |first=Geoffrey |url=http://www.nytimes.com/2003/07/26/sports/boxing-one-fight-too-many-costs-boxer-his-life.html?pagewanted=1 |title=BOXING - BOXING - One Fight Too Many Costs Boxer His Life |publisher=NYTimes.com |date=July 26, 2003 |accessdate=May 12, 2010}} \n\nAs to his inspiration for launching the magazine, Wallman—speaking on a panel on Jews in baseball at the Cooperstown [[Baseball Hall of Fame]]—said: \"I was always curious to know who was Jewish as a kid. And there wasn't a list.\"{{cite web|last=Ephross |first=Peter |url=http://www.jewishledger.com/articles/2004/09/22/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=September 22, 2004 |accessdate=May 12, 2010}}\n\n==Jewish athletes==\nThe ''JSR'' provides information as to who is Jewish in the sports world, verifying the Jewish background of every athlete covered.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}} \n\nWallman said: \"These days, most Jewish parents with a kid who has a good chance to play in the pros will encourage them,\" adding with a smile, \"You can always go to medical school afterward.\" \n\n===Criteria===\nThe ''JSR'''s criteria are that an athlete is Jewish if one of his parents is Jewish, he did not practice any other religion while he played, and he identified ethnically as a member of the Jewish community.{{cite web|url=http://njjewishnews.com/kaplanskorner/2008/11/05/the-phone-books-here-the-phone-books-here/ |title=“The phone book’s here, the phone book’s here!” * » Kaplan’s Korner on Jews and Sports |publisher=Njjewishnews.com |date=January 4, 2010 |accessdate=May 12, 2010}} If an athlete has a Jewish parent but was raised in, or converted to, another faith, or indicated to the ''JSR'' that he did not wish to be considered Jewish, he is excluded (even though under Jewish law he might be considered Jewish). Moxson indicates that [[David Beckham]] is not included, as only his mother's father is Jewish, and he doesn't identify himself as Jewish.{{cite web|last=Salkin |first=Allen |url=http://charlotte.creativeloafing.com/gyrobase/where_have_you_gone_sandy_koufax_/Content?oid=4463 |title=Where have you gone, Sandy Koufax? | Charlotte | News | Cover |publisher=Charlotte.creativeloafing.com |date= |accessdate=May 12, 2010}}\n\n===Verification===\nColumnist Nate Bloom described how the JSR researches whether an athlete is Jewish as follows:\n
\nEvery once in a while, the Review adds a player because he is clearly identified as Jewish in a very good news source like an interview. More often, they decide to contact a player (or a player's representative, or very close family member)--because of a tip or because the player has a \"Jewish sounding\" name. If they are told (by the player or his rep) that the player has one or more Jewish parents—they then inquire if the player was raised in and/or currently adheres to a faith other than Judaism. If the player answers \"yes\" to either of those questions—that ends the Review's inquiries and they don't cover the player. On the other hand, if they are told the player was raised Jewish or \"nothing\"--the Review then asks if the player has any objection to being identified as Jewish in the pages of the Review. If not, then they add him.{{cite web|last=Bloom |first=Nate |url=http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/Interfaith_Celebrities_Play_Ball.shtml?rd=2 |title=Interfaith Celebrities Play Ball |publisher=InterfaithFamily.com |date= |accessdate=May 12, 2010}}
\n\nThe magazine get tips on athletes from their subscribers, public relations directors for pro teams, school coaches, parents, and students. Wallman searches by phone and on the internet for top Jewish athletes in pro, college, and high school ranks. \n\nSome athletes are not \"obviously\" Jewish, such as former major league baseball player, [[Ruben Amaro, Jr.]] \n\nThe ''JSR'' also lists athletes frequently misidentified as Jewish, among them second baseman [[Rod Carew]] (\"never converted, although his children were raised Jewish\"), pitcher [[Mike LaCoss]] (\"born Marks, but took his stepfather's name and becomes irate when he is categorized as a Jew\"), and quarterback [[Rex Grossman]] (German-Catholic).{{cite web|url=http://www.nysun.com/sports/sports-desk-2007-02-06/48070/ |title=Sports Desk - February 6, 2007 - The New York Sun |publisher=Nysun.com |date=February 6, 2007 |accessdate=May 12, 2010}}\n\n==Baseball==\n[[File:KevinYouklis.jpg|left|thumb|222px|[[Kevin Youkilis]]]]\nIn 2009, as Jewish baseball players [[Ryan Braun]], [[Ian Kinsler]], and [[Kevin Youkilis]] were leading in voting for their positions on their [[2009 Major League Baseball All-Star Game|All Star teams]], the ''JSR'' noted that 160 Jews had played in the major leagues.{{cite web|url=http://www.bloomberg.com/apps/news?pid=20601079&sid=al9oTr_MYZKk |title=What Does It Mean for the Jews With Youkilis, Braun, Kinsler? |publisher=Bloomberg.com |date=July 2, 2009 |accessdate=May 12, 2010}} \n\nThe ''[[New York Daily News]]'' reported that according to the ''JSR'', there were almost three dozen Jews in baseball before [[Hank Greenberg]], but unlike Greenberg many had changed their names as they played in the majors. Michael Silverman changed his name to Baker, Rosenblum to Bennett, Lifsit to Bostwick, Solomon to Reese, and Makowsky to Markel. And Bohne, Cooney, Ewing, Kane, and Corey were all Cohens in the off-season. \n\nWhen the [[American Jewish Historical Society]] published a set of baseball cards of Jews in the major leagues (in conjunction with Major League Baseball and the Major League Baseball Players Association, and with the support of the National Baseball Hall of Fame and Museum), the project founder Martin Abramowitz of Jewish Major Leaguers Inc. relied on research by the ''JSR''.{{cite web|last=Lowenfish |first=Lee |url=http://www.forward.com/articles/6844/ |title=New Cards Mine Baseball’s Jewish Bench – The Jewish Daily Forward |publisher=Forward.com |date=March 24, 2006 |accessdate=May 12, 2010}}{{cite web|last=Cobb |first=Nathan |url=http://www.boston.com/news/globe/living/articles/2003/10/13/tribute_is_in_the_cards_for_jewish_ballplayers/ |title=/ News / Boston Globe / Living / Arts / Tribute is in the cards for Jewish ballplayers |publisher=Boston.com |date=October 13, 2003 |accessdate=May 12, 2010}} Also, when the [[Israel Baseball League]] was active, teams in it would recruit top college baseball players from the ''JSR'''s Jewish All-Americans in [[NCAA]] Divisions I, II, and III.{{cite web|last=Wieczorek |first=Allie |url=http://www.studlife.com/archives/Sports/2007/09/12/FromKellyFieldtotheFieldofDreams/ |title=From Kelly Field to the ‘Field of Dreams’ |publisher=Studlife.com |date=September 12, 2007 |accessdate=May 12, 2010}}\n\n==Basketball==\n[[File:Scheyer.jpg|right|thumb|180px|[[Jon Scheyer]]]]\nAfter \n[[Jon Scheyer]], later an [[2010 NCAA Men's Basketball All-Americans|All-American]] captain of the [[2009–10 Duke Blue Devils men's basketball team|2010 Duke national championship team]], led his high school team of five Jewish starters to an Illinois state championship, ''[[The Forward]]'' quoted Wallman as speculating that an all-Jewish starting lineup may have won a state title in the 1940s, but that it hadn’t happened in the recent past.\n\n==In the media==\nPeter Horvitz, in ''The Big Book of Jewish Sports Heroes: An Illustrated Compendium of Sports History and The 150 Greatest Jewish Sports Stars'' (2007), calls Wallman the \"best and most dependable source of up-to-date information on the subject\" of Jews in sports.{{cite web|url=http://books.google.com/books?id=voCnkWSOoRsC&pg=PA7&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDkQ6AEwAQ#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=The Big Book of Jewish Sports Heros ... - Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} Joseph Siegman, in his book ''Jewish sports legends: the International Jewish Hall of Fame'' (2005), listed Moxson as a distinguished authority on sports.{{cite web|url=http://books.google.com/books?id=oZxnNt28DhcC&pg=PA240&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CD4Q6AEwAg#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=Jewish sports legends: the ... - Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} ''[[The New York Times]]'' noted that the ''JSR'' \"aims to be rigorously comprehensive\". ''[[Sports Illustrated]]'' called the JSR \"tireless in its service mission\".\n\nThe ''JSR'' has been featured in ''Sports Illustrated'', ''The New York Times'', ''[[Los Angeles Times]]'', and ''[[Baltimore Sun]]''.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n\n==References==\n{{Reflist|2}}\n\n==External links==\n*[http://www.jewishsportsreview.com/ ''Jewish Sports Review'']\n\n[[Category:Sports magazines]]\n[[Category:Jewish magazines published in the United States]]\n[[Category:Magazines published in California]]" + }, + { + "revid": 361653919, + "parentid": 361653642, + "minor": true, + "user": "Epeefleche", + "userid": 1752945, + "timestamp": "2010-05-12T10:21:15Z", + "sha1": "90906afa6b2012c061f902345bdca5e6bd7ac936", + "comment": "Filling in 1 references using [[WP:REFLINKS|Reflinks]] | Script assisted date formatting | fixed [[MOS:DASH|dashes]] using a [[User:GregU/dashes.js|script]]", + "*": "{{Infobox magazine\n| title = Jewish Sports Review\n| image_file = \n| image_size = \n| image_alt = \n| image_caption = \n| editor = Ephraim Moxson; Shel Wallman\n| editor_title = Editors\n| previous_editor = \n| staff_writer = Neil Keller; Stan Ramati\n| frequency = Bi-monthly\n| circulation = \n| category = Jewish Sports\n| company = \n| publisher = Ephraim Moxson; Shel Wallman\n| firstdate = May–June 1997{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| country = U.S.\n| based = [[Los Angeles, California]]{{cite web|url=http://www.jewishsportsreview.com/About-Us.html |title=About Us |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| language = \n| website = [http://www.jewishsportsreview.com/ www.jewishsportsreview.com]\n| issn = \n}}\nThe '''''Jewish Sports Review''''' (''JSR'') is a bi-monthly magazine that was established in 1997.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite news|last=Solomon |first=John |url=http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html |title=Neighborhood Report – Upper West Side – Neighborhood Report – Upper West Side – Honoring, Yes, The Jewish Athlete |publisher=NYTimes.com |date=October 25, 1998 |accessdate=May 12, 2010}}{{cite web|url=http://theminaretonline.com/2010/04/28/article11429 |title=Breakdown of Tampa’s Star Designated Hitter Mike Schwartz | The Minaret |publisher=Theminaretonline.com |date=April 28, 2010 |accessdate=May 12, 2010}}{{cite web|author=Steve Rushin |url=http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm |title=There's burgeoning subculture of devoted sports fans for – 02.07.00 – SI Vault |publisher=Sportsillustrated.cnn.com |date=February 7, 2000 |accessdate=May 12, 2010}}{{cite web|last=Ziegel |first=Vic |url=http://www.nydailynews.com/archives/sports/2000/01/13/2000-01-13_film_recalls_greenberg_war_v.html |title=Film Recalls Greenberg War Vs. Pitchers, Prejudice |publisher=Nydailynews.com |date=January 13, 2000 |accessdate=May 12, 2010}} Its editors are Ephraim Moxson and Shel Wallman.\n\nThe magazine identifies which star and professional athletes are Jewish. It also covers and has all-time lists for Jewish players in major league baseball,{{cite web|url=http://www.taipeitimes.com/News/sport/archives/2009/07/03/2003447694 |title=archives |publisher=Taipei Times |date=July 3, 2009 |accessdate=May 12, 2010}}{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/04/16/arts/jewish_stars/doc4bc77d3bbc236279484076.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 4/16 |publisher=Cleveland Jewish News |date=April 16, 2010 |accessdate=May 12, 2010}} pro football,{{cite web|url=http://www.sanfranciscosentinel.com/?p=71276 |title=Blog Archives » SAN FRANCISCO 49ERS SELECT JEWISH SAFETY TAYLOR MAYS |publisher=San Francisco Sentinel |date=April 30, 2010 |accessdate=May 12, 2010}} pro basketball,{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/01/22/arts/jewish_stars/doc4b58c3eeb6312045104359.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 1/29 |publisher=Cleveland Jewish News |date=January 22, 2010 |accessdate=May 12, 2010}} and pro hockey;{{cite web|url=http://www.jweekly.com/article/full/41080/jews-and-mel-on-the-big-screen-winter-sports-roundup/ |title=Jews (and Mel) on the big screen, Winter sports roundup | j. the Jewish news weekly of Northern California |publisher=Jweekly.com |date=January 21, 2010 |accessdate=May 12, 2010}} selects Jewish All-America College teams in baseball,{{cite web|url=http://www.google.com/url?sa=t&source=news&oi=news_result&ct=res&cd=4&ved=0CDcQqQIwAw&url=http%3A%2F%2Fwww.courierpostonline.com%2Farticle%2F20100422%2FSPORTS%2F4220346%2F1002%2Fsports&ei=9lDqS4uYDoK0lQeMgYnVCg&usg=AFQjCNEQ36GdmOMaJjNLofkJY8EdQTlDmw&sig2=yfKr6QP7HgaJkNkgKGlnCQ |title=Hard work works for Kavitsky | courierpostonline.com | Courier-Post |publisher=Google.com |date=April 22, 2010 |accessdate=May 12, 2010}} football, basketball,{{cite web|url=http://bearsports.wustl.edu/releases/mbk5-6-10.html |title=Washington University Athletics |publisher=Bearsports.wustl.edu |date=May 6, 2010 |accessdate=May 12, 2010}} softball,{{cite web|url=http://www.northshoreoflongisland.com/Articles-i-2008-07-24-73420.113114_Jacobs_Kavitsky_honored_for_softball_efforts.html |title=Jacobs, Kavitsky honored for softball efforts |publisher=Northshoreoflongisland.com |date=July 25, 2008 |accessdate=May 12, 2010}} soccer,{{cite web|url=http://www.cstv.com/sports/w-soccer/stories/012705aaa.html |title=UAB Women's Soccer Player Pam Cooney Named To Jewish Sports Review 2004 Women's Soccer All-America Team :: Sophomore garners first-team honors |publisher=Cstv.com |date=January 27, 2005 |accessdate=May 12, 2010}} and lacrosse;{{cite web|url=http://media.www.thetriangle.org/media/storage/paper689/news/2004/08/20/Sports/Jewish.Sports.Review.Honors.Lacrosse.Player-703300.shtml |title=Jewish Sports Review honors lacrosse player – Sports |publisher=Media.www.thetriangle.org |date=August 20, 2004 |accessdate=May 12, 2010}} covers international athletic events;{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/02/12/arts/jewish_stars/doc4b74847fd85a4658916074.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 2/12 |publisher=Cleveland Jewish News |date=February 12, 2010 |accessdate=May 12, 2010}} selects high school Jewish All-America teams in basketball; and names the top graduating Jewish high school athletes.{{cite web|last=Casper |first=Joshua |url=http://www.jewishledger.com/articles/2004/03/24/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=March 24, 2004 |accessdate=May 12, 2010}} In addition, it covers \"minor sports\", such as boxing.{{cite news|last=Gray |first=Geoffrey |url=http://www.nytimes.com/2003/07/26/sports/boxing-one-fight-too-many-costs-boxer-his-life.html?pagewanted=1 |title=BOXING – BOXING – One Fight Too Many Costs Boxer His Life |publisher=NYTimes.com |date=July 26, 2003 |accessdate=May 12, 2010}} \n\nAs to his inspiration for launching the magazine, Wallman—speaking on a panel on Jews in baseball at the Cooperstown [[Baseball Hall of Fame]]—said: \"I was always curious to know who was Jewish as a kid. And there wasn't a list.\"{{cite web|last=Ephross |first=Peter |url=http://www.jewishledger.com/articles/2004/09/22/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=September 22, 2004 |accessdate=May 12, 2010}}\n\n==Jewish athletes==\nThe ''JSR'' provides information as to who is Jewish in the sports world, verifying the Jewish background of every athlete covered. \n\nWallman said: \"These days, most Jewish parents with a kid who has a good chance to play in the pros will encourage them,\" adding with a smile, \"You can always go to medical school afterward.\" \n\n===Criteria===\nThe ''JSR'''s criteria are that an athlete is Jewish if one of his parents is Jewish, he did not practice any other religion while he played, and he identified ethnically as a member of the Jewish community.{{cite web|url=http://njjewishnews.com/kaplanskorner/2008/11/05/the-phone-books-here-the-phone-books-here/ |title=“The phone book’s here, the phone book’s here!” * » Kaplan’s Korner on Jews and Sports |publisher=Njjewishnews.com |date=January 4, 2010 |accessdate=May 12, 2010}} If an athlete has a Jewish parent but was raised in, or converted to, another faith, or indicated to the ''JSR'' that he did not wish to be considered Jewish, he is excluded (even though under Jewish law he might be considered Jewish). Moxson indicates that [[David Beckham]] is not included, as only his mother's father is Jewish, and he doesn't identify himself as Jewish.{{cite web|last=Salkin |first=Allen |url=http://charlotte.creativeloafing.com/gyrobase/where_have_you_gone_sandy_koufax_/Content?oid=4463 |title=Where have you gone, Sandy Koufax? | Charlotte | News | Cover |publisher=Charlotte.creativeloafing.com |date= |accessdate=May 12, 2010}}\n\n===Verification===\nColumnist Nate Bloom described how the JSR researches whether an athlete is Jewish as follows:\n
\nEvery once in a while, the Review adds a player because he is clearly identified as Jewish in a very good news source like an interview. More often, they decide to contact a player (or a player's representative, or very close family member)--because of a tip or because the player has a \"Jewish sounding\" name. If they are told (by the player or his rep) that the player has one or more Jewish parents—they then inquire if the player was raised in and/or currently adheres to a faith other than Judaism. If the player answers \"yes\" to either of those questions—that ends the Review's inquiries and they don't cover the player. On the other hand, if they are told the player was raised Jewish or \"nothing\"--the Review then asks if the player has any objection to being identified as Jewish in the pages of the Review. If not, then they add him.{{cite web|last=Bloom |first=Nate |url=http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/Interfaith_Celebrities_Play_Ball.shtml?rd=2 |title=Interfaith Celebrities Play Ball |publisher=InterfaithFamily.com |date= |accessdate=May 12, 2010}}
\n\nThe magazine get tips on athletes from their subscribers, public relations directors for pro teams, school coaches, parents, and students. Wallman searches by phone and on the internet for top Jewish athletes in pro, college, and high school ranks. \n\nSome athletes are not \"obviously\" Jewish, such as former major league baseball player, [[Ruben Amaro, Jr.]] \n\nThe ''JSR'' also lists athletes frequently misidentified as Jewish, among them second baseman [[Rod Carew]] (\"never converted, although his children were raised Jewish\"), pitcher [[Mike LaCoss]] (\"born Marks, but took his stepfather's name and becomes irate when he is categorized as a Jew\"), and quarterback [[Rex Grossman]] (German-Catholic).{{cite web|url=http://www.nysun.com/sports/sports-desk-2007-02-06/48070/ |title=Sports Desk – February 6, 2007 – The New York Sun |publisher=Nysun.com |date=February 6, 2007 |accessdate=May 12, 2010}}\n\n==Baseball==\n[[File:KevinYouklis.jpg|left|thumb|222px|[[Kevin Youkilis]]]]\nIn 2009, as Jewish baseball players [[Ryan Braun]], [[Ian Kinsler]], and [[Kevin Youkilis]] were leading in voting for their positions on their [[2009 Major League Baseball All-Star Game|All Star teams]], the ''JSR'' noted that 160 Jews had played in the major leagues.{{cite web|url=http://www.bloomberg.com/apps/news?pid=20601079&sid=al9oTr_MYZKk |title=What Does It Mean for the Jews With Youkilis, Braun, Kinsler? |publisher=Bloomberg.com |date=July 2, 2009 |accessdate=May 12, 2010}} \n\nThe ''[[New York Daily News]]'' reported that according to the ''JSR'', there were almost three dozen Jews in baseball before [[Hank Greenberg]], but unlike Greenberg many had changed their names as they played in the majors. Michael Silverman changed his name to Baker, Rosenblum to Bennett, Lifsit to Bostwick, Solomon to Reese, and Makowsky to Markel. And Bohne, Cooney, Ewing, Kane, and Corey were all Cohens in the off-season. \n\nWhen the [[American Jewish Historical Society]] published a set of baseball cards of Jews in the major leagues (in conjunction with Major League Baseball and the Major League Baseball Players Association, and with the support of the National Baseball Hall of Fame and Museum), the project founder Martin Abramowitz of Jewish Major Leaguers Inc. relied on research by the ''JSR''.{{cite web|last=Lowenfish |first=Lee |url=http://www.forward.com/articles/6844/ |title=New Cards Mine Baseball’s Jewish Bench – The Jewish Daily Forward |publisher=Forward.com |date=March 24, 2006 |accessdate=May 12, 2010}}{{cite web|last=Cobb |first=Nathan |url=http://www.boston.com/news/globe/living/articles/2003/10/13/tribute_is_in_the_cards_for_jewish_ballplayers/ |title=/ News / Boston Globe / Living / Arts / Tribute is in the cards for Jewish ballplayers |publisher=Boston.com |date=October 13, 2003 |accessdate=May 12, 2010}} Also, when the [[Israel Baseball League]] was active, teams in it would recruit top college baseball players from the ''JSR'''s Jewish All-Americans in [[NCAA]] Divisions I, II, and III.{{cite web|last=Wieczorek |first=Allie |url=http://www.studlife.com/archives/Sports/2007/09/12/FromKellyFieldtotheFieldofDreams/ |title=From Kelly Field to the ‘Field of Dreams’ |publisher=Studlife.com |date=September 12, 2007 |accessdate=May 12, 2010}}\n\n==Basketball==\n[[File:Scheyer.jpg|right|thumb|180px|[[Jon Scheyer]]]]\nAfter \n[[Jon Scheyer]], later an [[2010 NCAA Men's Basketball All-Americans|All-American]] captain of the [[2009–10 Duke Blue Devils men's basketball team|2010 Duke national championship team]], led his high school team of five Jewish starters to an Illinois state championship, ''[[The Forward]]'' quoted Wallman as speculating that an all-Jewish starting lineup may have won a state title in the 1940s, but that it hadn’t happened in the recent past.\n\n==In the media==\nPeter Horvitz, in ''The Big Book of Jewish Sports Heroes: An Illustrated Compendium of Sports History and The 150 Greatest Jewish Sports Stars'' (2007), calls Wallman the \"best and most dependable source of up-to-date information on the subject\" of Jews in sports.{{cite web|url=http://books.google.com/books?id=voCnkWSOoRsC&pg=PA7&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDkQ6AEwAQ#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=The Big Book of Jewish Sports Heros ... – Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} Joseph Siegman, in his book ''Jewish sports legends: the International Jewish Hall of Fame'' (2005), listed Moxson as a distinguished authority on sports.{{cite web|url=http://books.google.com/books?id=oZxnNt28DhcC&pg=PA240&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CD4Q6AEwAg#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=Jewish sports legends: the ... – Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} ''[[The New York Times]]'' noted that the ''JSR'' \"aims to be rigorously comprehensive\". ''[[Sports Illustrated]]'' called the JSR \"tireless in its service mission\".\n\nThe ''JSR'' has been featured in ''Sports Illustrated'', ''The New York Times'', ''[[Los Angeles Times]]'', and ''[[Baltimore Sun]]''.\n\n==References==\n{{Reflist|2}}\n\n==External links==\n*[http://www.jewishsportsreview.com/ ''Jewish Sports Review'']\n\n[[Category:Sports magazines]]\n[[Category:Jewish magazines published in the United States]]\n[[Category:Magazines published in California]]" + }, + { + "revid": 361654049, + "parentid": 361653919, + "minor": true, + "user": "Epeefleche", + "userid": 1752945, + "timestamp": "2010-05-12T10:22:33Z", + "sha1": "f5591475a8aa2d58313b11beaed5881c6eacd9a7", + "comment": "Adding category [[:Category:Biweekly magazines]] (Redirect [[:Category:Bi-weekly magazines]] resolved) (using [[WP:HOTCAT|HotCat]])", + "*": "{{Infobox magazine\n| title = Jewish Sports Review\n| image_file = \n| image_size = \n| image_alt = \n| image_caption = \n| editor = Ephraim Moxson; Shel Wallman\n| editor_title = Editors\n| previous_editor = \n| staff_writer = Neil Keller; Stan Ramati\n| frequency = Bi-monthly\n| circulation = \n| category = Jewish Sports\n| company = \n| publisher = Ephraim Moxson; Shel Wallman\n| firstdate = May–June 1997{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| country = U.S.\n| based = [[Los Angeles, California]]{{cite web|url=http://www.jewishsportsreview.com/About-Us.html |title=About Us |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| language = \n| website = [http://www.jewishsportsreview.com/ www.jewishsportsreview.com]\n| issn = \n}}\nThe '''''Jewish Sports Review''''' (''JSR'') is a bi-monthly magazine that was established in 1997.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite news|last=Solomon |first=John |url=http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html |title=Neighborhood Report – Upper West Side – Neighborhood Report – Upper West Side – Honoring, Yes, The Jewish Athlete |publisher=NYTimes.com |date=October 25, 1998 |accessdate=May 12, 2010}}{{cite web|url=http://theminaretonline.com/2010/04/28/article11429 |title=Breakdown of Tampa’s Star Designated Hitter Mike Schwartz | The Minaret |publisher=Theminaretonline.com |date=April 28, 2010 |accessdate=May 12, 2010}}{{cite web|author=Steve Rushin |url=http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm |title=There's burgeoning subculture of devoted sports fans for – 02.07.00 – SI Vault |publisher=Sportsillustrated.cnn.com |date=February 7, 2000 |accessdate=May 12, 2010}}{{cite web|last=Ziegel |first=Vic |url=http://www.nydailynews.com/archives/sports/2000/01/13/2000-01-13_film_recalls_greenberg_war_v.html |title=Film Recalls Greenberg War Vs. Pitchers, Prejudice |publisher=Nydailynews.com |date=January 13, 2000 |accessdate=May 12, 2010}} Its editors are Ephraim Moxson and Shel Wallman.\n\nThe magazine identifies which star and professional athletes are Jewish. It also covers and has all-time lists for Jewish players in major league baseball,{{cite web|url=http://www.taipeitimes.com/News/sport/archives/2009/07/03/2003447694 |title=archives |publisher=Taipei Times |date=July 3, 2009 |accessdate=May 12, 2010}}{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/04/16/arts/jewish_stars/doc4bc77d3bbc236279484076.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 4/16 |publisher=Cleveland Jewish News |date=April 16, 2010 |accessdate=May 12, 2010}} pro football,{{cite web|url=http://www.sanfranciscosentinel.com/?p=71276 |title=Blog Archives » SAN FRANCISCO 49ERS SELECT JEWISH SAFETY TAYLOR MAYS |publisher=San Francisco Sentinel |date=April 30, 2010 |accessdate=May 12, 2010}} pro basketball,{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/01/22/arts/jewish_stars/doc4b58c3eeb6312045104359.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 1/29 |publisher=Cleveland Jewish News |date=January 22, 2010 |accessdate=May 12, 2010}} and pro hockey;{{cite web|url=http://www.jweekly.com/article/full/41080/jews-and-mel-on-the-big-screen-winter-sports-roundup/ |title=Jews (and Mel) on the big screen, Winter sports roundup | j. the Jewish news weekly of Northern California |publisher=Jweekly.com |date=January 21, 2010 |accessdate=May 12, 2010}} selects Jewish All-America College teams in baseball,{{cite web|url=http://www.google.com/url?sa=t&source=news&oi=news_result&ct=res&cd=4&ved=0CDcQqQIwAw&url=http%3A%2F%2Fwww.courierpostonline.com%2Farticle%2F20100422%2FSPORTS%2F4220346%2F1002%2Fsports&ei=9lDqS4uYDoK0lQeMgYnVCg&usg=AFQjCNEQ36GdmOMaJjNLofkJY8EdQTlDmw&sig2=yfKr6QP7HgaJkNkgKGlnCQ |title=Hard work works for Kavitsky | courierpostonline.com | Courier-Post |publisher=Google.com |date=April 22, 2010 |accessdate=May 12, 2010}} football, basketball,{{cite web|url=http://bearsports.wustl.edu/releases/mbk5-6-10.html |title=Washington University Athletics |publisher=Bearsports.wustl.edu |date=May 6, 2010 |accessdate=May 12, 2010}} softball,{{cite web|url=http://www.northshoreoflongisland.com/Articles-i-2008-07-24-73420.113114_Jacobs_Kavitsky_honored_for_softball_efforts.html |title=Jacobs, Kavitsky honored for softball efforts |publisher=Northshoreoflongisland.com |date=July 25, 2008 |accessdate=May 12, 2010}} soccer,{{cite web|url=http://www.cstv.com/sports/w-soccer/stories/012705aaa.html |title=UAB Women's Soccer Player Pam Cooney Named To Jewish Sports Review 2004 Women's Soccer All-America Team :: Sophomore garners first-team honors |publisher=Cstv.com |date=January 27, 2005 |accessdate=May 12, 2010}} and lacrosse;{{cite web|url=http://media.www.thetriangle.org/media/storage/paper689/news/2004/08/20/Sports/Jewish.Sports.Review.Honors.Lacrosse.Player-703300.shtml |title=Jewish Sports Review honors lacrosse player – Sports |publisher=Media.www.thetriangle.org |date=August 20, 2004 |accessdate=May 12, 2010}} covers international athletic events;{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/02/12/arts/jewish_stars/doc4b74847fd85a4658916074.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 2/12 |publisher=Cleveland Jewish News |date=February 12, 2010 |accessdate=May 12, 2010}} selects high school Jewish All-America teams in basketball; and names the top graduating Jewish high school athletes.{{cite web|last=Casper |first=Joshua |url=http://www.jewishledger.com/articles/2004/03/24/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=March 24, 2004 |accessdate=May 12, 2010}} In addition, it covers \"minor sports\", such as boxing.{{cite news|last=Gray |first=Geoffrey |url=http://www.nytimes.com/2003/07/26/sports/boxing-one-fight-too-many-costs-boxer-his-life.html?pagewanted=1 |title=BOXING – BOXING – One Fight Too Many Costs Boxer His Life |publisher=NYTimes.com |date=July 26, 2003 |accessdate=May 12, 2010}} \n\nAs to his inspiration for launching the magazine, Wallman—speaking on a panel on Jews in baseball at the Cooperstown [[Baseball Hall of Fame]]—said: \"I was always curious to know who was Jewish as a kid. And there wasn't a list.\"{{cite web|last=Ephross |first=Peter |url=http://www.jewishledger.com/articles/2004/09/22/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=September 22, 2004 |accessdate=May 12, 2010}}\n\n==Jewish athletes==\nThe ''JSR'' provides information as to who is Jewish in the sports world, verifying the Jewish background of every athlete covered. \n\nWallman said: \"These days, most Jewish parents with a kid who has a good chance to play in the pros will encourage them,\" adding with a smile, \"You can always go to medical school afterward.\" \n\n===Criteria===\nThe ''JSR'''s criteria are that an athlete is Jewish if one of his parents is Jewish, he did not practice any other religion while he played, and he identified ethnically as a member of the Jewish community.{{cite web|url=http://njjewishnews.com/kaplanskorner/2008/11/05/the-phone-books-here-the-phone-books-here/ |title=“The phone book’s here, the phone book’s here!” * » Kaplan’s Korner on Jews and Sports |publisher=Njjewishnews.com |date=January 4, 2010 |accessdate=May 12, 2010}} If an athlete has a Jewish parent but was raised in, or converted to, another faith, or indicated to the ''JSR'' that he did not wish to be considered Jewish, he is excluded (even though under Jewish law he might be considered Jewish). Moxson indicates that [[David Beckham]] is not included, as only his mother's father is Jewish, and he doesn't identify himself as Jewish.{{cite web|last=Salkin |first=Allen |url=http://charlotte.creativeloafing.com/gyrobase/where_have_you_gone_sandy_koufax_/Content?oid=4463 |title=Where have you gone, Sandy Koufax? | Charlotte | News | Cover |publisher=Charlotte.creativeloafing.com |date= |accessdate=May 12, 2010}}\n\n===Verification===\nColumnist Nate Bloom described how the JSR researches whether an athlete is Jewish as follows:\n
\nEvery once in a while, the Review adds a player because he is clearly identified as Jewish in a very good news source like an interview. More often, they decide to contact a player (or a player's representative, or very close family member)--because of a tip or because the player has a \"Jewish sounding\" name. If they are told (by the player or his rep) that the player has one or more Jewish parents—they then inquire if the player was raised in and/or currently adheres to a faith other than Judaism. If the player answers \"yes\" to either of those questions—that ends the Review's inquiries and they don't cover the player. On the other hand, if they are told the player was raised Jewish or \"nothing\"--the Review then asks if the player has any objection to being identified as Jewish in the pages of the Review. If not, then they add him.{{cite web|last=Bloom |first=Nate |url=http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/Interfaith_Celebrities_Play_Ball.shtml?rd=2 |title=Interfaith Celebrities Play Ball |publisher=InterfaithFamily.com |date= |accessdate=May 12, 2010}}
\n\nThe magazine get tips on athletes from their subscribers, public relations directors for pro teams, school coaches, parents, and students. Wallman searches by phone and on the internet for top Jewish athletes in pro, college, and high school ranks. \n\nSome athletes are not \"obviously\" Jewish, such as former major league baseball player, [[Ruben Amaro, Jr.]] \n\nThe ''JSR'' also lists athletes frequently misidentified as Jewish, among them second baseman [[Rod Carew]] (\"never converted, although his children were raised Jewish\"), pitcher [[Mike LaCoss]] (\"born Marks, but took his stepfather's name and becomes irate when he is categorized as a Jew\"), and quarterback [[Rex Grossman]] (German-Catholic).{{cite web|url=http://www.nysun.com/sports/sports-desk-2007-02-06/48070/ |title=Sports Desk – February 6, 2007 – The New York Sun |publisher=Nysun.com |date=February 6, 2007 |accessdate=May 12, 2010}}\n\n==Baseball==\n[[File:KevinYouklis.jpg|left|thumb|222px|[[Kevin Youkilis]]]]\nIn 2009, as Jewish baseball players [[Ryan Braun]], [[Ian Kinsler]], and [[Kevin Youkilis]] were leading in voting for their positions on their [[2009 Major League Baseball All-Star Game|All Star teams]], the ''JSR'' noted that 160 Jews had played in the major leagues.{{cite web|url=http://www.bloomberg.com/apps/news?pid=20601079&sid=al9oTr_MYZKk |title=What Does It Mean for the Jews With Youkilis, Braun, Kinsler? |publisher=Bloomberg.com |date=July 2, 2009 |accessdate=May 12, 2010}} \n\nThe ''[[New York Daily News]]'' reported that according to the ''JSR'', there were almost three dozen Jews in baseball before [[Hank Greenberg]], but unlike Greenberg many had changed their names as they played in the majors. Michael Silverman changed his name to Baker, Rosenblum to Bennett, Lifsit to Bostwick, Solomon to Reese, and Makowsky to Markel. And Bohne, Cooney, Ewing, Kane, and Corey were all Cohens in the off-season. \n\nWhen the [[American Jewish Historical Society]] published a set of baseball cards of Jews in the major leagues (in conjunction with Major League Baseball and the Major League Baseball Players Association, and with the support of the National Baseball Hall of Fame and Museum), the project founder Martin Abramowitz of Jewish Major Leaguers Inc. relied on research by the ''JSR''.{{cite web|last=Lowenfish |first=Lee |url=http://www.forward.com/articles/6844/ |title=New Cards Mine Baseball’s Jewish Bench – The Jewish Daily Forward |publisher=Forward.com |date=March 24, 2006 |accessdate=May 12, 2010}}{{cite web|last=Cobb |first=Nathan |url=http://www.boston.com/news/globe/living/articles/2003/10/13/tribute_is_in_the_cards_for_jewish_ballplayers/ |title=/ News / Boston Globe / Living / Arts / Tribute is in the cards for Jewish ballplayers |publisher=Boston.com |date=October 13, 2003 |accessdate=May 12, 2010}} Also, when the [[Israel Baseball League]] was active, teams in it would recruit top college baseball players from the ''JSR'''s Jewish All-Americans in [[NCAA]] Divisions I, II, and III.{{cite web|last=Wieczorek |first=Allie |url=http://www.studlife.com/archives/Sports/2007/09/12/FromKellyFieldtotheFieldofDreams/ |title=From Kelly Field to the ‘Field of Dreams’ |publisher=Studlife.com |date=September 12, 2007 |accessdate=May 12, 2010}}\n\n==Basketball==\n[[File:Scheyer.jpg|right|thumb|180px|[[Jon Scheyer]]]]\nAfter \n[[Jon Scheyer]], later an [[2010 NCAA Men's Basketball All-Americans|All-American]] captain of the [[2009–10 Duke Blue Devils men's basketball team|2010 Duke national championship team]], led his high school team of five Jewish starters to an Illinois state championship, ''[[The Forward]]'' quoted Wallman as speculating that an all-Jewish starting lineup may have won a state title in the 1940s, but that it hadn’t happened in the recent past.\n\n==In the media==\nPeter Horvitz, in ''The Big Book of Jewish Sports Heroes: An Illustrated Compendium of Sports History and The 150 Greatest Jewish Sports Stars'' (2007), calls Wallman the \"best and most dependable source of up-to-date information on the subject\" of Jews in sports.{{cite web|url=http://books.google.com/books?id=voCnkWSOoRsC&pg=PA7&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDkQ6AEwAQ#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=The Big Book of Jewish Sports Heros ... – Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} Joseph Siegman, in his book ''Jewish sports legends: the International Jewish Hall of Fame'' (2005), listed Moxson as a distinguished authority on sports.{{cite web|url=http://books.google.com/books?id=oZxnNt28DhcC&pg=PA240&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CD4Q6AEwAg#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=Jewish sports legends: the ... – Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} ''[[The New York Times]]'' noted that the ''JSR'' \"aims to be rigorously comprehensive\". ''[[Sports Illustrated]]'' called the JSR \"tireless in its service mission\".\n\nThe ''JSR'' has been featured in ''Sports Illustrated'', ''The New York Times'', ''[[Los Angeles Times]]'', and ''[[Baltimore Sun]]''.\n\n==References==\n{{Reflist|2}}\n\n==External links==\n*[http://www.jewishsportsreview.com/ ''Jewish Sports Review'']\n\n[[Category:Sports magazines]]\n[[Category:Jewish magazines published in the United States]]\n[[Category:Magazines published in California]]\n[[Category:Biweekly magazines]]" + }, + { + "revid": 361654123, + "parentid": 361654049, + "minor": true, + "user": "Epeefleche", + "userid": 1752945, + "timestamp": "2010-05-12T10:23:18Z", + "sha1": "6101dafdcbc02337826ca50ded12a0704280d13d", + "comment": "Adding category [[:Category:Magazines established in 1997]] (using [[WP:HOTCAT|HotCat]])", + "*": "{{Infobox magazine\n| title = Jewish Sports Review\n| image_file = \n| image_size = \n| image_alt = \n| image_caption = \n| editor = Ephraim Moxson; Shel Wallman\n| editor_title = Editors\n| previous_editor = \n| staff_writer = Neil Keller; Stan Ramati\n| frequency = Bi-monthly\n| circulation = \n| category = Jewish Sports\n| company = \n| publisher = Ephraim Moxson; Shel Wallman\n| firstdate = May–June 1997{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| country = U.S.\n| based = [[Los Angeles, California]]{{cite web|url=http://www.jewishsportsreview.com/About-Us.html |title=About Us |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| language = \n| website = [http://www.jewishsportsreview.com/ www.jewishsportsreview.com]\n| issn = \n}}\nThe '''''Jewish Sports Review''''' (''JSR'') is a bi-monthly magazine that was established in 1997.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite news|last=Solomon |first=John |url=http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html |title=Neighborhood Report – Upper West Side – Neighborhood Report – Upper West Side – Honoring, Yes, The Jewish Athlete |publisher=NYTimes.com |date=October 25, 1998 |accessdate=May 12, 2010}}{{cite web|url=http://theminaretonline.com/2010/04/28/article11429 |title=Breakdown of Tampa’s Star Designated Hitter Mike Schwartz | The Minaret |publisher=Theminaretonline.com |date=April 28, 2010 |accessdate=May 12, 2010}}{{cite web|author=Steve Rushin |url=http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm |title=There's burgeoning subculture of devoted sports fans for – 02.07.00 – SI Vault |publisher=Sportsillustrated.cnn.com |date=February 7, 2000 |accessdate=May 12, 2010}}{{cite web|last=Ziegel |first=Vic |url=http://www.nydailynews.com/archives/sports/2000/01/13/2000-01-13_film_recalls_greenberg_war_v.html |title=Film Recalls Greenberg War Vs. Pitchers, Prejudice |publisher=Nydailynews.com |date=January 13, 2000 |accessdate=May 12, 2010}} Its editors are Ephraim Moxson and Shel Wallman.\n\nThe magazine identifies which star and professional athletes are Jewish. It also covers and has all-time lists for Jewish players in major league baseball,{{cite web|url=http://www.taipeitimes.com/News/sport/archives/2009/07/03/2003447694 |title=archives |publisher=Taipei Times |date=July 3, 2009 |accessdate=May 12, 2010}}{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/04/16/arts/jewish_stars/doc4bc77d3bbc236279484076.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 4/16 |publisher=Cleveland Jewish News |date=April 16, 2010 |accessdate=May 12, 2010}} pro football,{{cite web|url=http://www.sanfranciscosentinel.com/?p=71276 |title=Blog Archives » SAN FRANCISCO 49ERS SELECT JEWISH SAFETY TAYLOR MAYS |publisher=San Francisco Sentinel |date=April 30, 2010 |accessdate=May 12, 2010}} pro basketball,{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/01/22/arts/jewish_stars/doc4b58c3eeb6312045104359.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 1/29 |publisher=Cleveland Jewish News |date=January 22, 2010 |accessdate=May 12, 2010}} and pro hockey;{{cite web|url=http://www.jweekly.com/article/full/41080/jews-and-mel-on-the-big-screen-winter-sports-roundup/ |title=Jews (and Mel) on the big screen, Winter sports roundup | j. the Jewish news weekly of Northern California |publisher=Jweekly.com |date=January 21, 2010 |accessdate=May 12, 2010}} selects Jewish All-America College teams in baseball,{{cite web|url=http://www.google.com/url?sa=t&source=news&oi=news_result&ct=res&cd=4&ved=0CDcQqQIwAw&url=http%3A%2F%2Fwww.courierpostonline.com%2Farticle%2F20100422%2FSPORTS%2F4220346%2F1002%2Fsports&ei=9lDqS4uYDoK0lQeMgYnVCg&usg=AFQjCNEQ36GdmOMaJjNLofkJY8EdQTlDmw&sig2=yfKr6QP7HgaJkNkgKGlnCQ |title=Hard work works for Kavitsky | courierpostonline.com | Courier-Post |publisher=Google.com |date=April 22, 2010 |accessdate=May 12, 2010}} football, basketball,{{cite web|url=http://bearsports.wustl.edu/releases/mbk5-6-10.html |title=Washington University Athletics |publisher=Bearsports.wustl.edu |date=May 6, 2010 |accessdate=May 12, 2010}} softball,{{cite web|url=http://www.northshoreoflongisland.com/Articles-i-2008-07-24-73420.113114_Jacobs_Kavitsky_honored_for_softball_efforts.html |title=Jacobs, Kavitsky honored for softball efforts |publisher=Northshoreoflongisland.com |date=July 25, 2008 |accessdate=May 12, 2010}} soccer,{{cite web|url=http://www.cstv.com/sports/w-soccer/stories/012705aaa.html |title=UAB Women's Soccer Player Pam Cooney Named To Jewish Sports Review 2004 Women's Soccer All-America Team :: Sophomore garners first-team honors |publisher=Cstv.com |date=January 27, 2005 |accessdate=May 12, 2010}} and lacrosse;{{cite web|url=http://media.www.thetriangle.org/media/storage/paper689/news/2004/08/20/Sports/Jewish.Sports.Review.Honors.Lacrosse.Player-703300.shtml |title=Jewish Sports Review honors lacrosse player – Sports |publisher=Media.www.thetriangle.org |date=August 20, 2004 |accessdate=May 12, 2010}} covers international athletic events;{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/02/12/arts/jewish_stars/doc4b74847fd85a4658916074.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 2/12 |publisher=Cleveland Jewish News |date=February 12, 2010 |accessdate=May 12, 2010}} selects high school Jewish All-America teams in basketball; and names the top graduating Jewish high school athletes.{{cite web|last=Casper |first=Joshua |url=http://www.jewishledger.com/articles/2004/03/24/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=March 24, 2004 |accessdate=May 12, 2010}} In addition, it covers \"minor sports\", such as boxing.{{cite news|last=Gray |first=Geoffrey |url=http://www.nytimes.com/2003/07/26/sports/boxing-one-fight-too-many-costs-boxer-his-life.html?pagewanted=1 |title=BOXING – BOXING – One Fight Too Many Costs Boxer His Life |publisher=NYTimes.com |date=July 26, 2003 |accessdate=May 12, 2010}} \n\nAs to his inspiration for launching the magazine, Wallman—speaking on a panel on Jews in baseball at the Cooperstown [[Baseball Hall of Fame]]—said: \"I was always curious to know who was Jewish as a kid. And there wasn't a list.\"{{cite web|last=Ephross |first=Peter |url=http://www.jewishledger.com/articles/2004/09/22/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=September 22, 2004 |accessdate=May 12, 2010}}\n\n==Jewish athletes==\nThe ''JSR'' provides information as to who is Jewish in the sports world, verifying the Jewish background of every athlete covered. \n\nWallman said: \"These days, most Jewish parents with a kid who has a good chance to play in the pros will encourage them,\" adding with a smile, \"You can always go to medical school afterward.\" \n\n===Criteria===\nThe ''JSR'''s criteria are that an athlete is Jewish if one of his parents is Jewish, he did not practice any other religion while he played, and he identified ethnically as a member of the Jewish community.{{cite web|url=http://njjewishnews.com/kaplanskorner/2008/11/05/the-phone-books-here-the-phone-books-here/ |title=“The phone book’s here, the phone book’s here!” * » Kaplan’s Korner on Jews and Sports |publisher=Njjewishnews.com |date=January 4, 2010 |accessdate=May 12, 2010}} If an athlete has a Jewish parent but was raised in, or converted to, another faith, or indicated to the ''JSR'' that he did not wish to be considered Jewish, he is excluded (even though under Jewish law he might be considered Jewish). Moxson indicates that [[David Beckham]] is not included, as only his mother's father is Jewish, and he doesn't identify himself as Jewish.{{cite web|last=Salkin |first=Allen |url=http://charlotte.creativeloafing.com/gyrobase/where_have_you_gone_sandy_koufax_/Content?oid=4463 |title=Where have you gone, Sandy Koufax? | Charlotte | News | Cover |publisher=Charlotte.creativeloafing.com |date= |accessdate=May 12, 2010}}\n\n===Verification===\nColumnist Nate Bloom described how the JSR researches whether an athlete is Jewish as follows:\n
\nEvery once in a while, the Review adds a player because he is clearly identified as Jewish in a very good news source like an interview. More often, they decide to contact a player (or a player's representative, or very close family member)--because of a tip or because the player has a \"Jewish sounding\" name. If they are told (by the player or his rep) that the player has one or more Jewish parents—they then inquire if the player was raised in and/or currently adheres to a faith other than Judaism. If the player answers \"yes\" to either of those questions—that ends the Review's inquiries and they don't cover the player. On the other hand, if they are told the player was raised Jewish or \"nothing\"--the Review then asks if the player has any objection to being identified as Jewish in the pages of the Review. If not, then they add him.{{cite web|last=Bloom |first=Nate |url=http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/Interfaith_Celebrities_Play_Ball.shtml?rd=2 |title=Interfaith Celebrities Play Ball |publisher=InterfaithFamily.com |date= |accessdate=May 12, 2010}}
\n\nThe magazine get tips on athletes from their subscribers, public relations directors for pro teams, school coaches, parents, and students. Wallman searches by phone and on the internet for top Jewish athletes in pro, college, and high school ranks. \n\nSome athletes are not \"obviously\" Jewish, such as former major league baseball player, [[Ruben Amaro, Jr.]] \n\nThe ''JSR'' also lists athletes frequently misidentified as Jewish, among them second baseman [[Rod Carew]] (\"never converted, although his children were raised Jewish\"), pitcher [[Mike LaCoss]] (\"born Marks, but took his stepfather's name and becomes irate when he is categorized as a Jew\"), and quarterback [[Rex Grossman]] (German-Catholic).{{cite web|url=http://www.nysun.com/sports/sports-desk-2007-02-06/48070/ |title=Sports Desk – February 6, 2007 – The New York Sun |publisher=Nysun.com |date=February 6, 2007 |accessdate=May 12, 2010}}\n\n==Baseball==\n[[File:KevinYouklis.jpg|left|thumb|222px|[[Kevin Youkilis]]]]\nIn 2009, as Jewish baseball players [[Ryan Braun]], [[Ian Kinsler]], and [[Kevin Youkilis]] were leading in voting for their positions on their [[2009 Major League Baseball All-Star Game|All Star teams]], the ''JSR'' noted that 160 Jews had played in the major leagues.{{cite web|url=http://www.bloomberg.com/apps/news?pid=20601079&sid=al9oTr_MYZKk |title=What Does It Mean for the Jews With Youkilis, Braun, Kinsler? |publisher=Bloomberg.com |date=July 2, 2009 |accessdate=May 12, 2010}} \n\nThe ''[[New York Daily News]]'' reported that according to the ''JSR'', there were almost three dozen Jews in baseball before [[Hank Greenberg]], but unlike Greenberg many had changed their names as they played in the majors. Michael Silverman changed his name to Baker, Rosenblum to Bennett, Lifsit to Bostwick, Solomon to Reese, and Makowsky to Markel. And Bohne, Cooney, Ewing, Kane, and Corey were all Cohens in the off-season. \n\nWhen the [[American Jewish Historical Society]] published a set of baseball cards of Jews in the major leagues (in conjunction with Major League Baseball and the Major League Baseball Players Association, and with the support of the National Baseball Hall of Fame and Museum), the project founder Martin Abramowitz of Jewish Major Leaguers Inc. relied on research by the ''JSR''.{{cite web|last=Lowenfish |first=Lee |url=http://www.forward.com/articles/6844/ |title=New Cards Mine Baseball’s Jewish Bench – The Jewish Daily Forward |publisher=Forward.com |date=March 24, 2006 |accessdate=May 12, 2010}}{{cite web|last=Cobb |first=Nathan |url=http://www.boston.com/news/globe/living/articles/2003/10/13/tribute_is_in_the_cards_for_jewish_ballplayers/ |title=/ News / Boston Globe / Living / Arts / Tribute is in the cards for Jewish ballplayers |publisher=Boston.com |date=October 13, 2003 |accessdate=May 12, 2010}} Also, when the [[Israel Baseball League]] was active, teams in it would recruit top college baseball players from the ''JSR'''s Jewish All-Americans in [[NCAA]] Divisions I, II, and III.{{cite web|last=Wieczorek |first=Allie |url=http://www.studlife.com/archives/Sports/2007/09/12/FromKellyFieldtotheFieldofDreams/ |title=From Kelly Field to the ‘Field of Dreams’ |publisher=Studlife.com |date=September 12, 2007 |accessdate=May 12, 2010}}\n\n==Basketball==\n[[File:Scheyer.jpg|right|thumb|180px|[[Jon Scheyer]]]]\nAfter \n[[Jon Scheyer]], later an [[2010 NCAA Men's Basketball All-Americans|All-American]] captain of the [[2009–10 Duke Blue Devils men's basketball team|2010 Duke national championship team]], led his high school team of five Jewish starters to an Illinois state championship, ''[[The Forward]]'' quoted Wallman as speculating that an all-Jewish starting lineup may have won a state title in the 1940s, but that it hadn’t happened in the recent past.\n\n==In the media==\nPeter Horvitz, in ''The Big Book of Jewish Sports Heroes: An Illustrated Compendium of Sports History and The 150 Greatest Jewish Sports Stars'' (2007), calls Wallman the \"best and most dependable source of up-to-date information on the subject\" of Jews in sports.{{cite web|url=http://books.google.com/books?id=voCnkWSOoRsC&pg=PA7&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDkQ6AEwAQ#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=The Big Book of Jewish Sports Heros ... – Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} Joseph Siegman, in his book ''Jewish sports legends: the International Jewish Hall of Fame'' (2005), listed Moxson as a distinguished authority on sports.{{cite web|url=http://books.google.com/books?id=oZxnNt28DhcC&pg=PA240&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CD4Q6AEwAg#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=Jewish sports legends: the ... – Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} ''[[The New York Times]]'' noted that the ''JSR'' \"aims to be rigorously comprehensive\". ''[[Sports Illustrated]]'' called the JSR \"tireless in its service mission\".\n\nThe ''JSR'' has been featured in ''Sports Illustrated'', ''The New York Times'', ''[[Los Angeles Times]]'', and ''[[Baltimore Sun]]''.\n\n==References==\n{{Reflist|2}}\n\n==External links==\n*[http://www.jewishsportsreview.com/ ''Jewish Sports Review'']\n\n[[Category:Sports magazines]]\n[[Category:Jewish magazines published in the United States]]\n[[Category:Magazines published in California]]\n[[Category:Biweekly magazines]]\n[[Category:Magazines established in 1997]]" + }, + { + "revid": 365180184, + "parentid": 361654123, + "minor": false, + "user": "Epeefleche", + "userid": 1752945, + "timestamp": "2010-05-31T08:32:54Z", + "sha1": "f0e629fa6887e1b88f86b62ca42352dff7bc479a", + "comment": "/* In the media */ add sa", + "*": "{{Infobox magazine\n| title = Jewish Sports Review\n| image_file = \n| image_size = \n| image_alt = \n| image_caption = \n| editor = Ephraim Moxson; Shel Wallman\n| editor_title = Editors\n| previous_editor = \n| staff_writer = Neil Keller; Stan Ramati\n| frequency = Bi-monthly\n| circulation = \n| category = Jewish Sports\n| company = \n| publisher = Ephraim Moxson; Shel Wallman\n| firstdate = May–June 1997{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| country = U.S.\n| based = [[Los Angeles, California]]{{cite web|url=http://www.jewishsportsreview.com/About-Us.html |title=About Us |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| language = \n| website = [http://www.jewishsportsreview.com/ www.jewishsportsreview.com]\n| issn = \n}}\nThe '''''Jewish Sports Review''''' (''JSR'') is a bi-monthly magazine that was established in 1997.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite news|last=Solomon |first=John |url=http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html |title=Neighborhood Report – Upper West Side – Neighborhood Report – Upper West Side – Honoring, Yes, The Jewish Athlete |publisher=NYTimes.com |date=October 25, 1998 |accessdate=May 12, 2010}}{{cite web|url=http://theminaretonline.com/2010/04/28/article11429 |title=Breakdown of Tampa’s Star Designated Hitter Mike Schwartz | The Minaret |publisher=Theminaretonline.com |date=April 28, 2010 |accessdate=May 12, 2010}}{{cite web|author=Steve Rushin |url=http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm |title=There's burgeoning subculture of devoted sports fans for – 02.07.00 – SI Vault |publisher=Sportsillustrated.cnn.com |date=February 7, 2000 |accessdate=May 12, 2010}}{{cite web|last=Ziegel |first=Vic |url=http://www.nydailynews.com/archives/sports/2000/01/13/2000-01-13_film_recalls_greenberg_war_v.html |title=Film Recalls Greenberg War Vs. Pitchers, Prejudice |publisher=Nydailynews.com |date=January 13, 2000 |accessdate=May 12, 2010}} Its editors are Ephraim Moxson and Shel Wallman.\n\nThe magazine identifies which star and professional athletes are Jewish. It also covers and has all-time lists for Jewish players in major league baseball,{{cite web|url=http://www.taipeitimes.com/News/sport/archives/2009/07/03/2003447694 |title=archives |publisher=Taipei Times |date=July 3, 2009 |accessdate=May 12, 2010}}{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/04/16/arts/jewish_stars/doc4bc77d3bbc236279484076.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 4/16 |publisher=Cleveland Jewish News |date=April 16, 2010 |accessdate=May 12, 2010}} pro football,{{cite web|url=http://www.sanfranciscosentinel.com/?p=71276 |title=Blog Archives » SAN FRANCISCO 49ERS SELECT JEWISH SAFETY TAYLOR MAYS |publisher=San Francisco Sentinel |date=April 30, 2010 |accessdate=May 12, 2010}} pro basketball,{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/01/22/arts/jewish_stars/doc4b58c3eeb6312045104359.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 1/29 |publisher=Cleveland Jewish News |date=January 22, 2010 |accessdate=May 12, 2010}} and pro hockey;{{cite web|url=http://www.jweekly.com/article/full/41080/jews-and-mel-on-the-big-screen-winter-sports-roundup/ |title=Jews (and Mel) on the big screen, Winter sports roundup | j. the Jewish news weekly of Northern California |publisher=Jweekly.com |date=January 21, 2010 |accessdate=May 12, 2010}} selects Jewish All-America College teams in baseball,{{cite web|url=http://www.google.com/url?sa=t&source=news&oi=news_result&ct=res&cd=4&ved=0CDcQqQIwAw&url=http%3A%2F%2Fwww.courierpostonline.com%2Farticle%2F20100422%2FSPORTS%2F4220346%2F1002%2Fsports&ei=9lDqS4uYDoK0lQeMgYnVCg&usg=AFQjCNEQ36GdmOMaJjNLofkJY8EdQTlDmw&sig2=yfKr6QP7HgaJkNkgKGlnCQ |title=Hard work works for Kavitsky | courierpostonline.com | Courier-Post |publisher=Google.com |date=April 22, 2010 |accessdate=May 12, 2010}} football, basketball,{{cite web|url=http://bearsports.wustl.edu/releases/mbk5-6-10.html |title=Washington University Athletics |publisher=Bearsports.wustl.edu |date=May 6, 2010 |accessdate=May 12, 2010}} softball,{{cite web|url=http://www.northshoreoflongisland.com/Articles-i-2008-07-24-73420.113114_Jacobs_Kavitsky_honored_for_softball_efforts.html |title=Jacobs, Kavitsky honored for softball efforts |publisher=Northshoreoflongisland.com |date=July 25, 2008 |accessdate=May 12, 2010}} soccer,{{cite web|url=http://www.cstv.com/sports/w-soccer/stories/012705aaa.html |title=UAB Women's Soccer Player Pam Cooney Named To Jewish Sports Review 2004 Women's Soccer All-America Team :: Sophomore garners first-team honors |publisher=Cstv.com |date=January 27, 2005 |accessdate=May 12, 2010}} and lacrosse;{{cite web|url=http://media.www.thetriangle.org/media/storage/paper689/news/2004/08/20/Sports/Jewish.Sports.Review.Honors.Lacrosse.Player-703300.shtml |title=Jewish Sports Review honors lacrosse player – Sports |publisher=Media.www.thetriangle.org |date=August 20, 2004 |accessdate=May 12, 2010}} covers international athletic events;{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/02/12/arts/jewish_stars/doc4b74847fd85a4658916074.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 2/12 |publisher=Cleveland Jewish News |date=February 12, 2010 |accessdate=May 12, 2010}} selects high school Jewish All-America teams in basketball; and names the top graduating Jewish high school athletes.{{cite web|last=Casper |first=Joshua |url=http://www.jewishledger.com/articles/2004/03/24/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=March 24, 2004 |accessdate=May 12, 2010}} In addition, it covers \"minor sports\", such as boxing.{{cite news|last=Gray |first=Geoffrey |url=http://www.nytimes.com/2003/07/26/sports/boxing-one-fight-too-many-costs-boxer-his-life.html?pagewanted=1 |title=BOXING – BOXING – One Fight Too Many Costs Boxer His Life |publisher=NYTimes.com |date=July 26, 2003 |accessdate=May 12, 2010}} \n\nAs to his inspiration for launching the magazine, Wallman—speaking on a panel on Jews in baseball at the Cooperstown [[Baseball Hall of Fame]]—said: \"I was always curious to know who was Jewish as a kid. And there wasn't a list.\"{{cite web|last=Ephross |first=Peter |url=http://www.jewishledger.com/articles/2004/09/22/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=September 22, 2004 |accessdate=May 12, 2010}}\n\n==Jewish athletes==\nThe ''JSR'' provides information as to who is Jewish in the sports world, verifying the Jewish background of every athlete covered. \n\nWallman said: \"These days, most Jewish parents with a kid who has a good chance to play in the pros will encourage them,\" adding with a smile, \"You can always go to medical school afterward.\" \n\n===Criteria===\nThe ''JSR'''s criteria are that an athlete is Jewish if one of his parents is Jewish, he did not practice any other religion while he played, and he identified ethnically as a member of the Jewish community.{{cite web|url=http://njjewishnews.com/kaplanskorner/2008/11/05/the-phone-books-here-the-phone-books-here/ |title=“The phone book’s here, the phone book’s here!” * » Kaplan’s Korner on Jews and Sports |publisher=Njjewishnews.com |date=January 4, 2010 |accessdate=May 12, 2010}} If an athlete has a Jewish parent but was raised in, or converted to, another faith, or indicated to the ''JSR'' that he did not wish to be considered Jewish, he is excluded (even though under Jewish law he might be considered Jewish). Moxson indicates that [[David Beckham]] is not included, as only his mother's father is Jewish, and he doesn't identify himself as Jewish.{{cite web|last=Salkin |first=Allen |url=http://charlotte.creativeloafing.com/gyrobase/where_have_you_gone_sandy_koufax_/Content?oid=4463 |title=Where have you gone, Sandy Koufax? | Charlotte | News | Cover |publisher=Charlotte.creativeloafing.com |date= |accessdate=May 12, 2010}}\n\n===Verification===\nColumnist Nate Bloom described how the JSR researches whether an athlete is Jewish as follows:\n
\nEvery once in a while, the Review adds a player because he is clearly identified as Jewish in a very good news source like an interview. More often, they decide to contact a player (or a player's representative, or very close family member)--because of a tip or because the player has a \"Jewish sounding\" name. If they are told (by the player or his rep) that the player has one or more Jewish parents—they then inquire if the player was raised in and/or currently adheres to a faith other than Judaism. If the player answers \"yes\" to either of those questions—that ends the Review's inquiries and they don't cover the player. On the other hand, if they are told the player was raised Jewish or \"nothing\"--the Review then asks if the player has any objection to being identified as Jewish in the pages of the Review. If not, then they add him.{{cite web|last=Bloom |first=Nate |url=http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/Interfaith_Celebrities_Play_Ball.shtml?rd=2 |title=Interfaith Celebrities Play Ball |publisher=InterfaithFamily.com |date= |accessdate=May 12, 2010}}
\n\nThe magazine get tips on athletes from their subscribers, public relations directors for pro teams, school coaches, parents, and students. Wallman searches by phone and on the internet for top Jewish athletes in pro, college, and high school ranks. \n\nSome athletes are not \"obviously\" Jewish, such as former major league baseball player, [[Ruben Amaro, Jr.]] \n\nThe ''JSR'' also lists athletes frequently misidentified as Jewish, among them second baseman [[Rod Carew]] (\"never converted, although his children were raised Jewish\"), pitcher [[Mike LaCoss]] (\"born Marks, but took his stepfather's name and becomes irate when he is categorized as a Jew\"), and quarterback [[Rex Grossman]] (German-Catholic).{{cite web|url=http://www.nysun.com/sports/sports-desk-2007-02-06/48070/ |title=Sports Desk – February 6, 2007 – The New York Sun |publisher=Nysun.com |date=February 6, 2007 |accessdate=May 12, 2010}}\n\n==Baseball==\n[[File:KevinYouklis.jpg|left|thumb|222px|[[Kevin Youkilis]]]]\nIn 2009, as Jewish baseball players [[Ryan Braun]], [[Ian Kinsler]], and [[Kevin Youkilis]] were leading in voting for their positions on their [[2009 Major League Baseball All-Star Game|All Star teams]], the ''JSR'' noted that 160 Jews had played in the major leagues.{{cite web|url=http://www.bloomberg.com/apps/news?pid=20601079&sid=al9oTr_MYZKk |title=What Does It Mean for the Jews With Youkilis, Braun, Kinsler? |publisher=Bloomberg.com |date=July 2, 2009 |accessdate=May 12, 2010}} \n\nThe ''[[New York Daily News]]'' reported that according to the ''JSR'', there were almost three dozen Jews in baseball before [[Hank Greenberg]], but unlike Greenberg many had changed their names as they played in the majors. Michael Silverman changed his name to Baker, Rosenblum to Bennett, Lifsit to Bostwick, Solomon to Reese, and Makowsky to Markel. And Bohne, Cooney, Ewing, Kane, and Corey were all Cohens in the off-season. \n\nWhen the [[American Jewish Historical Society]] published a set of baseball cards of Jews in the major leagues (in conjunction with Major League Baseball and the Major League Baseball Players Association, and with the support of the National Baseball Hall of Fame and Museum), the project founder Martin Abramowitz of Jewish Major Leaguers Inc. relied on research by the ''JSR''.{{cite web|last=Lowenfish |first=Lee |url=http://www.forward.com/articles/6844/ |title=New Cards Mine Baseball’s Jewish Bench – The Jewish Daily Forward |publisher=Forward.com |date=March 24, 2006 |accessdate=May 12, 2010}}{{cite web|last=Cobb |first=Nathan |url=http://www.boston.com/news/globe/living/articles/2003/10/13/tribute_is_in_the_cards_for_jewish_ballplayers/ |title=/ News / Boston Globe / Living / Arts / Tribute is in the cards for Jewish ballplayers |publisher=Boston.com |date=October 13, 2003 |accessdate=May 12, 2010}} Also, when the [[Israel Baseball League]] was active, teams in it would recruit top college baseball players from the ''JSR'''s Jewish All-Americans in [[NCAA]] Divisions I, II, and III.{{cite web|last=Wieczorek |first=Allie |url=http://www.studlife.com/archives/Sports/2007/09/12/FromKellyFieldtotheFieldofDreams/ |title=From Kelly Field to the ‘Field of Dreams’ |publisher=Studlife.com |date=September 12, 2007 |accessdate=May 12, 2010}}\n\n==Basketball==\n[[File:Scheyer.jpg|right|thumb|180px|[[Jon Scheyer]]]]\nAfter \n[[Jon Scheyer]], later an [[2010 NCAA Men's Basketball All-Americans|All-American]] captain of the [[2009–10 Duke Blue Devils men's basketball team|2010 Duke national championship team]], led his high school team of five Jewish starters to an Illinois state championship, ''[[The Forward]]'' quoted Wallman as speculating that an all-Jewish starting lineup may have won a state title in the 1940s, but that it hadn’t happened in the recent past.\n\n==In the media==\nPeter Horvitz, in ''The Big Book of Jewish Sports Heroes: An Illustrated Compendium of Sports History and The 150 Greatest Jewish Sports Stars'' (2007), calls Wallman the \"best and most dependable source of up-to-date information on the subject\" of Jews in sports.{{cite web|url=http://books.google.com/books?id=voCnkWSOoRsC&pg=PA7&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDkQ6AEwAQ#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=The Big Book of Jewish Sports Heros ... – Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} Joseph Siegman, in his book ''Jewish sports legends: the International Jewish Hall of Fame'' (2005), listed Moxson as a distinguished authority on sports.{{cite web|url=http://books.google.com/books?id=oZxnNt28DhcC&pg=PA240&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CD4Q6AEwAg#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=Jewish sports legends: the ... – Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} ''[[The New York Times]]'' noted that the ''JSR'' \"aims to be rigorously comprehensive\". ''[[Sports Illustrated]]'' called the JSR \"tireless in its service mission\".\n\nThe ''JSR'' has been featured in ''Sports Illustrated'', ''The New York Times'', ''[[Los Angeles Times]]'', and ''[[Baltimore Sun]]''.\n\n==See also==\n*[[List of Jews in sports]]\n\n==References==\n{{Reflist|2}}\n\n==External links==\n*[http://www.jewishsportsreview.com/ ''Jewish Sports Review'']\n\n[[Category:Sports magazines]]\n[[Category:Jewish magazines published in the United States]]\n[[Category:Magazines published in California]]\n[[Category:Biweekly magazines]]\n[[Category:Magazines established in 1997]]" + }, + { + "revid": 371969475, + "parentid": 365180184, + "minor": false, + "user": "Epeefleche", + "userid": 1752945, + "timestamp": "2010-07-06T04:24:09Z", + "sha1": "cc0b09271a0d6029ad981848e1a72bcca98f90d6", + "comment": "/* External links */ chart", + "*": "{{Infobox magazine\n| title = Jewish Sports Review\n| image_file = \n| image_size = \n| image_alt = \n| image_caption = \n| editor = Ephraim Moxson; Shel Wallman\n| editor_title = Editors\n| previous_editor = \n| staff_writer = Neil Keller; Stan Ramati\n| frequency = Bi-monthly\n| circulation = \n| category = Jewish Sports\n| company = \n| publisher = Ephraim Moxson; Shel Wallman\n| firstdate = May–June 1997{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| country = U.S.\n| based = [[Los Angeles, California]]{{cite web|url=http://www.jewishsportsreview.com/About-Us.html |title=About Us |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| language = \n| website = [http://www.jewishsportsreview.com/ www.jewishsportsreview.com]\n| issn = \n}}\nThe '''''Jewish Sports Review''''' (''JSR'') is a bi-monthly magazine that was established in 1997.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite news|last=Solomon |first=John |url=http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html |title=Neighborhood Report – Upper West Side – Neighborhood Report – Upper West Side – Honoring, Yes, The Jewish Athlete |publisher=NYTimes.com |date=October 25, 1998 |accessdate=May 12, 2010}}{{cite web|url=http://theminaretonline.com/2010/04/28/article11429 |title=Breakdown of Tampa’s Star Designated Hitter Mike Schwartz | The Minaret |publisher=Theminaretonline.com |date=April 28, 2010 |accessdate=May 12, 2010}}{{cite web|author=Steve Rushin |url=http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm |title=There's burgeoning subculture of devoted sports fans for – 02.07.00 – SI Vault |publisher=Sportsillustrated.cnn.com |date=February 7, 2000 |accessdate=May 12, 2010}}{{cite web|last=Ziegel |first=Vic |url=http://www.nydailynews.com/archives/sports/2000/01/13/2000-01-13_film_recalls_greenberg_war_v.html |title=Film Recalls Greenberg War Vs. Pitchers, Prejudice |publisher=Nydailynews.com |date=January 13, 2000 |accessdate=May 12, 2010}} Its editors are Ephraim Moxson and Shel Wallman.\n\nThe magazine identifies which star and professional athletes are Jewish. It also covers and has all-time lists for Jewish players in major league baseball,{{cite web|url=http://www.taipeitimes.com/News/sport/archives/2009/07/03/2003447694 |title=archives |publisher=Taipei Times |date=July 3, 2009 |accessdate=May 12, 2010}}{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/04/16/arts/jewish_stars/doc4bc77d3bbc236279484076.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 4/16 |publisher=Cleveland Jewish News |date=April 16, 2010 |accessdate=May 12, 2010}} pro football,{{cite web|url=http://www.sanfranciscosentinel.com/?p=71276 |title=Blog Archives » SAN FRANCISCO 49ERS SELECT JEWISH SAFETY TAYLOR MAYS |publisher=San Francisco Sentinel |date=April 30, 2010 |accessdate=May 12, 2010}} pro basketball,{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/01/22/arts/jewish_stars/doc4b58c3eeb6312045104359.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 1/29 |publisher=Cleveland Jewish News |date=January 22, 2010 |accessdate=May 12, 2010}} and pro hockey;{{cite web|url=http://www.jweekly.com/article/full/41080/jews-and-mel-on-the-big-screen-winter-sports-roundup/ |title=Jews (and Mel) on the big screen, Winter sports roundup | j. the Jewish news weekly of Northern California |publisher=Jweekly.com |date=January 21, 2010 |accessdate=May 12, 2010}} selects Jewish All-America College teams in baseball,{{cite web|url=http://www.google.com/url?sa=t&source=news&oi=news_result&ct=res&cd=4&ved=0CDcQqQIwAw&url=http%3A%2F%2Fwww.courierpostonline.com%2Farticle%2F20100422%2FSPORTS%2F4220346%2F1002%2Fsports&ei=9lDqS4uYDoK0lQeMgYnVCg&usg=AFQjCNEQ36GdmOMaJjNLofkJY8EdQTlDmw&sig2=yfKr6QP7HgaJkNkgKGlnCQ |title=Hard work works for Kavitsky | courierpostonline.com | Courier-Post |publisher=Google.com |date=April 22, 2010 |accessdate=May 12, 2010}} football, basketball,{{cite web|url=http://bearsports.wustl.edu/releases/mbk5-6-10.html |title=Washington University Athletics |publisher=Bearsports.wustl.edu |date=May 6, 2010 |accessdate=May 12, 2010}} softball,{{cite web|url=http://www.northshoreoflongisland.com/Articles-i-2008-07-24-73420.113114_Jacobs_Kavitsky_honored_for_softball_efforts.html |title=Jacobs, Kavitsky honored for softball efforts |publisher=Northshoreoflongisland.com |date=July 25, 2008 |accessdate=May 12, 2010}} soccer,{{cite web|url=http://www.cstv.com/sports/w-soccer/stories/012705aaa.html |title=UAB Women's Soccer Player Pam Cooney Named To Jewish Sports Review 2004 Women's Soccer All-America Team :: Sophomore garners first-team honors |publisher=Cstv.com |date=January 27, 2005 |accessdate=May 12, 2010}} and lacrosse;{{cite web|url=http://media.www.thetriangle.org/media/storage/paper689/news/2004/08/20/Sports/Jewish.Sports.Review.Honors.Lacrosse.Player-703300.shtml |title=Jewish Sports Review honors lacrosse player – Sports |publisher=Media.www.thetriangle.org |date=August 20, 2004 |accessdate=May 12, 2010}} covers international athletic events;{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/02/12/arts/jewish_stars/doc4b74847fd85a4658916074.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 2/12 |publisher=Cleveland Jewish News |date=February 12, 2010 |accessdate=May 12, 2010}} selects high school Jewish All-America teams in basketball; and names the top graduating Jewish high school athletes.{{cite web|last=Casper |first=Joshua |url=http://www.jewishledger.com/articles/2004/03/24/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=March 24, 2004 |accessdate=May 12, 2010}} In addition, it covers \"minor sports\", such as boxing.{{cite news|last=Gray |first=Geoffrey |url=http://www.nytimes.com/2003/07/26/sports/boxing-one-fight-too-many-costs-boxer-his-life.html?pagewanted=1 |title=BOXING – BOXING – One Fight Too Many Costs Boxer His Life |publisher=NYTimes.com |date=July 26, 2003 |accessdate=May 12, 2010}} \n\nAs to his inspiration for launching the magazine, Wallman—speaking on a panel on Jews in baseball at the Cooperstown [[Baseball Hall of Fame]]—said: \"I was always curious to know who was Jewish as a kid. And there wasn't a list.\"{{cite web|last=Ephross |first=Peter |url=http://www.jewishledger.com/articles/2004/09/22/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=September 22, 2004 |accessdate=May 12, 2010}}\n\n==Jewish athletes==\nThe ''JSR'' provides information as to who is Jewish in the sports world, verifying the Jewish background of every athlete covered. \n\nWallman said: \"These days, most Jewish parents with a kid who has a good chance to play in the pros will encourage them,\" adding with a smile, \"You can always go to medical school afterward.\" \n\n===Criteria===\nThe ''JSR'''s criteria are that an athlete is Jewish if one of his parents is Jewish, he did not practice any other religion while he played, and he identified ethnically as a member of the Jewish community.{{cite web|url=http://njjewishnews.com/kaplanskorner/2008/11/05/the-phone-books-here-the-phone-books-here/ |title=“The phone book’s here, the phone book’s here!” * » Kaplan’s Korner on Jews and Sports |publisher=Njjewishnews.com |date=January 4, 2010 |accessdate=May 12, 2010}} If an athlete has a Jewish parent but was raised in, or converted to, another faith, or indicated to the ''JSR'' that he did not wish to be considered Jewish, he is excluded (even though under Jewish law he might be considered Jewish). Moxson indicates that [[David Beckham]] is not included, as only his mother's father is Jewish, and he doesn't identify himself as Jewish.{{cite web|last=Salkin |first=Allen |url=http://charlotte.creativeloafing.com/gyrobase/where_have_you_gone_sandy_koufax_/Content?oid=4463 |title=Where have you gone, Sandy Koufax? | Charlotte | News | Cover |publisher=Charlotte.creativeloafing.com |date= |accessdate=May 12, 2010}}\n\n===Verification===\nColumnist Nate Bloom described how the JSR researches whether an athlete is Jewish as follows:\n
\nEvery once in a while, the Review adds a player because he is clearly identified as Jewish in a very good news source like an interview. More often, they decide to contact a player (or a player's representative, or very close family member)--because of a tip or because the player has a \"Jewish sounding\" name. If they are told (by the player or his rep) that the player has one or more Jewish parents—they then inquire if the player was raised in and/or currently adheres to a faith other than Judaism. If the player answers \"yes\" to either of those questions—that ends the Review's inquiries and they don't cover the player. On the other hand, if they are told the player was raised Jewish or \"nothing\"--the Review then asks if the player has any objection to being identified as Jewish in the pages of the Review. If not, then they add him.{{cite web|last=Bloom |first=Nate |url=http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/Interfaith_Celebrities_Play_Ball.shtml?rd=2 |title=Interfaith Celebrities Play Ball |publisher=InterfaithFamily.com |date= |accessdate=May 12, 2010}}
\n\nThe magazine get tips on athletes from their subscribers, public relations directors for pro teams, school coaches, parents, and students. Wallman searches by phone and on the internet for top Jewish athletes in pro, college, and high school ranks. \n\nSome athletes are not \"obviously\" Jewish, such as former major league baseball player, [[Ruben Amaro, Jr.]] \n\nThe ''JSR'' also lists athletes frequently misidentified as Jewish, among them second baseman [[Rod Carew]] (\"never converted, although his children were raised Jewish\"), pitcher [[Mike LaCoss]] (\"born Marks, but took his stepfather's name and becomes irate when he is categorized as a Jew\"), and quarterback [[Rex Grossman]] (German-Catholic).{{cite web|url=http://www.nysun.com/sports/sports-desk-2007-02-06/48070/ |title=Sports Desk – February 6, 2007 – The New York Sun |publisher=Nysun.com |date=February 6, 2007 |accessdate=May 12, 2010}}\n\n==Baseball==\n[[File:KevinYouklis.jpg|left|thumb|222px|[[Kevin Youkilis]]]]\nIn 2009, as Jewish baseball players [[Ryan Braun]], [[Ian Kinsler]], and [[Kevin Youkilis]] were leading in voting for their positions on their [[2009 Major League Baseball All-Star Game|All Star teams]], the ''JSR'' noted that 160 Jews had played in the major leagues.{{cite web|url=http://www.bloomberg.com/apps/news?pid=20601079&sid=al9oTr_MYZKk |title=What Does It Mean for the Jews With Youkilis, Braun, Kinsler? |publisher=Bloomberg.com |date=July 2, 2009 |accessdate=May 12, 2010}} \n\nThe ''[[New York Daily News]]'' reported that according to the ''JSR'', there were almost three dozen Jews in baseball before [[Hank Greenberg]], but unlike Greenberg many had changed their names as they played in the majors. Michael Silverman changed his name to Baker, Rosenblum to Bennett, Lifsit to Bostwick, Solomon to Reese, and Makowsky to Markel. And Bohne, Cooney, Ewing, Kane, and Corey were all Cohens in the off-season. \n\nWhen the [[American Jewish Historical Society]] published a set of baseball cards of Jews in the major leagues (in conjunction with Major League Baseball and the Major League Baseball Players Association, and with the support of the National Baseball Hall of Fame and Museum), the project founder Martin Abramowitz of Jewish Major Leaguers Inc. relied on research by the ''JSR''.{{cite web|last=Lowenfish |first=Lee |url=http://www.forward.com/articles/6844/ |title=New Cards Mine Baseball’s Jewish Bench – The Jewish Daily Forward |publisher=Forward.com |date=March 24, 2006 |accessdate=May 12, 2010}}{{cite web|last=Cobb |first=Nathan |url=http://www.boston.com/news/globe/living/articles/2003/10/13/tribute_is_in_the_cards_for_jewish_ballplayers/ |title=/ News / Boston Globe / Living / Arts / Tribute is in the cards for Jewish ballplayers |publisher=Boston.com |date=October 13, 2003 |accessdate=May 12, 2010}} Also, when the [[Israel Baseball League]] was active, teams in it would recruit top college baseball players from the ''JSR'''s Jewish All-Americans in [[NCAA]] Divisions I, II, and III.{{cite web|last=Wieczorek |first=Allie |url=http://www.studlife.com/archives/Sports/2007/09/12/FromKellyFieldtotheFieldofDreams/ |title=From Kelly Field to the ‘Field of Dreams’ |publisher=Studlife.com |date=September 12, 2007 |accessdate=May 12, 2010}}\n\n==Basketball==\n[[File:Scheyer.jpg|right|thumb|180px|[[Jon Scheyer]]]]\nAfter \n[[Jon Scheyer]], later an [[2010 NCAA Men's Basketball All-Americans|All-American]] captain of the [[2009–10 Duke Blue Devils men's basketball team|2010 Duke national championship team]], led his high school team of five Jewish starters to an Illinois state championship, ''[[The Forward]]'' quoted Wallman as speculating that an all-Jewish starting lineup may have won a state title in the 1940s, but that it hadn’t happened in the recent past.\n\n==In the media==\nPeter Horvitz, in ''The Big Book of Jewish Sports Heroes: An Illustrated Compendium of Sports History and The 150 Greatest Jewish Sports Stars'' (2007), calls Wallman the \"best and most dependable source of up-to-date information on the subject\" of Jews in sports.{{cite web|url=http://books.google.com/books?id=voCnkWSOoRsC&pg=PA7&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDkQ6AEwAQ#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=The Big Book of Jewish Sports Heros ... – Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} Joseph Siegman, in his book ''Jewish sports legends: the International Jewish Hall of Fame'' (2005), listed Moxson as a distinguished authority on sports.{{cite web|url=http://books.google.com/books?id=oZxnNt28DhcC&pg=PA240&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CD4Q6AEwAg#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=Jewish sports legends: the ... – Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} ''[[The New York Times]]'' noted that the ''JSR'' \"aims to be rigorously comprehensive\". ''[[Sports Illustrated]]'' called the JSR \"tireless in its service mission\".\n\nThe ''JSR'' has been featured in ''Sports Illustrated'', ''The New York Times'', ''[[Los Angeles Times]]'', and ''[[Baltimore Sun]]''.\n\n==See also==\n*[[List of Jews in sports]]\n\n==References==\n{{Reflist|2}}\n\n==External links==\n*[http://www.jewishsportsreview.com/ ''Jewish Sports Review'']\n\n{{Organized Jewish Life in the United States}\n\n[[Category:Sports magazines]]\n[[Category:Jewish magazines published in the United States]]\n[[Category:Magazines published in California]]\n[[Category:Biweekly magazines]]\n[[Category:Magazines established in 1997]]" + }, + { + "revid": 371969527, + "parentid": 371969475, + "minor": true, + "user": "Epeefleche", + "userid": 1752945, + "timestamp": "2010-07-06T04:24:45Z", + "sha1": "fa0167a14efbffc1452b1ea5db92c02b55b6f0e0", + "comment": "/* External links */", + "*": "{{Infobox magazine\n| title = Jewish Sports Review\n| image_file = \n| image_size = \n| image_alt = \n| image_caption = \n| editor = Ephraim Moxson; Shel Wallman\n| editor_title = Editors\n| previous_editor = \n| staff_writer = Neil Keller; Stan Ramati\n| frequency = Bi-monthly\n| circulation = \n| category = Jewish Sports\n| company = \n| publisher = Ephraim Moxson; Shel Wallman\n| firstdate = May–June 1997{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| country = U.S.\n| based = [[Los Angeles, California]]{{cite web|url=http://www.jewishsportsreview.com/About-Us.html |title=About Us |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| language = \n| website = [http://www.jewishsportsreview.com/ www.jewishsportsreview.com]\n| issn = \n}}\nThe '''''Jewish Sports Review''''' (''JSR'') is a bi-monthly magazine that was established in 1997.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite news|last=Solomon |first=John |url=http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html |title=Neighborhood Report – Upper West Side – Neighborhood Report – Upper West Side – Honoring, Yes, The Jewish Athlete |publisher=NYTimes.com |date=October 25, 1998 |accessdate=May 12, 2010}}{{cite web|url=http://theminaretonline.com/2010/04/28/article11429 |title=Breakdown of Tampa’s Star Designated Hitter Mike Schwartz | The Minaret |publisher=Theminaretonline.com |date=April 28, 2010 |accessdate=May 12, 2010}}{{cite web|author=Steve Rushin |url=http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm |title=There's burgeoning subculture of devoted sports fans for – 02.07.00 – SI Vault |publisher=Sportsillustrated.cnn.com |date=February 7, 2000 |accessdate=May 12, 2010}}{{cite web|last=Ziegel |first=Vic |url=http://www.nydailynews.com/archives/sports/2000/01/13/2000-01-13_film_recalls_greenberg_war_v.html |title=Film Recalls Greenberg War Vs. Pitchers, Prejudice |publisher=Nydailynews.com |date=January 13, 2000 |accessdate=May 12, 2010}} Its editors are Ephraim Moxson and Shel Wallman.\n\nThe magazine identifies which star and professional athletes are Jewish. It also covers and has all-time lists for Jewish players in major league baseball,{{cite web|url=http://www.taipeitimes.com/News/sport/archives/2009/07/03/2003447694 |title=archives |publisher=Taipei Times |date=July 3, 2009 |accessdate=May 12, 2010}}{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/04/16/arts/jewish_stars/doc4bc77d3bbc236279484076.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 4/16 |publisher=Cleveland Jewish News |date=April 16, 2010 |accessdate=May 12, 2010}} pro football,{{cite web|url=http://www.sanfranciscosentinel.com/?p=71276 |title=Blog Archives » SAN FRANCISCO 49ERS SELECT JEWISH SAFETY TAYLOR MAYS |publisher=San Francisco Sentinel |date=April 30, 2010 |accessdate=May 12, 2010}} pro basketball,{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/01/22/arts/jewish_stars/doc4b58c3eeb6312045104359.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 1/29 |publisher=Cleveland Jewish News |date=January 22, 2010 |accessdate=May 12, 2010}} and pro hockey;{{cite web|url=http://www.jweekly.com/article/full/41080/jews-and-mel-on-the-big-screen-winter-sports-roundup/ |title=Jews (and Mel) on the big screen, Winter sports roundup | j. the Jewish news weekly of Northern California |publisher=Jweekly.com |date=January 21, 2010 |accessdate=May 12, 2010}} selects Jewish All-America College teams in baseball,{{cite web|url=http://www.google.com/url?sa=t&source=news&oi=news_result&ct=res&cd=4&ved=0CDcQqQIwAw&url=http%3A%2F%2Fwww.courierpostonline.com%2Farticle%2F20100422%2FSPORTS%2F4220346%2F1002%2Fsports&ei=9lDqS4uYDoK0lQeMgYnVCg&usg=AFQjCNEQ36GdmOMaJjNLofkJY8EdQTlDmw&sig2=yfKr6QP7HgaJkNkgKGlnCQ |title=Hard work works for Kavitsky | courierpostonline.com | Courier-Post |publisher=Google.com |date=April 22, 2010 |accessdate=May 12, 2010}} football, basketball,{{cite web|url=http://bearsports.wustl.edu/releases/mbk5-6-10.html |title=Washington University Athletics |publisher=Bearsports.wustl.edu |date=May 6, 2010 |accessdate=May 12, 2010}} softball,{{cite web|url=http://www.northshoreoflongisland.com/Articles-i-2008-07-24-73420.113114_Jacobs_Kavitsky_honored_for_softball_efforts.html |title=Jacobs, Kavitsky honored for softball efforts |publisher=Northshoreoflongisland.com |date=July 25, 2008 |accessdate=May 12, 2010}} soccer,{{cite web|url=http://www.cstv.com/sports/w-soccer/stories/012705aaa.html |title=UAB Women's Soccer Player Pam Cooney Named To Jewish Sports Review 2004 Women's Soccer All-America Team :: Sophomore garners first-team honors |publisher=Cstv.com |date=January 27, 2005 |accessdate=May 12, 2010}} and lacrosse;{{cite web|url=http://media.www.thetriangle.org/media/storage/paper689/news/2004/08/20/Sports/Jewish.Sports.Review.Honors.Lacrosse.Player-703300.shtml |title=Jewish Sports Review honors lacrosse player – Sports |publisher=Media.www.thetriangle.org |date=August 20, 2004 |accessdate=May 12, 2010}} covers international athletic events;{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/02/12/arts/jewish_stars/doc4b74847fd85a4658916074.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 2/12 |publisher=Cleveland Jewish News |date=February 12, 2010 |accessdate=May 12, 2010}} selects high school Jewish All-America teams in basketball; and names the top graduating Jewish high school athletes.{{cite web|last=Casper |first=Joshua |url=http://www.jewishledger.com/articles/2004/03/24/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=March 24, 2004 |accessdate=May 12, 2010}} In addition, it covers \"minor sports\", such as boxing.{{cite news|last=Gray |first=Geoffrey |url=http://www.nytimes.com/2003/07/26/sports/boxing-one-fight-too-many-costs-boxer-his-life.html?pagewanted=1 |title=BOXING – BOXING – One Fight Too Many Costs Boxer His Life |publisher=NYTimes.com |date=July 26, 2003 |accessdate=May 12, 2010}} \n\nAs to his inspiration for launching the magazine, Wallman—speaking on a panel on Jews in baseball at the Cooperstown [[Baseball Hall of Fame]]—said: \"I was always curious to know who was Jewish as a kid. And there wasn't a list.\"{{cite web|last=Ephross |first=Peter |url=http://www.jewishledger.com/articles/2004/09/22/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=September 22, 2004 |accessdate=May 12, 2010}}\n\n==Jewish athletes==\nThe ''JSR'' provides information as to who is Jewish in the sports world, verifying the Jewish background of every athlete covered. \n\nWallman said: \"These days, most Jewish parents with a kid who has a good chance to play in the pros will encourage them,\" adding with a smile, \"You can always go to medical school afterward.\" \n\n===Criteria===\nThe ''JSR'''s criteria are that an athlete is Jewish if one of his parents is Jewish, he did not practice any other religion while he played, and he identified ethnically as a member of the Jewish community.{{cite web|url=http://njjewishnews.com/kaplanskorner/2008/11/05/the-phone-books-here-the-phone-books-here/ |title=“The phone book’s here, the phone book’s here!” * » Kaplan’s Korner on Jews and Sports |publisher=Njjewishnews.com |date=January 4, 2010 |accessdate=May 12, 2010}} If an athlete has a Jewish parent but was raised in, or converted to, another faith, or indicated to the ''JSR'' that he did not wish to be considered Jewish, he is excluded (even though under Jewish law he might be considered Jewish). Moxson indicates that [[David Beckham]] is not included, as only his mother's father is Jewish, and he doesn't identify himself as Jewish.{{cite web|last=Salkin |first=Allen |url=http://charlotte.creativeloafing.com/gyrobase/where_have_you_gone_sandy_koufax_/Content?oid=4463 |title=Where have you gone, Sandy Koufax? | Charlotte | News | Cover |publisher=Charlotte.creativeloafing.com |date= |accessdate=May 12, 2010}}\n\n===Verification===\nColumnist Nate Bloom described how the JSR researches whether an athlete is Jewish as follows:\n
\nEvery once in a while, the Review adds a player because he is clearly identified as Jewish in a very good news source like an interview. More often, they decide to contact a player (or a player's representative, or very close family member)--because of a tip or because the player has a \"Jewish sounding\" name. If they are told (by the player or his rep) that the player has one or more Jewish parents—they then inquire if the player was raised in and/or currently adheres to a faith other than Judaism. If the player answers \"yes\" to either of those questions—that ends the Review's inquiries and they don't cover the player. On the other hand, if they are told the player was raised Jewish or \"nothing\"--the Review then asks if the player has any objection to being identified as Jewish in the pages of the Review. If not, then they add him.{{cite web|last=Bloom |first=Nate |url=http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/Interfaith_Celebrities_Play_Ball.shtml?rd=2 |title=Interfaith Celebrities Play Ball |publisher=InterfaithFamily.com |date= |accessdate=May 12, 2010}}
\n\nThe magazine get tips on athletes from their subscribers, public relations directors for pro teams, school coaches, parents, and students. Wallman searches by phone and on the internet for top Jewish athletes in pro, college, and high school ranks. \n\nSome athletes are not \"obviously\" Jewish, such as former major league baseball player, [[Ruben Amaro, Jr.]] \n\nThe ''JSR'' also lists athletes frequently misidentified as Jewish, among them second baseman [[Rod Carew]] (\"never converted, although his children were raised Jewish\"), pitcher [[Mike LaCoss]] (\"born Marks, but took his stepfather's name and becomes irate when he is categorized as a Jew\"), and quarterback [[Rex Grossman]] (German-Catholic).{{cite web|url=http://www.nysun.com/sports/sports-desk-2007-02-06/48070/ |title=Sports Desk – February 6, 2007 – The New York Sun |publisher=Nysun.com |date=February 6, 2007 |accessdate=May 12, 2010}}\n\n==Baseball==\n[[File:KevinYouklis.jpg|left|thumb|222px|[[Kevin Youkilis]]]]\nIn 2009, as Jewish baseball players [[Ryan Braun]], [[Ian Kinsler]], and [[Kevin Youkilis]] were leading in voting for their positions on their [[2009 Major League Baseball All-Star Game|All Star teams]], the ''JSR'' noted that 160 Jews had played in the major leagues.{{cite web|url=http://www.bloomberg.com/apps/news?pid=20601079&sid=al9oTr_MYZKk |title=What Does It Mean for the Jews With Youkilis, Braun, Kinsler? |publisher=Bloomberg.com |date=July 2, 2009 |accessdate=May 12, 2010}} \n\nThe ''[[New York Daily News]]'' reported that according to the ''JSR'', there were almost three dozen Jews in baseball before [[Hank Greenberg]], but unlike Greenberg many had changed their names as they played in the majors. Michael Silverman changed his name to Baker, Rosenblum to Bennett, Lifsit to Bostwick, Solomon to Reese, and Makowsky to Markel. And Bohne, Cooney, Ewing, Kane, and Corey were all Cohens in the off-season. \n\nWhen the [[American Jewish Historical Society]] published a set of baseball cards of Jews in the major leagues (in conjunction with Major League Baseball and the Major League Baseball Players Association, and with the support of the National Baseball Hall of Fame and Museum), the project founder Martin Abramowitz of Jewish Major Leaguers Inc. relied on research by the ''JSR''.{{cite web|last=Lowenfish |first=Lee |url=http://www.forward.com/articles/6844/ |title=New Cards Mine Baseball’s Jewish Bench – The Jewish Daily Forward |publisher=Forward.com |date=March 24, 2006 |accessdate=May 12, 2010}}{{cite web|last=Cobb |first=Nathan |url=http://www.boston.com/news/globe/living/articles/2003/10/13/tribute_is_in_the_cards_for_jewish_ballplayers/ |title=/ News / Boston Globe / Living / Arts / Tribute is in the cards for Jewish ballplayers |publisher=Boston.com |date=October 13, 2003 |accessdate=May 12, 2010}} Also, when the [[Israel Baseball League]] was active, teams in it would recruit top college baseball players from the ''JSR'''s Jewish All-Americans in [[NCAA]] Divisions I, II, and III.{{cite web|last=Wieczorek |first=Allie |url=http://www.studlife.com/archives/Sports/2007/09/12/FromKellyFieldtotheFieldofDreams/ |title=From Kelly Field to the ‘Field of Dreams’ |publisher=Studlife.com |date=September 12, 2007 |accessdate=May 12, 2010}}\n\n==Basketball==\n[[File:Scheyer.jpg|right|thumb|180px|[[Jon Scheyer]]]]\nAfter \n[[Jon Scheyer]], later an [[2010 NCAA Men's Basketball All-Americans|All-American]] captain of the [[2009–10 Duke Blue Devils men's basketball team|2010 Duke national championship team]], led his high school team of five Jewish starters to an Illinois state championship, ''[[The Forward]]'' quoted Wallman as speculating that an all-Jewish starting lineup may have won a state title in the 1940s, but that it hadn’t happened in the recent past.\n\n==In the media==\nPeter Horvitz, in ''The Big Book of Jewish Sports Heroes: An Illustrated Compendium of Sports History and The 150 Greatest Jewish Sports Stars'' (2007), calls Wallman the \"best and most dependable source of up-to-date information on the subject\" of Jews in sports.{{cite web|url=http://books.google.com/books?id=voCnkWSOoRsC&pg=PA7&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDkQ6AEwAQ#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=The Big Book of Jewish Sports Heros ... – Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} Joseph Siegman, in his book ''Jewish sports legends: the International Jewish Hall of Fame'' (2005), listed Moxson as a distinguished authority on sports.{{cite web|url=http://books.google.com/books?id=oZxnNt28DhcC&pg=PA240&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CD4Q6AEwAg#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=Jewish sports legends: the ... – Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} ''[[The New York Times]]'' noted that the ''JSR'' \"aims to be rigorously comprehensive\". ''[[Sports Illustrated]]'' called the JSR \"tireless in its service mission\".\n\nThe ''JSR'' has been featured in ''Sports Illustrated'', ''The New York Times'', ''[[Los Angeles Times]]'', and ''[[Baltimore Sun]]''.\n\n==See also==\n*[[List of Jews in sports]]\n\n==References==\n{{Reflist|2}}\n\n==External links==\n*[http://www.jewishsportsreview.com/ ''Jewish Sports Review'']\n\n{{Organized Jewish Life in the United States}}\n\n[[Category:Sports magazines]]\n[[Category:Jewish magazines published in the United States]]\n[[Category:Magazines published in California]]\n[[Category:Biweekly magazines]]\n[[Category:Magazines established in 1997]]" + }, + { + "revid": 375148062, + "parentid": 371969527, + "minor": false, + "user": "Malik Shabazz", + "userid": 3020778, + "timestamp": "2010-07-24T03:20:28Z", + "sha1": "1c8d756425896738ed92cfe98fa8b784982b0a0e", + "comment": "/* Intro */ + Wikilink", + "*": "{{Infobox magazine\n| title = Jewish Sports Review\n| image_file = \n| image_size = \n| image_alt = \n| image_caption = \n| editor = Ephraim Moxson; Shel Wallman\n| editor_title = Editors\n| previous_editor = \n| staff_writer = Neil Keller; Stan Ramati\n| frequency = Bi-monthly\n| circulation = \n| category = Jewish Sports\n| company = \n| publisher = Ephraim Moxson; Shel Wallman\n| firstdate = May–June 1997{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| country = U.S.\n| based = [[Los Angeles, California]]{{cite web|url=http://www.jewishsportsreview.com/About-Us.html |title=About Us |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| language = \n| website = [http://www.jewishsportsreview.com/ www.jewishsportsreview.com]\n| issn = \n}}\nThe '''''Jewish Sports Review''''' (''JSR'') is a bi-monthly magazine that was established in 1997.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite news|last=Solomon |first=John |url=http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html |title=Neighborhood Report – Upper West Side – Neighborhood Report – Upper West Side – Honoring, Yes, The Jewish Athlete |publisher=NYTimes.com |date=October 25, 1998 |accessdate=May 12, 2010}}{{cite web|url=http://theminaretonline.com/2010/04/28/article11429 |title=Breakdown of Tampa’s Star Designated Hitter Mike Schwartz | The Minaret |publisher=Theminaretonline.com |date=April 28, 2010 |accessdate=May 12, 2010}}{{cite web|author=Steve Rushin |url=http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm |title=There's burgeoning subculture of devoted sports fans for – 02.07.00 – SI Vault |publisher=Sportsillustrated.cnn.com |date=February 7, 2000 |accessdate=May 12, 2010}}{{cite web|last=Ziegel |first=Vic |authorlink=Vic Ziegel |url=http://www.nydailynews.com/archives/sports/2000/01/13/2000-01-13_film_recalls_greenberg_war_v.html |title=Film Recalls Greenberg War Vs. Pitchers, Prejudice |publisher=Nydailynews.com |date=January 13, 2000 |accessdate=May 12, 2010}} Its editors are Ephraim Moxson and Shel Wallman.\n\nThe magazine identifies which star and professional athletes are Jewish. It also covers and has all-time lists for Jewish players in major league baseball,{{cite web|url=http://www.taipeitimes.com/News/sport/archives/2009/07/03/2003447694 |title=archives |publisher=Taipei Times |date=July 3, 2009 |accessdate=May 12, 2010}}{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/04/16/arts/jewish_stars/doc4bc77d3bbc236279484076.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 4/16 |publisher=Cleveland Jewish News |date=April 16, 2010 |accessdate=May 12, 2010}} pro football,{{cite web|url=http://www.sanfranciscosentinel.com/?p=71276 |title=Blog Archives » SAN FRANCISCO 49ERS SELECT JEWISH SAFETY TAYLOR MAYS |publisher=San Francisco Sentinel |date=April 30, 2010 |accessdate=May 12, 2010}} pro basketball,{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/01/22/arts/jewish_stars/doc4b58c3eeb6312045104359.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 1/29 |publisher=Cleveland Jewish News |date=January 22, 2010 |accessdate=May 12, 2010}} and pro hockey;{{cite web|url=http://www.jweekly.com/article/full/41080/jews-and-mel-on-the-big-screen-winter-sports-roundup/ |title=Jews (and Mel) on the big screen, Winter sports roundup | j. the Jewish news weekly of Northern California |publisher=Jweekly.com |date=January 21, 2010 |accessdate=May 12, 2010}} selects Jewish All-America College teams in baseball,{{cite web|url=http://www.google.com/url?sa=t&source=news&oi=news_result&ct=res&cd=4&ved=0CDcQqQIwAw&url=http%3A%2F%2Fwww.courierpostonline.com%2Farticle%2F20100422%2FSPORTS%2F4220346%2F1002%2Fsports&ei=9lDqS4uYDoK0lQeMgYnVCg&usg=AFQjCNEQ36GdmOMaJjNLofkJY8EdQTlDmw&sig2=yfKr6QP7HgaJkNkgKGlnCQ |title=Hard work works for Kavitsky | courierpostonline.com | Courier-Post |publisher=Google.com |date=April 22, 2010 |accessdate=May 12, 2010}} football, basketball,{{cite web|url=http://bearsports.wustl.edu/releases/mbk5-6-10.html |title=Washington University Athletics |publisher=Bearsports.wustl.edu |date=May 6, 2010 |accessdate=May 12, 2010}} softball,{{cite web|url=http://www.northshoreoflongisland.com/Articles-i-2008-07-24-73420.113114_Jacobs_Kavitsky_honored_for_softball_efforts.html |title=Jacobs, Kavitsky honored for softball efforts |publisher=Northshoreoflongisland.com |date=July 25, 2008 |accessdate=May 12, 2010}} soccer,{{cite web|url=http://www.cstv.com/sports/w-soccer/stories/012705aaa.html |title=UAB Women's Soccer Player Pam Cooney Named To Jewish Sports Review 2004 Women's Soccer All-America Team :: Sophomore garners first-team honors |publisher=Cstv.com |date=January 27, 2005 |accessdate=May 12, 2010}} and lacrosse;{{cite web|url=http://media.www.thetriangle.org/media/storage/paper689/news/2004/08/20/Sports/Jewish.Sports.Review.Honors.Lacrosse.Player-703300.shtml |title=Jewish Sports Review honors lacrosse player – Sports |publisher=Media.www.thetriangle.org |date=August 20, 2004 |accessdate=May 12, 2010}} covers international athletic events;{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/02/12/arts/jewish_stars/doc4b74847fd85a4658916074.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 2/12 |publisher=Cleveland Jewish News |date=February 12, 2010 |accessdate=May 12, 2010}} selects high school Jewish All-America teams in basketball; and names the top graduating Jewish high school athletes.{{cite web|last=Casper |first=Joshua |url=http://www.jewishledger.com/articles/2004/03/24/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=March 24, 2004 |accessdate=May 12, 2010}} In addition, it covers \"minor sports\", such as boxing.{{cite news|last=Gray |first=Geoffrey |url=http://www.nytimes.com/2003/07/26/sports/boxing-one-fight-too-many-costs-boxer-his-life.html?pagewanted=1 |title=BOXING – BOXING – One Fight Too Many Costs Boxer His Life |publisher=NYTimes.com |date=July 26, 2003 |accessdate=May 12, 2010}} \n\nAs to his inspiration for launching the magazine, Wallman—speaking on a panel on Jews in baseball at the Cooperstown [[Baseball Hall of Fame]]—said: \"I was always curious to know who was Jewish as a kid. And there wasn't a list.\"{{cite web|last=Ephross |first=Peter |url=http://www.jewishledger.com/articles/2004/09/22/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=September 22, 2004 |accessdate=May 12, 2010}}\n\n==Jewish athletes==\nThe ''JSR'' provides information as to who is Jewish in the sports world, verifying the Jewish background of every athlete covered. \n\nWallman said: \"These days, most Jewish parents with a kid who has a good chance to play in the pros will encourage them,\" adding with a smile, \"You can always go to medical school afterward.\" \n\n===Criteria===\nThe ''JSR'''s criteria are that an athlete is Jewish if one of his parents is Jewish, he did not practice any other religion while he played, and he identified ethnically as a member of the Jewish community.{{cite web|url=http://njjewishnews.com/kaplanskorner/2008/11/05/the-phone-books-here-the-phone-books-here/ |title=“The phone book’s here, the phone book’s here!” * » Kaplan’s Korner on Jews and Sports |publisher=Njjewishnews.com |date=January 4, 2010 |accessdate=May 12, 2010}} If an athlete has a Jewish parent but was raised in, or converted to, another faith, or indicated to the ''JSR'' that he did not wish to be considered Jewish, he is excluded (even though under Jewish law he might be considered Jewish). Moxson indicates that [[David Beckham]] is not included, as only his mother's father is Jewish, and he doesn't identify himself as Jewish.{{cite web|last=Salkin |first=Allen |url=http://charlotte.creativeloafing.com/gyrobase/where_have_you_gone_sandy_koufax_/Content?oid=4463 |title=Where have you gone, Sandy Koufax? | Charlotte | News | Cover |publisher=Charlotte.creativeloafing.com |date= |accessdate=May 12, 2010}}\n\n===Verification===\nColumnist Nate Bloom described how the JSR researches whether an athlete is Jewish as follows:\n
\nEvery once in a while, the Review adds a player because he is clearly identified as Jewish in a very good news source like an interview. More often, they decide to contact a player (or a player's representative, or very close family member)--because of a tip or because the player has a \"Jewish sounding\" name. If they are told (by the player or his rep) that the player has one or more Jewish parents—they then inquire if the player was raised in and/or currently adheres to a faith other than Judaism. If the player answers \"yes\" to either of those questions—that ends the Review's inquiries and they don't cover the player. On the other hand, if they are told the player was raised Jewish or \"nothing\"--the Review then asks if the player has any objection to being identified as Jewish in the pages of the Review. If not, then they add him.{{cite web|last=Bloom |first=Nate |url=http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/Interfaith_Celebrities_Play_Ball.shtml?rd=2 |title=Interfaith Celebrities Play Ball |publisher=InterfaithFamily.com |date= |accessdate=May 12, 2010}}
\n\nThe magazine get tips on athletes from their subscribers, public relations directors for pro teams, school coaches, parents, and students. Wallman searches by phone and on the internet for top Jewish athletes in pro, college, and high school ranks. \n\nSome athletes are not \"obviously\" Jewish, such as former major league baseball player, [[Ruben Amaro, Jr.]] \n\nThe ''JSR'' also lists athletes frequently misidentified as Jewish, among them second baseman [[Rod Carew]] (\"never converted, although his children were raised Jewish\"), pitcher [[Mike LaCoss]] (\"born Marks, but took his stepfather's name and becomes irate when he is categorized as a Jew\"), and quarterback [[Rex Grossman]] (German-Catholic).{{cite web|url=http://www.nysun.com/sports/sports-desk-2007-02-06/48070/ |title=Sports Desk – February 6, 2007 – The New York Sun |publisher=Nysun.com |date=February 6, 2007 |accessdate=May 12, 2010}}\n\n==Baseball==\n[[File:KevinYouklis.jpg|left|thumb|222px|[[Kevin Youkilis]]]]\nIn 2009, as Jewish baseball players [[Ryan Braun]], [[Ian Kinsler]], and [[Kevin Youkilis]] were leading in voting for their positions on their [[2009 Major League Baseball All-Star Game|All Star teams]], the ''JSR'' noted that 160 Jews had played in the major leagues.{{cite web|url=http://www.bloomberg.com/apps/news?pid=20601079&sid=al9oTr_MYZKk |title=What Does It Mean for the Jews With Youkilis, Braun, Kinsler? |publisher=Bloomberg.com |date=July 2, 2009 |accessdate=May 12, 2010}} \n\nThe ''[[New York Daily News]]'' reported that according to the ''JSR'', there were almost three dozen Jews in baseball before [[Hank Greenberg]], but unlike Greenberg many had changed their names as they played in the majors. Michael Silverman changed his name to Baker, Rosenblum to Bennett, Lifsit to Bostwick, Solomon to Reese, and Makowsky to Markel. And Bohne, Cooney, Ewing, Kane, and Corey were all Cohens in the off-season. \n\nWhen the [[American Jewish Historical Society]] published a set of baseball cards of Jews in the major leagues (in conjunction with Major League Baseball and the Major League Baseball Players Association, and with the support of the National Baseball Hall of Fame and Museum), the project founder Martin Abramowitz of Jewish Major Leaguers Inc. relied on research by the ''JSR''.{{cite web|last=Lowenfish |first=Lee |url=http://www.forward.com/articles/6844/ |title=New Cards Mine Baseball’s Jewish Bench – The Jewish Daily Forward |publisher=Forward.com |date=March 24, 2006 |accessdate=May 12, 2010}}{{cite web|last=Cobb |first=Nathan |url=http://www.boston.com/news/globe/living/articles/2003/10/13/tribute_is_in_the_cards_for_jewish_ballplayers/ |title=/ News / Boston Globe / Living / Arts / Tribute is in the cards for Jewish ballplayers |publisher=Boston.com |date=October 13, 2003 |accessdate=May 12, 2010}} Also, when the [[Israel Baseball League]] was active, teams in it would recruit top college baseball players from the ''JSR'''s Jewish All-Americans in [[NCAA]] Divisions I, II, and III.{{cite web|last=Wieczorek |first=Allie |url=http://www.studlife.com/archives/Sports/2007/09/12/FromKellyFieldtotheFieldofDreams/ |title=From Kelly Field to the ‘Field of Dreams’ |publisher=Studlife.com |date=September 12, 2007 |accessdate=May 12, 2010}}\n\n==Basketball==\n[[File:Scheyer.jpg|right|thumb|180px|[[Jon Scheyer]]]]\nAfter \n[[Jon Scheyer]], later an [[2010 NCAA Men's Basketball All-Americans|All-American]] captain of the [[2009–10 Duke Blue Devils men's basketball team|2010 Duke national championship team]], led his high school team of five Jewish starters to an Illinois state championship, ''[[The Forward]]'' quoted Wallman as speculating that an all-Jewish starting lineup may have won a state title in the 1940s, but that it hadn’t happened in the recent past.\n\n==In the media==\nPeter Horvitz, in ''The Big Book of Jewish Sports Heroes: An Illustrated Compendium of Sports History and The 150 Greatest Jewish Sports Stars'' (2007), calls Wallman the \"best and most dependable source of up-to-date information on the subject\" of Jews in sports.{{cite web|url=http://books.google.com/books?id=voCnkWSOoRsC&pg=PA7&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDkQ6AEwAQ#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=The Big Book of Jewish Sports Heros ... – Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} Joseph Siegman, in his book ''Jewish sports legends: the International Jewish Hall of Fame'' (2005), listed Moxson as a distinguished authority on sports.{{cite web|url=http://books.google.com/books?id=oZxnNt28DhcC&pg=PA240&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CD4Q6AEwAg#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=Jewish sports legends: the ... – Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} ''[[The New York Times]]'' noted that the ''JSR'' \"aims to be rigorously comprehensive\". ''[[Sports Illustrated]]'' called the JSR \"tireless in its service mission\".\n\nThe ''JSR'' has been featured in ''Sports Illustrated'', ''The New York Times'', ''[[Los Angeles Times]]'', and ''[[Baltimore Sun]]''.\n\n==See also==\n*[[List of Jews in sports]]\n\n==References==\n{{Reflist|2}}\n\n==External links==\n*[http://www.jewishsportsreview.com/ ''Jewish Sports Review'']\n\n{{Organized Jewish Life in the United States}}\n\n[[Category:Sports magazines]]\n[[Category:Jewish magazines published in the United States]]\n[[Category:Magazines published in California]]\n[[Category:Biweekly magazines]]\n[[Category:Magazines established in 1997]]" + }, + { + "revid": 376200237, + "parentid": 375148062, + "minor": false, + "user": "NeilKeller", + "userid": 12814098, + "timestamp": "2010-07-30T03:19:54Z", + "sha1": "d9e333f24f3eb2c0d97b449efb8ee07aa78ec7a9", + "comment": "/* Verification */", + "*": "{{Infobox magazine\n| title = Jewish Sports Review\n| image_file = \n| image_size = \n| image_alt = \n| image_caption = \n| editor = Ephraim Moxson; Shel Wallman\n| editor_title = Editors\n| previous_editor = \n| staff_writer = Neil Keller; Stan Ramati\n| frequency = Bi-monthly\n| circulation = \n| category = Jewish Sports\n| company = \n| publisher = Ephraim Moxson; Shel Wallman\n| firstdate = May–June 1997{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| country = U.S.\n| based = [[Los Angeles, California]]{{cite web|url=http://www.jewishsportsreview.com/About-Us.html |title=About Us |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| language = \n| website = [http://www.jewishsportsreview.com/ www.jewishsportsreview.com]\n| issn = \n}}\nThe '''''Jewish Sports Review''''' (''JSR'') is a bi-monthly magazine that was established in 1997.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite news|last=Solomon |first=John |url=http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html |title=Neighborhood Report – Upper West Side – Neighborhood Report – Upper West Side – Honoring, Yes, The Jewish Athlete |publisher=NYTimes.com |date=October 25, 1998 |accessdate=May 12, 2010}}{{cite web|url=http://theminaretonline.com/2010/04/28/article11429 |title=Breakdown of Tampa’s Star Designated Hitter Mike Schwartz | The Minaret |publisher=Theminaretonline.com |date=April 28, 2010 |accessdate=May 12, 2010}}{{cite web|author=Steve Rushin |url=http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm |title=There's burgeoning subculture of devoted sports fans for – 02.07.00 – SI Vault |publisher=Sportsillustrated.cnn.com |date=February 7, 2000 |accessdate=May 12, 2010}}{{cite web|last=Ziegel |first=Vic |authorlink=Vic Ziegel |url=http://www.nydailynews.com/archives/sports/2000/01/13/2000-01-13_film_recalls_greenberg_war_v.html |title=Film Recalls Greenberg War Vs. Pitchers, Prejudice |publisher=Nydailynews.com |date=January 13, 2000 |accessdate=May 12, 2010}} Its editors are Ephraim Moxson and Shel Wallman.\n\nThe magazine identifies which star and professional athletes are Jewish. It also covers and has all-time lists for Jewish players in major league baseball,{{cite web|url=http://www.taipeitimes.com/News/sport/archives/2009/07/03/2003447694 |title=archives |publisher=Taipei Times |date=July 3, 2009 |accessdate=May 12, 2010}}{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/04/16/arts/jewish_stars/doc4bc77d3bbc236279484076.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 4/16 |publisher=Cleveland Jewish News |date=April 16, 2010 |accessdate=May 12, 2010}} pro football,{{cite web|url=http://www.sanfranciscosentinel.com/?p=71276 |title=Blog Archives » SAN FRANCISCO 49ERS SELECT JEWISH SAFETY TAYLOR MAYS |publisher=San Francisco Sentinel |date=April 30, 2010 |accessdate=May 12, 2010}} pro basketball,{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/01/22/arts/jewish_stars/doc4b58c3eeb6312045104359.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 1/29 |publisher=Cleveland Jewish News |date=January 22, 2010 |accessdate=May 12, 2010}} and pro hockey;{{cite web|url=http://www.jweekly.com/article/full/41080/jews-and-mel-on-the-big-screen-winter-sports-roundup/ |title=Jews (and Mel) on the big screen, Winter sports roundup | j. the Jewish news weekly of Northern California |publisher=Jweekly.com |date=January 21, 2010 |accessdate=May 12, 2010}} selects Jewish All-America College teams in baseball,{{cite web|url=http://www.google.com/url?sa=t&source=news&oi=news_result&ct=res&cd=4&ved=0CDcQqQIwAw&url=http%3A%2F%2Fwww.courierpostonline.com%2Farticle%2F20100422%2FSPORTS%2F4220346%2F1002%2Fsports&ei=9lDqS4uYDoK0lQeMgYnVCg&usg=AFQjCNEQ36GdmOMaJjNLofkJY8EdQTlDmw&sig2=yfKr6QP7HgaJkNkgKGlnCQ |title=Hard work works for Kavitsky | courierpostonline.com | Courier-Post |publisher=Google.com |date=April 22, 2010 |accessdate=May 12, 2010}} football, basketball,{{cite web|url=http://bearsports.wustl.edu/releases/mbk5-6-10.html |title=Washington University Athletics |publisher=Bearsports.wustl.edu |date=May 6, 2010 |accessdate=May 12, 2010}} softball,{{cite web|url=http://www.northshoreoflongisland.com/Articles-i-2008-07-24-73420.113114_Jacobs_Kavitsky_honored_for_softball_efforts.html |title=Jacobs, Kavitsky honored for softball efforts |publisher=Northshoreoflongisland.com |date=July 25, 2008 |accessdate=May 12, 2010}} soccer,{{cite web|url=http://www.cstv.com/sports/w-soccer/stories/012705aaa.html |title=UAB Women's Soccer Player Pam Cooney Named To Jewish Sports Review 2004 Women's Soccer All-America Team :: Sophomore garners first-team honors |publisher=Cstv.com |date=January 27, 2005 |accessdate=May 12, 2010}} and lacrosse;{{cite web|url=http://media.www.thetriangle.org/media/storage/paper689/news/2004/08/20/Sports/Jewish.Sports.Review.Honors.Lacrosse.Player-703300.shtml |title=Jewish Sports Review honors lacrosse player – Sports |publisher=Media.www.thetriangle.org |date=August 20, 2004 |accessdate=May 12, 2010}} covers international athletic events;{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/02/12/arts/jewish_stars/doc4b74847fd85a4658916074.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 2/12 |publisher=Cleveland Jewish News |date=February 12, 2010 |accessdate=May 12, 2010}} selects high school Jewish All-America teams in basketball; and names the top graduating Jewish high school athletes.{{cite web|last=Casper |first=Joshua |url=http://www.jewishledger.com/articles/2004/03/24/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=March 24, 2004 |accessdate=May 12, 2010}} In addition, it covers \"minor sports\", such as boxing.{{cite news|last=Gray |first=Geoffrey |url=http://www.nytimes.com/2003/07/26/sports/boxing-one-fight-too-many-costs-boxer-his-life.html?pagewanted=1 |title=BOXING – BOXING – One Fight Too Many Costs Boxer His Life |publisher=NYTimes.com |date=July 26, 2003 |accessdate=May 12, 2010}} \n\nAs to his inspiration for launching the magazine, Wallman—speaking on a panel on Jews in baseball at the Cooperstown [[Baseball Hall of Fame]]—said: \"I was always curious to know who was Jewish as a kid. And there wasn't a list.\"{{cite web|last=Ephross |first=Peter |url=http://www.jewishledger.com/articles/2004/09/22/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=September 22, 2004 |accessdate=May 12, 2010}}\n\n==Jewish athletes==\nThe ''JSR'' provides information as to who is Jewish in the sports world, verifying the Jewish background of every athlete covered. \n\nWallman said: \"These days, most Jewish parents with a kid who has a good chance to play in the pros will encourage them,\" adding with a smile, \"You can always go to medical school afterward.\" \n\n===Criteria===\nThe ''JSR'''s criteria are that an athlete is Jewish if one of his parents is Jewish, he did not practice any other religion while he played, and he identified ethnically as a member of the Jewish community.{{cite web|url=http://njjewishnews.com/kaplanskorner/2008/11/05/the-phone-books-here-the-phone-books-here/ |title=“The phone book’s here, the phone book’s here!” * » Kaplan’s Korner on Jews and Sports |publisher=Njjewishnews.com |date=January 4, 2010 |accessdate=May 12, 2010}} If an athlete has a Jewish parent but was raised in, or converted to, another faith, or indicated to the ''JSR'' that he did not wish to be considered Jewish, he is excluded (even though under Jewish law he might be considered Jewish). Moxson indicates that [[David Beckham]] is not included, as only his mother's father is Jewish, and he doesn't identify himself as Jewish.{{cite web|last=Salkin |first=Allen |url=http://charlotte.creativeloafing.com/gyrobase/where_have_you_gone_sandy_koufax_/Content?oid=4463 |title=Where have you gone, Sandy Koufax? | Charlotte | News | Cover |publisher=Charlotte.creativeloafing.com |date= |accessdate=May 12, 2010}}\n\n===Verification===\nJSR researches whether an athlete is Jewish as follows:\n
\nEvery once in a while, the Review adds a player because he is clearly identified as Jewish in a very good news source like an interview. More often, they decide to contact a player (or a player's representative, or very close family member)--because of a tip or because the player has a \"Jewish sounding\" name. If they are told (by the player or his rep) that the player has one or more Jewish parents—they then inquire if the player was raised in and/or currently adheres to a faith other than Judaism. If the player answers \"yes\" to either of those questions—that ends the Review's inquiries and they don't cover the player. On the other hand, if they are told the player was raised Jewish or \"nothing\"--the Review then asks if the player has any objection to being identified as Jewish in the pages of the Review. If not, then they add him.{{cite web|last=Bloom |first=Nate |url=http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/Interfaith_Celebrities_Play_Ball.shtml?rd=2 |title=Interfaith Celebrities Play Ball |publisher=InterfaithFamily.com |date= |accessdate=May 12, 2010}}
\n\nThe magazine get tips on athletes from their subscribers, public relations directors for pro teams, school coaches, parents, and students. Wallman searches by phone and on the internet for top Jewish athletes in pro, college, and high school ranks. \n\nSome athletes are not \"obviously\" Jewish, such as former major league baseball player, [[Ruben Amaro, Jr.]] \n\nThe ''JSR'' also lists athletes frequently misidentified as Jewish, among them second baseman [[Rod Carew]] (\"never converted, although his children were raised Jewish\"), pitcher [[Mike LaCoss]] (\"born Marks, but took his stepfather's name and becomes irate when he is categorized as a Jew\"), and quarterback [[Rex Grossman]] (German-Catholic).{{cite web|url=http://www.nysun.com/sports/sports-desk-2007-02-06/48070/ |title=Sports Desk – February 6, 2007 – The New York Sun |publisher=Nysun.com |date=February 6, 2007 |accessdate=May 12, 2010}}\n\n==Baseball==\n[[File:KevinYouklis.jpg|left|thumb|222px|[[Kevin Youkilis]]]]\nIn 2009, as Jewish baseball players [[Ryan Braun]], [[Ian Kinsler]], and [[Kevin Youkilis]] were leading in voting for their positions on their [[2009 Major League Baseball All-Star Game|All Star teams]], the ''JSR'' noted that 160 Jews had played in the major leagues.{{cite web|url=http://www.bloomberg.com/apps/news?pid=20601079&sid=al9oTr_MYZKk |title=What Does It Mean for the Jews With Youkilis, Braun, Kinsler? |publisher=Bloomberg.com |date=July 2, 2009 |accessdate=May 12, 2010}} \n\nThe ''[[New York Daily News]]'' reported that according to the ''JSR'', there were almost three dozen Jews in baseball before [[Hank Greenberg]], but unlike Greenberg many had changed their names as they played in the majors. Michael Silverman changed his name to Baker, Rosenblum to Bennett, Lifsit to Bostwick, Solomon to Reese, and Makowsky to Markel. And Bohne, Cooney, Ewing, Kane, and Corey were all Cohens in the off-season. \n\nWhen the [[American Jewish Historical Society]] published a set of baseball cards of Jews in the major leagues (in conjunction with Major League Baseball and the Major League Baseball Players Association, and with the support of the National Baseball Hall of Fame and Museum), the project founder Martin Abramowitz of Jewish Major Leaguers Inc. relied on research by the ''JSR''.{{cite web|last=Lowenfish |first=Lee |url=http://www.forward.com/articles/6844/ |title=New Cards Mine Baseball’s Jewish Bench – The Jewish Daily Forward |publisher=Forward.com |date=March 24, 2006 |accessdate=May 12, 2010}}{{cite web|last=Cobb |first=Nathan |url=http://www.boston.com/news/globe/living/articles/2003/10/13/tribute_is_in_the_cards_for_jewish_ballplayers/ |title=/ News / Boston Globe / Living / Arts / Tribute is in the cards for Jewish ballplayers |publisher=Boston.com |date=October 13, 2003 |accessdate=May 12, 2010}} Also, when the [[Israel Baseball League]] was active, teams in it would recruit top college baseball players from the ''JSR'''s Jewish All-Americans in [[NCAA]] Divisions I, II, and III.{{cite web|last=Wieczorek |first=Allie |url=http://www.studlife.com/archives/Sports/2007/09/12/FromKellyFieldtotheFieldofDreams/ |title=From Kelly Field to the ‘Field of Dreams’ |publisher=Studlife.com |date=September 12, 2007 |accessdate=May 12, 2010}}\n\n==Basketball==\n[[File:Scheyer.jpg|right|thumb|180px|[[Jon Scheyer]]]]\nAfter \n[[Jon Scheyer]], later an [[2010 NCAA Men's Basketball All-Americans|All-American]] captain of the [[2009–10 Duke Blue Devils men's basketball team|2010 Duke national championship team]], led his high school team of five Jewish starters to an Illinois state championship, ''[[The Forward]]'' quoted Wallman as speculating that an all-Jewish starting lineup may have won a state title in the 1940s, but that it hadn’t happened in the recent past.\n\n==In the media==\nPeter Horvitz, in ''The Big Book of Jewish Sports Heroes: An Illustrated Compendium of Sports History and The 150 Greatest Jewish Sports Stars'' (2007), calls Wallman the \"best and most dependable source of up-to-date information on the subject\" of Jews in sports.{{cite web|url=http://books.google.com/books?id=voCnkWSOoRsC&pg=PA7&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDkQ6AEwAQ#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=The Big Book of Jewish Sports Heros ... – Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} Joseph Siegman, in his book ''Jewish sports legends: the International Jewish Hall of Fame'' (2005), listed Moxson as a distinguished authority on sports.{{cite web|url=http://books.google.com/books?id=oZxnNt28DhcC&pg=PA240&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CD4Q6AEwAg#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=Jewish sports legends: the ... – Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} ''[[The New York Times]]'' noted that the ''JSR'' \"aims to be rigorously comprehensive\". ''[[Sports Illustrated]]'' called the JSR \"tireless in its service mission\".\n\nThe ''JSR'' has been featured in ''Sports Illustrated'', ''The New York Times'', ''[[Los Angeles Times]]'', and ''[[Baltimore Sun]]''.\n\n==See also==\n*[[List of Jews in sports]]\n\n==References==\n{{Reflist|2}}\n\n==External links==\n*[http://www.jewishsportsreview.com/ ''Jewish Sports Review'']\n\n{{Organized Jewish Life in the United States}}\n\n[[Category:Sports magazines]]\n[[Category:Jewish magazines published in the United States]]\n[[Category:Magazines published in California]]\n[[Category:Biweekly magazines]]\n[[Category:Magazines established in 1997]]" + }, + { + "revid": 376200869, + "parentid": 376200237, + "minor": false, + "user": "NeilKeller", + "userid": 12814098, + "timestamp": "2010-07-30T03:24:06Z", + "sha1": "9252b95827b580c461fcbb4ea379726df58f1143", + "comment": "/* References */", + "*": "{{Infobox magazine\n| title = Jewish Sports Review\n| image_file = \n| image_size = \n| image_alt = \n| image_caption = \n| editor = Ephraim Moxson; Shel Wallman\n| editor_title = Editors\n| previous_editor = \n| staff_writer = Neil Keller; Stan Ramati\n| frequency = Bi-monthly\n| circulation = \n| category = Jewish Sports\n| company = \n| publisher = Ephraim Moxson; Shel Wallman\n| firstdate = May–June 1997{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| country = U.S.\n| based = [[Los Angeles, California]]{{cite web|url=http://www.jewishsportsreview.com/About-Us.html |title=About Us |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| language = \n| website = [http://www.jewishsportsreview.com/ www.jewishsportsreview.com]\n| issn = \n}}\nThe '''''Jewish Sports Review''''' (''JSR'') is a bi-monthly magazine that was established in 1997.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite news|last=Solomon |first=John |url=http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html |title=Neighborhood Report – Upper West Side – Neighborhood Report – Upper West Side – Honoring, Yes, The Jewish Athlete |publisher=NYTimes.com |date=October 25, 1998 |accessdate=May 12, 2010}}{{cite web|url=http://theminaretonline.com/2010/04/28/article11429 |title=Breakdown of Tampa’s Star Designated Hitter Mike Schwartz | The Minaret |publisher=Theminaretonline.com |date=April 28, 2010 |accessdate=May 12, 2010}}{{cite web|author=Steve Rushin |url=http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm |title=There's burgeoning subculture of devoted sports fans for – 02.07.00 – SI Vault |publisher=Sportsillustrated.cnn.com |date=February 7, 2000 |accessdate=May 12, 2010}}{{cite web|last=Ziegel |first=Vic |authorlink=Vic Ziegel |url=http://www.nydailynews.com/archives/sports/2000/01/13/2000-01-13_film_recalls_greenberg_war_v.html |title=Film Recalls Greenberg War Vs. Pitchers, Prejudice |publisher=Nydailynews.com |date=January 13, 2000 |accessdate=May 12, 2010}} Its editors are Ephraim Moxson and Shel Wallman.\n\nThe magazine identifies which star and professional athletes are Jewish. It also covers and has all-time lists for Jewish players in major league baseball,{{cite web|url=http://www.taipeitimes.com/News/sport/archives/2009/07/03/2003447694 |title=archives |publisher=Taipei Times |date=July 3, 2009 |accessdate=May 12, 2010}}{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/04/16/arts/jewish_stars/doc4bc77d3bbc236279484076.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 4/16 |publisher=Cleveland Jewish News |date=April 16, 2010 |accessdate=May 12, 2010}} pro football,{{cite web|url=http://www.sanfranciscosentinel.com/?p=71276 |title=Blog Archives » SAN FRANCISCO 49ERS SELECT JEWISH SAFETY TAYLOR MAYS |publisher=San Francisco Sentinel |date=April 30, 2010 |accessdate=May 12, 2010}} pro basketball,{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/01/22/arts/jewish_stars/doc4b58c3eeb6312045104359.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 1/29 |publisher=Cleveland Jewish News |date=January 22, 2010 |accessdate=May 12, 2010}} and pro hockey;{{cite web|url=http://www.jweekly.com/article/full/41080/jews-and-mel-on-the-big-screen-winter-sports-roundup/ |title=Jews (and Mel) on the big screen, Winter sports roundup | j. the Jewish news weekly of Northern California |publisher=Jweekly.com |date=January 21, 2010 |accessdate=May 12, 2010}} selects Jewish All-America College teams in baseball,{{cite web|url=http://www.google.com/url?sa=t&source=news&oi=news_result&ct=res&cd=4&ved=0CDcQqQIwAw&url=http%3A%2F%2Fwww.courierpostonline.com%2Farticle%2F20100422%2FSPORTS%2F4220346%2F1002%2Fsports&ei=9lDqS4uYDoK0lQeMgYnVCg&usg=AFQjCNEQ36GdmOMaJjNLofkJY8EdQTlDmw&sig2=yfKr6QP7HgaJkNkgKGlnCQ |title=Hard work works for Kavitsky | courierpostonline.com | Courier-Post |publisher=Google.com |date=April 22, 2010 |accessdate=May 12, 2010}} football, basketball,{{cite web|url=http://bearsports.wustl.edu/releases/mbk5-6-10.html |title=Washington University Athletics |publisher=Bearsports.wustl.edu |date=May 6, 2010 |accessdate=May 12, 2010}} softball,{{cite web|url=http://www.northshoreoflongisland.com/Articles-i-2008-07-24-73420.113114_Jacobs_Kavitsky_honored_for_softball_efforts.html |title=Jacobs, Kavitsky honored for softball efforts |publisher=Northshoreoflongisland.com |date=July 25, 2008 |accessdate=May 12, 2010}} soccer,{{cite web|url=http://www.cstv.com/sports/w-soccer/stories/012705aaa.html |title=UAB Women's Soccer Player Pam Cooney Named To Jewish Sports Review 2004 Women's Soccer All-America Team :: Sophomore garners first-team honors |publisher=Cstv.com |date=January 27, 2005 |accessdate=May 12, 2010}} and lacrosse;{{cite web|url=http://media.www.thetriangle.org/media/storage/paper689/news/2004/08/20/Sports/Jewish.Sports.Review.Honors.Lacrosse.Player-703300.shtml |title=Jewish Sports Review honors lacrosse player – Sports |publisher=Media.www.thetriangle.org |date=August 20, 2004 |accessdate=May 12, 2010}} covers international athletic events;{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/02/12/arts/jewish_stars/doc4b74847fd85a4658916074.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 2/12 |publisher=Cleveland Jewish News |date=February 12, 2010 |accessdate=May 12, 2010}} selects high school Jewish All-America teams in basketball; and names the top graduating Jewish high school athletes.{{cite web|last=Casper |first=Joshua |url=http://www.jewishledger.com/articles/2004/03/24/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=March 24, 2004 |accessdate=May 12, 2010}} In addition, it covers \"minor sports\", such as boxing.{{cite news|last=Gray |first=Geoffrey |url=http://www.nytimes.com/2003/07/26/sports/boxing-one-fight-too-many-costs-boxer-his-life.html?pagewanted=1 |title=BOXING – BOXING – One Fight Too Many Costs Boxer His Life |publisher=NYTimes.com |date=July 26, 2003 |accessdate=May 12, 2010}} \n\nAs to his inspiration for launching the magazine, Wallman—speaking on a panel on Jews in baseball at the Cooperstown [[Baseball Hall of Fame]]—said: \"I was always curious to know who was Jewish as a kid. And there wasn't a list.\"{{cite web|last=Ephross |first=Peter |url=http://www.jewishledger.com/articles/2004/09/22/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=September 22, 2004 |accessdate=May 12, 2010}}\n\n==Jewish athletes==\nThe ''JSR'' provides information as to who is Jewish in the sports world, verifying the Jewish background of every athlete covered. \n\nWallman said: \"These days, most Jewish parents with a kid who has a good chance to play in the pros will encourage them,\" adding with a smile, \"You can always go to medical school afterward.\" \n\n===Criteria===\nThe ''JSR'''s criteria are that an athlete is Jewish if one of his parents is Jewish, he did not practice any other religion while he played, and he identified ethnically as a member of the Jewish community.{{cite web|url=http://njjewishnews.com/kaplanskorner/2008/11/05/the-phone-books-here-the-phone-books-here/ |title=“The phone book’s here, the phone book’s here!” * » Kaplan’s Korner on Jews and Sports |publisher=Njjewishnews.com |date=January 4, 2010 |accessdate=May 12, 2010}} If an athlete has a Jewish parent but was raised in, or converted to, another faith, or indicated to the ''JSR'' that he did not wish to be considered Jewish, he is excluded (even though under Jewish law he might be considered Jewish). Moxson indicates that [[David Beckham]] is not included, as only his mother's father is Jewish, and he doesn't identify himself as Jewish.{{cite web|last=Salkin |first=Allen |url=http://charlotte.creativeloafing.com/gyrobase/where_have_you_gone_sandy_koufax_/Content?oid=4463 |title=Where have you gone, Sandy Koufax? | Charlotte | News | Cover |publisher=Charlotte.creativeloafing.com |date= |accessdate=May 12, 2010}}\n\n===Verification===\nJSR researches whether an athlete is Jewish as follows:\n
\nEvery once in a while, the Review adds a player because he is clearly identified as Jewish in a very good news source like an interview. More often, they decide to contact a player (or a player's representative, or very close family member)--because of a tip or because the player has a \"Jewish sounding\" name. If they are told (by the player or his rep) that the player has one or more Jewish parents—they then inquire if the player was raised in and/or currently adheres to a faith other than Judaism. If the player answers \"yes\" to either of those questions—that ends the Review's inquiries and they don't cover the player. On the other hand, if they are told the player was raised Jewish or \"nothing\"--the Review then asks if the player has any objection to being identified as Jewish in the pages of the Review. If not, then they add him.{{cite web|last=Bloom |first=Nate |url=http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/Interfaith_Celebrities_Play_Ball.shtml?rd=2 |title=Interfaith Celebrities Play Ball |publisher=InterfaithFamily.com |date= |accessdate=May 12, 2010}}
\n\nThe magazine get tips on athletes from their subscribers, public relations directors for pro teams, school coaches, parents, and students. Wallman searches by phone and on the internet for top Jewish athletes in pro, college, and high school ranks. \n\nSome athletes are not \"obviously\" Jewish, such as former major league baseball player, [[Ruben Amaro, Jr.]] \n\nThe ''JSR'' also lists athletes frequently misidentified as Jewish, among them second baseman [[Rod Carew]] (\"never converted, although his children were raised Jewish\"), pitcher [[Mike LaCoss]] (\"born Marks, but took his stepfather's name and becomes irate when he is categorized as a Jew\"), and quarterback [[Rex Grossman]] (German-Catholic).{{cite web|url=http://www.nysun.com/sports/sports-desk-2007-02-06/48070/ |title=Sports Desk – February 6, 2007 – The New York Sun |publisher=Nysun.com |date=February 6, 2007 |accessdate=May 12, 2010}}\n\n==Baseball==\n[[File:KevinYouklis.jpg|left|thumb|222px|[[Kevin Youkilis]]]]\nIn 2009, as Jewish baseball players [[Ryan Braun]], [[Ian Kinsler]], and [[Kevin Youkilis]] were leading in voting for their positions on their [[2009 Major League Baseball All-Star Game|All Star teams]], the ''JSR'' noted that 160 Jews had played in the major leagues.{{cite web|url=http://www.bloomberg.com/apps/news?pid=20601079&sid=al9oTr_MYZKk |title=What Does It Mean for the Jews With Youkilis, Braun, Kinsler? |publisher=Bloomberg.com |date=July 2, 2009 |accessdate=May 12, 2010}} \n\nThe ''[[New York Daily News]]'' reported that according to the ''JSR'', there were almost three dozen Jews in baseball before [[Hank Greenberg]], but unlike Greenberg many had changed their names as they played in the majors. Michael Silverman changed his name to Baker, Rosenblum to Bennett, Lifsit to Bostwick, Solomon to Reese, and Makowsky to Markel. And Bohne, Cooney, Ewing, Kane, and Corey were all Cohens in the off-season. \n\nWhen the [[American Jewish Historical Society]] published a set of baseball cards of Jews in the major leagues (in conjunction with Major League Baseball and the Major League Baseball Players Association, and with the support of the National Baseball Hall of Fame and Museum), the project founder Martin Abramowitz of Jewish Major Leaguers Inc. relied on research by the ''JSR''.{{cite web|last=Lowenfish |first=Lee |url=http://www.forward.com/articles/6844/ |title=New Cards Mine Baseball’s Jewish Bench – The Jewish Daily Forward |publisher=Forward.com |date=March 24, 2006 |accessdate=May 12, 2010}}{{cite web|last=Cobb |first=Nathan |url=http://www.boston.com/news/globe/living/articles/2003/10/13/tribute_is_in_the_cards_for_jewish_ballplayers/ |title=/ News / Boston Globe / Living / Arts / Tribute is in the cards for Jewish ballplayers |publisher=Boston.com |date=October 13, 2003 |accessdate=May 12, 2010}} Also, when the [[Israel Baseball League]] was active, teams in it would recruit top college baseball players from the ''JSR'''s Jewish All-Americans in [[NCAA]] Divisions I, II, and III.{{cite web|last=Wieczorek |first=Allie |url=http://www.studlife.com/archives/Sports/2007/09/12/FromKellyFieldtotheFieldofDreams/ |title=From Kelly Field to the ‘Field of Dreams’ |publisher=Studlife.com |date=September 12, 2007 |accessdate=May 12, 2010}}\n\n==Basketball==\n[[File:Scheyer.jpg|right|thumb|180px|[[Jon Scheyer]]]]\nAfter \n[[Jon Scheyer]], later an [[2010 NCAA Men's Basketball All-Americans|All-American]] captain of the [[2009–10 Duke Blue Devils men's basketball team|2010 Duke national championship team]], led his high school team of five Jewish starters to an Illinois state championship, ''[[The Forward]]'' quoted Wallman as speculating that an all-Jewish starting lineup may have won a state title in the 1940s, but that it hadn’t happened in the recent past.\n\n==In the media==\nPeter Horvitz, in ''The Big Book of Jewish Sports Heroes: An Illustrated Compendium of Sports History and The 150 Greatest Jewish Sports Stars'' (2007), calls Wallman the \"best and most dependable source of up-to-date information on the subject\" of Jews in sports.{{cite web|url=http://books.google.com/books?id=voCnkWSOoRsC&pg=PA7&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDkQ6AEwAQ#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=The Big Book of Jewish Sports Heros ... – Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} Joseph Siegman, in his book ''Jewish sports legends: the International Jewish Hall of Fame'' (2005), listed Moxson as a distinguished authority on sports.{{cite web|url=http://books.google.com/books?id=oZxnNt28DhcC&pg=PA240&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CD4Q6AEwAg#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=Jewish sports legends: the ... – Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} ''[[The New York Times]]'' noted that the ''JSR'' \"aims to be rigorously comprehensive\". ''[[Sports Illustrated]]'' called the JSR \"tireless in its service mission\".\n\nThe ''JSR'' has been featured in ''Sports Illustrated'', ''The New York Times'', ''[[Los Angeles Times]]'', and ''[[Baltimore Sun]]''.\n\n==See also==\n*[[List of Jews in sports]]\n\n==References==\n{{Reflist|2}}\nhttp://www.NeilKeller.com\n\n==External links==\n*[http://www.jewishsportsreview.com/ ''Jewish Sports Review'']\n\n{{Organized Jewish Life in the United States}}\n\n[[Category:Sports magazines]]\n[[Category:Jewish magazines published in the United States]]\n[[Category:Magazines published in California]]\n[[Category:Biweekly magazines]]\n[[Category:Magazines established in 1997]]" + }, + { + "revid": 376204182, + "parentid": 376200869, + "minor": false, + "user": "Epeefleche", + "userid": 1752945, + "timestamp": "2010-07-30T03:51:15Z", + "sha1": "1c8d756425896738ed92cfe98fa8b784982b0a0e", + "comment": "possible COI; not relevant; spam, restore accurate RS-supported material", + "*": "{{Infobox magazine\n| title = Jewish Sports Review\n| image_file = \n| image_size = \n| image_alt = \n| image_caption = \n| editor = Ephraim Moxson; Shel Wallman\n| editor_title = Editors\n| previous_editor = \n| staff_writer = Neil Keller; Stan Ramati\n| frequency = Bi-monthly\n| circulation = \n| category = Jewish Sports\n| company = \n| publisher = Ephraim Moxson; Shel Wallman\n| firstdate = May–June 1997{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| country = U.S.\n| based = [[Los Angeles, California]]{{cite web|url=http://www.jewishsportsreview.com/About-Us.html |title=About Us |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| language = \n| website = [http://www.jewishsportsreview.com/ www.jewishsportsreview.com]\n| issn = \n}}\nThe '''''Jewish Sports Review''''' (''JSR'') is a bi-monthly magazine that was established in 1997.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite news|last=Solomon |first=John |url=http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html |title=Neighborhood Report – Upper West Side – Neighborhood Report – Upper West Side – Honoring, Yes, The Jewish Athlete |publisher=NYTimes.com |date=October 25, 1998 |accessdate=May 12, 2010}}{{cite web|url=http://theminaretonline.com/2010/04/28/article11429 |title=Breakdown of Tampa’s Star Designated Hitter Mike Schwartz | The Minaret |publisher=Theminaretonline.com |date=April 28, 2010 |accessdate=May 12, 2010}}{{cite web|author=Steve Rushin |url=http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm |title=There's burgeoning subculture of devoted sports fans for – 02.07.00 – SI Vault |publisher=Sportsillustrated.cnn.com |date=February 7, 2000 |accessdate=May 12, 2010}}{{cite web|last=Ziegel |first=Vic |authorlink=Vic Ziegel |url=http://www.nydailynews.com/archives/sports/2000/01/13/2000-01-13_film_recalls_greenberg_war_v.html |title=Film Recalls Greenberg War Vs. Pitchers, Prejudice |publisher=Nydailynews.com |date=January 13, 2000 |accessdate=May 12, 2010}} Its editors are Ephraim Moxson and Shel Wallman.\n\nThe magazine identifies which star and professional athletes are Jewish. It also covers and has all-time lists for Jewish players in major league baseball,{{cite web|url=http://www.taipeitimes.com/News/sport/archives/2009/07/03/2003447694 |title=archives |publisher=Taipei Times |date=July 3, 2009 |accessdate=May 12, 2010}}{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/04/16/arts/jewish_stars/doc4bc77d3bbc236279484076.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 4/16 |publisher=Cleveland Jewish News |date=April 16, 2010 |accessdate=May 12, 2010}} pro football,{{cite web|url=http://www.sanfranciscosentinel.com/?p=71276 |title=Blog Archives » SAN FRANCISCO 49ERS SELECT JEWISH SAFETY TAYLOR MAYS |publisher=San Francisco Sentinel |date=April 30, 2010 |accessdate=May 12, 2010}} pro basketball,{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/01/22/arts/jewish_stars/doc4b58c3eeb6312045104359.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 1/29 |publisher=Cleveland Jewish News |date=January 22, 2010 |accessdate=May 12, 2010}} and pro hockey;{{cite web|url=http://www.jweekly.com/article/full/41080/jews-and-mel-on-the-big-screen-winter-sports-roundup/ |title=Jews (and Mel) on the big screen, Winter sports roundup | j. the Jewish news weekly of Northern California |publisher=Jweekly.com |date=January 21, 2010 |accessdate=May 12, 2010}} selects Jewish All-America College teams in baseball,{{cite web|url=http://www.google.com/url?sa=t&source=news&oi=news_result&ct=res&cd=4&ved=0CDcQqQIwAw&url=http%3A%2F%2Fwww.courierpostonline.com%2Farticle%2F20100422%2FSPORTS%2F4220346%2F1002%2Fsports&ei=9lDqS4uYDoK0lQeMgYnVCg&usg=AFQjCNEQ36GdmOMaJjNLofkJY8EdQTlDmw&sig2=yfKr6QP7HgaJkNkgKGlnCQ |title=Hard work works for Kavitsky | courierpostonline.com | Courier-Post |publisher=Google.com |date=April 22, 2010 |accessdate=May 12, 2010}} football, basketball,{{cite web|url=http://bearsports.wustl.edu/releases/mbk5-6-10.html |title=Washington University Athletics |publisher=Bearsports.wustl.edu |date=May 6, 2010 |accessdate=May 12, 2010}} softball,{{cite web|url=http://www.northshoreoflongisland.com/Articles-i-2008-07-24-73420.113114_Jacobs_Kavitsky_honored_for_softball_efforts.html |title=Jacobs, Kavitsky honored for softball efforts |publisher=Northshoreoflongisland.com |date=July 25, 2008 |accessdate=May 12, 2010}} soccer,{{cite web|url=http://www.cstv.com/sports/w-soccer/stories/012705aaa.html |title=UAB Women's Soccer Player Pam Cooney Named To Jewish Sports Review 2004 Women's Soccer All-America Team :: Sophomore garners first-team honors |publisher=Cstv.com |date=January 27, 2005 |accessdate=May 12, 2010}} and lacrosse;{{cite web|url=http://media.www.thetriangle.org/media/storage/paper689/news/2004/08/20/Sports/Jewish.Sports.Review.Honors.Lacrosse.Player-703300.shtml |title=Jewish Sports Review honors lacrosse player – Sports |publisher=Media.www.thetriangle.org |date=August 20, 2004 |accessdate=May 12, 2010}} covers international athletic events;{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/02/12/arts/jewish_stars/doc4b74847fd85a4658916074.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 2/12 |publisher=Cleveland Jewish News |date=February 12, 2010 |accessdate=May 12, 2010}} selects high school Jewish All-America teams in basketball; and names the top graduating Jewish high school athletes.{{cite web|last=Casper |first=Joshua |url=http://www.jewishledger.com/articles/2004/03/24/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=March 24, 2004 |accessdate=May 12, 2010}} In addition, it covers \"minor sports\", such as boxing.{{cite news|last=Gray |first=Geoffrey |url=http://www.nytimes.com/2003/07/26/sports/boxing-one-fight-too-many-costs-boxer-his-life.html?pagewanted=1 |title=BOXING – BOXING – One Fight Too Many Costs Boxer His Life |publisher=NYTimes.com |date=July 26, 2003 |accessdate=May 12, 2010}} \n\nAs to his inspiration for launching the magazine, Wallman—speaking on a panel on Jews in baseball at the Cooperstown [[Baseball Hall of Fame]]—said: \"I was always curious to know who was Jewish as a kid. And there wasn't a list.\"{{cite web|last=Ephross |first=Peter |url=http://www.jewishledger.com/articles/2004/09/22/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=September 22, 2004 |accessdate=May 12, 2010}}\n\n==Jewish athletes==\nThe ''JSR'' provides information as to who is Jewish in the sports world, verifying the Jewish background of every athlete covered. \n\nWallman said: \"These days, most Jewish parents with a kid who has a good chance to play in the pros will encourage them,\" adding with a smile, \"You can always go to medical school afterward.\" \n\n===Criteria===\nThe ''JSR'''s criteria are that an athlete is Jewish if one of his parents is Jewish, he did not practice any other religion while he played, and he identified ethnically as a member of the Jewish community.{{cite web|url=http://njjewishnews.com/kaplanskorner/2008/11/05/the-phone-books-here-the-phone-books-here/ |title=“The phone book’s here, the phone book’s here!” * » Kaplan’s Korner on Jews and Sports |publisher=Njjewishnews.com |date=January 4, 2010 |accessdate=May 12, 2010}} If an athlete has a Jewish parent but was raised in, or converted to, another faith, or indicated to the ''JSR'' that he did not wish to be considered Jewish, he is excluded (even though under Jewish law he might be considered Jewish). Moxson indicates that [[David Beckham]] is not included, as only his mother's father is Jewish, and he doesn't identify himself as Jewish.{{cite web|last=Salkin |first=Allen |url=http://charlotte.creativeloafing.com/gyrobase/where_have_you_gone_sandy_koufax_/Content?oid=4463 |title=Where have you gone, Sandy Koufax? | Charlotte | News | Cover |publisher=Charlotte.creativeloafing.com |date= |accessdate=May 12, 2010}}\n\n===Verification===\nColumnist Nate Bloom described how the JSR researches whether an athlete is Jewish as follows:\n
\nEvery once in a while, the Review adds a player because he is clearly identified as Jewish in a very good news source like an interview. More often, they decide to contact a player (or a player's representative, or very close family member)--because of a tip or because the player has a \"Jewish sounding\" name. If they are told (by the player or his rep) that the player has one or more Jewish parents—they then inquire if the player was raised in and/or currently adheres to a faith other than Judaism. If the player answers \"yes\" to either of those questions—that ends the Review's inquiries and they don't cover the player. On the other hand, if they are told the player was raised Jewish or \"nothing\"--the Review then asks if the player has any objection to being identified as Jewish in the pages of the Review. If not, then they add him.{{cite web|last=Bloom |first=Nate |url=http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/Interfaith_Celebrities_Play_Ball.shtml?rd=2 |title=Interfaith Celebrities Play Ball |publisher=InterfaithFamily.com |date= |accessdate=May 12, 2010}}
\n\nThe magazine get tips on athletes from their subscribers, public relations directors for pro teams, school coaches, parents, and students. Wallman searches by phone and on the internet for top Jewish athletes in pro, college, and high school ranks. \n\nSome athletes are not \"obviously\" Jewish, such as former major league baseball player, [[Ruben Amaro, Jr.]] \n\nThe ''JSR'' also lists athletes frequently misidentified as Jewish, among them second baseman [[Rod Carew]] (\"never converted, although his children were raised Jewish\"), pitcher [[Mike LaCoss]] (\"born Marks, but took his stepfather's name and becomes irate when he is categorized as a Jew\"), and quarterback [[Rex Grossman]] (German-Catholic).{{cite web|url=http://www.nysun.com/sports/sports-desk-2007-02-06/48070/ |title=Sports Desk – February 6, 2007 – The New York Sun |publisher=Nysun.com |date=February 6, 2007 |accessdate=May 12, 2010}}\n\n==Baseball==\n[[File:KevinYouklis.jpg|left|thumb|222px|[[Kevin Youkilis]]]]\nIn 2009, as Jewish baseball players [[Ryan Braun]], [[Ian Kinsler]], and [[Kevin Youkilis]] were leading in voting for their positions on their [[2009 Major League Baseball All-Star Game|All Star teams]], the ''JSR'' noted that 160 Jews had played in the major leagues.{{cite web|url=http://www.bloomberg.com/apps/news?pid=20601079&sid=al9oTr_MYZKk |title=What Does It Mean for the Jews With Youkilis, Braun, Kinsler? |publisher=Bloomberg.com |date=July 2, 2009 |accessdate=May 12, 2010}} \n\nThe ''[[New York Daily News]]'' reported that according to the ''JSR'', there were almost three dozen Jews in baseball before [[Hank Greenberg]], but unlike Greenberg many had changed their names as they played in the majors. Michael Silverman changed his name to Baker, Rosenblum to Bennett, Lifsit to Bostwick, Solomon to Reese, and Makowsky to Markel. And Bohne, Cooney, Ewing, Kane, and Corey were all Cohens in the off-season. \n\nWhen the [[American Jewish Historical Society]] published a set of baseball cards of Jews in the major leagues (in conjunction with Major League Baseball and the Major League Baseball Players Association, and with the support of the National Baseball Hall of Fame and Museum), the project founder Martin Abramowitz of Jewish Major Leaguers Inc. relied on research by the ''JSR''.{{cite web|last=Lowenfish |first=Lee |url=http://www.forward.com/articles/6844/ |title=New Cards Mine Baseball’s Jewish Bench – The Jewish Daily Forward |publisher=Forward.com |date=March 24, 2006 |accessdate=May 12, 2010}}{{cite web|last=Cobb |first=Nathan |url=http://www.boston.com/news/globe/living/articles/2003/10/13/tribute_is_in_the_cards_for_jewish_ballplayers/ |title=/ News / Boston Globe / Living / Arts / Tribute is in the cards for Jewish ballplayers |publisher=Boston.com |date=October 13, 2003 |accessdate=May 12, 2010}} Also, when the [[Israel Baseball League]] was active, teams in it would recruit top college baseball players from the ''JSR'''s Jewish All-Americans in [[NCAA]] Divisions I, II, and III.{{cite web|last=Wieczorek |first=Allie |url=http://www.studlife.com/archives/Sports/2007/09/12/FromKellyFieldtotheFieldofDreams/ |title=From Kelly Field to the ‘Field of Dreams’ |publisher=Studlife.com |date=September 12, 2007 |accessdate=May 12, 2010}}\n\n==Basketball==\n[[File:Scheyer.jpg|right|thumb|180px|[[Jon Scheyer]]]]\nAfter \n[[Jon Scheyer]], later an [[2010 NCAA Men's Basketball All-Americans|All-American]] captain of the [[2009–10 Duke Blue Devils men's basketball team|2010 Duke national championship team]], led his high school team of five Jewish starters to an Illinois state championship, ''[[The Forward]]'' quoted Wallman as speculating that an all-Jewish starting lineup may have won a state title in the 1940s, but that it hadn’t happened in the recent past.\n\n==In the media==\nPeter Horvitz, in ''The Big Book of Jewish Sports Heroes: An Illustrated Compendium of Sports History and The 150 Greatest Jewish Sports Stars'' (2007), calls Wallman the \"best and most dependable source of up-to-date information on the subject\" of Jews in sports.{{cite web|url=http://books.google.com/books?id=voCnkWSOoRsC&pg=PA7&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDkQ6AEwAQ#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=The Big Book of Jewish Sports Heros ... – Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} Joseph Siegman, in his book ''Jewish sports legends: the International Jewish Hall of Fame'' (2005), listed Moxson as a distinguished authority on sports.{{cite web|url=http://books.google.com/books?id=oZxnNt28DhcC&pg=PA240&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CD4Q6AEwAg#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=Jewish sports legends: the ... – Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} ''[[The New York Times]]'' noted that the ''JSR'' \"aims to be rigorously comprehensive\". ''[[Sports Illustrated]]'' called the JSR \"tireless in its service mission\".\n\nThe ''JSR'' has been featured in ''Sports Illustrated'', ''The New York Times'', ''[[Los Angeles Times]]'', and ''[[Baltimore Sun]]''.\n\n==See also==\n*[[List of Jews in sports]]\n\n==References==\n{{Reflist|2}}\n\n==External links==\n*[http://www.jewishsportsreview.com/ ''Jewish Sports Review'']\n\n{{Organized Jewish Life in the United States}}\n\n[[Category:Sports magazines]]\n[[Category:Jewish magazines published in the United States]]\n[[Category:Magazines published in California]]\n[[Category:Biweekly magazines]]\n[[Category:Magazines established in 1997]]" + }, + { + "revid": 384018110, + "parentid": 376204182, + "minor": false, + "user": "158.72.143.33", + "anon": true, + "userid": 0, + "timestamp": "2010-09-10T13:23:14Z", + "sha1": "cd4f36302b2612b8c44aae064aaff1a1448c4bd9", + "comment": "/* See also */", + "*": "{{Infobox magazine\n| title = Jewish Sports Review\n| image_file = \n| image_size = \n| image_alt = \n| image_caption = \n| editor = Ephraim Moxson; Shel Wallman\n| editor_title = Editors\n| previous_editor = \n| staff_writer = Neil Keller; Stan Ramati\n| frequency = Bi-monthly\n| circulation = \n| category = Jewish Sports\n| company = \n| publisher = Ephraim Moxson; Shel Wallman\n| firstdate = May–June 1997{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| country = U.S.\n| based = [[Los Angeles, California]]{{cite web|url=http://www.jewishsportsreview.com/About-Us.html |title=About Us |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| language = \n| website = [http://www.jewishsportsreview.com/ www.jewishsportsreview.com]\n| issn = \n}}\nThe '''''Jewish Sports Review''''' (''JSR'') is a bi-monthly magazine that was established in 1997.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite news|last=Solomon |first=John |url=http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html |title=Neighborhood Report – Upper West Side – Neighborhood Report – Upper West Side – Honoring, Yes, The Jewish Athlete |publisher=NYTimes.com |date=October 25, 1998 |accessdate=May 12, 2010}}{{cite web|url=http://theminaretonline.com/2010/04/28/article11429 |title=Breakdown of Tampa’s Star Designated Hitter Mike Schwartz | The Minaret |publisher=Theminaretonline.com |date=April 28, 2010 |accessdate=May 12, 2010}}{{cite web|author=Steve Rushin |url=http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm |title=There's burgeoning subculture of devoted sports fans for – 02.07.00 – SI Vault |publisher=Sportsillustrated.cnn.com |date=February 7, 2000 |accessdate=May 12, 2010}}{{cite web|last=Ziegel |first=Vic |authorlink=Vic Ziegel |url=http://www.nydailynews.com/archives/sports/2000/01/13/2000-01-13_film_recalls_greenberg_war_v.html |title=Film Recalls Greenberg War Vs. Pitchers, Prejudice |publisher=Nydailynews.com |date=January 13, 2000 |accessdate=May 12, 2010}} Its editors are Ephraim Moxson and Shel Wallman.\n\nThe magazine identifies which star and professional athletes are Jewish. It also covers and has all-time lists for Jewish players in major league baseball,{{cite web|url=http://www.taipeitimes.com/News/sport/archives/2009/07/03/2003447694 |title=archives |publisher=Taipei Times |date=July 3, 2009 |accessdate=May 12, 2010}}{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/04/16/arts/jewish_stars/doc4bc77d3bbc236279484076.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 4/16 |publisher=Cleveland Jewish News |date=April 16, 2010 |accessdate=May 12, 2010}} pro football,{{cite web|url=http://www.sanfranciscosentinel.com/?p=71276 |title=Blog Archives » SAN FRANCISCO 49ERS SELECT JEWISH SAFETY TAYLOR MAYS |publisher=San Francisco Sentinel |date=April 30, 2010 |accessdate=May 12, 2010}} pro basketball,{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/01/22/arts/jewish_stars/doc4b58c3eeb6312045104359.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 1/29 |publisher=Cleveland Jewish News |date=January 22, 2010 |accessdate=May 12, 2010}} and pro hockey;{{cite web|url=http://www.jweekly.com/article/full/41080/jews-and-mel-on-the-big-screen-winter-sports-roundup/ |title=Jews (and Mel) on the big screen, Winter sports roundup | j. the Jewish news weekly of Northern California |publisher=Jweekly.com |date=January 21, 2010 |accessdate=May 12, 2010}} selects Jewish All-America College teams in baseball,{{cite web|url=http://www.google.com/url?sa=t&source=news&oi=news_result&ct=res&cd=4&ved=0CDcQqQIwAw&url=http%3A%2F%2Fwww.courierpostonline.com%2Farticle%2F20100422%2FSPORTS%2F4220346%2F1002%2Fsports&ei=9lDqS4uYDoK0lQeMgYnVCg&usg=AFQjCNEQ36GdmOMaJjNLofkJY8EdQTlDmw&sig2=yfKr6QP7HgaJkNkgKGlnCQ |title=Hard work works for Kavitsky | courierpostonline.com | Courier-Post |publisher=Google.com |date=April 22, 2010 |accessdate=May 12, 2010}} football, basketball,{{cite web|url=http://bearsports.wustl.edu/releases/mbk5-6-10.html |title=Washington University Athletics |publisher=Bearsports.wustl.edu |date=May 6, 2010 |accessdate=May 12, 2010}} softball,{{cite web|url=http://www.northshoreoflongisland.com/Articles-i-2008-07-24-73420.113114_Jacobs_Kavitsky_honored_for_softball_efforts.html |title=Jacobs, Kavitsky honored for softball efforts |publisher=Northshoreoflongisland.com |date=July 25, 2008 |accessdate=May 12, 2010}} soccer,{{cite web|url=http://www.cstv.com/sports/w-soccer/stories/012705aaa.html |title=UAB Women's Soccer Player Pam Cooney Named To Jewish Sports Review 2004 Women's Soccer All-America Team :: Sophomore garners first-team honors |publisher=Cstv.com |date=January 27, 2005 |accessdate=May 12, 2010}} and lacrosse;{{cite web|url=http://media.www.thetriangle.org/media/storage/paper689/news/2004/08/20/Sports/Jewish.Sports.Review.Honors.Lacrosse.Player-703300.shtml |title=Jewish Sports Review honors lacrosse player – Sports |publisher=Media.www.thetriangle.org |date=August 20, 2004 |accessdate=May 12, 2010}} covers international athletic events;{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/02/12/arts/jewish_stars/doc4b74847fd85a4658916074.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 2/12 |publisher=Cleveland Jewish News |date=February 12, 2010 |accessdate=May 12, 2010}} selects high school Jewish All-America teams in basketball; and names the top graduating Jewish high school athletes.{{cite web|last=Casper |first=Joshua |url=http://www.jewishledger.com/articles/2004/03/24/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=March 24, 2004 |accessdate=May 12, 2010}} In addition, it covers \"minor sports\", such as boxing.{{cite news|last=Gray |first=Geoffrey |url=http://www.nytimes.com/2003/07/26/sports/boxing-one-fight-too-many-costs-boxer-his-life.html?pagewanted=1 |title=BOXING – BOXING – One Fight Too Many Costs Boxer His Life |publisher=NYTimes.com |date=July 26, 2003 |accessdate=May 12, 2010}} \n\nAs to his inspiration for launching the magazine, Wallman—speaking on a panel on Jews in baseball at the Cooperstown [[Baseball Hall of Fame]]—said: \"I was always curious to know who was Jewish as a kid. And there wasn't a list.\"{{cite web|last=Ephross |first=Peter |url=http://www.jewishledger.com/articles/2004/09/22/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=September 22, 2004 |accessdate=May 12, 2010}}\n\n==Jewish athletes==\nThe ''JSR'' provides information as to who is Jewish in the sports world, verifying the Jewish background of every athlete covered. \n\nWallman said: \"These days, most Jewish parents with a kid who has a good chance to play in the pros will encourage them,\" adding with a smile, \"You can always go to medical school afterward.\" \n\n===Criteria===\nThe ''JSR'''s criteria are that an athlete is Jewish if one of his parents is Jewish, he did not practice any other religion while he played, and he identified ethnically as a member of the Jewish community.{{cite web|url=http://njjewishnews.com/kaplanskorner/2008/11/05/the-phone-books-here-the-phone-books-here/ |title=“The phone book’s here, the phone book’s here!” * » Kaplan’s Korner on Jews and Sports |publisher=Njjewishnews.com |date=January 4, 2010 |accessdate=May 12, 2010}} If an athlete has a Jewish parent but was raised in, or converted to, another faith, or indicated to the ''JSR'' that he did not wish to be considered Jewish, he is excluded (even though under Jewish law he might be considered Jewish). Moxson indicates that [[David Beckham]] is not included, as only his mother's father is Jewish, and he doesn't identify himself as Jewish.{{cite web|last=Salkin |first=Allen |url=http://charlotte.creativeloafing.com/gyrobase/where_have_you_gone_sandy_koufax_/Content?oid=4463 |title=Where have you gone, Sandy Koufax? | Charlotte | News | Cover |publisher=Charlotte.creativeloafing.com |date= |accessdate=May 12, 2010}}\n\n===Verification===\nColumnist Nate Bloom described how the JSR researches whether an athlete is Jewish as follows:\n
\nEvery once in a while, the Review adds a player because he is clearly identified as Jewish in a very good news source like an interview. More often, they decide to contact a player (or a player's representative, or very close family member)--because of a tip or because the player has a \"Jewish sounding\" name. If they are told (by the player or his rep) that the player has one or more Jewish parents—they then inquire if the player was raised in and/or currently adheres to a faith other than Judaism. If the player answers \"yes\" to either of those questions—that ends the Review's inquiries and they don't cover the player. On the other hand, if they are told the player was raised Jewish or \"nothing\"--the Review then asks if the player has any objection to being identified as Jewish in the pages of the Review. If not, then they add him.{{cite web|last=Bloom |first=Nate |url=http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/Interfaith_Celebrities_Play_Ball.shtml?rd=2 |title=Interfaith Celebrities Play Ball |publisher=InterfaithFamily.com |date= |accessdate=May 12, 2010}}
\n\nThe magazine get tips on athletes from their subscribers, public relations directors for pro teams, school coaches, parents, and students. Wallman searches by phone and on the internet for top Jewish athletes in pro, college, and high school ranks. \n\nSome athletes are not \"obviously\" Jewish, such as former major league baseball player, [[Ruben Amaro, Jr.]] \n\nThe ''JSR'' also lists athletes frequently misidentified as Jewish, among them second baseman [[Rod Carew]] (\"never converted, although his children were raised Jewish\"), pitcher [[Mike LaCoss]] (\"born Marks, but took his stepfather's name and becomes irate when he is categorized as a Jew\"), and quarterback [[Rex Grossman]] (German-Catholic).{{cite web|url=http://www.nysun.com/sports/sports-desk-2007-02-06/48070/ |title=Sports Desk – February 6, 2007 – The New York Sun |publisher=Nysun.com |date=February 6, 2007 |accessdate=May 12, 2010}}\n\n==Baseball==\n[[File:KevinYouklis.jpg|left|thumb|222px|[[Kevin Youkilis]]]]\nIn 2009, as Jewish baseball players [[Ryan Braun]], [[Ian Kinsler]], and [[Kevin Youkilis]] were leading in voting for their positions on their [[2009 Major League Baseball All-Star Game|All Star teams]], the ''JSR'' noted that 160 Jews had played in the major leagues.{{cite web|url=http://www.bloomberg.com/apps/news?pid=20601079&sid=al9oTr_MYZKk |title=What Does It Mean for the Jews With Youkilis, Braun, Kinsler? |publisher=Bloomberg.com |date=July 2, 2009 |accessdate=May 12, 2010}} \n\nThe ''[[New York Daily News]]'' reported that according to the ''JSR'', there were almost three dozen Jews in baseball before [[Hank Greenberg]], but unlike Greenberg many had changed their names as they played in the majors. Michael Silverman changed his name to Baker, Rosenblum to Bennett, Lifsit to Bostwick, Solomon to Reese, and Makowsky to Markel. And Bohne, Cooney, Ewing, Kane, and Corey were all Cohens in the off-season. \n\nWhen the [[American Jewish Historical Society]] published a set of baseball cards of Jews in the major leagues (in conjunction with Major League Baseball and the Major League Baseball Players Association, and with the support of the National Baseball Hall of Fame and Museum), the project founder Martin Abramowitz of Jewish Major Leaguers Inc. relied on research by the ''JSR''.{{cite web|last=Lowenfish |first=Lee |url=http://www.forward.com/articles/6844/ |title=New Cards Mine Baseball’s Jewish Bench – The Jewish Daily Forward |publisher=Forward.com |date=March 24, 2006 |accessdate=May 12, 2010}}{{cite web|last=Cobb |first=Nathan |url=http://www.boston.com/news/globe/living/articles/2003/10/13/tribute_is_in_the_cards_for_jewish_ballplayers/ |title=/ News / Boston Globe / Living / Arts / Tribute is in the cards for Jewish ballplayers |publisher=Boston.com |date=October 13, 2003 |accessdate=May 12, 2010}} Also, when the [[Israel Baseball League]] was active, teams in it would recruit top college baseball players from the ''JSR'''s Jewish All-Americans in [[NCAA]] Divisions I, II, and III.{{cite web|last=Wieczorek |first=Allie |url=http://www.studlife.com/archives/Sports/2007/09/12/FromKellyFieldtotheFieldofDreams/ |title=From Kelly Field to the ‘Field of Dreams’ |publisher=Studlife.com |date=September 12, 2007 |accessdate=May 12, 2010}}\n\n==Basketball==\n[[File:Scheyer.jpg|right|thumb|180px|[[Jon Scheyer]]]]\nAfter \n[[Jon Scheyer]], later an [[2010 NCAA Men's Basketball All-Americans|All-American]] captain of the [[2009–10 Duke Blue Devils men's basketball team|2010 Duke national championship team]], led his high school team of five Jewish starters to an Illinois state championship, ''[[The Forward]]'' quoted Wallman as speculating that an all-Jewish starting lineup may have won a state title in the 1940s, but that it hadn’t happened in the recent past.\n\n==In the media==\nPeter Horvitz, in ''The Big Book of Jewish Sports Heroes: An Illustrated Compendium of Sports History and The 150 Greatest Jewish Sports Stars'' (2007), calls Wallman the \"best and most dependable source of up-to-date information on the subject\" of Jews in sports.{{cite web|url=http://books.google.com/books?id=voCnkWSOoRsC&pg=PA7&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDkQ6AEwAQ#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=The Big Book of Jewish Sports Heros ... – Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} Joseph Siegman, in his book ''Jewish sports legends: the International Jewish Hall of Fame'' (2005), listed Moxson as a distinguished authority on sports.{{cite web|url=http://books.google.com/books?id=oZxnNt28DhcC&pg=PA240&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CD4Q6AEwAg#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=Jewish sports legends: the ... – Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} ''[[The New York Times]]'' noted that the ''JSR'' \"aims to be rigorously comprehensive\". ''[[Sports Illustrated]]'' called the JSR \"tireless in its service mission\".\n\nThe ''JSR'' has been featured in ''Sports Illustrated'', ''The New York Times'', ''[[Los Angeles Times]]'', and ''[[Baltimore Sun]]''.\n\n==See also==\n*[[List of Jews in sports]]\nwww.NeilKeller.com\n\n==References==\n{{Reflist|2}}\n\n==External links==\n*[http://www.jewishsportsreview.com/ ''Jewish Sports Review'']\n\n{{Organized Jewish Life in the United States}}\n\n[[Category:Sports magazines]]\n[[Category:Jewish magazines published in the United States]]\n[[Category:Magazines published in California]]\n[[Category:Biweekly magazines]]\n[[Category:Magazines established in 1997]]" + }, + { + "revid": 384018196, + "parentid": 384018110, + "minor": true, + "user": "Blehfu", + "userid": 991036, + "timestamp": "2010-09-10T13:24:14Z", + "sha1": "1c8d756425896738ed92cfe98fa8b784982b0a0e", + "comment": "Reverted edits by [[Special:Contributions/158.72.143.33|158.72.143.33]] ([[User talk:158.72.143.33|talk]]) to last revision by Epeefleche ([[WP:HG|HG]])", + "*": "{{Infobox magazine\n| title = Jewish Sports Review\n| image_file = \n| image_size = \n| image_alt = \n| image_caption = \n| editor = Ephraim Moxson; Shel Wallman\n| editor_title = Editors\n| previous_editor = \n| staff_writer = Neil Keller; Stan Ramati\n| frequency = Bi-monthly\n| circulation = \n| category = Jewish Sports\n| company = \n| publisher = Ephraim Moxson; Shel Wallman\n| firstdate = May–June 1997{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| country = U.S.\n| based = [[Los Angeles, California]]{{cite web|url=http://www.jewishsportsreview.com/About-Us.html |title=About Us |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| language = \n| website = [http://www.jewishsportsreview.com/ www.jewishsportsreview.com]\n| issn = \n}}\nThe '''''Jewish Sports Review''''' (''JSR'') is a bi-monthly magazine that was established in 1997.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite news|last=Solomon |first=John |url=http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html |title=Neighborhood Report – Upper West Side – Neighborhood Report – Upper West Side – Honoring, Yes, The Jewish Athlete |publisher=NYTimes.com |date=October 25, 1998 |accessdate=May 12, 2010}}{{cite web|url=http://theminaretonline.com/2010/04/28/article11429 |title=Breakdown of Tampa’s Star Designated Hitter Mike Schwartz | The Minaret |publisher=Theminaretonline.com |date=April 28, 2010 |accessdate=May 12, 2010}}{{cite web|author=Steve Rushin |url=http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm |title=There's burgeoning subculture of devoted sports fans for – 02.07.00 – SI Vault |publisher=Sportsillustrated.cnn.com |date=February 7, 2000 |accessdate=May 12, 2010}}{{cite web|last=Ziegel |first=Vic |authorlink=Vic Ziegel |url=http://www.nydailynews.com/archives/sports/2000/01/13/2000-01-13_film_recalls_greenberg_war_v.html |title=Film Recalls Greenberg War Vs. Pitchers, Prejudice |publisher=Nydailynews.com |date=January 13, 2000 |accessdate=May 12, 2010}} Its editors are Ephraim Moxson and Shel Wallman.\n\nThe magazine identifies which star and professional athletes are Jewish. It also covers and has all-time lists for Jewish players in major league baseball,{{cite web|url=http://www.taipeitimes.com/News/sport/archives/2009/07/03/2003447694 |title=archives |publisher=Taipei Times |date=July 3, 2009 |accessdate=May 12, 2010}}{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/04/16/arts/jewish_stars/doc4bc77d3bbc236279484076.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 4/16 |publisher=Cleveland Jewish News |date=April 16, 2010 |accessdate=May 12, 2010}} pro football,{{cite web|url=http://www.sanfranciscosentinel.com/?p=71276 |title=Blog Archives » SAN FRANCISCO 49ERS SELECT JEWISH SAFETY TAYLOR MAYS |publisher=San Francisco Sentinel |date=April 30, 2010 |accessdate=May 12, 2010}} pro basketball,{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/01/22/arts/jewish_stars/doc4b58c3eeb6312045104359.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 1/29 |publisher=Cleveland Jewish News |date=January 22, 2010 |accessdate=May 12, 2010}} and pro hockey;{{cite web|url=http://www.jweekly.com/article/full/41080/jews-and-mel-on-the-big-screen-winter-sports-roundup/ |title=Jews (and Mel) on the big screen, Winter sports roundup | j. the Jewish news weekly of Northern California |publisher=Jweekly.com |date=January 21, 2010 |accessdate=May 12, 2010}} selects Jewish All-America College teams in baseball,{{cite web|url=http://www.google.com/url?sa=t&source=news&oi=news_result&ct=res&cd=4&ved=0CDcQqQIwAw&url=http%3A%2F%2Fwww.courierpostonline.com%2Farticle%2F20100422%2FSPORTS%2F4220346%2F1002%2Fsports&ei=9lDqS4uYDoK0lQeMgYnVCg&usg=AFQjCNEQ36GdmOMaJjNLofkJY8EdQTlDmw&sig2=yfKr6QP7HgaJkNkgKGlnCQ |title=Hard work works for Kavitsky | courierpostonline.com | Courier-Post |publisher=Google.com |date=April 22, 2010 |accessdate=May 12, 2010}} football, basketball,{{cite web|url=http://bearsports.wustl.edu/releases/mbk5-6-10.html |title=Washington University Athletics |publisher=Bearsports.wustl.edu |date=May 6, 2010 |accessdate=May 12, 2010}} softball,{{cite web|url=http://www.northshoreoflongisland.com/Articles-i-2008-07-24-73420.113114_Jacobs_Kavitsky_honored_for_softball_efforts.html |title=Jacobs, Kavitsky honored for softball efforts |publisher=Northshoreoflongisland.com |date=July 25, 2008 |accessdate=May 12, 2010}} soccer,{{cite web|url=http://www.cstv.com/sports/w-soccer/stories/012705aaa.html |title=UAB Women's Soccer Player Pam Cooney Named To Jewish Sports Review 2004 Women's Soccer All-America Team :: Sophomore garners first-team honors |publisher=Cstv.com |date=January 27, 2005 |accessdate=May 12, 2010}} and lacrosse;{{cite web|url=http://media.www.thetriangle.org/media/storage/paper689/news/2004/08/20/Sports/Jewish.Sports.Review.Honors.Lacrosse.Player-703300.shtml |title=Jewish Sports Review honors lacrosse player – Sports |publisher=Media.www.thetriangle.org |date=August 20, 2004 |accessdate=May 12, 2010}} covers international athletic events;{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/02/12/arts/jewish_stars/doc4b74847fd85a4658916074.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 2/12 |publisher=Cleveland Jewish News |date=February 12, 2010 |accessdate=May 12, 2010}} selects high school Jewish All-America teams in basketball; and names the top graduating Jewish high school athletes.{{cite web|last=Casper |first=Joshua |url=http://www.jewishledger.com/articles/2004/03/24/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=March 24, 2004 |accessdate=May 12, 2010}} In addition, it covers \"minor sports\", such as boxing.{{cite news|last=Gray |first=Geoffrey |url=http://www.nytimes.com/2003/07/26/sports/boxing-one-fight-too-many-costs-boxer-his-life.html?pagewanted=1 |title=BOXING – BOXING – One Fight Too Many Costs Boxer His Life |publisher=NYTimes.com |date=July 26, 2003 |accessdate=May 12, 2010}} \n\nAs to his inspiration for launching the magazine, Wallman—speaking on a panel on Jews in baseball at the Cooperstown [[Baseball Hall of Fame]]—said: \"I was always curious to know who was Jewish as a kid. And there wasn't a list.\"{{cite web|last=Ephross |first=Peter |url=http://www.jewishledger.com/articles/2004/09/22/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=September 22, 2004 |accessdate=May 12, 2010}}\n\n==Jewish athletes==\nThe ''JSR'' provides information as to who is Jewish in the sports world, verifying the Jewish background of every athlete covered. \n\nWallman said: \"These days, most Jewish parents with a kid who has a good chance to play in the pros will encourage them,\" adding with a smile, \"You can always go to medical school afterward.\" \n\n===Criteria===\nThe ''JSR'''s criteria are that an athlete is Jewish if one of his parents is Jewish, he did not practice any other religion while he played, and he identified ethnically as a member of the Jewish community.{{cite web|url=http://njjewishnews.com/kaplanskorner/2008/11/05/the-phone-books-here-the-phone-books-here/ |title=“The phone book’s here, the phone book’s here!” * » Kaplan’s Korner on Jews and Sports |publisher=Njjewishnews.com |date=January 4, 2010 |accessdate=May 12, 2010}} If an athlete has a Jewish parent but was raised in, or converted to, another faith, or indicated to the ''JSR'' that he did not wish to be considered Jewish, he is excluded (even though under Jewish law he might be considered Jewish). Moxson indicates that [[David Beckham]] is not included, as only his mother's father is Jewish, and he doesn't identify himself as Jewish.{{cite web|last=Salkin |first=Allen |url=http://charlotte.creativeloafing.com/gyrobase/where_have_you_gone_sandy_koufax_/Content?oid=4463 |title=Where have you gone, Sandy Koufax? | Charlotte | News | Cover |publisher=Charlotte.creativeloafing.com |date= |accessdate=May 12, 2010}}\n\n===Verification===\nColumnist Nate Bloom described how the JSR researches whether an athlete is Jewish as follows:\n
\nEvery once in a while, the Review adds a player because he is clearly identified as Jewish in a very good news source like an interview. More often, they decide to contact a player (or a player's representative, or very close family member)--because of a tip or because the player has a \"Jewish sounding\" name. If they are told (by the player or his rep) that the player has one or more Jewish parents—they then inquire if the player was raised in and/or currently adheres to a faith other than Judaism. If the player answers \"yes\" to either of those questions—that ends the Review's inquiries and they don't cover the player. On the other hand, if they are told the player was raised Jewish or \"nothing\"--the Review then asks if the player has any objection to being identified as Jewish in the pages of the Review. If not, then they add him.{{cite web|last=Bloom |first=Nate |url=http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/Interfaith_Celebrities_Play_Ball.shtml?rd=2 |title=Interfaith Celebrities Play Ball |publisher=InterfaithFamily.com |date= |accessdate=May 12, 2010}}
\n\nThe magazine get tips on athletes from their subscribers, public relations directors for pro teams, school coaches, parents, and students. Wallman searches by phone and on the internet for top Jewish athletes in pro, college, and high school ranks. \n\nSome athletes are not \"obviously\" Jewish, such as former major league baseball player, [[Ruben Amaro, Jr.]] \n\nThe ''JSR'' also lists athletes frequently misidentified as Jewish, among them second baseman [[Rod Carew]] (\"never converted, although his children were raised Jewish\"), pitcher [[Mike LaCoss]] (\"born Marks, but took his stepfather's name and becomes irate when he is categorized as a Jew\"), and quarterback [[Rex Grossman]] (German-Catholic).{{cite web|url=http://www.nysun.com/sports/sports-desk-2007-02-06/48070/ |title=Sports Desk – February 6, 2007 – The New York Sun |publisher=Nysun.com |date=February 6, 2007 |accessdate=May 12, 2010}}\n\n==Baseball==\n[[File:KevinYouklis.jpg|left|thumb|222px|[[Kevin Youkilis]]]]\nIn 2009, as Jewish baseball players [[Ryan Braun]], [[Ian Kinsler]], and [[Kevin Youkilis]] were leading in voting for their positions on their [[2009 Major League Baseball All-Star Game|All Star teams]], the ''JSR'' noted that 160 Jews had played in the major leagues.{{cite web|url=http://www.bloomberg.com/apps/news?pid=20601079&sid=al9oTr_MYZKk |title=What Does It Mean for the Jews With Youkilis, Braun, Kinsler? |publisher=Bloomberg.com |date=July 2, 2009 |accessdate=May 12, 2010}} \n\nThe ''[[New York Daily News]]'' reported that according to the ''JSR'', there were almost three dozen Jews in baseball before [[Hank Greenberg]], but unlike Greenberg many had changed their names as they played in the majors. Michael Silverman changed his name to Baker, Rosenblum to Bennett, Lifsit to Bostwick, Solomon to Reese, and Makowsky to Markel. And Bohne, Cooney, Ewing, Kane, and Corey were all Cohens in the off-season. \n\nWhen the [[American Jewish Historical Society]] published a set of baseball cards of Jews in the major leagues (in conjunction with Major League Baseball and the Major League Baseball Players Association, and with the support of the National Baseball Hall of Fame and Museum), the project founder Martin Abramowitz of Jewish Major Leaguers Inc. relied on research by the ''JSR''.{{cite web|last=Lowenfish |first=Lee |url=http://www.forward.com/articles/6844/ |title=New Cards Mine Baseball’s Jewish Bench – The Jewish Daily Forward |publisher=Forward.com |date=March 24, 2006 |accessdate=May 12, 2010}}{{cite web|last=Cobb |first=Nathan |url=http://www.boston.com/news/globe/living/articles/2003/10/13/tribute_is_in_the_cards_for_jewish_ballplayers/ |title=/ News / Boston Globe / Living / Arts / Tribute is in the cards for Jewish ballplayers |publisher=Boston.com |date=October 13, 2003 |accessdate=May 12, 2010}} Also, when the [[Israel Baseball League]] was active, teams in it would recruit top college baseball players from the ''JSR'''s Jewish All-Americans in [[NCAA]] Divisions I, II, and III.{{cite web|last=Wieczorek |first=Allie |url=http://www.studlife.com/archives/Sports/2007/09/12/FromKellyFieldtotheFieldofDreams/ |title=From Kelly Field to the ‘Field of Dreams’ |publisher=Studlife.com |date=September 12, 2007 |accessdate=May 12, 2010}}\n\n==Basketball==\n[[File:Scheyer.jpg|right|thumb|180px|[[Jon Scheyer]]]]\nAfter \n[[Jon Scheyer]], later an [[2010 NCAA Men's Basketball All-Americans|All-American]] captain of the [[2009–10 Duke Blue Devils men's basketball team|2010 Duke national championship team]], led his high school team of five Jewish starters to an Illinois state championship, ''[[The Forward]]'' quoted Wallman as speculating that an all-Jewish starting lineup may have won a state title in the 1940s, but that it hadn’t happened in the recent past.\n\n==In the media==\nPeter Horvitz, in ''The Big Book of Jewish Sports Heroes: An Illustrated Compendium of Sports History and The 150 Greatest Jewish Sports Stars'' (2007), calls Wallman the \"best and most dependable source of up-to-date information on the subject\" of Jews in sports.{{cite web|url=http://books.google.com/books?id=voCnkWSOoRsC&pg=PA7&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDkQ6AEwAQ#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=The Big Book of Jewish Sports Heros ... – Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} Joseph Siegman, in his book ''Jewish sports legends: the International Jewish Hall of Fame'' (2005), listed Moxson as a distinguished authority on sports.{{cite web|url=http://books.google.com/books?id=oZxnNt28DhcC&pg=PA240&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CD4Q6AEwAg#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=Jewish sports legends: the ... – Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} ''[[The New York Times]]'' noted that the ''JSR'' \"aims to be rigorously comprehensive\". ''[[Sports Illustrated]]'' called the JSR \"tireless in its service mission\".\n\nThe ''JSR'' has been featured in ''Sports Illustrated'', ''The New York Times'', ''[[Los Angeles Times]]'', and ''[[Baltimore Sun]]''.\n\n==See also==\n*[[List of Jews in sports]]\n\n==References==\n{{Reflist|2}}\n\n==External links==\n*[http://www.jewishsportsreview.com/ ''Jewish Sports Review'']\n\n{{Organized Jewish Life in the United States}}\n\n[[Category:Sports magazines]]\n[[Category:Jewish magazines published in the United States]]\n[[Category:Magazines published in California]]\n[[Category:Biweekly magazines]]\n[[Category:Magazines established in 1997]]" + }, + { + "revid": 391120687, + "parentid": 384018196, + "minor": true, + "user": "H3llBot", + "userid": 12323565, + "timestamp": "2010-10-16T20:59:40Z", + "sha1": "30a3006297ce81fb683176ace4406cea52c1c1e4", + "comment": "BOT: [[User:H3llBot/T2|Checking dead links]]; Marked 1 link with {{Dead link}} (Further info: [[WP:DEADLINK]])", + "*": "{{Infobox magazine\n| title = Jewish Sports Review\n| image_file = \n| image_size = \n| image_alt = \n| image_caption = \n| editor = Ephraim Moxson; Shel Wallman\n| editor_title = Editors\n| previous_editor = \n| staff_writer = Neil Keller; Stan Ramati\n| frequency = Bi-monthly\n| circulation = \n| category = Jewish Sports\n| company = \n| publisher = Ephraim Moxson; Shel Wallman\n| firstdate = May–June 1997{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| country = U.S.\n| based = [[Los Angeles, California]]{{cite web|url=http://www.jewishsportsreview.com/About-Us.html |title=About Us |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| language = \n| website = [http://www.jewishsportsreview.com/ www.jewishsportsreview.com]\n| issn = \n}}\nThe '''''Jewish Sports Review''''' (''JSR'') is a bi-monthly magazine that was established in 1997.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite news|last=Solomon |first=John |url=http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html |title=Neighborhood Report – Upper West Side – Neighborhood Report – Upper West Side – Honoring, Yes, The Jewish Athlete |publisher=NYTimes.com |date=October 25, 1998 |accessdate=May 12, 2010}}{{cite web|url=http://theminaretonline.com/2010/04/28/article11429 |title=Breakdown of Tampa’s Star Designated Hitter Mike Schwartz | The Minaret |publisher=Theminaretonline.com |date=April 28, 2010 |accessdate=May 12, 2010}}{{cite web|author=Steve Rushin |url=http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm |title=There's burgeoning subculture of devoted sports fans for – 02.07.00 – SI Vault |publisher=Sportsillustrated.cnn.com |date=February 7, 2000 |accessdate=May 12, 2010}}{{cite web|last=Ziegel |first=Vic |authorlink=Vic Ziegel |url=http://www.nydailynews.com/archives/sports/2000/01/13/2000-01-13_film_recalls_greenberg_war_v.html |title=Film Recalls Greenberg War Vs. Pitchers, Prejudice |publisher=Nydailynews.com |date=January 13, 2000 |accessdate=May 12, 2010}} Its editors are Ephraim Moxson and Shel Wallman.\n\nThe magazine identifies which star and professional athletes are Jewish. It also covers and has all-time lists for Jewish players in major league baseball,{{cite web|url=http://www.taipeitimes.com/News/sport/archives/2009/07/03/2003447694 |title=archives |publisher=Taipei Times |date=July 3, 2009 |accessdate=May 12, 2010}}{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/04/16/arts/jewish_stars/doc4bc77d3bbc236279484076.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 4/16 |publisher=Cleveland Jewish News |date=April 16, 2010 |accessdate=May 12, 2010}} pro football,{{cite web|url=http://www.sanfranciscosentinel.com/?p=71276 |title=Blog Archives » SAN FRANCISCO 49ERS SELECT JEWISH SAFETY TAYLOR MAYS |publisher=San Francisco Sentinel |date=April 30, 2010 |accessdate=May 12, 2010}} pro basketball,{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/01/22/arts/jewish_stars/doc4b58c3eeb6312045104359.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 1/29 |publisher=Cleveland Jewish News |date=January 22, 2010 |accessdate=May 12, 2010}} and pro hockey;{{cite web|url=http://www.jweekly.com/article/full/41080/jews-and-mel-on-the-big-screen-winter-sports-roundup/ |title=Jews (and Mel) on the big screen, Winter sports roundup | j. the Jewish news weekly of Northern California |publisher=Jweekly.com |date=January 21, 2010 |accessdate=May 12, 2010}} selects Jewish All-America College teams in baseball,{{cite web|url=http://www.google.com/url?sa=t&source=news&oi=news_result&ct=res&cd=4&ved=0CDcQqQIwAw&url=http%3A%2F%2Fwww.courierpostonline.com%2Farticle%2F20100422%2FSPORTS%2F4220346%2F1002%2Fsports&ei=9lDqS4uYDoK0lQeMgYnVCg&usg=AFQjCNEQ36GdmOMaJjNLofkJY8EdQTlDmw&sig2=yfKr6QP7HgaJkNkgKGlnCQ |title=Hard work works for Kavitsky | courierpostonline.com | Courier-Post |publisher=Google.com |date=April 22, 2010 |accessdate=May 12, 2010}} football, basketball,{{cite web|url=http://bearsports.wustl.edu/releases/mbk5-6-10.html |title=Washington University Athletics |publisher=Bearsports.wustl.edu |date=May 6, 2010 |accessdate=May 12, 2010}} {{Dead link|date=October 2010|bot=H3llBot}} softball,{{cite web|url=http://www.northshoreoflongisland.com/Articles-i-2008-07-24-73420.113114_Jacobs_Kavitsky_honored_for_softball_efforts.html |title=Jacobs, Kavitsky honored for softball efforts |publisher=Northshoreoflongisland.com |date=July 25, 2008 |accessdate=May 12, 2010}} soccer,{{cite web|url=http://www.cstv.com/sports/w-soccer/stories/012705aaa.html |title=UAB Women's Soccer Player Pam Cooney Named To Jewish Sports Review 2004 Women's Soccer All-America Team :: Sophomore garners first-team honors |publisher=Cstv.com |date=January 27, 2005 |accessdate=May 12, 2010}} and lacrosse;{{cite web|url=http://media.www.thetriangle.org/media/storage/paper689/news/2004/08/20/Sports/Jewish.Sports.Review.Honors.Lacrosse.Player-703300.shtml |title=Jewish Sports Review honors lacrosse player – Sports |publisher=Media.www.thetriangle.org |date=August 20, 2004 |accessdate=May 12, 2010}} covers international athletic events;{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/02/12/arts/jewish_stars/doc4b74847fd85a4658916074.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 2/12 |publisher=Cleveland Jewish News |date=February 12, 2010 |accessdate=May 12, 2010}} selects high school Jewish All-America teams in basketball; and names the top graduating Jewish high school athletes.{{cite web|last=Casper |first=Joshua |url=http://www.jewishledger.com/articles/2004/03/24/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=March 24, 2004 |accessdate=May 12, 2010}} In addition, it covers \"minor sports\", such as boxing.{{cite news|last=Gray |first=Geoffrey |url=http://www.nytimes.com/2003/07/26/sports/boxing-one-fight-too-many-costs-boxer-his-life.html?pagewanted=1 |title=BOXING – BOXING – One Fight Too Many Costs Boxer His Life |publisher=NYTimes.com |date=July 26, 2003 |accessdate=May 12, 2010}} \n\nAs to his inspiration for launching the magazine, Wallman—speaking on a panel on Jews in baseball at the Cooperstown [[Baseball Hall of Fame]]—said: \"I was always curious to know who was Jewish as a kid. And there wasn't a list.\"{{cite web|last=Ephross |first=Peter |url=http://www.jewishledger.com/articles/2004/09/22/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=September 22, 2004 |accessdate=May 12, 2010}}\n\n==Jewish athletes==\nThe ''JSR'' provides information as to who is Jewish in the sports world, verifying the Jewish background of every athlete covered. \n\nWallman said: \"These days, most Jewish parents with a kid who has a good chance to play in the pros will encourage them,\" adding with a smile, \"You can always go to medical school afterward.\" \n\n===Criteria===\nThe ''JSR'''s criteria are that an athlete is Jewish if one of his parents is Jewish, he did not practice any other religion while he played, and he identified ethnically as a member of the Jewish community.{{cite web|url=http://njjewishnews.com/kaplanskorner/2008/11/05/the-phone-books-here-the-phone-books-here/ |title=“The phone book’s here, the phone book’s here!” * » Kaplan’s Korner on Jews and Sports |publisher=Njjewishnews.com |date=January 4, 2010 |accessdate=May 12, 2010}} If an athlete has a Jewish parent but was raised in, or converted to, another faith, or indicated to the ''JSR'' that he did not wish to be considered Jewish, he is excluded (even though under Jewish law he might be considered Jewish). Moxson indicates that [[David Beckham]] is not included, as only his mother's father is Jewish, and he doesn't identify himself as Jewish.{{cite web|last=Salkin |first=Allen |url=http://charlotte.creativeloafing.com/gyrobase/where_have_you_gone_sandy_koufax_/Content?oid=4463 |title=Where have you gone, Sandy Koufax? | Charlotte | News | Cover |publisher=Charlotte.creativeloafing.com |date= |accessdate=May 12, 2010}}\n\n===Verification===\nColumnist Nate Bloom described how the JSR researches whether an athlete is Jewish as follows:\n
\nEvery once in a while, the Review adds a player because he is clearly identified as Jewish in a very good news source like an interview. More often, they decide to contact a player (or a player's representative, or very close family member)--because of a tip or because the player has a \"Jewish sounding\" name. If they are told (by the player or his rep) that the player has one or more Jewish parents—they then inquire if the player was raised in and/or currently adheres to a faith other than Judaism. If the player answers \"yes\" to either of those questions—that ends the Review's inquiries and they don't cover the player. On the other hand, if they are told the player was raised Jewish or \"nothing\"--the Review then asks if the player has any objection to being identified as Jewish in the pages of the Review. If not, then they add him.{{cite web|last=Bloom |first=Nate |url=http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/Interfaith_Celebrities_Play_Ball.shtml?rd=2 |title=Interfaith Celebrities Play Ball |publisher=InterfaithFamily.com |date= |accessdate=May 12, 2010}}
\n\nThe magazine get tips on athletes from their subscribers, public relations directors for pro teams, school coaches, parents, and students. Wallman searches by phone and on the internet for top Jewish athletes in pro, college, and high school ranks. \n\nSome athletes are not \"obviously\" Jewish, such as former major league baseball player, [[Ruben Amaro, Jr.]] \n\nThe ''JSR'' also lists athletes frequently misidentified as Jewish, among them second baseman [[Rod Carew]] (\"never converted, although his children were raised Jewish\"), pitcher [[Mike LaCoss]] (\"born Marks, but took his stepfather's name and becomes irate when he is categorized as a Jew\"), and quarterback [[Rex Grossman]] (German-Catholic).{{cite web|url=http://www.nysun.com/sports/sports-desk-2007-02-06/48070/ |title=Sports Desk – February 6, 2007 – The New York Sun |publisher=Nysun.com |date=February 6, 2007 |accessdate=May 12, 2010}}\n\n==Baseball==\n[[File:KevinYouklis.jpg|left|thumb|222px|[[Kevin Youkilis]]]]\nIn 2009, as Jewish baseball players [[Ryan Braun]], [[Ian Kinsler]], and [[Kevin Youkilis]] were leading in voting for their positions on their [[2009 Major League Baseball All-Star Game|All Star teams]], the ''JSR'' noted that 160 Jews had played in the major leagues.{{cite web|url=http://www.bloomberg.com/apps/news?pid=20601079&sid=al9oTr_MYZKk |title=What Does It Mean for the Jews With Youkilis, Braun, Kinsler? |publisher=Bloomberg.com |date=July 2, 2009 |accessdate=May 12, 2010}} \n\nThe ''[[New York Daily News]]'' reported that according to the ''JSR'', there were almost three dozen Jews in baseball before [[Hank Greenberg]], but unlike Greenberg many had changed their names as they played in the majors. Michael Silverman changed his name to Baker, Rosenblum to Bennett, Lifsit to Bostwick, Solomon to Reese, and Makowsky to Markel. And Bohne, Cooney, Ewing, Kane, and Corey were all Cohens in the off-season. \n\nWhen the [[American Jewish Historical Society]] published a set of baseball cards of Jews in the major leagues (in conjunction with Major League Baseball and the Major League Baseball Players Association, and with the support of the National Baseball Hall of Fame and Museum), the project founder Martin Abramowitz of Jewish Major Leaguers Inc. relied on research by the ''JSR''.{{cite web|last=Lowenfish |first=Lee |url=http://www.forward.com/articles/6844/ |title=New Cards Mine Baseball’s Jewish Bench – The Jewish Daily Forward |publisher=Forward.com |date=March 24, 2006 |accessdate=May 12, 2010}}{{cite web|last=Cobb |first=Nathan |url=http://www.boston.com/news/globe/living/articles/2003/10/13/tribute_is_in_the_cards_for_jewish_ballplayers/ |title=/ News / Boston Globe / Living / Arts / Tribute is in the cards for Jewish ballplayers |publisher=Boston.com |date=October 13, 2003 |accessdate=May 12, 2010}} Also, when the [[Israel Baseball League]] was active, teams in it would recruit top college baseball players from the ''JSR'''s Jewish All-Americans in [[NCAA]] Divisions I, II, and III.{{cite web|last=Wieczorek |first=Allie |url=http://www.studlife.com/archives/Sports/2007/09/12/FromKellyFieldtotheFieldofDreams/ |title=From Kelly Field to the ‘Field of Dreams’ |publisher=Studlife.com |date=September 12, 2007 |accessdate=May 12, 2010}}\n\n==Basketball==\n[[File:Scheyer.jpg|right|thumb|180px|[[Jon Scheyer]]]]\nAfter \n[[Jon Scheyer]], later an [[2010 NCAA Men's Basketball All-Americans|All-American]] captain of the [[2009–10 Duke Blue Devils men's basketball team|2010 Duke national championship team]], led his high school team of five Jewish starters to an Illinois state championship, ''[[The Forward]]'' quoted Wallman as speculating that an all-Jewish starting lineup may have won a state title in the 1940s, but that it hadn’t happened in the recent past.\n\n==In the media==\nPeter Horvitz, in ''The Big Book of Jewish Sports Heroes: An Illustrated Compendium of Sports History and The 150 Greatest Jewish Sports Stars'' (2007), calls Wallman the \"best and most dependable source of up-to-date information on the subject\" of Jews in sports.{{cite web|url=http://books.google.com/books?id=voCnkWSOoRsC&pg=PA7&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDkQ6AEwAQ#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=The Big Book of Jewish Sports Heros ... – Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} Joseph Siegman, in his book ''Jewish sports legends: the International Jewish Hall of Fame'' (2005), listed Moxson as a distinguished authority on sports.{{cite web|url=http://books.google.com/books?id=oZxnNt28DhcC&pg=PA240&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CD4Q6AEwAg#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=Jewish sports legends: the ... – Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} ''[[The New York Times]]'' noted that the ''JSR'' \"aims to be rigorously comprehensive\". ''[[Sports Illustrated]]'' called the JSR \"tireless in its service mission\".\n\nThe ''JSR'' has been featured in ''Sports Illustrated'', ''The New York Times'', ''[[Los Angeles Times]]'', and ''[[Baltimore Sun]]''.\n\n==See also==\n*[[List of Jews in sports]]\n\n==References==\n{{Reflist|2}}\n\n==External links==\n*[http://www.jewishsportsreview.com/ ''Jewish Sports Review'']\n\n{{Organized Jewish Life in the United States}}\n\n[[Category:Sports magazines]]\n[[Category:Jewish magazines published in the United States]]\n[[Category:Magazines published in California]]\n[[Category:Biweekly magazines]]\n[[Category:Magazines established in 1997]]" + }, + { + "revid": 393604620, + "parentid": 391120687, + "minor": false, + "user": "Epeefleche", + "userid": 1752945, + "timestamp": "2010-10-29T13:27:09Z", + "sha1": "3d4bdaf601fa6b0f6843fa2ad9dc6fbbcc5b9b56", + "comment": "/* Criteria */ add ref", + "*": "{{Infobox magazine\n| title = Jewish Sports Review\n| image_file = \n| image_size = \n| image_alt = \n| image_caption = \n| editor = Ephraim Moxson; Shel Wallman\n| editor_title = Editors\n| previous_editor = \n| staff_writer = Neil Keller; Stan Ramati\n| frequency = Bi-monthly\n| circulation = \n| category = Jewish Sports\n| company = \n| publisher = Ephraim Moxson; Shel Wallman\n| firstdate = May–June 1997{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| country = U.S.\n| based = [[Los Angeles, California]]{{cite web|url=http://www.jewishsportsreview.com/About-Us.html |title=About Us |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| language = \n| website = [http://www.jewishsportsreview.com/ www.jewishsportsreview.com]\n| issn = \n}}\nThe '''''Jewish Sports Review''''' (''JSR'') is a bi-monthly magazine that was established in 1997.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite news|last=Solomon |first=John |url=http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html |title=Neighborhood Report – Upper West Side – Neighborhood Report – Upper West Side – Honoring, Yes, The Jewish Athlete |publisher=NYTimes.com |date=October 25, 1998 |accessdate=May 12, 2010}}{{cite web|url=http://theminaretonline.com/2010/04/28/article11429 |title=Breakdown of Tampa’s Star Designated Hitter Mike Schwartz | The Minaret |publisher=Theminaretonline.com |date=April 28, 2010 |accessdate=May 12, 2010}}{{cite web|author=Steve Rushin |url=http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm |title=There's burgeoning subculture of devoted sports fans for – 02.07.00 – SI Vault |publisher=Sportsillustrated.cnn.com |date=February 7, 2000 |accessdate=May 12, 2010}}{{cite web|last=Ziegel |first=Vic |authorlink=Vic Ziegel |url=http://www.nydailynews.com/archives/sports/2000/01/13/2000-01-13_film_recalls_greenberg_war_v.html |title=Film Recalls Greenberg War Vs. Pitchers, Prejudice |publisher=Nydailynews.com |date=January 13, 2000 |accessdate=May 12, 2010}} Its editors are Ephraim Moxson and Shel Wallman.\n\nThe magazine identifies which star and professional athletes are Jewish. It also covers and has all-time lists for Jewish players in major league baseball,{{cite web|url=http://www.taipeitimes.com/News/sport/archives/2009/07/03/2003447694 |title=archives |publisher=Taipei Times |date=July 3, 2009 |accessdate=May 12, 2010}}{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/04/16/arts/jewish_stars/doc4bc77d3bbc236279484076.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 4/16 |publisher=Cleveland Jewish News |date=April 16, 2010 |accessdate=May 12, 2010}} pro football,{{cite web|url=http://www.sanfranciscosentinel.com/?p=71276 |title=Blog Archives » SAN FRANCISCO 49ERS SELECT JEWISH SAFETY TAYLOR MAYS |publisher=San Francisco Sentinel |date=April 30, 2010 |accessdate=May 12, 2010}} pro basketball,{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/01/22/arts/jewish_stars/doc4b58c3eeb6312045104359.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 1/29 |publisher=Cleveland Jewish News |date=January 22, 2010 |accessdate=May 12, 2010}} and pro hockey;{{cite web|url=http://www.jweekly.com/article/full/41080/jews-and-mel-on-the-big-screen-winter-sports-roundup/ |title=Jews (and Mel) on the big screen, Winter sports roundup | j. the Jewish news weekly of Northern California |publisher=Jweekly.com |date=January 21, 2010 |accessdate=May 12, 2010}} selects Jewish All-America College teams in baseball,{{cite web|url=http://www.google.com/url?sa=t&source=news&oi=news_result&ct=res&cd=4&ved=0CDcQqQIwAw&url=http%3A%2F%2Fwww.courierpostonline.com%2Farticle%2F20100422%2FSPORTS%2F4220346%2F1002%2Fsports&ei=9lDqS4uYDoK0lQeMgYnVCg&usg=AFQjCNEQ36GdmOMaJjNLofkJY8EdQTlDmw&sig2=yfKr6QP7HgaJkNkgKGlnCQ |title=Hard work works for Kavitsky | courierpostonline.com | Courier-Post |publisher=Google.com |date=April 22, 2010 |accessdate=May 12, 2010}} football, basketball,{{cite web|url=http://bearsports.wustl.edu/releases/mbk5-6-10.html |title=Washington University Athletics |publisher=Bearsports.wustl.edu |date=May 6, 2010 |accessdate=May 12, 2010}} {{Dead link|date=October 2010|bot=H3llBot}} softball,{{cite web|url=http://www.northshoreoflongisland.com/Articles-i-2008-07-24-73420.113114_Jacobs_Kavitsky_honored_for_softball_efforts.html |title=Jacobs, Kavitsky honored for softball efforts |publisher=Northshoreoflongisland.com |date=July 25, 2008 |accessdate=May 12, 2010}} soccer,{{cite web|url=http://www.cstv.com/sports/w-soccer/stories/012705aaa.html |title=UAB Women's Soccer Player Pam Cooney Named To Jewish Sports Review 2004 Women's Soccer All-America Team :: Sophomore garners first-team honors |publisher=Cstv.com |date=January 27, 2005 |accessdate=May 12, 2010}} and lacrosse;{{cite web|url=http://media.www.thetriangle.org/media/storage/paper689/news/2004/08/20/Sports/Jewish.Sports.Review.Honors.Lacrosse.Player-703300.shtml |title=Jewish Sports Review honors lacrosse player – Sports |publisher=Media.www.thetriangle.org |date=August 20, 2004 |accessdate=May 12, 2010}} covers international athletic events;{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/02/12/arts/jewish_stars/doc4b74847fd85a4658916074.txt |title=> Archives > Arts > Jewish Stars > Jewish Stars 2/12 |publisher=Cleveland Jewish News |date=February 12, 2010 |accessdate=May 12, 2010}} selects high school Jewish All-America teams in basketball; and names the top graduating Jewish high school athletes.{{cite web|last=Casper |first=Joshua |url=http://www.jewishledger.com/articles/2004/03/24/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=March 24, 2004 |accessdate=May 12, 2010}} In addition, it covers \"minor sports\", such as boxing.{{cite news|last=Gray |first=Geoffrey |url=http://www.nytimes.com/2003/07/26/sports/boxing-one-fight-too-many-costs-boxer-his-life.html?pagewanted=1 |title=BOXING – BOXING – One Fight Too Many Costs Boxer His Life |publisher=NYTimes.com |date=July 26, 2003 |accessdate=May 12, 2010}} \n\nAs to his inspiration for launching the magazine, Wallman—speaking on a panel on Jews in baseball at the Cooperstown [[Baseball Hall of Fame]]—said: \"I was always curious to know who was Jewish as a kid. And there wasn't a list.\"{{cite web|last=Ephross |first=Peter |url=http://www.jewishledger.com/articles/2004/09/22/news/on_the_cover/news02.txt |title=:: Welcome To The Jewish Ledger :: |publisher=Jewishledger.com |date=September 22, 2004 |accessdate=May 12, 2010}}\n\n==Jewish athletes==\nThe ''JSR'' provides information as to who is Jewish in the sports world, verifying the Jewish background of every athlete covered. \n\nWallman said: \"These days, most Jewish parents with a kid who has a good chance to play in the pros will encourage them,\" adding with a smile, \"You can always go to medical school afterward.\" \n\n===Criteria===\nThe ''JSR'''s criteria are that an athlete is Jewish if one of his parents is Jewish, he did not practice any other religion while he played, and he identified ethnically as a member of the Jewish community.{{cite web|url=http://njjewishnews.com/kaplanskorner/2008/11/05/the-phone-books-here-the-phone-books-here/ |title=“The phone book’s here, the phone book’s here!” * » Kaplan’s Korner on Jews and Sports |publisher=The [[New Jersey Jewish News]] |date=January 4, 2010 |accessdate=May 12, 2010}}[http://www.jta.org/news/article/2010/10/28/2741474/jewish-review-headline] If an athlete has a Jewish parent but was raised in, or converted to, another faith, or indicated to the ''JSR'' that he did not wish to be considered Jewish, he is excluded (even though under Jewish law he might be considered Jewish). Moxson indicates that [[David Beckham]] is not included, as only his mother's father is Jewish, and he doesn't identify himself as Jewish.{{cite web|last=Salkin |first=Allen |url=http://charlotte.creativeloafing.com/gyrobase/where_have_you_gone_sandy_koufax_/Content?oid=4463 |title=Where have you gone, Sandy Koufax? | Charlotte | News | Cover |publisher=Charlotte [[Creative Loafing]] |date= |accessdate=May 12, 2010}}\n\n===Verification===\nColumnist Nate Bloom described how the JSR researches whether an athlete is Jewish as follows:\n
\nEvery once in a while, the Review adds a player because he is clearly identified as Jewish in a very good news source like an interview. More often, they decide to contact a player (or a player's representative, or very close family member)--because of a tip or because the player has a \"Jewish sounding\" name. If they are told (by the player or his rep) that the player has one or more Jewish parents—they then inquire if the player was raised in and/or currently adheres to a faith other than Judaism. If the player answers \"yes\" to either of those questions—that ends the Review's inquiries and they don't cover the player. On the other hand, if they are told the player was raised Jewish or \"nothing\"--the Review then asks if the player has any objection to being identified as Jewish in the pages of the Review. If not, then they add him.{{cite web|last=Bloom |first=Nate |url=http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/Interfaith_Celebrities_Play_Ball.shtml?rd=2 |title=Interfaith Celebrities Play Ball |publisher=InterfaithFamily.com |date= |accessdate=May 12, 2010}}
\n\nThe magazine get tips on athletes from their subscribers, public relations directors for pro teams, school coaches, parents, and students. Wallman searches by phone and on the internet for top Jewish athletes in pro, college, and high school ranks. \n\nSome athletes are not \"obviously\" Jewish, such as former major league baseball player, [[Ruben Amaro, Jr.]] \n\nThe ''JSR'' also lists athletes frequently misidentified as Jewish, among them second baseman [[Rod Carew]] (\"never converted, although his children were raised Jewish\"), pitcher [[Mike LaCoss]] (\"born Marks, but took his stepfather's name and becomes irate when he is categorized as a Jew\"), and quarterback [[Rex Grossman]] (German-Catholic).{{cite web|url=http://www.nysun.com/sports/sports-desk-2007-02-06/48070/ |title=Sports Desk – February 6, 2007 – The New York Sun |publisher=Nysun.com |date=February 6, 2007 |accessdate=May 12, 2010}}\n\n==Baseball==\n[[File:KevinYouklis.jpg|left|thumb|222px|[[Kevin Youkilis]]]]\nIn 2009, as Jewish baseball players [[Ryan Braun]], [[Ian Kinsler]], and [[Kevin Youkilis]] were leading in voting for their positions on their [[2009 Major League Baseball All-Star Game|All Star teams]], the ''JSR'' noted that 160 Jews had played in the major leagues.{{cite web|url=http://www.bloomberg.com/apps/news?pid=20601079&sid=al9oTr_MYZKk |title=What Does It Mean for the Jews With Youkilis, Braun, Kinsler? |publisher=Bloomberg.com |date=July 2, 2009 |accessdate=May 12, 2010}} \n\nThe ''[[New York Daily News]]'' reported that according to the ''JSR'', there were almost three dozen Jews in baseball before [[Hank Greenberg]], but unlike Greenberg many had changed their names as they played in the majors. Michael Silverman changed his name to Baker, Rosenblum to Bennett, Lifsit to Bostwick, Solomon to Reese, and Makowsky to Markel. And Bohne, Cooney, Ewing, Kane, and Corey were all Cohens in the off-season. \n\nWhen the [[American Jewish Historical Society]] published a set of baseball cards of Jews in the major leagues (in conjunction with Major League Baseball and the Major League Baseball Players Association, and with the support of the National Baseball Hall of Fame and Museum), the project founder Martin Abramowitz of Jewish Major Leaguers Inc. relied on research by the ''JSR''.{{cite web|last=Lowenfish |first=Lee |url=http://www.forward.com/articles/6844/ |title=New Cards Mine Baseball’s Jewish Bench – The Jewish Daily Forward |publisher=Forward.com |date=March 24, 2006 |accessdate=May 12, 2010}}{{cite web|last=Cobb |first=Nathan |url=http://www.boston.com/news/globe/living/articles/2003/10/13/tribute_is_in_the_cards_for_jewish_ballplayers/ |title=/ News / Boston Globe / Living / Arts / Tribute is in the cards for Jewish ballplayers |publisher=Boston.com |date=October 13, 2003 |accessdate=May 12, 2010}} Also, when the [[Israel Baseball League]] was active, teams in it would recruit top college baseball players from the ''JSR'''s Jewish All-Americans in [[NCAA]] Divisions I, II, and III.{{cite web|last=Wieczorek |first=Allie |url=http://www.studlife.com/archives/Sports/2007/09/12/FromKellyFieldtotheFieldofDreams/ |title=From Kelly Field to the ‘Field of Dreams’ |publisher=Studlife.com |date=September 12, 2007 |accessdate=May 12, 2010}}\n\n==Basketball==\n[[File:Scheyer.jpg|right|thumb|180px|[[Jon Scheyer]]]]\nAfter \n[[Jon Scheyer]], later an [[2010 NCAA Men's Basketball All-Americans|All-American]] captain of the [[2009–10 Duke Blue Devils men's basketball team|2010 Duke national championship team]], led his high school team of five Jewish starters to an Illinois state championship, ''[[The Forward]]'' quoted Wallman as speculating that an all-Jewish starting lineup may have won a state title in the 1940s, but that it hadn’t happened in the recent past.\n\n==In the media==\nPeter Horvitz, in ''The Big Book of Jewish Sports Heroes: An Illustrated Compendium of Sports History and The 150 Greatest Jewish Sports Stars'' (2007), calls Wallman the \"best and most dependable source of up-to-date information on the subject\" of Jews in sports.{{cite web|url=http://books.google.com/books?id=voCnkWSOoRsC&pg=PA7&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDkQ6AEwAQ#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=The Big Book of Jewish Sports Heros ... – Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} Joseph Siegman, in his book ''Jewish sports legends: the International Jewish Hall of Fame'' (2005), listed Moxson as a distinguished authority on sports.{{cite web|url=http://books.google.com/books?id=oZxnNt28DhcC&pg=PA240&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CD4Q6AEwAg#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=Jewish sports legends: the ... – Google Books |publisher=Books.google.com |date= |accessdate=May 12, 2010}} ''[[The New York Times]]'' noted that the ''JSR'' \"aims to be rigorously comprehensive\". ''[[Sports Illustrated]]'' called the JSR \"tireless in its service mission\".\n\nThe ''JSR'' has been featured in ''Sports Illustrated'', ''The New York Times'', ''[[Los Angeles Times]]'', and ''[[Baltimore Sun]]''.\n\n==See also==\n*[[List of Jews in sports]]\n\n==References==\n{{Reflist|2}}\n\n==External links==\n*[http://www.jewishsportsreview.com/ ''Jewish Sports Review'']\n\n{{Organized Jewish Life in the United States}}\n\n[[Category:Sports magazines]]\n[[Category:Jewish magazines published in the United States]]\n[[Category:Magazines published in California]]\n[[Category:Biweekly magazines]]\n[[Category:Magazines established in 1997]]" + }, + { + "revid": 393605588, + "parentid": 393604620, + "minor": false, + "user": "Epeefleche", + "userid": 1752945, + "timestamp": "2010-10-29T13:33:25Z", + "sha1": "09c49a95071e7b5370919471448f754e373c29bb", + "comment": "ce", + "*": "{{Infobox magazine\n| title = Jewish Sports Review\n| image_file = \n| image_size = \n| image_alt = \n| image_caption = \n| editor = Ephraim Moxson; Shel Wallman\n| editor_title = Editors\n| previous_editor = \n| staff_writer = Neil Keller; Stan Ramati\n| frequency = Bi-monthly\n| circulation = \n| category = Jewish Sports\n| company = \n| publisher = Ephraim Moxson; Shel Wallman\n| firstdate = May–June 1997{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| country = U.S.\n| based = [[Los Angeles, California]]{{cite web|url=http://www.jewishsportsreview.com/About-Us.html |title=About Us |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| language = \n| website = [http://www.jewishsportsreview.com/ www.jewishsportsreview.com]\n| issn = \n}}\nThe '''''Jewish Sports Review''''' (''JSR'') is a bi-monthly magazine that was established in 1997.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite news|last=Solomon |first=John |url=http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html |title=Neighborhood Report – Upper West Side - Honoring, Yes, The Jewish Athlete |publisher=The New York Times |date=October 25, 1998 |accessdate=May 12, 2010}}{{cite web|url=http://theminaretonline.com/2010/04/28/article11429 |title=Breakdown of Tampa’s Star Designated Hitter Mike Schwartz |publisher=The Minaret |date=April 28, 2010 |accessdate=May 12, 2010}}{{cite web|author=Steve Rushin |url=http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm |title=There's burgeoning subculture of devoted sports fans for |publisher=Sports Illustrated|date=February 7, 2000 |accessdate=May 12, 2010}}{{cite web|last=Ziegel |first=Vic |authorlink=Vic Ziegel |url=http://www.nydailynews.com/archives/sports/2000/01/13/2000-01-13_film_recalls_greenberg_war_v.html |title=Film Recalls Greenberg War Vs. Pitchers, Prejudice |publisher=Nydailynews.com |date=January 13, 2000 |accessdate=May 12, 2010}} Its editors are Ephraim Moxson and Shel Wallman.\n\nThe magazine identifies which star and professional athletes are Jewish. It also covers and has all-time lists for Jewish players in major league baseball,{{cite web|url=http://www.taipeitimes.com/News/sport/archives/2009/07/03/2003447694 |title=archives |publisher=Taipei Times |date=July 3, 2009 |accessdate=May 12, 2010}}{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/04/16/arts/jewish_stars/doc4bc77d3bbc236279484076.txt |title= Jewish Stars |publisher=Cleveland Jewish News |date=April 16, 2010 |accessdate=May 12, 2010}} pro football,{{cite web|url=http://www.sanfranciscosentinel.com/?p=71276 |title=SAN FRANCISCO 49ERS SELECT JEWISH SAFETY TAYLOR MAYS |publisher=San Francisco Sentinel |date=April 30, 2010 |accessdate=May 12, 2010}} pro basketball,{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/01/22/arts/jewish_stars/doc4b58c3eeb6312045104359.txt |title= Jewish Stars |publisher=Cleveland Jewish News |date=January 22, 2010 |accessdate=May 12, 2010}} and pro hockey;{{cite web|url=http://www.jweekly.com/article/full/41080/jews-and-mel-on-the-big-screen-winter-sports-roundup/ |title=Jews (and Mel) on the big screen, Winter sports roundup |publisher=Jweekly |date=January 21, 2010 |accessdate=May 12, 2010}} selects Jewish All-America College teams in baseball,{{cite web|url=http://www.google.com/url?sa=t&source=news&oi=news_result&ct=res&cd=4&ved=0CDcQqQIwAw&url=http%3A%2F%2Fwww.courierpostonline.com%2Farticle%2F20100422%2FSPORTS%2F4220346%2F1002%2Fsports&ei=9lDqS4uYDoK0lQeMgYnVCg&usg=AFQjCNEQ36GdmOMaJjNLofkJY8EdQTlDmw&sig2=yfKr6QP7HgaJkNkgKGlnCQ |title=Hard work works for Kavitsky |publisher=Courier-Post|date=April 22, 2010 |accessdate=May 12, 2010}} football, basketball,{{cite web|url=http://bearsports.wustl.edu/releases/mbk5-6-10.html |title=Washington University Athletics |publisher=Bearsports.wustl.edu |date=May 6, 2010 |accessdate=May 12, 2010}} {{Dead link|date=October 2010|bot=H3llBot}} softball,{{cite web|url=http://www.northshoreoflongisland.com/Articles-i-2008-07-24-73420.113114_Jacobs_Kavitsky_honored_for_softball_efforts.html |title=Jacobs, Kavitsky honored for softball efforts |publisher=Northshoreoflongisland.com |date=July 25, 2008 |accessdate=May 12, 2010}} soccer,{{cite web|url=http://www.cstv.com/sports/w-soccer/stories/012705aaa.html |title=UAB Women's Soccer Player Pam Cooney Named To Jewish Sports Review 2004 Women's Soccer All-America Team :: Sophomore garners first-team honors |publisher=Cstv.com |date=January 27, 2005 |accessdate=May 12, 2010}} and lacrosse;{{cite web|url=http://media.www.thetriangle.org/media/storage/paper689/news/2004/08/20/Sports/Jewish.Sports.Review.Honors.Lacrosse.Player-703300.shtml |title=Jewish Sports Review honors lacrosse player |publisher=Media.www.thetriangle.org |date=August 20, 2004 |accessdate=May 12, 2010}} covers international athletic events;{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/02/12/arts/jewish_stars/doc4b74847fd85a4658916074.txt |title=Jewish Stars |publisher=Cleveland Jewish News |date=February 12, 2010 |accessdate=May 12, 2010}} selects high school Jewish All-America teams in basketball; and names the top graduating Jewish high school athletes.{{cite web|last=Casper |first=Joshua |url=http://www.jewishledger.com/articles/2004/03/24/news/on_the_cover/news02.txt |title=:: |publisher=Jewish Ledger |date=March 24, 2004 |accessdate=May 12, 2010}} In addition, it covers \"minor sports\", such as boxing.{{cite news|last=Gray |first=Geoffrey |url=http://www.nytimes.com/2003/07/26/sports/boxing-one-fight-too-many-costs-boxer-his-life.html?pagewanted=1 |title=One Fight Too Many Costs Boxer His Life |publisher=NYTimes.com |date=July 26, 2003 |accessdate=May 12, 2010}} \n\nAs to his inspiration for launching the magazine, Wallman—speaking on a panel on Jews in baseball at the Cooperstown [[Baseball Hall of Fame]]—said: \"I was always curious to know who was Jewish as a kid. And there wasn't a list.\"{{cite web|last=Ephross |first=Peter |url=http://www.jewishledger.com/articles/2004/09/22/news/on_the_cover/news02.txt |title=:: |publisher=Jewishledger.com |date=September 22, 2004 |accessdate=May 12, 2010}}\n\n==Jewish athletes==\nThe ''JSR'' provides information as to who is Jewish in the sports world, verifying the Jewish background of every athlete covered. \n\nWallman said: \"These days, most Jewish parents with a kid who has a good chance to play in the pros will encourage them,\" adding with a smile, \"You can always go to medical school afterward.\" \n\n===Criteria===\nThe ''JSR'''s criteria are that an athlete is Jewish if one of his parents is Jewish, he did not practice any other religion while he played, and he identified ethnically as a member of the Jewish community.{{cite web|url=http://njjewishnews.com/kaplanskorner/2008/11/05/the-phone-books-here-the-phone-books-here/ |title=“The phone book’s here, the phone book’s here!” * » Kaplan’s Korner on Jews and Sports |publisher=The [[New Jersey Jewish News]] |date=January 4, 2010 |accessdate=May 12, 2010}}[http://www.jta.org/news/article/2010/10/28/2741474/jewish-review-headline] If an athlete has a Jewish parent but was raised in, or converted to, another faith, or indicated to the ''JSR'' that he did not wish to be considered Jewish, he is excluded (even though under Jewish law he might be considered Jewish). Moxson indicates that [[David Beckham]] is not included, as only his mother's father is Jewish, and he doesn't identify himself as Jewish.{{cite web|last=Salkin |first=Allen |url=http://charlotte.creativeloafing.com/gyrobase/where_have_you_gone_sandy_koufax_/Content?oid=4463 |title=Where have you gone, Sandy Koufax? | News | Cover |publisher=Charlotte [[Creative Loafing]] |date= |accessdate=May 12, 2010}}\n\n===Verification===\nColumnist Nate Bloom described how the JSR researches whether an athlete is Jewish as follows:\n
\nEvery once in a while, the Review adds a player because he is clearly identified as Jewish in a very good news source like an interview. More often, they decide to contact a player (or a player's representative, or very close family member)--because of a tip or because the player has a \"Jewish sounding\" name. If they are told (by the player or his rep) that the player has one or more Jewish parents—they then inquire if the player was raised in and/or currently adheres to a faith other than Judaism. If the player answers \"yes\" to either of those questions—that ends the Review's inquiries and they don't cover the player. On the other hand, if they are told the player was raised Jewish or \"nothing\"--the Review then asks if the player has any objection to being identified as Jewish in the pages of the Review. If not, then they add him.{{cite web|last=Bloom |first=Nate |url=http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/Interfaith_Celebrities_Play_Ball.shtml?rd=2 |title=Interfaith Celebrities Play Ball |publisher=InterfaithFamily.com |date= |accessdate=May 12, 2010}}
\n\nThe magazine get tips on athletes from their subscribers, public relations directors for pro teams, school coaches, parents, and students. Wallman searches by phone and on the internet for top Jewish athletes in pro, college, and high school ranks. \n\nSome athletes are not \"obviously\" Jewish, such as former major league baseball player, [[Ruben Amaro, Jr.]] \n\nThe ''JSR'' also lists athletes frequently misidentified as Jewish, among them second baseman [[Rod Carew]] (\"never converted, although his children were raised Jewish\"), pitcher [[Mike LaCoss]] (\"born Marks, but took his stepfather's name and becomes irate when he is categorized as a Jew\"), and quarterback [[Rex Grossman]] (German-Catholic).{{cite web|url=http://www.nysun.com/sports/sports-desk-2007-02-06/48070/ |title=Sports Desk |publisher=The New York Sun |date=February 6, 2007 |accessdate=May 12, 2010}}\n\n==Baseball==\n[[File:KevinYouklis.jpg|left|thumb|222px|[[Kevin Youkilis]]]]\nIn 2009, as Jewish baseball players [[Ryan Braun]], [[Ian Kinsler]], and [[Kevin Youkilis]] were leading in voting for their positions on their [[2009 Major League Baseball All-Star Game|All Star teams]], the ''JSR'' noted that 160 Jews had played in the major leagues.{{cite web|url=http://www.bloomberg.com/apps/news?pid=20601079&sid=al9oTr_MYZKk |title=What Does It Mean for the Jews With Youkilis, Braun, Kinsler? |publisher=Bloomberg.com |date=July 2, 2009 |accessdate=May 12, 2010}} \n\nThe ''[[New York Daily News]]'' reported that according to the ''JSR'', there were almost three dozen Jews in baseball before [[Hank Greenberg]], but unlike Greenberg many had changed their names as they played in the majors. Michael Silverman changed his name to Baker, Rosenblum to Bennett, Lifsit to Bostwick, Solomon to Reese, and Makowsky to Markel. And Bohne, Cooney, Ewing, Kane, and Corey were all Cohens in the off-season. \n\nWhen the [[American Jewish Historical Society]] published a set of baseball cards of Jews in the major leagues (in conjunction with Major League Baseball and the Major League Baseball Players Association, and with the support of the National Baseball Hall of Fame and Museum), the project founder Martin Abramowitz of Jewish Major Leaguers Inc. relied on research by the ''JSR''.{{cite web|last=Lowenfish |first=Lee |url=http://www.forward.com/articles/6844/ |title=New Cards Mine Baseball’s Jewish Bench|publisher=Forward |date=March 24, 2006 |accessdate=May 12, 2010}}{{cite web|last=Cobb |first=Nathan |url=http://www.boston.com/news/globe/living/articles/2003/10/13/tribute_is_in_the_cards_for_jewish_ballplayers/ |title= Tribute is in the cards for Jewish ballplayers |publisher=Boston.com |date=October 13, 2003 |accessdate=May 12, 2010}} Also, when the [[Israel Baseball League]] was active, teams in it would recruit top college baseball players from the ''JSR'''s Jewish All-Americans in [[NCAA]] Divisions I, II, and III.{{cite web|last=Wieczorek |first=Allie |url=http://www.studlife.com/archives/Sports/2007/09/12/FromKellyFieldtotheFieldofDreams/ |title=From Kelly Field to the ‘Field of Dreams’ |publisher=Studlife.com |date=September 12, 2007 |accessdate=May 12, 2010}}\n\n==Basketball==\n[[File:Scheyer.jpg|right|thumb|180px|[[Jon Scheyer]]]]\nAfter \n[[Jon Scheyer]], later an [[2010 NCAA Men's Basketball All-Americans|All-American]] captain of the [[2009–10 Duke Blue Devils men's basketball team|2010 Duke national championship team]], led his high school team of five Jewish starters to an Illinois state championship, ''[[The Forward]]'' quoted Wallman as speculating that an all-Jewish starting lineup may have won a state title in the 1940s, but that it hadn’t happened in the recent past.\n\n==In the media==\nPeter Horvitz, in ''The Big Book of Jewish Sports Heroes: An Illustrated Compendium of Sports History and The 150 Greatest Jewish Sports Stars'' (2007), calls Wallman the \"best and most dependable source of up-to-date information on the subject\" of Jews in sports.{{cite web|url=http://books.google.com/books?id=voCnkWSOoRsC&pg=PA7&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDkQ6AEwAQ#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=The Big Book of Jewish Sports Heros ... |publisher=Books.google.com |date= |accessdate=May 12, 2010}} Joseph Siegman, in his book ''Jewish sports legends: the International Jewish Hall of Fame'' (2005), listed Moxson as a distinguished authority on sports.{{cite web|url=http://books.google.com/books?id=oZxnNt28DhcC&pg=PA240&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CD4Q6AEwAg#v=onepage&q=%22jewish%20sports%20review%22&f=false |title=Jewish sports legends: the ... |publisher=Books.google.com |date= |accessdate=May 12, 2010}} ''[[The New York Times]]'' noted that the ''JSR'' \"aims to be rigorously comprehensive\". ''[[Sports Illustrated]]'' called the JSR \"tireless in its service mission\".\n\nThe ''JSR'' has been featured in ''Sports Illustrated'', ''The New York Times'', ''[[Los Angeles Times]]'', and ''[[Baltimore Sun]]''.\n\n==See also==\n*[[List of Jews in sports]]\n\n==References==\n{{Reflist|2}}\n\n==External links==\n*[http://www.jewishsportsreview.com/ ''Jewish Sports Review'']\n\n{{Organized Jewish Life in the United States}}\n\n[[Category:Sports magazines]]\n[[Category:Jewish magazines published in the United States]]\n[[Category:Magazines published in California]]\n[[Category:Biweekly magazines]]\n[[Category:Magazines established in 1997]]" + }, + { + "revid": 393609070, + "parentid": 393605588, + "minor": true, + "user": "Epeefleche", + "userid": 1752945, + "timestamp": "2010-10-29T13:56:14Z", + "sha1": "c1c3dd7a44c1f1af9194c229b85f358e63eeb242", + "comment": "Filling in 1 references using [[WP:REFLINKS|Reflinks]] | fixed [[MOS:DASH|dashes]] using a [[User:GregU/dashes.js|script]] | Script assisted date formatting", + "*": "{{Infobox magazine\n| title = Jewish Sports Review\n| image_file = \n| image_size = \n| image_alt = \n| image_caption = \n| editor = Ephraim Moxson; Shel Wallman\n| editor_title = Editors\n| previous_editor = \n| staff_writer = Neil Keller; Stan Ramati\n| frequency = Bi-monthly\n| circulation = \n| category = Jewish Sports\n| company = \n| publisher = Ephraim Moxson; Shel Wallman\n| firstdate = May–June 1997{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| country = U.S.\n| based = [[Los Angeles, California]]{{cite web|url=http://www.jewishsportsreview.com/About-Us.html |title=About Us |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| language = \n| website = [http://www.jewishsportsreview.com/ www.jewishsportsreview.com]\n| issn = \n}}\nThe '''''Jewish Sports Review''''' (''JSR'') is a bi-monthly magazine that was established in 1997.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite news|last=Solomon |first=John |url=http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html |title=Neighborhood Report – Upper West Side – Honoring, Yes, The Jewish Athlete |publisher=The New York Times |date=October 25, 1998 |accessdate=May 12, 2010}}{{cite web|url=http://theminaretonline.com/2010/04/28/article11429 |title=Breakdown of Tampa’s Star Designated Hitter Mike Schwartz |publisher=The Minaret |date=April 28, 2010 |accessdate=May 12, 2010}}{{cite web|author=Steve Rushin |url=http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm |title=There's burgeoning subculture of devoted sports fans for |publisher=Sports Illustrated|date=February 7, 2000 |accessdate=May 12, 2010}}{{cite web|last=Ziegel |first=Vic |authorlink=Vic Ziegel |url=http://www.nydailynews.com/archives/sports/2000/01/13/2000-01-13_film_recalls_greenberg_war_v.html |title=Film Recalls Greenberg War Vs. Pitchers, Prejudice |publisher=Nydailynews.com |date=January 13, 2000 |accessdate=May 12, 2010}} Its editors are Ephraim Moxson and Shel Wallman.\n\nThe magazine identifies which star and professional athletes are Jewish. It also covers and has all-time lists for Jewish players in major league baseball,{{cite web|url=http://www.taipeitimes.com/News/sport/archives/2009/07/03/2003447694 |title=archives |publisher=Taipei Times |date=July 3, 2009 |accessdate=May 12, 2010}}{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/04/16/arts/jewish_stars/doc4bc77d3bbc236279484076.txt |title= Jewish Stars |publisher=Cleveland Jewish News |date=April 16, 2010 |accessdate=May 12, 2010}} pro football,{{cite web|url=http://www.sanfranciscosentinel.com/?p=71276 |title=SAN FRANCISCO 49ERS SELECT JEWISH SAFETY TAYLOR MAYS |publisher=San Francisco Sentinel |date=April 30, 2010 |accessdate=May 12, 2010}} pro basketball,{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/01/22/arts/jewish_stars/doc4b58c3eeb6312045104359.txt |title= Jewish Stars |publisher=Cleveland Jewish News |date=January 22, 2010 |accessdate=May 12, 2010}} and pro hockey;{{cite web|url=http://www.jweekly.com/article/full/41080/jews-and-mel-on-the-big-screen-winter-sports-roundup/ |title=Jews (and Mel) on the big screen, Winter sports roundup |publisher=Jweekly |date=January 21, 2010 |accessdate=May 12, 2010}} selects Jewish All-America College teams in baseball,{{cite web|url=http://www.google.com/url?sa=t&source=news&oi=news_result&ct=res&cd=4&ved=0CDcQqQIwAw&url=http%3A%2F%2Fwww.courierpostonline.com%2Farticle%2F20100422%2FSPORTS%2F4220346%2F1002%2Fsports&ei=9lDqS4uYDoK0lQeMgYnVCg&usg=AFQjCNEQ36GdmOMaJjNLofkJY8EdQTlDmw&sig2=yfKr6QP7HgaJkNkgKGlnCQ |title=Hard work works for Kavitsky |publisher=Courier-Post|date=April 22, 2010 |accessdate=May 12, 2010}} football, basketball,{{cite web|url=http://bearsports.wustl.edu/releases/mbk5-6-10.html |title=Washington University Athletics |publisher=Bearsports.wustl.edu |date=May 6, 2010 |accessdate=May 12, 2010}} {{Dead link|date=October 2010|bot=H3llBot}} softball,{{cite web|url=http://www.northshoreoflongisland.com/Articles-i-2008-07-24-73420.113114_Jacobs_Kavitsky_honored_for_softball_efforts.html |title=Jacobs, Kavitsky honored for softball efforts |publisher=Northshoreoflongisland.com |date=July 25, 2008 |accessdate=May 12, 2010}} soccer,{{cite web|url=http://www.cstv.com/sports/w-soccer/stories/012705aaa.html |title=UAB Women's Soccer Player Pam Cooney Named To Jewish Sports Review 2004 Women's Soccer All-America Team :: Sophomore garners first-team honors |publisher=Cstv.com |date=January 27, 2005 |accessdate=May 12, 2010}} and lacrosse;{{cite web|url=http://media.www.thetriangle.org/media/storage/paper689/news/2004/08/20/Sports/Jewish.Sports.Review.Honors.Lacrosse.Player-703300.shtml |title=Jewish Sports Review honors lacrosse player |publisher=Media.www.thetriangle.org |date=August 20, 2004 |accessdate=May 12, 2010}} covers international athletic events;{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/02/12/arts/jewish_stars/doc4b74847fd85a4658916074.txt |title=Jewish Stars |publisher=Cleveland Jewish News |date=February 12, 2010 |accessdate=May 12, 2010}} selects high school Jewish All-America teams in basketball; and names the top graduating Jewish high school athletes.{{cite web|last=Casper |first=Joshua |url=http://www.jewishledger.com/articles/2004/03/24/news/on_the_cover/news02.txt |title=:: |publisher=Jewish Ledger |date=March 24, 2004 |accessdate=May 12, 2010}} In addition, it covers \"minor sports\", such as boxing.{{cite news|last=Gray |first=Geoffrey |url=http://www.nytimes.com/2003/07/26/sports/boxing-one-fight-too-many-costs-boxer-his-life.html?pagewanted=1 |title=One Fight Too Many Costs Boxer His Life |publisher=NYTimes.com |date=July 26, 2003 |accessdate=May 12, 2010}} \n\nAs to his inspiration for launching the magazine, Wallman—speaking on a panel on Jews in baseball at the Cooperstown [[Baseball Hall of Fame]]—said: \"I was always curious to know who was Jewish as a kid. And there wasn't a list.\"{{cite web|last=Ephross |first=Peter |url=http://www.jewishledger.com/articles/2004/09/22/news/on_the_cover/news02.txt |title=:: |publisher=Jewishledger.com |date=September 22, 2004 |accessdate=May 12, 2010}}\n\n==Jewish athletes==\nThe ''JSR'' provides information as to who is Jewish in the sports world, verifying the Jewish background of every athlete covered. \n\nWallman said: \"These days, most Jewish parents with a kid who has a good chance to play in the pros will encourage them,\" adding with a smile, \"You can always go to medical school afterward.\" \n\n===Criteria===\nThe ''JSR'''s criteria are that an athlete is Jewish if one of his parents is Jewish, he did not practice any other religion while he played, and he identified ethnically as a member of the Jewish community.{{cite web|url=http://njjewishnews.com/kaplanskorner/2008/11/05/the-phone-books-here-the-phone-books-here/ |title=“The phone book’s here, the phone book’s here!” * » Kaplan’s Korner on Jews and Sports |publisher=The [[New Jersey Jewish News]] |date=January 4, 2010 |accessdate=May 12, 2010}}{{cite web|last=Rodman |first=Edmon J. |url=http://www.jta.org/news/article/2010/10/28/2741474/jewish-review-headline |title=Duo celebrating bar mitzvah of counting Jewish athletes |publisher=JTA |date= |accessdate=October 29, 2010}} If an athlete has a Jewish parent but was raised in, or converted to, another faith, or indicated to the ''JSR'' that he did not wish to be considered Jewish, he is excluded (even though under Jewish law he might be considered Jewish). Moxson indicates that [[David Beckham]] is not included, as only his mother's father is Jewish, and he doesn't identify himself as Jewish.{{cite web|last=Salkin |first=Allen |url=http://charlotte.creativeloafing.com/gyrobase/where_have_you_gone_sandy_koufax_/Content?oid=4463 |title=Where have you gone, Sandy Koufax? | News | Cover |publisher=Charlotte [[Creative Loafing]] |date= |accessdate=May 12, 2010}}\n\n===Verification===\nColumnist Nate Bloom described how the JSR researches whether an athlete is Jewish as follows:\n
\nEvery once in a while, the Review adds a player because he is clearly identified as Jewish in a very good news source like an interview. More often, they decide to contact a player (or a player's representative, or very close family member)--because of a tip or because the player has a \"Jewish sounding\" name. If they are told (by the player or his rep) that the player has one or more Jewish parents—they then inquire if the player was raised in and/or currently adheres to a faith other than Judaism. If the player answers \"yes\" to either of those questions—that ends the Review's inquiries and they don't cover the player. On the other hand, if they are told the player was raised Jewish or \"nothing\"--the Review then asks if the player has any objection to being identified as Jewish in the pages of the Review. If not, then they add him.{{cite web|last=Bloom |first=Nate |url=http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/Interfaith_Celebrities_Play_Ball.shtml?rd=2 |title=Interfaith Celebrities Play Ball |publisher=InterfaithFamily.com |date= |accessdate=May 12, 2010}}
\n\nThe magazine get tips on athletes from their subscribers, public relations directors for pro teams, school coaches, parents, and students. Wallman searches by phone and on the internet for top Jewish athletes in pro, college, and high school ranks. \n\nSome athletes are not \"obviously\" Jewish, such as former major league baseball player, [[Ruben Amaro, Jr.]] \n\nThe ''JSR'' also lists athletes frequently misidentified as Jewish, among them second baseman [[Rod Carew]] (\"never converted, although his children were raised Jewish\"), pitcher [[Mike LaCoss]] (\"born Marks, but took his stepfather's name and becomes irate when he is categorized as a Jew\"), and quarterback [[Rex Grossman]] (German-Catholic).{{cite web|url=http://www.nysun.com/sports/sports-desk-2007-02-06/48070/ |title=Sports Desk |publisher=The New York Sun |date=February 6, 2007 |accessdate=May 12, 2010}}\n\n==Baseball==\n[[File:KevinYouklis.jpg|left|thumb|222px|[[Kevin Youkilis]]]]\nIn 2009, as Jewish baseball players [[Ryan Braun]], [[Ian Kinsler]], and [[Kevin Youkilis]] were leading in voting for their positions on their [[2009 Major League Baseball All-Star Game|All Star teams]], the ''JSR'' noted that 160 Jews had played in the major leagues.{{cite web|url=http://www.bloomberg.com/apps/news?pid=20601079&sid=al9oTr_MYZKk |title=What Does It Mean for the Jews With Youkilis, Braun, Kinsler? |publisher=Bloomberg.com |date=July 2, 2009 |accessdate=May 12, 2010}} \n\nThe ''[[New York Daily News]]'' reported that according to the ''JSR'', there were almost three dozen Jews in baseball before [[Hank Greenberg]], but unlike Greenberg many had changed their names as they played in the majors. Michael Silverman changed his name to Baker, Rosenblum to Bennett, Lifsit to Bostwick, Solomon to Reese, and Makowsky to Markel. And Bohne, Cooney, Ewing, Kane, and Corey were all Cohens in the off-season. \n\nWhen the [[American Jewish Historical Society]] published a set of baseball cards of Jews in the major leagues (in conjunction with Major League Baseball and the Major League Baseball Players Association, and with the support of the National Baseball Hall of Fame and Museum), the project founder Martin Abramowitz of Jewish Major Leaguers Inc. relied on research by the ''JSR''.{{cite web|last=Lowenfish |first=Lee |url=http://www.forward.com/articles/6844/ |title=New Cards Mine Baseball’s Jewish Bench|publisher=Forward |date=March 24, 2006 |accessdate=May 12, 2010}}{{cite web|last=Cobb |first=Nathan |url=http://www.boston.com/news/globe/living/articles/2003/10/13/tribute_is_in_the_cards_for_jewish_ballplayers/ |title= Tribute is in the cards for Jewish ballplayers |publisher=Boston.com |date=October 13, 2003 |accessdate=May 12, 2010}} Also, when the [[Israel Baseball League]] was active, teams in it would recruit top college baseball players from the ''JSR'''s Jewish All-Americans in [[NCAA]] Divisions I, II, and III.{{cite web|last=Wieczorek |first=Allie |url=http://www.studlife.com/archives/Sports/2007/09/12/FromKellyFieldtotheFieldofDreams/ |title=From Kelly Field to the ‘Field of Dreams’ |publisher=Studlife.com |date=September 12, 2007 |accessdate=May 12, 2010}}\n\n==Basketball==\n[[File:Scheyer.jpg|right|thumb|180px|[[Jon Scheyer]]]]\nAfter \n[[Jon Scheyer]], later an [[2010 NCAA Men's Basketball All-Americans|All-American]] captain of the [[2009–10 Duke Blue Devils men's basketball team|2010 Duke national championship team]], led his high school team of five Jewish starters to an Illinois state championship, ''[[The Forward]]'' quoted Wallman as speculating that an all-Jewish starting lineup may have won a state title in the 1940s, but that it hadn’t happened in the recent past.\n\n==In the media==\nPeter Horvitz, in ''The Big Book of Jewish Sports Heroes: An Illustrated Compendium of Sports History and The 150 Greatest Jewish Sports Stars'' (2007), calls Wallman the \"best and most dependable source of up-to-date information on the subject\" of Jews in sports.{{cite book|url=http://books.google.com/books?id=voCnkWSOoRsC&pg=PA7&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDkQ6AEwAQ#v=onepage&q=%22jewish%20sports%20review%22&f=false|author=Peter Horvitz |title=The Big Book of Jewish Sports Heros: An Illustrated Compendium of Sports History and The 150 Greatest JEwish Sports Stars|publisher=Books.google.com |date= |accessdate=May 12, 2010}} Joseph Siegman, in his book ''Jewish sports legends: the International Jewish Hall of Fame'' (2005), listed Moxson as a distinguished authority on sports.{{cite book|url=http://books.google.com/books?id=oZxnNt28DhcC&pg=PA240&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CD4Q6AEwAg#v=onepage&q=%22jewish%20sports%20review%22&f=false|author=Joseph Siegman |title=Jewish sports legends: the International Jewish Hall of Fame |publisher=Books.google.com |date= |accessdate=May 12, 2010}} ''[[The New York Times]]'' noted that the ''JSR'' \"aims to be rigorously comprehensive\". ''[[Sports Illustrated]]'' called the JSR \"tireless in its service mission\".\n\nThe ''JSR'' has been featured in ''Sports Illustrated'', ''The New York Times'', ''[[Los Angeles Times]]'', and ''[[Baltimore Sun]]''.\n\n==See also==\n*[[List of Jews in sports]]\n\n==References==\n{{Reflist|2}}\n\n==External links==\n*[http://www.jewishsportsreview.com/ ''Jewish Sports Review'']\n\n{{Organized Jewish Life in the United States}}\n\n[[Category:Sports magazines]]\n[[Category:Jewish magazines published in the United States]]\n[[Category:Magazines published in California]]\n[[Category:Biweekly magazines]]\n[[Category:Magazines established in 1997]]" + }, + { + "revid": 393609291, + "parentid": 393609070, + "minor": true, + "user": "Epeefleche", + "userid": 1752945, + "timestamp": "2010-10-29T13:57:45Z", + "sha1": "62d7bbb5e5019e841f10178d282644be3ae8ddf3", + "comment": "/* Verification */", + "*": "{{Infobox magazine\n| title = Jewish Sports Review\n| image_file = \n| image_size = \n| image_alt = \n| image_caption = \n| editor = Ephraim Moxson; Shel Wallman\n| editor_title = Editors\n| previous_editor = \n| staff_writer = Neil Keller; Stan Ramati\n| frequency = Bi-monthly\n| circulation = \n| category = Jewish Sports\n| company = \n| publisher = Ephraim Moxson; Shel Wallman\n| firstdate = May–June 1997{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| country = U.S.\n| based = [[Los Angeles, California]]{{cite web|url=http://www.jewishsportsreview.com/About-Us.html |title=About Us |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| language = \n| website = [http://www.jewishsportsreview.com/ www.jewishsportsreview.com]\n| issn = \n}}\nThe '''''Jewish Sports Review''''' (''JSR'') is a bi-monthly magazine that was established in 1997.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite news|last=Solomon |first=John |url=http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html |title=Neighborhood Report – Upper West Side – Honoring, Yes, The Jewish Athlete |publisher=The New York Times |date=October 25, 1998 |accessdate=May 12, 2010}}{{cite web|url=http://theminaretonline.com/2010/04/28/article11429 |title=Breakdown of Tampa’s Star Designated Hitter Mike Schwartz |publisher=The Minaret |date=April 28, 2010 |accessdate=May 12, 2010}}{{cite web|author=Steve Rushin |url=http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm |title=There's burgeoning subculture of devoted sports fans for |publisher=Sports Illustrated|date=February 7, 2000 |accessdate=May 12, 2010}}{{cite web|last=Ziegel |first=Vic |authorlink=Vic Ziegel |url=http://www.nydailynews.com/archives/sports/2000/01/13/2000-01-13_film_recalls_greenberg_war_v.html |title=Film Recalls Greenberg War Vs. Pitchers, Prejudice |publisher=Nydailynews.com |date=January 13, 2000 |accessdate=May 12, 2010}} Its editors are Ephraim Moxson and Shel Wallman.\n\nThe magazine identifies which star and professional athletes are Jewish. It also covers and has all-time lists for Jewish players in major league baseball,{{cite web|url=http://www.taipeitimes.com/News/sport/archives/2009/07/03/2003447694 |title=archives |publisher=Taipei Times |date=July 3, 2009 |accessdate=May 12, 2010}}{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/04/16/arts/jewish_stars/doc4bc77d3bbc236279484076.txt |title= Jewish Stars |publisher=Cleveland Jewish News |date=April 16, 2010 |accessdate=May 12, 2010}} pro football,{{cite web|url=http://www.sanfranciscosentinel.com/?p=71276 |title=SAN FRANCISCO 49ERS SELECT JEWISH SAFETY TAYLOR MAYS |publisher=San Francisco Sentinel |date=April 30, 2010 |accessdate=May 12, 2010}} pro basketball,{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/01/22/arts/jewish_stars/doc4b58c3eeb6312045104359.txt |title= Jewish Stars |publisher=Cleveland Jewish News |date=January 22, 2010 |accessdate=May 12, 2010}} and pro hockey;{{cite web|url=http://www.jweekly.com/article/full/41080/jews-and-mel-on-the-big-screen-winter-sports-roundup/ |title=Jews (and Mel) on the big screen, Winter sports roundup |publisher=Jweekly |date=January 21, 2010 |accessdate=May 12, 2010}} selects Jewish All-America College teams in baseball,{{cite web|url=http://www.google.com/url?sa=t&source=news&oi=news_result&ct=res&cd=4&ved=0CDcQqQIwAw&url=http%3A%2F%2Fwww.courierpostonline.com%2Farticle%2F20100422%2FSPORTS%2F4220346%2F1002%2Fsports&ei=9lDqS4uYDoK0lQeMgYnVCg&usg=AFQjCNEQ36GdmOMaJjNLofkJY8EdQTlDmw&sig2=yfKr6QP7HgaJkNkgKGlnCQ |title=Hard work works for Kavitsky |publisher=Courier-Post|date=April 22, 2010 |accessdate=May 12, 2010}} football, basketball,{{cite web|url=http://bearsports.wustl.edu/releases/mbk5-6-10.html |title=Washington University Athletics |publisher=Bearsports.wustl.edu |date=May 6, 2010 |accessdate=May 12, 2010}} {{Dead link|date=October 2010|bot=H3llBot}} softball,{{cite web|url=http://www.northshoreoflongisland.com/Articles-i-2008-07-24-73420.113114_Jacobs_Kavitsky_honored_for_softball_efforts.html |title=Jacobs, Kavitsky honored for softball efforts |publisher=Northshoreoflongisland.com |date=July 25, 2008 |accessdate=May 12, 2010}} soccer,{{cite web|url=http://www.cstv.com/sports/w-soccer/stories/012705aaa.html |title=UAB Women's Soccer Player Pam Cooney Named To Jewish Sports Review 2004 Women's Soccer All-America Team :: Sophomore garners first-team honors |publisher=Cstv.com |date=January 27, 2005 |accessdate=May 12, 2010}} and lacrosse;{{cite web|url=http://media.www.thetriangle.org/media/storage/paper689/news/2004/08/20/Sports/Jewish.Sports.Review.Honors.Lacrosse.Player-703300.shtml |title=Jewish Sports Review honors lacrosse player |publisher=Media.www.thetriangle.org |date=August 20, 2004 |accessdate=May 12, 2010}} covers international athletic events;{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/02/12/arts/jewish_stars/doc4b74847fd85a4658916074.txt |title=Jewish Stars |publisher=Cleveland Jewish News |date=February 12, 2010 |accessdate=May 12, 2010}} selects high school Jewish All-America teams in basketball; and names the top graduating Jewish high school athletes.{{cite web|last=Casper |first=Joshua |url=http://www.jewishledger.com/articles/2004/03/24/news/on_the_cover/news02.txt |title=:: |publisher=Jewish Ledger |date=March 24, 2004 |accessdate=May 12, 2010}} In addition, it covers \"minor sports\", such as boxing.{{cite news|last=Gray |first=Geoffrey |url=http://www.nytimes.com/2003/07/26/sports/boxing-one-fight-too-many-costs-boxer-his-life.html?pagewanted=1 |title=One Fight Too Many Costs Boxer His Life |publisher=NYTimes.com |date=July 26, 2003 |accessdate=May 12, 2010}} \n\nAs to his inspiration for launching the magazine, Wallman—speaking on a panel on Jews in baseball at the Cooperstown [[Baseball Hall of Fame]]—said: \"I was always curious to know who was Jewish as a kid. And there wasn't a list.\"{{cite web|last=Ephross |first=Peter |url=http://www.jewishledger.com/articles/2004/09/22/news/on_the_cover/news02.txt |title=:: |publisher=Jewishledger.com |date=September 22, 2004 |accessdate=May 12, 2010}}\n\n==Jewish athletes==\nThe ''JSR'' provides information as to who is Jewish in the sports world, verifying the Jewish background of every athlete covered. \n\nWallman said: \"These days, most Jewish parents with a kid who has a good chance to play in the pros will encourage them,\" adding with a smile, \"You can always go to medical school afterward.\" \n\n===Criteria===\nThe ''JSR'''s criteria are that an athlete is Jewish if one of his parents is Jewish, he did not practice any other religion while he played, and he identified ethnically as a member of the Jewish community.{{cite web|url=http://njjewishnews.com/kaplanskorner/2008/11/05/the-phone-books-here-the-phone-books-here/ |title=“The phone book’s here, the phone book’s here!” * » Kaplan’s Korner on Jews and Sports |publisher=The [[New Jersey Jewish News]] |date=January 4, 2010 |accessdate=May 12, 2010}}{{cite web|last=Rodman |first=Edmon J. |url=http://www.jta.org/news/article/2010/10/28/2741474/jewish-review-headline |title=Duo celebrating bar mitzvah of counting Jewish athletes |publisher=JTA |date= |accessdate=October 29, 2010}} If an athlete has a Jewish parent but was raised in, or converted to, another faith, or indicated to the ''JSR'' that he did not wish to be considered Jewish, he is excluded (even though under Jewish law he might be considered Jewish). Moxson indicates that [[David Beckham]] is not included, as only his mother's father is Jewish, and he doesn't identify himself as Jewish.{{cite web|last=Salkin |first=Allen |url=http://charlotte.creativeloafing.com/gyrobase/where_have_you_gone_sandy_koufax_/Content?oid=4463 |title=Where have you gone, Sandy Koufax? | News | Cover |publisher=Charlotte [[Creative Loafing]] |date= |accessdate=May 12, 2010}}\n\n===Verification===\nColumnist Nate Bloom described how the ''JSR'' researches whether an athlete is Jewish as follows:\n
\nEvery once in a while, the Review adds a player because he is clearly identified as Jewish in a very good news source like an interview. More often, they decide to contact a player (or a player's representative, or very close family member)--because of a tip or because the player has a \"Jewish sounding\" name. If they are told (by the player or his rep) that the player has one or more Jewish parents—they then inquire if the player was raised in and/or currently adheres to a faith other than Judaism. If the player answers \"yes\" to either of those questions—that ends the Review's inquiries and they don't cover the player. On the other hand, if they are told the player was raised Jewish or \"nothing\"--the Review then asks if the player has any objection to being identified as Jewish in the pages of the Review. If not, then they add him.{{cite web|last=Bloom |first=Nate |url=http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/Interfaith_Celebrities_Play_Ball.shtml?rd=2 |title=Interfaith Celebrities Play Ball |publisher=InterfaithFamily.com |date= |accessdate=May 12, 2010}}
\n\nThe magazine get tips on athletes from their subscribers, public relations directors for pro teams, school coaches, parents, and students. Wallman searches by phone and on the internet for top Jewish athletes in pro, college, and high school ranks. \n\nSome athletes are not \"obviously\" Jewish, such as former major league baseball player, [[Ruben Amaro, Jr.]] \n\nThe ''JSR'' also lists athletes frequently misidentified as Jewish, among them second baseman [[Rod Carew]] (\"never converted, although his children were raised Jewish\"), pitcher [[Mike LaCoss]] (\"born Marks, but took his stepfather's name and becomes irate when he is categorized as a Jew\"), and quarterback [[Rex Grossman]] (German-Catholic).{{cite web|url=http://www.nysun.com/sports/sports-desk-2007-02-06/48070/ |title=Sports Desk |publisher=The New York Sun |date=February 6, 2007 |accessdate=May 12, 2010}}\n\n==Baseball==\n[[File:KevinYouklis.jpg|left|thumb|222px|[[Kevin Youkilis]]]]\nIn 2009, as Jewish baseball players [[Ryan Braun]], [[Ian Kinsler]], and [[Kevin Youkilis]] were leading in voting for their positions on their [[2009 Major League Baseball All-Star Game|All Star teams]], the ''JSR'' noted that 160 Jews had played in the major leagues.{{cite web|url=http://www.bloomberg.com/apps/news?pid=20601079&sid=al9oTr_MYZKk |title=What Does It Mean for the Jews With Youkilis, Braun, Kinsler? |publisher=Bloomberg.com |date=July 2, 2009 |accessdate=May 12, 2010}} \n\nThe ''[[New York Daily News]]'' reported that according to the ''JSR'', there were almost three dozen Jews in baseball before [[Hank Greenberg]], but unlike Greenberg many had changed their names as they played in the majors. Michael Silverman changed his name to Baker, Rosenblum to Bennett, Lifsit to Bostwick, Solomon to Reese, and Makowsky to Markel. And Bohne, Cooney, Ewing, Kane, and Corey were all Cohens in the off-season. \n\nWhen the [[American Jewish Historical Society]] published a set of baseball cards of Jews in the major leagues (in conjunction with Major League Baseball and the Major League Baseball Players Association, and with the support of the National Baseball Hall of Fame and Museum), the project founder Martin Abramowitz of Jewish Major Leaguers Inc. relied on research by the ''JSR''.{{cite web|last=Lowenfish |first=Lee |url=http://www.forward.com/articles/6844/ |title=New Cards Mine Baseball’s Jewish Bench|publisher=Forward |date=March 24, 2006 |accessdate=May 12, 2010}}{{cite web|last=Cobb |first=Nathan |url=http://www.boston.com/news/globe/living/articles/2003/10/13/tribute_is_in_the_cards_for_jewish_ballplayers/ |title= Tribute is in the cards for Jewish ballplayers |publisher=Boston.com |date=October 13, 2003 |accessdate=May 12, 2010}} Also, when the [[Israel Baseball League]] was active, teams in it would recruit top college baseball players from the ''JSR'''s Jewish All-Americans in [[NCAA]] Divisions I, II, and III.{{cite web|last=Wieczorek |first=Allie |url=http://www.studlife.com/archives/Sports/2007/09/12/FromKellyFieldtotheFieldofDreams/ |title=From Kelly Field to the ‘Field of Dreams’ |publisher=Studlife.com |date=September 12, 2007 |accessdate=May 12, 2010}}\n\n==Basketball==\n[[File:Scheyer.jpg|right|thumb|180px|[[Jon Scheyer]]]]\nAfter \n[[Jon Scheyer]], later an [[2010 NCAA Men's Basketball All-Americans|All-American]] captain of the [[2009–10 Duke Blue Devils men's basketball team|2010 Duke national championship team]], led his high school team of five Jewish starters to an Illinois state championship, ''[[The Forward]]'' quoted Wallman as speculating that an all-Jewish starting lineup may have won a state title in the 1940s, but that it hadn’t happened in the recent past.\n\n==In the media==\nPeter Horvitz, in ''The Big Book of Jewish Sports Heroes: An Illustrated Compendium of Sports History and The 150 Greatest Jewish Sports Stars'' (2007), calls Wallman the \"best and most dependable source of up-to-date information on the subject\" of Jews in sports.{{cite book|url=http://books.google.com/books?id=voCnkWSOoRsC&pg=PA7&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDkQ6AEwAQ#v=onepage&q=%22jewish%20sports%20review%22&f=false|author=Peter Horvitz |title=The Big Book of Jewish Sports Heros: An Illustrated Compendium of Sports History and The 150 Greatest JEwish Sports Stars|publisher=Books.google.com |date= |accessdate=May 12, 2010}} Joseph Siegman, in his book ''Jewish sports legends: the International Jewish Hall of Fame'' (2005), listed Moxson as a distinguished authority on sports.{{cite book|url=http://books.google.com/books?id=oZxnNt28DhcC&pg=PA240&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CD4Q6AEwAg#v=onepage&q=%22jewish%20sports%20review%22&f=false|author=Joseph Siegman |title=Jewish sports legends: the International Jewish Hall of Fame |publisher=Books.google.com |date= |accessdate=May 12, 2010}} ''[[The New York Times]]'' noted that the ''JSR'' \"aims to be rigorously comprehensive\". ''[[Sports Illustrated]]'' called the JSR \"tireless in its service mission\".\n\nThe ''JSR'' has been featured in ''Sports Illustrated'', ''The New York Times'', ''[[Los Angeles Times]]'', and ''[[Baltimore Sun]]''.\n\n==See also==\n*[[List of Jews in sports]]\n\n==References==\n{{Reflist|2}}\n\n==External links==\n*[http://www.jewishsportsreview.com/ ''Jewish Sports Review'']\n\n{{Organized Jewish Life in the United States}}\n\n[[Category:Sports magazines]]\n[[Category:Jewish magazines published in the United States]]\n[[Category:Magazines published in California]]\n[[Category:Biweekly magazines]]\n[[Category:Magazines established in 1997]]" + }, + { + "revid": 419575195, + "parentid": 393609291, + "minor": false, + "user": "Epeefleche", + "userid": 1752945, + "timestamp": "2011-03-19T04:00:55Z", + "sha1": "7f5122d018717b9e5da9ba2fccfcba90b732a517", + "comment": "add", + "*": "{{Infobox magazine\n| title = Jewish Sports Review\n| image_file = Jsr.jpg|180px\n| image_size = \n| image_alt = \n| image_caption = \n| editor = Ephraim Moxson; Shel Wallman\n| editor_title = Editors\n| previous_editor = \n| staff_writer = Neil Keller; Stan Ramati\n| frequency = Bi-monthly\n| circulation = \n| category = Jewish Sports\n| company = \n| publisher = Ephraim Moxson; Shel Wallman\n| firstdate = May–June 1997{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| country = U.S.\n| based = [[Los Angeles, California]]{{cite web|url=http://www.jewishsportsreview.com/About-Us.html |title=About Us |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| language = \n| website = [http://www.jewishsportsreview.com/ www.jewishsportsreview.com]\n| issn = \n}}\nThe '''''Jewish Sports Review''''' (''JSR'') is a bi-monthly magazine that was established in 1997.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite news|last=Solomon |first=John |url=http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html |title=Neighborhood Report – Upper West Side – Honoring, Yes, The Jewish Athlete |publisher=The New York Times |date=October 25, 1998 |accessdate=May 12, 2010}}{{cite web|url=http://theminaretonline.com/2010/04/28/article11429 |title=Breakdown of Tampa’s Star Designated Hitter Mike Schwartz |publisher=The Minaret |date=April 28, 2010 |accessdate=May 12, 2010}}{{cite web|author=Steve Rushin |url=http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm |title=There's burgeoning subculture of devoted sports fans for |publisher=Sports Illustrated|date=February 7, 2000 |accessdate=May 12, 2010}}{{cite web|last=Ziegel |first=Vic |authorlink=Vic Ziegel |url=http://www.nydailynews.com/archives/sports/2000/01/13/2000-01-13_film_recalls_greenberg_war_v.html |title=Film Recalls Greenberg War Vs. Pitchers, Prejudice |publisher=Nydailynews.com |date=January 13, 2000 |accessdate=May 12, 2010}} Its editors are Ephraim Moxson and Shel Wallman.\n\nThe magazine identifies which star and professional athletes are Jewish. It also covers and has all-time lists for Jewish players in major league baseball,{{cite web|url=http://www.taipeitimes.com/News/sport/archives/2009/07/03/2003447694 |title=archives |publisher=Taipei Times |date=July 3, 2009 |accessdate=May 12, 2010}}{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/04/16/arts/jewish_stars/doc4bc77d3bbc236279484076.txt |title= Jewish Stars |publisher=Cleveland Jewish News |date=April 16, 2010 |accessdate=May 12, 2010}} pro football,{{cite web|url=http://www.sanfranciscosentinel.com/?p=71276 |title=SAN FRANCISCO 49ERS SELECT JEWISH SAFETY TAYLOR MAYS |publisher=San Francisco Sentinel |date=April 30, 2010 |accessdate=May 12, 2010}} pro basketball,{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/01/22/arts/jewish_stars/doc4b58c3eeb6312045104359.txt |title= Jewish Stars |publisher=Cleveland Jewish News |date=January 22, 2010 |accessdate=May 12, 2010}} and pro hockey;{{cite web|url=http://www.jweekly.com/article/full/41080/jews-and-mel-on-the-big-screen-winter-sports-roundup/ |title=Jews (and Mel) on the big screen, Winter sports roundup |publisher=Jweekly |date=January 21, 2010 |accessdate=May 12, 2010}} selects Jewish All-America College teams in baseball,{{cite web|url=http://www.google.com/url?sa=t&source=news&oi=news_result&ct=res&cd=4&ved=0CDcQqQIwAw&url=http%3A%2F%2Fwww.courierpostonline.com%2Farticle%2F20100422%2FSPORTS%2F4220346%2F1002%2Fsports&ei=9lDqS4uYDoK0lQeMgYnVCg&usg=AFQjCNEQ36GdmOMaJjNLofkJY8EdQTlDmw&sig2=yfKr6QP7HgaJkNkgKGlnCQ |title=Hard work works for Kavitsky |publisher=Courier-Post|date=April 22, 2010 |accessdate=May 12, 2010}} football, basketball,{{cite web|url=http://bearsports.wustl.edu/releases/mbk5-6-10.html |title=Washington University Athletics |publisher=Bearsports.wustl.edu |date=May 6, 2010 |accessdate=May 12, 2010}} {{Dead link|date=October 2010|bot=H3llBot}} softball,{{cite web|url=http://www.northshoreoflongisland.com/Articles-i-2008-07-24-73420.113114_Jacobs_Kavitsky_honored_for_softball_efforts.html |title=Jacobs, Kavitsky honored for softball efforts |publisher=Northshoreoflongisland.com |date=July 25, 2008 |accessdate=May 12, 2010}} soccer,{{cite web|url=http://www.cstv.com/sports/w-soccer/stories/012705aaa.html |title=UAB Women's Soccer Player Pam Cooney Named To Jewish Sports Review 2004 Women's Soccer All-America Team :: Sophomore garners first-team honors |publisher=Cstv.com |date=January 27, 2005 |accessdate=May 12, 2010}} and lacrosse;{{cite web|url=http://media.www.thetriangle.org/media/storage/paper689/news/2004/08/20/Sports/Jewish.Sports.Review.Honors.Lacrosse.Player-703300.shtml |title=Jewish Sports Review honors lacrosse player |publisher=Media.www.thetriangle.org |date=August 20, 2004 |accessdate=May 12, 2010}} covers international athletic events;{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/02/12/arts/jewish_stars/doc4b74847fd85a4658916074.txt |title=Jewish Stars |publisher=Cleveland Jewish News |date=February 12, 2010 |accessdate=May 12, 2010}} selects high school Jewish All-America teams in basketball; and names the top graduating Jewish high school athletes.{{cite web|last=Casper |first=Joshua |url=http://www.jewishledger.com/articles/2004/03/24/news/on_the_cover/news02.txt |title=:: |publisher=Jewish Ledger |date=March 24, 2004 |accessdate=May 12, 2010}} In addition, it covers \"minor sports\", such as boxing.{{cite news|last=Gray |first=Geoffrey |url=http://www.nytimes.com/2003/07/26/sports/boxing-one-fight-too-many-costs-boxer-his-life.html?pagewanted=1 |title=One Fight Too Many Costs Boxer His Life |publisher=NYTimes.com |date=July 26, 2003 |accessdate=May 12, 2010}} \n\nAs to his inspiration for launching the magazine, Wallman—speaking on a panel on Jews in baseball at the Cooperstown [[Baseball Hall of Fame]]—said: \"I was always curious to know who was Jewish as a kid. And there wasn't a list.\"{{cite web|last=Ephross |first=Peter |url=http://www.jewishledger.com/articles/2004/09/22/news/on_the_cover/news02.txt |title=:: |publisher=Jewishledger.com |date=September 22, 2004 |accessdate=May 12, 2010}}\n\n==Jewish athletes==\nThe ''JSR'' provides information as to who is Jewish in the sports world, verifying the Jewish background of every athlete covered. \n\nWallman said: \"These days, most Jewish parents with a kid who has a good chance to play in the pros will encourage them,\" adding with a smile, \"You can always go to medical school afterward.\" \n\n===Criteria===\nThe ''JSR'''s criteria are that an athlete is Jewish if one of his parents is Jewish, he did not practice any other religion while he played, and he identified ethnically as a member of the Jewish community.{{cite web|url=http://njjewishnews.com/kaplanskorner/2008/11/05/the-phone-books-here-the-phone-books-here/ |title=“The phone book’s here, the phone book’s here!” * » Kaplan’s Korner on Jews and Sports |publisher=The [[New Jersey Jewish News]] |date=January 4, 2010 |accessdate=May 12, 2010}}{{cite web|last=Rodman |first=Edmon J. |url=http://www.jta.org/news/article/2010/10/28/2741474/jewish-review-headline |title=Duo celebrating bar mitzvah of counting Jewish athletes |publisher=JTA |date= |accessdate=October 29, 2010}} If an athlete has a Jewish parent but was raised in, or converted to, another faith, or indicated to the ''JSR'' that he did not wish to be considered Jewish, he is excluded (even though under Jewish law he might be considered Jewish). Moxson indicates that [[David Beckham]] is not included, as only his mother's father is Jewish, and he doesn't identify himself as Jewish.{{cite web|last=Salkin |first=Allen |url=http://charlotte.creativeloafing.com/gyrobase/where_have_you_gone_sandy_koufax_/Content?oid=4463 |title=Where have you gone, Sandy Koufax? | News | Cover |publisher=Charlotte [[Creative Loafing]] |date= |accessdate=May 12, 2010}}\n\n===Verification===\nColumnist Nate Bloom described how the ''JSR'' researches whether an athlete is Jewish as follows:\n
\nEvery once in a while, the Review adds a player because he is clearly identified as Jewish in a very good news source like an interview. More often, they decide to contact a player (or a player's representative, or very close family member)--because of a tip or because the player has a \"Jewish sounding\" name. If they are told (by the player or his rep) that the player has one or more Jewish parents—they then inquire if the player was raised in and/or currently adheres to a faith other than Judaism. If the player answers \"yes\" to either of those questions—that ends the Review's inquiries and they don't cover the player. On the other hand, if they are told the player was raised Jewish or \"nothing\"--the Review then asks if the player has any objection to being identified as Jewish in the pages of the Review. If not, then they add him.{{cite web|last=Bloom |first=Nate |url=http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/Interfaith_Celebrities_Play_Ball.shtml?rd=2 |title=Interfaith Celebrities Play Ball |publisher=InterfaithFamily.com |date= |accessdate=May 12, 2010}}
\n\nThe magazine get tips on athletes from their subscribers, public relations directors for pro teams, school coaches, parents, and students. Wallman searches by phone and on the internet for top Jewish athletes in pro, college, and high school ranks. \n\nSome athletes are not \"obviously\" Jewish, such as former major league baseball player, [[Ruben Amaro, Jr.]] \n\nThe ''JSR'' also lists athletes frequently misidentified as Jewish, among them second baseman [[Rod Carew]] (\"never converted, although his children were raised Jewish\"), pitcher [[Mike LaCoss]] (\"born Marks, but took his stepfather's name and becomes irate when he is categorized as a Jew\"), and quarterback [[Rex Grossman]] (German-Catholic).{{cite web|url=http://www.nysun.com/sports/sports-desk-2007-02-06/48070/ |title=Sports Desk |publisher=The New York Sun |date=February 6, 2007 |accessdate=May 12, 2010}}\n\n==Baseball==\n[[File:KevinYouklis.jpg|left|thumb|222px|[[Kevin Youkilis]]]]\nIn 2009, as Jewish baseball players [[Ryan Braun]], [[Ian Kinsler]], and [[Kevin Youkilis]] were leading in voting for their positions on their [[2009 Major League Baseball All-Star Game|All Star teams]], the ''JSR'' noted that 160 Jews had played in the major leagues.{{cite web|url=http://www.bloomberg.com/apps/news?pid=20601079&sid=al9oTr_MYZKk |title=What Does It Mean for the Jews With Youkilis, Braun, Kinsler? |publisher=Bloomberg.com |date=July 2, 2009 |accessdate=May 12, 2010}} \n\nThe ''[[New York Daily News]]'' reported that according to the ''JSR'', there were almost three dozen Jews in baseball before [[Hank Greenberg]], but unlike Greenberg many had changed their names as they played in the majors. Michael Silverman changed his name to Baker, Rosenblum to Bennett, Lifsit to Bostwick, Solomon to Reese, and Makowsky to Markel. And Bohne, Cooney, Ewing, Kane, and Corey were all Cohens in the off-season. \n\nWhen the [[American Jewish Historical Society]] published a set of baseball cards of Jews in the major leagues (in conjunction with Major League Baseball and the Major League Baseball Players Association, and with the support of the National Baseball Hall of Fame and Museum), the project founder Martin Abramowitz of Jewish Major Leaguers Inc. relied on research by the ''JSR''.{{cite web|last=Lowenfish |first=Lee |url=http://www.forward.com/articles/6844/ |title=New Cards Mine Baseball’s Jewish Bench|publisher=Forward |date=March 24, 2006 |accessdate=May 12, 2010}}{{cite web|last=Cobb |first=Nathan |url=http://www.boston.com/news/globe/living/articles/2003/10/13/tribute_is_in_the_cards_for_jewish_ballplayers/ |title= Tribute is in the cards for Jewish ballplayers |publisher=Boston.com |date=October 13, 2003 |accessdate=May 12, 2010}} Also, when the [[Israel Baseball League]] was active, teams in it would recruit top college baseball players from the ''JSR'''s Jewish All-Americans in [[NCAA]] Divisions I, II, and III.{{cite web|last=Wieczorek |first=Allie |url=http://www.studlife.com/archives/Sports/2007/09/12/FromKellyFieldtotheFieldofDreams/ |title=From Kelly Field to the ‘Field of Dreams’ |publisher=Studlife.com |date=September 12, 2007 |accessdate=May 12, 2010}}\n\n==Basketball==\n[[File:Scheyer.jpg|right|thumb|180px|[[Jon Scheyer]]]]\nAfter \n[[Jon Scheyer]], later an [[2010 NCAA Men's Basketball All-Americans|All-American]] captain of the [[2009–10 Duke Blue Devils men's basketball team|2010 Duke national championship team]], led his high school team of five Jewish starters to an Illinois state championship, ''[[The Forward]]'' quoted Wallman as speculating that an all-Jewish starting lineup may have won a state title in the 1940s, but that it hadn’t happened in the recent past.\n\n==In the media==\nPeter Horvitz, in ''The Big Book of Jewish Sports Heroes: An Illustrated Compendium of Sports History and The 150 Greatest Jewish Sports Stars'' (2007), calls Wallman the \"best and most dependable source of up-to-date information on the subject\" of Jews in sports.{{cite book|url=http://books.google.com/books?id=voCnkWSOoRsC&pg=PA7&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDkQ6AEwAQ#v=onepage&q=%22jewish%20sports%20review%22&f=false|author=Peter Horvitz |title=The Big Book of Jewish Sports Heros: An Illustrated Compendium of Sports History and The 150 Greatest JEwish Sports Stars|publisher=Books.google.com |date= |accessdate=May 12, 2010}} Joseph Siegman, in his book ''Jewish sports legends: the International Jewish Hall of Fame'' (2005), listed Moxson as a distinguished authority on sports.{{cite book|url=http://books.google.com/books?id=oZxnNt28DhcC&pg=PA240&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CD4Q6AEwAg#v=onepage&q=%22jewish%20sports%20review%22&f=false|author=Joseph Siegman |title=Jewish sports legends: the International Jewish Hall of Fame |publisher=Books.google.com |date= |accessdate=May 12, 2010}} ''[[The New York Times]]'' noted that the ''JSR'' \"aims to be rigorously comprehensive\". ''[[Sports Illustrated]]'' called the JSR \"tireless in its service mission\".\n\nThe ''JSR'' has been featured in ''Sports Illustrated'', ''The New York Times'', ''[[Los Angeles Times]]'', and ''[[Baltimore Sun]]''.\n\n==See also==\n*[[List of Jews in sports]]\n\n==References==\n{{Reflist|2}}\n\n==External links==\n*[http://www.jewishsportsreview.com/ ''Jewish Sports Review'']\n\n{{Organized Jewish Life in the United States}}\n\n[[Category:Sports magazines]]\n[[Category:Jewish magazines published in the United States]]\n[[Category:Magazines published in California]]\n[[Category:Biweekly magazines]]\n[[Category:Magazines established in 1997]]" + }, + { + "revid": 425221982, + "parentid": 419575195, + "minor": false, + "user": "Skyerise", + "userid": 9813438, + "timestamp": "2011-04-21T20:29:02Z", + "sha1": "bdcadf465f93fb578e66a9e47b9b3bde71d6e314", + "comment": "n't -> not", + "*": "{{Infobox magazine\n| title = Jewish Sports Review\n| image_file = Jsr.jpg|180px\n| image_size = \n| image_alt = \n| image_caption = \n| editor = Ephraim Moxson; Shel Wallman\n| editor_title = Editors\n| previous_editor = \n| staff_writer = Neil Keller; Stan Ramati\n| frequency = Bi-monthly\n| circulation = \n| category = Jewish Sports\n| company = \n| publisher = Ephraim Moxson; Shel Wallman\n| firstdate = May–June 1997{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| country = U.S.\n| based = [[Los Angeles, California]]{{cite web|url=http://www.jewishsportsreview.com/About-Us.html |title=About Us |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| language = \n| website = [http://www.jewishsportsreview.com/ www.jewishsportsreview.com]\n| issn = \n}}\nThe '''''Jewish Sports Review''''' (''JSR'') is a bi-monthly magazine that was established in 1997.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite news|last=Solomon |first=John |url=http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html |title=Neighborhood Report – Upper West Side – Honoring, Yes, The Jewish Athlete |publisher=The New York Times |date=October 25, 1998 |accessdate=May 12, 2010}}{{cite web|url=http://theminaretonline.com/2010/04/28/article11429 |title=Breakdown of Tampa’s Star Designated Hitter Mike Schwartz |publisher=The Minaret |date=April 28, 2010 |accessdate=May 12, 2010}}{{cite web|author=Steve Rushin |url=http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm |title=There's burgeoning subculture of devoted sports fans for |publisher=Sports Illustrated|date=February 7, 2000 |accessdate=May 12, 2010}}{{cite web|last=Ziegel |first=Vic |authorlink=Vic Ziegel |url=http://www.nydailynews.com/archives/sports/2000/01/13/2000-01-13_film_recalls_greenberg_war_v.html |title=Film Recalls Greenberg War Vs. Pitchers, Prejudice |publisher=Nydailynews.com |date=January 13, 2000 |accessdate=May 12, 2010}} Its editors are Ephraim Moxson and Shel Wallman.\n\nThe magazine identifies which star and professional athletes are Jewish. It also covers and has all-time lists for Jewish players in major league baseball,{{cite web|url=http://www.taipeitimes.com/News/sport/archives/2009/07/03/2003447694 |title=archives |publisher=Taipei Times |date=July 3, 2009 |accessdate=May 12, 2010}}{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/04/16/arts/jewish_stars/doc4bc77d3bbc236279484076.txt |title= Jewish Stars |publisher=Cleveland Jewish News |date=April 16, 2010 |accessdate=May 12, 2010}} pro football,{{cite web|url=http://www.sanfranciscosentinel.com/?p=71276 |title=SAN FRANCISCO 49ERS SELECT JEWISH SAFETY TAYLOR MAYS |publisher=San Francisco Sentinel |date=April 30, 2010 |accessdate=May 12, 2010}} pro basketball,{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/01/22/arts/jewish_stars/doc4b58c3eeb6312045104359.txt |title= Jewish Stars |publisher=Cleveland Jewish News |date=January 22, 2010 |accessdate=May 12, 2010}} and pro hockey;{{cite web|url=http://www.jweekly.com/article/full/41080/jews-and-mel-on-the-big-screen-winter-sports-roundup/ |title=Jews (and Mel) on the big screen, Winter sports roundup |publisher=Jweekly |date=January 21, 2010 |accessdate=May 12, 2010}} selects Jewish All-America College teams in baseball,{{cite web|url=http://www.google.com/url?sa=t&source=news&oi=news_result&ct=res&cd=4&ved=0CDcQqQIwAw&url=http%3A%2F%2Fwww.courierpostonline.com%2Farticle%2F20100422%2FSPORTS%2F4220346%2F1002%2Fsports&ei=9lDqS4uYDoK0lQeMgYnVCg&usg=AFQjCNEQ36GdmOMaJjNLofkJY8EdQTlDmw&sig2=yfKr6QP7HgaJkNkgKGlnCQ |title=Hard work works for Kavitsky |publisher=Courier-Post|date=April 22, 2010 |accessdate=May 12, 2010}} football, basketball,{{cite web|url=http://bearsports.wustl.edu/releases/mbk5-6-10.html |title=Washington University Athletics |publisher=Bearsports.wustl.edu |date=May 6, 2010 |accessdate=May 12, 2010}} {{Dead link|date=October 2010|bot=H3llBot}} softball,{{cite web|url=http://www.northshoreoflongisland.com/Articles-i-2008-07-24-73420.113114_Jacobs_Kavitsky_honored_for_softball_efforts.html |title=Jacobs, Kavitsky honored for softball efforts |publisher=Northshoreoflongisland.com |date=July 25, 2008 |accessdate=May 12, 2010}} soccer,{{cite web|url=http://www.cstv.com/sports/w-soccer/stories/012705aaa.html |title=UAB Women's Soccer Player Pam Cooney Named To Jewish Sports Review 2004 Women's Soccer All-America Team :: Sophomore garners first-team honors |publisher=Cstv.com |date=January 27, 2005 |accessdate=May 12, 2010}} and lacrosse;{{cite web|url=http://media.www.thetriangle.org/media/storage/paper689/news/2004/08/20/Sports/Jewish.Sports.Review.Honors.Lacrosse.Player-703300.shtml |title=Jewish Sports Review honors lacrosse player |publisher=Media.www.thetriangle.org |date=August 20, 2004 |accessdate=May 12, 2010}} covers international athletic events;{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/02/12/arts/jewish_stars/doc4b74847fd85a4658916074.txt |title=Jewish Stars |publisher=Cleveland Jewish News |date=February 12, 2010 |accessdate=May 12, 2010}} selects high school Jewish All-America teams in basketball; and names the top graduating Jewish high school athletes.{{cite web|last=Casper |first=Joshua |url=http://www.jewishledger.com/articles/2004/03/24/news/on_the_cover/news02.txt |title=:: |publisher=Jewish Ledger |date=March 24, 2004 |accessdate=May 12, 2010}} In addition, it covers \"minor sports\", such as boxing.{{cite news|last=Gray |first=Geoffrey |url=http://www.nytimes.com/2003/07/26/sports/boxing-one-fight-too-many-costs-boxer-his-life.html?pagewanted=1 |title=One Fight Too Many Costs Boxer His Life |publisher=NYTimes.com |date=July 26, 2003 |accessdate=May 12, 2010}} \n\nAs to his inspiration for launching the magazine, Wallman—speaking on a panel on Jews in baseball at the Cooperstown [[Baseball Hall of Fame]]—said: \"I was always curious to know who was Jewish as a kid. And there wasn't a list.\"{{cite web|last=Ephross |first=Peter |url=http://www.jewishledger.com/articles/2004/09/22/news/on_the_cover/news02.txt |title=:: |publisher=Jewishledger.com |date=September 22, 2004 |accessdate=May 12, 2010}}\n\n==Jewish athletes==\nThe ''JSR'' provides information as to who is Jewish in the sports world, verifying the Jewish background of every athlete covered. \n\nWallman said: \"These days, most Jewish parents with a kid who has a good chance to play in the pros will encourage them,\" adding with a smile, \"You can always go to medical school afterward.\" \n\n===Criteria===\nThe ''JSR'''s criteria are that an athlete is Jewish if one of his parents is Jewish, he did not practice any other religion while he played, and he identified ethnically as a member of the Jewish community.{{cite web|url=http://njjewishnews.com/kaplanskorner/2008/11/05/the-phone-books-here-the-phone-books-here/ |title=“The phone book’s here, the phone book’s here!” * » Kaplan’s Korner on Jews and Sports |publisher=The [[New Jersey Jewish News]] |date=January 4, 2010 |accessdate=May 12, 2010}}{{cite web|last=Rodman |first=Edmon J. |url=http://www.jta.org/news/article/2010/10/28/2741474/jewish-review-headline |title=Duo celebrating bar mitzvah of counting Jewish athletes |publisher=JTA |date= |accessdate=October 29, 2010}} If an athlete has a Jewish parent but was raised in, or converted to, another faith, or indicated to the ''JSR'' that he did not wish to be considered Jewish, he is excluded (even though under Jewish law he might be considered Jewish). Moxson indicates that [[David Beckham]] is not included, as only his mother's father is Jewish, and he does not identify himself as Jewish.{{cite web|last=Salkin |first=Allen |url=http://charlotte.creativeloafing.com/gyrobase/where_have_you_gone_sandy_koufax_/Content?oid=4463 |title=Where have you gone, Sandy Koufax? | News | Cover |publisher=Charlotte [[Creative Loafing]] |date= |accessdate=May 12, 2010}}\n\n===Verification===\nColumnist Nate Bloom described how the ''JSR'' researches whether an athlete is Jewish as follows:\n
\nEvery once in a while, the Review adds a player because he is clearly identified as Jewish in a very good news source like an interview. More often, they decide to contact a player (or a player's representative, or very close family member)--because of a tip or because the player has a \"Jewish sounding\" name. If they are told (by the player or his rep) that the player has one or more Jewish parents—they then inquire if the player was raised in and/or currently adheres to a faith other than Judaism. If the player answers \"yes\" to either of those questions—that ends the Review's inquiries and they don't cover the player. On the other hand, if they are told the player was raised Jewish or \"nothing\"--the Review then asks if the player has any objection to being identified as Jewish in the pages of the Review. If not, then they add him.{{cite web|last=Bloom |first=Nate |url=http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/Interfaith_Celebrities_Play_Ball.shtml?rd=2 |title=Interfaith Celebrities Play Ball |publisher=InterfaithFamily.com |date= |accessdate=May 12, 2010}}
\n\nThe magazine get tips on athletes from their subscribers, public relations directors for pro teams, school coaches, parents, and students. Wallman searches by phone and on the internet for top Jewish athletes in pro, college, and high school ranks. \n\nSome athletes are not \"obviously\" Jewish, such as former major league baseball player, [[Ruben Amaro, Jr.]] \n\nThe ''JSR'' also lists athletes frequently misidentified as Jewish, among them second baseman [[Rod Carew]] (\"never converted, although his children were raised Jewish\"), pitcher [[Mike LaCoss]] (\"born Marks, but took his stepfather's name and becomes irate when he is categorized as a Jew\"), and quarterback [[Rex Grossman]] (German-Catholic).{{cite web|url=http://www.nysun.com/sports/sports-desk-2007-02-06/48070/ |title=Sports Desk |publisher=The New York Sun |date=February 6, 2007 |accessdate=May 12, 2010}}\n\n==Baseball==\n[[File:KevinYouklis.jpg|left|thumb|222px|[[Kevin Youkilis]]]]\nIn 2009, as Jewish baseball players [[Ryan Braun]], [[Ian Kinsler]], and [[Kevin Youkilis]] were leading in voting for their positions on their [[2009 Major League Baseball All-Star Game|All Star teams]], the ''JSR'' noted that 160 Jews had played in the major leagues.{{cite web|url=http://www.bloomberg.com/apps/news?pid=20601079&sid=al9oTr_MYZKk |title=What Does It Mean for the Jews With Youkilis, Braun, Kinsler? |publisher=Bloomberg.com |date=July 2, 2009 |accessdate=May 12, 2010}} \n\nThe ''[[New York Daily News]]'' reported that according to the ''JSR'', there were almost three dozen Jews in baseball before [[Hank Greenberg]], but unlike Greenberg many had changed their names as they played in the majors. Michael Silverman changed his name to Baker, Rosenblum to Bennett, Lifsit to Bostwick, Solomon to Reese, and Makowsky to Markel. And Bohne, Cooney, Ewing, Kane, and Corey were all Cohens in the off-season. \n\nWhen the [[American Jewish Historical Society]] published a set of baseball cards of Jews in the major leagues (in conjunction with Major League Baseball and the Major League Baseball Players Association, and with the support of the National Baseball Hall of Fame and Museum), the project founder Martin Abramowitz of Jewish Major Leaguers Inc. relied on research by the ''JSR''.{{cite web|last=Lowenfish |first=Lee |url=http://www.forward.com/articles/6844/ |title=New Cards Mine Baseball’s Jewish Bench|publisher=Forward |date=March 24, 2006 |accessdate=May 12, 2010}}{{cite web|last=Cobb |first=Nathan |url=http://www.boston.com/news/globe/living/articles/2003/10/13/tribute_is_in_the_cards_for_jewish_ballplayers/ |title= Tribute is in the cards for Jewish ballplayers |publisher=Boston.com |date=October 13, 2003 |accessdate=May 12, 2010}} Also, when the [[Israel Baseball League]] was active, teams in it would recruit top college baseball players from the ''JSR'''s Jewish All-Americans in [[NCAA]] Divisions I, II, and III.{{cite web|last=Wieczorek |first=Allie |url=http://www.studlife.com/archives/Sports/2007/09/12/FromKellyFieldtotheFieldofDreams/ |title=From Kelly Field to the ‘Field of Dreams’ |publisher=Studlife.com |date=September 12, 2007 |accessdate=May 12, 2010}}\n\n==Basketball==\n[[File:Scheyer.jpg|right|thumb|180px|[[Jon Scheyer]]]]\nAfter \n[[Jon Scheyer]], later an [[2010 NCAA Men's Basketball All-Americans|All-American]] captain of the [[2009–10 Duke Blue Devils men's basketball team|2010 Duke national championship team]], led his high school team of five Jewish starters to an Illinois state championship, ''[[The Forward]]'' quoted Wallman as speculating that an all-Jewish starting lineup may have won a state title in the 1940s, but that it had not happened in the recent past.\n\n==In the media==\nPeter Horvitz, in ''The Big Book of Jewish Sports Heroes: An Illustrated Compendium of Sports History and The 150 Greatest Jewish Sports Stars'' (2007), calls Wallman the \"best and most dependable source of up-to-date information on the subject\" of Jews in sports.{{cite book|url=http://books.google.com/books?id=voCnkWSOoRsC&pg=PA7&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDkQ6AEwAQ#v=onepage&q=%22jewish%20sports%20review%22&f=false|author=Peter Horvitz |title=The Big Book of Jewish Sports Heros: An Illustrated Compendium of Sports History and The 150 Greatest JEwish Sports Stars|publisher=Books.google.com |date= |accessdate=May 12, 2010}} Joseph Siegman, in his book ''Jewish sports legends: the International Jewish Hall of Fame'' (2005), listed Moxson as a distinguished authority on sports.{{cite book|url=http://books.google.com/books?id=oZxnNt28DhcC&pg=PA240&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CD4Q6AEwAg#v=onepage&q=%22jewish%20sports%20review%22&f=false|author=Joseph Siegman |title=Jewish sports legends: the International Jewish Hall of Fame |publisher=Books.google.com |date= |accessdate=May 12, 2010}} ''[[The New York Times]]'' noted that the ''JSR'' \"aims to be rigorously comprehensive\". ''[[Sports Illustrated]]'' called the JSR \"tireless in its service mission\".\n\nThe ''JSR'' has been featured in ''Sports Illustrated'', ''The New York Times'', ''[[Los Angeles Times]]'', and ''[[Baltimore Sun]]''.\n\n==See also==\n*[[List of Jews in sports]]\n\n==References==\n{{Reflist|2}}\n\n==External links==\n*[http://www.jewishsportsreview.com/ ''Jewish Sports Review'']\n\n{{Organized Jewish Life in the United States}}\n\n[[Category:Sports magazines]]\n[[Category:Jewish magazines published in the United States]]\n[[Category:Magazines published in California]]\n[[Category:Biweekly magazines]]\n[[Category:Magazines established in 1997]]" + }, + { + "revid": 425222231, + "parentid": 425221982, + "minor": true, + "user": "Skyerise", + "userid": 9813438, + "timestamp": "2011-04-21T20:30:46Z", + "sha1": "1fe5449526fc03b41258c4429178f1e8490c50cb", + "comment": "", + "*": "{{Infobox magazine\n| title = Jewish Sports Review\n| image_file = Jsr.jpg|180px\n| image_size = \n| image_alt = \n| image_caption = \n| editor = Ephraim Moxson; Shel Wallman\n| editor_title = Editors\n| previous_editor = \n| staff_writer = Neil Keller; Stan Ramati\n| frequency = Bi-monthly\n| circulation = \n| category = Jewish Sports\n| company = \n| publisher = Ephraim Moxson; Shel Wallman\n| firstdate = May–June 1997{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| country = U.S.\n| based = [[Los Angeles, California]]{{cite web|url=http://www.jewishsportsreview.com/About-Us.html |title=About Us |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| language = \n| website = [http://www.jewishsportsreview.com/ www.jewishsportsreview.com]\n| issn = \n}}\n'''''Jewish Sports Review''' (JSR)'' is a bi-monthly magazine that was established in 1997.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite news|last=Solomon |first=John |url=http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html |title=Neighborhood Report – Upper West Side – Honoring, Yes, The Jewish Athlete |publisher=The New York Times |date=October 25, 1998 |accessdate=May 12, 2010}}{{cite web|url=http://theminaretonline.com/2010/04/28/article11429 |title=Breakdown of Tampa’s Star Designated Hitter Mike Schwartz |publisher=The Minaret |date=April 28, 2010 |accessdate=May 12, 2010}}{{cite web|author=Steve Rushin |url=http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm |title=There's burgeoning subculture of devoted sports fans for |publisher=Sports Illustrated|date=February 7, 2000 |accessdate=May 12, 2010}}{{cite web|last=Ziegel |first=Vic |authorlink=Vic Ziegel |url=http://www.nydailynews.com/archives/sports/2000/01/13/2000-01-13_film_recalls_greenberg_war_v.html |title=Film Recalls Greenberg War Vs. Pitchers, Prejudice |publisher=Nydailynews.com |date=January 13, 2000 |accessdate=May 12, 2010}} Its editors are Ephraim Moxson and Shel Wallman.\n\nThe magazine identifies which star and professional athletes are Jewish. It also covers and has all-time lists for Jewish players in major league baseball,{{cite web|url=http://www.taipeitimes.com/News/sport/archives/2009/07/03/2003447694 |title=archives |publisher=Taipei Times |date=July 3, 2009 |accessdate=May 12, 2010}}{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/04/16/arts/jewish_stars/doc4bc77d3bbc236279484076.txt |title= Jewish Stars |publisher=Cleveland Jewish News |date=April 16, 2010 |accessdate=May 12, 2010}} pro football,{{cite web|url=http://www.sanfranciscosentinel.com/?p=71276 |title=SAN FRANCISCO 49ERS SELECT JEWISH SAFETY TAYLOR MAYS |publisher=San Francisco Sentinel |date=April 30, 2010 |accessdate=May 12, 2010}} pro basketball,{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/01/22/arts/jewish_stars/doc4b58c3eeb6312045104359.txt |title= Jewish Stars |publisher=Cleveland Jewish News |date=January 22, 2010 |accessdate=May 12, 2010}} and pro hockey;{{cite web|url=http://www.jweekly.com/article/full/41080/jews-and-mel-on-the-big-screen-winter-sports-roundup/ |title=Jews (and Mel) on the big screen, Winter sports roundup |publisher=Jweekly |date=January 21, 2010 |accessdate=May 12, 2010}} selects Jewish All-America College teams in baseball,{{cite web|url=http://www.google.com/url?sa=t&source=news&oi=news_result&ct=res&cd=4&ved=0CDcQqQIwAw&url=http%3A%2F%2Fwww.courierpostonline.com%2Farticle%2F20100422%2FSPORTS%2F4220346%2F1002%2Fsports&ei=9lDqS4uYDoK0lQeMgYnVCg&usg=AFQjCNEQ36GdmOMaJjNLofkJY8EdQTlDmw&sig2=yfKr6QP7HgaJkNkgKGlnCQ |title=Hard work works for Kavitsky |publisher=Courier-Post|date=April 22, 2010 |accessdate=May 12, 2010}} football, basketball,{{cite web|url=http://bearsports.wustl.edu/releases/mbk5-6-10.html |title=Washington University Athletics |publisher=Bearsports.wustl.edu |date=May 6, 2010 |accessdate=May 12, 2010}} {{Dead link|date=October 2010|bot=H3llBot}} softball,{{cite web|url=http://www.northshoreoflongisland.com/Articles-i-2008-07-24-73420.113114_Jacobs_Kavitsky_honored_for_softball_efforts.html |title=Jacobs, Kavitsky honored for softball efforts |publisher=Northshoreoflongisland.com |date=July 25, 2008 |accessdate=May 12, 2010}} soccer,{{cite web|url=http://www.cstv.com/sports/w-soccer/stories/012705aaa.html |title=UAB Women's Soccer Player Pam Cooney Named To Jewish Sports Review 2004 Women's Soccer All-America Team :: Sophomore garners first-team honors |publisher=Cstv.com |date=January 27, 2005 |accessdate=May 12, 2010}} and lacrosse;{{cite web|url=http://media.www.thetriangle.org/media/storage/paper689/news/2004/08/20/Sports/Jewish.Sports.Review.Honors.Lacrosse.Player-703300.shtml |title=Jewish Sports Review honors lacrosse player |publisher=Media.www.thetriangle.org |date=August 20, 2004 |accessdate=May 12, 2010}} covers international athletic events;{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/02/12/arts/jewish_stars/doc4b74847fd85a4658916074.txt |title=Jewish Stars |publisher=Cleveland Jewish News |date=February 12, 2010 |accessdate=May 12, 2010}} selects high school Jewish All-America teams in basketball; and names the top graduating Jewish high school athletes.{{cite web|last=Casper |first=Joshua |url=http://www.jewishledger.com/articles/2004/03/24/news/on_the_cover/news02.txt |title=:: |publisher=Jewish Ledger |date=March 24, 2004 |accessdate=May 12, 2010}} In addition, it covers \"minor sports\", such as boxing.{{cite news|last=Gray |first=Geoffrey |url=http://www.nytimes.com/2003/07/26/sports/boxing-one-fight-too-many-costs-boxer-his-life.html?pagewanted=1 |title=One Fight Too Many Costs Boxer His Life |publisher=NYTimes.com |date=July 26, 2003 |accessdate=May 12, 2010}} \n\nAs to his inspiration for launching the magazine, Wallman—speaking on a panel on Jews in baseball at the Cooperstown [[Baseball Hall of Fame]]—said: \"I was always curious to know who was Jewish as a kid. And there wasn't a list.\"{{cite web|last=Ephross |first=Peter |url=http://www.jewishledger.com/articles/2004/09/22/news/on_the_cover/news02.txt |title=:: |publisher=Jewishledger.com |date=September 22, 2004 |accessdate=May 12, 2010}}\n\n==Jewish athletes==\nThe ''JSR'' provides information as to who is Jewish in the sports world, verifying the Jewish background of every athlete covered. \n\nWallman said: \"These days, most Jewish parents with a kid who has a good chance to play in the pros will encourage them,\" adding with a smile, \"You can always go to medical school afterward.\" \n\n===Criteria===\nThe ''JSR'''s criteria are that an athlete is Jewish if one of his parents is Jewish, he did not practice any other religion while he played, and he identified ethnically as a member of the Jewish community.{{cite web|url=http://njjewishnews.com/kaplanskorner/2008/11/05/the-phone-books-here-the-phone-books-here/ |title=“The phone book’s here, the phone book’s here!” * » Kaplan’s Korner on Jews and Sports |publisher=The [[New Jersey Jewish News]] |date=January 4, 2010 |accessdate=May 12, 2010}}{{cite web|last=Rodman |first=Edmon J. |url=http://www.jta.org/news/article/2010/10/28/2741474/jewish-review-headline |title=Duo celebrating bar mitzvah of counting Jewish athletes |publisher=JTA |date= |accessdate=October 29, 2010}} If an athlete has a Jewish parent but was raised in, or converted to, another faith, or indicated to the ''JSR'' that he did not wish to be considered Jewish, he is excluded (even though under Jewish law he might be considered Jewish). Moxson indicates that [[David Beckham]] is not included, as only his mother's father is Jewish, and he does not identify himself as Jewish.{{cite web|last=Salkin |first=Allen |url=http://charlotte.creativeloafing.com/gyrobase/where_have_you_gone_sandy_koufax_/Content?oid=4463 |title=Where have you gone, Sandy Koufax? | News | Cover |publisher=Charlotte [[Creative Loafing]] |date= |accessdate=May 12, 2010}}\n\n===Verification===\nColumnist Nate Bloom described how the ''JSR'' researches whether an athlete is Jewish as follows:\n
\nEvery once in a while, the Review adds a player because he is clearly identified as Jewish in a very good news source like an interview. More often, they decide to contact a player (or a player's representative, or very close family member)--because of a tip or because the player has a \"Jewish sounding\" name. If they are told (by the player or his rep) that the player has one or more Jewish parents—they then inquire if the player was raised in and/or currently adheres to a faith other than Judaism. If the player answers \"yes\" to either of those questions—that ends the Review's inquiries and they don't cover the player. On the other hand, if they are told the player was raised Jewish or \"nothing\"--the Review then asks if the player has any objection to being identified as Jewish in the pages of the Review. If not, then they add him.{{cite web|last=Bloom |first=Nate |url=http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/Interfaith_Celebrities_Play_Ball.shtml?rd=2 |title=Interfaith Celebrities Play Ball |publisher=InterfaithFamily.com |date= |accessdate=May 12, 2010}}
\n\nThe magazine get tips on athletes from their subscribers, public relations directors for pro teams, school coaches, parents, and students. Wallman searches by phone and on the internet for top Jewish athletes in pro, college, and high school ranks. \n\nSome athletes are not \"obviously\" Jewish, such as former major league baseball player, [[Ruben Amaro, Jr.]] \n\nThe ''JSR'' also lists athletes frequently misidentified as Jewish, among them second baseman [[Rod Carew]] (\"never converted, although his children were raised Jewish\"), pitcher [[Mike LaCoss]] (\"born Marks, but took his stepfather's name and becomes irate when he is categorized as a Jew\"), and quarterback [[Rex Grossman]] (German-Catholic).{{cite web|url=http://www.nysun.com/sports/sports-desk-2007-02-06/48070/ |title=Sports Desk |publisher=The New York Sun |date=February 6, 2007 |accessdate=May 12, 2010}}\n\n==Baseball==\n[[File:KevinYouklis.jpg|left|thumb|222px|[[Kevin Youkilis]]]]\nIn 2009, as Jewish baseball players [[Ryan Braun]], [[Ian Kinsler]], and [[Kevin Youkilis]] were leading in voting for their positions on their [[2009 Major League Baseball All-Star Game|All Star teams]], the ''JSR'' noted that 160 Jews had played in the major leagues.{{cite web|url=http://www.bloomberg.com/apps/news?pid=20601079&sid=al9oTr_MYZKk |title=What Does It Mean for the Jews With Youkilis, Braun, Kinsler? |publisher=Bloomberg.com |date=July 2, 2009 |accessdate=May 12, 2010}} \n\nThe ''[[New York Daily News]]'' reported that according to the ''JSR'', there were almost three dozen Jews in baseball before [[Hank Greenberg]], but unlike Greenberg many had changed their names as they played in the majors. Michael Silverman changed his name to Baker, Rosenblum to Bennett, Lifsit to Bostwick, Solomon to Reese, and Makowsky to Markel. And Bohne, Cooney, Ewing, Kane, and Corey were all Cohens in the off-season. \n\nWhen the [[American Jewish Historical Society]] published a set of baseball cards of Jews in the major leagues (in conjunction with Major League Baseball and the Major League Baseball Players Association, and with the support of the National Baseball Hall of Fame and Museum), the project founder Martin Abramowitz of Jewish Major Leaguers Inc. relied on research by the ''JSR''.{{cite web|last=Lowenfish |first=Lee |url=http://www.forward.com/articles/6844/ |title=New Cards Mine Baseball’s Jewish Bench|publisher=Forward |date=March 24, 2006 |accessdate=May 12, 2010}}{{cite web|last=Cobb |first=Nathan |url=http://www.boston.com/news/globe/living/articles/2003/10/13/tribute_is_in_the_cards_for_jewish_ballplayers/ |title= Tribute is in the cards for Jewish ballplayers |publisher=Boston.com |date=October 13, 2003 |accessdate=May 12, 2010}} Also, when the [[Israel Baseball League]] was active, teams in it would recruit top college baseball players from the ''JSR'''s Jewish All-Americans in [[NCAA]] Divisions I, II, and III.{{cite web|last=Wieczorek |first=Allie |url=http://www.studlife.com/archives/Sports/2007/09/12/FromKellyFieldtotheFieldofDreams/ |title=From Kelly Field to the ‘Field of Dreams’ |publisher=Studlife.com |date=September 12, 2007 |accessdate=May 12, 2010}}\n\n==Basketball==\n[[File:Scheyer.jpg|right|thumb|180px|[[Jon Scheyer]]]]\nAfter \n[[Jon Scheyer]], later an [[2010 NCAA Men's Basketball All-Americans|All-American]] captain of the [[2009–10 Duke Blue Devils men's basketball team|2010 Duke national championship team]], led his high school team of five Jewish starters to an Illinois state championship, ''[[The Forward]]'' quoted Wallman as speculating that an all-Jewish starting lineup may have won a state title in the 1940s, but that it had not happened in the recent past.\n\n==In the media==\nPeter Horvitz, in ''The Big Book of Jewish Sports Heroes: An Illustrated Compendium of Sports History and The 150 Greatest Jewish Sports Stars'' (2007), calls Wallman the \"best and most dependable source of up-to-date information on the subject\" of Jews in sports.{{cite book|url=http://books.google.com/books?id=voCnkWSOoRsC&pg=PA7&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDkQ6AEwAQ#v=onepage&q=%22jewish%20sports%20review%22&f=false|author=Peter Horvitz |title=The Big Book of Jewish Sports Heros: An Illustrated Compendium of Sports History and The 150 Greatest JEwish Sports Stars|publisher=Books.google.com |date= |accessdate=May 12, 2010}} Joseph Siegman, in his book ''Jewish sports legends: the International Jewish Hall of Fame'' (2005), listed Moxson as a distinguished authority on sports.{{cite book|url=http://books.google.com/books?id=oZxnNt28DhcC&pg=PA240&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CD4Q6AEwAg#v=onepage&q=%22jewish%20sports%20review%22&f=false|author=Joseph Siegman |title=Jewish sports legends: the International Jewish Hall of Fame |publisher=Books.google.com |date= |accessdate=May 12, 2010}} ''[[The New York Times]]'' noted that the ''JSR'' \"aims to be rigorously comprehensive\". ''[[Sports Illustrated]]'' called JSR \"tireless in its service mission\".\n\n''JSR'' has been featured in ''Sports Illustrated'', ''The New York Times'', ''[[Los Angeles Times]]'', and ''[[Baltimore Sun]]''.\n\n==See also==\n*[[List of Jews in sports]]\n\n==References==\n{{Reflist|2}}\n\n==External links==\n*[http://www.jewishsportsreview.com/ ''Jewish Sports Review'']\n\n{{Organized Jewish Life in the United States}}\n\n[[Category:Sports magazines]]\n[[Category:Jewish magazines published in the United States]]\n[[Category:Magazines published in California]]\n[[Category:Biweekly magazines]]\n[[Category:Magazines established in 1997]]" + }, + { + "revid": 425223184, + "parentid": 425222231, + "minor": false, + "user": "Skyerise", + "userid": 9813438, + "timestamp": "2011-04-21T20:37:26Z", + "sha1": "549c34692590d39258d72cc00535714bd6f125dc", + "comment": "avoid manual sizing of images per [[WP:IUP|image use policy]]", + "*": "{{Infobox magazine\n| title = Jewish Sports Review\n| image_file = Jsr.jpg|180px\n| image_size = \n| image_alt = \n| image_caption = \n| editor = Ephraim Moxson; Shel Wallman\n| editor_title = Editors\n| previous_editor = \n| staff_writer = Neil Keller; Stan Ramati\n| frequency = Bi-monthly\n| circulation = \n| category = Jewish Sports\n| company = \n| publisher = Ephraim Moxson; Shel Wallman\n| firstdate = May–June 1997{{cite web|url=http://www.jewishsportsreview.com/Subscriptions.html |title=Subscriptions |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| country = U.S.\n| based = [[Los Angeles, California]]{{cite web|url=http://www.jewishsportsreview.com/About-Us.html |title=About Us |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}\n| language = \n| website = [http://www.jewishsportsreview.com/ www.jewishsportsreview.com]\n| issn = \n}}\n'''''Jewish Sports Review''' (JSR)'' is a bi-monthly magazine that was established in 1997.{{cite web|url=http://www.jewishsportsreview.com/ |title=Home |publisher=Jewish Sports Review |date= |accessdate=May 12, 2010}}{{cite news|last=Solomon |first=John |url=http://www.nytimes.com/1998/10/25/nyregion/neighborhood-report-upper-west-side-honoring-yes-the-jewish-athlete.html |title=Neighborhood Report – Upper West Side – Honoring, Yes, The Jewish Athlete |publisher=The New York Times |date=October 25, 1998 |accessdate=May 12, 2010}}{{cite web|url=http://theminaretonline.com/2010/04/28/article11429 |title=Breakdown of Tampa’s Star Designated Hitter Mike Schwartz |publisher=The Minaret |date=April 28, 2010 |accessdate=May 12, 2010}}{{cite web|author=Steve Rushin |url=http://sportsillustrated.cnn.com/vault/article/magazine/MAG1141512/index.htm |title=There's burgeoning subculture of devoted sports fans for |publisher=Sports Illustrated|date=February 7, 2000 |accessdate=May 12, 2010}}{{cite web|last=Ziegel |first=Vic |authorlink=Vic Ziegel |url=http://www.nydailynews.com/archives/sports/2000/01/13/2000-01-13_film_recalls_greenberg_war_v.html |title=Film Recalls Greenberg War Vs. Pitchers, Prejudice |publisher=Nydailynews.com |date=January 13, 2000 |accessdate=May 12, 2010}} Its editors are Ephraim Moxson and Shel Wallman.\n\nThe magazine identifies which star and professional athletes are Jewish. It also covers and has all-time lists for Jewish players in major league baseball,{{cite web|url=http://www.taipeitimes.com/News/sport/archives/2009/07/03/2003447694 |title=archives |publisher=Taipei Times |date=July 3, 2009 |accessdate=May 12, 2010}}{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/04/16/arts/jewish_stars/doc4bc77d3bbc236279484076.txt |title= Jewish Stars |publisher=Cleveland Jewish News |date=April 16, 2010 |accessdate=May 12, 2010}} pro football,{{cite web|url=http://www.sanfranciscosentinel.com/?p=71276 |title=SAN FRANCISCO 49ERS SELECT JEWISH SAFETY TAYLOR MAYS |publisher=San Francisco Sentinel |date=April 30, 2010 |accessdate=May 12, 2010}} pro basketball,{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/01/22/arts/jewish_stars/doc4b58c3eeb6312045104359.txt |title= Jewish Stars |publisher=Cleveland Jewish News |date=January 22, 2010 |accessdate=May 12, 2010}} and pro hockey;{{cite web|url=http://www.jweekly.com/article/full/41080/jews-and-mel-on-the-big-screen-winter-sports-roundup/ |title=Jews (and Mel) on the big screen, Winter sports roundup |publisher=Jweekly |date=January 21, 2010 |accessdate=May 12, 2010}} selects Jewish All-America College teams in baseball,{{cite web|url=http://www.google.com/url?sa=t&source=news&oi=news_result&ct=res&cd=4&ved=0CDcQqQIwAw&url=http%3A%2F%2Fwww.courierpostonline.com%2Farticle%2F20100422%2FSPORTS%2F4220346%2F1002%2Fsports&ei=9lDqS4uYDoK0lQeMgYnVCg&usg=AFQjCNEQ36GdmOMaJjNLofkJY8EdQTlDmw&sig2=yfKr6QP7HgaJkNkgKGlnCQ |title=Hard work works for Kavitsky |publisher=Courier-Post|date=April 22, 2010 |accessdate=May 12, 2010}} football, basketball,{{cite web|url=http://bearsports.wustl.edu/releases/mbk5-6-10.html |title=Washington University Athletics |publisher=Bearsports.wustl.edu |date=May 6, 2010 |accessdate=May 12, 2010}} {{Dead link|date=October 2010|bot=H3llBot}} softball,{{cite web|url=http://www.northshoreoflongisland.com/Articles-i-2008-07-24-73420.113114_Jacobs_Kavitsky_honored_for_softball_efforts.html |title=Jacobs, Kavitsky honored for softball efforts |publisher=Northshoreoflongisland.com |date=July 25, 2008 |accessdate=May 12, 2010}} soccer,{{cite web|url=http://www.cstv.com/sports/w-soccer/stories/012705aaa.html |title=UAB Women's Soccer Player Pam Cooney Named To Jewish Sports Review 2004 Women's Soccer All-America Team :: Sophomore garners first-team honors |publisher=Cstv.com |date=January 27, 2005 |accessdate=May 12, 2010}} and lacrosse;{{cite web|url=http://media.www.thetriangle.org/media/storage/paper689/news/2004/08/20/Sports/Jewish.Sports.Review.Honors.Lacrosse.Player-703300.shtml |title=Jewish Sports Review honors lacrosse player |publisher=Media.www.thetriangle.org |date=August 20, 2004 |accessdate=May 12, 2010}} covers international athletic events;{{cite web|url=http://www.clevelandjewishnews.com/articles/2010/02/12/arts/jewish_stars/doc4b74847fd85a4658916074.txt |title=Jewish Stars |publisher=Cleveland Jewish News |date=February 12, 2010 |accessdate=May 12, 2010}} selects high school Jewish All-America teams in basketball; and names the top graduating Jewish high school athletes.{{cite web|last=Casper |first=Joshua |url=http://www.jewishledger.com/articles/2004/03/24/news/on_the_cover/news02.txt |title=:: |publisher=Jewish Ledger |date=March 24, 2004 |accessdate=May 12, 2010}} In addition, it covers \"minor sports\", such as boxing.{{cite news|last=Gray |first=Geoffrey |url=http://www.nytimes.com/2003/07/26/sports/boxing-one-fight-too-many-costs-boxer-his-life.html?pagewanted=1 |title=One Fight Too Many Costs Boxer His Life |publisher=NYTimes.com |date=July 26, 2003 |accessdate=May 12, 2010}} \n\nAs to his inspiration for launching the magazine, Wallman—speaking on a panel on Jews in baseball at the Cooperstown [[Baseball Hall of Fame]]—said: \"I was always curious to know who was Jewish as a kid. And there wasn't a list.\"{{cite web|last=Ephross |first=Peter |url=http://www.jewishledger.com/articles/2004/09/22/news/on_the_cover/news02.txt |title=:: |publisher=Jewishledger.com |date=September 22, 2004 |accessdate=May 12, 2010}}\n\n==Jewish athletes==\nThe ''JSR'' provides information as to who is Jewish in the sports world, verifying the Jewish background of every athlete covered. \n\nWallman said: \"These days, most Jewish parents with a kid who has a good chance to play in the pros will encourage them,\" adding with a smile, \"You can always go to medical school afterward.\" \n\n===Criteria===\nThe ''JSR'''s criteria are that an athlete is Jewish if one of his parents is Jewish, he did not practice any other religion while he played, and he identified ethnically as a member of the Jewish community.{{cite web|url=http://njjewishnews.com/kaplanskorner/2008/11/05/the-phone-books-here-the-phone-books-here/ |title=“The phone book’s here, the phone book’s here!” * » Kaplan’s Korner on Jews and Sports |publisher=The [[New Jersey Jewish News]] |date=January 4, 2010 |accessdate=May 12, 2010}}{{cite web|last=Rodman |first=Edmon J. |url=http://www.jta.org/news/article/2010/10/28/2741474/jewish-review-headline |title=Duo celebrating bar mitzvah of counting Jewish athletes |publisher=JTA |date= |accessdate=October 29, 2010}} If an athlete has a Jewish parent but was raised in, or converted to, another faith, or indicated to the ''JSR'' that he did not wish to be considered Jewish, he is excluded (even though under Jewish law he might be considered Jewish). Moxson indicates that [[David Beckham]] is not included, as only his mother's father is Jewish, and he does not identify himself as Jewish.{{cite web|last=Salkin |first=Allen |url=http://charlotte.creativeloafing.com/gyrobase/where_have_you_gone_sandy_koufax_/Content?oid=4463 |title=Where have you gone, Sandy Koufax? | News | Cover |publisher=Charlotte [[Creative Loafing]] |date= |accessdate=May 12, 2010}}\n\n===Verification===\nColumnist Nate Bloom described how the ''JSR'' researches whether an athlete is Jewish as follows:\n
\nEvery once in a while, the Review adds a player because he is clearly identified as Jewish in a very good news source like an interview. More often, they decide to contact a player (or a player's representative, or very close family member)--because of a tip or because the player has a \"Jewish sounding\" name. If they are told (by the player or his rep) that the player has one or more Jewish parents—they then inquire if the player was raised in and/or currently adheres to a faith other than Judaism. If the player answers \"yes\" to either of those questions—that ends the Review's inquiries and they don't cover the player. On the other hand, if they are told the player was raised Jewish or \"nothing\"--the Review then asks if the player has any objection to being identified as Jewish in the pages of the Review. If not, then they add him.{{cite web|last=Bloom |first=Nate |url=http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/Interfaith_Celebrities_Play_Ball.shtml?rd=2 |title=Interfaith Celebrities Play Ball |publisher=InterfaithFamily.com |date= |accessdate=May 12, 2010}}
\n\nThe magazine get tips on athletes from their subscribers, public relations directors for pro teams, school coaches, parents, and students. Wallman searches by phone and on the internet for top Jewish athletes in pro, college, and high school ranks. \n\nSome athletes are not \"obviously\" Jewish, such as former major league baseball player, [[Ruben Amaro, Jr.]] \n\nThe ''JSR'' also lists athletes frequently misidentified as Jewish, among them second baseman [[Rod Carew]] (\"never converted, although his children were raised Jewish\"), pitcher [[Mike LaCoss]] (\"born Marks, but took his stepfather's name and becomes irate when he is categorized as a Jew\"), and quarterback [[Rex Grossman]] (German-Catholic).{{cite web|url=http://www.nysun.com/sports/sports-desk-2007-02-06/48070/ |title=Sports Desk |publisher=The New York Sun |date=February 6, 2007 |accessdate=May 12, 2010}}\n\n==Baseball==\n[[File:KevinYouklis.jpg|left|thumb|[[Kevin Youkilis]]]]\nIn 2009, as Jewish baseball players [[Ryan Braun]], [[Ian Kinsler]], and [[Kevin Youkilis]] were leading in voting for their positions on their [[2009 Major League Baseball All-Star Game|All Star teams]], the ''JSR'' noted that 160 Jews had played in the major leagues.{{cite web|url=http://www.bloomberg.com/apps/news?pid=20601079&sid=al9oTr_MYZKk |title=What Does It Mean for the Jews With Youkilis, Braun, Kinsler? |publisher=Bloomberg.com |date=July 2, 2009 |accessdate=May 12, 2010}} \n\nThe ''[[New York Daily News]]'' reported that according to the ''JSR'', there were almost three dozen Jews in baseball before [[Hank Greenberg]], but unlike Greenberg many had changed their names as they played in the majors. Michael Silverman changed his name to Baker, Rosenblum to Bennett, Lifsit to Bostwick, Solomon to Reese, and Makowsky to Markel. And Bohne, Cooney, Ewing, Kane, and Corey were all Cohens in the off-season. \n\nWhen the [[American Jewish Historical Society]] published a set of baseball cards of Jews in the major leagues (in conjunction with Major League Baseball and the Major League Baseball Players Association, and with the support of the National Baseball Hall of Fame and Museum), the project founder Martin Abramowitz of Jewish Major Leaguers Inc. relied on research by the ''JSR''.{{cite web|last=Lowenfish |first=Lee |url=http://www.forward.com/articles/6844/ |title=New Cards Mine Baseball’s Jewish Bench|publisher=Forward |date=March 24, 2006 |accessdate=May 12, 2010}}{{cite web|last=Cobb |first=Nathan |url=http://www.boston.com/news/globe/living/articles/2003/10/13/tribute_is_in_the_cards_for_jewish_ballplayers/ |title= Tribute is in the cards for Jewish ballplayers |publisher=Boston.com |date=October 13, 2003 |accessdate=May 12, 2010}} Also, when the [[Israel Baseball League]] was active, teams in it would recruit top college baseball players from the ''JSR'''s Jewish All-Americans in [[NCAA]] Divisions I, II, and III.{{cite web|last=Wieczorek |first=Allie |url=http://www.studlife.com/archives/Sports/2007/09/12/FromKellyFieldtotheFieldofDreams/ |title=From Kelly Field to the ‘Field of Dreams’ |publisher=Studlife.com |date=September 12, 2007 |accessdate=May 12, 2010}}\n\n==Basketball==\n[[File:Scheyer.jpg|right|thumb|upright|[[Jon Scheyer]]]]\nAfter [[Jon Scheyer]], later an [[2010 NCAA Men's Basketball All-Americans|All-American]] captain of the [[2009–10 Duke Blue Devils men's basketball team|2010 Duke national championship team]], led his high school team of five Jewish starters to an Illinois state championship, ''[[The Forward]]'' quoted Wallman as speculating that an all-Jewish starting lineup may have won a state title in the 1940s, but that it had not happened in the recent past.\n\n==In the media==\nPeter Horvitz, in ''The Big Book of Jewish Sports Heroes: An Illustrated Compendium of Sports History and The 150 Greatest Jewish Sports Stars'' (2007), calls Wallman the \"best and most dependable source of up-to-date information on the subject\" of Jews in sports.{{cite book|url=http://books.google.com/books?id=voCnkWSOoRsC&pg=PA7&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDkQ6AEwAQ#v=onepage&q=%22jewish%20sports%20review%22&f=false|author=Peter Horvitz |title=The Big Book of Jewish Sports Heros: An Illustrated Compendium of Sports History and The 150 Greatest JEwish Sports Stars|publisher=Books.google.com |date= |accessdate=May 12, 2010}} Joseph Siegman, in his book ''Jewish sports legends: the International Jewish Hall of Fame'' (2005), listed Moxson as a distinguished authority on sports.{{cite book|url=http://books.google.com/books?id=oZxnNt28DhcC&pg=PA240&dq=%22jewish+sports+review%22&hl=en&ei=_UXqS8KcNMP58AaVgaXoDg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CD4Q6AEwAg#v=onepage&q=%22jewish%20sports%20review%22&f=false|author=Joseph Siegman |title=Jewish sports legends: the International Jewish Hall of Fame |publisher=Books.google.com |date= |accessdate=May 12, 2010}} ''[[The New York Times]]'' noted that the ''JSR'' \"aims to be rigorously comprehensive\". ''[[Sports Illustrated]]'' called JSR \"tireless in its service mission\".\n\n''JSR'' has been featured in ''Sports Illustrated'', ''The New York Times'', ''[[Los Angeles Times]]'', and ''[[Baltimore Sun]]''.\n\n==See also==\n*[[List of Jews in sports]]\n\n==References==\n{{Reflist|2}}\n\n==External links==\n*[http://www.jewishsportsreview.com/ ''Jewish Sports Review'']\n\n{{Organized Jewish Life in the United States}}\n\n[[Category:Sports magazines]]\n[[Category:Jewish magazines published in the United States]]\n[[Category:Magazines published in California]]\n[[Category:Biweekly magazines]]\n[[Category:Magazines established in 1997]]" + } +] diff --git a/tests/fixtures/johannes_westo_revisions.json b/tests/fixtures/johannes_westo_revisions.json new file mode 100644 index 0000000..7cbebb3 --- /dev/null +++ b/tests/fixtures/johannes_westo_revisions.json @@ -0,0 +1,495 @@ +[ + { + "revid": 300557875, + "parentid": 0, + "minor": false, + "user": "Lomdiff", + "userid": 10054599, + "timestamp": "2009-07-06T08:16:12Z", + "sha1": "d7e2931d745d7df4a5fe3327cb056103f08d7069", + "comment": "[[WP:AES|←]]Created page with '{{Football player infobox | playername= Johannes Westö | image = | fullname = | nickname = | dateofbirth = {{birth date and age|1991|4|1}} | | cityofbirth = |...'", + "*": "{{Football player infobox\n| playername= Johannes Westö\n| image = \n| fullname = \n| nickname = \n| dateofbirth = {{birth date and age|1991|4|1}} |\n| cityofbirth = \n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 26\n| position = [[Midfielder (association football)|Midfielder]]\n| years = 2007–
2009-\n| clubs = [[Klubi-04| Klubi 04]]
[[HJK]] \n| caps(goals) = ? (?)
2 (0) \n| nationalyears = \n| nationalteam = [[Finland national under-19 football team|Finland U-19]]\n| nationalcaps(goals) = ? (?)\n| pcupdate = \n}}\n\n'''Johannes Westö''' (born [[April 1]] [[1991]], [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er, who represents [[HJK Helsinki]] in the [[Veikkausliiga]]. \n\n==References==\n{{reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=311 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{DEFAULTSORT:Westö, Johannes}}\n[[Category:Finnish footballers]]\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Football (soccer) midfielders]]\n[[Category:HJK Helsinki players]]\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 300558139, + "parentid": 300557875, + "minor": false, + "user": "Lomdiff", + "userid": 10054599, + "timestamp": "2009-07-06T08:18:45Z", + "sha1": "37a28c13357536cd8a69397008f769cd3fc9b7c5", + "comment": "/* External links */", + "*": "{{Football player infobox\n| playername= Johannes Westö\n| image = \n| fullname = \n| nickname = \n| dateofbirth = {{birth date and age|1991|4|1}} |\n| cityofbirth = \n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 26\n| position = [[Midfielder (association football)|Midfielder]]\n| years = 2007–
2009-\n| clubs = [[Klubi-04| Klubi 04]]
[[HJK]] \n| caps(goals) = ? (?)
2 (0) \n| nationalyears = \n| nationalteam = [[Finland national under-19 football team|Finland U-19]]\n| nationalcaps(goals) = ? (?)\n| pcupdate = \n}}\n\n'''Johannes Westö''' (born [[April 1]] [[1991]], [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er, who represents [[HJK Helsinki]] in the [[Veikkausliiga]]. \n\n==References==\n{{reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{DEFAULTSORT:Westö, Johannes}}\n[[Category:Finnish footballers]]\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Football (soccer) midfielders]]\n[[Category:HJK Helsinki players]]\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 305111163, + "parentid": 300558139, + "minor": true, + "user": "Jezhotwells", + "userid": 8548435, + "timestamp": "2009-07-30T17:22:56Z", + "sha1": "b34ac324516775681b737f5f43a9fead99f43f60", + "comment": "Added {{[[Template:unreferencedBLP|unreferencedBLP]]}} tag to article. using [[WP:FRIENDLY|Friendly]]", + "*": "{{unreferencedBLP|date=July 2009}}\n{{Football player infobox\n| playername= Johannes Westö\n| image = \n| fullname = \n| nickname = \n| dateofbirth = {{birth date and age|1991|4|1}} |\n| cityofbirth = \n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 26\n| position = [[Midfielder (association football)|Midfielder]]\n| years = 2007–
2009-\n| clubs = [[Klubi-04| Klubi 04]]
[[HJK]] \n| caps(goals) = ? (?)
2 (0) \n| nationalyears = \n| nationalteam = [[Finland national under-19 football team|Finland U-19]]\n| nationalcaps(goals) = ? (?)\n| pcupdate = \n}}\n\n'''Johannes Westö''' (born [[April 1]] [[1991]], [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er, who represents [[HJK Helsinki]] in the [[Veikkausliiga]]. \n\n==References==\n{{reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{DEFAULTSORT:Westö, Johannes}}\n[[Category:Finnish footballers]]\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Football (soccer) midfielders]]\n[[Category:HJK Helsinki players]]\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 332802164, + "parentid": 305111163, + "minor": true, + "user": "Rich Farmbrough", + "userid": 82835, + "timestamp": "2009-12-20T05:00:51Z", + "sha1": "3b115327088c5df6bdaf0b79f6f70d39cf85b7b6", + "comment": "Delink dates ([[WP:MOSUNLINKDATES]]) using [[Project:AWB]]", + "*": "{{unreferencedBLP|date=July 2009}}\n{{Football player infobox\n| playername= Johannes Westö\n| image = \n| fullname = \n| nickname = \n| dateofbirth = {{birth date and age|1991|4|1}} |\n| cityofbirth = \n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 26\n| position = [[Midfielder (association football)|Midfielder]]\n| years = 2007–
2009-\n| clubs = [[Klubi-04| Klubi 04]]
[[HJK]] \n| caps(goals) = ? (?)
2 (0) \n| nationalyears = \n| nationalteam = [[Finland national under-19 football team|Finland U-19]]\n| nationalcaps(goals) = ? (?)\n| pcupdate = \n}}\n\n'''Johannes Westö''' (born April 1, 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er, who represents [[HJK Helsinki]] in the [[Veikkausliiga]]. \n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{DEFAULTSORT:Westö, Johannes}}\n[[Category:Finnish footballers]]\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Football (soccer) midfielders]]\n[[Category:HJK Helsinki players]]\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 343969288, + "parentid": 332802164, + "minor": true, + "user": "Cydebot", + "userid": 1215485, + "timestamp": "2010-02-14T07:37:44Z", + "sha1": "97da0c7fdd4ca39a573709f078e94b7ea187c7a5", + "comment": "Robot - Moving category Football (soccer) midfielders to Association football midfielders per [[WP:CFD|CFD]] at [[Wikipedia:Categories for discussion/Log/2010 February 5]].", + "*": "{{unreferencedBLP|date=July 2009}}\n{{Football player infobox\n| playername= Johannes Westö\n| image = \n| fullname = \n| nickname = \n| dateofbirth = {{birth date and age|1991|4|1}} |\n| cityofbirth = \n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 26\n| position = [[Midfielder (association football)|Midfielder]]\n| years = 2007–
2009-\n| clubs = [[Klubi-04| Klubi 04]]
[[HJK]] \n| caps(goals) = ? (?)
2 (0) \n| nationalyears = \n| nationalteam = [[Finland national under-19 football team|Finland U-19]]\n| nationalcaps(goals) = ? (?)\n| pcupdate = \n}}\n\n'''Johannes Westö''' (born April 1, 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er, who represents [[HJK Helsinki]] in the [[Veikkausliiga]]. \n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{DEFAULTSORT:Westö, Johannes}}\n[[Category:Finnish footballers]]\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Association football midfielders]]\n[[Category:HJK Helsinki players]]\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 347118770, + "parentid": 343969288, + "minor": true, + "user": "Jared Preston", + "userid": 262550, + "timestamp": "2010-03-01T17:01:11Z", + "sha1": "5ee396e40760e8e344ddeab89952de74d6da43c7", + "comment": "{{HJK squad}}", + "*": "{{unreferencedBLP|date=July 2009}}\n{{Football player infobox\n| playername= Johannes Westö\n| image = \n| fullname = \n| nickname = \n| dateofbirth = {{birth date and age|1991|4|1}} |\n| cityofbirth = \n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 26\n| position = [[Midfielder (association football)|Midfielder]]\n| years = 2007–
2009-\n| clubs = [[Klubi-04| Klubi 04]]
[[HJK]] \n| caps(goals) = ? (?)
2 (0) \n| nationalyears = \n| nationalteam = [[Finland national under-19 football team|Finland U-19]]\n| nationalcaps(goals) = ? (?)\n| pcupdate = \n}}\n\n'''Johannes Westö''' (born April 1, 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er, who represents [[HJK Helsinki]] in the [[Veikkausliiga]]. \n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{DEFAULTSORT:Westö, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:HJK Helsinki players]]\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 361321430, + "parentid": 347118770, + "minor": false, + "user": "88.112.98.204", + "anon": true, + "userid": 0, + "timestamp": "2010-05-10T18:39:03Z", + "sha1": "3eb02c83f0a9c8ea742796976795ab4a05f5a9a6", + "comment": "", + "*": "{{unreferencedBLP|date=July 2009}}\n{{Football player infobox\n| playername= Johannes Westö\n| image = \n| fullname = \n| nickname = \n| dateofbirth = {{birth date and age|1991|4|1}} |\n| cityofbirth = \n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 26\n| position = [[Midfielder (association football)|Midfielder]]\n| years = 2007–
2009-\n| clubs = [[Klubi-04| Klubi 04]]
[[HJK]] \n| caps(goals) = 21 (9)
6 (0) \n| nationalyears = \n| nationalteam = [[Finland national under-19 football team|Finland U-19]]\n| nationalcaps(goals) = ? (?)\n| pcupdate = \n}}\n\n'''Johannes Westö''' (born April 1, 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er, who represents [[HJK Helsinki]] in the [[Veikkausliiga]]. \n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{DEFAULTSORT:Westö, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:HJK Helsinki players]]\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 362137769, + "parentid": 361321430, + "minor": false, + "user": "Harbee", + "userid": 1937083, + "timestamp": "2010-05-14T18:43:08Z", + "sha1": "c373b78c597fefe7c3678b8c1ca25cbd2c02940e", + "comment": "", + "*": "{{unreferencedBLP|date=July 2009}}\n{{Football player infobox\n| playername= Johannes Westö\n| image = \n| fullname = \n| nickname = \n| dateofbirth = {{birth date and age|1991|4|1}} |\n| cityofbirth = \n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| years = 2007–
2009-\n| clubs = [[Klubi-04| Klubi 04]]
[[HJK]] \n| caps(goals) = 21 (9)
6 (0) \n| nationalyears = \n| nationalteam = [[Finland national under-19 football team|Finland U-19]]\n| nationalcaps(goals) = ? (?)\n| pcupdate = \n}}\n\n'''Johannes Westö''' (born April 1, 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er, who represents [[HJK Helsinki]] in the [[Veikkausliiga]]. \n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{DEFAULTSORT:Westö, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:HJK Helsinki players]]\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 363390394, + "parentid": 362137769, + "minor": false, + "user": "88.112.100.156", + "anon": true, + "userid": 0, + "timestamp": "2010-05-21T14:10:36Z", + "sha1": "82edf7071d9347596b934157e3dd80abab899b1b", + "comment": "", + "*": "{{unreferencedBLP|date=July 2009}}\n{{Football player infobox\n| playername= Johannes Westö\n| image = \n| fullname = \n| nickname = \n| dateofbirth = {{birth date and age|1991|4|1}} |\n| cityofbirth = \n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| years = 2007–
2009-\n| clubs = [[Klubi-04| Klubi 04]]
[[HJK]] \n| caps(goals) = 21 (9)
7 (1) \n| nationalyears = \n| nationalteam = [[Finland national under-19 football team|Finland U-19]]\n| nationalcaps(goals) = ? (?)\n| pcupdate = \n}}\n\n'''Johannes Westö''' (born April 1, 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er, who represents [[HJK Helsinki]] in the [[Veikkausliiga]]. \n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{DEFAULTSORT:Westö, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:HJK Helsinki players]]\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 370222078, + "parentid": 363390394, + "minor": false, + "user": "88.112.104.137", + "anon": true, + "userid": 0, + "timestamp": "2010-06-26T08:26:21Z", + "sha1": "35cabf64df7ed5ab7f9791e2d42e606f69041fc0", + "comment": "", + "*": "{{unreferencedBLP|date=July 2009}}\n{{Football player infobox\n| playername= Johannes Westö\n| image = \n| fullname = \n| nickname = \n| dateofbirth = {{birth date and age|1991|4|1}} |\n| cityofbirth = \n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| years = 2007-2009
2009-\n| clubs = [[Klubi-04| Klubi 04]]
[[HJK]] \n| caps(goals) = 21 (9)
8 (1) \n| nationalyears = \n| nationalteam = [[Finland national under-19 football team|Finland U-19]]\n| nationalcaps(goals) = ? (?)\n| pcupdate = \n}}\n\n'''Johannes Westö''' (born April 1, 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er, who represents [[HJK Helsinki]] in the [[Veikkausliiga]]. \n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{DEFAULTSORT:Westö, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:HJK Helsinki players]]\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 373479781, + "parentid": 370222078, + "minor": false, + "user": "Jogurney", + "userid": 1127177, + "timestamp": "2010-07-14T18:00:15Z", + "sha1": "97de6e65c1405f3eea4140553ff4d1294ec87281", + "comment": "reference", + "*": "{{BLP sources|date=July 2009}}\n{{Football player infobox\n| playername= Johannes Westö\n| image = \n| fullname = \n| nickname = \n| dateofbirth = {{birth date and age|1991|4|1}} |\n| cityofbirth = \n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| years = 2007-2009
2009-\n| clubs = [[Klubi-04| Klubi 04]]
[[HJK]] \n| caps(goals) = 21 (9)
8 (1) \n| nationalyears = \n| nationalteam = [[Finland national under-19 football team|Finland U-19]]\n| nationalcaps(goals) = ? (?)\n| pcupdate = \n}}\n\n'''Johannes Westö''' (born April 1, 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er, who represents [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=2010-07-14}}\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{DEFAULTSORT:Westö, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:HJK Helsinki players]]\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 374870888, + "parentid": 373479781, + "minor": true, + "user": "Etzo", + "userid": 9656001, + "timestamp": "2010-07-22T16:02:27Z", + "sha1": "9a54acf2d5afa887ef337ffa6df836d1213ecd62", + "comment": "", + "*": "{{BLP sources|date=July 2009}}\n{{Football player infobox\n| playername= Johannes Westö\n| image = \n| fullname = \n| nickname = \n| dateofbirth = {{birth date and age|1991|4|1}} |\n| cityofbirth = \n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| years = 2007-2009
2009-\n| clubs = [[Klubi-04| Klubi 04]]
[[HJK]] \n| caps(goals) = 21 (9)
10 (1) \n| nationalyears =
2010-\n| nationalteam = [[Finland national under-19 football team|Finland U-19]]
[[Finland national under-21 football team|Finland U21]]\n| nationalcaps(goals) = ? (?)
0 (0)\n| pcupdate = 22 July 2010\n| ntupdate = 22 July 2010\n}}\n\n'''Johannes Westö''' (born April 1, 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er, who represents [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=2010-07-14}}\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{DEFAULTSORT:Westö, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:HJK Helsinki players]]\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 376758614, + "parentid": 374870888, + "minor": false, + "user": "88.112.104.137", + "anon": true, + "userid": 0, + "timestamp": "2010-08-02T13:57:54Z", + "sha1": "0f4a7d178a525611d2d4155f631cbd47f5c78742", + "comment": "", + "*": "{{BLP sources|date=July 2009}}\n{{Football player infobox\n| playername= Johannes Westö\n| image = \n| fullname = \n| nickname = \n| dateofbirth = {{birth date and age|1991|4|1}} |\n| cityofbirth = \n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| years = 2007-2009
2009-\n| clubs = [[Klubi-04| Klubi 04]]
[[HJK]] \n| caps(goals) = 21 (9)
14 (3) \n| nationalyears =
2010-\n| nationalteam = [[Finland national under-19 football team|Finland U-19]]
[[Finland national under-21 football team|Finland U21]]\n| nationalcaps(goals) = ? (?)
0 (0)\n| pcupdate = 22 July 2010\n| ntupdate = 22 July 2010\n}}\n\n'''Johannes Westö''' (born April 1, 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er, who represents [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=2010-07-14}}\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{DEFAULTSORT:Westö, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:HJK Helsinki players]]\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 380680111, + "parentid": 376758614, + "minor": true, + "user": "SmackBot", + "userid": 433328, + "timestamp": "2010-08-24T10:25:50Z", + "sha1": "8e1087c08f9f509a88195e9442a16ffec341d728", + "comment": "Date maintenance tags and general fixes: build 480:", + "*": "{{BLP sources|date=July 2009}}\n{{Football player infobox\n| playername= Johannes Westö\n| image =\n| fullname =\n| nickname =\n| dateofbirth = {{birth date and age|1991|4|1}} |\n| cityofbirth =\n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| years = 2007-2009
2009-\n| clubs = [[Klubi-04|Klubi 04]]
[[HJK]]\n| caps(goals) = 21 (9)
14 (3)\n| nationalyears =
2010-\n| nationalteam = [[Finland national under-19 football team|Finland U-19]]
[[Finland national under-21 football team|Finland U21]]\n| nationalcaps(goals) = ? (?)
0 (0)\n| pcupdate = 22 July 2010\n| ntupdate = 22 July 2010\n}}\n\n'''Johannes Westö''' (born April 1, 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er, who represents [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=2010-07-14}}\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:HJK Helsinki players]]\n\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 382556619, + "parentid": 380680111, + "minor": true, + "user": "Yobot", + "userid": 7328338, + "timestamp": "2010-09-02T21:48:40Z", + "sha1": "0bbaaea8ee02c03657617d4d6cf3ceb3909508ac", + "comment": "fixing special characters in DEFAULTSORT ([[WP:CHECKWIKI]] error 6) + genfixes, replaced: Football player infobox → Infobox football biography using [[Project:AWB|AWB]] (7069)", + "*": "{{BLP sources|date=July 2009}}\n{{Infobox football biography\n| playername= Johannes Westö\n| image =\n| fullname =\n| nickname =\n| dateofbirth = {{birth date and age|1991|4|1}} |\n| cityofbirth =\n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| years = 2007-2009
2009-\n| clubs = [[Klubi-04|Klubi 04]]
[[HJK]]\n| caps(goals) = 21 (9)
14 (3)\n| nationalyears =
2010-\n| nationalteam = [[Finland national under-19 football team|Finland U-19]]
[[Finland national under-21 football team|Finland U21]]\n| nationalcaps(goals) = ? (?)
0 (0)\n| pcupdate = 22 July 2010\n| ntupdate = 22 July 2010\n}}\n\n'''Johannes Westö''' (born April 1, 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er, who represents [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=2010-07-14}}\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Persondata \n| NAME =Westo, Johannes\n| ALTERNATIVE NAMES =\n| SHORT DESCRIPTION =\n| DATE OF BIRTH =1991-04-01\n| PLACE OF BIRTH =[[Finland]]\n| DATE OF DEATH =\n| PLACE OF DEATH =\n}}\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:HJK Helsinki players]]\n\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 382618955, + "parentid": 382556619, + "minor": true, + "user": "Koavf", + "userid": 205121, + "timestamp": "2010-09-03T05:47:35Z", + "sha1": "1a0a6f4109692311ce5908e98bb3522b84a3b9ee", + "comment": "/* External links */fix cat. per CfD using [[Project:AWB|AWB]]", + "*": "{{BLP sources|date=July 2009}}\n{{Infobox football biography\n| playername= Johannes Westö\n| image =\n| fullname =\n| nickname =\n| dateofbirth = {{birth date and age|1991|4|1}} |\n| cityofbirth =\n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| years = 2007-2009
2009-\n| clubs = [[Klubi-04|Klubi 04]]
[[HJK]]\n| caps(goals) = 21 (9)
14 (3)\n| nationalyears =
2010-\n| nationalteam = [[Finland national under-19 football team|Finland U-19]]
[[Finland national under-21 football team|Finland U21]]\n| nationalcaps(goals) = ? (?)
0 (0)\n| pcupdate = 22 July 2010\n| ntupdate = 22 July 2010\n}}\n\n'''Johannes Westö''' (born April 1, 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er, who represents [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=2010-07-14}}\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Persondata \n| NAME =Westo, Johannes\n| ALTERNATIVE NAMES =\n| SHORT DESCRIPTION =\n| DATE OF BIRTH =1991-04-01\n| PLACE OF BIRTH =[[Finland]]\n| DATE OF DEATH =\n| PLACE OF DEATH =\n}}\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 383481216, + "parentid": 382618955, + "minor": true, + "user": "Etzo", + "userid": 9656001, + "timestamp": "2010-09-07T16:54:50Z", + "sha1": "64b2471878821cdcaf96c66e149c117ec65ecf8c", + "comment": "", + "*": "{{BLP sources|date=July 2009}}\n{{Infobox football biography\n| playername= Johannes Westö\n| image =\n| fullname =\n| nickname =\n| dateofbirth = {{birth date and age|1991|4|1}} |\n| cityofbirth =\n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| years = 2007-2009
2009-\n| clubs = [[Klubi-04|Klubi 04]]
[[HJK]]\n| caps(goals) = 21 (9)
14 (3)\n| nationalyears =
2010-\n| nationalteam = [[Finland national under-19 football team|Finland U-19]]
[[Finland national under-21 football team|Finland U21]]\n| nationalcaps(goals) = ? (?)
2 (0)\n| pcupdate = 22 July 2010\n| ntupdate = 7 September 2010\n}}\n\n'''Johannes Westö''' (born April 1, 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er, who represents [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=2010-07-14}}\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Persondata \n| NAME =Westo, Johannes\n| ALTERNATIVE NAMES =\n| SHORT DESCRIPTION =\n| DATE OF BIRTH =1991-04-01\n| PLACE OF BIRTH =[[Finland]]\n| DATE OF DEATH =\n| PLACE OF DEATH =\n}}\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 387490690, + "parentid": 383481216, + "minor": false, + "user": "88.112.104.137", + "anon": true, + "userid": 0, + "timestamp": "2010-09-28T08:44:22Z", + "sha1": "209c35911b291478b001a93f167acd845578da83", + "comment": "", + "*": "{{BLP sources|date=July 2009}}\n{{Infobox football biography\n| playername= Johannes Westö\n| image =\n| fullname =\n| nickname =\n| dateofbirth = {{birth date and age|1991|4|1}} |\n| cityofbirth =\n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| years = 2009-\n| clubs = [[HJK]]\n| caps(goals) = 21 (3)\n| nationalyears =
2010-\n| nationalteam = [[Finland national under-19 football team|Finland U-19]]
[[Finland national under-21 football team|Finland U21]]\n| nationalcaps(goals) = ? (?)
2 (0)\n| pcupdate = 22 July 2010\n| ntupdate = 7 September 2010\n}}\n\n'''Johannes Westö''' (born April 1, 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er, who represents [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=2010-07-14}}\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Persondata \n| NAME =Westo, Johannes\n| ALTERNATIVE NAMES =\n| SHORT DESCRIPTION =\n| DATE OF BIRTH =1991-04-01\n| PLACE OF BIRTH =[[Finland]]\n| DATE OF DEATH =\n| PLACE OF DEATH =\n}}\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 390661514, + "parentid": 387490690, + "minor": true, + "user": "Etzo", + "userid": 9656001, + "timestamp": "2010-10-14T08:43:28Z", + "sha1": "b08a2e09644666565911a02de28029aacf036ab3", + "comment": "", + "*": "{{BLP sources|date=July 2009}}\n{{Infobox football biography\n| playername= Johannes Westö\n| image =\n| fullname =\n| nickname =\n| dateofbirth = {{birth date and age|1991|4|1}} |\n| cityofbirth =\n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| youthyears =
2007-2009\n| youthclubs = [[HJK Helsinki|HJK]]
[[Klubi-04]]\n| years = 2009-\n| clubs = [[HJK Helsinki|HJK]]\n| caps(goals) = 21 (3)\n| nationalyears =
2010-\n| nationalteam = [[Finland national under-19 football team|Finland U-19]]
[[Finland national under-21 football team|Finland U21]]\n| nationalcaps(goals) = ? (?)
2 (0)\n| pcupdate = 22 July 2010\n| ntupdate = 7 September 2010\n}}\n\n'''Johannes Westö''' (born April 1, 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er, who represents [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=2010-07-14}} He is the son of Finnish Swedish writer Mårten Westö. His uncle, [[Kjell Westö]], is also a well known writer in Finland.\n\n==Honours==\n*[[Veikkausliiga]]: [[2009 Veikkausliiga|2009]], [[2010 Veikkausliiga|2010]]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Persondata \n| NAME =Westo, Johannes\n| ALTERNATIVE NAMES =\n| SHORT DESCRIPTION =\n| DATE OF BIRTH =1991-04-01\n| PLACE OF BIRTH =[[Finland]]\n| DATE OF DEATH =\n| PLACE OF DEATH =\n}}\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 392219508, + "parentid": 390661514, + "minor": false, + "user": "82.181.231.205", + "anon": true, + "userid": 0, + "timestamp": "2010-10-22T14:14:07Z", + "sha1": "02d2a9480e10834f3571159a3175fd9d378b19ae", + "comment": "", + "*": "{{BLP sources|date=July 2009}}\n{{Infobox football biography\n| playername= Johannes Westö\n| image =\n| fullname =\n| nickname =\n| dateofbirth = {{birth date and age|1991|4|1}} |\n| cityofbirth =\n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| youthyears =
2007-2009\n| youthclubs = [[HJK Helsinki|HJK]]
[[Klubi-04]]\n| years = 2009-\n| clubs = [[HJK Helsinki|HJK]]\n| caps(goals) = 21 (3)\n| nationalyears =
2010-\n| nationalteam = [[Finland national under-19 football team|Finland U-19]]
[[Finland national under-21 football team|Finland U21]]\n| nationalcaps(goals) = ? (?)
2 (0)\n| pcupdate = 22 July 2010\n| ntupdate = 7 September 2010\n}}\n\n'''Johannes Westö''' (born April 1, 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er who represents [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=2010-07-14}} During the 2010 [[Veikkausliiga]] season, Westö broke into [[Helsingin Jalkapalloklubi|HJK's]] first eleven. His performances during the season were promising, and he is now considered as a hot prospect for the future[http://www.veikkausliiga.com/News.aspx?id=39801 HJK:n Westö tyytyväinen otteisiinsa] Veikkausliiga.fi, 21.10.2010\n\nWestö is the son of the author Mårten Westö. His uncle, [[Kjell Westö]], is also a well known Finnish novelist.\n\n==Honours==\n*[[Veikkausliiga]]: [[2009 Veikkausliiga|2009]], [[2010 Veikkausliiga|2010]]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Persondata \n| NAME =Westo, Johannes\n| ALTERNATIVE NAMES =\n| SHORT DESCRIPTION =\n| DATE OF BIRTH =1991-04-01\n| PLACE OF BIRTH =[[Finland]]\n| DATE OF DEATH =\n| PLACE OF DEATH =\n}}\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 392219691, + "parentid": 392219508, + "minor": false, + "user": "82.181.231.205", + "anon": true, + "userid": 0, + "timestamp": "2010-10-22T14:15:17Z", + "sha1": "f1663cacd2b2c868525a78802b13018e315593f8", + "comment": "", + "*": "{{BLP sources|date=July 2009}}\n{{Infobox football biography\n| playername= Johannes Westö\n| image =\n| fullname =\n| nickname =\n| dateofbirth = {{birth date and age|1991|4|1}} |\n| cityofbirth =\n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| youthyears =
2007-2009\n| youthclubs = [[HJK Helsinki|HJK]]
[[Klubi-04]]\n| years = 2009-\n| clubs = [[HJK Helsinki|HJK]]\n| caps(goals) = 21 (3)\n| nationalyears =
2010-\n| nationalteam = [[Finland national under-19 football team|Finland U-19]]
[[Finland national under-21 football team|Finland U21]]\n| nationalcaps(goals) = ? (?)
2 (0)\n| pcupdate = 22 July 2010\n| ntupdate = 7 September 2010\n}}\n\n'''Johannes Westö''' (born April 1, 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er who represents [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=2010-07-14}} During the 2010 [[Veikkausliiga]] season, Westö broke into [[Helsingin Jalkapalloklubi|HJK's]] first eleven. His performances during the season were promising, and he is now considered as a hot prospect for the future[http://www.veikkausliiga.com/News.aspx?id=39801 HJK:n Westö tyytyväinen otteisiinsa] Veikkausliiga.fi, 21.10.2010.\n\nWestö is the son of the author Mårten Westö. His uncle, [[Kjell Westö]], is also a well known Finnish novelist.\n\n==Honours==\n*[[Veikkausliiga]]: [[2009 Veikkausliiga|2009]], [[2010 Veikkausliiga|2010]]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Persondata \n| NAME =Westo, Johannes\n| ALTERNATIVE NAMES =\n| SHORT DESCRIPTION =\n| DATE OF BIRTH =1991-04-01\n| PLACE OF BIRTH =[[Finland]]\n| DATE OF DEATH =\n| PLACE OF DEATH =\n}}\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 393650285, + "parentid": 392219691, + "minor": false, + "user": "82.181.20.20", + "anon": true, + "userid": 0, + "timestamp": "2010-10-29T18:23:16Z", + "sha1": "93cdd412ff046d0cb34d6a280fedcfdc550567f3", + "comment": "", + "*": "{{BLP sources|date=July 2009}}\n{{Infobox football biography\n| playername= Johannes Westö\n| image =\n| fullname =\n| nickname =JW\n| dateofbirth = {{birth date and age|1991|4|1}} |\n| cityofbirth =\n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| youthyears =
2007-2009\n| youthclubs = PPJ(Pallo-Pojat Juniorit[[HJK Helsinki|HJK]]
[[Klubi-04]]\n| years = 2009-\n| clubs = [[HJK Helsinki|HJK]]\n| caps(goals) = 21 (3)\n| nationalyears =
2010-\n| nationalteam = [[Finland national under-19 football team|Finland U-19]]
[[Finland national under-21 football team|Finland U21]]\n| nationalcaps(goals) = ? (?)
2 (0)\n| pcupdate = 22 July 2010\n| ntupdate = 7 September 2010\n}}\n\n'''Johannes Westö''' (born April 1, 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er who represents [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=2010-07-14}} During the 2010 [[Veikkausliiga]] season, Westö broke into [[Helsingin Jalkapalloklubi|HJK's]] first eleven. His performances during the season were promising, and he is now considered as a hot prospect for the future[http://www.veikkausliiga.com/News.aspx?id=39801 HJK:n Westö tyytyväinen otteisiinsa] Veikkausliiga.fi, 21.10.2010.\n\nWestö is the son of the author Mårten Westö. His uncle, [[Kjell Westö]], is also a well known Finnish novelist.\n\n==Honours==\n*[[Veikkausliiga]]: [[2009 Veikkausliiga|2009]], [[2010 Veikkausliiga|2010]]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Persondata \n| NAME =Westo, Johannes\n| ALTERNATIVE NAMES =\n| SHORT DESCRIPTION =\n| DATE OF BIRTH =1991-04-01\n| PLACE OF BIRTH =[[Finland]]\n| DATE OF DEATH =\n| PLACE OF DEATH =\n}}\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 393694922, + "parentid": 393650285, + "minor": true, + "user": "Materialscientist", + "userid": 7852030, + "timestamp": "2010-10-29T23:10:51Z", + "sha1": "f1663cacd2b2c868525a78802b13018e315593f8", + "comment": "[[Help:Reverting|Reverted]] edits by [[Special:Contributions/82.181.20.20|82.181.20.20]] ([[User talk:82.181.20.20|talk]]) to last version by 82.181.231.205", + "*": "{{BLP sources|date=July 2009}}\n{{Infobox football biography\n| playername= Johannes Westö\n| image =\n| fullname =\n| nickname =\n| dateofbirth = {{birth date and age|1991|4|1}} |\n| cityofbirth =\n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| youthyears =
2007-2009\n| youthclubs = [[HJK Helsinki|HJK]]
[[Klubi-04]]\n| years = 2009-\n| clubs = [[HJK Helsinki|HJK]]\n| caps(goals) = 21 (3)\n| nationalyears =
2010-\n| nationalteam = [[Finland national under-19 football team|Finland U-19]]
[[Finland national under-21 football team|Finland U21]]\n| nationalcaps(goals) = ? (?)
2 (0)\n| pcupdate = 22 July 2010\n| ntupdate = 7 September 2010\n}}\n\n'''Johannes Westö''' (born April 1, 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er who represents [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=2010-07-14}} During the 2010 [[Veikkausliiga]] season, Westö broke into [[Helsingin Jalkapalloklubi|HJK's]] first eleven. His performances during the season were promising, and he is now considered as a hot prospect for the future[http://www.veikkausliiga.com/News.aspx?id=39801 HJK:n Westö tyytyväinen otteisiinsa] Veikkausliiga.fi, 21.10.2010.\n\nWestö is the son of the author Mårten Westö. His uncle, [[Kjell Westö]], is also a well known Finnish novelist.\n\n==Honours==\n*[[Veikkausliiga]]: [[2009 Veikkausliiga|2009]], [[2010 Veikkausliiga|2010]]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Persondata \n| NAME =Westo, Johannes\n| ALTERNATIVE NAMES =\n| SHORT DESCRIPTION =\n| DATE OF BIRTH =1991-04-01\n| PLACE OF BIRTH =[[Finland]]\n| DATE OF DEATH =\n| PLACE OF DEATH =\n}}\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 396101318, + "parentid": 393694922, + "minor": true, + "user": "Etzo", + "userid": 9656001, + "timestamp": "2010-11-11T09:48:10Z", + "sha1": "99b0451eb8cfbbcbecc84f22c47cd8357cc7e0f7", + "comment": "", + "*": "{{BLP sources|date=July 2009}}\n{{Infobox football biography\n| playername= Johannes Westö\n| image =\n| fullname =\n| nickname =\n| dateofbirth = {{birth date and age|1991|4|1}} |\n| cityofbirth =\n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| youthyears =
2007-2009\n| youthclubs = [[HJK Helsinki|HJK]]
[[Klubi-04]]\n| years = 2009-2010\n| clubs = [[HJK Helsinki|HJK]]\n| caps(goals) = 24 (3)\n| nationalyears =
2010-\n| nationalteam = [[Finland national under-19 football team|Finland U-19]]
[[Finland national under-21 football team|Finland U21]]\n| nationalcaps(goals) = ? (?)
2 (0)\n| pcupdate = 11 November 2010\n| ntupdate = 7 September 2010\n}}\n\n'''Johannes Westö''' (born April 1, 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er who last represented [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=2010-07-14}} During the 2010 [[Veikkausliiga]] season, Westö broke into [[Helsingin Jalkapalloklubi|HJK's]] first eleven. His performances during the season were promising, and he is now considered as a hot prospect for the future[http://www.veikkausliiga.com/News.aspx?id=39801 HJK:n Westö tyytyväinen otteisiinsa] Veikkausliiga.fi, 21.10.2010.\n\nOn 10th November 2010 Westö announced that he is going to have a year-off from professional football, citing personal reasons and ongoing philosophy studies. [http://www.hjk.fi/uutiset/8303/1 Johannes Westö pitää välivuoden jalkapallosta] HJK.fi, 10.11.2010 {{fi icon}}\n\nWestö is the son of the author Mårten Westö. His uncle, [[Kjell Westö]], is also a well known Finnish novelist.\n\n==Honours==\n*[[Veikkausliiga]]: [[2009 Veikkausliiga|2009]], [[2010 Veikkausliiga|2010]]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Persondata \n| NAME =Westo, Johannes\n| ALTERNATIVE NAMES =\n| SHORT DESCRIPTION =\n| DATE OF BIRTH =1991-04-01\n| PLACE OF BIRTH =[[Finland]]\n| DATE OF DEATH =\n| PLACE OF DEATH =\n}}\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 406491551, + "parentid": 396101318, + "minor": true, + "user": "Yobot", + "userid": 7328338, + "timestamp": "2011-01-07T14:26:07Z", + "sha1": "5098af68247cb647d55649fc43f5a094b5f90f0f", + "comment": "[[WP:CHECKWIKI]] error 61 fixes + [[WP:GENFIXES|general fixes]], References after punctuation per [[WP:REFPUNC]] and [[WP:PAIC]] using [[Project:AWB|AWB]] (7510)", + "*": "{{BLP sources|date=July 2009}}\n{{Infobox football biography\n| playername= Johannes Westö\n| image =\n| fullname =\n| nickname =\n| dateofbirth = {{birth date and age|1991|4|1}} |\n| cityofbirth =\n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| youthyears =
2007-2009\n| youthclubs = [[HJK Helsinki|HJK]]
[[Klubi-04]]\n| years = 2009-2010\n| clubs = [[HJK Helsinki|HJK]]\n| caps(goals) = 24 (3)\n| nationalyears =
2010-\n| nationalteam = [[Finland national under-19 football team|Finland U-19]]
[[Finland national under-21 football team|Finland U21]]\n| nationalcaps(goals) = ? (?)
2 (0)\n| pcupdate = 11 November 2010\n| ntupdate = 7 September 2010\n}}\n\n'''Johannes Westö''' (born April 1, 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er who last represented [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=2010-07-14}} During the 2010 [[Veikkausliiga]] season, Westö broke into [[Helsingin Jalkapalloklubi|HJK's]] first eleven. His performances during the season were promising, and he is now considered as a hot prospect for the future.[http://www.veikkausliiga.com/News.aspx?id=39801 HJK:n Westö tyytyväinen otteisiinsa] Veikkausliiga.fi, 21.10.2010\n\nOn 10 November 2010 Westö announced that he is going to have a year-off from professional football, citing personal reasons and ongoing philosophy studies.[http://www.hjk.fi/uutiset/8303/1 Johannes Westö pitää välivuoden jalkapallosta] HJK.fi, 10.11.2010 {{fi icon}}\n\nWestö is the son of the author Mårten Westö. His uncle, [[Kjell Westö]], is also a well known Finnish novelist.\n\n==Honours==\n*[[Veikkausliiga]]: [[2009 Veikkausliiga|2009]], [[2010 Veikkausliiga|2010]]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Persondata \n| NAME =Westo, Johannes\n| ALTERNATIVE NAMES =\n| SHORT DESCRIPTION =\n| DATE OF BIRTH =1991-04-01\n| PLACE OF BIRTH =[[Finland]]\n| DATE OF DEATH =\n| PLACE OF DEATH =\n}}\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 427065194, + "parentid": 406491551, + "minor": false, + "user": "Petan-Bot", + "userid": 14263445, + "timestamp": "2011-05-02T13:43:04Z", + "sha1": "e9003b362235b3176ecba3b4f06317f5e51e8240", + "comment": "{{Infobox football biography}} - changing parameter ([[Wikipedia:Bots|bot]], [[Wikipedia:Bots/Requests for approval/Petan-Bot task7|task]])", + "*": "{{BLP sources|date=July 2009}}\n{{Infobox football biography\n| playername= Johannes Westö\n| image =\n| fullname =\n| nickname =\n| dateofbirth = {{birth date and age|1991|4|1}} |\n| cityofbirth =\n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| youthyears1 = \n| youthyears2 = 2007-2009\n| youthclubs1 = [[HJK Helsinki|HJK]] \n| youthclubs2 = [[Klubi-04]]\n| years1 = 2009-2010\n| clubs1 = [[HJK Helsinki|HJK]]\n| caps1 = 24 \n| goals1 = 3 \n| nationalyears1 = \n| nationalyears2 = 2010-\n| nationalteam1 = [[Finland national under-19 football team|Finland U-19]] \n| nationalteam2 = [[Finland national under-21 football team|Finland U21]]\n| nationalcaps1 = ? \n| nationalcaps2 = 2 \n| nationalgoals1 = ? \n| nationalgoals2 = 0 \n| pcupdate = 11 November 2010\n| ntupdate = 7 September 2010\n}}\n\n'''Johannes Westö''' (born April 1, 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er who last represented [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=2010-07-14}} During the 2010 [[Veikkausliiga]] season, Westö broke into [[Helsingin Jalkapalloklubi|HJK's]] first eleven. His performances during the season were promising, and he is now considered as a hot prospect for the future.[http://www.veikkausliiga.com/News.aspx?id=39801 HJK:n Westö tyytyväinen otteisiinsa] Veikkausliiga.fi, 21.10.2010\n\nOn 10 November 2010 Westö announced that he is going to have a year-off from professional football, citing personal reasons and ongoing philosophy studies.[http://www.hjk.fi/uutiset/8303/1 Johannes Westö pitää välivuoden jalkapallosta] HJK.fi, 10.11.2010 {{fi icon}}\n\nWestö is the son of the author Mårten Westö. His uncle, [[Kjell Westö]], is also a well known Finnish novelist.\n\n==Honours==\n*[[Veikkausliiga]]: [[2009 Veikkausliiga|2009]], [[2010 Veikkausliiga|2010]]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Persondata \n| NAME =Westo, Johannes\n| ALTERNATIVE NAMES =\n| SHORT DESCRIPTION =\n| DATE OF BIRTH =1991-04-01\n| PLACE OF BIRTH =[[Finland]]\n| DATE OF DEATH =\n| PLACE OF DEATH =\n}}\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 428983445, + "parentid": 427065194, + "minor": false, + "user": "76.65.7.77", + "anon": true, + "userid": 0, + "timestamp": "2011-05-13T21:03:25Z", + "sha1": "706fbac3a21b25994429e6e151890716c5d99566", + "comment": "fix infobox syntax, update persondata", + "*": "{{BLP sources|date=July 2009}}\n{{Infobox football biography\n| playername= Johannes Westö\n| image =\n| fullname =\n| nickname =\n| dateofbirth = {{birth date and age|df=yes|1991|4|1}} |\n| cityofbirth =\n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| youthyears1 = \n| youthyears2 = 2007-2009\n| youthclubs1 = [[HJK Helsinki|HJK]] \n| youthclubs2 = [[Klubi-04]]\n| years1 = 2009-2010\n| clubs1 = [[HJK Helsinki|HJK]]\n| caps1 = 24 \n| goals1 = 3 \n| nationalyears1 = \n| nationalyears2 = 2010-\n| nationalteam1 = [[Finland national under-19 football team|Finland U-19]] \n| nationalteam2 = [[Finland national under-21 football team|Finland U21]]\n| nationalcaps1 = ? \n| nationalcaps2 = 2 \n| nationalgoals1 = ? \n| nationalgoals2 = 0 \n| pcupdate = 11 November 2010\n| ntupdate = 7 September 2010\n}}\n\n'''Johannes Westö''' (born 1 April 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er who last represented [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=2010-07-14}} During the 2010 [[Veikkausliiga]] season, Westö broke into [[Helsingin Jalkapalloklubi|HJK's]] first eleven. His performances during the season were promising, and he is now considered as a hot prospect for the future.[http://www.veikkausliiga.com/News.aspx?id=39801 HJK:n Westö tyytyväinen otteisiinsa] Veikkausliiga.fi, 21 October 2010\n\nOn 10 November 2010 Westö announced that he is going to have a year-off from professional football, citing personal reasons and ongoing philosophy studies.[http://www.hjk.fi/uutiset/8303/1 Johannes Westö pitää välivuoden jalkapallosta] HJK.fi, 10 November 2010 {{fi icon}}\n\nWestö is the son of the author Mårten Westö. His uncle, [[Kjell Westö]], is also a well known Finnish novelist.\n\n==Honours==\n*[[Veikkausliiga]]: [[2009 Veikkausliiga|2009]], [[2010 Veikkausliiga|2010]]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Persondata \n| NAME =Westo, Johannes\n| ALTERNATIVE NAMES =\n| SHORT DESCRIPTION =footballer\n| DATE OF BIRTH =1 April 1991\n| PLACE OF BIRTH =[[Finland]]\n| DATE OF DEATH =\n| PLACE OF DEATH =\n}}{{dmy}}\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 428983710, + "parentid": 428983445, + "minor": true, + "user": "SmackBot", + "userid": 433328, + "timestamp": "2011-05-13T21:05:16Z", + "sha1": "a6f6eec91471c4cd991cd8ec94fbe0bf826b1fae", + "comment": "Dated {{Use dmy dates}}. (Build p611)", + "*": "{{BLP sources|date=July 2009}}\n{{Infobox football biography\n| playername= Johannes Westö\n| image =\n| fullname =\n| nickname =\n| dateofbirth = {{birth date and age|df=yes|1991|4|1}} |\n| cityofbirth =\n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| youthyears1 =\n| youthyears2 = 2007-2009\n| youthclubs1 = [[HJK Helsinki|HJK]]\n| youthclubs2 = [[Klubi-04]]\n| years1 = 2009-2010\n| clubs1 = [[HJK Helsinki|HJK]]\n| caps1 = 24\n| goals1 = 3\n| nationalyears1 =\n| nationalyears2 = 2010-\n| nationalteam1 = [[Finland national under-19 football team|Finland U-19]]\n| nationalteam2 = [[Finland national under-21 football team|Finland U21]]\n| nationalcaps1 = ?\n| nationalcaps2 = 2\n| nationalgoals1 = ?\n| nationalgoals2 = 0\n| pcupdate = 11 November 2010\n| ntupdate = 7 September 2010\n}}\n\n'''Johannes Westö''' (born 1 April 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er who last represented [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=2010-07-14}} During the 2010 [[Veikkausliiga]] season, Westö broke into [[Helsingin Jalkapalloklubi|HJK's]] first eleven. His performances during the season were promising, and he is now considered as a hot prospect for the future.[http://www.veikkausliiga.com/News.aspx?id=39801 HJK:n Westö tyytyväinen otteisiinsa] Veikkausliiga.fi, 21 October 2010\n\nOn 10 November 2010 Westö announced that he is going to have a year-off from professional football, citing personal reasons and ongoing philosophy studies.[http://www.hjk.fi/uutiset/8303/1 Johannes Westö pitää välivuoden jalkapallosta] HJK.fi, 10 November 2010 {{fi icon}}\n\nWestö is the son of the author Mårten Westö. His uncle, [[Kjell Westö]], is also a well known Finnish novelist.\n\n==Honours==\n*[[Veikkausliiga]]: [[2009 Veikkausliiga|2009]], [[2010 Veikkausliiga|2010]]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Persondata \n| NAME =Westo, Johannes\n| ALTERNATIVE NAMES =\n| SHORT DESCRIPTION =footballer\n| DATE OF BIRTH =1 April 1991\n| PLACE OF BIRTH =[[Finland]]\n| DATE OF DEATH =\n| PLACE OF DEATH =\n}}{{Use dmy dates|date=May 2011}}\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 431378906, + "parentid": 428983710, + "minor": true, + "user": "SporkBot", + "userid": 12406635, + "timestamp": "2011-05-28T19:44:57Z", + "sha1": "5a7b7bfdd4739f64d53806d75b75e9c6e7fae762", + "comment": "Update syntax per [[Wikipedia:Templates_for_discussion/Log/2011_February_5#Template:Infobox_football_biography|TFD outcome]]", + "*": "{{BLP sources|date=July 2009}}\n{{Infobox football biography\n| name= Johannes Westö\n| image =\n| fullname =\n| nickname =\n| birth_date = {{birth date and age|df=y|1991|4|1}} \n| cityofbirth =\n| countryofbirth = [[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| youthyears1 =\n| youthyears2 = 2007-2009\n| youthclubs1 = [[HJK Helsinki|HJK]]\n| youthclubs2 = [[Klubi-04]]\n| years1 = 2009-2010\n| clubs1 = [[HJK Helsinki|HJK]]\n| caps1 = 24\n| goals1 = 3\n| nationalyears1 =\n| nationalyears2 = 2010-\n| nationalteam1 = [[Finland national under-19 football team|Finland U-19]]\n| nationalteam2 = [[Finland national under-21 football team|Finland U21]]\n| nationalcaps1 = ?\n| nationalcaps2 = 2\n| nationalgoals1 = ?\n| nationalgoals2 = 0\n| pcupdate = 11 November 2010\n| ntupdate = 7 September 2010\n}}\n\n'''Johannes Westö''' (born 1 April 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er who last represented [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=2010-07-14}} During the 2010 [[Veikkausliiga]] season, Westö broke into [[Helsingin Jalkapalloklubi|HJK's]] first eleven. His performances during the season were promising, and he is now considered as a hot prospect for the future.[http://www.veikkausliiga.com/News.aspx?id=39801 HJK:n Westö tyytyväinen otteisiinsa] Veikkausliiga.fi, 21 October 2010\n\nOn 10 November 2010 Westö announced that he is going to have a year-off from professional football, citing personal reasons and ongoing philosophy studies.[http://www.hjk.fi/uutiset/8303/1 Johannes Westö pitää välivuoden jalkapallosta] HJK.fi, 10 November 2010 {{fi icon}}\n\nWestö is the son of the author Mårten Westö. His uncle, [[Kjell Westö]], is also a well known Finnish novelist.\n\n==Honours==\n*[[Veikkausliiga]]: [[2009 Veikkausliiga|2009]], [[2010 Veikkausliiga|2010]]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Persondata \n| NAME =Westo, Johannes\n| ALTERNATIVE NAMES =\n| SHORT DESCRIPTION =footballer\n| DATE OF BIRTH =1 April 1991\n| PLACE OF BIRTH =[[Finland]]\n| DATE OF DEATH =\n| PLACE OF DEATH =\n}}{{Use dmy dates|date=May 2011}}\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 434159413, + "parentid": 431378906, + "minor": true, + "user": "SporkBot", + "userid": 12406635, + "timestamp": "2011-06-14T01:31:30Z", + "sha1": "59da6023fd778ae0458f5aa99109440aae072fab", + "comment": "Update syntax per [[Wikipedia:Templates_for_discussion/Log/2011_February_5#Template:Infobox_football_biography|TFD outcome]]", + "*": "{{BLP sources|date=July 2009}}\n{{Infobox football biography\n| name= Johannes Westö\n| image =\n| fullname =\n| birth_date = {{birth date and age|df=yes|1991|4|1}} \n| birth_place =[[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| youthyears1 =\n| youthyears2 = 2007-2009\n| youthclubs1 = [[HJK Helsinki|HJK]]\n| youthclubs2 = [[Klubi-04]]\n| years1 = 2009-2010\n| clubs1 = [[HJK Helsinki|HJK]]\n| caps1 = 24\n| goals1 = 3\n| nationalyears1 =\n| nationalyears2 = 2010-\n| nationalteam1 = [[Finland national under-19 football team|Finland U-19]]\n| nationalteam2 = [[Finland national under-21 football team|Finland U21]]\n| nationalcaps1 = ?\n| nationalcaps2 = 2\n| nationalgoals1 = ?\n| nationalgoals2 = 0\n| pcupdate = 11 November 2010\n| ntupdate = 7 September 2010\n}}\n\n'''Johannes Westö''' (born 1 April 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er who last represented [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=2010-07-14}} During the 2010 [[Veikkausliiga]] season, Westö broke into [[Helsingin Jalkapalloklubi|HJK's]] first eleven. His performances during the season were promising, and he is now considered as a hot prospect for the future.[http://www.veikkausliiga.com/News.aspx?id=39801 HJK:n Westö tyytyväinen otteisiinsa] Veikkausliiga.fi, 21 October 2010\n\nOn 10 November 2010 Westö announced that he is going to have a year-off from professional football, citing personal reasons and ongoing philosophy studies.[http://www.hjk.fi/uutiset/8303/1 Johannes Westö pitää välivuoden jalkapallosta] HJK.fi, 10 November 2010 {{fi icon}}\n\nWestö is the son of the author Mårten Westö. His uncle, [[Kjell Westö]], is also a well known Finnish novelist.\n\n==Honours==\n*[[Veikkausliiga]]: [[2009 Veikkausliiga|2009]], [[2010 Veikkausliiga|2010]]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Persondata \n| NAME =Westo, Johannes\n| ALTERNATIVE NAMES =\n| SHORT DESCRIPTION =footballer\n| DATE OF BIRTH =1 April 1991\n| PLACE OF BIRTH =[[Finland]]\n| DATE OF DEATH =\n| PLACE OF DEATH =\n}}{{Use dmy dates|date=May 2011}}\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 479033989, + "parentid": 434159413, + "minor": true, + "user": "Yobot", + "userid": 7328338, + "timestamp": "2012-02-26T23:39:46Z", + "sha1": "3e022353e07e3466b998f6dd19bd8a299a0b3ebd", + "comment": "/* External links */[[WP:CHECKWIKI]] error fixes + [[WP:GENFIXES|general fixes]] using [[Project:AWB|AWB]] (7968)", + "*": "{{BLP sources|date=July 2009}}\n{{Infobox football biography\n| name= Johannes Westö\n| image =\n| fullname =\n| birth_date = {{birth date and age|df=yes|1991|4|1}} \n| birth_place =[[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| youthyears1 =\n| youthyears2 = 2007-2009\n| youthclubs1 = [[HJK Helsinki|HJK]]\n| youthclubs2 = [[Klubi-04]]\n| years1 = 2009-2010\n| clubs1 = [[HJK Helsinki|HJK]]\n| caps1 = 24\n| goals1 = 3\n| nationalyears1 =\n| nationalyears2 = 2010-\n| nationalteam1 = [[Finland national under-19 football team|Finland U-19]]\n| nationalteam2 = [[Finland national under-21 football team|Finland U21]]\n| nationalcaps1 = ?\n| nationalcaps2 = 2\n| nationalgoals1 = ?\n| nationalgoals2 = 0\n| pcupdate = 11 November 2010\n| ntupdate = 7 September 2010\n}}\n\n'''Johannes Westö''' (born 1 April 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er who last represented [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=2010-07-14}} During the 2010 [[Veikkausliiga]] season, Westö broke into [[Helsingin Jalkapalloklubi|HJK's]] first eleven. His performances during the season were promising, and he is now considered as a hot prospect for the future.[http://www.veikkausliiga.com/News.aspx?id=39801 HJK:n Westö tyytyväinen otteisiinsa] Veikkausliiga.fi, 21 October 2010\n\nOn 10 November 2010 Westö announced that he is going to have a year-off from professional football, citing personal reasons and ongoing philosophy studies.[http://www.hjk.fi/uutiset/8303/1 Johannes Westö pitää välivuoden jalkapallosta] HJK.fi, 10 November 2010 {{fi icon}}\n\nWestö is the son of the author Mårten Westö. His uncle, [[Kjell Westö]], is also a well known Finnish novelist.\n\n==Honours==\n*[[Veikkausliiga]]: [[2009 Veikkausliiga|2009]], [[2010 Veikkausliiga|2010]]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Use dmy dates|date=May 2011}}\n\n{{Persondata \n| NAME =Westo, Johannes\n| ALTERNATIVE NAMES =\n| SHORT DESCRIPTION =footballer\n| DATE OF BIRTH =1 April 1991\n| PLACE OF BIRTH =[[Finland]]\n| DATE OF DEATH =\n| PLACE OF DEATH =\n}}\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n\n\n{{Finland-footy-bio-stub}}\n\n[[fi:Johannes Westö]]" + }, + { + "revid": 545664807, + "parentid": 479033989, + "minor": true, + "user": "Addbot", + "userid": 6569922, + "timestamp": "2013-03-20T11:57:24Z", + "sha1": "bfccc98d3cc378c93aeaf2a78fa1a252db5a2aca", + "comment": "[[User:Addbot|Bot:]] Migrating 1 interwiki links, now provided by [[Wikipedia:Wikidata|Wikidata]] on [[d:q6217065]]", + "*": "{{BLP sources|date=July 2009}}\n{{Infobox football biography\n| name= Johannes Westö\n| image =\n| fullname =\n| birth_date = {{birth date and age|df=yes|1991|4|1}} \n| birth_place =[[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| youthyears1 =\n| youthyears2 = 2007-2009\n| youthclubs1 = [[HJK Helsinki|HJK]]\n| youthclubs2 = [[Klubi-04]]\n| years1 = 2009-2010\n| clubs1 = [[HJK Helsinki|HJK]]\n| caps1 = 24\n| goals1 = 3\n| nationalyears1 =\n| nationalyears2 = 2010-\n| nationalteam1 = [[Finland national under-19 football team|Finland U-19]]\n| nationalteam2 = [[Finland national under-21 football team|Finland U21]]\n| nationalcaps1 = ?\n| nationalcaps2 = 2\n| nationalgoals1 = ?\n| nationalgoals2 = 0\n| pcupdate = 11 November 2010\n| ntupdate = 7 September 2010\n}}\n\n'''Johannes Westö''' (born 1 April 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er who last represented [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=2010-07-14}} During the 2010 [[Veikkausliiga]] season, Westö broke into [[Helsingin Jalkapalloklubi|HJK's]] first eleven. His performances during the season were promising, and he is now considered as a hot prospect for the future.[http://www.veikkausliiga.com/News.aspx?id=39801 HJK:n Westö tyytyväinen otteisiinsa] Veikkausliiga.fi, 21 October 2010\n\nOn 10 November 2010 Westö announced that he is going to have a year-off from professional football, citing personal reasons and ongoing philosophy studies.[http://www.hjk.fi/uutiset/8303/1 Johannes Westö pitää välivuoden jalkapallosta] HJK.fi, 10 November 2010 {{fi icon}}\n\nWestö is the son of the author Mårten Westö. His uncle, [[Kjell Westö]], is also a well known Finnish novelist.\n\n==Honours==\n*[[Veikkausliiga]]: [[2009 Veikkausliiga|2009]], [[2010 Veikkausliiga|2010]]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Stats] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Use dmy dates|date=May 2011}}\n\n{{Persondata \n| NAME =Westo, Johannes\n| ALTERNATIVE NAMES =\n| SHORT DESCRIPTION =footballer\n| DATE OF BIRTH =1 April 1991\n| PLACE OF BIRTH =[[Finland]]\n| DATE OF DEATH =\n| PLACE OF DEATH =\n}}\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n\n\n{{Finland-footy-bio-stub}}" + }, + { + "revid": 567803023, + "parentid": 545664807, + "minor": false, + "user": "Emeraude", + "userid": 2283104, + "timestamp": "2013-08-09T11:06:33Z", + "sha1": "755cd8f751dcc8a12b2f5d387d78f1c664903952", + "comment": "", + "*": "{{BLP sources|date=July 2009}}\n{{update|career since 2010}}\n{{Infobox football biography\n| name= Johannes Westö\n| image =\n| fullname =\n| birth_date = {{birth date and age|df=yes|1991|4|1}} \n| birth_place =[[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| youthyears1 =\n| youthyears2 = 2007-2009\n| youthclubs1 = [[HJK Helsinki|HJK]]\n| youthclubs2 = [[Klubi-04]]\n| years1 = 2009-2010\n| clubs1 = [[HJK Helsinki|HJK]]\n| caps1 = 24\n| goals1 = 3\n| nationalyears1 =\n| nationalyears2 = 2010-\n| nationalteam1 = [[Finland national under-19 football team|Finland U-19]]\n| nationalteam2 = [[Finland national under-21 football team|Finland U21]]\n| nationalcaps1 = ?\n| nationalcaps2 = 2\n| nationalgoals1 = ?\n| nationalgoals2 = 0\n| pcupdate = 11 November 2010\n| ntupdate = 7 September 2010\n}}\n\n'''Johannes Westö''' (born 1 April 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er who last represented [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=14 July 2010}} During the 2010 Veikkausliiga season, Westö joined HJK's first eleven. His performances during the season were promising, and he was considered a good prospect for the future.[http://www.veikkausliiga.com/News.aspx?id=39801 HJK:n Westö tyytyväinen otteisiinsa] Veikkausliiga.fi, 26 June 2010 {{fi icon}}\n\nOn 10 November 2010, Westö announced that he was going to have a year off from professional football, citing personal reasons and ongoing philosophy studies.[http://www.hjk.fi/uutiset/8303/1 Johannes Westö pitää välivuoden jalkapallosta] HJK.fi, 10 November 2010{{dead link}} {{fi icon}}\n\nWestö is the son of the author Mårten Westö. His uncle, [[Kjell Westö]], is also a well known Finnish novelist.\n\n==Honours==\n*[[Veikkausliiga]]: [[2009 Veikkausliiga|2009]], [[2010 Veikkausliiga|2010]]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Statistics] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Use dmy dates|date=May 2011}}\n\n{{Persondata \n| NAME =Westo, Johannes\n| ALTERNATIVE NAMES =\n| SHORT DESCRIPTION =footballer\n| DATE OF BIRTH =1 April 1991\n| PLACE OF BIRTH =[[Finland]]\n| DATE OF DEATH =\n| PLACE OF DEATH =\n}}\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n\n\n{{Finland-footy-bio-stub}}" + }, + { + "revid": 567805059, + "parentid": 567803023, + "minor": true, + "user": "AnomieBOT", + "userid": 7611264, + "timestamp": "2013-08-09T11:26:53Z", + "sha1": "1a1be838983a2be07916a16021fdaf07df670c53", + "comment": "Dating maintenance tags: {{Update}} {{Dead link}}", + "*": "{{BLP sources|date=July 2009}}\n{{update|career since 2010|date=August 2013}}\n{{Infobox football biography\n| name= Johannes Westö\n| image =\n| fullname =\n| birth_date = {{birth date and age|df=yes|1991|4|1}} \n| birth_place =[[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| youthyears1 =\n| youthyears2 = 2007-2009\n| youthclubs1 = [[HJK Helsinki|HJK]]\n| youthclubs2 = [[Klubi-04]]\n| years1 = 2009-2010\n| clubs1 = [[HJK Helsinki|HJK]]\n| caps1 = 24\n| goals1 = 3\n| nationalyears1 =\n| nationalyears2 = 2010-\n| nationalteam1 = [[Finland national under-19 football team|Finland U-19]]\n| nationalteam2 = [[Finland national under-21 football team|Finland U21]]\n| nationalcaps1 = ?\n| nationalcaps2 = 2\n| nationalgoals1 = ?\n| nationalgoals2 = 0\n| pcupdate = 11 November 2010\n| ntupdate = 7 September 2010\n}}\n\n'''Johannes Westö''' (born 1 April 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er who last represented [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=14 July 2010}} During the 2010 Veikkausliiga season, Westö joined HJK's first eleven. His performances during the season were promising, and he was considered a good prospect for the future.[http://www.veikkausliiga.com/News.aspx?id=39801 HJK:n Westö tyytyväinen otteisiinsa] Veikkausliiga.fi, 26 June 2010 {{fi icon}}\n\nOn 10 November 2010, Westö announced that he was going to have a year off from professional football, citing personal reasons and ongoing philosophy studies.[http://www.hjk.fi/uutiset/8303/1 Johannes Westö pitää välivuoden jalkapallosta] HJK.fi, 10 November 2010{{dead link|date=August 2013}} {{fi icon}}\n\nWestö is the son of the author Mårten Westö. His uncle, [[Kjell Westö]], is also a well known Finnish novelist.\n\n==Honours==\n*[[Veikkausliiga]]: [[2009 Veikkausliiga|2009]], [[2010 Veikkausliiga|2010]]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Statistics] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Use dmy dates|date=May 2011}}\n\n{{Persondata \n| NAME =Westo, Johannes\n| ALTERNATIVE NAMES =\n| SHORT DESCRIPTION =footballer\n| DATE OF BIRTH =1 April 1991\n| PLACE OF BIRTH =[[Finland]]\n| DATE OF DEATH =\n| PLACE OF DEATH =\n}}\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n\n\n{{Finland-footy-bio-stub}}" + }, + { + "revid": 601777322, + "parentid": 567805059, + "minor": true, + "user": "OccultZone", + "userid": 19583588, + "timestamp": "2014-03-29T08:27:47Z", + "sha1": "4ef814886ab49d8eaad2e53975f17ca952cf26c2", + "comment": "clean up, general fixes using [[Project:AWB|AWB]]", + "*": "{{multiple issues|\n{{BLP sources|date=July 2009}}\n{{update|career since 2010|date=August 2013}}\n}}\n\n{{Infobox football biography\n| name= Johannes Westö\n| image =\n| fullname =\n| birth_date = {{birth date and age|df=yes|1991|4|1}} \n| birth_place =[[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| youthyears1 =\n| youthyears2 = 2007-2009\n| youthclubs1 = [[HJK Helsinki|HJK]]\n| youthclubs2 = [[Klubi-04]]\n| years1 = 2009-2010\n| clubs1 = [[HJK Helsinki|HJK]]\n| caps1 = 24\n| goals1 = 3\n| nationalyears1 =\n| nationalyears2 = 2010-\n| nationalteam1 = [[Finland national under-19 football team|Finland U-19]]\n| nationalteam2 = [[Finland national under-21 football team|Finland U21]]\n| nationalcaps1 = ?\n| nationalcaps2 = 2\n| nationalgoals1 = ?\n| nationalgoals2 = 0\n| pcupdate = 11 November 2010\n| ntupdate = 7 September 2010\n}}\n\n'''Johannes Westö''' (born 1 April 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er who last represented [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=14 July 2010}} During the 2010 Veikkausliiga season, Westö joined HJK's first eleven. His performances during the season were promising, and he was considered a good prospect for the future.[http://www.veikkausliiga.com/News.aspx?id=39801 HJK:n Westö tyytyväinen otteisiinsa] Veikkausliiga.fi, 26 June 2010 {{fi icon}}\n\nOn 10 November 2010, Westö announced that he was going to have a year off from professional football, citing personal reasons and ongoing philosophy studies.[http://www.hjk.fi/uutiset/8303/1 Johannes Westö pitää välivuoden jalkapallosta] HJK.fi, 10 November 2010{{dead link|date=August 2013}} {{fi icon}}\n\nWestö is the son of the author Mårten Westö. His uncle, [[Kjell Westö]], is also a well known Finnish novelist.\n\n==Honours==\n*[[Veikkausliiga]]: [[2009 Veikkausliiga|2009]], [[2010 Veikkausliiga|2010]]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Statistics] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Use dmy dates|date=May 2011}}\n\n{{Persondata \n| NAME =Westo, Johannes\n| ALTERNATIVE NAMES =\n| SHORT DESCRIPTION =footballer\n| DATE OF BIRTH =1 April 1991\n| PLACE OF BIRTH =[[Finland]]\n| DATE OF DEATH =\n| PLACE OF DEATH =\n}}\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n\n\n{{Finland-footy-bio-stub}}" + }, + { + "revid": 702111027, + "parentid": 601777322, + "minor": false, + "user": "Cyberbot II", + "userid": 16283967, + "timestamp": "2016-01-28T14:32:03Z", + "sha1": "c5ff4efabd743631966cddd726a05060cd98a1da", + "comment": "Rescuing 1 sources, flagging 0 as dead, and archiving 3 sources. #IABot", + "*": "{{multiple issues|\n{{BLP sources|date=July 2009}}\n{{update|career since 2010|date=August 2013}}\n}}\n\n{{Infobox football biography\n| name= Johannes Westö\n| image =\n| fullname =\n| birth_date = {{birth date and age|df=yes|1991|4|1}} \n| birth_place =[[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| youthyears1 =\n| youthyears2 = 2007-2009\n| youthclubs1 = [[HJK Helsinki|HJK]]\n| youthclubs2 = [[Klubi-04]]\n| years1 = 2009-2010\n| clubs1 = [[HJK Helsinki|HJK]]\n| caps1 = 24\n| goals1 = 3\n| nationalyears1 =\n| nationalyears2 = 2010-\n| nationalteam1 = [[Finland national under-19 football team|Finland U-19]]\n| nationalteam2 = [[Finland national under-21 football team|Finland U21]]\n| nationalcaps1 = ?\n| nationalcaps2 = 2\n| nationalgoals1 = ?\n| nationalgoals2 = 0\n| pcupdate = 11 November 2010\n| ntupdate = 7 September 2010\n}}\n\n'''Johannes Westö''' (born 1 April 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er who last represented [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=14 July 2010}} During the 2010 Veikkausliiga season, Westö joined HJK's first eleven. His performances during the season were promising, and he was considered a good prospect for the future.[http://www.veikkausliiga.com/News.aspx?id=39801 HJK:n Westö tyytyväinen otteisiinsa] Veikkausliiga.fi, 26 June 2010 {{fi icon}}\n\nOn 10 November 2010, Westö announced that he was going to have a year off from professional football, citing personal reasons and ongoing philosophy studies.[http://www.hjk.fi/uutiset/8303/1 Johannes Westö pitää välivuoden jalkapallosta] HJK.fi, 10 November 2010 {{fi icon}} {{wayback|url=http://www.hjk.fi/uutiset/8303/1 |date=20101123215343 |df=y }}\n\nWestö is the son of the author Mårten Westö. His uncle, [[Kjell Westö]], is also a well known Finnish novelist.\n\n==Honours==\n*[[Veikkausliiga]]: [[2009 Veikkausliiga|2009]], [[2010 Veikkausliiga|2010]]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Statistics] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Use dmy dates|date=May 2011}}\n\n{{Persondata \n| NAME =Westo, Johannes\n| ALTERNATIVE NAMES =\n| SHORT DESCRIPTION =footballer\n| DATE OF BIRTH =1 April 1991\n| PLACE OF BIRTH =[[Finland]]\n| DATE OF DEATH =\n| PLACE OF DEATH =\n}}\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n\n\n{{Finland-footy-bio-stub}}" + }, + { + "revid": 716764461, + "parentid": 702111027, + "minor": false, + "user": "KasparBot", + "userid": 24420788, + "timestamp": "2016-04-23T18:27:25Z", + "sha1": "174bae0b2fb61e2e7cf76fcbbdebbbe3485c307e", + "comment": "migrating [[Wikipedia:Persondata|Persondata]] to Wikidata, [[toollabs:kasparbot/persondata/|please help]], see [[toollabs:kasparbot/persondata/challenge.php/article/Johannes Westö|challenges for this article]]", + "*": "{{multiple issues|\n{{BLP sources|date=July 2009}}\n{{update|career since 2010|date=August 2013}}\n}}\n\n{{Infobox football biography\n| name= Johannes Westö\n| image =\n| fullname =\n| birth_date = {{birth date and age|df=yes|1991|4|1}} \n| birth_place =[[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| youthyears1 =\n| youthyears2 = 2007-2009\n| youthclubs1 = [[HJK Helsinki|HJK]]\n| youthclubs2 = [[Klubi-04]]\n| years1 = 2009-2010\n| clubs1 = [[HJK Helsinki|HJK]]\n| caps1 = 24\n| goals1 = 3\n| nationalyears1 =\n| nationalyears2 = 2010-\n| nationalteam1 = [[Finland national under-19 football team|Finland U-19]]\n| nationalteam2 = [[Finland national under-21 football team|Finland U21]]\n| nationalcaps1 = ?\n| nationalcaps2 = 2\n| nationalgoals1 = ?\n| nationalgoals2 = 0\n| pcupdate = 11 November 2010\n| ntupdate = 7 September 2010\n}}\n\n'''Johannes Westö''' (born 1 April 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er who last represented [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=14 July 2010}} During the 2010 Veikkausliiga season, Westö joined HJK's first eleven. His performances during the season were promising, and he was considered a good prospect for the future.[http://www.veikkausliiga.com/News.aspx?id=39801 HJK:n Westö tyytyväinen otteisiinsa] Veikkausliiga.fi, 26 June 2010 {{fi icon}}\n\nOn 10 November 2010, Westö announced that he was going to have a year off from professional football, citing personal reasons and ongoing philosophy studies.[http://www.hjk.fi/uutiset/8303/1 Johannes Westö pitää välivuoden jalkapallosta] HJK.fi, 10 November 2010 {{fi icon}} {{wayback|url=http://www.hjk.fi/uutiset/8303/1 |date=20101123215343 |df=y }}\n\nWestö is the son of the author Mårten Westö. His uncle, [[Kjell Westö]], is also a well known Finnish novelist.\n\n==Honours==\n*[[Veikkausliiga]]: [[2009 Veikkausliiga|2009]], [[2010 Veikkausliiga|2010]]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Statistics] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Use dmy dates|date=May 2011}}\n\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n\n\n{{Finland-footy-bio-stub}}" + }, + { + "revid": 749540822, + "parentid": 716764461, + "minor": true, + "user": "GreenC bot", + "userid": 27823944, + "timestamp": "2016-11-14T21:39:38Z", + "sha1": "5867599b666b613e08f9c2354c558a1831754e8e", + "comment": "1 archive template merged to {{[[template:webarchive|webarchive]]}} ([[User:Green_Cardamom/Webarchive_template_merge|WAM]])", + "*": "{{multiple issues|\n{{BLP sources|date=July 2009}}\n{{update|career since 2010|date=August 2013}}\n}}\n\n{{Infobox football biography\n| name= Johannes Westö\n| image =\n| fullname =\n| birth_date = {{birth date and age|df=yes|1991|4|1}} \n| birth_place =[[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| youthyears1 =\n| youthyears2 = 2007-2009\n| youthclubs1 = [[HJK Helsinki|HJK]]\n| youthclubs2 = [[Klubi-04]]\n| years1 = 2009-2010\n| clubs1 = [[HJK Helsinki|HJK]]\n| caps1 = 24\n| goals1 = 3\n| nationalyears1 =\n| nationalyears2 = 2010-\n| nationalteam1 = [[Finland national under-19 football team|Finland U-19]]\n| nationalteam2 = [[Finland national under-21 football team|Finland U21]]\n| nationalcaps1 = ?\n| nationalcaps2 = 2\n| nationalgoals1 = ?\n| nationalgoals2 = 0\n| pcupdate = 11 November 2010\n| ntupdate = 7 September 2010\n}}\n\n'''Johannes Westö''' (born 1 April 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er who last represented [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=14 July 2010}} During the 2010 Veikkausliiga season, Westö joined HJK's first eleven. His performances during the season were promising, and he was considered a good prospect for the future.[http://www.veikkausliiga.com/News.aspx?id=39801 HJK:n Westö tyytyväinen otteisiinsa] Veikkausliiga.fi, 26 June 2010 {{fi icon}}\n\nOn 10 November 2010, Westö announced that he was going to have a year off from professional football, citing personal reasons and ongoing philosophy studies.[http://www.hjk.fi/uutiset/8303/1 Johannes Westö pitää välivuoden jalkapallosta] HJK.fi, 10 November 2010 {{fi icon}} {{webarchive |url=https://web.archive.org/web/20101123215343/http://www.hjk.fi/uutiset/8303/1 |date=23 November 2010 }}\n\nWestö is the son of the author Mårten Westö. His uncle, [[Kjell Westö]], is also a well known Finnish novelist.\n\n==Honours==\n*[[Veikkausliiga]]: [[2009 Veikkausliiga|2009]], [[2010 Veikkausliiga|2010]]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Statistics] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Use dmy dates|date=May 2011}}\n\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n\n\n{{Finland-footy-bio-stub}}" + }, + { + "revid": 762392136, + "parentid": 749540822, + "minor": false, + "user": "GiantSnowman", + "userid": 1005449, + "timestamp": "2017-01-28T14:49:35Z", + "sha1": "3c7a937eab58a20b1169175fd8581ce93b3ccd2e", + "comment": "added [[Category:Klubi-04 players]] using [[WP:HC|HotCat]]", + "*": "{{multiple issues|\n{{BLP sources|date=July 2009}}\n{{update|career since 2010|date=August 2013}}\n}}\n\n{{Infobox football biography\n| name= Johannes Westö\n| image =\n| fullname =\n| birth_date = {{birth date and age|df=yes|1991|4|1}} \n| birth_place =[[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| youthyears1 =\n| youthyears2 = 2007-2009\n| youthclubs1 = [[HJK Helsinki|HJK]]\n| youthclubs2 = [[Klubi-04]]\n| years1 = 2009-2010\n| clubs1 = [[HJK Helsinki|HJK]]\n| caps1 = 24\n| goals1 = 3\n| nationalyears1 =\n| nationalyears2 = 2010-\n| nationalteam1 = [[Finland national under-19 football team|Finland U-19]]\n| nationalteam2 = [[Finland national under-21 football team|Finland U21]]\n| nationalcaps1 = ?\n| nationalcaps2 = 2\n| nationalgoals1 = ?\n| nationalgoals2 = 0\n| pcupdate = 11 November 2010\n| ntupdate = 7 September 2010\n}}\n\n'''Johannes Westö''' (born 1 April 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er who last represented [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=14 July 2010}} During the 2010 Veikkausliiga season, Westö joined HJK's first eleven. His performances during the season were promising, and he was considered a good prospect for the future.[http://www.veikkausliiga.com/News.aspx?id=39801 HJK:n Westö tyytyväinen otteisiinsa] Veikkausliiga.fi, 26 June 2010 {{fi icon}}\n\nOn 10 November 2010, Westö announced that he was going to have a year off from professional football, citing personal reasons and ongoing philosophy studies.[http://www.hjk.fi/uutiset/8303/1 Johannes Westö pitää välivuoden jalkapallosta] HJK.fi, 10 November 2010 {{fi icon}} {{webarchive |url=https://web.archive.org/web/20101123215343/http://www.hjk.fi/uutiset/8303/1 |date=23 November 2010 }}\n\nWestö is the son of the author Mårten Westö. His uncle, [[Kjell Westö]], is also a well known Finnish novelist.\n\n==Honours==\n*[[Veikkausliiga]]: [[2009 Veikkausliiga|2009]], [[2010 Veikkausliiga|2010]]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Statistics] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Use dmy dates|date=May 2011}}\n\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n[[Category:Klubi-04 players]]\n\n\n{{Finland-footy-bio-stub}}" + }, + { + "revid": 762720885, + "parentid": 762392136, + "minor": true, + "user": "BU RoBOT", + "userid": 25993922, + "timestamp": "2017-01-30T10:39:38Z", + "sha1": "19f9d168d5ea5e4755036a1ffa5e719fca7b60ae", + "comment": "/* top */Change hyphens to endashes for years in [[Template:Infobox football biography]] ([[WP:MOSDASH]]; Task 31)", + "*": "{{multiple issues|\n{{BLP sources|date=July 2009}}\n{{update|career since 2010|date=August 2013}}\n}}\n\n{{Infobox football biography\n| name= Johannes Westö\n| image =\n| fullname =\n| birth_date = {{birth date and age|df=yes|1991|4|1}} \n| birth_place =[[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| youthyears1 =\n| youthyears2 = 2007–2009\n| youthclubs1 = [[HJK Helsinki|HJK]]\n| youthclubs2 = [[Klubi-04]]\n| years1 = 2009–2010\n| clubs1 = [[HJK Helsinki|HJK]]\n| caps1 = 24\n| goals1 = 3\n| nationalyears1 =\n| nationalyears2 = 2010–\n| nationalteam1 = [[Finland national under-19 football team|Finland U-19]]\n| nationalteam2 = [[Finland national under-21 football team|Finland U21]]\n| nationalcaps1 = ?\n| nationalcaps2 = 2\n| nationalgoals1 = ?\n| nationalgoals2 = 0\n| pcupdate = 11 November 2010\n| ntupdate = 7 September 2010\n}}\n\n'''Johannes Westö''' (born 1 April 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er who last represented [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=14 July 2010}} During the 2010 Veikkausliiga season, Westö joined HJK's first eleven. His performances during the season were promising, and he was considered a good prospect for the future.[http://www.veikkausliiga.com/News.aspx?id=39801 HJK:n Westö tyytyväinen otteisiinsa] Veikkausliiga.fi, 26 June 2010 {{fi icon}}\n\nOn 10 November 2010, Westö announced that he was going to have a year off from professional football, citing personal reasons and ongoing philosophy studies.[http://www.hjk.fi/uutiset/8303/1 Johannes Westö pitää välivuoden jalkapallosta] HJK.fi, 10 November 2010 {{fi icon}} {{webarchive |url=https://web.archive.org/web/20101123215343/http://www.hjk.fi/uutiset/8303/1 |date=23 November 2010 }}\n\nWestö is the son of the author Mårten Westö. His uncle, [[Kjell Westö]], is also a well known Finnish novelist.\n\n==Honours==\n*[[Veikkausliiga]]: [[2009 Veikkausliiga|2009]], [[2010 Veikkausliiga|2010]]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Statistics] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Use dmy dates|date=May 2011}}\n\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n[[Category:Klubi-04 players]]\n\n\n{{Finland-footy-bio-stub}}" + }, + { + "revid": 844281940, + "parentid": 762720885, + "minor": true, + "user": "Cydebot", + "userid": 1215485, + "timestamp": "2018-06-03T22:28:13Z", + "sha1": "1919352724971bfaaeb0dbed087b0883fa4142a6", + "comment": "Robot - Speedily moving category Klubi-04 players to [[:Category:Klubi 04 players]] per [[WP:CFDS|CFDS]].", + "*": "{{multiple issues|\n{{BLP sources|date=July 2009}}\n{{update|career since 2010|date=August 2013}}\n}}\n\n{{Infobox football biography\n| name= Johannes Westö\n| image =\n| fullname =\n| birth_date = {{birth date and age|df=yes|1991|4|1}} \n| birth_place =[[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| youthyears1 =\n| youthyears2 = 2007–2009\n| youthclubs1 = [[HJK Helsinki|HJK]]\n| youthclubs2 = [[Klubi-04]]\n| years1 = 2009–2010\n| clubs1 = [[HJK Helsinki|HJK]]\n| caps1 = 24\n| goals1 = 3\n| nationalyears1 =\n| nationalyears2 = 2010–\n| nationalteam1 = [[Finland national under-19 football team|Finland U-19]]\n| nationalteam2 = [[Finland national under-21 football team|Finland U21]]\n| nationalcaps1 = ?\n| nationalcaps2 = 2\n| nationalgoals1 = ?\n| nationalgoals2 = 0\n| pcupdate = 11 November 2010\n| ntupdate = 7 September 2010\n}}\n\n'''Johannes Westö''' (born 1 April 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er who last represented [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=14 July 2010}} During the 2010 Veikkausliiga season, Westö joined HJK's first eleven. His performances during the season were promising, and he was considered a good prospect for the future.[http://www.veikkausliiga.com/News.aspx?id=39801 HJK:n Westö tyytyväinen otteisiinsa] Veikkausliiga.fi, 26 June 2010 {{fi icon}}\n\nOn 10 November 2010, Westö announced that he was going to have a year off from professional football, citing personal reasons and ongoing philosophy studies.[http://www.hjk.fi/uutiset/8303/1 Johannes Westö pitää välivuoden jalkapallosta] HJK.fi, 10 November 2010 {{fi icon}} {{webarchive |url=https://web.archive.org/web/20101123215343/http://www.hjk.fi/uutiset/8303/1 |date=23 November 2010 }}\n\nWestö is the son of the author Mårten Westö. His uncle, [[Kjell Westö]], is also a well known Finnish novelist.\n\n==Honours==\n*[[Veikkausliiga]]: [[2009 Veikkausliiga|2009]], [[2010 Veikkausliiga|2010]]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Statistics] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Use dmy dates|date=May 2011}}\n\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n[[Category:Klubi 04 players]]\n\n\n{{Finland-footy-bio-stub}}" + }, + { + "revid": 920127486, + "parentid": 844281940, + "minor": false, + "user": "Red Director", + "userid": 1261736, + "timestamp": "2019-10-07T20:37:36Z", + "sha1": "57e131e9fbd5f73651cee36dd919489557c2c349", + "comment": "Importing Wikidata [[Wikipedia:Short description|short description]]: \"Finnish footballer\" ([[User:Galobtter/Shortdesc helper|Shortdesc helper]])", + "*": "{{short description|Finnish footballer}}\n{{multiple issues|\n{{BLP sources|date=July 2009}}\n{{update|career since 2010|date=August 2013}}\n}}\n\n{{Infobox football biography\n| name= Johannes Westö\n| image =\n| fullname =\n| birth_date = {{birth date and age|df=yes|1991|4|1}} \n| birth_place =[[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| youthyears1 =\n| youthyears2 = 2007–2009\n| youthclubs1 = [[HJK Helsinki|HJK]]\n| youthclubs2 = [[Klubi-04]]\n| years1 = 2009–2010\n| clubs1 = [[HJK Helsinki|HJK]]\n| caps1 = 24\n| goals1 = 3\n| nationalyears1 =\n| nationalyears2 = 2010–\n| nationalteam1 = [[Finland national under-19 football team|Finland U-19]]\n| nationalteam2 = [[Finland national under-21 football team|Finland U21]]\n| nationalcaps1 = ?\n| nationalcaps2 = 2\n| nationalgoals1 = ?\n| nationalgoals2 = 0\n| pcupdate = 11 November 2010\n| ntupdate = 7 September 2010\n}}\n\n'''Johannes Westö''' (born 1 April 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er who last represented [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=14 July 2010}} During the 2010 Veikkausliiga season, Westö joined HJK's first eleven. His performances during the season were promising, and he was considered a good prospect for the future.[http://www.veikkausliiga.com/News.aspx?id=39801 HJK:n Westö tyytyväinen otteisiinsa] Veikkausliiga.fi, 26 June 2010 {{fi icon}}\n\nOn 10 November 2010, Westö announced that he was going to have a year off from professional football, citing personal reasons and ongoing philosophy studies.[http://www.hjk.fi/uutiset/8303/1 Johannes Westö pitää välivuoden jalkapallosta] HJK.fi, 10 November 2010 {{fi icon}} {{webarchive |url=https://web.archive.org/web/20101123215343/http://www.hjk.fi/uutiset/8303/1 |date=23 November 2010 }}\n\nWestö is the son of the author Mårten Westö. His uncle, [[Kjell Westö]], is also a well known Finnish novelist.\n\n==Honours==\n*[[Veikkausliiga]]: [[2009 Veikkausliiga|2009]], [[2010 Veikkausliiga|2010]]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Statistics] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Use dmy dates|date=May 2011}}\n\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n[[Category:Klubi 04 players]]\n\n\n{{Finland-footy-bio-stub}}" + }, + { + "revid": 933970137, + "parentid": 920127486, + "minor": true, + "user": "Monkbot", + "userid": 20483999, + "timestamp": "2020-01-04T00:38:41Z", + "sha1": "1686bb25b107c1cbccbce05442aba11b9827beb8", + "comment": "/* top */[[User:Monkbot/task 15: normalize lang icon templates|Task 15]]: language icon template(s) replaced (2×);", + "*": "{{short description|Finnish footballer}}\n{{multiple issues|\n{{BLP sources|date=July 2009}}\n{{update|career since 2010|date=August 2013}}\n}}\n\n{{Infobox football biography\n| name= Johannes Westö\n| image =\n| fullname =\n| birth_date = {{birth date and age|df=yes|1991|4|1}} \n| birth_place =[[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| youthyears1 =\n| youthyears2 = 2007–2009\n| youthclubs1 = [[HJK Helsinki|HJK]]\n| youthclubs2 = [[Klubi-04]]\n| years1 = 2009–2010\n| clubs1 = [[HJK Helsinki|HJK]]\n| caps1 = 24\n| goals1 = 3\n| nationalyears1 =\n| nationalyears2 = 2010–\n| nationalteam1 = [[Finland national under-19 football team|Finland U-19]]\n| nationalteam2 = [[Finland national under-21 football team|Finland U21]]\n| nationalcaps1 = ?\n| nationalcaps2 = 2\n| nationalgoals1 = ?\n| nationalgoals2 = 0\n| pcupdate = 11 November 2010\n| ntupdate = 7 September 2010\n}}\n\n'''Johannes Westö''' (born 1 April 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er who last represented [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|publisher=[[Guardian.co.uk]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=14 July 2010}} During the 2010 Veikkausliiga season, Westö joined HJK's first eleven. His performances during the season were promising, and he was considered a good prospect for the future.[http://www.veikkausliiga.com/News.aspx?id=39801 HJK:n Westö tyytyväinen otteisiinsa] Veikkausliiga.fi, 26 June 2010 {{in lang|fi}}\n\nOn 10 November 2010, Westö announced that he was going to have a year off from professional football, citing personal reasons and ongoing philosophy studies.[http://www.hjk.fi/uutiset/8303/1 Johannes Westö pitää välivuoden jalkapallosta] HJK.fi, 10 November 2010 {{in lang|fi}} {{webarchive |url=https://web.archive.org/web/20101123215343/http://www.hjk.fi/uutiset/8303/1 |date=23 November 2010 }}\n\nWestö is the son of the author Mårten Westö. His uncle, [[Kjell Westö]], is also a well known Finnish novelist.\n\n==Honours==\n*[[Veikkausliiga]]: [[2009 Veikkausliiga|2009]], [[2010 Veikkausliiga|2010]]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Statistics] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{Use dmy dates|date=May 2011}}\n\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n[[Category:Klubi 04 players]]\n\n\n{{Finland-footy-bio-stub}}" + }, + { + "revid": 957571858, + "parentid": 933970137, + "minor": false, + "user": "Dawnseeker2000", + "userid": 1544984, + "timestamp": "2020-05-19T14:10:10Z", + "sha1": "6b7c42dd6774348c991670d343a35ae802612456", + "comment": "date format audit, refine ref details", + "*": "{{short description|Finnish footballer}}\n{{multiple issues|\n{{BLP sources|date=July 2009}}\n{{update|career since 2010|date=August 2013}}\n}}\n{{Use dmy dates|date=May 2020}}\n{{Infobox football biography\n| name= Johannes Westö\n| image =\n| fullname =\n| birth_date = {{birth date and age|df=yes|1991|4|1}} \n| birth_place =[[Finland]]\n| height = {{height|m=1.76}}\n| currentclub = [[HJK Helsinki]]\n| clubnumber = 14\n| position = [[Midfielder (association football)|Midfielder]]\n| youthyears1 =\n| youthyears2 = 2007–2009\n| youthclubs1 = [[HJK Helsinki|HJK]]\n| youthclubs2 = [[Klubi-04]]\n| years1 = 2009–2010\n| clubs1 = [[HJK Helsinki|HJK]]\n| caps1 = 24\n| goals1 = 3\n| nationalyears1 =\n| nationalyears2 = 2010–\n| nationalteam1 = [[Finland national under-19 football team|Finland U-19]]\n| nationalteam2 = [[Finland national under-21 football team|Finland U21]]\n| nationalcaps1 = ?\n| nationalcaps2 = 2\n| nationalgoals1 = ?\n| nationalgoals2 = 0\n| pcupdate = 11 November 2010\n| ntupdate = 7 September 2010\n}}\n\n'''Johannes Westö''' (born 1 April 1991, [[Finland]]) is a [[Finland|Finnish]] [[Association football|football]]er who last represented [[HJK Helsinki]] in the [[Veikkausliiga]].{{cite web|work=[[The Guardian]]|title=Stats Centre: Johannes Westö Facts|url=http://guardian.touch-line.com/StatsCentre.asp?CTID=55&CPID=72&TEID=1449&PLID=214381&pStr=Player|accessdate=14 July 2010}} During the 2010 Veikkausliiga season, Westö joined HJK's first eleven. His performances during the season were promising, and he was considered a good prospect for the future.[http://www.veikkausliiga.com/News.aspx?id=39801 HJK:n Westö tyytyväinen otteisiinsa] Veikkausliiga.fi, 26 June 2010 {{in lang|fi}}\n\nOn 10 November 2010, Westö announced that he was going to have a year off from professional football, citing personal reasons and ongoing philosophy studies.[http://www.hjk.fi/uutiset/8303/1 Johannes Westö pitää välivuoden jalkapallosta] HJK.fi, 10 November 2010 {{in lang|fi}} {{webarchive |url=https://web.archive.org/web/20101123215343/http://www.hjk.fi/uutiset/8303/1 |date=23 November 2010 }}\n\nWestö is the son of the author Mårten Westö. His uncle, [[Kjell Westö]], is also a well known Finnish novelist.\n\n==Honours==\n*[[Veikkausliiga]]: [[2009 Veikkausliiga|2009]], [[2010 Veikkausliiga|2010]]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://www.hjk.fi/joukkue/?J=1&hae=319 Profile] at [http://www.hjk.fi/ HJK.fi]\n* [http://www.veikkausliiga.com/Player.aspx?ID=13001368 Statistics] at [http://www.Veikkausliiga.com/ Veikkausliiga.com]\n\n{{HJK squad}}\n\n{{DEFAULTSORT:Westo, Johannes}}\n[[Category:1991 births]]\n[[Category:Living people]]\n[[Category:Finnish footballers]]\n[[Category:Association football midfielders]]\n[[Category:Helsingin Jalkapalloklubi players]]\n[[Category:Klubi 04 players]]\n\n\n{{Finland-footy-bio-stub}}" + } +] diff --git a/tests/fixtures/luis_donaldo_colosio_riojas_golden.json b/tests/fixtures/luis_donaldo_colosio_riojas_golden.json new file mode 100644 index 0000000..0f78d7d --- /dev/null +++ b/tests/fixtures/luis_donaldo_colosio_riojas_golden.json @@ -0,0 +1,50728 @@ +[ + { + 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+ "userid": 1886583, + "timestamp": "2021-03-03T23:10:49Z", + "sha1": "606fc81018b11a4fb83ae2a67177ff5cfdb3d0d9", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "[[WP:AES|←]]Created page with '{{short description|Mexican politician}}{{family name hatnote|Colosio|Riojas|lang=Spanish}} {{Infobox officeholder | name = Luis Donaldo Colosio Riojas | image...'", + "*": "{{short description|Mexican politician}}{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = \n| term_start = \n| term_end = \n| president = \n| predecessor = \n| successor = \n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_name = Luis Donaldo Colosio Riojas\n| birth_date = {{birth date|1986|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[Movimiento Ciudadano]]\n| spouse = \n| children = \n}}\n\n'''Luis Donaldo Colosio Riojas''' (Born 31 July 1986) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the Mexican presidential campaign of 1994. On January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]] for the 2021 elections. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021." + }, + { + "revid": 1010131220, + "parentid": 1010129207, + "user": "UsuarioNeutralMX", + "userid": 1886583, + "timestamp": "2021-03-03T23:25:21Z", + "sha1": "efbb8074bec1d2f64cd8d89ebc7d15f402e8640a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{short description|Mexican politician}}{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = \n| term_start = \n| term_end = \n| president = \n| predecessor = \n| successor = \n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_name = Luis Donaldo Colosio Riojas\n| birth_date = {{birth date|1986|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[Movimiento Ciudadano]]\n| spouse = \n| children = \n}}\n\n'''Luis Donaldo Colosio Riojas''' (Born 31 July 1986) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the Mexican presidential campaign of 1994. On January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]] for the 2021 elections. 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He is the son of [[Luis Donaldo Colosio]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the Mexican presidential campaign of 1994. On January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]] for the 2021 elections. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021.\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[Luis Donaldo Colosio Riojas], Official Facebook Page\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1986 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1010131687, + "parentid": 1010131577, + "user": "UsuarioNeutralMX", + "userid": 1886583, + "timestamp": "2021-03-03T23:28:14Z", + "sha1": "a83a6b1b8aa1f520ccf1a0dec42504a0d7269b3a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* External links */", + "*": "{{short description|Mexican politician}}{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = \n| term_start = \n| term_end = \n| president = \n| predecessor = \n| successor = \n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_name = Luis Donaldo Colosio Riojas\n| birth_date = {{birth date|1986|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[Movimiento Ciudadano]]\n| spouse = \n| children = \n}}\n\n'''Luis Donaldo Colosio Riojas''' (Born 31 July 1986) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the Mexican presidential campaign of 1994. On January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]] for the 2021 elections. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021.\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.facebook.com/colosioriojas/ Luis Donaldo Colosio Riojas], Official Facebook Page\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1986 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1010133182, + "parentid": 1010131687, + "minor": "", + "user": "EDG 543", + "userid": 31984018, + "timestamp": "2021-03-03T23:38:11Z", + "sha1": "ffcd02f4e7d222bc9c355f3070e8ae8651d5dc9f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Added {{[[Template:Unreferenced|Unreferenced]]}} tag", + "*": "{{short description|Mexican politician}}{{Unreferenced|date=March 2021}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = \n| term_start = \n| term_end = \n| president = \n| predecessor = \n| successor = \n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_name = Luis Donaldo Colosio Riojas\n| birth_date = {{birth date|1986|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[Movimiento Ciudadano]]\n| spouse = \n| children = \n}}\n\n'''Luis Donaldo Colosio Riojas''' (Born 31 July 1986) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the Mexican presidential campaign of 1994. On January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]] for the 2021 elections. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021.\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.facebook.com/colosioriojas/ Luis Donaldo Colosio Riojas], Official Facebook Page\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1986 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1010135492, + "parentid": 1010133182, + "user": "UsuarioNeutralMX", + "userid": 1886583, + "timestamp": "2021-03-03T23:52:10Z", + "sha1": "813373171b44ab143a34c6e5f0e0e3055b3f6222", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{short description|Mexican politician}}{{Unreferenced|date=March 2021}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = \n| term_start = \n| term_end = \n| president = \n| predecessor = \n| successor = \n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_name = Luis Donaldo Colosio Riojas\n| birth_date = {{birth date|1986|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[Movimiento Ciudadano]]\n| spouse = \n| children = \n}}\n\n'''Luis Donaldo Colosio Riojas''' (Born 31 July 1986) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the Mexican presidential campaign of 1994. On January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]] for the 2021 elections. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021.\n\n==Biography==\nLuis Donaldo Colosio Riojas was born in [[Magdalena de Kino]] on 31 July 1986. He has a younger sister named Mariana Colosio Riojas.\n\nHe was orphaned in 1994 after the assassination of his father in March and the death of his mother in November being 8 years old and his sister 1 year old.{{cita web |url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/ |título=Diana Laura, 25 aniversario luctuoso |fecha=5 de diciembre de 2019 |fechaacceso=30 de agosto de 2020 |sitioweb= Líderes Mexicanos |apellido=Gamboa |nombre=Fernando}} Colosio Riojas and his sister were adopted by maternal family members María Elisa Riojas y Fernando Cantú.{{cita web |url= https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |título=Esto ha pasado con los hijos de Luis Donaldo Colosio |fecha= 23 de marzo de 2019 |fechaacceso= 30 de agosto de 0\n2020 |sitioweb= Milenio Noticias |apellido=Pacheco |nombre=Gustavo}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.facebook.com/colosioriojas/ Luis Donaldo Colosio Riojas], Official Facebook Page\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1986 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1010136399, + "parentid": 1010135492, + "user": "UsuarioNeutralMX", + "userid": 1886583, + "timestamp": "2021-03-03T23:57:41Z", + "sha1": "a8be1fea0630a33ec27e75da61543909a4f94dbc", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{short description|Mexican politician}}{{Unreferenced|date=March 2021}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = \n| term_start = \n| term_end = \n| president = \n| predecessor = \n| successor = \n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_name = Luis Donaldo Colosio Riojas\n| birth_date = {{birth date|1986|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[Movimiento Ciudadano]]\n| spouse = \n| children = \n}}\n\n'''Luis Donaldo Colosio Riojas''' (Born 31 July 1986) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the Mexican presidential campaign of 1994. On January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]] for the 2021 elections. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021.\n\n==Biography==\nLuis Donaldo Colosio Riojas was born in [[Magdalena de Kino]] on 31 July 1986. He has a younger sister named Mariana Colosio Riojas.\n\nHe was orphaned in 1994 after the assassination of his father in March and the death of his mother in November being 8 years old and his sister 1 year old.{{cita web |url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/ |título=Diana Laura, 25 aniversario luctuoso |fecha=5 de diciembre de 2019 |fechaacceso=30 de agosto de 2020 |sitioweb= Líderes Mexicanos |apellido=Gamboa |nombre=Fernando}} Colosio Riojas and his sister were adopted by maternal family members María Elisa Riojas y Fernando Cantú.{{cita web |url= https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |título=Esto ha pasado con los hijos de Luis Donaldo Colosio |fecha= 23 de marzo de 2019 |fechaacceso= 30 de agosto de 0\n2020 |sitioweb= Milenio Noticias |apellido=Pacheco |nombre=Gustavo}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.facebook.com/colosioriojas/ Luis Donaldo Colosio Riojas], Official Facebook Page\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1986 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1010139865, + "parentid": 1010136399, + "user": "UsuarioNeutralMX", + "userid": 1886583, + "timestamp": "2021-03-04T00:19:29Z", + "sha1": "211cf3c6dc5fae45c95cee6be698138870a356bd", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = \n| term_start = \n| term_end = \n| president = \n| predecessor = \n| successor = \n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_name = Luis Donaldo Colosio Riojas\n| birth_date = {{birth date|1986|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[Movimiento Ciudadano]]\n| spouse = \n| children = \n}}\n\n'''Luis Donaldo Colosio Riojas''' (Born 31 July 1986) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the Mexican presidential campaign of 1994. On January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]] for the 2021 elections. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021.\n\n==Biography==\nLuis Donaldo Colosio Riojas was born in [[Magdalena de Kino]] on 31 July 1986. He has a younger sister named Mariana Colosio Riojas.\n\nHe was orphaned in 1994 after the assassination of his father in March and the death of his mother in November being 8 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/}} Colosio Riojas and his sister were adopted by maternal family members María Elisa Riojas y Fernando Cantú.{{Cite web|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.facebook.com/colosioriojas/ Luis Donaldo Colosio Riojas], Official Facebook Page\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1986 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1010140582, + "parentid": 1010139865, + "user": "UsuarioNeutralMX", + "userid": 1886583, + "timestamp": "2021-03-04T00:24:29Z", + "sha1": "a3cdc0e84637d681d736ab410654821c1da5e544", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = \n| term_start = \n| term_end = \n| president = \n| predecessor = \n| successor = \n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_name = Luis Donaldo Colosio Riojas\n| birth_date = {{birth date|1986|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[Movimiento Ciudadano]]\n| spouse = \n| children = \n}}\n\n'''Luis Donaldo Colosio Riojas''' (Born 31 July 1986) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the Mexican presidential campaign of 1994. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021.\n\n==Biography==\nLuis Donaldo Colosio Riojas was born in [[Magdalena de Kino]] on 31 July 1986. He has a younger sister named Mariana Colosio Riojas.\n\nHe was orphaned in 1994 after the assassination of his father in March and the death of his mother in November being 8 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/}} Colosio Riojas and his sister were adopted by maternal family members María Elisa Riojas y Fernando Cantú.{{Cite web|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa}}\n\n==Political career==\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]] for the 2021 elections.{{Cite web|date=20 February 2021|title=\"Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey\"|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.facebook.com/colosioriojas/ Luis Donaldo Colosio Riojas], Official Facebook Page\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1986 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1010140843, + "parentid": 1010140582, + "user": "UsuarioNeutralMX", + "userid": 1886583, + "timestamp": "2021-03-04T00:26:07Z", + "sha1": "ea9b83bdcf2c877819d3dca7c5b5e5c721a7fbe4", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Political career */", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = \n| term_start = \n| term_end = \n| president = \n| predecessor = \n| successor = \n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_name = Luis Donaldo Colosio Riojas\n| birth_date = {{birth date|1986|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[Movimiento Ciudadano]]\n| spouse = \n| children = \n}}\n\n'''Luis Donaldo Colosio Riojas''' (Born 31 July 1986) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the Mexican presidential campaign of 1994. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021.\n\n==Biography==\nLuis Donaldo Colosio Riojas was born in [[Magdalena de Kino]] on 31 July 1986. He has a younger sister named Mariana Colosio Riojas.\n\nHe was orphaned in 1994 after the assassination of his father in March and the death of his mother in November being 8 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/}} Colosio Riojas and his sister were adopted by maternal family members María Elisa Riojas y Fernando Cantú.{{Cite web|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa}}\n\n==Political career==\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]] for the 2021 elections under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=\"Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey\"|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.facebook.com/colosioriojas/ Luis Donaldo Colosio Riojas], Official Facebook Page\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1986 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1010154288, + "parentid": 1010140843, + "user": "UsuarioNeutralMX", + "userid": 1886583, + "timestamp": "2021-03-04T01:54:35Z", + "sha1": "14fe36209964edbbbb45eb15db4ae41642479b18", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = \n| term_start = \n| term_end = \n| president = \n| predecessor = \n| successor = \n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_name = Luis Donaldo Colosio Riojas\n| birth_date = {{birth date|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[Movimiento Ciudadano]]\n| spouse = \n| children = \n}}\n\n'''Luis Donaldo Colosio Riojas''' (Born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the Mexican presidential campaign of 1994. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021.\n\n==Biography==\nLuis Donaldo Colosio Riojas was born in [[Magdalena de Kino]] on 31 July 1986. He has a younger sister named Mariana Colosio Riojas.\n\nHe was orphaned in 1994 after the assassination of his father in March and the death of his mother in November being 8 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/}} Colosio Riojas and his sister were adopted by maternal family members María Elisa Riojas y Fernando Cantú.{{Cite web|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa}}\n\n==Political career==\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]] for the 2021 elections under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=\"Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey\"|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.facebook.com/colosioriojas/ Luis Donaldo Colosio Riojas], Official Facebook Page\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1986 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1010154604, + "parentid": 1010154288, + "user": "UsuarioNeutralMX", + "userid": 1886583, + "timestamp": "2021-03-04T01:56:56Z", + "sha1": "3a7e1d2cebc7855a95b5f7e17fd610c4fd9e7ff4", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Biography */", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = \n| term_start = \n| term_end = \n| president = \n| predecessor = \n| successor = \n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_name = Luis Donaldo Colosio Riojas\n| birth_date = {{birth date|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[Movimiento Ciudadano]]\n| spouse = \n| children = \n}}\n\n'''Luis Donaldo Colosio Riojas''' (Born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the Mexican presidential campaign of 1994. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021.\n\n==Biography==\nLuis Donaldo Colosio Riojas was born in [[Magdalena de Kino]] on 31 July 1985. He has a younger sister named Mariana Colosio Riojas.\n\nHe was orphaned in 1994 after the assassination of his father in March and the death of his mother in November being 8 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/}} Colosio Riojas and his sister were adopted by maternal family members María Elisa Riojas y Fernando Cantú.{{Cite web|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa}}\n\n==Political career==\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]] for the 2021 elections under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=\"Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey\"|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.facebook.com/colosioriojas/ Luis Donaldo Colosio Riojas], Official Facebook Page\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1986 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1010311008, + "parentid": 1010154604, + "user": "John B123", + "userid": 21715336, + "timestamp": "2021-03-04T21:08:40Z", + "sha1": "f54158aab4d111436d5f7bae80fc84accb378a0d", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Added tags to the page using [[Wikipedia:Page Curation|Page Curation]] (notability)", + "*": "{{notability|1=Biographies|date=March 2021}}\n\n{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = \n| term_start = \n| term_end = \n| president = \n| predecessor = \n| successor = \n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_name = Luis Donaldo Colosio Riojas\n| birth_date = {{birth date|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[Movimiento Ciudadano]]\n| spouse = \n| children = \n}}\n\n'''Luis Donaldo Colosio Riojas''' (Born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the Mexican presidential campaign of 1994. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021.\n\n==Biography==\nLuis Donaldo Colosio Riojas was born in [[Magdalena de Kino]] on 31 July 1985. He has a younger sister named Mariana Colosio Riojas.\n\nHe was orphaned in 1994 after the assassination of his father in March and the death of his mother in November being 8 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/}} Colosio Riojas and his sister were adopted by maternal family members María Elisa Riojas y Fernando Cantú.{{Cite web|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa}}\n\n==Political career==\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]] for the 2021 elections under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=\"Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey\"|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.facebook.com/colosioriojas/ Luis Donaldo Colosio Riojas], Official Facebook Page\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1986 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1010337929, + "parentid": 1010311008, + "user": "UsuarioNeutralMX", + "userid": 1886583, + "timestamp": "2021-03-05T00:19:37Z", + "sha1": "dc028a529340bbb840bc6fb0181a9780e59dd14d", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Political career */", + "*": "{{notability|1=Biographies|date=March 2021}}\n\n{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = \n| term_start = \n| term_end = \n| president = \n| predecessor = \n| successor = \n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_name = Luis Donaldo Colosio Riojas\n| birth_date = {{birth date|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[Movimiento Ciudadano]]\n| spouse = \n| children = \n}}\n\n'''Luis Donaldo Colosio Riojas''' (Born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the Mexican presidential campaign of 1994. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021.\n\n==Biography==\nLuis Donaldo Colosio Riojas was born in [[Magdalena de Kino]] on 31 July 1985. He has a younger sister named Mariana Colosio Riojas.\n\nHe was orphaned in 1994 after the assassination of his father in March and the death of his mother in November being 8 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/}} Colosio Riojas and his sister were adopted by maternal family members María Elisa Riojas y Fernando Cantú.{{Cite web|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa}}\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo Leon]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{cita web |url= https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl |título=Hijo de Colosio gana diputación en su debut político |fecha=4 de julio de 2018 |fechaacceso=30 de agosto de 2020\n|sitioweb=El Universal |apellido=Carrizales |nombre=David}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{cita web |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html |título=Inicia LXXV Legislatura de Nuevo León |fecha=1 de septiembre de 2018 |fechaacceso= 30 de agosto de 2020 |sitioweb=[[El Economista]] |apellido=Flores |nombre=Lourdes}}\n\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]] for the 2021 elections under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=\"Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey\"|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.facebook.com/colosioriojas/ Luis Donaldo Colosio Riojas], Official Facebook Page\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1986 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1010338435, + "parentid": 1010337929, + "user": "UsuarioNeutralMX", + "userid": 1886583, + "timestamp": "2021-03-05T00:23:27Z", + "sha1": "a80c784143c3fd63564950e2fba9b70e8b72c66a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{notability|1=Biographies|date=March 2021}}\n\n{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = \n| term_start = \n| term_end = \n| president = \n| predecessor = \n| successor = \n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_name = Luis Donaldo Colosio Riojas\n| birth_date = {{birth date|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[Movimiento Ciudadano]]\n| spouse = \n| children = \n}}\n\n'''Luis Donaldo Colosio Riojas''' (Born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the Mexican presidential campaign of 1994. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021.\n\n==Biography==\nLuis Donaldo Colosio Riojas was born in [[Magdalena de Kino]] on 31 July 1985. He has a younger sister named Mariana Colosio Riojas.\n\nHe was orphaned in 1994 after the assassination of his father in March and the death of his mother in November being 8 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/}} Colosio Riojas and his sister were adopted by maternal family members María Elisa Riojas y Fernando Cantú.{{Cite web|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa}}\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo Leon]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]] for the 2021 elections under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=\"Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey\"|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.facebook.com/colosioriojas/ Luis Donaldo Colosio Riojas], Official Facebook Page\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1985 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1010339290, + "parentid": 1010338435, + "user": "UsuarioNeutralMX", + "userid": 1886583, + "timestamp": "2021-03-05T00:29:57Z", + "sha1": "ff4550654dcbc2aba134183d1725baf0f6b178d2", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Political career */", + "*": "{{notability|1=Biographies|date=March 2021}}\n\n{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = \n| term_start = \n| term_end = \n| president = \n| predecessor = \n| successor = \n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_name = Luis Donaldo Colosio Riojas\n| birth_date = {{birth date|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[Movimiento Ciudadano]]\n| spouse = \n| children = \n}}\n\n'''Luis Donaldo Colosio Riojas''' (Born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the Mexican presidential campaign of 1994. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021.\n\n==Biography==\nLuis Donaldo Colosio Riojas was born in [[Magdalena de Kino]] on 31 July 1985. He has a younger sister named Mariana Colosio Riojas.\n\nHe was orphaned in 1994 after the assassination of his father in March and the death of his mother in November being 8 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/}} Colosio Riojas and his sister were adopted by maternal family members María Elisa Riojas y Fernando Cantú.{{Cite web|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa}}\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey, Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=\"Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey\"|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.facebook.com/colosioriojas/ Luis Donaldo Colosio Riojas], Official Facebook Page\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1985 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1010340007, + "parentid": 1010339290, + "user": "UsuarioNeutralMX", + "userid": 1886583, + "timestamp": "2021-03-05T00:35:36Z", + "sha1": "6c1b1be9946cee1dfdd308612b8fffe01a812a37", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{notability|1=Biographies|date=March 2021}}\n\n{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = Deputy of the Congress of Nuevo León\n| term_start = {{date|9|1|2018}}\n| term_end = {{date|2|1|2021}}\n| president = \n| predecessor = \n| successor = \n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_name = Luis Donaldo Colosio Riojas\n| birth_date = {{birth date|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[Movimiento Ciudadano]]\n| spouse = \n| children = \n}}\n\n'''Luis Donaldo Colosio Riojas''' (Born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the Mexican presidential campaign of 1994. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021.\n\n==Biography==\nLuis Donaldo Colosio Riojas was born in [[Magdalena de Kino]] on 31 July 1985. He has a younger sister named Mariana Colosio Riojas.\n\nHe was orphaned in 1994 after the assassination of his father in March and the death of his mother in November being 8 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/}} Colosio Riojas and his sister were adopted by maternal family members María Elisa Riojas y Fernando Cantú.{{Cite web|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa}}\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey, Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=\"Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey\"|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.facebook.com/colosioriojas/ Luis Donaldo Colosio Riojas], Official Facebook Page\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1985 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1010340186, + "parentid": 1010340007, + "user": "UsuarioNeutralMX", + "userid": 1886583, + "timestamp": "2021-03-05T00:36:57Z", + "sha1": "842004974f722a19667cc702f3b3235e3607e25f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{notability|1=Biographies|date=March 2021}}\n\n{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = Deputy of the Congress of Nuevo León\n| term_start = 1 September 2018\n| term_end = 1 February 2021\n| president = \n| predecessor = \n| successor = \n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_name = Luis Donaldo Colosio Riojas\n| birth_date = {{birth date|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[Movimiento Ciudadano]]\n| spouse = \n| children = \n}}\n\n'''Luis Donaldo Colosio Riojas''' (Born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the Mexican presidential campaign of 1994. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021.\n\n==Biography==\nLuis Donaldo Colosio Riojas was born in [[Magdalena de Kino]] on 31 July 1985. He has a younger sister named Mariana Colosio Riojas.\n\nHe was orphaned in 1994 after the assassination of his father in March and the death of his mother in November being 8 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/}} Colosio Riojas and his sister were adopted by maternal family members María Elisa Riojas y Fernando Cantú.{{Cite web|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa}}\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey, Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=\"Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey\"|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.facebook.com/colosioriojas/ Luis Donaldo Colosio Riojas], Official Facebook Page\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1985 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1010340354, + "parentid": 1010340186, + "user": "UsuarioNeutralMX", + "userid": 1886583, + "timestamp": "2021-03-05T00:38:19Z", + "sha1": "3db7584cf8e13031113156c051b297cc45b771a9", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{notability|1=Biographies|date=March 2021}}\n\n{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = Deputy of the [[Congress of Nuevo León]]\n| term_start = 1 September 2018\n| term_end = 1 February 2021\n| president = \n| predecessor = José Arturo Salinas Garza\n| successor = Marco Antonio Decanini Contreras\n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_name = Luis Donaldo Colosio Riojas\n| birth_date = {{birth date|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[Movimiento Ciudadano]]\n| spouse = \n| children = \n}}\n\n'''Luis Donaldo Colosio Riojas''' (Born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the Mexican presidential campaign of 1994. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021.\n\n==Biography==\nLuis Donaldo Colosio Riojas was born in [[Magdalena de Kino]] on 31 July 1985. He has a younger sister named Mariana Colosio Riojas.\n\nHe was orphaned in 1994 after the assassination of his father in March and the death of his mother in November being 8 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/}} Colosio Riojas and his sister were adopted by maternal family members María Elisa Riojas y Fernando Cantú.{{Cite web|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa}}\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey, Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=\"Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey\"|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.facebook.com/colosioriojas/ Luis Donaldo Colosio Riojas], Official Facebook Page\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1985 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1010340577, + "parentid": 1010340354, + "user": "UsuarioNeutralMX", + "userid": 1886583, + "timestamp": "2021-03-05T00:40:10Z", + "sha1": "aa70c11efee24a354c9cb5c565cb15d8026853ca", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{notability|1=Biographies|date=March 2021}}\n\n{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = Deputy of the [[Congress of Nuevo León]]\n| term_start = 1 September 2018\n| term_end = 1 February 2021\n| president = \n| predecessor = José Arturo Salinas Garza\n| successor = Marco Antonio Decanini Contreras\n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_name = Luis Donaldo Colosio Riojas\n| birth_date = {{birth date|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| spouse = \n| children = \n}}\n\n'''Luis Donaldo Colosio Riojas''' (Born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the Mexican presidential campaign of 1994. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021.\n\n==Biography==\nLuis Donaldo Colosio Riojas was born in [[Magdalena de Kino]] on 31 July 1985. He has a younger sister named Mariana Colosio Riojas.\n\nHe was orphaned in 1994 after the assassination of his father in March and the death of his mother in November being 8 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/}} Colosio Riojas and his sister were adopted by maternal family members María Elisa Riojas y Fernando Cantú.{{Cite web|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa}}\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey, Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=\"Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey\"|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.facebook.com/colosioriojas/ Luis Donaldo Colosio Riojas], Official Facebook Page\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1985 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1010340783, + "parentid": 1010340577, + "user": "UsuarioNeutralMX", + "userid": 1886583, + "timestamp": "2021-03-05T00:41:53Z", + "sha1": "fe0ead5bfd27e333557214f12febe0d6068b2358", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{notability|1=Biographies|date=March 2021}}\n\n{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = Deputy of the [[Congress of Nuevo León]]\n| term_start = 1 September 2018\n| term_end = 1 February 2021\n| president = \n| predecessor = José Arturo Salinas Garza\n| successor = Marco Antonio Decanini Contreras\n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_name = Luis Donaldo Colosio Riojas\n| birth_date = {{birth date|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia Colosio García\n}}\n\n'''Luis Donaldo Colosio Riojas''' (Born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the Mexican presidential campaign of 1994. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021.\n\n==Biography==\nLuis Donaldo Colosio Riojas was born in [[Magdalena de Kino]] on 31 July 1985. He has a younger sister named Mariana Colosio Riojas.\n\nHe was orphaned in 1994 after the assassination of his father in March and the death of his mother in November being 8 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/}} Colosio Riojas and his sister were adopted by maternal family members María Elisa Riojas y Fernando Cantú.{{Cite web|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa}}\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey, Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.facebook.com/colosioriojas/ Luis Donaldo Colosio Riojas], Official Facebook Page\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1985 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1010341188, + "parentid": 1010340783, + "user": "UsuarioNeutralMX", + "userid": 1886583, + "timestamp": "2021-03-05T00:45:01Z", + "sha1": "b3eb91b48335ae3392a3308ca86704232bb7fe0d", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{notability|1=Biographies|date=March 2021}}\n\n{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = Deputy of the [[Congress of Nuevo León]]\n| term_start = 1 September 2018\n| term_end = 1 February 2021\n| president = \n| predecessor = José Arturo Salinas Garza\n| successor = Marco Antonio Decanini Contreras\n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_name = Luis Donaldo Colosio Riojas\n| birth_date = {{birth date|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia Colosio García\n| education = [[Monterrey Institute of Technology and Higher Education]]\n}}\n\n'''Luis Donaldo Colosio Riojas''' (Born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the Mexican presidential campaign of 1994. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021.\n\n==Biography==\nLuis Donaldo Colosio Riojas was born in [[Magdalena de Kino]] on 31 July 1985. He has a younger sister named Mariana Colosio Riojas.\n\nHe was orphaned in 1994 after the assassination of his father in March and the death of his mother in November being 8 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/}} Colosio Riojas and his sister were adopted by maternal family members María Elisa Riojas y Fernando Cantú.{{Cite web|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa}}\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey, Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.facebook.com/colosioriojas/ Luis Donaldo Colosio Riojas], Official Facebook Page\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1985 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1010341901, + "parentid": 1010341188, + "user": "UsuarioNeutralMX", + "userid": 1886583, + "timestamp": "2021-03-05T00:50:06Z", + "sha1": "f96d87f48e8e55029460baf82d5789c0b3c69ed3", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Biography */", + "*": "{{notability|1=Biographies|date=March 2021}}\n\n{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = Deputy of the [[Congress of Nuevo León]]\n| term_start = 1 September 2018\n| term_end = 1 February 2021\n| president = \n| predecessor = José Arturo Salinas Garza\n| successor = Marco Antonio Decanini Contreras\n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_name = Luis Donaldo Colosio Riojas\n| birth_date = {{birth date|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia Colosio García\n| education = [[Monterrey Institute of Technology and Higher Education]]\n}}\n\n'''Luis Donaldo Colosio Riojas''' (Born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the Mexican presidential campaign of 1994. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021.\n\n==Biography==\nLuis Donaldo Colosio Riojas was born in [[Magdalena de Kino]] on 31 July 1985. He has a younger sister named Mariana Colosio Riojas.\n\nHe was orphaned in 1994 after the assassination of his father in March and the death of his mother in November being 8 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/}} Colosio Riojas and his sister were adopted by maternal family members María Elisa Riojas y Fernando Cantú.{{Cite web|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey, Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.facebook.com/colosioriojas/ Luis Donaldo Colosio Riojas], Official Facebook Page\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1985 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1012860262, + "parentid": 1010341901, + "user": "OCNative", + "userid": 181247, + "timestamp": "2021-03-18T18:41:39Z", + "sha1": "12d02ba99f7f99344e4669e7c25df82fb5b538f3", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Add official web site. Minor copyediting.", + "*": "{{notability|1=Biographies|date=March 2021}}\n\n{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = Deputy of the [[Congress of Nuevo León]]\n| term_start = 1 September 2018\n| term_end = 1 February 2021\n| president = \n| predecessor = José Arturo Salinas Garza\n| successor = Marco Antonio Decanini Contreras\n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_name = Luis Donaldo Colosio Riojas\n| birth_date = {{birth date|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia Colosio García\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]]. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021.\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nHe was orphaned in 1994 after the assassination of his father in March and the death of his mother in November being 8 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/}} Colosio Riojas and his sister were adopted by maternal family members María Elisa Riojas y Fernando Cantú.{{Cite web|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey, Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1985 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1012860560, + "parentid": 1012860262, + "minor": "", + "user": "OCNative", + "userid": 181247, + "timestamp": "2021-03-18T18:43:47Z", + "sha1": "a998d7c456b53357b8aa2e1c1544b79a4a9b7609", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{notability|1=Biographies|date=March 2021}}\n\n{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = Deputy of the [[Congress of Nuevo León]]\n| term_start = 1 September 2018\n| term_end = 1 February 2021\n| president = \n| predecessor = José Arturo Salinas Garza\n| successor = Marco Antonio Decanini Contreras\n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_name = Luis Donaldo Colosio Riojas\n| birth_date = {{birth date|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia Colosio García\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]]. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021.\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nHe was orphaned in 1994 after the assassination of his father in March and the death of his mother in November being 8 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/}} Colosio Riojas and his sister were adopted by maternal family members María Elisa Riojas y Fernando Cantú.{{Cite web|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey, Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1985 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1012860664, + "parentid": 1012860560, + "minor": "", + "user": "OCNative", + "userid": 181247, + "timestamp": "2021-03-18T18:44:32Z", + "sha1": "2624fd360ad1d8faed3d5a87a3e334d4e5e189a5", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{notability|1=Biographies|date=March 2021}}\n\n{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = Deputy of the [[Congress of Nuevo León]]\n| term_start = 1 September 2018\n| term_end = 1 February 2021\n| president = \n| predecessor = José Arturo Salinas Garza\n| successor = Marco Antonio Decanini Contreras\n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_name = Luis Donaldo Colosio Riojas\n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia Colosio García\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]]. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021.\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nHe was orphaned in 1994 after the assassination of his father in March and the death of his mother in November being 8 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/}} Colosio Riojas and his sister were adopted by maternal family members María Elisa Riojas y Fernando Cantú.{{Cite web|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey, Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1985 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1012864421, + "parentid": 1012860664, + "user": "OCNative", + "userid": 181247, + "timestamp": "2021-03-18T19:10:54Z", + "sha1": "3dba6ba20b63ef7776b627fb7ea0d651d48661f4", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Fill in infobox", + "*": "{{notability|1=Biographies|date=March 2021}}\n{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = Deputy of the [[Congress of Nuevo León]]\n| term_start = 1 September 2018\n| term_end = 1 February 2021\n| predecessor = José Arturo Salinas Garza\n| successor = Marco Antonio Decanini Contreras\n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place= \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia Colosio García\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]]. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021.\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nHe was orphaned in 1994 after the assassination of his father in March and the death of his mother in November being 8 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/}} Colosio Riojas and his sister were adopted by maternal family members María Elisa Riojas y Fernando Cantú.{{Cite web|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey, Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1985 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1012864630, + "parentid": 1012864421, + "user": "OCNative", + "userid": 181247, + "timestamp": "2021-03-18T19:12:22Z", + "sha1": "4e9e1e0d3e15773d2be2e94d32bbeb56ad8b274a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Remove tag. As a Deputy of the [[Congress of Nuevo León]], he meets the notability criteria of [[WP:POLITICIAN]]", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = Deputy of the [[Congress of Nuevo León]]\n| term_start = 1 September 2018\n| term_end = 1 February 2021\n| predecessor = José Arturo Salinas Garza\n| successor = Marco Antonio Decanini Contreras\n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place= \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia Colosio García\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]]. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021.\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nHe was orphaned in 1994 after the assassination of his father in March and the death of his mother in November being 8 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/}} Colosio Riojas and his sister were adopted by maternal family members María Elisa Riojas y Fernando Cantú.{{Cite web|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey, Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1985 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1015536009, + "parentid": 1012864630, + "user": "Bamyers99", + "userid": 12311825, + "timestamp": "2021-04-02T01:08:03Z", + "sha1": "e3d6727f2ddf2dcca6527095bd2a76ddd7af1d35", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "added [[Category:Living people]] using [[WP:HC|HotCat]]", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = Deputy of the [[Congress of Nuevo León]]\n| term_start = 1 September 2018\n| term_end = 1 February 2021\n| predecessor = José Arturo Salinas Garza\n| successor = Marco Antonio Decanini Contreras\n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place= \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia Colosio García\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]]. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021.\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nHe was orphaned in 1994 after the assassination of his father in March and the death of his mother in November being 8 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/}} Colosio Riojas and his sister were adopted by maternal family members María Elisa Riojas y Fernando Cantú.{{Cite web|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey, Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1985 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:Living people]]" + }, + { + "revid": 1027927375, + "parentid": 1015536009, + "minor": "", + "user": "OCNative", + "userid": 181247, + "timestamp": "2021-06-10T20:24:39Z", + "sha1": "5a3cc05cb87d2e273afbe1a494bdb21d4065b0cc", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = Deputy of the [[Congress of Nuevo León]]\n| term_start = 1 September 2018\n| term_end = 1 February 2021\n| predecessor = José Arturo Salinas Garza\n| successor = Marco Antonio Decanini Contreras\n| office2 = \n| term_start2 = \n| term_end2 = \n| predecessor2 = \n| successor2 = \n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place= \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia Colosio García\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]]. He was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021.\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nHe was orphaned in 1994 after the assassination of his father in March and the death of his mother in November being 8 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/}} Colosio Riojas and his sister were adopted by maternal family members María Elisa Riojas y Fernando Cantú.{{Cite web|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]], [[Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1985 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:Living people]]" + }, + { + "revid": 1028074078, + "parentid": 1027927375, + "user": "OCNative", + "userid": 181247, + "timestamp": "2021-06-11T17:49:57Z", + "sha1": "000bdf5264750ace1af458493be73489308d4b0c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Mayor-elect of Monterrey", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey|Mayor]] of [[Monterrey]]\n| term_start = 1 November 2021\n| term_end = \n| succeeding = [[Adrián de la Garza]]\n| successor = \n| office2 = Deputy of the [[Congress of Nuevo León]]\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place= \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia Colosio García\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the mayor[[-elect]] of [[Monterrey]] and was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nHe was orphaned in 1994 after the assassination of his father in March and the death of his mother in November being 8 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/}} Colosio Riojas and his sister were adopted by maternal family members María Elisa Riojas y Fernando Cantú.{{Cite web|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]], [[Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}} He won the election in June with over 47% of the vote in an 8-way race, defeating his nearest opponent by more than 16%.{{cite news|url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/|title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México|publisher=El Financiero/[[Bloomberg]]|date=8 June 2021}}{{cite web|url=https://www.sipre.mx/GC01M40.htm|title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León|publisher=Comisión Estatal Electoral Nuevo León|access-date=10 June 2021}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1985 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:Living people]]" + }, + { + "revid": 1028090673, + "parentid": 1028074078, + "user": "OCNative", + "userid": 181247, + "timestamp": "2021-06-11T19:49:22Z", + "sha1": "5b571285c60358f1aeeed45b231fc37c46852993", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Biography */ Tighten up the language, fix the math, and fix the refs", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey|Mayor]] of [[Monterrey]]\n| term_start = 1 November 2021\n| term_end = \n| succeeding = [[Adrián de la Garza]]\n| successor = \n| office2 = Deputy of the [[Congress of Nuevo León]]\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place= \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia Colosio García\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the mayor[[-elect]] of [[Monterrey]] and was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nHe was orphaned in 1994 after his father's assassination in March and his mother's death in November when he was 9 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/|publisher=Lideres Mexicanos|last=Gamboa|first=Fernando|date=5 December 2019}} Colosio Riojas and his sister were adopted by their maternal aunt and uncle Hilda Elisa Riojas y Fernando Cantú.{{Cite news|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa|newspaper=[[Milenio]]|last=Pacheco|first=Gustavo|date=23 March 2019}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]], [[Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}} He won the election in June with over 47% of the vote in an 8-way race, defeating his nearest opponent by more than 16%.{{cite news|url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/|title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México|publisher=El Financiero/[[Bloomberg]]|date=8 June 2021}}{{cite web|url=https://www.sipre.mx/GC01M40.htm|title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León|publisher=Comisión Estatal Electoral Nuevo León|access-date=10 June 2021}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1985 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:Living people]]" + }, + { + "revid": 1028139670, + "parentid": 1028090673, + "minor": "", + "user": "BD2412", + "userid": 196446, + "timestamp": "2021-06-12T03:34:43Z", + "sha1": "2aa39f8f310fcbc91346bd0f8f0660de60fbb06e", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Political career */Fixing [[Wikipedia:Disambiguation pages with links|links to disambiguation pages]]", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey|Mayor]] of [[Monterrey]]\n| term_start = 1 November 2021\n| term_end = \n| succeeding = [[Adrián de la Garza]]\n| successor = \n| office2 = Deputy of the [[Congress of Nuevo León]]\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place= \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia Colosio García\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the mayor[[-elect]] of [[Monterrey]] and was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nHe was orphaned in 1994 after his father's assassination in March and his mother's death in November when he was 9 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/|publisher=Lideres Mexicanos|last=Gamboa|first=Fernando|date=5 December 2019}} Colosio Riojas and his sister were adopted by their maternal aunt and uncle Hilda Elisa Riojas y Fernando Cantú.{{Cite news|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa|newspaper=[[Milenio]]|last=Pacheco|first=Gustavo|date=23 March 2019}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]], [[Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}} He won the election in June with over 47% of the vote in an 8-way race, defeating his nearest opponent by more than 16%.{{cite news|url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/|title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México|publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]|date=8 June 2021}}{{cite web|url=https://www.sipre.mx/GC01M40.htm|title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León|publisher=Comisión Estatal Electoral Nuevo León|access-date=10 June 2021}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1985 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:Living people]]" + }, + { + "revid": 1035845373, + "parentid": 1028139670, + "user": "2600:6C50:727F:AB2D:3CDC:BF57:D90D:5EE", + "anon": "", + "userid": 0, + "timestamp": "2021-07-28T01:03:53Z", + "sha1": "761a971f1e30ea24242bef98c9b161b3fc772f70", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Biography */", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey|Mayor]] of [[Monterrey]]\n| term_start = 1 November 2021\n| term_end = \n| succeeding = [[Adrián de la Garza]]\n| successor = \n| office2 = Deputy of the [[Congress of Nuevo León]]\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place= \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia Colosio García\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the mayor[[-elect]] of [[Monterrey]] and was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nIn 1994 after his father's assassination in March and his mother's death in November when he was 9 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/|publisher=Lideres Mexicanos|last=Gamboa|first=Fernando|date=5 December 2019}} Colosio Riojas and his sister were adopted by their maternal aunt and uncle Hilda Elisa Riojas y Fernando Cantú.{{Cite news|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa|newspaper=[[Milenio]]|last=Pacheco|first=Gustavo|date=23 March 2019}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]], [[Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}} He won the election in June with over 47% of the vote in an 8-way race, defeating his nearest opponent by more than 16%.{{cite news|url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/|title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México|publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]|date=8 June 2021}}{{cite web|url=https://www.sipre.mx/GC01M40.htm|title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León|publisher=Comisión Estatal Electoral Nuevo León|access-date=10 June 2021}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1985 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:Living people]]" + }, + { + "revid": 1043644996, + "parentid": 1035845373, + "user": "2603:8001:5000:464B:F104:648D:A82A:A0CF", + "anon": "", + "userid": 0, + "timestamp": "2021-09-11T05:59:56Z", + "sha1": "afaf28dd0c77682a0416d9bc1493409d13527bd1", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Refreshed newest updates of his political career", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey|Mayor]] of [[Monterrey]]\n| term_start = 1 November 2021\n| term_end = \n| succeeding = [[Adrián de la Garza]]\n| successor = \n| office2 = Deputy of the [[Congress of Nuevo León]]\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place= \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia Colosio García\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the mayor[[-elect]] of [[Monterrey]] and was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nIn 1994 after his father's assassination in March and his mother's death in November when he was 9 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/|publisher=Lideres Mexicanos|last=Gamboa|first=Fernando|date=5 December 2019}} Colosio Riojas and his sister were adopted by their maternal aunt and uncle Hilda Elisa Riojas y Fernando Cantú.{{Cite news|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa|newspaper=[[Milenio]]|last=Pacheco|first=Gustavo|date=23 March 2019}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]], [[Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}} He won the election in June with over 47% of the vote in an 8-way race, defeating his nearest opponent by more than 16%. He resigned from Movimiento Ciudadano after winning the election for Mayor of Monterrey, Nuevo León which he ran as a candidate of MC. {{cite news|url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/|title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México|publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]|date=8 June 2021}}{{cite web|url=https://www.sipre.mx/GC01M40.htm|title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León|publisher=Comisión Estatal Electoral Nuevo León|access-date=10 June 2021}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1985 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:Living people]]" + }, + { + "revid": 1043645868, + "parentid": 1043644996, + "minor": "", + "user": "Cassiopeia", + "userid": 31051948, + "timestamp": "2021-09-11T06:07:25Z", + "sha1": "761a971f1e30ea24242bef98c9b161b3fc772f70", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Reverted edits by [[Special:Contributions/2603:8001:5000:464B:F104:648D:A82A:A0CF|2603:8001:5000:464B:F104:648D:A82A:A0CF]] ([[User talk:2603:8001:5000:464B:F104:648D:A82A:A0CF|talk]]): not providing a [[WP:RS|reliable source]] ([[WP:CITE]], [[WP:RS]]) ([[WP:HG|HG]]) (3.4.9)", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey|Mayor]] of [[Monterrey]]\n| term_start = 1 November 2021\n| term_end = \n| succeeding = [[Adrián de la Garza]]\n| successor = \n| office2 = Deputy of the [[Congress of Nuevo León]]\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place= \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia Colosio García\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the mayor[[-elect]] of [[Monterrey]] and was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nIn 1994 after his father's assassination in March and his mother's death in November when he was 9 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/|publisher=Lideres Mexicanos|last=Gamboa|first=Fernando|date=5 December 2019}} Colosio Riojas and his sister were adopted by their maternal aunt and uncle Hilda Elisa Riojas y Fernando Cantú.{{Cite news|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa|newspaper=[[Milenio]]|last=Pacheco|first=Gustavo|date=23 March 2019}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]], [[Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}} He won the election in June with over 47% of the vote in an 8-way race, defeating his nearest opponent by more than 16%.{{cite news|url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/|title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México|publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]|date=8 June 2021}}{{cite web|url=https://www.sipre.mx/GC01M40.htm|title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León|publisher=Comisión Estatal Electoral Nuevo León|access-date=10 June 2021}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1985 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:Living people]]" + }, + { + "revid": 1050278062, + "parentid": 1043645868, + "minor": "", + "user": "Albertojsv1", + "userid": 32161222, + "timestamp": "2021-10-16T21:31:25Z", + "sha1": "d60c4723c0d67853f4c0499fdc13d0f631f2348a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey|Mayor]] of [[Monterrey]]\n| term_start = 30 September 2021\n| term_end = \n| succeeding = [[Adrián de la Garza]]\n| successor = \n| office2 = Deputy of the [[Congress of Nuevo León]]\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia Colosio García\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the mayor of [[Monterrey]] and was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nIn 1994 after his father's assassination in March and his mother's death in November when he was 9 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/|publisher=Lideres Mexicanos|last=Gamboa|first=Fernando|date=5 December 2019}} Colosio Riojas and his sister were adopted by their maternal aunt and uncle Hilda Elisa Riojas y Fernando Cantú.{{Cite news|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa|newspaper=[[Milenio]]|last=Pacheco|first=Gustavo|date=23 March 2019}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]], [[Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}} He won the election in June with over 47% of the vote in an 8-way race, defeating his nearest opponent by more than 16%.{{cite news|url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/|title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México|publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]|date=8 June 2021}}{{cite web|url=https://www.sipre.mx/GC01M40.htm|title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León|publisher=Comisión Estatal Electoral Nuevo León|access-date=10 June 2021}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:1985 births]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:Living people]]" + }, + { + "revid": 1065167764, + "parentid": 1050278062, + "user": "JTtheOG", + "userid": 17944471, + "timestamp": "2022-01-12T04:57:19Z", + "sha1": "60a7497b8be711e0217447f36c612ec3702a90d7", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 30 September 2021\n| term_end = \n| succeeding = [[Adrián de la Garza]]\n| successor = \n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia Colosio García\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the municipal president of [[Monterrey]] and was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nIn 1994 after his father's assassination in March and his mother's death in November when he was 9 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/|publisher=Lideres Mexicanos|last=Gamboa|first=Fernando|date=5 December 2019}} Colosio Riojas and his sister were adopted by their maternal aunt and uncle Hilda Elisa Riojas y Fernando Cantú.{{Cite news|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa|newspaper=[[Milenio]]|last=Pacheco|first=Gustavo|date=23 March 2019}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nOn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]], [[Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}} He won the election in June with over 47% of the vote in an 8-way race, defeating his nearest opponent by more than 16%.{{cite news|url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/|title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México|publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]|date=8 June 2021}}{{cite web|url=https://www.sipre.mx/GC01M40.htm|title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León|publisher=Comisión Estatal Electoral Nuevo León|access-date=10 June 2021}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1065761759, + "parentid": 1065167764, + "minor": "", + "user": "Nat965", + "userid": 8578365, + "timestamp": "2022-01-15T05:04:24Z", + "sha1": "52332183e0ae147ae833fdaf56c37baa960af80a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Political career */Apply [[WP:AWB/GF|Gen fix(es)]], [[WP:AWB/T|typo(s) fixed]]: On January 2021 → In January 2021", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 30 September 2021\n| term_end = \n| succeeding = [[Adrián de la Garza]]\n| successor = \n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia Colosio García\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a [[Mexico|Mexican]] lawyer and politician. He is the municipal president of [[Monterrey]] and was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nIn 1994 after his father's assassination in March and his mother's death in November when he was 9 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/|publisher=Lideres Mexicanos|last=Gamboa|first=Fernando|date=5 December 2019}} Colosio Riojas and his sister were adopted by their maternal aunt and uncle Hilda Elisa Riojas y Fernando Cantú.{{Cite news|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa|newspaper=[[Milenio]]|last=Pacheco|first=Gustavo|date=23 March 2019}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nIn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]], [[Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}} He won the election in June with over 47% of the vote in an 8-way race, defeating his nearest opponent by more than 16%.{{cite news|url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/|title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México|publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]|date=8 June 2021}}{{cite web|url=https://www.sipre.mx/GC01M40.htm|title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León|publisher=Comisión Estatal Electoral Nuevo León|access-date=10 June 2021}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1069133723, + "parentid": 1065761759, + "minor": "", + "user": "SdkbBot", + "userid": 41840956, + "timestamp": "2022-01-31T19:41:21Z", + "sha1": "57148c1c5ff2d76a46a538268eb1c6a7e9125ff8", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* top */Removed [[MOS:OVERLINK|overlinked]] country wikilink and [[WP:GENFIX|general fixes]] ([[Wikipedia:Bots/Requests_for_approval/SdkbBot_2|task 2]])", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 30 September 2021\n| term_end = \n| succeeding = [[Adrián de la Garza]]\n| successor = \n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia Colosio García\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the municipal president of [[Monterrey]] and was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nIn 1994 after his father's assassination in March and his mother's death in November when he was 9 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/|publisher=Lideres Mexicanos|last=Gamboa|first=Fernando|date=5 December 2019}} Colosio Riojas and his sister were adopted by their maternal aunt and uncle Hilda Elisa Riojas y Fernando Cantú.{{Cite news|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa|newspaper=[[Milenio]]|last=Pacheco|first=Gustavo|date=23 March 2019}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nIn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]], [[Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}} He won the election in June with over 47% of the vote in an 8-way race, defeating his nearest opponent by more than 16%.{{cite news|url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/|title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México|publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]|date=8 June 2021}}{{cite web|url=https://www.sipre.mx/GC01M40.htm|title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León|publisher=Comisión Estatal Electoral Nuevo León|access-date=10 June 2021}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1071487850, + "parentid": 1069133723, + "minor": "", + "user": "Joshmaul", + "userid": 370000, + "timestamp": "2022-02-12T22:07:56Z", + "sha1": "4caf5a322a806edbda7d0f4c03f9f74c4f5bd458", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 30 September 2021\n| term_end = \n| predecessor = [[Adrián de la Garza]]\n| successor = \n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia Colosio García\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the municipal president of [[Monterrey]] and was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nIn 1994 after his father's assassination in March and his mother's death in November when he was 9 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/|publisher=Lideres Mexicanos|last=Gamboa|first=Fernando|date=5 December 2019}} Colosio Riojas and his sister were adopted by their maternal aunt and uncle Hilda Elisa Riojas y Fernando Cantú.{{Cite news|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa|newspaper=[[Milenio]]|last=Pacheco|first=Gustavo|date=23 March 2019}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nIn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]], [[Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}} He won the election in June with over 47% of the vote in an 8-way race, defeating his nearest opponent by more than 16%.{{cite news|url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/|title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México|publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]|date=8 June 2021}}{{cite web|url=https://www.sipre.mx/GC01M40.htm|title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León|publisher=Comisión Estatal Electoral Nuevo León|access-date=10 June 2021}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1128452329, + "parentid": 1071487850, + "user": "2806:108E:11:66DD:A543:9AE:7A99:2B20", + "anon": "", + "userid": 0, + "timestamp": "2022-12-20T05:59:00Z", + "sha1": "e25f69f5347f73cb5ae487c38db60945a2b85577", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Biography */ Fixed typo", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 30 September 2021\n| term_end = \n| predecessor = [[Adrián de la Garza]]\n| successor = \n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia Colosio García\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the municipal president of [[Monterrey]] and was a deputy in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nIn 1994 after his father's assassination in March and his mother's death in November when he was 9 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/|publisher=Lideres Mexicanos|last=Gamboa|first=Fernando|date=5 December 2019}} Colosio Riojas and his sister were adopted by their maternal aunt and uncle Hilda Elisa Riojas and Fernando Cantú.{{Cite news|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa|newspaper=[[Milenio]]|last=Pacheco|first=Gustavo|date=23 March 2019}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nIn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]], [[Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}} He won the election in June with over 47% of the vote in an 8-way race, defeating his nearest opponent by more than 16%.{{cite news|url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/|title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México|publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]|date=8 June 2021}}{{cite web|url=https://www.sipre.mx/GC01M40.htm|title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León|publisher=Comisión Estatal Electoral Nuevo León|access-date=10 June 2021}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1133319965, + "parentid": 1128452329, + "user": "96.8.130.196", + "anon": "", + "userid": 0, + "timestamp": "2023-01-13T05:44:48Z", + "sha1": "5e1db78ce7470b07eac7f097dc66993294a88b19", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Replaced incorrect terms (municipal president is not an english term). The correct term is mayor", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 30 September 2021\n| term_end = \n| predecessor = [[Adrián de la Garza]]\n| successor = \n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia Colosio García\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the mayor of the city of [[Monterrey]] and was a legislator in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nIn 1994 after his father's assassination in March and his mother's death in November when he was 9 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/|publisher=Lideres Mexicanos|last=Gamboa|first=Fernando|date=5 December 2019}} Colosio Riojas and his sister were adopted by their maternal aunt and uncle Hilda Elisa Riojas and Fernando Cantú.{{Cite news|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa|newspaper=[[Milenio]]|last=Pacheco|first=Gustavo|date=23 March 2019}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nIn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]], [[Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}} He won the election in June with over 47% of the vote in an 8-way race, defeating his nearest opponent by more than 16%.{{cite news|url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/|title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México|publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]|date=8 June 2021}}{{cite web|url=https://www.sipre.mx/GC01M40.htm|title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León|publisher=Comisión Estatal Electoral Nuevo León|access-date=10 June 2021}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1138718241, + "parentid": 1133319965, + "user": "2806:2F0:4060:EEB1:A845:B021:36D0:9355", + "anon": "", + "userid": 0, + "timestamp": "2023-02-11T06:02:41Z", + "sha1": "ec4c51e98d9f5cd794b71f8c7be4139c23f9c09c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Se la chupo a Eduardo Cedeño \n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 30 September 2021\n| term_end = \n| predecessor = [[Adrián de la Garza]]\n| successor = \n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia Colosio García\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the mayor of the city of [[Monterrey]] and was a legislator in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nIn 1994 after his father's assassination in March and his mother's death in November when he was 9 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/|publisher=Lideres Mexicanos|last=Gamboa|first=Fernando|date=5 December 2019}} Colosio Riojas and his sister were adopted by their maternal aunt and uncle Hilda Elisa Riojas and Fernando Cantú.{{Cite news|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa|newspaper=[[Milenio]]|last=Pacheco|first=Gustavo|date=23 March 2019}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nIn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]], [[Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}} He won the election in June with over 47% of the vote in an 8-way race, defeating his nearest opponent by more than 16%.{{cite news|url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/|title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México|publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]|date=8 June 2021}}{{cite web|url=https://www.sipre.mx/GC01M40.htm|title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León|publisher=Comisión Estatal Electoral Nuevo León|access-date=10 June 2021}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1138718298, + "parentid": 1138718241, + "minor": "", + "user": "Fehufanga", + "userid": 33077729, + "timestamp": "2023-02-11T06:03:08Z", + "sha1": "5e1db78ce7470b07eac7f097dc66993294a88b19", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "[[WP:ROLLBACK|Reverted]] edits by [[Special:Contributions/2806:2F0:4060:EEB1:A845:B021:36D0:9355|2806:2F0:4060:EEB1:A845:B021:36D0:9355]] ([[User talk:2806:2F0:4060:EEB1:A845:B021:36D0:9355|talk]]) to last revision by 96.8.130.196: nonconstructive edits", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 30 September 2021\n| term_end = \n| predecessor = [[Adrián de la Garza]]\n| successor = \n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia Colosio García\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the mayor of the city of [[Monterrey]] and was a legislator in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nIn 1994 after his father's assassination in March and his mother's death in November when he was 9 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/|publisher=Lideres Mexicanos|last=Gamboa|first=Fernando|date=5 December 2019}} Colosio Riojas and his sister were adopted by their maternal aunt and uncle Hilda Elisa Riojas and Fernando Cantú.{{Cite news|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa|newspaper=[[Milenio]]|last=Pacheco|first=Gustavo|date=23 March 2019}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nIn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]], [[Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}} He won the election in June with over 47% of the vote in an 8-way race, defeating his nearest opponent by more than 16%.{{cite news|url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/|title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México|publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]|date=8 June 2021}}{{cite web|url=https://www.sipre.mx/GC01M40.htm|title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León|publisher=Comisión Estatal Electoral Nuevo León|access-date=10 June 2021}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]" + }, + { + "revid": 1152384983, + "parentid": 1138718298, + "user": "JTtheOG", + "userid": 17944471, + "timestamp": "2023-04-29T22:55:17Z", + "sha1": "0938e9fa724a44f288f9a7748c6d344a636e85f5", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "added [[Category:People from Magdalena de Kino]] using [[WP:HC|HotCat]]", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 30 September 2021\n| term_end = \n| predecessor = [[Adrián de la Garza]]\n| successor = \n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia Colosio García\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the mayor of the city of [[Monterrey]] and was a legislator in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nIn 1994 after his father's assassination in March and his mother's death in November when he was 9 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/|publisher=Lideres Mexicanos|last=Gamboa|first=Fernando|date=5 December 2019}} Colosio Riojas and his sister were adopted by their maternal aunt and uncle Hilda Elisa Riojas and Fernando Cantú.{{Cite news|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa|newspaper=[[Milenio]]|last=Pacheco|first=Gustavo|date=23 March 2019}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nIn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]], [[Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}} He won the election in June with over 47% of the vote in an 8-way race, defeating his nearest opponent by more than 16%.{{cite news|url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/|title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México|publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]|date=8 June 2021}}{{cite web|url=https://www.sipre.mx/GC01M40.htm|title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León|publisher=Comisión Estatal Electoral Nuevo León|access-date=10 June 2021}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1156261339, + "parentid": 1152384983, + "user": "23.233.149.194", + "anon": "", + "userid": 0, + "timestamp": "2023-05-22T01:05:32Z", + "sha1": "a0333a954956d140d68472f282a2e9e6cd83cd3d", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Political career */", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 30 September 2021\n| term_end = \n| predecessor = [[Adrián de la Garza]]\n| successor = \n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia Colosio García\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the mayor of the city of [[Monterrey]] and was a legislator in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nIn 1994 after his father's assassination in March and his mother's death in November when he was 9 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/|publisher=Lideres Mexicanos|last=Gamboa|first=Fernando|date=5 December 2019}} Colosio Riojas and his sister were adopted by their maternal aunt and uncle Hilda Elisa Riojas and Fernando Cantú.{{Cite news|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa|newspaper=[[Milenio]]|last=Pacheco|first=Gustavo|date=23 March 2019}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nIn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]], [[Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under the political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}} He won the election in June with over 47% of the vote in an eight-way race by defeating his nearest opponent by more than 16%.{{cite news|url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/|title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México|publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]|date=8 June 2021}}{{cite web|url=https://www.sipre.mx/GC01M40.htm|title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León|publisher=Comisión Estatal Electoral Nuevo León|access-date=10 June 2021}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1168225322, + "parentid": 1156261339, + "user": "174.233.18.108", + "anon": "", + "userid": 0, + "timestamp": "2023-08-01T14:57:14Z", + "sha1": "8562ca8e57727adf270e75838f7c2f6d43e5dcdd", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 30 September 2021\n| term_end = \n| predecessor = [[Adrián de la Garza]]\n| successor = \n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the mayor of the city of [[Monterrey]] and was a legislator in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nIn 1994 after his father's assassination in March and his mother's death in November when he was 9 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/|publisher=Lideres Mexicanos|last=Gamboa|first=Fernando|date=5 December 2019}} Colosio Riojas and his sister were adopted by their maternal aunt and uncle Hilda Elisa Riojas and Fernando Cantú.{{Cite news|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa|newspaper=[[Milenio]]|last=Pacheco|first=Gustavo|date=23 March 2019}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nIn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]], [[Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under the political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}} He won the election in June with over 47% of the vote in an eight-way race by defeating his nearest opponent by more than 16%.{{cite news|url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/|title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México|publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]|date=8 June 2021}}{{cite web|url=https://www.sipre.mx/GC01M40.htm|title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León|publisher=Comisión Estatal Electoral Nuevo León|access-date=10 June 2021}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1175888700, + "parentid": 1168225322, + "user": "186.96.26.101", + "anon": "", + "userid": 0, + "timestamp": "2023-09-18T02:45:21Z", + "sha1": "80c687290197bd32a39deef6fdb37d1ebd7496bb", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 30 September 2021\n| term_end = \n| predecessor = [[Adrián de la Garza]]\n| successor = \n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the mayor of the city of [[Monterrey]] and was a legislator in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nIn 1994 after his father's assassination in March and his mother's death in November when he was 9 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/|publisher=Lideres Mexicanos|last=Gamboa|first=Fernando|date=5 December 2019}} Colosio Riojas and his sister were adopted by their maternal aunt and uncle Hilda Elisa Riojas and Fernando Cantú.{{Cite news|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa|newspaper=[[Milenio]]|last=Pacheco|first=Gustavo|date=23 March 2019}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nIn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]], [[Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under the political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}} He won the election in June with over 47% of the vote in an eight-way race by defeating his nearest opponent by more than 16%.{{cite news|url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/|title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México|publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]|date=8 June 2021}}{{cite web|url=https://www.sipre.mx/GC01M40.htm|title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León|publisher=Comisión Estatal Electoral Nuevo León|access-date=10 June 2021}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Galician descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1180746268, + "parentid": 1175888700, + "user": "128.177.31.180", + "anon": "", + "userid": 0, + "timestamp": "2023-10-18T15:37:01Z", + "sha1": "a060098d264e862222014c5d3b3d6b3e63404cc9", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 30 September 2021\n| term_end = \n| predecessor = [[Adrián de la Garza]]\n| successor = \n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the mayor of the city of [[Monterrey]] and was a legislator in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nIn 1994 after his father's assassination in March and his mother's death in November when he was 9 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/|publisher=Lideres Mexicanos|last=Gamboa|first=Fernando|date=5 December 2019}} Colosio Riojas and his sister were adopted by their maternal aunt and uncle Hilda Elisa Riojas and Fernando Cantú.{{Cite news|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa|newspaper=[[Milenio]]|last=Pacheco|first=Gustavo|date=23 March 2019}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nIn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]], [[Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under the political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}} He won the election in June with over 47% of the vote in an eight-way race by defeating his nearest opponent by more than 16%.{{cite news|url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/|title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México|publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]|date=8 June 2021}}{{cite web|url=https://www.sipre.mx/GC01M40.htm|title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León|publisher=Comisión Estatal Electoral Nuevo León|access-date=10 June 2021}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1191480846, + "parentid": 1180746268, + "user": "2806:2F0:97A1:F35B:6591:A95F:FF4A:1B5A", + "anon": "", + "userid": 0, + "timestamp": "2023-12-23T20:57:24Z", + "sha1": "1c426f33ab4778f95820bf0be0b19229a8262d73", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 30 September 2021\n| term_end = \n| predecessor = [[Adrián de la Garza Santos|Adrián de la Garza]]\n| successor = \n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the mayor of the city of [[Monterrey]] and was a legislator in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nIn 1994 after his father's assassination in March and his mother's death in November when he was 9 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/|publisher=Lideres Mexicanos|last=Gamboa|first=Fernando|date=5 December 2019}} Colosio Riojas and his sister were adopted by their maternal aunt and uncle Hilda Elisa Riojas and Fernando Cantú.{{Cite news|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa|newspaper=[[Milenio]]|last=Pacheco|first=Gustavo|date=23 March 2019}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nIn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]], [[Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under the political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}} He won the election in June with over 47% of the vote in an eight-way race by defeating his nearest opponent by more than 16%.{{cite news|url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/|title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México|publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]|date=8 June 2021}}{{cite web|url=https://www.sipre.mx/GC01M40.htm|title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León|publisher=Comisión Estatal Electoral Nuevo León|access-date=10 June 2021}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1191480870, + "parentid": 1191480846, + "user": "2806:2F0:97A1:F35B:6591:A95F:FF4A:1B5A", + "anon": "", + "userid": 0, + "timestamp": "2023-12-23T20:57:41Z", + "sha1": "253fd46bfcd4b181ad3fde64bff89d3542741596", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 30 September 2021\n| term_end = \n| predecessor = Adrián de la Garza\n| successor = \n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the mayor of the city of [[Monterrey]] and was a legislator in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nIn 1994 after his father's assassination in March and his mother's death in November when he was 9 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/|publisher=Lideres Mexicanos|last=Gamboa|first=Fernando|date=5 December 2019}} Colosio Riojas and his sister were adopted by their maternal aunt and uncle Hilda Elisa Riojas and Fernando Cantú.{{Cite news|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa|newspaper=[[Milenio]]|last=Pacheco|first=Gustavo|date=23 March 2019}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nIn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]], [[Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under the political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}} He won the election in June with over 47% of the vote in an eight-way race by defeating his nearest opponent by more than 16%.{{cite news|url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/|title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México|publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]|date=8 June 2021}}{{cite web|url=https://www.sipre.mx/GC01M40.htm|title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León|publisher=Comisión Estatal Electoral Nuevo León|access-date=10 June 2021}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1191481253, + "parentid": 1191480870, + "user": "2806:2F0:97A1:F35B:6591:A95F:FF4A:1B5A", + "anon": "", + "userid": 0, + "timestamp": "2023-12-23T21:01:15Z", + "sha1": "0624808c0e27270e0633c1748abe4caca6d060ed", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 1 October 2021\n| term_end = \n| predecessor = Adrián de la Garza\n| successor = \n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the mayor of the city of [[Monterrey]] and was a legislator in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Biography==\nBorn in [[Magdalena de Kino]] on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nIn 1994 after his father's assassination in March and his mother's death in November when he was 9 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/|publisher=Lideres Mexicanos|last=Gamboa|first=Fernando|date=5 December 2019}} Colosio Riojas and his sister were adopted by their maternal aunt and uncle Hilda Elisa Riojas and Fernando Cantú.{{Cite news|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa|newspaper=[[Milenio]]|last=Pacheco|first=Gustavo|date=23 March 2019}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nIn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]], [[Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under the political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}} He won the election in June with over 47% of the vote in an eight-way race by defeating his nearest opponent by more than 16%.{{cite news|url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/|title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México|publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]|date=8 June 2021}}{{cite web|url=https://www.sipre.mx/GC01M40.htm|title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León|publisher=Comisión Estatal Electoral Nuevo León|access-date=10 June 2021}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1193739135, + "parentid": 1191481253, + "user": "37.170.194.189", + "anon": "", + "userid": 0, + "timestamp": "2024-01-05T10:49:11Z", + "sha1": "cb2b9870de235337310cb557d1255e5358b548ba", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Biography */", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 1 October 2021\n| term_end = \n| predecessor = Adrián de la Garza\n| successor = \n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the mayor of the city of [[Monterrey]] and was a legislator in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Biography==\nBorn in [[Magdalena de Kino]], [[Sonora]], on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nIn 1994 after his father's assassination in March and his mother's death in November when he was 9 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/|publisher=Lideres Mexicanos|last=Gamboa|first=Fernando|date=5 December 2019}} Colosio Riojas and his sister were adopted by their maternal aunt and uncle Hilda Elisa Riojas and Fernando Cantú.{{Cite news|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa|newspaper=[[Milenio]]|last=Pacheco|first=Gustavo|date=23 March 2019}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]].\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nIn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]], [[Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under the political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}} He won the election in June with over 47% of the vote in an eight-way race by defeating his nearest opponent by more than 16%.{{cite news|url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/|title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México|publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]|date=8 June 2021}}{{cite web|url=https://www.sipre.mx/GC01M40.htm|title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León|publisher=Comisión Estatal Electoral Nuevo León|access-date=10 June 2021}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1213897276, + "parentid": 1193739135, + "user": "201.156.226.107", + "anon": "", + "userid": 0, + "timestamp": "2024-03-15T19:51:16Z", + "sha1": "29dea1b02837d66bb226d2e487d2e8d7f5c7e656", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Biography */", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 1 October 2021\n| term_end = \n| predecessor = Adrián de la Garza\n| successor = \n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the mayor of the city of [[Monterrey]] and was a legislator in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Biography==\nBorn in [[Magdalena de Kino]], [[Sonora]], on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nIn 1994 after his father's assassination in March and his mother's death in November when he was 9 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/|publisher=Lideres Mexicanos|last=Gamboa|first=Fernando|date=5 December 2019}} Colosio Riojas and his sister were adopted by their maternal aunt and uncle Hilda Elisa Riojas and Fernando Cantú.{{Cite news|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa|newspaper=[[Milenio]]|last=Pacheco|first=Gustavo|date=23 March 2019}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]]. He is famus\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nIn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]], [[Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under the political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}} He won the election in June with over 47% of the vote in an eight-way race by defeating his nearest opponent by more than 16%.{{cite news|url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/|title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México|publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]|date=8 June 2021}}{{cite web|url=https://www.sipre.mx/GC01M40.htm|title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León|publisher=Comisión Estatal Electoral Nuevo León|access-date=10 June 2021}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1213897439, + "parentid": 1213897276, + "user": "201.156.226.107", + "anon": "", + "userid": 0, + "timestamp": "2024-03-15T19:52:29Z", + "sha1": "921b1de1f6070499e7bdd506e4737efd3b137225", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 1 October 2021\n| term_end = \n| predecessor = Adrián de la Garza\n| successor = \n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the mayor of the city of [[Monterrey]] and was a legislator in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Biography==\nBorn in [[Magdalena de Kino]], [[Sonora]], on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nIn 1994 after his father's assassination in March and his mother's death in November when he was 9 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/|publisher=Lideres Mexicanos|last=Gamboa|first=Fernando|date=5 December 2019}} Colosio Riojas and his sister were adopted by their maternal aunt and uncle Hilda Elisa Riojas and Fernando Cantú.{{Cite news|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa|newspaper=[[Milenio]]|last=Pacheco|first=Gustavo|date=23 March 2019}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nIn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]], [[Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under the political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}} He won the election in June with over 47% of the vote in an eight-way race by defeating his nearest opponent by more than 16%.{{cite news|url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/|title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México|publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]|date=8 June 2021}}{{cite web|url=https://www.sipre.mx/GC01M40.htm|title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León|publisher=Comisión Estatal Electoral Nuevo León|access-date=10 June 2021}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1220166917, + "parentid": 1213897439, + "minor": "", + "user": "JVIPLOFNA", + "userid": 25641162, + "timestamp": "2024-04-22T05:54:09Z", + "sha1": "ad2657c2be34b1fb763874ca80c811ae593d8004", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Added links #article-section-source-editor", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 1 October 2021\n| term_end = \n| predecessor = Adrián de la Garza\n| successor = \n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Movimiento Ciudadano]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = Luis Donaldo Colosio García
María Emilia\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the mayor of the city of [[Monterrey]] and was a legislator in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Biography==\nBorn in [[Magdalena de Kino]], [[Sonora]], on 31 July 1985, Luis Donaldo Colosio Riojas has a younger sister named Mariana Colosio Riojas.\n\nIn 1994 after his father's assassination in March and his mother's death in November when he was 9 years old and his sister 1 year old.{{Cite web|title=Diana Laura, 25 aniversario luctuoso|url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/|publisher=Lideres Mexicanos|last=Gamboa|first=Fernando|date=5 December 2019}} Colosio Riojas and his sister were adopted by their maternal aunt and uncle Hilda Elisa Riojas and Fernando Cantú.{{Cite news|title=Esto ha pasado con los hijos de Luis Donaldo Colosio|url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa|newspaper=[[Milenio]]|last=Pacheco|first=Gustavo|date=23 March 2019}}\n\nHe studied [[law]] in the [[Monterrey Institute of Technology and Higher Education]] and graduated in 2010. He received a postgraduate diploma in Financing and Methods of International Payments, also by ITESM, in 2016. He currently studies a Master's of Legal Studies in Corporate Law in the [[Universidad de Monterrey]]\n\n==Political career==\nColosio Riojas became the candidate for the IV District of [[Nuevo León]] under political party [[Movimiento Ciudadano]] in the 2018 statewide elections in which he won with 33.41% of the votes.{{Cite web|title=Hijo de Colosio gana diputación en su debut político|url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl}} On 1 September 2018, he assumed office as a member of the LXXV Legislature in the [[Congress of Nuevo León]].{{Cite web|title=Inicia LXXV Legislatura de Nuevo León|url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\nIn January 2021, Colosio Riojas registered as a pre-candidate for mayor of [[Monterrey]], [[Nuevo León]] for the [[2021 Mexican local elections|2021 elections]] under the political party [[Movimiento Ciudadano]].{{Cite web|date=20 February 2021|title=Luis Donaldo Colosio Riojas va por la Alcaldía de Monterrey|url=https://www.noroeste.com.mx/nacional/luis-donaldo-colosio-riojas-va-por-la-alcaldia-de-monterrey-IBNO1224387}} He won the election in June with over 47% of the vote in an eight-way race by defeating his nearest opponent by more than 16%.{{cite news|url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/|title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México|publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]|date=8 June 2021}}{{cite web|url=https://www.sipre.mx/GC01M40.htm|title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León|publisher=Comisión Estatal Electoral Nuevo León|access-date=10 June 2021}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1222367802, + "parentid": 1220166917, + "user": "EchoLuminary", + "userid": 46991865, + "timestamp": "2024-05-05T16:41:35Z", + "sha1": "7e7b92b441d8c6037b9fb5d13a414b89e740bf72", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "restructured information", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 1 October 2021\n| term_end = 29 February 2024\n| predecessor = Adrián de la Garza\n| successor = Betsabé Rocha Nieto\n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the mayor of the city of [[Monterrey]] and was a legislator in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]] to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father was a politician who was a presidential candidate for the 1994 election for the [[Institutional Revolutionary Party]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nIn 1994, Colosio's father was assassinated at a campaign rally in [[Tijuana]]. Eight months later, his mother died to [[pancreatic cancer]].{{Cite web |last=Gamboa |first=Fernando |date=5 December 2019 |title=Diana Laura, 25 aniversario luctuoso |url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/ |publisher=Lideres Mexicanos}} Colosio and his sister moved to [[Monterrey|Monterrey, Nuevo León]] when they were adopted by their maternal aunt and uncle Hilda Elisa Riojas and Fernando Cantú.{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio, along with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan, founded the law firm \"Basave Colosio Sánchez\". At the firm, they began a parliamentary consultancy with various politicians from all parties as clients. There, he made contact with leaders of the [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for local deputy in the [[2018 Mexican general election|2018 elections]], which he ultimately accepted in 2017.\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} On 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Mayor of Monterrey ==\n\n=== Election ===\nOn 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] under Citizens' Movement.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio proposed the creation of several [[Green corridor|green corridors]] around Monterrey, which involve expanding sidewalks, installing bike lanes, and planting trees. As part of this initiative, the ''Puente Verde'' (in English: Green Bridge) was constructed and inaugurated in 2023, which spans the {{ill|Santa Catarina River (Mexico)|lt=Santa Catarina River|es|Río Santa Catarina}} and connects [[Fundidora Park]] and Parque España.{{Cite web |title=monterrey.gob.mx |url=https://www.monterrey.gob.mx/noticia/inaugura-monterrey-puente-verde |access-date=2024-05-05 |website=www.monterrey.gob.mx}} \n\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} \n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1222508286, + "parentid": 1222367802, + "user": "EchoLuminary", + "userid": 46991865, + "timestamp": "2024-05-06T10:34:32Z", + "sha1": "0a9fbe7a2073bc8ba7f6cd2654f9b32bdf27564f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Mayor of Monterrey */ added information", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 29 September 2021\n| term_end = 29 February 2024\n| predecessor = Adrián de la Garza\n| successor = Betsabé Rocha Nieto\n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = Lawyer and Politician\n| party = [[File:MC Party (Mexico).svg|20px]] [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = María de la Luz García Luna\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]]\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the mayor of the city of [[Monterrey]] and was a legislator in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]] to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father was a politician who was a presidential candidate for the [[1994 Mexican general election|1994 election]] for the [[Institutional Revolutionary Party]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nIn 1994, Colosio's father was assassinated at a campaign rally in [[Tijuana]]. Eight months later, his mother died to [[pancreatic cancer]].{{Cite web |last=Gamboa |first=Fernando |date=5 December 2019 |title=Diana Laura, 25 aniversario luctuoso |url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/ |publisher=Lideres Mexicanos}} Colosio and his sister moved to [[Monterrey|Monterrey, Nuevo León]] when they were adopted by their maternal aunt and uncle Hilda Elisa Riojas and Fernando Cantú.{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio, along with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan, founded the law firm \"Basave Colosio Sánchez\". At the firm, they began a parliamentary consultancy with various politicians from all parties as clients. There, he made contact with leaders of the [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for local deputy in the [[2018 Mexican general election|2018 elections]], which he ultimately accepted in 2017.\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} On 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey ==\n\n=== Election ===\nOn 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] under Citizens' Movement.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\n==== Parks and green corridors ====\nColosio tackled the lack of green areas by rehabilitating and reforesting parks and connecting these with tree-lined paths, or [[Green corridor|green corridors]]. The creation of these corridors involved expanding sidewalks, installing bike lanes, and planting trees along specific avenues. \n\nAs part of this initiative, parks such as Parque Lago and Parque Alameda were rehabilitated.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} The ''Puente Verde'' (in English: Green Bridge), a green corridor spanning the {{ill|Santa Catarina River (Mexico)|lt=Santa Catarina River|es|Río Santa Catarina}}, was constructed and inaugurated in 2023,{{Cite web |title=monterrey.gob.mx |url=https://www.monterrey.gob.mx/noticia/inaugura-monterrey-puente-verde |access-date=2024-05-05 |website=www.monterrey.gob.mx}} connecting [[Fundidora Park]] and Parque España.{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} Green corridors were developed along avenues in downtown Monterrey as part of ''Revive al Centro'', which aimed to renovate downtown Monterrey's urban image. However, criticism emerged regarding the slow pace of construction for the corridors and the traffic caused by lane closures.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}\n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} \n\nIn August 2023, Colosio announced the construction of a [[roundabout]] around Monterrey's Independence Arch to protect it from vehicles, along with improvements to the existing crosswalks.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}} By November 2023, the roundabout was completed.{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}}\n\n==== Crime and policing ====\nIn September 2022, Colosio announced his security strategy, named ''Monterrey Protege'' (in English: Monterrey Protects). This strategy involved expanding police coverage from 177 to 343 neighborhoods, repairing 1,700 CCTV cameras, and adding 444 patrol cars.{{Cite web |title=Presenta Colosio la estrategia de seguridad “Monterrey Protege”, asume Policía Regia vigilancia del norponiente |url=https://www.monterrey.gob.mx/noticia/presenta-colosio-la-estrategia-de-seguridad-monterrey-protege |access-date=2024-05-06 |website=www.monterrey.gob.mx}}{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also implemented a 15% increase in police salaries at the start of his tenure, and in February 2024, he further increased it by an additional 20%.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n==== Leave ====\nOn 16 February 2024, he Council of Monterrey approved Colosio's request for a temporary leave to pursue a senatorial seat in the [[2024 Mexican general election|2024 elections]]. The leave was granted from the last minute of 29 February 2024 to 3 June 2024. Betsabé Rocha Nieto was appointed as the interim municipal president during Colosio's absence.\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1222514326, + "parentid": 1222508286, + "minor": "", + "user": "EchoLuminary", + "userid": 46991865, + "timestamp": "2024-05-06T11:37:32Z", + "sha1": "9fe35a3b7f4f5cd893148e63a679ca61f92b6440", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "cleaned up infobox", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 29 September 2021\n| term_end = 29 February 2024\n| predecessor = Adrián de la Garza\n| successor = Betsabé Rocha Nieto\n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the mayor of the city of [[Monterrey]] and was a legislator in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]] to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father was a politician who was a presidential candidate for the [[1994 Mexican general election|1994 election]] for the [[Institutional Revolutionary Party]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nIn 1994, Colosio's father was assassinated at a campaign rally in [[Tijuana]]. Eight months later, his mother died to [[pancreatic cancer]].{{Cite web |last=Gamboa |first=Fernando |date=5 December 2019 |title=Diana Laura, 25 aniversario luctuoso |url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/ |publisher=Lideres Mexicanos}} Colosio and his sister moved to [[Monterrey|Monterrey, Nuevo León]] when they were adopted by their maternal aunt and uncle Hilda Elisa Riojas and Fernando Cantú.{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio, along with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan, founded the law firm \"Basave Colosio Sánchez\". At the firm, they began a parliamentary consultancy with various politicians from all parties as clients. There, he made contact with leaders of the [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for local deputy in the [[2018 Mexican general election|2018 elections]], which he ultimately accepted in 2017.\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} On 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey ==\n\n=== Election ===\nOn 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] under Citizens' Movement.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\n==== Parks and green corridors ====\nColosio tackled the lack of green areas by rehabilitating and reforesting parks and connecting these with tree-lined paths, or [[Green corridor|green corridors]]. The creation of these corridors involved expanding sidewalks, installing bike lanes, and planting trees along specific avenues. \n\nAs part of this initiative, parks such as Parque Lago and Parque Alameda were rehabilitated.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} The ''Puente Verde'' (in English: Green Bridge), a green corridor spanning the {{ill|Santa Catarina River (Mexico)|lt=Santa Catarina River|es|Río Santa Catarina}}, was constructed and inaugurated in 2023,{{Cite web |title=monterrey.gob.mx |url=https://www.monterrey.gob.mx/noticia/inaugura-monterrey-puente-verde |access-date=2024-05-05 |website=www.monterrey.gob.mx}} connecting [[Fundidora Park]] and Parque España.{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} Green corridors were developed along avenues in downtown Monterrey as part of ''Revive al Centro'', which aimed to renovate downtown Monterrey's urban image. However, criticism emerged regarding the slow pace of construction for the corridors and the traffic caused by lane closures.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}\n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} \n\nIn August 2023, Colosio announced the construction of a [[roundabout]] around Monterrey's Independence Arch to protect it from vehicles, along with improvements to the existing crosswalks.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}} By November 2023, the roundabout was completed.{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}}\n\n==== Crime and policing ====\nIn September 2022, Colosio announced his security strategy, named ''Monterrey Protege'' (in English: Monterrey Protects). This strategy involved expanding police coverage from 177 to 343 neighborhoods, repairing 1,700 CCTV cameras, and adding 444 patrol cars.{{Cite web |title=Presenta Colosio la estrategia de seguridad “Monterrey Protege”, asume Policía Regia vigilancia del norponiente |url=https://www.monterrey.gob.mx/noticia/presenta-colosio-la-estrategia-de-seguridad-monterrey-protege |access-date=2024-05-06 |website=www.monterrey.gob.mx}}{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also implemented a 15% increase in police salaries at the start of his tenure, and in February 2024, he further increased it by an additional 20%.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n==== Leave ====\nOn 16 February 2024, he Council of Monterrey approved Colosio's request for a temporary leave to pursue a senatorial seat in the [[2024 Mexican general election|2024 elections]]. The leave was granted from the last minute of 29 February 2024 to 3 June 2024. Betsabé Rocha Nieto was appointed as the interim municipal president during Colosio's absence.\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1222514410, + "parentid": 1222514326, + "minor": "", + "user": "EchoLuminary", + "userid": 46991865, + "timestamp": "2024-05-06T11:38:15Z", + "sha1": "dbd7223bf883ac6ed78f60a5d37cc859b7645d5d", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "infobox added interim municipal president", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 29 September 2021\n| term_end = 29 February 2024\n| predecessor = Adrián de la Garza\n| successor = Betsabé Rocha Nieto (interim)\n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the mayor of the city of [[Monterrey]] and was a legislator in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]] to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father was a politician who was a presidential candidate for the [[1994 Mexican general election|1994 election]] for the [[Institutional Revolutionary Party]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nIn 1994, Colosio's father was assassinated at a campaign rally in [[Tijuana]]. Eight months later, his mother died to [[pancreatic cancer]].{{Cite web |last=Gamboa |first=Fernando |date=5 December 2019 |title=Diana Laura, 25 aniversario luctuoso |url=https://lideresmexicanos.com/noticias/diana-laura-25-aniversario-luctuoso/ |publisher=Lideres Mexicanos}} Colosio and his sister moved to [[Monterrey|Monterrey, Nuevo León]] when they were adopted by their maternal aunt and uncle Hilda Elisa Riojas and Fernando Cantú.{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio, along with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan, founded the law firm \"Basave Colosio Sánchez\". At the firm, they began a parliamentary consultancy with various politicians from all parties as clients. There, he made contact with leaders of the [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for local deputy in the [[2018 Mexican general election|2018 elections]], which he ultimately accepted in 2017.\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} On 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey ==\n\n=== Election ===\nOn 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] under Citizens' Movement.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\n==== Parks and green corridors ====\nColosio tackled the lack of green areas by rehabilitating and reforesting parks and connecting these with tree-lined paths, or [[Green corridor|green corridors]]. The creation of these corridors involved expanding sidewalks, installing bike lanes, and planting trees along specific avenues. \n\nAs part of this initiative, parks such as Parque Lago and Parque Alameda were rehabilitated.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} The ''Puente Verde'' (in English: Green Bridge), a green corridor spanning the {{ill|Santa Catarina River (Mexico)|lt=Santa Catarina River|es|Río Santa Catarina}}, was constructed and inaugurated in 2023,{{Cite web |title=monterrey.gob.mx |url=https://www.monterrey.gob.mx/noticia/inaugura-monterrey-puente-verde |access-date=2024-05-05 |website=www.monterrey.gob.mx}} connecting [[Fundidora Park]] and Parque España.{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} Green corridors were developed along avenues in downtown Monterrey as part of ''Revive al Centro'', which aimed to renovate downtown Monterrey's urban image. However, criticism emerged regarding the slow pace of construction for the corridors and the traffic caused by lane closures.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}\n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} \n\nIn August 2023, Colosio announced the construction of a [[roundabout]] around Monterrey's Independence Arch to protect it from vehicles, along with improvements to the existing crosswalks.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}} By November 2023, the roundabout was completed.{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}}\n\n==== Crime and policing ====\nIn September 2022, Colosio announced his security strategy, named ''Monterrey Protege'' (in English: Monterrey Protects). This strategy involved expanding police coverage from 177 to 343 neighborhoods, repairing 1,700 CCTV cameras, and adding 444 patrol cars.{{Cite web |title=Presenta Colosio la estrategia de seguridad “Monterrey Protege”, asume Policía Regia vigilancia del norponiente |url=https://www.monterrey.gob.mx/noticia/presenta-colosio-la-estrategia-de-seguridad-monterrey-protege |access-date=2024-05-06 |website=www.monterrey.gob.mx}}{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also implemented a 15% increase in police salaries at the start of his tenure, and in February 2024, he further increased it by an additional 20%.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n==== Leave ====\nOn 16 February 2024, he Council of Monterrey approved Colosio's request for a temporary leave to pursue a senatorial seat in the [[2024 Mexican general election|2024 elections]]. The leave was granted from the last minute of 29 February 2024 to 3 June 2024. Betsabé Rocha Nieto was appointed as the interim municipal president during Colosio's absence.\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1222515761, + "parentid": 1222514410, + "minor": "", + "user": "EchoLuminary", + "userid": 46991865, + "timestamp": "2024-05-06T11:51:48Z", + "sha1": "544603158779f2241c755a0df551251476ccca97", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "early life and education", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 29 September 2021\n| term_end = 29 February 2024\n| predecessor = Adrián de la Garza\n| successor = Betsabé Rocha Nieto (interim)\n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the mayor of the city of [[Monterrey]] and was a legislator in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]] to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was nine years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio, along with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan, founded the law firm \"Basave Colosio Sánchez\". At the firm, they began a parliamentary consultancy with various politicians from all parties as clients. There, he made contact with leaders of the [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for local deputy in the [[2018 Mexican general election|2018 elections]], which he ultimately accepted in 2017.\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} On 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey ==\n\n=== Election ===\nOn 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] under Citizens' Movement.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\n==== Parks and green corridors ====\nColosio tackled the lack of green areas by rehabilitating and reforesting parks and connecting these with tree-lined paths, or [[Green corridor|green corridors]]. The creation of these corridors involved expanding sidewalks, installing bike lanes, and planting trees along specific avenues. \n\nAs part of this initiative, parks such as Parque Lago and Parque Alameda were rehabilitated.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} The ''Puente Verde'' (in English: Green Bridge), a green corridor spanning the {{ill|Santa Catarina River (Mexico)|lt=Santa Catarina River|es|Río Santa Catarina}}, was constructed and inaugurated in 2023,{{Cite web |title=monterrey.gob.mx |url=https://www.monterrey.gob.mx/noticia/inaugura-monterrey-puente-verde |access-date=2024-05-05 |website=www.monterrey.gob.mx}} connecting [[Fundidora Park]] and Parque España.{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} Green corridors were developed along avenues in downtown Monterrey as part of ''Revive al Centro'', which aimed to renovate downtown Monterrey's urban image. However, criticism emerged regarding the slow pace of construction for the corridors and the traffic caused by lane closures.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}\n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} \n\nIn August 2023, Colosio announced the construction of a [[roundabout]] around Monterrey's Independence Arch to protect it from vehicles, along with improvements to the existing crosswalks.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}} By November 2023, the roundabout was completed.{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}}\n\n==== Crime and policing ====\nIn September 2022, Colosio announced his security strategy, named ''Monterrey Protege'' (in English: Monterrey Protects). This strategy involved expanding police coverage from 177 to 343 neighborhoods, repairing 1,700 CCTV cameras, and adding 444 patrol cars.{{Cite web |title=Presenta Colosio la estrategia de seguridad “Monterrey Protege”, asume Policía Regia vigilancia del norponiente |url=https://www.monterrey.gob.mx/noticia/presenta-colosio-la-estrategia-de-seguridad-monterrey-protege |access-date=2024-05-06 |website=www.monterrey.gob.mx}}{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also implemented a 15% increase in police salaries at the start of his tenure, and in February 2024, he further increased it by an additional 20%.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n==== Leave ====\nOn 16 February 2024, he Council of Monterrey approved Colosio's request for a temporary leave to pursue a senatorial seat in the [[2024 Mexican general election|2024 elections]]. The leave was granted from the last minute of 29 February 2024 to 3 June 2024. Betsabé Rocha Nieto was appointed as the interim municipal president during Colosio's absence.\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1222516204, + "parentid": 1222515761, + "minor": "", + "user": "EchoLuminary", + "userid": 46991865, + "timestamp": "2024-05-06T11:56:22Z", + "sha1": "d17081b5a8f2e0144ab450bc2534efc8162d7b9c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Early life and education */", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 29 September 2021\n| term_end = 29 February 2024\n| predecessor = Adrián de la Garza\n| successor = Betsabé Rocha Nieto (interim)\n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = José Arturo Salinas Garza\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the mayor of the city of [[Monterrey]] and was a legislator in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]] to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was eight years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio, along with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan, founded the law firm \"Basave Colosio Sánchez\". At the firm, they began a parliamentary consultancy with various politicians from all parties as clients. There, he made contact with leaders of the [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for local deputy in the [[2018 Mexican general election|2018 elections]], which he ultimately accepted in 2017.\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} On 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey ==\n\n=== Election ===\nOn 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] under Citizens' Movement.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\n==== Parks and green corridors ====\nColosio tackled the lack of green areas by rehabilitating and reforesting parks and connecting these with tree-lined paths, or [[Green corridor|green corridors]]. The creation of these corridors involved expanding sidewalks, installing bike lanes, and planting trees along specific avenues. \n\nAs part of this initiative, parks such as Parque Lago and Parque Alameda were rehabilitated.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} The ''Puente Verde'' (in English: Green Bridge), a green corridor spanning the {{ill|Santa Catarina River (Mexico)|lt=Santa Catarina River|es|Río Santa Catarina}}, was constructed and inaugurated in 2023,{{Cite web |title=monterrey.gob.mx |url=https://www.monterrey.gob.mx/noticia/inaugura-monterrey-puente-verde |access-date=2024-05-05 |website=www.monterrey.gob.mx}} connecting [[Fundidora Park]] and Parque España.{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} Green corridors were developed along avenues in downtown Monterrey as part of ''Revive al Centro'', which aimed to renovate downtown Monterrey's urban image. However, criticism emerged regarding the slow pace of construction for the corridors and the traffic caused by lane closures.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}\n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} \n\nIn August 2023, Colosio announced the construction of a [[roundabout]] around Monterrey's Independence Arch to protect it from vehicles, along with improvements to the existing crosswalks.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}} By November 2023, the roundabout was completed.{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}}\n\n==== Crime and policing ====\nIn September 2022, Colosio announced his security strategy, named ''Monterrey Protege'' (in English: Monterrey Protects). This strategy involved expanding police coverage from 177 to 343 neighborhoods, repairing 1,700 CCTV cameras, and adding 444 patrol cars.{{Cite web |title=Presenta Colosio la estrategia de seguridad “Monterrey Protege”, asume Policía Regia vigilancia del norponiente |url=https://www.monterrey.gob.mx/noticia/presenta-colosio-la-estrategia-de-seguridad-monterrey-protege |access-date=2024-05-06 |website=www.monterrey.gob.mx}}{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also implemented a 15% increase in police salaries at the start of his tenure, and in February 2024, he further increased it by an additional 20%.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n==== Leave ====\nOn 16 February 2024, he Council of Monterrey approved Colosio's request for a temporary leave to pursue a senatorial seat in the [[2024 Mexican general election|2024 elections]]. The leave was granted from the last minute of 29 February 2024 to 3 June 2024. Betsabé Rocha Nieto was appointed as the interim municipal president during Colosio's absence.\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1222537422, + "parentid": 1222516204, + "user": "EchoLuminary", + "userid": 46991865, + "timestamp": "2024-05-06T14:37:08Z", + "sha1": "97fe68030276860678f81b94a2ed75afffdb7fdc", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Early political career */", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 29 September 2021\n| term_end = 29 February 2024\n| predecessor = Adrián de la Garza\n| successor = Betsabé Rocha Nieto (interim)\n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = [[José Arturo Salinas Garza]]\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the mayor of the city of [[Monterrey]] and was a legislator in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]] to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was eight years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio co-founded the law firm \"Basave Colosio Sánchez\" with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan. At the firm, they began providing parliamentary consultancy services to various politicians. It was during this time that he made contact with leaders of [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for an elected office in the [[2018 Mexican general election|2018 elections]], a proposition he ultimately accepted in 2017.\n\nIn January 2018, [[Samuel García (politician)|Samuel García]], the then coordinator of [[Citizens' Movement (Mexico)|Citizens' Movement]] in Nuevo León, introduced Colosio as a candidate for a popularly elected office, either at the federal or state level.{{Cite web |title=Hijos de Colosio y Basave buscan ser candidatos por MC en Nuevo León |url=https://www.eluniversal.com.mx/elecciones-2018/hijos-de-colosio-y-basave-buscan-ser-candidatos-por-mc-en-nuevo-leon/ |access-date=2024-05-06 |website=El Universal |language=es}}\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes, defeating the incumbent, [[José Arturo Salinas Garza|Arturo Salinas Garza]], by 6.78 points.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} He was the only candidate from Citizens' Movement to secure a seat through first-past-the-post voting in the election.\n\nOn 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey ==\n\n=== Election ===\nOn 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] under Citizens' Movement.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\n==== Parks and green corridors ====\nColosio tackled the lack of green areas by rehabilitating and reforesting parks and connecting these with tree-lined paths, or [[Green corridor|green corridors]]. The creation of these corridors involved expanding sidewalks, installing bike lanes, and planting trees along specific avenues. \n\nAs part of this initiative, parks such as Parque Lago and Parque Alameda were rehabilitated.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} The ''Puente Verde'' (in English: Green Bridge), a green corridor spanning the {{ill|Santa Catarina River (Mexico)|lt=Santa Catarina River|es|Río Santa Catarina}}, was constructed and inaugurated in 2023,{{Cite web |title=monterrey.gob.mx |url=https://www.monterrey.gob.mx/noticia/inaugura-monterrey-puente-verde |access-date=2024-05-05 |website=www.monterrey.gob.mx}} connecting [[Fundidora Park]] and Parque España.{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} Green corridors were developed along avenues in downtown Monterrey as part of ''Revive al Centro'', which aimed to renovate downtown Monterrey's urban image. However, criticism emerged regarding the slow pace of construction for the corridors and the traffic caused by lane closures.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}\n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} \n\nIn August 2023, Colosio announced the construction of a [[roundabout]] around Monterrey's Independence Arch to protect it from vehicles, along with improvements to the existing crosswalks.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}} By November 2023, the roundabout was completed.{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}}\n\n==== Crime and policing ====\nIn September 2022, Colosio announced his security strategy, named ''Monterrey Protege'' (in English: Monterrey Protects). This strategy involved expanding police coverage from 177 to 343 neighborhoods, repairing 1,700 CCTV cameras, and adding 444 patrol cars.{{Cite web |title=Presenta Colosio la estrategia de seguridad “Monterrey Protege”, asume Policía Regia vigilancia del norponiente |url=https://www.monterrey.gob.mx/noticia/presenta-colosio-la-estrategia-de-seguridad-monterrey-protege |access-date=2024-05-06 |website=www.monterrey.gob.mx}}{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also implemented a 15% increase in police salaries at the start of his tenure, and in February 2024, he further increased it by an additional 20%.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n==== Leave ====\nOn 16 February 2024, he Council of Monterrey approved Colosio's request for a temporary leave to pursue a senatorial seat in the [[2024 Mexican general election|2024 elections]]. The leave was granted from the last minute of 29 February 2024 to 3 June 2024. Betsabé Rocha Nieto was appointed as the interim municipal president during Colosio's absence.\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1222581385, + "parentid": 1222537422, + "minor": "", + "user": "EchoLuminary", + "userid": 46991865, + "timestamp": "2024-05-06T19:18:24Z", + "sha1": "d540534d1c24694912dfe7f845f228f9fa3ac064", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "added link to adrian de la garza page", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 29 September 2021\n| term_end = 29 February 2024\n| predecessor = [[Adrián de la Garza Santos|Adrián de la Garza]]\n| successor = Betsabé Rocha Nieto (interim)\n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = [[José Arturo Salinas Garza]]\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the mayor of the city of [[Monterrey]] and was a legislator in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]] to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was eight years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio co-founded the law firm \"Basave Colosio Sánchez\" with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan. At the firm, they began providing parliamentary consultancy services to various politicians. It was during this time that he made contact with leaders of [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for an elected office in the [[2018 Mexican general election|2018 elections]], a proposition he ultimately accepted in 2017.\n\nIn January 2018, [[Samuel García (politician)|Samuel García]], the then coordinator of [[Citizens' Movement (Mexico)|Citizens' Movement]] in Nuevo León, introduced Colosio as a candidate for a popularly elected office, either at the federal or state level.{{Cite web |title=Hijos de Colosio y Basave buscan ser candidatos por MC en Nuevo León |url=https://www.eluniversal.com.mx/elecciones-2018/hijos-de-colosio-y-basave-buscan-ser-candidatos-por-mc-en-nuevo-leon/ |access-date=2024-05-06 |website=El Universal |language=es}}\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes, defeating the incumbent, [[José Arturo Salinas Garza|Arturo Salinas Garza]], by 6.78 points.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} He was the only candidate from Citizens' Movement to secure a seat through first-past-the-post voting in the election.\n\nOn 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey ==\n\n=== Election ===\nOn 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] under Citizens' Movement.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\n==== Parks and green corridors ====\nColosio tackled the lack of green areas by rehabilitating and reforesting parks and connecting these with tree-lined paths, or [[Green corridor|green corridors]]. The creation of these corridors involved expanding sidewalks, installing bike lanes, and planting trees along specific avenues. \n\nAs part of this initiative, parks such as Parque Lago and Parque Alameda were rehabilitated.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} The ''Puente Verde'' (in English: Green Bridge), a green corridor spanning the {{ill|Santa Catarina River (Mexico)|lt=Santa Catarina River|es|Río Santa Catarina}}, was constructed and inaugurated in 2023,{{Cite web |title=monterrey.gob.mx |url=https://www.monterrey.gob.mx/noticia/inaugura-monterrey-puente-verde |access-date=2024-05-05 |website=www.monterrey.gob.mx}} connecting [[Fundidora Park]] and Parque España.{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} Green corridors were developed along avenues in downtown Monterrey as part of ''Revive al Centro'', which aimed to renovate downtown Monterrey's urban image. However, criticism emerged regarding the slow pace of construction for the corridors and the traffic caused by lane closures.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}\n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} \n\nIn August 2023, Colosio announced the construction of a [[roundabout]] around Monterrey's Independence Arch to protect it from vehicles, along with improvements to the existing crosswalks.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}} By November 2023, the roundabout was completed.{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}}\n\n==== Crime and policing ====\nIn September 2022, Colosio announced his security strategy, named ''Monterrey Protege'' (in English: Monterrey Protects). This strategy involved expanding police coverage from 177 to 343 neighborhoods, repairing 1,700 CCTV cameras, and adding 444 patrol cars.{{Cite web |title=Presenta Colosio la estrategia de seguridad “Monterrey Protege”, asume Policía Regia vigilancia del norponiente |url=https://www.monterrey.gob.mx/noticia/presenta-colosio-la-estrategia-de-seguridad-monterrey-protege |access-date=2024-05-06 |website=www.monterrey.gob.mx}}{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also implemented a 15% increase in police salaries at the start of his tenure, and in February 2024, he further increased it by an additional 20%.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n==== Leave ====\nOn 16 February 2024, he Council of Monterrey approved Colosio's request for a temporary leave to pursue a senatorial seat in the [[2024 Mexican general election|2024 elections]]. The leave was granted from the last minute of 29 February 2024 to 3 June 2024. Betsabé Rocha Nieto was appointed as the interim municipal president during Colosio's absence.\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1226024058, + "parentid": 1222581385, + "user": "Moscow Mule", + "userid": 30438843, + "timestamp": "2024-05-28T04:01:58Z", + "sha1": "8803131000694823bf7ed77e0a3d71455b24c24b", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Leave */ rwd, lk", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 29 September 2021\n| term_end = 29 February 2024\n| predecessor = [[Adrián de la Garza Santos|Adrián de la Garza]]\n| successor = Betsabé Rocha Nieto (interim)\n| office2 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start2 = 1 September 2018\n| term_end2 = 1 February 2021\n| predecessor2 = [[José Arturo Salinas Garza]]\n| successor2 = Marco Antonio Decanini Contreras\n| office3 = \n| term_start3 = \n| term_end3 = \n| predecessor3 = \n| successor3 = \n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the mayor of the city of [[Monterrey]] and was a legislator in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]] to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was eight years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio co-founded the law firm \"Basave Colosio Sánchez\" with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan. At the firm, they began providing parliamentary consultancy services to various politicians. It was during this time that he made contact with leaders of [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for an elected office in the [[2018 Mexican general election|2018 elections]], a proposition he ultimately accepted in 2017.\n\nIn January 2018, [[Samuel García (politician)|Samuel García]], the then coordinator of [[Citizens' Movement (Mexico)|Citizens' Movement]] in Nuevo León, introduced Colosio as a candidate for a popularly elected office, either at the federal or state level.{{Cite web |title=Hijos de Colosio y Basave buscan ser candidatos por MC en Nuevo León |url=https://www.eluniversal.com.mx/elecciones-2018/hijos-de-colosio-y-basave-buscan-ser-candidatos-por-mc-en-nuevo-leon/ |access-date=2024-05-06 |website=El Universal |language=es}}\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes, defeating the incumbent, [[José Arturo Salinas Garza|Arturo Salinas Garza]], by 6.78 points.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} He was the only candidate from Citizens' Movement to secure a seat through first-past-the-post voting in the election.\n\nOn 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey ==\n\n=== Election ===\nOn 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] under Citizens' Movement.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\n==== Parks and green corridors ====\nColosio tackled the lack of green areas by rehabilitating and reforesting parks and connecting these with tree-lined paths, or [[Green corridor|green corridors]]. The creation of these corridors involved expanding sidewalks, installing bike lanes, and planting trees along specific avenues. \n\nAs part of this initiative, parks such as Parque Lago and Parque Alameda were rehabilitated.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} The ''Puente Verde'' (in English: Green Bridge), a green corridor spanning the {{ill|Santa Catarina River (Mexico)|lt=Santa Catarina River|es|Río Santa Catarina}}, was constructed and inaugurated in 2023,{{Cite web |title=monterrey.gob.mx |url=https://www.monterrey.gob.mx/noticia/inaugura-monterrey-puente-verde |access-date=2024-05-05 |website=www.monterrey.gob.mx}} connecting [[Fundidora Park]] and Parque España.{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} Green corridors were developed along avenues in downtown Monterrey as part of ''Revive al Centro'', which aimed to renovate downtown Monterrey's urban image. However, criticism emerged regarding the slow pace of construction for the corridors and the traffic caused by lane closures.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}\n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} \n\nIn August 2023, Colosio announced the construction of a [[roundabout]] around Monterrey's Independence Arch to protect it from vehicles, along with improvements to the existing crosswalks.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}} By November 2023, the roundabout was completed.{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}}\n\n==== Crime and policing ====\nIn September 2022, Colosio announced his security strategy, named ''Monterrey Protege'' (in English: Monterrey Protects). This strategy involved expanding police coverage from 177 to 343 neighborhoods, repairing 1,700 CCTV cameras, and adding 444 patrol cars.{{Cite web |title=Presenta Colosio la estrategia de seguridad “Monterrey Protege”, asume Policía Regia vigilancia del norponiente |url=https://www.monterrey.gob.mx/noticia/presenta-colosio-la-estrategia-de-seguridad-monterrey-protege |access-date=2024-05-06 |website=www.monterrey.gob.mx}}{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also implemented a 15% increase in police salaries at the start of his tenure, and in February 2024, he further increased it by an additional 20%.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n==== Leave ====\nOn 16 February 2024, the Monterrey City Council approved Colosio's request for a temporary leave to pursue one of Nuevo León's [[Senate (Mexico)|Senate]] seats in the [[2024 Mexican Senate election|2024 elections]]. The leave was granted from the last minute of 29 February 2024 to 3 June 2024. Betsabé Rocha Nieto was appointed as the interim municipal president during Colosio's absence.\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1227424767, + "parentid": 1226024058, + "user": "EchoLuminary", + "userid": 46991865, + "timestamp": "2024-06-05T17:01:58Z", + "sha1": "f3a3b7e0526136b64d163794a9f2ae386296f084", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "infobox update", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Municipal president of Monterrey]]\n| term_start = 4 June 2024\n| term_end = \n| predecessor = Betsabé Rocha Nieto (interim)\n| successor =\n| term_start2 = 29 September 2021\n| term_end2 = 29 February 2024\n| predecessor2 = [[Adrián de la Garza Santos|Adrián de la Garza]]\n| successor2 = Betsabé Rocha Nieto (interim)\n| office3 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start3 = 1 September 2018\n| term_end3 = 1 February 2021\n| predecessor3 = [[José Arturo Salinas Garza]]\n| successor3 = Marco Antonio Decanini Contreras\n| office4 = \n| term_start4 = \n| term_end4 = \n| predecessor4 = \n| successor4 = \n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the mayor of the city of [[Monterrey]] and was a legislator in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]] to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was eight years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio co-founded the law firm \"Basave Colosio Sánchez\" with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan. At the firm, they began providing parliamentary consultancy services to various politicians. It was during this time that he made contact with leaders of [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for an elected office in the [[2018 Mexican general election|2018 elections]], a proposition he ultimately accepted in 2017.\n\nIn January 2018, [[Samuel García (politician)|Samuel García]], the then coordinator of [[Citizens' Movement (Mexico)|Citizens' Movement]] in Nuevo León, introduced Colosio as a candidate for a popularly elected office, either at the federal or state level.{{Cite web |title=Hijos de Colosio y Basave buscan ser candidatos por MC en Nuevo León |url=https://www.eluniversal.com.mx/elecciones-2018/hijos-de-colosio-y-basave-buscan-ser-candidatos-por-mc-en-nuevo-leon/ |access-date=2024-05-06 |website=El Universal |language=es}}\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes, defeating the incumbent, [[José Arturo Salinas Garza|Arturo Salinas Garza]], by 6.78 points.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} He was the only candidate from Citizens' Movement to secure a seat through first-past-the-post voting in the election.\n\nOn 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey ==\n\n=== Election ===\nOn 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] under Citizens' Movement.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\n==== Parks and green corridors ====\nColosio tackled the lack of green areas by rehabilitating and reforesting parks and connecting these with tree-lined paths, or [[Green corridor|green corridors]]. The creation of these corridors involved expanding sidewalks, installing bike lanes, and planting trees along specific avenues. \n\nAs part of this initiative, parks such as Parque Lago and Parque Alameda were rehabilitated.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} The ''Puente Verde'' (in English: Green Bridge), a green corridor spanning the {{ill|Santa Catarina River (Mexico)|lt=Santa Catarina River|es|Río Santa Catarina}}, was constructed and inaugurated in 2023,{{Cite web |title=monterrey.gob.mx |url=https://www.monterrey.gob.mx/noticia/inaugura-monterrey-puente-verde |access-date=2024-05-05 |website=www.monterrey.gob.mx}} connecting [[Fundidora Park]] and Parque España.{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} Green corridors were developed along avenues in downtown Monterrey as part of ''Revive al Centro'', which aimed to renovate downtown Monterrey's urban image. However, criticism emerged regarding the slow pace of construction for the corridors and the traffic caused by lane closures.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}\n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} \n\nIn August 2023, Colosio announced the construction of a [[roundabout]] around Monterrey's Independence Arch to protect it from vehicles, along with improvements to the existing crosswalks.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}} By November 2023, the roundabout was completed.{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}}\n\n==== Crime and policing ====\nIn September 2022, Colosio announced his security strategy, named ''Monterrey Protege'' (in English: Monterrey Protects). This strategy involved expanding police coverage from 177 to 343 neighborhoods, repairing 1,700 CCTV cameras, and adding 444 patrol cars.{{Cite web |title=Presenta Colosio la estrategia de seguridad “Monterrey Protege”, asume Policía Regia vigilancia del norponiente |url=https://www.monterrey.gob.mx/noticia/presenta-colosio-la-estrategia-de-seguridad-monterrey-protege |access-date=2024-05-06 |website=www.monterrey.gob.mx}}{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also implemented a 15% increase in police salaries at the start of his tenure, and in February 2024, he further increased it by an additional 20%.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n==== Leave ====\nOn 16 February 2024, the Monterrey City Council approved Colosio's request for a temporary leave to pursue one of Nuevo León's [[Senate (Mexico)|Senate]] seats in the [[2024 Mexican Senate election|2024 elections]]. The leave was granted from the last minute of 29 February 2024 to 3 June 2024. Betsabé Rocha Nieto was appointed as the interim municipal president during Colosio's absence.\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1234010057, + "parentid": 1227424767, + "user": "EchoLuminary", + "userid": 46991865, + "timestamp": "2024-07-12T03:06:51Z", + "sha1": "4f2125b9ca380bad7d7b1dcd5bcfb548508365b7", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "added senator-elect", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = Senator-elect of the [[Senate of the Republic (Mexico)|Congress of the Union]]
for [[Nuevo León]]\n| term_start = 1 September 2024\n| term_end = \n| predecessor = \n| successor = \n| term_start2 = \n| term_end2 = \n| predecessor2 = Betsabé Rocha Nieto (interim)\n| successor2 = \n| office3 = \n| term_start3 = 29 September 2021\n| term_end3 = 29 February 2024\n| predecessor3 = [[Adrián de la Garza Santos|Adrián de la Garza]]\n| successor3 = Betsabé Rocha Nieto (interim)\n| office4 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start4 = 1 September 2018\n| term_end4 = 1 February 2021\n| predecessor4 = [[José Arturo Salinas Garza]]\n| successor4 = Marco Antonio Decanini Contreras\n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n| succeeding = [[Víctor Oswaldo Fuentes Solís]]\n| office2 = [[Municipal president of Monterrey]]\n| termstart2 = 4 June 2024\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the mayor of the city of [[Monterrey]] and was a legislator in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]] to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was eight years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio co-founded the law firm \"Basave Colosio Sánchez\" with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan. At the firm, they began providing parliamentary consultancy services to various politicians. It was during this time that he made contact with leaders of [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for an elected office in the [[2018 Mexican general election|2018 elections]], a proposition he ultimately accepted in 2017.\n\nIn January 2018, [[Samuel García (politician)|Samuel García]], the then coordinator of [[Citizens' Movement (Mexico)|Citizens' Movement]] in Nuevo León, introduced Colosio as a candidate for a popularly elected office, either at the federal or state level.{{Cite web |title=Hijos de Colosio y Basave buscan ser candidatos por MC en Nuevo León |url=https://www.eluniversal.com.mx/elecciones-2018/hijos-de-colosio-y-basave-buscan-ser-candidatos-por-mc-en-nuevo-leon/ |access-date=2024-05-06 |website=El Universal |language=es}}\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes, defeating the incumbent, [[José Arturo Salinas Garza|Arturo Salinas Garza]], by 6.78 points.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} He was the only candidate from Citizens' Movement to secure a seat through first-past-the-post voting in the election.\n\nOn 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey ==\n\n=== Election ===\nOn 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] under Citizens' Movement.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\n==== Parks and green corridors ====\nColosio tackled the lack of green areas by rehabilitating and reforesting parks and connecting these with tree-lined paths, or [[Green corridor|green corridors]]. The creation of these corridors involved expanding sidewalks, installing bike lanes, and planting trees along specific avenues. \n\nAs part of this initiative, parks such as Parque Lago and Parque Alameda were rehabilitated.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} The ''Puente Verde'' (in English: Green Bridge), a green corridor spanning the {{ill|Santa Catarina River (Mexico)|lt=Santa Catarina River|es|Río Santa Catarina}}, was constructed and inaugurated in 2023,{{Cite web |title=monterrey.gob.mx |url=https://www.monterrey.gob.mx/noticia/inaugura-monterrey-puente-verde |access-date=2024-05-05 |website=www.monterrey.gob.mx}} connecting [[Fundidora Park]] and Parque España.{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} Green corridors were developed along avenues in downtown Monterrey as part of ''Revive al Centro'', which aimed to renovate downtown Monterrey's urban image. However, criticism emerged regarding the slow pace of construction for the corridors and the traffic caused by lane closures.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}\n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} \n\nIn August 2023, Colosio announced the construction of a [[roundabout]] around Monterrey's Independence Arch to protect it from vehicles, along with improvements to the existing crosswalks.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}} By November 2023, the roundabout was completed.{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}}\n\n==== Crime and policing ====\nIn September 2022, Colosio announced his security strategy, named ''Monterrey Protege'' (in English: Monterrey Protects). This strategy involved expanding police coverage from 177 to 343 neighborhoods, repairing 1,700 CCTV cameras, and adding 444 patrol cars.{{Cite web |title=Presenta Colosio la estrategia de seguridad “Monterrey Protege”, asume Policía Regia vigilancia del norponiente |url=https://www.monterrey.gob.mx/noticia/presenta-colosio-la-estrategia-de-seguridad-monterrey-protege |access-date=2024-05-06 |website=www.monterrey.gob.mx}}{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also implemented a 15% increase in police salaries at the start of his tenure, and in February 2024, he further increased it by an additional 20%.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n==== Leave ====\nOn 16 February 2024, the Monterrey City Council approved Colosio's request for a temporary leave to pursue one of Nuevo León's [[Senate (Mexico)|Senate]] seats in the [[2024 Mexican Senate election|2024 elections]]. The leave was granted from the last minute of 29 February 2024 to 3 June 2024. Betsabé Rocha Nieto was appointed as the interim municipal president during Colosio's absence.\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1240392688, + "parentid": 1234010057, + "user": "EchoLuminary", + "userid": 46991865, + "timestamp": "2024-08-15T04:45:18Z", + "sha1": "416fbb3c26da70622296655f3c42881a6580f042", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Tenure */ moved leave section", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = Senator-elect of the [[Senate of the Republic (Mexico)|Congress of the Union]]
for [[Nuevo León]]\n| term_start = 1 September 2024\n| term_end = \n| predecessor = \n| successor = \n| term_start2 = \n| term_end2 = \n| predecessor2 = Betsabé Rocha Nieto (interim)\n| successor2 = \n| office3 = \n| term_start3 = 29 September 2021\n| term_end3 = 29 February 2024\n| predecessor3 = [[Adrián de la Garza Santos|Adrián de la Garza]]\n| successor3 = Betsabé Rocha Nieto (interim)\n| office4 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start4 = 1 September 2018\n| term_end4 = 1 February 2021\n| predecessor4 = [[José Arturo Salinas Garza]]\n| successor4 = Marco Antonio Decanini Contreras\n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n| succeeding = [[Víctor Oswaldo Fuentes Solís]]\n| office2 = [[Municipal president of Monterrey]]\n| termstart2 = 4 June 2024\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the mayor of the city of [[Monterrey]] and was a legislator in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]] to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was eight years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio co-founded the law firm \"Basave Colosio Sánchez\" with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan. At the firm, they began providing parliamentary consultancy services to various politicians. It was during this time that he made contact with leaders of [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for an elected office in the [[2018 Mexican general election|2018 elections]], a proposition he ultimately accepted in 2017.\n\nIn January 2018, [[Samuel García (politician)|Samuel García]], the then coordinator of [[Citizens' Movement (Mexico)|Citizens' Movement]] in Nuevo León, introduced Colosio as a candidate for a popularly elected office, either at the federal or state level.{{Cite web |title=Hijos de Colosio y Basave buscan ser candidatos por MC en Nuevo León |url=https://www.eluniversal.com.mx/elecciones-2018/hijos-de-colosio-y-basave-buscan-ser-candidatos-por-mc-en-nuevo-leon/ |access-date=2024-05-06 |website=El Universal |language=es}}\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes, defeating the incumbent, [[José Arturo Salinas Garza|Arturo Salinas Garza]], by 6.78 points.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} He was the only candidate from Citizens' Movement to secure a seat through first-past-the-post voting in the election.\n\nOn 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey ==\n\n=== Election ===\nOn 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] under Citizens' Movement.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\nOn 16 February 2024, Colosio took a leave of absence to pursue one of Nuevo León's [[Senate (Mexico)|Senate]] seats in the [[2024 Mexican Senate election|2024 elections]].{{Cite web |last=Jornada |first=La |last2=corresponsal |first2=Raúl Robledo |date=2024-02-15 |title=Aprueba Congreso de NL licencia para Luis Donaldo Colosio Riojas |url=https://www.jornada.com.mx/noticia/2024/02/15/estados/aprueba-congreso-de-nl-licencia-para-luis-donaldo-colosio-1011 |access-date=2024-08-15 |website=La Jornada |language=es}} He temporarily handed over his duties to Betsabé Rocha Nieto on 29 February, secured a Senate seat, and resumed his role as mayor on 4 June.{{Cite web |date=2024-06-04 |title=Luis Donaldo Colosio regresa a la alcaldía de Monterrey; esperará resultados oficiales de la elección al Senado |url=https://latinus.us/eleccion-2024/2024/6/4/luis-donaldo-colosio-regresa-la-alcaldia-de-monterrey-esperara-resultados-oficiales-de-la-eleccion-al-senado-116688.html |access-date=2024-08-15 |website=LatinUS |language=es}} Colosio is set to step down again to assume his seat in the Senate.{{Cite web |title=Rendirá su último informe Colosio antes de irse al Senado |url=https://elporvenir.mx/local/rendira-su-ultimo-informe-colosio-antes-de-irse-al-senado/760785 |access-date=2024-08-15 |website=El Porvenir |language=es}}\n\n==== Parks and green corridors ====\nColosio tackled the lack of green areas by rehabilitating and reforesting parks and connecting these with tree-lined paths, or [[Green corridor|green corridors]]. The creation of these corridors involved expanding sidewalks, installing bike lanes, and planting trees along specific avenues. \n\nAs part of this initiative, parks such as Parque Lago and Parque Alameda were rehabilitated.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} The ''Puente Verde'' (in English: Green Bridge), a green corridor spanning the {{ill|Santa Catarina River (Mexico)|lt=Santa Catarina River|es|Río Santa Catarina}}, was constructed and inaugurated in 2023,{{Cite web |title=monterrey.gob.mx |url=https://www.monterrey.gob.mx/noticia/inaugura-monterrey-puente-verde |access-date=2024-05-05 |website=www.monterrey.gob.mx}} connecting [[Fundidora Park]] and Parque España.{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} Green corridors were developed along avenues in downtown Monterrey as part of ''Revive al Centro'', which aimed to renovate downtown Monterrey's urban image. However, criticism emerged regarding the slow pace of construction for the corridors and the traffic caused by lane closures.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}\n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} \n\nIn August 2023, Colosio announced the construction of a [[roundabout]] around Monterrey's Independence Arch to protect it from vehicles, along with improvements to the existing crosswalks.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}} By November 2023, the roundabout was completed.{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}}\n\n==== Crime and policing ====\nIn September 2022, Colosio announced his security strategy, named ''Monterrey Protege'' (in English: Monterrey Protects). This strategy involved expanding police coverage from 177 to 343 neighborhoods, repairing 1,700 CCTV cameras, and adding 444 patrol cars.{{Cite web |title=Presenta Colosio la estrategia de seguridad “Monterrey Protege”, asume Policía Regia vigilancia del norponiente |url=https://www.monterrey.gob.mx/noticia/presenta-colosio-la-estrategia-de-seguridad-monterrey-protege |access-date=2024-05-06 |website=www.monterrey.gob.mx}}{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also implemented a 15% increase in police salaries at the start of his tenure, and in February 2024, he further increased it by an additional 20%.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1240511617, + "parentid": 1240392688, + "user": "EchoLuminary", + "userid": 46991865, + "timestamp": "2024-08-15T19:35:16Z", + "sha1": "76bc07523798396511a16143f2d1ac83890c5e3b", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "added approval ratings to tenure of municipal president", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = Senator-elect of the [[Senate of the Republic (Mexico)|Congress of the Union]]
for [[Nuevo León]]\n| term_start = 1 September 2024\n| term_end = \n| predecessor = \n| successor = \n| term_start2 = \n| term_end2 = \n| predecessor2 = Betsabé Rocha Nieto (interim)\n| successor2 = \n| office3 = \n| term_start3 = 29 September 2021\n| term_end3 = 29 February 2024\n| predecessor3 = [[Adrián de la Garza Santos|Adrián de la Garza]]\n| successor3 = Betsabé Rocha Nieto (interim)\n| office4 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start4 = 1 September 2018\n| term_end4 = 1 February 2021\n| predecessor4 = [[José Arturo Salinas Garza]]\n| successor4 = Marco Antonio Decanini Contreras\n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n| succeeding = [[Víctor Oswaldo Fuentes Solís]]\n| office2 = [[Municipal president of Monterrey]]\n| termstart2 = 4 June 2024\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician. He is the mayor of the city of [[Monterrey]] and was a legislator in the [[Congress of Nuevo León]] from 1 September 2018 to 1 February 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], the [[Institutional Revolutionary Party|PRI]] presidential candidate, who was [[assassination|assassinated]] at a campaign rally in [[Tijuana]] during the [[1994 Mexican general election|Mexican presidential campaign of 1994]].\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]] to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was eight years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio co-founded the law firm \"Basave Colosio Sánchez\" with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan. At the firm, they began providing parliamentary consultancy services to various politicians. It was during this time that he made contact with leaders of [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for an elected office in the [[2018 Mexican general election|2018 elections]], a proposition he ultimately accepted in 2017.\n\nIn January 2018, [[Samuel García (politician)|Samuel García]], the then coordinator of [[Citizens' Movement (Mexico)|Citizens' Movement]] in Nuevo León, introduced Colosio as a candidate for a popularly elected office, either at the federal or state level.{{Cite web |title=Hijos de Colosio y Basave buscan ser candidatos por MC en Nuevo León |url=https://www.eluniversal.com.mx/elecciones-2018/hijos-de-colosio-y-basave-buscan-ser-candidatos-por-mc-en-nuevo-leon/ |access-date=2024-05-06 |website=El Universal |language=es}}\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes, defeating the incumbent, [[José Arturo Salinas Garza|Arturo Salinas Garza]], by 6.78 points.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} He was the only candidate from Citizens' Movement to secure a seat through first-past-the-post voting in the election.\n\nOn 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey (2021–2024) ==\n\n=== Election ===\nOn 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] under Citizens' Movement.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\nOn 16 February 2024, Colosio took a leave of absence to pursue one of Nuevo León's [[Senate (Mexico)|Senate]] seats in the [[2024 Mexican Senate election|2024 elections]].{{Cite web |last=Jornada |first=La |last2=corresponsal |first2=Raúl Robledo |date=2024-02-15 |title=Aprueba Congreso de NL licencia para Luis Donaldo Colosio Riojas |url=https://www.jornada.com.mx/noticia/2024/02/15/estados/aprueba-congreso-de-nl-licencia-para-luis-donaldo-colosio-1011 |access-date=2024-08-15 |website=La Jornada |language=es}} He temporarily handed over his duties to Betsabé Rocha Nieto on 29 February, secured a Senate seat, and resumed his role as mayor on 4 June.{{Cite web |date=2024-06-04 |title=Luis Donaldo Colosio regresa a la alcaldía de Monterrey; esperará resultados oficiales de la elección al Senado |url=https://latinus.us/eleccion-2024/2024/6/4/luis-donaldo-colosio-regresa-la-alcaldia-de-monterrey-esperara-resultados-oficiales-de-la-eleccion-al-senado-116688.html |access-date=2024-08-15 |website=LatinUS |language=es}} Colosio is set to step down again to assume his seat in the Senate.{{Cite web |title=Rendirá su último informe Colosio antes de irse al Senado |url=https://elporvenir.mx/local/rendira-su-ultimo-informe-colosio-antes-de-irse-al-senado/760785 |access-date=2024-08-15 |website=El Porvenir |language=es}}\n\nDuring his first year, Colosio enjoyed an approval rating of 54.4%, according to ''¿Cómo Vamos Nuevo León?''.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-02-28 |title=Estos son los alcaldes con mayor aprobación de la Zona Metropolitana de Monterrey |url=https://www.reporteindigo.com/reporte/estos-son-los-alcaldes-con-mayor-aprobacion-en-la-zona-metropolitana-de-monterrey/ |access-date=2024-08-15 |website=Reporte Indigo |language=es-MX}} However, his approval rating dropped by 23 points in 2023, largely due to the slow pace of construction projects and a perceived rise in crime, becoming the lowest-rated mayor in the [[Monterrey metropolitan area]].{{Cite web |last=LPO (Monterrey) |title=La aprobación de Colosio se desploma y se refleja en la contienda por el Senado |url=https://www.lapoliticaonline.com/mexico/nuevoleon-mx/colosio-a-la-baja-pierde-hasta-20-puntos-en-aprobacion-en-el-2023/ |access-date=2024-08-15 |website=www.lapoliticaonline.com |language=es-ar}}\n\n==== Parks and green corridors ====\nColosio tackled the lack of green areas by rehabilitating and reforesting parks and connecting these with tree-lined paths, or [[Green corridor|green corridors]]. The creation of these corridors involved expanding sidewalks, installing bike lanes, and planting trees along specific avenues. \n\nAs part of this initiative, parks such as Parque Lago and Parque Alameda were rehabilitated.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} The ''Puente Verde'' (in English: Green Bridge), a green corridor spanning the {{ill|Santa Catarina River (Mexico)|lt=Santa Catarina River|es|Río Santa Catarina}}, was constructed and inaugurated in 2023,{{Cite web |title=monterrey.gob.mx |url=https://www.monterrey.gob.mx/noticia/inaugura-monterrey-puente-verde |access-date=2024-05-05 |website=www.monterrey.gob.mx}} connecting [[Fundidora Park]] and Parque España.{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} Green corridors were developed along avenues in downtown Monterrey as part of ''Revive al Centro'', which aimed to renovate downtown Monterrey's urban image. However, criticism emerged regarding the slow pace of construction for the corridors and the traffic caused by lane closures.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}\n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} \n\nIn August 2023, Colosio announced the construction of a [[roundabout]] around Monterrey's Independence Arch to protect it from vehicles, along with improvements to the existing crosswalks.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}} By November 2023, the roundabout was completed.{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}}\n\n==== Crime and policing ====\nIn September 2022, Colosio announced his security strategy, named ''Monterrey Protege'' (in English: Monterrey Protects). This strategy involved expanding police coverage from 177 to 343 neighborhoods, repairing 1,700 CCTV cameras, and adding 444 patrol cars.{{Cite web |title=Presenta Colosio la estrategia de seguridad “Monterrey Protege”, asume Policía Regia vigilancia del norponiente |url=https://www.monterrey.gob.mx/noticia/presenta-colosio-la-estrategia-de-seguridad-monterrey-protege |access-date=2024-05-06 |website=www.monterrey.gob.mx}}{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also implemented a 15% increase in police salaries at the start of his tenure, and in February 2024, he further increased it by an additional 20%.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1240517802, + "parentid": 1240511617, + "minor": "", + "user": "EchoLuminary", + "userid": 46991865, + "timestamp": "2024-08-15T20:18:18Z", + "sha1": "60ab7315ab82ecb9a84743551ccb82daef3ef87e", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "lead", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = Senator-elect of the [[Senate of the Republic (Mexico)|Congress of the Union]]
for [[Nuevo León]]\n| term_start = 1 September 2024\n| term_end = \n| predecessor = \n| successor = \n| term_start2 = \n| term_end2 = \n| predecessor2 = Betsabé Rocha Nieto (interim)\n| successor2 = \n| office3 = \n| term_start3 = 29 September 2021\n| term_end3 = 29 February 2024\n| predecessor3 = [[Adrián de la Garza Santos|Adrián de la Garza]]\n| successor3 = Betsabé Rocha Nieto (interim)\n| office4 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start4 = 1 September 2018\n| term_end4 = 1 February 2021\n| predecessor4 = [[José Arturo Salinas Garza]]\n| successor4 = Marco Antonio Decanini Contreras\n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n| succeeding = [[Víctor Oswaldo Fuentes Solís]]\n| office2 = [[Municipal president of Monterrey]]\n| termstart2 = 4 June 2024\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician, serving as the mayor of [[Monterrey]] since 2021. A member of [[Citizens' Movement (Mexico)|Citizens' Movement]], he served as a deputy in the [[Congress of Nuevo León]] from 2018 to 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], a presidential candidate who was assassinated at a campaign rally in [[Tijuana]] in 1994.\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]] to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was eight years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio co-founded the law firm \"Basave Colosio Sánchez\" with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan. At the firm, they began providing parliamentary consultancy services to various politicians. It was during this time that he made contact with leaders of [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for an elected office in the [[2018 Mexican general election|2018 elections]], a proposition he ultimately accepted in 2017.\n\nIn January 2018, [[Samuel García (politician)|Samuel García]], the then coordinator of [[Citizens' Movement (Mexico)|Citizens' Movement]] in Nuevo León, introduced Colosio as a candidate for a popularly elected office, either at the federal or state level.{{Cite web |title=Hijos de Colosio y Basave buscan ser candidatos por MC en Nuevo León |url=https://www.eluniversal.com.mx/elecciones-2018/hijos-de-colosio-y-basave-buscan-ser-candidatos-por-mc-en-nuevo-leon/ |access-date=2024-05-06 |website=El Universal |language=es}}\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes, defeating the incumbent, [[José Arturo Salinas Garza|Arturo Salinas Garza]], by 6.78 points.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} He was the only candidate from Citizens' Movement to secure a seat through first-past-the-post voting in the election.\n\nOn 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey (2021–2024) ==\n\n=== Election ===\nOn 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] under Citizens' Movement.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\nOn 16 February 2024, Colosio took a leave of absence to pursue one of Nuevo León's [[Senate (Mexico)|Senate]] seats in the [[2024 Mexican Senate election|2024 elections]].{{Cite web |last=Jornada |first=La |last2=corresponsal |first2=Raúl Robledo |date=2024-02-15 |title=Aprueba Congreso de NL licencia para Luis Donaldo Colosio Riojas |url=https://www.jornada.com.mx/noticia/2024/02/15/estados/aprueba-congreso-de-nl-licencia-para-luis-donaldo-colosio-1011 |access-date=2024-08-15 |website=La Jornada |language=es}} He temporarily handed over his duties to Betsabé Rocha Nieto on 29 February, secured a Senate seat, and resumed his role as mayor on 4 June.{{Cite web |date=2024-06-04 |title=Luis Donaldo Colosio regresa a la alcaldía de Monterrey; esperará resultados oficiales de la elección al Senado |url=https://latinus.us/eleccion-2024/2024/6/4/luis-donaldo-colosio-regresa-la-alcaldia-de-monterrey-esperara-resultados-oficiales-de-la-eleccion-al-senado-116688.html |access-date=2024-08-15 |website=LatinUS |language=es}} Colosio is set to step down again to assume his seat in the Senate.{{Cite web |title=Rendirá su último informe Colosio antes de irse al Senado |url=https://elporvenir.mx/local/rendira-su-ultimo-informe-colosio-antes-de-irse-al-senado/760785 |access-date=2024-08-15 |website=El Porvenir |language=es}}\n\nDuring his first year, Colosio enjoyed an approval rating of 54.4%, according to ''¿Cómo Vamos Nuevo León?''.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-02-28 |title=Estos son los alcaldes con mayor aprobación de la Zona Metropolitana de Monterrey |url=https://www.reporteindigo.com/reporte/estos-son-los-alcaldes-con-mayor-aprobacion-en-la-zona-metropolitana-de-monterrey/ |access-date=2024-08-15 |website=Reporte Indigo |language=es-MX}} However, his approval rating dropped by 23 points in 2023, largely due to the slow pace of construction projects and a perceived rise in crime, becoming the lowest-rated mayor in the [[Monterrey metropolitan area]].{{Cite web |last=LPO (Monterrey) |title=La aprobación de Colosio se desploma y se refleja en la contienda por el Senado |url=https://www.lapoliticaonline.com/mexico/nuevoleon-mx/colosio-a-la-baja-pierde-hasta-20-puntos-en-aprobacion-en-el-2023/ |access-date=2024-08-15 |website=www.lapoliticaonline.com |language=es-ar}}\n\n==== Parks and green corridors ====\nColosio tackled the lack of green areas by rehabilitating and reforesting parks and connecting these with tree-lined paths, or [[Green corridor|green corridors]]. The creation of these corridors involved expanding sidewalks, installing bike lanes, and planting trees along specific avenues. \n\nAs part of this initiative, parks such as Parque Lago and Parque Alameda were rehabilitated.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} The ''Puente Verde'' (in English: Green Bridge), a green corridor spanning the {{ill|Santa Catarina River (Mexico)|lt=Santa Catarina River|es|Río Santa Catarina}}, was constructed and inaugurated in 2023,{{Cite web |title=monterrey.gob.mx |url=https://www.monterrey.gob.mx/noticia/inaugura-monterrey-puente-verde |access-date=2024-05-05 |website=www.monterrey.gob.mx}} connecting [[Fundidora Park]] and Parque España.{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} Green corridors were developed along avenues in downtown Monterrey as part of ''Revive al Centro'', which aimed to renovate downtown Monterrey's urban image. However, criticism emerged regarding the slow pace of construction for the corridors and the traffic caused by lane closures.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}\n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} \n\nIn August 2023, Colosio announced the construction of a [[roundabout]] around Monterrey's Independence Arch to protect it from vehicles, along with improvements to the existing crosswalks.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}} By November 2023, the roundabout was completed.{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}}\n\n==== Crime and policing ====\nIn September 2022, Colosio announced his security strategy, named ''Monterrey Protege'' (in English: Monterrey Protects). This strategy involved expanding police coverage from 177 to 343 neighborhoods, repairing 1,700 CCTV cameras, and adding 444 patrol cars.{{Cite web |title=Presenta Colosio la estrategia de seguridad “Monterrey Protege”, asume Policía Regia vigilancia del norponiente |url=https://www.monterrey.gob.mx/noticia/presenta-colosio-la-estrategia-de-seguridad-monterrey-protege |access-date=2024-05-06 |website=www.monterrey.gob.mx}}{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also implemented a 15% increase in police salaries at the start of his tenure, and in February 2024, he further increased it by an additional 20%.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1241016713, + "parentid": 1240517802, + "user": "EchoLuminary", + "userid": 46991865, + "timestamp": "2024-08-18T20:56:54Z", + "sha1": "1a2f72445daf953aad833304becee4225ec520ac", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Tenure */ updated", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = Senator-elect of the [[Senate of the Republic (Mexico)|Congress of the Union]]
for [[Nuevo León]]\n| term_start = 1 September 2024\n| term_end = \n| predecessor = \n| successor = \n| term_start2 = \n| term_end2 = \n| predecessor2 = Betsabé Rocha Nieto (interim)\n| successor2 = \n| office3 = \n| term_start3 = 29 September 2021\n| term_end3 = 29 February 2024\n| predecessor3 = [[Adrián de la Garza Santos|Adrián de la Garza]]\n| successor3 = Betsabé Rocha Nieto (interim)\n| office4 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start4 = 1 September 2018\n| term_end4 = 1 February 2021\n| predecessor4 = [[José Arturo Salinas Garza]]\n| successor4 = Marco Antonio Decanini Contreras\n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n| succeeding = [[Víctor Oswaldo Fuentes Solís]]\n| office2 = [[Municipal president of Monterrey]]\n| termstart2 = 4 June 2024\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician, serving as the mayor of [[Monterrey]] since 2021. A member of [[Citizens' Movement (Mexico)|Citizens' Movement]], he served as a deputy in the [[Congress of Nuevo León]] from 2018 to 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], a presidential candidate who was assassinated at a campaign rally in [[Tijuana]] in 1994.\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]] to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was eight years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio co-founded the law firm \"Basave Colosio Sánchez\" with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan. At the firm, they began providing parliamentary consultancy services to various politicians. It was during this time that he made contact with leaders of [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for an elected office in the [[2018 Mexican general election|2018 elections]], a proposition he ultimately accepted in 2017.\n\nIn January 2018, [[Samuel García (politician)|Samuel García]], the then coordinator of [[Citizens' Movement (Mexico)|Citizens' Movement]] in Nuevo León, introduced Colosio as a candidate for a popularly elected office, either at the federal or state level.{{Cite web |title=Hijos de Colosio y Basave buscan ser candidatos por MC en Nuevo León |url=https://www.eluniversal.com.mx/elecciones-2018/hijos-de-colosio-y-basave-buscan-ser-candidatos-por-mc-en-nuevo-leon/ |access-date=2024-05-06 |website=El Universal |language=es}}\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes, defeating the incumbent, [[José Arturo Salinas Garza|Arturo Salinas Garza]], by 6.78 points.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} He was the only candidate from Citizens' Movement to secure a seat through first-past-the-post voting in the election.\n\nOn 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey (2021–2024) ==\n\n=== Election ===\nOn 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] under Citizens' Movement.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\nOn 16 February 2024, Colosio took a leave of absence to pursue one of Nuevo León's [[Senate (Mexico)|Senate]] seats in the [[2024 Mexican Senate election|2024 elections]].{{Cite web |last=Jornada |first=La |last2=corresponsal |first2=Raúl Robledo |date=2024-02-15 |title=Aprueba Congreso de NL licencia para Luis Donaldo Colosio Riojas |url=https://www.jornada.com.mx/noticia/2024/02/15/estados/aprueba-congreso-de-nl-licencia-para-luis-donaldo-colosio-1011 |access-date=2024-08-15 |website=La Jornada |language=es}} He temporarily handed over his duties to Betsabé Rocha Nieto on 29 February, secured a Senate seat, and resumed his role as mayor on 4 June.{{Cite web |date=2024-06-04 |title=Luis Donaldo Colosio regresa a la alcaldía de Monterrey; esperará resultados oficiales de la elección al Senado |url=https://latinus.us/eleccion-2024/2024/6/4/luis-donaldo-colosio-regresa-la-alcaldia-de-monterrey-esperara-resultados-oficiales-de-la-eleccion-al-senado-116688.html |access-date=2024-08-15 |website=LatinUS |language=es}} Colosio is set to step down again to assume his seat in the Senate.{{Cite web |title=Rendirá su último informe Colosio antes de irse al Senado |url=https://elporvenir.mx/local/rendira-su-ultimo-informe-colosio-antes-de-irse-al-senado/760785 |access-date=2024-08-15 |website=El Porvenir |language=es}}\n\nDuring his first year, Colosio enjoyed an approval rating of 54.4%, according to ''¿Cómo Vamos Nuevo León?''.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-02-28 |title=Estos son los alcaldes con mayor aprobación de la Zona Metropolitana de Monterrey |url=https://www.reporteindigo.com/reporte/estos-son-los-alcaldes-con-mayor-aprobacion-en-la-zona-metropolitana-de-monterrey/ |access-date=2024-08-15 |website=Reporte Indigo |language=es-MX}} However, his approval rating dropped by 23 points in 2023, largely due to the slow pace of construction projects and a perceived rise in crime, becoming the lowest-rated mayor in the [[Monterrey metropolitan area]].{{Cite web |last=LPO (Monterrey) |title=La aprobación de Colosio se desploma y se refleja en la contienda por el Senado |url=https://www.lapoliticaonline.com/mexico/nuevoleon-mx/colosio-a-la-baja-pierde-hasta-20-puntos-en-aprobacion-en-el-2023/ |access-date=2024-08-15 |website=www.lapoliticaonline.com |language=es-ar}}\n\n==== Urban design and parks ====\nColosio launched the ''Corredores Verdes'' (in English: Green corridors) initiative to make Monterrey more walkable by expanding sidewalks, improving crosswalks, adding bike lanes, and planting trees along key downtown avenues. However, the initiative faced criticism for causing traffic disruptions due to lane closures and delays in construction.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}{{Cite web |title=Acumulan retrasos corredores verdes |url=https://www.elnorte.com/acumulan-retrasos-corredores-verdes/ar2840100 |access-date=2024-08-18 |website=www.elnorte.com |language=es}} Drivers also voiced frustration over reduced lanes and parking along the reconfigured avenues. \n\nInfrastructure improvements and maintenance were carried out on several Monterrey landmarks, including the [[Mirador del Obispado|''Mirador del Obispado'']], the [[Faro del Comercio|''Faro del Comercio'']], and the ''[[Barrio Antiguo]]''.{{Cite web |date=2024-02-04 |title=Obra de rehabilitación en el Obispado lleva 80% de avance: municipio de Monterrey |url=https://abcnoticias.mx/local/2024/2/4/obra-de-rehabilitacion-en-el-obispado-lleva-80-de-avance-municipio-de-monterrey-208784.html |access-date=2024-08-18 |website=ABC Noticias |language=es-AR}}{{Cite web |last=Martínez |first=Mónica Patricia Zúñiga |date=2024-08-14 |title=Municipio de Monterrey termina rehabilitación del Faro del Comercio |url=https://www.reporteindigo.com/reporte/concluyen-trabajos-de-rehabilitacion-en-el-faro-del-comercio-de-monterrey/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} A [[roundabout]] was constructed around the city's Independence Arch to protect it from vehicles.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}}{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}} \n\nTo address the lack of green spaces in Monterrey, Colosio rehabilitated numerous neighborhood parks across the city.{{Cite web |last=Staff |first=Indigo |date=2022-11-14 |title=Programa Municipal “Monterrey Construye” habilita espacios públicos y vialidades en zona sur |url=https://www.reporteindigo.com/reporte/programa-municipal-monterrey-construye-habilita-espacios-publicos-y-vialidades-en-zona-sur/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} Larger parks, including Parque Lago and Parque Alameda, were also reforested and rehabilitated as part of these efforts.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} [[Fundidora Park]] and Parque España were connected with the ''Puente Verde'' (in English: Green Bridge), a pedestrian bridge spanning the {{ill|Santa Catarina River (Mexico)|lt=Santa Catarina River|es|Río Santa Catarina}}.{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} \n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}}\n==== Crime and policing ====\nIn September 2022, Colosio announced his security strategy, named ''Monterrey Protege'' (in English: Monterrey Protects). This strategy involved expanding police coverage from 177 to 343 neighborhoods, repairing 1,700 CCTV cameras, and adding 444 patrol cars.{{Cite web |title=Presenta Colosio la estrategia de seguridad “Monterrey Protege”, asume Policía Regia vigilancia del norponiente |url=https://www.monterrey.gob.mx/noticia/presenta-colosio-la-estrategia-de-seguridad-monterrey-protege |access-date=2024-05-06 |website=www.monterrey.gob.mx}}{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also implemented a 15% increase in police salaries at the start of his tenure, and in February 2024, he further increased it by an additional 20%.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1241030814, + "parentid": 1241016713, + "user": "EchoLuminary", + "userid": 46991865, + "timestamp": "2024-08-18T22:41:14Z", + "sha1": "1c32ed1cfe9903be9f7b781682d552b1f4e86acf", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Crime and policing */ update", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = Senator-elect of the [[Senate of the Republic (Mexico)|Congress of the Union]]
for [[Nuevo León]]\n| term_start = 1 September 2024\n| term_end = \n| predecessor = \n| successor = \n| term_start2 = \n| term_end2 = \n| predecessor2 = Betsabé Rocha Nieto (interim)\n| successor2 = \n| office3 = \n| term_start3 = 29 September 2021\n| term_end3 = 29 February 2024\n| predecessor3 = [[Adrián de la Garza Santos|Adrián de la Garza]]\n| successor3 = Betsabé Rocha Nieto (interim)\n| office4 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start4 = 1 September 2018\n| term_end4 = 1 February 2021\n| predecessor4 = [[José Arturo Salinas Garza]]\n| successor4 = Marco Antonio Decanini Contreras\n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n| succeeding = [[Víctor Oswaldo Fuentes Solís]]\n| office2 = [[Municipal president of Monterrey]]\n| termstart2 = 4 June 2024\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician, serving as the mayor of [[Monterrey]] since 2021. A member of [[Citizens' Movement (Mexico)|Citizens' Movement]], he served as a deputy in the [[Congress of Nuevo León]] from 2018 to 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], a presidential candidate who was assassinated at a campaign rally in [[Tijuana]] in 1994.\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]] to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was eight years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio co-founded the law firm \"Basave Colosio Sánchez\" with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan. At the firm, they began providing parliamentary consultancy services to various politicians. It was during this time that he made contact with leaders of [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for an elected office in the [[2018 Mexican general election|2018 elections]], a proposition he ultimately accepted in 2017.\n\nIn January 2018, [[Samuel García (politician)|Samuel García]], the then coordinator of [[Citizens' Movement (Mexico)|Citizens' Movement]] in Nuevo León, introduced Colosio as a candidate for a popularly elected office, either at the federal or state level.{{Cite web |title=Hijos de Colosio y Basave buscan ser candidatos por MC en Nuevo León |url=https://www.eluniversal.com.mx/elecciones-2018/hijos-de-colosio-y-basave-buscan-ser-candidatos-por-mc-en-nuevo-leon/ |access-date=2024-05-06 |website=El Universal |language=es}}\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes, defeating the incumbent, [[José Arturo Salinas Garza|Arturo Salinas Garza]], by 6.78 points.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} He was the only candidate from Citizens' Movement to secure a seat through first-past-the-post voting in the election.\n\nOn 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey (2021–2024) ==\n\n=== Election ===\nOn 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] under Citizens' Movement.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\nOn 16 February 2024, Colosio took a leave of absence to pursue one of Nuevo León's [[Senate (Mexico)|Senate]] seats in the [[2024 Mexican Senate election|2024 elections]].{{Cite web |last=Jornada |first=La |last2=corresponsal |first2=Raúl Robledo |date=2024-02-15 |title=Aprueba Congreso de NL licencia para Luis Donaldo Colosio Riojas |url=https://www.jornada.com.mx/noticia/2024/02/15/estados/aprueba-congreso-de-nl-licencia-para-luis-donaldo-colosio-1011 |access-date=2024-08-15 |website=La Jornada |language=es}} He temporarily handed over his duties to Betsabé Rocha Nieto on 29 February, secured a Senate seat, and resumed his role as mayor on 4 June.{{Cite web |date=2024-06-04 |title=Luis Donaldo Colosio regresa a la alcaldía de Monterrey; esperará resultados oficiales de la elección al Senado |url=https://latinus.us/eleccion-2024/2024/6/4/luis-donaldo-colosio-regresa-la-alcaldia-de-monterrey-esperara-resultados-oficiales-de-la-eleccion-al-senado-116688.html |access-date=2024-08-15 |website=LatinUS |language=es}} Colosio is set to step down again to assume his seat in the Senate.{{Cite web |title=Rendirá su último informe Colosio antes de irse al Senado |url=https://elporvenir.mx/local/rendira-su-ultimo-informe-colosio-antes-de-irse-al-senado/760785 |access-date=2024-08-15 |website=El Porvenir |language=es}}\n\nDuring his first year, Colosio enjoyed an approval rating of 54.4%, according to ''¿Cómo Vamos Nuevo León?''.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-02-28 |title=Estos son los alcaldes con mayor aprobación de la Zona Metropolitana de Monterrey |url=https://www.reporteindigo.com/reporte/estos-son-los-alcaldes-con-mayor-aprobacion-en-la-zona-metropolitana-de-monterrey/ |access-date=2024-08-15 |website=Reporte Indigo |language=es-MX}} However, his approval rating dropped by 23 points in 2023, largely due to the slow pace of construction projects and a perceived rise in crime, becoming the lowest-rated mayor in the [[Monterrey metropolitan area]].{{Cite web |last=LPO (Monterrey) |title=La aprobación de Colosio se desploma y se refleja en la contienda por el Senado |url=https://www.lapoliticaonline.com/mexico/nuevoleon-mx/colosio-a-la-baja-pierde-hasta-20-puntos-en-aprobacion-en-el-2023/ |access-date=2024-08-15 |website=www.lapoliticaonline.com |language=es-ar}}\n\n==== Urban design and parks ====\nColosio launched the ''Corredores Verdes'' (in English: Green corridors) initiative to make Monterrey more walkable by expanding sidewalks, improving crosswalks, adding bike lanes, and planting trees along key downtown avenues. However, the initiative faced criticism for causing traffic disruptions due to lane closures and delays in construction.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}{{Cite web |title=Acumulan retrasos corredores verdes |url=https://www.elnorte.com/acumulan-retrasos-corredores-verdes/ar2840100 |access-date=2024-08-18 |website=www.elnorte.com |language=es}} Drivers also voiced frustration over reduced lanes and parking along the reconfigured avenues. \n\nInfrastructure improvements and maintenance were carried out on several Monterrey landmarks, including the [[Mirador del Obispado|''Mirador del Obispado'']], the [[Faro del Comercio|''Faro del Comercio'']], and the ''[[Barrio Antiguo]]''.{{Cite web |date=2024-02-04 |title=Obra de rehabilitación en el Obispado lleva 80% de avance: municipio de Monterrey |url=https://abcnoticias.mx/local/2024/2/4/obra-de-rehabilitacion-en-el-obispado-lleva-80-de-avance-municipio-de-monterrey-208784.html |access-date=2024-08-18 |website=ABC Noticias |language=es-AR}}{{Cite web |last=Martínez |first=Mónica Patricia Zúñiga |date=2024-08-14 |title=Municipio de Monterrey termina rehabilitación del Faro del Comercio |url=https://www.reporteindigo.com/reporte/concluyen-trabajos-de-rehabilitacion-en-el-faro-del-comercio-de-monterrey/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} A [[roundabout]] was constructed around the city's Independence Arch to protect it from vehicles.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}}{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}} \n\nTo address the lack of green spaces in Monterrey, Colosio rehabilitated numerous neighborhood parks across the city.{{Cite web |last=Staff |first=Indigo |date=2022-11-14 |title=Programa Municipal “Monterrey Construye” habilita espacios públicos y vialidades en zona sur |url=https://www.reporteindigo.com/reporte/programa-municipal-monterrey-construye-habilita-espacios-publicos-y-vialidades-en-zona-sur/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} Larger parks, including Parque Lago and Parque Alameda, were also reforested and rehabilitated as part of these efforts.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} [[Fundidora Park]] and Parque España were connected with the ''Puente Verde'' (in English: Green Bridge), a pedestrian bridge spanning the {{ill|Santa Catarina River (Mexico)|lt=Santa Catarina River|es|Río Santa Catarina}}.{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} \n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}}\n==== Crime and policing ====\nColosio introduced the security strategy named ''Monterrey Protege'' (in English: Monterrey Protects), which expanded police coverage from 177 to 343 neighborhoods,{{Cite web |last=Staff |first=Indigo |date=2022-09-06 |title=Presenta Luis Donaldo Colosio estrategia de seguridad “Monterrey Protege” |url=https://www.reporteindigo.com/reporte/presenta-luis-donaldo-colosio-estrategia-de-seguridad-monterrey-protege/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} installed 6,000 security cameras,{{Cite web |date=2024-06-13 |title=Monterrey quiere subir a 6 mil el número de cámaras de seguridad |url=https://abcnoticias.mx/seguridad/2024/6/13/monterrey-quiere-subir-mil-el-numero-de-camaras-de-seguridad-218708.html |access-date=2024-08-18 |website=ABC Noticias |language=es}} placed panic buttons throughout the city,{{Cite web |title=Instala Monterrey botones de alerta |url=https://elporvenir.mx/local/instala-monterrey-botones-de-alerta/755543 |access-date=2024-08-18 |website=El Porvenir |language=es}} and added 444 patrol cars to the police force.{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also increased police salaries by 15% at the beginning of his term and implemented an additional 20% raise in February 2024.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1241048146, + "parentid": 1241030814, + "user": "EchoLuminary", + "userid": 46991865, + "timestamp": "2024-08-19T01:02:51Z", + "sha1": "e9c1956a5cd2ae7ac0261dc27395b1500ef1292d", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "added more context to mayor and senate elections", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = Senator-elect of the [[Senate of the Republic (Mexico)|Congress of the Union]]
for [[Nuevo León]]\n| term_start = 1 September 2024\n| term_end = \n| predecessor = \n| successor = \n| term_start2 = \n| term_end2 = \n| predecessor2 = Betsabé Rocha Nieto (interim)\n| successor2 = \n| office3 = \n| term_start3 = 29 September 2021\n| term_end3 = 29 February 2024\n| predecessor3 = [[Adrián de la Garza Santos|Adrián de la Garza]]\n| successor3 = Betsabé Rocha Nieto (interim)\n| office4 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start4 = 1 September 2018\n| term_end4 = 1 February 2021\n| predecessor4 = [[José Arturo Salinas Garza]]\n| successor4 = Marco Antonio Decanini Contreras\n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n| succeeding = [[Víctor Oswaldo Fuentes Solís]]\n| office2 = [[Municipal president of Monterrey]]\n| termstart2 = 4 June 2024\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician, serving as the mayor of [[Monterrey]] since 2021. A member of [[Citizens' Movement (Mexico)|Citizens' Movement]], he served as a deputy in the [[Congress of Nuevo León]] from 2018 to 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], a presidential candidate who was assassinated at a campaign rally in [[Tijuana]] in 1994.\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]] to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was eight years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio co-founded the law firm \"Basave Colosio Sánchez\" with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan. At the firm, they began providing parliamentary consultancy services to various politicians. It was during this time that he made contact with leaders of [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for an elected office in the [[2018 Mexican general election|2018 elections]], a proposition he ultimately accepted in 2017.\n\nIn January 2018, [[Samuel García (politician)|Samuel García]], the then coordinator of [[Citizens' Movement (Mexico)|Citizens' Movement]] in Nuevo León, introduced Colosio as a candidate for a popularly elected office, either at the federal or state level.{{Cite web |title=Hijos de Colosio y Basave buscan ser candidatos por MC en Nuevo León |url=https://www.eluniversal.com.mx/elecciones-2018/hijos-de-colosio-y-basave-buscan-ser-candidatos-por-mc-en-nuevo-leon/ |access-date=2024-05-06 |website=El Universal |language=es}}\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes, defeating the incumbent, [[José Arturo Salinas Garza|Arturo Salinas Garza]], by 6.78 points.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} He was the only candidate from Citizens' Movement to secure a seat through first-past-the-post voting in the election.\n\nOn 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey (2021–2024) ==\n\n=== Election ===\nOn 15 November 2020, [[Citizens' Movement (Mexico)|Citizens' Movement]] announced that Senator [[Samuel García (politician)|Samuel García]] and Colosio were seeking the party's gubernatorial nomination. García was selected as the gubernatorial nominee, and on 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] instead.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\nOn 16 February 2024, Colosio took a leave of absence to pursue one of Nuevo León's [[Senate (Mexico)|Senate]] seats in the [[2024 Mexican Senate election|2024 elections]].{{Cite web |last=Jornada |first=La |last2=corresponsal |first2=Raúl Robledo |date=2024-02-15 |title=Aprueba Congreso de NL licencia para Luis Donaldo Colosio Riojas |url=https://www.jornada.com.mx/noticia/2024/02/15/estados/aprueba-congreso-de-nl-licencia-para-luis-donaldo-colosio-1011 |access-date=2024-08-15 |website=La Jornada |language=es}} He temporarily handed over his duties to Betsabé Rocha Nieto on 29 February, secured a Senate seat, resumed his role as mayor on 4 June,{{Cite web |date=2024-06-04 |title=Luis Donaldo Colosio regresa a la alcaldía de Monterrey; esperará resultados oficiales de la elección al Senado |url=https://latinus.us/eleccion-2024/2024/6/4/luis-donaldo-colosio-regresa-la-alcaldia-de-monterrey-esperara-resultados-oficiales-de-la-eleccion-al-senado-116688.html |access-date=2024-08-15 |website=LatinUS |language=es}} and is set to step down again to assume his seat in the Senate.{{Cite web |title=Rendirá su último informe Colosio antes de irse al Senado |url=https://elporvenir.mx/local/rendira-su-ultimo-informe-colosio-antes-de-irse-al-senado/760785 |access-date=2024-08-15 |website=El Porvenir |language=es}}\n\nDuring his first year, Colosio enjoyed an approval rating of 54.4%, according to ''¿Cómo Vamos Nuevo León?''.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-02-28 |title=Estos son los alcaldes con mayor aprobación de la Zona Metropolitana de Monterrey |url=https://www.reporteindigo.com/reporte/estos-son-los-alcaldes-con-mayor-aprobacion-en-la-zona-metropolitana-de-monterrey/ |access-date=2024-08-15 |website=Reporte Indigo |language=es-MX}} However, his approval rating dropped by 23 points in 2023, largely due to the slow pace of construction projects and a perceived rise in crime, becoming the lowest-rated mayor in the [[Monterrey metropolitan area]].{{Cite web |last=LPO (Monterrey) |title=La aprobación de Colosio se desploma y se refleja en la contienda por el Senado |url=https://www.lapoliticaonline.com/mexico/nuevoleon-mx/colosio-a-la-baja-pierde-hasta-20-puntos-en-aprobacion-en-el-2023/ |access-date=2024-08-15 |website=www.lapoliticaonline.com |language=es-ar}}\n\n==== Urban design and parks ====\nColosio launched the ''Corredores Verdes'' (in English: Green corridors) initiative to make Monterrey more walkable by expanding sidewalks, improving crosswalks, adding bike lanes, and planting trees along key downtown avenues. However, the initiative faced criticism for causing traffic disruptions due to lane closures and delays in construction.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}{{Cite web |title=Acumulan retrasos corredores verdes |url=https://www.elnorte.com/acumulan-retrasos-corredores-verdes/ar2840100 |access-date=2024-08-18 |website=www.elnorte.com |language=es}} Drivers also voiced frustration over reduced lanes and parking along the reconfigured avenues. \n\nInfrastructure improvements and maintenance were carried out on several Monterrey landmarks, including the [[Mirador del Obispado|''Mirador del Obispado'']], the [[Faro del Comercio|''Faro del Comercio'']], and the ''[[Barrio Antiguo]]''.{{Cite web |date=2024-02-04 |title=Obra de rehabilitación en el Obispado lleva 80% de avance: municipio de Monterrey |url=https://abcnoticias.mx/local/2024/2/4/obra-de-rehabilitacion-en-el-obispado-lleva-80-de-avance-municipio-de-monterrey-208784.html |access-date=2024-08-18 |website=ABC Noticias |language=es-AR}}{{Cite web |last=Martínez |first=Mónica Patricia Zúñiga |date=2024-08-14 |title=Municipio de Monterrey termina rehabilitación del Faro del Comercio |url=https://www.reporteindigo.com/reporte/concluyen-trabajos-de-rehabilitacion-en-el-faro-del-comercio-de-monterrey/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} A [[roundabout]] was constructed around the city's Independence Arch to protect it from vehicles.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}}{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}} \n\nTo address the lack of green spaces in Monterrey, Colosio rehabilitated numerous neighborhood parks across the city.{{Cite web |last=Staff |first=Indigo |date=2022-11-14 |title=Programa Municipal “Monterrey Construye” habilita espacios públicos y vialidades en zona sur |url=https://www.reporteindigo.com/reporte/programa-municipal-monterrey-construye-habilita-espacios-publicos-y-vialidades-en-zona-sur/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} Larger parks, including Parque Lago and Parque Alameda, were also reforested and rehabilitated as part of these efforts.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} [[Fundidora Park]] and Parque España were connected with the ''Puente Verde'' (in English: Green Bridge), a pedestrian bridge spanning the {{ill|Santa Catarina River (Mexico)|lt=Santa Catarina River|es|Río Santa Catarina}}.{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} \n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}}\n==== Crime and policing ====\nColosio introduced the security strategy named ''Monterrey Protege'' (in English: Monterrey Protects), which expanded police coverage from 177 to 343 neighborhoods,{{Cite web |last=Staff |first=Indigo |date=2022-09-06 |title=Presenta Luis Donaldo Colosio estrategia de seguridad “Monterrey Protege” |url=https://www.reporteindigo.com/reporte/presenta-luis-donaldo-colosio-estrategia-de-seguridad-monterrey-protege/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} installed 6,000 security cameras,{{Cite web |date=2024-06-13 |title=Monterrey quiere subir a 6 mil el número de cámaras de seguridad |url=https://abcnoticias.mx/seguridad/2024/6/13/monterrey-quiere-subir-mil-el-numero-de-camaras-de-seguridad-218708.html |access-date=2024-08-18 |website=ABC Noticias |language=es}} placed panic buttons throughout the city,{{Cite web |title=Instala Monterrey botones de alerta |url=https://elporvenir.mx/local/instala-monterrey-botones-de-alerta/755543 |access-date=2024-08-18 |website=El Porvenir |language=es}} and added 444 patrol cars to the police force.{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also increased police salaries by 15% at the beginning of his term and implemented an additional 20% raise in February 2024.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n== Senate of the Republic ==\n\n=== Election ===\nIn the [[2024 Mexican Senate election]], Colosio and Martha Herrera González were nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] to represent [[Nuevo León]] in the Senate, with Colosio leading the party's two-name formula. In a close three-way race,{{Cite web |date=2024-06-04 |title=Cerrada contienda por el Senado en Nuevo León {{!}} Revista Punto de Vista |url=https://revistapuntodevista.com.mx/seccion/mexico/cerrada-contienda-por-el-senado-en-nuevo-leon/856968/ |access-date=2024-08-19 |language=es}} Colosio and Herrera garnered 32.13% of the vote, placing second to [[Sigamos Haciendo Historia|Sigamos Haciendo Historia's]] formula, garnered 33.94%, and ahead of [[Fuerza y Corazón por México|Fuerza y Corazón por México's]], which received 31.51%. As the first in his party's formula, Colosio won a seat through first minority.{{Cite web |last=Herrera |first=Por Olivia Vázquez |date=2024-06-09 |title=Luis Donaldo Colosio sí será senador por MC tras darle la vuelta al PRIAN en los cómputos distritales |url=https://www.infobae.com/mexico/2024/06/09/luis-donaldo-colosio-si-sera-senador-por-mc-tras-darle-la-vuelta-al-prian-en-los-computos-distritales/ |access-date=2024-08-19 |website=infobae |language=es-ES}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1241074132, + "parentid": 1241048146, + "minor": "", + "user": "EchoLuminary", + "userid": 46991865, + "timestamp": "2024-08-19T05:12:36Z", + "sha1": "1dd590b718f90ae0a5d4d6ce071cf4f86301382a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Election */", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = Senator-elect of the [[Senate of the Republic (Mexico)|Congress of the Union]]
for [[Nuevo León]]\n| term_start = 1 September 2024\n| term_end = \n| predecessor = \n| successor = \n| term_start2 = \n| term_end2 = \n| predecessor2 = Betsabé Rocha Nieto (interim)\n| successor2 = \n| office3 = \n| term_start3 = 29 September 2021\n| term_end3 = 29 February 2024\n| predecessor3 = [[Adrián de la Garza Santos|Adrián de la Garza]]\n| successor3 = Betsabé Rocha Nieto (interim)\n| office4 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start4 = 1 September 2018\n| term_end4 = 1 February 2021\n| predecessor4 = [[José Arturo Salinas Garza]]\n| successor4 = Marco Antonio Decanini Contreras\n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n| succeeding = [[Víctor Oswaldo Fuentes Solís]]\n| office2 = [[Municipal president of Monterrey]]\n| termstart2 = 4 June 2024\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician, serving as the mayor of [[Monterrey]] since 2021. A member of [[Citizens' Movement (Mexico)|Citizens' Movement]], he served as a deputy in the [[Congress of Nuevo León]] from 2018 to 2021. He is the son of [[Luis Donaldo Colosio Murrieta]], a presidential candidate who was assassinated at a campaign rally in [[Tijuana]] in 1994.\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]] to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was eight years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio co-founded the law firm \"Basave Colosio Sánchez\" with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan. At the firm, they began providing parliamentary consultancy services to various politicians. It was during this time that he made contact with leaders of [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for an elected office in the [[2018 Mexican general election|2018 elections]], a proposition he ultimately accepted in 2017.\n\nIn January 2018, [[Samuel García (politician)|Samuel García]], the then coordinator of [[Citizens' Movement (Mexico)|Citizens' Movement]] in Nuevo León, introduced Colosio as a candidate for a popularly elected office, either at the federal or state level.{{Cite web |title=Hijos de Colosio y Basave buscan ser candidatos por MC en Nuevo León |url=https://www.eluniversal.com.mx/elecciones-2018/hijos-de-colosio-y-basave-buscan-ser-candidatos-por-mc-en-nuevo-leon/ |access-date=2024-05-06 |website=El Universal |language=es}}\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes, defeating the incumbent, [[José Arturo Salinas Garza|Arturo Salinas Garza]], by 6.78 points.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} He was the only candidate from Citizens' Movement to secure a seat through first-past-the-post voting in the election.\n\nOn 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey (2021–2024) ==\n\n=== Election ===\nOn 15 November 2020, [[Citizens' Movement (Mexico)|Citizens' Movement]] announced that Senator [[Samuel García (politician)|Samuel García]] and Colosio were seeking the party's gubernatorial nomination. García was selected as the gubernatorial nominee, and on 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] instead.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\nOn 16 February 2024, Colosio took a leave of absence to pursue one of Nuevo León's [[Senate (Mexico)|Senate]] seats in the [[2024 Mexican Senate election|2024 elections]].{{Cite web |last=Jornada |first=La |last2=corresponsal |first2=Raúl Robledo |date=2024-02-15 |title=Aprueba Congreso de NL licencia para Luis Donaldo Colosio Riojas |url=https://www.jornada.com.mx/noticia/2024/02/15/estados/aprueba-congreso-de-nl-licencia-para-luis-donaldo-colosio-1011 |access-date=2024-08-15 |website=La Jornada |language=es}} He temporarily handed over his duties to Betsabé Rocha Nieto on 29 February, secured a Senate seat, resumed his role as mayor on 4 June,{{Cite web |date=2024-06-04 |title=Luis Donaldo Colosio regresa a la alcaldía de Monterrey; esperará resultados oficiales de la elección al Senado |url=https://latinus.us/eleccion-2024/2024/6/4/luis-donaldo-colosio-regresa-la-alcaldia-de-monterrey-esperara-resultados-oficiales-de-la-eleccion-al-senado-116688.html |access-date=2024-08-15 |website=LatinUS |language=es}} and is set to step down again to assume his seat in the Senate.{{Cite web |title=Rendirá su último informe Colosio antes de irse al Senado |url=https://elporvenir.mx/local/rendira-su-ultimo-informe-colosio-antes-de-irse-al-senado/760785 |access-date=2024-08-15 |website=El Porvenir |language=es}}\n\nDuring his first year, Colosio enjoyed an approval rating of 54.4%, according to ''¿Cómo Vamos Nuevo León?''.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-02-28 |title=Estos son los alcaldes con mayor aprobación de la Zona Metropolitana de Monterrey |url=https://www.reporteindigo.com/reporte/estos-son-los-alcaldes-con-mayor-aprobacion-en-la-zona-metropolitana-de-monterrey/ |access-date=2024-08-15 |website=Reporte Indigo |language=es-MX}} However, his approval rating dropped by 23 points in 2023, largely due to the slow pace of construction projects and a perceived rise in crime, becoming the lowest-rated mayor in the [[Monterrey metropolitan area]].{{Cite web |last=LPO (Monterrey) |title=La aprobación de Colosio se desploma y se refleja en la contienda por el Senado |url=https://www.lapoliticaonline.com/mexico/nuevoleon-mx/colosio-a-la-baja-pierde-hasta-20-puntos-en-aprobacion-en-el-2023/ |access-date=2024-08-15 |website=www.lapoliticaonline.com |language=es-ar}}\n\n==== Urban design and parks ====\nColosio launched the ''Corredores Verdes'' (in English: Green corridors) initiative to make Monterrey more walkable by expanding sidewalks, improving crosswalks, adding bike lanes, and planting trees along key downtown avenues. However, the initiative faced criticism for causing traffic disruptions due to lane closures and delays in construction.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}{{Cite web |title=Acumulan retrasos corredores verdes |url=https://www.elnorte.com/acumulan-retrasos-corredores-verdes/ar2840100 |access-date=2024-08-18 |website=www.elnorte.com |language=es}} Drivers also voiced frustration over reduced lanes and parking along the reconfigured avenues. \n\nInfrastructure improvements and maintenance were carried out on several Monterrey landmarks, including the [[Mirador del Obispado|''Mirador del Obispado'']], the [[Faro del Comercio|''Faro del Comercio'']], and the ''[[Barrio Antiguo]]''.{{Cite web |date=2024-02-04 |title=Obra de rehabilitación en el Obispado lleva 80% de avance: municipio de Monterrey |url=https://abcnoticias.mx/local/2024/2/4/obra-de-rehabilitacion-en-el-obispado-lleva-80-de-avance-municipio-de-monterrey-208784.html |access-date=2024-08-18 |website=ABC Noticias |language=es-AR}}{{Cite web |last=Martínez |first=Mónica Patricia Zúñiga |date=2024-08-14 |title=Municipio de Monterrey termina rehabilitación del Faro del Comercio |url=https://www.reporteindigo.com/reporte/concluyen-trabajos-de-rehabilitacion-en-el-faro-del-comercio-de-monterrey/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} A [[roundabout]] was constructed around the city's Independence Arch to protect it from vehicles.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}}{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}} \n\nTo address the lack of green spaces in Monterrey, Colosio rehabilitated numerous neighborhood parks across the city.{{Cite web |last=Staff |first=Indigo |date=2022-11-14 |title=Programa Municipal “Monterrey Construye” habilita espacios públicos y vialidades en zona sur |url=https://www.reporteindigo.com/reporte/programa-municipal-monterrey-construye-habilita-espacios-publicos-y-vialidades-en-zona-sur/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} Larger parks, including Parque Lago and Parque Alameda, were also reforested and rehabilitated as part of these efforts.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} [[Fundidora Park]] and Parque España were connected with the ''Puente Verde'' (in English: Green Bridge), a pedestrian bridge spanning the {{ill|Santa Catarina River (Mexico)|lt=Santa Catarina River|es|Río Santa Catarina}}.{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} \n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}}\n==== Crime and policing ====\nColosio introduced the security strategy named ''Monterrey Protege'' (in English: Monterrey Protects), which expanded police coverage from 177 to 343 neighborhoods,{{Cite web |last=Staff |first=Indigo |date=2022-09-06 |title=Presenta Luis Donaldo Colosio estrategia de seguridad “Monterrey Protege” |url=https://www.reporteindigo.com/reporte/presenta-luis-donaldo-colosio-estrategia-de-seguridad-monterrey-protege/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} installed 6,000 security cameras,{{Cite web |date=2024-06-13 |title=Monterrey quiere subir a 6 mil el número de cámaras de seguridad |url=https://abcnoticias.mx/seguridad/2024/6/13/monterrey-quiere-subir-mil-el-numero-de-camaras-de-seguridad-218708.html |access-date=2024-08-18 |website=ABC Noticias |language=es}} placed panic buttons throughout the city,{{Cite web |title=Instala Monterrey botones de alerta |url=https://elporvenir.mx/local/instala-monterrey-botones-de-alerta/755543 |access-date=2024-08-18 |website=El Porvenir |language=es}} and added 444 patrol cars to the police force.{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also increased police salaries by 15% at the beginning of his term and implemented an additional 20% raise in February 2024.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n== Senate of the Republic ==\n\n=== Election ===\nIn the [[2024 Mexican Senate election]], Colosio and Martha Herrera González were nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] to represent [[Nuevo León]] in the Senate, with Colosio leading the party's two-name formula. In a close three-way race,{{Cite web |date=2024-06-04 |title=Cerrada contienda por el Senado en Nuevo León {{!}} Revista Punto de Vista |url=https://revistapuntodevista.com.mx/seccion/mexico/cerrada-contienda-por-el-senado-en-nuevo-leon/856968/ |access-date=2024-08-19 |language=es}} Colosio and Herrera garnered 32.13% of the vote, placing second to [[Sigamos Haciendo Historia|Sigamos Haciendo Historia's]] formula, which garnered 33.94%, and ahead of [[Fuerza y Corazón por México|Fuerza y Corazón por México's]], which received 31.51%. As the first in his party's formula, Colosio won a seat through first minority.{{Cite web |last=Herrera |first=Por Olivia Vázquez |date=2024-06-09 |title=Luis Donaldo Colosio sí será senador por MC tras darle la vuelta al PRIAN en los cómputos distritales |url=https://www.infobae.com/mexico/2024/06/09/luis-donaldo-colosio-si-sera-senador-por-mc-tras-darle-la-vuelta-al-prian-en-los-computos-distritales/ |access-date=2024-08-19 |website=infobae |language=es-ES}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1241790017, + "parentid": 1241074132, + "user": "EchoLuminary", + "userid": 46991865, + "timestamp": "2024-08-23T04:21:44Z", + "sha1": "96b26b82b96d6ce7b6532284e303de7f74d030dc", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "added end of term as mayor", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = Senator-elect of the [[Senate of the Republic (Mexico)|Congress of the Union]]
for [[Nuevo León]]\n| term_start = 1 September 2024\n| term_end = \n| predecessor = \n| successor = \n| term_start2 = \n| term_end2 = \n| predecessor2 = Betsabé Rocha Nieto (interim)\n| successor2 = [[Francisco Donaciano Bahena Sampogna]] (acting)\n| office3 = \n| term_start3 = 29 September 2021\n| term_end3 = 29 February 2024\n| predecessor3 = [[Adrián de la Garza Santos|Adrián de la Garza]]\n| successor3 = Betsabé Rocha Nieto (interim)\n| office4 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start4 = 1 September 2018\n| term_end4 = 1 February 2021\n| predecessor4 = [[José Arturo Salinas Garza]]\n| successor4 = Marco Antonio Decanini Contreras\n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n| succeeding = [[Víctor Oswaldo Fuentes Solís]]\n| office2 = [[Municipal president of Monterrey]]\n| termstart2 = 4 June 2024\n| termend2 = 22 August 2024\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician who is currently the senator-elect from Nuevo León. A member of [[Citizens' Movement (Mexico)|Citizens' Movement]], he previously served as a deputy in the [[Congress of Nuevo León]] from 2018 to 2021 and as mayor of [[Monterrey]] from 2021 to 2024. He is the son of [[Luis Donaldo Colosio Murrieta]], a presidential candidate who was assassinated at a campaign rally in [[Tijuana]] in 1994.\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]] to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was eight years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio co-founded the law firm \"Basave Colosio Sánchez\" with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan. At the firm, they began providing parliamentary consultancy services to various politicians. It was during this time that he made contact with leaders of [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for an elected office in the [[2018 Mexican general election|2018 elections]], a proposition he ultimately accepted in 2017.\n\nIn January 2018, [[Samuel García (politician)|Samuel García]], the then coordinator of [[Citizens' Movement (Mexico)|Citizens' Movement]] in Nuevo León, introduced Colosio as a candidate for a popularly elected office, either at the federal or state level.{{Cite web |title=Hijos de Colosio y Basave buscan ser candidatos por MC en Nuevo León |url=https://www.eluniversal.com.mx/elecciones-2018/hijos-de-colosio-y-basave-buscan-ser-candidatos-por-mc-en-nuevo-leon/ |access-date=2024-05-06 |website=El Universal |language=es}}\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes, defeating the incumbent, [[José Arturo Salinas Garza|Arturo Salinas Garza]], by 6.78 points.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} He was the only candidate from Citizens' Movement to secure a seat through first-past-the-post voting in the election.\n\nOn 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey (2021–2024) ==\n\n=== Election ===\nOn 15 November 2020, [[Citizens' Movement (Mexico)|Citizens' Movement]] announced that Senator [[Samuel García (politician)|Samuel García]] and Colosio were seeking the party's gubernatorial nomination. García was selected as the gubernatorial nominee, and on 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] instead.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\nDuring his first year, Colosio enjoyed an approval rating of 54.4%, according to ''¿Cómo Vamos Nuevo León?''.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-02-28 |title=Estos son los alcaldes con mayor aprobación de la Zona Metropolitana de Monterrey |url=https://www.reporteindigo.com/reporte/estos-son-los-alcaldes-con-mayor-aprobacion-en-la-zona-metropolitana-de-monterrey/ |access-date=2024-08-15 |website=Reporte Indigo |language=es-MX}} However, his approval rating dropped by 23 points in 2023, largely due to the slow pace of construction projects and a perceived rise in crime, becoming the lowest-rated mayor in the [[Monterrey metropolitan area]].{{Cite web |last=LPO (Monterrey) |title=La aprobación de Colosio se desploma y se refleja en la contienda por el Senado |url=https://www.lapoliticaonline.com/mexico/nuevoleon-mx/colosio-a-la-baja-pierde-hasta-20-puntos-en-aprobacion-en-el-2023/ |access-date=2024-08-15 |website=www.lapoliticaonline.com |language=es-ar}}\n\nOn 16 February 2024, Colosio took a leave of absence to pursue one of Nuevo León's [[Senate (Mexico)|Senate]] seats in the [[2024 Mexican Senate election|2024 elections]].{{Cite web |last=Jornada |first=La |last2=corresponsal |first2=Raúl Robledo |date=2024-02-15 |title=Aprueba Congreso de NL licencia para Luis Donaldo Colosio Riojas |url=https://www.jornada.com.mx/noticia/2024/02/15/estados/aprueba-congreso-de-nl-licencia-para-luis-donaldo-colosio-1011 |access-date=2024-08-15 |website=La Jornada |language=es}} He temporarily handed over his duties to Betsabé Rocha Nieto on 29 February, secured a Senate seat, resumed his role as mayor on 4 June,{{Cite web |date=2024-06-04 |title=Luis Donaldo Colosio regresa a la alcaldía de Monterrey; esperará resultados oficiales de la elección al Senado |url=https://latinus.us/eleccion-2024/2024/6/4/luis-donaldo-colosio-regresa-la-alcaldia-de-monterrey-esperara-resultados-oficiales-de-la-eleccion-al-senado-116688.html |access-date=2024-08-15 |website=LatinUS |language=es}} and stepped down as mayor on 22 August, with Francisco Donaciano Bahena Sampogna taking his place as acting mayor.{{Cite web |title=Deja Colosio alcaldía de Monterrey de manera definitiva |url=https://elporvenir.mx/local/deja-colosio-alcaldia-de-monterrey-de-manera-definitiva/763995 |access-date=2024-08-23 |website=El Porvenir |language=es}}\n\n==== Urban design and parks ====\nColosio launched the ''Corredores Verdes'' (in English: Green corridors) initiative to make Monterrey more walkable by expanding sidewalks, improving crosswalks, adding bike lanes, and planting trees along key downtown avenues. However, the initiative faced criticism for causing traffic disruptions due to lane closures and delays in construction.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}{{Cite web |title=Acumulan retrasos corredores verdes |url=https://www.elnorte.com/acumulan-retrasos-corredores-verdes/ar2840100 |access-date=2024-08-18 |website=www.elnorte.com |language=es}} Drivers also voiced frustration over reduced lanes and parking along the reconfigured avenues. \n\nInfrastructure improvements and maintenance were carried out on several Monterrey landmarks, including the [[Mirador del Obispado|''Mirador del Obispado'']], the [[Faro del Comercio|''Faro del Comercio'']], and the ''[[Barrio Antiguo]]''.{{Cite web |date=2024-02-04 |title=Obra de rehabilitación en el Obispado lleva 80% de avance: municipio de Monterrey |url=https://abcnoticias.mx/local/2024/2/4/obra-de-rehabilitacion-en-el-obispado-lleva-80-de-avance-municipio-de-monterrey-208784.html |access-date=2024-08-18 |website=ABC Noticias |language=es-AR}}{{Cite web |last=Martínez |first=Mónica Patricia Zúñiga |date=2024-08-14 |title=Municipio de Monterrey termina rehabilitación del Faro del Comercio |url=https://www.reporteindigo.com/reporte/concluyen-trabajos-de-rehabilitacion-en-el-faro-del-comercio-de-monterrey/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} A [[roundabout]] was constructed around the city's Independence Arch to protect it from vehicles.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}}{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}} \n\nTo address the lack of green spaces in Monterrey, Colosio rehabilitated numerous neighborhood parks across the city.{{Cite web |last=Staff |first=Indigo |date=2022-11-14 |title=Programa Municipal “Monterrey Construye” habilita espacios públicos y vialidades en zona sur |url=https://www.reporteindigo.com/reporte/programa-municipal-monterrey-construye-habilita-espacios-publicos-y-vialidades-en-zona-sur/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} Larger parks, including Parque Lago and Parque Alameda, were also reforested and rehabilitated as part of these efforts.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} [[Fundidora Park]] and Parque España were connected with the ''Puente Verde'' (in English: Green Bridge), a pedestrian bridge spanning the {{ill|Santa Catarina River (Mexico)|lt=Santa Catarina River|es|Río Santa Catarina}}.{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} \n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}}\n==== Crime and policing ====\nColosio introduced the security strategy named ''Monterrey Protege'' (in English: Monterrey Protects), which expanded police coverage from 177 to 343 neighborhoods,{{Cite web |last=Staff |first=Indigo |date=2022-09-06 |title=Presenta Luis Donaldo Colosio estrategia de seguridad “Monterrey Protege” |url=https://www.reporteindigo.com/reporte/presenta-luis-donaldo-colosio-estrategia-de-seguridad-monterrey-protege/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} installed 6,000 security cameras,{{Cite web |date=2024-06-13 |title=Monterrey quiere subir a 6 mil el número de cámaras de seguridad |url=https://abcnoticias.mx/seguridad/2024/6/13/monterrey-quiere-subir-mil-el-numero-de-camaras-de-seguridad-218708.html |access-date=2024-08-18 |website=ABC Noticias |language=es}} placed panic buttons throughout the city,{{Cite web |title=Instala Monterrey botones de alerta |url=https://elporvenir.mx/local/instala-monterrey-botones-de-alerta/755543 |access-date=2024-08-18 |website=El Porvenir |language=es}} and added 444 patrol cars to the police force.{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also increased police salaries by 15% at the beginning of his term and implemented an additional 20% raise in February 2024.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n== Senate of the Republic ==\n\n=== Election ===\nIn the [[2024 Mexican Senate election]], Colosio and Martha Herrera González were nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] to represent [[Nuevo León]] in the Senate, with Colosio leading the party's two-name formula. In a close three-way race,{{Cite web |date=2024-06-04 |title=Cerrada contienda por el Senado en Nuevo León {{!}} Revista Punto de Vista |url=https://revistapuntodevista.com.mx/seccion/mexico/cerrada-contienda-por-el-senado-en-nuevo-leon/856968/ |access-date=2024-08-19 |language=es}} Colosio and Herrera garnered 32.13% of the vote, placing second to [[Sigamos Haciendo Historia]]'s formula, which garnered 33.94%, and ahead of [[Fuerza y Corazón por México]]'s, which received 31.51%. As the first in his party's formula, Colosio won a seat through first minority.{{Cite web |last=Herrera |first=Por Olivia Vázquez |date=2024-06-09 |title=Luis Donaldo Colosio sí será senador por MC tras darle la vuelta al PRIAN en los cómputos distritales |url=https://www.infobae.com/mexico/2024/06/09/luis-donaldo-colosio-si-sera-senador-por-mc-tras-darle-la-vuelta-al-prian-en-los-computos-distritales/ |access-date=2024-08-19 |website=infobae |language=es-ES}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1243950410, + "parentid": 1241790017, + "user": "EchoLuminary", + "userid": 46991865, + "timestamp": "2024-09-04T07:56:59Z", + "sha1": "b3fa6ab60843dfea89a90ffda4ca36e077f9b97e", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "LXVI senator", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Senate of the Republic (Mexico)|Senator of the Republic]]
from [[Nuevo León]]\n| term_start = 1 September 2024\n| term_end = \n| predecessor = [[Víctor Oswaldo Fuentes Solís]]\n| successor = \n| term_start2 = \n| term_end2 = \n| predecessor2 = Betsabé Rocha Nieto (interim)\n| successor2 = [[Francisco Donaciano Bahena Sampogna]] (acting)\n| office3 = \n| term_start3 = 29 September 2021\n| term_end3 = 29 February 2024\n| predecessor3 = [[Adrián de la Garza Santos|Adrián de la Garza]]\n| successor3 = Betsabé Rocha Nieto (interim)\n| office4 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start4 = 1 September 2018\n| term_end4 = 1 February 2021\n| predecessor4 = [[José Arturo Salinas Garza]]\n| successor4 = Marco Antonio Decanini Contreras\n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n| office2 = [[Municipal president of Monterrey]]\n| termstart2 = 4 June 2024\n| termend2 = 22 August 2024\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician who is currently the senator-elect from Nuevo León. A member of [[Citizens' Movement (Mexico)|Citizens' Movement]], he previously served as a deputy in the [[Congress of Nuevo León]] from 2018 to 2021 and as mayor of [[Monterrey]] from 2021 to 2024. He is the son of [[Luis Donaldo Colosio Murrieta]], a presidential candidate who was assassinated at a campaign rally in [[Tijuana]] in 1994.\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]] to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was eight years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio co-founded the law firm \"Basave Colosio Sánchez\" with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan. At the firm, they began providing parliamentary consultancy services to various politicians. It was during this time that he made contact with leaders of [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for an elected office in the [[2018 Mexican general election|2018 elections]], a proposition he ultimately accepted in 2017.\n\nIn January 2018, [[Samuel García (politician)|Samuel García]], the then coordinator of [[Citizens' Movement (Mexico)|Citizens' Movement]] in Nuevo León, introduced Colosio as a candidate for a popularly elected office, either at the federal or state level.{{Cite web |title=Hijos de Colosio y Basave buscan ser candidatos por MC en Nuevo León |url=https://www.eluniversal.com.mx/elecciones-2018/hijos-de-colosio-y-basave-buscan-ser-candidatos-por-mc-en-nuevo-leon/ |access-date=2024-05-06 |website=El Universal |language=es}}\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes, defeating the incumbent, [[José Arturo Salinas Garza|Arturo Salinas Garza]], by 6.78 points.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} He was the only candidate from Citizens' Movement to secure a seat through first-past-the-post voting in the election.\n\nOn 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey (2021–2024) ==\n\n=== Election ===\nOn 15 November 2020, [[Citizens' Movement (Mexico)|Citizens' Movement]] announced that Senator [[Samuel García (politician)|Samuel García]] and Colosio were seeking the party's gubernatorial nomination. García was selected as the gubernatorial nominee, and on 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] instead.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\nDuring his first year, Colosio enjoyed an approval rating of 54.4%, according to ''¿Cómo Vamos Nuevo León?''.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-02-28 |title=Estos son los alcaldes con mayor aprobación de la Zona Metropolitana de Monterrey |url=https://www.reporteindigo.com/reporte/estos-son-los-alcaldes-con-mayor-aprobacion-en-la-zona-metropolitana-de-monterrey/ |access-date=2024-08-15 |website=Reporte Indigo |language=es-MX}} However, his approval rating dropped by 23 points in 2023, largely due to the slow pace of construction projects and a perceived rise in crime, becoming the lowest-rated mayor in the [[Monterrey metropolitan area]].{{Cite web |last=LPO (Monterrey) |title=La aprobación de Colosio se desploma y se refleja en la contienda por el Senado |url=https://www.lapoliticaonline.com/mexico/nuevoleon-mx/colosio-a-la-baja-pierde-hasta-20-puntos-en-aprobacion-en-el-2023/ |access-date=2024-08-15 |website=www.lapoliticaonline.com |language=es-ar}}\n\nOn 16 February 2024, Colosio took a leave of absence to pursue one of Nuevo León's [[Senate (Mexico)|Senate]] seats in the [[2024 Mexican Senate election|2024 elections]].{{Cite web |last=Jornada |first=La |last2=corresponsal |first2=Raúl Robledo |date=2024-02-15 |title=Aprueba Congreso de NL licencia para Luis Donaldo Colosio Riojas |url=https://www.jornada.com.mx/noticia/2024/02/15/estados/aprueba-congreso-de-nl-licencia-para-luis-donaldo-colosio-1011 |access-date=2024-08-15 |website=La Jornada |language=es}} He temporarily handed over his duties to Betsabé Rocha Nieto on 29 February, secured a Senate seat, resumed his role as mayor on 4 June,{{Cite web |date=2024-06-04 |title=Luis Donaldo Colosio regresa a la alcaldía de Monterrey; esperará resultados oficiales de la elección al Senado |url=https://latinus.us/eleccion-2024/2024/6/4/luis-donaldo-colosio-regresa-la-alcaldia-de-monterrey-esperara-resultados-oficiales-de-la-eleccion-al-senado-116688.html |access-date=2024-08-15 |website=LatinUS |language=es}} and stepped down as mayor on 22 August, with Francisco Donaciano Bahena Sampogna taking his place as acting mayor.{{Cite web |title=Deja Colosio alcaldía de Monterrey de manera definitiva |url=https://elporvenir.mx/local/deja-colosio-alcaldia-de-monterrey-de-manera-definitiva/763995 |access-date=2024-08-23 |website=El Porvenir |language=es}}\n\n==== Urban design and parks ====\nColosio launched the ''Corredores Verdes'' (in English: Green corridors) initiative to make Monterrey more walkable by expanding sidewalks, improving crosswalks, adding bike lanes, and planting trees along key downtown avenues. However, the initiative faced criticism for causing traffic disruptions due to lane closures and delays in construction.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}{{Cite web |title=Acumulan retrasos corredores verdes |url=https://www.elnorte.com/acumulan-retrasos-corredores-verdes/ar2840100 |access-date=2024-08-18 |website=www.elnorte.com |language=es}} Drivers also voiced frustration over reduced lanes and parking along the reconfigured avenues. \n\nInfrastructure improvements and maintenance were carried out on several Monterrey landmarks, including the [[Mirador del Obispado|''Mirador del Obispado'']], the [[Faro del Comercio|''Faro del Comercio'']], and the ''[[Barrio Antiguo]]''.{{Cite web |date=2024-02-04 |title=Obra de rehabilitación en el Obispado lleva 80% de avance: municipio de Monterrey |url=https://abcnoticias.mx/local/2024/2/4/obra-de-rehabilitacion-en-el-obispado-lleva-80-de-avance-municipio-de-monterrey-208784.html |access-date=2024-08-18 |website=ABC Noticias |language=es-AR}}{{Cite web |last=Martínez |first=Mónica Patricia Zúñiga |date=2024-08-14 |title=Municipio de Monterrey termina rehabilitación del Faro del Comercio |url=https://www.reporteindigo.com/reporte/concluyen-trabajos-de-rehabilitacion-en-el-faro-del-comercio-de-monterrey/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} A [[roundabout]] was constructed around the city's Independence Arch to protect it from vehicles.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}}{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}} \n\nTo address the lack of green spaces in Monterrey, Colosio rehabilitated numerous neighborhood parks across the city.{{Cite web |last=Staff |first=Indigo |date=2022-11-14 |title=Programa Municipal “Monterrey Construye” habilita espacios públicos y vialidades en zona sur |url=https://www.reporteindigo.com/reporte/programa-municipal-monterrey-construye-habilita-espacios-publicos-y-vialidades-en-zona-sur/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} Larger parks, including Parque Lago and Parque Alameda, were also reforested and rehabilitated as part of these efforts.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} [[Fundidora Park]] and Parque España were connected with the ''Puente Verde'' (in English: Green Bridge), a pedestrian bridge spanning the {{ill|Santa Catarina River (Mexico)|lt=Santa Catarina River|es|Río Santa Catarina}}.{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} \n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}}\n==== Crime and policing ====\nColosio introduced the security strategy named ''Monterrey Protege'' (in English: Monterrey Protects), which expanded police coverage from 177 to 343 neighborhoods,{{Cite web |last=Staff |first=Indigo |date=2022-09-06 |title=Presenta Luis Donaldo Colosio estrategia de seguridad “Monterrey Protege” |url=https://www.reporteindigo.com/reporte/presenta-luis-donaldo-colosio-estrategia-de-seguridad-monterrey-protege/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} installed 6,000 security cameras,{{Cite web |date=2024-06-13 |title=Monterrey quiere subir a 6 mil el número de cámaras de seguridad |url=https://abcnoticias.mx/seguridad/2024/6/13/monterrey-quiere-subir-mil-el-numero-de-camaras-de-seguridad-218708.html |access-date=2024-08-18 |website=ABC Noticias |language=es}} placed panic buttons throughout the city,{{Cite web |title=Instala Monterrey botones de alerta |url=https://elporvenir.mx/local/instala-monterrey-botones-de-alerta/755543 |access-date=2024-08-18 |website=El Porvenir |language=es}} and added 444 patrol cars to the police force.{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also increased police salaries by 15% at the beginning of his term and implemented an additional 20% raise in February 2024.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n== Senate of the Republic ==\n\n=== Election ===\nIn the [[2024 Mexican Senate election]], Colosio and Martha Herrera González were nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] to represent [[Nuevo León]] in the Senate, with Colosio leading the party's two-name formula. In a close three-way race,{{Cite web |date=2024-06-04 |title=Cerrada contienda por el Senado en Nuevo León {{!}} Revista Punto de Vista |url=https://revistapuntodevista.com.mx/seccion/mexico/cerrada-contienda-por-el-senado-en-nuevo-leon/856968/ |access-date=2024-08-19 |language=es}} Colosio and Herrera garnered 32.13% of the vote, placing second to [[Sigamos Haciendo Historia]]'s formula, which garnered 33.94%, and ahead of [[Fuerza y Corazón por México]]'s, which received 31.51%. As the first in his party's formula, Colosio won a seat through first minority.{{Cite web |last=Herrera |first=Por Olivia Vázquez |date=2024-06-09 |title=Luis Donaldo Colosio sí será senador por MC tras darle la vuelta al PRIAN en los cómputos distritales |url=https://www.infobae.com/mexico/2024/06/09/luis-donaldo-colosio-si-sera-senador-por-mc-tras-darle-la-vuelta-al-prian-en-los-computos-distritales/ |access-date=2024-08-19 |website=infobae |language=es-ES}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1243951647, + "parentid": 1243950410, + "minor": "", + "user": "EchoLuminary", + "userid": 46991865, + "timestamp": "2024-09-04T08:10:13Z", + "sha1": "0555c15ebf9aa31d467a179b81a252ee6b279e64", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "senator", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Senate of the Republic (Mexico)|Senator of the Republic]]
from [[Nuevo León]]\n| term_start = 1 September 2024\n| term_end = \n| predecessor = [[Víctor Oswaldo Fuentes Solís]]\n| successor = \n| term_start2 = \n| term_end2 = \n| predecessor2 = Betsabé Rocha Nieto (interim)\n| successor2 = [[Francisco Donaciano Bahena Sampogna]] (acting)\n| office3 = \n| term_start3 = 29 September 2021\n| term_end3 = 29 February 2024\n| predecessor3 = [[Adrián de la Garza Santos|Adrián de la Garza]]\n| successor3 = Betsabé Rocha Nieto (interim)\n| office4 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start4 = 1 September 2018\n| term_end4 = 1 February 2021\n| predecessor4 = [[José Arturo Salinas Garza]]\n| successor4 = Marco Antonio Decanini Contreras\n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n| office2 = [[Municipal president of Monterrey]]\n| termstart2 = 4 June 2024\n| termend2 = 22 August 2024\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician who serves as a senator from Nuevo León. A member of [[Citizens' Movement (Mexico)|Citizens' Movement]], he previously served as a deputy in the [[Congress of Nuevo León]] from 2018 to 2021 and as mayor of [[Monterrey]] from 2021 to 2024. He is the son of [[Luis Donaldo Colosio Murrieta]], a presidential candidate who was assassinated at a campaign rally in [[Tijuana]] in 1994.\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]] to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was eight years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio co-founded the law firm \"Basave Colosio Sánchez\" with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan. At the firm, they began providing parliamentary consultancy services to various politicians. It was during this time that he made contact with leaders of [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for an elected office in the [[2018 Mexican general election|2018 elections]], a proposition he ultimately accepted in 2017.\n\nIn January 2018, [[Samuel García (politician)|Samuel García]], the then coordinator of [[Citizens' Movement (Mexico)|Citizens' Movement]] in Nuevo León, introduced Colosio as a candidate for a popularly elected office, either at the federal or state level.{{Cite web |title=Hijos de Colosio y Basave buscan ser candidatos por MC en Nuevo León |url=https://www.eluniversal.com.mx/elecciones-2018/hijos-de-colosio-y-basave-buscan-ser-candidatos-por-mc-en-nuevo-leon/ |access-date=2024-05-06 |website=El Universal |language=es}}\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes, defeating the incumbent, [[José Arturo Salinas Garza|Arturo Salinas Garza]], by 6.78 points.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} He was the only candidate from Citizens' Movement to secure a seat through first-past-the-post voting in the election.\n\nOn 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey (2021–2024) ==\n\n=== Election ===\nOn 15 November 2020, [[Citizens' Movement (Mexico)|Citizens' Movement]] announced that Senator [[Samuel García (politician)|Samuel García]] and Colosio were seeking the party's gubernatorial nomination. García was selected as the gubernatorial nominee, and on 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] instead.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\nDuring his first year, Colosio enjoyed an approval rating of 54.4%, according to ''¿Cómo Vamos Nuevo León?''.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-02-28 |title=Estos son los alcaldes con mayor aprobación de la Zona Metropolitana de Monterrey |url=https://www.reporteindigo.com/reporte/estos-son-los-alcaldes-con-mayor-aprobacion-en-la-zona-metropolitana-de-monterrey/ |access-date=2024-08-15 |website=Reporte Indigo |language=es-MX}} However, his approval rating dropped by 23 points in 2023, largely due to the slow pace of construction projects and a perceived rise in crime, becoming the lowest-rated mayor in the [[Monterrey metropolitan area]].{{Cite web |last=LPO (Monterrey) |title=La aprobación de Colosio se desploma y se refleja en la contienda por el Senado |url=https://www.lapoliticaonline.com/mexico/nuevoleon-mx/colosio-a-la-baja-pierde-hasta-20-puntos-en-aprobacion-en-el-2023/ |access-date=2024-08-15 |website=www.lapoliticaonline.com |language=es-ar}}\n\nOn 16 February 2024, Colosio took a leave of absence to pursue one of Nuevo León's [[Senate (Mexico)|Senate]] seats in the [[2024 Mexican Senate election|2024 elections]].{{Cite web |last=Jornada |first=La |last2=corresponsal |first2=Raúl Robledo |date=2024-02-15 |title=Aprueba Congreso de NL licencia para Luis Donaldo Colosio Riojas |url=https://www.jornada.com.mx/noticia/2024/02/15/estados/aprueba-congreso-de-nl-licencia-para-luis-donaldo-colosio-1011 |access-date=2024-08-15 |website=La Jornada |language=es}} He temporarily handed over his duties to Betsabé Rocha Nieto on 29 February, secured a Senate seat, resumed his role as mayor on 4 June,{{Cite web |date=2024-06-04 |title=Luis Donaldo Colosio regresa a la alcaldía de Monterrey; esperará resultados oficiales de la elección al Senado |url=https://latinus.us/eleccion-2024/2024/6/4/luis-donaldo-colosio-regresa-la-alcaldia-de-monterrey-esperara-resultados-oficiales-de-la-eleccion-al-senado-116688.html |access-date=2024-08-15 |website=LatinUS |language=es}} and stepped down as mayor on 22 August, with Francisco Donaciano Bahena Sampogna taking his place as acting mayor.{{Cite web |title=Deja Colosio alcaldía de Monterrey de manera definitiva |url=https://elporvenir.mx/local/deja-colosio-alcaldia-de-monterrey-de-manera-definitiva/763995 |access-date=2024-08-23 |website=El Porvenir |language=es}}\n\n==== Urban design and parks ====\nColosio launched the ''Corredores Verdes'' (in English: Green corridors) initiative to make Monterrey more walkable by expanding sidewalks, improving crosswalks, adding bike lanes, and planting trees along key downtown avenues. However, the initiative faced criticism for causing traffic disruptions due to lane closures and delays in construction.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}{{Cite web |title=Acumulan retrasos corredores verdes |url=https://www.elnorte.com/acumulan-retrasos-corredores-verdes/ar2840100 |access-date=2024-08-18 |website=www.elnorte.com |language=es}} Drivers also voiced frustration over reduced lanes and parking along the reconfigured avenues. \n\nInfrastructure improvements and maintenance were carried out on several Monterrey landmarks, including the [[Mirador del Obispado|''Mirador del Obispado'']], the [[Faro del Comercio|''Faro del Comercio'']], and the ''[[Barrio Antiguo]]''.{{Cite web |date=2024-02-04 |title=Obra de rehabilitación en el Obispado lleva 80% de avance: municipio de Monterrey |url=https://abcnoticias.mx/local/2024/2/4/obra-de-rehabilitacion-en-el-obispado-lleva-80-de-avance-municipio-de-monterrey-208784.html |access-date=2024-08-18 |website=ABC Noticias |language=es-AR}}{{Cite web |last=Martínez |first=Mónica Patricia Zúñiga |date=2024-08-14 |title=Municipio de Monterrey termina rehabilitación del Faro del Comercio |url=https://www.reporteindigo.com/reporte/concluyen-trabajos-de-rehabilitacion-en-el-faro-del-comercio-de-monterrey/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} A [[roundabout]] was constructed around the city's Independence Arch to protect it from vehicles.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}}{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}} \n\nTo address the lack of green spaces in Monterrey, Colosio rehabilitated numerous neighborhood parks across the city.{{Cite web |last=Staff |first=Indigo |date=2022-11-14 |title=Programa Municipal “Monterrey Construye” habilita espacios públicos y vialidades en zona sur |url=https://www.reporteindigo.com/reporte/programa-municipal-monterrey-construye-habilita-espacios-publicos-y-vialidades-en-zona-sur/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} Larger parks, including Parque Lago and Parque Alameda, were also reforested and rehabilitated as part of these efforts.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} [[Fundidora Park]] and Parque España were connected with the ''Puente Verde'' (in English: Green Bridge), a pedestrian bridge spanning the {{ill|Santa Catarina River (Mexico)|lt=Santa Catarina River|es|Río Santa Catarina}}.{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} \n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}}\n==== Crime and policing ====\nColosio introduced the security strategy named ''Monterrey Protege'' (in English: Monterrey Protects), which expanded police coverage from 177 to 343 neighborhoods,{{Cite web |last=Staff |first=Indigo |date=2022-09-06 |title=Presenta Luis Donaldo Colosio estrategia de seguridad “Monterrey Protege” |url=https://www.reporteindigo.com/reporte/presenta-luis-donaldo-colosio-estrategia-de-seguridad-monterrey-protege/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} installed 6,000 security cameras,{{Cite web |date=2024-06-13 |title=Monterrey quiere subir a 6 mil el número de cámaras de seguridad |url=https://abcnoticias.mx/seguridad/2024/6/13/monterrey-quiere-subir-mil-el-numero-de-camaras-de-seguridad-218708.html |access-date=2024-08-18 |website=ABC Noticias |language=es}} placed panic buttons throughout the city,{{Cite web |title=Instala Monterrey botones de alerta |url=https://elporvenir.mx/local/instala-monterrey-botones-de-alerta/755543 |access-date=2024-08-18 |website=El Porvenir |language=es}} and added 444 patrol cars to the police force.{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also increased police salaries by 15% at the beginning of his term and implemented an additional 20% raise in February 2024.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n== Senate of the Republic ==\n\n=== Election ===\nIn the [[2024 Mexican Senate election]], Colosio and Martha Herrera González were nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] to represent [[Nuevo León]] in the Senate, with Colosio leading the party's two-name formula. In a close three-way race,{{Cite web |date=2024-06-04 |title=Cerrada contienda por el Senado en Nuevo León {{!}} Revista Punto de Vista |url=https://revistapuntodevista.com.mx/seccion/mexico/cerrada-contienda-por-el-senado-en-nuevo-leon/856968/ |access-date=2024-08-19 |language=es}} Colosio and Herrera garnered 32.13% of the vote, placing second to [[Sigamos Haciendo Historia]]'s formula, which garnered 33.94%, and ahead of [[Fuerza y Corazón por México]]'s, which received 31.51%. As the first in his party's formula, Colosio won a seat through first minority.{{Cite web |last=Herrera |first=Por Olivia Vázquez |date=2024-06-09 |title=Luis Donaldo Colosio sí será senador por MC tras darle la vuelta al PRIAN en los cómputos distritales |url=https://www.infobae.com/mexico/2024/06/09/luis-donaldo-colosio-si-sera-senador-por-mc-tras-darle-la-vuelta-al-prian-en-los-computos-distritales/ |access-date=2024-08-19 |website=infobae |language=es-ES}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1244125761, + "parentid": 1243951647, + "user": "EchoLuminary", + "userid": 46991865, + "timestamp": "2024-09-05T05:33:56Z", + "sha1": "f05eacbef227f8d667819c67b677ff30e94071e5", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Senate of the Republic */", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Senate of the Republic (Mexico)|Senator of the Republic]]
from [[Nuevo León]]\n| term_start = 1 September 2024\n| term_end = \n| predecessor = [[Víctor Oswaldo Fuentes Solís]]\n| successor = \n| term_start2 = \n| term_end2 = \n| predecessor2 = Betsabé Rocha Nieto (interim)\n| successor2 = [[Francisco Donaciano Bahena Sampogna]] (acting)\n| office3 = \n| term_start3 = 29 September 2021\n| term_end3 = 29 February 2024\n| predecessor3 = [[Adrián de la Garza Santos|Adrián de la Garza]]\n| successor3 = Betsabé Rocha Nieto (interim)\n| office4 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start4 = 1 September 2018\n| term_end4 = 1 February 2021\n| predecessor4 = [[José Arturo Salinas Garza]]\n| successor4 = Marco Antonio Decanini Contreras\n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n| office2 = [[Municipal president of Monterrey]]\n| termstart2 = 4 June 2024\n| termend2 = 22 August 2024\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician who serves as a senator from Nuevo León. A member of [[Citizens' Movement (Mexico)|Citizens' Movement]], he previously served as a deputy in the [[Congress of Nuevo León]] from 2018 to 2021 and as mayor of [[Monterrey]] from 2021 to 2024. He is the son of [[Luis Donaldo Colosio Murrieta]], a presidential candidate who was assassinated at a campaign rally in [[Tijuana]] in 1994.\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]] to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was eight years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio co-founded the law firm \"Basave Colosio Sánchez\" with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan. At the firm, they began providing parliamentary consultancy services to various politicians. It was during this time that he made contact with leaders of [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for an elected office in the [[2018 Mexican general election|2018 elections]], a proposition he ultimately accepted in 2017.\n\nIn January 2018, [[Samuel García (politician)|Samuel García]], the then coordinator of [[Citizens' Movement (Mexico)|Citizens' Movement]] in Nuevo León, introduced Colosio as a candidate for a popularly elected office, either at the federal or state level.{{Cite web |title=Hijos de Colosio y Basave buscan ser candidatos por MC en Nuevo León |url=https://www.eluniversal.com.mx/elecciones-2018/hijos-de-colosio-y-basave-buscan-ser-candidatos-por-mc-en-nuevo-leon/ |access-date=2024-05-06 |website=El Universal |language=es}}\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes, defeating the incumbent, [[José Arturo Salinas Garza|Arturo Salinas Garza]], by 6.78 points.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} He was the only candidate from Citizens' Movement to secure a seat through first-past-the-post voting in the election.\n\nOn 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey (2021–2024) ==\n\n=== Election ===\nOn 15 November 2020, [[Citizens' Movement (Mexico)|Citizens' Movement]] announced that Senator [[Samuel García (politician)|Samuel García]] and Colosio were seeking the party's gubernatorial nomination. García was selected as the gubernatorial nominee, and on 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] instead.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\nDuring his first year, Colosio enjoyed an approval rating of 54.4%, according to ''¿Cómo Vamos Nuevo León?''.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-02-28 |title=Estos son los alcaldes con mayor aprobación de la Zona Metropolitana de Monterrey |url=https://www.reporteindigo.com/reporte/estos-son-los-alcaldes-con-mayor-aprobacion-en-la-zona-metropolitana-de-monterrey/ |access-date=2024-08-15 |website=Reporte Indigo |language=es-MX}} However, his approval rating dropped by 23 points in 2023, largely due to the slow pace of construction projects and a perceived rise in crime, becoming the lowest-rated mayor in the [[Monterrey metropolitan area]].{{Cite web |last=LPO (Monterrey) |title=La aprobación de Colosio se desploma y se refleja en la contienda por el Senado |url=https://www.lapoliticaonline.com/mexico/nuevoleon-mx/colosio-a-la-baja-pierde-hasta-20-puntos-en-aprobacion-en-el-2023/ |access-date=2024-08-15 |website=www.lapoliticaonline.com |language=es-ar}}\n\nOn 16 February 2024, Colosio took a leave of absence to pursue one of Nuevo León's [[Senate (Mexico)|Senate]] seats in the [[2024 Mexican Senate election|2024 elections]].{{Cite web |last=Jornada |first=La |last2=corresponsal |first2=Raúl Robledo |date=2024-02-15 |title=Aprueba Congreso de NL licencia para Luis Donaldo Colosio Riojas |url=https://www.jornada.com.mx/noticia/2024/02/15/estados/aprueba-congreso-de-nl-licencia-para-luis-donaldo-colosio-1011 |access-date=2024-08-15 |website=La Jornada |language=es}} He temporarily handed over his duties to Betsabé Rocha Nieto on 29 February, secured a Senate seat, resumed his role as mayor on 4 June,{{Cite web |date=2024-06-04 |title=Luis Donaldo Colosio regresa a la alcaldía de Monterrey; esperará resultados oficiales de la elección al Senado |url=https://latinus.us/eleccion-2024/2024/6/4/luis-donaldo-colosio-regresa-la-alcaldia-de-monterrey-esperara-resultados-oficiales-de-la-eleccion-al-senado-116688.html |access-date=2024-08-15 |website=LatinUS |language=es}} and stepped down as mayor on 22 August, with Francisco Donaciano Bahena Sampogna taking his place as acting mayor.{{Cite web |title=Deja Colosio alcaldía de Monterrey de manera definitiva |url=https://elporvenir.mx/local/deja-colosio-alcaldia-de-monterrey-de-manera-definitiva/763995 |access-date=2024-08-23 |website=El Porvenir |language=es}}\n\n==== Urban design and parks ====\nColosio launched the ''Corredores Verdes'' (in English: Green corridors) initiative to make Monterrey more walkable by expanding sidewalks, improving crosswalks, adding bike lanes, and planting trees along key downtown avenues. However, the initiative faced criticism for causing traffic disruptions due to lane closures and delays in construction.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}{{Cite web |title=Acumulan retrasos corredores verdes |url=https://www.elnorte.com/acumulan-retrasos-corredores-verdes/ar2840100 |access-date=2024-08-18 |website=www.elnorte.com |language=es}} Drivers also voiced frustration over reduced lanes and parking along the reconfigured avenues. \n\nInfrastructure improvements and maintenance were carried out on several Monterrey landmarks, including the [[Mirador del Obispado|''Mirador del Obispado'']], the [[Faro del Comercio|''Faro del Comercio'']], and the ''[[Barrio Antiguo]]''.{{Cite web |date=2024-02-04 |title=Obra de rehabilitación en el Obispado lleva 80% de avance: municipio de Monterrey |url=https://abcnoticias.mx/local/2024/2/4/obra-de-rehabilitacion-en-el-obispado-lleva-80-de-avance-municipio-de-monterrey-208784.html |access-date=2024-08-18 |website=ABC Noticias |language=es-AR}}{{Cite web |last=Martínez |first=Mónica Patricia Zúñiga |date=2024-08-14 |title=Municipio de Monterrey termina rehabilitación del Faro del Comercio |url=https://www.reporteindigo.com/reporte/concluyen-trabajos-de-rehabilitacion-en-el-faro-del-comercio-de-monterrey/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} A [[roundabout]] was constructed around the city's Independence Arch to protect it from vehicles.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}}{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}} \n\nTo address the lack of green spaces in Monterrey, Colosio rehabilitated numerous neighborhood parks across the city.{{Cite web |last=Staff |first=Indigo |date=2022-11-14 |title=Programa Municipal “Monterrey Construye” habilita espacios públicos y vialidades en zona sur |url=https://www.reporteindigo.com/reporte/programa-municipal-monterrey-construye-habilita-espacios-publicos-y-vialidades-en-zona-sur/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} Larger parks, including Parque Lago and Parque Alameda, were also reforested and rehabilitated as part of these efforts.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} [[Fundidora Park]] and Parque España were connected with the ''Puente Verde'' (in English: Green Bridge), a pedestrian bridge spanning the {{ill|Santa Catarina River (Mexico)|lt=Santa Catarina River|es|Río Santa Catarina}}.{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} \n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}}\n==== Crime and policing ====\nColosio introduced the security strategy named ''Monterrey Protege'' (in English: Monterrey Protects), which expanded police coverage from 177 to 343 neighborhoods,{{Cite web |last=Staff |first=Indigo |date=2022-09-06 |title=Presenta Luis Donaldo Colosio estrategia de seguridad “Monterrey Protege” |url=https://www.reporteindigo.com/reporte/presenta-luis-donaldo-colosio-estrategia-de-seguridad-monterrey-protege/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} installed 6,000 security cameras,{{Cite web |date=2024-06-13 |title=Monterrey quiere subir a 6 mil el número de cámaras de seguridad |url=https://abcnoticias.mx/seguridad/2024/6/13/monterrey-quiere-subir-mil-el-numero-de-camaras-de-seguridad-218708.html |access-date=2024-08-18 |website=ABC Noticias |language=es}} placed panic buttons throughout the city,{{Cite web |title=Instala Monterrey botones de alerta |url=https://elporvenir.mx/local/instala-monterrey-botones-de-alerta/755543 |access-date=2024-08-18 |website=El Porvenir |language=es}} and added 444 patrol cars to the police force.{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also increased police salaries by 15% at the beginning of his term and implemented an additional 20% raise in February 2024.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n== Senate of the Republic (2024–present) ==\n\n=== Election ===\nIn the [[2024 Mexican Senate election]], Colosio and Martha Herrera González were nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] to represent [[Nuevo León]] in the Senate, with Colosio leading the party's two-name formula. In a close three-way race,{{Cite web |date=2024-06-04 |title=Cerrada contienda por el Senado en Nuevo León {{!}} Revista Punto de Vista |url=https://revistapuntodevista.com.mx/seccion/mexico/cerrada-contienda-por-el-senado-en-nuevo-leon/856968/ |access-date=2024-08-19 |language=es}} Colosio and Herrera garnered 32.13% of the vote, placing second to [[Sigamos Haciendo Historia]]'s formula, which garnered 33.94%, and ahead of [[Fuerza y Corazón por México]]'s, which received 31.51%. As the first in his party's formula, Colosio won a seat through first minority.{{Cite web |last=Herrera |first=Por Olivia Vázquez |date=2024-06-09 |title=Luis Donaldo Colosio sí será senador por MC tras darle la vuelta al PRIAN en los cómputos distritales |url=https://www.infobae.com/mexico/2024/06/09/luis-donaldo-colosio-si-sera-senador-por-mc-tras-darle-la-vuelta-al-prian-en-los-computos-distritales/ |access-date=2024-08-19 |website=infobae |language=es-ES}}\n\n=== Tenure ===\nUpon being sworn in, Colosio was chosen as one of four secretaries in the Senate's Board of Directors for the first session of the [[LXVI Legislature of the Mexican Congress|LXVI Legislature]].{{Cite web |title=Coordinación de Comunicación Social - Eligen al senador Gerardo Fernández Noroña como presidente de la Mesa Directiva del Senado |url=https://comunicacionsocial.senado.gob.mx/informacion/comunicados/9540-eligen-al-senador-gerardo-fernandez-norona-como-presidente-de-la-mesa-directiva-del-senado |access-date=2024-09-05 |website=comunicacionsocial.senado.gob.mx}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1244140064, + "parentid": 1244125761, + "user": "EchoLuminary", + "userid": 46991865, + "timestamp": "2024-09-05T08:13:37Z", + "sha1": "57e1abc5cad08c90a48b97f54ecfa51b9e41210b", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "added first minority", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Senate of the Republic (Mexico)|Senator of the Republic]]
from [[Nuevo León]]
{{small|First minority}}\n| term_start = 1 September 2024\n| term_end = \n| predecessor = [[Víctor Oswaldo Fuentes Solís]]\n| successor = \n| term_start2 = \n| term_end2 = \n| predecessor2 = Betsabé Rocha Nieto (interim)\n| successor2 = [[Francisco Donaciano Bahena Sampogna]] (acting)\n| office3 = \n| term_start3 = 29 September 2021\n| term_end3 = 29 February 2024\n| predecessor3 = [[Adrián de la Garza Santos|Adrián de la Garza]]\n| successor3 = Betsabé Rocha Nieto (interim)\n| office4 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start4 = 1 September 2018\n| term_end4 = 1 February 2021\n| predecessor4 = [[José Arturo Salinas Garza]]\n| successor4 = Marco Antonio Decanini Contreras\n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n| office2 = [[Municipal president of Monterrey]]\n| termstart2 = 4 June 2024\n| termend2 = 22 August 2024\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician who serves as a senator from Nuevo León. A member of [[Citizens' Movement (Mexico)|Citizens' Movement]], he previously served as a deputy in the [[Congress of Nuevo León]] from 2018 to 2021 and as mayor of [[Monterrey]] from 2021 to 2024. He is the son of [[Luis Donaldo Colosio Murrieta]], a presidential candidate who was assassinated at a campaign rally in [[Tijuana]] in 1994.\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]] to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was eight years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio co-founded the law firm \"Basave Colosio Sánchez\" with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan. At the firm, they began providing parliamentary consultancy services to various politicians. It was during this time that he made contact with leaders of [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for an elected office in the [[2018 Mexican general election|2018 elections]], a proposition he ultimately accepted in 2017.\n\nIn January 2018, [[Samuel García (politician)|Samuel García]], the then coordinator of [[Citizens' Movement (Mexico)|Citizens' Movement]] in Nuevo León, introduced Colosio as a candidate for a popularly elected office, either at the federal or state level.{{Cite web |title=Hijos de Colosio y Basave buscan ser candidatos por MC en Nuevo León |url=https://www.eluniversal.com.mx/elecciones-2018/hijos-de-colosio-y-basave-buscan-ser-candidatos-por-mc-en-nuevo-leon/ |access-date=2024-05-06 |website=El Universal |language=es}}\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes, defeating the incumbent, [[José Arturo Salinas Garza|Arturo Salinas Garza]], by 6.78 points.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} He was the only candidate from Citizens' Movement to secure a seat through first-past-the-post voting in the election.\n\nOn 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey (2021–2024) ==\n\n=== Election ===\nOn 15 November 2020, [[Citizens' Movement (Mexico)|Citizens' Movement]] announced that Senator [[Samuel García (politician)|Samuel García]] and Colosio were seeking the party's gubernatorial nomination. García was selected as the gubernatorial nominee, and on 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] instead.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\nDuring his first year, Colosio enjoyed an approval rating of 54.4%, according to ''¿Cómo Vamos Nuevo León?''.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-02-28 |title=Estos son los alcaldes con mayor aprobación de la Zona Metropolitana de Monterrey |url=https://www.reporteindigo.com/reporte/estos-son-los-alcaldes-con-mayor-aprobacion-en-la-zona-metropolitana-de-monterrey/ |access-date=2024-08-15 |website=Reporte Indigo |language=es-MX}} However, his approval rating dropped by 23 points in 2023, largely due to the slow pace of construction projects and a perceived rise in crime, becoming the lowest-rated mayor in the [[Monterrey metropolitan area]].{{Cite web |last=LPO (Monterrey) |title=La aprobación de Colosio se desploma y se refleja en la contienda por el Senado |url=https://www.lapoliticaonline.com/mexico/nuevoleon-mx/colosio-a-la-baja-pierde-hasta-20-puntos-en-aprobacion-en-el-2023/ |access-date=2024-08-15 |website=www.lapoliticaonline.com |language=es-ar}}\n\nOn 16 February 2024, Colosio took a leave of absence to pursue one of Nuevo León's [[Senate (Mexico)|Senate]] seats in the [[2024 Mexican Senate election|2024 elections]].{{Cite web |last=Jornada |first=La |last2=corresponsal |first2=Raúl Robledo |date=2024-02-15 |title=Aprueba Congreso de NL licencia para Luis Donaldo Colosio Riojas |url=https://www.jornada.com.mx/noticia/2024/02/15/estados/aprueba-congreso-de-nl-licencia-para-luis-donaldo-colosio-1011 |access-date=2024-08-15 |website=La Jornada |language=es}} He temporarily handed over his duties to Betsabé Rocha Nieto on 29 February, secured a Senate seat, resumed his role as mayor on 4 June,{{Cite web |date=2024-06-04 |title=Luis Donaldo Colosio regresa a la alcaldía de Monterrey; esperará resultados oficiales de la elección al Senado |url=https://latinus.us/eleccion-2024/2024/6/4/luis-donaldo-colosio-regresa-la-alcaldia-de-monterrey-esperara-resultados-oficiales-de-la-eleccion-al-senado-116688.html |access-date=2024-08-15 |website=LatinUS |language=es}} and stepped down as mayor on 22 August, with Francisco Donaciano Bahena Sampogna taking his place as acting mayor.{{Cite web |title=Deja Colosio alcaldía de Monterrey de manera definitiva |url=https://elporvenir.mx/local/deja-colosio-alcaldia-de-monterrey-de-manera-definitiva/763995 |access-date=2024-08-23 |website=El Porvenir |language=es}}\n\n==== Urban design and parks ====\nColosio launched the ''Corredores Verdes'' (in English: Green corridors) initiative to make Monterrey more walkable by expanding sidewalks, improving crosswalks, adding bike lanes, and planting trees along key downtown avenues. However, the initiative faced criticism for causing traffic disruptions due to lane closures and delays in construction.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}{{Cite web |title=Acumulan retrasos corredores verdes |url=https://www.elnorte.com/acumulan-retrasos-corredores-verdes/ar2840100 |access-date=2024-08-18 |website=www.elnorte.com |language=es}} Drivers also voiced frustration over reduced lanes and parking along the reconfigured avenues. \n\nInfrastructure improvements and maintenance were carried out on several Monterrey landmarks, including the [[Mirador del Obispado|''Mirador del Obispado'']], the [[Faro del Comercio|''Faro del Comercio'']], and the ''[[Barrio Antiguo]]''.{{Cite web |date=2024-02-04 |title=Obra de rehabilitación en el Obispado lleva 80% de avance: municipio de Monterrey |url=https://abcnoticias.mx/local/2024/2/4/obra-de-rehabilitacion-en-el-obispado-lleva-80-de-avance-municipio-de-monterrey-208784.html |access-date=2024-08-18 |website=ABC Noticias |language=es-AR}}{{Cite web |last=Martínez |first=Mónica Patricia Zúñiga |date=2024-08-14 |title=Municipio de Monterrey termina rehabilitación del Faro del Comercio |url=https://www.reporteindigo.com/reporte/concluyen-trabajos-de-rehabilitacion-en-el-faro-del-comercio-de-monterrey/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} A [[roundabout]] was constructed around the city's Independence Arch to protect it from vehicles.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}}{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}} \n\nTo address the lack of green spaces in Monterrey, Colosio rehabilitated numerous neighborhood parks across the city.{{Cite web |last=Staff |first=Indigo |date=2022-11-14 |title=Programa Municipal “Monterrey Construye” habilita espacios públicos y vialidades en zona sur |url=https://www.reporteindigo.com/reporte/programa-municipal-monterrey-construye-habilita-espacios-publicos-y-vialidades-en-zona-sur/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} Larger parks, including Parque Lago and Parque Alameda, were also reforested and rehabilitated as part of these efforts.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} [[Fundidora Park]] and Parque España were connected with the ''Puente Verde'' (in English: Green Bridge), a pedestrian bridge spanning the {{ill|Santa Catarina River (Mexico)|lt=Santa Catarina River|es|Río Santa Catarina}}.{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} \n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}}\n==== Crime and policing ====\nColosio introduced the security strategy named ''Monterrey Protege'' (in English: Monterrey Protects), which expanded police coverage from 177 to 343 neighborhoods,{{Cite web |last=Staff |first=Indigo |date=2022-09-06 |title=Presenta Luis Donaldo Colosio estrategia de seguridad “Monterrey Protege” |url=https://www.reporteindigo.com/reporte/presenta-luis-donaldo-colosio-estrategia-de-seguridad-monterrey-protege/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} installed 6,000 security cameras,{{Cite web |date=2024-06-13 |title=Monterrey quiere subir a 6 mil el número de cámaras de seguridad |url=https://abcnoticias.mx/seguridad/2024/6/13/monterrey-quiere-subir-mil-el-numero-de-camaras-de-seguridad-218708.html |access-date=2024-08-18 |website=ABC Noticias |language=es}} placed panic buttons throughout the city,{{Cite web |title=Instala Monterrey botones de alerta |url=https://elporvenir.mx/local/instala-monterrey-botones-de-alerta/755543 |access-date=2024-08-18 |website=El Porvenir |language=es}} and added 444 patrol cars to the police force.{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also increased police salaries by 15% at the beginning of his term and implemented an additional 20% raise in February 2024.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n== Senate of the Republic (2024–present) ==\n\n=== Election ===\nIn the [[2024 Mexican Senate election]], Colosio and Martha Herrera González were nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] to represent [[Nuevo León]] in the Senate, with Colosio leading the party's two-name formula. In a close three-way race,{{Cite web |date=2024-06-04 |title=Cerrada contienda por el Senado en Nuevo León {{!}} Revista Punto de Vista |url=https://revistapuntodevista.com.mx/seccion/mexico/cerrada-contienda-por-el-senado-en-nuevo-leon/856968/ |access-date=2024-08-19 |language=es}} Colosio and Herrera garnered 32.13% of the vote, placing second to [[Sigamos Haciendo Historia]]'s formula, which garnered 33.94%, and ahead of [[Fuerza y Corazón por México]]'s, which received 31.51%. As the first in his party's formula, Colosio won a seat through first minority.{{Cite web |last=Herrera |first=Por Olivia Vázquez |date=2024-06-09 |title=Luis Donaldo Colosio sí será senador por MC tras darle la vuelta al PRIAN en los cómputos distritales |url=https://www.infobae.com/mexico/2024/06/09/luis-donaldo-colosio-si-sera-senador-por-mc-tras-darle-la-vuelta-al-prian-en-los-computos-distritales/ |access-date=2024-08-19 |website=infobae |language=es-ES}}\n\n=== Tenure ===\nUpon being sworn in, Colosio was chosen as one of four secretaries in the Senate's Board of Directors for the first session of the [[LXVI Legislature of the Mexican Congress|LXVI Legislature]].{{Cite web |title=Coordinación de Comunicación Social - Eligen al senador Gerardo Fernández Noroña como presidente de la Mesa Directiva del Senado |url=https://comunicacionsocial.senado.gob.mx/informacion/comunicados/9540-eligen-al-senador-gerardo-fernandez-norona-como-presidente-de-la-mesa-directiva-del-senado |access-date=2024-09-05 |website=comunicacionsocial.senado.gob.mx}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1245134134, + "parentid": 1244140064, + "minor": "", + "user": "Moscow Mule", + "userid": 30438843, + "timestamp": "2024-09-11T06:13:49Z", + "sha1": "d70049d924503ab506ea00f6fc458d4e5b54e09c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Early life and education */ ,", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Senate of the Republic (Mexico)|Senator of the Republic]]
from [[Nuevo León]]
{{small|First minority}}\n| term_start = 1 September 2024\n| term_end = \n| predecessor = [[Víctor Oswaldo Fuentes Solís]]\n| successor = \n| term_start2 = \n| term_end2 = \n| predecessor2 = Betsabé Rocha Nieto (interim)\n| successor2 = [[Francisco Donaciano Bahena Sampogna]] (acting)\n| office3 = \n| term_start3 = 29 September 2021\n| term_end3 = 29 February 2024\n| predecessor3 = [[Adrián de la Garza Santos|Adrián de la Garza]]\n| successor3 = Betsabé Rocha Nieto (interim)\n| office4 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start4 = 1 September 2018\n| term_end4 = 1 February 2021\n| predecessor4 = [[José Arturo Salinas Garza]]\n| successor4 = Marco Antonio Decanini Contreras\n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n| office2 = [[Municipal president of Monterrey]]\n| termstart2 = 4 June 2024\n| termend2 = 22 August 2024\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician who serves as a senator from Nuevo León. A member of [[Citizens' Movement (Mexico)|Citizens' Movement]], he previously served as a deputy in the [[Congress of Nuevo León]] from 2018 to 2021 and as mayor of [[Monterrey]] from 2021 to 2024. He is the son of [[Luis Donaldo Colosio Murrieta]], a presidential candidate who was assassinated at a campaign rally in [[Tijuana]] in 1994.\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]], to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was eight years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio co-founded the law firm \"Basave Colosio Sánchez\" with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan. At the firm, they began providing parliamentary consultancy services to various politicians. It was during this time that he made contact with leaders of [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for an elected office in the [[2018 Mexican general election|2018 elections]], a proposition he ultimately accepted in 2017.\n\nIn January 2018, [[Samuel García (politician)|Samuel García]], the then coordinator of [[Citizens' Movement (Mexico)|Citizens' Movement]] in Nuevo León, introduced Colosio as a candidate for a popularly elected office, either at the federal or state level.{{Cite web |title=Hijos de Colosio y Basave buscan ser candidatos por MC en Nuevo León |url=https://www.eluniversal.com.mx/elecciones-2018/hijos-de-colosio-y-basave-buscan-ser-candidatos-por-mc-en-nuevo-leon/ |access-date=2024-05-06 |website=El Universal |language=es}}\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes, defeating the incumbent, [[José Arturo Salinas Garza|Arturo Salinas Garza]], by 6.78 points.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} He was the only candidate from Citizens' Movement to secure a seat through first-past-the-post voting in the election.\n\nOn 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey (2021–2024) ==\n\n=== Election ===\nOn 15 November 2020, [[Citizens' Movement (Mexico)|Citizens' Movement]] announced that Senator [[Samuel García (politician)|Samuel García]] and Colosio were seeking the party's gubernatorial nomination. García was selected as the gubernatorial nominee, and on 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] instead.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\nDuring his first year, Colosio enjoyed an approval rating of 54.4%, according to ''¿Cómo Vamos Nuevo León?''.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-02-28 |title=Estos son los alcaldes con mayor aprobación de la Zona Metropolitana de Monterrey |url=https://www.reporteindigo.com/reporte/estos-son-los-alcaldes-con-mayor-aprobacion-en-la-zona-metropolitana-de-monterrey/ |access-date=2024-08-15 |website=Reporte Indigo |language=es-MX}} However, his approval rating dropped by 23 points in 2023, largely due to the slow pace of construction projects and a perceived rise in crime, becoming the lowest-rated mayor in the [[Monterrey metropolitan area]].{{Cite web |last=LPO (Monterrey) |title=La aprobación de Colosio se desploma y se refleja en la contienda por el Senado |url=https://www.lapoliticaonline.com/mexico/nuevoleon-mx/colosio-a-la-baja-pierde-hasta-20-puntos-en-aprobacion-en-el-2023/ |access-date=2024-08-15 |website=www.lapoliticaonline.com |language=es-ar}}\n\nOn 16 February 2024, Colosio took a leave of absence to pursue one of Nuevo León's [[Senate (Mexico)|Senate]] seats in the [[2024 Mexican Senate election|2024 elections]].{{Cite web |last=Jornada |first=La |last2=corresponsal |first2=Raúl Robledo |date=2024-02-15 |title=Aprueba Congreso de NL licencia para Luis Donaldo Colosio Riojas |url=https://www.jornada.com.mx/noticia/2024/02/15/estados/aprueba-congreso-de-nl-licencia-para-luis-donaldo-colosio-1011 |access-date=2024-08-15 |website=La Jornada |language=es}} He temporarily handed over his duties to Betsabé Rocha Nieto on 29 February, secured a Senate seat, resumed his role as mayor on 4 June,{{Cite web |date=2024-06-04 |title=Luis Donaldo Colosio regresa a la alcaldía de Monterrey; esperará resultados oficiales de la elección al Senado |url=https://latinus.us/eleccion-2024/2024/6/4/luis-donaldo-colosio-regresa-la-alcaldia-de-monterrey-esperara-resultados-oficiales-de-la-eleccion-al-senado-116688.html |access-date=2024-08-15 |website=LatinUS |language=es}} and stepped down as mayor on 22 August, with Francisco Donaciano Bahena Sampogna taking his place as acting mayor.{{Cite web |title=Deja Colosio alcaldía de Monterrey de manera definitiva |url=https://elporvenir.mx/local/deja-colosio-alcaldia-de-monterrey-de-manera-definitiva/763995 |access-date=2024-08-23 |website=El Porvenir |language=es}}\n\n==== Urban design and parks ====\nColosio launched the ''Corredores Verdes'' (in English: Green corridors) initiative to make Monterrey more walkable by expanding sidewalks, improving crosswalks, adding bike lanes, and planting trees along key downtown avenues. However, the initiative faced criticism for causing traffic disruptions due to lane closures and delays in construction.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}{{Cite web |title=Acumulan retrasos corredores verdes |url=https://www.elnorte.com/acumulan-retrasos-corredores-verdes/ar2840100 |access-date=2024-08-18 |website=www.elnorte.com |language=es}} Drivers also voiced frustration over reduced lanes and parking along the reconfigured avenues. \n\nInfrastructure improvements and maintenance were carried out on several Monterrey landmarks, including the [[Mirador del Obispado|''Mirador del Obispado'']], the [[Faro del Comercio|''Faro del Comercio'']], and the ''[[Barrio Antiguo]]''.{{Cite web |date=2024-02-04 |title=Obra de rehabilitación en el Obispado lleva 80% de avance: municipio de Monterrey |url=https://abcnoticias.mx/local/2024/2/4/obra-de-rehabilitacion-en-el-obispado-lleva-80-de-avance-municipio-de-monterrey-208784.html |access-date=2024-08-18 |website=ABC Noticias |language=es-AR}}{{Cite web |last=Martínez |first=Mónica Patricia Zúñiga |date=2024-08-14 |title=Municipio de Monterrey termina rehabilitación del Faro del Comercio |url=https://www.reporteindigo.com/reporte/concluyen-trabajos-de-rehabilitacion-en-el-faro-del-comercio-de-monterrey/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} A [[roundabout]] was constructed around the city's Independence Arch to protect it from vehicles.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}}{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}} \n\nTo address the lack of green spaces in Monterrey, Colosio rehabilitated numerous neighborhood parks across the city.{{Cite web |last=Staff |first=Indigo |date=2022-11-14 |title=Programa Municipal “Monterrey Construye” habilita espacios públicos y vialidades en zona sur |url=https://www.reporteindigo.com/reporte/programa-municipal-monterrey-construye-habilita-espacios-publicos-y-vialidades-en-zona-sur/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} Larger parks, including Parque Lago and Parque Alameda, were also reforested and rehabilitated as part of these efforts.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} [[Fundidora Park]] and Parque España were connected with the ''Puente Verde'' (in English: Green Bridge), a pedestrian bridge spanning the {{ill|Santa Catarina River (Mexico)|lt=Santa Catarina River|es|Río Santa Catarina}}.{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} \n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}}\n==== Crime and policing ====\nColosio introduced the security strategy named ''Monterrey Protege'' (in English: Monterrey Protects), which expanded police coverage from 177 to 343 neighborhoods,{{Cite web |last=Staff |first=Indigo |date=2022-09-06 |title=Presenta Luis Donaldo Colosio estrategia de seguridad “Monterrey Protege” |url=https://www.reporteindigo.com/reporte/presenta-luis-donaldo-colosio-estrategia-de-seguridad-monterrey-protege/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} installed 6,000 security cameras,{{Cite web |date=2024-06-13 |title=Monterrey quiere subir a 6 mil el número de cámaras de seguridad |url=https://abcnoticias.mx/seguridad/2024/6/13/monterrey-quiere-subir-mil-el-numero-de-camaras-de-seguridad-218708.html |access-date=2024-08-18 |website=ABC Noticias |language=es}} placed panic buttons throughout the city,{{Cite web |title=Instala Monterrey botones de alerta |url=https://elporvenir.mx/local/instala-monterrey-botones-de-alerta/755543 |access-date=2024-08-18 |website=El Porvenir |language=es}} and added 444 patrol cars to the police force.{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also increased police salaries by 15% at the beginning of his term and implemented an additional 20% raise in February 2024.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n== Senate of the Republic (2024–present) ==\n\n=== Election ===\nIn the [[2024 Mexican Senate election]], Colosio and Martha Herrera González were nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] to represent [[Nuevo León]] in the Senate, with Colosio leading the party's two-name formula. In a close three-way race,{{Cite web |date=2024-06-04 |title=Cerrada contienda por el Senado en Nuevo León {{!}} Revista Punto de Vista |url=https://revistapuntodevista.com.mx/seccion/mexico/cerrada-contienda-por-el-senado-en-nuevo-leon/856968/ |access-date=2024-08-19 |language=es}} Colosio and Herrera garnered 32.13% of the vote, placing second to [[Sigamos Haciendo Historia]]'s formula, which garnered 33.94%, and ahead of [[Fuerza y Corazón por México]]'s, which received 31.51%. As the first in his party's formula, Colosio won a seat through first minority.{{Cite web |last=Herrera |first=Por Olivia Vázquez |date=2024-06-09 |title=Luis Donaldo Colosio sí será senador por MC tras darle la vuelta al PRIAN en los cómputos distritales |url=https://www.infobae.com/mexico/2024/06/09/luis-donaldo-colosio-si-sera-senador-por-mc-tras-darle-la-vuelta-al-prian-en-los-computos-distritales/ |access-date=2024-08-19 |website=infobae |language=es-ES}}\n\n=== Tenure ===\nUpon being sworn in, Colosio was chosen as one of four secretaries in the Senate's Board of Directors for the first session of the [[LXVI Legislature of the Mexican Congress|LXVI Legislature]].{{Cite web |title=Coordinación de Comunicación Social - Eligen al senador Gerardo Fernández Noroña como presidente de la Mesa Directiva del Senado |url=https://comunicacionsocial.senado.gob.mx/informacion/comunicados/9540-eligen-al-senador-gerardo-fernandez-norona-como-presidente-de-la-mesa-directiva-del-senado |access-date=2024-09-05 |website=comunicacionsocial.senado.gob.mx}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1262640912, + "parentid": 1245134134, + "minor": "", + "user": "Aadirulez8", + "userid": 24465790, + "timestamp": "2024-12-12T12:54:25Z", + "sha1": "d68853c88dcbd2f3b724ed6db0d28af7f5578294", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "v2.05 - Autofix / Fix errors for [[WP:WCW|CW project]] (Link equal to linktext)", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Senate of the Republic (Mexico)|Senator of the Republic]]
from [[Nuevo León]]
{{small|First minority}}\n| term_start = 1 September 2024\n| term_end = \n| predecessor = [[Víctor Oswaldo Fuentes Solís]]\n| successor = \n| term_start2 = \n| term_end2 = \n| predecessor2 = Betsabé Rocha Nieto (interim)\n| successor2 = [[Francisco Donaciano Bahena Sampogna]] (acting)\n| office3 = \n| term_start3 = 29 September 2021\n| term_end3 = 29 February 2024\n| predecessor3 = [[Adrián de la Garza Santos|Adrián de la Garza]]\n| successor3 = Betsabé Rocha Nieto (interim)\n| office4 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start4 = 1 September 2018\n| term_end4 = 1 February 2021\n| predecessor4 = [[José Arturo Salinas Garza]]\n| successor4 = Marco Antonio Decanini Contreras\n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n| office2 = [[Municipal president of Monterrey]]\n| termstart2 = 4 June 2024\n| termend2 = 22 August 2024\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician who serves as a senator from Nuevo León. A member of [[Citizens' Movement (Mexico)|Citizens' Movement]], he previously served as a deputy in the [[Congress of Nuevo León]] from 2018 to 2021 and as mayor of [[Monterrey]] from 2021 to 2024. He is the son of [[Luis Donaldo Colosio Murrieta]], a presidential candidate who was assassinated at a campaign rally in [[Tijuana]] in 1994.\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]], to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was eight years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio co-founded the law firm \"Basave Colosio Sánchez\" with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan. At the firm, they began providing parliamentary consultancy services to various politicians. It was during this time that he made contact with leaders of [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for an elected office in the [[2018 Mexican general election|2018 elections]], a proposition he ultimately accepted in 2017.\n\nIn January 2018, [[Samuel García (politician)|Samuel García]], the then coordinator of [[Citizens' Movement (Mexico)|Citizens' Movement]] in Nuevo León, introduced Colosio as a candidate for a popularly elected office, either at the federal or state level.{{Cite web |title=Hijos de Colosio y Basave buscan ser candidatos por MC en Nuevo León |url=https://www.eluniversal.com.mx/elecciones-2018/hijos-de-colosio-y-basave-buscan-ser-candidatos-por-mc-en-nuevo-leon/ |access-date=2024-05-06 |website=El Universal |language=es}}\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes, defeating the incumbent, [[José Arturo Salinas Garza|Arturo Salinas Garza]], by 6.78 points.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} He was the only candidate from Citizens' Movement to secure a seat through first-past-the-post voting in the election.\n\nOn 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey (2021–2024) ==\n\n=== Election ===\nOn 15 November 2020, [[Citizens' Movement (Mexico)|Citizens' Movement]] announced that Senator [[Samuel García (politician)|Samuel García]] and Colosio were seeking the party's gubernatorial nomination. García was selected as the gubernatorial nominee, and on 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] instead.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\nDuring his first year, Colosio enjoyed an approval rating of 54.4%, according to ''¿Cómo Vamos Nuevo León?''.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-02-28 |title=Estos son los alcaldes con mayor aprobación de la Zona Metropolitana de Monterrey |url=https://www.reporteindigo.com/reporte/estos-son-los-alcaldes-con-mayor-aprobacion-en-la-zona-metropolitana-de-monterrey/ |access-date=2024-08-15 |website=Reporte Indigo |language=es-MX}} However, his approval rating dropped by 23 points in 2023, largely due to the slow pace of construction projects and a perceived rise in crime, becoming the lowest-rated mayor in the [[Monterrey metropolitan area]].{{Cite web |last=LPO (Monterrey) |title=La aprobación de Colosio se desploma y se refleja en la contienda por el Senado |url=https://www.lapoliticaonline.com/mexico/nuevoleon-mx/colosio-a-la-baja-pierde-hasta-20-puntos-en-aprobacion-en-el-2023/ |access-date=2024-08-15 |website=www.lapoliticaonline.com |language=es-ar}}\n\nOn 16 February 2024, Colosio took a leave of absence to pursue one of Nuevo León's [[Senate (Mexico)|Senate]] seats in the [[2024 Mexican Senate election|2024 elections]].{{Cite web |last=Jornada |first=La |last2=corresponsal |first2=Raúl Robledo |date=2024-02-15 |title=Aprueba Congreso de NL licencia para Luis Donaldo Colosio Riojas |url=https://www.jornada.com.mx/noticia/2024/02/15/estados/aprueba-congreso-de-nl-licencia-para-luis-donaldo-colosio-1011 |access-date=2024-08-15 |website=La Jornada |language=es}} He temporarily handed over his duties to Betsabé Rocha Nieto on 29 February, secured a Senate seat, resumed his role as mayor on 4 June,{{Cite web |date=2024-06-04 |title=Luis Donaldo Colosio regresa a la alcaldía de Monterrey; esperará resultados oficiales de la elección al Senado |url=https://latinus.us/eleccion-2024/2024/6/4/luis-donaldo-colosio-regresa-la-alcaldia-de-monterrey-esperara-resultados-oficiales-de-la-eleccion-al-senado-116688.html |access-date=2024-08-15 |website=LatinUS |language=es}} and stepped down as mayor on 22 August, with Francisco Donaciano Bahena Sampogna taking his place as acting mayor.{{Cite web |title=Deja Colosio alcaldía de Monterrey de manera definitiva |url=https://elporvenir.mx/local/deja-colosio-alcaldia-de-monterrey-de-manera-definitiva/763995 |access-date=2024-08-23 |website=El Porvenir |language=es}}\n\n==== Urban design and parks ====\nColosio launched the ''Corredores Verdes'' (in English: Green corridors) initiative to make Monterrey more walkable by expanding sidewalks, improving crosswalks, adding bike lanes, and planting trees along key downtown avenues. However, the initiative faced criticism for causing traffic disruptions due to lane closures and delays in construction.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}{{Cite web |title=Acumulan retrasos corredores verdes |url=https://www.elnorte.com/acumulan-retrasos-corredores-verdes/ar2840100 |access-date=2024-08-18 |website=www.elnorte.com |language=es}} Drivers also voiced frustration over reduced lanes and parking along the reconfigured avenues. \n\nInfrastructure improvements and maintenance were carried out on several Monterrey landmarks, including the ''[[Mirador del Obispado]]'', the ''[[Faro del Comercio]]'', and the ''[[Barrio Antiguo]]''.{{Cite web |date=2024-02-04 |title=Obra de rehabilitación en el Obispado lleva 80% de avance: municipio de Monterrey |url=https://abcnoticias.mx/local/2024/2/4/obra-de-rehabilitacion-en-el-obispado-lleva-80-de-avance-municipio-de-monterrey-208784.html |access-date=2024-08-18 |website=ABC Noticias |language=es-AR}}{{Cite web |last=Martínez |first=Mónica Patricia Zúñiga |date=2024-08-14 |title=Municipio de Monterrey termina rehabilitación del Faro del Comercio |url=https://www.reporteindigo.com/reporte/concluyen-trabajos-de-rehabilitacion-en-el-faro-del-comercio-de-monterrey/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} A [[roundabout]] was constructed around the city's Independence Arch to protect it from vehicles.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}}{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}} \n\nTo address the lack of green spaces in Monterrey, Colosio rehabilitated numerous neighborhood parks across the city.{{Cite web |last=Staff |first=Indigo |date=2022-11-14 |title=Programa Municipal “Monterrey Construye” habilita espacios públicos y vialidades en zona sur |url=https://www.reporteindigo.com/reporte/programa-municipal-monterrey-construye-habilita-espacios-publicos-y-vialidades-en-zona-sur/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} Larger parks, including Parque Lago and Parque Alameda, were also reforested and rehabilitated as part of these efforts.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} [[Fundidora Park]] and Parque España were connected with the ''Puente Verde'' (in English: Green Bridge), a pedestrian bridge spanning the {{ill|Santa Catarina River (Mexico)|lt=Santa Catarina River|es|Río Santa Catarina}}.{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} \n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}}\n==== Crime and policing ====\nColosio introduced the security strategy named ''Monterrey Protege'' (in English: Monterrey Protects), which expanded police coverage from 177 to 343 neighborhoods,{{Cite web |last=Staff |first=Indigo |date=2022-09-06 |title=Presenta Luis Donaldo Colosio estrategia de seguridad “Monterrey Protege” |url=https://www.reporteindigo.com/reporte/presenta-luis-donaldo-colosio-estrategia-de-seguridad-monterrey-protege/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} installed 6,000 security cameras,{{Cite web |date=2024-06-13 |title=Monterrey quiere subir a 6 mil el número de cámaras de seguridad |url=https://abcnoticias.mx/seguridad/2024/6/13/monterrey-quiere-subir-mil-el-numero-de-camaras-de-seguridad-218708.html |access-date=2024-08-18 |website=ABC Noticias |language=es}} placed panic buttons throughout the city,{{Cite web |title=Instala Monterrey botones de alerta |url=https://elporvenir.mx/local/instala-monterrey-botones-de-alerta/755543 |access-date=2024-08-18 |website=El Porvenir |language=es}} and added 444 patrol cars to the police force.{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also increased police salaries by 15% at the beginning of his term and implemented an additional 20% raise in February 2024.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n== Senate of the Republic (2024–present) ==\n\n=== Election ===\nIn the [[2024 Mexican Senate election]], Colosio and Martha Herrera González were nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] to represent [[Nuevo León]] in the Senate, with Colosio leading the party's two-name formula. In a close three-way race,{{Cite web |date=2024-06-04 |title=Cerrada contienda por el Senado en Nuevo León {{!}} Revista Punto de Vista |url=https://revistapuntodevista.com.mx/seccion/mexico/cerrada-contienda-por-el-senado-en-nuevo-leon/856968/ |access-date=2024-08-19 |language=es}} Colosio and Herrera garnered 32.13% of the vote, placing second to [[Sigamos Haciendo Historia]]'s formula, which garnered 33.94%, and ahead of [[Fuerza y Corazón por México]]'s, which received 31.51%. As the first in his party's formula, Colosio won a seat through first minority.{{Cite web |last=Herrera |first=Por Olivia Vázquez |date=2024-06-09 |title=Luis Donaldo Colosio sí será senador por MC tras darle la vuelta al PRIAN en los cómputos distritales |url=https://www.infobae.com/mexico/2024/06/09/luis-donaldo-colosio-si-sera-senador-por-mc-tras-darle-la-vuelta-al-prian-en-los-computos-distritales/ |access-date=2024-08-19 |website=infobae |language=es-ES}}\n\n=== Tenure ===\nUpon being sworn in, Colosio was chosen as one of four secretaries in the Senate's Board of Directors for the first session of the [[LXVI Legislature of the Mexican Congress|LXVI Legislature]].{{Cite web |title=Coordinación de Comunicación Social - Eligen al senador Gerardo Fernández Noroña como presidente de la Mesa Directiva del Senado |url=https://comunicacionsocial.senado.gob.mx/informacion/comunicados/9540-eligen-al-senador-gerardo-fernandez-norona-como-presidente-de-la-mesa-directiva-del-senado |access-date=2024-09-05 |website=comunicacionsocial.senado.gob.mx}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1286174663, + "parentid": 1262640912, + "user": "Asuka Langley Shikinami", + "userid": 22937593, + "timestamp": "2025-04-18T05:46:07Z", + "sha1": "38f3e4370c80d8e75f8b59a4857055cb3cb701bc", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Election */ Rounding up 33.9484%.", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Senate of the Republic (Mexico)|Senator of the Republic]]
from [[Nuevo León]]
{{small|First minority}}\n| term_start = 1 September 2024\n| term_end = \n| predecessor = [[Víctor Oswaldo Fuentes Solís]]\n| successor = \n| term_start2 = \n| term_end2 = \n| predecessor2 = Betsabé Rocha Nieto (interim)\n| successor2 = [[Francisco Donaciano Bahena Sampogna]] (acting)\n| office3 = \n| term_start3 = 29 September 2021\n| term_end3 = 29 February 2024\n| predecessor3 = [[Adrián de la Garza Santos|Adrián de la Garza]]\n| successor3 = Betsabé Rocha Nieto (interim)\n| office4 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start4 = 1 September 2018\n| term_end4 = 1 February 2021\n| predecessor4 = [[José Arturo Salinas Garza]]\n| successor4 = Marco Antonio Decanini Contreras\n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n| office2 = [[Municipal president of Monterrey]]\n| termstart2 = 4 June 2024\n| termend2 = 22 August 2024\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician who serves as a senator from Nuevo León. A member of [[Citizens' Movement (Mexico)|Citizens' Movement]], he previously served as a deputy in the [[Congress of Nuevo León]] from 2018 to 2021 and as mayor of [[Monterrey]] from 2021 to 2024. He is the son of [[Luis Donaldo Colosio Murrieta]], a presidential candidate who was assassinated at a campaign rally in [[Tijuana]] in 1994.\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]], to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was eight years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio co-founded the law firm \"Basave Colosio Sánchez\" with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan. At the firm, they began providing parliamentary consultancy services to various politicians. It was during this time that he made contact with leaders of [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for an elected office in the [[2018 Mexican general election|2018 elections]], a proposition he ultimately accepted in 2017.\n\nIn January 2018, [[Samuel García (politician)|Samuel García]], the then coordinator of [[Citizens' Movement (Mexico)|Citizens' Movement]] in Nuevo León, introduced Colosio as a candidate for a popularly elected office, either at the federal or state level.{{Cite web |title=Hijos de Colosio y Basave buscan ser candidatos por MC en Nuevo León |url=https://www.eluniversal.com.mx/elecciones-2018/hijos-de-colosio-y-basave-buscan-ser-candidatos-por-mc-en-nuevo-leon/ |access-date=2024-05-06 |website=El Universal |language=es}}\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes, defeating the incumbent, [[José Arturo Salinas Garza|Arturo Salinas Garza]], by 6.78 points.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} He was the only candidate from Citizens' Movement to secure a seat through first-past-the-post voting in the election.\n\nOn 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey (2021–2024) ==\n\n=== Election ===\nOn 15 November 2020, [[Citizens' Movement (Mexico)|Citizens' Movement]] announced that Senator [[Samuel García (politician)|Samuel García]] and Colosio were seeking the party's gubernatorial nomination. García was selected as the gubernatorial nominee, and on 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] instead.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\nDuring his first year, Colosio enjoyed an approval rating of 54.4%, according to ''¿Cómo Vamos Nuevo León?''.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-02-28 |title=Estos son los alcaldes con mayor aprobación de la Zona Metropolitana de Monterrey |url=https://www.reporteindigo.com/reporte/estos-son-los-alcaldes-con-mayor-aprobacion-en-la-zona-metropolitana-de-monterrey/ |access-date=2024-08-15 |website=Reporte Indigo |language=es-MX}} However, his approval rating dropped by 23 points in 2023, largely due to the slow pace of construction projects and a perceived rise in crime, becoming the lowest-rated mayor in the [[Monterrey metropolitan area]].{{Cite web |last=LPO (Monterrey) |title=La aprobación de Colosio se desploma y se refleja en la contienda por el Senado |url=https://www.lapoliticaonline.com/mexico/nuevoleon-mx/colosio-a-la-baja-pierde-hasta-20-puntos-en-aprobacion-en-el-2023/ |access-date=2024-08-15 |website=www.lapoliticaonline.com |language=es-ar}}\n\nOn 16 February 2024, Colosio took a leave of absence to pursue one of Nuevo León's [[Senate (Mexico)|Senate]] seats in the [[2024 Mexican Senate election|2024 elections]].{{Cite web |last=Jornada |first=La |last2=corresponsal |first2=Raúl Robledo |date=2024-02-15 |title=Aprueba Congreso de NL licencia para Luis Donaldo Colosio Riojas |url=https://www.jornada.com.mx/noticia/2024/02/15/estados/aprueba-congreso-de-nl-licencia-para-luis-donaldo-colosio-1011 |access-date=2024-08-15 |website=La Jornada |language=es}} He temporarily handed over his duties to Betsabé Rocha Nieto on 29 February, secured a Senate seat, resumed his role as mayor on 4 June,{{Cite web |date=2024-06-04 |title=Luis Donaldo Colosio regresa a la alcaldía de Monterrey; esperará resultados oficiales de la elección al Senado |url=https://latinus.us/eleccion-2024/2024/6/4/luis-donaldo-colosio-regresa-la-alcaldia-de-monterrey-esperara-resultados-oficiales-de-la-eleccion-al-senado-116688.html |access-date=2024-08-15 |website=LatinUS |language=es}} and stepped down as mayor on 22 August, with Francisco Donaciano Bahena Sampogna taking his place as acting mayor.{{Cite web |title=Deja Colosio alcaldía de Monterrey de manera definitiva |url=https://elporvenir.mx/local/deja-colosio-alcaldia-de-monterrey-de-manera-definitiva/763995 |access-date=2024-08-23 |website=El Porvenir |language=es}}\n\n==== Urban design and parks ====\nColosio launched the ''Corredores Verdes'' (in English: Green corridors) initiative to make Monterrey more walkable by expanding sidewalks, improving crosswalks, adding bike lanes, and planting trees along key downtown avenues. However, the initiative faced criticism for causing traffic disruptions due to lane closures and delays in construction.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}{{Cite web |title=Acumulan retrasos corredores verdes |url=https://www.elnorte.com/acumulan-retrasos-corredores-verdes/ar2840100 |access-date=2024-08-18 |website=www.elnorte.com |language=es}} Drivers also voiced frustration over reduced lanes and parking along the reconfigured avenues. \n\nInfrastructure improvements and maintenance were carried out on several Monterrey landmarks, including the ''[[Mirador del Obispado]]'', the ''[[Faro del Comercio]]'', and the ''[[Barrio Antiguo]]''.{{Cite web |date=2024-02-04 |title=Obra de rehabilitación en el Obispado lleva 80% de avance: municipio de Monterrey |url=https://abcnoticias.mx/local/2024/2/4/obra-de-rehabilitacion-en-el-obispado-lleva-80-de-avance-municipio-de-monterrey-208784.html |access-date=2024-08-18 |website=ABC Noticias |language=es-AR}}{{Cite web |last=Martínez |first=Mónica Patricia Zúñiga |date=2024-08-14 |title=Municipio de Monterrey termina rehabilitación del Faro del Comercio |url=https://www.reporteindigo.com/reporte/concluyen-trabajos-de-rehabilitacion-en-el-faro-del-comercio-de-monterrey/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} A [[roundabout]] was constructed around the city's Independence Arch to protect it from vehicles.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}}{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}} \n\nTo address the lack of green spaces in Monterrey, Colosio rehabilitated numerous neighborhood parks across the city.{{Cite web |last=Staff |first=Indigo |date=2022-11-14 |title=Programa Municipal “Monterrey Construye” habilita espacios públicos y vialidades en zona sur |url=https://www.reporteindigo.com/reporte/programa-municipal-monterrey-construye-habilita-espacios-publicos-y-vialidades-en-zona-sur/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} Larger parks, including Parque Lago and Parque Alameda, were also reforested and rehabilitated as part of these efforts.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} [[Fundidora Park]] and Parque España were connected with the ''Puente Verde'' (in English: Green Bridge), a pedestrian bridge spanning the {{ill|Santa Catarina River (Mexico)|lt=Santa Catarina River|es|Río Santa Catarina}}.{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} \n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}}\n==== Crime and policing ====\nColosio introduced the security strategy named ''Monterrey Protege'' (in English: Monterrey Protects), which expanded police coverage from 177 to 343 neighborhoods,{{Cite web |last=Staff |first=Indigo |date=2022-09-06 |title=Presenta Luis Donaldo Colosio estrategia de seguridad “Monterrey Protege” |url=https://www.reporteindigo.com/reporte/presenta-luis-donaldo-colosio-estrategia-de-seguridad-monterrey-protege/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} installed 6,000 security cameras,{{Cite web |date=2024-06-13 |title=Monterrey quiere subir a 6 mil el número de cámaras de seguridad |url=https://abcnoticias.mx/seguridad/2024/6/13/monterrey-quiere-subir-mil-el-numero-de-camaras-de-seguridad-218708.html |access-date=2024-08-18 |website=ABC Noticias |language=es}} placed panic buttons throughout the city,{{Cite web |title=Instala Monterrey botones de alerta |url=https://elporvenir.mx/local/instala-monterrey-botones-de-alerta/755543 |access-date=2024-08-18 |website=El Porvenir |language=es}} and added 444 patrol cars to the police force.{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also increased police salaries by 15% at the beginning of his term and implemented an additional 20% raise in February 2024.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n== Senate of the Republic (2024–present) ==\n\n=== Election ===\nIn the [[2024 Mexican Senate election]], Colosio and Martha Herrera González were nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] to represent [[Nuevo León]] in the Senate, with Colosio leading the party's two-name formula. In a close three-way race,{{Cite web |date=2024-06-04 |title=Cerrada contienda por el Senado en Nuevo León {{!}} Revista Punto de Vista |url=https://revistapuntodevista.com.mx/seccion/mexico/cerrada-contienda-por-el-senado-en-nuevo-leon/856968/ |access-date=2024-08-19 |language=es}} Colosio and Herrera garnered 32.13% of the vote, placing second to [[Sigamos Haciendo Historia]]'s formula, which garnered 33.95%, and ahead of [[Fuerza y Corazón por México]]'s, which received 31.51%. As the first in his party's formula, Colosio won a seat through first minority.{{Cite web |last=Herrera |first=Por Olivia Vázquez |date=2024-06-09 |title=Luis Donaldo Colosio sí será senador por MC tras darle la vuelta al PRIAN en los cómputos distritales |url=https://www.infobae.com/mexico/2024/06/09/luis-donaldo-colosio-si-sera-senador-por-mc-tras-darle-la-vuelta-al-prian-en-los-computos-distritales/ |access-date=2024-08-19 |website=infobae |language=es-ES}}\n\n=== Tenure ===\nUpon being sworn in, Colosio was chosen as one of four secretaries in the Senate's Board of Directors for the first session of the [[LXVI Legislature of the Mexican Congress|LXVI Legislature]].{{Cite web |title=Coordinación de Comunicación Social - Eligen al senador Gerardo Fernández Noroña como presidente de la Mesa Directiva del Senado |url=https://comunicacionsocial.senado.gob.mx/informacion/comunicados/9540-eligen-al-senador-gerardo-fernandez-norona-como-presidente-de-la-mesa-directiva-del-senado |access-date=2024-09-05 |website=comunicacionsocial.senado.gob.mx}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1287677921, + "parentid": 1286174663, + "user": "Citation bot", + "userid": 7903804, + "timestamp": "2025-04-27T19:15:22Z", + "sha1": "21d1db60055084a9bac2cf7750add5541af592c1", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Altered title. Add: date, authors 1-1. Removed parameters. Some additions/deletions were parameter name changes. | [[:en:WP:UCB|Use this bot]]. [[:en:WP:DBUG|Report bugs]]. | Suggested by Abductive | [[Category:Monterrey Institute of Technology and Higher Education alumni]] | #UCB_Category 190/209", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Senate of the Republic (Mexico)|Senator of the Republic]]
from [[Nuevo León]]
{{small|First minority}}\n| term_start = 1 September 2024\n| term_end = \n| predecessor = [[Víctor Oswaldo Fuentes Solís]]\n| successor = \n| term_start2 = \n| term_end2 = \n| predecessor2 = Betsabé Rocha Nieto (interim)\n| successor2 = [[Francisco Donaciano Bahena Sampogna]] (acting)\n| office3 = \n| term_start3 = 29 September 2021\n| term_end3 = 29 February 2024\n| predecessor3 = [[Adrián de la Garza Santos|Adrián de la Garza]]\n| successor3 = Betsabé Rocha Nieto (interim)\n| office4 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start4 = 1 September 2018\n| term_end4 = 1 February 2021\n| predecessor4 = [[José Arturo Salinas Garza]]\n| successor4 = Marco Antonio Decanini Contreras\n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n| office2 = [[Municipal president of Monterrey]]\n| termstart2 = 4 June 2024\n| termend2 = 22 August 2024\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician who serves as a senator from Nuevo León. A member of [[Citizens' Movement (Mexico)|Citizens' Movement]], he previously served as a deputy in the [[Congress of Nuevo León]] from 2018 to 2021 and as mayor of [[Monterrey]] from 2021 to 2024. He is the son of [[Luis Donaldo Colosio Murrieta]], a presidential candidate who was assassinated at a campaign rally in [[Tijuana]] in 1994.\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]], to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was eight years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio co-founded the law firm \"Basave Colosio Sánchez\" with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan. At the firm, they began providing parliamentary consultancy services to various politicians. It was during this time that he made contact with leaders of [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for an elected office in the [[2018 Mexican general election|2018 elections]], a proposition he ultimately accepted in 2017.\n\nIn January 2018, [[Samuel García (politician)|Samuel García]], the then coordinator of [[Citizens' Movement (Mexico)|Citizens' Movement]] in Nuevo León, introduced Colosio as a candidate for a popularly elected office, either at the federal or state level.{{Cite web |title=Hijos de Colosio y Basave buscan ser candidatos por MC en Nuevo León |url=https://www.eluniversal.com.mx/elecciones-2018/hijos-de-colosio-y-basave-buscan-ser-candidatos-por-mc-en-nuevo-leon/ |access-date=2024-05-06 |website=El Universal |language=es}}\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes, defeating the incumbent, [[José Arturo Salinas Garza|Arturo Salinas Garza]], by 6.78 points.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} He was the only candidate from Citizens' Movement to secure a seat through first-past-the-post voting in the election.\n\nOn 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |date=September 2018 |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey (2021–2024) ==\n\n=== Election ===\nOn 15 November 2020, [[Citizens' Movement (Mexico)|Citizens' Movement]] announced that Senator [[Samuel García (politician)|Samuel García]] and Colosio were seeking the party's gubernatorial nomination. García was selected as the gubernatorial nominee, and on 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] instead.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\nDuring his first year, Colosio enjoyed an approval rating of 54.4%, according to ''¿Cómo Vamos Nuevo León?''.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-02-28 |title=Estos son los alcaldes con mayor aprobación de la Zona Metropolitana de Monterrey |url=https://www.reporteindigo.com/reporte/estos-son-los-alcaldes-con-mayor-aprobacion-en-la-zona-metropolitana-de-monterrey/ |access-date=2024-08-15 |website=Reporte Indigo |language=es-MX}} However, his approval rating dropped by 23 points in 2023, largely due to the slow pace of construction projects and a perceived rise in crime, becoming the lowest-rated mayor in the [[Monterrey metropolitan area]].{{Cite web |last=LPO (Monterrey) |title=La aprobación de Colosio se desploma y se refleja en la contienda por el Senado |url=https://www.lapoliticaonline.com/mexico/nuevoleon-mx/colosio-a-la-baja-pierde-hasta-20-puntos-en-aprobacion-en-el-2023/ |access-date=2024-08-15 |website=www.lapoliticaonline.com |language=es-ar}}\n\nOn 16 February 2024, Colosio took a leave of absence to pursue one of Nuevo León's [[Senate (Mexico)|Senate]] seats in the [[2024 Mexican Senate election|2024 elections]].{{Cite web |last1=Jornada |first1=La |last2=corresponsal |first2=Raúl Robledo |date=2024-02-15 |title=Aprueba Congreso de NL licencia para Luis Donaldo Colosio Riojas |url=https://www.jornada.com.mx/noticia/2024/02/15/estados/aprueba-congreso-de-nl-licencia-para-luis-donaldo-colosio-1011 |access-date=2024-08-15 |website=La Jornada |language=es}} He temporarily handed over his duties to Betsabé Rocha Nieto on 29 February, secured a Senate seat, resumed his role as mayor on 4 June,{{Cite web |date=2024-06-04 |title=Luis Donaldo Colosio regresa a la alcaldía de Monterrey; esperará resultados oficiales de la elección al Senado |url=https://latinus.us/eleccion-2024/2024/6/4/luis-donaldo-colosio-regresa-la-alcaldia-de-monterrey-esperara-resultados-oficiales-de-la-eleccion-al-senado-116688.html |access-date=2024-08-15 |website=LatinUS |language=es}} and stepped down as mayor on 22 August, with Francisco Donaciano Bahena Sampogna taking his place as acting mayor.{{Cite web |title=Deja Colosio alcaldía de Monterrey de manera definitiva |url=https://elporvenir.mx/local/deja-colosio-alcaldia-de-monterrey-de-manera-definitiva/763995 |access-date=2024-08-23 |website=El Porvenir |language=es}}\n\n==== Urban design and parks ====\nColosio launched the ''Corredores Verdes'' (in English: Green corridors) initiative to make Monterrey more walkable by expanding sidewalks, improving crosswalks, adding bike lanes, and planting trees along key downtown avenues. However, the initiative faced criticism for causing traffic disruptions due to lane closures and delays in construction.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}{{Cite web |title=Acumulan retrasos corredores verdes |url=https://www.elnorte.com/acumulan-retrasos-corredores-verdes/ar2840100 |access-date=2024-08-18 |website=www.elnorte.com |language=es}} Drivers also voiced frustration over reduced lanes and parking along the reconfigured avenues. \n\nInfrastructure improvements and maintenance were carried out on several Monterrey landmarks, including the ''[[Mirador del Obispado]]'', the ''[[Faro del Comercio]]'', and the ''[[Barrio Antiguo]]''.{{Cite web |date=2024-02-04 |title=Obra de rehabilitación en el Obispado lleva 80% de avance: municipio de Monterrey |url=https://abcnoticias.mx/local/2024/2/4/obra-de-rehabilitacion-en-el-obispado-lleva-80-de-avance-municipio-de-monterrey-208784.html |access-date=2024-08-18 |website=ABC Noticias |language=es-AR}}{{Cite web |last=Martínez |first=Mónica Patricia Zúñiga |date=2024-08-14 |title=Municipio de Monterrey termina rehabilitación del Faro del Comercio |url=https://www.reporteindigo.com/reporte/concluyen-trabajos-de-rehabilitacion-en-el-faro-del-comercio-de-monterrey/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} A [[roundabout]] was constructed around the city's Independence Arch to protect it from vehicles.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}}{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}} \n\nTo address the lack of green spaces in Monterrey, Colosio rehabilitated numerous neighborhood parks across the city.{{Cite web |last=Staff |first=Indigo |date=2022-11-14 |title=Programa Municipal \"Monterrey Construye\" habilita espacios públicos y vialidades en zona sur |url=https://www.reporteindigo.com/reporte/programa-municipal-monterrey-construye-habilita-espacios-publicos-y-vialidades-en-zona-sur/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} Larger parks, including Parque Lago and Parque Alameda, were also reforested and rehabilitated as part of these efforts.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} [[Fundidora Park]] and Parque España were connected with the ''Puente Verde'' (in English: Green Bridge), a pedestrian bridge spanning the {{ill|Santa Catarina River (Mexico)|lt=Santa Catarina River|es|Río Santa Catarina}}.{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} \n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}}\n==== Crime and policing ====\nColosio introduced the security strategy named ''Monterrey Protege'' (in English: Monterrey Protects), which expanded police coverage from 177 to 343 neighborhoods,{{Cite web |last=Staff |first=Indigo |date=2022-09-06 |title=Presenta Luis Donaldo Colosio estrategia de seguridad \"Monterrey Protege\" |url=https://www.reporteindigo.com/reporte/presenta-luis-donaldo-colosio-estrategia-de-seguridad-monterrey-protege/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} installed 6,000 security cameras,{{Cite web |date=2024-06-13 |title=Monterrey quiere subir a 6 mil el número de cámaras de seguridad |url=https://abcnoticias.mx/seguridad/2024/6/13/monterrey-quiere-subir-mil-el-numero-de-camaras-de-seguridad-218708.html |access-date=2024-08-18 |website=ABC Noticias |language=es}} placed panic buttons throughout the city,{{Cite web |title=Instala Monterrey botones de alerta |url=https://elporvenir.mx/local/instala-monterrey-botones-de-alerta/755543 |access-date=2024-08-18 |website=El Porvenir |language=es}} and added 444 patrol cars to the police force.{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also increased police salaries by 15% at the beginning of his term and implemented an additional 20% raise in February 2024.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n== Senate of the Republic (2024–present) ==\n\n=== Election ===\nIn the [[2024 Mexican Senate election]], Colosio and Martha Herrera González were nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] to represent [[Nuevo León]] in the Senate, with Colosio leading the party's two-name formula. In a close three-way race,{{Cite web |date=2024-06-04 |title=Cerrada contienda por el Senado en Nuevo León {{!}} Revista Punto de Vista |url=https://revistapuntodevista.com.mx/seccion/mexico/cerrada-contienda-por-el-senado-en-nuevo-leon/856968/ |access-date=2024-08-19 |language=es}} Colosio and Herrera garnered 32.13% of the vote, placing second to [[Sigamos Haciendo Historia]]'s formula, which garnered 33.95%, and ahead of [[Fuerza y Corazón por México]]'s, which received 31.51%. As the first in his party's formula, Colosio won a seat through first minority.{{Cite web |last=Herrera |first=Por Olivia Vázquez |date=2024-06-09 |title=Luis Donaldo Colosio sí será senador por MC tras darle la vuelta al PRIAN en los cómputos distritales |url=https://www.infobae.com/mexico/2024/06/09/luis-donaldo-colosio-si-sera-senador-por-mc-tras-darle-la-vuelta-al-prian-en-los-computos-distritales/ |access-date=2024-08-19 |website=infobae |language=es-ES}}\n\n=== Tenure ===\nUpon being sworn in, Colosio was chosen as one of four secretaries in the Senate's Board of Directors for the first session of the [[LXVI Legislature of the Mexican Congress|LXVI Legislature]].{{Cite web |title=Coordinación de Comunicación Social - Eligen al senador Gerardo Fernández Noroña como presidente de la Mesa Directiva del Senado |url=https://comunicacionsocial.senado.gob.mx/informacion/comunicados/9540-eligen-al-senador-gerardo-fernandez-norona-como-presidente-de-la-mesa-directiva-del-senado |access-date=2024-09-05 |website=comunicacionsocial.senado.gob.mx}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1296572597, + "parentid": 1287677921, + "minor": "", + "user": "Cewbot", + "userid": 23646674, + "timestamp": "2025-06-20T20:34:48Z", + "sha1": "dc275b3be66253a30ab36bc0096563d9cf41574c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Convert [[Santa Catarina River (Mexico)|Santa Catarina River]] to wikilink (The bot operation is completed 12.2% in total)", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Senate of the Republic (Mexico)|Senator of the Republic]]
from [[Nuevo León]]
{{small|First minority}}\n| term_start = 1 September 2024\n| term_end = \n| predecessor = [[Víctor Oswaldo Fuentes Solís]]\n| successor = \n| term_start2 = \n| term_end2 = \n| predecessor2 = Betsabé Rocha Nieto (interim)\n| successor2 = [[Francisco Donaciano Bahena Sampogna]] (acting)\n| office3 = \n| term_start3 = 29 September 2021\n| term_end3 = 29 February 2024\n| predecessor3 = [[Adrián de la Garza Santos|Adrián de la Garza]]\n| successor3 = Betsabé Rocha Nieto (interim)\n| office4 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start4 = 1 September 2018\n| term_end4 = 1 February 2021\n| predecessor4 = [[José Arturo Salinas Garza]]\n| successor4 = Marco Antonio Decanini Contreras\n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n| office2 = [[Municipal president of Monterrey]]\n| termstart2 = 4 June 2024\n| termend2 = 22 August 2024\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician who serves as a senator from Nuevo León. A member of [[Citizens' Movement (Mexico)|Citizens' Movement]], he previously served as a deputy in the [[Congress of Nuevo León]] from 2018 to 2021 and as mayor of [[Monterrey]] from 2021 to 2024. He is the son of [[Luis Donaldo Colosio Murrieta]], a presidential candidate who was assassinated at a campaign rally in [[Tijuana]] in 1994.\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]], to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was eight years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio co-founded the law firm \"Basave Colosio Sánchez\" with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan. At the firm, they began providing parliamentary consultancy services to various politicians. It was during this time that he made contact with leaders of [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for an elected office in the [[2018 Mexican general election|2018 elections]], a proposition he ultimately accepted in 2017.\n\nIn January 2018, [[Samuel García (politician)|Samuel García]], the then coordinator of [[Citizens' Movement (Mexico)|Citizens' Movement]] in Nuevo León, introduced Colosio as a candidate for a popularly elected office, either at the federal or state level.{{Cite web |title=Hijos de Colosio y Basave buscan ser candidatos por MC en Nuevo León |url=https://www.eluniversal.com.mx/elecciones-2018/hijos-de-colosio-y-basave-buscan-ser-candidatos-por-mc-en-nuevo-leon/ |access-date=2024-05-06 |website=El Universal |language=es}}\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes, defeating the incumbent, [[José Arturo Salinas Garza|Arturo Salinas Garza]], by 6.78 points.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} He was the only candidate from Citizens' Movement to secure a seat through first-past-the-post voting in the election.\n\nOn 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |date=September 2018 |url=https://www.eleconomista.com.mx/amp/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey (2021–2024) ==\n\n=== Election ===\nOn 15 November 2020, [[Citizens' Movement (Mexico)|Citizens' Movement]] announced that Senator [[Samuel García (politician)|Samuel García]] and Colosio were seeking the party's gubernatorial nomination. García was selected as the gubernatorial nominee, and on 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] instead.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\nDuring his first year, Colosio enjoyed an approval rating of 54.4%, according to ''¿Cómo Vamos Nuevo León?''.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-02-28 |title=Estos son los alcaldes con mayor aprobación de la Zona Metropolitana de Monterrey |url=https://www.reporteindigo.com/reporte/estos-son-los-alcaldes-con-mayor-aprobacion-en-la-zona-metropolitana-de-monterrey/ |access-date=2024-08-15 |website=Reporte Indigo |language=es-MX}} However, his approval rating dropped by 23 points in 2023, largely due to the slow pace of construction projects and a perceived rise in crime, becoming the lowest-rated mayor in the [[Monterrey metropolitan area]].{{Cite web |last=LPO (Monterrey) |title=La aprobación de Colosio se desploma y se refleja en la contienda por el Senado |url=https://www.lapoliticaonline.com/mexico/nuevoleon-mx/colosio-a-la-baja-pierde-hasta-20-puntos-en-aprobacion-en-el-2023/ |access-date=2024-08-15 |website=www.lapoliticaonline.com |language=es-ar}}\n\nOn 16 February 2024, Colosio took a leave of absence to pursue one of Nuevo León's [[Senate (Mexico)|Senate]] seats in the [[2024 Mexican Senate election|2024 elections]].{{Cite web |last1=Jornada |first1=La |last2=corresponsal |first2=Raúl Robledo |date=2024-02-15 |title=Aprueba Congreso de NL licencia para Luis Donaldo Colosio Riojas |url=https://www.jornada.com.mx/noticia/2024/02/15/estados/aprueba-congreso-de-nl-licencia-para-luis-donaldo-colosio-1011 |access-date=2024-08-15 |website=La Jornada |language=es}} He temporarily handed over his duties to Betsabé Rocha Nieto on 29 February, secured a Senate seat, resumed his role as mayor on 4 June,{{Cite web |date=2024-06-04 |title=Luis Donaldo Colosio regresa a la alcaldía de Monterrey; esperará resultados oficiales de la elección al Senado |url=https://latinus.us/eleccion-2024/2024/6/4/luis-donaldo-colosio-regresa-la-alcaldia-de-monterrey-esperara-resultados-oficiales-de-la-eleccion-al-senado-116688.html |access-date=2024-08-15 |website=LatinUS |language=es}} and stepped down as mayor on 22 August, with Francisco Donaciano Bahena Sampogna taking his place as acting mayor.{{Cite web |title=Deja Colosio alcaldía de Monterrey de manera definitiva |url=https://elporvenir.mx/local/deja-colosio-alcaldia-de-monterrey-de-manera-definitiva/763995 |access-date=2024-08-23 |website=El Porvenir |language=es}}\n\n==== Urban design and parks ====\nColosio launched the ''Corredores Verdes'' (in English: Green corridors) initiative to make Monterrey more walkable by expanding sidewalks, improving crosswalks, adding bike lanes, and planting trees along key downtown avenues. However, the initiative faced criticism for causing traffic disruptions due to lane closures and delays in construction.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}{{Cite web |title=Acumulan retrasos corredores verdes |url=https://www.elnorte.com/acumulan-retrasos-corredores-verdes/ar2840100 |access-date=2024-08-18 |website=www.elnorte.com |language=es}} Drivers also voiced frustration over reduced lanes and parking along the reconfigured avenues. \n\nInfrastructure improvements and maintenance were carried out on several Monterrey landmarks, including the ''[[Mirador del Obispado]]'', the ''[[Faro del Comercio]]'', and the ''[[Barrio Antiguo]]''.{{Cite web |date=2024-02-04 |title=Obra de rehabilitación en el Obispado lleva 80% de avance: municipio de Monterrey |url=https://abcnoticias.mx/local/2024/2/4/obra-de-rehabilitacion-en-el-obispado-lleva-80-de-avance-municipio-de-monterrey-208784.html |access-date=2024-08-18 |website=ABC Noticias |language=es-AR}}{{Cite web |last=Martínez |first=Mónica Patricia Zúñiga |date=2024-08-14 |title=Municipio de Monterrey termina rehabilitación del Faro del Comercio |url=https://www.reporteindigo.com/reporte/concluyen-trabajos-de-rehabilitacion-en-el-faro-del-comercio-de-monterrey/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} A [[roundabout]] was constructed around the city's Independence Arch to protect it from vehicles.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}}{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}} \n\nTo address the lack of green spaces in Monterrey, Colosio rehabilitated numerous neighborhood parks across the city.{{Cite web |last=Staff |first=Indigo |date=2022-11-14 |title=Programa Municipal \"Monterrey Construye\" habilita espacios públicos y vialidades en zona sur |url=https://www.reporteindigo.com/reporte/programa-municipal-monterrey-construye-habilita-espacios-publicos-y-vialidades-en-zona-sur/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} Larger parks, including Parque Lago and Parque Alameda, were also reforested and rehabilitated as part of these efforts.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} [[Fundidora Park]] and Parque España were connected with the ''Puente Verde'' (in English: Green Bridge), a pedestrian bridge spanning the [[Santa Catarina River (Mexico)|Santa Catarina River]].{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} \n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}}\n==== Crime and policing ====\nColosio introduced the security strategy named ''Monterrey Protege'' (in English: Monterrey Protects), which expanded police coverage from 177 to 343 neighborhoods,{{Cite web |last=Staff |first=Indigo |date=2022-09-06 |title=Presenta Luis Donaldo Colosio estrategia de seguridad \"Monterrey Protege\" |url=https://www.reporteindigo.com/reporte/presenta-luis-donaldo-colosio-estrategia-de-seguridad-monterrey-protege/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} installed 6,000 security cameras,{{Cite web |date=2024-06-13 |title=Monterrey quiere subir a 6 mil el número de cámaras de seguridad |url=https://abcnoticias.mx/seguridad/2024/6/13/monterrey-quiere-subir-mil-el-numero-de-camaras-de-seguridad-218708.html |access-date=2024-08-18 |website=ABC Noticias |language=es}} placed panic buttons throughout the city,{{Cite web |title=Instala Monterrey botones de alerta |url=https://elporvenir.mx/local/instala-monterrey-botones-de-alerta/755543 |access-date=2024-08-18 |website=El Porvenir |language=es}} and added 444 patrol cars to the police force.{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also increased police salaries by 15% at the beginning of his term and implemented an additional 20% raise in February 2024.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n== Senate of the Republic (2024–present) ==\n\n=== Election ===\nIn the [[2024 Mexican Senate election]], Colosio and Martha Herrera González were nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] to represent [[Nuevo León]] in the Senate, with Colosio leading the party's two-name formula. In a close three-way race,{{Cite web |date=2024-06-04 |title=Cerrada contienda por el Senado en Nuevo León {{!}} Revista Punto de Vista |url=https://revistapuntodevista.com.mx/seccion/mexico/cerrada-contienda-por-el-senado-en-nuevo-leon/856968/ |access-date=2024-08-19 |language=es}} Colosio and Herrera garnered 32.13% of the vote, placing second to [[Sigamos Haciendo Historia]]'s formula, which garnered 33.95%, and ahead of [[Fuerza y Corazón por México]]'s, which received 31.51%. As the first in his party's formula, Colosio won a seat through first minority.{{Cite web |last=Herrera |first=Por Olivia Vázquez |date=2024-06-09 |title=Luis Donaldo Colosio sí será senador por MC tras darle la vuelta al PRIAN en los cómputos distritales |url=https://www.infobae.com/mexico/2024/06/09/luis-donaldo-colosio-si-sera-senador-por-mc-tras-darle-la-vuelta-al-prian-en-los-computos-distritales/ |access-date=2024-08-19 |website=infobae |language=es-ES}}\n\n=== Tenure ===\nUpon being sworn in, Colosio was chosen as one of four secretaries in the Senate's Board of Directors for the first session of the [[LXVI Legislature of the Mexican Congress|LXVI Legislature]].{{Cite web |title=Coordinación de Comunicación Social - Eligen al senador Gerardo Fernández Noroña como presidente de la Mesa Directiva del Senado |url=https://comunicacionsocial.senado.gob.mx/informacion/comunicados/9540-eligen-al-senador-gerardo-fernandez-norona-como-presidente-de-la-mesa-directiva-del-senado |access-date=2024-09-05 |website=comunicacionsocial.senado.gob.mx}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1296572619, + "parentid": 1296572597, + "user": "KiranBOT", + "userid": 32983869, + "timestamp": "2025-06-20T20:35:00Z", + "sha1": "955541982cbccbe2258af01d1475656c7ad349ac", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "removed AMP tracking from URLs ([[:m:User:KiranBOT/AMP|details]]) ([[User talk:Usernamekiran|report error]]) v2.2.7r", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Senate of the Republic (Mexico)|Senator of the Republic]]
from [[Nuevo León]]
{{small|First minority}}\n| term_start = 1 September 2024\n| term_end = \n| predecessor = [[Víctor Oswaldo Fuentes Solís]]\n| successor = \n| term_start2 = \n| term_end2 = \n| predecessor2 = Betsabé Rocha Nieto (interim)\n| successor2 = [[Francisco Donaciano Bahena Sampogna]] (acting)\n| office3 = \n| term_start3 = 29 September 2021\n| term_end3 = 29 February 2024\n| predecessor3 = [[Adrián de la Garza Santos|Adrián de la Garza]]\n| successor3 = Betsabé Rocha Nieto (interim)\n| office4 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start4 = 1 September 2018\n| term_end4 = 1 February 2021\n| predecessor4 = [[José Arturo Salinas Garza]]\n| successor4 = Marco Antonio Decanini Contreras\n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n| office2 = [[Municipal president of Monterrey]]\n| termstart2 = 4 June 2024\n| termend2 = 22 August 2024\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician who serves as a senator from Nuevo León. A member of [[Citizens' Movement (Mexico)|Citizens' Movement]], he previously served as a deputy in the [[Congress of Nuevo León]] from 2018 to 2021 and as mayor of [[Monterrey]] from 2021 to 2024. He is the son of [[Luis Donaldo Colosio Murrieta]], a presidential candidate who was assassinated at a campaign rally in [[Tijuana]] in 1994.\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]], to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was eight years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nShortly after graduating as a lawyer in 2010, Colosio co-founded the law firm \"Basave Colosio Sánchez\" with Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan. At the firm, they began providing parliamentary consultancy services to various politicians. It was during this time that he made contact with leaders of [[Citizens' Movement (Mexico)|Citizens' Movement]], who offered him a candidacy for an elected office in the [[2018 Mexican general election|2018 elections]], a proposition he ultimately accepted in 2017.\n\nIn January 2018, [[Samuel García (politician)|Samuel García]], the then coordinator of [[Citizens' Movement (Mexico)|Citizens' Movement]] in Nuevo León, introduced Colosio as a candidate for a popularly elected office, either at the federal or state level.{{Cite web |title=Hijos de Colosio y Basave buscan ser candidatos por MC en Nuevo León |url=https://www.eluniversal.com.mx/elecciones-2018/hijos-de-colosio-y-basave-buscan-ser-candidatos-por-mc-en-nuevo-leon/ |access-date=2024-05-06 |website=El Universal |language=es}}\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won with 33.41% of the votes, defeating the incumbent, [[José Arturo Salinas Garza|Arturo Salinas Garza]], by 6.78 points.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} He was the only candidate from Citizens' Movement to secure a seat through first-past-the-post voting in the election.\n\nOn 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |date=September 2018 |url=https://www.eleconomista.com.mx/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey (2021–2024) ==\n\n=== Election ===\nOn 15 November 2020, [[Citizens' Movement (Mexico)|Citizens' Movement]] announced that Senator [[Samuel García (politician)|Samuel García]] and Colosio were seeking the party's gubernatorial nomination. García was selected as the gubernatorial nominee, and on 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] instead.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\nDuring his first year, Colosio enjoyed an approval rating of 54.4%, according to ''¿Cómo Vamos Nuevo León?''.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-02-28 |title=Estos son los alcaldes con mayor aprobación de la Zona Metropolitana de Monterrey |url=https://www.reporteindigo.com/reporte/estos-son-los-alcaldes-con-mayor-aprobacion-en-la-zona-metropolitana-de-monterrey/ |access-date=2024-08-15 |website=Reporte Indigo |language=es-MX}} However, his approval rating dropped by 23 points in 2023, largely due to the slow pace of construction projects and a perceived rise in crime, becoming the lowest-rated mayor in the [[Monterrey metropolitan area]].{{Cite web |last=LPO (Monterrey) |title=La aprobación de Colosio se desploma y se refleja en la contienda por el Senado |url=https://www.lapoliticaonline.com/mexico/nuevoleon-mx/colosio-a-la-baja-pierde-hasta-20-puntos-en-aprobacion-en-el-2023/ |access-date=2024-08-15 |website=www.lapoliticaonline.com |language=es-ar}}\n\nOn 16 February 2024, Colosio took a leave of absence to pursue one of Nuevo León's [[Senate (Mexico)|Senate]] seats in the [[2024 Mexican Senate election|2024 elections]].{{Cite web |last1=Jornada |first1=La |last2=corresponsal |first2=Raúl Robledo |date=2024-02-15 |title=Aprueba Congreso de NL licencia para Luis Donaldo Colosio Riojas |url=https://www.jornada.com.mx/noticia/2024/02/15/estados/aprueba-congreso-de-nl-licencia-para-luis-donaldo-colosio-1011 |access-date=2024-08-15 |website=La Jornada |language=es}} He temporarily handed over his duties to Betsabé Rocha Nieto on 29 February, secured a Senate seat, resumed his role as mayor on 4 June,{{Cite web |date=2024-06-04 |title=Luis Donaldo Colosio regresa a la alcaldía de Monterrey; esperará resultados oficiales de la elección al Senado |url=https://latinus.us/eleccion-2024/2024/6/4/luis-donaldo-colosio-regresa-la-alcaldia-de-monterrey-esperara-resultados-oficiales-de-la-eleccion-al-senado-116688.html |access-date=2024-08-15 |website=LatinUS |language=es}} and stepped down as mayor on 22 August, with Francisco Donaciano Bahena Sampogna taking his place as acting mayor.{{Cite web |title=Deja Colosio alcaldía de Monterrey de manera definitiva |url=https://elporvenir.mx/local/deja-colosio-alcaldia-de-monterrey-de-manera-definitiva/763995 |access-date=2024-08-23 |website=El Porvenir |language=es}}\n\n==== Urban design and parks ====\nColosio launched the ''Corredores Verdes'' (in English: Green corridors) initiative to make Monterrey more walkable by expanding sidewalks, improving crosswalks, adding bike lanes, and planting trees along key downtown avenues. However, the initiative faced criticism for causing traffic disruptions due to lane closures and delays in construction.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}{{Cite web |title=Acumulan retrasos corredores verdes |url=https://www.elnorte.com/acumulan-retrasos-corredores-verdes/ar2840100 |access-date=2024-08-18 |website=www.elnorte.com |language=es}} Drivers also voiced frustration over reduced lanes and parking along the reconfigured avenues. \n\nInfrastructure improvements and maintenance were carried out on several Monterrey landmarks, including the ''[[Mirador del Obispado]]'', the ''[[Faro del Comercio]]'', and the ''[[Barrio Antiguo]]''.{{Cite web |date=2024-02-04 |title=Obra de rehabilitación en el Obispado lleva 80% de avance: municipio de Monterrey |url=https://abcnoticias.mx/local/2024/2/4/obra-de-rehabilitacion-en-el-obispado-lleva-80-de-avance-municipio-de-monterrey-208784.html |access-date=2024-08-18 |website=ABC Noticias |language=es-AR}}{{Cite web |last=Martínez |first=Mónica Patricia Zúñiga |date=2024-08-14 |title=Municipio de Monterrey termina rehabilitación del Faro del Comercio |url=https://www.reporteindigo.com/reporte/concluyen-trabajos-de-rehabilitacion-en-el-faro-del-comercio-de-monterrey/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} A [[roundabout]] was constructed around the city's Independence Arch to protect it from vehicles.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}}{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}} \n\nTo address the lack of green spaces in Monterrey, Colosio rehabilitated numerous neighborhood parks across the city.{{Cite web |last=Staff |first=Indigo |date=2022-11-14 |title=Programa Municipal \"Monterrey Construye\" habilita espacios públicos y vialidades en zona sur |url=https://www.reporteindigo.com/reporte/programa-municipal-monterrey-construye-habilita-espacios-publicos-y-vialidades-en-zona-sur/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} Larger parks, including Parque Lago and Parque Alameda, were also reforested and rehabilitated as part of these efforts.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} [[Fundidora Park]] and Parque España were connected with the ''Puente Verde'' (in English: Green Bridge), a pedestrian bridge spanning the [[Santa Catarina River (Mexico)|Santa Catarina River]].{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} \n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}}\n==== Crime and policing ====\nColosio introduced the security strategy named ''Monterrey Protege'' (in English: Monterrey Protects), which expanded police coverage from 177 to 343 neighborhoods,{{Cite web |last=Staff |first=Indigo |date=2022-09-06 |title=Presenta Luis Donaldo Colosio estrategia de seguridad \"Monterrey Protege\" |url=https://www.reporteindigo.com/reporte/presenta-luis-donaldo-colosio-estrategia-de-seguridad-monterrey-protege/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} installed 6,000 security cameras,{{Cite web |date=2024-06-13 |title=Monterrey quiere subir a 6 mil el número de cámaras de seguridad |url=https://abcnoticias.mx/seguridad/2024/6/13/monterrey-quiere-subir-mil-el-numero-de-camaras-de-seguridad-218708.html |access-date=2024-08-18 |website=ABC Noticias |language=es}} placed panic buttons throughout the city,{{Cite web |title=Instala Monterrey botones de alerta |url=https://elporvenir.mx/local/instala-monterrey-botones-de-alerta/755543 |access-date=2024-08-18 |website=El Porvenir |language=es}} and added 444 patrol cars to the police force.{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also increased police salaries by 15% at the beginning of his term and implemented an additional 20% raise in February 2024.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n== Senate of the Republic (2024–present) ==\n\n=== Election ===\nIn the [[2024 Mexican Senate election]], Colosio and Martha Herrera González were nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] to represent [[Nuevo León]] in the Senate, with Colosio leading the party's two-name formula. In a close three-way race,{{Cite web |date=2024-06-04 |title=Cerrada contienda por el Senado en Nuevo León {{!}} Revista Punto de Vista |url=https://revistapuntodevista.com.mx/seccion/mexico/cerrada-contienda-por-el-senado-en-nuevo-leon/856968/ |access-date=2024-08-19 |language=es}} Colosio and Herrera garnered 32.13% of the vote, placing second to [[Sigamos Haciendo Historia]]'s formula, which garnered 33.95%, and ahead of [[Fuerza y Corazón por México]]'s, which received 31.51%. As the first in his party's formula, Colosio won a seat through first minority.{{Cite web |last=Herrera |first=Por Olivia Vázquez |date=2024-06-09 |title=Luis Donaldo Colosio sí será senador por MC tras darle la vuelta al PRIAN en los cómputos distritales |url=https://www.infobae.com/mexico/2024/06/09/luis-donaldo-colosio-si-sera-senador-por-mc-tras-darle-la-vuelta-al-prian-en-los-computos-distritales/ |access-date=2024-08-19 |website=infobae |language=es-ES}}\n\n=== Tenure ===\nUpon being sworn in, Colosio was chosen as one of four secretaries in the Senate's Board of Directors for the first session of the [[LXVI Legislature of the Mexican Congress|LXVI Legislature]].{{Cite web |title=Coordinación de Comunicación Social - Eligen al senador Gerardo Fernández Noroña como presidente de la Mesa Directiva del Senado |url=https://comunicacionsocial.senado.gob.mx/informacion/comunicados/9540-eligen-al-senador-gerardo-fernandez-norona-como-presidente-de-la-mesa-directiva-del-senado |access-date=2024-09-05 |website=comunicacionsocial.senado.gob.mx}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1297970641, + "parentid": 1296572619, + "user": "EchoLuminary", + "userid": 46991865, + "timestamp": "2025-06-29T18:13:23Z", + "sha1": "a34b4775291f6f3cb9ad8e453ebcae3617e62ceb", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Early political career */ rwd", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Senate of the Republic (Mexico)|Senator of the Republic]]
from [[Nuevo León]]
{{small|First minority}}\n| term_start = 1 September 2024\n| term_end = \n| predecessor = [[Víctor Oswaldo Fuentes Solís]]\n| successor = \n| term_start2 = \n| term_end2 = \n| predecessor2 = Betsabé Rocha Nieto (interim)\n| successor2 = [[Francisco Donaciano Bahena Sampogna]] (acting)\n| office3 = \n| term_start3 = 29 September 2021\n| term_end3 = 29 February 2024\n| predecessor3 = [[Adrián de la Garza Santos|Adrián de la Garza]]\n| successor3 = Betsabé Rocha Nieto (interim)\n| office4 = Member of the [[Congress of Nuevo León]]
from the 4th district\n| term_start4 = 1 September 2018\n| term_end4 = 1 February 2021\n| predecessor4 = [[José Arturo Salinas Garza]]\n| successor4 = Marco Antonio Decanini Contreras\n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n| office2 = [[Municipal president of Monterrey]]\n| termstart2 = 4 June 2024\n| termend2 = 22 August 2024\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician who serves as a senator from Nuevo León. A member of [[Citizens' Movement (Mexico)|Citizens' Movement]], he previously served as a deputy in the [[Congress of Nuevo León]] from 2018 to 2021 and as mayor of [[Monterrey]] from 2021 to 2024. He is the son of [[Luis Donaldo Colosio Murrieta]], a presidential candidate who was assassinated at a campaign rally in [[Tijuana]] in 1994.\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]], to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was eight years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nAfter obtaining his law degree in 2010, Colosio co-founded the law firm Basave Colosio Sánchez, alongside Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan. The firm specialized in parliamentary consultancy, advising various public officials and political figures. During this period, Colosio established relationships with leaders of the [[Citizens' Movement (Mexico)|Citizens' Movement]] (MC), who would later encourage him to seek elected office.\n\nIn 2017, Colosio formally accepted an invitation from MC to run as a candidate in the 2018 elections. In January 2018, [[Samuel García (politician)|Samuel García]], the party's coordinator in Nuevo León, publicly introduced Colosio as a prospective candidate for a popularly elected position at either the state or federal level.{{Cite web |title=Hijos de Colosio y Basave buscan ser candidatos por MC en Nuevo León |url=https://www.eluniversal.com.mx/elecciones-2018/hijos-de-colosio-y-basave-buscan-ser-candidatos-por-mc-en-nuevo-leon/ |access-date=2024-05-06 |website=El Universal |language=es}}\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won the seat with 33.41 percent of the vote, defeating the incumbent, Arturo Salinas Garza of the National Action Party (PAN), by a margin of 6.78 points, flipping the district.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} He was the only candidate from Citizens' Movement to secure a seat through first-past-the-post voting in the election.\n\nOn 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |date=September 2018 |url=https://www.eleconomista.com.mx/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey (2021–2024) ==\n\n=== Election ===\nOn 15 November 2020, [[Citizens' Movement (Mexico)|Citizens' Movement]] announced that Senator [[Samuel García (politician)|Samuel García]] and Colosio were seeking the party's gubernatorial nomination. García was selected as the gubernatorial nominee, and on 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] instead.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\nDuring his first year, Colosio enjoyed an approval rating of 54.4%, according to ''¿Cómo Vamos Nuevo León?''.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-02-28 |title=Estos son los alcaldes con mayor aprobación de la Zona Metropolitana de Monterrey |url=https://www.reporteindigo.com/reporte/estos-son-los-alcaldes-con-mayor-aprobacion-en-la-zona-metropolitana-de-monterrey/ |access-date=2024-08-15 |website=Reporte Indigo |language=es-MX}} However, his approval rating dropped by 23 points in 2023, largely due to the slow pace of construction projects and a perceived rise in crime, becoming the lowest-rated mayor in the [[Monterrey metropolitan area]].{{Cite web |last=LPO (Monterrey) |title=La aprobación de Colosio se desploma y se refleja en la contienda por el Senado |url=https://www.lapoliticaonline.com/mexico/nuevoleon-mx/colosio-a-la-baja-pierde-hasta-20-puntos-en-aprobacion-en-el-2023/ |access-date=2024-08-15 |website=www.lapoliticaonline.com |language=es-ar}}\n\nOn 16 February 2024, Colosio took a leave of absence to pursue one of Nuevo León's [[Senate (Mexico)|Senate]] seats in the [[2024 Mexican Senate election|2024 elections]].{{Cite web |last1=Jornada |first1=La |last2=corresponsal |first2=Raúl Robledo |date=2024-02-15 |title=Aprueba Congreso de NL licencia para Luis Donaldo Colosio Riojas |url=https://www.jornada.com.mx/noticia/2024/02/15/estados/aprueba-congreso-de-nl-licencia-para-luis-donaldo-colosio-1011 |access-date=2024-08-15 |website=La Jornada |language=es}} He temporarily handed over his duties to Betsabé Rocha Nieto on 29 February, secured a Senate seat, resumed his role as mayor on 4 June,{{Cite web |date=2024-06-04 |title=Luis Donaldo Colosio regresa a la alcaldía de Monterrey; esperará resultados oficiales de la elección al Senado |url=https://latinus.us/eleccion-2024/2024/6/4/luis-donaldo-colosio-regresa-la-alcaldia-de-monterrey-esperara-resultados-oficiales-de-la-eleccion-al-senado-116688.html |access-date=2024-08-15 |website=LatinUS |language=es}} and stepped down as mayor on 22 August, with Francisco Donaciano Bahena Sampogna taking his place as acting mayor.{{Cite web |title=Deja Colosio alcaldía de Monterrey de manera definitiva |url=https://elporvenir.mx/local/deja-colosio-alcaldia-de-monterrey-de-manera-definitiva/763995 |access-date=2024-08-23 |website=El Porvenir |language=es}}\n\n==== Urban design and parks ====\nColosio launched the ''Corredores Verdes'' (in English: Green corridors) initiative to make Monterrey more walkable by expanding sidewalks, improving crosswalks, adding bike lanes, and planting trees along key downtown avenues. However, the initiative faced criticism for causing traffic disruptions due to lane closures and delays in construction.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}{{Cite web |title=Acumulan retrasos corredores verdes |url=https://www.elnorte.com/acumulan-retrasos-corredores-verdes/ar2840100 |access-date=2024-08-18 |website=www.elnorte.com |language=es}} Drivers also voiced frustration over reduced lanes and parking along the reconfigured avenues. \n\nInfrastructure improvements and maintenance were carried out on several Monterrey landmarks, including the ''[[Mirador del Obispado]]'', the ''[[Faro del Comercio]]'', and the ''[[Barrio Antiguo]]''.{{Cite web |date=2024-02-04 |title=Obra de rehabilitación en el Obispado lleva 80% de avance: municipio de Monterrey |url=https://abcnoticias.mx/local/2024/2/4/obra-de-rehabilitacion-en-el-obispado-lleva-80-de-avance-municipio-de-monterrey-208784.html |access-date=2024-08-18 |website=ABC Noticias |language=es-AR}}{{Cite web |last=Martínez |first=Mónica Patricia Zúñiga |date=2024-08-14 |title=Municipio de Monterrey termina rehabilitación del Faro del Comercio |url=https://www.reporteindigo.com/reporte/concluyen-trabajos-de-rehabilitacion-en-el-faro-del-comercio-de-monterrey/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} A [[roundabout]] was constructed around the city's Independence Arch to protect it from vehicles.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}}{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}} \n\nTo address the lack of green spaces in Monterrey, Colosio rehabilitated numerous neighborhood parks across the city.{{Cite web |last=Staff |first=Indigo |date=2022-11-14 |title=Programa Municipal \"Monterrey Construye\" habilita espacios públicos y vialidades en zona sur |url=https://www.reporteindigo.com/reporte/programa-municipal-monterrey-construye-habilita-espacios-publicos-y-vialidades-en-zona-sur/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} Larger parks, including Parque Lago and Parque Alameda, were also reforested and rehabilitated as part of these efforts.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} [[Fundidora Park]] and Parque España were connected with the ''Puente Verde'' (in English: Green Bridge), a pedestrian bridge spanning the [[Santa Catarina River (Mexico)|Santa Catarina River]].{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} \n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}}\n==== Crime and policing ====\nColosio introduced the security strategy named ''Monterrey Protege'' (in English: Monterrey Protects), which expanded police coverage from 177 to 343 neighborhoods,{{Cite web |last=Staff |first=Indigo |date=2022-09-06 |title=Presenta Luis Donaldo Colosio estrategia de seguridad \"Monterrey Protege\" |url=https://www.reporteindigo.com/reporte/presenta-luis-donaldo-colosio-estrategia-de-seguridad-monterrey-protege/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} installed 6,000 security cameras,{{Cite web |date=2024-06-13 |title=Monterrey quiere subir a 6 mil el número de cámaras de seguridad |url=https://abcnoticias.mx/seguridad/2024/6/13/monterrey-quiere-subir-mil-el-numero-de-camaras-de-seguridad-218708.html |access-date=2024-08-18 |website=ABC Noticias |language=es}} placed panic buttons throughout the city,{{Cite web |title=Instala Monterrey botones de alerta |url=https://elporvenir.mx/local/instala-monterrey-botones-de-alerta/755543 |access-date=2024-08-18 |website=El Porvenir |language=es}} and added 444 patrol cars to the police force.{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also increased police salaries by 15% at the beginning of his term and implemented an additional 20% raise in February 2024.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n== Senate of the Republic (2024–present) ==\n\n=== Election ===\nIn the [[2024 Mexican Senate election]], Colosio and Martha Herrera González were nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] to represent [[Nuevo León]] in the Senate, with Colosio leading the party's two-name formula. In a close three-way race,{{Cite web |date=2024-06-04 |title=Cerrada contienda por el Senado en Nuevo León {{!}} Revista Punto de Vista |url=https://revistapuntodevista.com.mx/seccion/mexico/cerrada-contienda-por-el-senado-en-nuevo-leon/856968/ |access-date=2024-08-19 |language=es}} Colosio and Herrera garnered 32.13% of the vote, placing second to [[Sigamos Haciendo Historia]]'s formula, which garnered 33.95%, and ahead of [[Fuerza y Corazón por México]]'s, which received 31.51%. As the first in his party's formula, Colosio won a seat through first minority.{{Cite web |last=Herrera |first=Por Olivia Vázquez |date=2024-06-09 |title=Luis Donaldo Colosio sí será senador por MC tras darle la vuelta al PRIAN en los cómputos distritales |url=https://www.infobae.com/mexico/2024/06/09/luis-donaldo-colosio-si-sera-senador-por-mc-tras-darle-la-vuelta-al-prian-en-los-computos-distritales/ |access-date=2024-08-19 |website=infobae |language=es-ES}}\n\n=== Tenure ===\nUpon being sworn in, Colosio was chosen as one of four secretaries in the Senate's Board of Directors for the first session of the [[LXVI Legislature of the Mexican Congress|LXVI Legislature]].{{Cite web |title=Coordinación de Comunicación Social - Eligen al senador Gerardo Fernández Noroña como presidente de la Mesa Directiva del Senado |url=https://comunicacionsocial.senado.gob.mx/informacion/comunicados/9540-eligen-al-senador-gerardo-fernandez-norona-como-presidente-de-la-mesa-directiva-del-senado |access-date=2024-09-05 |website=comunicacionsocial.senado.gob.mx}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1302213186, + "parentid": 1297970641, + "user": "EchoLuminary", + "userid": 46991865, + "timestamp": "2025-07-24T02:24:57Z", + "sha1": "b9bcabd0d5083fa21d121e59e757b7fd9f2691d3", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "infobox constituencies", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Senate of the Republic (Mexico)|Senator of the Republic]]\n| term_start = 1 September 2024\n| term_end = \n| predecessor = [[Víctor Oswaldo Fuentes Solís]]\n| successor = \n| term_start2 = \n| term_end2 = \n| predecessor2 = Betsabé Rocha Nieto (interim)\n| successor2 = [[Francisco Donaciano Bahena Sampogna]] (acting)\n| office3 = \n| term_start3 = 29 September 2021\n| term_end3 = 29 February 2024\n| predecessor3 = [[Adrián de la Garza Santos|Adrián de la Garza]]\n| successor3 = Betsabé Rocha Nieto (interim)\n| office4 = Member of the [[Congress of Nuevo León]]\n| term_start4 = 1 September 2018\n| term_end4 = 1 February 2021\n| predecessor4 = [[José Arturo Salinas Garza]]\n| successor4 = Marco Antonio Decanini Contreras\n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n| office2 = [[Municipal president of Monterrey]]\n| termstart2 = 4 June 2024\n| termend2 = 22 August 2024\n| constituency = [[Nuevo León]]\n| constituency4 = 4th district\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician who serves as a senator from Nuevo León. A member of [[Citizens' Movement (Mexico)|Citizens' Movement]], he previously served as a deputy in the [[Congress of Nuevo León]] from 2018 to 2021 and as mayor of [[Monterrey]] from 2021 to 2024. He is the son of [[Luis Donaldo Colosio Murrieta]], a presidential candidate who was assassinated at a campaign rally in [[Tijuana]] in 1994.\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]], to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was eight years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nAfter obtaining his law degree in 2010, Colosio co-founded the law firm Basave Colosio Sánchez, alongside Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan. The firm specialized in parliamentary consultancy, advising various public officials and political figures. During this period, Colosio established relationships with leaders of the [[Citizens' Movement (Mexico)|Citizens' Movement]] (MC), who would later encourage him to seek elected office.\n\nIn 2017, Colosio formally accepted an invitation from MC to run as a candidate in the 2018 elections. In January 2018, [[Samuel García (politician)|Samuel García]], the party's coordinator in Nuevo León, publicly introduced Colosio as a prospective candidate for a popularly elected position at either the state or federal level.{{Cite web |title=Hijos de Colosio y Basave buscan ser candidatos por MC en Nuevo León |url=https://www.eluniversal.com.mx/elecciones-2018/hijos-de-colosio-y-basave-buscan-ser-candidatos-por-mc-en-nuevo-leon/ |access-date=2024-05-06 |website=El Universal |language=es}}\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won the seat with 33.41 percent of the vote, defeating the incumbent, Arturo Salinas Garza of the National Action Party (PAN), by a margin of 6.78 points, flipping the district.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} He was the only candidate from Citizens' Movement to secure a seat through first-past-the-post voting in the election.\n\nOn 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |date=September 2018 |url=https://www.eleconomista.com.mx/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey (2021–2024) ==\n\n=== Election ===\nOn 15 November 2020, [[Citizens' Movement (Mexico)|Citizens' Movement]] announced that Senator [[Samuel García (politician)|Samuel García]] and Colosio were seeking the party's gubernatorial nomination. García was selected as the gubernatorial nominee, and on 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] instead.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\nDuring his first year, Colosio enjoyed an approval rating of 54.4%, according to ''¿Cómo Vamos Nuevo León?''.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-02-28 |title=Estos son los alcaldes con mayor aprobación de la Zona Metropolitana de Monterrey |url=https://www.reporteindigo.com/reporte/estos-son-los-alcaldes-con-mayor-aprobacion-en-la-zona-metropolitana-de-monterrey/ |access-date=2024-08-15 |website=Reporte Indigo |language=es-MX}} However, his approval rating dropped by 23 points in 2023, largely due to the slow pace of construction projects and a perceived rise in crime, becoming the lowest-rated mayor in the [[Monterrey metropolitan area]].{{Cite web |last=LPO (Monterrey) |title=La aprobación de Colosio se desploma y se refleja en la contienda por el Senado |url=https://www.lapoliticaonline.com/mexico/nuevoleon-mx/colosio-a-la-baja-pierde-hasta-20-puntos-en-aprobacion-en-el-2023/ |access-date=2024-08-15 |website=www.lapoliticaonline.com |language=es-ar}}\n\nOn 16 February 2024, Colosio took a leave of absence to pursue one of Nuevo León's [[Senate (Mexico)|Senate]] seats in the [[2024 Mexican Senate election|2024 elections]].{{Cite web |last1=Jornada |first1=La |last2=corresponsal |first2=Raúl Robledo |date=2024-02-15 |title=Aprueba Congreso de NL licencia para Luis Donaldo Colosio Riojas |url=https://www.jornada.com.mx/noticia/2024/02/15/estados/aprueba-congreso-de-nl-licencia-para-luis-donaldo-colosio-1011 |access-date=2024-08-15 |website=La Jornada |language=es}} He temporarily handed over his duties to Betsabé Rocha Nieto on 29 February, secured a Senate seat, resumed his role as mayor on 4 June,{{Cite web |date=2024-06-04 |title=Luis Donaldo Colosio regresa a la alcaldía de Monterrey; esperará resultados oficiales de la elección al Senado |url=https://latinus.us/eleccion-2024/2024/6/4/luis-donaldo-colosio-regresa-la-alcaldia-de-monterrey-esperara-resultados-oficiales-de-la-eleccion-al-senado-116688.html |access-date=2024-08-15 |website=LatinUS |language=es}} and stepped down as mayor on 22 August, with Francisco Donaciano Bahena Sampogna taking his place as acting mayor.{{Cite web |title=Deja Colosio alcaldía de Monterrey de manera definitiva |url=https://elporvenir.mx/local/deja-colosio-alcaldia-de-monterrey-de-manera-definitiva/763995 |access-date=2024-08-23 |website=El Porvenir |language=es}}\n\n==== Urban design and parks ====\nColosio launched the ''Corredores Verdes'' (in English: Green corridors) initiative to make Monterrey more walkable by expanding sidewalks, improving crosswalks, adding bike lanes, and planting trees along key downtown avenues. However, the initiative faced criticism for causing traffic disruptions due to lane closures and delays in construction.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}{{Cite web |title=Acumulan retrasos corredores verdes |url=https://www.elnorte.com/acumulan-retrasos-corredores-verdes/ar2840100 |access-date=2024-08-18 |website=www.elnorte.com |language=es}} Drivers also voiced frustration over reduced lanes and parking along the reconfigured avenues. \n\nInfrastructure improvements and maintenance were carried out on several Monterrey landmarks, including the ''[[Mirador del Obispado]]'', the ''[[Faro del Comercio]]'', and the ''[[Barrio Antiguo]]''.{{Cite web |date=2024-02-04 |title=Obra de rehabilitación en el Obispado lleva 80% de avance: municipio de Monterrey |url=https://abcnoticias.mx/local/2024/2/4/obra-de-rehabilitacion-en-el-obispado-lleva-80-de-avance-municipio-de-monterrey-208784.html |access-date=2024-08-18 |website=ABC Noticias |language=es-AR}}{{Cite web |last=Martínez |first=Mónica Patricia Zúñiga |date=2024-08-14 |title=Municipio de Monterrey termina rehabilitación del Faro del Comercio |url=https://www.reporteindigo.com/reporte/concluyen-trabajos-de-rehabilitacion-en-el-faro-del-comercio-de-monterrey/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} A [[roundabout]] was constructed around the city's Independence Arch to protect it from vehicles.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}}{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}} \n\nTo address the lack of green spaces in Monterrey, Colosio rehabilitated numerous neighborhood parks across the city.{{Cite web |last=Staff |first=Indigo |date=2022-11-14 |title=Programa Municipal \"Monterrey Construye\" habilita espacios públicos y vialidades en zona sur |url=https://www.reporteindigo.com/reporte/programa-municipal-monterrey-construye-habilita-espacios-publicos-y-vialidades-en-zona-sur/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} Larger parks, including Parque Lago and Parque Alameda, were also reforested and rehabilitated as part of these efforts.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} [[Fundidora Park]] and Parque España were connected with the ''Puente Verde'' (in English: Green Bridge), a pedestrian bridge spanning the [[Santa Catarina River (Mexico)|Santa Catarina River]].{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} \n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}}\n==== Crime and policing ====\nColosio introduced the security strategy named ''Monterrey Protege'' (in English: Monterrey Protects), which expanded police coverage from 177 to 343 neighborhoods,{{Cite web |last=Staff |first=Indigo |date=2022-09-06 |title=Presenta Luis Donaldo Colosio estrategia de seguridad \"Monterrey Protege\" |url=https://www.reporteindigo.com/reporte/presenta-luis-donaldo-colosio-estrategia-de-seguridad-monterrey-protege/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} installed 6,000 security cameras,{{Cite web |date=2024-06-13 |title=Monterrey quiere subir a 6 mil el número de cámaras de seguridad |url=https://abcnoticias.mx/seguridad/2024/6/13/monterrey-quiere-subir-mil-el-numero-de-camaras-de-seguridad-218708.html |access-date=2024-08-18 |website=ABC Noticias |language=es}} placed panic buttons throughout the city,{{Cite web |title=Instala Monterrey botones de alerta |url=https://elporvenir.mx/local/instala-monterrey-botones-de-alerta/755543 |access-date=2024-08-18 |website=El Porvenir |language=es}} and added 444 patrol cars to the police force.{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also increased police salaries by 15% at the beginning of his term and implemented an additional 20% raise in February 2024.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n== Senate of the Republic (2024–present) ==\n\n=== Election ===\nIn the [[2024 Mexican Senate election]], Colosio and Martha Herrera González were nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] to represent [[Nuevo León]] in the Senate, with Colosio leading the party's two-name formula. In a close three-way race,{{Cite web |date=2024-06-04 |title=Cerrada contienda por el Senado en Nuevo León {{!}} Revista Punto de Vista |url=https://revistapuntodevista.com.mx/seccion/mexico/cerrada-contienda-por-el-senado-en-nuevo-leon/856968/ |access-date=2024-08-19 |language=es}} Colosio and Herrera garnered 32.13% of the vote, placing second to [[Sigamos Haciendo Historia]]'s formula, which garnered 33.95%, and ahead of [[Fuerza y Corazón por México]]'s, which received 31.51%. As the first in his party's formula, Colosio won a seat through first minority.{{Cite web |last=Herrera |first=Por Olivia Vázquez |date=2024-06-09 |title=Luis Donaldo Colosio sí será senador por MC tras darle la vuelta al PRIAN en los cómputos distritales |url=https://www.infobae.com/mexico/2024/06/09/luis-donaldo-colosio-si-sera-senador-por-mc-tras-darle-la-vuelta-al-prian-en-los-computos-distritales/ |access-date=2024-08-19 |website=infobae |language=es-ES}}\n\n=== Tenure ===\nUpon being sworn in, Colosio was chosen as one of four secretaries in the Senate's Board of Directors for the first session of the [[LXVI Legislature of the Mexican Congress|LXVI Legislature]].{{Cite web |title=Coordinación de Comunicación Social - Eligen al senador Gerardo Fernández Noroña como presidente de la Mesa Directiva del Senado |url=https://comunicacionsocial.senado.gob.mx/informacion/comunicados/9540-eligen-al-senador-gerardo-fernandez-norona-como-presidente-de-la-mesa-directiva-del-senado |access-date=2024-09-05 |website=comunicacionsocial.senado.gob.mx}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]" + }, + { + "revid": 1316723168, + "parentid": 1302213186, + "user": "EchoLuminary", + "userid": 46991865, + "timestamp": "2025-10-14T03:41:18Z", + "sha1": "0751815c4787a0929c6a828a4bae0673bb69c82c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "added [[Category:Members of the Senate of the Republic (Mexico) for Nuevo León]] using [[WP:HC|HotCat]]", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Senate of the Republic (Mexico)|Senator of the Republic]]\n| term_start = 1 September 2024\n| term_end = \n| predecessor = [[Víctor Oswaldo Fuentes Solís]]\n| successor = \n| term_start2 = \n| term_end2 = \n| predecessor2 = Betsabé Rocha Nieto (interim)\n| successor2 = [[Francisco Donaciano Bahena Sampogna]] (acting)\n| office3 = \n| term_start3 = 29 September 2021\n| term_end3 = 29 February 2024\n| predecessor3 = [[Adrián de la Garza Santos|Adrián de la Garza]]\n| successor3 = Betsabé Rocha Nieto (interim)\n| office4 = Member of the [[Congress of Nuevo León]]\n| term_start4 = 1 September 2018\n| term_end4 = 1 February 2021\n| predecessor4 = [[José Arturo Salinas Garza]]\n| successor4 = Marco Antonio Decanini Contreras\n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico) | Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n| office2 = [[Municipal president of Monterrey]]\n| termstart2 = 4 June 2024\n| termend2 = 22 August 2024\n| constituency = [[Nuevo León]]\n| constituency4 = 4th district\n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician who serves as a senator from Nuevo León. A member of [[Citizens' Movement (Mexico)|Citizens' Movement]], he previously served as a deputy in the [[Congress of Nuevo León]] from 2018 to 2021 and as mayor of [[Monterrey]] from 2021 to 2024. He is the son of [[Luis Donaldo Colosio Murrieta]], a presidential candidate who was assassinated at a campaign rally in [[Tijuana]] in 1994.\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]], to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was eight years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nAfter obtaining his law degree in 2010, Colosio co-founded the law firm Basave Colosio Sánchez, alongside Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan. The firm specialized in parliamentary consultancy, advising various public officials and political figures. During this period, Colosio established relationships with leaders of the [[Citizens' Movement (Mexico)|Citizens' Movement]] (MC), who would later encourage him to seek elected office.\n\nIn 2017, Colosio formally accepted an invitation from MC to run as a candidate in the 2018 elections. In January 2018, [[Samuel García (politician)|Samuel García]], the party's coordinator in Nuevo León, publicly introduced Colosio as a prospective candidate for a popularly elected position at either the state or federal level.{{Cite web |title=Hijos de Colosio y Basave buscan ser candidatos por MC en Nuevo León |url=https://www.eluniversal.com.mx/elecciones-2018/hijos-de-colosio-y-basave-buscan-ser-candidatos-por-mc-en-nuevo-leon/ |access-date=2024-05-06 |website=El Universal |language=es}}\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won the seat with 33.41 percent of the vote, defeating the incumbent, Arturo Salinas Garza of the National Action Party (PAN), by a margin of 6.78 points, flipping the district.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} He was the only candidate from Citizens' Movement to secure a seat through first-past-the-post voting in the election.\n\nOn 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |date=September 2018 |url=https://www.eleconomista.com.mx/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey (2021–2024) ==\n\n=== Election ===\nOn 15 November 2020, [[Citizens' Movement (Mexico)|Citizens' Movement]] announced that Senator [[Samuel García (politician)|Samuel García]] and Colosio were seeking the party's gubernatorial nomination. García was selected as the gubernatorial nominee, and on 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] instead.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\nDuring his first year, Colosio enjoyed an approval rating of 54.4%, according to ''¿Cómo Vamos Nuevo León?''.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-02-28 |title=Estos son los alcaldes con mayor aprobación de la Zona Metropolitana de Monterrey |url=https://www.reporteindigo.com/reporte/estos-son-los-alcaldes-con-mayor-aprobacion-en-la-zona-metropolitana-de-monterrey/ |access-date=2024-08-15 |website=Reporte Indigo |language=es-MX}} However, his approval rating dropped by 23 points in 2023, largely due to the slow pace of construction projects and a perceived rise in crime, becoming the lowest-rated mayor in the [[Monterrey metropolitan area]].{{Cite web |last=LPO (Monterrey) |title=La aprobación de Colosio se desploma y se refleja en la contienda por el Senado |url=https://www.lapoliticaonline.com/mexico/nuevoleon-mx/colosio-a-la-baja-pierde-hasta-20-puntos-en-aprobacion-en-el-2023/ |access-date=2024-08-15 |website=www.lapoliticaonline.com |language=es-ar}}\n\nOn 16 February 2024, Colosio took a leave of absence to pursue one of Nuevo León's [[Senate (Mexico)|Senate]] seats in the [[2024 Mexican Senate election|2024 elections]].{{Cite web |last1=Jornada |first1=La |last2=corresponsal |first2=Raúl Robledo |date=2024-02-15 |title=Aprueba Congreso de NL licencia para Luis Donaldo Colosio Riojas |url=https://www.jornada.com.mx/noticia/2024/02/15/estados/aprueba-congreso-de-nl-licencia-para-luis-donaldo-colosio-1011 |access-date=2024-08-15 |website=La Jornada |language=es}} He temporarily handed over his duties to Betsabé Rocha Nieto on 29 February, secured a Senate seat, resumed his role as mayor on 4 June,{{Cite web |date=2024-06-04 |title=Luis Donaldo Colosio regresa a la alcaldía de Monterrey; esperará resultados oficiales de la elección al Senado |url=https://latinus.us/eleccion-2024/2024/6/4/luis-donaldo-colosio-regresa-la-alcaldia-de-monterrey-esperara-resultados-oficiales-de-la-eleccion-al-senado-116688.html |access-date=2024-08-15 |website=LatinUS |language=es}} and stepped down as mayor on 22 August, with Francisco Donaciano Bahena Sampogna taking his place as acting mayor.{{Cite web |title=Deja Colosio alcaldía de Monterrey de manera definitiva |url=https://elporvenir.mx/local/deja-colosio-alcaldia-de-monterrey-de-manera-definitiva/763995 |access-date=2024-08-23 |website=El Porvenir |language=es}}\n\n==== Urban design and parks ====\nColosio launched the ''Corredores Verdes'' (in English: Green corridors) initiative to make Monterrey more walkable by expanding sidewalks, improving crosswalks, adding bike lanes, and planting trees along key downtown avenues. However, the initiative faced criticism for causing traffic disruptions due to lane closures and delays in construction.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}{{Cite web |title=Acumulan retrasos corredores verdes |url=https://www.elnorte.com/acumulan-retrasos-corredores-verdes/ar2840100 |access-date=2024-08-18 |website=www.elnorte.com |language=es}} Drivers also voiced frustration over reduced lanes and parking along the reconfigured avenues. \n\nInfrastructure improvements and maintenance were carried out on several Monterrey landmarks, including the ''[[Mirador del Obispado]]'', the ''[[Faro del Comercio]]'', and the ''[[Barrio Antiguo]]''.{{Cite web |date=2024-02-04 |title=Obra de rehabilitación en el Obispado lleva 80% de avance: municipio de Monterrey |url=https://abcnoticias.mx/local/2024/2/4/obra-de-rehabilitacion-en-el-obispado-lleva-80-de-avance-municipio-de-monterrey-208784.html |access-date=2024-08-18 |website=ABC Noticias |language=es-AR}}{{Cite web |last=Martínez |first=Mónica Patricia Zúñiga |date=2024-08-14 |title=Municipio de Monterrey termina rehabilitación del Faro del Comercio |url=https://www.reporteindigo.com/reporte/concluyen-trabajos-de-rehabilitacion-en-el-faro-del-comercio-de-monterrey/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} A [[roundabout]] was constructed around the city's Independence Arch to protect it from vehicles.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}}{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}} \n\nTo address the lack of green spaces in Monterrey, Colosio rehabilitated numerous neighborhood parks across the city.{{Cite web |last=Staff |first=Indigo |date=2022-11-14 |title=Programa Municipal \"Monterrey Construye\" habilita espacios públicos y vialidades en zona sur |url=https://www.reporteindigo.com/reporte/programa-municipal-monterrey-construye-habilita-espacios-publicos-y-vialidades-en-zona-sur/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} Larger parks, including Parque Lago and Parque Alameda, were also reforested and rehabilitated as part of these efforts.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} [[Fundidora Park]] and Parque España were connected with the ''Puente Verde'' (in English: Green Bridge), a pedestrian bridge spanning the [[Santa Catarina River (Mexico)|Santa Catarina River]].{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}} \n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}}\n==== Crime and policing ====\nColosio introduced the security strategy named ''Monterrey Protege'' (in English: Monterrey Protects), which expanded police coverage from 177 to 343 neighborhoods,{{Cite web |last=Staff |first=Indigo |date=2022-09-06 |title=Presenta Luis Donaldo Colosio estrategia de seguridad \"Monterrey Protege\" |url=https://www.reporteindigo.com/reporte/presenta-luis-donaldo-colosio-estrategia-de-seguridad-monterrey-protege/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} installed 6,000 security cameras,{{Cite web |date=2024-06-13 |title=Monterrey quiere subir a 6 mil el número de cámaras de seguridad |url=https://abcnoticias.mx/seguridad/2024/6/13/monterrey-quiere-subir-mil-el-numero-de-camaras-de-seguridad-218708.html |access-date=2024-08-18 |website=ABC Noticias |language=es}} placed panic buttons throughout the city,{{Cite web |title=Instala Monterrey botones de alerta |url=https://elporvenir.mx/local/instala-monterrey-botones-de-alerta/755543 |access-date=2024-08-18 |website=El Porvenir |language=es}} and added 444 patrol cars to the police force.{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also increased police salaries by 15% at the beginning of his term and implemented an additional 20% raise in February 2024.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n== Senate of the Republic (2024–present) ==\n\n=== Election ===\nIn the [[2024 Mexican Senate election]], Colosio and Martha Herrera González were nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] to represent [[Nuevo León]] in the Senate, with Colosio leading the party's two-name formula. In a close three-way race,{{Cite web |date=2024-06-04 |title=Cerrada contienda por el Senado en Nuevo León {{!}} Revista Punto de Vista |url=https://revistapuntodevista.com.mx/seccion/mexico/cerrada-contienda-por-el-senado-en-nuevo-leon/856968/ |access-date=2024-08-19 |language=es}} Colosio and Herrera garnered 32.13% of the vote, placing second to [[Sigamos Haciendo Historia]]'s formula, which garnered 33.95%, and ahead of [[Fuerza y Corazón por México]]'s, which received 31.51%. As the first in his party's formula, Colosio won a seat through first minority.{{Cite web |last=Herrera |first=Por Olivia Vázquez |date=2024-06-09 |title=Luis Donaldo Colosio sí será senador por MC tras darle la vuelta al PRIAN en los cómputos distritales |url=https://www.infobae.com/mexico/2024/06/09/luis-donaldo-colosio-si-sera-senador-por-mc-tras-darle-la-vuelta-al-prian-en-los-computos-distritales/ |access-date=2024-08-19 |website=infobae |language=es-ES}}\n\n=== Tenure ===\nUpon being sworn in, Colosio was chosen as one of four secretaries in the Senate's Board of Directors for the first session of the [[LXVI Legislature of the Mexican Congress|LXVI Legislature]].{{Cite web |title=Coordinación de Comunicación Social - Eligen al senador Gerardo Fernández Noroña como presidente de la Mesa Directiva del Senado |url=https://comunicacionsocial.senado.gob.mx/informacion/comunicados/9540-eligen-al-senador-gerardo-fernandez-norona-como-presidente-de-la-mesa-directiva-del-senado |access-date=2024-09-05 |website=comunicacionsocial.senado.gob.mx}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]\n[[Category:Members of the Senate of the Republic (Mexico) for Nuevo León]]" + }, + { + "revid": 1347221443, + "parentid": 1316723168, + "minor": "", + "user": "PrimeBOT", + "userid": 29463730, + "timestamp": "2026-04-05T12:08:15Z", + "sha1": "aefffec06f07c0b8d044396f45a90f4c426d33f9", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "[[User:PrimeBOT/30|Task 30]]: infobox parameter cleanup following [[Template_talk:Infobox_officeholder#Conflicting_parameter_cleanup|a discussion]] and overhaul", + "*": "{{short description|Mexican politician}}\n{{family name hatnote|Colosio|Riojas|lang=Spanish}}\n{{Infobox officeholder\n| name = Luis Donaldo Colosio Riojas\n| image = Diputado Luis Donaldo Colosio Riojas.jpg\n| office = [[Senate of the Republic (Mexico)|Senator of the Republic]]\n| term_start = 1 September 2024\n| term_end =\n| predecessor = [[Víctor Oswaldo Fuentes Solís]]\n| successor = \n| predecessor2 = Betsabé Rocha Nieto (interim)\n| successor2 = [[Francisco Donaciano Bahena Sampogna]] (acting)\n| office3 = \n| term_start3 = 29 September 2021\n| term_end3 = 29 February 2024\n| predecessor3 = [[Adrián de la Garza Santos|Adrián de la Garza]]\n| successor3 = Betsabé Rocha Nieto (interim)\n| office4 = Member of the [[Congress of Nuevo León]]\n| term_start4 = 1 September 2018\n| term_end4 = 1 February 2021\n| predecessor4 = [[José Arturo Salinas Garza]]\n| successor4 = Marco Antonio Decanini Contreras\n| birth_date = {{birth date and age|1985|7|31|df=y}}\n| birth_place = [[Magdalena de Kino]], [[Sonora]], [[Mexico]]\n| death_date = \n| death_place = \n| resting_place = \n| occupation = {{hlist|Politician||Lawyer}}\n| party = [[Citizens' Movement (Mexico)|Citizens' Movement]]\n| parents = [[Luis Donaldo Colosio Murrieta]]
Diana Laura Riojas\n| spouse = {{marriage|María de la Luz García Luna|2009}}\n| children = 2\n| relatives = [[Luis Colosio Fernández]] (paternal grandfather)\n| education = [[Monterrey Institute of Technology and Higher Education]] ([[Bachelor of Laws|LLB]])\n| website = https://www.colosioriojas.mx/\n| office2 = [[Municipal president of Monterrey]]\n| term_start2 = 4 June 2024\n| term_end2 = 22 August 2024\n| constituency = [[Nuevo León]]\n| constituency4 = 4th district \n}}\n\n'''Luis Donaldo Colosio Riojas''' (born 31 July 1985) is a Mexican lawyer and politician who serves as a senator from Nuevo León. A member of [[Citizens' Movement (Mexico)|Citizens' Movement]], he previously served as a deputy in the [[Congress of Nuevo León]] from 2018 to 2021 and as mayor of [[Monterrey]] from 2021 to 2024. He is the son of [[Luis Donaldo Colosio Murrieta]], a presidential candidate who was assassinated at a campaign rally in [[Tijuana]] in 1994.\n\n==Early life and education==\nColosio was born on 31 July 1985 in [[Magdalena de Kino]], [[Sonora]], to [[Luis Donaldo Colosio Murrieta]] and Diana Laura Riojas. His father and grandfather were both politicians affiliated with the [[Institutional Revolutionary Party]] (PRI), with his father being the PRI's presidential candidate for the [[1994 Mexican general election|1994 election]]. His mother was an economist. Colosio has a younger sister named Mariana.\n\nWhen Colosio was eight years old, he and his sister became orphans after their father was assassinated at a campaign rally in [[Tijuana]] in 1994, followed by their mother's death from [[pancreatic cancer]] eight months later. The siblings were then adopted by their maternal aunt and uncle, Hilda Elisa Riojas and Fernando Cantú, and moved to [[Monterrey|Monterrey, Nuevo León]].{{Cite news |last=Pacheco |first=Gustavo |date=23 March 2019 |title=Esto ha pasado con los hijos de Luis Donaldo Colosio |url=https://www.milenio.com/politica/colosio-que-fue-de-sus-hijos-y-esposa |newspaper=[[Milenio]]}}\n\n=== Education ===\nColosio attended the Mexico City campus of the [[Monterrey Institute of Technology and Higher Education]], where he earned a [[Bachelor of Laws]] in 2010. He is currently pursuing a master's degree in [[corporate law]] from the [[University of Monterrey]].{{Cite web |last=Martinez |first=Por Rubi |date=2024-01-23 |title=Éste es el grado de estudios de Luis Donaldo Colosio Riojas, el alcalde de Monterrey que quiere llegar al Senado con MC |url=https://www.infobae.com/mexico/2024/01/23/este-es-el-grado-de-estudios-de-luis-donaldo-colosio-riojas-el-alcalde-de-monterrey-que-quiere-llegar-al-senado-con-mc/ |access-date=2024-05-05 |website=infobae |language=es-ES}}\n\n==Early political career==\nColosio was initially discouraged by his family from pursuing a political career. In 2006, he received an offer to be a candidate for plurinominal deputy, which he rejected.{{Cite news |last=Corona |first=Sonia |date=2018-06-22 |title=Basave y Colosio, el relevo político que se cocina en el norte de México |url=https://elpais.com/internacional/2018/06/21/mexico/1529587416_684884.html |access-date=2024-05-05 |work=El País |language=es |issn=1134-6582}}\n\nAfter obtaining his law degree in 2010, Colosio co-founded the law firm Basave Colosio Sánchez, alongside Agustín Basave Alanís, Alejandro Basave, and Manuel Sánchez O’Sullivan. The firm specialized in parliamentary consultancy, advising various public officials and political figures. During this period, Colosio established relationships with leaders of the [[Citizens' Movement (Mexico)|Citizens' Movement]] (MC), who would later encourage him to seek elected office.\n\nIn 2017, Colosio formally accepted an invitation from MC to run as a candidate in the 2018 elections. In January 2018, [[Samuel García (politician)|Samuel García]], the party's coordinator in Nuevo León, publicly introduced Colosio as a prospective candidate for a popularly elected position at either the state or federal level.{{Cite web |title=Hijos de Colosio y Basave buscan ser candidatos por MC en Nuevo León |url=https://www.eluniversal.com.mx/elecciones-2018/hijos-de-colosio-y-basave-buscan-ser-candidatos-por-mc-en-nuevo-leon/ |access-date=2024-05-06 |website=El Universal |language=es}}\n\n=== Local deputy ===\nColosio was nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] as a candidate for the 4th district of [[Nuevo León]] in the 2018 state election. He won the seat with 33.41 percent of the vote, defeating the incumbent, Arturo Salinas Garza of the National Action Party (PAN), by a margin of 6.78 points, flipping the district.{{Cite web |title=Hijo de Colosio gana diputación en su debut político en NL |url=https://www.eluniversal.com.mx/elecciones-2018/hijo-de-colosio-gana-diputacion-en-su-debut-politico-en-nl/ |access-date=2024-05-05 |website=El Universal |language=es}} He was the only candidate from Citizens' Movement to secure a seat through first-past-the-post voting in the election.\n\nOn 1 September 2018, he was sworn in as a member of the LXXV Legislature of the [[Congress of Nuevo León]].{{Cite web |title=Inicia LXXV Legislatura de Nuevo León |date=September 2018 |url=https://www.eleconomista.com.mx/economia/Inicia-LXXV-Legislatura-de-Nuevo-Leon-20180901-0017.html}}\n\n== Municipal president of Monterrey (2021–2024) ==\n\n=== Election ===\nOn 15 November 2020, [[Citizens' Movement (Mexico)|Citizens' Movement]] announced that Senator [[Samuel García (politician)|Samuel García]] and Colosio were seeking the party's gubernatorial nomination. García was selected as the gubernatorial nominee, and on 25 January 2021, Colosio registered as a precandidate for [[municipal president of Monterrey]] instead.{{Cite web |last=Vargas |first=Lidia |date=2021-01-31 |title=Luis Donaldo Colosio se registra como precandidato a la alcaldía de Monterrey |url=https://lopezdoriga.com/nacional/luis-donaldo-colosio-se-registra-como-precandidato-a-la-alcaldia-de-monterrey/ |access-date=2024-05-05 |website=López-Dóriga Digital |language=es-MX}} He won the election with over 47% of the vote in an eight-way race, beating his nearest opponent by over 16 points.{{cite news |date=8 June 2021 |title=Colosio, Vizcaíno, Marina y Cerqueda, las nuevas caras de la política en México |url=https://www.elfinanciero.com.mx/elecciones-2021/2021/06/08/luis-donaldo-colosio-indira-vizcaino-samuel-garcia-y-adolfo-cerqueda-las-nuevas-caras-de-la-politica-en-mexico/ |publisher=El Financiero/[[Bloomberg L.P.|Bloomberg]]}}{{cite web |title=Programa de Resultados Electorales Preliminares 2021 - Elecciones Estatales de Nuevo León |url=https://www.sipre.mx/GC01M40.htm |access-date=10 June 2021 |publisher=Comisión Estatal Electoral Nuevo León}}\n\n=== Tenure ===\nColosio was inaugurated on 29 September 2021 at 11:55 p.m.\n\nDuring his first year, Colosio enjoyed an approval rating of 54.4%, according to ''¿Cómo Vamos Nuevo León?''.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-02-28 |title=Estos son los alcaldes con mayor aprobación de la Zona Metropolitana de Monterrey |url=https://www.reporteindigo.com/reporte/estos-son-los-alcaldes-con-mayor-aprobacion-en-la-zona-metropolitana-de-monterrey/ |access-date=2024-08-15 |website=Reporte Indigo |language=es-MX}} However, his approval rating dropped by 23 points in 2023, largely due to the slow pace of construction projects and a perceived rise in crime, becoming the lowest-rated mayor in the [[Monterrey metropolitan area]].{{Cite web |last=LPO (Monterrey) |title=La aprobación de Colosio se desploma y se refleja en la contienda por el Senado |url=https://www.lapoliticaonline.com/mexico/nuevoleon-mx/colosio-a-la-baja-pierde-hasta-20-puntos-en-aprobacion-en-el-2023/ |access-date=2024-08-15 |website=www.lapoliticaonline.com |language=es-ar}}\n\nOn 16 February 2024, Colosio took a leave of absence to pursue one of Nuevo León's [[Senate (Mexico)|Senate]] seats in the [[2024 Mexican Senate election|2024 elections]].{{Cite web |last1=Jornada |first1=La |last2=corresponsal |first2=Raúl Robledo |date=2024-02-15 |title=Aprueba Congreso de NL licencia para Luis Donaldo Colosio Riojas |url=https://www.jornada.com.mx/noticia/2024/02/15/estados/aprueba-congreso-de-nl-licencia-para-luis-donaldo-colosio-1011 |access-date=2024-08-15 |website=La Jornada |language=es}} He temporarily handed over his duties to Betsabé Rocha Nieto on 29 February, secured a Senate seat, resumed his role as mayor on 4 June,{{Cite web |date=2024-06-04 |title=Luis Donaldo Colosio regresa a la alcaldía de Monterrey; esperará resultados oficiales de la elección al Senado |url=https://latinus.us/eleccion-2024/2024/6/4/luis-donaldo-colosio-regresa-la-alcaldia-de-monterrey-esperara-resultados-oficiales-de-la-eleccion-al-senado-116688.html |access-date=2024-08-15 |website=LatinUS |language=es}} and stepped down as mayor on 22 August, with Francisco Donaciano Bahena Sampogna taking his place as acting mayor.{{Cite web |title=Deja Colosio alcaldía de Monterrey de manera definitiva |url=https://elporvenir.mx/local/deja-colosio-alcaldia-de-monterrey-de-manera-definitiva/763995 |access-date=2024-08-23 |website=El Porvenir |language=es}}\n\n==== Urban design and parks ====\nColosio launched the ''Corredores Verdes'' (in English: Green corridors) initiative to make Monterrey more walkable by expanding sidewalks, improving crosswalks, adding bike lanes, and planting trees along key downtown avenues. However, the initiative faced criticism for causing traffic disruptions due to lane closures and delays in construction.{{Cite web |date=2021-01-01 |title=Siguen detenidos los trabajos del corredor verde en avenida Ocampo |url=https://www.posta.com.mx/nuevoleon/siguen-detenidos-los-trabajos-del-corredor-verde-en-avenida-ocampo/v-vl1534845 |access-date=2024-05-05 |website=POSTA Nuevo León |language=es}}{{Cite web |title=Acumulan retrasos corredores verdes |url=https://www.elnorte.com/acumulan-retrasos-corredores-verdes/ar2840100 |access-date=2024-08-18 |website=www.elnorte.com |language=es}} Drivers also voiced frustration over reduced lanes and parking along the reconfigured avenues.\n\nInfrastructure improvements and maintenance were carried out on several Monterrey landmarks, including the ''[[Mirador del Obispado]]'', the ''[[Faro del Comercio]]'', and the ''[[Barrio Antiguo]]''.{{Cite web |date=2024-02-04 |title=Obra de rehabilitación en el Obispado lleva 80% de avance: municipio de Monterrey |url=https://abcnoticias.mx/local/2024/2/4/obra-de-rehabilitacion-en-el-obispado-lleva-80-de-avance-municipio-de-monterrey-208784.html |access-date=2024-08-18 |website=ABC Noticias |language=es-AR}}{{Cite web |last=Martínez |first=Mónica Patricia Zúñiga |date=2024-08-14 |title=Municipio de Monterrey termina rehabilitación del Faro del Comercio |url=https://www.reporteindigo.com/reporte/concluyen-trabajos-de-rehabilitacion-en-el-faro-del-comercio-de-monterrey/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} A [[roundabout]] was constructed around the city's Independence Arch to protect it from vehicles.{{Cite web |last=Marroquín |first=José Luis |date=2023-09-11 |title=Bolardos en Arco de la Independencia en Monterrey son para cuidar el patrimonio: Enrique Adame |url=https://www.telediario.mx/comunidad/por-que-cerraron-paso-en-arco-de-la-independencia-en-monterrey |access-date=2024-05-06 |website=Telediario}}{{Cite web |date=2023-11-23 |title=Desde este jueves se reabre vialidad en Arco de la Independencia en Monterrey |url=https://www.publimetro.com.mx/nuevo-leon/2023/11/23/arco-de-la-independencia-en-monterrey-terminan-obras-y-queda-libre-la-circulacion/ |access-date=2024-05-06 |website=Publimetro México |language=es}}\n\nTo address the lack of green spaces in Monterrey, Colosio rehabilitated numerous neighborhood parks across the city.{{Cite web |last=Staff |first=Indigo |date=2022-11-14 |title=Programa Municipal \"Monterrey Construye\" habilita espacios públicos y vialidades en zona sur |url=https://www.reporteindigo.com/reporte/programa-municipal-monterrey-construye-habilita-espacios-publicos-y-vialidades-en-zona-sur/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} Larger parks, including Parque Lago and Parque Alameda, were also reforested and rehabilitated as part of these efforts.{{Cite web |title=Supervisa alcalde regio avance de Parque Lago |url=https://elporvenir.mx/local/supervisa-alcalde-regio-avance-de-parque-lago/682177 |access-date=2024-05-05 |website=El Porvenir |language=es}}{{Cite web |last=Carreón |first=Ricardo Alanís |date=2023-12-12 |title=Inicia Monterrey última etapa de rescate en la Alameda Mariano Escobedo |url=https://www.reporteindigo.com/reporte/inicia-monterrey-ultima-etapa-de-rescate-en-la-alameda-mariano-escobedo/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}} [[Fundidora Park]] and Parque España were connected with the ''Puente Verde'' (in English: Green Bridge), a pedestrian bridge spanning the [[Santa Catarina River (Mexico)|Santa Catarina River]].{{Cite web |date=2023-08-29 |title=Puente Verde es inaugurado en medio de la lluvia; conecta Parque Fundidora y Parque España |url=https://mvsnoticias.com/nuevo-leon/2023/8/29/puente-verde-es-inaugurado-en-medio-de-la-lluvia-conecta-parque-fundidora-parque-espana-604702.html |access-date=2024-05-05 |website=MVS Noticias |language=es}}\n\n==== Roads ====\nBetween 2022 and 2023, the Monterrey government repaved about 729 thousand cubic meters of pavement throughout the municipality, covering eight of the city's major avenues and streets in 46 different neighborhoods.{{Cite web |last=Briones |first=Jesús Iván Moreno |date=2023-01-10 |title=Adiós baches: estas avenidas de Monterrey ya fueron repavimentadas |url=https://www.reporteindigo.com/reporte/adios-baches-principales-avenidas-de-monterrey-ya-fueron-repavimentadas/ |access-date=2024-05-05 |website=Reporte Indigo |language=es-MX}}\n\n==== Crime and policing ====\nColosio introduced the security strategy named ''Monterrey Protege'' (in English: Monterrey Protects), which expanded police coverage from 177 to 343 neighborhoods,{{Cite web |last=Staff |first=Indigo |date=2022-09-06 |title=Presenta Luis Donaldo Colosio estrategia de seguridad \"Monterrey Protege\" |url=https://www.reporteindigo.com/reporte/presenta-luis-donaldo-colosio-estrategia-de-seguridad-monterrey-protege/ |access-date=2024-08-18 |website=Reporte Indigo |language=es-MX}} installed 6,000 security cameras,{{Cite web |date=2024-06-13 |title=Monterrey quiere subir a 6 mil el número de cámaras de seguridad |url=https://abcnoticias.mx/seguridad/2024/6/13/monterrey-quiere-subir-mil-el-numero-de-camaras-de-seguridad-218708.html |access-date=2024-08-18 |website=ABC Noticias |language=es}} placed panic buttons throughout the city,{{Cite web |title=Instala Monterrey botones de alerta |url=https://elporvenir.mx/local/instala-monterrey-botones-de-alerta/755543 |access-date=2024-08-18 |website=El Porvenir |language=es}} and added 444 patrol cars to the police force.{{Cite web |date=2023-12-11 |title=Amplía Monterrey el número de sus patrullas |url=https://abcnoticias.mx/local/2023/12/11/amplia-monterrey-el-numero-de-sus-patrullas-204944.html |access-date=2024-05-06 |website=ABC Noticias |language=es-AR}} Colosio also increased police salaries by 15% at the beginning of his term and implemented an additional 20% raise in February 2024.{{Cite web |date=2024-02-16 |title=¿Cuánto ganarán los policías de Monterrey con el aumento del 20 por ciento? |url=https://mvsnoticias.com/nuevo-leon/2024/2/16/cuanto-ganaran-los-policias-de-monterrey-con-el-aumento-del-20-por-ciento-626957.html |access-date=2024-05-06 |website=MVS Noticias |language=es}}\n\nDespite his efforts, the homicide rate in Monterrey has remained relatively unchanged during Colosio's tenure, only decreasing from 226 to 223 annual deaths between 2021 and 2023.{{Cite web |date=2024-01-18 |title=Fiscalía de NL destaca los operativos y combate a la delincuencia durante 2023 |url=https://abcnoticias.mx/seguridad/2024/1/18/fiscalia-de-nl-destaca-los-operativos-combate-la-delincuencia-durante-2023-207586.html |access-date=2024-05-06 |website=ABC Noticias |language=es}} However, there has been a decrease in the perception of insecurity, with 69.8% feeling unsafe in December 2022 and only 58.6% feeling unsafe in December 2023, the lowest since 2016.{{Cite web |date=2024-02-11 |title=Monterrey reduce su percepción de inseguridad al 58.6% |url=https://abcnoticias.mx/local/2024/2/11/monterrey-reduce-su-percepcion-de-inseguridad-al-586-209359.html |access-date=2024-05-05 |website=ABC Noticias |language=es-AR}} Confidence in the police has also increased from 64.9% to 68.2% between 2022 and 2023.\n\n== Senate of the Republic (2024–present) ==\n\n=== Election ===\nIn the [[2024 Mexican Senate election]], Colosio and Martha Herrera González were nominated by [[Citizens' Movement (Mexico)|Citizens' Movement]] to represent [[Nuevo León]] in the Senate, with Colosio leading the party's two-name formula. In a close three-way race,{{Cite web |date=2024-06-04 |title=Cerrada contienda por el Senado en Nuevo León {{!}} Revista Punto de Vista |url=https://revistapuntodevista.com.mx/seccion/mexico/cerrada-contienda-por-el-senado-en-nuevo-leon/856968/ |access-date=2024-08-19 |language=es}} Colosio and Herrera garnered 32.13% of the vote, placing second to [[Sigamos Haciendo Historia]]'s formula, which garnered 33.95%, and ahead of [[Fuerza y Corazón por México]]'s, which received 31.51%. As the first in his party's formula, Colosio won a seat through first minority.{{Cite web |last=Herrera |first=Por Olivia Vázquez |date=2024-06-09 |title=Luis Donaldo Colosio sí será senador por MC tras darle la vuelta al PRIAN en los cómputos distritales |url=https://www.infobae.com/mexico/2024/06/09/luis-donaldo-colosio-si-sera-senador-por-mc-tras-darle-la-vuelta-al-prian-en-los-computos-distritales/ |access-date=2024-08-19 |website=infobae |language=es-ES}}\n\n=== Tenure ===\nUpon being sworn in, Colosio was chosen as one of four secretaries in the Senate's Board of Directors for the first session of the [[LXVI Legislature of the Mexican Congress|LXVI Legislature]].{{Cite web |title=Coordinación de Comunicación Social - Eligen al senador Gerardo Fernández Noroña como presidente de la Mesa Directiva del Senado |url=https://comunicacionsocial.senado.gob.mx/informacion/comunicados/9540-eligen-al-senador-gerardo-fernandez-norona-como-presidente-de-la-mesa-directiva-del-senado |access-date=2024-09-05 |website=comunicacionsocial.senado.gob.mx}}\n\n==References==\n\n\n==Further reading==\n*[[Jorge G. Castañeda|Castañeda, Jorge G.]] ''Perpetuating Power: How Mexican Presidents Were Chosen''. New York: The New Press 2000. {{ISBN|1-56584-616-8}}\n*[[Enrique Krauze|Krauze, Enrique]], ''Mexico: Biography of Power''. New York: HarperCollins 1997. {{ISBN|0-06-016325-9}}\n\n==External links==\n*[https://www.colosioriojas.mx/ Official web site]\n*[https://www.facebook.com/colosioriojas/ Official Facebook page]\n\n{{Authority control}}\n\n{{DEFAULTSORT:Colosio Riojas, Luis Donaldo}}\n[[Category:Living people]]\n[[Category:1985 births]]\n[[Category:Mexican people of Italian descent]]\n[[Category:Mexican people of Basque descent]]\n[[Category:Mexican people of Catalan descent]]\n[[Category:Citizens' Movement (Mexico) politicians]]\n[[Category:Members of the Congress of Nuevo León]]\n[[Category:Municipal presidents of Monterrey]]\n[[Category:Monterrey Institute of Technology and Higher Education alumni]]\n[[Category:Politicians from Sonora]]\n[[Category:21st-century Mexican politicians]]\n[[Category:People from Magdalena de Kino]]\n[[Category:Members of the Senate of the Republic (Mexico) for Nuevo León]]" + } +] \ No newline at end of file diff --git a/tests/fixtures/meeting_at_night_revisions.json b/tests/fixtures/meeting_at_night_revisions.json new file mode 100644 index 0000000..319a87c --- /dev/null +++ b/tests/fixtures/meeting_at_night_revisions.json @@ -0,0 +1,354 @@ +[ + { + "revid": 575833625, + "parentid": 0, + "minor": false, + "user": "Solomon7968", + "userid": 15009458, + "timestamp": "2013-10-05T08:01:45Z", + "sha1": "bd9756cd8990237b7d17b3377ad3769196f9093f", + "comment": "Poem by Robert Browning", + "*": "{{italic title}}\n{{Infobox poem\n|name = ''Meeting at Night''\n|image = Robert Browning by Herbert Rose Barraud c1888.jpg\n|image_size = 200px\n|caption = \n|author = [[Robert Browning]]\n|original_title = \n|translator = \n|first = 1845\n|illustrator = \n|cover_artist = \n|country = \n|language = English\n|series = \n|subject = \n|genre = \n|publisher = \n|publication_date = \n|publication_date_en = \n|media_type = \n|lines = \n|pages = \n|size_weight = \n|isbn = \n|oclc = \n|preceded_by = \n|followed_by = \n}}\n'''''Meeting at Night''''' is an English love poem written by the [[Victorian literature|Victorian]] poet [[Robert Browning]]. Browning wrote the poem in two parts as \"Night\" and \"Morning\", (later separated as \"Meeting at Night\" and \"[[Parting at Morning]]\" in 1849) for his 1845 work ''[[Dramatic Romances and Lyrics]]''.\n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describes the poem as the most sensual poem of Browning.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\n[[John Kenyon]] a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]] presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning discovering his name in print in the poem volume wrote a letter to Elizabeth on January 10, 1815. Upon getting the reply he sent the manuscripts of poems and plays of the [[Dramatic Romances and Lyrics]] for proofreading to her.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in [[Dramatic Romances and Lyrics]] were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. Richard S. Kennedy, Donald S. Hair describes \"... they present a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Poem ==\n'''''Meeting at Night''''' (excerpt)\n\nThe grey sea and the long black land;\nAnd the yellow half-moon large and low;\nAnd the startled little waves that leap\nIn fiery ringlets from their sleep,\nAs I gain the cove with pushing prow,\nAnd quench its speed i' the slushy sand.\n\nThen a mile of warm sea-scented beach;\nThree fields to cross till a farm appears;\nA tap at the pane, the quick sharp scratch\nAnd blue spurt of a lighted match,\nAnd a voice less loud, thro' its joys and fears,\nThan the two hearts beating each to each!\n\n* Read '''[[:wikisource:Meeting at Night|the full poem]]''' at [[Wikisource]]\n\n== Themes ==\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of the secret journey by a boat on the sea. The second stanza describes the fulfillment of the meeting of the two lovers.\n\nUnlike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male) the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} The poem follows the rhyme scheme ''abccba'' and ''deffed''.\n\n== Reception ==\nThere are two published accounts of this poem one by [[Frank Raymond Leavis]]{{cite book|author=Frank Raymond Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by [https://www.nottingham.ac.uk/english/people/ronald.carter Ronald Carter] and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}}\n\nKennedy and Hair describes that Browning's urgent love for Elizbeth Barrett had led him to write the most sensual poem he had yet created.\n\n== References ==\n{{Reflist}}\n\n== External links ==\n{{Sister project links| wikt=no | commons=no | b=no | n=no | q=no | s=Meeting at Night | v=no | voy=no | species=no | d=no}}\n\n[[Category:Poetry by Robert Browning]]" + }, + { + "revid": 575839317, + "parentid": 575833625, + "minor": false, + "user": "Crisco 1492", + "userid": 356335, + "timestamp": "2013-10-05T09:25:45Z", + "sha1": "c6804abe4f6cb815cbb8b0fb8188f026df638440", + "comment": "poems use quotes, unless they are really long ones (book-length, for instance)", + "*": "{{Infobox poem\n|name = ''Meeting at Night''\n|image = Robert Browning by Herbert Rose Barraud c1888.jpg\n|image_size = 200px\n|caption = \n|author = [[Robert Browning]]\n|original_title = \n|translator = \n|first = 1845\n|illustrator = \n|cover_artist = \n|country = \n|language = English\n|series = \n|subject = \n|genre = \n|publisher = \n|publication_date = \n|publication_date_en = \n|media_type = \n|lines = \n|pages = \n|size_weight = \n|isbn = \n|oclc = \n|preceded_by = \n|followed_by = \n}}\n\"'''Meeting at Night'''\" is an English love poem written by the [[Victorian literature|Victorian]] poet [[Robert Browning]]. Browning wrote the poem in two parts as \"Night\" and \"Morning\", (later separated as \"Meeting at Night\" and \"[[Parting at Morning]]\" in 1849) for his 1845 work ''[[Dramatic Romances and Lyrics]]''.\n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describes the poem as the most sensual poem of Browning.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\n[[John Kenyon]] a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]] presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning discovering his name in print in the poem volume wrote a letter to Elizabeth on January 10, 1815. Upon getting the reply he sent the manuscripts of poems and plays of the [[Dramatic Romances and Lyrics]] for proofreading to her.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in [[Dramatic Romances and Lyrics]] were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. Richard S. Kennedy, Donald S. Hair describes \"... they present a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Poem ==\n'''''Meeting at Night''''' (excerpt)\n\nThe grey sea and the long black land;\nAnd the yellow half-moon large and low;\nAnd the startled little waves that leap\nIn fiery ringlets from their sleep,\nAs I gain the cove with pushing prow,\nAnd quench its speed i' the slushy sand.\n\nThen a mile of warm sea-scented beach;\nThree fields to cross till a farm appears;\nA tap at the pane, the quick sharp scratch\nAnd blue spurt of a lighted match,\nAnd a voice less loud, thro' its joys and fears,\nThan the two hearts beating each to each!\n\n* Read '''[[:wikisource:Meeting at Night|the full poem]]''' at [[Wikisource]]\n\n== Themes ==\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of the secret journey by a boat on the sea. The second stanza describes the fulfillment of the meeting of the two lovers.\n\nUnlike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male) the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} The poem follows the rhyme scheme ''abccba'' and ''deffed''.\n\n== Reception ==\nThere are two published accounts of this poem one by [[Frank Raymond Leavis]]{{cite book|author=Frank Raymond Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by [https://www.nottingham.ac.uk/english/people/ronald.carter Ronald Carter] and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}}\n\nKennedy and Hair describes that Browning's urgent love for Elizbeth Barrett had led him to write the most sensual poem he had yet created.\n\n== References ==\n{{Reflist}}\n\n== External links ==\n{{Sister project links| wikt=no | commons=no | b=no | n=no | q=no | s=Meeting at Night | v=no | voy=no | species=no | d=no}}\n\n[[Category:Poetry by Robert Browning]]" + }, + { + "revid": 575839392, + "parentid": 575839317, + "minor": false, + "user": "Crisco 1492", + "userid": 356335, + "timestamp": "2013-10-05T09:26:46Z", + "sha1": "8b6958ddc3b60d8df37c01b7b4ca798ff8a1014e", + "comment": "missed one", + "*": "{{Infobox poem\n|name = Meeting at Night\n|image = Robert Browning by Herbert Rose Barraud c1888.jpg\n|image_size = 200px\n|caption = \n|author = [[Robert Browning]]\n|original_title = \n|translator = \n|first = 1845\n|illustrator = \n|cover_artist = \n|country = \n|language = English\n|series = \n|subject = \n|genre = \n|publisher = \n|publication_date = \n|publication_date_en = \n|media_type = \n|lines = \n|pages = \n|size_weight = \n|isbn = \n|oclc = \n|preceded_by = \n|followed_by = \n}}\n\"'''Meeting at Night'''\" is an English love poem written by the [[Victorian literature|Victorian]] poet [[Robert Browning]]. Browning wrote the poem in two parts as \"Night\" and \"Morning\", (later separated as \"Meeting at Night\" and \"[[Parting at Morning]]\" in 1849) for his 1845 work ''[[Dramatic Romances and Lyrics]]''.\n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describes the poem as the most sensual poem of Browning.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\n[[John Kenyon]] a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]] presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning discovering his name in print in the poem volume wrote a letter to Elizabeth on January 10, 1815. Upon getting the reply he sent the manuscripts of poems and plays of the [[Dramatic Romances and Lyrics]] for proofreading to her.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in [[Dramatic Romances and Lyrics]] were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. Richard S. Kennedy, Donald S. Hair describes \"... they present a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Poem ==\n'''''Meeting at Night'''''\n\nThe grey sea and the long black land;\nAnd the yellow half-moon large and low;\nAnd the startled little waves that leap\nIn fiery ringlets from their sleep,\nAs I gain the cove with pushing prow,\nAnd quench its speed i' the slushy sand.\n\nThen a mile of warm sea-scented beach;\nThree fields to cross till a farm appears;\nA tap at the pane, the quick sharp scratch\nAnd blue spurt of a lighted match,\nAnd a voice less loud, thro' its joys and fears,\nThan the two hearts beating each to each!\n\n\n== Themes ==\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of the secret journey by a boat on the sea. The second stanza describes the fulfillment of the meeting of the two lovers.\n\nUnlike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male) the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} The poem follows the rhyme scheme ''abccba'' and ''deffed''.\n\n== Reception ==\nThere are two published accounts of this poem one by [[Frank Raymond Leavis]]{{cite book|author=Frank Raymond Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by [https://www.nottingham.ac.uk/english/people/ronald.carter Ronald Carter] and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}}\n\nKennedy and Hair describes that Browning's urgent love for Elizbeth Barrett had led him to write the most sensual poem he had yet created.\n\n== References ==\n{{Reflist}}\n\n== External links ==\n{{Sister project links| wikt=no | commons=no | b=no | n=no | q=no | s=Meeting at Night | v=no | voy=no | species=no | d=no}}\n\n[[Category:Poetry by Robert Browning]]" + }, + { + "revid": 575839750, + "parentid": 575839392, + "minor": false, + "user": "Crisco 1492", + "userid": 356335, + "timestamp": "2013-10-05T09:31:38Z", + "sha1": "68f1de3211cfb061b274910d08155dcf2136917d", + "comment": "added [[Category:1845 poems]] using [[WP:HC|HotCat]]", + "*": "{{Infobox poem\n|name = Meeting at Night\n|image = Robert Browning by Herbert Rose Barraud c1888.jpg\n|image_size = 200px\n|caption = \n|author = [[Robert Browning]]\n|original_title = \n|translator = \n|first = 1845\n|illustrator = \n|cover_artist = \n|country = \n|language = English\n|series = \n|subject = \n|genre = \n|publisher = \n|publication_date = \n|publication_date_en = \n|media_type = \n|lines = \n|pages = \n|size_weight = \n|isbn = \n|oclc = \n|preceded_by = \n|followed_by = \n}}\n\"'''Meeting at Night'''\" is an English love poem written by the [[Victorian literature|Victorian]] poet [[Robert Browning]]. Browning wrote the poem in two parts as \"Night\" and \"Morning\", (later separated as \"Meeting at Night\" and \"[[Parting at Morning]]\" in 1849) for his 1845 work ''[[Dramatic Romances and Lyrics]]''.\n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describes the poem as the most sensual poem of Browning.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\n[[John Kenyon]] a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]] presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning discovering his name in print in the poem volume wrote a letter to Elizabeth on January 10, 1815. Upon getting the reply he sent the manuscripts of poems and plays of the [[Dramatic Romances and Lyrics]] for proofreading to her.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in [[Dramatic Romances and Lyrics]] were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. Richard S. Kennedy, Donald S. Hair describes \"... they present a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Poem ==\n'''''Meeting at Night'''''\n\nThe grey sea and the long black land;\nAnd the yellow half-moon large and low;\nAnd the startled little waves that leap\nIn fiery ringlets from their sleep,\nAs I gain the cove with pushing prow,\nAnd quench its speed i' the slushy sand.\n\nThen a mile of warm sea-scented beach;\nThree fields to cross till a farm appears;\nA tap at the pane, the quick sharp scratch\nAnd blue spurt of a lighted match,\nAnd a voice less loud, thro' its joys and fears,\nThan the two hearts beating each to each!\n\n\n== Themes ==\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of the secret journey by a boat on the sea. The second stanza describes the fulfillment of the meeting of the two lovers.\n\nUnlike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male) the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} The poem follows the rhyme scheme ''abccba'' and ''deffed''.\n\n== Reception ==\nThere are two published accounts of this poem one by [[Frank Raymond Leavis]]{{cite book|author=Frank Raymond Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by [https://www.nottingham.ac.uk/english/people/ronald.carter Ronald Carter] and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}}\n\nKennedy and Hair describes that Browning's urgent love for Elizbeth Barrett had led him to write the most sensual poem he had yet created.\n\n== References ==\n{{Reflist}}\n\n== External links ==\n{{Sister project links| wikt=no | commons=no | b=no | n=no | q=no | s=Meeting at Night | v=no | voy=no | species=no | d=no}}\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]" + }, + { + "revid": 576168162, + "parentid": 575839750, + "minor": false, + "user": "Antidiskriminator", + "userid": 11127842, + "timestamp": "2013-10-07T17:39:07Z", + "sha1": "c7017b8189eba390c8d710a7791296ae32e5ce43", + "comment": "Per WP:LINK: You should not add a descriptive title to an embedded HTML link within an article. Instead, when giving an embedded link as a source within an article, simply enclose the URL in square brackets,", + "*": "{{Infobox poem\n|name = Meeting at Night\n|image = Robert Browning by Herbert Rose Barraud c1888.jpg\n|image_size = 200px\n|caption = \n|author = [[Robert Browning]]\n|original_title = \n|translator = \n|first = 1845\n|illustrator = \n|cover_artist = \n|country = \n|language = English\n|series = \n|subject = \n|genre = \n|publisher = \n|publication_date = \n|publication_date_en = \n|media_type = \n|lines = \n|pages = \n|size_weight = \n|isbn = \n|oclc = \n|preceded_by = \n|followed_by = \n}}\n\"'''Meeting at Night'''\" is an English love poem written by the [[Victorian literature|Victorian]] poet [[Robert Browning]]. Browning wrote the poem in two parts as \"Night\" and \"Morning\", (later separated as \"Meeting at Night\" and \"[[Parting at Morning]]\" in 1849) for his 1845 work ''[[Dramatic Romances and Lyrics]]''.\n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describes the poem as the most sensual poem of Browning.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\n[[John Kenyon]] a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]] presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning discovering his name in print in the poem volume wrote a letter to Elizabeth on January 10, 1815. Upon getting the reply he sent the manuscripts of poems and plays of the [[Dramatic Romances and Lyrics]] for proofreading to her.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in [[Dramatic Romances and Lyrics]] were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. Richard S. Kennedy, Donald S. Hair describes \"... they present a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Poem ==\n'''''Meeting at Night'''''\n\nThe grey sea and the long black land;\nAnd the yellow half-moon large and low;\nAnd the startled little waves that leap\nIn fiery ringlets from their sleep,\nAs I gain the cove with pushing prow,\nAnd quench its speed i' the slushy sand.\n\nThen a mile of warm sea-scented beach;\nThree fields to cross till a farm appears;\nA tap at the pane, the quick sharp scratch\nAnd blue spurt of a lighted match,\nAnd a voice less loud, thro' its joys and fears,\nThan the two hearts beating each to each!\n\n\n== Themes ==\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of the secret journey by a boat on the sea. The second stanza describes the fulfillment of the meeting of the two lovers.\n\nUnlike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male) the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} The poem follows the rhyme scheme ''abccba'' and ''deffed''.\n\n== Reception ==\nThere are two published accounts of this poem one by [[Frank Raymond Leavis]]{{cite book|author=Frank Raymond Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by Ronald Carter and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}}\n\nKennedy and Hair describes that Browning's urgent love for Elizbeth Barrett had led him to write the most sensual poem he had yet created.\n\n== References ==\n{{Reflist}}\n\n== External links ==\n{{Sister project links| wikt=no | commons=no | b=no | n=no | q=no | s=Meeting at Night | v=no | voy=no | species=no | d=no}}\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]" + }, + { + "revid": 576168459, + "parentid": 576168162, + "minor": false, + "user": "Antidiskriminator", + "userid": 11127842, + "timestamp": "2013-10-07T17:41:11Z", + "sha1": "5da43326d9dca8ec02540db7003c1835074ab995", + "comment": "/* Reception */ paragraphs consisting of one sentence should be avoided", + "*": "{{Infobox poem\n|name = Meeting at Night\n|image = Robert Browning by Herbert Rose Barraud c1888.jpg\n|image_size = 200px\n|caption = \n|author = [[Robert Browning]]\n|original_title = \n|translator = \n|first = 1845\n|illustrator = \n|cover_artist = \n|country = \n|language = English\n|series = \n|subject = \n|genre = \n|publisher = \n|publication_date = \n|publication_date_en = \n|media_type = \n|lines = \n|pages = \n|size_weight = \n|isbn = \n|oclc = \n|preceded_by = \n|followed_by = \n}}\n\"'''Meeting at Night'''\" is an English love poem written by the [[Victorian literature|Victorian]] poet [[Robert Browning]]. Browning wrote the poem in two parts as \"Night\" and \"Morning\", (later separated as \"Meeting at Night\" and \"[[Parting at Morning]]\" in 1849) for his 1845 work ''[[Dramatic Romances and Lyrics]]''.\n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describes the poem as the most sensual poem of Browning.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\n[[John Kenyon]] a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]] presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning discovering his name in print in the poem volume wrote a letter to Elizabeth on January 10, 1815. Upon getting the reply he sent the manuscripts of poems and plays of the [[Dramatic Romances and Lyrics]] for proofreading to her.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in [[Dramatic Romances and Lyrics]] were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. Richard S. Kennedy, Donald S. Hair describes \"... they present a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Poem ==\n'''''Meeting at Night'''''\n\nThe grey sea and the long black land;\nAnd the yellow half-moon large and low;\nAnd the startled little waves that leap\nIn fiery ringlets from their sleep,\nAs I gain the cove with pushing prow,\nAnd quench its speed i' the slushy sand.\n\nThen a mile of warm sea-scented beach;\nThree fields to cross till a farm appears;\nA tap at the pane, the quick sharp scratch\nAnd blue spurt of a lighted match,\nAnd a voice less loud, thro' its joys and fears,\nThan the two hearts beating each to each!\n\n\n== Themes ==\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of the secret journey by a boat on the sea. The second stanza describes the fulfillment of the meeting of the two lovers.\n\nUnlike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male) the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} The poem follows the rhyme scheme ''abccba'' and ''deffed''.\n\n== Reception ==\nThere are two published accounts of this poem one by [[Frank Raymond Leavis]]{{cite book|author=Frank Raymond Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by Ronald Carter and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}} Kennedy and Hair describes that Browning's urgent love for Elizbeth Barrett had led him to write the most sensual poem he had yet created.\n\n== References ==\n{{Reflist}}\n\n== External links ==\n{{Sister project links| wikt=no | commons=no | b=no | n=no | q=no | s=Meeting at Night | v=no | voy=no | species=no | d=no}}\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]" + }, + { + "revid": 576170907, + "parentid": 576168459, + "minor": false, + "user": "Antidiskriminator", + "userid": 11127842, + "timestamp": "2013-10-07T17:58:06Z", + "sha1": "d6235203b95596f6e462991aa4f2cf7fb5f51e4b", + "comment": "ce", + "*": "{{Infobox poem\n|name = Meeting at Night\n|image = Robert Browning by Herbert Rose Barraud c1888.jpg\n|image_size = 200px\n|caption = \n|author = [[Robert Browning]]\n|original_title = \n|translator = \n|first = 1845\n|illustrator = \n|cover_artist = \n|country = \n|language = English\n|series = \n|subject = \n|genre = \n|publisher = \n|publication_date = \n|publication_date_en = \n|media_type = \n|lines = \n|pages = \n|size_weight = \n|isbn = \n|oclc = \n|preceded_by = \n|followed_by = \n}}\n\"'''Meeting at Night'''\" is an English love poem written by the [[Victorian literature|Victorian]] poet [[Robert Browning]]. Browning wrote the poem in two parts as \"Night\" and \"Morning\", (later separated as \"Meeting at Night\" and \"[[Parting at Morning]]\" in 1849) for his 1845 work ''[[Dramatic Romances and Lyrics]]''.\n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describe the poem as the most sensual poem of Browning.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\n[[John Kenyon]] a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]] presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning discovering his name in print in the poem volume wrote a letter to Elizabeth on January 10, 1815. Upon getting the reply he sent the manuscripts of poems and plays of the [[Dramatic Romances and Lyrics]] for proofreading to her.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in [[Dramatic Romances and Lyrics]] were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. Richard S. Kennedy, Donald S. Hair describes \"... they present a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Poem ==\n'''''Meeting at Night'''''\n\nThe grey sea and the long black land;\nAnd the yellow half-moon large and low;\nAnd the startled little waves that leap\nIn fiery ringlets from their sleep,\nAs I gain the cove with pushing prow,\nAnd quench its speed i' the slushy sand.\n\nThen a mile of warm sea-scented beach;\nThree fields to cross till a farm appears;\nA tap at the pane, the quick sharp scratch\nAnd blue spurt of a lighted match,\nAnd a voice less loud, thro' its joys and fears,\nThan the two hearts beating each to each!\n\n\n== Themes ==\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of the secret journey by a boat on the sea. The second stanza describes the fulfillment of the meeting of the two lovers.\n\nUnlike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male) the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} The poem follows the rhyme scheme ''abccba'' and ''deffed''.\n\n== Reception ==\nThere are two published accounts of this poem one by [[Frank Raymond Leavis]]{{cite book|author=Frank Raymond Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by Ronald Carter and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}} Kennedy and Hair describes that Browning's urgent love for Elizbeth Barrett had led him to write the most sensual poem he had yet created.\n\n== References ==\n{{Reflist}}\n\n== External links ==\n{{Sister project links| wikt=no | commons=no | b=no | n=no | q=no | s=Meeting at Night | v=no | voy=no | species=no | d=no}}\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]" + }, + { + "revid": 576172495, + "parentid": 576170907, + "minor": false, + "user": "Antidiskriminator", + "userid": 11127842, + "timestamp": "2013-10-07T18:08:52Z", + "sha1": "fdeb54a20225442566766fda96bb6588c9a394e8", + "comment": "precise per source", + "*": "{{Infobox poem\n|name = Meeting at Night\n|image = Robert Browning by Herbert Rose Barraud c1888.jpg\n|image_size = 200px\n|caption = \n|author = [[Robert Browning]]\n|original_title = \n|translator = \n|first = 1845\n|illustrator = \n|cover_artist = \n|country = \n|language = English\n|series = \n|subject = \n|genre = \n|publisher = \n|publication_date = \n|publication_date_en = \n|media_type = \n|lines = \n|pages = \n|size_weight = \n|isbn = \n|oclc = \n|preceded_by = \n|followed_by = \n}}\n\"'''Meeting at Night'''\" is an English love poem written by the [[Victorian literature|Victorian]] poet [[Robert Browning]]. Browning wrote the poem in two parts as \"Night\" and \"Morning\", (later separated as \"Meeting at Night\" and \"[[Parting at Morning]]\" in 1849) for his 1845 work ''[[Dramatic Romances and Lyrics]]''.\n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describe the poem as the most sensual poem Browning has ever written before.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\n[[John Kenyon]] a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]] presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning discovering his name in print in the poem volume wrote a letter to Elizabeth on January 10, 1815. Upon getting the reply he sent the manuscripts of poems and plays of the [[Dramatic Romances and Lyrics]] for proofreading to her.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in [[Dramatic Romances and Lyrics]] were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. Richard S. Kennedy, Donald S. Hair describes \"... they present a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Poem ==\n'''''Meeting at Night'''''\n\nThe grey sea and the long black land;\nAnd the yellow half-moon large and low;\nAnd the startled little waves that leap\nIn fiery ringlets from their sleep,\nAs I gain the cove with pushing prow,\nAnd quench its speed i' the slushy sand.\n\nThen a mile of warm sea-scented beach;\nThree fields to cross till a farm appears;\nA tap at the pane, the quick sharp scratch\nAnd blue spurt of a lighted match,\nAnd a voice less loud, thro' its joys and fears,\nThan the two hearts beating each to each!\n\n\n== Themes ==\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of the secret journey by a boat on the sea. The second stanza describes the fulfillment of the meeting of the two lovers.\n\nUnlike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male) the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} The poem follows the rhyme scheme ''abccba'' and ''deffed''.\n\n== Reception ==\nThere are two published accounts of this poem one by [[Frank Raymond Leavis]]{{cite book|author=Frank Raymond Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by Ronald Carter and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}} Kennedy and Hair describes that Browning's urgent love for Elizbeth Barrett had led him to write the most sensual poem he had yet created.\n\n== References ==\n{{Reflist}}\n\n== External links ==\n{{Sister project links| wikt=no | commons=no | b=no | n=no | q=no | s=Meeting at Night | v=no | voy=no | species=no | d=no}}\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]" + }, + { + "revid": 576172597, + "parentid": 576172495, + "minor": false, + "user": "Antidiskriminator", + "userid": 11127842, + "timestamp": "2013-10-07T18:09:36Z", + "sha1": "1f04654ffb02529dafb4e9ad01fbd7edfb26695b", + "comment": "/* Reception */ ce", + "*": "{{Infobox poem\n|name = Meeting at Night\n|image = Robert Browning by Herbert Rose Barraud c1888.jpg\n|image_size = 200px\n|caption = \n|author = [[Robert Browning]]\n|original_title = \n|translator = \n|first = 1845\n|illustrator = \n|cover_artist = \n|country = \n|language = English\n|series = \n|subject = \n|genre = \n|publisher = \n|publication_date = \n|publication_date_en = \n|media_type = \n|lines = \n|pages = \n|size_weight = \n|isbn = \n|oclc = \n|preceded_by = \n|followed_by = \n}}\n\"'''Meeting at Night'''\" is an English love poem written by the [[Victorian literature|Victorian]] poet [[Robert Browning]]. Browning wrote the poem in two parts as \"Night\" and \"Morning\", (later separated as \"Meeting at Night\" and \"[[Parting at Morning]]\" in 1849) for his 1845 work ''[[Dramatic Romances and Lyrics]]''.\n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describe the poem as the most sensual poem Browning has ever written before.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\n[[John Kenyon]] a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]] presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning discovering his name in print in the poem volume wrote a letter to Elizabeth on January 10, 1815. Upon getting the reply he sent the manuscripts of poems and plays of the [[Dramatic Romances and Lyrics]] for proofreading to her.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in [[Dramatic Romances and Lyrics]] were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. Richard S. Kennedy, Donald S. Hair describes \"... they present a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Poem ==\n'''''Meeting at Night'''''\n\nThe grey sea and the long black land;\nAnd the yellow half-moon large and low;\nAnd the startled little waves that leap\nIn fiery ringlets from their sleep,\nAs I gain the cove with pushing prow,\nAnd quench its speed i' the slushy sand.\n\nThen a mile of warm sea-scented beach;\nThree fields to cross till a farm appears;\nA tap at the pane, the quick sharp scratch\nAnd blue spurt of a lighted match,\nAnd a voice less loud, thro' its joys and fears,\nThan the two hearts beating each to each!\n\n\n== Themes ==\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of the secret journey by a boat on the sea. The second stanza describes the fulfillment of the meeting of the two lovers.\n\nUnlike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male) the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} The poem follows the rhyme scheme ''abccba'' and ''deffed''.\n\n== Reception ==\nThere are two published accounts of this poem one by [[Frank Raymond Leavis]]{{cite book|author=Frank Raymond Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by Ronald Carter and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}} Kennedy and Hair explain that Browning's urgent love for Elizbeth Barrett had led him to write the most sensual poem he had yet created.\n\n== References ==\n{{Reflist}}\n\n== External links ==\n{{Sister project links| wikt=no | commons=no | b=no | n=no | q=no | s=Meeting at Night | v=no | voy=no | species=no | d=no}}\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]" + }, + { + "revid": 576173852, + "parentid": 576172597, + "minor": false, + "user": "Antidiskriminator", + "userid": 11127842, + "timestamp": "2013-10-07T18:18:55Z", + "sha1": "7bbf4dc98c13551e46becfb42e8ca34154b59ebb", + "comment": "/* Themes */ citation added", + "*": "{{Infobox poem\n|name = Meeting at Night\n|image = Robert Browning by Herbert Rose Barraud c1888.jpg\n|image_size = 200px\n|caption = \n|author = [[Robert Browning]]\n|original_title = \n|translator = \n|first = 1845\n|illustrator = \n|cover_artist = \n|country = \n|language = English\n|series = \n|subject = \n|genre = \n|publisher = \n|publication_date = \n|publication_date_en = \n|media_type = \n|lines = \n|pages = \n|size_weight = \n|isbn = \n|oclc = \n|preceded_by = \n|followed_by = \n}}\n\"'''Meeting at Night'''\" is an English love poem written by the [[Victorian literature|Victorian]] poet [[Robert Browning]]. Browning wrote the poem in two parts as \"Night\" and \"Morning\", (later separated as \"Meeting at Night\" and \"[[Parting at Morning]]\" in 1849) for his 1845 work ''[[Dramatic Romances and Lyrics]]''.\n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describe the poem as the most sensual poem Browning has ever written before.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\n[[John Kenyon]] a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]] presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning discovering his name in print in the poem volume wrote a letter to Elizabeth on January 10, 1815. Upon getting the reply he sent the manuscripts of poems and plays of the [[Dramatic Romances and Lyrics]] for proofreading to her.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in [[Dramatic Romances and Lyrics]] were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. Richard S. Kennedy, Donald S. Hair describes \"... they present a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Poem ==\n'''''Meeting at Night'''''\n\nThe grey sea and the long black land;\nAnd the yellow half-moon large and low;\nAnd the startled little waves that leap\nIn fiery ringlets from their sleep,\nAs I gain the cove with pushing prow,\nAnd quench its speed i' the slushy sand.\n\nThen a mile of warm sea-scented beach;\nThree fields to cross till a farm appears;\nA tap at the pane, the quick sharp scratch\nAnd blue spurt of a lighted match,\nAnd a voice less loud, thro' its joys and fears,\nThan the two hearts beating each to each!\n\n\n== Themes ==\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of the secret journey by a boat on the sea. The second stanza describes the fulfillment of the meeting of the two lovers.\n\nUnlike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male) the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} The poem follows the rhyme scheme ''abccba'' and ''deffed''.{{cite book|author1=Jeanie Watson|author2=Philip McM. Pittman|author3=Warren W. Wooden|title=The Portrayal of Life Stages in English Literature, 1500-1800: Infancy, Youth, Marriage, Aging, Death, Martyrdom : Essays in Memory of Warren Wooden|url=http://books.google.com/books?id=8IzjhOxActcC&pg=PA22|date=January 1989|publisher=Edwin Mellen Press|isbn=978-0-88946-462-9|page=22|quote= Robert Browning is doing in \"Meeting at Night\" [in two six-line stanzas, rhyming abccba]}}\n\n== Reception ==\nThere are two published accounts of this poem one by [[Frank Raymond Leavis]]{{cite book|author=Frank Raymond Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by Ronald Carter and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}} Kennedy and Hair explain that Browning's urgent love for Elizbeth Barrett had led him to write the most sensual poem he had yet created.\n\n== References ==\n{{Reflist}}\n\n== External links ==\n{{Sister project links| wikt=no | commons=no | b=no | n=no | q=no | s=Meeting at Night | v=no | voy=no | species=no | d=no}}\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]" + }, + { + "revid": 576174421, + "parentid": 576173852, + "minor": false, + "user": "Antidiskriminator", + "userid": 11127842, + "timestamp": "2013-10-07T18:23:00Z", + "sha1": "ae632fb2d8c6042208b378bb55972f7c80909af9", + "comment": "/* Background */ ce", + "*": "{{Infobox poem\n|name = Meeting at Night\n|image = Robert Browning by Herbert Rose Barraud c1888.jpg\n|image_size = 200px\n|caption = \n|author = [[Robert Browning]]\n|original_title = \n|translator = \n|first = 1845\n|illustrator = \n|cover_artist = \n|country = \n|language = English\n|series = \n|subject = \n|genre = \n|publisher = \n|publication_date = \n|publication_date_en = \n|media_type = \n|lines = \n|pages = \n|size_weight = \n|isbn = \n|oclc = \n|preceded_by = \n|followed_by = \n}}\n\"'''Meeting at Night'''\" is an English love poem written by the [[Victorian literature|Victorian]] poet [[Robert Browning]]. Browning wrote the poem in two parts as \"Night\" and \"Morning\", (later separated as \"Meeting at Night\" and \"[[Parting at Morning]]\" in 1849) for his 1845 work ''[[Dramatic Romances and Lyrics]]''.\n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describe the poem as the most sensual poem Browning has ever written before.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\n[[John Kenyon]] a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]] presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning discovering his name in print in the poem volume wrote a letter to Elizabeth on January 10, 1815. Upon getting the reply he sent the manuscripts of poems and plays of the [[Dramatic Romances and Lyrics]] for proofreading to her.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in [[Dramatic Romances and Lyrics]] were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. They are described by Kenedy and Hair as \"... a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Poem ==\n'''''Meeting at Night'''''\n\nThe grey sea and the long black land;\nAnd the yellow half-moon large and low;\nAnd the startled little waves that leap\nIn fiery ringlets from their sleep,\nAs I gain the cove with pushing prow,\nAnd quench its speed i' the slushy sand.\n\nThen a mile of warm sea-scented beach;\nThree fields to cross till a farm appears;\nA tap at the pane, the quick sharp scratch\nAnd blue spurt of a lighted match,\nAnd a voice less loud, thro' its joys and fears,\nThan the two hearts beating each to each!\n\n\n== Themes ==\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of the secret journey by a boat on the sea. The second stanza describes the fulfillment of the meeting of the two lovers.\n\nUnlike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male) the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} The poem follows the rhyme scheme ''abccba'' and ''deffed''.{{cite book|author1=Jeanie Watson|author2=Philip McM. Pittman|author3=Warren W. Wooden|title=The Portrayal of Life Stages in English Literature, 1500-1800: Infancy, Youth, Marriage, Aging, Death, Martyrdom : Essays in Memory of Warren Wooden|url=http://books.google.com/books?id=8IzjhOxActcC&pg=PA22|date=January 1989|publisher=Edwin Mellen Press|isbn=978-0-88946-462-9|page=22|quote= Robert Browning is doing in \"Meeting at Night\" [in two six-line stanzas, rhyming abccba]}}\n\n== Reception ==\nThere are two published accounts of this poem one by [[Frank Raymond Leavis]]{{cite book|author=Frank Raymond Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by Ronald Carter and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}} Kennedy and Hair explain that Browning's urgent love for Elizbeth Barrett had led him to write the most sensual poem he had yet created.\n\n== References ==\n{{Reflist}}\n\n== External links ==\n{{Sister project links| wikt=no | commons=no | b=no | n=no | q=no | s=Meeting at Night | v=no | voy=no | species=no | d=no}}\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]" + }, + { + "revid": 576174810, + "parentid": 576174421, + "minor": false, + "user": "Antidiskriminator", + "userid": 11127842, + "timestamp": "2013-10-07T18:25:31Z", + "sha1": "75316a90988e0a601493954ca4ac2bb60f97ef29", + "comment": "/* Themes */ I guess it was meant to mean that none of two poems reveal the identity. Please correct if I am wrong.", + "*": "{{Infobox poem\n|name = Meeting at Night\n|image = Robert Browning by Herbert Rose Barraud c1888.jpg\n|image_size = 200px\n|caption = \n|author = [[Robert Browning]]\n|original_title = \n|translator = \n|first = 1845\n|illustrator = \n|cover_artist = \n|country = \n|language = English\n|series = \n|subject = \n|genre = \n|publisher = \n|publication_date = \n|publication_date_en = \n|media_type = \n|lines = \n|pages = \n|size_weight = \n|isbn = \n|oclc = \n|preceded_by = \n|followed_by = \n}}\n\"'''Meeting at Night'''\" is an English love poem written by the [[Victorian literature|Victorian]] poet [[Robert Browning]]. Browning wrote the poem in two parts as \"Night\" and \"Morning\", (later separated as \"Meeting at Night\" and \"[[Parting at Morning]]\" in 1849) for his 1845 work ''[[Dramatic Romances and Lyrics]]''.\n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describe the poem as the most sensual poem Browning has ever written before.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\n[[John Kenyon]] a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]] presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning discovering his name in print in the poem volume wrote a letter to Elizabeth on January 10, 1815. Upon getting the reply he sent the manuscripts of poems and plays of the [[Dramatic Romances and Lyrics]] for proofreading to her.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in [[Dramatic Romances and Lyrics]] were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. They are described by Kenedy and Hair as \"... a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Poem ==\n'''''Meeting at Night'''''\n\nThe grey sea and the long black land;\nAnd the yellow half-moon large and low;\nAnd the startled little waves that leap\nIn fiery ringlets from their sleep,\nAs I gain the cove with pushing prow,\nAnd quench its speed i' the slushy sand.\n\nThen a mile of warm sea-scented beach;\nThree fields to cross till a farm appears;\nA tap at the pane, the quick sharp scratch\nAnd blue spurt of a lighted match,\nAnd a voice less loud, thro' its joys and fears,\nThan the two hearts beating each to each!\n\n\n== Themes ==\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of the secret journey by a boat on the sea. The second stanza describes the fulfillment of the meeting of the two lovers.\n\nLike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male) the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} The poem follows the rhyme scheme ''abccba'' and ''deffed''.{{cite book|author1=Jeanie Watson|author2=Philip McM. Pittman|author3=Warren W. Wooden|title=The Portrayal of Life Stages in English Literature, 1500-1800: Infancy, Youth, Marriage, Aging, Death, Martyrdom : Essays in Memory of Warren Wooden|url=http://books.google.com/books?id=8IzjhOxActcC&pg=PA22|date=January 1989|publisher=Edwin Mellen Press|isbn=978-0-88946-462-9|page=22|quote= Robert Browning is doing in \"Meeting at Night\" [in two six-line stanzas, rhyming abccba]}}\n\n== Reception ==\nThere are two published accounts of this poem one by [[Frank Raymond Leavis]]{{cite book|author=Frank Raymond Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by Ronald Carter and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}} Kennedy and Hair explain that Browning's urgent love for Elizbeth Barrett had led him to write the most sensual poem he had yet created.\n\n== References ==\n{{Reflist}}\n\n== External links ==\n{{Sister project links| wikt=no | commons=no | b=no | n=no | q=no | s=Meeting at Night | v=no | voy=no | species=no | d=no}}\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]" + }, + { + "revid": 576174940, + "parentid": 576174810, + "minor": false, + "user": "Antidiskriminator", + "userid": 11127842, + "timestamp": "2013-10-07T18:26:19Z", + "sha1": "10ff7c3400812fc2fa066192f271163067d9452c", + "comment": "/* Themes */ avoiding repetition of the poem term", + "*": "{{Infobox poem\n|name = Meeting at Night\n|image = Robert Browning by Herbert Rose Barraud c1888.jpg\n|image_size = 200px\n|caption = \n|author = [[Robert Browning]]\n|original_title = \n|translator = \n|first = 1845\n|illustrator = \n|cover_artist = \n|country = \n|language = English\n|series = \n|subject = \n|genre = \n|publisher = \n|publication_date = \n|publication_date_en = \n|media_type = \n|lines = \n|pages = \n|size_weight = \n|isbn = \n|oclc = \n|preceded_by = \n|followed_by = \n}}\n\"'''Meeting at Night'''\" is an English love poem written by the [[Victorian literature|Victorian]] poet [[Robert Browning]]. Browning wrote the poem in two parts as \"Night\" and \"Morning\", (later separated as \"Meeting at Night\" and \"[[Parting at Morning]]\" in 1849) for his 1845 work ''[[Dramatic Romances and Lyrics]]''.\n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describe the poem as the most sensual poem Browning has ever written before.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\n[[John Kenyon]] a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]] presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning discovering his name in print in the poem volume wrote a letter to Elizabeth on January 10, 1815. Upon getting the reply he sent the manuscripts of poems and plays of the [[Dramatic Romances and Lyrics]] for proofreading to her.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in [[Dramatic Romances and Lyrics]] were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. They are described by Kenedy and Hair as \"... a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Poem ==\n'''''Meeting at Night'''''\n\nThe grey sea and the long black land;\nAnd the yellow half-moon large and low;\nAnd the startled little waves that leap\nIn fiery ringlets from their sleep,\nAs I gain the cove with pushing prow,\nAnd quench its speed i' the slushy sand.\n\nThen a mile of warm sea-scented beach;\nThree fields to cross till a farm appears;\nA tap at the pane, the quick sharp scratch\nAnd blue spurt of a lighted match,\nAnd a voice less loud, thro' its joys and fears,\nThan the two hearts beating each to each!\n\n\n== Themes ==\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of the secret journey by a boat on the sea. The second stanza describes the fulfillment of the meeting of the two lovers.\n\nLike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male) the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} It follows the rhyme scheme ''abccba'' and ''deffed''.{{cite book|author1=Jeanie Watson|author2=Philip McM. Pittman|author3=Warren W. Wooden|title=The Portrayal of Life Stages in English Literature, 1500-1800: Infancy, Youth, Marriage, Aging, Death, Martyrdom : Essays in Memory of Warren Wooden|url=http://books.google.com/books?id=8IzjhOxActcC&pg=PA22|date=January 1989|publisher=Edwin Mellen Press|isbn=978-0-88946-462-9|page=22|quote= Robert Browning is doing in \"Meeting at Night\" [in two six-line stanzas, rhyming abccba]}}\n\n== Reception ==\nThere are two published accounts of this poem one by [[Frank Raymond Leavis]]{{cite book|author=Frank Raymond Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by Ronald Carter and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}} Kennedy and Hair explain that Browning's urgent love for Elizbeth Barrett had led him to write the most sensual poem he had yet created.\n\n== References ==\n{{Reflist}}\n\n== External links ==\n{{Sister project links| wikt=no | commons=no | b=no | n=no | q=no | s=Meeting at Night | v=no | voy=no | species=no | d=no}}\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]" + }, + { + "revid": 577648661, + "parentid": 576174940, + "minor": false, + "user": "Nikkimaria", + "userid": 372290, + "timestamp": "2013-10-18T00:41:57Z", + "sha1": "b64c67e0900fe1bd98b33054722c0464535c301b", + "comment": "fmt", + "*": "{{Infobox poem\n|name = Meeting at Night\n|image = Robert Browning by Herbert Rose Barraud c1888.jpg\n|image_size = 200px\n|caption = \n|author = [[Robert Browning]]\n|first = 1845\n|country = \n|language = English\n|lines = \n}}\n\"'''Meeting at Night'''\" is an English love poem written by the [[Victorian literature|Victorian]] poet [[Robert Browning]]. Browning wrote the poem in two parts as \"Night\" and \"Morning\", (later separated as \"Meeting at Night\" and \"[[Parting at Morning]]\" in 1849) for his 1845 work ''[[Dramatic Romances and Lyrics]]''.\n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describe the poem as the most sensual poem Browning has ever written before.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\n[[John Kenyon]] a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]] presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning discovering his name in print in the poem volume wrote a letter to Elizabeth on January 10, 1815. Upon getting the reply he sent the manuscripts of poems and plays of the [[Dramatic Romances and Lyrics]] for proofreading to her.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in [[Dramatic Romances and Lyrics]] were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. They are described by Kenedy and Hair as \"a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Poem ==\n'''''Meeting at Night'''''\n\nThe grey sea and the long black land;\nAnd the yellow half-moon large and low;\nAnd the startled little waves that leap\nIn fiery ringlets from their sleep,\nAs I gain the cove with pushing prow,\nAnd quench its speed i' the slushy sand.\n\nThen a mile of warm sea-scented beach;\nThree fields to cross till a farm appears;\nA tap at the pane, the quick sharp scratch\nAnd blue spurt of a lighted match,\nAnd a voice less loud, thro' its joys and fears,\nThan the two hearts beating each to each!\n\n\n== Themes ==\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of the secret journey by a boat on the sea. The second stanza describes the fulfillment of the meeting of the two lovers.\n\nLike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male) the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} It follows the rhyme scheme ''abccba'' and ''deffed''.{{cite book|author1=Jeanie Watson|author2=Philip McM. Pittman|author3=Warren W. Wooden|title=The Portrayal of Life Stages in English Literature, 1500-1800: Infancy, Youth, Marriage, Aging, Death, Martyrdom : Essays in Memory of Warren Wooden|url=http://books.google.com/books?id=8IzjhOxActcC&pg=PA22|date=January 1989|publisher=Edwin Mellen Press|isbn=978-0-88946-462-9|page=22|quote= Robert Browning is doing in \"Meeting at Night\" [in two six-line stanzas, rhyming abccba]}}\n\n== Reception ==\nThere are two published accounts of this poem one by [[Frank Raymond Leavis]]{{cite book|author=Frank Raymond Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by Ronald Carter and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}} Kennedy and Hair explain that Browning's urgent love for Elizbeth Barrett had led him to write the most sensual poem he had yet created.\n\n== References ==\n{{Reflist}}\n\n== External links ==\n{{Sister project links| wikt=no | commons=no | b=no | n=no | q=no | s=Meeting at Night | v=no | voy=no | species=no | d=no}}\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]" + }, + { + "revid": 577711045, + "parentid": 577648661, + "minor": false, + "user": "Bencherlite", + "userid": 1843661, + "timestamp": "2013-10-18T13:41:09Z", + "sha1": "162ca5baa42607611882239ef7f6fb84d65ac457", + "comment": "reword, \"most sensual poem\" should be in quotes as it is a direct copy of the source, and \"Browning has ever written before\" is just bad grammar", + "*": "{{Infobox poem\n|name = Meeting at Night\n|image = Robert Browning by Herbert Rose Barraud c1888.jpg\n|image_size = 200px\n|caption = \n|author = [[Robert Browning]]\n|first = 1845\n|country = \n|language = English\n|lines = \n}}\n\"'''Meeting at Night'''\" is an English love poem written by the [[Victorian literature|Victorian]] poet [[Robert Browning]]. Browning wrote the poem in two parts as \"Night\" and \"Morning\", (later separated as \"Meeting at Night\" and \"[[Parting at Morning]]\" in 1849) for his 1845 work ''[[Dramatic Romances and Lyrics]]''.\n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describe the poem as the \"most sensual poem\" he had written up to that time.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\n[[John Kenyon]] a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]] presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning discovering his name in print in the poem volume wrote a letter to Elizabeth on January 10, 1815. Upon getting the reply he sent the manuscripts of poems and plays of the [[Dramatic Romances and Lyrics]] for proofreading to her.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in [[Dramatic Romances and Lyrics]] were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. They are described by Kenedy and Hair as \"a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Poem ==\n'''''Meeting at Night'''''\n\nThe grey sea and the long black land;\nAnd the yellow half-moon large and low;\nAnd the startled little waves that leap\nIn fiery ringlets from their sleep,\nAs I gain the cove with pushing prow,\nAnd quench its speed i' the slushy sand.\n\nThen a mile of warm sea-scented beach;\nThree fields to cross till a farm appears;\nA tap at the pane, the quick sharp scratch\nAnd blue spurt of a lighted match,\nAnd a voice less loud, thro' its joys and fears,\nThan the two hearts beating each to each!\n\n\n== Themes ==\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of the secret journey by a boat on the sea. The second stanza describes the fulfillment of the meeting of the two lovers.\n\nLike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male) the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} It follows the rhyme scheme ''abccba'' and ''deffed''.{{cite book|author1=Jeanie Watson|author2=Philip McM. Pittman|author3=Warren W. Wooden|title=The Portrayal of Life Stages in English Literature, 1500-1800: Infancy, Youth, Marriage, Aging, Death, Martyrdom : Essays in Memory of Warren Wooden|url=http://books.google.com/books?id=8IzjhOxActcC&pg=PA22|date=January 1989|publisher=Edwin Mellen Press|isbn=978-0-88946-462-9|page=22|quote= Robert Browning is doing in \"Meeting at Night\" [in two six-line stanzas, rhyming abccba]}}\n\n== Reception ==\nThere are two published accounts of this poem one by [[Frank Raymond Leavis]]{{cite book|author=Frank Raymond Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by Ronald Carter and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}} Kennedy and Hair explain that Browning's urgent love for Elizbeth Barrett had led him to write the most sensual poem he had yet created.\n\n== References ==\n{{Reflist}}\n\n== External links ==\n{{Sister project links| wikt=no | commons=no | b=no | n=no | q=no | s=Meeting at Night | v=no | voy=no | species=no | d=no}}\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]" + }, + { + "revid": 577711275, + "parentid": 577711045, + "minor": false, + "user": "Bencherlite", + "userid": 1843661, + "timestamp": "2013-10-18T13:43:31Z", + "sha1": "1dd56f198dc26b54bddb25c40699b7c887d5c681", + "comment": "/* Background */ delink dab page, add commas to mark parathetical phrases, delink second link to same article within moments of the first, put titles into italics...", + "*": "{{Infobox poem\n|name = Meeting at Night\n|image = Robert Browning by Herbert Rose Barraud c1888.jpg\n|image_size = 200px\n|caption = \n|author = [[Robert Browning]]\n|first = 1845\n|country = \n|language = English\n|lines = \n}}\n\"'''Meeting at Night'''\" is an English love poem written by the [[Victorian literature|Victorian]] poet [[Robert Browning]]. Browning wrote the poem in two parts as \"Night\" and \"Morning\", (later separated as \"Meeting at Night\" and \"[[Parting at Morning]]\" in 1849) for his 1845 work ''[[Dramatic Romances and Lyrics]]''.\n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describe the poem as the \"most sensual poem\" he had written up to that time.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\nJohn Kenyon, a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]], presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning, discovering his name in print in the poem volume, wrote a letter to Elizabeth on January 10, 1815. Upon getting the reply he sent the manuscripts of poems and plays of the ''[[Dramatic Romances and Lyrics]]'' for proofreading to her.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in ''Dramatic Romances and Lyrics'' were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. They are described by Kennedy and Hair as \"a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Poem ==\n'''''Meeting at Night'''''\n\nThe grey sea and the long black land;\nAnd the yellow half-moon large and low;\nAnd the startled little waves that leap\nIn fiery ringlets from their sleep,\nAs I gain the cove with pushing prow,\nAnd quench its speed i' the slushy sand.\n\nThen a mile of warm sea-scented beach;\nThree fields to cross till a farm appears;\nA tap at the pane, the quick sharp scratch\nAnd blue spurt of a lighted match,\nAnd a voice less loud, thro' its joys and fears,\nThan the two hearts beating each to each!\n\n\n== Themes ==\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of the secret journey by a boat on the sea. The second stanza describes the fulfillment of the meeting of the two lovers.\n\nLike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male) the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} It follows the rhyme scheme ''abccba'' and ''deffed''.{{cite book|author1=Jeanie Watson|author2=Philip McM. Pittman|author3=Warren W. Wooden|title=The Portrayal of Life Stages in English Literature, 1500-1800: Infancy, Youth, Marriage, Aging, Death, Martyrdom : Essays in Memory of Warren Wooden|url=http://books.google.com/books?id=8IzjhOxActcC&pg=PA22|date=January 1989|publisher=Edwin Mellen Press|isbn=978-0-88946-462-9|page=22|quote= Robert Browning is doing in \"Meeting at Night\" [in two six-line stanzas, rhyming abccba]}}\n\n== Reception ==\nThere are two published accounts of this poem one by [[Frank Raymond Leavis]]{{cite book|author=Frank Raymond Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by Ronald Carter and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}} Kennedy and Hair explain that Browning's urgent love for Elizbeth Barrett had led him to write the most sensual poem he had yet created.\n\n== References ==\n{{Reflist}}\n\n== External links ==\n{{Sister project links| wikt=no | commons=no | b=no | n=no | q=no | s=Meeting at Night | v=no | voy=no | species=no | d=no}}\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]" + }, + { + "revid": 577712036, + "parentid": 577711275, + "minor": false, + "user": "Bencherlite", + "userid": 1843661, + "timestamp": "2013-10-18T13:50:53Z", + "sha1": "1954ee9314bfeb00362766e9be6901fb7c07f676", + "comment": "remove poem, it's on Wikisource and that's what Wikisource is for. Direct quotations from sources should be marked as such. FR Leavis is always called this, not Frank Raymond Leavis", + "*": "{{Infobox poem\n|name = Meeting at Night\n|image = Robert Browning by Herbert Rose Barraud c1888.jpg\n|image_size = 200px\n|caption = \n|author = [[Robert Browning]]\n|first = 1845\n|country = \n|language = English\n|lines = \n}}\n\"'''Meeting at Night'''\" is an English love poem written by the [[Victorian literature|Victorian]] poet [[Robert Browning]]. Browning wrote the poem in two parts as \"Night\" and \"Morning\", (later separated as \"Meeting at Night\" and \"[[Parting at Morning]]\" in 1849) for his 1845 work ''[[Dramatic Romances and Lyrics]]''.\n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describe the poem as the \"most sensual poem\" he had written up to that time.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\nJohn Kenyon, a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]], presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning, discovering his name in print in the poem volume, wrote a letter to Elizabeth on January 10, 1815. Upon getting the reply he sent the manuscripts of poems and plays of the ''[[Dramatic Romances and Lyrics]]'' for proofreading to her.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in ''Dramatic Romances and Lyrics'' were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. They are described by Kennedy and Hair as \"a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Themes ==\n{{Wikisource}}\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of the secret journey by a boat on the sea. The second stanza describes the fulfillment of the meeting of the two lovers.\n\nLike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male) the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} It follows the rhyme scheme ''abccba'' and ''deffed''.{{cite book|author1=Jeanie Watson|author2=Philip McM. Pittman|author3=Warren W. Wooden|title=The Portrayal of Life Stages in English Literature, 1500-1800: Infancy, Youth, Marriage, Aging, Death, Martyrdom : Essays in Memory of Warren Wooden|url=http://books.google.com/books?id=8IzjhOxActcC&pg=PA22|date=January 1989|publisher=Edwin Mellen Press|isbn=978-0-88946-462-9|page=22|quote= Robert Browning is doing in \"Meeting at Night\" [in two six-line stanzas, rhyming abccba]}}\n\n== Reception ==\nThere are two published accounts of this poem: one by [[F. R. Leavis]]{{cite book|author=F. R. Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by Ronald Carter and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}} Kennedy and Hair explain that Browning's urgent love for Elizbeth Barrett had led him to write \"the most sensual poem he had yet created.\"\n\n== References ==\n{{Reflist}}\n\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]" + }, + { + "revid": 577712467, + "parentid": 577712036, + "minor": true, + "user": "Bencherlite", + "userid": 1843661, + "timestamp": "2013-10-18T13:55:15Z", + "sha1": "89f0e6cc52d925d03bc0f985421a664fd583f531", + "comment": "/* Background */ c/e", + "*": "{{Infobox poem\n|name = Meeting at Night\n|image = Robert Browning by Herbert Rose Barraud c1888.jpg\n|image_size = 200px\n|caption = \n|author = [[Robert Browning]]\n|first = 1845\n|country = \n|language = English\n|lines = \n}}\n\"'''Meeting at Night'''\" is an English love poem written by the [[Victorian literature|Victorian]] poet [[Robert Browning]]. Browning wrote the poem in two parts as \"Night\" and \"Morning\", (later separated as \"Meeting at Night\" and \"[[Parting at Morning]]\" in 1849) for his 1845 work ''[[Dramatic Romances and Lyrics]]''.\n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describe the poem as the \"most sensual poem\" he had written up to that time.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\nJohn Kenyon, a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]], presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning, discovering his name in print in the poem volume, wrote a letter to Barrett on January 10, 1815. Upon getting a reply he sent her the manuscripts of poems and plays of the ''[[Dramatic Romances and Lyrics]]'' for proofreading.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in ''Dramatic Romances and Lyrics'' were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. They are described by Kennedy and Hair as \"a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Themes ==\n{{Wikisource}}\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of the secret journey by a boat on the sea. The second stanza describes the fulfillment of the meeting of the two lovers.\n\nLike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male) the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} It follows the rhyme scheme ''abccba'' and ''deffed''.{{cite book|author1=Jeanie Watson|author2=Philip McM. Pittman|author3=Warren W. Wooden|title=The Portrayal of Life Stages in English Literature, 1500-1800: Infancy, Youth, Marriage, Aging, Death, Martyrdom : Essays in Memory of Warren Wooden|url=http://books.google.com/books?id=8IzjhOxActcC&pg=PA22|date=January 1989|publisher=Edwin Mellen Press|isbn=978-0-88946-462-9|page=22|quote= Robert Browning is doing in \"Meeting at Night\" [in two six-line stanzas, rhyming abccba]}}\n\n== Reception ==\nThere are two published accounts of this poem: one by [[F. R. Leavis]]{{cite book|author=F. R. Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by Ronald Carter and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}} Kennedy and Hair explain that Browning's urgent love for Elizbeth Barrett had led him to write \"the most sensual poem he had yet created.\"\n\n== References ==\n{{Reflist}}\n\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]" + }, + { + "revid": 577760556, + "parentid": 577712467, + "minor": false, + "user": "Thincat", + "userid": 63405, + "timestamp": "2013-10-18T20:34:53Z", + "sha1": "dc56c7abca40de1ee9f8c07db3fc2c02c021ba7a", + "comment": "More appropriate picture? Please revert or chose another if you prefer", + "*": "{{Infobox poem\n|name = Meeting at Night\n|image = Thomas B. Read (American, 1822-1872) - Portraits of Elizabeth Barrett Browning and Robert Browning.jpg\n|image_size = 200px\n|caption = Robert and Elizabeth Browning in 1853\n|author = [[Robert Browning]]\n|first = 1845\n|country = \n|language = English\n|lines = \n}}\n\"'''Meeting at Night'''\" is an English love poem written by the [[Victorian literature|Victorian]] poet [[Robert Browning]]. Browning wrote the poem in two parts as \"Night\" and \"Morning\", (later separated as \"Meeting at Night\" and \"[[Parting at Morning]]\" in 1849) for his 1845 work ''[[Dramatic Romances and Lyrics]]''.\n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describe the poem as the \"most sensual poem\" he had written up to that time.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\nJohn Kenyon, a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]], presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning, discovering his name in print in the poem volume, wrote a letter to Barrett on January 10, 1815. Upon getting a reply he sent her the manuscripts of poems and plays of the ''[[Dramatic Romances and Lyrics]]'' for proofreading.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in ''Dramatic Romances and Lyrics'' were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. They are described by Kennedy and Hair as \"a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Themes ==\n{{Wikisource}}\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of the secret journey by a boat on the sea. The second stanza describes the fulfillment of the meeting of the two lovers.\n\nLike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male) the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} It follows the rhyme scheme ''abccba'' and ''deffed''.{{cite book|author1=Jeanie Watson|author2=Philip McM. Pittman|author3=Warren W. Wooden|title=The Portrayal of Life Stages in English Literature, 1500-1800: Infancy, Youth, Marriage, Aging, Death, Martyrdom : Essays in Memory of Warren Wooden|url=http://books.google.com/books?id=8IzjhOxActcC&pg=PA22|date=January 1989|publisher=Edwin Mellen Press|isbn=978-0-88946-462-9|page=22|quote= Robert Browning is doing in \"Meeting at Night\" [in two six-line stanzas, rhyming abccba]}}\n\n== Reception ==\nThere are two published accounts of this poem: one by [[F. R. Leavis]]{{cite book|author=F. R. Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by Ronald Carter and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}} Kennedy and Hair explain that Browning's urgent love for Elizbeth Barrett had led him to write \"the most sensual poem he had yet created.\"\n\n== References ==\n{{Reflist}}\n\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]" + }, + { + "revid": 577761261, + "parentid": 577760556, + "minor": false, + "user": "Thincat", + "userid": 63405, + "timestamp": "2013-10-18T20:41:27Z", + "sha1": "00c62f75c129150d7613f4d2be7d523cb3763477", + "comment": "enlarge picture", + "*": "{{Infobox poem\n|name = Meeting at Night\n|image = Thomas B. Read (American, 1822-1872) - Portraits of Elizabeth Barrett Browning and Robert Browning.jpg\n|image_size = 300px\n|caption = Robert and Elizabeth Browning in 1853\n|author = [[Robert Browning]]\n|first = 1845\n|country = \n|language = English\n|lines = \n}}\n\"'''Meeting at Night'''\" is an English love poem written by the [[Victorian literature|Victorian]] poet [[Robert Browning]]. Browning wrote the poem in two parts as \"Night\" and \"Morning\", (later separated as \"Meeting at Night\" and \"[[Parting at Morning]]\" in 1849) for his 1845 work ''[[Dramatic Romances and Lyrics]]''.\n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describe the poem as the \"most sensual poem\" he had written up to that time.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\nJohn Kenyon, a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]], presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning, discovering his name in print in the poem volume, wrote a letter to Barrett on January 10, 1815. Upon getting a reply he sent her the manuscripts of poems and plays of the ''[[Dramatic Romances and Lyrics]]'' for proofreading.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in ''Dramatic Romances and Lyrics'' were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. They are described by Kennedy and Hair as \"a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Themes ==\n{{Wikisource}}\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of the secret journey by a boat on the sea. The second stanza describes the fulfillment of the meeting of the two lovers.\n\nLike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male) the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} It follows the rhyme scheme ''abccba'' and ''deffed''.{{cite book|author1=Jeanie Watson|author2=Philip McM. Pittman|author3=Warren W. Wooden|title=The Portrayal of Life Stages in English Literature, 1500-1800: Infancy, Youth, Marriage, Aging, Death, Martyrdom : Essays in Memory of Warren Wooden|url=http://books.google.com/books?id=8IzjhOxActcC&pg=PA22|date=January 1989|publisher=Edwin Mellen Press|isbn=978-0-88946-462-9|page=22|quote= Robert Browning is doing in \"Meeting at Night\" [in two six-line stanzas, rhyming abccba]}}\n\n== Reception ==\nThere are two published accounts of this poem: one by [[F. R. Leavis]]{{cite book|author=F. R. Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by Ronald Carter and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}} Kennedy and Hair explain that Browning's urgent love for Elizbeth Barrett had led him to write \"the most sensual poem he had yet created.\"\n\n== References ==\n{{Reflist}}\n\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]" + }, + { + "revid": 577762576, + "parentid": 577761261, + "minor": false, + "user": "Bjenks", + "userid": 1693504, + "timestamp": "2013-10-18T20:53:38Z", + "sha1": "47d8e37b8ede85c29e4d6a0ec69cc1c65de1564a", + "comment": "Copyedit", + "*": "{{Infobox poem\n|name = Meeting at Night\n|image = Thomas B. Read (American, 1822-1872) - Portraits of Elizabeth Barrett Browning and Robert Browning.jpg\n|image_size = 300px\n|caption = Robert and Elizabeth Browning in 1853\n|author = [[Robert Browning]]\n|first = 1845\n|country = \n|language = English\n|lines = \n}}\n\"'''Meeting at Night'''\" is an English love poem written by the [[Victorian literature|Victorian]] poet [[Robert Browning]]. Browning wrote the poem in two parts as \"Night\" and \"Morning\", (later separated as \"Meeting at Night\" and \"[[Parting at Morning]]\" in 1849) for his 1845 work ''[[Dramatic Romances and Lyrics]]''.\n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describe the poem as the \"most sensual poem\" he had written up to that time.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\nJohn Kenyon, a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]], presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning, discovering his name in print in the poem volume, wrote a letter to Barrett on January 10, 1815. Upon getting a reply he sent her the manuscripts of poems and plays of the ''[[Dramatic Romances and Lyrics]]'' for proofreading.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in ''Dramatic Romances and Lyrics'' were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. They are described by Kennedy and Hair as \"a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Themes ==\n{{Wikisource}}\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of a secret journey by a boat on the sea. The second stanza describes the fulfilment of the meeting of the two lovers.\n\nLike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male), the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} It follows the rhyme scheme ''abccba'' and ''deffed''.{{cite book|author1=Jeanie Watson|author2=Philip McM. Pittman|author3=Warren W. Wooden|title=The Portrayal of Life Stages in English Literature, 1500-1800: Infancy, Youth, Marriage, Aging, Death, Martyrdom : Essays in Memory of Warren Wooden|url=http://books.google.com/books?id=8IzjhOxActcC&pg=PA22|date=January 1989|publisher=Edwin Mellen Press|isbn=978-0-88946-462-9|page=22|quote= Robert Browning is doing in \"Meeting at Night\" [in two six-line stanzas, rhyming abccba]}}\n\n== Reception ==\nThere are two published accounts of this poem: one by [[F. R. Leavis]]{{cite book|author=F. R. Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by Ronald Carter and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}} Kennedy and Hair explain that Browning's urgent love for Elizabeth Barrett had led him to write \"the most sensual poem he had yet created.\"\n\n== References ==\n{{Reflist}}\n\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]" + }, + { + "revid": 577763596, + "parentid": 577762576, + "minor": true, + "user": "Bjenks", + "userid": 1693504, + "timestamp": "2013-10-18T21:03:21Z", + "sha1": "b491f0c1c3d121d7eade3ec37e6c84383546dc7e", + "comment": "Matching caption to pics", + "*": "{{Infobox poem\n|name = Meeting at Night\n|image = Thomas B. Read (American, 1822-1872) - Portraits of Elizabeth Barrett Browning and Robert Browning.jpg\n|image_size = 300px\n|caption = Elizabeth and Robert Browning in 1853\n|author = [[Robert Browning]]\n|first = 1845\n|country = \n|language = English\n|lines = \n}}\n\"'''Meeting at Night'''\" is an English love poem written by the [[Victorian literature|Victorian]] poet [[Robert Browning]]. Browning wrote the poem in two parts as \"Night\" and \"Morning\", (later separated as \"Meeting at Night\" and \"[[Parting at Morning]]\" in 1849) for his 1845 work ''[[Dramatic Romances and Lyrics]]''.\n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describe the poem as the \"most sensual poem\" he had written up to that time.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\nJohn Kenyon, a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]], presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning, discovering his name in print in the poem volume, wrote a letter to Barrett on January 10, 1815. Upon getting a reply he sent her the manuscripts of poems and plays of the ''[[Dramatic Romances and Lyrics]]'' for proofreading.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in ''Dramatic Romances and Lyrics'' were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. They are described by Kennedy and Hair as \"a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Themes ==\n{{Wikisource}}\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of a secret journey by a boat on the sea. The second stanza describes the fulfilment of the meeting of the two lovers.\n\nLike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male), the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} It follows the rhyme scheme ''abccba'' and ''deffed''.{{cite book|author1=Jeanie Watson|author2=Philip McM. Pittman|author3=Warren W. Wooden|title=The Portrayal of Life Stages in English Literature, 1500-1800: Infancy, Youth, Marriage, Aging, Death, Martyrdom : Essays in Memory of Warren Wooden|url=http://books.google.com/books?id=8IzjhOxActcC&pg=PA22|date=January 1989|publisher=Edwin Mellen Press|isbn=978-0-88946-462-9|page=22|quote= Robert Browning is doing in \"Meeting at Night\" [in two six-line stanzas, rhyming abccba]}}\n\n== Reception ==\nThere are two published accounts of this poem: one by [[F. R. Leavis]]{{cite book|author=F. R. Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by Ronald Carter and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}} Kennedy and Hair explain that Browning's urgent love for Elizabeth Barrett had led him to write \"the most sensual poem he had yet created.\"\n\n== References ==\n{{Reflist}}\n\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]" + }, + { + "revid": 577765467, + "parentid": 577763596, + "minor": false, + "user": "Brandmeister", + "userid": 12634201, + "timestamp": "2013-10-18T21:20:33Z", + "sha1": "266235c1be93f4db087f94f268ad193f650922ca", + "comment": "+cat", + "*": "{{Infobox poem\n|name = \"Meeting at Night\"\n|image = Thomas B. Read (American, 1822-1872) - Portraits of Elizabeth Barrett Browning and Robert Browning.jpg\n|image_size = 300px\n|caption = Elizabeth and Robert Browning in 1853\n|author = [[Robert Browning]]\n|first = 1845\n|country = \n|language = English\n|lines = \n}}\n\"'''Meeting at Night'''\" is an English love poem written by the [[Victorian literature|Victorian]] poet [[Robert Browning]]. Browning wrote the poem in two parts as \"Night\" and \"Morning\", (later separated as \"Meeting at Night\" and \"[[Parting at Morning]]\" in 1849) for his 1845 work ''[[Dramatic Romances and Lyrics]]''.\n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describe the poem as the \"most sensual poem\" he had written up to that time.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\nJohn Kenyon, a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]], presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning, discovering his name in print in the poem volume, wrote a letter to Barrett on January 10, 1815. Upon getting a reply he sent her the manuscripts of poems and plays of the ''[[Dramatic Romances and Lyrics]]'' for proofreading.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in ''Dramatic Romances and Lyrics'' were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. They are described by Kennedy and Hair as \"a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Themes ==\n{{Wikisource}}\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of a secret journey by a boat on the sea. The second stanza describes the fulfilment of the meeting of the two lovers.\n\nLike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male), the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} It follows the rhyme scheme ''abccba'' and ''deffed''.{{cite book|author1=Jeanie Watson|author2=Philip McM. Pittman|author3=Warren W. Wooden|title=The Portrayal of Life Stages in English Literature, 1500-1800: Infancy, Youth, Marriage, Aging, Death, Martyrdom : Essays in Memory of Warren Wooden|url=http://books.google.com/books?id=8IzjhOxActcC&pg=PA22|date=January 1989|publisher=Edwin Mellen Press|isbn=978-0-88946-462-9|page=22|quote= Robert Browning is doing in \"Meeting at Night\" [in two six-line stanzas, rhyming abccba]}}\n\n== Reception ==\nThere are two published accounts of this poem: one by [[F. R. Leavis]]{{cite book|author=F. R. Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by Ronald Carter and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}} Kennedy and Hair explain that Browning's urgent love for Elizabeth Barrett had led him to write \"the most sensual poem he had yet created.\"\n\n== References ==\n{{Reflist}}\n\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]\n[[Category:Love poems]]" + }, + { + "revid": 577768395, + "parentid": 577765467, + "minor": false, + "user": "Bjenks", + "userid": 1693504, + "timestamp": "2013-10-18T21:45:17Z", + "sha1": "29ce22fec8bbd251b39f0cd540c1d2221878acb6", + "comment": "Simplify lede opening sentences; linking to wikisource", + "*": "{{Infobox poem\n|name = \"Meeting at Night\"\n|image = Thomas B. Read (American, 1822-1872) - Portraits of Elizabeth Barrett Browning and Robert Browning.jpg\n|image_size = 300px\n|caption = Elizabeth and Robert Browning in 1853\n|author = [[Robert Browning]]\n|first = 1845\n|country = \n|language = English\n|lines = \n}}\n\"'''Meeting at Night'''\" is a [[Victorian literature|Victorian]] English love poem by [[Robert Browning]]. The original poem appeared in ''[[Dramatic Romances and Lyrics]]'' (1845) in which \"Night\" and \"Morning\" were two sections. In 1849, the poet separated them into two poems \"[[s:Meeting at Night|Meeting at Night]]\" and \"[[s:Parting at Morning|Parting at Morning]]\". \n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describe the poem as the \"most sensual poem\" he had written up to that time.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\nJohn Kenyon, a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]], presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning, discovering his name in print in the poem volume, wrote a letter to Barrett on January 10, 1815. Upon getting a reply he sent her the manuscripts of poems and plays of the ''[[Dramatic Romances and Lyrics]]'' for proofreading.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in ''Dramatic Romances and Lyrics'' were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. They are described by Kennedy and Hair as \"a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Themes ==\n{{Wikisource}}\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of a secret journey by a boat on the sea. The second stanza describes the fulfilment of the meeting of the two lovers.\n\nLike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male), the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} It follows the rhyme scheme ''abccba'' and ''deffed''.{{cite book|author1=Jeanie Watson|author2=Philip McM. Pittman|author3=Warren W. Wooden|title=The Portrayal of Life Stages in English Literature, 1500-1800: Infancy, Youth, Marriage, Aging, Death, Martyrdom : Essays in Memory of Warren Wooden|url=http://books.google.com/books?id=8IzjhOxActcC&pg=PA22|date=January 1989|publisher=Edwin Mellen Press|isbn=978-0-88946-462-9|page=22|quote= Robert Browning is doing in \"Meeting at Night\" [in two six-line stanzas, rhyming abccba]}}\n\n== Reception ==\nThere are two published accounts of this poem: one by [[F. R. Leavis]]{{cite book|author=F. R. Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by Ronald Carter and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}} Kennedy and Hair explain that Browning's urgent love for Elizabeth Barrett had led him to write \"the most sensual poem he had yet created.\"\n\n== References ==\n{{Reflist}}\n\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]\n[[Category:Love poems]]" + }, + { + "revid": 577768744, + "parentid": 577768395, + "minor": false, + "user": "Bjenks", + "userid": 1693504, + "timestamp": "2013-10-18T21:47:56Z", + "sha1": "4ba19f2c101734e65d103108e0713e4ee4990e7f", + "comment": "Typo", + "*": "{{Infobox poem\n|name = \"Meeting at Night\"\n|image = Thomas B. Read (American, 1822-1872) - Portraits of Elizabeth Barrett Browning and Robert Browning.jpg\n|image_size = 300px\n|caption = Elizabeth and Robert Browning in 1853\n|author = [[Robert Browning]]\n|first = 1845\n|country = \n|language = English\n|lines = \n}}\n\"'''Meeting at Night'''\" is a [[Victorian literature|Victorian]] English love poem by [[Robert Browning]]. The original poem appeared in ''[[Dramatic Romances and Lyrics]]'' (1845) in which \"Night\" and \"Morning\" were two sections. In 1849, the poet separated them into the two poems \"[[s:Meeting at Night|Meeting at Night]]\" and \"[[s:Parting at Morning|Parting at Morning]]\". \n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describe the poem as the \"most sensual poem\" he had written up to that time.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\nJohn Kenyon, a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]], presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning, discovering his name in print in the poem volume, wrote a letter to Barrett on January 10, 1815. Upon getting a reply he sent her the manuscripts of poems and plays of the ''[[Dramatic Romances and Lyrics]]'' for proofreading.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in ''Dramatic Romances and Lyrics'' were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. They are described by Kennedy and Hair as \"a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Themes ==\n{{Wikisource}}\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of a secret journey by a boat on the sea. The second stanza describes the fulfilment of the meeting of the two lovers.\n\nLike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male), the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} It follows the rhyme scheme ''abccba'' and ''deffed''.{{cite book|author1=Jeanie Watson|author2=Philip McM. Pittman|author3=Warren W. Wooden|title=The Portrayal of Life Stages in English Literature, 1500-1800: Infancy, Youth, Marriage, Aging, Death, Martyrdom : Essays in Memory of Warren Wooden|url=http://books.google.com/books?id=8IzjhOxActcC&pg=PA22|date=January 1989|publisher=Edwin Mellen Press|isbn=978-0-88946-462-9|page=22|quote= Robert Browning is doing in \"Meeting at Night\" [in two six-line stanzas, rhyming abccba]}}\n\n== Reception ==\nThere are two published accounts of this poem: one by [[F. R. Leavis]]{{cite book|author=F. R. Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by Ronald Carter and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}} Kennedy and Hair explain that Browning's urgent love for Elizabeth Barrett had led him to write \"the most sensual poem he had yet created.\"\n\n== References ==\n{{Reflist}}\n\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]\n[[Category:Love poems]]" + }, + { + "revid": 577770679, + "parentid": 577768744, + "minor": false, + "user": "Thincat", + "userid": 63405, + "timestamp": "2013-10-18T22:08:15Z", + "sha1": "8e2b6a2ec2970050b01d7afa46d927860c8c4e07", + "comment": "a bit more in infobox", + "*": "{{Infobox poem\n|name = \"Meeting at Night\"\n|image = Thomas B. Read (American, 1822-1872) - Portraits of Elizabeth Barrett Browning and Robert Browning.jpg\n|image_size = 300px\n|caption = Elizabeth and Robert Browning in 1853\n|author = [[Robert Browning]]\n|written = {{start date|1845}}\n|first = ''[[Dramatic Romances and Lyrics]]''\n|country = \n|language = English\n|lines = \n|wikisource = Meeting at Night\n}}\n\"'''Meeting at Night'''\" is a [[Victorian literature|Victorian]] English love poem by [[Robert Browning]]. The original poem appeared in ''[[Dramatic Romances and Lyrics]]'' (1845) in which \"Night\" and \"Morning\" were two sections. In 1849, the poet separated them into the two poems \"[[s:Meeting at Night|Meeting at Night]]\" and \"[[s:Parting at Morning|Parting at Morning]]\". \n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describe the poem as the \"most sensual poem\" he had written up to that time.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\nJohn Kenyon, a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]], presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning, discovering his name in print in the poem volume, wrote a letter to Barrett on January 10, 1815. Upon getting a reply he sent her the manuscripts of poems and plays of the ''[[Dramatic Romances and Lyrics]]'' for proofreading.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in ''Dramatic Romances and Lyrics'' were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. They are described by Kennedy and Hair as \"a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Themes ==\n{{Wikisource}}\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of a secret journey by a boat on the sea. The second stanza describes the fulfilment of the meeting of the two lovers.\n\nLike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male), the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} It follows the rhyme scheme ''abccba'' and ''deffed''.{{cite book|author1=Jeanie Watson|author2=Philip McM. Pittman|author3=Warren W. Wooden|title=The Portrayal of Life Stages in English Literature, 1500-1800: Infancy, Youth, Marriage, Aging, Death, Martyrdom : Essays in Memory of Warren Wooden|url=http://books.google.com/books?id=8IzjhOxActcC&pg=PA22|date=January 1989|publisher=Edwin Mellen Press|isbn=978-0-88946-462-9|page=22|quote= Robert Browning is doing in \"Meeting at Night\" [in two six-line stanzas, rhyming abccba]}}\n\n== Reception ==\nThere are two published accounts of this poem: one by [[F. R. Leavis]]{{cite book|author=F. R. Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by Ronald Carter and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}} Kennedy and Hair explain that Browning's urgent love for Elizabeth Barrett had led him to write \"the most sensual poem he had yet created.\"\n\n== References ==\n{{Reflist}}\n\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]\n[[Category:Love poems]]" + }, + { + "revid": 577773380, + "parentid": 577770679, + "minor": true, + "user": "Bencherlite", + "userid": 1843661, + "timestamp": "2013-10-18T22:36:07Z", + "sha1": "609a84c90ca46cb244bb4f87d6b4839f71b6716d", + "comment": "/* Themes */ remove {{Wikisource}} now that the Wikisource version of the poem is linked in the lead and the infobox", + "*": "{{Infobox poem\n|name = \"Meeting at Night\"\n|image = Thomas B. Read (American, 1822-1872) - Portraits of Elizabeth Barrett Browning and Robert Browning.jpg\n|image_size = 300px\n|caption = Elizabeth and Robert Browning in 1853\n|author = [[Robert Browning]]\n|written = {{start date|1845}}\n|first = ''[[Dramatic Romances and Lyrics]]''\n|country = \n|language = English\n|lines = \n|wikisource = Meeting at Night\n}}\n\"'''Meeting at Night'''\" is a [[Victorian literature|Victorian]] English love poem by [[Robert Browning]]. The original poem appeared in ''[[Dramatic Romances and Lyrics]]'' (1845) in which \"Night\" and \"Morning\" were two sections. In 1849, the poet separated them into the two poems \"[[s:Meeting at Night|Meeting at Night]]\" and \"[[s:Parting at Morning|Parting at Morning]]\". \n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describe the poem as the \"most sensual poem\" he had written up to that time.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\nJohn Kenyon, a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]], presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning, discovering his name in print in the poem volume, wrote a letter to Barrett on January 10, 1815. Upon getting a reply he sent her the manuscripts of poems and plays of the ''[[Dramatic Romances and Lyrics]]'' for proofreading.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in ''Dramatic Romances and Lyrics'' were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. They are described by Kennedy and Hair as \"a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Themes ==\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of a secret journey by a boat on the sea. The second stanza describes the fulfilment of the meeting of the two lovers.\n\nLike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male), the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} It follows the rhyme scheme ''abccba'' and ''deffed''.{{cite book|author1=Jeanie Watson|author2=Philip McM. Pittman|author3=Warren W. Wooden|title=The Portrayal of Life Stages in English Literature, 1500-1800: Infancy, Youth, Marriage, Aging, Death, Martyrdom : Essays in Memory of Warren Wooden|url=http://books.google.com/books?id=8IzjhOxActcC&pg=PA22|date=January 1989|publisher=Edwin Mellen Press|isbn=978-0-88946-462-9|page=22|quote= Robert Browning is doing in \"Meeting at Night\" [in two six-line stanzas, rhyming abccba]}}\n\n== Reception ==\nThere are two published accounts of this poem: one by [[F. R. Leavis]]{{cite book|author=F. R. Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by Ronald Carter and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}} Kennedy and Hair explain that Browning's urgent love for Elizabeth Barrett had led him to write \"the most sensual poem he had yet created.\"\n\n== References ==\n{{Reflist}}\n\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]\n[[Category:Love poems]]" + }, + { + "revid": 609646551, + "parentid": 577773380, + "minor": true, + "user": "Magioladitis", + "userid": 1862829, + "timestamp": "2014-05-22T09:26:53Z", + "sha1": "a870c7c81b442187ca6fae1ea718e5f1aaf09de4", + "comment": "clean up using [[Project:AWB|AWB]] (10197)", + "*": "{{Infobox poem\n|name = \"Meeting at Night\"\n|image = Thomas B. Read (American, 1822-1872) - Portraits of Elizabeth Barrett Browning and Robert Browning.jpg\n|image_size = 300px\n|caption = Elizabeth and Robert Browning in 1853\n|author = [[Robert Browning]]\n|written = {{start date|1845}}\n|first = ''[[Dramatic Romances and Lyrics]]''\n|country = \n|language = English\n|lines = \n|wikisource = Meeting at Night\n}}\n\"'''Meeting at Night'''\" is a [[Victorian literature|Victorian]] English love poem by [[Robert Browning]]. The original poem appeared in ''[[Dramatic Romances and Lyrics]]'' (1845) in which \"Night\" and \"Morning\" were two sections. In 1849, the poet separated them into the two poems \"[[s:Meeting at Night|Meeting at Night]]\" and \"[[s:Parting at Morning|Parting at Morning]]\".\n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describe the poem as the \"most sensual poem\" he had written up to that time.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\nJohn Kenyon, a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]], presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning, discovering his name in print in the poem volume, wrote a letter to Barrett on January 10, 1815. Upon getting a reply he sent her the manuscripts of poems and plays of the ''[[Dramatic Romances and Lyrics]]'' for proofreading.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in ''Dramatic Romances and Lyrics'' were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. They are described by Kennedy and Hair as \"a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Themes ==\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of a secret journey by a boat on the sea. The second stanza describes the fulfilment of the meeting of the two lovers.\n\nLike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male), the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} It follows the rhyme scheme ''abccba'' and ''deffed''.{{cite book|author1=Jeanie Watson|author2=Philip McM. Pittman|author3=Warren W. Wooden|title=The Portrayal of Life Stages in English Literature, 1500-1800: Infancy, Youth, Marriage, Aging, Death, Martyrdom : Essays in Memory of Warren Wooden|url=http://books.google.com/books?id=8IzjhOxActcC&pg=PA22|date=January 1989|publisher=Edwin Mellen Press|isbn=978-0-88946-462-9|page=22|quote= Robert Browning is doing in \"Meeting at Night\" [in two six-line stanzas, rhyming abccba]}}\n\n== Reception ==\nThere are two published accounts of this poem: one by [[F. R. Leavis]]{{cite book|author=F. R. Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by Ronald Carter and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}} Kennedy and Hair explain that Browning's urgent love for Elizabeth Barrett had led him to write \"the most sensual poem he had yet created.\"\n\n== References ==\n{{Reflist}}\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]\n[[Category:Love poems]]" + }, + { + "revid": 609845130, + "parentid": 609646551, + "minor": true, + "user": "Magioladitis", + "userid": 1862829, + "timestamp": "2014-05-23T18:42:33Z", + "sha1": "34921a0802492071d18a608f7d59c3e694e9c64c", + "comment": "fixed unclosed comments tags + some other stuff using [[Project:AWB|AWB]] (10205)", + "*": "{{Infobox poem\n|name = \"Meeting at Night\"\n|image = Thomas B. Read (American, 1822-1872) - Portraits of Elizabeth Barrett Browning and Robert Browning.jpg\n|image_size = 300px\n|caption = Elizabeth and Robert Browning in 1853\n|author = [[Robert Browning]]\n|written = {{start date|1845}}\n|first = ''[[Dramatic Romances and Lyrics]]''\n|country =\n|language = English\n|lines =\n|oclc =\n|wikisource = Meeting at Night\n}}\n\"'''Meeting at Night'''\" is a [[Victorian literature|Victorian]] English love poem by [[Robert Browning]]. The original poem appeared in ''[[Dramatic Romances and Lyrics]]'' (1845) in which \"Night\" and \"Morning\" were two sections. In 1849, the poet separated them into the two poems \"[[s:Meeting at Night|Meeting at Night]]\" and \"[[s:Parting at Morning|Parting at Morning]]\".\n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describe the poem as the \"most sensual poem\" he had written up to that time.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\nJohn Kenyon, a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]], presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning, discovering his name in print in the poem volume, wrote a letter to Barrett on January 10, 1815. Upon getting a reply he sent her the manuscripts of poems and plays of the ''[[Dramatic Romances and Lyrics]]'' for proofreading.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in ''Dramatic Romances and Lyrics'' were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. They are described by Kennedy and Hair as \"a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Themes ==\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of a secret journey by a boat on the sea. The second stanza describes the fulfilment of the meeting of the two lovers.\n\nLike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male), the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} It follows the rhyme scheme ''abccba'' and ''deffed''.{{cite book|author1=Jeanie Watson|author2=Philip McM. Pittman|author3=Warren W. Wooden|title=The Portrayal of Life Stages in English Literature, 1500-1800: Infancy, Youth, Marriage, Aging, Death, Martyrdom : Essays in Memory of Warren Wooden|url=http://books.google.com/books?id=8IzjhOxActcC&pg=PA22|date=January 1989|publisher=Edwin Mellen Press|isbn=978-0-88946-462-9|page=22|quote= Robert Browning is doing in \"Meeting at Night\" [in two six-line stanzas, rhyming abccba]}}\n\n== Reception ==\nThere are two published accounts of this poem: one by [[F. R. Leavis]]{{cite book|author=F. R. Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by Ronald Carter and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}} Kennedy and Hair explain that Browning's urgent love for Elizabeth Barrett had led him to write \"the most sensual poem he had yet created.\"\n\n== References ==\n{{Reflist}}\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]\n[[Category:Love poems]]" + }, + { + "revid": 647395586, + "parentid": 609845130, + "minor": false, + "user": "Randy Kryn", + "userid": 4796325, + "timestamp": "2015-02-16T13:44:40Z", + "sha1": "2048828ff0abb724865cf029bea1bb8582dd9310", + "comment": "add template 'Robert Browning'", + "*": "{{Infobox poem\n|name = \"Meeting at Night\"\n|image = Thomas B. Read (American, 1822-1872) - Portraits of Elizabeth Barrett Browning and Robert Browning.jpg\n|image_size = 300px\n|caption = Elizabeth and Robert Browning in 1853\n|author = [[Robert Browning]]\n|written = {{start date|1845}}\n|first = ''[[Dramatic Romances and Lyrics]]''\n|country =\n|language = English\n|lines =\n|oclc =\n|wikisource = Meeting at Night\n}}\n\"'''Meeting at Night'''\" is a [[Victorian literature|Victorian]] English love poem by [[Robert Browning]]. The original poem appeared in ''[[Dramatic Romances and Lyrics]]'' (1845) in which \"Night\" and \"Morning\" were two sections. In 1849, the poet separated them into the two poems \"[[s:Meeting at Night|Meeting at Night]]\" and \"[[s:Parting at Morning|Parting at Morning]]\".\n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describe the poem as the \"most sensual poem\" he had written up to that time.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\nJohn Kenyon, a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]], presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning, discovering his name in print in the poem volume, wrote a letter to Barrett on January 10, 1815. Upon getting a reply he sent her the manuscripts of poems and plays of the ''[[Dramatic Romances and Lyrics]]'' for proofreading.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in ''Dramatic Romances and Lyrics'' were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. They are described by Kennedy and Hair as \"a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Themes ==\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of a secret journey by a boat on the sea. The second stanza describes the fulfilment of the meeting of the two lovers.\n\nLike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male), the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} It follows the rhyme scheme ''abccba'' and ''deffed''.{{cite book|author1=Jeanie Watson|author2=Philip McM. Pittman|author3=Warren W. Wooden|title=The Portrayal of Life Stages in English Literature, 1500-1800: Infancy, Youth, Marriage, Aging, Death, Martyrdom : Essays in Memory of Warren Wooden|url=http://books.google.com/books?id=8IzjhOxActcC&pg=PA22|date=January 1989|publisher=Edwin Mellen Press|isbn=978-0-88946-462-9|page=22|quote= Robert Browning is doing in \"Meeting at Night\" [in two six-line stanzas, rhyming abccba]}}\n\n== Reception ==\nThere are two published accounts of this poem: one by [[F. R. Leavis]]{{cite book|author=F. R. Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by Ronald Carter and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}} Kennedy and Hair explain that Browning's urgent love for Elizabeth Barrett had led him to write \"the most sensual poem he had yet created.\"\n\n== References ==\n{{Reflist}}\n\n{{Robert Browning}}\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]\n[[Category:Love poems]]" + }, + { + "revid": 715024122, + "parentid": 647395586, + "minor": false, + "user": "Solomon7968", + "userid": 15009458, + "timestamp": "2016-04-13T07:35:59Z", + "sha1": "3cb6fdbe2e62d311a104d2291a545c111a2f0afc", + "comment": "/* Background */ typo", + "*": "{{Infobox poem\n|name = \"Meeting at Night\"\n|image = Thomas B. Read (American, 1822-1872) - Portraits of Elizabeth Barrett Browning and Robert Browning.jpg\n|image_size = 300px\n|caption = Elizabeth and Robert Browning in 1853\n|author = [[Robert Browning]]\n|written = {{start date|1845}}\n|first = ''[[Dramatic Romances and Lyrics]]''\n|country =\n|language = English\n|lines =\n|oclc =\n|wikisource = Meeting at Night\n}}\n\"'''Meeting at Night'''\" is a [[Victorian literature|Victorian]] English love poem by [[Robert Browning]]. The original poem appeared in ''[[Dramatic Romances and Lyrics]]'' (1845) in which \"Night\" and \"Morning\" were two sections. In 1849, the poet separated them into the two poems \"[[s:Meeting at Night|Meeting at Night]]\" and \"[[s:Parting at Morning|Parting at Morning]]\".\n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describe the poem as the \"most sensual poem\" he had written up to that time.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=http://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\nJohn Kenyon, a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]], presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning, discovering his name in print in the poem volume, wrote a letter to Barrett on January 10, 1845. Upon getting a reply he sent her the manuscripts of poems and plays of the ''[[Dramatic Romances and Lyrics]]'' for proofreading.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=http://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in ''Dramatic Romances and Lyrics'' were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. They are described by Kennedy and Hair as \"a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Themes ==\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of a secret journey by a boat on the sea. The second stanza describes the fulfilment of the meeting of the two lovers.\n\nLike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male), the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=http://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} It follows the rhyme scheme ''abccba'' and ''deffed''.{{cite book|author1=Jeanie Watson|author2=Philip McM. Pittman|author3=Warren W. Wooden|title=The Portrayal of Life Stages in English Literature, 1500-1800: Infancy, Youth, Marriage, Aging, Death, Martyrdom : Essays in Memory of Warren Wooden|url=http://books.google.com/books?id=8IzjhOxActcC&pg=PA22|date=January 1989|publisher=Edwin Mellen Press|isbn=978-0-88946-462-9|page=22|quote= Robert Browning is doing in \"Meeting at Night\" [in two six-line stanzas, rhyming abccba]}}\n\n== Reception ==\nThere are two published accounts of this poem: one by [[F. R. Leavis]]{{cite book|author=F. R. Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by Ronald Carter and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}} Kennedy and Hair explain that Browning's urgent love for Elizabeth Barrett had led him to write \"the most sensual poem he had yet created.\"\n\n== References ==\n{{Reflist}}\n\n{{Robert Browning}}\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]\n[[Category:Love poems]]" + }, + { + "revid": 744563761, + "parentid": 715024122, + "minor": true, + "user": "Bender the Bot", + "userid": 28903366, + "timestamp": "2016-10-16T01:58:08Z", + "sha1": "473f69bf340b07f8dcb146ff3a2c7ab78fc0f647", + "comment": "http→https for [[Google Books]] and [[Google News]] using [[Project:AWB|AWB]]", + "*": "{{Infobox poem\n|name = \"Meeting at Night\"\n|image = Thomas B. Read (American, 1822-1872) - Portraits of Elizabeth Barrett Browning and Robert Browning.jpg\n|image_size = 300px\n|caption = Elizabeth and Robert Browning in 1853\n|author = [[Robert Browning]]\n|written = {{start date|1845}}\n|first = ''[[Dramatic Romances and Lyrics]]''\n|country =\n|language = English\n|lines =\n|oclc =\n|wikisource = Meeting at Night\n}}\n\"'''Meeting at Night'''\" is a [[Victorian literature|Victorian]] English love poem by [[Robert Browning]]. The original poem appeared in ''[[Dramatic Romances and Lyrics]]'' (1845) in which \"Night\" and \"Morning\" were two sections. In 1849, the poet separated them into the two poems \"[[s:Meeting at Night|Meeting at Night]]\" and \"[[s:Parting at Morning|Parting at Morning]]\".\n\nThe poem (like others of the 1845 collection) was written during the courtship period of Browning with his future wife [[Elizabeth Barrett Browning|Elizabeth Barrett]]. Kennedy and Hair describe the poem as the \"most sensual poem\" he had written up to that time.{{cite book|author1=Richard S. Kennedy|author2=Donald S. Hair|title=The Dramatic Imagination of Robert Browning: A Literary Life|url=https://books.google.com/books?id=_-4M5DIKJToC&pg=PA134|year=2007|publisher=University of Missouri Press|isbn=978-0-8262-6552-4|pages=134–136}}\n\n== Background ==\nJohn Kenyon, a distant cousin of [[Elizabeth Barrett Browning|Elizabeth Barrett]], presented a copy of Barrett's [[Elizabeth Barrett Browning's Poems (1844)|1844 poems]] to Sarianna Browning, sister of Robert Browning. Browning, discovering his name in print in the poem volume, wrote a letter to Barrett on January 10, 1845. Upon getting a reply he sent her the manuscripts of poems and plays of the ''[[Dramatic Romances and Lyrics]]'' for proofreading.{{cite book|author=Mary Sanders Pollock|title=Elizabeth Barrett and Robert Browning: A Creative Partnership|url=https://books.google.com/books?id=IfuY5sdwphYC&pg=PA61|date=1 January 2003|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3328-0|pages=61–62}}\n\nThe poems in ''Dramatic Romances and Lyrics'' were arranged in groups of two or three with the two love poems \"Night\" and \"Morning\" as complementary. They are described by Kennedy and Hair as \"a compact dramatic narrative reflecting a decidedly masculine attitude toward love.\"\n\n== Themes ==\nThe poem is written in two stanzas of six lines each. The first stanza describes the excitement of a secret journey by a boat on the sea. The second stanza describes the fulfilment of the meeting of the two lovers.\n\nLike its sister poem \"Parting at Morning\" which uses ''pronominal reference'' to attribute the gender of the person in the boat (as male), the poem never reveals the identity of the two lovers.{{cite book|author=Poetics and Linguistics Association. Conference|title=The State of Stylistics: PALA 26|url=https://books.google.com/books?id=EpsEZl5FY1kC&pg=PA19|year=2008|publisher=Rodopi|isbn=978-90-420-2428-1|pages=19–21}} It follows the rhyme scheme ''abccba'' and ''deffed''.{{cite book|author1=Jeanie Watson|author2=Philip McM. Pittman|author3=Warren W. Wooden|title=The Portrayal of Life Stages in English Literature, 1500-1800: Infancy, Youth, Marriage, Aging, Death, Martyrdom : Essays in Memory of Warren Wooden|url=https://books.google.com/books?id=8IzjhOxActcC&pg=PA22|date=January 1989|publisher=Edwin Mellen Press|isbn=978-0-88946-462-9|page=22|quote= Robert Browning is doing in \"Meeting at Night\" [in two six-line stanzas, rhyming abccba]}}\n\n== Reception ==\nThere are two published accounts of this poem: one by [[F. R. Leavis]]{{cite book|author=F. R. Leavis|title=The living principle: \"English\" as a discipline of thought|date=1975|publisher=[[Chatto & Windus]]|isbn=978-1-56663-172-3|pages=120–2}} and another by Ronald Carter and Walter Nash.{{cite book|author1=Ronald Carter|author2=Walter Nash|title=Seeing Through Language: A Guide To Styles Of English Writing|date=8 January 1991|publisher=Wiley|isbn=978-0-631-15135-7|pages=123–9}} Kennedy and Hair explain that Browning's urgent love for Elizabeth Barrett had led him to write \"the most sensual poem he had yet created.\"\n\n== References ==\n{{Reflist}}\n\n{{Robert Browning}}\n\n[[Category:Poetry by Robert Browning]]\n[[Category:1845 poems]]\n[[Category:Love poems]]" + } +] diff --git a/tests/fixtures/one_thing_leads_2_another_golden.json b/tests/fixtures/one_thing_leads_2_another_golden.json new file mode 100644 index 0000000..5c66a81 --- /dev/null +++ b/tests/fixtures/one_thing_leads_2_another_golden.json @@ -0,0 +1,12441 @@ +[ + { + "str": "{{", + "token_id": 0, + "o_rev_id": 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"[[WP:AES|←]]Created page with '{{Infobox Single | Name = One Thing Leads 2 Another | Cover = Otlta.jpg | Artist = [[Vanessa Amo...'", + "*": "{{Infobox Single \n| Name = One Thing Leads 2 Another\n| Cover = Otlta.jpg\n| Artist = [[Vanessa Amorosi]]\n| Album = [[Change (Vanessa Amorosi album)|Change]]\n| Released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| Format = [[CD single|CD]]\n| Recorded = 2002\n| Genre = [[Pop music|Pop]]\n| Length = 3:18\n| Label = [[Universal Music|Universal]]\n| Writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| Producer = Axel Breitung\n| Last single = \"Turn to Me\"
(2001)\n| This single = \"'''One Thing Leads 2 Another'''\"
(2002)\n| Next single = \"[[Spin (Everybody's Doin' It)]]\"
(2002)\n}}\n\n\"'''One Thing Leads 2 Another'''\" is the first CD single released from Vanessa Amorosi's 2nd studio album ''[[Change (Vanessa Amorosi album)|Change]]''. The single was released on 14 October 2002 and debuted at #67 on the [[Media Control Charts|German Singles Chart]]. It remains for four weeks in the top 100.[http://www.musicline.de/de/chartverfolgung_summary/title/AMOROSI%2CVANESSA/ONE+THING+LEADS+2+ANOTHER/single Musicline.de - Chartverfolgung - AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER]\n\nAmorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]] in November 2002. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], Oli P., [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], Band ohne Namen, Bell Book And Candle, Laith Al Deen, Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 euros for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]\n\n== Track listing ==\n;CD single (Cat.No. 019 469-2)\n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| writing_credits = yes\n| lyrics_credits = \n| music_credits = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the Tempodrom arena in Berlin.\n\n== Charts ==\n{| class=\"wikitable sortable\"\n!Chart (2002)\n!Peak
position\n|-\n|[[Media Control Charts|German Singles Chart]]\n|align=\"center\"|67\n|-\n|[[Swiss Music Charts|Swiss Singles Chart]][http://hitparade.ch/showitem.asp?interpret=Vanessa+Amorosi&titel=One+Thing+Leads+2+Another&cat=s Hitparade.ch: VANESSA AMOROSI - ONE THING LEADS 2 ANOTHER (SONG)]\n|align=\"center\"|62\n|}\n\n== Sources ==\n* [http://www.discogs.com/Vanessa-Amorosi-One-Thing-Leads-2-Another/release/980631 Discogs: One Thing Leads 2 Another (CD, Maxi)]\n* [http://www.handinhandforchildren.de/pics/downloads/Charity%202002%20Tagespr.pdf Hand in Hand for Children - Charity 2002]\n* [http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=6VogSB60deSIEUbQEQ3dhzwEuyFYZz&cmd=concerts&action=pictures&ID=3173&naviID=894 Charity 2002 - Live dabei!]\n\n== References ==\n{{reflist}}\n\n{{Vanessa Amorosi}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]" + }, + { + "revid": 315609522, + "parentid": 315609335, + "minor": "", + "user": "PCgo", + "userid": 6433539, + "timestamp": "2009-09-22T23:44:26Z", + "sha1": "62704f5b8e12b49f9a33f45168e01a7b0c7f990d", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "moved [[\"One Thing Leads 2 Another\"]] to [[One Thing Leads 2 Another]]: \"\"", + "*": "{{Infobox Single \n| Name = One Thing Leads 2 Another\n| Cover = Otlta.jpg\n| Artist = [[Vanessa Amorosi]]\n| Album = [[Change (Vanessa Amorosi album)|Change]]\n| Released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| Format = [[CD single|CD]]\n| Recorded = 2002\n| Genre = [[Pop music|Pop]]\n| Length = 3:18\n| Label = [[Universal Music|Universal]]\n| Writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| Producer = Axel Breitung\n| Last single = \"Turn to Me\"
(2001)\n| This single = \"'''One Thing Leads 2 Another'''\"
(2002)\n| Next single = \"[[Spin (Everybody's Doin' It)]]\"
(2002)\n}}\n\n\"'''One Thing Leads 2 Another'''\" is the first CD single released from Vanessa Amorosi's 2nd studio album ''[[Change (Vanessa Amorosi album)|Change]]''. The single was released on 14 October 2002 and debuted at #67 on the [[Media Control Charts|German Singles Chart]]. It remains for four weeks in the top 100.[http://www.musicline.de/de/chartverfolgung_summary/title/AMOROSI%2CVANESSA/ONE+THING+LEADS+2+ANOTHER/single Musicline.de - Chartverfolgung - AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER]\n\nAmorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]] in November 2002. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], Oli P., [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], Band ohne Namen, Bell Book And Candle, Laith Al Deen, Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 euros for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]\n\n== Track listing ==\n;CD single (Cat.No. 019 469-2)\n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| writing_credits = yes\n| lyrics_credits = \n| music_credits = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the Tempodrom arena in Berlin.\n\n== Charts ==\n{| class=\"wikitable sortable\"\n!Chart (2002)\n!Peak
position\n|-\n|[[Media Control Charts|German Singles Chart]]\n|align=\"center\"|67\n|-\n|[[Swiss Music Charts|Swiss Singles Chart]][http://hitparade.ch/showitem.asp?interpret=Vanessa+Amorosi&titel=One+Thing+Leads+2+Another&cat=s Hitparade.ch: VANESSA AMOROSI - ONE THING LEADS 2 ANOTHER (SONG)]\n|align=\"center\"|62\n|}\n\n== Sources ==\n* [http://www.discogs.com/Vanessa-Amorosi-One-Thing-Leads-2-Another/release/980631 Discogs: One Thing Leads 2 Another (CD, Maxi)]\n* [http://www.handinhandforchildren.de/pics/downloads/Charity%202002%20Tagespr.pdf Hand in Hand for Children - Charity 2002]\n* [http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=6VogSB60deSIEUbQEQ3dhzwEuyFYZz&cmd=concerts&action=pictures&ID=3173&naviID=894 Charity 2002 - Live dabei!]\n\n== References ==\n{{reflist}}\n\n{{Vanessa Amorosi}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]" + }, + { + "revid": 315655236, + "parentid": 315609522, + "user": "217.238.244.67", + "anon": "", + "userid": 0, + "timestamp": "2009-09-23T05:26:13Z", + "sha1": "74bd1ed146010d0f4a8ecba41915de53c0fd0da1", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Laith Al Deen > Laith Al-Deen; Bell Book And Candle > Bell, Book & Candle (band)", + "*": "{{Infobox Single \n| Name = One Thing Leads 2 Another\n| Cover = Otlta.jpg\n| Artist = [[Vanessa Amorosi]]\n| Album = [[Change (Vanessa Amorosi album)|Change]]\n| Released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| Format = [[CD single|CD]]\n| Recorded = 2002\n| Genre = [[Pop music|Pop]]\n| Length = 3:18\n| Label = [[Universal Music|Universal]]\n| Writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| Producer = Axel Breitung\n| Last single = \"Turn to Me\"
(2001)\n| This single = \"'''One Thing Leads 2 Another'''\"
(2002)\n| Next single = \"[[Spin (Everybody's Doin' It)]]\"
(2002)\n}}\n\n\"'''One Thing Leads 2 Another'''\" is the first CD single released from Vanessa Amorosi's 2nd studio album ''[[Change (Vanessa Amorosi album)|Change]]''. The single was released on 14 October 2002 and debuted at #67 on the [[Media Control Charts|German Singles Chart]]. It remains for four weeks in the top 100.[http://www.musicline.de/de/chartverfolgung_summary/title/AMOROSI%2CVANESSA/ONE+THING+LEADS+2+ANOTHER/single Musicline.de - Chartverfolgung - AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER]\n\nAmorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]] in November 2002. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], Oli P., [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], Band ohne Namen, [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]\n\n== Track listing ==\n;CD single (Cat.No. 019 469-2)\n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| writing_credits = yes\n| lyrics_credits = \n| music_credits = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the Tempodrom arena in [[Berlin]].\n\n== Charts ==\n{| class=\"wikitable sortable\"\n!Chart (2002)\n!Peak
position\n|-\n|[[Media Control Charts|German Singles Chart]]\n|align=\"center\"|67\n|-\n|[[Swiss Music Charts|Swiss Singles Chart]][http://hitparade.ch/showitem.asp?interpret=Vanessa+Amorosi&titel=One+Thing+Leads+2+Another&cat=s Hitparade.ch: VANESSA AMOROSI - ONE THING LEADS 2 ANOTHER (SONG)]\n|align=\"center\"|62\n|}\n\n== Sources ==\n* [http://www.discogs.com/Vanessa-Amorosi-One-Thing-Leads-2-Another/release/980631 Discogs: One Thing Leads 2 Another (CD, Maxi)]\n* [http://www.handinhandforchildren.de/pics/downloads/Charity%202002%20Tagespr.pdf Hand in Hand for Children - Charity 2002]\n* [http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=6VogSB60deSIEUbQEQ3dhzwEuyFYZz&cmd=concerts&action=pictures&ID=3173&naviID=894 Charity 2002 - Live dabei!]\n\n== References ==\n{{reflist}}\n\n{{Vanessa Amorosi}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]" + }, + { + "revid": 320165885, + "parentid": 315655236, + "minor": "", + "user": "TobeBot", + "userid": 10286712, + "timestamp": "2009-10-16T06:44:27Z", + "sha1": "725f1e14e953264299b8cb6fe2f49fd42938df5d", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "robot Adding: [[uk:One Thing Leads 2 Another]]", + "*": "{{Infobox Single \n| Name = One Thing Leads 2 Another\n| Cover = Otlta.jpg\n| Artist = [[Vanessa Amorosi]]\n| Album = [[Change (Vanessa Amorosi album)|Change]]\n| Released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| Format = [[CD single|CD]]\n| Recorded = 2002\n| Genre = [[Pop music|Pop]]\n| Length = 3:18\n| Label = [[Universal Music|Universal]]\n| Writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| Producer = Axel Breitung\n| Last single = \"Turn to Me\"
(2001)\n| This single = \"'''One Thing Leads 2 Another'''\"
(2002)\n| Next single = \"[[Spin (Everybody's Doin' It)]]\"
(2002)\n}}\n\n\"'''One Thing Leads 2 Another'''\" is the first CD single released from Vanessa Amorosi's 2nd studio album ''[[Change (Vanessa Amorosi album)|Change]]''. The single was released on 14 October 2002 and debuted at #67 on the [[Media Control Charts|German Singles Chart]]. It remains for four weeks in the top 100.[http://www.musicline.de/de/chartverfolgung_summary/title/AMOROSI%2CVANESSA/ONE+THING+LEADS+2+ANOTHER/single Musicline.de - Chartverfolgung - AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER]\n\nAmorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]] in November 2002. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], Oli P., [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], Band ohne Namen, [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]\n\n== Track listing ==\n;CD single (Cat.No. 019 469-2)\n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| writing_credits = yes\n| lyrics_credits = \n| music_credits = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the Tempodrom arena in [[Berlin]].\n\n== Charts ==\n{| class=\"wikitable sortable\"\n!Chart (2002)\n!Peak
position\n|-\n|[[Media Control Charts|German Singles Chart]]\n|align=\"center\"|67\n|-\n|[[Swiss Music Charts|Swiss Singles Chart]][http://hitparade.ch/showitem.asp?interpret=Vanessa+Amorosi&titel=One+Thing+Leads+2+Another&cat=s Hitparade.ch: VANESSA AMOROSI - ONE THING LEADS 2 ANOTHER (SONG)]\n|align=\"center\"|62\n|}\n\n== Sources ==\n* [http://www.discogs.com/Vanessa-Amorosi-One-Thing-Leads-2-Another/release/980631 Discogs: One Thing Leads 2 Another (CD, Maxi)]\n* [http://www.handinhandforchildren.de/pics/downloads/Charity%202002%20Tagespr.pdf Hand in Hand for Children - Charity 2002]\n* [http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=6VogSB60deSIEUbQEQ3dhzwEuyFYZz&cmd=concerts&action=pictures&ID=3173&naviID=894 Charity 2002 - Live dabei!]\n\n== References ==\n{{reflist}}\n\n{{Vanessa Amorosi}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n\n[[uk:One Thing Leads 2 Another]]" + }, + { + "revid": 345379045, + "parentid": 320165885, + "minor": "", + "user": "Richhoncho", + "userid": 1376828, + "timestamp": "2010-02-21T08:40:36Z", + "sha1": "b7a1eaaedf070c38802367251ce37f1d8122a64f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Quick-adding category [[:Category:Songs written by Mark Holden|Songs written by Mark Holden]] (using [[WP:HOTCAT|HotCat]])", + "*": "{{Infobox Single \n| Name = One Thing Leads 2 Another\n| Cover = Otlta.jpg\n| Artist = [[Vanessa Amorosi]]\n| Album = [[Change (Vanessa Amorosi album)|Change]]\n| Released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| Format = [[CD single|CD]]\n| Recorded = 2002\n| Genre = [[Pop music|Pop]]\n| Length = 3:18\n| Label = [[Universal Music|Universal]]\n| Writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| Producer = Axel Breitung\n| Last single = \"Turn to Me\"
(2001)\n| This single = \"'''One Thing Leads 2 Another'''\"
(2002)\n| Next single = \"[[Spin (Everybody's Doin' It)]]\"
(2002)\n}}\n\n\"'''One Thing Leads 2 Another'''\" is the first CD single released from Vanessa Amorosi's 2nd studio album ''[[Change (Vanessa Amorosi album)|Change]]''. The single was released on 14 October 2002 and debuted at #67 on the [[Media Control Charts|German Singles Chart]]. It remains for four weeks in the top 100.[http://www.musicline.de/de/chartverfolgung_summary/title/AMOROSI%2CVANESSA/ONE+THING+LEADS+2+ANOTHER/single Musicline.de - Chartverfolgung - AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER]\n\nAmorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]] in November 2002. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], Oli P., [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], Band ohne Namen, [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]\n\n== Track listing ==\n;CD single (Cat.No. 019 469-2)\n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| writing_credits = yes\n| lyrics_credits = \n| music_credits = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the Tempodrom arena in [[Berlin]].\n\n== Charts ==\n{| class=\"wikitable sortable\"\n!Chart (2002)\n!Peak
position\n|-\n|[[Media Control Charts|German Singles Chart]]\n|align=\"center\"|67\n|-\n|[[Swiss Music Charts|Swiss Singles Chart]][http://hitparade.ch/showitem.asp?interpret=Vanessa+Amorosi&titel=One+Thing+Leads+2+Another&cat=s Hitparade.ch: VANESSA AMOROSI - ONE THING LEADS 2 ANOTHER (SONG)]\n|align=\"center\"|62\n|}\n\n== Sources ==\n* [http://www.discogs.com/Vanessa-Amorosi-One-Thing-Leads-2-Another/release/980631 Discogs: One Thing Leads 2 Another (CD, Maxi)]\n* [http://www.handinhandforchildren.de/pics/downloads/Charity%202002%20Tagespr.pdf Hand in Hand for Children - Charity 2002]\n* [http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=6VogSB60deSIEUbQEQ3dhzwEuyFYZz&cmd=concerts&action=pictures&ID=3173&naviID=894 Charity 2002 - Live dabei!]\n\n== References ==\n{{reflist}}\n\n{{Vanessa Amorosi}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n\n[[uk:One Thing Leads 2 Another]]" + }, + { + "revid": 356303045, + "parentid": 345379045, + "user": "217.238.239.113", + "anon": "", + "userid": 0, + "timestamp": "2010-04-16T02:36:32Z", + "sha1": "0a87eeb8651077939e4629c68cddce2f8914afa2", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox Single \n| Name = One Thing Leads 2 Another\n| Cover = Otlta.jpg\n| Artist = [[Vanessa Amorosi]]\n| Album = [[Change (Vanessa Amorosi album)|Change]]\n| Released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| Format = [[CD single|CD]]\n| Recorded = 2002\n| Genre = [[Pop music|Pop]]\n| Length = 3:18\n| Label = [[Universal Music|Universal]]\n| Writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| Producer = Axel Breitung\n| Last single = \"Turn to Me\"
(2001)\n| This single = \"'''One Thing Leads 2 Another'''\"
(2002)\n| Next single = \"[[Spin (Everybody's Doin' It)]]\"
(2002)\n}}\n\n\"'''One Thing Leads 2 Another'''\" is the first CD single released from Vanessa Amorosi's 2nd studio album ''[[Change (Vanessa Amorosi album)|Change]]''. The single was released on 14 October 2002 and debuted at #67 on the [[Media Control Charts|German Singles Chart]]. It remains for four weeks in the top 100.[http://www.musicline.de/de/chartverfolgung_summary/title/AMOROSI%2CVANESSA/ONE+THING+LEADS+2+ANOTHER/single Musicline.de - Chartverfolgung - AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER]\n\nAmorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]] in November 2002. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], Oli P., [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], Band ohne Namen, [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]\n\n== Track listing ==\n;CD single (Cat.No. 019 469-2)\n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| writing_credits = yes\n| lyrics_credits = \n| music_credits = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the Tempodrom arena in [[Berlin]].\n\n== Charts ==\n{| class=\"wikitable sortable\"\n!Chart (2002)\n!Peak
position\n|-\n|[[Media Control Charts|German Singles Chart]]\n|align=\"center\"|67\n|-\n|[[Swiss Music Charts|Swiss Singles Chart]][http://hitparade.ch/showitem.asp?interpret=Vanessa+Amorosi&titel=One+Thing+Leads+2+Another&cat=s Hitparade.ch: VANESSA AMOROSI - ONE THING LEADS 2 ANOTHER (SONG)]\n|align=\"center\"|62\n|}\n\n== References ==\n{{Reflist}}\n\n== Sources ==\n* [http://www.discogs.com/Vanessa-Amorosi-One-Thing-Leads-2-Another/release/980631 Discogs: One Thing Leads 2 Another (CD, Maxi)]\n* [http://www.handinhandforchildren.de/pics/downloads/Charity%202002%20Tagespr.pdf Hand in Hand for Children - Charity 2002]\n* [http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=6VogSB60deSIEUbQEQ3dhzwEuyFYZz&cmd=concerts&action=pictures&ID=3173&naviID=894 Charity 2002 - Live dabei!]\n\n{{Vanessa Amorosi}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n\n[[uk:One Thing Leads 2 Another]]" + }, + { + "revid": 356303122, + "parentid": 356303045, + "minor": "", + "user": "PunkyMcPunkersen", + "userid": 12125559, + "timestamp": "2010-04-16T02:37:06Z", + "sha1": "b7a1eaaedf070c38802367251ce37f1d8122a64f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Reverted 1 edit by [[Special:Contributions/217.238.239.113|217.238.239.113]] identified as [[WP:VAND|vandalism]] to last revision by [[User:Richhoncho|Richhoncho]]. ([[WP:TW|TW]])", + "*": "{{Infobox Single \n| Name = One Thing Leads 2 Another\n| Cover = Otlta.jpg\n| Artist = [[Vanessa Amorosi]]\n| Album = [[Change (Vanessa Amorosi album)|Change]]\n| Released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| Format = [[CD single|CD]]\n| Recorded = 2002\n| Genre = [[Pop music|Pop]]\n| Length = 3:18\n| Label = [[Universal Music|Universal]]\n| Writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| Producer = Axel Breitung\n| Last single = \"Turn to Me\"
(2001)\n| This single = \"'''One Thing Leads 2 Another'''\"
(2002)\n| Next single = \"[[Spin (Everybody's Doin' It)]]\"
(2002)\n}}\n\n\"'''One Thing Leads 2 Another'''\" is the first CD single released from Vanessa Amorosi's 2nd studio album ''[[Change (Vanessa Amorosi album)|Change]]''. The single was released on 14 October 2002 and debuted at #67 on the [[Media Control Charts|German Singles Chart]]. It remains for four weeks in the top 100.[http://www.musicline.de/de/chartverfolgung_summary/title/AMOROSI%2CVANESSA/ONE+THING+LEADS+2+ANOTHER/single Musicline.de - Chartverfolgung - AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER]\n\nAmorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]] in November 2002. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], Oli P., [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], Band ohne Namen, [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]\n\n== Track listing ==\n;CD single (Cat.No. 019 469-2)\n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| writing_credits = yes\n| lyrics_credits = \n| music_credits = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the Tempodrom arena in [[Berlin]].\n\n== Charts ==\n{| class=\"wikitable sortable\"\n!Chart (2002)\n!Peak
position\n|-\n|[[Media Control Charts|German Singles Chart]]\n|align=\"center\"|67\n|-\n|[[Swiss Music Charts|Swiss Singles Chart]][http://hitparade.ch/showitem.asp?interpret=Vanessa+Amorosi&titel=One+Thing+Leads+2+Another&cat=s Hitparade.ch: VANESSA AMOROSI - ONE THING LEADS 2 ANOTHER (SONG)]\n|align=\"center\"|62\n|}\n\n== Sources ==\n* [http://www.discogs.com/Vanessa-Amorosi-One-Thing-Leads-2-Another/release/980631 Discogs: One Thing Leads 2 Another (CD, Maxi)]\n* [http://www.handinhandforchildren.de/pics/downloads/Charity%202002%20Tagespr.pdf Hand in Hand for Children - Charity 2002]\n* [http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=6VogSB60deSIEUbQEQ3dhzwEuyFYZz&cmd=concerts&action=pictures&ID=3173&naviID=894 Charity 2002 - Live dabei!]\n\n== References ==\n{{reflist}}\n\n{{Vanessa Amorosi}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n\n[[uk:One Thing Leads 2 Another]]" + }, + { + "revid": 357424503, + "parentid": 356303122, + "user": "Shocksets.in", + "userid": 7126376, + "timestamp": "2010-04-21T15:51:46Z", + "sha1": "a20f2fc7aa2f6fc02c24898f2c0f60b326da290d", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "cover version", + "*": "{{Infobox Single \n| Name = One Thing Leads 2 Another\n| Cover = Otlta.jpg\n| Artist = [[Vanessa Amorosi]]\n| Album = [[Change (Vanessa Amorosi album)|Change]]\n| Released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| Format = [[CD single|CD]]\n| Recorded = 2002\n| Genre = [[Pop music|Pop]]\n| Length = 3:18\n| Label = [[Universal Music|Universal]]\n| Writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| Producer = Axel Breitung\n| Last single = \"Turn to Me\"
(2001)\n| This single = \"'''One Thing Leads 2 Another'''\"
(2002)\n| Next single = \"[[Spin (Everybody's Doin' It)]]\"
(2002)\n}}\n\n\"'''One Thing Leads 2 Another'''\" is the first CD single released from Vanessa Amorosi's 2nd studio album ''[[Change (Vanessa Amorosi album)|Change]]''. The single was released on 14 October 2002 and debuted at #67 on the [[Media Control Charts|German Singles Chart]]. It remains for four weeks in the top 100.[http://www.musicline.de/de/chartverfolgung_summary/title/AMOROSI%2CVANESSA/ONE+THING+LEADS+2+ANOTHER/single Musicline.de - Chartverfolgung - AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER]\n\nAmorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]] in November 2002. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], Oli P., [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], Band ohne Namen, [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]\n\n== Track listing ==\n;CD single (Cat.No. 019 469-2)\n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| writing_credits = yes\n| lyrics_credits = \n| music_credits = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the Tempodrom arena in [[Berlin]].\n\n== Charts ==\n{| class=\"wikitable sortable\"\n!Chart (2002)\n!Peak
position\n|-\n|[[Media Control Charts|German Singles Chart]]\n|align=\"center\"|67\n|-\n|[[Swiss Music Charts|Swiss Singles Chart]][http://hitparade.ch/showitem.asp?interpret=Vanessa+Amorosi&titel=One+Thing+Leads+2+Another&cat=s Hitparade.ch: VANESSA AMOROSI - ONE THING LEADS 2 ANOTHER (SONG)]\n|align=\"center\"|62\n|}\n\n==Cover versions==\n*[[Paulini Curuenavuli ]] cover of Vanessa's 'One Thing Leads To Another' is featured on the 'Australian Idol: The Final 12' album released in 2003.\n\n\n== Sources ==\n* [http://www.discogs.com/Vanessa-Amorosi-One-Thing-Leads-2-Another/release/980631 Discogs: One Thing Leads 2 Another (CD, Maxi)]\n* [http://www.handinhandforchildren.de/pics/downloads/Charity%202002%20Tagespr.pdf Hand in Hand for Children - Charity 2002]\n* [http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=6VogSB60deSIEUbQEQ3dhzwEuyFYZz&cmd=concerts&action=pictures&ID=3173&naviID=894 Charity 2002 - Live dabei!]\n\n== References ==\n{{reflist}}\n\n{{Vanessa Amorosi}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n\n[[uk:One Thing Leads 2 Another]]" + }, + { + "revid": 357425324, + "parentid": 357424503, + "user": "Shocksets.in", + "userid": 7126376, + "timestamp": "2010-04-21T15:56:35Z", + "sha1": "3024cf600fc9125056fa0c1b7a0148992e6269a5", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Cover versions */", + "*": "{{Infobox Single \n| Name = One Thing Leads 2 Another\n| Cover = Otlta.jpg\n| Artist = [[Vanessa Amorosi]]\n| Album = [[Change (Vanessa Amorosi album)|Change]]\n| Released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| Format = [[CD single|CD]]\n| Recorded = 2002\n| Genre = [[Pop music|Pop]]\n| Length = 3:18\n| Label = [[Universal Music|Universal]]\n| Writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| Producer = Axel Breitung\n| Last single = \"Turn to Me\"
(2001)\n| This single = \"'''One Thing Leads 2 Another'''\"
(2002)\n| Next single = \"[[Spin (Everybody's Doin' It)]]\"
(2002)\n}}\n\n\"'''One Thing Leads 2 Another'''\" is the first CD single released from Vanessa Amorosi's 2nd studio album ''[[Change (Vanessa Amorosi album)|Change]]''. The single was released on 14 October 2002 and debuted at #67 on the [[Media Control Charts|German Singles Chart]]. It remains for four weeks in the top 100.[http://www.musicline.de/de/chartverfolgung_summary/title/AMOROSI%2CVANESSA/ONE+THING+LEADS+2+ANOTHER/single Musicline.de - Chartverfolgung - AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER]\n\nAmorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]] in November 2002. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], Oli P., [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], Band ohne Namen, [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]\n\n== Track listing ==\n;CD single (Cat.No. 019 469-2)\n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| writing_credits = yes\n| lyrics_credits = \n| music_credits = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the Tempodrom arena in [[Berlin]].\n\n== Charts ==\n{| class=\"wikitable sortable\"\n!Chart (2002)\n!Peak
position\n|-\n|[[Media Control Charts|German Singles Chart]]\n|align=\"center\"|67\n|-\n|[[Swiss Music Charts|Swiss Singles Chart]][http://hitparade.ch/showitem.asp?interpret=Vanessa+Amorosi&titel=One+Thing+Leads+2+Another&cat=s Hitparade.ch: VANESSA AMOROSI - ONE THING LEADS 2 ANOTHER (SONG)]\n|align=\"center\"|62\n|}\n\n==Cover versions==\n*[[Paulini Curuenavuli ]] cover of Vanessa's 'One Thing Leads To Another' is featured on the 'Australian Idol: The Final 12' album released in 2003. The song being written by [[Mark Holden]], a Judge on the show.\n\n== Sources ==\n* [http://www.discogs.com/Vanessa-Amorosi-One-Thing-Leads-2-Another/release/980631 Discogs: One Thing Leads 2 Another (CD, Maxi)]\n* [http://www.handinhandforchildren.de/pics/downloads/Charity%202002%20Tagespr.pdf Hand in Hand for Children - Charity 2002]\n* [http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=6VogSB60deSIEUbQEQ3dhzwEuyFYZz&cmd=concerts&action=pictures&ID=3173&naviID=894 Charity 2002 - Live dabei!]\n\n== References ==\n{{reflist}}\n\n{{Vanessa Amorosi}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n\n[[uk:One Thing Leads 2 Another]]" + }, + { + "revid": 359661622, + "parentid": 357425324, + "user": "217.238.215.39", + "anon": "", + "userid": 0, + "timestamp": "2010-05-02T16:20:49Z", + "sha1": "f1985472de153d82af81c75878a94171d62ad5d5", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "ref", + "*": "{{Infobox Single \n| Name = One Thing Leads 2 Another\n| Cover = Otlta.jpg\n| Artist = [[Vanessa Amorosi]]\n| Album = [[Change (Vanessa Amorosi album)|Change]]\n| Released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| Format = [[CD single|CD]]\n| Recorded = 2002\n| Genre = [[Pop music|Pop]]\n| Length = 3:18\n| Label = [[Universal Music|Universal]]\n| Writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| Producer = Axel Breitung\n| Last single = \"Turn to Me\"
(2001)\n| This single = \"'''One Thing Leads 2 Another'''\"
(2002)\n| Next single = \"[[Spin (Everybody's Doin' It)]]\"
(2002)\n}}\n\n\"'''One Thing Leads 2 Another'''\" is the first CD single released from Vanessa Amorosi's 2nd studio album ''[[Change (Vanessa Amorosi album)|Change]]''. The single was released on 14 October 2002 and debuted at #67 on the [[Media Control Charts|German Singles Chart]]. It remains for four weeks in the top 100.[http://www.musicline.de/de/chartverfolgung_summary/title/AMOROSI%2CVANESSA/ONE+THING+LEADS+2+ANOTHER/single Musicline.de - Chartverfolgung - AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER]\n\nAmorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]] in November 2002. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], Oli P., [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], Band ohne Namen, [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]\n\n== Track listing ==\n;CD single (Cat.No. 019 469-2)\n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| writing_credits = yes\n| lyrics_credits = \n| music_credits = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the Tempodrom arena in [[Berlin]].\n\n== Charts ==\n{| class=\"wikitable sortable\"\n!Chart (2002)\n!Peak
position\n|-\n|[[Media Control Charts|German Singles Chart]]\n|align=\"center\"|67\n|-\n|[[Swiss Music Charts|Swiss Singles Chart]][http://hitparade.ch/showitem.asp?interpret=Vanessa+Amorosi&titel=One+Thing+Leads+2+Another&cat=s Hitparade.ch: VANESSA AMOROSI - ONE THING LEADS 2 ANOTHER (SONG)]\n|align=\"center\"|62\n|}\n\n==Cover versions==\n* [[Paulini Curuenavuli]] cover of Amorosi's 'One Thing Leads To Another' is featured on the 'Australian Idol: The Final 12' album, released in 2003[http://www.cduniverse.com/search/xx/music/pid/6642291/a/Australian+Idol:+The+Final+12.htm cduniverse.com - Australian Idol: The Final 12 CD]. The song being written by [[Mark Holden]], a judge on the show.\n\n== References ==\n{{Reflist}}\n\n== Sources ==\n* [http://www.discogs.com/Vanessa-Amorosi-One-Thing-Leads-2-Another/release/980631 Discogs: One Thing Leads 2 Another (CD, Maxi)]\n* [http://www.handinhandforchildren.de/pics/downloads/Charity%202002%20Tagespr.pdf Hand in Hand for Children - Charity 2002]\n* [http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=6VogSB60deSIEUbQEQ3dhzwEuyFYZz&cmd=concerts&action=pictures&ID=3173&naviID=894 Charity 2002 - Live dabei!]\n\n{{Vanessa Amorosi}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n\n[[uk:One Thing Leads 2 Another]]" + }, + { + "revid": 361356415, + "parentid": 359661622, + "user": "217.238.240.241", + "anon": "", + "userid": 0, + "timestamp": "2010-05-10T21:54:01Z", + "sha1": "b0718700140144cfd2ddbb6d2bb1501c0f8119d9", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Cover versions */ m", + "*": "{{Infobox Single \n| Name = One Thing Leads 2 Another\n| Cover = Otlta.jpg\n| Artist = [[Vanessa Amorosi]]\n| Album = [[Change (Vanessa Amorosi album)|Change]]\n| Released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| Format = [[CD single|CD]]\n| Recorded = 2002\n| Genre = [[Pop music|Pop]]\n| Length = 3:18\n| Label = [[Universal Music|Universal]]\n| Writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| Producer = Axel Breitung\n| Last single = \"Turn to Me\"
(2001)\n| This single = \"'''One Thing Leads 2 Another'''\"
(2002)\n| Next single = \"[[Spin (Everybody's Doin' It)]]\"
(2002)\n}}\n\n\"'''One Thing Leads 2 Another'''\" is the first CD single released from Vanessa Amorosi's 2nd studio album ''[[Change (Vanessa Amorosi album)|Change]]''. The single was released on 14 October 2002 and debuted at #67 on the [[Media Control Charts|German Singles Chart]]. It remains for four weeks in the top 100.[http://www.musicline.de/de/chartverfolgung_summary/title/AMOROSI%2CVANESSA/ONE+THING+LEADS+2+ANOTHER/single Musicline.de - Chartverfolgung - AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER]\n\nAmorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]] in November 2002. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], Oli P., [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], Band ohne Namen, [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]\n\n== Track listing ==\n;CD single (Cat.No. 019 469-2)\n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| writing_credits = yes\n| lyrics_credits = \n| music_credits = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the Tempodrom arena in [[Berlin]].\n\n== Charts ==\n{| class=\"wikitable sortable\"\n!Chart (2002)\n!Peak
position\n|-\n|[[Media Control Charts|German Singles Chart]]\n|align=\"center\"|67\n|-\n|[[Swiss Music Charts|Swiss Singles Chart]][http://hitparade.ch/showitem.asp?interpret=Vanessa+Amorosi&titel=One+Thing+Leads+2+Another&cat=s Hitparade.ch: VANESSA AMOROSI - ONE THING LEADS 2 ANOTHER (SONG)]\n|align=\"center\"|62\n|}\n\n==Cover versions==\n* [[Paulini Curuenavuli]] cover of Amorosi's 'One Thing Leads To Another' is featured on the ''Australian Idol: The Final 12'' album, released in 2003[http://www.cduniverse.com/search/xx/music/pid/6642291/a/Australian+Idol:+The+Final+12.htm cduniverse.com - Australian Idol: The Final 12 CD]. The song being written by [[Mark Holden]], a judge on the show.\n\n== References ==\n{{Reflist}}\n\n== Sources ==\n* [http://www.discogs.com/Vanessa-Amorosi-One-Thing-Leads-2-Another/release/980631 Discogs: One Thing Leads 2 Another (CD, Maxi)]\n* [http://www.handinhandforchildren.de/pics/downloads/Charity%202002%20Tagespr.pdf Hand in Hand for Children - Charity 2002]\n* [http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=6VogSB60deSIEUbQEQ3dhzwEuyFYZz&cmd=concerts&action=pictures&ID=3173&naviID=894 Charity 2002 - Live dabei!]\n\n{{Vanessa Amorosi}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n\n[[uk:One Thing Leads 2 Another]]" + }, + { + "revid": 419000153, + "parentid": 361356415, + "minor": "", + "user": "Starcheerspeaksnewslostwars", + "userid": 11554556, + "timestamp": "2011-03-15T19:29:58Z", + "sha1": "2b86101d470173ed7973898a747917d467cfa6eb", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox Single \n| Name = One Thing Leads 2 Another\n| Cover = Otlta.jpg\n| Artist = [[Vanessa Amorosi]]\n| Album = [[Change (Vanessa Amorosi album)|Change]]\n| Released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| Format = [[CD single|CD]]\n| Recorded = 2002\n| Genre = [[Pop music|Pop]]\n| Length = 3:18\n| Label = [[Universal Music|Universal]]\n| Writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| Producer = Axel Breitung\n| Last single = \"Turn to Me\"
(2001)\n| This single = \"'''One Thing Leads 2 Another'''\"
(2002)\n| Next single = \"[[Spin (Everybody's Doin' It)]]\"
(2002)\n}}\n\n\"'''One Thing Leads 2 Another'''\" is the first CD single released from Vanessa Amorosi's second studio album ''[[Change (Vanessa Amorosi album)|Change]]''. The single was released on 14 October 2002 and debuted at #67 on the [[Media Control Charts|German Singles Chart]]. It remains for four weeks in the top 100.[http://www.musicline.de/de/chartverfolgung_summary/title/AMOROSI%2CVANESSA/ONE+THING+LEADS+2+ANOTHER/single Musicline.de - Chartverfolgung - AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER]\n\nAmorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]] in November 2002. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], Oli P., [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], Band ohne Namen, [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]\n\n== Track listing ==\n;CD single (Cat.No. 019 469-2)\n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| writing_credits = yes\n| lyrics_credits = \n| music_credits = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the Tempodrom arena in [[Berlin]].\n\n== Charts ==\n{| class=\"wikitable sortable\"\n!Chart (2002)\n!Peak
position\n|-\n|[[Media Control Charts|German Singles Chart]]\n|align=\"center\"|67\n|-\n|[[Swiss Music Charts|Swiss Singles Chart]][http://hitparade.ch/showitem.asp?interpret=Vanessa+Amorosi&titel=One+Thing+Leads+2+Another&cat=s Hitparade.ch: VANESSA AMOROSI - ONE THING LEADS 2 ANOTHER (SONG)]\n|align=\"center\"|62\n|}\n\n==Cover versions==\n* [[Paulini Curuenavuli]] cover of Amorosi's 'One Thing Leads To Another' is featured on the ''Australian Idol: The Final 12'' album, released in 2003[http://www.cduniverse.com/search/xx/music/pid/6642291/a/Australian+Idol:+The+Final+12.htm cduniverse.com - Australian Idol: The Final 12 CD]. The song being written by [[Mark Holden]], a judge on the show.\n\n== References ==\n{{Reflist}}\n\n== Sources ==\n* [http://www.discogs.com/Vanessa-Amorosi-One-Thing-Leads-2-Another/release/980631 Discogs: One Thing Leads 2 Another (CD, Maxi)]\n* [http://www.handinhandforchildren.de/pics/downloads/Charity%202002%20Tagespr.pdf Hand in Hand for Children - Charity 2002]\n* [http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=6VogSB60deSIEUbQEQ3dhzwEuyFYZz&cmd=concerts&action=pictures&ID=3173&naviID=894 Charity 2002 - Live dabei!]\n\n{{Vanessa Amorosi}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n\n[[uk:One Thing Leads 2 Another]]" + }, + { + "revid": 496199376, + "parentid": 419000153, + "user": "79.232.39.46", + "anon": "", + "userid": 0, + "timestamp": "2012-06-06T00:35:12Z", + "sha1": "10a0f92618580e506396fe05ff26c7c51ebc7732", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "+[[Oliver Petszokat]] +[[Band Ohne Namen]]", + "*": "{{Infobox Single \n| Name = One Thing Leads 2 Another\n| Cover = Otlta.jpg\n| Artist = [[Vanessa Amorosi]]\n| Album = [[Change (Vanessa Amorosi album)|Change]]\n| Released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| Format = [[CD single|CD]]\n| Recorded = 2002\n| Genre = [[Pop music|Pop]]\n| Length = 3:18\n| Label = [[Universal Music|Universal]]\n| Writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| Producer = Axel Breitung\n| Last single = \"Turn to Me\"
(2001)\n| This single = \"'''One Thing Leads 2 Another'''\"
(2002)\n| Next single = \"[[Spin (Everybody's Doin' It)]]\"
(2002)\n}}\n\n\"'''One Thing Leads 2 Another'''\" is the first CD single released from Vanessa Amorosi's second studio album ''[[Change (Vanessa Amorosi album)|Change]]''. The single was released on 14 October 2002 and debuted at #67 on the [[Media Control Charts|German Singles Chart]]. It remains for four weeks in the top 100.[http://www.musicline.de/de/chartverfolgung_summary/title/AMOROSI%2CVANESSA/ONE+THING+LEADS+2+ANOTHER/single Musicline.de - Chartverfolgung - AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER]\n\nAmorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]] in November 2002. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], [[Oliver Petszokat|Oli P.]], [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], [[Band Ohne Namen]], [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]\n\n== Track listing ==\n;CD single (Cat.No. 019 469-2)\n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| writing_credits = yes\n| lyrics_credits = \n| music_credits = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the Tempodrom arena in [[Berlin]].\n\n== Charts ==\n{| class=\"wikitable sortable\"\n!Chart (2002)\n!Peak
position\n|-\n|[[Media Control Charts|German Singles Chart]]\n|align=\"center\"|67\n|-\n|[[Swiss Music Charts|Swiss Singles Chart]][http://hitparade.ch/showitem.asp?interpret=Vanessa+Amorosi&titel=One+Thing+Leads+2+Another&cat=s Hitparade.ch: VANESSA AMOROSI - ONE THING LEADS 2 ANOTHER (SONG)]\n|align=\"center\"|62\n|}\n\n==Cover versions==\n* [[Paulini Curuenavuli]] cover of Amorosi's 'One Thing Leads To Another' is featured on the ''Australian Idol: The Final 12'' album, released in 2003[http://www.cduniverse.com/search/xx/music/pid/6642291/a/Australian+Idol:+The+Final+12.htm cduniverse.com - Australian Idol: The Final 12 CD]. The song being written by [[Mark Holden]], a judge on the show.\n\n== References ==\n{{Reflist}}\n\n== Sources ==\n* [http://www.discogs.com/Vanessa-Amorosi-One-Thing-Leads-2-Another/release/980631 Discogs: One Thing Leads 2 Another (CD, Maxi)]\n* [http://www.handinhandforchildren.de/pics/downloads/Charity%202002%20Tagespr.pdf Hand in Hand for Children - Charity 2002]\n* [http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=6VogSB60deSIEUbQEQ3dhzwEuyFYZz&cmd=concerts&action=pictures&ID=3173&naviID=894 Charity 2002 - Live dabei!]\n\n{{Vanessa Amorosi}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n\n[[uk:One Thing Leads 2 Another]]" + }, + { + "revid": 532038915, + "parentid": 496199376, + "minor": "", + "user": "BG19bot", + "userid": 14508071, + "timestamp": "2013-01-08T23:32:39Z", + "sha1": "1e90e501bbbab4d833665961be4e0d12b9ff641c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "[[WP:CHECKWIKI]] error fix for #61. Punctuation goes before References. Do [[Wikipedia:GENFIXES|general fixes]] if a problem exists. - using [[Project:AWB|AWB]] (8853)", + "*": "{{Infobox single \n| Name = One Thing Leads 2 Another\n| Cover = Otlta.jpg\n| Artist = [[Vanessa Amorosi]]\n| Album = [[Change (Vanessa Amorosi album)|Change]]\n| Released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| Format = [[CD single|CD]]\n| Recorded = 2002\n| Genre = [[Pop music|Pop]]\n| Length = 3:18\n| Label = [[Universal Music|Universal]]\n| Writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| Producer = Axel Breitung\n| Last single = \"Turn to Me\"
(2001)\n| This single = \"'''One Thing Leads 2 Another'''\"
(2002)\n| Next single = \"[[Spin (Everybody's Doin' It)]]\"
(2002)\n}}\n\n\"'''One Thing Leads 2 Another'''\" is the first CD single released from Vanessa Amorosi's second studio album ''[[Change (Vanessa Amorosi album)|Change]]''. The single was released on 14 October 2002 and debuted at #67 on the [[Media Control Charts|German Singles Chart]]. It remains for four weeks in the top 100.[http://www.musicline.de/de/chartverfolgung_summary/title/AMOROSI%2CVANESSA/ONE+THING+LEADS+2+ANOTHER/single Musicline.de - Chartverfolgung - AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER]\n\nAmorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]] in November 2002. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], [[Oliver Petszokat|Oli P.]], [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], [[Band Ohne Namen]], [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]\n\n== Track listing ==\n;CD single (Cat.No. 019 469-2)\n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| writing_credits = yes\n| lyrics_credits = \n| music_credits = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the Tempodrom arena in [[Berlin]].\n\n== Charts ==\n{| class=\"wikitable sortable\"\n!Chart (2002)\n!Peak
position\n|-\n|[[Media Control Charts|German Singles Chart]]\n|align=\"center\"|67\n|-\n|[[Swiss Music Charts|Swiss Singles Chart]][http://hitparade.ch/showitem.asp?interpret=Vanessa+Amorosi&titel=One+Thing+Leads+2+Another&cat=s Hitparade.ch: VANESSA AMOROSI - ONE THING LEADS 2 ANOTHER (SONG)]\n|align=\"center\"|62\n|}\n\n==Cover versions==\n* [[Paulini Curuenavuli]] cover of Amorosi's 'One Thing Leads To Another' is featured on the ''Australian Idol: The Final 12'' album, released in 2003.[http://www.cduniverse.com/search/xx/music/pid/6642291/a/Australian+Idol:+The+Final+12.htm cduniverse.com - Australian Idol: The Final 12 CD] The song being written by [[Mark Holden]], a judge on the show.\n\n== References ==\n{{Reflist}}\n\n== Sources ==\n* [http://www.discogs.com/Vanessa-Amorosi-One-Thing-Leads-2-Another/release/980631 Discogs: One Thing Leads 2 Another (CD, Maxi)]\n* [http://www.handinhandforchildren.de/pics/downloads/Charity%202002%20Tagespr.pdf Hand in Hand for Children - Charity 2002]\n* [http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=6VogSB60deSIEUbQEQ3dhzwEuyFYZz&cmd=concerts&action=pictures&ID=3173&naviID=894 Charity 2002 - Live dabei!]\n\n{{Vanessa Amorosi}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n\n[[uk:One Thing Leads 2 Another]]" + }, + { + "revid": 545732086, + "parentid": 532038915, + "minor": "", + "user": "Addbot", + "userid": 6569922, + "timestamp": "2013-03-20T17:37:50Z", + "sha1": "6567aedfaee824a8e6ebddeb4ce8df1017a3fc40", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "[[User:Addbot|Bot:]] Migrating 1 interwiki links, now provided by [[Wikipedia:Wikidata|Wikidata]] on [[d:q7093280]]", + "*": "{{Infobox single \n| Name = One Thing Leads 2 Another\n| Cover = Otlta.jpg\n| Artist = [[Vanessa Amorosi]]\n| Album = [[Change (Vanessa Amorosi album)|Change]]\n| Released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| Format = [[CD single|CD]]\n| Recorded = 2002\n| Genre = [[Pop music|Pop]]\n| Length = 3:18\n| Label = [[Universal Music|Universal]]\n| Writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| Producer = Axel Breitung\n| Last single = \"Turn to Me\"
(2001)\n| This single = \"'''One Thing Leads 2 Another'''\"
(2002)\n| Next single = \"[[Spin (Everybody's Doin' It)]]\"
(2002)\n}}\n\n\"'''One Thing Leads 2 Another'''\" is the first CD single released from Vanessa Amorosi's second studio album ''[[Change (Vanessa Amorosi album)|Change]]''. The single was released on 14 October 2002 and debuted at #67 on the [[Media Control Charts|German Singles Chart]]. It remains for four weeks in the top 100.[http://www.musicline.de/de/chartverfolgung_summary/title/AMOROSI%2CVANESSA/ONE+THING+LEADS+2+ANOTHER/single Musicline.de - Chartverfolgung - AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER]\n\nAmorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]] in November 2002. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], [[Oliver Petszokat|Oli P.]], [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], [[Band Ohne Namen]], [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]\n\n== Track listing ==\n;CD single (Cat.No. 019 469-2)\n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| writing_credits = yes\n| lyrics_credits = \n| music_credits = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the Tempodrom arena in [[Berlin]].\n\n== Charts ==\n{| class=\"wikitable sortable\"\n!Chart (2002)\n!Peak
position\n|-\n|[[Media Control Charts|German Singles Chart]]\n|align=\"center\"|67\n|-\n|[[Swiss Music Charts|Swiss Singles Chart]][http://hitparade.ch/showitem.asp?interpret=Vanessa+Amorosi&titel=One+Thing+Leads+2+Another&cat=s Hitparade.ch: VANESSA AMOROSI - ONE THING LEADS 2 ANOTHER (SONG)]\n|align=\"center\"|62\n|}\n\n==Cover versions==\n* [[Paulini Curuenavuli]] cover of Amorosi's 'One Thing Leads To Another' is featured on the ''Australian Idol: The Final 12'' album, released in 2003.[http://www.cduniverse.com/search/xx/music/pid/6642291/a/Australian+Idol:+The+Final+12.htm cduniverse.com - Australian Idol: The Final 12 CD] The song being written by [[Mark Holden]], a judge on the show.\n\n== References ==\n{{Reflist}}\n\n== Sources ==\n* [http://www.discogs.com/Vanessa-Amorosi-One-Thing-Leads-2-Another/release/980631 Discogs: One Thing Leads 2 Another (CD, Maxi)]\n* [http://www.handinhandforchildren.de/pics/downloads/Charity%202002%20Tagespr.pdf Hand in Hand for Children - Charity 2002]\n* [http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=6VogSB60deSIEUbQEQ3dhzwEuyFYZz&cmd=concerts&action=pictures&ID=3173&naviID=894 Charity 2002 - Live dabei!]\n\n{{Vanessa Amorosi}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]" + }, + { + "revid": 545862521, + "parentid": 545732086, + "user": "2003:41:6002:2:80:0:2:1", + "anon": "", + "userid": 0, + "timestamp": "2013-03-21T03:12:07Z", + "sha1": "3df257d2c16928f937e56578d7346fb71269047d", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Music video */ link -> [[Tempodrom]]", + "*": "{{Infobox single \n| Name = One Thing Leads 2 Another\n| Cover = Otlta.jpg\n| Artist = [[Vanessa Amorosi]]\n| Album = [[Change (Vanessa Amorosi album)|Change]]\n| Released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| Format = [[CD single|CD]]\n| Recorded = 2002\n| Genre = [[Pop music|Pop]]\n| Length = 3:18\n| Label = [[Universal Music|Universal]]\n| Writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| Producer = Axel Breitung\n| Last single = \"Turn to Me\"
(2001)\n| This single = \"'''One Thing Leads 2 Another'''\"
(2002)\n| Next single = \"[[Spin (Everybody's Doin' It)]]\"
(2002)\n}}\n\n\"'''One Thing Leads 2 Another'''\" is the first CD single released from Vanessa Amorosi's second studio album ''[[Change (Vanessa Amorosi album)|Change]]''. The single was released on 14 October 2002 and debuted at #67 on the [[Media Control Charts|German Singles Chart]]. It remains for four weeks in the top 100.[http://www.musicline.de/de/chartverfolgung_summary/title/AMOROSI%2CVANESSA/ONE+THING+LEADS+2+ANOTHER/single Musicline.de - Chartverfolgung - AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER]\n\nAmorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]] in November 2002. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], [[Oliver Petszokat|Oli P.]], [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], [[Band Ohne Namen]], [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]\n\n== Track listing ==\n;CD single (Cat.No. 019 469-2)\n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| writing_credits = yes\n| lyrics_credits = \n| music_credits = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the [[Tempodrom]] arena in [[Berlin]].\n\n== Charts ==\n{| class=\"wikitable sortable\"\n!Chart (2002)\n!Peak
position\n|-\n|[[Media Control Charts|German Singles Chart]]\n|align=\"center\"|67\n|-\n|[[Swiss Music Charts|Swiss Singles Chart]][http://hitparade.ch/showitem.asp?interpret=Vanessa+Amorosi&titel=One+Thing+Leads+2+Another&cat=s Hitparade.ch: VANESSA AMOROSI - ONE THING LEADS 2 ANOTHER (SONG)]\n|align=\"center\"|62\n|}\n\n==Cover versions==\n* [[Paulini Curuenavuli]] cover of Amorosi's 'One Thing Leads To Another' is featured on the ''Australian Idol: The Final 12'' album, released in 2003.[http://www.cduniverse.com/search/xx/music/pid/6642291/a/Australian+Idol:+The+Final+12.htm cduniverse.com - Australian Idol: The Final 12 CD] The song being written by [[Mark Holden]], a judge on the show.\n\n== References ==\n{{Reflist}}\n\n== Sources ==\n* [http://www.discogs.com/Vanessa-Amorosi-One-Thing-Leads-2-Another/release/980631 Discogs: One Thing Leads 2 Another (CD, Maxi)]\n* [http://www.handinhandforchildren.de/pics/downloads/Charity%202002%20Tagespr.pdf Hand in Hand for Children - Charity 2002]\n* [http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=6VogSB60deSIEUbQEQ3dhzwEuyFYZz&cmd=concerts&action=pictures&ID=3173&naviID=894 Charity 2002 - Live dabei!]\n\n{{Vanessa Amorosi}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]" + }, + { + "revid": 551305118, + "parentid": 545862521, + "minor": "", + "user": "Richhoncho", + "userid": 1376828, + "timestamp": "2013-04-20T16:01:56Z", + "sha1": "978692f40dd3663e8ff4b197b14f5116801c7ee8", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "+[[Category:Songs written by Axel Breitung]]; +[[Category:Songs written by Vanessa Amorosi]] using [[WP:HC|HotCat]]", + "*": "{{Infobox single \n| Name = One Thing Leads 2 Another\n| Cover = Otlta.jpg\n| Artist = [[Vanessa Amorosi]]\n| Album = [[Change (Vanessa Amorosi album)|Change]]\n| Released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| Format = [[CD single|CD]]\n| Recorded = 2002\n| Genre = [[Pop music|Pop]]\n| Length = 3:18\n| Label = [[Universal Music|Universal]]\n| Writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| Producer = Axel Breitung\n| Last single = \"Turn to Me\"
(2001)\n| This single = \"'''One Thing Leads 2 Another'''\"
(2002)\n| Next single = \"[[Spin (Everybody's Doin' It)]]\"
(2002)\n}}\n\n\"'''One Thing Leads 2 Another'''\" is the first CD single released from Vanessa Amorosi's second studio album ''[[Change (Vanessa Amorosi album)|Change]]''. The single was released on 14 October 2002 and debuted at #67 on the [[Media Control Charts|German Singles Chart]]. It remains for four weeks in the top 100.[http://www.musicline.de/de/chartverfolgung_summary/title/AMOROSI%2CVANESSA/ONE+THING+LEADS+2+ANOTHER/single Musicline.de - Chartverfolgung - AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER]\n\nAmorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]] in November 2002. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], [[Oliver Petszokat|Oli P.]], [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], [[Band Ohne Namen]], [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]\n\n== Track listing ==\n;CD single (Cat.No. 019 469-2)\n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| writing_credits = yes\n| lyrics_credits = \n| music_credits = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the [[Tempodrom]] arena in [[Berlin]].\n\n== Charts ==\n{| class=\"wikitable sortable\"\n!Chart (2002)\n!Peak
position\n|-\n|[[Media Control Charts|German Singles Chart]]\n|align=\"center\"|67\n|-\n|[[Swiss Music Charts|Swiss Singles Chart]][http://hitparade.ch/showitem.asp?interpret=Vanessa+Amorosi&titel=One+Thing+Leads+2+Another&cat=s Hitparade.ch: VANESSA AMOROSI - ONE THING LEADS 2 ANOTHER (SONG)]\n|align=\"center\"|62\n|}\n\n==Cover versions==\n* [[Paulini Curuenavuli]] cover of Amorosi's 'One Thing Leads To Another' is featured on the ''Australian Idol: The Final 12'' album, released in 2003.[http://www.cduniverse.com/search/xx/music/pid/6642291/a/Australian+Idol:+The+Final+12.htm cduniverse.com - Australian Idol: The Final 12 CD] The song being written by [[Mark Holden]], a judge on the show.\n\n== References ==\n{{Reflist}}\n\n== Sources ==\n* [http://www.discogs.com/Vanessa-Amorosi-One-Thing-Leads-2-Another/release/980631 Discogs: One Thing Leads 2 Another (CD, Maxi)]\n* [http://www.handinhandforchildren.de/pics/downloads/Charity%202002%20Tagespr.pdf Hand in Hand for Children - Charity 2002]\n* [http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=6VogSB60deSIEUbQEQ3dhzwEuyFYZz&cmd=concerts&action=pictures&ID=3173&naviID=894 Charity 2002 - Live dabei!]\n\n{{Vanessa Amorosi}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n[[Category:Songs written by Axel Breitung]]\n[[Category:Songs written by Vanessa Amorosi]]" + }, + { + "revid": 608858748, + "parentid": 551305118, + "minor": "", + "user": "Richhoncho", + "userid": 1376828, + "timestamp": "2014-05-16T17:33:59Z", + "sha1": "1b13238e444150f4df9b6e00d3e4b9d4692bc43a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "+[[Category:2002 songs]]; +[[Category:Universal Music Group singles]] using [[WP:HC|HotCat]]", + "*": "{{Infobox single \n| Name = One Thing Leads 2 Another\n| Cover = Otlta.jpg\n| Artist = [[Vanessa Amorosi]]\n| Album = [[Change (Vanessa Amorosi album)|Change]]\n| Released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| Format = [[CD single|CD]]\n| Recorded = 2002\n| Genre = [[Pop music|Pop]]\n| Length = 3:18\n| Label = [[Universal Music|Universal]]\n| Writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| Producer = Axel Breitung\n| Last single = \"Turn to Me\"
(2001)\n| This single = \"'''One Thing Leads 2 Another'''\"
(2002)\n| Next single = \"[[Spin (Everybody's Doin' It)]]\"
(2002)\n}}\n\n\"'''One Thing Leads 2 Another'''\" is the first CD single released from Vanessa Amorosi's second studio album ''[[Change (Vanessa Amorosi album)|Change]]''. The single was released on 14 October 2002 and debuted at #67 on the [[Media Control Charts|German Singles Chart]]. It remains for four weeks in the top 100.[http://www.musicline.de/de/chartverfolgung_summary/title/AMOROSI%2CVANESSA/ONE+THING+LEADS+2+ANOTHER/single Musicline.de - Chartverfolgung - AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER]\n\nAmorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]] in November 2002. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], [[Oliver Petszokat|Oli P.]], [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], [[Band Ohne Namen]], [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]\n\n== Track listing ==\n;CD single (Cat.No. 019 469-2)\n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| writing_credits = yes\n| lyrics_credits = \n| music_credits = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the [[Tempodrom]] arena in [[Berlin]].\n\n== Charts ==\n{| class=\"wikitable sortable\"\n!Chart (2002)\n!Peak
position\n|-\n|[[Media Control Charts|German Singles Chart]]\n|align=\"center\"|67\n|-\n|[[Swiss Music Charts|Swiss Singles Chart]][http://hitparade.ch/showitem.asp?interpret=Vanessa+Amorosi&titel=One+Thing+Leads+2+Another&cat=s Hitparade.ch: VANESSA AMOROSI - ONE THING LEADS 2 ANOTHER (SONG)]\n|align=\"center\"|62\n|}\n\n==Cover versions==\n* [[Paulini Curuenavuli]] cover of Amorosi's 'One Thing Leads To Another' is featured on the ''Australian Idol: The Final 12'' album, released in 2003.[http://www.cduniverse.com/search/xx/music/pid/6642291/a/Australian+Idol:+The+Final+12.htm cduniverse.com - Australian Idol: The Final 12 CD] The song being written by [[Mark Holden]], a judge on the show.\n\n== References ==\n{{Reflist}}\n\n== Sources ==\n* [http://www.discogs.com/Vanessa-Amorosi-One-Thing-Leads-2-Another/release/980631 Discogs: One Thing Leads 2 Another (CD, Maxi)]\n* [http://www.handinhandforchildren.de/pics/downloads/Charity%202002%20Tagespr.pdf Hand in Hand for Children - Charity 2002]\n* [http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=6VogSB60deSIEUbQEQ3dhzwEuyFYZz&cmd=concerts&action=pictures&ID=3173&naviID=894 Charity 2002 - Live dabei!]\n\n{{Vanessa Amorosi}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n[[Category:Songs written by Axel Breitung]]\n[[Category:Songs written by Vanessa Amorosi]]\n[[Category:2002 songs]]\n[[Category:Universal Music Group singles]]" + }, + { + "revid": 657207513, + "parentid": 608858748, + "user": "BenGriswald", + "userid": 20826925, + "timestamp": "2015-04-19T17:13:47Z", + "sha1": "8bc33083efc4a5380654468f9dbb4f06ce078ccd", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox single \n| Name = One Thing Leads 2 Another\n| Cover = Otlta.jpg\n| Artist = [[Vanessa Amorosi]]\n| Album = [[Change (Vanessa Amorosi album)|Change]]\n| Released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| Format = [[CD single|CD]]\n| Recorded = 2002\n| Genre = [[Pop music|Pop]]\n| Length = 3:18\n| Label = [[Universal Music|Universal]]\n| Writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| Producer = Axel Breitung\n| Last single = \"Turn to Me\"
(2001)\n| This single = \"'''One Thing Leads 2 Another'''\"
(2002)\n| Next single = \"[[Spin (Everybody's Doin' It)]]\"
(2002)\n}}\n\n\"'''One Thing Leads 2 Another'''\" is the first CD single released from [[Vanessa Amorosi]]'s second studio album ''[[Change (Vanessa Amorosi album)|Change]]''. The single was released on 14 October 2002 and debuted at #67 on the [[Media Control Charts|German Singles Chart]]. It remains for four weeks in the top 100.[http://www.musicline.de/de/chartverfolgung_summary/title/AMOROSI%2CVANESSA/ONE+THING+LEADS+2+ANOTHER/single Musicline.de - Chartverfolgung - AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER]\n\nAmorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]] in November 2002. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], [[Oliver Petszokat|Oli P.]], [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], [[Band Ohne Namen]], [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]\n\n== Track listing ==\n;CD single (Cat.No. 019 469-2)\n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| writing_credits = yes\n| lyrics_credits = \n| music_credits = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the [[Tempodrom]] arena in [[Berlin]].\n\n== Charts ==\n{| class=\"wikitable sortable\"\n!Chart (2002)\n!Peak
position\n|-\n|[[Media Control Charts|German Singles Chart]]\n|align=\"center\"|67\n|-\n|[[Swiss Music Charts|Swiss Singles Chart]][http://hitparade.ch/showitem.asp?interpret=Vanessa+Amorosi&titel=One+Thing+Leads+2+Another&cat=s Hitparade.ch: VANESSA AMOROSI - ONE THING LEADS 2 ANOTHER (SONG)]\n|align=\"center\"|62\n|}\n\n==Cover versions==\n* [[Paulini Curuenavuli]] cover of Amorosi's 'One Thing Leads To Another' is featured on the ''Australian Idol: The Final 12'' album, released in 2003.[http://www.cduniverse.com/search/xx/music/pid/6642291/a/Australian+Idol:+The+Final+12.htm cduniverse.com - Australian Idol: The Final 12 CD] The song being written by [[Mark Holden]], a judge on the show.\n\n== References ==\n{{Reflist}}\n\n== Sources ==\n* [http://www.discogs.com/Vanessa-Amorosi-One-Thing-Leads-2-Another/release/980631 Discogs: One Thing Leads 2 Another (CD, Maxi)]\n* [http://www.handinhandforchildren.de/pics/downloads/Charity%202002%20Tagespr.pdf Hand in Hand for Children - Charity 2002]\n* [http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=6VogSB60deSIEUbQEQ3dhzwEuyFYZz&cmd=concerts&action=pictures&ID=3173&naviID=894 Charity 2002 - Live dabei!]\n\n{{Vanessa Amorosi}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n[[Category:Songs written by Axel Breitung]]\n[[Category:Songs written by Vanessa Amorosi]]\n[[Category:2002 songs]]\n[[Category:Universal Music Group singles]]" + }, + { + "revid": 760106566, + "parentid": 657207513, + "user": "Tobyjamesaus", + "userid": 19954945, + "timestamp": "2017-01-15T00:34:39Z", + "sha1": "6f24b9edc36794ea1aaa04ffe17a66c224518d6a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox single \n| Name = One Thing Leads 2 Another\n| Cover = Otlta.jpg\n| Artist = [[Vanessa Amorosi]]\n| Album = [[Change (Vanessa Amorosi album)|Change]]\n| Released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| Format = [[CD single|CD]]\n| Recorded = 2002\n| Genre = [[Pop music|Pop]]\n| Length = 3:18\n| Label = [[Universal Music|Universal]]\n| Writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| Producer = Axel Breitung\n| Last single = \"[[Turn to Me (song)|Turn to Me]]\"
(2001)\n| This single = \"'''One Thing Leads 2 Another'''\"
(2002)\n| Next single = \"[[Spin (Everybody's Doin' It)]]\"
(2002)\n}}\n\n\"'''One Thing Leads 2 Another'''\" is the first CD single released from [[Vanessa Amorosi]]'s second studio album ''[[Change (Vanessa Amorosi album)|Change]]''. The single was released on 14 October 2002 and debuted at #67 on the [[Media Control Charts|German Singles Chart]]. It remains for four weeks in the top 100.[http://www.musicline.de/de/chartverfolgung_summary/title/AMOROSI%2CVANESSA/ONE+THING+LEADS+2+ANOTHER/single Musicline.de - Chartverfolgung - AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER]\n\nAmorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]] in November 2002. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], [[Oliver Petszokat|Oli P.]], [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], [[Band Ohne Namen]], [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]\n\n== Track listing ==\n;CD single (Cat.No. 019 469-2)\n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| writing_credits = yes\n| lyrics_credits = \n| music_credits = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the [[Tempodrom]] arena in [[Berlin]].\n\n== Charts ==\n{| class=\"wikitable sortable\"\n!Chart (2002)\n!Peak
position\n|-\n|[[Media Control Charts|German Singles Chart]]\n|align=\"center\"|67\n|-\n|[[Swiss Music Charts|Swiss Singles Chart]][http://hitparade.ch/showitem.asp?interpret=Vanessa+Amorosi&titel=One+Thing+Leads+2+Another&cat=s Hitparade.ch: VANESSA AMOROSI - ONE THING LEADS 2 ANOTHER (SONG)]\n|align=\"center\"|62\n|}\n\n==Cover versions==\n* [[Paulini Curuenavuli]] cover of Amorosi's 'One Thing Leads To Another' is featured on the ''Australian Idol: The Final 12'' album, released in 2003.[http://www.cduniverse.com/search/xx/music/pid/6642291/a/Australian+Idol:+The+Final+12.htm cduniverse.com - Australian Idol: The Final 12 CD] The song being written by [[Mark Holden]], a judge on the show.\n\n== References ==\n{{Reflist}}\n\n== Sources ==\n* [http://www.discogs.com/Vanessa-Amorosi-One-Thing-Leads-2-Another/release/980631 Discogs: One Thing Leads 2 Another (CD, Maxi)]\n* [http://www.handinhandforchildren.de/pics/downloads/Charity%202002%20Tagespr.pdf Hand in Hand for Children - Charity 2002]\n* [http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=6VogSB60deSIEUbQEQ3dhzwEuyFYZz&cmd=concerts&action=pictures&ID=3173&naviID=894 Charity 2002 - Live dabei!]\n\n{{Vanessa Amorosi}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n[[Category:Songs written by Axel Breitung]]\n[[Category:Songs written by Vanessa Amorosi]]\n[[Category:2002 songs]]\n[[Category:Universal Music Group singles]]" + }, + { + "revid": 840920555, + "parentid": 760106566, + "minor": "", + "user": "DeprecatedFixerBot", + "userid": 33330201, + "timestamp": "2018-05-12T23:31:22Z", + "sha1": "730d25bda4c577dfcd57d61975c66bffbe09609c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Removed deprecated parameter(s) from [[Template:Track listing]] using[[User:DeprecatedFixerBot| DeprecatedFixerBot]]. Mistake? [[User talk:TheSandDoctor|msg TSD!]] (please mention that this is task #1!)", + "*": "{{Infobox single \n| Name = One Thing Leads 2 Another\n| Cover = Otlta.jpg\n| Artist = [[Vanessa Amorosi]]\n| Album = [[Change (Vanessa Amorosi album)|Change]]\n| Released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| Format = [[CD single|CD]]\n| Recorded = 2002\n| Genre = [[Pop music|Pop]]\n| Length = 3:18\n| Label = [[Universal Music|Universal]]\n| Writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| Producer = Axel Breitung\n| Last single = \"[[Turn to Me (song)|Turn to Me]]\"
(2001)\n| This single = \"'''One Thing Leads 2 Another'''\"
(2002)\n| Next single = \"[[Spin (Everybody's Doin' It)]]\"
(2002)\n}}\n\n\"'''One Thing Leads 2 Another'''\" is the first CD single released from [[Vanessa Amorosi]]'s second studio album ''[[Change (Vanessa Amorosi album)|Change]]''. The single was released on 14 October 2002 and debuted at #67 on the [[Media Control Charts|German Singles Chart]]. It remains for four weeks in the top 100.[http://www.musicline.de/de/chartverfolgung_summary/title/AMOROSI%2CVANESSA/ONE+THING+LEADS+2+ANOTHER/single Musicline.de - Chartverfolgung - AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER]\n\nAmorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]] in November 2002. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], [[Oliver Petszokat|Oli P.]], [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], [[Band Ohne Namen]], [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]\n\n== Track listing ==\n;CD single (Cat.No. 019 469-2)\n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the [[Tempodrom]] arena in [[Berlin]].\n\n== Charts ==\n{| class=\"wikitable sortable\"\n!Chart (2002)\n!Peak
position\n|-\n|[[Media Control Charts|German Singles Chart]]\n|align=\"center\"|67\n|-\n|[[Swiss Music Charts|Swiss Singles Chart]][http://hitparade.ch/showitem.asp?interpret=Vanessa+Amorosi&titel=One+Thing+Leads+2+Another&cat=s Hitparade.ch: VANESSA AMOROSI - ONE THING LEADS 2 ANOTHER (SONG)]\n|align=\"center\"|62\n|}\n\n==Cover versions==\n* [[Paulini Curuenavuli]] cover of Amorosi's 'One Thing Leads To Another' is featured on the ''Australian Idol: The Final 12'' album, released in 2003.[http://www.cduniverse.com/search/xx/music/pid/6642291/a/Australian+Idol:+The+Final+12.htm cduniverse.com - Australian Idol: The Final 12 CD] The song being written by [[Mark Holden]], a judge on the show.\n\n== References ==\n{{Reflist}}\n\n== Sources ==\n* [http://www.discogs.com/Vanessa-Amorosi-One-Thing-Leads-2-Another/release/980631 Discogs: One Thing Leads 2 Another (CD, Maxi)]\n* [http://www.handinhandforchildren.de/pics/downloads/Charity%202002%20Tagespr.pdf Hand in Hand for Children - Charity 2002]\n* [http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=6VogSB60deSIEUbQEQ3dhzwEuyFYZz&cmd=concerts&action=pictures&ID=3173&naviID=894 Charity 2002 - Live dabei!]\n\n{{Vanessa Amorosi}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n[[Category:Songs written by Axel Breitung]]\n[[Category:Songs written by Vanessa Amorosi]]\n[[Category:2002 songs]]\n[[Category:Universal Music Group singles]]" + }, + { + "revid": 873394388, + "parentid": 840920555, + "user": "Zackmann08", + "userid": 15881234, + "timestamp": "2018-12-12T22:35:44Z", + "sha1": "332116cc1da3482bb4ba3ac1c021ac6338130ac9", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "fixing deprecated params", + "*": "{{Infobox song\n| name = One Thing Leads 2 Another\n| cover = Otlta.jpg\n| alt =\n| type = single\n| artist = [[Vanessa Amorosi]]\n| album = [[Change (Vanessa Amorosi album)|Change]]\n| released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| format = [[CD single|CD]]\n| recorded = 2002\n| studio =\n| venue =\n| genre = [[Pop music|Pop]]\n| length = 3:18\n| label = [[Universal Music|Universal]]\n| writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| producer = Axel Breitung\n| prev_title = [[Turn to Me (song)|Turn to Me]]\n| prev_year = 2001\n| next_title = [[Spin (Everybody's Doin' It)]]\n| next_year = 2002\n}}\n\n\"'''One Thing Leads 2 Another'''\" is the first CD single released from [[Vanessa Amorosi]]'s second studio album ''[[Change (Vanessa Amorosi album)|Change]]''. The single was released on 14 October 2002 and debuted at #67 on the [[Media Control Charts|German Singles Chart]]. It remains for four weeks in the top 100.[http://www.musicline.de/de/chartverfolgung_summary/title/AMOROSI%2CVANESSA/ONE+THING+LEADS+2+ANOTHER/single Musicline.de - Chartverfolgung - AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER]\n\nAmorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]] in November 2002. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], [[Oliver Petszokat|Oli P.]], [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], [[Band Ohne Namen]], [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]\n\n== Track listing ==\n;CD single (Cat.No. 019 469-2)\n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the [[Tempodrom]] arena in [[Berlin]].\n\n== Charts ==\n{| class=\"wikitable sortable\"\n!Chart (2002)\n!Peak
position\n|-\n|[[Media Control Charts|German Singles Chart]]\n|align=\"center\"|67\n|-\n|[[Swiss Music Charts|Swiss Singles Chart]][http://hitparade.ch/showitem.asp?interpret=Vanessa+Amorosi&titel=One+Thing+Leads+2+Another&cat=s Hitparade.ch: VANESSA AMOROSI - ONE THING LEADS 2 ANOTHER (SONG)]\n|align=\"center\"|62\n|}\n\n==Cover versions==\n* [[Paulini Curuenavuli]] cover of Amorosi's 'One Thing Leads To Another' is featured on the ''Australian Idol: The Final 12'' album, released in 2003.[http://www.cduniverse.com/search/xx/music/pid/6642291/a/Australian+Idol:+The+Final+12.htm cduniverse.com - Australian Idol: The Final 12 CD] The song being written by [[Mark Holden]], a judge on the show.\n\n== References ==\n{{Reflist}}\n\n== Sources ==\n* [http://www.discogs.com/Vanessa-Amorosi-One-Thing-Leads-2-Another/release/980631 Discogs: One Thing Leads 2 Another (CD, Maxi)]\n* [http://www.handinhandforchildren.de/pics/downloads/Charity%202002%20Tagespr.pdf Hand in Hand for Children - Charity 2002]\n* [http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=6VogSB60deSIEUbQEQ3dhzwEuyFYZz&cmd=concerts&action=pictures&ID=3173&naviID=894 Charity 2002 - Live dabei!]\n\n{{Vanessa Amorosi}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n[[Category:Songs written by Axel Breitung]]\n[[Category:Songs written by Vanessa Amorosi]]\n[[Category:2002 songs]]\n[[Category:Universal Music Group singles]]" + }, + { + "revid": 925279062, + "parentid": 873394388, + "user": "Tobyjamesaus", + "userid": 19954945, + "timestamp": "2019-11-09T01:09:33Z", + "sha1": "bdec708eec0ed685452c704b1c1b0cd9cf038391", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "added charts table", + "*": "{{Infobox song\n| name = One Thing Leads 2 Another\n| cover = Otlta.jpg\n| alt =\n| type = single\n| artist = [[Vanessa Amorosi]]\n| album = [[Change (Vanessa Amorosi album)|Change]]\n| released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| format = [[CD single|CD]]\n| recorded = 2002\n| studio =\n| venue =\n| genre = [[Pop music|Pop]]\n| length = 3:18\n| label = Urban Music / [[Universal Music|Universal]]\n| writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| producer = Axel Breitung\n| prev_title = [[Turn to Me (song)|Turn to Me]]\n| prev_year = 2001\n| next_title = [[Spin (Everybody's Doin' It)]]\n| next_year = 2002\n}}\n\n\"'''One Thing Leads 2 Another'''\" is a song by Australian recording artist [[Vanessa Amorosi]], released in October 2002 as the the lead single from Amorosi's second studio album ''[[Change (Vanessa Amorosi album)|Change]]''. \n\nIn November 2002, Amorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]]. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], [[Oliver Petszokat|Oli P.]], [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], [[Band Ohne Namen]], [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the [[Tempodrom]] arena in [[Berlin]].\n\n== Track listing ==\n;CD single \n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Charts ==\n{|class=\"wikitable plainrowheaders\" style=\"text-align:center;\"\n|-\n! scope=\"col\"| Chart (2002)\n! scope=\"col\"| Peak
position\n|-\n!scope=\"row\"{{singlechart|Germany|67|artist=Vanessa Amorosi|song=One Thing Leads 2 Another|accessdate=8 November 2019|refname=\"GER Charts\"}}\n|-\n!scope=\"row\"{{singlechart|Switzerland|62|artist=Vanessa Amorosi|song=One Thing Leads 2 Another|accessdate=8 November 2019|refname=\"SUI Charts\"}}\n|-\n|}\n\n==Cover versions==\n* [[Paulini Curuenavuli]] cover of Amorosi's 'One Thing Leads To Another' is featured on the ''Australian Idol: The Final 12'' album, released in 2003.[http://www.cduniverse.com/search/xx/music/pid/6642291/a/Australian+Idol:+The+Final+12.htm cduniverse.com - Australian Idol: The Final 12 CD] The song being written by [[Mark Holden]], a judge on the show.\n\n==Release history==\n{|class=\"wikitable\"\n! Region\n! Date\n! Label\n! Catalogue\n|-\n|Europe\n|October 2002\n|Urban Music / Universal Music\n|019469-2\n|}\n\n== References ==\n{{Reflist}}\n\n{{Vanessa Amorosi}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n[[Category:Songs written by Axel Breitung]]\n[[Category:Songs written by Vanessa Amorosi]]\n[[Category:2002 songs]]\n[[Category:Universal Music Group singles]]" + }, + { + "revid": 925331644, + "parentid": 925279062, + "minor": "", + "user": "Arjayay", + "userid": 5718152, + "timestamp": "2019-11-09T11:50:24Z", + "sha1": "8b8c8dc11cbca67079fa86891d0500c56bb3bf45", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Duplicate word removed", + "*": "{{Infobox song\n| name = One Thing Leads 2 Another\n| cover = Otlta.jpg\n| alt =\n| type = single\n| artist = [[Vanessa Amorosi]]\n| album = [[Change (Vanessa Amorosi album)|Change]]\n| released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| format = [[CD single|CD]]\n| recorded = 2002\n| studio =\n| venue =\n| genre = [[Pop music|Pop]]\n| length = 3:18\n| label = Urban Music / [[Universal Music|Universal]]\n| writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| producer = Axel Breitung\n| prev_title = [[Turn to Me (song)|Turn to Me]]\n| prev_year = 2001\n| next_title = [[Spin (Everybody's Doin' It)]]\n| next_year = 2002\n}}\n\n\"'''One Thing Leads 2 Another'''\" is a song by Australian recording artist [[Vanessa Amorosi]], released in October 2002 as the lead single from Amorosi's second studio album ''[[Change (Vanessa Amorosi album)|Change]]''. \n\nIn November 2002, Amorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]]. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], [[Oliver Petszokat|Oli P.]], [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], [[Band Ohne Namen]], [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the [[Tempodrom]] arena in [[Berlin]].\n\n== Track listing ==\n;CD single \n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Charts ==\n{|class=\"wikitable plainrowheaders\" style=\"text-align:center;\"\n|-\n! scope=\"col\"| Chart (2002)\n! scope=\"col\"| Peak
position\n|-\n!scope=\"row\"{{singlechart|Germany|67|artist=Vanessa Amorosi|song=One Thing Leads 2 Another|accessdate=8 November 2019|refname=\"GER Charts\"}}\n|-\n!scope=\"row\"{{singlechart|Switzerland|62|artist=Vanessa Amorosi|song=One Thing Leads 2 Another|accessdate=8 November 2019|refname=\"SUI Charts\"}}\n|-\n|}\n\n==Cover versions==\n* [[Paulini Curuenavuli]] cover of Amorosi's 'One Thing Leads To Another' is featured on the ''Australian Idol: The Final 12'' album, released in 2003.[http://www.cduniverse.com/search/xx/music/pid/6642291/a/Australian+Idol:+The+Final+12.htm cduniverse.com - Australian Idol: The Final 12 CD] The song being written by [[Mark Holden]], a judge on the show.\n\n==Release history==\n{|class=\"wikitable\"\n! Region\n! Date\n! Label\n! Catalogue\n|-\n|Europe\n|October 2002\n|Urban Music / Universal Music\n|019469-2\n|}\n\n== References ==\n{{Reflist}}\n\n{{Vanessa Amorosi}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n[[Category:Songs written by Axel Breitung]]\n[[Category:Songs written by Vanessa Amorosi]]\n[[Category:2002 songs]]\n[[Category:Universal Music Group singles]]" + }, + { + "revid": 943098683, + "parentid": 925331644, + "minor": "", + "user": "Hoof Hearted", + "userid": 684386, + "timestamp": "2020-02-28T20:38:05Z", + "sha1": "c20c05e422618b3dbb28a6ae914cc9eb24c46162", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Charts */ converted German chart identifier from \"Germany\" (obsolete) to \"Germany2\", added songid, see [[Template:Single chart]]", + "*": "{{Infobox song\n| name = One Thing Leads 2 Another\n| cover = Otlta.jpg\n| alt =\n| type = single\n| artist = [[Vanessa Amorosi]]\n| album = [[Change (Vanessa Amorosi album)|Change]]\n| released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| format = [[CD single|CD]]\n| recorded = 2002\n| studio =\n| venue =\n| genre = [[Pop music|Pop]]\n| length = 3:18\n| label = Urban Music / [[Universal Music|Universal]]\n| writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| producer = Axel Breitung\n| prev_title = [[Turn to Me (song)|Turn to Me]]\n| prev_year = 2001\n| next_title = [[Spin (Everybody's Doin' It)]]\n| next_year = 2002\n}}\n\n\"'''One Thing Leads 2 Another'''\" is a song by Australian recording artist [[Vanessa Amorosi]], released in October 2002 as the lead single from Amorosi's second studio album ''[[Change (Vanessa Amorosi album)|Change]]''. \n\nIn November 2002, Amorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]]. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], [[Oliver Petszokat|Oli P.]], [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], [[Band Ohne Namen]], [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the [[Tempodrom]] arena in [[Berlin]].\n\n== Track listing ==\n;CD single \n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Charts ==\n{|class=\"wikitable plainrowheaders\" style=\"text-align:center;\"\n|-\n! scope=\"col\"| Chart (2002)\n! scope=\"col\"| Peak
position\n|-\n!scope=\"row\"{{singlechart|Germany2|67|artist=Vanessa Amorosi|song=One Thing Leads 2 Another|songid=5371|accessdate=28 February 2020|refname=\"GER Charts\"}}\n|-\n!scope=\"row\"{{singlechart|Switzerland|62|artist=Vanessa Amorosi|song=One Thing Leads 2 Another|accessdate=8 November 2019|refname=\"SUI Charts\"}}\n|-\n|}\n\n==Cover versions==\n* [[Paulini Curuenavuli]] cover of Amorosi's 'One Thing Leads To Another' is featured on the ''Australian Idol: The Final 12'' album, released in 2003.[http://www.cduniverse.com/search/xx/music/pid/6642291/a/Australian+Idol:+The+Final+12.htm cduniverse.com - Australian Idol: The Final 12 CD] The song being written by [[Mark Holden]], a judge on the show.\n\n==Release history==\n{|class=\"wikitable\"\n! Region\n! Date\n! Label\n! Catalogue\n|-\n|Europe\n|October 2002\n|Urban Music / Universal Music\n|019469-2\n|}\n\n== References ==\n{{Reflist}}\n\n{{Vanessa Amorosi}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n[[Category:Songs written by Axel Breitung]]\n[[Category:Songs written by Vanessa Amorosi]]\n[[Category:2002 songs]]\n[[Category:Universal Music Group singles]]" + }, + { + "revid": 952944729, + "parentid": 943098683, + "user": "InternetArchiveBot", + "userid": 27015025, + "timestamp": "2020-04-24T22:04:47Z", + "sha1": "3e02e690d3b41554d7ef40df876ca49642dd9f72", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Rescuing 0 sources and tagging 1 as dead.) #IABot (v2.0", + "*": "{{Infobox song\n| name = One Thing Leads 2 Another\n| cover = Otlta.jpg\n| alt =\n| type = single\n| artist = [[Vanessa Amorosi]]\n| album = [[Change (Vanessa Amorosi album)|Change]]\n| released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| format = [[CD single|CD]]\n| recorded = 2002\n| studio =\n| venue =\n| genre = [[Pop music|Pop]]\n| length = 3:18\n| label = Urban Music / [[Universal Music|Universal]]\n| writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| producer = Axel Breitung\n| prev_title = [[Turn to Me (song)|Turn to Me]]\n| prev_year = 2001\n| next_title = [[Spin (Everybody's Doin' It)]]\n| next_year = 2002\n}}\n\n\"'''One Thing Leads 2 Another'''\" is a song by Australian recording artist [[Vanessa Amorosi]], released in October 2002 as the lead single from Amorosi's second studio album ''[[Change (Vanessa Amorosi album)|Change]]''. \n\nIn November 2002, Amorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]]. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], [[Oliver Petszokat|Oli P.]], [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], [[Band Ohne Namen]], [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]{{Dead link|date=April 2020 |bot=InternetArchiveBot |fix-attempted=yes }}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the [[Tempodrom]] arena in [[Berlin]].\n\n== Track listing ==\n;CD single \n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Charts ==\n{|class=\"wikitable plainrowheaders\" style=\"text-align:center;\"\n|-\n! scope=\"col\"| Chart (2002)\n! scope=\"col\"| Peak
position\n|-\n!scope=\"row\"{{singlechart|Germany2|67|artist=Vanessa Amorosi|song=One Thing Leads 2 Another|songid=5371|accessdate=28 February 2020|refname=\"GER Charts\"}}\n|-\n!scope=\"row\"{{singlechart|Switzerland|62|artist=Vanessa Amorosi|song=One Thing Leads 2 Another|accessdate=8 November 2019|refname=\"SUI Charts\"}}\n|-\n|}\n\n==Cover versions==\n* [[Paulini Curuenavuli]] cover of Amorosi's 'One Thing Leads To Another' is featured on the ''Australian Idol: The Final 12'' album, released in 2003.[http://www.cduniverse.com/search/xx/music/pid/6642291/a/Australian+Idol:+The+Final+12.htm cduniverse.com - Australian Idol: The Final 12 CD] The song being written by [[Mark Holden]], a judge on the show.\n\n==Release history==\n{|class=\"wikitable\"\n! Region\n! Date\n! Label\n! Catalogue\n|-\n|Europe\n|October 2002\n|Urban Music / Universal Music\n|019469-2\n|}\n\n== References ==\n{{Reflist}}\n\n{{Vanessa Amorosi}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n[[Category:Songs written by Axel Breitung]]\n[[Category:Songs written by Vanessa Amorosi]]\n[[Category:2002 songs]]\n[[Category:Universal Music Group singles]]" + }, + { + "revid": 997158387, + "parentid": 952944729, + "minor": "", + "user": "PrimeBOT", + "userid": 29463730, + "timestamp": "2020-12-30T07:09:25Z", + "sha1": "9f23385221df54f4cc87c09db8ca32d17b2d423b", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* top */[[User:PrimeBOT/30|Task 30]]: removal of \"format\" parameter from [[Template:infobox song]] following deprecation (+infobox genfixes)", + "*": "{{Infobox song\n| name = One Thing Leads 2 Another\n| cover = Otlta.jpg\n| alt =\n| type = single\n| artist = [[Vanessa Amorosi]]\n| album = [[Change (Vanessa Amorosi album)|Change]]\n| released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| recorded = 2002\n| studio =\n| venue =\n| genre = [[Pop music|Pop]]\n| length = 3:18\n| label = Urban Music / [[Universal Music|Universal]]\n| writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| producer = Axel Breitung\n| prev_title = [[Turn to Me (song)|Turn to Me]]\n| prev_year = 2001\n| next_title = [[Spin (Everybody's Doin' It)]]\n| next_year = 2002\n}}\n\n\"'''One Thing Leads 2 Another'''\" is a song by Australian recording artist [[Vanessa Amorosi]], released in October 2002 as the lead single from Amorosi's second studio album ''[[Change (Vanessa Amorosi album)|Change]]''. \n\nIn November 2002, Amorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]]. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], [[Oliver Petszokat|Oli P.]], [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], [[Band Ohne Namen]], [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]{{Dead link|date=April 2020 |bot=InternetArchiveBot |fix-attempted=yes }}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the [[Tempodrom]] arena in [[Berlin]].\n\n== Track listing ==\n;CD single \n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Charts ==\n{|class=\"wikitable plainrowheaders\" style=\"text-align:center;\"\n|-\n! scope=\"col\"| Chart (2002)\n! scope=\"col\"| Peak
position\n|-\n!scope=\"row\"{{singlechart|Germany2|67|artist=Vanessa Amorosi|song=One Thing Leads 2 Another|songid=5371|accessdate=28 February 2020|refname=\"GER Charts\"}}\n|-\n!scope=\"row\"{{singlechart|Switzerland|62|artist=Vanessa Amorosi|song=One Thing Leads 2 Another|accessdate=8 November 2019|refname=\"SUI Charts\"}}\n|-\n|}\n\n==Cover versions==\n* [[Paulini Curuenavuli]] cover of Amorosi's 'One Thing Leads To Another' is featured on the ''Australian Idol: The Final 12'' album, released in 2003.[http://www.cduniverse.com/search/xx/music/pid/6642291/a/Australian+Idol:+The+Final+12.htm cduniverse.com - Australian Idol: The Final 12 CD] The song being written by [[Mark Holden]], a judge on the show.\n\n==Release history==\n{|class=\"wikitable\"\n! Region\n! Date\n! Label\n! Catalogue\n|-\n|Europe\n|October 2002\n|Urban Music / Universal Music\n|019469-2\n|}\n\n== References ==\n{{Reflist}}\n\n{{Vanessa Amorosi}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n[[Category:Songs written by Axel Breitung]]\n[[Category:Songs written by Vanessa Amorosi]]\n[[Category:2002 songs]]\n[[Category:Universal Music Group singles]]" + }, + { + "revid": 1001236414, + "parentid": 997158387, + "minor": "", + "user": "Muhbot", + "userid": 35863023, + "timestamp": "2021-01-18T20:48:45Z", + "sha1": "65136a4c1eae7228e6fe8e92f9c972428b934af9", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Charts */[[Wikipedia:Bots/Requests for approval/Muhbot|Bot]] replacing parameter Germany2 with Germany", + "*": "{{Infobox song\n| name = One Thing Leads 2 Another\n| cover = Otlta.jpg\n| alt =\n| type = single\n| artist = [[Vanessa Amorosi]]\n| album = [[Change (Vanessa Amorosi album)|Change]]\n| released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| recorded = 2002\n| studio =\n| venue =\n| genre = [[Pop music|Pop]]\n| length = 3:18\n| label = Urban Music / [[Universal Music|Universal]]\n| writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| producer = Axel Breitung\n| prev_title = [[Turn to Me (song)|Turn to Me]]\n| prev_year = 2001\n| next_title = [[Spin (Everybody's Doin' It)]]\n| next_year = 2002\n}}\n\n\"'''One Thing Leads 2 Another'''\" is a song by Australian recording artist [[Vanessa Amorosi]], released in October 2002 as the lead single from Amorosi's second studio album ''[[Change (Vanessa Amorosi album)|Change]]''. \n\nIn November 2002, Amorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]]. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], [[Oliver Petszokat|Oli P.]], [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], [[Band Ohne Namen]], [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]{{Dead link|date=April 2020 |bot=InternetArchiveBot |fix-attempted=yes }}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the [[Tempodrom]] arena in [[Berlin]].\n\n== Track listing ==\n;CD single \n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Charts ==\n{|class=\"wikitable plainrowheaders\" style=\"text-align:center;\"\n|-\n! scope=\"col\"| Chart (2002)\n! scope=\"col\"| Peak
position\n|-\n!scope=\"row\"{{singlechart|Germany|67|artist=Vanessa Amorosi|song=One Thing Leads 2 Another|songid=5371|accessdate=28 February 2020|refname=\"GER Charts\"}}\n|-\n!scope=\"row\"{{singlechart|Switzerland|62|artist=Vanessa Amorosi|song=One Thing Leads 2 Another|accessdate=8 November 2019|refname=\"SUI Charts\"}}\n|-\n|}\n\n==Cover versions==\n* [[Paulini Curuenavuli]] cover of Amorosi's 'One Thing Leads To Another' is featured on the ''Australian Idol: The Final 12'' album, released in 2003.[http://www.cduniverse.com/search/xx/music/pid/6642291/a/Australian+Idol:+The+Final+12.htm cduniverse.com - Australian Idol: The Final 12 CD] The song being written by [[Mark Holden]], a judge on the show.\n\n==Release history==\n{|class=\"wikitable\"\n! Region\n! Date\n! Label\n! Catalogue\n|-\n|Europe\n|October 2002\n|Urban Music / Universal Music\n|019469-2\n|}\n\n== References ==\n{{Reflist}}\n\n{{Vanessa Amorosi}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n[[Category:Songs written by Axel Breitung]]\n[[Category:Songs written by Vanessa Amorosi]]\n[[Category:2002 songs]]\n[[Category:Universal Music Group singles]]" + }, + { + "revid": 1003319293, + "parentid": 1001236414, + "minor": "", + "user": "Tom.Reding", + "userid": 9784415, + "timestamp": "2021-01-28T12:24:46Z", + "sha1": "0728aa0203f8d7f79742d222189f0b9d907f9a09", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "+{{[[Template:Authority control|Authority control]]}} ([[d:Q7093280|1 ID]] from [[Wikidata]]), [[WP:GenFixes]] on", + "*": "{{Infobox song\n| name = One Thing Leads 2 Another\n| cover = Otlta.jpg\n| alt =\n| type = single\n| artist = [[Vanessa Amorosi]]\n| album = [[Change (Vanessa Amorosi album)|Change]]\n| released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| recorded = 2002\n| studio =\n| venue =\n| genre = [[Pop music|Pop]]\n| length = 3:18\n| label = Urban Music / [[Universal Music|Universal]]\n| writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| producer = Axel Breitung\n| prev_title = [[Turn to Me (song)|Turn to Me]]\n| prev_year = 2001\n| next_title = [[Spin (Everybody's Doin' It)]]\n| next_year = 2002\n}}\n\n\"'''One Thing Leads 2 Another'''\" is a song by Australian recording artist [[Vanessa Amorosi]], released in October 2002 as the lead single from Amorosi's second studio album ''[[Change (Vanessa Amorosi album)|Change]]''.\n\nIn November 2002, Amorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]]. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], [[Oliver Petszokat|Oli P.]], [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], [[Band Ohne Namen]], [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]{{Dead link|date=April 2020 |bot=InternetArchiveBot |fix-attempted=yes }}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the [[Tempodrom]] arena in [[Berlin]].\n\n== Track listing ==\n;CD single \n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Charts ==\n{|class=\"wikitable plainrowheaders\" style=\"text-align:center;\"\n|-\n! scope=\"col\"| Chart (2002)\n! scope=\"col\"| Peak
position\n|-\n!scope=\"row\"{{singlechart|Germany|67|artist=Vanessa Amorosi|song=One Thing Leads 2 Another|songid=5371|accessdate=28 February 2020|refname=\"GER Charts\"}}\n|-\n!scope=\"row\"{{singlechart|Switzerland|62|artist=Vanessa Amorosi|song=One Thing Leads 2 Another|accessdate=8 November 2019|refname=\"SUI Charts\"}}\n|-\n|}\n\n==Cover versions==\n* [[Paulini Curuenavuli]] cover of Amorosi's 'One Thing Leads To Another' is featured on the ''Australian Idol: The Final 12'' album, released in 2003.[http://www.cduniverse.com/search/xx/music/pid/6642291/a/Australian+Idol:+The+Final+12.htm cduniverse.com - Australian Idol: The Final 12 CD] The song being written by [[Mark Holden]], a judge on the show.\n\n==Release history==\n{|class=\"wikitable\"\n! Region\n! Date\n! Label\n! Catalogue\n|-\n|Europe\n|October 2002\n|Urban Music / Universal Music\n|019469-2\n|}\n\n== References ==\n{{Reflist}}\n\n{{Vanessa Amorosi}}\n{{Authority control}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n[[Category:Songs written by Axel Breitung]]\n[[Category:Songs written by Vanessa Amorosi]]\n[[Category:2002 songs]]\n[[Category:Universal Music Group singles]]" + }, + { + "revid": 1033814697, + "parentid": 1003319293, + "user": "170.79.32.24", + "anon": "", + "userid": 0, + "timestamp": "2021-07-16T01:06:04Z", + "sha1": "d5b3b3bfc255cdec5251a2d26dd186f88bc2bbc7", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox song\n| name = One Thing Leads 2 Another\n| cover = Otlta.jpg\n| alt =\n| type = single\n| artist = [[Vanessa Amorosi]]\n| album = [[Change (Vanessa Amorosi album)|Change]]\n| released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| recorded = 2002\n| studio =\n| venue =\n| genre = [[Pop music|Pop]]\n| length = 3:18\n| label = {{hlist|Urban Music|[[Universal Music|Universal]]}}\n| writer = {{hlist|Vanessa Amorosi|[[Mark Holden]]|Axel Breitung}}\n| producer = Axel Breitung\n| prev_title = [[Turn to Me (song)|Turn to Me]]\n| prev_year = 2001\n| next_title = [[Spin (Everybody's Doin' It)]]\n| next_year = 2002\n}}\n\n\"'''One Thing Leads 2 Another'''\" is a song by Australian recording artist [[Vanessa Amorosi]], released in October 2002 as the lead single from Amorosi's second studio album ''[[Change (Vanessa Amorosi album)|Change]]''.\n\nIn November 2002, Amorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]]. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], [[Oliver Petszokat|Oli P.]], [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], [[Band Ohne Namen]], [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]{{Dead link|date=April 2020 |bot=InternetArchiveBot |fix-attempted=yes }}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the [[Tempodrom]] arena in [[Berlin]].\n\n== Track listing ==\n;CD single \n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Charts ==\n{|class=\"wikitable plainrowheaders\" style=\"text-align:center;\"\n|-\n! scope=\"col\"| Chart (2002)\n! scope=\"col\"| Peak
position\n|-\n!scope=\"row\"{{singlechart|Germany|67|artist=Vanessa Amorosi|song=One Thing Leads 2 Another|songid=5371|accessdate=28 February 2020|refname=\"GER Charts\"}}\n|-\n!scope=\"row\"{{singlechart|Switzerland|62|artist=Vanessa Amorosi|song=One Thing Leads 2 Another|accessdate=8 November 2019|refname=\"SUI Charts\"}}\n|-\n|}\n\n==Cover versions==\n* [[Paulini Curuenavuli]] cover of Amorosi's 'One Thing Leads To Another' is featured on the ''Australian Idol: The Final 12'' album, released in 2003.[http://www.cduniverse.com/search/xx/music/pid/6642291/a/Australian+Idol:+The+Final+12.htm cduniverse.com - Australian Idol: The Final 12 CD] The song being written by [[Mark Holden]], a judge on the show.\n\n==Release history==\n{|class=\"wikitable\"\n! Region\n! Date\n! Label\n! Catalogue\n|-\n|Europe\n|October 2002\n|Urban Music / Universal Music\n|019469-2\n|}\n\n== References ==\n{{Reflist}}\n\n{{Vanessa Amorosi}}\n{{Authority control}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n[[Category:Songs written by Axel Breitung]]\n[[Category:Songs written by Vanessa Amorosi]]\n[[Category:2002 songs]]\n[[Category:Universal Music Group singles]]" + }, + { + "revid": 1033823901, + "parentid": 1033814697, + "user": "Binksternet", + "userid": 4967956, + "timestamp": "2021-07-16T02:31:16Z", + "sha1": "0728aa0203f8d7f79742d222189f0b9d907f9a09", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Reverted 1 edit by [[Special:Contributions/170.79.32.24|170.79.32.24]] ([[User talk:170.79.32.24|talk]]): Rv per [[WP:STYLEVAR]]", + "*": "{{Infobox song\n| name = One Thing Leads 2 Another\n| cover = Otlta.jpg\n| alt =\n| type = single\n| artist = [[Vanessa Amorosi]]\n| album = [[Change (Vanessa Amorosi album)|Change]]\n| released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| recorded = 2002\n| studio =\n| venue =\n| genre = [[Pop music|Pop]]\n| length = 3:18\n| label = Urban Music / [[Universal Music|Universal]]\n| writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| producer = Axel Breitung\n| prev_title = [[Turn to Me (song)|Turn to Me]]\n| prev_year = 2001\n| next_title = [[Spin (Everybody's Doin' It)]]\n| next_year = 2002\n}}\n\n\"'''One Thing Leads 2 Another'''\" is a song by Australian recording artist [[Vanessa Amorosi]], released in October 2002 as the lead single from Amorosi's second studio album ''[[Change (Vanessa Amorosi album)|Change]]''.\n\nIn November 2002, Amorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]]. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], [[Oliver Petszokat|Oli P.]], [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], [[Band Ohne Namen]], [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]{{Dead link|date=April 2020 |bot=InternetArchiveBot |fix-attempted=yes }}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the [[Tempodrom]] arena in [[Berlin]].\n\n== Track listing ==\n;CD single \n{{tracklist\n| collapsed = no\n| headline = \n| total_length = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Charts ==\n{|class=\"wikitable plainrowheaders\" style=\"text-align:center;\"\n|-\n! scope=\"col\"| Chart (2002)\n! scope=\"col\"| Peak
position\n|-\n!scope=\"row\"{{singlechart|Germany|67|artist=Vanessa Amorosi|song=One Thing Leads 2 Another|songid=5371|accessdate=28 February 2020|refname=\"GER Charts\"}}\n|-\n!scope=\"row\"{{singlechart|Switzerland|62|artist=Vanessa Amorosi|song=One Thing Leads 2 Another|accessdate=8 November 2019|refname=\"SUI Charts\"}}\n|-\n|}\n\n==Cover versions==\n* [[Paulini Curuenavuli]] cover of Amorosi's 'One Thing Leads To Another' is featured on the ''Australian Idol: The Final 12'' album, released in 2003.[http://www.cduniverse.com/search/xx/music/pid/6642291/a/Australian+Idol:+The+Final+12.htm cduniverse.com - Australian Idol: The Final 12 CD] The song being written by [[Mark Holden]], a judge on the show.\n\n==Release history==\n{|class=\"wikitable\"\n! Region\n! Date\n! Label\n! Catalogue\n|-\n|Europe\n|October 2002\n|Urban Music / Universal Music\n|019469-2\n|}\n\n== References ==\n{{Reflist}}\n\n{{Vanessa Amorosi}}\n{{Authority control}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n[[Category:Songs written by Axel Breitung]]\n[[Category:Songs written by Vanessa Amorosi]]\n[[Category:2002 songs]]\n[[Category:Universal Music Group singles]]" + }, + { + "revid": 1153115618, + "parentid": 1033823901, + "minor": "", + "user": "KiranBOT", + "userid": 32983869, + "timestamp": "2023-05-04T08:50:18Z", + "sha1": "4ef43cd0fd64bb75b69f5c6ecbe2e0adf2e802ee", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "removed deprecated 'collapsed' parameter from track listing template, clean-up ([[Wikipedia:Bots/Requests for approval/KiranBOT 6|BRFA]])", + "*": "{{Infobox song\n| name = One Thing Leads 2 Another\n| cover = Otlta.jpg\n| alt =\n| type = single\n| artist = [[Vanessa Amorosi]]\n| album = [[Change (Vanessa Amorosi album)|Change]]\n| released = {{start date|2002|10|14|df=yes}}[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: AMOROSI,VANESSA - ONE THING LEADS 2 ANOTHER] (Germany)\n| recorded = 2002\n| studio =\n| venue =\n| genre = [[Pop music|Pop]]\n| length = 3:18\n| label = Urban Music / [[Universal Music|Universal]]\n| writer = Vanessa Amorosi, [[Mark Holden]], Axel Breitung\n| producer = Axel Breitung\n| prev_title = [[Turn to Me (song)|Turn to Me]]\n| prev_year = 2001\n| next_title = [[Spin (Everybody's Doin' It)]]\n| next_year = 2002\n}}\n\n\"'''One Thing Leads 2 Another'''\" is a song by Australian recording artist [[Vanessa Amorosi]], released in October 2002 as the lead single from Amorosi's second studio album ''[[Change (Vanessa Amorosi album)|Change]]''.\n\nIn November 2002, Amorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]]. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], [[Oliver Petszokat|Oli P.]], [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], [[Band Ohne Namen]], [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]{{Dead link|date=April 2020 |bot=InternetArchiveBot |fix-attempted=yes }}\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the [[Tempodrom]] arena in [[Berlin]].\n\n== Track listing ==\n;CD single \n{{track listing\n| headline = \n| total_length = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Charts ==\n{|class=\"wikitable plainrowheaders\" style=\"text-align:center;\"\n|-\n! scope=\"col\"| Chart (2002)\n! scope=\"col\"| Peak
position\n|-\n!scope=\"row\"{{single chart|Germany|67|artist=Vanessa Amorosi|song=One Thing Leads 2 Another|songid=5371|accessdate=28 February 2020|refname=\"GER Charts\"}}\n|-\n!scope=\"row\"{{single chart|Switzerland|62|artist=Vanessa Amorosi|song=One Thing Leads 2 Another|accessdate=8 November 2019|refname=\"SUI Charts\"}}\n|-\n|}\n\n==Cover versions==\n* [[Paulini Curuenavuli]] cover of Amorosi's 'One Thing Leads To Another' is featured on the ''Australian Idol: The Final 12'' album, released in 2003.[http://www.cduniverse.com/search/xx/music/pid/6642291/a/Australian+Idol:+The+Final+12.htm cduniverse.com - Australian Idol: The Final 12 CD] The song being written by [[Mark Holden]], a judge on the show.\n\n==Release history==\n{|class=\"wikitable\"\n! Region\n! Date\n! Label\n! Catalogue\n|-\n|Europe\n|October 2002\n|Urban Music / Universal Music\n|019469-2\n|}\n\n== References ==\n{{Reflist}}\n\n{{Vanessa Amorosi}}\n{{Authority control}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n[[Category:Songs written by Axel Breitung]]\n[[Category:Songs written by Vanessa Amorosi]]\n[[Category:2002 songs]]\n[[Category:Universal Music Group singles]]" + }, + { + "revid": 1283391933, + "parentid": 1153115618, + "user": "Skyversay", + "userid": 48898971, + "timestamp": "2025-04-01T06:28:05Z", + "sha1": "0e02df25262b666663d95aa66c58cd19fac46309", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Move prose to top. Formatting.", + "*": "{{Infobox song\n| name = One Thing Leads 2 Another\n| cover = Otlta.jpg\n| alt =\n| type = single\n| artist = [[Vanessa Amorosi]]\n| album = [[Change (Vanessa Amorosi album)|Change]]\n| released = {{start date|2002|10|14|df=yes}}\n| recorded = 2002\n| studio =\n| genre = [[Pop music|Pop]]\n| length = 3:18\n| label =\n* Urban Music\n* [[Universal Music|Universal]]\n| writer =\n* Vanessa Amorosi\n* [[Mark Holden]]\n* Axel Breitung\n| producer = Axel Breitung\n| prev_title = [[Turn to Me (song)|Turn to Me]]\n| prev_year = 2001\n| next_title = [[Spin (Everybody's Doin' It)]]\n| next_year = 2002\n}}\n\n\"'''One Thing Leads 2 Another'''\" is a song by Australian recording artist [[Vanessa Amorosi]], released on 14 October 2002 as the lead single from Amorosi's second studio album ''[[Change (Vanessa Amorosi album)|Change]]''.[http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: Amorosi,Vanessa - One Thing Leads 2 Another]\n\nIn November 2002, Amorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]]. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], [[Oliver Petszokat|Oli P.]], [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], [[Band Ohne Namen]], [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]{{Dead link|date=April 2020 |bot=InternetArchiveBot |fix-attempted=yes }}\n\n[[Paulini Curuenavuli]] covered \"One Thing Leads 2 Another\", which was featured on the ''Australian Idol: The Final 12'' album, released in 2003.[http://www.cduniverse.com/search/xx/music/pid/6642291/a/Australian+Idol:+The+Final+12.htm cduniverse.com - Australian Idol: The Final 12 CD] The song was written by [[Mark Holden]], who was a judge on the show.\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the [[Tempodrom]] arena in [[Berlin]].\n\n== Track listing ==\n{{track listing\n| headline = CD single\n| total_length = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Charts ==\n{|class=\"wikitable sortable plainrowheaders\" style=\"text-align:center;\"\n|-\n! scope=\"col\"| Chart (2002)\n! scope=\"col\"| Peak
position\n|-\n!scope=\"row\"{{single chart|Germany|67|artist=Vanessa Amorosi|song=One Thing Leads 2 Another|songid=5371|accessdate=28 February 2020|refname=\"GER Charts\"}}\n|-\n!scope=\"row\"{{single chart|Switzerland|62|artist=Vanessa Amorosi|song=One Thing Leads 2 Another|accessdate=8 November 2019|refname=\"SUI Charts\"}}\n|}\n\n==Release history==\n{|class=\"wikitable plainrowheaders\"\n! Region\n! Date\n! Label\n! Catalogue\n|-\n!scope=\"row\"|Europe\n|October 2002\n|Urban Music / Universal Music\n|019469-2\n|}\n\n== References ==\n{{Reflist}}\n\n{{Vanessa Amorosi}}\n{{Authority control}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n[[Category:Songs written by Axel Breitung]]\n[[Category:Songs written by Vanessa Amorosi]]\n[[Category:2002 songs]]\n[[Category:Universal Music Group singles]]" + }, + { + "revid": 1306520148, + "parentid": 1283391933, + "user": "GreenC bot", + "userid": 27823944, + "timestamp": "2025-08-18T05:16:00Z", + "sha1": "8067af728ca18e0e4a71a8a2957a5c107f9e4e21", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Rescued 1 archive link. [[User:GreenC/WaybackMedic_2.5|Wayback Medic 2.5]] per [[WP:URLREQ#musicline.de]]", + "*": "{{Infobox song\n| name = One Thing Leads 2 Another\n| cover = Otlta.jpg\n| alt =\n| type = single\n| artist = [[Vanessa Amorosi]]\n| album = [[Change (Vanessa Amorosi album)|Change]]\n| released = {{start date|2002|10|14|df=yes}}\n| recorded = 2002\n| studio =\n| genre = [[Pop music|Pop]]\n| length = 3:18\n| label =\n* Urban Music\n* [[Universal Music|Universal]]\n| writer =\n* Vanessa Amorosi\n* [[Mark Holden]]\n* Axel Breitung\n| producer = Axel Breitung\n| prev_title = [[Turn to Me (song)|Turn to Me]]\n| prev_year = 2001\n| next_title = [[Spin (Everybody's Doin' It)]]\n| next_year = 2002\n}}\n\n\"'''One Thing Leads 2 Another'''\" is a song by Australian recording artist [[Vanessa Amorosi]], released on 14 October 2002 as the lead single from Amorosi's second studio album ''[[Change (Vanessa Amorosi album)|Change]]''.[https://web.archive.org/web/20120927204924/http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: Amorosi,Vanessa - One Thing Leads 2 Another]\n\nIn November 2002, Amorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]]. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], [[Oliver Petszokat|Oli P.]], [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], [[Band Ohne Namen]], [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]{{Dead link|date=April 2020 |bot=InternetArchiveBot |fix-attempted=yes }}\n\n[[Paulini Curuenavuli]] covered \"One Thing Leads 2 Another\", which was featured on the ''Australian Idol: The Final 12'' album, released in 2003.[http://www.cduniverse.com/search/xx/music/pid/6642291/a/Australian+Idol:+The+Final+12.htm cduniverse.com - Australian Idol: The Final 12 CD] The song was written by [[Mark Holden]], who was a judge on the show.\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the [[Tempodrom]] arena in [[Berlin]].\n\n== Track listing ==\n{{track listing\n| headline = CD single\n| total_length = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Charts ==\n{|class=\"wikitable sortable plainrowheaders\" style=\"text-align:center;\"\n|-\n! scope=\"col\"| Chart (2002)\n! scope=\"col\"| Peak
position\n|-\n!scope=\"row\"{{single chart|Germany|67|artist=Vanessa Amorosi|song=One Thing Leads 2 Another|songid=5371|accessdate=28 February 2020|refname=\"GER Charts\"}}\n|-\n!scope=\"row\"{{single chart|Switzerland|62|artist=Vanessa Amorosi|song=One Thing Leads 2 Another|accessdate=8 November 2019|refname=\"SUI Charts\"}}\n|}\n\n==Release history==\n{|class=\"wikitable plainrowheaders\"\n! Region\n! Date\n! Label\n! Catalogue\n|-\n!scope=\"row\"|Europe\n|October 2002\n|Urban Music / Universal Music\n|019469-2\n|}\n\n== References ==\n{{Reflist}}\n\n{{Vanessa Amorosi}}\n{{Authority control}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n[[Category:Songs written by Axel Breitung]]\n[[Category:Songs written by Vanessa Amorosi]]\n[[Category:2002 songs]]\n[[Category:Universal Music Group singles]]" + }, + { + "revid": 1352027254, + "parentid": 1306520148, + "minor": "", + "user": "BD2412", + "userid": 196446, + "timestamp": "2026-05-01T15:54:02Z", + "sha1": "78476f204546ba8a44a8a08068471fcb093b736b", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* top */ Clean up spacing around commas and other punctuation fixes, replaced: ,V → , V", + "*": "{{Infobox song\n| name = One Thing Leads 2 Another\n| cover = Otlta.jpg\n| alt =\n| type = single\n| artist = [[Vanessa Amorosi]]\n| album = [[Change (Vanessa Amorosi album)|Change]]\n| released = {{start date|2002|10|14|df=yes}}\n| recorded = 2002\n| studio =\n| genre = [[Pop music|Pop]]\n| length = 3:18\n| label =\n* Urban Music\n* [[Universal Music|Universal]]\n| writer =\n* Vanessa Amorosi\n* [[Mark Holden]]\n* Axel Breitung\n| producer = Axel Breitung\n| prev_title = [[Turn to Me (song)|Turn to Me]]\n| prev_year = 2001\n| next_title = [[Spin (Everybody's Doin' It)]]\n| next_year = 2002\n}}\n\n\"'''One Thing Leads 2 Another'''\" is a song by Australian recording artist [[Vanessa Amorosi]], released on 14 October 2002 as the lead single from Amorosi's second studio album ''[[Change (Vanessa Amorosi album)|Change]]''.[https://web.archive.org/web/20120927204924/http://www.musicline.de/de/product/44001946929///1053454 Musicline.de: Amorosi, Vanessa - One Thing Leads 2 Another]\n\nIn November 2002, Amorosi sang her song \"One Thing Leads 2 Another\" at a charity concert in [[Frankfurt am Main]]. Other celebrity participants were [[Sarah Connor (singer)|Sarah Connor]], [[Nena]], [[Oliver Petszokat|Oli P.]], [[Peter Maffay]], [[DJ Bobo]], Isabel, Katy Karrenbauer, [[Rosenstolz]], Ben, [[A Touch of Class (band)|ATC]], Pierre, [[B3 (boy band)|B3]], [[Band Ohne Namen]], [[Bell, Book & Candle (band)|Bell Book and Candle]], [[Laith Al-Deen]], Marlon, The Flames, She Loe, [[Rednex]], [[Lutricia McNeal]] and the [[Kelly Family]]. The \"Charity 2002\" yielded net proceeds of approximately 500.000,00 [[euro]] for children with cancer. All proceeds went to the \"Hand in Hand for Children\" association.[http://www.handinhandforchildren.de/charity/cls_elTorro.cfm?sessIdent=RcFTiHpXcT7iU9XXZrvhI8bBpjgdol&cmd=concerts&action=detail&ID=3173&naviID=894 Charity - Live dabei!]{{Dead link|date=April 2020 |bot=InternetArchiveBot |fix-attempted=yes }}\n\n[[Paulini Curuenavuli]] covered \"One Thing Leads 2 Another\", which was featured on the ''Australian Idol: The Final 12'' album, released in 2003.[http://www.cduniverse.com/search/xx/music/pid/6642291/a/Australian+Idol:+The+Final+12.htm cduniverse.com - Australian Idol: The Final 12 CD] The song was written by [[Mark Holden]], who was a judge on the show.\n\n== Music video ==\nThe video clip for \"One Thing Leads 2 Another\" was shot in September 2002 at the [[Tempodrom]] arena in [[Berlin]].\n\n== Track listing ==\n{{track listing\n| headline = CD single\n| total_length = \n| title1 = One Thing Leads 2 Another\n| note1 = radio edit\n| writer1 = Amorosi/Holden/Breitung\n| length1 = 3:18\n| title2 = Dream\n| note2 = \n| writer2 = Amorosi/Holden/[[Klarmann/Weber]]\n| length2 = 3:46\n| title3 = One Thing Leads 2 Another\n| note3 = pop version\n| writer3 = Amorosi/Holden/Breitung\n| length3 = 3:44\n| title4 = One Thing Leads 2 Another\n| note4 = instrumental version\n| writer4 = Amorosi/Holden/Breitung\n| length4 = 3:13\n}}\n\n== Charts ==\n{|class=\"wikitable sortable plainrowheaders\" style=\"text-align:center;\"\n|-\n! scope=\"col\"| Chart (2002)\n! scope=\"col\"| Peak
position\n|-\n!scope=\"row\"{{single chart|Germany|67|artist=Vanessa Amorosi|song=One Thing Leads 2 Another|songid=5371|accessdate=28 February 2020|refname=\"GER Charts\"}}\n|-\n!scope=\"row\"{{single chart|Switzerland|62|artist=Vanessa Amorosi|song=One Thing Leads 2 Another|accessdate=8 November 2019|refname=\"SUI Charts\"}}\n|}\n\n==Release history==\n{|class=\"wikitable plainrowheaders\"\n! Region\n! Date\n! Label\n! Catalogue\n|-\n!scope=\"row\"|Europe\n|October 2002\n|Urban Music / Universal Music\n|019469-2\n|}\n\n== References ==\n{{Reflist}}\n\n{{Vanessa Amorosi}}\n{{Authority control}}\n\n[[Category:2002 singles]]\n[[Category:Vanessa Amorosi songs]]\n[[Category:Songs written by Mark Holden]]\n[[Category:Songs written by Axel Breitung]]\n[[Category:Songs written by Vanessa Amorosi]]\n[[Category:2002 songs]]\n[[Category:Universal Music Group singles]]" + } +] \ No newline at end of file diff --git a/tests/fixtures/richard_thompson_marine_biologist_revisions.json b/tests/fixtures/richard_thompson_marine_biologist_revisions.json new file mode 100644 index 0000000..a1d1c55 --- /dev/null +++ b/tests/fixtures/richard_thompson_marine_biologist_revisions.json @@ -0,0 +1,629 @@ +[ + { + "revid": 933675168, + "parentid": 0, + "minor": false, + "user": "Lopifalko", + "userid": 11116033, + "timestamp": "2020-01-02T12:00:46Z", + "sha1": "5c74d3cff5cd675d2ecdee617b446c000e7b8aad", + "comment": "New article", + "*": "{{Short description|...}}\n'''Richard C. Thompson''' [[Order of the British Empire|OBE]] is a [[Marine biology|marine biologist]]. He is Director of the Marine Institute at the [[University of Plymouth]]. Thompson coined the term \"[[Microplastics|microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}\n\n==Career==\nThompson's paper, \"Lost at Sea: Where is All the Plastic?\",https://www.researchgate.net/publication/8575062_Lost_at_Sea_Where_Is_All_the_Plastic published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been Professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been Director of the Marine Institute, School of Biological and Marine Sciences (Faculty of Science and Engineering) at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE - University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}}\n\n==Awards==\n*2016: [[Marsh Award for Marine and Freshwater Conservation]] from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n\n==Authored/edited books, chapters and reports== \n*Thompson, R.C., (2006). Plastics. In: Dominant Wave Theory. Hughes, A. and Carson D. pp. 112–116, Booth-Clibborn, London.\n*Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. (2010) Marine Strategy Framework Directive, TaskGroup 10 Report, Marine Litter. Office for Official Publications of the European Communities, Luxembourg.\n*STAP. 2011 Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic. In ASTAP Information Document. , pp. 40. Washington, DC: Global Environment Facility. Thompson was lead author.\n*GEF. 2012 Secretariat of the Convention on Biological Diversity and Scientific and Technical Advisory Panel GEF, Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions, vol. 67, pp. 61. Montreal. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: Accumulation. ''The Material Politics of Plastics.'' Gabrys, J., Hawkins, G. and Michael, M. pp.150–169.\n\n==References==\n{{Reflist}}\n\n==External links==\n*{{Twitter|profrthompson}}\n*[https://www.plymouth.ac.uk/staff/richard-thompson Thompson's profile at University of Plymouth]\n*[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n{{Authority control}}\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Alumni of Newcastle University]]\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]" + }, + { + "revid": 933676339, + "parentid": 933675168, + "minor": false, + "user": "Lopifalko", + "userid": 11116033, + "timestamp": "2020-01-02T12:12:09Z", + "sha1": "d3954ed83e306f7d6319f7e8d8220a8caa53b0f4", + "comment": "added [[Category:Marine biologists]] using [[WP:HC|HotCat]]", + "*": "{{Short description|...}}\n'''Richard C. Thompson''' [[Order of the British Empire|OBE]] is a [[Marine biology|marine biologist]]. He is Director of the Marine Institute at the [[University of Plymouth]]. Thompson coined the term \"[[Microplastics|microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}\n\n==Career==\nThompson's paper, \"Lost at Sea: Where is All the Plastic?\",https://www.researchgate.net/publication/8575062_Lost_at_Sea_Where_Is_All_the_Plastic published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been Professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been Director of the Marine Institute, School of Biological and Marine Sciences (Faculty of Science and Engineering) at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE - University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}}\n\n==Awards==\n*2016: [[Marsh Award for Marine and Freshwater Conservation]] from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n\n==Authored/edited books, chapters and reports== \n*Thompson, R.C., (2006). Plastics. In: Dominant Wave Theory. Hughes, A. and Carson D. pp. 112–116, Booth-Clibborn, London.\n*Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. (2010) Marine Strategy Framework Directive, TaskGroup 10 Report, Marine Litter. Office for Official Publications of the European Communities, Luxembourg.\n*STAP. 2011 Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic. In ASTAP Information Document. , pp. 40. Washington, DC: Global Environment Facility. Thompson was lead author.\n*GEF. 2012 Secretariat of the Convention on Biological Diversity and Scientific and Technical Advisory Panel GEF, Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions, vol. 67, pp. 61. Montreal. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: Accumulation. ''The Material Politics of Plastics.'' Gabrys, J., Hawkins, G. and Michael, M. pp.150–169.\n\n==References==\n{{Reflist}}\n\n==External links==\n*{{Twitter|profrthompson}}\n*[https://www.plymouth.ac.uk/staff/richard-thompson Thompson's profile at University of Plymouth]\n*[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n{{Authority control}}\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Alumni of Newcastle University]]\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Marine biologists]]" + }, + { + "revid": 933676548, + "parentid": 933676339, + "minor": false, + "user": "Lopifalko", + "userid": 11116033, + "timestamp": "2020-01-02T12:14:10Z", + "sha1": "bbbd4ddc865136e0a7693613456fa1fb0da6367e", + "comment": "added [[Category:Academics of the University of Plymouth]] using [[WP:HC|HotCat]]", + "*": "{{Short description|...}}\n'''Richard C. Thompson''' [[Order of the British Empire|OBE]] is a [[Marine biology|marine biologist]]. He is Director of the Marine Institute at the [[University of Plymouth]]. Thompson coined the term \"[[Microplastics|microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}\n\n==Career==\nThompson's paper, \"Lost at Sea: Where is All the Plastic?\",https://www.researchgate.net/publication/8575062_Lost_at_Sea_Where_Is_All_the_Plastic published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been Professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been Director of the Marine Institute, School of Biological and Marine Sciences (Faculty of Science and Engineering) at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE - University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}}\n\n==Awards==\n*2016: [[Marsh Award for Marine and Freshwater Conservation]] from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n\n==Authored/edited books, chapters and reports== \n*Thompson, R.C., (2006). Plastics. In: Dominant Wave Theory. Hughes, A. and Carson D. pp. 112–116, Booth-Clibborn, London.\n*Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. (2010) Marine Strategy Framework Directive, TaskGroup 10 Report, Marine Litter. Office for Official Publications of the European Communities, Luxembourg.\n*STAP. 2011 Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic. In ASTAP Information Document. , pp. 40. Washington, DC: Global Environment Facility. Thompson was lead author.\n*GEF. 2012 Secretariat of the Convention on Biological Diversity and Scientific and Technical Advisory Panel GEF, Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions, vol. 67, pp. 61. Montreal. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: Accumulation. ''The Material Politics of Plastics.'' Gabrys, J., Hawkins, G. and Michael, M. pp.150–169.\n\n==References==\n{{Reflist}}\n\n==External links==\n*{{Twitter|profrthompson}}\n*[https://www.plymouth.ac.uk/staff/richard-thompson Thompson's profile at University of Plymouth]\n*[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n{{Authority control}}\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Alumni of Newcastle University]]\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Marine biologists]]\n[[Category:Academics of the University of Plymouth]]" + }, + { + "revid": 933679870, + "parentid": 933676548, + "minor": false, + "user": "Lopifalko", + "userid": 11116033, + "timestamp": "2020-01-02T12:47:03Z", + "sha1": "7acb56b85a4385de32cf8f751be1b9d851d2eb9b", + "comment": "Short description", + "*": "{{Short description|marine biologist}}\n'''Richard C. Thompson''' [[Order of the British Empire|OBE]] is a [[Marine biology|marine biologist]]. He is Director of the Marine Institute at the [[University of Plymouth]]. Thompson coined the term \"[[Microplastics|microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}\n\n==Career==\nThompson's paper, \"Lost at Sea: Where is All the Plastic?\",https://www.researchgate.net/publication/8575062_Lost_at_Sea_Where_Is_All_the_Plastic published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been Professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been Director of the Marine Institute, School of Biological and Marine Sciences (Faculty of Science and Engineering) at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE - University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}}\n\n==Awards==\n*2016: [[Marsh Award for Marine and Freshwater Conservation]] from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n\n==Authored/edited books, chapters and reports== \n*Thompson, R.C., (2006). Plastics. In: Dominant Wave Theory. Hughes, A. and Carson D. pp. 112–116, Booth-Clibborn, London.\n*Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. (2010) Marine Strategy Framework Directive, TaskGroup 10 Report, Marine Litter. Office for Official Publications of the European Communities, Luxembourg.\n*STAP. 2011 Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic. In ASTAP Information Document. , pp. 40. Washington, DC: Global Environment Facility. Thompson was lead author.\n*GEF. 2012 Secretariat of the Convention on Biological Diversity and Scientific and Technical Advisory Panel GEF, Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions, vol. 67, pp. 61. Montreal. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: Accumulation. ''The Material Politics of Plastics.'' Gabrys, J., Hawkins, G. and Michael, M. pp.150–169.\n\n==References==\n{{Reflist}}\n\n==External links==\n*{{Twitter|profrthompson}}\n*[https://www.plymouth.ac.uk/staff/richard-thompson Thompson's profile at University of Plymouth]\n*[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n{{Authority control}}\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Alumni of Newcastle University]]\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Marine biologists]]\n[[Category:Academics of the University of Plymouth]]" + }, + { + "revid": 933681167, + "parentid": 933679870, + "minor": false, + "user": "Lopifalko", + "userid": 11116033, + "timestamp": "2020-01-02T12:59:11Z", + "sha1": "12c34dd497db8ed9753a23120997b1ad4f5ca063", + "comment": "Researches marine litter", + "*": "{{Short description|marine biologist}}\n'''Richard C. Thompson''' [[Order of the British Empire|OBE]] is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. He is Director of the Marine Institute at the [[University of Plymouth]]. Thompson coined the term \"[[Microplastics|microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}\n\n==Career==\nThompson's paper, \"Lost at Sea: Where is All the Plastic?\",https://www.researchgate.net/publication/8575062_Lost_at_Sea_Where_Is_All_the_Plastic published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been Professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been Director of the Marine Institute, School of Biological and Marine Sciences (Faculty of Science and Engineering) at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE - University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}}\n\n==Awards==\n*2016: [[Marsh Award for Marine and Freshwater Conservation]] from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n\n==Authored/edited books, chapters and reports== \n*Thompson, R.C., (2006). Plastics. In: Dominant Wave Theory. Hughes, A. and Carson D. pp. 112–116, Booth-Clibborn, London.\n*Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. (2010) Marine Strategy Framework Directive, TaskGroup 10 Report, Marine Litter. Office for Official Publications of the European Communities, Luxembourg.\n*STAP. 2011 Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic. In ASTAP Information Document. , pp. 40. Washington, DC: Global Environment Facility. Thompson was lead author.\n*GEF. 2012 Secretariat of the Convention on Biological Diversity and Scientific and Technical Advisory Panel GEF, Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions, vol. 67, pp. 61. Montreal. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: Accumulation. ''The Material Politics of Plastics.'' Gabrys, J., Hawkins, G. and Michael, M. pp.150–169.\n\n==References==\n{{Reflist}}\n\n==External links==\n*{{Twitter|profrthompson}}\n*[https://www.plymouth.ac.uk/staff/richard-thompson Thompson's profile at University of Plymouth]\n*[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n{{Authority control}}\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Alumni of Newcastle University]]\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Marine biologists]]\n[[Category:Academics of the University of Plymouth]]" + }, + { + "revid": 933701892, + "parentid": 933681167, + "minor": false, + "user": "Lopifalko", + "userid": 11116033, + "timestamp": "2020-01-02T15:38:49Z", + "sha1": "628b2d1f8c8cc5027115c37a56989989a5d4d131", + "comment": "Leads International Marine Litter Research Unit + remove superfluous words + copyedit", + "*": "{{Short description|marine biologist}}\n'''Richard C. Thompson''' [[Order of the British Empire|OBE]] is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[Microplastics|microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}\n\n==Career==\nThompson's paper, \"Lost at Sea: Where is All the Plastic?\",https://www.researchgate.net/publication/8575062_Lost_at_Sea_Where_Is_All_the_Plastic published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE - University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}\n\n==Awards==\n*2016: [[Marsh Award for Marine and Freshwater Conservation]] from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n\n==Authored/edited books, chapters and reports== \n*Thompson, R.C., (2006). Plastics. In: Dominant Wave Theory. Hughes, A. and Carson D. pp. 112–116, Booth-Clibborn, London.\n*Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. (2010) Marine Strategy Framework Directive, TaskGroup 10 Report, Marine Litter. Office for Official Publications of the European Communities, Luxembourg.\n*STAP. 2011 Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic. In ASTAP Information Document. , pp. 40. Washington, DC: Global Environment Facility. Thompson was lead author.\n*GEF. 2012 Secretariat of the Convention on Biological Diversity and Scientific and Technical Advisory Panel GEF, Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions, vol. 67, pp. 61. Montreal. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: Accumulation. ''The Material Politics of Plastics.'' Gabrys, J., Hawkins, G. and Michael, M. pp.150–169.\n\n==References==\n{{Reflist}}\n\n==External links==\n*{{Twitter|profrthompson}}\n*[https://www.plymouth.ac.uk/staff/richard-thompson Thompson's profile at University of Plymouth]\n*[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n{{Authority control}}\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Alumni of Newcastle University]]\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Marine biologists]]\n[[Category:Academics of the University of Plymouth]]" + }, + { + "revid": 934319741, + "parentid": 933701892, + "minor": false, + "user": "Hoary", + "userid": 129927, + "timestamp": "2020-01-05T22:26:21Z", + "sha1": "dc9c81c65099496ad005ae749ff3a567af6be7a7", + "comment": "/* Authored/edited books, chapters and reports */ More or less fixing one of these.", + "*": "{{Short description|marine biologist}}\n'''Richard C. Thompson''' [[Order of the British Empire|OBE]] is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[Microplastics|microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}\n\n==Career==\nThompson's paper, \"Lost at Sea: Where is All the Plastic?\",https://www.researchgate.net/publication/8575062_Lost_at_Sea_Where_Is_All_the_Plastic published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE - University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}\n\n==Awards==\n*2016: [[Marsh Award for Marine and Freshwater Conservation]] from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n\n==Authored/edited books, chapters and reports== \n*Thompson, R.C., (2006). Plastics. In: Dominant Wave Theory. Hughes, A. and Carson D. pp. 112–116, Booth-Clibborn, London.\n*Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. (2010) Marine Strategy Framework Directive, TaskGroup 10 Report, Marine Litter. Office for Official Publications of the European Communities, Luxembourg.\n*STAP. 2011 Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic. In ASTAP Information Document. , pp. 40. Washington, DC: Global Environment Facility. Thompson was lead author.\n*GEF. 2012 Secretariat of the Convention on Biological Diversity and Scientific and Technical Advisory Panel GEF, Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions, vol. 67, pp. 61. Montreal. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp.150–169.\n\n==References==\n{{Reflist}}\n\n==External links==\n*{{Twitter|profrthompson}}\n*[https://www.plymouth.ac.uk/staff/richard-thompson Thompson's profile at University of Plymouth]\n*[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n{{Authority control}}\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Alumni of Newcastle University]]\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Marine biologists]]\n[[Category:Academics of the University of Plymouth]]" + }, + { + "revid": 934392855, + "parentid": 934319741, + "minor": true, + "user": "Lopifalko", + "userid": 11116033, + "timestamp": "2020-01-06T08:21:05Z", + "sha1": "e36cd4df93918541e80561edb4edc2b63bb9d3a7", + "comment": "/* Authored/edited books, chapters and reports */ Add wikilinks", + "*": "{{Short description|marine biologist}}\n'''Richard C. Thompson''' [[Order of the British Empire|OBE]] is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[Microplastics|microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}\n\n==Career==\nThompson's paper, \"Lost at Sea: Where is All the Plastic?\",https://www.researchgate.net/publication/8575062_Lost_at_Sea_Where_Is_All_the_Plastic published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE - University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}\n\n==Awards==\n*2016: [[Marsh Award for Marine and Freshwater Conservation]] from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n\n==Authored/edited books, chapters and reports== \n*Thompson, R.C., (2006). Plastics. In: Dominant Wave Theory. Hughes, A. and Carson D. pp. 112–116, Booth-Clibborn, London.\n*Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. (2010) [[Marine Strategy Framework Directive]], TaskGroup 10 Report, Marine Litter. [[Publications Office of the European Union|Office for Official Publications of the European Communities]], Luxembourg.\n*[[Scientific and Technical Advisory Panel]] (STAP). 2011 Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic. In [[ASTAP]] Information Document. , pp. 40. Washington, DC: [[Global Environment Facility]] (GEF). Thompson was lead author.\n*GEF. 2012 Secretariat of the [[Convention on Biological Diversity]] and Scientific and Technical Advisory Panel GEF, Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions, vol. 67, pp. 61. Montreal. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp.150–169.\n\n==References==\n{{Reflist}}\n\n==External links==\n*{{Twitter|profrthompson}}\n*[https://www.plymouth.ac.uk/staff/richard-thompson Thompson's profile at University of Plymouth]\n*[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n{{Authority control}}\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Alumni of Newcastle University]]\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Marine biologists]]\n[[Category:Academics of the University of Plymouth]]" + }, + { + "revid": 934428160, + "parentid": 934392855, + "minor": false, + "user": "Hoary", + "userid": 129927, + "timestamp": "2020-01-06T13:32:22Z", + "sha1": "f7d36f0092768cb81d346587febf6cb1aa6d2b18", + "comment": "/* Authored/edited books, chapters and reports */ Done the first one", + "*": "{{Short description|marine biologist}}\n'''Richard C. Thompson''' [[Order of the British Empire|OBE]] is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[Microplastics|microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}\n\n==Career==\nThompson's paper, \"Lost at Sea: Where is All the Plastic?\",https://www.researchgate.net/publication/8575062_Lost_at_Sea_Where_Is_All_the_Plastic published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE - University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}\n\n==Awards==\n*2016: [[Marsh Award for Marine and Freshwater Conservation]] from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n\n==Authored/edited books, chapters and reports== \n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}\n*Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. (2010) [[Marine Strategy Framework Directive]], TaskGroup 10 Report, Marine Litter. [[Publications Office of the European Union|Office for Official Publications of the European Communities]], Luxembourg.\n*[[Scientific and Technical Advisory Panel]] (STAP). 2011 Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic. In [[ASTAP]] Information Document. , pp. 40. Washington, DC: [[Global Environment Facility]] (GEF). Thompson was lead author.\n*GEF. 2012 Secretariat of the [[Convention on Biological Diversity]] and Scientific and Technical Advisory Panel GEF, Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions, vol. 67, pp. 61. Montreal. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp.150–169.\n\n==References==\n{{Reflist}}\n\n==External links==\n*{{Twitter|profrthompson}}\n*[https://www.plymouth.ac.uk/staff/richard-thompson Thompson's profile at University of Plymouth]\n*[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n{{Authority control}}\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Alumni of Newcastle University]]\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Marine biologists]]\n[[Category:Academics of the University of Plymouth]]" + }, + { + "revid": 934432330, + "parentid": 934428160, + "minor": false, + "user": "Lopifalko", + "userid": 11116033, + "timestamp": "2020-01-06T14:04:41Z", + "sha1": "2ff9b41e40fc48452352278ae3d758f1abd3455d", + "comment": "/* Authored/edited books, chapters and reports */ Clean up one", + "*": "{{Short description|marine biologist}}\n'''Richard C. Thompson''' [[Order of the British Empire|OBE]] is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[Microplastics|microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}\n\n==Career==\nThompson's paper, \"Lost at Sea: Where is All the Plastic?\",https://www.researchgate.net/publication/8575062_Lost_at_Sea_Where_Is_All_the_Plastic published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE - University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}\n\n==Awards==\n*2016: [[Marsh Award for Marine and Freshwater Conservation]] from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n\n==Authored/edited books, chapters and reports== \n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}\n*Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. (2010) [[Marine Strategy Framework Directive]], TaskGroup 10 Report, Marine Litter. [[Publications Office of the European Union|Office for Official Publications of the European Communities]], Luxembourg.\n*\"Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: a STAP Information Document: November 2011.\" Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Pp. 40. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman (STAP, North-West University, South Africa), and Lev Neretin. Thompson was lead author.\n*GEF. 2012 Secretariat of the [[Convention on Biological Diversity]] and Scientific and Technical Advisory Panel GEF, Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions, vol. 67, pp. 61. Montreal. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp.150–169.\n\n==References==\n{{Reflist}}\n\n==External links==\n*{{Twitter|profrthompson}}\n*[https://www.plymouth.ac.uk/staff/richard-thompson Thompson's profile at University of Plymouth]\n*[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n{{Authority control}}\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Alumni of Newcastle University]]\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Marine biologists]]\n[[Category:Academics of the University of Plymouth]]" + }, + { + "revid": 934432408, + "parentid": 934432330, + "minor": false, + "user": "Lopifalko", + "userid": 11116033, + "timestamp": "2020-01-06T14:05:31Z", + "sha1": "109db6e12345a52f08c444e02e3c56532c9123b7", + "comment": "/* Authored/edited books, chapters and reports */ Missed a bit", + "*": "{{Short description|marine biologist}}\n'''Richard C. Thompson''' [[Order of the British Empire|OBE]] is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[Microplastics|microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}\n\n==Career==\nThompson's paper, \"Lost at Sea: Where is All the Plastic?\",https://www.researchgate.net/publication/8575062_Lost_at_Sea_Where_Is_All_the_Plastic published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE - University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}\n\n==Awards==\n*2016: [[Marsh Award for Marine and Freshwater Conservation]] from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n\n==Authored/edited books, chapters and reports== \n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}\n*Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. (2010) [[Marine Strategy Framework Directive]], TaskGroup 10 Report, Marine Litter. [[Publications Office of the European Union|Office for Official Publications of the European Communities]], Luxembourg.\n*\"Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: a STAP Information Document: November 2011.\" Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*GEF. 2012 Secretariat of the [[Convention on Biological Diversity]] and Scientific and Technical Advisory Panel GEF, Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions, vol. 67, pp. 61. Montreal. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp.150–169.\n\n==References==\n{{Reflist}}\n\n==External links==\n*{{Twitter|profrthompson}}\n*[https://www.plymouth.ac.uk/staff/richard-thompson Thompson's profile at University of Plymouth]\n*[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n{{Authority control}}\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Alumni of Newcastle University]]\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Marine biologists]]\n[[Category:Academics of the University of Plymouth]]" + }, + { + "revid": 934457477, + "parentid": 934432408, + "minor": false, + "user": "Lopifalko", + "userid": 11116033, + "timestamp": "2020-01-06T17:06:07Z", + "sha1": "9103317369a89e9be54187ead8f551fcb9317d67", + "comment": "/* Authored/edited books, chapters and reports */ Clean up one", + "*": "{{Short description|marine biologist}}\n'''Richard C. Thompson''' [[Order of the British Empire|OBE]] is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[Microplastics|microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}\n\n==Career==\nThompson's paper, \"Lost at Sea: Where is All the Plastic?\",https://www.researchgate.net/publication/8575062_Lost_at_Sea_Where_Is_All_the_Plastic published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE - University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}\n\n==Awards==\n*2016: [[Marsh Award for Marine and Freshwater Conservation]] from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n\n==Authored/edited books, chapters and reports== \n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*\"Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: a STAP Information Document: November 2011.\" Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*GEF. 2012 Secretariat of the [[Convention on Biological Diversity]] and Scientific and Technical Advisory Panel GEF, Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions, vol. 67, pp. 61. Montreal. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp.150–169.\n\n==References==\n{{Reflist}}\n\n==External links==\n*{{Twitter|profrthompson}}\n*[https://www.plymouth.ac.uk/staff/richard-thompson Thompson's profile at University of Plymouth]\n*[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n{{Authority control}}\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Alumni of Newcastle University]]\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Marine biologists]]\n[[Category:Academics of the University of Plymouth]]" + }, + { + "revid": 934461355, + "parentid": 934457477, + "minor": false, + "user": "Lopifalko", + "userid": 11116033, + "timestamp": "2020-01-06T17:33:25Z", + "sha1": "fee2a5de1691a4ca2878e7cbba019d267d6dce58", + "comment": "/* Authored/edited books, chapters and reports */ Clean up one", + "*": "{{Short description|marine biologist}}\n'''Richard C. Thompson''' [[Order of the British Empire|OBE]] is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[Microplastics|microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}\n\n==Career==\nThompson's paper, \"Lost at Sea: Where is All the Plastic?\",https://www.researchgate.net/publication/8575062_Lost_at_Sea_Where_Is_All_the_Plastic published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE - University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}\n\n==Awards==\n*2016: [[Marsh Award for Marine and Freshwater Conservation]] from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n\n==Authored/edited books, chapters and reports== \n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*\"Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: a STAP Information Document: November 2011.\" Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*\"Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions.\" CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp.150–169.\n\n==References==\n{{Reflist}}\n\n==External links==\n*{{Twitter|profrthompson}}\n*[https://www.plymouth.ac.uk/staff/richard-thompson Thompson's profile at University of Plymouth]\n*[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n{{Authority control}}\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Alumni of Newcastle University]]\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Marine biologists]]\n[[Category:Academics of the University of Plymouth]]" + }, + { + "revid": 934521694, + "parentid": 934461355, + "minor": false, + "user": "Hoary", + "userid": 129927, + "timestamp": "2020-01-07T00:36:01Z", + "sha1": "f3a112fd5997564df00a18403624a9a10df669ae", + "comment": "/* Authored/edited books, chapters and reports */ two are freely downloadable as PDF files", + "*": "{{Short description|marine biologist}}\n'''Richard C. Thompson''' [[Order of the British Empire|OBE]] is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[Microplastics|microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}\n\n==Career==\nThompson's paper, \"Lost at Sea: Where is All the Plastic?\",https://www.researchgate.net/publication/8575062_Lost_at_Sea_Where_Is_All_the_Plastic published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE - University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}\n\n==Awards==\n*2016: [[Marsh Award for Marine and Freshwater Conservation]] from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n\n==Authored/edited books, chapters and reports== \n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp.150–169.\n\n==References==\n{{Reflist}}\n\n==External links==\n*{{Twitter|profrthompson}}\n*[https://www.plymouth.ac.uk/staff/richard-thompson Thompson's profile at University of Plymouth]\n*[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n{{Authority control}}\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Alumni of Newcastle University]]\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Marine biologists]]\n[[Category:Academics of the University of Plymouth]]" + }, + { + "revid": 954140295, + "parentid": 934521694, + "minor": false, + "user": "Duncan.Hull", + "userid": 3507210, + "timestamp": "2020-04-30T21:57:41Z", + "sha1": "fdaa0cdd0fb695b0c56943b236b2b891b0f7e885", + "comment": "{{FRS 2020}}", + "*": "{{Short description|marine biologist}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = \n| thesis_title = \n| thesis_url = \n| thesis_year = \n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = \n| author_abbrev_bot = \n| author_abbrev_zoo = \n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard C. Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[Microplastics|microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}\n\n==Career==\nThompson's paper, \"Lost at Sea: Where is All the Plastic?\",https://www.researchgate.net/publication/8575062_Lost_at_Sea_Where_Is_All_the_Plastic published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE - University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}\n\n==Awards==\n*2016: [[Marsh Award for Marine and Freshwater Conservation]] from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n\n==Authored/edited books, chapters and reports== \n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp.150–169.\n\n==References==\n{{Reflist}}\n\n==External links==\n*{{Twitter|profrthompson}}\n*[https://www.plymouth.ac.uk/staff/richard-thompson Thompson's profile at University of Plymouth]\n*[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n{{FRS 2020}}\n{{Authority control}}\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Alumni of Newcastle University]]\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Marine biologists]]\n[[Category:Academics of the University of Plymouth]]" + }, + { + "revid": 954149685, + "parentid": 954140295, + "minor": false, + "user": "Duncan.Hull", + "userid": 3507210, + "timestamp": "2020-04-30T22:58:30Z", + "sha1": "8037cf42539606f9c9100fd9c7adaf72b4ed1f23", + "comment": "/* References */", + "*": "{{Short description|marine biologist}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = \n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard C. Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[Microplastics|microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated the [[University of Newcastle]] and the [[University of Liverpool]] where he was awarded a [[PhD] in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',https://www.researchgate.net/publication/8575062_Lost_at_Sea_Where_Is_All_the_Plastic published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE - University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\n===Publications=== \n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp.150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS)\n\n==References==\n{{Reflist}}\n\n\n{{FRS 2020}}\n{{Authority control}}\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Alumni of Newcastle University]]\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Marine biologists]]\n[[Category:Academics of the University of Plymouth]]" + }, + { + "revid": 954447277, + "parentid": 954149685, + "minor": true, + "user": "Rodw", + "userid": 125972, + "timestamp": "2020-05-02T13:04:27Z", + "sha1": "2d109e746a818c7471acf15430bac50a44d6c481", + "comment": "Disambiguating links to [[University of Newcastle]] (link changed to [[Newcastle University]]; link changed to [[Newcastle University]]) using [[User:Qwertyytrewqqwerty/DisamAssist|DisamAssist]].", + "*": "{{Short description|marine biologist}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = \n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard C. Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[Microplastics|microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated the [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]] where he was awarded a [[PhD] in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',https://www.researchgate.net/publication/8575062_Lost_at_Sea_Where_Is_All_the_Plastic published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE - University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\n===Publications=== \n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp.150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS)\n\n==References==\n{{Reflist}}\n\n\n{{FRS 2020}}\n{{Authority control}}\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Alumni of Newcastle University]]\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Marine biologists]]\n[[Category:Academics of the University of Plymouth]]" + }, + { + "revid": 979393409, + "parentid": 954447277, + "minor": false, + "user": "Plucas58", + "userid": 9766640, + "timestamp": "2020-09-20T13:46:49Z", + "sha1": "67cd1754f5c58fa892c3e44f87c6b28f90fb1799", + "comment": "Add citation and category", + "*": "{{Short description|marine biologist}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = \n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard C. Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[Microplastics|microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]] where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',https://www.researchgate.net/publication/8575062_Lost_at_Sea_Where_Is_All_the_Plastic published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE - University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\n===Publications=== \n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp.150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}} |\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:Marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]" + }, + { + "revid": 979393629, + "parentid": 979393409, + "minor": false, + "user": "Plucas58", + "userid": 9766640, + "timestamp": "2020-09-20T13:48:31Z", + "sha1": "3d40d6a228cfe587e1ca8c2f7ef5b186cfd25e31", + "comment": "Expand initial to name", + "*": "{{Short description|marine biologist}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = \n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[Microplastics|microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]] where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',https://www.researchgate.net/publication/8575062_Lost_at_Sea_Where_Is_All_the_Plastic published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE - University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\n===Publications=== \n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp.150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}} |\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:Marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]" + }, + { + "revid": 979400638, + "parentid": 979393629, + "minor": false, + "user": "Keith D", + "userid": 2278355, + "timestamp": "2020-09-20T14:42:47Z", + "sha1": "a62a6d12b2c7edc52c741f558abfab1326989213", + "comment": "/* Awards and honours */ Cite fix", + "*": "{{Short description|marine biologist}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = \n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[Microplastics|microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]] where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',https://www.researchgate.net/publication/8575062_Lost_at_Sea_Where_Is_All_the_Plastic published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE - University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\n===Publications=== \n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp.150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}} \n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:Marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]" + }, + { + "revid": 987958526, + "parentid": 979400638, + "minor": true, + "user": "Gsquaredxc", + "userid": 38316964, + "timestamp": "2020-11-10T06:57:18Z", + "sha1": "f2af743696d77404cfa03eb6ae0c756b48750964", + "comment": "v2.03 - Fix issues, will also go over these pages with AWB / [[WP:WCW]] project (Link equal to linktext - Whitespace characters after heading)", + "*": "{{Short description|marine biologist}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = \n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]] where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',https://www.researchgate.net/publication/8575062_Lost_at_Sea_Where_Is_All_the_Plastic published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE - University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\n===Publications===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp.150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}} \n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:Marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]" + }, + { + "revid": 990847069, + "parentid": 987958526, + "minor": true, + "user": "Ser Amantio di Nicolao", + "userid": 753665, + "timestamp": "2020-11-26T21:04:28Z", + "sha1": "79a9173c3d0a91a1146e63a0a2dbfa9d9b6e9ce4", + "comment": "add category", + "*": "{{Short description|marine biologist}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = \n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]] where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',https://www.researchgate.net/publication/8575062_Lost_at_Sea_Where_Is_All_the_Plastic published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE - University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\n===Publications===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:Marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]" + }, + { + "revid": 1020762662, + "parentid": 990847069, + "minor": false, + "user": "Mehendri Solon", + "userid": 20798710, + "timestamp": "2021-04-30T21:54:25Z", + "sha1": "f08772ea83c1c0d3a8d308579a0c9fe9fa05dc43", + "comment": "", + "*": "{{Short description|marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = \n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]] where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',https://www.researchgate.net/publication/8575062_Lost_at_Sea_Where_Is_All_the_Plastic published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE - University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\n===Publications===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:Marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]" + }, + { + "revid": 1062761090, + "parentid": 1020762662, + "minor": false, + "user": "Rathfelder", + "userid": 398607, + "timestamp": "2021-12-30T10:33:22Z", + "sha1": "dc95b7fc189cdf80b668e6600a11367335e70677", + "comment": "removed [[Category:Marine biologists]]; added [[Category:British marine biologists‎]] using [[WP:HC|HotCat]]", + "*": "{{Short description|marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = \n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]] where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',https://www.researchgate.net/publication/8575062_Lost_at_Sea_Where_Is_All_the_Plastic published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE - University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\n===Publications===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists‎]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]" + }, + { + "revid": 1063394445, + "parentid": 1062761090, + "minor": true, + "user": "Josvebot", + "userid": 14967932, + "timestamp": "2022-01-02T21:10:55Z", + "sha1": "4cd028981fbd063c311ae36f1e05791646fc0d58", + "comment": "v2.04b - Fix errors for [[WP:WCW|CW project]] (Unicode control characters)", + "*": "{{Short description|marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = \n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]] where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',https://www.researchgate.net/publication/8575062_Lost_at_Sea_Where_Is_All_the_Plastic published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE - University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\n===Publications===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]" + }, + { + "revid": 1070704911, + "parentid": 1063394445, + "minor": true, + "user": "Qwerfjkl (bot)", + "userid": 42522270, + "timestamp": "2022-02-08T21:00:45Z", + "sha1": "4f164d1697aa6a3d0db605499759b454a5fb5c19", + "comment": "Capitalising short description \"marine biologist\" per [[WP:SDFORMAT]] (via [[de:Benutzer:Schnark/js/bandersnatch|Bandersnatch]])", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = \n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]] where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',https://www.researchgate.net/publication/8575062_Lost_at_Sea_Where_Is_All_the_Plastic published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE - University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\n===Publications===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]" + }, + { + "revid": 1091798905, + "parentid": 1070704911, + "minor": false, + "user": "BrownHairedGirl", + "userid": 754619, + "timestamp": "2022-06-06T13:07:54Z", + "sha1": "afbd8ae0b070152776cae7d0c763f5cc45a1daf4", + "comment": "add doi. Will invoke Citation bot to fill the ref", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = \n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]] where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite web |url=https://www.researchgate.net/publication/8575062_Lost_at_Sea_Where_Is_All_the_Plastic |doi=10.1126/science.1094559}} published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE - University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\n===Publications===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]" + }, + { + "revid": 1091798928, + "parentid": 1091798905, + "minor": true, + "user": "BrownHairedGirl", + "userid": 754619, + "timestamp": "2022-06-06T13:08:07Z", + "sha1": "2b8f5ed4b38d164082dca653aa70911d129638b1", + "comment": "[[MOS:DASH|dashes]],
→
(per [[H:BR]]), fixed using a [[User:BrownHairedGirl/biogdashes.js|script]]", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = \n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]] where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite web |url=https://www.researchgate.net/publication/8575062_Lost_at_Sea_Where_Is_All_the_Plastic |doi=10.1126/science.1094559}} published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\n===Publications===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]" + }, + { + "revid": 1091799071, + "parentid": 1091798928, + "minor": false, + "user": "Citation bot", + "userid": 7903804, + "timestamp": "2022-06-06T13:09:25Z", + "sha1": "8161685aa4947d2f19f79b6258863ed4d0a68a80", + "comment": "Alter: url, template type. URLs might have been anonymized. Add: s2cid, pmid, page, issue, volume, journal, year, title, authors 1-8. | [[WP:UCB|Use this bot]]. [[WP:DBUG|Report bugs]]. | Suggested by BrownHairedGirl | #UCB_toolbar", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = \n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]] where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\n===Publications===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]" + }, + { + "revid": 1091799117, + "parentid": 1091799071, + "minor": false, + "user": "BrownHairedGirl", + "userid": 754619, + "timestamp": "2022-06-06T13:09:46Z", + "sha1": "84110b7f94a52e7bf9a56eee39e13024b5ac96bd", + "comment": "added [[Category:Officer of the Order of the British Empire]] using [[WP:HC|HotCat]]", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = \n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]] where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\n===Publications===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]\n[[Category:Officer of the Order of the British Empire]]" + }, + { + "revid": 1091799144, + "parentid": 1091799117, + "minor": false, + "user": "BrownHairedGirl", + "userid": 754619, + "timestamp": "2022-06-06T13:09:59Z", + "sha1": "9e3dc2011865d3644e28831464159756e1de1ed9", + "comment": "removed [[Category:Officer of the Order of the British Empire]]; added [[Category:Officers of the Order of the British Empire]] using [[WP:HC|HotCat]]", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = \n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]] where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\n===Publications===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]\n[[Category:Officers of the Order of the British Empire]]" + }, + { + "revid": 1127071038, + "parentid": 1091799144, + "minor": false, + "user": "Мит Сколов", + "userid": 29124728, + "timestamp": "2022-12-12T18:59:14Z", + "sha1": "29e3667374a30346c675141c503d9946ece6ceea", + "comment": "[[Volvo Environment Prize]] (2022)https://www.environment-prize.com/ceremony/2022/", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = [[Volvo Environment Prize]] (2022)https://www.environment-prize.com/ceremony/2022/\n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]] where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\n===Publications===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n* [[Volvo Environment Prize]] (2022)https://www.environment-prize.com/ceremony/2022/\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]\n[[Category:Officers of the Order of the British Empire]]" + }, + { + "revid": 1132335255, + "parentid": 1127071038, + "minor": false, + "user": "Citation bot", + "userid": 7903804, + "timestamp": "2023-01-08T11:25:03Z", + "sha1": "1b1bbd135ecea3114dec81daab48d8a73083bb74", + "comment": "Add: title. Changed bare reference to CS1/2. | [[WP:UCB|Use this bot]]. [[WP:DBUG|Report bugs]]. | Suggested by Abductive | #UCB_webform 1818/3850", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]] where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\n===Publications===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n* [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]\n[[Category:Officers of the Order of the British Empire]]" + }, + { + "revid": 1162493792, + "parentid": 1132335255, + "minor": false, + "user": "Мит Сколов", + "userid": 29124728, + "timestamp": "2023-06-29T14:32:19Z", + "sha1": "30a458db9537173798e8573310070ceb5946c09f", + "comment": "/* Awards and honours */", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]] where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\n===Publications===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n* [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n* [[Blue Planet Prize]] (2023)https://www.af-info.or.jp/en/blueplanet/news/announcing-the-winners-for-2023-blue-planet-prize.html\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]\n[[Category:Officers of the Order of the British Empire]]" + }, + { + "revid": 1186574887, + "parentid": 1162493792, + "minor": false, + "user": "GreenC bot", + "userid": 27823944, + "timestamp": "2023-11-24T03:20:34Z", + "sha1": "eb5f6f5ebd00c34e551bbd83bf9cfdfa58bd2fba", + "comment": "Rescued 1 archive link. [[User:GreenC/WaybackMedic_2.5|Wayback Medic 2.5]]", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]] where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|archive-url=https://web.archive.org/web/20190925011337/https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|url-status=dead|archive-date=September 25, 2019|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\n===Publications===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n* [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n* [[Blue Planet Prize]] (2023)https://www.af-info.or.jp/en/blueplanet/news/announcing-the-winners-for-2023-blue-planet-prize.html\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]\n[[Category:Officers of the Order of the British Empire]]" + }, + { + "revid": 1190870878, + "parentid": 1186574887, + "minor": true, + "user": "Thatsme314", + "userid": 31364895, + "timestamp": "2023-12-20T09:11:41Z", + "sha1": "a7b565049d2a08ce05e06cd07487cbf52d38a4bf", + "comment": "/* Education */ comma", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]], where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|archive-url=https://web.archive.org/web/20190925011337/https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|url-status=dead|archive-date=September 25, 2019|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\n===Publications===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n* [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n* [[Blue Planet Prize]] (2023)https://www.af-info.or.jp/en/blueplanet/news/announcing-the-winners-for-2023-blue-planet-prize.html\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]\n[[Category:Officers of the Order of the British Empire]]" + }, + { + "revid": 1236389253, + "parentid": 1190870878, + "minor": true, + "user": "Caledonia athome", + "userid": 39273069, + "timestamp": "2024-07-24T12:29:21Z", + "sha1": "a33d1fb849d7cafce9913d93e37b16bb29db01d9", + "comment": "added link to new page", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]], where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|archive-url=https://web.archive.org/web/20190925011337/https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|url-status=dead|archive-date=September 25, 2019|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}} He is a coordinator of [[The Scientists' Coalition for an Effective Plastics Treaty]].{{Cite web |title=Scientist About Us |url=https://ikhapp.org/scientist-about-us/ |access-date=2024-07-24 |website=Ikhapp |language=en}}\n\n===Publications ===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n* [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n* [[Blue Planet Prize]] (2023)https://www.af-info.or.jp/en/blueplanet/news/announcing-the-winners-for-2023-blue-planet-prize.html\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]\n[[Category:Officers of the Order of the British Empire]]" + }, + { + "revid": 1242358995, + "parentid": 1236389253, + "minor": true, + "user": "Qwerfjkl", + "userid": 41195652, + "timestamp": "2024-08-26T13:02:18Z", + "sha1": "14521676a0b4bb1e28689c36c98769697f611ac6", + "comment": "Added 1 {{[[Template:Bare URL inline|Bare URL inline]]}} tag(s) using [[User:BrownHairedGirl/BareURLinline.js|a script]]. For other recently-tagged pages with [[WP:Bare URLs|bare URLs]], see [[:Category:Articles with bare URLs for citations from August 2024]]", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]], where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|archive-url=https://web.archive.org/web/20190925011337/https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|url-status=dead|archive-date=September 25, 2019|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}} He is a coordinator of [[The Scientists' Coalition for an Effective Plastics Treaty]].{{Cite web |title=Scientist About Us |url=https://ikhapp.org/scientist-about-us/ |access-date=2024-07-24 |website=Ikhapp |language=en}}\n\n===Publications ===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth}}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth}}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n* [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n* [[Blue Planet Prize]] (2023)https://www.af-info.or.jp/en/blueplanet/news/announcing-the-winners-for-2023-blue-planet-prize.html {{Bare URL inline|date=August 2024}}\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]\n[[Category:Officers of the Order of the British Empire]]" + }, + { + "revid": 1242735938, + "parentid": 1242358995, + "minor": false, + "user": "Citation bot", + "userid": 7903804, + "timestamp": "2024-08-28T12:56:09Z", + "sha1": "43df3d6f453afdadec97f07a2620a2e4cffe5f41", + "comment": "Add: title, date. Changed bare reference to CS1/2. | [[:en:WP:UCB|Use this bot]]. [[:en:WP:DBUG|Report bugs]]. | Suggested by Grimes2 | #UCB_webform 593/1453", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]], where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|archive-url=https://web.archive.org/web/20190925011337/https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|url-status=dead|archive-date=September 25, 2019|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}} He is a coordinator of [[The Scientists' Coalition for an Effective Plastics Treaty]].{{Cite web |title=Scientist About Us |url=https://ikhapp.org/scientist-about-us/ |access-date=2024-07-24 |website=Ikhapp |language=en}}\n\n===Publications ===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth|date=21 June 2017 }}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth|date=29 December 2017 }}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n* [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n* [[Blue Planet Prize]] (2023){{cite web | url=https://www.af-info.or.jp/en/blueplanet/news/announcing-the-winners-for-2023-blue-planet-prize.html | title=Announcing the 2023 Blue Planet Prize Laureates }}\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]\n[[Category:Officers of the Order of the British Empire]]" + }, + { + "revid": 1246668408, + "parentid": 1242735938, + "minor": false, + "user": "AlanWilliamsPlymouth", + "userid": 48470901, + "timestamp": "2024-09-20T10:23:43Z", + "sha1": "3f42e08a77a56e6f30f2b9fc52697aeae5f71902", + "comment": "/* Career and research */", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]], where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|archive-url=https://web.archive.org/web/20190925011337/https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|url-status=dead|archive-date=September 25, 2019|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\nHe is a co-coordinator of [[The Scientists' Coalition for an Effective Plastics Treaty]],{{Cite web |title=Scientist About Us |url=https://ikhapp.org/scientist-about-us/ |access-date=2024-07-24 |website=Ikhapp |language=en}} and in September 2024 led a further study - also published in ''[[Science (journal)|Science]]'' https://www.science.org/doi/10.1126/science.adl2746 - which stated that after two decades of research into microplastics, the world had sufficient evidence to agree global action to tackle them.\n\n===Publications ===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth|date=21 June 2017 }}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth|date=29 December 2017 }}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n* [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n* [[Blue Planet Prize]] (2023){{cite web | url=https://www.af-info.or.jp/en/blueplanet/news/announcing-the-winners-for-2023-blue-planet-prize.html | title=Announcing the 2023 Blue Planet Prize Laureates }}\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]\n[[Category:Officers of the Order of the British Empire]]" + }, + { + "revid": 1246668459, + "parentid": 1246668408, + "minor": false, + "user": "AlanWilliamsPlymouth", + "userid": 48470901, + "timestamp": "2024-09-20T10:24:17Z", + "sha1": "47875f00605f4c062c7d355ac046bdb3e7e7e7aa", + "comment": "/* Career and research */", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]], where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|archive-url=https://web.archive.org/web/20190925011337/https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|url-status=dead|archive-date=September 25, 2019|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\nHe is a co-coordinator of [[The Scientists' Coalition for an Effective Plastics Treaty]],{{Cite web |title=Scientist About Us |url=https://ikhapp.org/scientist-about-us/ |access-date=2024-07-24 |website=Ikhapp |language=en}} and in September 2024 led a further study - also published in ''[[Science (journal)|Science]]'' https://www.science.org/doi/10.1126/science.adl2746 - which stated that after two decades of research into [[microplastics]], the world had sufficient evidence to agree global action to tackle them.\n\n===Publications ===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth|date=21 June 2017 }}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth|date=29 December 2017 }}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n* [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n* [[Blue Planet Prize]] (2023){{cite web | url=https://www.af-info.or.jp/en/blueplanet/news/announcing-the-winners-for-2023-blue-planet-prize.html | title=Announcing the 2023 Blue Planet Prize Laureates }}\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]\n[[Category:Officers of the Order of the British Empire]]" + }, + { + "revid": 1246669389, + "parentid": 1246668459, + "minor": false, + "user": "AlanWilliamsPlymouth", + "userid": 48470901, + "timestamp": "2024-09-20T10:34:50Z", + "sha1": "d891dc428e1001b309da23d4758e9e2550ec61c3", + "comment": "/* Awards and honours */", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]], where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|archive-url=https://web.archive.org/web/20190925011337/https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|url-status=dead|archive-date=September 25, 2019|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\nHe is a co-coordinator of [[The Scientists' Coalition for an Effective Plastics Treaty]],{{Cite web |title=Scientist About Us |url=https://ikhapp.org/scientist-about-us/ |access-date=2024-07-24 |website=Ikhapp |language=en}} and in September 2024 led a further study - also published in ''[[Science (journal)|Science]]'' https://www.science.org/doi/10.1126/science.adl2746 - which stated that after two decades of research into [[microplastics]], the world had sufficient evidence to agree global action to tackle them.\n\n===Publications ===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth|date=21 June 2017 }}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth|date=29 December 2017 }}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n* [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n* [[Blue Planet Prize]] (2023){{cite web | url=https://www.af-info.or.jp/en/blueplanet/news/announcing-the-winners-for-2023-blue-planet-prize.html | title=Announcing the 2023 Blue Planet Prize Laureates }}\n\nIn 2016, Professor Thompson was referred to by [[Mary Creagh]] as \"The Godfather of Microplastics\" during a public inquiry into the Environmental Impact of Microplastics by the [[Environmental Audit Select Committee]] https://parliamentlive.tv/event/index/71067776-e304-44e4-a18e-eda74c8b4bb2. This [[moniker]] has since been repeated extensively by media outlets across the world https://theguardian.com/environment/2023/nov/13/godfather-microplastics-richard-thompson-how-to-stop-them https://theconversation.com/everywhere-we-looked-we-found-evidence-the-godfather-of-microplastics-on-20-years-of-pollution-research-and-the-fight-for-global-action-226418.\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]\n[[Category:Officers of the Order of the British Empire]]" + }, + { + "revid": 1247358165, + "parentid": 1246669389, + "minor": false, + "user": "Nandwanirajesh", + "userid": 47697321, + "timestamp": "2024-09-23T23:44:49Z", + "sha1": "f8b652a55ecee8dbc7f9cc6b9d3939dd6d4d781f", + "comment": "Time list", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]], where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|archive-url=https://web.archive.org/web/20190925011337/https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|url-status=dead|archive-date=September 25, 2019|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\nHe is a co-coordinator of [[The Scientists' Coalition for an Effective Plastics Treaty]],{{Cite web |title=Scientist About Us |url=https://ikhapp.org/scientist-about-us/ |access-date=2024-07-24 |website=Ikhapp |language=en}} and in September 2024 led a further study - also published in ''[[Science (journal)|Science]]'' https://www.science.org/doi/10.1126/science.adl2746 - which stated that after two decades of research into [[microplastics]], the world had sufficient evidence to agree global action to tackle them.\n\n===Publications ===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth|date=21 June 2017 }}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth|date=29 December 2017 }}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n* [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n* [[Blue Planet Prize]] (2023){{cite web | url=https://www.af-info.or.jp/en/blueplanet/news/announcing-the-winners-for-2023-blue-planet-prize.html | title=Announcing the 2023 Blue Planet Prize Laureates }}\n* 2024: Thompson was named in Time's list of influential people in health. {{Cite web |title=TIME100 Health |url=https://time.com/collection/time100-health/ |access-date=2024-09-23 |website=TIME |language=en}}\n\nIn 2016, Professor Thompson was referred to by [[Mary Creagh]] as \"The Godfather of Microplastics\" during a public inquiry into the Environmental Impact of Microplastics by the [[Environmental Audit Select Committee]] https://parliamentlive.tv/event/index/71067776-e304-44e4-a18e-eda74c8b4bb2. This [[moniker]] has since been repeated extensively by media outlets across the world https://theguardian.com/environment/2023/nov/13/godfather-microplastics-richard-thompson-how-to-stop-them https://theconversation.com/everywhere-we-looked-we-found-evidence-the-godfather-of-microplastics-on-20-years-of-pollution-research-and-the-fight-for-global-action-226418.\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]\n[[Category:Officers of the Order of the British Empire]]" + }, + { + "revid": 1248208794, + "parentid": 1247358165, + "minor": true, + "user": "WikiCleanerBot", + "userid": 18872885, + "timestamp": "2024-09-28T07:13:51Z", + "sha1": "72e2b621a865c13ec443b557df2a6e3671869860", + "comment": "v2.05b - [[User:WikiCleanerBot#T20|Bot T20 CW#61]] - Fix errors for [[WP:WCW|CW project]] (Reference before punctuation)", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' {{post-nominals|OBE|FRS}} is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]], where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|archive-url=https://web.archive.org/web/20190925011337/https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|url-status=dead|archive-date=September 25, 2019|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\nHe is a co-coordinator of [[The Scientists' Coalition for an Effective Plastics Treaty]],{{Cite web |title=Scientist About Us |url=https://ikhapp.org/scientist-about-us/ |access-date=2024-07-24 |website=Ikhapp |language=en}} and in September 2024 led a further study - also published in ''[[Science (journal)|Science]]'' https://www.science.org/doi/10.1126/science.adl2746 - which stated that after two decades of research into [[microplastics]], the world had sufficient evidence to agree global action to tackle them.\n\n===Publications ===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth|date=21 June 2017 }}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth|date=29 December 2017 }}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n* [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n* [[Blue Planet Prize]] (2023){{cite web | url=https://www.af-info.or.jp/en/blueplanet/news/announcing-the-winners-for-2023-blue-planet-prize.html | title=Announcing the 2023 Blue Planet Prize Laureates }}\n* 2024: Thompson was named in Time's list of influential people in health. {{Cite web |title=TIME100 Health |url=https://time.com/collection/time100-health/ |access-date=2024-09-23 |website=TIME |language=en}}\n\nIn 2016, Professor Thompson was referred to by [[Mary Creagh]] as \"The Godfather of Microplastics\" during a public inquiry into the Environmental Impact of Microplastics by the [[Environmental Audit Select Committee]].https://parliamentlive.tv/event/index/71067776-e304-44e4-a18e-eda74c8b4bb2 This [[moniker]] has since been repeated extensively by media outlets across the world.https://theguardian.com/environment/2023/nov/13/godfather-microplastics-richard-thompson-how-to-stop-themhttps://theconversation.com/everywhere-we-looked-we-found-evidence-the-godfather-of-microplastics-on-20-years-of-pollution-research-and-the-fight-for-global-action-226418\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]\n[[Category:Officers of the Order of the British Empire]]" + }, + { + "revid": 1251570954, + "parentid": 1248208794, + "minor": false, + "user": "Melcous", + "userid": 20472590, + "timestamp": "2024-10-16T21:06:32Z", + "sha1": "edf0c2dc087eb51da1517a0a5e94e8816a7e1892", + "comment": "[[MOS:POSTNOM]]", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]], where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|archive-url=https://web.archive.org/web/20190925011337/https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|url-status=dead|archive-date=September 25, 2019|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\nHe is a co-coordinator of [[The Scientists' Coalition for an Effective Plastics Treaty]],{{Cite web |title=Scientist About Us |url=https://ikhapp.org/scientist-about-us/ |access-date=2024-07-24 |website=Ikhapp |language=en}} and in September 2024 led a further study - also published in ''[[Science (journal)|Science]]'' https://www.science.org/doi/10.1126/science.adl2746 - which stated that after two decades of research into [[microplastics]], the world had sufficient evidence to agree global action to tackle them.\n\n===Publications ===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth|date=21 June 2017 }}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth|date=29 December 2017 }}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n* [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n* [[Blue Planet Prize]] (2023){{cite web | url=https://www.af-info.or.jp/en/blueplanet/news/announcing-the-winners-for-2023-blue-planet-prize.html | title=Announcing the 2023 Blue Planet Prize Laureates }}\n* 2024: Thompson was named in Time's list of influential people in health. {{Cite web |title=TIME100 Health |url=https://time.com/collection/time100-health/ |access-date=2024-09-23 |website=TIME |language=en}}\n\nIn 2016, Professor Thompson was referred to by [[Mary Creagh]] as \"The Godfather of Microplastics\" during a public inquiry into the Environmental Impact of Microplastics by the [[Environmental Audit Select Committee]].https://parliamentlive.tv/event/index/71067776-e304-44e4-a18e-eda74c8b4bb2 This [[moniker]] has since been repeated extensively by media outlets across the world.https://theguardian.com/environment/2023/nov/13/godfather-microplastics-richard-thompson-how-to-stop-themhttps://theconversation.com/everywhere-we-looked-we-found-evidence-the-godfather-of-microplastics-on-20-years-of-pollution-research-and-the-fight-for-global-action-226418\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]\n[[Category:Officers of the Order of the British Empire]]" + }, + { + "revid": 1264048966, + "parentid": 1251570954, + "minor": false, + "user": "Citation bot", + "userid": 7903804, + "timestamp": "2024-12-20T03:49:38Z", + "sha1": "b2d038f83b3a3b10fa7b447e76456bc5a6c200fd", + "comment": "Altered template type. Add: newspaper, magazine, bibcode, issue, volume, journal, date, title, doi, authors 1-6. Changed bare reference to CS1/2. Removed parameters. Some additions/deletions were parameter name changes. | [[:en:WP:UCB|Use this bot]]. [[:en:WP:DBUG|Report bugs]]. | Suggested by Jay8g | #UCB_toolbar", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]], where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|archive-url=https://web.archive.org/web/20190925011337/https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|url-status=dead|archive-date=September 25, 2019|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\nHe is a co-coordinator of [[The Scientists' Coalition for an Effective Plastics Treaty]],{{Cite web |title=Scientist About Us |url=https://ikhapp.org/scientist-about-us/ |access-date=2024-07-24 |website=Ikhapp |language=en}} and in September 2024 led a further study - also published in ''[[Science (journal)|Science]]'' {{cite journal | url=https://www.science.org/doi/10.1126/science.adl2746 | doi=10.1126/science.adl2746 | title=Twenty years of microplastic pollution research—what have we learned? | date=2024 | last1=Thompson | first1=Richard C. | last2=Courtene-Jones | first2=Winnie | last3=Boucher | first3=Julien | last4=Pahl | first4=Sabine | last5=Raubenheimer | first5=Karen | last6=Koelmans | first6=Albert A. | journal=Science | volume=386 | issue=6720 | bibcode=2024Sci...386L2746T }} - which stated that after two decades of research into [[microplastics]], the world had sufficient evidence to agree global action to tackle them.\n\n===Publications ===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth|date=21 June 2017 }}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth|date=29 December 2017 }}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n* [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n* [[Blue Planet Prize]] (2023){{cite web | url=https://www.af-info.or.jp/en/blueplanet/news/announcing-the-winners-for-2023-blue-planet-prize.html | title=Announcing the 2023 Blue Planet Prize Laureates }}\n* 2024: Thompson was named in Time's list of influential people in health. {{Cite magazine |title=TIME100 Health |url=https://time.com/collection/time100-health/ |access-date=2024-09-23 |magazine=TIME |language=en}}\n\nIn 2016, Professor Thompson was referred to by [[Mary Creagh]] as \"The Godfather of Microplastics\" during a public inquiry into the Environmental Impact of Microplastics by the [[Environmental Audit Select Committee]].https://parliamentlive.tv/event/index/71067776-e304-44e4-a18e-eda74c8b4bb2 This [[moniker]] has since been repeated extensively by media outlets across the world.{{cite news | url=https://theguardian.com/environment/2023/nov/13/godfather-microplastics-richard-thompson-how-to-stop-them | title='We can't carry on': The godfather of microplastics on how to stop them | newspaper=The Guardian | date=15 November 2023 | last1=Bryce | first1=Emma }}{{cite web | url=https://theconversation.com/everywhere-we-looked-we-found-evidence-the-godfather-of-microplastics-on-20-years-of-pollution-research-and-the-fight-for-global-action-226418 | title='Everywhere we looked we found evidence': The godfather of microplastics on 20 years of pollution research and the fight for global action | date=3 May 2024 }}\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]\n[[Category:Officers of the Order of the British Empire]]" + }, + { + "revid": 1279536992, + "parentid": 1264048966, + "minor": false, + "user": "GreenC bot", + "userid": 27823944, + "timestamp": "2025-03-09T03:34:44Z", + "sha1": "5866f7a81c57a4c866dd5a2dd90f703d05b51601", + "comment": "Rescued 1 archive link; reformat 1 link. [[User:GreenC/WaybackMedic_2.5|Wayback Medic 2.5]] per [[WP:USURPURL]] and [[WP:JUDI#Bot_run_results|JUDI batch #26ag]]", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]], where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|archive-url=https://web.archive.org/web/20190925011337/https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|url-status=dead|archive-date=September 25, 2019|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\nHe is a co-coordinator of [[The Scientists' Coalition for an Effective Plastics Treaty]],{{Cite web |title=Scientist About Us |url=https://ikhapp.org/scientist-about-us/ |access-date=2024-07-24 |website=Ikhapp |language=en}} and in September 2024 led a further study - also published in ''[[Science (journal)|Science]]'' {{cite journal | url=https://www.science.org/doi/10.1126/science.adl2746 | doi=10.1126/science.adl2746 | title=Twenty years of microplastic pollution research—what have we learned? | date=2024 | last1=Thompson | first1=Richard C. | last2=Courtene-Jones | first2=Winnie | last3=Boucher | first3=Julien | last4=Pahl | first4=Sabine | last5=Raubenheimer | first5=Karen | last6=Koelmans | first6=Albert A. | journal=Science | volume=386 | issue=6720 | bibcode=2024Sci...386L2746T }} - which stated that after two decades of research into [[microplastics]], the world had sufficient evidence to agree global action to tackle them.\n\n===Publications ===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth|date=21 June 2017 }}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|archive-url=https://web.archive.org/web/20200102120057/https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|url-status=usurped|archive-date=January 2, 2020|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth|date=29 December 2017 }}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n* [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n* [[Blue Planet Prize]] (2023){{cite web | url=https://www.af-info.or.jp/en/blueplanet/news/announcing-the-winners-for-2023-blue-planet-prize.html | title=Announcing the 2023 Blue Planet Prize Laureates }}\n* 2024: Thompson was named in Time's list of influential people in health. {{Cite magazine |title=TIME100 Health |url=https://time.com/collection/time100-health/ |access-date=2024-09-23 |magazine=TIME |language=en}}\n\nIn 2016, Professor Thompson was referred to by [[Mary Creagh]] as \"The Godfather of Microplastics\" during a public inquiry into the Environmental Impact of Microplastics by the [[Environmental Audit Select Committee]].https://parliamentlive.tv/event/index/71067776-e304-44e4-a18e-eda74c8b4bb2 This [[moniker]] has since been repeated extensively by media outlets across the world.{{cite news | url=https://theguardian.com/environment/2023/nov/13/godfather-microplastics-richard-thompson-how-to-stop-them | title='We can't carry on': The godfather of microplastics on how to stop them | newspaper=The Guardian | date=15 November 2023 | last1=Bryce | first1=Emma }}{{cite web | url=https://theconversation.com/everywhere-we-looked-we-found-evidence-the-godfather-of-microplastics-on-20-years-of-pollution-research-and-the-fight-for-global-action-226418 | title='Everywhere we looked we found evidence': The godfather of microplastics on 20 years of pollution research and the fight for global action | date=3 May 2024 }}\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]\n[[Category:Officers of the Order of the British Empire]]" + }, + { + "revid": 1286000269, + "parentid": 1279536992, + "minor": false, + "user": "HurricaneEdgar", + "userid": 40040918, + "timestamp": "2025-04-17T02:30:55Z", + "sha1": "b18339d504ea1ed875cca02a6ff25db804aaba54", + "comment": "", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4 In 2025, ''[[Time (magazine)|Time]]'' magazine listed him as one of [[Time 100|the world's 100 most influential people]].{{Cite web |date=2025-04-16 |title=Richard Thompson: The 100 Most Influential People of 2025 |url=https://time.com/collections/100-most-influential-people-2025/7273764/richard-thompson/ |access-date=2025-04-17 |website=TIME |language=en}}\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]], where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|archive-url=https://web.archive.org/web/20190925011337/https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|url-status=dead|archive-date=September 25, 2019|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\nHe is a co-coordinator of [[The Scientists' Coalition for an Effective Plastics Treaty]],{{Cite web |title=Scientist About Us |url=https://ikhapp.org/scientist-about-us/ |access-date=2024-07-24 |website=Ikhapp |language=en}} and in September 2024 led a further study - also published in ''[[Science (journal)|Science]]'' {{cite journal | url=https://www.science.org/doi/10.1126/science.adl2746 | doi=10.1126/science.adl2746 | title=Twenty years of microplastic pollution research—what have we learned? | date=2024 | last1=Thompson | first1=Richard C. | last2=Courtene-Jones | first2=Winnie | last3=Boucher | first3=Julien | last4=Pahl | first4=Sabine | last5=Raubenheimer | first5=Karen | last6=Koelmans | first6=Albert A. | journal=Science | volume=386 | issue=6720 | bibcode=2024Sci...386L2746T }} - which stated that after two decades of research into [[microplastics]], the world had sufficient evidence to agree global action to tackle them.\n\n===Publications ===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth|date=21 June 2017 }}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|archive-url=https://web.archive.org/web/20200102120057/https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|url-status=usurped|archive-date=January 2, 2020|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth|date=29 December 2017 }}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n* [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n* [[Blue Planet Prize]] (2023){{cite web | url=https://www.af-info.or.jp/en/blueplanet/news/announcing-the-winners-for-2023-blue-planet-prize.html | title=Announcing the 2023 Blue Planet Prize Laureates }}\n* 2024: Thompson was named in Time's list of influential people in health. {{Cite magazine |title=TIME100 Health |url=https://time.com/collection/time100-health/ |access-date=2024-09-23 |magazine=TIME |language=en}}\n\nIn 2016, Professor Thompson was referred to by [[Mary Creagh]] as \"The Godfather of Microplastics\" during a public inquiry into the Environmental Impact of Microplastics by the [[Environmental Audit Select Committee]].https://parliamentlive.tv/event/index/71067776-e304-44e4-a18e-eda74c8b4bb2 This [[moniker]] has since been repeated extensively by media outlets across the world.{{cite news | url=https://theguardian.com/environment/2023/nov/13/godfather-microplastics-richard-thompson-how-to-stop-them | title='We can't carry on': The godfather of microplastics on how to stop them | newspaper=The Guardian | date=15 November 2023 | last1=Bryce | first1=Emma }}{{cite web | url=https://theconversation.com/everywhere-we-looked-we-found-evidence-the-godfather-of-microplastics-on-20-years-of-pollution-research-and-the-fight-for-global-action-226418 | title='Everywhere we looked we found evidence': The godfather of microplastics on 20 years of pollution research and the fight for global action | date=3 May 2024 }}\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]\n[[Category:Officers of the Order of the British Empire]]" + }, + { + "revid": 1292742937, + "parentid": 1286000269, + "minor": true, + "user": "OAbot", + "userid": 28481209, + "timestamp": "2025-05-28T15:31:45Z", + "sha1": "0eb94e2667fae455e675a8558f09f18a383a4067", + "comment": "[[Wikipedia:OABOT|Open access bot]]: url-access updated in citation with #oabot.", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4 In 2025, ''[[Time (magazine)|Time]]'' magazine listed him as one of [[Time 100|the world's 100 most influential people]].{{Cite web |date=2025-04-16 |title=Richard Thompson: The 100 Most Influential People of 2025 |url=https://time.com/collections/100-most-influential-people-2025/7273764/richard-thompson/ |access-date=2025-04-17 |website=TIME |language=en}}\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]], where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|archive-url=https://web.archive.org/web/20190925011337/https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|url-status=dead|archive-date=September 25, 2019|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\nHe is a co-coordinator of [[The Scientists' Coalition for an Effective Plastics Treaty]],{{Cite web |title=Scientist About Us |url=https://ikhapp.org/scientist-about-us/ |access-date=2024-07-24 |website=Ikhapp |language=en}} and in September 2024 led a further study - also published in ''[[Science (journal)|Science]]'' {{cite journal | url=https://www.science.org/doi/10.1126/science.adl2746 | doi=10.1126/science.adl2746 | title=Twenty years of microplastic pollution research—what have we learned? | date=2024 | last1=Thompson | first1=Richard C. | last2=Courtene-Jones | first2=Winnie | last3=Boucher | first3=Julien | last4=Pahl | first4=Sabine | last5=Raubenheimer | first5=Karen | last6=Koelmans | first6=Albert A. | journal=Science | volume=386 | issue=6720 | bibcode=2024Sci...386L2746T | url-access=subscription }} - which stated that after two decades of research into [[microplastics]], the world had sufficient evidence to agree global action to tackle them.\n\n===Publications ===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth|date=21 June 2017 }}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|archive-url=https://web.archive.org/web/20200102120057/https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|url-status=usurped|archive-date=January 2, 2020|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth|date=29 December 2017 }}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n* [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n* [[Blue Planet Prize]] (2023){{cite web | url=https://www.af-info.or.jp/en/blueplanet/news/announcing-the-winners-for-2023-blue-planet-prize.html | title=Announcing the 2023 Blue Planet Prize Laureates }}\n* 2024: Thompson was named in Time's list of influential people in health. {{Cite magazine |title=TIME100 Health |url=https://time.com/collection/time100-health/ |access-date=2024-09-23 |magazine=TIME |language=en}}\n\nIn 2016, Professor Thompson was referred to by [[Mary Creagh]] as \"The Godfather of Microplastics\" during a public inquiry into the Environmental Impact of Microplastics by the [[Environmental Audit Select Committee]].https://parliamentlive.tv/event/index/71067776-e304-44e4-a18e-eda74c8b4bb2 This [[moniker]] has since been repeated extensively by media outlets across the world.{{cite news | url=https://theguardian.com/environment/2023/nov/13/godfather-microplastics-richard-thompson-how-to-stop-them | title='We can't carry on': The godfather of microplastics on how to stop them | newspaper=The Guardian | date=15 November 2023 | last1=Bryce | first1=Emma }}{{cite web | url=https://theconversation.com/everywhere-we-looked-we-found-evidence-the-godfather-of-microplastics-on-20-years-of-pollution-research-and-the-fight-for-global-action-226418 | title='Everywhere we looked we found evidence': The godfather of microplastics on 20 years of pollution research and the fight for global action | date=3 May 2024 }}\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]\n[[Category:Officers of the Order of the British Empire]]" + }, + { + "revid": 1304148495, + "parentid": 1292742937, + "minor": true, + "user": "Qwfp", + "userid": 6032993, + "timestamp": "2025-08-04T07:43:31Z", + "sha1": "e8c2f023f5aabac0dbfe08c3371d34b5c99deb4f", + "comment": "/* top */expand citation", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=Microplastics in focus at the Volvo Environment Prize event 2022|website =Volvo Environment Prize}}\n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4 In 2025, ''[[Time (magazine)|Time]]'' magazine listed him as one of [[Time 100|the world's 100 most influential people]].{{Cite web |date=2025-04-16 |title=Richard Thompson: The 100 Most Influential People of 2025 |url=https://time.com/collections/100-most-influential-people-2025/7273764/richard-thompson/ |access-date=2025-04-17 |website=TIME |language=en}}\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]], where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|archive-url=https://web.archive.org/web/20190925011337/https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|url-status=dead|archive-date=September 25, 2019|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\nHe is a co-coordinator of [[The Scientists' Coalition for an Effective Plastics Treaty]],{{Cite web |title=Scientist About Us |url=https://ikhapp.org/scientist-about-us/ |access-date=2024-07-24 |website=Ikhapp |language=en}} and in September 2024 led a further study - also published in ''[[Science (journal)|Science]]'' {{cite journal | url=https://www.science.org/doi/10.1126/science.adl2746 | doi=10.1126/science.adl2746 | title=Twenty years of microplastic pollution research—what have we learned? | date=2024 | last1=Thompson | first1=Richard C. | last2=Courtene-Jones | first2=Winnie | last3=Boucher | first3=Julien | last4=Pahl | first4=Sabine | last5=Raubenheimer | first5=Karen | last6=Koelmans | first6=Albert A. | journal=Science | volume=386 | issue=6720 | bibcode=2024Sci...386L2746T | url-access=subscription }} - which stated that after two decades of research into [[microplastics]], the world had sufficient evidence to agree global action to tackle them.\n\n===Publications ===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth|date=21 June 2017 }}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|archive-url=https://web.archive.org/web/20200102120057/https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|url-status=usurped|archive-date=January 2, 2020|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth|date=29 December 2017 }}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n* [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n* [[Blue Planet Prize]] (2023){{cite web | url=https://www.af-info.or.jp/en/blueplanet/news/announcing-the-winners-for-2023-blue-planet-prize.html | title=Announcing the 2023 Blue Planet Prize Laureates }}\n* 2024: Thompson was named in Time's list of influential people in health. {{Cite magazine |title=TIME100 Health |url=https://time.com/collection/time100-health/ |access-date=2024-09-23 |magazine=TIME |language=en}}\n\nIn 2016, Professor Thompson was referred to by [[Mary Creagh]] as \"The Godfather of Microplastics\" during a public inquiry into the Environmental Impact of Microplastics by the [[Environmental Audit Select Committee]].https://parliamentlive.tv/event/index/71067776-e304-44e4-a18e-eda74c8b4bb2 This [[moniker]] has since been repeated extensively by media outlets across the world.{{cite news | url=https://theguardian.com/environment/2023/nov/13/godfather-microplastics-richard-thompson-how-to-stop-them | title='We can't carry on': The godfather of microplastics on how to stop them | newspaper=The Guardian | date=15 November 2023 | last1=Bryce | first1=Emma }}{{cite web | url=https://theconversation.com/everywhere-we-looked-we-found-evidence-the-godfather-of-microplastics-on-20-years-of-pollution-research-and-the-fight-for-global-action-226418 | title='Everywhere we looked we found evidence': The godfather of microplastics on 20 years of pollution research and the fight for global action | date=3 May 2024 }}\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Date of birth missing (living people)]]\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]\n[[Category:Officers of the Order of the British Empire]]" + }, + { + "revid": 1323867859, + "parentid": 1304148495, + "minor": true, + "user": "Ser Amantio di Nicolao", + "userid": 753665, + "timestamp": "2025-11-24T05:21:55Z", + "sha1": "53a90e40df2c9856b90388da89b9acfcae149ffd", + "comment": "remove [[Category:Date of birth missing (living people)]]; superseded", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=Microplastics in focus at the Volvo Environment Prize event 2022|website =Volvo Environment Prize}}\n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4 In 2025, ''[[Time (magazine)|Time]]'' magazine listed him as one of [[Time 100|the world's 100 most influential people]].{{Cite web |date=2025-04-16 |title=Richard Thompson: The 100 Most Influential People of 2025 |url=https://time.com/collections/100-most-influential-people-2025/7273764/richard-thompson/ |access-date=2025-04-17 |website=TIME |language=en}}\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]], where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|archive-url=https://web.archive.org/web/20190925011337/https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|url-status=dead|archive-date=September 25, 2019|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\nHe is a co-coordinator of [[The Scientists' Coalition for an Effective Plastics Treaty]],{{Cite web |title=Scientist About Us |url=https://ikhapp.org/scientist-about-us/ |access-date=2024-07-24 |website=Ikhapp |language=en}} and in September 2024 led a further study - also published in ''[[Science (journal)|Science]]'' {{cite journal | url=https://www.science.org/doi/10.1126/science.adl2746 | doi=10.1126/science.adl2746 | title=Twenty years of microplastic pollution research—what have we learned? | date=2024 | last1=Thompson | first1=Richard C. | last2=Courtene-Jones | first2=Winnie | last3=Boucher | first3=Julien | last4=Pahl | first4=Sabine | last5=Raubenheimer | first5=Karen | last6=Koelmans | first6=Albert A. | journal=Science | volume=386 | issue=6720 | bibcode=2024Sci...386L2746T | url-access=subscription }} - which stated that after two decades of research into [[microplastics]], the world had sufficient evidence to agree global action to tackle them.\n\n===Publications ===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth|date=21 June 2017 }}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|archive-url=https://web.archive.org/web/20200102120057/https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|url-status=usurped|archive-date=January 2, 2020|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth|date=29 December 2017 }}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n* [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n* [[Blue Planet Prize]] (2023){{cite web | url=https://www.af-info.or.jp/en/blueplanet/news/announcing-the-winners-for-2023-blue-planet-prize.html | title=Announcing the 2023 Blue Planet Prize Laureates }}\n* 2024: Thompson was named in Time's list of influential people in health.{{Cite magazine |title=TIME100 Health |url=https://time.com/collection/time100-health/ |access-date=2024-09-23 |magazine=TIME |language=en}}\n\nIn 2016, Professor Thompson was referred to by [[Mary Creagh]] as \"The Godfather of Microplastics\" during a public inquiry into the Environmental Impact of Microplastics by the [[Environmental Audit Select Committee]].https://parliamentlive.tv/event/index/71067776-e304-44e4-a18e-eda74c8b4bb2 This [[moniker]] has since been repeated extensively by media outlets across the world.{{cite news | url=https://theguardian.com/environment/2023/nov/13/godfather-microplastics-richard-thompson-how-to-stop-them | title='We can't carry on': The godfather of microplastics on how to stop them | newspaper=The Guardian | date=15 November 2023 | last1=Bryce | first1=Emma }}{{cite web | url=https://theconversation.com/everywhere-we-looked-we-found-evidence-the-godfather-of-microplastics-on-20-years-of-pollution-research-and-the-fight-for-global-action-226418 | title='Everywhere we looked we found evidence': The godfather of microplastics on 20 years of pollution research and the fight for global action | date=3 May 2024 }}\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]\n[[Category:Officers of the Order of the British Empire]]" + }, + { + "revid": 1327845280, + "parentid": 1323867859, + "minor": false, + "user": "InternetArchiveBot", + "userid": 27015025, + "timestamp": "2025-12-16T11:56:34Z", + "sha1": "02ac588e851626ec29c36b41492172514dd30ece", + "comment": "Rescuing 1 sources and tagging 0 as dead.) #IABot (v2.0.9.5", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=Microplastics in focus at the Volvo Environment Prize event 2022|website =Volvo Environment Prize}}\n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4 In 2025, ''[[Time (magazine)|Time]]'' magazine listed him as one of [[Time 100|the world's 100 most influential people]].{{Cite web |date=2025-04-16 |title=Richard Thompson: The 100 Most Influential People of 2025 |url=https://time.com/collections/100-most-influential-people-2025/7273764/richard-thompson/ |access-date=2025-04-17 |website=TIME |language=en}}\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]], where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|archive-url=https://web.archive.org/web/20190925011337/https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|url-status=dead|archive-date=September 25, 2019|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the University.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the University's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\nHe is a co-coordinator of [[The Scientists' Coalition for an Effective Plastics Treaty]],{{Cite web |title=Scientist About Us |url=https://ikhapp.org/scientist-about-us/ |access-date=2024-07-24 |website=Ikhapp |language=en}} and in September 2024 led a further study - also published in ''[[Science (journal)|Science]]'' {{cite journal | url=https://www.science.org/doi/10.1126/science.adl2746 | doi=10.1126/science.adl2746 | title=Twenty years of microplastic pollution research—what have we learned? | date=2024 | last1=Thompson | first1=Richard C. | last2=Courtene-Jones | first2=Winnie | last3=Boucher | first3=Julien | last4=Pahl | first4=Sabine | last5=Raubenheimer | first5=Karen | last6=Koelmans | first6=Albert A. | journal=Science | volume=386 | issue=6720 | bibcode=2024Sci...386L2746T | url-access=subscription }} - which stated that after two decades of research into [[microplastics]], the world had sufficient evidence to agree global action to tackle them.\n\n===Publications ===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth|date=21 June 2017 }}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|archive-url=https://web.archive.org/web/20200102120057/https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|url-status=usurped|archive-date=January 2, 2020|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth|date=29 December 2017 }}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n* [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n* [[Blue Planet Prize]] (2023){{cite web | url=https://www.af-info.or.jp/en/blueplanet/news/announcing-the-winners-for-2023-blue-planet-prize.html | title=Announcing the 2023 Blue Planet Prize Laureates }}\n* 2024: Thompson was named in Time's list of influential people in health.{{Cite magazine |title=TIME100 Health |url=https://time.com/collection/time100-health/ |access-date=2024-09-23 |magazine=TIME |language=en |archive-date=2024-09-23 |archive-url=https://web.archive.org/web/20240923234228/https://time.com/collection/time100-health/ |url-status=dead }}\n\nIn 2016, Professor Thompson was referred to by [[Mary Creagh]] as \"The Godfather of Microplastics\" during a public inquiry into the Environmental Impact of Microplastics by the [[Environmental Audit Select Committee]].https://parliamentlive.tv/event/index/71067776-e304-44e4-a18e-eda74c8b4bb2 This [[moniker]] has since been repeated extensively by media outlets across the world.{{cite news | url=https://theguardian.com/environment/2023/nov/13/godfather-microplastics-richard-thompson-how-to-stop-them | title='We can't carry on': The godfather of microplastics on how to stop them | newspaper=The Guardian | date=15 November 2023 | last1=Bryce | first1=Emma }}{{cite web | url=https://theconversation.com/everywhere-we-looked-we-found-evidence-the-godfather-of-microplastics-on-20-years-of-pollution-research-and-the-fight-for-global-action-226418 | title='Everywhere we looked we found evidence': The godfather of microplastics on 20 years of pollution research and the fight for global action | date=3 May 2024 }}\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]\n[[Category:Officers of the Order of the British Empire]]" + }, + { + "revid": 1333138814, + "parentid": 1327845280, + "minor": true, + "user": "Chris the speller", + "userid": 525927, + "timestamp": "2026-01-15T23:15:58Z", + "sha1": "53eec25c616ab176c61cf2597ff95ef5d1cea0fe", + "comment": "/* Career and research */ replaced: University → university (2)", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=Microplastics in focus at the Volvo Environment Prize event 2022|website =Volvo Environment Prize}}\n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. Thompson coined the term \"[[microplastics]]\" in 2004.{{cite news|first1=Stephen|last1=Buranyi|accessdate=2020-01-02|title=The missing 99%: why can't we find the vast majority of ocean plastic?|url=https://www.theguardian.com/us-news/2019/dec/31/ocean-plastic-we-cant-see|newspaper=The Guardian|date=31 December 2019|issn=0261-3077|via=www.theguardian.com}}[https://www.bbc.co.uk/programmes/m000674n \"Plastic pollution with Richard Thompson\"] on ''The Life Scientific,'' BBC Radio 4 In 2025, ''[[Time (magazine)|Time]]'' magazine listed him as one of [[Time 100|the world's 100 most influential people]].{{Cite web |date=2025-04-16 |title=Richard Thompson: The 100 Most Influential People of 2025 |url=https://time.com/collections/100-most-influential-people-2025/7273764/richard-thompson/ |access-date=2025-04-17 |website=TIME |language=en}}\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]], where he was awarded a Ph.D in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, was the first to use the term [[microplastics]], which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|archive-url=https://web.archive.org/web/20190925011337/https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|url-status=dead|archive-date=September 25, 2019|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the university.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the university's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\nHe is a co-coordinator of [[The Scientists' Coalition for an Effective Plastics Treaty]],{{Cite web |title=Scientist About Us |url=https://ikhapp.org/scientist-about-us/ |access-date=2024-07-24 |website=Ikhapp |language=en}} and in September 2024 led a further study - also published in ''[[Science (journal)|Science]]'' {{cite journal | url=https://www.science.org/doi/10.1126/science.adl2746 | doi=10.1126/science.adl2746 | title=Twenty years of microplastic pollution research—what have we learned? | date=2024 | last1=Thompson | first1=Richard C. | last2=Courtene-Jones | first2=Winnie | last3=Boucher | first3=Julien | last4=Pahl | first4=Sabine | last5=Raubenheimer | first5=Karen | last6=Koelmans | first6=Albert A. | journal=Science | volume=386 | issue=6720 | bibcode=2024Sci...386L2746T | url-access=subscription }} - which stated that after two decades of research into [[microplastics]], the world had sufficient evidence to agree global action to tackle them.\n\n===Publications ===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth|date=21 June 2017 }}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|archive-url=https://web.archive.org/web/20200102120057/https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|url-status=usurped|archive-date=January 2, 2020|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth|date=29 December 2017 }}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n* [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n* [[Blue Planet Prize]] (2023){{cite web | url=https://www.af-info.or.jp/en/blueplanet/news/announcing-the-winners-for-2023-blue-planet-prize.html | title=Announcing the 2023 Blue Planet Prize Laureates }}\n* 2024: Thompson was named in Time's list of influential people in health.{{Cite magazine |title=TIME100 Health |url=https://time.com/collection/time100-health/ |access-date=2024-09-23 |magazine=TIME |language=en |archive-date=2024-09-23 |archive-url=https://web.archive.org/web/20240923234228/https://time.com/collection/time100-health/ |url-status=dead }}\n\nIn 2016, Professor Thompson was referred to by [[Mary Creagh]] as \"The Godfather of Microplastics\" during a public inquiry into the Environmental Impact of Microplastics by the [[Environmental Audit Select Committee]].https://parliamentlive.tv/event/index/71067776-e304-44e4-a18e-eda74c8b4bb2 This [[moniker]] has since been repeated extensively by media outlets across the world.{{cite news | url=https://theguardian.com/environment/2023/nov/13/godfather-microplastics-richard-thompson-how-to-stop-them | title='We can't carry on': The godfather of microplastics on how to stop them | newspaper=The Guardian | date=15 November 2023 | last1=Bryce | first1=Emma }}{{cite web | url=https://theconversation.com/everywhere-we-looked-we-found-evidence-the-godfather-of-microplastics-on-20-years-of-pollution-research-and-the-fight-for-global-action-226418 | title='Everywhere we looked we found evidence': The godfather of microplastics on 20 years of pollution research and the fight for global action | date=3 May 2024 }}\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]\n[[Category:Officers of the Order of the British Empire]]" + }, + { + "revid": 1342559974, + "parentid": 1333138814, + "minor": false, + "user": "Edwoodredwood", + "userid": 31605765, + "timestamp": "2026-03-09T16:58:52Z", + "sha1": "fbe3d56ed8cc364ce3a0e2e37c160b7d22fdf764", + "comment": "Removed an earlier sentence that claimed RT 'coined the term microplastics'—which isn't accurate—and then expanded on the topic under the career section to clarify who had used the term more than a decade earlier.", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=Microplastics in focus at the Volvo Environment Prize event 2022|website =Volvo Environment Prize}}\n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. In 2025, ''[[Time (magazine)|Time]]'' magazine listed him as one of [[Time 100|the world's 100 most influential people]].{{Cite web |date=2025-04-16 |title=Richard Thompson: The 100 Most Influential People of 2025 |url=https://time.com/collections/100-most-influential-people-2025/7273764/richard-thompson/ |access-date=2025-04-17 |website=TIME |language=en}}\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]], where he was awarded a PhD in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, has been reported to be the first to use the term [[microplastics]] in relation to plastic pollution, which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|archive-url=https://web.archive.org/web/20190925011337/https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|url-status=dead|archive-date=September 25, 2019|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}} However, there are examples of the term being used in relation to marine pollution dating back to the early 1990s{{Cite journal |last=Ryan |first=Peter G. |date=1990 |title=Plastic and other artefacts on South African beaches: temporal trends in abundance and composition |url=https://www.researchgate.net/publication/283507743_plastic_and_other_artefacts_on_South_African_beaches_temporal_trends_in_abundance_and_composition |journal=South African Journal of Science |volume=86 |pages=450-452 |via=ResearchGate}}, and there is evidence that the authors who first used the term had been exploring the topic for several years before.{{Cite journal |last=Ryan |first=Peter G. |date=1987-01-01 |title=The incidence and characteristics of plastic particles ingested by seabirds |url=https://www.sciencedirect.com/science/article/pii/0141113687900286 |journal=Marine Environmental Research |volume=23 |issue=3 |pages=175–206 |doi=10.1016/0141-1136(87)90028-6 |issn=0141-1136}}{{Cite journal |last=Ryan |first=Peter G |date=1988-01-01 |title=The characteristics and distribution of plastic particles at the sea-surface off the southwestern Cape Province, South Africa |url=https://www.sciencedirect.com/science/article/pii/0141113688900153 |journal=Marine Environmental Research |volume=25 |issue=4 |pages=249–273 |doi=10.1016/0141-1136(88)90015-3 |issn=0141-1136}}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the university.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the university's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\nHe is a co-coordinator of [[The Scientists' Coalition for an Effective Plastics Treaty]],{{Cite web |title=Scientist About Us |url=https://ikhapp.org/scientist-about-us/ |access-date=2024-07-24 |website=Ikhapp |language=en}} and in September 2024 led a further study - also published in ''[[Science (journal)|Science]]'' {{cite journal | url=https://www.science.org/doi/10.1126/science.adl2746 | doi=10.1126/science.adl2746 | title=Twenty years of microplastic pollution research—what have we learned? | date=2024 | last1=Thompson | first1=Richard C. | last2=Courtene-Jones | first2=Winnie | last3=Boucher | first3=Julien | last4=Pahl | first4=Sabine | last5=Raubenheimer | first5=Karen | last6=Koelmans | first6=Albert A. | journal=Science | volume=386 | issue=6720 | bibcode=2024Sci...386L2746T | url-access=subscription }} - which stated that after two decades of research into [[microplastics]], the world had sufficient evidence to agree global action to tackle them.\n\n===Publications ===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth|date=21 June 2017 }}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|archive-url=https://web.archive.org/web/20200102120057/https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|url-status=usurped|archive-date=January 2, 2020|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth|date=29 December 2017 }}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n* [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n* [[Blue Planet Prize]] (2023){{cite web | url=https://www.af-info.or.jp/en/blueplanet/news/announcing-the-winners-for-2023-blue-planet-prize.html | title=Announcing the 2023 Blue Planet Prize Laureates }}\n* 2024: Thompson was named in Time's list of influential people in health.{{Cite magazine |title=TIME100 Health |url=https://time.com/collection/time100-health/ |access-date=2024-09-23 |magazine=TIME |language=en |archive-date=2024-09-23 |archive-url=https://web.archive.org/web/20240923234228/https://time.com/collection/time100-health/ |url-status=dead }}\n\nIn 2016, Professor Thompson was referred to by [[Mary Creagh]] as \"The Godfather of Microplastics\" during a public inquiry into the Environmental Impact of Microplastics by the [[Environmental Audit Select Committee]].https://parliamentlive.tv/event/index/71067776-e304-44e4-a18e-eda74c8b4bb2 This [[moniker]] has since been repeated extensively by media outlets across the world.{{cite news | url=https://theguardian.com/environment/2023/nov/13/godfather-microplastics-richard-thompson-how-to-stop-them | title='We can't carry on': The godfather of microplastics on how to stop them | newspaper=The Guardian | date=15 November 2023 | last1=Bryce | first1=Emma }}{{cite web | url=https://theconversation.com/everywhere-we-looked-we-found-evidence-the-godfather-of-microplastics-on-20-years-of-pollution-research-and-the-fight-for-global-action-226418 | title='Everywhere we looked we found evidence': The godfather of microplastics on 20 years of pollution research and the fight for global action | date=3 May 2024 }}\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]\n[[Category:Officers of the Order of the British Empire]]" + }, + { + "revid": 1344916643, + "parentid": 1342559974, + "minor": true, + "user": "OAbot", + "userid": 28481209, + "timestamp": "2026-03-23T07:39:44Z", + "sha1": "ef267a1996c272b544a031984a7e36b36a09feb7", + "comment": "[[Wikipedia:OABOT|Open access bot]]: url-access=subscription updated in citation with #oabot.", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=Microplastics in focus at the Volvo Environment Prize event 2022|website =Volvo Environment Prize}}\n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. In 2025, ''[[Time (magazine)|Time]]'' magazine listed him as one of [[Time 100|the world's 100 most influential people]].{{Cite web |date=2025-04-16 |title=Richard Thompson: The 100 Most Influential People of 2025 |url=https://time.com/collections/100-most-influential-people-2025/7273764/richard-thompson/ |access-date=2025-04-17 |website=TIME |language=en}}\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]], where he was awarded a PhD in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, has been reported to be the first to use the term [[microplastics]] in relation to plastic pollution, which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|archive-url=https://web.archive.org/web/20190925011337/https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|url-status=dead|archive-date=September 25, 2019|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}} However, there are examples of the term being used in relation to marine pollution dating back to the early 1990s{{Cite journal |last=Ryan |first=Peter G. |date=1990 |title=Plastic and other artefacts on South African beaches: temporal trends in abundance and composition |url=https://www.researchgate.net/publication/283507743_plastic_and_other_artefacts_on_South_African_beaches_temporal_trends_in_abundance_and_composition |journal=South African Journal of Science |volume=86 |pages=450-452 |via=ResearchGate}}, and there is evidence that the authors who first used the term had been exploring the topic for several years before.{{Cite journal |last=Ryan |first=Peter G. |date=1987-01-01 |title=The incidence and characteristics of plastic particles ingested by seabirds |url=https://www.sciencedirect.com/science/article/pii/0141113687900286 |journal=Marine Environmental Research |volume=23 |issue=3 |pages=175–206 |doi=10.1016/0141-1136(87)90028-6 |issn=0141-1136|url-access=subscription }}{{Cite journal |last=Ryan |first=Peter G |date=1988-01-01 |title=The characteristics and distribution of plastic particles at the sea-surface off the southwestern Cape Province, South Africa |url=https://www.sciencedirect.com/science/article/pii/0141113688900153 |journal=Marine Environmental Research |volume=25 |issue=4 |pages=249–273 |doi=10.1016/0141-1136(88)90015-3 |issn=0141-1136|url-access=subscription }}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the university.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the university's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\nHe is a co-coordinator of [[The Scientists' Coalition for an Effective Plastics Treaty]],{{Cite web |title=Scientist About Us |url=https://ikhapp.org/scientist-about-us/ |access-date=2024-07-24 |website=Ikhapp |language=en}} and in September 2024 led a further study - also published in ''[[Science (journal)|Science]]'' {{cite journal | url=https://www.science.org/doi/10.1126/science.adl2746 | doi=10.1126/science.adl2746 | title=Twenty years of microplastic pollution research—what have we learned? | date=2024 | last1=Thompson | first1=Richard C. | last2=Courtene-Jones | first2=Winnie | last3=Boucher | first3=Julien | last4=Pahl | first4=Sabine | last5=Raubenheimer | first5=Karen | last6=Koelmans | first6=Albert A. | journal=Science | volume=386 | issue=6720 | bibcode=2024Sci...386L2746T | url-access=subscription }} - which stated that after two decades of research into [[microplastics]], the world had sufficient evidence to agree global action to tackle them.\n\n===Publications ===\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth|date=21 June 2017 }}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|archive-url=https://web.archive.org/web/20200102120057/https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|url-status=usurped|archive-date=January 2, 2020|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth|date=29 December 2017 }}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n* [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n* [[Blue Planet Prize]] (2023){{cite web | url=https://www.af-info.or.jp/en/blueplanet/news/announcing-the-winners-for-2023-blue-planet-prize.html | title=Announcing the 2023 Blue Planet Prize Laureates }}\n* 2024: Thompson was named in Time's list of influential people in health.{{Cite magazine |title=TIME100 Health |url=https://time.com/collection/time100-health/ |access-date=2024-09-23 |magazine=TIME |language=en |archive-date=2024-09-23 |archive-url=https://web.archive.org/web/20240923234228/https://time.com/collection/time100-health/ |url-status=dead }}\n\nIn 2016, Professor Thompson was referred to by [[Mary Creagh]] as \"The Godfather of Microplastics\" during a public inquiry into the Environmental Impact of Microplastics by the [[Environmental Audit Select Committee]].https://parliamentlive.tv/event/index/71067776-e304-44e4-a18e-eda74c8b4bb2 This [[moniker]] has since been repeated extensively by media outlets across the world.{{cite news | url=https://theguardian.com/environment/2023/nov/13/godfather-microplastics-richard-thompson-how-to-stop-them | title='We can't carry on': The godfather of microplastics on how to stop them | newspaper=The Guardian | date=15 November 2023 | last1=Bryce | first1=Emma }}{{cite web | url=https://theconversation.com/everywhere-we-looked-we-found-evidence-the-godfather-of-microplastics-on-20-years-of-pollution-research-and-the-fight-for-global-action-226418 | title='Everywhere we looked we found evidence': The godfather of microplastics on 20 years of pollution research and the fight for global action | date=3 May 2024 }}\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]\n[[Category:Officers of the Order of the British Empire]]" + }, + { + "revid": 1362131057, + "parentid": 1344916643, + "minor": false, + "user": "DrVeeee", + "userid": 54388135, + "timestamp": "2026-07-02T03:05:06Z", + "sha1": "d25e10333092329f79a793b739b3b26e06f52cf1", + "comment": "added awards and honour section", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=Microplastics in focus at the Volvo Environment Prize event 2022|website =Volvo Environment Prize}}\n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. In 2025, ''[[Time (magazine)|Time]]'' magazine listed him as one of [[Time 100|the world's 100 most influential people]].{{Cite web |date=2025-04-16 |title=Richard Thompson: The 100 Most Influential People of 2025 |url=https://time.com/collections/100-most-influential-people-2025/7273764/richard-thompson/ |access-date=2025-04-17 |website=TIME |language=en}}\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]], where he was awarded a PhD in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, has been reported to be the first to use the term [[microplastics]] in relation to plastic pollution, which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|archive-url=https://web.archive.org/web/20190925011337/https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|url-status=dead|archive-date=September 25, 2019|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}} However, there are examples of the term being used in relation to marine pollution dating back to the early 1990s{{Cite journal |last=Ryan |first=Peter G. |date=1990 |title=Plastic and other artefacts on South African beaches: temporal trends in abundance and composition |url=https://www.researchgate.net/publication/283507743_plastic_and_other_artefacts_on_South_African_beaches_temporal_trends_in_abundance_and_composition |journal=South African Journal of Science |volume=86 |pages=450-452 |via=ResearchGate}}, and there is evidence that the authors who first used the term had been exploring the topic for several years before.{{Cite journal |last=Ryan |first=Peter G. |date=1987-01-01 |title=The incidence and characteristics of plastic particles ingested by seabirds |url=https://www.sciencedirect.com/science/article/pii/0141113687900286 |journal=Marine Environmental Research |volume=23 |issue=3 |pages=175–206 |doi=10.1016/0141-1136(87)90028-6 |issn=0141-1136|url-access=subscription }}{{Cite journal |last=Ryan |first=Peter G |date=1988-01-01 |title=The characteristics and distribution of plastic particles at the sea-surface off the southwestern Cape Province, South Africa |url=https://www.sciencedirect.com/science/article/pii/0141113688900153 |journal=Marine Environmental Research |volume=25 |issue=4 |pages=249–273 |doi=10.1016/0141-1136(88)90015-3 |issn=0141-1136|url-access=subscription }}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the university.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the university's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\nHe is a co-coordinator of [[The Scientists' Coalition for an Effective Plastics Treaty]],{{Cite web |title=Scientist About Us |url=https://ikhapp.org/scientist-about-us/ |access-date=2024-07-24 |website=Ikhapp |language=en}} and in September 2024 led a further study - also published in ''[[Science (journal)|Science]]'' {{cite journal | url=https://www.science.org/doi/10.1126/science.adl2746 | doi=10.1126/science.adl2746 | title=Twenty years of microplastic pollution research—what have we learned? | date=2024 | last1=Thompson | first1=Richard C. | last2=Courtene-Jones | first2=Winnie | last3=Boucher | first3=Julien | last4=Pahl | first4=Sabine | last5=Raubenheimer | first5=Karen | last6=Koelmans | first6=Albert A. | journal=Science | volume=386 | issue=6720 | bibcode=2024Sci...386L2746T | url-access=subscription }} - which stated that after two decades of research into [[microplastics]], the world had sufficient evidence to agree global action to tackle them.\n\n== Awards and honours ==\nThompson was named one of Time Magazine's 100 most influential people in 2025 {{Cite web |date=2025-04-16 |title=Richard Thompson: The 100 Most Influential People of 2025 |url=https://time.com/collections/100-most-influential-people-2025/7273764/richard-thompson/ |access-date=2026-07-02 |website=TIME |language=en}}. He was awarded the 2023 [[Blue Planet Prize]] alongside Professor Tamara Galloway and Professor Penelope Lindeque{{Cite web |last=Park |first=Plymouth Science |date=2023-06-19 |title=Plymouth researchers awarded 2023 Blue Planet Prize |url=https://www.plymouthsciencepark.com/plymouth-researchers-awarded-2023-blue-planet-prize/ |access-date=2026-07-02 |website=Plymouth Science Park |language=en-GB}}, recognising groundbreaking work into global plastics pollution. He was elected as a Fellow of the Royal Society in 2020 for his scientific and policy contributions {{Cite web |last=Ball |first=Jak |date=2020-05-04 |title=Plymouth's 'microplastics' professor gets prestigious honour |url=https://www.plymouthherald.co.uk/news/plymouths-microplastics-professor-gets-prestigious-4085233 |access-date=2026-07-02 |website=Plymouth Live |language=en}}. In 2017, for services to marine science he received an [[Order of the British Empire|OBE (Officer of the Order of the British Empire)]] {{Cite web |title=Professor Richard Thompson OBE FRS {{!}} Royal Society Fellow |url=https://royalsociety.org/people/richard-thompson-25317/ |access-date=2026-07-02 |website=royalsociety.org |language=en}}. \n\n== Selected works ==\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth|date=21 June 2017 }}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|archive-url=https://web.archive.org/web/20200102120057/https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|url-status=usurped|archive-date=January 2, 2020|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth|date=29 December 2017 }}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n* [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n* [[Blue Planet Prize]] (2023){{cite web | url=https://www.af-info.or.jp/en/blueplanet/news/announcing-the-winners-for-2023-blue-planet-prize.html | title=Announcing the 2023 Blue Planet Prize Laureates }}\n* 2024: Thompson was named in Time's list of influential people in health.{{Cite magazine |title=TIME100 Health |url=https://time.com/collection/time100-health/ |access-date=2024-09-23 |magazine=TIME |language=en |archive-date=2024-09-23 |archive-url=https://web.archive.org/web/20240923234228/https://time.com/collection/time100-health/ |url-status=dead }}\n\nIn 2016, Professor Thompson was referred to by [[Mary Creagh]] as \"The Godfather of Microplastics\" during a public inquiry into the Environmental Impact of Microplastics by the [[Environmental Audit Select Committee]].https://parliamentlive.tv/event/index/71067776-e304-44e4-a18e-eda74c8b4bb2 This [[moniker]] has since been repeated extensively by media outlets across the world.{{cite news | url=https://theguardian.com/environment/2023/nov/13/godfather-microplastics-richard-thompson-how-to-stop-them | title='We can't carry on': The godfather of microplastics on how to stop them | newspaper=The Guardian | date=15 November 2023 | last1=Bryce | first1=Emma }}{{cite web | url=https://theconversation.com/everywhere-we-looked-we-found-evidence-the-godfather-of-microplastics-on-20-years-of-pollution-research-and-the-fight-for-global-action-226418 | title='Everywhere we looked we found evidence': The godfather of microplastics on 20 years of pollution research and the fight for global action | date=3 May 2024 }}\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]\n[[Category:Officers of the Order of the British Empire]]" + }, + { + "revid": 1362454354, + "parentid": 1362131057, + "minor": true, + "user": "SdkbBot", + "userid": 41840956, + "timestamp": "2026-07-04T01:13:30Z", + "sha1": "aeac10beadd3e241de2784361137c008515c683c", + "comment": "Removed [[wikipedia:REFPUNCT|erroneous]] space and [[wikipedia:GENFIX|general fixes]] ([[wikipedia:Bots/Requests_for_approval/SdkbBot|task 1]])", + "*": "{{Short description|Marine biologist}}\n{{Other people|Richard Thompson}}\n{{Infobox scientist\n| name = Richard Thompson\n| honorific_suffix = {{post-nominals|OBE|FRS|size=100}}\n| native_name = \n| native_name_lang = \n| image = \n| image_size = \n| image_upright = \n| alt = \n| caption = \n| birth_name = Richard C. Thompson\n| birth_date = \n| birth_place = \n| death_date = \n| death_place = \n| death_cause = \n| resting_place = \n| resting_place_coordinates = \n| home_town =\n| other_names = \n| siglum =\n| pronounce =\n| citizenship = \n| nationality = \n| fields = [[Marine biology]]
[[Microplastics]]\n| workplaces = [[University of Plymouth]]\n| patrons = \n| education = \n| alma_mater = [[Newcastle University|University of Newcastle]] (BSc)
[[University of Liverpool]] (PhD)\n| thesis_title = The Ecology of Epilithic Microalgae\n| thesis_url = \t\thttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320574\n| thesis_year = 1996\n| doctoral_advisor = \n| academic_advisors = \n| doctoral_students = \n| notable_students = \n| known_for = \n| influences = \n| influenced = \n| awards = [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=Microplastics in focus at the Volvo Environment Prize event 2022|website =Volvo Environment Prize}}\n| spouse = \n| partner = \n| children = \n| signature = \n| signature_alt = \n| website = \n| footnotes = \n}}\n'''Richard Charles Thompson''' is a [[Marine biology|marine biologist]] who researches [[Marine debris|marine litter]]. At the [[University of Plymouth]] he is director of the Marine Institute; professor of Marine Biology; and leads the International Marine Litter Research Unit. In 2025, ''[[Time (magazine)|Time]]'' magazine listed him as one of [[Time 100|the world's 100 most influential people]].{{Cite web |date=2025-04-16 |title=Richard Thompson: The 100 Most Influential People of 2025 |url=https://time.com/collections/100-most-influential-people-2025/7273764/richard-thompson/ |access-date=2025-04-17 |website=TIME |language=en}}\n\n==Education==\nThompson was educated at [[Newcastle University|University of Newcastle]] and the [[University of Liverpool]], where he was awarded a PhD in 1996.\n\n==Career and research==\nThompson's paper, ''Lost at Sea: Where is All the Plastic?'',{{cite journal |url=https://www.researchgate.net/publication/8575062 |doi=10.1126/science.1094559|title=Lost at Sea: Where is All the Plastic? |year=2004 |last1=Thompson |first1=Richard C. |last2=Olsen |first2=Ylva |last3=Mitchell |first3=Richard P. |last4=Davis |first4=Anthony |last5=Rowland |first5=Steven J. |last6=John |first6=Anthony W. G. |last7=McGonigle |first7=Daniel |last8=Russell |first8=Andrea E. |journal=Science |volume=304 |issue=5672 |page=838 |pmid=15131299 |s2cid=3269482 }} published in the journal ''[[Science (journal)|Science]]'' in 2004, has been reported to be the first to use the term [[microplastics]] in relation to plastic pollution, which has since become common parlance.{{cite web|first1=Andrea|last1=Thompson|accessdate=2020-01-02|title=Earth Has a Hidden Plastic Problem—Scientists Are Hunting It Down|url=https://www.scientificamerican.com/article/microplastics-earth-has-a-hidden-plastic-problem-mdash-scientists-are-hunting-it-down/|website=Scientific American}}{{cite web|accessdate=2020-01-02|title=To Save the Oceans, Should You Give Up Glitter?|url=https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|archive-url=https://web.archive.org/web/20190925011337/https://www.nationalgeographic.com/news/2017/11/glitter-plastics-ocean-pollution-environment-spd/|url-status=dead|archive-date=September 25, 2019|date=30 November 2017|website=National Geographic News}}{{cite web|accessdate=2020-01-02|title=Microplastic waste: This massive (tiny) threat to sea life is now in every ocean|url=http://www.independent.co.uk/news/science/microplastic-waste-this-massive-tiny-threat-to-sea-life-is-now-in-every-ocean-9602430.html|date=13 July 2014|website=The Independent}} However, there are examples of the term being used in relation to marine pollution dating back to the early 1990s,{{Cite journal |last=Ryan |first=Peter G. |date=1990 |title=Plastic and other artefacts on South African beaches: temporal trends in abundance and composition |url=https://www.researchgate.net/publication/283507743_plastic_and_other_artefacts_on_South_African_beaches_temporal_trends_in_abundance_and_composition |journal=South African Journal of Science |volume=86 |pages=450–452 |via=ResearchGate}} and there is evidence that the authors who first used the term had been exploring the topic for several years before.{{Cite journal |last=Ryan |first=Peter G. |date=1987-01-01 |title=The incidence and characteristics of plastic particles ingested by seabirds |url=https://www.sciencedirect.com/science/article/pii/0141113687900286 |journal=Marine Environmental Research |volume=23 |issue=3 |pages=175–206 |doi=10.1016/0141-1136(87)90028-6 |issn=0141-1136|url-access=subscription }}{{Cite journal |last=Ryan |first=Peter G |date=1988-01-01 |title=The characteristics and distribution of plastic particles at the sea-surface off the southwestern Cape Province, South Africa |url=https://www.sciencedirect.com/science/article/pii/0141113688900153 |journal=Marine Environmental Research |volume=25 |issue=4 |pages=249–273 |doi=10.1016/0141-1136(88)90015-3 |issn=0141-1136|url-access=subscription }}\n\nSince 2010 he has been professor of Marine Biology at the [[University of Plymouth]]. Since 2018 he has also been director of the Marine Institute, part of the School of Biological and Marine Sciences at the university.{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson OBE – University of Plymouth|url=https://www.plymouth.ac.uk/staff/richard-thompson|website=www.plymouth.ac.uk}} He also leads the university's International Marine Litter Research Unit.{{cite web|first1=University of Plymouth Drake Circus Plymouth Devon PL4 8AA United Kingdom +44 1752 600600|last1=Maps|first2=directions Visit us Job|last2=vacancies|accessdate=2020-01-02|title=International Marine Litter Research Unit team|url=https://www.plymouth.ac.uk/research/marine-litter/people|website=University of Plymouth}}{{Twitter}}\n\nHe is a co-coordinator of [[The Scientists' Coalition for an Effective Plastics Treaty]],{{Cite web |title=Scientist About Us |url=https://ikhapp.org/scientist-about-us/ |access-date=2024-07-24 |website=Ikhapp |language=en}} and in September 2024 led a further study - also published in ''[[Science (journal)|Science]]'' {{cite journal | url=https://www.science.org/doi/10.1126/science.adl2746 | doi=10.1126/science.adl2746 | title=Twenty years of microplastic pollution research—what have we learned? | date=2024 | last1=Thompson | first1=Richard C. | last2=Courtene-Jones | first2=Winnie | last3=Boucher | first3=Julien | last4=Pahl | first4=Sabine | last5=Raubenheimer | first5=Karen | last6=Koelmans | first6=Albert A. | journal=Science | volume=386 | issue=6720 | bibcode=2024Sci...386L2746T | url-access=subscription }} - which stated that after two decades of research into [[microplastics]], the world had sufficient evidence to agree global action to tackle them.\n\n== Awards and honours ==\nThompson was named one of Time Magazine's 100 most influential people in 2025.{{Cite web |date=2025-04-16 |title=Richard Thompson: The 100 Most Influential People of 2025 |url=https://time.com/collections/100-most-influential-people-2025/7273764/richard-thompson/ |access-date=2026-07-02 |website=TIME |language=en}} He was awarded the 2023 [[Blue Planet Prize]] alongside Professor Tamara Galloway and Professor Penelope Lindeque,{{Cite web |last=Park |first=Plymouth Science |date=2023-06-19 |title=Plymouth researchers awarded 2023 Blue Planet Prize |url=https://www.plymouthsciencepark.com/plymouth-researchers-awarded-2023-blue-planet-prize/ |access-date=2026-07-02 |website=Plymouth Science Park |language=en-GB}} recognising groundbreaking work into global plastics pollution. He was elected as a Fellow of the Royal Society in 2020 for his scientific and policy contributions.{{Cite web |last=Ball |first=Jak |date=2020-05-04 |title=Plymouth's 'microplastics' professor gets prestigious honour |url=https://www.plymouthherald.co.uk/news/plymouths-microplastics-professor-gets-prestigious-4085233 |access-date=2026-07-02 |website=Plymouth Live |language=en}} In 2017, for services to marine science he received an [[Order of the British Empire|OBE (Officer of the Order of the British Empire)]].{{Cite web |title=Professor Richard Thompson OBE FRS {{!}} Royal Society Fellow |url=https://royalsociety.org/people/richard-thompson-25317/ |access-date=2026-07-02 |website=royalsociety.org |language=en}}\n\n== Selected works ==\n*Thompson, Richard. (2006). Plastics. In: ''Dominant Wave Theory.'' By Andrew Hughes. Pp. 112–116. London: Booth-Clibborn, 2006. {{ISBN|9781861542847}}. New York: Abrams, 2007. {{ISBN|9780810993099}}.\n*\"[[Marine Strategy Framework Directive]]: TaskGroup 10 Report: Marine Litter.\" Luxembourg: [[Publications Office of the European Union]], 2010. Galgani, F., Fleet, D., van Franeker, J., Katsanevakis, S., Maes, T., Mouat, J.Oosterbaan, L., Poitou, I., Hanke, G., Thompson, R., Amato, E., Birkun A., and Janssen, C. {{ISBN|978-92-79-15653-3}}.\n*''[http://www.stapgef.org/sites/default/files/stap/wp-content/uploads/2013/05/Marine-Debris.pdf Marine Debris as a Global Environmental Problem: Introducing a solutions based framework focused on plastic: A STAP Information Document: November 2011].'' Washington, DC: [[Scientific and Technical Advisory Panel]], [[Global Environment Facility]], 2011. Richard C. Thompson, Bruce E. La Belle, Hindrik Bouwman, and Lev Neretin. Thompson was lead author.\n*''[https://www.cbd.int/doc/publications/cbd-ts-67-en.pdf Impacts of Marine Debris on Biodiversity: Current status and Potential Solutions].'' CBD Technical Series No. 67. Montreal: Secretariat of the [[Convention on Biological Diversity]]; Scientific and Technical Advisory Panel—GEF, 2012. {{ISBN|92-9225-444-8}}. Thompson was lead author.\n*Readman, J.W., DeLuna, F. Ebinhaus, R., Guzman, A.N., Price A.R.G., Readman, E.E. Sheppard, A.L.S., Sleight, A.S. Strum, R. Thompson, R.C. Tonkin, A.Wolschke, H., Wright, R., and Sheppard, R.C. (2013) ''Coral Reefs of the World.''\n*Thompson, R.C. (2013) Plastics, Environment and Health. In: ''Accumulation: The Material Politics of Plastics.'' Edited by Gabrys, J., Hawkins, G. and Michael, M. Hardback: Routledge, 2013. {{ISBN|9780415625821}}. Paperback: Routledge, 2017. {{ISBN|9781138063068}}. Pp. 150–169.\n\n===Awards and honours===\n*2016: Marsh Award for Marine and Freshwater Conservation from the [[Zoological Society of London]] and [[Marsh Christian Trust]]{{cite web|accessdate=2020-01-02|title=World leader in microplastic research receives award from the Zoological Society of London|url=https://www.plymouth.ac.uk/news/world-leader-in-microplastic-research-receives-award-from-the-zoological-society-of-london|website=University of Plymouth|date=21 June 2017 }}{{cite web|accessdate=2020-01-02|title=Marsh Christian Trust – Marsh Award for Marine and Freshwater Conservation|url=https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|archive-url=https://web.archive.org/web/20200102120057/https://www.marshchristiantrust.org/award/marsh-award-for-marine-and-freshwater-conservation/|url-status=usurped|archive-date=January 2, 2020|website=www.marshchristiantrust.org}}{{cite web|accessdate=2020-01-02|title=Prestigious awards honour the stars of conservation science|url=https://biaza.org.uk/news/detail/prestigious-awards-honour-the-stars-of-conservation-science|website=[[British and Irish Association of Zoos and Aquariums]]}}\n*2018: [[Order of the British Empire]] (OBE) in the [[2018 New Year Honours]] for services to marine science{{cite web|accessdate=2020-01-02|title=Professor Richard Thompson made an OBE for services to marine science|url=https://www.plymouth.ac.uk/news/professor-richard-thompson-made-an-obe-for-services-to-marine-science|website=University of Plymouth|date=29 December 2017 }}\n* 2020: Elected a [[Fellow of the Royal Society]] (FRS) {{cite web|url=https://royalsociety.org/people/Richard-Thompson-25317/|title=Richard Thompson|publisher=Royal Society|accessdate= 20 September 2020}}\n* [[Volvo Environment Prize]] (2022){{cite web | url=https://www.environment-prize.com/ceremony/2022/ | title=2022 }}\n* [[Blue Planet Prize]] (2023){{cite web | url=https://www.af-info.or.jp/en/blueplanet/news/announcing-the-winners-for-2023-blue-planet-prize.html | title=Announcing the 2023 Blue Planet Prize Laureates }}\n* 2024: Thompson was named in Time's list of influential people in health.{{Cite magazine |title=TIME100 Health |url=https://time.com/collection/time100-health/ |access-date=2024-09-23 |magazine=TIME |language=en |archive-date=2024-09-23 |archive-url=https://web.archive.org/web/20240923234228/https://time.com/collection/time100-health/ |url-status=dead }}\n\nIn 2016, Professor Thompson was referred to by [[Mary Creagh]] as \"The Godfather of Microplastics\" during a public inquiry into the Environmental Impact of Microplastics by the [[Environmental Audit Select Committee]].https://parliamentlive.tv/event/index/71067776-e304-44e4-a18e-eda74c8b4bb2 This [[moniker]] has since been repeated extensively by media outlets across the world.{{cite news | url=https://theguardian.com/environment/2023/nov/13/godfather-microplastics-richard-thompson-how-to-stop-them | title='We can't carry on': The godfather of microplastics on how to stop them | newspaper=The Guardian | date=15 November 2023 | last1=Bryce | first1=Emma }}{{cite web | url=https://theconversation.com/everywhere-we-looked-we-found-evidence-the-godfather-of-microplastics-on-20-years-of-pollution-research-and-the-fight-for-global-action-226418 | title='Everywhere we looked we found evidence': The godfather of microplastics on 20 years of pollution research and the fight for global action | date=3 May 2024 }}\n\n==References==\n{{Reflist}}\n\n{{FRS 2020}}\n{{Authority control}}\n\n{{DEFAULTSORT:Thompson, Richard}}\n[[Category:Place of birth missing (living people)]]\n[[Category:Living people]]\n[[Category:Alumni of Newcastle University]]\n[[Category:British marine biologists]]\n[[Category:Academics of the University of Plymouth]]\n[[Category:Fellows of the Royal Society]]\n[[Category:Year of birth missing (living people)]]\n[[Category:Officers of the Order of the British Empire]]" + } +] diff --git a/tests/fixtures/splatoon_3_golden.json b/tests/fixtures/splatoon_3_golden.json index 29ef49d..6ac3e84 100644 --- a/tests/fixtures/splatoon_3_golden.json +++ b/tests/fixtures/splatoon_3_golden.json @@ -1952,12 +1952,10 @@ "token_id": 161, "o_rev_id": 1007397695, "in": [ - 1047373884, - 1202097960 + 1047373884 ], "out": [ - 1007548089, - 1202071552 + 1007548089 ] }, { @@ -4895,7 +4893,8 @@ 1047373884 ], "out": [ - 1007548089 + 1007548089, + 1168453704 ] }, { @@ -4937,12 +4936,10 @@ "token_id": 419, "o_rev_id": 1007398258, "in": [ - 1047373884, - 1202097960 + 1047373884 ], "out": [ - 1007548089, - 1202071552 + 1007548089 ] }, { @@ -4998,12 +4995,10 @@ "token_id": 424, "o_rev_id": 1007398258, "in": [ - 1047373884, - 1202097960 + 1047373884 ], "out": [ - 1007548089, - 1202071552 + 1007548089 ] }, { @@ -5251,12 +5246,10 @@ "token_id": 446, "o_rev_id": 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@@ "token_id": 540, "o_rev_id": 1007398465, "in": [ - 1047373884 + 1047373884, + 1202097960 ], "out": [ - 1007548089 + 1007548089, + 1202071552 ] }, { @@ -9204,14 +9205,12 @@ 1047373884, 1051229139, 1091333017, - 1202097960, 1216768014 ], "out": [ 1007548089, 1051228802, 1091332982, - 1202071552, 1216767975 ] }, @@ -9221,13 +9220,11 @@ "o_rev_id": 1007443627, "in": [ 1047373884, - 1091333017, - 1202097960 + 1091333017 ], "out": [ 1007548089, - 1091332982, - 1202071552 + 1091332982 ] }, { @@ -9430,11 +9427,13 @@ "o_rev_id": 1007443627, "in": [ 1047373884, - 1070350864 + 1070350864, + 1202097960 ], "out": [ 1007548089, - 1070349801 + 1070349801, + 1202071552 ] }, { @@ -28978,12 +28977,10 @@ "token_id": 2766, "o_rev_id": 1047408618, "in": [ - 1117591128, - 1202097960 + 1117591128 ], "out": [ - 1117588531, - 1202071552 + 1117588531 ] }, { @@ -29722,7 +29719,8 @@ 1117591128 ], "out": [ - 1117588531 + 1117588531, + 1168453704 ] }, { @@ -29730,10 +29728,12 @@ "token_id": 2834, "o_rev_id": 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-37126,8 +37128,7 @@ 1117591128 ], "out": [ - 1117588531, - 1168453704 + 1117588531 ] }, { @@ -38621,8 +38622,12 @@ "str": "title", "token_id": 3708, "o_rev_id": 1055587721, - "in": [], - "out": [] + "in": [ + 1202097960 + ], + "out": [ + 1202071552 + ] }, { "str": "=", @@ -38653,15 +38658,23 @@ "str": "splatoon", "token_id": 3712, "o_rev_id": 1055587721, - "in": [], - "out": [] + "in": [ + 1202097960 + ], + "out": [ + 1202071552 + ] }, { "str": "3", "token_id": 3713, "o_rev_id": 1055587721, - "in": [], - "out": [] + "in": [ + 1202097960 + ], + "out": [ + 1202071552 + ] }, { "str": ",", @@ -38780,8 +38793,12 @@ "str": "work", "token_id": 3729, "o_rev_id": 1055587721, - "in": [], - "out": [] + "in": [ + 1202097960 + ], + "out": [ + 1202071552 + ] }, { "str": "=", @@ -38863,12 +38880,8 @@ "str": "|", "token_id": 3740, "o_rev_id": 1055587721, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] + "in": [], + "out": [] }, { "str": "access", @@ -38882,9 +38895,7 @@ "token_id": 3742, "o_rev_id": 1055587721, "in": [], - "out": [ - 1168453704 - ] + "out": [] }, { "str": "date", @@ -38901,12 +38912,8 @@ "str": "=", "token_id": 3744, "o_rev_id": 1055587721, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] + "in": [], + "out": [] }, { "str": "february", @@ -40498,7 +40505,7 @@ "o_rev_id": 1070908740, "in": [], "out": [ - 1084088387 + 1084090859 ] }, { @@ -40946,11 +40953,9 @@ "str": "-", "token_id": 3974, "o_rev_id": 1070908740, - "in": [ - 1202097960 - ], + "in": [], "out": [ - 1202071552 + 1168453704 ] }, { @@ -41643,8 +41648,11 @@ "str": "\"", "token_id": 4050, "o_rev_id": 1070909835, - "in": [], + "in": [ + 1084090859 + ], "out": [ + 1084088387, 1131746260 ] }, @@ -41652,8 +41660,12 @@ "str": ".", "token_id": 4051, "o_rev_id": 1070909835, - "in": [], - "out": [] + "in": [ + 1084090859 + ], + "out": [ + 1084088387 + ] }, { "str": "<", @@ -41881,12 +41893,8 @@ "str": "co", "token_id": 4076, "o_rev_id": 1070910454, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] + "in": [], + "out": [] }, { "str": "-", @@ -42349,12 +42357,8 @@ "str": "2022", "token_id": 4138, "o_rev_id": 1070910454, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] + "in": [], + "out": [] }, { "str": "09", @@ -42401,12 +42405,8 @@ "str": "run", "token_id": 4144, "o_rev_id": 1070914961, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] + "in": [], + "out": [] }, { "str": "”", @@ -42457,23 +42457,15 @@ "str": "a", "token_id": 4150, "o_rev_id": 1070973864, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] + "in": [], + "out": [] }, { "str": "trailer", "token_id": 4151, "o_rev_id": 1070973864, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] + "in": [], + "out": [] }, { "str": "for", @@ -42488,12 +42480,10 @@ "o_rev_id": 1070973864, "in": [ 1075955970, - 1202097960, 1216768014 ], "out": [ 1075955925, - 1202071552, 1216767975 ] }, @@ -42501,12 +42491,8 @@ "str": "3", "token_id": 4154, "o_rev_id": 1070973864, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] + "in": [], + "out": [] }, { "str": "'", @@ -46298,12 +46284,11 @@ "token_id": 4542, "o_rev_id": 1074183719, "in": [ - 1117591128, - 1178773007 + 1117591128 ], "out": [ 1117588531, - 1178772974 + 1168453704 ] }, { @@ -47769,10 +47754,12 @@ "token_id": 4677, "o_rev_id": 1074183719, "in": [ - 1117591128 + 1117591128, + 1202097960 ], "out": [ - 1117588531 + 1117588531, + 1202071552 ] }, { @@ -48857,13 +48844,6 @@ "str": "2021", "token_id": 4804, "o_rev_id": 1074183719, - "in": [], - "out": [] - }, - { - "str": "|", - "token_id": 4805, - "o_rev_id": 1074183719, "in": [ 1202097960 ], @@ -48871,6 +48851,13 @@ 1202071552 ] }, + { + "str": "|", + "token_id": 4805, + "o_rev_id": 1074183719, + "in": [], + "out": [] + }, { "str": "archive", "token_id": 4806, @@ -48889,13 +48876,6 @@ "str": "url", "token_id": 4808, "o_rev_id": 1074183719, - "in": [], - "out": [] - }, - { - "str": "=", - "token_id": 4809, - "o_rev_id": 1074183719, "in": [ 1202097960 ], @@ -48903,6 +48883,13 @@ 1202071552 ] }, + { + "str": "=", + "token_id": 4809, + "o_rev_id": 1074183719, + "in": [], + "out": [] + }, { "str": "https", "token_id": 4810, @@ -49349,9 +49336,7 @@ "token_id": 4873, "o_rev_id": 1074183719, "in": [], - "out": [ - 1168453704 - ] + "out": [] }, { "str": "url", @@ -52786,57 +52771,66 @@ ] }, { - "str": "<", + "str": ".", "token_id": 5228, + "o_rev_id": 1084088387, + "in": [], + "out": [ + 1084090859 + ] + }, + { + "str": "<", + "token_id": 5229, "o_rev_id": 1084090859, "in": [], "out": [] }, { "str": "ref", - "token_id": 5229, + "token_id": 5230, "o_rev_id": 1084090859, "in": [], "out": [] }, { "str": ">", - "token_id": 5230, + "token_id": 5231, "o_rev_id": 1084090859, "in": [], "out": [] }, { "str": "[[", - "token_id": 5231, + "token_id": 5232, "o_rev_id": 1084102612, "in": [], "out": [] }, { "str": "]]", - "token_id": 5232, + "token_id": 5233, "o_rev_id": 1084102612, "in": [], "out": [] }, { "str": "game", - "token_id": 5233, + "token_id": 5234, 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"in": [], "out": [ @@ -52899,7 +52893,7 @@ }, { "str": "on", - "token_id": 5242, + "token_id": 5243, "o_rev_id": 1084106433, "in": [], "out": [ @@ -52908,7 +52902,7 @@ }, { "str": "april", - "token_id": 5243, + "token_id": 5244, "o_rev_id": 1084106433, "in": [], "out": [ @@ -52917,7 +52911,7 @@ }, { "str": "22", - "token_id": 5244, + "token_id": 5245, "o_rev_id": 1084106433, "in": [], "out": [ @@ -52926,7 +52920,7 @@ }, { "str": ",", - "token_id": 5245, + "token_id": 5246, "o_rev_id": 1084106433, "in": [], "out": [ @@ -52935,7 +52929,7 @@ }, { "str": "2022", - "token_id": 5246, + "token_id": 5247, "o_rev_id": 1084106433, "in": [], "out": [ @@ -52944,7 +52938,7 @@ }, { "str": ".", - "token_id": 5247, + "token_id": 5248, "o_rev_id": 1084106433, "in": [], "out": [ @@ -52953,7 +52947,7 @@ }, { "str": "pjcqjwk", - "token_id": 5248, + "token_id": 5249, "o_rev_id": 1084130061, "in": [ 1088535391 @@ -52965,35 +52959,35 @@ }, { "str": "'", - "token_id": 5249, + "token_id": 5250, "o_rev_id": 1084232739, "in": [], "out": [] }, { "str": "'", - "token_id": 5250, + "token_id": 5251, "o_rev_id": 1084232739, "in": [], "out": [] }, { "str": "'", - "token_id": 5251, + "token_id": 5252, "o_rev_id": 1084232739, "in": [], "out": [] }, { "str": "'", - "token_id": 5252, + "token_id": 5253, "o_rev_id": 1084232739, "in": [], "out": [] }, { "str": "physical", - "token_id": 5253, + "token_id": 5254, "o_rev_id": 1084266928, "in": [], "out": [ @@ -53002,7 +52996,7 @@ }, { "str": "cover", - "token_id": 5254, + "token_id": 5255, "o_rev_id": 1084266928, "in": [], "out": [ @@ -53011,7 +53005,7 @@ }, { "str": "art", - "token_id": 5255, + "token_id": 5256, "o_rev_id": 1084266928, "in": [], "out": [ @@ -53020,7 +53014,7 @@ }, { "str": "for", - "token_id": 5256, + "token_id": 5257, "o_rev_id": 1084266928, "in": [], "out": [ @@ -53029,7 +53023,7 @@ }, { "str": "provided", - "token_id": 5257, + "token_id": 5258, "o_rev_id": 1085278165, "in": [], "out": [ @@ -53038,7 +53032,7 @@ }, { "str": 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1085822237, "in": [ 1178773007, @@ -53216,7 +53210,7 @@ }, { "str": "3", - "token_id": 5274, + "token_id": 5275, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53227,7 +53221,7 @@ }, { "str": ".", - "token_id": 5275, + "token_id": 5276, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53239,7 +53233,7 @@ }, { "str": "<", - "token_id": 5276, + "token_id": 5277, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53250,7 +53244,7 @@ }, { "str": "ref", - "token_id": 5277, + "token_id": 5278, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53261,7 +53255,7 @@ }, { "str": ">", - "token_id": 5278, + "token_id": 5279, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53272,7 +53266,7 @@ }, { "str": "https", - "token_id": 5279, + "token_id": 5280, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53283,7 +53277,7 @@ }, { "str": ":", - "token_id": 5280, + "token_id": 5281, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53294,7 +53288,7 @@ }, { "str": "/", - "token_id": 5281, + "token_id": 5282, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53305,7 +53299,7 @@ }, { "str": "/", - "token_id": 5282, + "token_id": 5283, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53316,7 +53310,7 @@ }, { "str": "www", - "token_id": 5283, + "token_id": 5284, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53327,7 +53321,7 @@ }, { "str": ".", - "token_id": 5284, + "token_id": 5285, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53338,7 +53332,7 @@ }, { "str": "nintendolife", - "token_id": 5285, + "token_id": 5286, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53349,7 +53343,7 @@ }, { "str": ".", - "token_id": 5286, + "token_id": 5287, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53360,7 +53354,7 @@ }, { "str": "com", - "token_id": 5287, + "token_id": 5288, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53371,7 +53365,7 @@ }, { "str": "/", - "token_id": 5288, + "token_id": 5289, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53382,7 +53376,7 @@ }, { "str": "news", - "token_id": 5289, + "token_id": 5290, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53393,7 +53387,7 @@ }, { "str": "/", - "token_id": 5290, + "token_id": 5291, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53404,7 +53398,7 @@ }, { "str": "2022", - "token_id": 5291, + "token_id": 5292, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53415,7 +53409,7 @@ }, { "str": "/", - "token_id": 5292, + "token_id": 5293, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53426,7 +53420,7 @@ }, { "str": "05", - "token_id": 5293, + "token_id": 5294, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53437,7 +53431,7 @@ }, { "str": "/", - "token_id": 5294, + "token_id": 5295, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53448,7 +53442,7 @@ }, { "str": "dont", - "token_id": 5295, + "token_id": 5296, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53459,7 +53453,7 @@ }, { "str": "-", - "token_id": 5296, + "token_id": 5297, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53470,7 +53464,7 @@ }, { "str": "worry", - "token_id": 5297, + "token_id": 5298, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53481,7 +53475,7 @@ }, { "str": "-", - "token_id": 5298, + "token_id": 5299, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53492,7 +53486,7 @@ }, { "str": "splatoon", - "token_id": 5299, + "token_id": 5300, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53503,7 +53497,7 @@ }, { "str": "-", - "token_id": 5300, + "token_id": 5301, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53514,7 +53508,7 @@ }, { "str": "3", - "token_id": 5301, + "token_id": 5302, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53525,7 +53519,7 @@ }, { "str": "-", - "token_id": 5302, + "token_id": 5303, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53536,7 +53530,7 @@ }, { "str": "will", - "token_id": 5303, + "token_id": 5304, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53547,7 +53541,7 @@ }, { "str": "-", - "token_id": 5304, + "token_id": 5305, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53558,7 +53552,7 @@ }, { "str": "have", - "token_id": 5305, + "token_id": 5306, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53569,7 +53563,7 @@ }, { "str": "-", - "token_id": 5306, + "token_id": 5307, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53580,7 +53574,7 @@ }, { "str": "all", - "token_id": 5307, + "token_id": 5308, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53591,7 +53585,7 @@ }, { "str": "-", - "token_id": 5308, + "token_id": 5309, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53602,7 +53596,7 @@ }, { "str": "basic", - "token_id": 5309, + "token_id": 5310, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53613,7 +53607,7 @@ }, { "str": "-", - "token_id": 5310, + "token_id": 5311, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53624,7 +53618,7 @@ }, { "str": "weapons", - "token_id": 5311, + "token_id": 5312, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53635,7 +53629,7 @@ }, { "str": "-", - "token_id": 5312, + "token_id": 5313, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53646,7 +53640,7 @@ }, { "str": "from", - "token_id": 5313, + "token_id": 5314, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53657,7 +53651,7 @@ }, { "str": "-", - "token_id": 5314, + "token_id": 5315, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53668,7 +53662,7 @@ }, { "str": "the", - "token_id": 5315, + "token_id": 5316, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53679,7 +53673,7 @@ }, { "str": "-", - "token_id": 5316, + "token_id": 5317, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53690,7 +53684,7 @@ }, { "str": "previous", - "token_id": 5317, + "token_id": 5318, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53701,7 +53695,7 @@ }, { "str": "-", - "token_id": 5318, + "token_id": 5319, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53712,7 +53706,7 @@ }, { "str": "games", - "token_id": 5319, + "token_id": 5320, "o_rev_id": 1085822237, "in": [ 1178773007 @@ -53723,7 +53717,7 @@ }, { "str": "<", - "token_id": 5320, + "token_id": 5321, "o_rev_id": 1085822237, "in": [], "out": [ @@ -53732,7 +53726,7 @@ }, { "str": "/", - 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"str": "=", - "token_id": 5337, + "token_id": 5338, "o_rev_id": 1085824246, "in": [ 1178773007 @@ -53915,20 +53909,18 @@ }, { "str": "2022", - "token_id": 5338, + "token_id": 5339, "o_rev_id": 1085824246, "in": [ - 1178773007, - 1202097960 + 1178773007 ], "out": [ - 1178772974, - 1202071552 + 1178772974 ] }, { "str": "-", - "token_id": 5339, + "token_id": 5340, "o_rev_id": 1085824246, "in": [], "out": [ @@ -53937,7 +53929,7 @@ }, { "str": "05", - "token_id": 5340, + "token_id": 5341, "o_rev_id": 1085824246, "in": [], "out": [ @@ -53946,16 +53938,20 @@ }, { "str": "-", - "token_id": 5341, + "token_id": 5342, "o_rev_id": 1085824246, - "in": [], + "in": [ + 1178773007, + 1202097960 + ], "out": [ - 1168453704 + 1178772974, + 1202071552 ] }, { "str": "02", - "token_id": 5342, + "token_id": 5343, "o_rev_id": 1085824246, "in": [], "out": [ @@ -53964,7 +53960,7 @@ }, { "str": "|", - "token_id": 5343, + "token_id": 5344, "o_rev_id": 1085824246, "in": [ 1178773007 @@ -53975,7 +53971,7 @@ }, { 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@@ }, { "str": "3", - "token_id": 5352, + "token_id": 5353, "o_rev_id": 1085824246, "in": [ 1178773007 @@ -54074,7 +54070,7 @@ }, { "str": "will", - "token_id": 5353, + "token_id": 5354, "o_rev_id": 1085824246, "in": [ 1178773007 @@ -54085,7 +54081,7 @@ }, { "str": "have", - "token_id": 5354, + "token_id": 5355, "o_rev_id": 1085824246, "in": [ 1178773007 @@ -54096,7 +54092,7 @@ }, { "str": "all", - "token_id": 5355, + "token_id": 5356, "o_rev_id": 1085824246, "in": [ 1178773007 @@ -54107,7 +54103,7 @@ }, { "str": "\"", - "token_id": 5356, + "token_id": 5357, "o_rev_id": 1085824246, "in": [ 1178773007 @@ -54118,7 +54114,7 @@ }, { "str": "basic", - "token_id": 5357, + "token_id": 5358, "o_rev_id": 1085824246, "in": [ 1178773007 @@ -54129,7 +54125,7 @@ }, { "str": "weapons", - "token_id": 5358, + "token_id": 5359, "o_rev_id": 1085824246, "in": [ 1178773007 @@ -54140,7 +54136,7 @@ }, { "str": "\"", - "token_id": 5359, + "token_id": 5360, "o_rev_id": 1085824246, "in": [ 1178773007 @@ 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[], "out": [] }, { "str": "north", - "token_id": 5817, + "token_id": 5818, "o_rev_id": 1104169705, "in": [], "out": [ @@ -57955,7 +57927,7 @@ }, { "str": "american", - "token_id": 5818, + "token_id": 5819, "o_rev_id": 1104169705, "in": [], "out": [ @@ -57964,7 +57936,7 @@ }, { "str": "cover", - "token_id": 5819, + "token_id": 5820, "o_rev_id": 1104169705, "in": [ 1118564685, @@ -57980,7 +57952,7 @@ }, { "str": "art", - "token_id": 5820, + "token_id": 5821, "o_rev_id": 1104169705, "in": [ 1118564685, @@ -57996,14 +57968,14 @@ }, { "str": "broadcast", - "token_id": 5821, + "token_id": 5822, "o_rev_id": 1104247126, "in": [], "out": [] }, { "str": "[[", - "token_id": 5822, + "token_id": 5823, "o_rev_id": 1104249584, "in": [], "out": [ @@ -58012,7 +57984,7 @@ }, { "str": "and", - "token_id": 5823, + "token_id": 5824, "o_rev_id": 1104249584, "in": [], "out": [ @@ -58021,7 +57993,7 @@ }, { "str": "nintendo", - "token_id": 5824, + "token_id": 5825, "o_rev_id": 1104249584, "in": [], "out": [ @@ 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- "token_id": 6107, + "token_id": 6108, "o_rev_id": 1106796146, "in": [], "out": [ @@ -60453,7 +60423,7 @@ }, { "str": "the", - "token_id": 6108, + "token_id": 6109, "o_rev_id": 1106796146, "in": [], "out": [ @@ -60462,7 +60432,7 @@ }, { "str": "training", - "token_id": 6109, + "token_id": 6110, "o_rev_id": 1106796146, "in": [], "out": [ @@ -60471,7 +60441,7 @@ }, { "str": "area", - "token_id": 6110, + "token_id": 6111, "o_rev_id": 1106796146, "in": [], "out": [ @@ -60480,7 +60450,7 @@ }, { "str": ",", - "token_id": 6111, + "token_id": 6112, "o_rev_id": 1106796146, "in": [], "out": [ @@ -60489,7 +60459,7 @@ }, { "str": "while", - "token_id": 6112, + "token_id": 6113, "o_rev_id": 1106796146, "in": [], "out": [ @@ -60498,7 +60468,7 @@ }, { "str": "a", - "token_id": 6113, + "token_id": 6114, "o_rev_id": 1106796146, "in": [], "out": [ @@ -60507,7 +60477,7 @@ }, { "str": "later", - "token_id": 6114, + "token_id": 6115, "o_rev_id": 1106796146, "in": [], "out": [ @@ -60516,7 +60486,7 @@ }, { "str": "presentation", - "token_id": 6115, + "token_id": 6116, "o_rev_id": 1106796146, "in": [], "out": [ @@ -60525,7 +60495,7 @@ }, { "str": "focused", - "token_id": 6116, + "token_id": 6117, "o_rev_id": 1106796146, "in": [], "out": [ @@ -60534,7 +60504,7 @@ }, { "str": "on", - "token_id": 6117, + "token_id": 6118, "o_rev_id": 1106796146, "in": [], "out": [ @@ -60543,7 +60513,7 @@ }, { "str": "the", - "token_id": 6118, + "token_id": 6119, "o_rev_id": 1106796146, "in": [], "out": [ @@ -60552,7 +60522,7 @@ }, { "str": "[[", - "token_id": 6119, + "token_id": 6120, "o_rev_id": 1106796146, "in": [], "out": [ @@ -60561,7 +60531,7 @@ }, { "str": "story", - "token_id": 6120, + "token_id": 6121, "o_rev_id": 1106796146, "in": [], "out": [ @@ -60570,7 +60540,7 @@ }, { "str": "mode", - "token_id": 6121, + "token_id": 6122, "o_rev_id": 1106796146, "in": [], "out": [ @@ -60579,7 +60549,7 @@ }, { "str": "]]", - "token_id": 6122, + "token_id": 6123, "o_rev_id": 1106796146, "in": [], "out": [ @@ 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+60628,42 @@ }, { "str": "2022", - "token_id": 6131, + "token_id": 6132, "o_rev_id": 1106811044, "in": [], "out": [] }, { "str": "25", - "token_id": 6132, + "token_id": 6133, "o_rev_id": 1106842923, "in": [], "out": [] }, { "str": "august", - "token_id": 6133, + "token_id": 6134, "o_rev_id": 1106842923, "in": [], "out": [] }, { "str": "2022", - "token_id": 6134, + "token_id": 6135, "o_rev_id": 1106842923, "in": [], "out": [] }, { "str": "was", - "token_id": 6135, + "token_id": 6136, "o_rev_id": 1106842923, "in": [], "out": [] }, { "str": "broadcasted", - "token_id": 6136, + "token_id": 6137, "o_rev_id": 1106842923, "in": [], "out": [ @@ -60702,42 +60672,42 @@ }, { "str": "the", - "token_id": 6137, + "token_id": 6138, "o_rev_id": 1106842923, "in": [], "out": [] }, { "str": "single", - "token_id": 6138, + "token_id": 6139, "o_rev_id": 1106842923, "in": [], "out": [] }, { "str": "player", - "token_id": 6139, + "token_id": 6140, "o_rev_id": 1106842923, "in": [], "out": [] }, { "str": 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[], "out": [ @@ -62097,7 +62067,7 @@ }, { "str": "join", - "token_id": 6296, + "token_id": 6297, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62108,7 +62078,7 @@ }, { "str": "one", - "token_id": 6297, + "token_id": 6298, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62119,7 +62089,7 @@ }, { "str": "of", - "token_id": 6298, + "token_id": 6299, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62130,7 +62100,7 @@ }, { "str": "(", - "token_id": 6299, + "token_id": 6300, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62141,7 +62111,7 @@ }, { "str": "compared", - "token_id": 6300, + "token_id": 6301, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62152,7 +62122,7 @@ }, { "str": "two", - "token_id": 6301, + "token_id": 6302, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62163,7 +62133,7 @@ }, { "str": "in", - "token_id": 6302, + "token_id": 6303, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62174,7 +62144,7 @@ }, { "str": "previous", - "token_id": 6303, + "token_id": 6304, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62185,7 +62155,7 @@ }, { "str": "two", - "token_id": 6304, + "token_id": 6305, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62194,7 +62164,7 @@ }, { "str": ")", - "token_id": 6305, + "token_id": 6306, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62205,7 +62175,7 @@ }, { "str": "over", - "token_id": 6306, + "token_id": 6307, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62216,7 +62186,7 @@ }, { "str": "a", - "token_id": 6307, + "token_id": 6308, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62227,7 +62197,7 @@ }, { "str": "particular", - "token_id": 6308, + "token_id": 6309, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62238,7 +62208,7 @@ }, { "str": "theme", - "token_id": 6309, + "token_id": 6310, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62249,7 +62219,7 @@ }, { "str": "and", - "token_id": 6310, + "token_id": 6311, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62260,7 +62230,7 @@ }, { "str": "over", - "token_id": 6311, + "token_id": 6312, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62271,7 +62241,7 @@ }, { "str": "days", - "token_id": 6312, + "token_id": 6313, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62282,7 +62252,7 @@ }, { "str": "engage", - "token_id": 6313, + "token_id": 6314, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62293,7 +62263,7 @@ }, { "str": "in", - "token_id": 6314, + "token_id": 6315, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62304,7 +62274,7 @@ }, { "str": "matches", - "token_id": 6315, + "token_id": 6316, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62315,7 +62285,7 @@ }, { "str": "to", - "token_id": 6316, + "token_id": 6317, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62326,7 +62296,7 @@ }, { "str": "gain", - "token_id": 6317, + "token_id": 6318, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62337,7 +62307,7 @@ }, { "str": "most", - "token_id": 6318, + "token_id": 6319, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62348,7 +62318,7 @@ }, { "str": "points", - "token_id": 6319, + "token_id": 6320, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62359,7 +62329,7 @@ }, { "str": "for", - "token_id": 6320, + "token_id": 6321, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62370,7 +62340,7 @@ }, { "str": "victory", - "token_id": 6321, + "token_id": 6322, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62381,7 +62351,7 @@ }, { "str": ".", - "token_id": 6322, + "token_id": 6323, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62392,7 +62362,7 @@ }, { "str": "is", - "token_id": 6323, + "token_id": 6324, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62401,7 +62371,7 @@ }, { "str": "also", - "token_id": 6324, + "token_id": 6325, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62410,7 +62380,7 @@ }, { "str": "returning", - "token_id": 6325, + "token_id": 6326, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62419,7 +62389,7 @@ }, { "str": "is", - "token_id": 6326, + "token_id": 6327, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62431,7 +62401,7 @@ }, { "str": "known", - "token_id": 6327, + "token_id": 6328, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62443,7 +62413,7 @@ }, { "str": "as", - "token_id": 6328, + "token_id": 6329, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62455,7 +62425,7 @@ }, { "str": "is", - "token_id": 6329, + "token_id": 6330, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62467,7 +62437,7 @@ }, { "str": "in", - "token_id": 6330, + "token_id": 6331, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62479,7 +62449,7 @@ }, { "str": "a", - "token_id": 6331, + "token_id": 6332, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62491,7 +62461,7 @@ }, { "str": "different", - "token_id": 6332, + "token_id": 6333, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62503,7 +62473,7 @@ }, { "str": "region", - "token_id": 6333, + "token_id": 6334, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62515,7 +62485,7 @@ }, { "str": "known", - "token_id": 6334, + "token_id": 6335, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62524,7 +62494,7 @@ }, { "str": "as", - "token_id": 6335, + "token_id": 6336, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62533,7 +62503,7 @@ }, { "str": "'", - "token_id": 6336, + "token_id": 6337, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62542,7 +62512,7 @@ }, { "str": "'", - "token_id": 6337, + "token_id": 6338, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62551,7 +62521,7 @@ }, { "str": "splatlands", - "token_id": 6338, + "token_id": 6339, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62560,7 +62530,7 @@ }, { "str": "'", - "token_id": 6339, + "token_id": 6340, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62569,7 +62539,7 @@ }, { "str": "'", - "token_id": 6340, + "token_id": 6341, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62578,7 +62548,7 @@ }, { "str": ",", - "token_id": 6341, + "token_id": 6342, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62587,7 +62557,7 @@ }, { "str": "different", - "token_id": 6342, + "token_id": 6343, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62596,7 +62566,7 @@ }, { "str": "from", - "token_id": 6343, + "token_id": 6344, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62608,7 +62578,7 @@ }, { "str": "the", - "token_id": 6344, + "token_id": 6345, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62620,7 +62590,7 @@ }, { "str": "previous", - "token_id": 6345, + "token_id": 6346, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62632,7 +62602,7 @@ }, { "str": "games", - "token_id": 6346, + "token_id": 6347, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62644,7 +62614,7 @@ }, { "str": "'", - "token_id": 6347, + "token_id": 6348, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62656,7 +62626,7 @@ }, { "str": "hub", - "token_id": 6348, + "token_id": 6349, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62668,7 +62638,7 @@ }, { "str": "for", - "token_id": 6349, + "token_id": 6350, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62677,7 +62647,7 @@ }, { "str": "mode", - "token_id": 6350, + "token_id": 6351, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62688,7 +62658,7 @@ }, { "str": "of", - "token_id": 6351, + "token_id": 6352, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62699,7 +62669,7 @@ }, { "str": "is", - "token_id": 6352, + "token_id": 6353, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62708,7 +62678,7 @@ }, { "str": "in", - "token_id": 6353, + "token_id": 6354, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62719,7 +62689,7 @@ }, { "str": "a", - "token_id": 6354, + "token_id": 6355, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62730,7 +62700,7 @@ }, { "str": "new", - "token_id": 6355, + "token_id": 6356, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62741,7 +62711,7 @@ }, { "str": "location", - "token_id": 6356, + "token_id": 6357, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62752,7 +62722,7 @@ }, { "str": "will", - "token_id": 6357, + "token_id": 6358, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62761,7 +62731,7 @@ }, { "str": "[[", - "token_id": 6358, + "token_id": 6359, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62770,7 +62740,7 @@ }, { "str": "]]", - "token_id": 6359, + "token_id": 6360, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62779,7 +62749,7 @@ }, { "str": ",", - "token_id": 6360, + "token_id": 6361, "o_rev_id": 1106892286, "in": [ 1117591128 @@ -62790,7 +62760,7 @@ }, { "str": "assumed", - "token_id": 6361, + "token_id": 6362, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62799,7 +62769,7 @@ }, { "str": "to", - "token_id": 6362, + "token_id": 6363, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62808,7 +62778,7 @@ }, { "str": "long", - "token_id": 6363, + "token_id": 6364, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62817,7 +62787,7 @@ }, { "str": "be", - "token_id": 6364, + "token_id": 6365, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62826,7 +62796,7 @@ }, { "str": "near", - "token_id": 6365, + "token_id": 6366, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62835,7 +62805,7 @@ }, { "str": "-", - "token_id": 6366, + "token_id": 6367, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62844,7 +62814,7 @@ }, { "str": "extinct", - "token_id": 6367, + "token_id": 6368, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62853,7 +62823,7 @@ }, { "str": "[[", - "token_id": 6368, + "token_id": 6369, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62862,7 +62832,7 @@ }, { "str": "vertebrate", - "token_id": 6369, + "token_id": 6370, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62871,7 +62841,7 @@ }, { "str": "]]", - "token_id": 6370, + "token_id": 6371, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62880,7 +62850,7 @@ }, { "str": "within", - "token_id": 6371, + "token_id": 6372, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62889,7 +62859,7 @@ }, { "str": "the", - "token_id": 6372, + "token_id": 6373, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62898,7 +62868,7 @@ }, { "str": "game", - "token_id": 6373, + "token_id": 6374, "o_rev_id": 1106892286, "in": [], "out": [ @@ -62907,14 +62877,14 @@ }, { "str": "broadcast", - "token_id": 6374, + "token_id": 6375, "o_rev_id": 1106962223, "in": [], "out": [] }, { "str": "[[", - "token_id": 6375, + "token_id": 6376, "o_rev_id": 1106996877, "in": [ 1117591128 @@ -62925,7 +62895,7 @@ }, { "str": "mammal", - "token_id": 6376, + "token_id": 6377, "o_rev_id": 1106996877, "in": [ 1117591128 @@ -62936,7 +62906,7 @@ }, { "str": "]]", - "token_id": 6377, + "token_id": 6378, "o_rev_id": 1106996877, "in": [ 1117591128 @@ -62947,7 +62917,7 @@ }, { "str": "s", - "token_id": 6378, + "token_id": 6379, "o_rev_id": 1106996877, "in": [ 1117591128 @@ -62958,7 +62928,7 @@ }, { "str": "assumed", - "token_id": 6379, + "token_id": 6380, "o_rev_id": 1106996877, "in": [], "out": [ @@ -62967,7 +62937,7 @@ }, { "str": "to", - "token_id": 6380, + "token_id": 6381, "o_rev_id": 1106996877, "in": [], "out": [ @@ -62976,7 +62946,7 @@ }, { "str": "be", - "token_id": 6381, + "token_id": 6382, "o_rev_id": 1106996877, "in": [], "out": [ @@ -62985,7 +62955,7 @@ }, { "str": "long", - "token_id": 6382, + "token_id": 6383, "o_rev_id": 1106996877, "in": [ 1117591128 @@ -62996,7 +62966,7 @@ }, { "str": "[[", - "token_id": 6383, + "token_id": 6384, "o_rev_id": 1106996877, "in": [ 1117591128 @@ -63007,7 +62977,7 @@ }, { "str": "extinction", - "token_id": 6384, + "token_id": 6385, "o_rev_id": 1106996877, "in": [ 1117591128 @@ -63018,7 +62988,7 @@ }, { "str": "|", - "token_id": 6385, + "token_id": 6386, "o_rev_id": 1106996877, "in": [ 1117591128 @@ -63029,7 +62999,7 @@ }, { "str": "extinct", - "token_id": 6386, + "token_id": 6387, "o_rev_id": 1106996877, "in": [ 1117591128 @@ -63040,7 +63010,7 @@ }, { "str": "]]", - "token_id": 6387, + "token_id": 6388, "o_rev_id": 1106996877, "in": [ 1117591128 @@ -63051,7 +63021,7 @@ }, { "str": "two", - "token_id": 6388, + "token_id": 6389, "o_rev_id": 1106997714, "in": [ 1117591128 @@ -63063,7 +63033,7 @@ }, { "str": "set", - "token_id": 6389, + "token_id": 6390, "o_rev_id": 1106997714, "in": [ 1117591128 @@ -63074,7 +63044,7 @@ }, { "str": "\"", - "token_id": 6390, + "token_id": 6391, "o_rev_id": 1106997714, "in": [ 1117591128 @@ -63086,7 +63056,7 @@ }, { "str": "\"", - "token_id": 6391, + "token_id": 6392, "o_rev_id": 1106997714, "in": [ 1117591128 @@ -63098,7 +63068,7 @@ }, { "str": "and", - "token_id": 6392, + "token_id": 6393, "o_rev_id": 1107004098, "in": [ 1117591128 @@ -63110,7 +63080,7 @@ }, { "str": "located", - "token_id": 6393, + "token_id": 6394, "o_rev_id": 1107004098, "in": [ 1117591128 @@ -63122,7 +63092,7 @@ }, { "str": "\"", - "token_id": 6394, + "token_id": 6395, "o_rev_id": 1107004098, "in": [ 1117591128 @@ -63134,7 +63104,7 @@ }, { "str": "known", - "token_id": 6395, + "token_id": 6396, "o_rev_id": 1107004098, "in": [ 1117591128 @@ -63146,7 +63116,7 @@ }, { "str": "as", - "token_id": 6396, + "token_id": 6397, "o_rev_id": 1107004098, "in": [ 1117591128 @@ -63158,7 +63128,7 @@ }, { "str": "\"", - "token_id": 6397, + "token_id": 6398, "o_rev_id": 1107004098, "in": [ 1117591128 @@ -63170,7 +63140,7 @@ }, { "str": "the", - 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}, { "str": "time", - "token_id": 6406, + "token_id": 6407, "o_rev_id": 1107008931, "in": [ 1144952513, @@ -63280,7 +63250,7 @@ }, { "str": "to", - "token_id": 6407, + "token_id": 6408, "o_rev_id": 1107008931, "in": [ 1178773007 @@ -63291,7 +63261,7 @@ }, { "str": "before", - "token_id": 6408, + "token_id": 6409, "o_rev_id": 1107008931, "in": [ 1117591128 @@ -63302,21 +63272,21 @@ }, { "str": "-", - "token_id": 6409, + "token_id": 6410, "o_rev_id": 1107008931, "in": [], "out": [] }, { "str": "-", - "token_id": 6410, + "token_id": 6411, "o_rev_id": 1107008931, "in": [], "out": [] }, { "str": "like", - "token_id": 6411, + "token_id": 6412, "o_rev_id": 1107009550, "in": [ 1178773007 @@ -63327,7 +63297,7 @@ }, { "str": "its", - "token_id": 6412, + "token_id": 6413, "o_rev_id": 1107009550, "in": [], "out": [ @@ -63336,7 +63306,7 @@ }, { "str": "predecessors", - "token_id": 6413, + "token_id": 6414, "o_rev_id": 1107009550, "in": [], "out": [ @@ -63345,7 +63315,7 @@ }, { "str": ",", - 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6828, + "token_id": 6829, "o_rev_id": 1107435919, "in": [], "out": [ @@ -66536,27 +66500,20 @@ }, { "str": "archive", - "token_id": 6829, - "o_rev_id": 1107435919, - "in": [], - "out": [] - }, - { - "str": "-", "token_id": 6830, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "url", + "str": "-", "token_id": 6831, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "=", + "str": "url", "token_id": 6832, "o_rev_id": 1107435919, "in": [ @@ -66567,21 +66524,21 @@ ] }, { - "str": "https", + "str": "=", "token_id": 6833, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": ":", + "str": "https", "token_id": 6834, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "/", + "str": ":", "token_id": 6835, "o_rev_id": 1107435919, "in": [], @@ -66595,91 +66552,91 @@ "out": [] }, { - "str": "web", + "str": "/", "token_id": 6837, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": ".", + "str": "web", "token_id": 6838, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "archive", + "str": ".", "token_id": 6839, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": ".", + "str": "archive", "token_id": 6840, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "org", + "str": ".", "token_id": 6841, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "/", + "str": "org", "token_id": 6842, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "web", + "str": "/", "token_id": 6843, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "/", + "str": "web", "token_id": 6844, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "20220822234837", + "str": "/", "token_id": 6845, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "/", + "str": "20220822234837", "token_id": 6846, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "https", + "str": "/", "token_id": 6847, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": ":", + "str": "https", "token_id": 6848, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "/", + "str": ":", "token_id": 6849, "o_rev_id": 1107435919, "in": [], @@ -66693,293 +66650,296 @@ "out": [] }, { - "str": "www", + "str": "/", "token_id": 6851, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": ".", + "str": "www", "token_id": 6852, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "nintendolife", + "str": ".", "token_id": 6853, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": ".", + "str": "nintendolife", "token_id": 6854, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "com", + "str": ".", "token_id": 6855, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "/", + "str": "com", "token_id": 6856, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "news", + "str": "/", "token_id": 6857, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "/", + "str": "news", "token_id": 6858, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "2022", + "str": "/", "token_id": 6859, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "/", + "str": "2022", "token_id": 6860, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "08", + "str": "/", "token_id": 6861, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "/", + "str": "08", "token_id": 6862, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "splatoon", + "str": "/", "token_id": 6863, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "-", + "str": "splatoon", "token_id": 6864, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "3s", + "str": "-", "token_id": 6865, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "-", + "str": "3s", "token_id": 6866, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "first", + "str": "-", "token_id": 6867, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "-", + "str": "first", "token_id": 6868, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "splatfest", + "str": "-", "token_id": 6869, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "-", + "str": "splatfest", "token_id": 6870, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "will", + "str": "-", "token_id": 6871, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "-", + "str": "will", "token_id": 6872, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "be", + "str": "-", "token_id": 6873, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "-", + "str": "be", "token_id": 6874, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "playable", + "str": "-", "token_id": 6875, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "-", + "str": "playable", "token_id": 6876, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "later", + "str": "-", "token_id": 6877, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "-", + "str": "later", "token_id": 6878, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "this", + "str": "-", "token_id": 6879, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "-", + "str": "this", "token_id": 6880, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "month", + "str": "-", "token_id": 6881, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "-", + "str": "month", "token_id": 6882, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "in", + "str": "-", "token_id": 6883, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "-", + "str": "in", "token_id": 6884, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "free", + "str": "-", "token_id": 6885, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "-", + "str": "free", "token_id": 6886, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "demo", + "str": "-", "token_id": 6887, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "|", + "str": "demo", "token_id": 6888, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "archive", + "str": "|", "token_id": 6889, "o_rev_id": 1107435919, "in": [], "out": [] }, { - "str": "-", + "str": "archive", "token_id": 6890, "o_rev_id": 1107435919, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] + "in": [], + "out": [] }, { - "str": "date", + "str": "-", "token_id": 6891, "o_rev_id": 1107435919, + "in": [], + "out": [] + }, + { + "str": "date", + "token_id": 6892, + "o_rev_id": 1107435919, "in": [ 1202097960 ], @@ -66989,78 +66949,70 @@ }, { "str": "=", - "token_id": 6892, + "token_id": 6893, "o_rev_id": 1107435919, "in": [], "out": [] }, { "str": "22", - "token_id": 6893, + "token_id": 6894, "o_rev_id": 1107435919, "in": [], "out": [] }, { "str": "august", - "token_id": 6894, + "token_id": 6895, "o_rev_id": 1107435919, "in": [], "out": [] }, { "str": "2022", - "token_id": 6895, + "token_id": 6896, "o_rev_id": 1107435919, "in": [], "out": [] }, { "str": "|", - "token_id": 6896, + "token_id": 6897, "o_rev_id": 1107435919, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] + "in": [], + "out": [] }, { "str": "url", - "token_id": 6897, + "token_id": 6898, "o_rev_id": 1107435919, "in": [], "out": [] }, { "str": "-", - "token_id": 6898, + "token_id": 6899, "o_rev_id": 1107435919, "in": [], "out": [] }, { "str": "status", - "token_id": 6899, + "token_id": 6900, "o_rev_id": 1107435919, "in": [], "out": [] }, { "str": "=", - "token_id": 6900, + "token_id": 6901, "o_rev_id": 1107435919, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] + "in": [], + "out": [] }, { "str": "live", - "token_id": 6901, + "token_id": 6902, "o_rev_id": 1107435919, "in": [ 1202097960 @@ -67071,21 +67023,21 @@ }, { "str": "}}", - "token_id": 6902, + "token_id": 6903, "o_rev_id": 1107435919, "in": [], "out": [] }, { "str": "<", - "token_id": 6903, + "token_id": 6904, "o_rev_id": 1107435919, "in": [], "out": [] }, { "str": "/", - "token_id": 6904, + "token_id": 6905, "o_rev_id": 1107435919, "in": [ 1202097960 @@ -67096,34 +67048,27 @@ }, { "str": "ref", - "token_id": 6905, + "token_id": 6906, "o_rev_id": 1107435919, "in": [], "out": [] }, { "str": ">", - "token_id": 6906, + "token_id": 6907, "o_rev_id": 1107435919, "in": [], "out": [] }, { "str": "amiibo", - "token_id": 6907, + "token_id": 6908, "o_rev_id": 1107435919, "in": [], "out": [ 1107638806 ] }, - { - "str": "can", - "token_id": 6908, - "o_rev_id": 1107435919, - "in": [], - "out": [] - }, { "str": "<", "token_id": 6909, @@ -67678,8 +67623,12 @@ "str": "2022", "token_id": 6987, "o_rev_id": 1107435919, - "in": [], - "out": [] + "in": [ + 1202097960 + ], + "out": [ + 1202071552 + ] }, { "str": "|", @@ -67703,8 +67652,12 @@ "str": "-", "token_id": 6990, "o_rev_id": 1107435919, - "in": [], - "out": [] + "in": [ + 1202097960 + ], + "out": [ + 1202071552 + ] }, { "str": "status", @@ -68137,12 +68090,8 @@ "str": "last", "token_id": 7052, "o_rev_id": 1107435919, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] + "in": [], + "out": [] }, { "str": "=", @@ -68197,12 +68146,8 @@ "str": "date", "token_id": 7060, "o_rev_id": 1107435919, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] + "in": [], + "out": [] }, { "str": "=", @@ -71240,12 +71185,8 @@ "str": "salmon", "token_id": 7423, "o_rev_id": 1109252166, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] + "in": [], + "out": [] }, { "str": "\"", @@ -71469,9 +71410,11 @@ "str": "september", "token_id": 7448, "o_rev_id": 1109277930, - "in": [], + "in": [ + 1202097960 + ], "out": [ - 1140535097 + 1202071552 ] }, { @@ -71487,8 +71430,12 @@ "str": "2022", "token_id": 7450, "o_rev_id": 1109277930, - "in": [], - "out": [] + "in": [ + 1202097960 + ], + "out": [ + 1202071552 + ] }, { "str": "at", @@ -71896,9 +71843,7 @@ "token_id": 7504, "o_rev_id": 1109450972, "in": [], - "out": [ - 1140535097 - ] + "out": [] }, { "str": "=", @@ -71975,9 +71920,7 @@ "token_id": 7515, "o_rev_id": 1109450972, "in": [], - "out": [ - 1140535097 - ] + "out": [] }, { "str": "]]", @@ -72568,14 +72511,18 @@ "token_id": 7592, "o_rev_id": 1109450972, "in": [], - "out": [] + "out": [ + 1140535097 + ] }, { "str": "<", "token_id": 7593, "o_rev_id": 1109450972, "in": [], - "out": [] + "out": [ + 1140535097 + ] }, { "str": "/", @@ -72598,7 +72545,9 @@ "token_id": 7596, "o_rev_id": 1109450972, "in": [], - "out": [] + "out": [ + 1140535097 + ] }, { "str": "|", @@ -73161,8 +73110,12 @@ "str": "2022", "token_id": 7668, "o_rev_id": 1109450972, - "in": [], - "out": [] + "in": [ + 1202097960 + ], + "out": [ + 1202071552 + ] }, { "str": "}}", @@ -73178,7 +73131,9 @@ "token_id": 7670, "o_rev_id": 1109450972, "in": [], - "out": [] + "out": [ + 1140535097 + ] }, { "str": "/", @@ -73201,7 +73156,9 @@ "token_id": 7673, "o_rev_id": 1109450972, "in": [], - "out": [] + "out": [ + 1140535097 + ] }, { "str": "|", @@ -73392,8 +73349,12 @@ "str": "date", "token_id": 7699, "o_rev_id": 1109450972, - "in": [], - "out": [] + "in": [ + 1202097960 + ], + "out": [ + 1202071552 + ] }, { "str": "=", @@ -73616,11 +73577,9 @@ "str": "nintendo", "token_id": 7731, "o_rev_id": 1109450972, - "in": [ - 1202097960 - ], + "in": [], "out": [ - 1202071552 + 1351743164 ] }, { @@ -73714,9 +73673,7 @@ "token_id": 7742, "o_rev_id": 1109450972, "in": [], - "out": [ - 1140535097 - ] + "out": [] }, { "str": "=", @@ -73737,9 +73694,7 @@ "token_id": 7745, "o_rev_id": 1109450972, "in": [], - "out": [ - 1140535097 - ] + "out": [] }, { "str": "+", @@ -73783,18 +73738,14 @@ "token_id": 7751, "o_rev_id": 1109450972, "in": [], - "out": [ - 1140535097 - ] + "out": [] }, { "str": "september", "token_id": 7752, "o_rev_id": 1109450972, "in": [], - "out": [ - 1140535097 - ] + "out": [] }, { "str": "2022", @@ -74601,8 +74552,12 @@ "str": "2022", "token_id": 7862, "o_rev_id": 1109450972, - "in": [], - "out": [] + "in": [ + 1202097960 + ], + "out": [ + 1202071552 + ] }, { "str": "|", @@ -74619,8 +74574,12 @@ "str": "url", "token_id": 7864, "o_rev_id": 1109450972, - "in": [], - "out": [] + "in": [ + 1202097960 + ], + "out": [ + 1202071552 + ] }, { "str": "=", @@ -74964,14 +74923,18 @@ "token_id": 7910, "o_rev_id": 1109450972, "in": [], - "out": [] + "out": [ + 1140535097 + ] }, { "str": "<", "token_id": 7911, "o_rev_id": 1109450972, "in": [], - "out": [] + "out": [ + 1140535097 + ] }, { "str": "/", @@ -74994,7 +74957,9 @@ "token_id": 7914, "o_rev_id": 1109450972, "in": [], - "out": [] + "out": [ + 1140535097 + ] }, { "str": "|", @@ -75400,9 +75365,7 @@ "token_id": 7970, "o_rev_id": 1109450972, "in": [], - "out": [ - 1140535097 - ] + "out": [] }, { "str": "’", @@ -75467,27 +75430,21 @@ "token_id": 7979, "o_rev_id": 1109450972, "in": [], - "out": [ - 1140535097 - ] + "out": [] }, { "str": "its", "token_id": 7980, "o_rev_id": 1109450972, "in": [], - "out": [ - 1140535097 - ] + "out": [] }, { "str": "single", "token_id": 7981, "o_rev_id": 1109450972, "in": [], - "out": [ - 1140535097 - ] + "out": [] }, { "str": "-", @@ -75557,9 +75514,7 @@ "token_id": 7991, "o_rev_id": 1109450972, "in": [], - "out": [ - 1140535097 - ] + "out": [] }, { "str": "=", @@ -75580,9 +75535,7 @@ "token_id": 7994, "o_rev_id": 1109450972, "in": [], - "out": [ - 1140535097 - ] + "out": [] }, { "str": "]]", @@ -75619,17 +75572,17 @@ "token_id": 7999, "o_rev_id": 1109450972, "in": [], - "out": [ - 1140535097 - ] + "out": [] }, { "str": "september", "token_id": 8000, "o_rev_id": 1109450972, - "in": [], + "in": [ + 1202097960 + ], "out": [ - 1140535097 + 1202071552 ] }, { @@ -75637,23 +75590,25 @@ "token_id": 8001, "o_rev_id": 1109450972, "in": [], - "out": [ - 1140535097 - ] + "out": [] }, { "str": "}}", "token_id": 8002, "o_rev_id": 1109450972, "in": [], - "out": [] + "out": [ + 1140535097 + ] }, { "str": "<", "token_id": 8003, "o_rev_id": 1109450972, "in": [], - "out": [] + "out": [ + 1140535097 + ] }, { "str": "/", @@ -75676,7 +75631,9 @@ "token_id": 8006, "o_rev_id": 1109450972, "in": [], - "out": [] + "out": [ + 1140535097 + ] }, { "str": "'", @@ -76755,18 +76712,22 @@ "str": "splatoon", "token_id": 8125, "o_rev_id": 1109601759, - "in": [], + "in": [ + 1117591128 + ], "out": [ - 1115665292 + 1117588531 ] }, { "str": "2", "token_id": 8126, "o_rev_id": 1109601759, - "in": [], + "in": [ + 1117591128 + ], "out": [ - 1115665292 + 1117588531 ] }, { @@ -87728,18 +87689,24 @@ "str": "splatoon", "token_id": 9329, "o_rev_id": 1109820321, - "in": [], + "in": [ + 1117591128, + 1216768014 + ], "out": [ - 1115665292 + 1117588531, + 1216767975 ] }, { "str": "3", "token_id": 9330, "o_rev_id": 1109820321, - "in": [], + "in": [ + 1117591128 + ], "out": [ - 1115665292 + 1117588531 ] }, { @@ -90352,23 +90319,15 @@ "str": "the", "token_id": 9626, "o_rev_id": 1109857891, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] + "in": [], + "out": [] }, { "str": "fastest", "token_id": 9627, "o_rev_id": 1109857891, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] + "in": [], + "out": [] }, { "str": "-", @@ -90381,12 +90340,8 @@ "str": "selling", "token_id": 9629, "o_rev_id": 1109857891, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] + "in": [], + "out": [] }, { "str": "nintendo", @@ -90960,7 +90915,9 @@ "token_id": 9709, "o_rev_id": 1109857891, "in": [], - "out": [] + "out": [ + 1140535097 + ] }, { "str": "2022", @@ -94327,26 +94284,17 @@ ] }, { - "str": "}", + "str": "}}", "token_id": 10087, "o_rev_id": 1110226546, "in": [], "out": [ - 1110228716 - ] - }, - { - "str": "}", - "token_id": 10088, - "o_rev_id": 1110226546, - "in": [], - "out": [ - 1110228716 + 1110794584 ] }, { "str": "|", - "token_id": 10089, + "token_id": 10088, "o_rev_id": 1110228716, "in": [], "out": [ @@ -94355,7 +94303,7 @@ }, { "str": "date", - "token_id": 10090, + "token_id": 10089, "o_rev_id": 1110228716, "in": [], "out": [ @@ -94364,7 +94312,7 @@ }, { "str": "=", - "token_id": 10091, + "token_id": 10090, "o_rev_id": 1110228716, "in": [], "out": [ @@ -94373,7 +94321,7 @@ }, { "str": "september", - "token_id": 10092, + "token_id": 10091, "o_rev_id": 1110228716, "in": [], "out": [ @@ -94382,16 +94330,7 @@ }, { "str": "2022", - "token_id": 10093, - "o_rev_id": 1110228716, - "in": [], - "out": [ - 1110794584 - ] - }, - { - "str": "}}", - "token_id": 10094, + "token_id": 10092, "o_rev_id": 1110228716, "in": [], "out": [ @@ -94400,7 +94339,7 @@ }, { "str": "craig", - "token_id": 10095, + "token_id": 10093, "o_rev_id": 1110250495, "in": [], "out": [ @@ -94409,7 +94348,7 @@ }, { "str": "cap", - "token_id": 10096, + "token_id": 10094, "o_rev_id": 1110259610, "in": [ 1115512328 @@ -94421,7 +94360,7 @@ }, { "str": "’", - "token_id": 10097, + "token_id": 10095, "o_rev_id": 1110259610, "in": [], "out": [ @@ -94430,7 +94369,7 @@ }, { "str": "n", - "token_id": 10098, + "token_id": 10096, "o_rev_id": 1110259610, "in": [ 1115512328 @@ -94442,56 +94381,56 @@ }, { "str": "[[", - "token_id": 10099, + "token_id": 10097, "o_rev_id": 1110390705, "in": [], "out": [] }, { "str": "toru", - "token_id": 10100, + "token_id": 10098, "o_rev_id": 1110390705, "in": [], "out": [] }, { "str": "minegishi", - "token_id": 10101, + "token_id": 10099, "o_rev_id": 1110390705, "in": [], "out": [] }, { "str": "]]", - "token_id": 10102, + "token_id": 10100, "o_rev_id": 1110390705, "in": [], "out": [] }, { "str": "<", - "token_id": 10103, + "token_id": 10101, "o_rev_id": 1110390705, "in": [], "out": [] }, { "str": "br", - "token_id": 10104, + "token_id": 10102, "o_rev_id": 1110390705, "in": [], "out": [] }, { "str": ">", - "token_id": 10105, + "token_id": 10103, "o_rev_id": 1110390705, "in": [], "out": [] }, { "str": "shiho", - "token_id": 10106, + "token_id": 10104, "o_rev_id": 1110390705, "in": [], "out": [ @@ -94500,7 +94439,7 @@ }, { "str": "fujii", - "token_id": 10107, + "token_id": 10105, "o_rev_id": 1110390705, "in": [], "out": [ @@ -94509,7 +94448,7 @@ }, { "str": "<", - "token_id": 10108, + "token_id": 10106, "o_rev_id": 1110390705, "in": [], "out": [ @@ -94518,7 +94457,7 @@ }, { "str": "br", - "token_id": 10109, + "token_id": 10107, "o_rev_id": 1110390705, "in": [], "out": [ @@ -94527,7 +94466,7 @@ }, { "str": ">", - "token_id": 10110, + "token_id": 10108, "o_rev_id": 1110390705, "in": [], "out": [ @@ -94536,7 +94475,7 @@ 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@@ -97887,21 +97840,21 @@ "out": [] }, { - "str": "12", + "str": "nintendos", "token_id": 10552, "o_rev_id": 1110557919, "in": [], "out": [] }, { - "str": "/", + "str": "-", "token_id": 10553, "o_rev_id": 1110557919, "in": [], "out": [] }, { - "str": "nintendos", + "str": "splatoon", "token_id": 10554, "o_rev_id": 1110557919, "in": [], @@ -97915,7 +97868,7 @@ "out": [] }, { - "str": "splatoon", + "str": "3", "token_id": 10556, "o_rev_id": 1110557919, "in": [], @@ -97929,7 +97882,7 @@ "out": [] }, { - "str": "3", + "str": "just", "token_id": 10558, "o_rev_id": 1110557919, "in": [], @@ -97943,7 +97896,7 @@ "out": [] }, { - "str": "just", + "str": "set", "token_id": 10560, "o_rev_id": 1110557919, "in": [], @@ -97957,7 +97910,7 @@ "out": [] }, { - "str": "set", + "str": "japans", "token_id": 10562, "o_rev_id": 1110557919, "in": [], @@ -97971,7 +97924,7 @@ "out": [] }, { - "str": "japans", + "str": "all", "token_id": 10564, "o_rev_id": 1110557919, "in": [], @@ -97985,7 +97938,7 @@ "out": [] }, { - "str": "all", + "str": "time", "token_id": 10566, "o_rev_id": 1110557919, "in": [], @@ -97999,7 +97952,7 @@ "out": [] }, { - "str": "time", + "str": "launch", "token_id": 10568, "o_rev_id": 1110557919, "in": [], @@ -98013,7 +97966,7 @@ "out": [] }, { - "str": "launch", + "str": "sales", "token_id": 10570, "o_rev_id": 1110557919, "in": [], @@ -98026,44 +97979,30 @@ "in": [], "out": [] }, - { - "str": "sales", - "token_id": 10572, - "o_rev_id": 1110557919, - "in": [], - "out": [] - }, - { - "str": "-", - "token_id": 10573, - "o_rev_id": 1110557919, - "in": [], - "out": [] - }, { "str": "record", - "token_id": 10574, + "token_id": 10572, "o_rev_id": 1110557919, "in": [], "out": [] }, { "str": "/", - "token_id": 10575, + "token_id": 10573, "o_rev_id": 1110557919, "in": [], "out": [] }, { "str": "|", - "token_id": 10576, + "token_id": 10574, "o_rev_id": 1110557919, "in": [], "out": [] }, { "str": "access", - "token_id": 10577, + "token_id": 10575, "o_rev_id": 1110557919, "in": [], 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"in": [], "out": [] }, { "str": "website", - "token_id": 10587, + "token_id": 10585, "o_rev_id": 1110557919, "in": [], "out": [] }, { "str": "=", - "token_id": 10588, + "token_id": 10586, "o_rev_id": 1110557919, "in": [], "out": [] }, { "str": "forbes", - "token_id": 10589, + "token_id": 10587, "o_rev_id": 1110557919, "in": [], "out": [ @@ -98162,35 +98101,35 @@ }, { "str": "|", - "token_id": 10590, + "token_id": 10588, "o_rev_id": 1110557919, "in": [], "out": [] }, { "str": "language", - "token_id": 10591, + "token_id": 10589, "o_rev_id": 1110557919, "in": [], "out": [] }, { "str": "=", - "token_id": 10592, + "token_id": 10590, "o_rev_id": 1110557919, "in": [], "out": [] }, { "str": "en", - "token_id": 10593, + "token_id": 10591, "o_rev_id": 1110557919, "in": [], "out": [] }, { "str": "}}", - "token_id": 10594, + "token_id": 10592, "o_rev_id": 1110557919, "in": [], "out": [ @@ -98199,7 +98138,7 @@ }, { "str": "<", - "token_id": 10595, + "token_id": 10593, "o_rev_id": 1110557919, "in": [], "out": [ @@ -98208,14 +98147,14 @@ }, { "str": "/", - "token_id": 10596, + "token_id": 10594, "o_rev_id": 1110557919, "in": [], "out": [] }, { "str": "ref", - "token_id": 10597, + "token_id": 10595, "o_rev_id": 1110557919, "in": [], "out": [ @@ -98224,7 +98163,7 @@ }, { "str": ">", - "token_id": 10598, + "token_id": 10596, "o_rev_id": 1110557919, "in": [], "out": [ @@ -98233,7 +98172,7 @@ }, { "str": "agents", - "token_id": 10599, + "token_id": 10597, "o_rev_id": 1110737007, "in": [], "out": [ @@ -98242,7 +98181,7 @@ }, { "str": "1", - "token_id": 10600, + "token_id": 10598, "o_rev_id": 1110737007, "in": [ 1119273540 @@ -98254,7 +98193,7 @@ }, { "str": "and", - "token_id": 10601, + "token_id": 10599, "o_rev_id": 1110737007, "in": [], "out": [ @@ -98263,7 +98202,7 @@ }, { "str": "2", - "token_id": 10602, + "token_id": 10600, "o_rev_id": 1110737007, "in": [], "out": [ @@ -98272,7 +98211,7 @@ }, { "str": ",", - "token_id": 10603, + "token_id": 10601, "o_rev_id": 1110737007, "in": [], "out": [ @@ -98281,7 +98220,7 @@ }, { "str": "of", - "token_id": 10604, + "token_id": 10602, "o_rev_id": 1110737007, "in": [], "out": [ @@ -98290,7 +98229,7 @@ }, { "str": "the", - "token_id": 10605, + "token_id": 10603, "o_rev_id": 1110737007, "in": [], "out": [ @@ -98299,7 +98238,7 @@ }, { "str": "squid", - "token_id": 10606, + "token_id": 10604, "o_rev_id": 1110737007, "in": [], "out": [ @@ -98308,7 +98247,7 @@ }, { "str": "sisters", - "token_id": 10607, + "token_id": 10605, "o_rev_id": 1110737007, "in": [], "out": [ @@ -98317,7 +98256,7 @@ }, { "str": ",", - "token_id": 10608, + "token_id": 10606, "o_rev_id": 1110737007, "in": [], "out": [ @@ -98326,7 +98265,7 @@ }, { "str": "[[", - "token_id": 10609, + "token_id": 10607, "o_rev_id": 1111440983, "in": [], "out": [ @@ -98335,7 +98274,7 @@ }, { "str": "morbuis", - "token_id": 10610, + "token_id": 10608, "o_rev_id": 1111440983, "in": [], "out": [ @@ -98344,7 +98283,7 @@ }, { "str": "]]", - "token_id": 10611, + "token_id": 10609, "o_rev_id": 1111440983, "in": [], "out": [ @@ -98353,7 +98292,7 @@ }, { "str": "[[", - "token_id": 10612, + "token_id": 10610, "o_rev_id": 1111440983, "in": [], "out": [ @@ -98362,7 +98301,7 @@ }, { "str": "ben", - "token_id": 10613, + "token_id": 10611, "o_rev_id": 1111440983, "in": [], "out": [ @@ -98371,7 +98310,7 @@ }, { "str": "]]", - "token_id": 10614, + "token_id": 10612, "o_rev_id": 1111440983, "in": [], "out": [ @@ -98380,7 +98319,7 @@ }, { "str": "[[", - "token_id": 10615, + "token_id": 10613, "o_rev_id": 1111440983, "in": [], "out": [ @@ -98389,7 +98328,7 @@ }, { "str": "ben", - "token_id": 10616, + "token_id": 10614, "o_rev_id": 1111440983, "in": [], "out": [ @@ -98398,7 +98337,7 @@ }, { "str": "]]", - "token_id": 10617, + "token_id": 10615, "o_rev_id": 1111440983, "in": [], "out": [ @@ -98407,7 +98346,7 @@ }, { "str": "[[", - "token_id": 10618, + "token_id": 10616, "o_rev_id": 1111440983, "in": [], "out": [ @@ -98416,7 +98355,7 @@ }, { "str": "morbin", - "token_id": 10619, + "token_id": 10617, "o_rev_id": 1111440983, "in": [], "out": [ @@ -98425,7 +98364,7 @@ }, { "str": "sim", - "token_id": 10620, + "token_id": 10618, "o_rev_id": 1111440983, "in": [], "out": [ @@ -98434,7 +98373,7 @@ }, { "str": "]]", - "token_id": 10621, + "token_id": 10619, "o_rev_id": 1111440983, "in": [], "out": [ @@ -98443,7 +98382,7 @@ }, { "str": "also", - "token_id": 10622, + "token_id": 10620, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98452,7 +98391,7 @@ }, { "str": "(", - "token_id": 10623, + "token_id": 10621, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98461,7 +98400,7 @@ }, { "str": "also", - "token_id": 10624, + "token_id": 10622, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98470,7 +98409,7 @@ }, { "str": "known", - "token_id": 10625, + "token_id": 10623, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98479,7 +98418,7 @@ }, { "str": "as", - "token_id": 10626, + "token_id": 10624, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98488,7 +98427,7 @@ }, { "str": "sub", - "token_id": 10627, + "token_id": 10625, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98497,7 +98436,7 @@ }, { "str": "weapons", - "token_id": 10628, + "token_id": 10626, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98506,7 +98445,7 @@ }, { "str": ")", - "token_id": 10629, + "token_id": 10627, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98515,7 +98454,7 @@ }, { "str": ".", - "token_id": 10630, + "token_id": 10628, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98524,7 +98463,7 @@ }, { "str": "also", - "token_id": 10631, + "token_id": 10629, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98533,7 +98472,7 @@ }, { "str": "returning", - "token_id": 10632, + "token_id": 10630, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98542,7 +98481,7 @@ }, { "str": "from", - "token_id": 10633, + "token_id": 10631, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98551,7 +98490,7 @@ }, { "str": "previous", - "token_id": 10634, + "token_id": 10632, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98560,7 +98499,7 @@ }, { "str": "splatoon", - "token_id": 10635, + "token_id": 10633, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98569,7 +98508,7 @@ }, { "str": "games", - "token_id": 10636, + "token_id": 10634, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98578,7 +98517,7 @@ }, { "str": "is", - "token_id": 10637, + "token_id": 10635, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98587,7 +98526,7 @@ }, { "str": "anarchy", - "token_id": 10638, + "token_id": 10636, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98596,7 +98535,7 @@ }, { "str": "battle", - "token_id": 10639, + "token_id": 10637, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98605,7 +98544,7 @@ }, { "str": "(", - "token_id": 10640, + "token_id": 10638, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98614,7 +98553,7 @@ }, { "str": "used", - "token_id": 10641, + "token_id": 10639, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98623,7 +98562,7 @@ }, { "str": "to", - "token_id": 10642, + "token_id": 10640, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98632,7 +98571,7 @@ }, { "str": "be", - "token_id": 10643, + "token_id": 10641, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98641,7 +98580,7 @@ }, { "str": "ranked", - "token_id": 10644, + "token_id": 10642, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98650,7 +98589,7 @@ }, { "str": "battles", - "token_id": 10645, + "token_id": 10643, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98659,7 +98598,7 @@ }, { "str": ")", - "token_id": 10646, + "token_id": 10644, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98668,7 +98607,7 @@ }, { "str": ".", - "token_id": 10647, + "token_id": 10645, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98677,7 +98616,7 @@ }, { "str": "like", - "token_id": 10648, + "token_id": 10646, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98686,7 +98625,7 @@ }, { "str": "turf", - "token_id": 10649, + "token_id": 10647, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98695,7 +98634,7 @@ }, { "str": "war", - "token_id": 10650, + "token_id": 10648, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98704,7 +98643,7 @@ }, { "str": ",", - "token_id": 10651, + "token_id": 10649, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98713,7 +98652,7 @@ }, { "str": "anarchy", - "token_id": 10652, + "token_id": 10650, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98722,7 +98661,7 @@ }, { "str": "battle", - "token_id": 10653, + "token_id": 10651, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98731,7 +98670,7 @@ }, { "str": "is", - "token_id": 10654, + "token_id": 10652, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98740,7 +98679,7 @@ }, { "str": "a", - "token_id": 10655, + "token_id": 10653, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98749,7 +98688,7 @@ }, { "str": "competitive", - "token_id": 10656, + "token_id": 10654, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98758,7 +98697,7 @@ }, { "str": "online", - "token_id": 10657, + "token_id": 10655, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98767,7 +98706,7 @@ }, { "str": "multiplayer", - "token_id": 10658, + "token_id": 10656, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98776,7 +98715,7 @@ }, { "str": "gamemode", - "token_id": 10659, + "token_id": 10657, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98785,7 +98724,7 @@ }, { "str": ".", - "token_id": 10660, + "token_id": 10658, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98794,7 +98733,7 @@ }, { "str": "you", - "token_id": 10661, + "token_id": 10659, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98803,7 +98742,7 @@ }, { "str": "can", - "token_id": 10662, + "token_id": 10660, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98812,7 +98751,7 @@ }, { "str": "start", - "token_id": 10663, + "token_id": 10661, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98821,7 +98760,7 @@ }, { "str": "an", - "token_id": 10664, + "token_id": 10662, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98830,7 +98769,7 @@ }, { "str": "anarchy", - "token_id": 10665, + "token_id": 10663, "o_rev_id": 1111606673, 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10671, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98911,7 +98850,7 @@ }, { "str": "to", - "token_id": 10674, + "token_id": 10672, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98920,7 +98859,7 @@ }, { "str": "succeed", - "token_id": 10675, + "token_id": 10673, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98929,7 +98868,7 @@ }, { "str": "and", - "token_id": 10676, + "token_id": 10674, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98938,7 +98877,7 @@ }, { "str": "lose", - "token_id": 10677, + "token_id": 10675, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98947,7 +98886,7 @@ }, { "str": "3", - "token_id": 10678, + "token_id": 10676, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98956,7 +98895,7 @@ }, { "str": "to", - "token_id": 10679, + "token_id": 10677, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98965,7 +98904,7 @@ }, { "str": "lose", - "token_id": 10680, + "token_id": 10678, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98974,7 +98913,7 @@ }, { "str": ".", - "token_id": 10681, + "token_id": 10679, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98983,7 +98922,7 @@ }, { "str": "or", - "token_id": 10682, + "token_id": 10680, "o_rev_id": 1111606673, "in": [], "out": [ @@ -98992,7 +98931,7 @@ }, { "str": "you", - "token_id": 10683, + "token_id": 10681, "o_rev_id": 1111606673, "in": [], "out": [ @@ -99001,7 +98940,7 @@ }, { "str": "can", - "token_id": 10684, + "token_id": 10682, "o_rev_id": 1111606673, "in": [], "out": [ @@ -99010,7 +98949,7 @@ }, { "str": "play", - "token_id": 10685, + "token_id": 10683, "o_rev_id": 1111606673, "in": [], "out": [ @@ -99019,7 +98958,7 @@ }, { "str": "anarchy", - "token_id": 10686, + "token_id": 10684, "o_rev_id": 1111606673, "in": [], "out": [ @@ -99028,7 +98967,7 @@ }, { "str": "battle", - "token_id": 10687, + "token_id": 10685, "o_rev_id": 1111606673, "in": [], "out": [ @@ -99037,7 +98976,7 @@ }, { "str": "open", - "token_id": 10688, + "token_id": 10686, "o_rev_id": 1111606673, "in": [], "out": [ @@ -99046,7 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"str": ".", "token_id": 10696, "o_rev_id": 1111606673, "in": [], @@ -99117,7 +99074,7 @@ ] }, { - "str": "battle", + "str": "the", "token_id": 10697, "o_rev_id": 1111606673, "in": [], @@ -99126,7 +99083,7 @@ ] }, { - "str": ".", + "str": "exact", "token_id": 10698, "o_rev_id": 1111606673, "in": [], @@ -99135,7 +99092,7 @@ ] }, { - "str": "the", + "str": "mode", "token_id": 10699, "o_rev_id": 1111606673, "in": [], @@ -99144,7 +99101,7 @@ ] }, { - "str": "exact", + "str": "that", "token_id": 10700, "o_rev_id": 1111606673, "in": [], @@ -99153,7 +99110,7 @@ ] }, { - "str": "mode", + "str": "you", "token_id": 10701, "o_rev_id": 1111606673, "in": [], @@ -99162,7 +99119,7 @@ ] }, { - "str": "that", + "str": "play", "token_id": 10702, "o_rev_id": 1111606673, "in": [], @@ -99171,7 +99128,7 @@ ] }, { - "str": "you", + "str": "rotates", "token_id": 10703, "o_rev_id": 1111606673, "in": [], @@ -99180,7 +99137,7 @@ ] }, { - "str": "play", + "str": "between", "token_id": 10704, "o_rev_id": 1111606673, "in": [], @@ -99189,7 +99146,7 @@ ] }, { - "str": "rotates", + "str": "four", "token_id": 10705, "o_rev_id": 1111606673, "in": [], @@ -99198,7 +99155,7 @@ ] }, { - "str": "between", + "str": "different", "token_id": 10706, "o_rev_id": 1111606673, "in": [], @@ -99207,7 +99164,7 @@ ] }, { - "str": "four", + "str": "game", "token_id": 10707, "o_rev_id": 1111606673, "in": [], @@ -99216,7 +99173,7 @@ ] }, { - "str": "different", + "str": "modes", "token_id": 10708, "o_rev_id": 1111606673, "in": [], @@ -99225,7 +99182,7 @@ ] }, { - "str": "game", + "str": ";", "token_id": 10709, "o_rev_id": 1111606673, "in": [], @@ -99234,7 +99191,7 @@ ] }, { - "str": "modes", + "str": "clam", "token_id": 10710, "o_rev_id": 1111606673, "in": [], @@ -99243,7 +99200,7 @@ ] }, { - "str": ";", + "str": "blitz", "token_id": 10711, "o_rev_id": 1111606673, "in": [], @@ -99252,7 +99209,7 @@ ] }, { - "str": "clam", + "str": ",", "token_id": 10712, "o_rev_id": 1111606673, "in": [], @@ -99261,7 +99218,7 @@ ] }, { - "str": "blitz", + "str": "rainmaker", "token_id": 10713, "o_rev_id": 1111606673, "in": [], @@ -99279,7 +99236,7 @@ ] }, { - "str": "rainmaker", + "str": "splat", "token_id": 10715, "o_rev_id": 1111606673, "in": [], @@ -99288,7 +99245,7 @@ ] }, { - "str": ",", + "str": "zones", "token_id": 10716, "o_rev_id": 1111606673, "in": [], @@ -99297,7 +99254,7 @@ ] }, { - "str": "splat", + "str": ",", "token_id": 10717, "o_rev_id": 1111606673, "in": [], @@ -99306,7 +99263,7 @@ ] }, { - "str": "zones", + "str": "and", "token_id": 10718, "o_rev_id": 1111606673, "in": [], @@ -99315,7 +99272,7 @@ ] }, { - "str": ",", + "str": "tower", "token_id": 10719, "o_rev_id": 1111606673, "in": [], @@ -99324,7 +99281,7 @@ ] }, { - "str": "and", + "str": "control", "token_id": 10720, "o_rev_id": 1111606673, "in": [], @@ -99333,7 +99290,7 @@ ] }, { - "str": "tower", + "str": ".", "token_id": 10721, "o_rev_id": 1111606673, "in": [], @@ -99342,7 +99299,7 @@ ] }, { - "str": "control", + "str": "the", "token_id": 10722, "o_rev_id": 1111606673, "in": [], @@ -99351,7 +99308,7 @@ ] }, { - "str": ".", + "str": "more", "token_id": 10723, "o_rev_id": 1111606673, "in": [], @@ -99360,7 +99317,7 @@ ] }, { - "str": "the", + "str": "points", "token_id": 10724, "o_rev_id": 1111606673, "in": [], @@ -99369,7 +99326,7 @@ ] }, { - "str": "more", + "str": "you", "token_id": 10725, "o_rev_id": 1111606673, "in": [], @@ -99378,7 +99335,7 @@ ] }, { - "str": "points", + "str": "earn", "token_id": 10726, "o_rev_id": 1111606673, "in": [], @@ -99387,7 +99344,7 @@ ] }, { - "str": "you", + "str": "the", "token_id": 10727, "o_rev_id": 1111606673, "in": [], @@ -99396,7 +99353,7 @@ ] }, { - "str": "earn", + "str": "higher", "token_id": 10728, "o_rev_id": 1111606673, "in": [], @@ -99405,7 +99362,7 @@ ] }, { - "str": "the", + "str": "up", "token_id": 10729, "o_rev_id": 1111606673, "in": [], @@ -99414,7 +99371,7 @@ ] }, { - "str": "higher", + "str": "your", "token_id": 10730, "o_rev_id": 1111606673, "in": [], @@ 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"token_id": 10739, "o_rev_id": 1111606673, "in": [], @@ -99504,7 +99461,7 @@ ] }, { - "str": "c", + "str": "\"", "token_id": 10740, "o_rev_id": 1111606673, "in": [], @@ -99513,7 +99470,7 @@ ] }, { - "str": "-", + "str": "you", "token_id": 10741, "o_rev_id": 1111606673, "in": [], @@ -99522,7 +99479,7 @@ ] }, { - "str": "\"", + "str": "can", "token_id": 10742, "o_rev_id": 1111606673, "in": [], @@ -99531,7 +99488,7 @@ ] }, { - "str": "you", + "str": "get", "token_id": 10743, "o_rev_id": 1111606673, "in": [], @@ -99540,7 +99497,7 @@ ] }, { - "str": "can", + "str": "to", "token_id": 10744, "o_rev_id": 1111606673, "in": [], @@ -99549,7 +99506,7 @@ ] }, { - "str": "get", + "str": "\"", "token_id": 10745, "o_rev_id": 1111606673, "in": [], @@ -99558,7 +99515,7 @@ ] }, { - "str": "to", + "str": "c", "token_id": 10746, "o_rev_id": 1111606673, "in": [], @@ -99567,7 +99524,7 @@ ] }, { - "str": "\"", + "str": ",", "token_id": 10747, "o_rev_id": 1111606673, "in": [], @@ -99585,7 +99542,7 @@ ] }, { - "str": ",", + "str": "+", "token_id": 10749, "o_rev_id": 1111606673, "in": [], @@ -99594,7 +99551,7 @@ ] }, { - "str": "c", + "str": ",", "token_id": 10750, "o_rev_id": 1111606673, "in": [], @@ -99603,7 +99560,7 @@ ] }, { - "str": "+", + "str": "b", "token_id": 10751, "o_rev_id": 1111606673, "in": [], @@ -99612,7 +99569,7 @@ ] }, { - "str": ",", + "str": "-", "token_id": 10752, "o_rev_id": 1111606673, "in": [], @@ -99621,7 +99578,7 @@ ] }, { - "str": "b", + "str": ",", "token_id": 10753, "o_rev_id": 1111606673, "in": [], @@ -99630,7 +99587,7 @@ ] }, { - "str": "-", + "str": "b", "token_id": 10754, "o_rev_id": 1111606673, "in": [], @@ -99657,7 +99614,7 @@ ] }, { - "str": ",", + "str": "+", "token_id": 10757, "o_rev_id": 1111606673, "in": [], @@ -99666,7 +99623,7 @@ ] }, { - "str": "b", + "str": ",", "token_id": 10758, "o_rev_id": 1111606673, "in": [], @@ -99675,7 +99632,7 @@ ] }, { - "str": "+", + "str": "a", "token_id": 10759, "o_rev_id": 1111606673, "in": [], @@ -99684,7 +99641,7 @@ ] 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1111606673, "in": [], @@ -99963,7 +99920,7 @@ ] }, { - "str": ",", + "str": "x", "token_id": 10791, "o_rev_id": 1111606673, "in": [], @@ -99972,7 +99929,7 @@ ] }, { - "str": "and", + "str": "rank", "token_id": 10792, "o_rev_id": 1111606673, "in": [], @@ -99981,7 +99938,7 @@ ] }, { - "str": "x", + "str": "\"", "token_id": 10793, "o_rev_id": 1111606673, "in": [], @@ -99990,7 +99947,7 @@ ] }, { - "str": "rank", + "str": "respectively", "token_id": 10794, "o_rev_id": 1111606673, "in": [], @@ -100008,7 +99965,7 @@ ] }, { - "str": "respectively", + "str": "alterna", "token_id": 10796, "o_rev_id": 1111606673, "in": [], @@ -100026,7 +99983,7 @@ ] }, { - "str": "alterna", + "str": "contraption", "token_id": 10798, "o_rev_id": 1111606673, "in": [], @@ -100035,7 +99992,7 @@ ] }, { - "str": "\"", + "str": "the", "token_id": 10799, "o_rev_id": 1111606673, "in": [], @@ -100044,7 +100001,7 @@ ] }, { - "str": "contraption", + "str": "\"", "token_id": 10800, "o_rev_id": 1111606673, "in": [], @@ -100053,7 +100010,7 @@ ] }, { - "str": "the", + "str": "stringer", "token_id": 10801, "o_rev_id": 1111606673, "in": [], @@ -100070,27 +100027,9 @@ 1111608047 ] }, - { - "str": "stringer", - "token_id": 10803, - "o_rev_id": 1111606673, - "in": [], - "out": [ - 1111608047 - ] - }, - { - "str": "\"", - "token_id": 10804, - "o_rev_id": 1111606673, - "in": [], - "out": [ - 1111608047 - ] - }, { "str": "weapon", - "token_id": 10805, + "token_id": 10803, "o_rev_id": 1111606673, "in": [], "out": [ @@ -100099,7 +100038,7 @@ }, { "str": "class", - "token_id": 10806, + "token_id": 10804, "o_rev_id": 1111606673, "in": [], "out": [ @@ -100108,7 +100047,7 @@ }, { "str": "although", - "token_id": 10807, + "token_id": 10805, "o_rev_id": 1111607876, "in": [], "out": [ @@ -100117,7 +100056,7 @@ }, { "str": "before", - "token_id": 10808, + "token_id": 10806, "o_rev_id": 1111607876, "in": [], "out": [ @@ -100126,7 +100065,7 @@ }, { "str": "launch", - "token_id": 10809, + "token_id": 10807, "o_rev_id": 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10830, "o_rev_id": 1111607876, "in": [], "out": [ @@ -100342,7 +100281,7 @@ }, { "str": "positive", - "token_id": 10833, + "token_id": 10831, "o_rev_id": 1111607876, "in": [], "out": [ @@ -100351,7 +100290,7 @@ }, { "str": "and", - "token_id": 10834, + "token_id": 10832, "o_rev_id": 1111607876, "in": [], "out": [ @@ -100360,7 +100299,7 @@ }, { "str": "many", - "token_id": 10835, + "token_id": 10833, "o_rev_id": 1111607876, "in": [], "out": [ @@ -100369,7 +100308,7 @@ }, { "str": "fans", - "token_id": 10836, + "token_id": 10834, "o_rev_id": 1111607876, "in": [], "out": [ @@ -100378,7 +100317,7 @@ }, { "str": "enjoy", - "token_id": 10837, + "token_id": 10835, "o_rev_id": 1111607876, "in": [], "out": [ @@ -100387,7 +100326,7 @@ }, { "str": "the", - "token_id": 10838, + "token_id": 10836, "o_rev_id": 1111607876, "in": [], "out": [ @@ -100396,7 +100335,7 @@ }, { "str": "new", - "token_id": 10839, + "token_id": 10837, "o_rev_id": 1111607876, "in": [], "out": [ @@ -100405,7 +100344,7 @@ }, { 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}, { "str": "mammals", - "token_id": 10863, + "token_id": 10861, "o_rev_id": 1111799617, "in": [], "out": [ @@ -100621,7 +100560,7 @@ }, { "str": "left", - "token_id": 10864, + "token_id": 10862, "o_rev_id": 1111799617, "in": [], "out": [ @@ -100630,56 +100569,56 @@ }, { "str": "[[", - "token_id": 10865, + "token_id": 10863, "o_rev_id": 1111921385, "in": [], "out": [] }, { "str": "systems", - "token_id": 10866, + "token_id": 10864, "o_rev_id": 1111921385, "in": [], "out": [] }, { "str": "research", - "token_id": 10867, + "token_id": 10865, "o_rev_id": 1111921385, "in": [], "out": [] }, { "str": "&", - "token_id": 10868, + "token_id": 10866, "o_rev_id": 1111921385, "in": [], "out": [] }, { "str": "development", - "token_id": 10869, + "token_id": 10867, "o_rev_id": 1111921385, "in": [], "out": [] }, { "str": "|", - "token_id": 10870, + "token_id": 10868, "o_rev_id": 1111921385, "in": [], "out": [] }, { "str": "]]", - "token_id": 10871, + "token_id": 10869, "o_rev_id": 1111921385, "in": [], "out": [] }, { "str": "of", - "token_id": 10872, + "token_id": 10870, "o_rev_id": 1111921385, "in": [ 1117591128 @@ -100690,7 +100629,7 @@ }, { "str": "five", - "token_id": 10873, + "token_id": 10871, "o_rev_id": 1111921385, "in": [ 1117591128 @@ -100701,65 +100640,63 @@ }, { "str": "23", - "token_id": 10874, + "token_id": 10872, "o_rev_id": 1111943650, "in": [], - "out": [ - 1140535097 - ] + "out": [] }, { "str": "|", - "token_id": 10875, + "token_id": 10873, "o_rev_id": 1111976824, "in": [], "out": [] }, { "str": "eurog", - "token_id": 10876, + "token_id": 10874, "o_rev_id": 1111976824, "in": [], "out": [] }, { "str": "=", - "token_id": 10877, + "token_id": 10875, "o_rev_id": 1111976824, "in": [], "out": [] }, { "str": "recommended", - "token_id": 10878, + "token_id": 10876, "o_rev_id": 1111976824, "in": [], "out": [] }, { "str": "<", - "token_id": 10879, + "token_id": 10877, "o_rev_id": 1111976824, "in": [], "out": [] }, { "str": "ref", - "token_id": 10880, + "token_id": 10878, 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"token_id": 10885, + "o_rev_id": 1111976824, + "in": [], + "out": [] + }, { "str": "robinson", - "token_id": 10888, + "token_id": 10886, "o_rev_id": 1111976824, "in": [], "out": [] }, { "str": "|", - "token_id": 10889, + "token_id": 10887, "o_rev_id": 1111976824, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] + "in": [], + "out": [] }, { "str": "first", - "token_id": 10890, + "token_id": 10888, "o_rev_id": 1111976824, "in": [], "out": [] }, { "str": "=", - "token_id": 10891, + "token_id": 10889, "o_rev_id": 1111976824, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] + "in": [], + "out": [] }, { "str": "martin", - "token_id": 10892, + "token_id": 10890, "o_rev_id": 1111976824, "in": [], "out": [] }, { "str": "|", - "token_id": 10893, + "token_id": 10891, "o_rev_id": 1111976824, "in": [], "out": [] }, { "str": "date", - "token_id": 10894, + "token_id": 10892, "o_rev_id": 1111976824, "in": [], "out": [] }, { "str": "=", - "token_id": 10895, + "token_id": 10893, 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10901, "o_rev_id": 1111976824, "in": [], "out": [] }, { - "str": "https", + "str": "/", "token_id": 10902, "o_rev_id": 1111976824, "in": [], "out": [] }, { - "str": ":", + "str": "/", "token_id": 10903, "o_rev_id": 1111976824, "in": [], "out": [] }, { - "str": "/", + "str": "www", "token_id": 10904, "o_rev_id": 1111976824, "in": [], "out": [] }, { - "str": "/", + "str": ".", "token_id": 10905, "o_rev_id": 1111976824, "in": [], "out": [] }, { - "str": "www", + "str": "eurogamer", "token_id": 10906, "o_rev_id": 1111976824, "in": [], @@ -100964,35 +100931,35 @@ "out": [] }, { - "str": "eurogamer", + "str": "net", "token_id": 10908, "o_rev_id": 1111976824, "in": [], "out": [] }, { - "str": ".", + "str": "/", "token_id": 10909, "o_rev_id": 1111976824, "in": [], "out": [] }, { - "str": "net", + "str": "splatoon", "token_id": 10910, "o_rev_id": 1111976824, "in": [], "out": [] }, { - "str": "/", + "str": "-", "token_id": 10911, "o_rev_id": 1111976824, "in": [], "out": [] }, { - "str": "splatoon", + "str": "3", "token_id": 10912, "o_rev_id": 1111976824, "in": [], @@ -101006,7 +100973,7 @@ "out": [] }, { - "str": "3", + "str": "review", "token_id": 10914, "o_rev_id": 1111976824, "in": [], @@ -101020,7 +100987,7 @@ "out": [] }, { - "str": "review", + "str": "a", "token_id": 10916, "o_rev_id": 1111976824, "in": [], @@ -101034,7 +101001,7 @@ "out": [] }, { - "str": "a", + "str": "lot", "token_id": 10918, "o_rev_id": 1111976824, "in": [], @@ -101048,7 +101015,7 @@ "out": [] }, { - "str": "lot", + "str": "more", "token_id": 10920, "o_rev_id": 1111976824, "in": [], @@ -101062,7 +101029,7 @@ "out": [] }, { - "str": "more", + "str": "of", "token_id": 10922, "o_rev_id": 1111976824, "in": [], @@ -101076,7 +101043,7 @@ "out": [] }, { - "str": "of", + "str": "the", "token_id": 10924, "o_rev_id": 1111976824, "in": [], @@ -101090,7 +101057,7 @@ "out": [] }, { - "str": "the", + "str": "brilliant", "token_id": 10926, "o_rev_id": 1111976824, "in": [], @@ -101104,82 +101071,64 @@ "out": [] }, { - "str": "brilliant", + "str": "same", "token_id": 10928, "o_rev_id": 1111976824, "in": [], "out": [] }, { - "str": "-", + "str": "|", "token_id": 10929, "o_rev_id": 1111976824, "in": [], "out": [] }, { - "str": "same", + "str": "title", "token_id": 10930, "o_rev_id": 1111976824, "in": [], "out": [] }, - { - "str": "|", - "token_id": 10931, - "o_rev_id": 1111976824, - "in": [], - "out": [] - }, - { - "str": "title", - "token_id": 10932, - "o_rev_id": 1111976824, - "in": [], - "out": [ - 1140535097 - ] - }, { "str": "=", - "token_id": 10933, + "token_id": 10931, "o_rev_id": 1111976824, "in": [], "out": [] }, { "str": "splatoon", - "token_id": 10934, + "token_id": 10932, "o_rev_id": 1111976824, "in": [], "out": [] }, { "str": "3", - "token_id": 10935, + "token_id": 10933, "o_rev_id": 1111976824, "in": [], "out": [] }, { "str": "review", - "token_id": 10936, + "token_id": 10934, "o_rev_id": 1111976824, "in": [], - "out": [ - 1140535097 - ] + "out": [] }, { "str": "-", - 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{ - "str": "-", - "token_id": 11317, - "o_rev_id": 1113961045, - "in": [ - 1117591128 - ], - "out": [ - 1117588531 - ] - }, { "str": "time", - "token_id": 11318, + "token_id": 11316, "o_rev_id": 1113961045, "in": [ 1117591128 @@ -104413,7 +104400,7 @@ }, { "str": "/", - "token_id": 11319, + "token_id": 11317, "o_rev_id": 1113961045, "in": [ 1117591128 @@ -104424,7 +104411,7 @@ }, { "str": "<", - "token_id": 11320, + "token_id": 11318, "o_rev_id": 1113961045, "in": [ 1117591128 @@ -104436,7 +104423,7 @@ }, { "str": "/", - "token_id": 11321, + "token_id": 11319, "o_rev_id": 1113961045, "in": [ 1117591128 @@ -104447,7 +104434,7 @@ }, { "str": "ref", - "token_id": 11322, + "token_id": 11320, "o_rev_id": 1113961045, "in": [ 1117591128 @@ -104459,7 +104446,7 @@ }, { "str": ">", - "token_id": 11323, + "token_id": 11321, "o_rev_id": 1113961045, "in": [ 1117591128 @@ -104471,7 +104458,7 @@ }, { "str": "(", - "token_id": 11324, + "token_id": 11322, "o_rev_id": 1113961208, "in": [], "out": [ @@ 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"the", - "token_id": 11355, + "token_id": 11353, "o_rev_id": 1114168936, "in": [ 1117591128 @@ -104808,7 +104794,7 @@ }, { "str": "real", - "token_id": 11356, + "token_id": 11354, "o_rev_id": 1114168936, "in": [ 1117591128 @@ -104819,7 +104805,7 @@ }, { "str": "world", - "token_id": 11357, + "token_id": 11355, "o_rev_id": 1114168936, "in": [ 1117591128 @@ -104830,7 +104816,7 @@ }, { "str": "\"", - "token_id": 11358, + "token_id": 11356, "o_rev_id": 1114168936, "in": [ 1117591128 @@ -104841,7 +104827,7 @@ }, { "str": "|", - "token_id": 11359, + "token_id": 11357, "o_rev_id": 1114168936, "in": [ 1117591128 @@ -104852,7 +104838,7 @@ }, { "str": "date", - "token_id": 11360, + "token_id": 11358, "o_rev_id": 1114168936, "in": [ 1117591128 @@ -104863,7 +104849,7 @@ }, { "str": "=", - "token_id": 11361, + "token_id": 11359, "o_rev_id": 1114168936, "in": [ 1117591128 @@ -104874,19 +104860,18 @@ }, { "str": "9", - "token_id": 11362, + "token_id": 11360, "o_rev_id": 1114168936, "in": [ 1117591128 ], "out": [ - 1117588531, - 1140535097 + 1117588531 ] }, { "str": "september", - "token_id": 11363, + "token_id": 11361, "o_rev_id": 1114168936, "in": [ 1117591128 @@ -104897,19 +104882,20 @@ }, { "str": "2022", - "token_id": 11364, + "token_id": 11362, "o_rev_id": 1114168936, "in": [ - 1117591128 + 1117591128, + 1202097960 ], "out": [ 1117588531, - 1140535097 + 1202071552 ] }, { "str": "}}", - "token_id": 11365, + "token_id": 11363, "o_rev_id": 1114168936, "in": [ 1117591128 @@ -104921,55 +104907,69 @@ }, { "str": "|", - "token_id": 11366, + "token_id": 11364, "o_rev_id": 1114168936, "in": [], "out": [] }, { "str": "last1", - "token_id": 11367, + "token_id": 11365, "o_rev_id": 1114168936, "in": [], "out": [] }, { "str": "=", - "token_id": 11368, + "token_id": 11366, "o_rev_id": 1114168936, "in": [], "out": [] }, { "str": "|", - "token_id": 11369, + "token_id": 11367, "o_rev_id": 1114168936, "in": [], "out": [] }, { "str": "first1", - "token_id": 11370, + "token_id": 11368, "o_rev_id": 1114168936, "in": [], "out": [] }, { "str": "=", - "token_id": 11371, + "token_id": 11369, "o_rev_id": 1114168936, "in": [], "out": [] }, { "str": "{{", - "token_id": 11372, + "token_id": 11370, "o_rev_id": 1114168936, "in": [], "out": [] }, { "str": "magazine", + "token_id": 11371, + "o_rev_id": 1114168936, + "in": [], + "out": [] + }, + { + "str": "|", + "token_id": 11372, + "o_rev_id": 1114168936, + "in": [], + "out": [] + }, + { + "str": "=", "token_id": 11373, "o_rev_id": 1114168936, "in": [], @@ -105035,34 +105035,12 @@ "str": "|", "token_id": 11382, "o_rev_id": 1114168936, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] - }, - { - "str": "=", - "token_id": 11383, - "o_rev_id": 1114168936, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] - }, - { - "str": "|", - "token_id": 11384, - "o_rev_id": 1114168936, "in": [], "out": [] }, { "str": "magazine", - "token_id": 11385, + "token_id": 11383, "o_rev_id": 1114168936, "in": [], "out": [ @@ -105071,14 +105049,14 @@ }, { "str": "=", - "token_id": 11386, + "token_id": 11384, "o_rev_id": 1114168936, "in": [], "out": [] }, { "str": "|", - "token_id": 11387, + "token_id": 11385, "o_rev_id": 1114168936, "in": [], "out": [ @@ -105087,7 +105065,7 @@ }, { "str": "=", - "token_id": 11388, + "token_id": 11386, "o_rev_id": 1114168936, "in": [], "out": [ @@ -105096,119 +105074,121 @@ }, { "str": "}}", - "token_id": 11389, + "token_id": 11387, "o_rev_id": 1114168936, "in": [], - "out": [] + "out": [ + 1140535097 + ] }, { "str": "returns", - "token_id": 11390, + "token_id": 11388, "o_rev_id": 1114384678, "in": [], "out": [] }, { "str": ".", - "token_id": 11391, + "token_id": 11389, "o_rev_id": 1114384678, "in": [], "out": [] }, { "str": "next", - "token_id": 11392, + "token_id": 11390, "o_rev_id": 1114384678, "in": [], "out": [] }, { "str": "wave", - "token_id": 11393, + "token_id": 11391, "o_rev_id": 1114384678, "in": [], "out": [] }, { "str": "adds", - "token_id": 11394, + "token_id": 11392, "o_rev_id": 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"o_rev_id": 1114384678, "in": [], "out": [ @@ -105343,7 +105323,7 @@ }, { "str": "king", - "token_id": 11420, + "token_id": 11418, "o_rev_id": 1114384678, "in": [], "out": [ @@ -105352,7 +105332,7 @@ }, { "str": "salmonid", - "token_id": 11421, + "token_id": 11419, "o_rev_id": 1114384678, "in": [], "out": [ @@ -105361,16 +105341,16 @@ }, { "str": ",", - "token_id": 11422, + "token_id": 11420, "o_rev_id": 1114384678, "in": [], "out": [ - 1116374072 + 1115494631 ] }, { "str": "cohozuna", - "token_id": 11423, + "token_id": 11421, "o_rev_id": 1114384678, "in": [], "out": [ @@ -105379,158 +105359,154 @@ }, { "str": ".", - "token_id": 11424, + "token_id": 11422, "o_rev_id": 1114384678, - "in": [ - 1179974250 - ], - "out": [ - 1179954307 - ] + "in": [], + "out": [] }, { "str": "salmon", - "token_id": 11425, + "token_id": 11423, "o_rev_id": 1114384678, "in": [], "out": [] }, { "str": "run", - "token_id": 11426, + "token_id": 11424, "o_rev_id": 1114384678, "in": [], "out": [] }, { "str": "is", 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-105539,7 +105515,7 @@ }, { "str": "/", - "token_id": 11446, + "token_id": 11444, "o_rev_id": 1114384678, "in": [], "out": [ @@ -105548,7 +105524,7 @@ }, { "str": "7", - "token_id": 11447, + "token_id": 11445, "o_rev_id": 1114384678, "in": [], "out": [ @@ -105557,35 +105533,35 @@ }, { "str": ",", - "token_id": 11448, + "token_id": 11446, "o_rev_id": 1114384678, "in": [], "out": [] }, { "str": "even", - "token_id": 11449, + "token_id": 11447, "o_rev_id": 1114384678, "in": [], "out": [] }, { "str": "during", - "token_id": 11450, + "token_id": 11448, "o_rev_id": 1114384678, "in": [], "out": [] }, { "str": "splatfests", - "token_id": 11451, + "token_id": 11449, "o_rev_id": 1114384678, "in": [], "out": [] }, { "str": "(", - "token_id": 11452, + "token_id": 11450, "o_rev_id": 1114450894, "in": [], "out": [ @@ -105594,7 +105570,7 @@ }, { "str": "players", - "token_id": 11453, + "token_id": 11451, "o_rev_id": 1114450894, "in": [], "out": [ @@ -105603,7 +105579,7 @@ }, { "str": "are", - "token_id": 11454, + "token_id": 11452, "o_rev_id": 1114450894, "in": [], "out": [ @@ -105612,7 +105588,7 @@ }, { "str": "not", - "token_id": 11455, + "token_id": 11453, "o_rev_id": 1114450894, "in": [], "out": [ @@ -105621,7 +105597,7 @@ }, { "str": "required", - "token_id": 11456, + "token_id": 11454, "o_rev_id": 1114450894, "in": [], "out": [ @@ -105630,7 +105606,7 @@ }, { "str": "to", - "token_id": 11457, + "token_id": 11455, "o_rev_id": 1114450894, "in": [], "out": [ @@ -105639,7 +105615,7 @@ }, { "str": "buy", - "token_id": 11458, + "token_id": 11456, "o_rev_id": 1114450894, "in": [], "out": [ @@ -105648,7 +105624,7 @@ }, { "str": "dlc", - "token_id": 11459, + "token_id": 11457, "o_rev_id": 1114450894, "in": [], "out": [ @@ -105657,7 +105633,7 @@ }, { "str": "to", - "token_id": 11460, + "token_id": 11458, "o_rev_id": 1114450894, "in": [], "out": [ @@ -105666,7 +105642,7 @@ }, { "str": "play", - "token_id": 11461, + "token_id": 11459, "o_rev_id": 1114450894, "in": [], "out": [ @@ -105675,7 +105651,7 @@ }, { "str": "as", - "token_id": 11462, + "token_id": 11460, "o_rev_id": 1114450894, "in": [], "out": [ @@ -105684,7 +105660,7 @@ }, { "str": "octolings", - "token_id": 11463, + "token_id": 11461, "o_rev_id": 1114450894, "in": [], "out": [ @@ -105693,7 +105669,7 @@ }, { "str": "in", - "token_id": 11464, + "token_id": 11462, "o_rev_id": 1114450894, "in": [], "out": [ @@ -105702,7 +105678,7 @@ }, { "str": "splatoon", - "token_id": 11465, + "token_id": 11463, "o_rev_id": 1114450894, "in": [], "out": [ @@ -105711,7 +105687,7 @@ }, { "str": "3", - "token_id": 11466, + "token_id": 11464, "o_rev_id": 1114450894, "in": [], "out": [ @@ -105720,7 +105696,7 @@ }, { "str": ")", - "token_id": 11467, + "token_id": 11465, "o_rev_id": 1114450894, "in": [], "out": [ @@ -105729,7 +105705,7 @@ }, { "str": ",", - "token_id": 11468, + "token_id": 11466, "o_rev_id": 1114988257, "in": [], "out": [ @@ -105738,7 +105714,7 @@ }, { "str": "reviving", - "token_id": 11469, + "token_id": 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[], "out": [] }, { "str": "2022", - "token_id": 11559, + "token_id": 11557, "o_rev_id": 1115070505, "in": [], "out": [ @@ -106437,28 +106413,28 @@ }, { "str": "-", - "token_id": 11560, + "token_id": 11558, "o_rev_id": 1115070505, "in": [], "out": [] }, { "str": "10", - "token_id": 11561, + "token_id": 11559, "o_rev_id": 1115070505, "in": [], "out": [] }, { "str": "-", - "token_id": 11562, + "token_id": 11560, "o_rev_id": 1115070505, "in": [], "out": [] }, { "str": "09", - "token_id": 11563, + "token_id": 11561, "o_rev_id": 1115070505, "in": [], "out": [ @@ -106467,14 +106443,14 @@ }, { "str": "|", - "token_id": 11564, + "token_id": 11562, "o_rev_id": 1115070505, "in": [], "out": [] }, { "str": "website", - "token_id": 11565, + "token_id": 11563, "o_rev_id": 1115070505, "in": [], "out": [ @@ -106483,7 +106459,7 @@ }, { "str": "=", - "token_id": 11566, + "token_id": 11564, "o_rev_id": 1115070505, "in": [], "out": [ @@ -106492,7 +106468,7 @@ }, { "str": "ign", - "token_id": 11567, + 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[ - 1168453704 + 1202071552, + 1334176815 ] }, { "str": "07", - "token_id": 11622, + "token_id": 11620, "o_rev_id": 1115070505, "in": [], "out": [ @@ -106908,7 +106887,7 @@ }, { "str": "|", - "token_id": 11623, + "token_id": 11621, "o_rev_id": 1115070505, "in": [ 1202097960 @@ -106919,14 +106898,18 @@ }, { "str": "title", - "token_id": 11624, + "token_id": 11622, "o_rev_id": 1115070505, - "in": [], - "out": [] + "in": [ + 1202097960 + ], + "out": [ + 1202071552 + ] }, { "str": "=", - "token_id": 11625, + "token_id": 11623, "o_rev_id": 1115070505, "in": [ 1202097960 @@ -106937,21 +106920,21 @@ }, { "str": "splatoon", - "token_id": 11626, + "token_id": 11624, "o_rev_id": 1115070505, "in": [], "out": [] }, { "str": "3", - "token_id": 11627, + "token_id": 11625, "o_rev_id": 1115070505, "in": [], "out": [] }, { "str": "review", - "token_id": 11628, + "token_id": 11626, "o_rev_id": 1115070505, "in": [ 1202097960 @@ -106962,7 +106945,7 @@ }, { "str": ":", - "token_id": 11629, + "token_id": 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[] }, { "str": "\"", - "token_id": 11707, + "token_id": 11705, "o_rev_id": 1115078740, "in": [ 1202097960 @@ -107607,77 +107590,81 @@ }, { "str": "name", - "token_id": 11708, + "token_id": 11706, "o_rev_id": 1115078740, "in": [], "out": [] }, { "str": "=", - "token_id": 11709, + "token_id": 11707, "o_rev_id": 1115078740, "in": [], "out": [] }, { "str": "\"", - "token_id": 11710, + "token_id": 11708, "o_rev_id": 1115078740, "in": [], "out": [] }, { "str": "sn", - "token_id": 11711, + "token_id": 11709, "o_rev_id": 1115078740, "in": [], "out": [] }, { "str": "\"", - "token_id": 11712, + "token_id": 11710, "o_rev_id": 1115078740, "in": [], "out": [] }, { "str": "name", - "token_id": 11713, + "token_id": 11711, "o_rev_id": 1115078740, "in": [], "out": [] }, { "str": "=", - "token_id": 11714, + "token_id": 11712, "o_rev_id": 1115078740, "in": [], "out": [] }, { "str": "\"", - "token_id": 11715, + "token_id": 11713, "o_rev_id": 1115078740, "in": [], "out": [] }, { "str": "vg247", - "token_id": 11716, + "token_id": 11714, "o_rev_id": 1115078740, - "in": [], - "out": [] + "in": [ + 1202097960 + ], + "out": [ + 1202071552 + ] }, { "str": "\"", - "token_id": 11717, + "token_id": 11715, "o_rev_id": 1115078740, "in": [], "out": [] }, { "str": "name", - "token_id": 11718, + "token_id": 11716, "o_rev_id": 1115078740, "in": [ 1202097960 @@ -107688,7 +107675,7 @@ }, { "str": "=", - "token_id": 11719, + "token_id": 11717, "o_rev_id": 1115078740, "in": [ 1202097960 @@ -107699,7 +107686,7 @@ }, { "str": "\"", - "token_id": 11720, + "token_id": 11718, "o_rev_id": 1115078740, "in": [ 1202097960 @@ -107710,14 +107697,14 @@ }, { "str": "eurog", - "token_id": 11721, + "token_id": 11719, "o_rev_id": 1115078740, "in": [], "out": [] }, { "str": "\"", - "token_id": 11722, + "token_id": 11720, "o_rev_id": 1115078740, "in": [ 1202097960 @@ -107728,77 +107715,77 @@ }, { "str": "name", - "token_id": 11723, + "token_id": 11721, "o_rev_id": 1115078740, "in": [], "out": [] }, { "str": "=", - 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1115078740, "in": [], "out": [ @@ -107807,7 +107794,7 @@ }, { "str": "/", - "token_id": 11734, + "token_id": 11732, "o_rev_id": 1115078740, "in": [], "out": [ @@ -107816,7 +107803,7 @@ }, { "str": ">", - "token_id": 11735, + "token_id": 11733, "o_rev_id": 1115078740, "in": [], "out": [ @@ -107825,7 +107812,7 @@ }, { "str": "'", - "token_id": 11736, + "token_id": 11734, "o_rev_id": 1115078740, "in": [], "out": [ @@ -107834,7 +107821,7 @@ }, { "str": "'", - "token_id": 11737, + "token_id": 11735, "o_rev_id": 1115078740, "in": [], "out": [ @@ -107843,7 +107830,7 @@ }, { "str": "[[", - "token_id": 11738, + "token_id": 11736, "o_rev_id": 1115078740, "in": [], "out": [ @@ -107852,7 +107839,7 @@ }, { "str": "ign", - "token_id": 11739, + "token_id": 11737, "o_rev_id": 1115078740, "in": [], "out": [ @@ -107861,7 +107848,7 @@ }, { "str": "]]", - "token_id": 11740, + "token_id": 11738, "o_rev_id": 1115078740, "in": [], "out": [ @@ -107870,7 +107857,7 @@ }, { "str": "'", - "token_id": 11741, + "token_id": 11739, "o_rev_id": 1115078740, "in": [], "out": [ @@ -107879,7 +107866,7 @@ }, { "str": "'", - "token_id": 11742, + "token_id": 11740, "o_rev_id": 1115078740, "in": [], "out": [ @@ -107888,7 +107875,7 @@ }, { "str": "reviewer", - "token_id": 11743, + "token_id": 11741, "o_rev_id": 1115078740, "in": [], "out": [ @@ -107897,7 +107884,7 @@ }, { "str": "brendan", - "token_id": 11744, + "token_id": 11742, "o_rev_id": 1115078740, "in": [], "out": [ @@ -107906,7 +107893,7 @@ }, { "str": "graeber", - "token_id": 11745, + "token_id": 11743, "o_rev_id": 1115078740, "in": [], "out": [ @@ -107915,7 +107902,7 @@ }, { "str": "called", - "token_id": 11746, + "token_id": 11744, "o_rev_id": 1115078740, "in": [], "out": [ @@ -107924,7 +107911,7 @@ }, { "str": "'", - "token_id": 11747, + "token_id": 11745, "o_rev_id": 1115078740, "in": [], "out": [ @@ -107933,7 +107920,7 @@ }, { "str": "'", - "token_id": 11748, + "token_id": 11746, "o_rev_id": 1115078740, "in": [], "out": [ @@ -107942,7 +107929,7 @@ }, { "str": "3", - "token_id": 11749, + "token_id": 11747, "o_rev_id": 1115078740, "in": [], "out": [ @@ -107951,7 +107938,7 @@ }, { "str": "'", - "token_id": 11750, + "token_id": 11748, "o_rev_id": 1115078740, "in": [], "out": [ @@ -107960,7 +107947,7 @@ }, { "str": "'", - "token_id": 11751, + "token_id": 11749, "o_rev_id": 1115078740, "in": [], "out": [ @@ -107969,7 +107956,7 @@ }, { "str": "<", - "token_id": 11752, + "token_id": 11750, "o_rev_id": 1115078740, "in": [], "out": [ @@ -107978,7 +107965,7 @@ }, { "str": "nowiki", - "token_id": 11753, + "token_id": 11751, "o_rev_id": 1115078740, "in": [], "out": [ @@ -107987,7 +107974,7 @@ }, { "str": "/", - "token_id": 11754, + "token_id": 11752, "o_rev_id": 1115078740, "in": [], "out": [ @@ -107996,7 +107983,7 @@ }, { "str": ">", - "token_id": 11755, + "token_id": 11753, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108005,7 +107992,7 @@ }, { "str": "'", - "token_id": 11756, + "token_id": 11754, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108014,7 +108001,7 @@ }, { "str": "s", - "token_id": 11757, + "token_id": 11755, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108023,7 +108010,7 @@ }, { "str": "multiplayer", - "token_id": 11758, + "token_id": 11756, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108032,7 +108019,7 @@ }, { "str": "\"", - "token_id": 11759, + "token_id": 11757, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108041,7 +108028,7 @@ }, { "str": "more", - "token_id": 11760, + "token_id": 11758, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108050,7 +108037,7 @@ }, { "str": "than", - "token_id": 11761, + "token_id": 11759, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108059,7 +108046,7 @@ }, { "str": "just", - "token_id": 11762, + "token_id": 11760, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108068,7 +108055,7 @@ }, { "str": "a", - "token_id": 11763, + "token_id": 11761, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108077,7 +108064,7 @@ }, { "str": "simple", - "token_id": 11764, + "token_id": 11762, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108086,7 +108073,7 @@ }, { "str": "upgrade", - "token_id": 11765, + "token_id": 11763, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108095,7 +108082,7 @@ }, { "str": "\"", - "token_id": 11766, + "token_id": 11764, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108104,7 +108091,7 @@ }, { "str": ",", - "token_id": 11767, + "token_id": 11765, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108113,7 +108100,7 @@ }, { "str": "citing", - "token_id": 11768, + "token_id": 11766, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108122,7 +108109,7 @@ }, { "str": "its", - "token_id": 11769, + "token_id": 11767, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108131,7 +108118,7 @@ }, { "str": "additional", - "token_id": 11770, + "token_id": 11768, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108140,7 +108127,7 @@ }, { "str": "maps", - "token_id": 11771, + "token_id": 11769, "o_rev_id": 1115078740, "in": [], "out": [ @@ 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11777, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108224,7 +108211,7 @@ }, { "str": "as", - "token_id": 11780, + "token_id": 11778, "o_rev_id": 1115078740, "in": [ 1229566085 @@ -108236,7 +108223,7 @@ }, { "str": "well", - "token_id": 11781, + "token_id": 11779, "o_rev_id": 1115078740, "in": [ 1229566085 @@ -108248,7 +108235,7 @@ }, { "str": "as", - "token_id": 11782, + "token_id": 11780, "o_rev_id": 1115078740, "in": [ 1229566085 @@ -108260,7 +108247,7 @@ }, { "str": "its", - "token_id": 11783, + "token_id": 11781, "o_rev_id": 1115078740, "in": [ 1229566085 @@ -108272,7 +108259,7 @@ }, { "str": "revamped", - "token_id": 11784, + "token_id": 11782, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108281,7 +108268,7 @@ }, { "str": "lobby", - "token_id": 11785, + "token_id": 11783, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108290,7 +108277,7 @@ }, { "str": "system", - "token_id": 11786, + "token_id": 11784, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108299,7 +108286,7 @@ }, { "str": ".", - "token_id": 11787, + "token_id": 11785, "o_rev_id": 1115078740, "in": [ 1229566085 @@ -108311,7 +108298,7 @@ }, { "str": "however", - "token_id": 11788, + "token_id": 11786, "o_rev_id": 1115078740, "in": [ 1229566085 @@ -108323,7 +108310,7 @@ }, { "str": ",", - "token_id": 11789, + "token_id": 11787, "o_rev_id": 1115078740, "in": [ 1229566085 @@ -108335,7 +108322,7 @@ }, { "str": "he", - "token_id": 11790, + "token_id": 11788, "o_rev_id": 1115078740, "in": [ 1229566085 @@ -108347,7 +108334,7 @@ }, { "str": "criticized", - "token_id": 11791, + "token_id": 11789, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108356,63 +108343,63 @@ }, { "str": "the", - "token_id": 11792, + "token_id": 11790, "o_rev_id": 1115078740, "in": [], "out": [] }, { "str": "game", - "token_id": 11793, + "token_id": 11791, "o_rev_id": 1115078740, "in": [], "out": [] }, { "str": "'", - "token_id": 11794, + "token_id": 11792, "o_rev_id": 1115078740, "in": [], "out": [] }, { "str": "s", - "token_id": 11795, + "token_id": 11793, "o_rev_id": 1115078740, "in": [], "out": [] }, { "str": "lack", - "token_id": 11796, + "token_id": 11794, "o_rev_id": 1115078740, "in": [], "out": [] }, { "str": "of", - "token_id": 11797, + "token_id": 11795, "o_rev_id": 1115078740, "in": [], "out": [] }, { "str": "a", - "token_id": 11798, + "token_id": 11796, "o_rev_id": 1115078740, "in": [], "out": [] }, { "str": "\"", - "token_id": 11799, + "token_id": 11797, "o_rev_id": 1115078740, "in": [], "out": [] }, { "str": "huge", - "token_id": 11800, + "token_id": 11798, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108421,7 +108408,7 @@ }, { "str": "addition", - "token_id": 11801, + "token_id": 11799, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108430,7 +108417,7 @@ }, { "str": "\"", - "token_id": 11802, + "token_id": 11800, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108439,7 +108426,7 @@ }, { "str": "similar", - "token_id": 11803, + "token_id": 11801, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108448,7 +108435,7 @@ }, { "str": "to", - "token_id": 11804, + "token_id": 11802, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108457,7 +108444,7 @@ }, { "str": "'", - "token_id": 11805, + "token_id": 11803, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108466,7 +108453,7 @@ }, { "str": "'", - "token_id": 11806, + "token_id": 11804, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108475,7 +108462,7 @@ }, { "str": "splatoon", - "token_id": 11807, + "token_id": 11805, "o_rev_id": 1115078740, "in": [ 1216768014 @@ -108487,7 +108474,7 @@ }, { "str": "2", - "token_id": 11808, + "token_id": 11806, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108496,7 +108483,7 @@ }, { "str": "'", - "token_id": 11809, + "token_id": 11807, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108505,7 +108492,7 @@ }, { "str": "'", - "token_id": 11810, + "token_id": 11808, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108514,7 +108501,7 @@ }, { "str": "<", - "token_id": 11811, + "token_id": 11809, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108523,7 +108510,7 @@ }, { "str": "nowiki", - "token_id": 11812, + "token_id": 11810, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108532,7 +108519,7 @@ }, { "str": "/", - "token_id": 11813, + "token_id": 11811, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108541,7 +108528,7 @@ }, { "str": ">", - "token_id": 11814, + "token_id": 11812, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108550,7 +108537,7 @@ }, { "str": "'", - "token_id": 11815, + "token_id": 11813, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108559,7 +108546,7 @@ }, { "str": "s", - "token_id": 11816, + "token_id": 11814, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108568,7 +108555,7 @@ }, { "str": "salmon", - "token_id": 11817, + "token_id": 11815, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108577,7 +108564,7 @@ }, { "str": "run", - "token_id": 11818, + "token_id": 11816, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108586,7 +108573,7 @@ }, { "str": ".", - "token_id": 11819, + "token_id": 11817, "o_rev_id": 1115078740, "in": [ 1229566085 @@ -108598,7 +108585,7 @@ }, { "str": "<", - "token_id": 11820, + "token_id": 11818, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108607,7 +108594,7 @@ }, { "str": "ref", - "token_id": 11821, + "token_id": 11819, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108616,7 +108603,7 @@ }, { "str": "name", - "token_id": 11822, + "token_id": 11820, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108625,7 +108612,7 @@ }, { "str": "=", - "token_id": 11823, + "token_id": 11821, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108634,7 +108621,7 @@ }, { "str": "\"", - "token_id": 11824, + "token_id": 11822, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108643,7 +108630,7 @@ }, { "str": "ignmp", - "token_id": 11825, + "token_id": 11823, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108652,7 +108639,7 @@ }, { "str": "\"", - "token_id": 11826, + "token_id": 11824, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108661,7 +108648,7 @@ }, { "str": "/", - "token_id": 11827, + "token_id": 11825, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108670,7 +108657,7 @@ }, { "str": ">", - "token_id": 11828, + "token_id": 11826, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108679,7 +108666,7 @@ }, { "str": "reviewing", - "token_id": 11829, + "token_id": 11827, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108688,7 +108675,7 @@ }, { "str": "the", - "token_id": 11830, + "token_id": 11828, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108697,7 +108684,7 @@ }, { "str": "game", - "token_id": 11831, + "token_id": 11829, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108706,7 +108693,7 @@ }, { "str": "'", - "token_id": 11832, + "token_id": 11830, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108715,7 +108702,7 @@ }, { "str": "s", - "token_id": 11833, + "token_id": 11831, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108724,7 +108711,7 @@ }, { "str": "single", - "token_id": 11834, + "token_id": 11832, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108733,7 +108720,7 @@ }, { "str": "-", - "token_id": 11835, + "token_id": 11833, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108742,7 +108729,7 @@ }, { "str": "player", - "token_id": 11836, + "token_id": 11834, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108751,7 +108738,7 @@ }, { "str": "mode", - "token_id": 11837, + "token_id": 11835, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108760,7 +108747,7 @@ }, { "str": ",", - "token_id": 11838, + "token_id": 11836, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108769,7 +108756,7 @@ }, { "str": "he", - "token_id": 11839, + "token_id": 11837, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108778,7 +108765,7 @@ }, { "str": "appreciated", - "token_id": 11840, + "token_id": 11838, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108787,7 +108774,7 @@ }, { "str": "the", - "token_id": 11841, + "token_id": 11839, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108796,7 +108783,7 @@ }, { "str": "new", - "token_id": 11842, + "token_id": 11840, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108805,7 +108792,7 @@ }, { "str": "take", - "token_id": 11843, + "token_id": 11841, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108814,7 +108801,7 @@ }, { "str": "on", - "token_id": 11844, + "token_id": 11842, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108823,7 +108810,7 @@ }, { "str": "the", - "token_id": 11845, + "token_id": 11843, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108832,7 +108819,7 @@ }, { "str": "series", - "token_id": 11846, + "token_id": 11844, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108841,7 +108828,7 @@ }, { "str": "'", - "token_id": 11847, + "token_id": 11845, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108850,7 +108837,7 @@ }, { "str": "[[", - "token_id": 11848, + "token_id": 11846, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108859,7 +108846,7 @@ }, { "str": "overworld", - "token_id": 11849, + "token_id": 11847, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108868,7 +108855,7 @@ }, { "str": "|", - "token_id": 11850, + "token_id": 11848, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108877,7 +108864,7 @@ }, { "str": "hub", - "token_id": 11851, + "token_id": 11849, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108886,7 +108873,7 @@ }, { "str": "world", - "token_id": 11852, + "token_id": 11850, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108895,7 +108882,7 @@ }, { "str": "]]", - "token_id": 11853, + "token_id": 11851, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108904,7 +108891,7 @@ }, { "str": ",", - "token_id": 11854, + "token_id": 11852, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108913,7 +108900,7 @@ }, { "str": "as", - "token_id": 11855, + "token_id": 11853, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108922,7 +108909,7 @@ }, { "str": "well", - "token_id": 11856, + "token_id": 11854, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108931,7 +108918,7 @@ }, { "str": "as", - "token_id": 11857, + "token_id": 11855, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108940,7 +108927,7 @@ }, { "str": "the", - "token_id": 11858, + "token_id": 11856, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108949,7 +108936,7 @@ }, { "str": "returning", - "token_id": 11859, + "token_id": 11857, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108958,7 +108945,7 @@ }, { "str": "ideas", - "token_id": 11860, + "token_id": 11858, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108967,7 +108954,7 @@ }, { "str": "from", - "token_id": 11861, + "token_id": 11859, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108976,7 +108963,7 @@ }, { "str": "[[", - "token_id": 11862, + "token_id": 11860, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108985,7 +108972,7 @@ }, { "str": "splatoon", - "token_id": 11863, + "token_id": 11861, "o_rev_id": 1115078740, "in": [], "out": [ @@ -108994,7 +108981,7 @@ }, { "str": "2", - "token_id": 11864, + "token_id": 11862, "o_rev_id": 1115078740, "in": [], "out": [ @@ -109003,7 +108990,7 @@ }, { "str": ":", - "token_id": 11865, + "token_id": 11863, "o_rev_id": 1115078740, "in": [], "out": [ @@ -109012,7 +108999,7 @@ }, { "str": "octo", - "token_id": 11866, + "token_id": 11864, "o_rev_id": 1115078740, "in": [], "out": [ @@ -109021,7 +109008,7 @@ }, { "str": "expansion", - "token_id": 11867, + "token_id": 11865, "o_rev_id": 1115078740, "in": [], "out": [ @@ -109030,7 +109017,7 @@ }, { "str": "|", - "token_id": 11868, + "token_id": 11866, "o_rev_id": 1115078740, "in": [], "out": [ @@ -109039,7 +109026,7 @@ }, { "str": "'", - "token_id": 11869, + "token_id": 11867, "o_rev_id": 1115078740, "in": [], "out": [ @@ -109048,7 +109035,7 @@ }, { "str": "'", - "token_id": 11870, + "token_id": 11868, "o_rev_id": 1115078740, "in": [], "out": [ @@ -109057,7 +109044,7 @@ }, { "str": "splatoon", - "token_id": 11871, + "token_id": 11869, "o_rev_id": 1115078740, "in": [ 1216768014 @@ -109069,7 +109056,7 @@ }, { "str": "2", - "token_id": 11872, + "token_id": 11870, "o_rev_id": 1115078740, "in": [], "out": [ @@ 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1115078740, "in": [], "out": [ @@ -109150,7 +109137,7 @@ }, { "str": "'", - "token_id": 11881, + "token_id": 11879, "o_rev_id": 1115078740, "in": [], "out": [ @@ -109159,7 +109146,7 @@ }, { "str": "'", - "token_id": 11882, + "token_id": 11880, "o_rev_id": 1115078740, "in": [], "out": [ @@ -109168,7 +109155,7 @@ }, { "str": "octo", - "token_id": 11883, + "token_id": 11881, "o_rev_id": 1115078740, "in": [ 1216172166 @@ -109180,7 +109167,7 @@ }, { "str": "expansion", - "token_id": 11884, + "token_id": 11882, "o_rev_id": 1115078740, "in": [ 1216172166 @@ -109192,7 +109179,7 @@ }, { "str": "'", - "token_id": 11885, + "token_id": 11883, "o_rev_id": 1115078740, "in": [], "out": [ @@ -109201,7 +109188,7 @@ }, { "str": "'", - "token_id": 11886, + "token_id": 11884, "o_rev_id": 1115078740, "in": [], "out": [ @@ -109210,7 +109197,7 @@ }, { "str": "]]", - "token_id": 11887, + "token_id": 11885, "o_rev_id": 1115078740, "in": [], "out": [ @@ -109219,7 +109206,7 @@ }, { "str": ".", - "token_id": 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{ "str": "=", - "token_id": 11957, + "token_id": 11955, "o_rev_id": 1115079016, "in": [], "out": [ @@ -109915,133 +109902,133 @@ }, { "str": "<", - "token_id": 11958, + "token_id": 11956, "o_rev_id": 1115080840, "in": [], "out": [] }, { "str": "ref", - "token_id": 11959, + "token_id": 11957, "o_rev_id": 1115080840, "in": [], "out": [] }, { "str": ">", - "token_id": 11960, + "token_id": 11958, "o_rev_id": 1115080840, "in": [], "out": [] }, { "str": "{{", - "token_id": 11961, + "token_id": 11959, "o_rev_id": 1115080840, "in": [], "out": [] }, { "str": "cite", - "token_id": 11962, + "token_id": 11960, "o_rev_id": 1115080840, "in": [], "out": [] }, { "str": "web", - "token_id": 11963, + "token_id": 11961, "o_rev_id": 1115080840, "in": [], "out": [] }, { "str": "|", - "token_id": 11964, + "token_id": 11962, "o_rev_id": 1115080840, "in": [], "out": [] }, { "str": "last", - "token_id": 11965, + "token_id": 11963, "o_rev_id": 1115080840, "in": [], "out": [] }, { "str": "=", - "token_id": 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"o_rev_id": 1115080840, "in": [], @@ -110330,7 +110331,7 @@ "out": [] }, { - "str": "2022", + "str": "09", "token_id": 12016, "o_rev_id": 1115080840, "in": [], @@ -110344,21 +110345,21 @@ "out": [] }, { - "str": "09", + "str": "nintendo", "token_id": 12018, "o_rev_id": 1115080840, "in": [], "out": [] }, { - "str": "/", + "str": "-", "token_id": 12019, "o_rev_id": 1115080840, "in": [], "out": [] }, { - "str": "nintendo", + "str": "reiterates", "token_id": 12020, "o_rev_id": 1115080840, "in": [], @@ -110372,7 +110373,7 @@ "out": [] }, { - "str": "reiterates", + "str": "that", "token_id": 12022, "o_rev_id": 1115080840, "in": [], @@ -110386,7 +110387,7 @@ "out": [] }, { - "str": "that", + "str": "splatoon", "token_id": 12024, "o_rev_id": 1115080840, "in": [], @@ -110400,7 +110401,7 @@ "out": [] }, { - "str": "splatoon", + "str": "3s", "token_id": 12026, "o_rev_id": 1115080840, "in": [], @@ -110414,7 +110415,7 @@ "out": [] }, { - "str": "3s", + "str": "salmon", "token_id": 12028, 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[], "out": [ @@ -110733,7 +110720,7 @@ }, { "str": ">", - "token_id": 12068, + "token_id": 12066, "o_rev_id": 1115080840, "in": [], "out": [ @@ -110742,14 +110729,14 @@ }, { "str": "a", - "token_id": 12069, + "token_id": 12067, "o_rev_id": 1115080840, "in": [], "out": [] }, { "str": "new", - "token_id": 12070, + "token_id": 12068, "o_rev_id": 1115080840, "in": [ 1229566085 @@ -110761,7 +110748,7 @@ }, { "str": "mode", - "token_id": 12071, + "token_id": 12069, "o_rev_id": 1115080840, "in": [ 1229566085 @@ -110773,7 +110760,7 @@ }, { "str": "present", - "token_id": 12072, + "token_id": 12070, "o_rev_id": 1115080840, "in": [ 1121143605, @@ -110787,7 +110774,7 @@ }, { "str": "in", - "token_id": 12073, + "token_id": 12071, "o_rev_id": 1115080840, "in": [ 1121143605, @@ -110801,7 +110788,7 @@ }, { "str": "'", - "token_id": 12074, + "token_id": 12072, "o_rev_id": 1115080840, "in": [ 1121143605, @@ -110815,7 +110802,7 @@ }, { "str": "'", - "token_id": 12075, + "token_id": 12073, "o_rev_id": 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12567, + "token_id": 12565, "o_rev_id": 1115494631, "in": [], "out": [ @@ -114922,35 +114917,35 @@ }, { "str": ",", - "token_id": 12568, + "token_id": 12566, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "a", - "token_id": 12569, + "token_id": 12567, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "fourth", - "token_id": 12570, + "token_id": 12568, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "\"", - "token_id": 12571, + "token_id": 12569, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "xtra", - "token_id": 12572, + "token_id": 12570, "o_rev_id": 1115494631, "in": [], "out": [ @@ -114959,7 +114954,7 @@ }, { "str": "wave", - "token_id": 12573, + "token_id": 12571, "o_rev_id": 1115494631, "in": [], "out": [ @@ -114968,14 +114963,14 @@ }, { "str": "\"", - "token_id": 12574, + "token_id": 12572, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "sometimes", - "token_id": 12575, + "token_id": 12573, "o_rev_id": 1115494631, "in": [ 1136546128 @@ 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[ @@ -115053,7 +115048,7 @@ }, { "str": "king", - "token_id": 12585, + "token_id": 12583, "o_rev_id": 1115494631, "in": [ 1179974250 @@ -115064,7 +115059,7 @@ }, { "str": "salmonid", - "token_id": 12586, + "token_id": 12584, "o_rev_id": 1115494631, "in": [ 1179974250 @@ -115073,15 +115068,35 @@ 1179954307 ] }, + { + "str": ",", + "token_id": 12585, + "o_rev_id": 1115494631, + "in": [], + "out": [ + 1116374072 + ] + }, { "str": "cohozuna", - "token_id": 12587, + "token_id": 12586, "o_rev_id": 1115494631, "in": [], "out": [ 1116374072 ] }, + { + "str": ".", + "token_id": 12587, + "o_rev_id": 1115494631, + "in": [ + 1179974250 + ], + "out": [ + 1179954307 + ] + }, { "str": "<", "token_id": 12588, @@ -115384,12 +115399,8 @@ "str": "-", "token_id": 12614, "o_rev_id": 1115494631, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] + "in": [], + "out": [] }, { "str": "09", @@ -115416,12 +115427,10 @@ "token_id": 12617, "o_rev_id": 1115494631, "in": [ - 1179974250, - 1202097960 + 1179974250 ], "out": [ - 1179954307, - 1202071552 + 1179954307 ] }, { @@ -116239,12 +116248,8 @@ "str": "splatoon", "token_id": 12721, "o_rev_id": 1115494631, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] + "in": [], + "out": [] }, { "str": "3", @@ -117052,8 +117057,12 @@ "str": "date", "token_id": 12828, "o_rev_id": 1115494631, - "in": [], - "out": [] + "in": [ + 1202097960 + ], + "out": [ + 1202071552 + ] }, { "str": "=", @@ -117128,23 +117137,15 @@ "str": "salmon", "token_id": 12838, "o_rev_id": 1115494631, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] + "in": [], + "out": [] }, { "str": "run", "token_id": 12839, "o_rev_id": 1115494631, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] + "in": [], + "out": [] }, { "str": "ranks", @@ -117192,12 +117193,8 @@ "str": "3", "token_id": 12846, "o_rev_id": 1115494631, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] + "in": [], + "out": [] }, { "str": "|", @@ -117707,51 +117704,44 @@ "in": [], "out": [] }, - { - "str": ".", - "token_id": 12903, - "o_rev_id": 1115494631, - "in": [], - "out": [] - }, { "str": "<", - "token_id": 12904, + "token_id": 12903, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "ref", - "token_id": 12905, + "token_id": 12904, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "name", - "token_id": 12906, + "token_id": 12905, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "=", - "token_id": 12907, + "token_id": 12906, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "\"", - "token_id": 12908, + "token_id": 12907, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": ":", - "token_id": 12909, + "token_id": 12908, "o_rev_id": 1115494631, "in": [], "out": [ @@ -117760,7 +117750,7 @@ }, { "str": "0", - "token_id": 12910, + "token_id": 12909, "o_rev_id": 1115494631, "in": [], "out": [ @@ -117769,21 +117759,21 @@ }, { "str": "\"", - "token_id": 12911, + "token_id": 12910, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "/", - "token_id": 12912, + "token_id": 12911, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": ">", - "token_id": 12913, + "token_id": 12912, "o_rev_id": 1115494631, "in": [ 1179974250 @@ -117794,49 +117784,49 @@ }, { "str": "a", - "token_id": 12914, + "token_id": 12913, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "new", - "token_id": 12915, + "token_id": 12914, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "addition", - "token_id": 12916, + "token_id": 12915, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "to", - "token_id": 12917, + "token_id": 12916, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "'", - "token_id": 12918, + "token_id": 12917, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "'", - "token_id": 12919, + "token_id": 12918, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "splatoon", - "token_id": 12920, + "token_id": 12919, "o_rev_id": 1115494631, "in": [ 1216768014 @@ -117847,70 +117837,70 @@ }, { "str": "3", - "token_id": 12921, + "token_id": 12920, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "'", - "token_id": 12922, + "token_id": 12921, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "'", - "token_id": 12923, + "token_id": 12922, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "is", - "token_id": 12924, + "token_id": 12923, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "\"", - "token_id": 12925, + "token_id": 12924, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "big", - "token_id": 12926, + "token_id": 12925, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "run", - "token_id": 12927, + "token_id": 12926, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "\"", - "token_id": 12928, + "token_id": 12927, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": ",", - "token_id": 12929, + "token_id": 12928, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "a", - "token_id": 12930, + "token_id": 12929, "o_rev_id": 1115494631, "in": [], "out": [ @@ -117919,14 +117909,14 @@ }, { "str": "event", - "token_id": 12931, + "token_id": 12930, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "mode", - "token_id": 12932, + "token_id": 12931, "o_rev_id": 1115494631, "in": [], "out": [ @@ -117935,35 +117925,35 @@ }, { "str": "where", - "token_id": 12933, + "token_id": 12932, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "salmonids", - "token_id": 12934, + "token_id": 12933, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "invade", - "token_id": 12935, + "token_id": 12934, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "the", - "token_id": 12936, + "token_id": 12935, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "city", - "token_id": 12937, + "token_id": 12936, "o_rev_id": 1115494631, "in": [], "out": [ @@ -117972,7 +117962,7 @@ }, { "str": "of", - "token_id": 12938, + "token_id": 12937, "o_rev_id": 1115494631, "in": [], "out": [ @@ -117981,7 +117971,7 @@ }, { "str": "splatsville", - "token_id": 12939, + "token_id": 12938, "o_rev_id": 1115494631, "in": [], "out": [ @@ -117990,7 +117980,7 @@ }, { "str": "itself", - "token_id": 12940, + "token_id": 12939, "o_rev_id": 1115494631, "in": [], "out": [ @@ -117999,14 +117989,14 @@ }, { "str": ",", - "token_id": 12941, + "token_id": 12940, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "set", - "token_id": 12942, + "token_id": 12941, "o_rev_id": 1115494631, "in": [], "out": [ @@ -118015,7 +118005,7 @@ }, { "str": "to", - "token_id": 12943, + "token_id": 12942, "o_rev_id": 1115494631, "in": [], "out": [ @@ -118024,7 +118014,7 @@ }, { "str": "occur", - "token_id": 12944, + "token_id": 12943, "o_rev_id": 1115494631, "in": [], "out": [ @@ -118033,7 +118023,7 @@ }, { "str": "once", - "token_id": 12945, + "token_id": 12944, "o_rev_id": 1115494631, "in": [], "out": [ @@ -118042,170 +118032,168 @@ }, { "str": "every", - "token_id": 12946, + "token_id": 12945, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "few", - "token_id": 12947, + "token_id": 12946, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "months", - "token_id": 12948, + "token_id": 12947, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": ".", - "token_id": 12949, + "token_id": 12948, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "<", - "token_id": 12950, + "token_id": 12949, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "ref", - "token_id": 12951, + "token_id": 12950, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": ">", - "token_id": 12952, + "token_id": 12951, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "{{", - "token_id": 12953, + "token_id": 12952, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "cite", - "token_id": 12954, + "token_id": 12953, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "web", - "token_id": 12955, + "token_id": 12954, "o_rev_id": 1115494631, "in": [], "out": [] }, { "str": "|", - "token_id": 12956, + "token_id": 12955, 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@@ }, { "str": "features", - "token_id": 13277, + "token_id": 13276, "o_rev_id": 1115497746, "in": [], "out": [ @@ -120682,118 +120694,112 @@ }, { "str": "\"", - "token_id": 13278, + "token_id": 13277, "o_rev_id": 1115497746, "in": [], "out": [] }, { "str": "basic", - "token_id": 13279, + "token_id": 13278, "o_rev_id": 1115497746, "in": [], - "out": [ - 1334176815 - ] + "out": [] }, { "str": "[", - "token_id": 13280, + "token_id": 13279, "o_rev_id": 1115497746, "in": [], "out": [] }, { "str": "ones", - "token_id": 13281, + "token_id": 13280, "o_rev_id": 1115497746, "in": [], - "out": [ - 1334176815 - ] + "out": [] }, { "str": "]", - "token_id": 13282, + "token_id": 13281, "o_rev_id": 1115497746, "in": [], "out": [] }, { "str": "you", - "token_id": 13283, + "token_id": 13282, "o_rev_id": 1115497746, "in": [], - "out": [ - 1334176815 - ] + "out": [] }, { "str": "'", - "token_id": 13284, + "token_id": 13283, "o_rev_id": 1115497746, "in": [], "out": [] }, { "str": "d", - "token_id": 13285, + "token_id": 13284, "o_rev_id": 1115497746, "in": [], "out": [] }, { "str": "expect", - "token_id": 13286, + "token_id": 13285, "o_rev_id": 1115497746, "in": [], "out": [] }, { "str": "of", - "token_id": 13287, + "token_id": 13286, "o_rev_id": 1115497746, "in": [], "out": [] }, { "str": "a", - "token_id": 13288, + "token_id": 13287, "o_rev_id": 1115497746, "in": [], "out": [] }, { "str": "contemporary", - "token_id": 13289, + "token_id": 13288, "o_rev_id": 1115497746, "in": [], "out": [] }, { "str": "online", - "token_id": 13290, + "token_id": 13289, "o_rev_id": 1115497746, "in": [], "out": [] }, { "str": "multiplayer", - "token_id": 13291, + "token_id": 13290, "o_rev_id": 1115497746, "in": [], "out": [] }, { "str": "game", - "token_id": 13292, + "token_id": 13291, "o_rev_id": 1115497746, "in": [], "out": [] }, { "str": "\"", - "token_id": 13293, + "token_id": 13292, "o_rev_id": 1115497746, "in": [], "out": [ @@ -120802,7 +120808,7 @@ }, { "str": ".", - "token_id": 13294, + "token_id": 13293, "o_rev_id": 1115497746, "in": [], "out": [ @@ -120811,7 +120817,7 @@ }, { "str": "however", - "token_id": 13295, + "token_id": 13294, "o_rev_id": 1115497746, "in": [], "out": [ @@ -120820,7 +120826,7 @@ }, { "str": ",", - "token_id": 13296, + "token_id": 13295, "o_rev_id": 1115497746, "in": [], "out": [ @@ -120829,7 +120835,7 @@ }, { "str": "he", - "token_id": 13297, + "token_id": 13296, "o_rev_id": 1115497746, "in": [], "out": [ @@ -120838,7 +120844,7 @@ }, { "str": "said", - "token_id": 13298, + "token_id": 13297, "o_rev_id": 1115497746, "in": [], "out": [ @@ -120847,7 +120853,7 @@ }, { "str": "that", - "token_id": 13299, + "token_id": 13298, "o_rev_id": 1115497746, "in": [], "out": [ @@ -120856,7 +120862,7 @@ }, { "str": "everything", - "token_id": 13300, + "token_id": 13299, "o_rev_id": 1115497746, "in": [], "out": [ @@ -120865,7 +120871,7 @@ }, { "str": "present", - "token_id": 13301, + "token_id": 13300, "o_rev_id": 1115497746, "in": [], "out": [ @@ -120874,7 +120880,7 @@ }, { "str": "in", - "token_id": 13302, + "token_id": 13301, "o_rev_id": 1115497746, "in": [], "out": [ @@ -120883,7 +120889,7 @@ }, { "str": "'", - "token_id": 13303, + "token_id": 13302, "o_rev_id": 1115497746, "in": [], "out": [ @@ -120892,7 +120898,7 @@ }, { "str": "'", - "token_id": 13304, + "token_id": 13303, "o_rev_id": 1115497746, "in": [], "out": [ @@ -120901,7 +120907,7 @@ }, { "str": "splatoon", - "token_id": 13305, + "token_id": 13304, "o_rev_id": 1115497746, "in": [ 1216768014 @@ -120913,7 +120919,7 @@ }, { "str": "3", - "token_id": 13306, + "token_id": 13305, "o_rev_id": 1115497746, "in": [], "out": [ @@ -120922,7 +120928,7 @@ }, { "str": "'", - "token_id": 13307, + "token_id": 13306, "o_rev_id": 1115497746, "in": [], "out": [ @@ -120931,7 +120937,7 @@ }, { "str": "'", - "token_id": 13308, + "token_id": 13307, "o_rev_id": 1115497746, "in": [], "out": [ @@ -120940,7 +120946,7 @@ }, { "str": "contributed", - "token_id": 13309, + "token_id": 13308, "o_rev_id": 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"token_id": 13317, + "token_id": 13316, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121021,7 +121027,7 @@ }, { "str": "most", - "token_id": 13318, + "token_id": 13317, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121030,7 +121036,7 @@ }, { "str": "polished", - "token_id": 13319, + "token_id": 13318, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121039,7 +121045,7 @@ }, { "str": ",", - "token_id": 13320, + "token_id": 13319, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121048,7 +121054,7 @@ }, { "str": "playable", - "token_id": 13321, + "token_id": 13320, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121057,7 +121063,7 @@ }, { "str": "and", - "token_id": 13322, + "token_id": 13321, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121066,7 +121072,7 @@ }, { "str": "impeccably", - "token_id": 13323, + "token_id": 13322, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121075,7 +121081,7 @@ }, { "str": "executed", - "token_id": 13324, + "token_id": 13323, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121084,7 +121090,7 @@ }, { "str": "series", - "token_id": 13325, + "token_id": 13324, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121093,7 +121099,7 @@ }, { "str": "\"", - "token_id": 13326, + "token_id": 13325, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121102,7 +121108,7 @@ }, { "str": "from", - "token_id": 13327, + "token_id": 13326, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121111,7 +121117,7 @@ }, { "str": "nintendo", - "token_id": 13328, + "token_id": 13327, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121120,7 +121126,7 @@ }, { "str": ".", - "token_id": 13329, + "token_id": 13328, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121129,7 +121135,7 @@ }, { "str": "he", - "token_id": 13330, + "token_id": 13329, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121138,7 +121144,7 @@ }, { "str": "compared", - "token_id": 13331, + "token_id": 13330, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121147,7 +121153,7 @@ }, { "str": "the", - "token_id": 13332, + "token_id": 13331, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121156,7 +121162,7 @@ }, { "str": "game", - "token_id": 13333, + "token_id": 13332, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121165,7 +121171,7 @@ }, { "str": "'", - "token_id": 13334, + "token_id": 13333, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121174,7 +121180,7 @@ }, { "str": "s", - "token_id": 13335, + "token_id": 13334, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121183,7 +121189,7 @@ }, { "str": "story", - "token_id": 13336, + "token_id": 13335, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121192,7 +121198,7 @@ }, { "str": "mode", - "token_id": 13337, + "token_id": 13336, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121201,7 +121207,7 @@ }, { "str": "to", - "token_id": 13338, + "token_id": 13337, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121210,7 +121216,7 @@ }, { "str": "the", - "token_id": 13339, + "token_id": 13338, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121219,7 +121225,7 @@ }, { "str": "[[", - "token_id": 13340, + "token_id": 13339, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121228,7 +121234,7 @@ }, { "str": "mario", - "token_id": 13341, + "token_id": 13340, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121237,7 +121243,7 @@ }, { "str": "(", - "token_id": 13342, + "token_id": 13341, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121246,7 +121252,7 @@ }, { "str": "franchise", - "token_id": 13343, + "token_id": 13342, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121255,7 +121261,7 @@ }, { "str": ")", - "token_id": 13344, + "token_id": 13343, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121264,7 +121270,7 @@ }, { "str": "|", - "token_id": 13345, + "token_id": 13344, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121273,7 +121279,7 @@ }, { "str": "'", - "token_id": 13346, + "token_id": 13345, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121282,7 +121288,7 @@ }, { "str": "'", - "token_id": 13347, + "token_id": 13346, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121291,7 +121297,7 @@ }, { "str": "mario", - "token_id": 13348, + "token_id": 13347, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121300,7 +121306,7 @@ }, { "str": "'", - "token_id": 13349, + "token_id": 13348, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121309,7 +121315,7 @@ }, { "str": "'", - "token_id": 13350, + "token_id": 13349, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121318,7 +121324,7 @@ }, { "str": "franchise", - "token_id": 13351, + "token_id": 13350, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121327,7 +121333,7 @@ }, { "str": "]]", - "token_id": 13352, + "token_id": 13351, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121336,7 +121342,7 @@ }, { "str": ",", - "token_id": 13353, + "token_id": 13352, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121345,7 +121351,7 @@ }, { "str": "saying", - "token_id": 13354, + "token_id": 13353, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121354,7 +121360,7 @@ }, { "str": "that", - "token_id": 13355, + "token_id": 13354, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121363,7 +121369,7 @@ }, { "str": "while", - "token_id": 13356, + "token_id": 13355, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121372,7 +121378,7 @@ }, { "str": "it", - "token_id": 13357, + "token_id": 13356, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121381,7 +121387,7 @@ }, { "str": "evoked", - "token_id": 13358, + "token_id": 13357, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121390,7 +121396,7 @@ }, { "str": "some", - "token_id": 13359, + "token_id": 13358, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121399,7 +121405,7 @@ }, { "str": "of", - "token_id": 13360, + "token_id": 13359, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121408,7 +121414,7 @@ }, { "str": "the", - "token_id": 13361, + "token_id": 13360, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121417,7 +121423,7 @@ }, { "str": "best", - "token_id": 13362, + "token_id": 13361, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121426,7 +121432,7 @@ }, { "str": "parts", - "token_id": 13363, + "token_id": 13362, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121435,7 +121441,7 @@ }, { "str": "of", - "token_id": 13364, + "token_id": 13363, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121444,28 +121450,34 @@ }, { "str": "'", - "token_id": 13365, + "token_id": 13364, "o_rev_id": 1115497746, "in": [], - "out": [] + "out": [ + 1334176815 + ] }, { "str": "'", - "token_id": 13366, + "token_id": 13365, "o_rev_id": 1115497746, "in": [], - "out": [] + "out": [ + 1334176815 + ] }, { "str": "[[", - "token_id": 13367, + "token_id": 13366, "o_rev_id": 1115497746, "in": [], - "out": [] + "out": [ + 1334176815 + ] }, { "str": "super", - "token_id": 13368, + "token_id": 13367, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121474,7 +121486,7 @@ }, { "str": "mario", - "token_id": 13369, + "token_id": 13368, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121483,7 +121495,7 @@ }, { "str": "sunshine", - "token_id": 13370, + "token_id": 13369, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121492,14 +121504,16 @@ }, { "str": "]]", - "token_id": 13371, + "token_id": 13370, "o_rev_id": 1115497746, "in": [], - "out": [] + "out": [ + 1334176815 + ] }, { "str": "'", - "token_id": 13372, + "token_id": 13371, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121508,7 +121522,7 @@ }, { "str": "'", - "token_id": 13373, + "token_id": 13372, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121517,7 +121531,7 @@ }, { "str": ",", - "token_id": 13374, + "token_id": 13373, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121526,7 +121540,7 @@ }, { "str": "the", - "token_id": 13375, + "token_id": 13374, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121535,7 +121549,7 @@ }, { "str": "abstract", - "token_id": 13376, + "token_id": 13375, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121544,7 +121558,7 @@ }, { "str": "nature", - "token_id": 13377, + "token_id": 13376, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121553,7 +121567,7 @@ }, { "str": "of", - "token_id": 13378, + "token_id": 13377, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121562,7 +121576,7 @@ }, { "str": "the", - "token_id": 13379, + "token_id": 13378, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121571,7 +121585,7 @@ }, { "str": "levels", - "token_id": 13380, + "token_id": 13379, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121580,7 +121594,7 @@ }, { "str": "failed", - "token_id": 13381, + "token_id": 13380, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121589,7 +121603,7 @@ }, { "str": "to", - "token_id": 13382, + "token_id": 13381, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121598,7 +121612,7 @@ }, { "str": "meet", - "token_id": 13383, + "token_id": 13382, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121607,7 +121621,7 @@ }, { "str": "the", - "token_id": 13384, + "token_id": 13383, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121616,7 +121630,7 @@ }, { "str": "best", - "token_id": 13385, + "token_id": 13384, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121625,7 +121639,7 @@ }, { "str": "'", - "token_id": 13386, + "token_id": 13385, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121634,7 +121648,7 @@ }, { "str": "'", - "token_id": 13387, + "token_id": 13386, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121643,7 +121657,7 @@ }, { "str": "mario", - "token_id": 13388, + "token_id": 13387, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121652,7 +121666,7 @@ }, { "str": "'", - "token_id": 13389, + "token_id": 13388, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121661,7 +121675,7 @@ }, { "str": "'", - "token_id": 13390, + "token_id": 13389, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121670,7 +121684,7 @@ }, { "str": "levels", - "token_id": 13391, + "token_id": 13390, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121679,7 +121693,7 @@ }, { "str": ".", - "token_id": 13392, + "token_id": 13391, "o_rev_id": 1115497746, "in": [], "out": [ @@ -121688,7 +121702,7 @@ }, { "str": "<", - "token_id": 13393, + "token_id": 13392, "o_rev_id": 1115497746, "in": [ 1117591128 @@ -121699,7 +121713,7 @@ }, { "str": "ref", - "token_id": 13394, + "token_id": 13393, "o_rev_id": 1115497746, "in": [ 1117591128 @@ -121710,7 +121724,7 @@ }, { "str": "name", - "token_id": 13395, + "token_id": 13394, "o_rev_id": 1115497746, "in": [ 1117591128 @@ -121721,7 +121735,7 @@ }, { "str": "=", - "token_id": 13396, + "token_id": 13395, "o_rev_id": 1115497746, "in": [ 1117591128 @@ -121732,7 +121746,7 @@ }, { "str": "\"", - "token_id": 13397, + "token_id": 13396, "o_rev_id": 1115497746, "in": [ 1117591128 @@ -121743,7 +121757,7 @@ }, { "str": "eurog", - "token_id": 13398, + "token_id": 13397, "o_rev_id": 1115497746, "in": [ 1117591128 @@ -121754,7 +121768,7 @@ }, { "str": "\"", - "token_id": 13399, + "token_id": 13398, "o_rev_id": 1115497746, "in": [ 1117591128 @@ -121765,7 +121779,7 @@ }, { "str": "/", - "token_id": 13400, + "token_id": 13399, "o_rev_id": 1115497746, "in": [ 1117591128 @@ -121776,7 +121790,7 @@ }, { "str": ">", - "token_id": 13401, + "token_id": 13400, "o_rev_id": 1115497746, "in": [ 1117591128 @@ -121787,7 +121801,7 @@ }, { "str": "in", - "token_id": 13402, + "token_id": 13401, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -121798,7 +121812,7 @@ }, { "str": "'", - "token_id": 13403, + "token_id": 13402, "o_rev_id": 1115530832, "in": [ 1117591128, @@ -121811,7 +121825,7 @@ }, { "str": "'", - "token_id": 13404, + "token_id": 13403, "o_rev_id": 1115530832, "in": [ 1117591128, @@ -121824,7 +121838,7 @@ }, { "str": "splatoon", - "token_id": 13405, + "token_id": 13404, "o_rev_id": 1115530832, "in": [ 1117591128, @@ -121839,7 +121853,7 @@ }, { "str": "3", - "token_id": 13406, + "token_id": 13405, "o_rev_id": 1115530832, "in": [ 1117591128, @@ -121852,7 +121866,7 @@ }, { "str": "'", - "token_id": 13407, + "token_id": 13406, "o_rev_id": 1115530832, "in": [ 1117591128, @@ -121865,7 +121879,7 @@ }, { "str": "'", - "token_id": 13408, + "token_id": 13407, "o_rev_id": 1115530832, "in": [ 1117591128, @@ 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"str": "center", - "token_id": 13462, + "token_id": 13461, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122511,7 +122525,7 @@ }, { "str": "of", - "token_id": 13463, + "token_id": 13462, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122522,7 +122536,7 @@ }, { "str": "the", - "token_id": 13464, + "token_id": 13463, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122533,7 +122547,7 @@ }, { "str": "map", - "token_id": 13465, + "token_id": 13464, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122544,7 +122558,7 @@ }, { "str": ".", - "token_id": 13466, + "token_id": 13465, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122555,7 +122569,7 @@ }, { "str": "<", - "token_id": 13467, + "token_id": 13466, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122566,7 +122580,7 @@ }, { "str": "ref", - "token_id": 13468, + "token_id": 13467, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122577,7 +122591,7 @@ }, { "str": "name", - "token_id": 13469, + "token_id": 13468, "o_rev_id": 1115530832, "in": [ 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13476, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122676,7 +122690,7 @@ }, { "str": ">", - "token_id": 13478, + "token_id": 13477, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122687,7 +122701,7 @@ }, { "str": "{{", - "token_id": 13479, + "token_id": 13478, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122698,7 +122712,7 @@ }, { "str": "cite", - "token_id": 13480, + "token_id": 13479, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122709,7 +122723,7 @@ }, { "str": "web", - "token_id": 13481, + "token_id": 13480, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122720,7 +122734,7 @@ }, { "str": "|", - "token_id": 13482, + "token_id": 13481, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122731,7 +122745,7 @@ }, { "str": "last", - "token_id": 13483, + "token_id": 13482, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122742,7 +122756,7 @@ }, { "str": "=", - "token_id": 13484, + "token_id": 13483, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122753,7 +122767,7 @@ }, { "str": "denzer", - "token_id": 13485, + "token_id": 13484, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122764,7 +122778,7 @@ }, { "str": "|", - "token_id": 13486, + "token_id": 13485, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122775,7 +122789,7 @@ }, { "str": "first", - "token_id": 13487, + "token_id": 13486, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122786,7 +122800,7 @@ }, { "str": "=", - "token_id": 13488, + "token_id": 13487, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122797,7 +122811,7 @@ }, { "str": "tj", - "token_id": 13489, + "token_id": 13488, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122808,7 +122822,7 @@ }, { "str": "|", - "token_id": 13490, + "token_id": 13489, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122819,7 +122833,7 @@ }, { "str": "date", - "token_id": 13491, + "token_id": 13490, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122830,7 +122844,7 @@ }, { "str": "=", - "token_id": 13492, + "token_id": 13491, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122841,7 +122855,7 @@ }, { "str": "2022", - "token_id": 13493, + "token_id": 13492, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122852,7 +122866,7 @@ }, { "str": "-", - "token_id": 13494, + "token_id": 13493, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122863,7 +122877,7 @@ }, { "str": "08", - "token_id": 13495, + "token_id": 13494, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122875,7 +122889,7 @@ }, { "str": "-", - "token_id": 13496, + "token_id": 13495, "o_rev_id": 1115530832, "in": [ 1117591128, @@ -122888,7 +122902,7 @@ }, { "str": "10", - "token_id": 13497, + "token_id": 13496, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122900,7 +122914,7 @@ }, { "str": "|", - "token_id": 13498, + "token_id": 13497, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122911,7 +122925,7 @@ }, { "str": "title", - "token_id": 13499, + "token_id": 13498, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122922,7 +122936,7 @@ }, { "str": "=", - "token_id": 13500, + "token_id": 13499, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122933,7 +122947,7 @@ }, { "str": "splatoon", - "token_id": 13501, + "token_id": 13500, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122944,7 +122958,7 @@ }, { "str": "3", - "token_id": 13502, + "token_id": 13501, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122955,7 +122969,7 @@ }, { "str": "'", - "token_id": 13503, + "token_id": 13502, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122966,7 +122980,7 @@ }, { "str": "s", - "token_id": 13504, + "token_id": 13503, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122977,7 +122991,7 @@ }, { "str": "splatfest", - "token_id": 13505, + "token_id": 13504, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122988,7 +123002,7 @@ }, { "str": "will", - "token_id": 13506, + "token_id": 13505, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -122999,7 +123013,7 @@ }, { "str": "include", - "token_id": 13507, + "token_id": 13506, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123010,7 +123024,7 @@ }, { "str": "3", - "token_id": 13508, + "token_id": 13507, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123021,7 +123035,7 @@ }, { "str": "-", - "token_id": 13509, + "token_id": 13508, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123032,7 +123046,7 @@ }, { "str": "team", - "token_id": 13510, + "token_id": 13509, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123043,7 +123057,7 @@ }, { "str": "tricolor", - "token_id": 13511, + "token_id": 13510, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123054,7 +123068,7 @@ }, { "str": "turf", - "token_id": 13512, + "token_id": 13511, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123065,7 +123079,7 @@ }, { "str": "wars", - "token_id": 13513, + "token_id": 13512, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123076,7 +123090,7 @@ }, { "str": "|", - "token_id": 13514, + "token_id": 13513, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123087,7 +123101,7 @@ }, { "str": "url", - "token_id": 13515, + "token_id": 13514, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123098,7 +123112,7 @@ }, { "str": "=", - "token_id": 13516, + "token_id": 13515, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123109,7 +123123,7 @@ }, { "str": "https", - "token_id": 13517, + "token_id": 13516, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123120,6 +123134,17 @@ }, { "str": ":", + "token_id": 13517, + "o_rev_id": 1115530832, + "in": [ + 1117591128 + ], + "out": [ + 1117588531 + ] + }, + { + "str": "/", "token_id": 13518, "o_rev_id": 1115530832, "in": [ @@ -123140,20 +123165,9 @@ 1117588531 ] }, - { - "str": "/", - "token_id": 13520, - "o_rev_id": 1115530832, - "in": [ - 1117591128 - ], - "out": [ - 1117588531 - ] - }, { "str": "www", - "token_id": 13521, + "token_id": 13520, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123164,7 +123178,7 @@ }, { "str": ".", - "token_id": 13522, + "token_id": 13521, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123175,7 +123189,7 @@ }, { "str": "shacknews", - "token_id": 13523, + "token_id": 13522, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123186,7 +123200,7 @@ }, { "str": ".", - "token_id": 13524, + "token_id": 13523, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123197,7 +123211,7 @@ }, { "str": "com", - "token_id": 13525, + "token_id": 13524, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123208,7 +123222,7 @@ }, { "str": "/", - "token_id": 13526, + "token_id": 13525, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123219,7 +123233,7 @@ }, { "str": "article", - "token_id": 13527, + "token_id": 13526, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123230,7 +123244,7 @@ }, { "str": "/", - "token_id": 13528, + "token_id": 13527, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123241,7 +123255,7 @@ }, { "str": "131781", - "token_id": 13529, + "token_id": 13528, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123252,7 +123266,7 @@ }, { "str": "/", - "token_id": 13530, + "token_id": 13529, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123263,7 +123277,7 @@ }, { "str": "splatoon", - "token_id": 13531, + "token_id": 13530, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123274,7 +123288,7 @@ }, { "str": "-", - "token_id": 13532, + "token_id": 13531, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123285,7 +123299,7 @@ }, { "str": "3", - "token_id": 13533, + "token_id": 13532, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123296,7 +123310,7 @@ }, { "str": "-", - "token_id": 13534, + "token_id": 13533, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123307,7 +123321,7 @@ }, { "str": "splatfest", - "token_id": 13535, + "token_id": 13534, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123318,7 +123332,7 @@ }, { "str": "-", - "token_id": 13536, + "token_id": 13535, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123329,7 +123343,7 @@ }, { "str": "tricolor", - "token_id": 13537, + "token_id": 13536, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123340,7 +123354,7 @@ }, { "str": "-", - "token_id": 13538, + "token_id": 13537, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123351,7 +123365,7 @@ }, { "str": "turf", - "token_id": 13539, + "token_id": 13538, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123362,7 +123376,7 @@ }, { "str": "-", - "token_id": 13540, + "token_id": 13539, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123373,7 +123387,7 @@ }, { "str": "wars", - "token_id": 13541, + "token_id": 13540, "o_rev_id": 1115530832, "in": [ 1117591128 @@ -123384,7 +123398,7 @@ }, { "str": "|", - "token_id": 13542, + "token_id": 13541, "o_rev_id": 1115530832, "in": [], "out": [ @@ -123393,7 +123407,7 @@ }, { "str": "access", - "token_id": 13543, + "token_id": 13542, "o_rev_id": 1115530832, "in": [], "out": [ @@ -123402,14 +123416,14 @@ }, { "str": "-", - "token_id": 13544, + "token_id": 13543, "o_rev_id": 1115530832, "in": [], "out": [] }, { "str": "date", - "token_id": 13545, + "token_id": 13544, "o_rev_id": 1115530832, "in": [], "out": [ @@ -123418,7 +123432,7 @@ }, { "str": "=", - "token_id": 13546, + "token_id": 13545, "o_rev_id": 1115530832, "in": [], "out": [ @@ -123427,29 +123441,27 @@ }, { "str": "2022", - "token_id": 13547, + "token_id": 13546, "o_rev_id": 1115530832, "in": [ - 1178773007 + 1178773007, + 1202097960 ], "out": [ - 1178772974 + 1178772974, + 1202071552 ] }, { "str": "-", - "token_id": 13548, + "token_id": 13547, "o_rev_id": 1115530832, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] + "in": [], + "out": [] }, { "str": "10", - "token_id": 13549, + "token_id": 13548, "o_rev_id": 1115530832, "in": [], "out": [ @@ -123458,21 +123470,21 @@ }, { "str": "-", - "token_id": 13550, + "token_id": 13549, "o_rev_id": 1115530832, "in": [], "out": [] }, { "str": "11", - "token_id": 13551, + "token_id": 13550, "o_rev_id": 1115530832, "in": [], "out": [] }, { "str": "|", - "token_id": 13552, + "token_id": 13551, "o_rev_id": 1115530832, "in": [ 1180622889 @@ -123483,7 +123495,7 @@ }, { "str": "website", - "token_id": 13553, + "token_id": 13552, "o_rev_id": 1115530832, "in": [], "out": [ @@ -123492,7 +123504,7 @@ }, { "str": "=", - "token_id": 13554, + "token_id": 13553, "o_rev_id": 1115530832, "in": [ 1180622889 @@ -123503,14 +123515,14 @@ }, { "str": "shacknews", - "token_id": 13555, + "token_id": 13554, "o_rev_id": 1115530832, "in": [], "out": [] }, { "str": "|", - "token_id": 13556, + "token_id": 13555, "o_rev_id": 1115530832, "in": [], "out": [ @@ -123519,7 +123531,7 @@ }, { "str": "language", - "token_id": 13557, + "token_id": 13556, "o_rev_id": 1115530832, "in": [], "out": [ @@ -123528,7 +123540,7 @@ }, { "str": "=", - "token_id": 13558, + "token_id": 13557, "o_rev_id": 1115530832, "in": [], "out": [ @@ -123537,7 +123549,7 @@ }, { "str": "en", - "token_id": 13559, + "token_id": 13558, "o_rev_id": 1115530832, "in": [], "out": [ @@ -123546,42 +123558,42 @@ }, { "str": "}}", - "token_id": 13560, + "token_id": 13559, "o_rev_id": 1115530832, "in": [], "out": [] }, { "str": "<", - "token_id": 13561, + "token_id": 13560, "o_rev_id": 1115530832, "in": [], "out": [] }, { "str": "/", - "token_id": 13562, + "token_id": 13561, "o_rev_id": 1115530832, "in": [], "out": [] }, { "str": "ref", - "token_id": 13563, + "token_id": 13562, "o_rev_id": 1115530832, "in": [], "out": [] }, { "str": ">", - "token_id": 13564, + "token_id": 13563, "o_rev_id": 1115530832, "in": [], "out": [] }, { "str": "\"", - "token_id": 13565, + "token_id": 13564, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123592,7 +123604,7 @@ }, { "str": "{{", - "token_id": 13566, + "token_id": 13565, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123603,7 +123615,7 @@ }, { "str": "efn", - "token_id": 13567, + "token_id": 13566, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123614,7 +123626,7 @@ }, { "str": "|", - "token_id": 13568, + "token_id": 13567, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123625,7 +123637,7 @@ }, { "str": "prior", - "token_id": 13569, + "token_id": 13568, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123636,7 +123648,7 @@ }, { "str": "to", - "token_id": 13570, + "token_id": 13569, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123647,7 +123659,7 @@ }, { "str": "the", - "token_id": 13571, + "token_id": 13570, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123658,7 +123670,7 @@ }, { "str": "introduction", - "token_id": 13572, + "token_id": 13571, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123669,7 +123681,7 @@ }, { "str": "of", - "token_id": 13573, + "token_id": 13572, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123680,7 +123692,7 @@ }, { "str": "octolings", - "token_id": 13574, + "token_id": 13573, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123691,7 +123703,7 @@ }, { "str": "as", - "token_id": 13575, + "token_id": 13574, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123702,7 +123714,7 @@ }, { "str": "playable", - "token_id": 13576, + "token_id": 13575, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123713,7 +123725,7 @@ }, { "str": "characters", - "token_id": 13577, + "token_id": 13576, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123724,7 +123736,7 @@ }, { "str": ",", - "token_id": 13578, + "token_id": 13577, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123735,7 +123747,7 @@ }, { "str": "this", - "token_id": 13579, + "token_id": 13578, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123746,7 +123758,7 @@ }, { "str": "form", - "token_id": 13580, + "token_id": 13579, "o_rev_id": 1115540281, "in": [], "out": [ @@ -123755,7 +123767,7 @@ }, { "str": "was", - "token_id": 13581, + "token_id": 13580, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123766,7 +123778,7 @@ }, { "str": "referred", - "token_id": 13582, + "token_id": 13581, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123777,7 +123789,7 @@ }, { "str": "to", - "token_id": 13583, + "token_id": 13582, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123788,7 +123800,7 @@ }, { "str": "as", - "token_id": 13584, + "token_id": 13583, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123799,7 +123811,7 @@ }, { "str": "the", - "token_id": 13585, + "token_id": 13584, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123810,7 +123822,7 @@ }, { "str": "squid", - "token_id": 13586, + "token_id": 13585, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123821,7 +123833,7 @@ }, { "str": "form", - "token_id": 13587, + "token_id": 13586, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123832,7 +123844,7 @@ }, { "str": "\"", - "token_id": 13588, + "token_id": 13587, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123843,7 +123855,7 @@ }, { "str": "|", - "token_id": 13589, + "token_id": 13588, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123854,7 +123866,7 @@ }, { "str": "name", - "token_id": 13590, + "token_id": 13589, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123865,7 +123877,7 @@ }, { "str": "=", - "token_id": 13591, + "token_id": 13590, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123876,7 +123888,7 @@ }, { "str": "swim", - "token_id": 13592, + "token_id": 13591, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123887,7 +123899,7 @@ }, { "str": "|", - "token_id": 13593, + "token_id": 13592, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123898,7 +123910,7 @@ }, { "str": "group", - "token_id": 13594, + "token_id": 13593, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123909,7 +123921,7 @@ }, { "str": "=", - "token_id": 13595, + "token_id": 13594, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123920,7 +123932,7 @@ }, { "str": "lower", - "token_id": 13596, + "token_id": 13595, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123931,7 +123943,7 @@ }, { "str": "-", - "token_id": 13597, + "token_id": 13596, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123942,7 +123954,7 @@ }, { "str": "alpha", - "token_id": 13598, + "token_id": 13597, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123953,7 +123965,7 @@ }, { "str": "}}", - "token_id": 13599, + "token_id": 13598, "o_rev_id": 1115540281, "in": [ 1178773007 @@ -123964,7 +123976,7 @@ }, { "str": "<", - "token_id": 13600, + "token_id": 13599, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -123975,7 +123987,7 @@ }, { "str": "ref", - "token_id": 13601, + "token_id": 13600, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -123986,7 +123998,7 @@ }, { "str": "name", - "token_id": 13602, + "token_id": 13601, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -123997,7 +124009,7 @@ }, { "str": "=", - "token_id": 13603, + "token_id": 13602, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124008,7 +124020,7 @@ }, { "str": "\"", - "token_id": 13604, + "token_id": 13603, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124019,7 +124031,7 @@ }, { "str": "eurog", - "token_id": 13605, + "token_id": 13604, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124030,7 +124042,7 @@ }, { "str": "\"", - "token_id": 13606, + "token_id": 13605, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124041,7 +124053,7 @@ }, { "str": "/", - "token_id": 13607, + "token_id": 13606, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124052,7 +124064,7 @@ }, { "str": ">", - "token_id": 13608, + "token_id": 13607, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124063,7 +124075,7 @@ }, { "str": "<", - "token_id": 13609, + "token_id": 13608, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124074,7 +124086,7 @@ }, { "str": "ref", - "token_id": 13610, + "token_id": 13609, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124085,7 +124097,7 @@ }, { "str": ">", - "token_id": 13611, + "token_id": 13610, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124096,7 +124108,7 @@ }, { "str": "{{", - "token_id": 13612, + "token_id": 13611, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124107,7 +124119,7 @@ }, { "str": "cite", - "token_id": 13613, + "token_id": 13612, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124118,7 +124130,7 @@ }, { "str": "web", - "token_id": 13614, + "token_id": 13613, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124129,7 +124141,7 @@ }, { "str": "|", - "token_id": 13615, + "token_id": 13614, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124140,7 +124152,7 @@ }, { "str": "last", - "token_id": 13616, + "token_id": 13615, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124151,7 +124163,7 @@ }, { "str": "=", - "token_id": 13617, + "token_id": 13616, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124162,7 +124174,7 @@ }, { "str": "chandler", - "token_id": 13618, + "token_id": 13617, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124173,7 +124185,7 @@ }, { "str": "|", - "token_id": 13619, + "token_id": 13618, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124184,7 +124196,7 @@ }, { "str": "first", - "token_id": 13620, + "token_id": 13619, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124195,7 +124207,7 @@ }, { "str": "=", - "token_id": 13621, + "token_id": 13620, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124206,7 +124218,7 @@ }, { "str": "sam", - "token_id": 13622, + "token_id": 13621, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124217,7 +124229,7 @@ }, { "str": "|", - "token_id": 13623, + "token_id": 13622, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124228,7 +124240,7 @@ }, { "str": "date", - "token_id": 13624, + "token_id": 13623, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124239,7 +124251,7 @@ }, { "str": "=", - "token_id": 13625, + "token_id": 13624, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124250,7 +124262,7 @@ }, { "str": "2022", - "token_id": 13626, + "token_id": 13625, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124261,7 +124273,7 @@ }, { "str": "-", - "token_id": 13627, + "token_id": 13626, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124272,7 +124284,7 @@ }, { "str": "09", - "token_id": 13628, + "token_id": 13627, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124284,7 +124296,7 @@ }, { "str": "-", - "token_id": 13629, + "token_id": 13628, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124296,7 +124308,7 @@ }, { "str": "19", - "token_id": 13630, + "token_id": 13629, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124307,7 +124319,7 @@ }, { "str": "|", - "token_id": 13631, + "token_id": 13630, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124318,7 +124330,7 @@ }, { "str": "title", - "token_id": 13632, + "token_id": 13631, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124329,7 +124341,7 @@ }, { "str": "=", - "token_id": 13633, + "token_id": 13632, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124340,7 +124352,7 @@ }, { "str": "all", - "token_id": 13634, + "token_id": 13633, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124351,7 +124363,7 @@ }, { "str": "weapons", - "token_id": 13635, + "token_id": 13634, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124362,7 +124374,7 @@ }, { "str": ",", - "token_id": 13636, + "token_id": 13635, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124373,7 +124385,7 @@ }, { "str": "subs", - "token_id": 13637, + "token_id": 13636, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124384,7 +124396,7 @@ }, { "str": "&", - "token_id": 13638, + "token_id": 13637, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124395,7 +124407,7 @@ }, { "str": "specials", - "token_id": 13639, + "token_id": 13638, "o_rev_id": 1115540281, 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"o_rev_id": 1115540281, + "in": [ + 1117591128 + ], + "out": [ + 1117588531 + ] + }, + { + "str": "/", "token_id": 13647, "o_rev_id": 1115540281, "in": [ @@ -124503,20 +124526,9 @@ 1117588531 ] }, - { - "str": "/", - "token_id": 13649, - "o_rev_id": 1115540281, - "in": [ - 1117591128 - ], - "out": [ - 1117588531 - ] - }, { "str": "www", - "token_id": 13650, + "token_id": 13649, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124527,7 +124539,7 @@ }, { "str": ".", - "token_id": 13651, + "token_id": 13650, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124538,7 +124550,7 @@ }, { "str": "shacknews", - "token_id": 13652, + "token_id": 13651, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124549,7 +124561,7 @@ }, { "str": ".", - "token_id": 13653, + "token_id": 13652, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124560,7 +124572,7 @@ }, { "str": "com", - "token_id": 13654, + "token_id": 13653, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124571,7 +124583,7 @@ }, { "str": "/", - "token_id": 13655, + "token_id": 13654, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124582,7 +124594,7 @@ }, { "str": "article", - "token_id": 13656, + "token_id": 13655, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124593,7 +124605,7 @@ }, { "str": "/", - "token_id": 13657, + "token_id": 13656, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124604,7 +124616,7 @@ }, { "str": "132358", - "token_id": 13658, + "token_id": 13657, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124615,7 +124627,7 @@ }, { "str": "/", - "token_id": 13659, + "token_id": 13658, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124626,7 +124638,7 @@ }, { "str": "splatoon", - "token_id": 13660, + "token_id": 13659, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124637,7 +124649,7 @@ }, { "str": "-", - "token_id": 13661, + "token_id": 13660, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124648,7 +124660,7 @@ }, { "str": "3", - "token_id": 13662, + "token_id": 13661, "o_rev_id": 1115540281, "in": [ 1117591128 @@ 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-124919,7 +124931,7 @@ }, { "str": "language", - "token_id": 13686, + "token_id": 13685, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124931,7 +124943,7 @@ }, { "str": "=", - "token_id": 13687, + "token_id": 13686, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124943,7 +124955,7 @@ }, { "str": "en", - "token_id": 13688, + "token_id": 13687, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124955,7 +124967,7 @@ }, { "str": "}}", - "token_id": 13689, + "token_id": 13688, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124967,7 +124979,7 @@ }, { "str": "<", - "token_id": 13690, + "token_id": 13689, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -124979,7 +124991,7 @@ }, { "str": "/", - "token_id": 13691, + "token_id": 13690, "o_rev_id": 1115540281, "in": [ 1117591128, @@ -124992,7 +125004,7 @@ }, { "str": "ref", - "token_id": 13692, + "token_id": 13691, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125004,7 +125016,7 @@ }, { "str": ">", - "token_id": 13693, + "token_id": 13692, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125016,7 +125028,7 @@ }, { "str": "once", - "token_id": 13694, + "token_id": 13693, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125027,7 +125039,7 @@ }, { "str": "a", - "token_id": 13695, + "token_id": 13694, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125038,7 +125050,7 @@ }, { "str": "player", - "token_id": 13696, + "token_id": 13695, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125049,7 +125061,7 @@ }, { "str": "gains", - "token_id": 13697, + "token_id": 13696, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125060,7 +125072,7 @@ }, { "str": "enough", - "token_id": 13698, + "token_id": 13697, "o_rev_id": 1115540281, "in": [ 1117591128, @@ -125073,7 +125085,7 @@ }, { "str": "[[", - "token_id": 13699, + "token_id": 13698, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125084,7 +125096,7 @@ }, { "str": "experience", - "token_id": 13700, + "token_id": 13699, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125095,7 +125107,7 @@ }, { "str": "point", - "token_id": 13701, + "token_id": 13700, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125106,7 +125118,7 @@ }, { "str": "|", - "token_id": 13702, + "token_id": 13701, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125118,7 +125130,7 @@ }, { "str": "experience", - "token_id": 13703, + "token_id": 13702, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125130,7 +125142,7 @@ }, { "str": "points", - "token_id": 13704, + "token_id": 13703, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125142,7 +125154,7 @@ }, { "str": "]]", - "token_id": 13705, + "token_id": 13704, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125153,7 +125165,7 @@ }, { "str": "to", - "token_id": 13706, + "token_id": 13705, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125164,7 +125176,7 @@ }, { "str": "reach", - "token_id": 13707, + "token_id": 13706, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125175,7 +125187,7 @@ }, { "str": "level", - "token_id": 13708, + "token_id": 13707, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125186,7 +125198,7 @@ }, { "str": "10", - "token_id": 13709, + "token_id": 13708, "o_rev_id": 1115540281, "in": [ 1117591128, @@ -125199,7 +125211,7 @@ }, { "str": ",", - "token_id": 13710, + "token_id": 13709, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125211,7 +125223,7 @@ }, { "str": "or", - "token_id": 13711, + "token_id": 13710, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125223,7 +125235,7 @@ }, { "str": "by", - "token_id": 13712, + "token_id": 13711, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125234,7 +125246,7 @@ }, { "str": "transferring", - "token_id": 13713, + "token_id": 13712, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125245,7 +125257,7 @@ }, { "str": "save", - "token_id": 13714, + "token_id": 13713, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125257,7 +125269,7 @@ }, { "str": "data", - "token_id": 13715, + "token_id": 13714, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125268,7 +125280,7 @@ }, { "str": "from", - "token_id": 13716, + "token_id": 13715, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125279,7 +125291,7 @@ }, { "str": "'", - "token_id": 13717, + "token_id": 13716, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125290,7 +125302,7 @@ }, { "str": "'", - "token_id": 13718, + "token_id": 13717, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125301,7 +125313,7 @@ }, { "str": "splatoon", - "token_id": 13719, + "token_id": 13718, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125312,7 +125324,7 @@ }, { "str": "2", - "token_id": 13720, + "token_id": 13719, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125323,7 +125335,7 @@ }, { "str": "'", - "token_id": 13721, + "token_id": 13720, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125334,7 +125346,7 @@ }, { "str": "'", - "token_id": 13722, + "token_id": 13721, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125345,7 +125357,7 @@ }, { "str": ",", - "token_id": 13723, + "token_id": 13722, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125357,7 +125369,7 @@ }, { "str": "they", - "token_id": 13724, + "token_id": 13723, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125368,7 +125380,7 @@ }, { "str": "gain", - "token_id": 13725, + "token_id": 13724, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125379,7 +125391,7 @@ }, { "str": "access", - "token_id": 13726, + "token_id": 13725, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125390,7 +125402,7 @@ }, { "str": "to", - "token_id": 13727, + "token_id": 13726, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125401,7 +125413,7 @@ }, { "str": "a", - "token_id": 13728, + "token_id": 13727, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125412,7 +125424,7 @@ }, { "str": "ranked", - "token_id": 13729, + "token_id": 13728, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125423,7 +125435,7 @@ }, { "str": "mode", - "token_id": 13730, + "token_id": 13729, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125434,7 +125446,7 @@ }, { "str": "called", - "token_id": 13731, + "token_id": 13730, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125445,7 +125457,7 @@ }, { "str": "\"", - "token_id": 13732, + "token_id": 13731, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125457,7 +125469,7 @@ }, { "str": "anarchy", - "token_id": 13733, + "token_id": 13732, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125468,7 +125480,7 @@ }, { "str": "battles", - "token_id": 13734, + "token_id": 13733, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125479,7 +125491,7 @@ }, { "str": "\"", - "token_id": 13735, + "token_id": 13734, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125491,7 +125503,7 @@ }, { "str": ",", - "token_id": 13736, + "token_id": 13735, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125503,7 +125515,7 @@ }, { "str": "featuring", - "token_id": 13737, + "token_id": 13736, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125514,7 +125526,7 @@ }, { "str": "several", - "token_id": 13738, + "token_id": 13737, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125525,7 +125537,7 @@ }, { "str": "different", - "token_id": 13739, + "token_id": 13738, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125536,7 +125548,7 @@ }, { "str": "battle", - "token_id": 13740, + "token_id": 13739, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125547,7 +125559,7 @@ }, { "str": "types", - "token_id": 13741, + "token_id": 13740, "o_rev_id": 1115540281, "in": [ 1117591128, @@ -125560,7 +125572,7 @@ }, { "str": ".", - "token_id": 13742, + "token_id": 13741, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125571,7 +125583,7 @@ }, { "str": "<", - "token_id": 13743, + "token_id": 13742, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125582,7 +125594,7 @@ }, { "str": "ref", - "token_id": 13744, + "token_id": 13743, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125593,7 +125605,7 @@ }, { "str": ">", - "token_id": 13745, + "token_id": 13744, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125604,7 +125616,7 @@ }, { "str": "{{", - "token_id": 13746, + "token_id": 13745, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125615,7 +125627,7 @@ }, { "str": "cite", - "token_id": 13747, + "token_id": 13746, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125626,7 +125638,7 @@ }, { "str": "web", - "token_id": 13748, + "token_id": 13747, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125637,7 +125649,7 @@ }, { "str": "|", - "token_id": 13749, + "token_id": 13748, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125648,7 +125660,7 @@ }, { "str": "last", - "token_id": 13750, + "token_id": 13749, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125659,7 +125671,7 @@ }, { "str": "=", - "token_id": 13751, + "token_id": 13750, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125670,7 +125682,7 @@ }, { "str": "michael", - "token_id": 13752, + "token_id": 13751, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125681,7 +125693,7 @@ }, { "str": "|", - "token_id": 13753, + "token_id": 13752, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125692,7 +125704,7 @@ }, { "str": "first", - "token_id": 13754, + 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"out": [ 1117588531, - 1168453704 + 1202071552 ] }, { "str": "09", - "token_id": 13762, + "token_id": 13761, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125793,20 +125806,18 @@ }, { "str": "-", - "token_id": 13763, + "token_id": 13762, "o_rev_id": 1115540281, "in": [ - 1117591128, - 1202097960 + 1117591128 ], "out": [ - 1117588531, - 1202071552 + 1117588531 ] }, { "str": "09", - "token_id": 13764, + "token_id": 13763, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125818,7 +125829,7 @@ }, { "str": "|", - "token_id": 13765, + "token_id": 13764, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125829,7 +125840,7 @@ }, { "str": "title", - "token_id": 13766, + "token_id": 13765, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125840,7 +125851,7 @@ }, { "str": "=", - "token_id": 13767, + "token_id": 13766, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125851,7 +125862,7 @@ }, { "str": "how", - "token_id": 13768, + "token_id": 13767, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125862,7 +125873,7 @@ }, { "str": "to", - "token_id": 13769, + "token_id": 13768, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125873,7 +125884,7 @@ }, { "str": "unlock", - "token_id": 13770, + "token_id": 13769, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125884,7 +125895,7 @@ }, { "str": "anarchy", - "token_id": 13771, + "token_id": 13770, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125895,7 +125906,7 @@ }, { "str": "battle", - "token_id": 13772, + "token_id": 13771, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125906,7 +125917,7 @@ }, { "str": "ranked", - "token_id": 13773, + "token_id": 13772, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125917,7 +125928,7 @@ }, { "str": "in", - "token_id": 13774, + "token_id": 13773, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125928,7 +125939,7 @@ }, { "str": "splatoon", - "token_id": 13775, + "token_id": 13774, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125939,7 +125950,7 @@ }, { "str": "3", - "token_id": 13776, + "token_id": 13775, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125950,7 +125961,7 @@ }, { "str": "|", - "token_id": 13777, + "token_id": 13776, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125961,7 +125972,7 @@ }, { "str": "url", - "token_id": 13778, + "token_id": 13777, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125972,7 +125983,7 @@ }, { "str": "=", - "token_id": 13779, + "token_id": 13778, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125983,7 +125994,7 @@ }, { "str": "https", - "token_id": 13780, + "token_id": 13779, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -125994,6 +126005,17 @@ }, { "str": ":", + "token_id": 13780, + "o_rev_id": 1115540281, + "in": [ + 1117591128 + ], + "out": [ + 1117588531 + ] + }, + { + "str": "/", "token_id": 13781, "o_rev_id": 1115540281, "in": [ @@ -126014,20 +126036,9 @@ 1117588531 ] }, - { - "str": "/", - "token_id": 13783, - "o_rev_id": 1115540281, - "in": [ - 1117591128 - ], - "out": [ - 1117588531 - ] - }, { "str": "dotesports", - "token_id": 13784, + "token_id": 13783, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126038,7 +126049,7 @@ }, { "str": ".", - "token_id": 13785, + "token_id": 13784, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126049,7 +126060,7 @@ }, { "str": "com", - "token_id": 13786, + "token_id": 13785, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126060,7 +126071,7 @@ }, { "str": "/", - "token_id": 13787, + "token_id": 13786, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126071,7 +126082,7 @@ }, { "str": "splatoon", - "token_id": 13788, + "token_id": 13787, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126082,7 +126093,7 @@ }, { "str": "/", - "token_id": 13789, + "token_id": 13788, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126093,7 +126104,7 @@ }, { "str": "news", - "token_id": 13790, + "token_id": 13789, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126104,7 +126115,7 @@ }, { "str": "/", - "token_id": 13791, + "token_id": 13790, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126115,7 +126126,7 @@ }, { "str": "how", - "token_id": 13792, + "token_id": 13791, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126126,7 +126137,7 @@ }, { "str": "-", - "token_id": 13793, + "token_id": 13792, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126137,7 +126148,7 @@ }, { "str": "to", - "token_id": 13794, + "token_id": 13793, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126148,7 +126159,7 @@ }, { "str": "-", - "token_id": 13795, + "token_id": 13794, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126159,7 +126170,7 @@ }, { "str": "unlock", - "token_id": 13796, + "token_id": 13795, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126170,7 +126181,7 @@ }, { "str": "-", - "token_id": 13797, + "token_id": 13796, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126181,7 +126192,7 @@ }, { "str": "anarchy", - "token_id": 13798, + "token_id": 13797, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126192,7 +126203,7 @@ }, { "str": "-", - "token_id": 13799, + "token_id": 13798, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126203,7 +126214,7 @@ }, { "str": "battle", - "token_id": 13800, + "token_id": 13799, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126214,7 +126225,7 @@ }, { "str": "-", - "token_id": 13801, + "token_id": 13800, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126225,7 +126236,7 @@ }, { "str": "ranked", - "token_id": 13802, + "token_id": 13801, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126236,7 +126247,7 @@ }, { "str": "-", - "token_id": 13803, + "token_id": 13802, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126247,7 +126258,7 @@ }, { "str": "in", - "token_id": 13804, + "token_id": 13803, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126258,7 +126269,7 @@ }, { "str": "-", - "token_id": 13805, + "token_id": 13804, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126269,7 +126280,7 @@ }, { "str": "splatoon", - "token_id": 13806, + "token_id": 13805, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126280,7 +126291,7 @@ }, { "str": "-", - "token_id": 13807, + "token_id": 13806, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126291,7 +126302,7 @@ }, { "str": "3", - "token_id": 13808, + "token_id": 13807, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126302,7 +126313,7 @@ }, { "str": "|", - "token_id": 13809, + "token_id": 13808, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126313,7 +126324,7 @@ }, { "str": "access", - "token_id": 13810, + "token_id": 13809, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126325,7 +126336,7 @@ }, { "str": "-", - "token_id": 13811, + "token_id": 13810, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126336,7 +126347,7 @@ }, { "str": "date", - "token_id": 13812, + "token_id": 13811, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126348,7 +126359,7 @@ }, { "str": "=", - "token_id": 13813, + "token_id": 13812, "o_rev_id": 1115540281, "in": [ 1117591128, @@ -126361,7 +126372,7 @@ }, { "str": "2022", - "token_id": 13814, + "token_id": 13813, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126373,7 +126384,7 @@ }, { "str": "-", - "token_id": 13815, + "token_id": 13814, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126384,7 +126395,7 @@ }, { "str": "10", - "token_id": 13816, + "token_id": 13815, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126396,7 +126407,7 @@ }, { "str": "-", - "token_id": 13817, + "token_id": 13816, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126407,7 +126418,7 @@ }, { "str": "12", - "token_id": 13818, + "token_id": 13817, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126418,7 +126429,7 @@ }, { "str": "|", - "token_id": 13819, + "token_id": 13818, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126430,7 +126441,7 @@ }, { "str": "website", - "token_id": 13820, + "token_id": 13819, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126442,7 +126453,7 @@ }, { "str": "=", - "token_id": 13821, + "token_id": 13820, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126454,7 +126465,7 @@ }, { "str": "dot", - "token_id": 13822, + "token_id": 13821, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126466,7 +126477,7 @@ }, { "str": "esports", - "token_id": 13823, + "token_id": 13822, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126478,7 +126489,7 @@ }, { "str": "|", - "token_id": 13824, + "token_id": 13823, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126490,7 +126501,7 @@ }, { "str": "language", - "token_id": 13825, + "token_id": 13824, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126502,7 +126513,7 @@ }, { "str": "=", - "token_id": 13826, + "token_id": 13825, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126514,7 +126525,7 @@ }, { "str": "en", - "token_id": 13827, + "token_id": 13826, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126526,7 +126537,7 @@ }, { "str": "-", - "token_id": 13828, + "token_id": 13827, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126537,7 +126548,7 @@ }, { "str": "us", - "token_id": 13829, + "token_id": 13828, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126549,7 +126560,7 @@ }, { "str": "}}", - "token_id": 13830, + "token_id": 13829, "o_rev_id": 1115540281, "in": [ 1117591128, @@ -126562,7 +126573,7 @@ }, { "str": "<", - "token_id": 13831, + "token_id": 13830, "o_rev_id": 1115540281, "in": [ 1117591128, @@ -126575,7 +126586,7 @@ }, { "str": "/", - "token_id": 13832, + "token_id": 13831, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126586,7 +126597,7 @@ }, { "str": "ref", - "token_id": 13833, + "token_id": 13832, "o_rev_id": 1115540281, "in": [ 1117591128, @@ -126599,7 +126610,7 @@ }, { "str": ">", - "token_id": 13834, + "token_id": 13833, "o_rev_id": 1115540281, "in": [ 1117591128, @@ -126612,7 +126623,7 @@ }, { "str": "clam", - "token_id": 13835, + "token_id": 13834, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126623,7 +126634,7 @@ }, { "str": "blitz", - "token_id": 13836, + "token_id": 13835, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126634,7 +126645,7 @@ }, { "str": "sees", - "token_id": 13837, + "token_id": 13836, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126645,7 +126656,7 @@ }, { "str": "players", - "token_id": 13838, + "token_id": 13837, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126656,7 +126667,7 @@ }, { "str": "collect", - "token_id": 13839, + "token_id": 13838, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126667,7 +126678,7 @@ }, { "str": "golden", - "token_id": 13840, + "token_id": 13839, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126678,7 +126689,7 @@ }, { "str": "[[", - "token_id": 13841, + "token_id": 13840, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126689,7 +126700,7 @@ }, { "str": "clam", - "token_id": 13842, + "token_id": 13841, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126700,7 +126711,7 @@ }, { "str": "|", - "token_id": 13843, + "token_id": 13842, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126712,7 +126723,7 @@ }, { "str": "clams", - "token_id": 13844, + "token_id": 13843, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126724,7 +126735,7 @@ }, { "str": "]]", - "token_id": 13845, + "token_id": 13844, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126735,7 +126746,7 @@ }, { "str": "and", - "token_id": 13846, + "token_id": 13845, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126746,7 +126757,7 @@ }, { "str": "deposit", - "token_id": 13847, + "token_id": 13846, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126757,7 +126768,7 @@ }, { "str": "them", - "token_id": 13848, + "token_id": 13847, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126768,7 +126779,7 @@ }, { "str": "in", - "token_id": 13849, + "token_id": 13848, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126779,7 +126790,7 @@ }, { "str": "opponent", - "token_id": 13850, + "token_id": 13849, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126790,7 +126801,7 @@ }, { "str": "'", - "token_id": 13851, + "token_id": 13850, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126801,7 +126812,7 @@ }, { "str": "s", - "token_id": 13852, + "token_id": 13851, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126812,7 +126823,7 @@ }, { "str": "goals", - "token_id": 13853, + "token_id": 13852, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126823,7 +126834,7 @@ }, { "str": "with", - "token_id": 13854, + "token_id": 13853, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126835,7 +126846,7 @@ }, { "str": "the", - "token_id": 13855, + "token_id": 13854, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126846,7 +126857,7 @@ }, { "str": "team", - "token_id": 13856, + "token_id": 13855, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126857,7 +126868,7 @@ }, { "str": "who", - "token_id": 13857, + "token_id": 13856, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126868,7 +126879,7 @@ }, { "str": "deposited", - "token_id": 13858, + "token_id": 13857, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126879,7 +126890,7 @@ }, { "str": "the", - "token_id": 13859, + "token_id": 13858, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126890,7 +126901,7 @@ }, { "str": "most", - "token_id": 13860, + "token_id": 13859, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126901,7 +126912,7 @@ }, { "str": "clams", - "token_id": 13861, + "token_id": 13860, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126912,7 +126923,7 @@ }, { "str": "by", - "token_id": 13862, + "token_id": 13861, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126923,7 +126934,7 @@ }, { "str": "the", - "token_id": 13863, + "token_id": 13862, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126934,7 +126945,7 @@ }, { "str": "end", - "token_id": 13864, + "token_id": 13863, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126945,7 +126956,7 @@ }, { "str": "of", - "token_id": 13865, + "token_id": 13864, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126956,7 +126967,7 @@ }, { "str": "the", - "token_id": 13866, + "token_id": 13865, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126967,7 +126978,7 @@ }, { "str": "match", - "token_id": 13867, + "token_id": 13866, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126978,7 +126989,7 @@ }, { "str": "declared", - "token_id": 13868, + "token_id": 13867, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -126989,7 +127000,7 @@ }, { "str": "the", - "token_id": 13869, + "token_id": 13868, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127000,7 +127011,7 @@ }, { "str": "winner", - "token_id": 13870, + "token_id": 13869, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127011,7 +127022,7 @@ }, { "str": ".", - "token_id": 13871, + "token_id": 13870, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127022,7 +127033,7 @@ }, { "str": "in", - "token_id": 13872, + "token_id": 13871, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127034,7 +127045,7 @@ }, { "str": "splat", - "token_id": 13873, + "token_id": 13872, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127045,7 +127056,7 @@ }, { "str": "zones", - "token_id": 13874, + "token_id": 13873, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127056,7 +127067,7 @@ }, { "str": ",", - "token_id": 13875, + "token_id": 13874, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127068,7 +127079,7 @@ }, { "str": "two", - "token_id": 13876, + "token_id": 13875, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127079,7 +127090,7 @@ }, { "str": "teams", - "token_id": 13877, + "token_id": 13876, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127090,7 +127101,7 @@ }, { "str": "aim", - "token_id": 13878, + "token_id": 13877, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127101,7 +127112,7 @@ }, { "str": "to", - "token_id": 13879, + "token_id": 13878, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127112,7 +127123,7 @@ }, { "str": "control", - "token_id": 13880, + "token_id": 13879, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127123,7 +127134,7 @@ }, { "str": "\"", - "token_id": 13881, + "token_id": 13880, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127134,7 +127145,7 @@ }, { "str": "splat", - "token_id": 13882, + "token_id": 13881, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127145,7 +127156,7 @@ }, { "str": "zones", - "token_id": 13883, + "token_id": 13882, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127156,7 +127167,7 @@ }, { "str": "\"", - "token_id": 13884, + "token_id": 13883, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127167,7 +127178,7 @@ }, { "str": "for", - "token_id": 13885, + "token_id": 13884, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127178,7 +127189,7 @@ }, { "str": "a", - "token_id": 13886, + "token_id": 13885, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127189,7 +127200,7 @@ }, { "str": "set", - "token_id": 13887, + "token_id": 13886, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127200,7 +127211,7 @@ }, { "str": "amount", - "token_id": 13888, + "token_id": 13887, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127211,7 +127222,7 @@ }, { "str": "of", - "token_id": 13889, + "token_id": 13888, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127222,7 +127233,7 @@ }, { "str": "time", - "token_id": 13890, + "token_id": 13889, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127233,7 +127244,7 @@ }, { "str": ".", - "token_id": 13891, + "token_id": 13890, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127244,7 +127255,7 @@ }, { "str": "the", - "token_id": 13892, + "token_id": 13891, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127256,7 +127267,7 @@ }, { "str": "splat", - "token_id": 13893, + "token_id": 13892, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127268,7 +127279,7 @@ }, { "str": "zones", - "token_id": 13894, + "token_id": 13893, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127280,7 +127291,7 @@ }, { "str": "are", - "token_id": 13895, + "token_id": 13894, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127292,7 +127303,7 @@ }, { "str": "considered", - "token_id": 13896, + "token_id": 13895, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127304,7 +127315,7 @@ }, { "str": "\"", - "token_id": 13897, + "token_id": 13896, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127316,7 +127327,7 @@ }, { "str": "controlled", - "token_id": 13898, + "token_id": 13897, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127327,7 +127338,7 @@ }, { "str": "\"", - "token_id": 13899, + "token_id": 13898, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127339,7 +127350,7 @@ }, { "str": "when", - "token_id": 13900, + "token_id": 13899, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127350,7 +127361,7 @@ }, { "str": "they", - "token_id": 13901, + "token_id": 13900, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127362,7 +127373,7 @@ }, { "str": "are", - "token_id": 13902, + "token_id": 13901, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127374,7 +127385,7 @@ }, { "str": "70", - "token_id": 13903, + "token_id": 13902, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127385,7 +127396,7 @@ }, { "str": "%", - "token_id": 13904, + "token_id": 13903, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127396,7 +127407,7 @@ }, { "str": "covered", - "token_id": 13905, + "token_id": 13904, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127407,7 +127418,7 @@ }, { "str": "in", - "token_id": 13906, + "token_id": 13905, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127418,7 +127429,7 @@ }, { "str": "a", - "token_id": 13907, + "token_id": 13906, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127429,7 +127440,7 @@ }, { "str": "single", - "token_id": 13908, + "token_id": 13907, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127441,7 +127452,7 @@ }, { "str": "team", - "token_id": 13909, + "token_id": 13908, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127453,7 +127464,7 @@ }, { "str": "'", - "token_id": 13910, + "token_id": 13909, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127465,7 +127476,7 @@ }, { "str": "s", - "token_id": 13911, + "token_id": 13910, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127477,7 +127488,7 @@ }, { "str": "ink", - "token_id": 13912, + "token_id": 13911, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127488,7 +127499,7 @@ }, { "str": ".", - "token_id": 13913, + "token_id": 13912, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127500,7 +127511,7 @@ }, { "str": "similarly", - "token_id": 13914, + "token_id": 13913, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127512,7 +127523,7 @@ }, { "str": ",", - "token_id": 13915, + "token_id": 13914, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127524,7 +127535,7 @@ }, { "str": "tower", - "token_id": 13916, + "token_id": 13915, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127536,7 +127547,7 @@ }, { "str": "control", - "token_id": 13917, + "token_id": 13916, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127548,7 +127559,7 @@ }, { "str": "requires", - "token_id": 13918, + "token_id": 13917, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127560,7 +127571,7 @@ }, { "str": "a", - "token_id": 13919, + "token_id": 13918, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127571,7 +127582,7 @@ }, { "str": "team", - "token_id": 13920, + "token_id": 13919, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127582,7 +127593,7 @@ }, { "str": "to", - "token_id": 13921, + "token_id": 13920, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127593,7 +127604,7 @@ }, { "str": "control", - "token_id": 13922, + "token_id": 13921, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127605,7 +127616,7 @@ }, { "str": "a", - "token_id": 13923, + "token_id": 13922, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127616,7 +127627,7 @@ }, { "str": "moving", - "token_id": 13924, + "token_id": 13923, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127627,7 +127638,7 @@ }, { "str": "tower", - "token_id": 13925, + "token_id": 13924, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127638,7 +127649,7 @@ }, { "str": ".", - "token_id": 13926, + "token_id": 13925, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127650,7 +127661,7 @@ }, { "str": "when", - "token_id": 13927, + "token_id": 13926, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127661,7 +127672,7 @@ }, { "str": "the", - "token_id": 13928, + "token_id": 13927, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127672,7 +127683,7 @@ }, { "str": "tower", - "token_id": 13929, + "token_id": 13928, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127683,7 +127694,7 @@ }, { "str": "is", - "token_id": 13930, + "token_id": 13929, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127694,7 +127705,7 @@ }, { "str": "controlled", - "token_id": 13931, + "token_id": 13930, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127705,7 +127716,7 @@ }, { "str": "by", - "token_id": 13932, + "token_id": 13931, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127716,7 +127727,7 @@ }, { "str": "one", - "token_id": 13933, + "token_id": 13932, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127727,7 +127738,7 @@ }, { "str": "team", - "token_id": 13934, + "token_id": 13933, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127738,7 +127749,7 @@ }, { "str": ",", - "token_id": 13935, + "token_id": 13934, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127749,7 +127760,7 @@ }, { "str": "it", - "token_id": 13936, + "token_id": 13935, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127760,7 +127771,7 @@ }, { "str": "moves", - "token_id": 13937, + "token_id": 13936, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127771,7 +127782,7 @@ }, { "str": "toward", - "token_id": 13938, + "token_id": 13937, "o_rev_id": 1115540281, "in": [ 1117591128, @@ -127784,7 +127795,7 @@ }, { "str": "team", - "token_id": 13939, + "token_id": 13938, "o_rev_id": 1115540281, "in": [ 1117591128, @@ -127797,7 +127808,7 @@ }, { "str": "'", - "token_id": 13940, + "token_id": 13939, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127808,7 +127819,7 @@ }, { "str": "s", - "token_id": 13941, + "token_id": 13940, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127819,7 +127830,7 @@ }, { "str": "goal", - "token_id": 13942, + "token_id": 13941, "o_rev_id": 1115540281, "in": [ 1117591128, @@ -127832,7 +127843,7 @@ }, { "str": "line", - "token_id": 13943, + "token_id": 13942, "o_rev_id": 1115540281, "in": [ 1117591128, @@ -127845,7 +127856,7 @@ }, { "str": ",", - "token_id": 13944, + "token_id": 13943, "o_rev_id": 1115540281, "in": [ 1117591128, @@ -127858,7 +127869,7 @@ }, { "str": "passing", - "token_id": 13945, + "token_id": 13944, "o_rev_id": 1115540281, "in": [ 1117591128, @@ -127872,7 +127883,7 @@ }, { "str": "checkpoints", - "token_id": 13946, + "token_id": 13945, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -127884,7 +127895,7 @@ }, { "str": "along", - "token_id": 13947, + "token_id": 13946, "o_rev_id": 1115540281, "in": [ 1117591128, @@ -127897,7 +127908,7 @@ }, { "str": "way", - "token_id": 13948, + "token_id": 13947, "o_rev_id": 1115540281, "in": [ 1117591128, @@ -127910,7 +127921,7 @@ }, { "str": ",", - "token_id": 13949, + "token_id": 13948, "o_rev_id": 1115540281, "in": [ 1117591128, @@ -127923,7 +127934,7 @@ }, { "str": "with", - "token_id": 13950, + "token_id": 13949, "o_rev_id": 1115540281, "in": [ 1117591128, @@ -127936,7 +127947,7 @@ }, { "str": "a", - "token_id": 13951, + "token_id": 13950, "o_rev_id": 1115540281, "in": [ 1117591128, @@ -127949,7 +127960,7 @@ }, { "str": "team", - "token_id": 13952, + "token_id": 13951, "o_rev_id": 1115540281, "in": [ 1117591128, @@ -127962,7 +127973,7 @@ }, { "str": "winning", - "token_id": 13953, + "token_id": 13952, "o_rev_id": 1115540281, "in": [ 1117591128, @@ -127975,7 +127986,7 @@ }, { "str": "when", - "token_id": 13954, + "token_id": 13953, "o_rev_id": 1115540281, "in": [ 1117591128, @@ -127988,7 +127999,7 @@ }, { "str": "the", - "token_id": 13955, + "token_id": 13954, "o_rev_id": 1115540281, "in": [ 1117591128, @@ -128001,7 +128012,7 @@ }, { "str": "tower", - "token_id": 13956, + "token_id": 13955, "o_rev_id": 1115540281, "in": [ 1117591128, @@ -128014,7 +128025,7 @@ }, { "str": "reaches", - "token_id": 13957, + "token_id": 13956, "o_rev_id": 1115540281, "in": [ 1117591128, @@ -128027,7 +128038,7 @@ }, { "str": "their", - "token_id": 13958, + "token_id": 13957, "o_rev_id": 1115540281, "in": [ 1117591128, @@ -128040,7 +128051,7 @@ }, { "str": "goal", - "token_id": 13959, + "token_id": 13958, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128051,7 +128062,7 @@ }, { "str": "line", - "token_id": 13960, + "token_id": 13959, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128062,7 +128073,7 @@ }, { "str": "in", - "token_id": 13961, + "token_id": 13960, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128073,7 +128084,7 @@ }, { "str": "rainmaker", - "token_id": 13962, + "token_id": 13961, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128085,7 +128096,7 @@ }, { "str": ",", - "token_id": 13963, + "token_id": 13962, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128097,7 +128108,7 @@ }, { "str": "players", - "token_id": 13964, + "token_id": 13963, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128108,7 +128119,7 @@ }, { "str": "attempt", - "token_id": 13965, + "token_id": 13964, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128119,7 +128130,7 @@ }, { "str": "to", - "token_id": 13966, + "token_id": 13965, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128130,7 +128141,7 @@ }, { "str": "carry", - "token_id": 13967, + "token_id": 13966, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128141,7 +128152,7 @@ }, { "str": "the", - "token_id": 13968, + "token_id": 13967, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128152,7 +128163,7 @@ }, { "str": "rainmaker", - "token_id": 13969, + "token_id": 13968, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128163,7 +128174,7 @@ }, { "str": "item", - "token_id": 13970, + "token_id": 13969, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128175,7 +128186,7 @@ }, { "str": "from", - "token_id": 13971, + "token_id": 13970, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128186,7 +128197,7 @@ }, { "str": "the", - "token_id": 13972, + "token_id": 13971, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128198,7 +128209,7 @@ }, { "str": "center", - "token_id": 13973, + "token_id": 13972, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128210,7 +128221,7 @@ }, { "str": "of", - "token_id": 13974, + "token_id": 13973, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128222,7 +128233,7 @@ }, { "str": "the", - "token_id": 13975, + "token_id": 13974, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128234,7 +128245,7 @@ }, { "str": "map", - "token_id": 13976, + "token_id": 13975, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128246,7 +128257,7 @@ }, { "str": "to", - "token_id": 13977, + "token_id": 13976, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128257,7 +128268,7 @@ }, { "str": "a", - "token_id": 13978, + "token_id": 13977, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128269,7 +128280,7 @@ }, { "str": "pedestal", - "token_id": 13979, + "token_id": 13978, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128281,7 +128292,7 @@ }, { "str": "on", - "token_id": 13980, + "token_id": 13979, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128293,7 +128304,7 @@ }, { "str": "the", - "token_id": 13981, + "token_id": 13980, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128304,7 +128315,7 @@ }, { "str": "opponent", - "token_id": 13982, + "token_id": 13981, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128315,7 +128326,7 @@ }, { "str": "'", - "token_id": 13983, + "token_id": 13982, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128326,7 +128337,7 @@ }, { "str": "s", - "token_id": 13984, + "token_id": 13983, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128337,7 +128348,7 @@ }, { "str": "side", - "token_id": 13985, + "token_id": 13984, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128348,7 +128359,7 @@ }, { "str": "of", - "token_id": 13986, + "token_id": 13985, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128359,7 +128370,7 @@ }, { "str": "the", - "token_id": 13987, + "token_id": 13986, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128370,7 +128381,7 @@ }, { "str": "map", - "token_id": 13988, + "token_id": 13987, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128381,7 +128392,7 @@ }, { "str": ".", - "token_id": 13989, + "token_id": 13988, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128392,7 +128403,7 @@ }, { "str": "<", - "token_id": 13990, + "token_id": 13989, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128403,7 +128414,7 @@ }, { "str": "ref", - "token_id": 13991, + "token_id": 13990, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128414,7 +128425,7 @@ }, { "str": ">", - "token_id": 13992, + "token_id": 13991, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128425,7 +128436,7 @@ }, { "str": "{{", - "token_id": 13993, + "token_id": 13992, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128436,7 +128447,7 @@ }, { "str": "cite", - "token_id": 13994, + "token_id": 13993, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128447,7 +128458,7 @@ }, { "str": "web", - "token_id": 13995, + "token_id": 13994, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128458,7 +128469,7 @@ }, { "str": "|", - "token_id": 13996, + "token_id": 13995, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128469,7 +128480,7 @@ }, { "str": "last", - "token_id": 13997, + "token_id": 13996, "o_rev_id": 1115540281, "in": [ 1117591128 @@ 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@@ -128739,7 +128750,7 @@ }, { "str": "!", - "token_id": 14021, + "token_id": 14020, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128750,7 +128761,7 @@ }, { "str": "}}", - "token_id": 14022, + "token_id": 14021, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128761,7 +128772,7 @@ }, { "str": "ranked", - "token_id": 14023, + "token_id": 14022, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128772,7 +128783,7 @@ }, { "str": "mode", - "token_id": 14024, + "token_id": 14023, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128783,7 +128794,7 @@ }, { "str": "explained", - "token_id": 14025, + "token_id": 14024, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128794,7 +128805,7 @@ }, { "str": "|", - "token_id": 14026, + "token_id": 14025, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128805,7 +128816,7 @@ }, { "str": "url", - "token_id": 14027, + "token_id": 14026, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128816,7 +128827,7 @@ }, { "str": "=", - "token_id": 14028, + "token_id": 14027, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128827,7 +128838,7 @@ }, { "str": "https", - "token_id": 14029, + "token_id": 14028, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128838,6 +128849,17 @@ }, { "str": ":", + "token_id": 14029, + "o_rev_id": 1115540281, + "in": [ + 1117591128 + ], + "out": [ + 1117588531 + ] + }, + { + "str": "/", "token_id": 14030, "o_rev_id": 1115540281, "in": [ @@ -128858,20 +128880,9 @@ 1117588531 ] }, - { - "str": "/", - "token_id": 14032, - "o_rev_id": 1115540281, - "in": [ - 1117591128 - ], - "out": [ - 1117588531 - ] - }, { "str": "dotesports", - "token_id": 14033, + "token_id": 14032, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128882,7 +128893,7 @@ }, { "str": ".", - "token_id": 14034, + "token_id": 14033, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128893,7 +128904,7 @@ }, { "str": "com", - "token_id": 14035, + "token_id": 14034, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -128904,7 +128915,7 @@ }, { "str": "/", - "token_id": 14036, + 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"token_id": 14059, + "token_id": 14058, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -129171,7 +129182,7 @@ }, { "str": "=", - "token_id": 14060, + "token_id": 14059, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -129183,7 +129194,7 @@ }, { "str": "2022", - "token_id": 14061, + "token_id": 14060, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -129194,7 +129205,7 @@ }, { "str": "-", - "token_id": 14062, + "token_id": 14061, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -129205,7 +129216,7 @@ }, { "str": "10", - "token_id": 14063, + "token_id": 14062, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -129217,7 +129228,7 @@ }, { "str": "-", - "token_id": 14064, + "token_id": 14063, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -129228,7 +129239,7 @@ }, { "str": "12", - "token_id": 14065, + "token_id": 14064, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -129240,7 +129251,7 @@ }, { "str": "|", - "token_id": 14066, + "token_id": 14065, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -129252,7 +129263,7 @@ }, { "str": "website", - "token_id": 14067, + "token_id": 14066, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -129264,7 +129275,7 @@ }, { "str": "=", - "token_id": 14068, + "token_id": 14067, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -129276,7 +129287,7 @@ }, { "str": "dot", - "token_id": 14069, + "token_id": 14068, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -129288,7 +129299,7 @@ }, { "str": "esports", - "token_id": 14070, + "token_id": 14069, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -129300,7 +129311,7 @@ }, { "str": "|", - "token_id": 14071, + "token_id": 14070, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -129312,7 +129323,7 @@ }, { "str": "language", - "token_id": 14072, + "token_id": 14071, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -129324,7 +129335,7 @@ }, { "str": "=", - "token_id": 14073, + "token_id": 14072, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -129336,7 +129347,7 @@ }, { "str": "en", - "token_id": 14074, + "token_id": 14073, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -129348,7 +129359,7 @@ }, { "str": "-", - "token_id": 14075, + "token_id": 14074, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -129359,7 +129370,7 @@ }, { "str": "us", - "token_id": 14076, + "token_id": 14075, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -129371,7 +129382,7 @@ }, { "str": "}}", - "token_id": 14077, + "token_id": 14076, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -129383,7 +129394,7 @@ }, { "str": "<", - "token_id": 14078, + "token_id": 14077, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -129395,7 +129406,7 @@ }, { "str": "/", - "token_id": 14079, + "token_id": 14078, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -129406,7 +129417,7 @@ }, { "str": "ref", - "token_id": 14080, + "token_id": 14079, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -129418,7 +129429,7 @@ }, { "str": ">", - "token_id": 14081, + "token_id": 14080, "o_rev_id": 1115540281, "in": [ 1117591128 @@ -129430,7 +129441,7 @@ }, { "str": "and", - "token_id": 14082, + "token_id": 14081, "o_rev_id": 1115540281, "in": [], "out": [ @@ -129439,7 +129450,7 @@ }, { "str": "other", - "token_id": 14083, + "token_id": 14082, "o_rev_id": 1115540281, "in": [], "out": [ @@ -129448,7 +129459,7 @@ }, { "str": "also", - "token_id": 14084, + "token_id": 14083, "o_rev_id": 1115540281, "in": [], "out": [ @@ -129457,70 +129468,70 @@ }, { "str": "<", - "token_id": 14085, + "token_id": 14084, "o_rev_id": 1115540281, "in": [], "out": [] }, { "str": "ref", - "token_id": 14086, + "token_id": 14085, "o_rev_id": 1115540281, "in": [], "out": [] }, { "str": "name", - "token_id": 14087, + "token_id": 14086, "o_rev_id": 1115540281, "in": [], "out": [] }, { "str": "=", - "token_id": 14088, + "token_id": 14087, "o_rev_id": 1115540281, "in": [], "out": [] }, { "str": "\"", - "token_id": 14089, + "token_id": 14088, "o_rev_id": 1115540281, "in": [], "out": [] }, { "str": "eurog", - "token_id": 14090, + "token_id": 14089, "o_rev_id": 1115540281, "in": [], "out": [] }, { "str": "\"", - "token_id": 14091, + "token_id": 14090, "o_rev_id": 1115540281, "in": [], "out": [] }, { "str": "/", - "token_id": 14092, + "token_id": 14091, "o_rev_id": 1115540281, "in": [], "out": [] }, { "str": ">", - "token_id": 14093, + "token_id": 14092, "o_rev_id": 1115540281, "in": [], "out": [] }, { "str": "{{", - "token_id": 14094, + "token_id": 14093, "o_rev_id": 1115549519, "in": [], "out": [ @@ -129529,7 +129540,7 @@ }, { "str": "use", - "token_id": 14095, + "token_id": 14094, "o_rev_id": 1115549519, "in": [], "out": [ @@ -129538,7 +129549,7 @@ }, { "str": "american", - "token_id": 14096, + "token_id": 14095, "o_rev_id": 1115549519, "in": [], "out": [ @@ -129547,7 +129558,7 @@ }, { "str": "english", - "token_id": 14097, + "token_id": 14096, "o_rev_id": 1115549519, "in": [], "out": [ @@ -129556,7 +129567,7 @@ }, { "str": "|", - "token_id": 14098, + "token_id": 14097, "o_rev_id": 1115549519, "in": [], "out": [ @@ -129565,7 +129576,7 @@ }, { "str": "date", - "token_id": 14099, + "token_id": 14098, "o_rev_id": 1115549519, "in": [], "out": [ @@ -129574,7 +129585,7 @@ }, { "str": "=", - "token_id": 14100, + "token_id": 14099, "o_rev_id": 1115549519, "in": [], "out": [ @@ -129583,7 +129594,7 @@ }, { "str": "october", - "token_id": 14101, + "token_id": 14100, "o_rev_id": 1115549519, "in": [], "out": [ @@ -129592,7 +129603,7 @@ }, { "str": "2022", - "token_id": 14102, + "token_id": 14101, "o_rev_id": 1115549519, "in": [], "out": [ @@ -129601,7 +129612,7 @@ }, { "str": "}}", - "token_id": 14103, + "token_id": 14102, "o_rev_id": 1115549519, "in": [], "out": [ @@ -129610,7 +129621,7 @@ }, { "str": "[[", - "token_id": 14104, + "token_id": 14103, "o_rev_id": 1115648734, "in": [ 1178773007 @@ -129621,7 +129632,7 @@ }, { "str": "splatoon", - "token_id": 14105, + "token_id": 14104, "o_rev_id": 1115648734, "in": [ 1178773007 @@ -129632,7 +129643,7 @@ }, { "str": "|", - "token_id": 14106, + "token_id": 14105, "o_rev_id": 1115648734, "in": [], "out": [ @@ 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[ @@ -131169,14 +131184,14 @@ }, { "str": "|", - "token_id": 14256, + "token_id": 14255, "o_rev_id": 1115653424, "in": [], "out": [] }, { "str": "language", - "token_id": 14257, + "token_id": 14256, "o_rev_id": 1115653424, "in": [], "out": [ @@ -131185,14 +131200,14 @@ }, { "str": "=", - "token_id": 14258, + "token_id": 14257, "o_rev_id": 1115653424, "in": [], "out": [] }, { "str": "en", - "token_id": 14259, + "token_id": 14258, "o_rev_id": 1115653424, "in": [], "out": [ @@ -131201,14 +131216,14 @@ }, { "str": "-", - "token_id": 14260, + "token_id": 14259, "o_rev_id": 1115653424, "in": [], "out": [] }, { "str": "us", - "token_id": 14261, + "token_id": 14260, "o_rev_id": 1115653424, "in": [], "out": [ @@ -131217,42 +131232,42 @@ }, { "str": "}}", - "token_id": 14262, + "token_id": 14261, "o_rev_id": 1115653424, "in": [], "out": [] }, { "str": "<", - "token_id": 14263, + "token_id": 14262, "o_rev_id": 1115653424, "in": [], "out": [] }, { "str": "/", - "token_id": 14264, + "token_id": 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[], "out": [ @@ -133609,7 +133624,7 @@ }, { "str": "cite", - "token_id": 14574, + "token_id": 14573, "o_rev_id": 1115655341, "in": [], "out": [ @@ -133618,7 +133633,7 @@ }, { "str": "web", - "token_id": 14575, + "token_id": 14574, "o_rev_id": 1115655341, "in": [], "out": [ @@ -133627,7 +133642,7 @@ }, { "str": "|", - "token_id": 14576, + "token_id": 14575, "o_rev_id": 1115655341, "in": [], "out": [ @@ -133636,7 +133651,7 @@ }, { "str": "last", - "token_id": 14577, + "token_id": 14576, "o_rev_id": 1115655341, "in": [], "out": [ @@ -133645,7 +133660,7 @@ }, { "str": "=", - "token_id": 14578, + "token_id": 14577, "o_rev_id": 1115655341, "in": [], "out": [ @@ -133654,7 +133669,7 @@ }, { "str": "wood", - "token_id": 14579, + "token_id": 14578, "o_rev_id": 1115655341, "in": [], "out": [ @@ -133663,7 +133678,7 @@ }, { "str": "|", - "token_id": 14580, + "token_id": 14579, "o_rev_id": 1115655341, "in": [], "out": [ @@ -133672,7 +133687,7 @@ }, { "str": "first", - "token_id": 14581, + 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+133966,7 @@ }, { "str": ".", - "token_id": 14612, + "token_id": 14611, "o_rev_id": 1115655341, "in": [], "out": [ @@ -133960,7 +133975,7 @@ }, { "str": "techradar", - "token_id": 14613, + "token_id": 14612, "o_rev_id": 1115655341, "in": [], "out": [ @@ -133969,7 +133984,7 @@ }, { "str": ".", - "token_id": 14614, + "token_id": 14613, "o_rev_id": 1115655341, "in": [], "out": [ @@ -133978,7 +133993,7 @@ }, { "str": "com", - "token_id": 14615, + "token_id": 14614, "o_rev_id": 1115655341, "in": [], "out": [ @@ -133987,7 +134002,7 @@ }, { "str": "/", - "token_id": 14616, + "token_id": 14615, "o_rev_id": 1115655341, "in": [], "out": [ @@ -133996,7 +134011,7 @@ }, { "str": "news", - "token_id": 14617, + "token_id": 14616, "o_rev_id": 1115655341, "in": [], "out": [ @@ -134005,7 +134020,7 @@ }, { "str": "/", - "token_id": 14618, + "token_id": 14617, "o_rev_id": 1115655341, "in": [], "out": [ @@ -134014,7 +134029,7 @@ }, { "str": "xenoblade", - "token_id": 14619, + "token_id": 14618, "o_rev_id": 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+ "token_id": 14651, "o_rev_id": 1115655341, "in": [], "out": [] }, { "str": "en", - "token_id": 14653, + "token_id": 14652, "o_rev_id": 1115655341, "in": [], "out": [ @@ -134305,7 +134320,7 @@ }, { "str": "}}", - "token_id": 14654, + "token_id": 14653, "o_rev_id": 1115655341, "in": [], "out": [ @@ -134314,7 +134329,7 @@ }, { "str": "<", - "token_id": 14655, + "token_id": 14654, "o_rev_id": 1115655341, "in": [], "out": [ @@ -134323,14 +134338,14 @@ }, { "str": "/", - "token_id": 14656, + "token_id": 14655, "o_rev_id": 1115655341, "in": [], "out": [] }, { "str": "ref", - "token_id": 14657, + "token_id": 14656, "o_rev_id": 1115655341, "in": [], "out": [ @@ -134339,7 +134354,7 @@ }, { "str": ">", - "token_id": 14658, + "token_id": 14657, "o_rev_id": 1115655341, "in": [], "out": [ @@ -134348,21 +134363,21 @@ }, { "str": "<", - "token_id": 14659, + "token_id": 14658, "o_rev_id": 1115655341, "in": [], "out": [] }, { "str": "ref", - "token_id": 14660, + "token_id": 14659, "o_rev_id": 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+134584,7 @@ }, { "str": "xenoblade", - "token_id": 14684, + "token_id": 14683, "o_rev_id": 1115655341, "in": [], "out": [ @@ -134578,7 +134593,7 @@ }, { "str": "chronicles", - "token_id": 14685, + "token_id": 14684, "o_rev_id": 1115655341, "in": [], "out": [ @@ -134587,7 +134602,7 @@ }, { "str": "studio", - "token_id": 14686, + "token_id": 14685, "o_rev_id": 1115655341, "in": [], "out": [ @@ -134596,7 +134611,7 @@ }, { "str": "monolith", - "token_id": 14687, + "token_id": 14686, "o_rev_id": 1115655341, "in": [], "out": [ @@ -134605,7 +134620,7 @@ }, { "str": "soft", - "token_id": 14688, + "token_id": 14687, "o_rev_id": 1115655341, "in": [], "out": [ @@ -134614,7 +134629,7 @@ }, { "str": "helped", - "token_id": 14689, + "token_id": 14688, "o_rev_id": 1115655341, "in": [], "out": [ @@ -134623,7 +134638,7 @@ }, { "str": "out", - "token_id": 14690, + "token_id": 14689, "o_rev_id": 1115655341, "in": [], "out": [ @@ -134632,7 +134647,7 @@ }, { "str": "with", - "token_id": 14691, + 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}, { "str": "/", - "token_id": 14699, + "token_id": 14698, "o_rev_id": 1115655341, "in": [], "out": [] }, { "str": "/", - "token_id": 14700, + "token_id": 14699, "o_rev_id": 1115655341, "in": [], "out": [ @@ -134720,7 +134735,7 @@ }, { "str": "www", - "token_id": 14701, + "token_id": 14700, "o_rev_id": 1115655341, "in": [], "out": [ @@ -134729,7 +134744,7 @@ }, { "str": ".", - "token_id": 14702, + "token_id": 14701, "o_rev_id": 1115655341, "in": [], "out": [ @@ -134738,7 +134753,7 @@ }, { "str": "nintendolife", - "token_id": 14703, + "token_id": 14702, "o_rev_id": 1115655341, "in": [], "out": [ @@ -134747,7 +134762,7 @@ }, { "str": ".", - "token_id": 14704, + "token_id": 14703, "o_rev_id": 1115655341, "in": [], "out": [ @@ -134756,7 +134771,7 @@ }, { "str": "com", - "token_id": 14705, + "token_id": 14704, "o_rev_id": 1115655341, "in": [], "out": [ @@ -134765,7 +134780,7 @@ }, { "str": "/", - "token_id": 14706, + "token_id": 14705, "o_rev_id": 1115655341, "in": [], "out": [ @@ -134774,7 +134789,7 @@ }, { "str": "news", - "token_id": 14707, + "token_id": 14706, "o_rev_id": 1115655341, "in": [], "out": [ @@ -134783,7 +134798,7 @@ }, { "str": "/", - "token_id": 14708, + "token_id": 14707, "o_rev_id": 1115655341, "in": [], "out": [ @@ -134792,7 +134807,7 @@ }, { "str": "2022", - "token_id": 14709, + "token_id": 14708, "o_rev_id": 1115655341, "in": [], "out": [ @@ -134801,7 +134816,7 @@ }, { "str": "/", - "token_id": 14710, + "token_id": 14709, "o_rev_id": 1115655341, "in": [], "out": [ @@ -134810,7 +134825,7 @@ }, { "str": "09", - "token_id": 14711, + "token_id": 14710, "o_rev_id": 1115655341, "in": [], "out": [ @@ -134819,7 +134834,7 @@ }, { "str": "/", - "token_id": 14712, + "token_id": 14711, "o_rev_id": 1115655341, "in": [], "out": [ @@ -134828,7 +134843,7 @@ }, { "str": "xenoblade", - "token_id": 14713, + "token_id": 14712, "o_rev_id": 1115655341, "in": [], "out": [ @@ -134837,7 +134852,7 @@ }, { "str": "-", - "token_id": 14714, + "token_id": 14713, "o_rev_id": 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+135064,14 @@ }, { "str": "-", - "token_id": 14738, + "token_id": 14737, "o_rev_id": 1115655341, "in": [], "out": [] }, { "str": "10", - "token_id": 14739, + "token_id": 14738, "o_rev_id": 1115655341, "in": [], "out": [ @@ -135065,21 +135080,21 @@ }, { "str": "-", - "token_id": 14740, + "token_id": 14739, "o_rev_id": 1115655341, "in": [], "out": [] }, { "str": "12", - "token_id": 14741, + "token_id": 14740, "o_rev_id": 1115655341, "in": [], "out": [] }, { "str": "|", - "token_id": 14742, + "token_id": 14741, "o_rev_id": 1115655341, "in": [], "out": [ @@ -135088,7 +135103,7 @@ }, { "str": "website", - "token_id": 14743, + "token_id": 14742, "o_rev_id": 1115655341, "in": [], "out": [ @@ -135097,7 +135112,7 @@ }, { "str": "=", - "token_id": 14744, + "token_id": 14743, "o_rev_id": 1115655341, "in": [], "out": [ @@ -135106,14 +135121,14 @@ }, { "str": "nintendo", - "token_id": 14745, + "token_id": 14744, "o_rev_id": 1115655341, "in": [], "out": [] }, { "str": "life", - "token_id": 14746, + 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14753, "o_rev_id": 1115655341, "in": [], "out": [ @@ -135190,14 +135205,14 @@ }, { "str": "/", - "token_id": 14755, + "token_id": 14754, "o_rev_id": 1115655341, "in": [], "out": [] }, { "str": "ref", - "token_id": 14756, + "token_id": 14755, "o_rev_id": 1115655341, "in": [], "out": [ @@ -135206,7 +135221,7 @@ }, { "str": ">", - "token_id": 14757, + "token_id": 14756, "o_rev_id": 1115655341, "in": [], "out": [ @@ -135215,91 +135230,91 @@ }, { "str": "at", - "token_id": 14758, + "token_id": 14757, "o_rev_id": 1115655341, "in": [], "out": [] }, { "str": "[[", - "token_id": 14759, + "token_id": 14758, "o_rev_id": 1115655341, "in": [], "out": [] }, { "str": "e3", - "token_id": 14760, + "token_id": 14759, "o_rev_id": 1115655341, "in": [], "out": [] }, { "str": "2019", - "token_id": 14761, + "token_id": 14760, "o_rev_id": 1115655341, "in": [], "out": [] }, { "str": "]]", - "token_id": 14762, + "token_id": 14761, "o_rev_id": 1115655341, "in": [], "out": [] }, { "str": ",", - "token_id": 14763, + "token_id": 14762, "o_rev_id": 1115655341, "in": [], "out": [] }, { "str": "after", - "token_id": 14764, + "token_id": 14763, "o_rev_id": 1115655341, "in": [], "out": [] }, { "str": "the", - "token_id": 14765, + "token_id": 14764, "o_rev_id": 1115655341, "in": [], "out": [] }, { "str": "announcement", - "token_id": 14766, + "token_id": 14765, "o_rev_id": 1115655341, "in": [], "out": [] }, { "str": "of", - "token_id": 14767, + "token_id": 14766, "o_rev_id": 1115655341, "in": [], "out": [] }, { "str": "'", - "token_id": 14768, + "token_id": 14767, "o_rev_id": 1115655341, "in": [], "out": [] }, { "str": "'", - "token_id": 14769, + "token_id": 14768, "o_rev_id": 1115655341, "in": [], "out": [] }, { "str": "splatoon", - "token_id": 14770, + "token_id": 14769, "o_rev_id": 1115655341, "in": [], "out": [ @@ -135308,7 +135323,7 @@ }, { "str": "2", - "token_id": 14771, + "token_id": 14770, "o_rev_id": 1115655341, "in": [], "out": [ @@ -135317,7 +135332,7 @@ }, { "str": "'", - "token_id": 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[] }, { "str": "this", - "token_id": 15796, + "token_id": 15780, "o_rev_id": 1115748853, "in": [], "out": [] }, { "str": "point", - "token_id": 15797, + "token_id": 15781, "o_rev_id": 1115748853, "in": [], "out": [] }, { "str": "|", - "token_id": 15798, + "token_id": 15782, "o_rev_id": 1115748853, "in": [], "out": [] }, { "str": "url", - "token_id": 15799, + "token_id": 15783, "o_rev_id": 1115748853, "in": [], "out": [] }, { "str": "=", - "token_id": 15800, + "token_id": 15784, "o_rev_id": 1115748853, "in": [], "out": [] }, { "str": "https", - "token_id": 15801, + "token_id": 15785, "o_rev_id": 1115748853, "in": [], "out": [] }, { "str": ":", - "token_id": 15802, + "token_id": 15786, "o_rev_id": 1115748853, "in": [], "out": [] }, { "str": "/", - "token_id": 15803, + "token_id": 15787, "o_rev_id": 1115748853, "in": [], "out": [] }, { "str": "/", - "token_id": 15804, + "token_id": 15788, "o_rev_id": 1115748853, "in": [], "out": [] }, { "str": "kotaku", - "token_id": 15805, + "token_id": 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"token_id": 15872, + "token_id": 15856, "o_rev_id": 1115748853, "in": [], "out": [] }, { "str": "in", - "token_id": 15873, + "token_id": 15857, "o_rev_id": 1115748853, "in": [], "out": [ @@ -144162,7 +143993,7 @@ }, { "str": "the", - "token_id": 15874, + "token_id": 15858, "o_rev_id": 1115748853, "in": [], "out": [ @@ -144171,7 +144002,7 @@ }, { "str": "series", - "token_id": 15875, + "token_id": 15859, "o_rev_id": 1115748853, "in": [], "out": [ @@ -144180,7 +144011,7 @@ }, { "str": ",", - "token_id": 15876, + "token_id": 15860, "o_rev_id": 1115748853, "in": [], "out": [ @@ -144189,7 +144020,7 @@ }, { "str": "as", - "token_id": 15877, + "token_id": 15861, "o_rev_id": 1115748853, "in": [], "out": [ @@ -144198,7 +144029,7 @@ }, { "str": "well", - "token_id": 15878, + "token_id": 15862, "o_rev_id": 1115748853, "in": [], "out": [ @@ -144207,7 +144038,7 @@ }, { "str": "as", - "token_id": 15879, + "token_id": 15863, "o_rev_id": 1115748853, "in": [], "out": [ @@ -144216,7 +144047,7 @@ }, { "str": "how", - "token_id": 15880, + "token_id": 15864, "o_rev_id": 1115748853, "in": [], "out": [ @@ -144225,7 +144056,7 @@ }, { "str": "the", - "token_id": 15881, + "token_id": 15865, "o_rev_id": 1115748853, "in": [], "out": [ @@ -144234,7 +144065,7 @@ }, { "str": "game", - "token_id": 15882, + "token_id": 15866, "o_rev_id": 1115748853, "in": [], "out": [ @@ -144243,7 +144074,7 @@ }, { "str": "blended", - "token_id": 15883, + "token_id": 15867, "o_rev_id": 1115748853, "in": [], "out": [ @@ -144252,7 +144083,7 @@ }, { "str": "new", - "token_id": 15884, + "token_id": 15868, "o_rev_id": 1115748853, "in": [], "out": [ @@ -144261,7 +144092,7 @@ }, { "str": "and", - "token_id": 15885, + "token_id": 15869, "o_rev_id": 1115748853, "in": [], "out": [ @@ -144270,7 +144101,7 @@ }, { "str": "returning", - "token_id": 15886, + "token_id": 15870, "o_rev_id": 1115748853, "in": [], "out": [ @@ -144279,7 +144110,7 @@ }, { "str": "content", - "token_id": 15887, + "token_id": 15871, "o_rev_id": 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"token_id": 16776, + "token_id": 16760, "o_rev_id": 1116104022, "in": [], "out": [ @@ -150983,7 +150823,7 @@ }, { "str": "nowiki", - "token_id": 16777, + "token_id": 16761, "o_rev_id": 1116104022, "in": [], "out": [ @@ -150992,7 +150832,7 @@ }, { "str": "/", - "token_id": 16778, + "token_id": 16762, "o_rev_id": 1116104022, "in": [], "out": [ @@ -151001,7 +150841,7 @@ }, { "str": ">", - "token_id": 16779, + "token_id": 16763, "o_rev_id": 1116104022, "in": [], "out": [ @@ -151010,35 +150850,35 @@ }, { "str": "'", - "token_id": 16780, + "token_id": 16764, "o_rev_id": 1116104022, "in": [], "out": [] }, { "str": "s", - "token_id": 16781, + "token_id": 16765, "o_rev_id": 1116104022, "in": [], "out": [] }, { "str": "reid", - "token_id": 16782, + "token_id": 16766, "o_rev_id": 1116104022, "in": [], "out": [] }, { "str": "mccarter", - "token_id": 16783, + "token_id": 16767, "o_rev_id": 1116104022, "in": [], "out": [] }, { "str": "praised", - "token_id": 16784, + "token_id": 16768, "o_rev_id": 1116104022, "in": [], "out": [ @@ -151047,7 +150887,7 @@ }, { "str": "'", - "token_id": 16785, + "token_id": 16769, "o_rev_id": 1116104022, "in": [], "out": [ @@ -151056,7 +150896,7 @@ }, { "str": "'", - "token_id": 16786, + "token_id": 16770, "o_rev_id": 1116104022, "in": [], "out": [ @@ -151065,7 +150905,7 @@ }, { "str": "splatoon", - "token_id": 16787, + "token_id": 16771, "o_rev_id": 1116104022, "in": [], "out": [ @@ -151074,7 +150914,7 @@ }, { "str": "3", - "token_id": 16788, + "token_id": 16772, "o_rev_id": 1116104022, "in": [], "out": [ @@ -151083,7 +150923,7 @@ }, { "str": "'", - "token_id": 16789, + "token_id": 16773, "o_rev_id": 1116104022, "in": [], "out": [ @@ -151092,7 +150932,7 @@ }, { "str": "'", - "token_id": 16790, + "token_id": 16774, "o_rev_id": 1116104022, "in": [], "out": [ @@ -151101,7 +150941,7 @@ }, { "str": "<", - "token_id": 16791, + "token_id": 16775, "o_rev_id": 1116104022, "in": [], "out": [ @@ -151110,7 +150950,7 @@ }, { "str": "nowiki", - "token_id": 16792, + "token_id": 16776, "o_rev_id": 1116104022, "in": [], "out": [ @@ -151119,7 +150959,7 @@ }, { "str": "/", - "token_id": 16793, + "token_id": 16777, "o_rev_id": 1116104022, "in": [], "out": [ @@ -151128,7 +150968,7 @@ }, { "str": ">", - "token_id": 16794, + "token_id": 16778, "o_rev_id": 1116104022, "in": [], "out": [ @@ -151137,7 +150977,7 @@ }, { "str": "'", - "token_id": 16795, + "token_id": 16779, "o_rev_id": 1116104022, "in": [], "out": [ @@ -151146,7 +150986,7 @@ }, { "str": "s", - "token_id": 16796, + "token_id": 16780, "o_rev_id": 1116104022, "in": [], "out": [ @@ -151155,70 +150995,70 @@ }, { "str": "praised", - "token_id": 16797, + "token_id": 16781, "o_rev_id": 1116104022, "in": [], "out": [] }, { "str": "the", - "token_id": 16798, + "token_id": 16782, "o_rev_id": 1116104022, "in": [], "out": [] }, { "str": "game", - "token_id": 16799, + "token_id": 16783, "o_rev_id": 1116104022, "in": [], "out": [] }, { "str": "'", - "token_id": 16800, + "token_id": 16784, "o_rev_id": 1116104022, "in": [], "out": [] }, { "str": "s", - "token_id": 16801, + "token_id": 16785, "o_rev_id": 1116104022, "in": [], "out": [] }, { "str": "original", - "token_id": 16802, + "token_id": 16786, "o_rev_id": 1116104022, "in": [], "out": [] }, { "str": ",", - "token_id": 16803, + "token_id": 16787, "o_rev_id": 1116104022, "in": [], "out": [] }, { "str": "cartoony", - "token_id": 16804, + "token_id": 16788, "o_rev_id": 1116104022, "in": [], "out": [] }, { "str": "characters", - "token_id": 16805, + "token_id": 16789, "o_rev_id": 1116104022, "in": [], "out": [] }, { "str": "rather", - "token_id": 16806, + "token_id": 16790, "o_rev_id": 1116104022, "in": [], "out": [ @@ -151227,7 +151067,7 @@ }, { "str": "than", - "token_id": 16807, + "token_id": 16791, "o_rev_id": 1116104022, "in": [], "out": [ @@ -151236,7 +151076,7 @@ }, { "str": "brand", - "token_id": 16808, + "token_id": 16792, "o_rev_id": 1116104022, "in": [], "out": [ @@ -151245,7 +151085,7 @@ }, { "str": "crossovers", - "token_id": 16809, + "token_id": 16793, "o_rev_id": 1116104022, "in": [], "out": [ @@ -151254,7 +151094,7 @@ }, { "str": "and", - "token_id": 16810, + "token_id": 16794, "o_rev_id": 1116104022, "in": [], "out": [ @@ -151263,28 +151103,28 @@ }, { "str": "realistic", - "token_id": 16811, + "token_id": 16795, "o_rev_id": 1116104022, "in": [], "out": [] }, { "str": "graphics", - "token_id": 16812, + "token_id": 16796, "o_rev_id": 1116104022, "in": [], "out": [] }, { "str": ".", - "token_id": 16813, + "token_id": 16797, "o_rev_id": 1116104022, "in": [], "out": [] }, { "str": "<", - "token_id": 16814, + "token_id": 16798, "o_rev_id": 1116104022, "in": [ 1117591128 @@ -151295,7 +151135,7 @@ }, { "str": "ref", - "token_id": 16815, + "token_id": 16799, "o_rev_id": 1116104022, "in": [ 1117591128 @@ -151306,7 +151146,7 @@ }, { "str": "name", - "token_id": 16816, + "token_id": 16800, "o_rev_id": 1116104022, "in": [ 1117591128 @@ -151317,7 +151157,7 @@ }, { "str": "=", - "token_id": 16817, + "token_id": 16801, "o_rev_id": 1116104022, "in": [ 1117591128 @@ -151328,7 +151168,7 @@ }, { "str": "\"", - "token_id": 16818, + "token_id": 16802, "o_rev_id": 1116104022, "in": [ 1117591128 @@ -151339,7 +151179,7 @@ }, { "str": ":", - "token_id": 16819, + "token_id": 16803, "o_rev_id": 1116104022, "in": [ 1117591128 @@ -151351,7 +151191,7 @@ }, { "str": "1", - "token_id": 16820, + "token_id": 16804, "o_rev_id": 1116104022, "in": [ 1117591128 @@ -151363,7 +151203,7 @@ }, { "str": "|", - "token_id": 16821, + "token_id": 16805, "o_rev_id": 1116105230, "in": [ 1144952513, @@ -151376,7 +151216,7 @@ }, { "str": "date", - "token_id": 16822, + "token_id": 16806, "o_rev_id": 1116105230, "in": [ 1144952513, @@ -151389,7 +151229,7 @@ }, { "str": "=", - "token_id": 16823, + "token_id": 16807, "o_rev_id": 1116105230, "in": [ 1144952513, @@ -151402,7 +151242,7 @@ }, { "str": "2021", - "token_id": 16824, + "token_id": 16808, "o_rev_id": 1116105230, "in": [ 1144952513, @@ -151415,7 +151255,7 @@ }, { "str": "-", - "token_id": 16825, + "token_id": 16809, "o_rev_id": 1116105230, "in": [ 1144952513 @@ -151427,7 +151267,7 @@ }, { "str": "09", - "token_id": 16826, + "token_id": 16810, "o_rev_id": 1116105230, "in": [ 1144952513 @@ -151439,7 +151279,7 @@ }, { "str": "-", - "token_id": 16827, + "token_id": 16811, "o_rev_id": 1116105230, "in": [ 1144952513 @@ -151451,7 +151291,7 @@ }, { "str": "23", - "token_id": 16828, + "token_id": 16812, "o_rev_id": 1116105230, "in": [ 1144952513, @@ -151464,7 +151304,7 @@ }, { "str": "|", - "token_id": 16829, + "token_id": 16813, "o_rev_id": 1116105230, "in": [ 1144952513, @@ -151477,7 +151317,7 @@ }, { "str": "url", - "token_id": 16830, + "token_id": 16814, "o_rev_id": 1116105230, "in": [ 1144952513, @@ -151490,7 +151330,7 @@ }, { "str": "status", - "token_id": 16831, + "token_id": 16815, "o_rev_id": 1116105230, "in": [ 1144952513, @@ -151503,7 +151343,7 @@ }, { "str": "=", - "token_id": 16832, + "token_id": 16816, "o_rev_id": 1116105230, "in": [ 1144952513, @@ -151516,7 +151356,7 @@ }, { "str": "live", - "token_id": 16833, + "token_id": 16817, "o_rev_id": 1116105230, "in": [ 1144952513, @@ -151531,7 +151371,7 @@ }, { "str": "|", - "token_id": 16834, + "token_id": 16818, "o_rev_id": 1116105230, "in": [ 1144952513, @@ -151544,7 +151384,7 @@ }, { "str": "publisher", - "token_id": 16835, + "token_id": 16819, "o_rev_id": 1116105230, "in": [ 1144952513, @@ -151557,7 +151397,7 @@ }, { "str": "=", - "token_id": 16836, + "token_id": 16820, "o_rev_id": 1116105230, "in": [ 1144952513, @@ -151570,7 +151410,7 @@ }, { "str": "[[", - "token_id": 16837, + "token_id": 16821, "o_rev_id": 1116105230, "in": [ 1144952513, @@ -151583,7 +151423,7 @@ }, { "str": "gamestop", - "token_id": 16838, + "token_id": 16822, "o_rev_id": 1116105230, "in": [ 1144952513, @@ -151596,7 +151436,7 @@ }, { "str": "]]", - "token_id": 16839, + "token_id": 16823, "o_rev_id": 1116105230, "in": [ 1144952513, @@ -151609,7 +151449,7 @@ }, { "str": "|", - "token_id": 16840, + "token_id": 16824, "o_rev_id": 1116105230, "in": [ 1144952513, @@ -151622,7 +151462,7 @@ }, { "str": "archive", - "token_id": 16841, + "token_id": 16825, "o_rev_id": 1116105230, "in": [ 1144952513, @@ -151635,7 +151475,7 @@ }, { "str": "date", - "token_id": 16842, + "token_id": 16826, "o_rev_id": 1116105230, "in": [ 1144952513, @@ -151650,7 +151490,7 @@ }, { "str": "=", - "token_id": 16843, + "token_id": 16827, "o_rev_id": 1116105230, "in": [ 1144952513, @@ -151663,7 +151503,7 @@ }, { "str": "24", - "token_id": 16844, + "token_id": 16828, "o_rev_id": 1116105230, "in": [ 1144952513, @@ -151676,20 +151516,20 @@ }, { "str": "september", - "token_id": 16845, + "token_id": 16829, "o_rev_id": 1116105230, "in": [ 1144952513, - 1180622889 + 1178773007 ], "out": [ 1144896380, - 1180622793 + 1178772974 ] }, { "str": "2021", - "token_id": 16846, + "token_id": 16830, "o_rev_id": 1116105230, "in": [ 1144952513, @@ -151702,7 +151542,7 @@ }, { "str": "|", - "token_id": 16847, + "token_id": 16831, "o_rev_id": 1116105230, "in": [ 1144952513, @@ -151715,7 +151555,7 @@ }, { "str": "access", - "token_id": 16848, + "token_id": 16832, "o_rev_id": 1116105230, "in": [ 1144952513, @@ -151728,22 +151568,20 @@ }, { "str": "-", - "token_id": 16849, + "token_id": 16833, "o_rev_id": 1116105230, "in": [ 1144952513, - 1178773007, - 1202097960 + 1178773007 ], "out": [ 1144896380, - 1178772974, - 1202071552 + 1178772974 ] }, { "str": "date", - "token_id": 16850, + "token_id": 16834, "o_rev_id": 1116105230, "in": [ 1144952513, @@ -151756,7 +151594,7 @@ }, { "str": "=", - "token_id": 16851, + "token_id": 16835, "o_rev_id": 1116105230, "in": [ 1144952513, @@ -151769,7 +151607,7 @@ }, { "str": "2021", - "token_id": 16852, + "token_id": 16836, "o_rev_id": 1116105230, "in": [ 1144952513, @@ -151782,7 +151620,7 @@ }, { "str": "-", - "token_id": 16853, + "token_id": 16837, "o_rev_id": 1116105230, "in": [ 1144952513 @@ -151794,7 +151632,7 @@ }, { "str": "09", - "token_id": 16854, + "token_id": 16838, "o_rev_id": 1116105230, "in": [ 1144952513 @@ -151806,7 +151644,7 @@ }, { "str": "-", - "token_id": 16855, + "token_id": 16839, "o_rev_id": 1116105230, "in": [ 1144952513 @@ -151818,7 +151656,7 @@ }, { "str": "30", - "token_id": 16856, + "token_id": 16840, "o_rev_id": 1116105230, "in": [ 1144952513, @@ -151831,7 +151669,7 @@ }, { "str": "|", - "token_id": 16857, + "token_id": 16841, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -151842,7 +151680,7 @@ }, { "str": "last", - "token_id": 16858, + "token_id": 16842, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -151853,7 +151691,7 @@ }, { "str": "=", - "token_id": 16859, + "token_id": 16843, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -151864,7 +151702,7 @@ }, { "str": "mcferren", - "token_id": 16860, + "token_id": 16844, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -151875,7 +151713,7 @@ }, { "str": "|", - "token_id": 16861, + "token_id": 16845, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -151886,7 +151724,7 @@ }, { "str": "first", - "token_id": 16862, + "token_id": 16846, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -151897,7 +151735,7 @@ }, { "str": "=", - "token_id": 16863, + "token_id": 16847, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -151908,7 +151746,7 @@ }, { "str": "damien", - "token_id": 16864, + "token_id": 16848, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -151919,7 +151757,7 @@ }, { "str": "|", - "token_id": 16865, + "token_id": 16849, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -151930,7 +151768,7 @@ }, { "str": "date", - "token_id": 16866, + "token_id": 16850, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -151941,7 +151779,7 @@ }, { "str": "=", - "token_id": 16867, + "token_id": 16851, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -151952,7 +151790,7 @@ }, { "str": "february", - "token_id": 16868, + "token_id": 16852, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -151963,7 +151801,7 @@ }, { "str": "18", - "token_id": 16869, + "token_id": 16853, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -151974,7 +151812,7 @@ }, { "str": ",", - "token_id": 16870, + "token_id": 16854, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -151985,7 +151823,7 @@ }, { "str": "2021", - "token_id": 16871, + "token_id": 16855, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -151996,7 +151834,7 @@ }, { "str": "|", - "token_id": 16872, + "token_id": 16856, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152007,7 +151845,7 @@ }, { "str": "title", - "token_id": 16873, + "token_id": 16857, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152018,7 +151856,7 @@ }, { "str": "=", - "token_id": 16874, + "token_id": 16858, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152029,14 +151867,14 @@ }, { "str": "nintendo", - "token_id": 16875, + "token_id": 16859, "o_rev_id": 1116105230, "in": [], "out": [] }, { "str": "reveals", - "token_id": 16876, + "token_id": 16860, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152047,7 +151885,7 @@ }, { "str": "splatoon", - "token_id": 16877, + "token_id": 16861, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152058,7 +151896,7 @@ }, { "str": "3", - "token_id": 16878, + "token_id": 16862, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152069,7 +151907,7 @@ }, { "str": ",", - "token_id": 16879, + "token_id": 16863, "o_rev_id": 1116105230, "in": [ 1202071552 @@ -152081,7 +151919,7 @@ }, { "str": "coming", - "token_id": 16880, + "token_id": 16864, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152092,7 +151930,7 @@ }, { "str": "to", - "token_id": 16881, + "token_id": 16865, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152103,14 +151941,14 @@ }, { "str": "switch", - "token_id": 16882, + "token_id": 16866, "o_rev_id": 1116105230, "in": [], "out": [] }, { "str": "in", - "token_id": 16883, + "token_id": 16867, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152121,7 +151959,7 @@ }, { "str": "2021", - "token_id": 16884, + "token_id": 16868, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152132,7 +151970,7 @@ }, { "str": "|", - "token_id": 16885, + "token_id": 16869, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152143,7 +151981,7 @@ }, { "str": "url", - "token_id": 16886, + "token_id": 16870, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152154,7 +151992,7 @@ }, { "str": "status", - "token_id": 16887, + "token_id": 16871, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152165,7 +152003,7 @@ }, { "str": "=", - "token_id": 16888, + "token_id": 16872, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152176,7 +152014,7 @@ }, { "str": "live", - "token_id": 16889, + "token_id": 16873, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152187,7 +152025,7 @@ }, { "str": "|", - "token_id": 16890, + "token_id": 16874, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152198,7 +152036,7 @@ }, { "str": "archive", - "token_id": 16891, + "token_id": 16875, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152209,7 +152047,7 @@ }, { "str": "date", - "token_id": 16892, + "token_id": 16876, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152220,7 +152058,7 @@ }, { 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[ 1178773007 @@ -152308,7 +152146,7 @@ }, { "str": "=", - "token_id": 16901, + "token_id": 16885, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152319,7 +152157,7 @@ }, { "str": "february", - "token_id": 16902, + "token_id": 16886, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152330,7 +152168,7 @@ }, { "str": "19", - "token_id": 16903, + "token_id": 16887, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152341,7 +152179,7 @@ }, { "str": ",", - "token_id": 16904, + "token_id": 16888, "o_rev_id": 1116105230, "in": [], "out": [ @@ -152350,7 +152188,7 @@ }, { "str": "2021", - "token_id": 16905, + "token_id": 16889, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152361,7 +152199,7 @@ }, { "str": "|", - "token_id": 16906, + "token_id": 16890, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152372,7 +152210,7 @@ }, { "str": "work", - "token_id": 16907, + "token_id": 16891, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152383,7 +152221,7 @@ }, { "str": "=", - "token_id": 16908, + "token_id": 16892, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152394,7 +152232,7 @@ }, { "str": "[[", - "token_id": 16909, + "token_id": 16893, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152405,7 +152243,7 @@ }, { "str": "nintendo", - "token_id": 16910, + "token_id": 16894, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152416,7 +152254,7 @@ }, { "str": "life", - "token_id": 16911, + "token_id": 16895, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152427,7 +152265,7 @@ }, { "str": "]]", - "token_id": 16912, + "token_id": 16896, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152438,7 +152276,7 @@ }, { "str": "|", - "token_id": 16913, + "token_id": 16897, "o_rev_id": 1116105230, "in": [], "out": [ @@ -152447,7 +152285,7 @@ }, { "str": "publisher", - "token_id": 16914, + "token_id": 16898, "o_rev_id": 1116105230, "in": [], "out": [ @@ -152456,7 +152294,7 @@ }, { "str": "=", - "token_id": 16915, + "token_id": 16899, "o_rev_id": 1116105230, "in": [], "out": [ @@ -152465,7 +152303,7 @@ }, { "str": "hookshot", - "token_id": 16916, + "token_id": 16900, "o_rev_id": 1116105230, "in": [], "out": [ @@ -152474,7 +152312,7 @@ }, { "str": "media", - "token_id": 16917, + "token_id": 16901, "o_rev_id": 1116105230, "in": [], "out": [ @@ -152483,7 +152321,7 @@ }, { "str": "[[", - "token_id": 16918, + "token_id": 16902, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152494,7 +152332,7 @@ }, { "str": "]]", - "token_id": 16919, + "token_id": 16903, "o_rev_id": 1116105230, "in": [ 1178773007 @@ -152505,7 +152343,7 @@ }, { "str": "|", - "token_id": 16920, + "token_id": 16904, "o_rev_id": 1116105230, "in": [], "out": [ @@ -152514,7 +152352,7 @@ }, { "str": "publisher", - "token_id": 16921, + "token_id": 16905, "o_rev_id": 1116105230, "in": [], "out": [ @@ -152523,14 +152361,14 @@ }, { "str": "=", - "token_id": 16922, + "token_id": 16906, "o_rev_id": 1116105230, "in": [], "out": [] }, { "str": "hookshot", - "token_id": 16923, + "token_id": 16907, "o_rev_id": 1116105230, "in": [], "out": [ @@ -152539,7 +152377,7 @@ }, { "str": "media", - "token_id": 16924, + "token_id": 16908, "o_rev_id": 1116105230, "in": [], "out": [ @@ -152548,7 +152386,7 @@ }, { "str": "[[", - "token_id": 16925, + "token_id": 16909, "o_rev_id": 1116105230, "in": [ 1117591128 @@ -152559,7 +152397,7 @@ }, { "str": "]]", - "token_id": 16926, + "token_id": 16910, "o_rev_id": 1116105230, "in": [ 1117591128 @@ -152570,7 +152408,7 @@ }, { "str": "|", - "token_id": 16927, + "token_id": 16911, "o_rev_id": 1116105230, "in": [ 1117591128 @@ -152582,7 +152420,7 @@ }, { "str": "publisher", - "token_id": 16928, + "token_id": 16912, "o_rev_id": 1116105230, "in": [ 1117591128 @@ -152594,7 +152432,7 @@ }, { "str": "=", - "token_id": 16929, + "token_id": 16913, "o_rev_id": 1116105230, "in": [ 1117591128 @@ -152606,7 +152444,7 @@ }, { "str": "[[", - "token_id": 16930, + "token_id": 16914, "o_rev_id": 1116105230, "in": [ 1117591128 @@ -152617,7 +152455,7 @@ }, { "str": "gamurs", - "token_id": 16931, + "token_id": 16915, "o_rev_id": 1116105230, "in": [ 1117591128 @@ -152628,7 +152466,7 @@ }, { "str": "]]", - "token_id": 16932, + "token_id": 16916, "o_rev_id": 1116105230, "in": [ 1117591128 @@ -152639,7 +152477,7 @@ }, { "str": "[[", - "token_id": 16933, + "token_id": 16917, "o_rev_id": 1116105230, "in": [ 1117591128 @@ -152651,7 +152489,7 @@ }, { "str": "(", - "token_id": 16934, + "token_id": 16918, "o_rev_id": 1116105230, "in": [ 1117591128 @@ -152663,7 +152501,7 @@ }, { "str": "website", - "token_id": 16935, + "token_id": 16919, "o_rev_id": 1116105230, "in": [ 1117591128 @@ -152675,7 +152513,7 @@ }, { "str": ")", - "token_id": 16936, + "token_id": 16920, "o_rev_id": 1116105230, "in": [ 1117591128 @@ -152687,7 +152525,7 @@ }, { "str": "|", - "token_id": 16937, + "token_id": 16921, "o_rev_id": 1116105230, "in": [ 1117591128 @@ -152699,7 +152537,7 @@ }, { "str": "polygon", - "token_id": 16938, + "token_id": 16922, "o_rev_id": 1116105230, "in": [ 1117591128 @@ -152711,7 +152549,7 @@ }, { "str": "]]", - "token_id": 16939, + "token_id": 16923, "o_rev_id": 1116105230, "in": [ 1117591128 @@ -152723,7 +152561,7 @@ }, { "str": "|", - "token_id": 16940, + "token_id": 16924, "o_rev_id": 1116105230, "in": [ 1117591128 @@ -152735,7 +152573,7 @@ }, { "str": "publisher", - "token_id": 16941, + "token_id": 16925, "o_rev_id": 1116105230, "in": [ 1117591128 @@ -152747,7 +152585,7 @@ }, { "str": "=", - "token_id": 16942, + "token_id": 16926, "o_rev_id": 1116105230, "in": [ 1117591128 @@ -152759,7 +152597,7 @@ }, { "str": "[[", - "token_id": 16943, + "token_id": 16927, "o_rev_id": 1116105230, "in": [ 1117591128 @@ -152771,7 +152609,7 @@ }, { "str": "vox", - "token_id": 16944, + "token_id": 16928, "o_rev_id": 1116105230, "in": [ 1117591128 @@ -152783,7 +152621,7 @@ }, { "str": "media", - "token_id": 16945, + "token_id": 16929, "o_rev_id": 1116105230, "in": [ 1117591128 @@ -152795,7 +152633,7 @@ }, { "str": "]]", - "token_id": 16946, + "token_id": 16930, "o_rev_id": 1116105230, "in": [ 1117591128 @@ -152807,7 +152645,7 @@ }, { "str": "[[", - "token_id": 16947, + "token_id": 16931, "o_rev_id": 1116105230, "in": [], "out": [ @@ -152816,14 +152654,14 @@ }, { "str": "news", - "token_id": 16948, + "token_id": 16932, "o_rev_id": 1116105230, "in": [], "out": [] }, { "str": "]]", - "token_id": 16949, + "token_id": 16933, "o_rev_id": 1116105230, "in": [], "out": [ @@ -152832,28 +152670,28 @@ }, { "str": "|", - "token_id": 16950, + "token_id": 16934, "o_rev_id": 1116105230, "in": [], "out": [] }, { "str": "publisher", - "token_id": 16951, + "token_id": 16935, "o_rev_id": 1116105230, "in": [], "out": [] }, { "str": "=", - "token_id": 16952, + "token_id": 16936, "o_rev_id": 1116105230, "in": [], "out": [] }, { "str": "[[", - "token_id": 16953, + "token_id": 16937, "o_rev_id": 1116105230, "in": [], "out": [ @@ -152862,7 +152700,7 @@ }, { "str": "bloomberg", - "token_id": 16954, + "token_id": 16938, "o_rev_id": 1116105230, "in": [], "out": [ @@ -152871,7 +152709,7 @@ }, { "str": "l", - "token_id": 16955, + "token_id": 16939, "o_rev_id": 1116105230, "in": [], "out": [ @@ -152880,14 +152718,14 @@ }, { "str": ".", - "token_id": 16956, + "token_id": 16940, "o_rev_id": 1116105230, "in": [], "out": [] }, { "str": "p", - "token_id": 16957, + "token_id": 16941, "o_rev_id": 1116105230, "in": [], "out": [ @@ -152896,14 +152734,14 @@ }, { "str": ".", - "token_id": 16958, + "token_id": 16942, "o_rev_id": 1116105230, "in": [], "out": [] }, { "str": "]]", - "token_id": 16959, + "token_id": 16943, "o_rev_id": 1116105230, "in": [], "out": [ @@ -152912,7 +152750,7 @@ }, { "str": "[[", - "token_id": 16960, + "token_id": 16944, "o_rev_id": 1116105230, "in": [], "out": [ @@ -152921,7 +152759,7 @@ }, { "str": "]]", - "token_id": 16961, + "token_id": 16945, "o_rev_id": 1116105230, "in": [], "out": [ @@ -152930,28 +152768,28 @@ }, { "str": "|", - "token_id": 16962, + "token_id": 16946, "o_rev_id": 1116105230, "in": [], "out": [] }, { "str": "publisher", - "token_id": 16963, + "token_id": 16947, "o_rev_id": 1116105230, "in": [], "out": [] }, { "str": "=", - "token_id": 16964, + "token_id": 16948, "o_rev_id": 1116105230, "in": [], "out": [] }, { "str": "hookshot", - "token_id": 16965, + "token_id": 16949, "o_rev_id": 1116105230, "in": [], "out": [ @@ -152960,14 +152798,14 @@ }, { "str": "media", - "token_id": 16966, + "token_id": 16950, "o_rev_id": 1116105230, "in": [], "out": [] }, { "str": "=", - "token_id": 16967, + "token_id": 16951, "o_rev_id": 1116108166, "in": [], "out": [ @@ -152976,7 +152814,7 @@ }, { "str": "=", - "token_id": 16968, + "token_id": 16952, "o_rev_id": 1116108166, "in": [], "out": [ @@ -152985,7 +152823,7 @@ }, { "str": "=", - "token_id": 16969, + "token_id": 16953, "o_rev_id": 1116108166, "in": [], "out": [ @@ -152994,7 +152832,7 @@ }, { "str": "controversy", - "token_id": 16970, + "token_id": 16954, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153003,7 +152841,7 @@ }, { "str": "=", - "token_id": 16971, + "token_id": 16955, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153012,7 +152850,7 @@ }, { "str": "=", - "token_id": 16972, + "token_id": 16956, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153021,7 +152859,7 @@ }, { "str": "=", - "token_id": 16973, + "token_id": 16957, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153030,7 +152868,7 @@ }, { "str": "on", - "token_id": 16974, + "token_id": 16958, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153039,7 +152877,7 @@ }, { "str": "8", - "token_id": 16975, + "token_id": 16959, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153048,7 +152886,7 @@ }, { "str": "october", - "token_id": 16976, + "token_id": 16960, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153057,7 +152895,7 @@ }, { "str": "2022", - "token_id": 16977, + "token_id": 16961, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153066,7 +152904,7 @@ }, { "str": ",", - "token_id": 16978, + "token_id": 16962, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153075,7 +152913,7 @@ }, { "str": "reports", - "token_id": 16979, + "token_id": 16963, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153084,7 +152922,7 @@ }, { "str": "emerged", - "token_id": 16980, + "token_id": 16964, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153093,7 +152931,7 @@ }, { "str": "that", - "token_id": 16981, + "token_id": 16965, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153102,7 +152940,7 @@ }, { "str": "the", - "token_id": 16982, + "token_id": 16966, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153111,7 +152949,7 @@ }, { "str": "japanese", - "token_id": 16983, + "token_id": 16967, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153120,7 +152958,7 @@ }, { "str": "[[", - "token_id": 16984, + "token_id": 16968, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153129,7 +152967,7 @@ }, { "str": "vtuber", - "token_id": 16985, + "token_id": 16969, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153138,7 +152976,7 @@ }, { "str": "]]", - "token_id": 16986, + "token_id": 16970, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153147,7 +152985,7 @@ }, { "str": "group", - "token_id": 16987, + "token_id": 16971, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153156,7 +152994,7 @@ }, { "str": "sinsogumi", - "token_id": 16988, + "token_id": 16972, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153165,7 +153003,7 @@ }, { "str": "were", - "token_id": 16989, + "token_id": 16973, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153174,7 +153012,7 @@ }, { "str": "broadcasting", - "token_id": 16990, + "token_id": 16974, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153183,7 +153021,7 @@ }, { "str": "[[", - "token_id": 16991, + "token_id": 16975, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153192,7 +153030,7 @@ }, { "str": "pornography", - "token_id": 16992, + "token_id": 16976, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153201,7 +153039,7 @@ }, { "str": "]]", - "token_id": 16993, + "token_id": 16977, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153210,7 +153048,7 @@ }, { "str": "by", - "token_id": 16994, + "token_id": 16978, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153219,7 +153057,7 @@ }, { "str": "[[", - "token_id": 16995, + "token_id": 16979, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153228,7 +153066,7 @@ }, { "str": "chroma", - "token_id": 16996, + "token_id": 16980, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153237,7 +153075,7 @@ }, { "str": "key", - "token_id": 16997, + "token_id": 16981, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153246,7 +153084,7 @@ }, { "str": "|", - "token_id": 16998, + "token_id": 16982, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153255,7 +153093,7 @@ }, { "str": "chroma", - "token_id": 16999, + "token_id": 16983, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153264,7 +153102,7 @@ }, { "str": "keying", - "token_id": 17000, + "token_id": 16984, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153273,7 +153111,7 @@ }, { "str": "]]", - "token_id": 17001, + "token_id": 16985, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153282,7 +153120,7 @@ }, { "str": "ink", - "token_id": 17002, + "token_id": 16986, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153291,7 +153129,7 @@ }, { "str": "in", - "token_id": 17003, + "token_id": 16987, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153300,7 +153138,7 @@ }, { "str": "'", - "token_id": 17004, + "token_id": 16988, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153309,7 +153147,7 @@ }, { "str": "'", - "token_id": 17005, + "token_id": 16989, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153318,7 +153156,7 @@ }, { "str": "splatoon", - "token_id": 17006, + "token_id": 16990, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153327,7 +153165,7 @@ }, { "str": "3", - "token_id": 17007, + "token_id": 16991, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153336,7 +153174,7 @@ }, { "str": "'", - "token_id": 17008, + "token_id": 16992, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153345,7 +153183,7 @@ }, { "str": "'", - "token_id": 17009, + "token_id": 16993, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153354,7 +153192,7 @@ }, { "str": "in", - "token_id": 17010, + "token_id": 16994, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153363,7 +153201,7 @@ }, { "str": "a", - "token_id": 17011, + "token_id": 16995, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153372,7 +153210,7 @@ }, { "str": "competition", - "token_id": 17012, + "token_id": 16996, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153381,7 +153219,7 @@ }, { "str": "to", - "token_id": 17013, + "token_id": 16997, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153390,7 +153228,7 @@ }, { "str": "not", - "token_id": 17014, + "token_id": 16998, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153399,7 +153237,7 @@ }, { "str": "be", - "token_id": 17015, + "token_id": 16999, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153408,7 +153246,7 @@ }, { "str": "banned", - "token_id": 17016, + "token_id": 17000, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153417,7 +153255,7 @@ }, { "str": "from", - "token_id": 17017, + 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}, { "str": "nintendo", - "token_id": 17025, + "token_id": 17009, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153498,7 +153336,7 @@ }, { "str": "issued", - "token_id": 17026, + "token_id": 17010, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153507,7 +153345,7 @@ }, { "str": "[[", - "token_id": 17027, + "token_id": 17011, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153516,7 +153354,7 @@ }, { "str": "youtube", - "token_id": 17028, + "token_id": 17012, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153525,7 +153363,7 @@ }, { "str": "copyright", - "token_id": 17029, + "token_id": 17013, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153534,7 +153372,7 @@ }, { "str": "strike", - "token_id": 17030, + "token_id": 17014, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153543,7 +153381,7 @@ }, { "str": "|", - "token_id": 17031, + "token_id": 17015, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153552,7 +153390,7 @@ }, { "str": "copyright", - "token_id": 17032, + "token_id": 17016, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153561,7 +153399,7 @@ }, { "str": "strikes", - "token_id": 17033, + "token_id": 17017, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153570,7 +153408,7 @@ }, { "str": "]]", - "token_id": 17034, + "token_id": 17018, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153579,7 +153417,7 @@ }, { "str": "to", - "token_id": 17035, + "token_id": 17019, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153588,7 +153426,7 @@ }, { "str": "the", - "token_id": 17036, + "token_id": 17020, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153597,7 +153435,7 @@ }, { "str": "videos", - "token_id": 17037, + "token_id": 17021, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153606,7 +153444,7 @@ }, { "str": ",", - "token_id": 17038, + "token_id": 17022, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153615,7 +153453,7 @@ }, { "str": "and", - "token_id": 17039, + "token_id": 17023, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153624,7 +153462,7 @@ }, { "str": "the", - "token_id": 17040, + "token_id": 17024, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153633,7 +153471,7 @@ }, { "str": "channels", - "token_id": 17041, + "token_id": 17025, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153642,7 +153480,7 @@ }, { "str": "were", - "token_id": 17042, + "token_id": 17026, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153651,7 +153489,7 @@ }, { "str": "subsequently", - "token_id": 17043, + "token_id": 17027, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153660,7 +153498,7 @@ }, { "str": "terminated", - "token_id": 17044, + "token_id": 17028, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153669,7 +153507,7 @@ }, { "str": ".", - "token_id": 17045, + "token_id": 17029, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153678,7 +153516,7 @@ }, { "str": "members", - "token_id": 17046, + "token_id": 17030, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153687,7 +153525,7 @@ }, { "str": "of", - "token_id": 17047, + "token_id": 17031, "o_rev_id": 1116108166, 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"token_id": 17055, + "token_id": 17039, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153768,7 +153606,7 @@ }, { "str": "s", - "token_id": 17056, + "token_id": 17040, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153777,7 +153615,7 @@ }, { "str": "leader", - "token_id": 17057, + "token_id": 17041, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153786,7 +153624,7 @@ }, { "str": ",", - "token_id": 17058, + "token_id": 17042, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153795,7 +153633,7 @@ }, { "str": "ikinone", - "token_id": 17059, + "token_id": 17043, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153804,7 +153642,7 @@ }, { "str": "tomeru", - "token_id": 17060, + "token_id": 17044, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153813,7 +153651,7 @@ }, { "str": ",", - "token_id": 17061, + "token_id": 17045, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153822,7 +153660,7 @@ }, { "str": "doing", - "token_id": 17062, + "token_id": 17046, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153831,7 +153669,7 @@ }, { "str": "so", - "token_id": 17063, + "token_id": 17047, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153840,7 +153678,7 @@ }, { "str": "in", - "token_id": 17064, + "token_id": 17048, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153849,7 +153687,7 @@ }, { "str": "a", - "token_id": 17065, + "token_id": 17049, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153858,7 +153696,7 @@ }, { "str": "[[", - "token_id": 17066, + "token_id": 17050, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153867,7 +153705,7 @@ }, { "str": "dinosaur", - "token_id": 17067, + "token_id": 17051, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153876,7 +153714,7 @@ }, { "str": "]]", - "token_id": 17068, + "token_id": 17052, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153885,7 +153723,7 @@ }, { "str": "costume", - "token_id": 17069, + "token_id": 17053, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153894,7 +153732,7 @@ }, { "str": ".", - "token_id": 17070, + "token_id": 17054, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153903,7 +153741,7 @@ }, { "str": "<", - "token_id": 17071, + "token_id": 17055, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153912,7 +153750,7 @@ }, { "str": "ref", - "token_id": 17072, + "token_id": 17056, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153921,7 +153759,7 @@ }, { "str": ">", - "token_id": 17073, + "token_id": 17057, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153930,7 +153768,7 @@ }, { "str": "{{", - "token_id": 17074, + "token_id": 17058, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153939,7 +153777,7 @@ }, { "str": "cite", - "token_id": 17075, + "token_id": 17059, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153948,7 +153786,7 @@ }, { "str": "web", - "token_id": 17076, + "token_id": 17060, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153957,7 +153795,7 @@ }, { "str": "|", - "token_id": 17077, + "token_id": 17061, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153966,7 +153804,7 @@ }, { "str": "last", - "token_id": 17078, + "token_id": 17062, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153975,7 +153813,7 @@ }, { "str": "=", - "token_id": 17079, + "token_id": 17063, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153984,7 +153822,7 @@ }, { "str": "jiang", - "token_id": 17080, + "token_id": 17064, "o_rev_id": 1116108166, "in": [], "out": [ @@ -153993,7 +153831,7 @@ }, { "str": "|", - "token_id": 17081, + "token_id": 17065, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154002,7 +153840,7 @@ }, { "str": "first", - "token_id": 17082, + "token_id": 17066, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154011,7 +153849,7 @@ }, { "str": "=", - "token_id": 17083, + "token_id": 17067, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154020,7 +153858,7 @@ }, { "str": "sisi", - "token_id": 17084, + "token_id": 17068, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154029,7 +153867,7 @@ }, { "str": "|", - "token_id": 17085, + "token_id": 17069, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154038,7 +153876,7 @@ }, { "str": "date", - "token_id": 17086, + "token_id": 17070, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154047,7 +153885,7 @@ }, { "str": "=", - "token_id": 17087, + "token_id": 17071, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154056,7 +153894,7 @@ }, { "str": "2022", - "token_id": 17088, + "token_id": 17072, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154065,7 +153903,7 @@ }, { "str": "-", - "token_id": 17089, + "token_id": 17073, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154074,7 +153912,7 @@ }, { "str": "10", - "token_id": 17090, + "token_id": 17074, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154083,7 +153921,7 @@ }, { "str": "-", - "token_id": 17091, + "token_id": 17075, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154092,7 +153930,7 @@ }, { "str": "12", - "token_id": 17092, + "token_id": 17076, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154101,7 +153939,7 @@ }, { "str": "|", - "token_id": 17093, + "token_id": 17077, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154110,7 +153948,7 @@ }, { "str": "title", - "token_id": 17094, + "token_id": 17078, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154119,7 +153957,7 @@ }, { "str": "=", - "token_id": 17095, + "token_id": 17079, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154128,7 +153966,7 @@ }, { "str": "vtubers", - "token_id": 17096, + "token_id": 17080, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154137,7 +153975,7 @@ }, { "str": "banned", - "token_id": 17097, + "token_id": 17081, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154146,7 +153984,7 @@ }, { "str": "from", - "token_id": 17098, + "token_id": 17082, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154155,7 +153993,7 @@ }, { "str": "youtube", - "token_id": 17099, + "token_id": 17083, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154164,7 +154002,7 @@ }, { "str": "after", - "token_id": 17100, + "token_id": 17084, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154173,7 +154011,7 @@ }, { "str": "streaming", - "token_id": 17101, + "token_id": 17085, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154182,7 +154020,7 @@ }, { "str": "splatoon", - "token_id": 17102, + "token_id": 17086, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154191,7 +154029,7 @@ }, { "str": "3", - "token_id": 17103, + "token_id": 17087, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154200,7 +154038,7 @@ }, { "str": "porn", - "token_id": 17104, + "token_id": 17088, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154209,7 +154047,7 @@ }, { "str": "[", - "token_id": 17105, + "token_id": 17089, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154218,7 +154056,7 @@ }, { "str": "update", - "token_id": 17106, + "token_id": 17090, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154227,7 +154065,7 @@ }, { "str": "]", - "token_id": 17107, + "token_id": 17091, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154236,7 +154074,7 @@ }, { "str": "|", - "token_id": 17108, + "token_id": 17092, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154245,7 +154083,7 @@ }, { "str": "url", - "token_id": 17109, + "token_id": 17093, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154254,7 +154092,7 @@ }, { "str": "=", - "token_id": 17110, + "token_id": 17094, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154263,7 +154101,7 @@ }, { "str": "https", - "token_id": 17111, + "token_id": 17095, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154272,7 +154110,7 @@ }, { "str": ":", - "token_id": 17112, + "token_id": 17096, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154281,7 +154119,7 @@ }, { "str": "/", - "token_id": 17113, + "token_id": 17097, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154290,7 +154128,7 @@ }, { "str": "/", - "token_id": 17114, + "token_id": 17098, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154299,7 +154137,7 @@ }, { "str": "kotaku", - "token_id": 17115, + "token_id": 17099, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154308,7 +154146,7 @@ }, { "str": ".", - "token_id": 17116, + "token_id": 17100, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154317,7 +154155,7 @@ }, { "str": "com", - "token_id": 17117, + "token_id": 17101, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154326,7 +154164,7 @@ }, { "str": "/", - "token_id": 17118, + "token_id": 17102, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154335,7 +154173,7 @@ }, { "str": "splatoon", - "token_id": 17119, + "token_id": 17103, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154344,7 +154182,7 @@ }, { "str": "-", - "token_id": 17120, + "token_id": 17104, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154353,7 +154191,7 @@ }, { "str": "3", - "token_id": 17121, + "token_id": 17105, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154362,7 +154200,7 @@ }, { "str": "-", - "token_id": 17122, + "token_id": 17106, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154371,7 +154209,7 @@ }, { "str": "porn", - "token_id": 17123, + "token_id": 17107, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154380,7 +154218,7 @@ }, { "str": "-", - 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@@ -154452,7 +154290,7 @@ }, { "str": "-", - "token_id": 17132, + "token_id": 17116, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154461,7 +154299,7 @@ }, { "str": "1849645153", - "token_id": 17133, + "token_id": 17117, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154470,7 +154308,7 @@ }, { "str": "|", - "token_id": 17134, + "token_id": 17118, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154479,7 +154317,7 @@ }, { "str": "access", - "token_id": 17135, + "token_id": 17119, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154488,7 +154326,7 @@ }, { "str": "-", - "token_id": 17136, + "token_id": 17120, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154497,7 +154335,7 @@ }, { "str": "date", - "token_id": 17137, + "token_id": 17121, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154506,7 +154344,7 @@ }, { "str": "=", - "token_id": 17138, + "token_id": 17122, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154515,7 +154353,7 @@ }, { "str": "2022", - "token_id": 17139, + "token_id": 17123, 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1116108166, "in": [], "out": [ @@ -154731,7 +154569,7 @@ }, { "str": "cite", - "token_id": 17163, + "token_id": 17147, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154740,7 +154578,7 @@ }, { "str": "web", - "token_id": 17164, + "token_id": 17148, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154749,7 +154587,7 @@ }, { "str": "|", - "token_id": 17165, + "token_id": 17149, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154758,7 +154596,7 @@ }, { "str": "last", - "token_id": 17166, + "token_id": 17150, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154767,7 +154605,7 @@ }, { "str": "=", - "token_id": 17167, + "token_id": 17151, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154776,7 +154614,7 @@ }, { "str": "reynolds", - "token_id": 17168, + "token_id": 17152, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154785,7 +154623,7 @@ }, { "str": "|", - "token_id": 17169, + "token_id": 17153, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154794,7 +154632,7 @@ }, { "str": "first", - "token_id": 17170, + "token_id": 17154, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154803,7 +154641,7 @@ }, { "str": "=", - "token_id": 17171, + "token_id": 17155, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154812,7 +154650,7 @@ }, { "str": "ollie", - "token_id": 17172, + "token_id": 17156, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154821,7 +154659,7 @@ }, { "str": "|", - "token_id": 17173, + "token_id": 17157, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154830,7 +154668,7 @@ }, { "str": "date", - "token_id": 17174, + "token_id": 17158, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154839,7 +154677,7 @@ }, { "str": "=", - "token_id": 17175, + "token_id": 17159, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154848,7 +154686,7 @@ }, { "str": "2022", - "token_id": 17176, + "token_id": 17160, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154857,7 +154695,7 @@ }, { "str": "-", - "token_id": 17177, + "token_id": 17161, "o_rev_id": 1116108166, "in": [], "out": [ @@ 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1116108166, "in": [], "out": [ @@ -154938,7 +154776,7 @@ }, { "str": "splatoon", - "token_id": 17186, + "token_id": 17170, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154947,7 +154785,7 @@ }, { "str": "3", - "token_id": 17187, + "token_id": 17171, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154956,7 +154794,7 @@ }, { "str": "streamers", - "token_id": 17188, + "token_id": 17172, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154965,7 +154803,7 @@ }, { "str": "sneak", - "token_id": 17189, + "token_id": 17173, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154974,7 +154812,7 @@ }, { "str": "adult", - "token_id": 17190, + "token_id": 17174, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154983,7 +154821,7 @@ }, { "str": "content", - "token_id": 17191, + "token_id": 17175, "o_rev_id": 1116108166, "in": [], "out": [ @@ -154992,7 +154830,7 @@ }, { "str": "into", - "token_id": 17192, + "token_id": 17176, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155001,7 +154839,7 @@ }, { "str": "online", - "token_id": 17193, + "token_id": 17177, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155010,7 +154848,7 @@ }, { "str": "matches", - "token_id": 17194, + "token_id": 17178, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155019,7 +154857,7 @@ }, { "str": "|", - "token_id": 17195, + "token_id": 17179, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155028,7 +154866,7 @@ }, { "str": "url", - "token_id": 17196, + "token_id": 17180, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155037,7 +154875,7 @@ }, { "str": "=", - "token_id": 17197, + "token_id": 17181, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155046,7 +154884,7 @@ }, { "str": "https", - "token_id": 17198, + "token_id": 17182, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155055,7 +154893,7 @@ }, { "str": ":", - "token_id": 17199, + "token_id": 17183, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155064,7 +154902,7 @@ }, { "str": "/", - "token_id": 17200, + "token_id": 17184, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155073,7 +154911,7 @@ }, { "str": "/", - "token_id": 17201, + "token_id": 17185, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155082,7 +154920,7 @@ }, { "str": "www", - "token_id": 17202, + "token_id": 17186, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155091,7 +154929,7 @@ }, { "str": ".", - "token_id": 17203, + "token_id": 17187, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155100,7 +154938,7 @@ }, { "str": "nintendolife", - "token_id": 17204, + "token_id": 17188, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155109,7 +154947,7 @@ }, { "str": ".", - "token_id": 17205, + "token_id": 17189, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155118,7 +154956,7 @@ }, { "str": "com", - "token_id": 17206, + "token_id": 17190, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155127,7 +154965,7 @@ }, { "str": "/", - "token_id": 17207, + "token_id": 17191, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155136,7 +154974,7 @@ }, { "str": "news", - "token_id": 17208, + "token_id": 17192, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155145,7 +154983,7 @@ }, { "str": "/", - "token_id": 17209, + "token_id": 17193, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155154,7 +154992,7 @@ }, { "str": "2022", - "token_id": 17210, + "token_id": 17194, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155163,7 +155001,7 @@ }, { "str": "/", - "token_id": 17211, + "token_id": 17195, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155172,7 +155010,7 @@ }, { "str": "10", - "token_id": 17212, + "token_id": 17196, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155181,7 +155019,7 @@ }, { "str": "/", - "token_id": 17213, + "token_id": 17197, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155190,7 +155028,7 @@ }, { "str": "random", - "token_id": 17214, + "token_id": 17198, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155199,7 +155037,7 @@ }, { "str": "-", - "token_id": 17215, + "token_id": 17199, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155208,7 +155046,7 @@ }, { "str": "splatoon", - "token_id": 17216, + "token_id": 17200, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155217,7 +155055,7 @@ }, { "str": "-", - "token_id": 17217, + "token_id": 17201, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155226,7 +155064,7 @@ }, { "str": "3", - "token_id": 17218, + "token_id": 17202, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155235,7 +155073,7 @@ }, { "str": "-", - "token_id": 17219, + "token_id": 17203, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155244,7 +155082,7 @@ }, { "str": "streamers", - "token_id": 17220, + "token_id": 17204, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155253,7 +155091,7 @@ }, { "str": "-", - "token_id": 17221, + "token_id": 17205, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155262,7 +155100,7 @@ }, { "str": "sneak", - "token_id": 17222, + "token_id": 17206, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155271,7 +155109,7 @@ }, { "str": "-", - "token_id": 17223, + "token_id": 17207, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155280,7 +155118,7 @@ }, { "str": "adult", - "token_id": 17224, + "token_id": 17208, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155289,7 +155127,7 @@ }, { "str": "-", - "token_id": 17225, + "token_id": 17209, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155298,7 +155136,7 @@ }, { "str": "content", - "token_id": 17226, + "token_id": 17210, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155307,7 +155145,7 @@ }, { "str": "-", - "token_id": 17227, + "token_id": 17211, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155316,7 +155154,7 @@ }, { "str": "into", - "token_id": 17228, + "token_id": 17212, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155325,7 +155163,7 @@ }, { "str": "-", - "token_id": 17229, + "token_id": 17213, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155334,7 +155172,7 @@ }, { "str": "online", - "token_id": 17230, + "token_id": 17214, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155343,7 +155181,7 @@ }, { "str": "-", - "token_id": 17231, + "token_id": 17215, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155352,7 +155190,7 @@ }, { "str": "matches", - "token_id": 17232, + "token_id": 17216, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155361,7 +155199,7 @@ }, { "str": "|", - "token_id": 17233, + "token_id": 17217, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155370,7 +155208,7 @@ }, { "str": "access", - "token_id": 17234, + "token_id": 17218, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155379,7 +155217,7 @@ }, { "str": "-", - "token_id": 17235, + "token_id": 17219, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155388,7 +155226,7 @@ }, { "str": "date", - "token_id": 17236, + "token_id": 17220, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155397,7 +155235,7 @@ }, { "str": "=", - "token_id": 17237, + "token_id": 17221, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155406,7 +155244,7 @@ }, { "str": "2022", - "token_id": 17238, + "token_id": 17222, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155415,7 +155253,7 @@ }, { "str": "-", - 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+155325,7 @@ }, { "str": "nintendo", - "token_id": 17247, + "token_id": 17231, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155496,7 +155334,7 @@ }, { "str": "life", - "token_id": 17248, + "token_id": 17232, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155505,7 +155343,7 @@ }, { "str": "]]", - "token_id": 17249, + "token_id": 17233, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155514,7 +155352,7 @@ }, { "str": "|", - "token_id": 17250, + "token_id": 17234, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155523,7 +155361,7 @@ }, { "str": "publisher", - "token_id": 17251, + "token_id": 17235, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155532,7 +155370,7 @@ }, { "str": "=", - "token_id": 17252, + "token_id": 17236, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155541,7 +155379,7 @@ }, { "str": "hookshot", - "token_id": 17253, + "token_id": 17237, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155550,7 +155388,7 @@ }, { "str": "media", - "token_id": 17254, + "token_id": 17238, 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+155532,7 @@ }, { "str": "cite", - "token_id": 17270, + "token_id": 17254, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155703,7 +155541,7 @@ }, { "str": "web", - "token_id": 17271, + "token_id": 17255, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155712,7 +155550,7 @@ }, { "str": "|", - "token_id": 17272, + "token_id": 17256, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155721,7 +155559,7 @@ }, { "str": "last", - "token_id": 17273, + "token_id": 17257, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155730,7 +155568,7 @@ }, { "str": "=", - "token_id": 17274, + "token_id": 17258, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155739,7 +155577,7 @@ }, { "str": "bailey", - "token_id": 17275, + "token_id": 17259, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155748,7 +155586,7 @@ }, { "str": "|", - "token_id": 17276, + "token_id": 17260, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155757,7 +155595,7 @@ }, { "str": "first", - "token_id": 17277, + "token_id": 17261, "o_rev_id": 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+155739,7 @@ }, { "str": "porn", - "token_id": 17293, + "token_id": 17277, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155910,7 +155748,7 @@ }, { "str": "through", - "token_id": 17294, + "token_id": 17278, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155919,7 +155757,7 @@ }, { "str": "splatoon", - "token_id": 17295, + "token_id": 17279, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155928,7 +155766,7 @@ }, { "str": "3", - "token_id": 17296, + "token_id": 17280, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155937,7 +155775,7 @@ }, { "str": ",", - "token_id": 17297, + "token_id": 17281, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155946,7 +155784,7 @@ }, { "str": "nintendo", - "token_id": 17298, + "token_id": 17282, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155955,7 +155793,7 @@ }, { "str": "says", - "token_id": 17299, + "token_id": 17283, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155964,7 +155802,7 @@ }, { "str": "please", - "token_id": 17300, + "token_id": 17284, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155973,7 +155811,7 @@ }, { "str": "don", - "token_id": 17301, + "token_id": 17285, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155982,7 +155820,7 @@ }, { "str": "'", - "token_id": 17302, + "token_id": 17286, "o_rev_id": 1116108166, "in": [], "out": [ @@ -155991,7 +155829,7 @@ }, { "str": "t", - "token_id": 17303, + "token_id": 17287, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156000,7 +155838,7 @@ }, { "str": "do", - "token_id": 17304, + "token_id": 17288, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156009,7 +155847,7 @@ }, { "str": "that", - "token_id": 17305, + "token_id": 17289, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156018,7 +155856,7 @@ }, { "str": "|", - "token_id": 17306, + "token_id": 17290, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156027,7 +155865,7 @@ }, { "str": "url", - "token_id": 17307, + "token_id": 17291, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156036,7 +155874,7 @@ }, { "str": "=", - "token_id": 17308, + "token_id": 17292, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156045,7 +155883,7 @@ }, { "str": "https", - "token_id": 17309, + "token_id": 17293, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156054,7 +155892,7 @@ }, { "str": ":", - "token_id": 17310, + "token_id": 17294, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156063,7 +155901,7 @@ }, { "str": "/", - "token_id": 17311, + "token_id": 17295, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156072,7 +155910,7 @@ }, { "str": "/", - "token_id": 17312, + "token_id": 17296, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156081,7 +155919,7 @@ }, { "str": "www", - "token_id": 17313, + "token_id": 17297, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156090,7 +155928,7 @@ }, { "str": ".", - "token_id": 17314, + "token_id": 17298, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156099,7 +155937,7 @@ }, { "str": "gamesradar", - "token_id": 17315, + "token_id": 17299, "o_rev_id": 1116108166, "in": [], "out": [ @@ 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"o_rev_id": 1116108166, "in": [], "out": [ @@ -156180,7 +156018,7 @@ }, { "str": "-", - "token_id": 17324, + "token_id": 17308, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156189,7 +156027,7 @@ }, { "str": "through", - "token_id": 17325, + "token_id": 17309, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156198,7 +156036,7 @@ }, { "str": "-", - "token_id": 17326, + "token_id": 17310, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156207,7 +156045,7 @@ }, { "str": "splatoon", - "token_id": 17327, + "token_id": 17311, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156216,7 +156054,7 @@ }, { "str": "-", - "token_id": 17328, + "token_id": 17312, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156225,7 +156063,7 @@ }, { "str": "3", - "token_id": 17329, + "token_id": 17313, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156234,7 +156072,7 @@ }, { "str": "-", - "token_id": 17330, + "token_id": 17314, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156243,7 +156081,7 @@ }, { "str": "nintendo", - "token_id": 17331, + "token_id": 17315, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156252,7 +156090,7 @@ }, { "str": "-", - "token_id": 17332, + "token_id": 17316, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156261,7 +156099,7 @@ }, { "str": "says", - "token_id": 17333, + "token_id": 17317, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156270,7 +156108,7 @@ }, { "str": "-", - "token_id": 17334, + "token_id": 17318, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156279,7 +156117,7 @@ }, { "str": "please", - "token_id": 17335, + "token_id": 17319, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156288,7 +156126,7 @@ }, { "str": "-", - "token_id": 17336, + "token_id": 17320, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156297,7 +156135,7 @@ }, { "str": "dont", - "token_id": 17337, + "token_id": 17321, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156306,7 +156144,7 @@ }, { "str": "-", - "token_id": 17338, + "token_id": 17322, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156315,7 +156153,7 @@ }, { "str": "do", - "token_id": 17339, + "token_id": 17323, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156324,7 +156162,7 @@ }, { "str": "-", - "token_id": 17340, + "token_id": 17324, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156333,7 +156171,7 @@ }, { "str": "that", - "token_id": 17341, + "token_id": 17325, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156342,7 +156180,7 @@ }, { "str": "/", - "token_id": 17342, + "token_id": 17326, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156351,7 +156189,7 @@ }, { "str": "|", - "token_id": 17343, + "token_id": 17327, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156360,7 +156198,7 @@ }, { "str": "access", - "token_id": 17344, + "token_id": 17328, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156369,7 +156207,7 @@ }, { "str": "-", - "token_id": 17345, + "token_id": 17329, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156378,7 +156216,7 @@ }, { "str": "date", - "token_id": 17346, + "token_id": 17330, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156387,7 +156225,7 @@ }, { "str": "=", - "token_id": 17347, + "token_id": 17331, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156396,7 +156234,7 @@ }, { "str": "2022", - "token_id": 17348, + "token_id": 17332, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156405,7 +156243,7 @@ }, { "str": "-", - "token_id": 17349, + "token_id": 17333, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156414,7 +156252,7 @@ }, { "str": "10", - "token_id": 17350, + "token_id": 17334, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156423,7 +156261,7 @@ }, { "str": "-", - "token_id": 17351, + "token_id": 17335, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156432,7 +156270,7 @@ }, { "str": "14", - "token_id": 17352, + "token_id": 17336, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156441,7 +156279,7 @@ }, { "str": "|", - "token_id": 17353, + "token_id": 17337, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156450,7 +156288,7 @@ }, { "str": "website", - "token_id": 17354, + "token_id": 17338, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156459,7 +156297,7 @@ }, { "str": "=", - "token_id": 17355, + "token_id": 17339, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156468,7 +156306,7 @@ }, { "str": "[[", - "token_id": 17356, + "token_id": 17340, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156477,7 +156315,7 @@ }, { "str": "gamesradar", - "token_id": 17357, + "token_id": 17341, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156486,7 +156324,7 @@ }, { "str": "+", - "token_id": 17358, + "token_id": 17342, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156495,7 +156333,7 @@ }, { "str": "]]", - "token_id": 17359, + "token_id": 17343, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156504,7 +156342,7 @@ }, { "str": "|", - "token_id": 17360, + "token_id": 17344, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156513,7 +156351,7 @@ }, { "str": "language", - "token_id": 17361, + "token_id": 17345, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156522,7 +156360,7 @@ }, { "str": "=", - "token_id": 17362, + "token_id": 17346, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156531,7 +156369,7 @@ }, { "str": "en", - "token_id": 17363, + "token_id": 17347, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156540,7 +156378,7 @@ }, { "str": "}}", - "token_id": 17364, + "token_id": 17348, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156549,7 +156387,7 @@ }, { "str": "<", - "token_id": 17365, + "token_id": 17349, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156558,7 +156396,7 @@ }, { "str": "/", - "token_id": 17366, + "token_id": 17350, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156567,7 +156405,7 @@ }, { "str": "ref", - "token_id": 17367, + "token_id": 17351, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156576,7 +156414,7 @@ }, { "str": ">", - "token_id": 17368, + "token_id": 17352, "o_rev_id": 1116108166, "in": [], "out": [ @@ -156585,7 +156423,7 @@ }, { "str": "{{", - "token_id": 17369, + "token_id": 17353, "o_rev_id": 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"token_id": 17377, + "token_id": 17361, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -156693,7 +156531,7 @@ }, { "str": "s", - "token_id": 17378, + "token_id": 17362, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -156705,7 +156543,7 @@ }, { "str": "extinction", - "token_id": 17379, + "token_id": 17363, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -156717,7 +156555,7 @@ }, { "str": "is", - "token_id": 17380, + "token_id": 17364, "o_rev_id": 1116133865, "in": [], "out": [ @@ -156726,7 +156564,7 @@ }, { "str": "inconclusive", - "token_id": 17381, + "token_id": 17365, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -156738,7 +156576,7 @@ }, { "str": ";", - "token_id": 17382, + "token_id": 17366, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -156750,7 +156588,7 @@ }, { "str": "some", - "token_id": 17383, + "token_id": 17367, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -156762,7 +156600,7 @@ }, { "str": "sources", - "token_id": 17384, + "token_id": 17368, "o_rev_id": 1116133865, "in": [ 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"token_id": 17376, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -156866,7 +156704,7 @@ }, { "str": "change", - "token_id": 17393, + "token_id": 17377, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -156877,7 +156715,7 @@ }, { "str": "]]", - "token_id": 17394, + "token_id": 17378, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -156888,7 +156726,7 @@ }, { "str": ",", - "token_id": 17395, + "token_id": 17379, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -156899,7 +156737,7 @@ }, { "str": "<", - "token_id": 17396, + "token_id": 17380, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -156910,7 +156748,7 @@ }, { "str": "ref", - "token_id": 17397, + "token_id": 17381, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -156921,7 +156759,7 @@ }, { "str": ">", - "token_id": 17398, + "token_id": 17382, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -156932,7 +156770,7 @@ }, { "str": "{{", - "token_id": 17399, + "token_id": 17383, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -156943,7 +156781,7 @@ }, { "str": "cite", - "token_id": 17400, + "token_id": 17384, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -156954,7 +156792,7 @@ }, { "str": "web", - "token_id": 17401, + "token_id": 17385, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -156965,7 +156803,7 @@ }, { "str": "|", - "token_id": 17402, + "token_id": 17386, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -156976,7 +156814,7 @@ }, { "str": "last", - "token_id": 17403, + "token_id": 17387, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -156987,7 +156825,7 @@ }, { "str": "=", - "token_id": 17404, + "token_id": 17388, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -156998,7 +156836,7 @@ }, { "str": "walker", - "token_id": 17405, + "token_id": 17389, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157009,7 +156847,7 @@ }, { "str": "|", - "token_id": 17406, + "token_id": 17390, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157020,7 +156858,7 @@ }, { "str": "first", - "token_id": 17407, + "token_id": 17391, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157031,7 +156869,7 @@ }, { "str": "=", - "token_id": 17408, + "token_id": 17392, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157042,7 +156880,7 @@ }, { "str": "ian", - "token_id": 17409, + "token_id": 17393, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157053,7 +156891,7 @@ }, { "str": "|", - "token_id": 17410, + "token_id": 17394, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157064,7 +156902,7 @@ }, { "str": "date", - "token_id": 17411, + "token_id": 17395, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157075,7 +156913,7 @@ }, { "str": "=", - "token_id": 17412, + "token_id": 17396, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157086,7 +156924,7 @@ }, { "str": "2021", - "token_id": 17413, + "token_id": 17397, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157097,7 +156935,7 @@ }, { "str": "-", - "token_id": 17414, + "token_id": 17398, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157109,7 +156947,7 @@ }, { "str": "02", - "token_id": 17415, + "token_id": 17399, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157121,19 +156959,18 @@ }, { "str": "-", - "token_id": 17416, + "token_id": 17400, "o_rev_id": 1116133865, "in": [ 1117591128 ], "out": [ - 1117588531, - 1168453704 + 1117588531 ] }, { "str": "18", - "token_id": 17417, + "token_id": 17401, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157144,7 +156981,7 @@ }, { "str": "|", - "token_id": 17418, + "token_id": 17402, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157155,7 +156992,7 @@ }, { "str": "title", - "token_id": 17419, + "token_id": 17403, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157166,7 +157003,7 @@ }, { "str": "=", - "token_id": 17420, + "token_id": 17404, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157177,7 +157014,7 @@ }, { "str": "yep", - "token_id": 17421, + "token_id": 17405, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157188,7 +157025,7 @@ }, { "str": ",", - "token_id": 17422, + "token_id": 17406, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157199,7 +157036,7 @@ }, { "str": "splatoon", - "token_id": 17423, + "token_id": 17407, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157210,14 +157047,14 @@ }, { "str": "is", - "token_id": 17424, + "token_id": 17408, "o_rev_id": 1116133865, "in": [], "out": [] }, { "str": "set", - "token_id": 17425, + "token_id": 17409, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157228,7 +157065,7 @@ }, { "str": "after", - "token_id": 17426, + "token_id": 17410, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157239,7 +157076,7 @@ }, { "str": "a", - "token_id": 17427, + "token_id": 17411, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157250,7 +157087,7 @@ }, { "str": "climate", - "token_id": 17428, + "token_id": 17412, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157261,7 +157098,7 @@ }, { "str": "apocalypse", - "token_id": 17429, + "token_id": 17413, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157272,7 +157109,7 @@ }, { "str": "|", - "token_id": 17430, + "token_id": 17414, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157283,7 +157120,7 @@ }, { "str": "url", - "token_id": 17431, + "token_id": 17415, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157294,7 +157131,7 @@ }, { "str": "=", - "token_id": 17432, + "token_id": 17416, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157305,7 +157142,7 @@ }, { "str": "https", - "token_id": 17433, + "token_id": 17417, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157316,7 +157153,7 @@ }, { "str": ":", - "token_id": 17434, + "token_id": 17418, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157327,7 +157164,7 @@ }, { "str": "/", - "token_id": 17435, + "token_id": 17419, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157338,7 +157175,7 @@ }, { "str": "/", - "token_id": 17436, + "token_id": 17420, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157349,7 +157186,7 @@ }, { "str": "kotaku", - "token_id": 17437, + "token_id": 17421, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157360,7 +157197,7 @@ }, { "str": ".", - "token_id": 17438, + "token_id": 17422, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157371,7 +157208,7 @@ }, { "str": "com", - "token_id": 17439, + "token_id": 17423, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157382,7 +157219,7 @@ }, { "str": "/", - "token_id": 17440, + "token_id": 17424, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157393,7 +157230,7 @@ }, { "str": "yes", - "token_id": 17441, + "token_id": 17425, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157404,7 +157241,7 @@ }, { "str": "-", - "token_id": 17442, + "token_id": 17426, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157415,7 +157252,7 @@ }, { "str": "splatoon", - "token_id": 17443, + "token_id": 17427, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157426,7 +157263,7 @@ }, { "str": "-", - "token_id": 17444, + "token_id": 17428, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157437,7 +157274,7 @@ }, { "str": "is", - "token_id": 17445, + "token_id": 17429, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157448,7 +157285,7 @@ }, { "str": "-", - "token_id": 17446, + "token_id": 17430, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157459,7 +157296,7 @@ }, { "str": "set", - "token_id": 17447, + "token_id": 17431, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157470,7 +157307,7 @@ }, { "str": "-", - "token_id": 17448, + "token_id": 17432, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157481,7 +157318,7 @@ }, { "str": "after", - "token_id": 17449, + "token_id": 17433, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157492,7 +157329,7 @@ }, { "str": "-", - "token_id": 17450, + "token_id": 17434, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157503,7 +157340,7 @@ }, { "str": "a", - "token_id": 17451, + "token_id": 17435, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157514,7 +157351,7 @@ }, { "str": "-", - "token_id": 17452, + "token_id": 17436, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157525,7 +157362,7 @@ }, { "str": "climate", - "token_id": 17453, + "token_id": 17437, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157536,7 +157373,7 @@ }, { "str": "-", - "token_id": 17454, + "token_id": 17438, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157547,7 +157384,7 @@ }, { "str": "apocalypse", - "token_id": 17455, + "token_id": 17439, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157558,7 +157395,7 @@ }, { "str": "-", - "token_id": 17456, + "token_id": 17440, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157569,7 +157406,7 @@ }, { "str": "1846301239", - "token_id": 17457, + "token_id": 17441, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157580,7 +157417,7 @@ }, { "str": "|", - "token_id": 17458, + "token_id": 17442, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157591,7 +157428,7 @@ }, { "str": "access", - "token_id": 17459, + "token_id": 17443, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157603,7 +157440,7 @@ }, { "str": "-", - "token_id": 17460, + "token_id": 17444, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157614,7 +157451,7 @@ }, { "str": "date", - "token_id": 17461, + "token_id": 17445, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157625,7 +157462,7 @@ }, { "str": "=", - "token_id": 17462, + "token_id": 17446, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157636,7 +157473,7 @@ }, { "str": "2022", - "token_id": 17463, + "token_id": 17447, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157647,7 +157484,7 @@ }, { "str": "-", - "token_id": 17464, + "token_id": 17448, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157658,7 +157495,7 @@ }, { "str": "10", - "token_id": 17465, + "token_id": 17449, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157670,7 +157507,7 @@ }, { "str": "-", - "token_id": 17466, + "token_id": 17450, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157681,7 +157518,7 @@ }, { "str": "15", - "token_id": 17467, + "token_id": 17451, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157693,7 +157530,7 @@ }, { "str": "|", - "token_id": 17468, + "token_id": 17452, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157704,7 +157541,7 @@ }, { "str": "website", 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-157795,7 +157632,7 @@ }, { "str": "teliviaunivision", - "token_id": 17477, + "token_id": 17461, "o_rev_id": 1116133865, "in": [], "out": [ @@ -157804,7 +157641,7 @@ }, { "str": "]]", - "token_id": 17478, + "token_id": 17462, "o_rev_id": 1116133865, "in": [], "out": [ @@ -157813,7 +157650,7 @@ }, { "str": "|", - "token_id": 17479, + "token_id": 17463, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157825,7 +157662,7 @@ }, { "str": "language", - "token_id": 17480, + "token_id": 17464, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157837,7 +157674,7 @@ }, { "str": "=", - "token_id": 17481, + "token_id": 17465, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157849,7 +157686,7 @@ }, { "str": "en", - "token_id": 17482, + "token_id": 17466, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157861,7 +157698,7 @@ }, { "str": "}}", - "token_id": 17483, + "token_id": 17467, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -157873,7 +157710,7 @@ }, { "str": "<", - "token_id": 17484, + "token_id": 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+158145,7 @@ }, { "str": "that", - "token_id": 17523, + "token_id": 17507, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -158319,7 +158156,7 @@ }, { "str": "rules", - "token_id": 17524, + "token_id": 17508, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -158330,7 +158167,7 @@ }, { "str": "|", - "token_id": 17525, + "token_id": 17509, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -158341,7 +158178,7 @@ }, { "str": "url", - "token_id": 17526, + "token_id": 17510, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -158352,7 +158189,7 @@ }, { "str": "=", - "token_id": 17527, + "token_id": 17511, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -158363,7 +158200,7 @@ }, { "str": "https", - "token_id": 17528, + "token_id": 17512, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -158374,7 +158211,7 @@ }, { "str": ":", - "token_id": 17529, + "token_id": 17513, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -158385,7 +158222,7 @@ }, { "str": "/", - "token_id": 17530, + "token_id": 17514, "o_rev_id": 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@@ }, { "str": "alterna", - "token_id": 17546, + "token_id": 17530, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -158572,7 +158409,7 @@ }, { "str": "-", - "token_id": 17547, + "token_id": 17531, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -158583,7 +158420,7 @@ }, { "str": "splatfest", - "token_id": 17548, + "token_id": 17532, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -158594,7 +158431,7 @@ }, { "str": "-", - "token_id": 17549, + "token_id": 17533, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -158605,7 +158442,7 @@ }, { "str": "nintendo", - "token_id": 17550, + "token_id": 17534, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -158616,7 +158453,7 @@ }, { "str": "-", - "token_id": 17551, + "token_id": 17535, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -158627,7 +158464,7 @@ }, { "str": "switch", - "token_id": 17552, + "token_id": 17536, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -158638,7 +158475,7 @@ }, { "str": "|", - "token_id": 17553, + "token_id": 17537, "o_rev_id": 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+158665,7 @@ }, { "str": "website", - "token_id": 17569, + "token_id": 17553, "o_rev_id": 1116133865, "in": [ 1117591128, @@ -158841,7 +158678,7 @@ }, { "str": ")", - "token_id": 17570, + "token_id": 17554, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -158853,7 +158690,7 @@ }, { "str": "|", - "token_id": 17571, + "token_id": 17555, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -158865,7 +158702,7 @@ }, { "str": "polygon", - "token_id": 17572, + "token_id": 17556, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -158877,7 +158714,7 @@ }, { "str": "]]", - "token_id": 17573, + "token_id": 17557, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -158889,7 +158726,7 @@ }, { "str": "|", - "token_id": 17574, + "token_id": 17558, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -158900,7 +158737,7 @@ }, { "str": "publisher", - "token_id": 17575, + "token_id": 17559, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -158912,7 +158749,7 @@ }, { "str": "=", - "token_id": 17576, + "token_id": 17560, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -158923,7 +158760,7 @@ }, { "str": "[[", - "token_id": 17577, + "token_id": 17561, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -158935,7 +158772,7 @@ }, { "str": "vox", - "token_id": 17578, + "token_id": 17562, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -158947,7 +158784,7 @@ }, { "str": "media", - "token_id": 17579, + "token_id": 17563, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -158959,7 +158796,7 @@ }, { "str": "]]", - "token_id": 17580, + "token_id": 17564, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -158971,18 +158808,20 @@ }, { "str": "|", - "token_id": 17581, + "token_id": 17565, "o_rev_id": 1116133865, "in": [ - 1117591128 + 1117591128, + 1202097960 ], "out": [ - 1117588531 + 1117588531, + 1202071552 ] }, { "str": "language", - "token_id": 17582, + "token_id": 17566, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -158993,18 +158832,20 @@ }, { "str": "=", - "token_id": 17583, + "token_id": 17567, "o_rev_id": 1116133865, "in": [ - 1117591128 + 1117591128, + 1202097960 ], "out": [ - 1117588531 + 1117588531, + 1202071552 ] }, { "str": "en", - "token_id": 17584, + "token_id": 17568, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -159015,7 +158856,7 @@ }, { "str": "-", - "token_id": 17585, + "token_id": 17569, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -159027,7 +158868,7 @@ }, { "str": "us", - "token_id": 17586, + "token_id": 17570, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -159038,7 +158879,7 @@ }, { "str": "}}", - "token_id": 17587, + "token_id": 17571, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -159049,7 +158890,7 @@ }, { "str": "<", - "token_id": 17588, + "token_id": 17572, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -159060,7 +158901,7 @@ }, { "str": "/", - "token_id": 17589, + "token_id": 17573, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -159071,7 +158912,7 @@ }, { "str": "ref", - "token_id": 17590, + "token_id": 17574, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -159082,7 +158923,7 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@@ ] }, { - "str": "place", + "str": "gamepur", "token_id": 17704, "o_rev_id": 1116133865, "in": [ @@ -160448,7 +160481,7 @@ ] }, { - "str": "?", + "str": ".", "token_id": 17705, "o_rev_id": 1116133865, "in": [ @@ -160460,7 +160493,7 @@ ] }, { - "str": "splatlands", + "str": "com", "token_id": 17706, "o_rev_id": 1116133865, "in": [ @@ -160472,7 +160505,7 @@ ] }, { - "str": "and", + "str": "/", "token_id": 17707, "o_rev_id": 1116133865, "in": [ @@ -160484,7 +160517,7 @@ ] }, { - "str": "alterna", + "str": "guides", "token_id": 17708, "o_rev_id": 1116133865, "in": [ @@ -160496,7 +160529,7 @@ ] }, { - "str": "locations", + "str": "/", "token_id": 17709, "o_rev_id": 1116133865, "in": [ @@ -160508,7 +160541,7 @@ ] }, { - "str": "explained", + "str": "where", "token_id": 17710, "o_rev_id": 1116133865, "in": [ @@ -160520,7 +160553,7 @@ ] }, { - "str": "|", + "str": "-", "token_id": 17711, "o_rev_id": 1116133865, "in": [ @@ -160532,7 +160565,7 @@ ] }, { - "str": "url", + "str": "does", "token_id": 17712, "o_rev_id": 1116133865, "in": [ @@ -160544,7 +160577,7 @@ ] }, { - "str": "=", + "str": "-", "token_id": 17713, "o_rev_id": 1116133865, "in": [ @@ -160556,7 +160589,7 @@ ] }, { - "str": "https", + "str": "splatoon", "token_id": 17714, "o_rev_id": 1116133865, "in": [ @@ -160568,7 +160601,7 @@ ] }, { - "str": ":", + "str": "-", "token_id": 17715, "o_rev_id": 1116133865, "in": [ @@ -160580,7 +160613,7 @@ ] }, { - "str": "/", + "str": "3", "token_id": 17716, "o_rev_id": 1116133865, "in": [ @@ -160592,7 +160625,7 @@ ] }, { - "str": "/", + "str": "-", "token_id": 17717, "o_rev_id": 1116133865, "in": [ @@ -160604,7 +160637,7 @@ ] }, { - "str": "www", + "str": "take", "token_id": 17718, "o_rev_id": 1116133865, "in": [ @@ -160616,7 +160649,7 @@ ] }, { - "str": ".", + "str": "-", "token_id": 17719, "o_rev_id": 1116133865, "in": [ @@ -160628,7 +160661,7 @@ ] }, { - "str": "gamepur", + "str": "place", "token_id": 17720, "o_rev_id": 1116133865, "in": [ @@ -160640,7 +160673,7 @@ ] }, { - "str": ".", + "str": "-", "token_id": 17721, "o_rev_id": 1116133865, "in": [ @@ -160652,7 +160685,7 @@ ] }, { - "str": "com", + "str": "splatlands", "token_id": 17722, "o_rev_id": 1116133865, "in": [ @@ -160664,7 +160697,7 @@ ] }, { - "str": "/", + "str": "-", "token_id": 17723, "o_rev_id": 1116133865, "in": [ @@ -160676,7 +160709,7 @@ ] }, { - "str": "guides", + "str": "and", "token_id": 17724, "o_rev_id": 1116133865, "in": [ @@ -160688,7 +160721,7 @@ ] }, { - "str": "/", + "str": "-", "token_id": 17725, "o_rev_id": 1116133865, "in": [ @@ -160700,7 +160733,7 @@ ] }, { - "str": "where", + "str": "alterna", "token_id": 17726, "o_rev_id": 1116133865, "in": [ @@ -160724,7 +160757,7 @@ ] }, { - "str": "does", + "str": "locations", "token_id": 17728, "o_rev_id": 1116133865, "in": [ @@ -160748,7 +160781,7 @@ ] }, { - "str": "splatoon", + "str": "explained", "token_id": 17730, "o_rev_id": 1116133865, "in": [ @@ -160760,7 +160793,7 @@ ] }, { - "str": "-", + "str": "|", "token_id": 17731, "o_rev_id": 1116133865, "in": [ @@ -160772,7 +160805,7 @@ ] }, { - "str": "3", + "str": "access", "token_id": 17732, "o_rev_id": 1116133865, "in": [ @@ -160796,7 +160829,7 @@ ] }, { - "str": "take", + "str": "date", "token_id": 17734, "o_rev_id": 1116133865, "in": [ @@ -160808,7 +160841,7 @@ ] }, { - "str": "-", + "str": "=", "token_id": 17735, "o_rev_id": 1116133865, "in": [ @@ -160820,7 +160853,7 @@ ] }, { - "str": "place", + "str": "2022", "token_id": 17736, "o_rev_id": 1116133865, "in": [ @@ -160844,7 +160877,7 @@ ] }, { - "str": "splatlands", + "str": "10", "token_id": 17738, "o_rev_id": 1116133865, "in": [ @@ -160868,7 +160901,7 @@ ] }, { - "str": "and", + "str": "15", "token_id": 17740, "o_rev_id": 1116133865, "in": [ @@ -160880,7 +160913,7 @@ ] }, { - "str": "-", + "str": "|", "token_id": 17741, "o_rev_id": 1116133865, "in": [ @@ -160892,7 +160925,7 @@ ] }, { - "str": "alterna", + "str": "website", "token_id": 17742, "o_rev_id": 1116133865, "in": [ @@ -160904,7 +160937,7 @@ ] }, { - "str": "-", + "str": "=", "token_id": 17743, "o_rev_id": 1116133865, "in": [ @@ -160916,7 +160949,7 @@ ] }, { - "str": "locations", + "str": "gamepur", "token_id": 17744, "o_rev_id": 1116133865, "in": [ @@ -160928,7 +160961,7 @@ ] }, { - "str": "-", + "str": "|", "token_id": 17745, "o_rev_id": 1116133865, "in": [ @@ -160940,7 +160973,7 @@ ] }, { - "str": "explained", + "str": "language", "token_id": 17746, "o_rev_id": 1116133865, "in": [ @@ -160952,7 +160985,7 @@ ] }, { - "str": "|", + "str": "=", "token_id": 17747, "o_rev_id": 1116133865, "in": [ @@ -160964,7 +160997,7 @@ ] }, { - "str": "access", + "str": "en", "token_id": 17748, "o_rev_id": 1116133865, "in": [ @@ -160987,201 +161020,9 @@ 1136566099 ] }, - { - "str": "date", - "token_id": 17750, - "o_rev_id": 1116133865, - "in": [ - 1117591128 - ], - "out": [ - 1117588531, - 1136566099 - ] - }, - { - "str": "=", - "token_id": 17751, - "o_rev_id": 1116133865, - "in": [ - 1117591128 - ], - "out": [ - 1117588531, - 1136566099 - ] - }, - { - "str": "2022", - "token_id": 17752, - "o_rev_id": 1116133865, - "in": [ - 1117591128 - ], - "out": [ - 1117588531, - 1136566099 - ] - }, - { - "str": "-", - "token_id": 17753, - "o_rev_id": 1116133865, - "in": [ - 1117591128 - ], - "out": [ - 1117588531, - 1136566099 - ] - }, - { - "str": "10", - "token_id": 17754, - "o_rev_id": 1116133865, - "in": [ - 1117591128 - ], - "out": [ - 1117588531, - 1136566099 - ] - }, - { - "str": "-", - "token_id": 17755, - "o_rev_id": 1116133865, - "in": [ - 1117591128 - ], - "out": [ - 1117588531, - 1136566099 - ] - }, - { - "str": "15", - "token_id": 17756, - "o_rev_id": 1116133865, - "in": [ - 1117591128 - ], - "out": [ - 1117588531, - 1136566099 - ] - }, - { - "str": "|", - "token_id": 17757, - "o_rev_id": 1116133865, - "in": [ - 1117591128 - ], - "out": [ - 1117588531, - 1136566099 - ] - }, - { - "str": "website", - "token_id": 17758, - "o_rev_id": 1116133865, - "in": [ - 1117591128 - ], - "out": [ - 1117588531, - 1136566099 - ] - }, - { - "str": "=", - "token_id": 17759, - "o_rev_id": 1116133865, - "in": [ - 1117591128 - ], - "out": [ - 1117588531, - 1136566099 - ] - }, - { - "str": "gamepur", - "token_id": 17760, - "o_rev_id": 1116133865, - "in": [ - 1117591128 - ], - "out": [ - 1117588531, - 1136566099 - ] - }, - { - "str": "|", - "token_id": 17761, - "o_rev_id": 1116133865, - "in": [ - 1117591128 - ], - "out": [ - 1117588531, - 1136566099 - ] - }, - { - "str": "language", - "token_id": 17762, - "o_rev_id": 1116133865, - "in": [ - 1117591128 - ], - "out": [ - 1117588531, - 1136566099 - ] - }, - { - "str": "=", - "token_id": 17763, - "o_rev_id": 1116133865, - "in": [ - 1117591128 - ], - "out": [ - 1117588531, - 1136566099 - ] - }, - { - "str": "en", - "token_id": 17764, - "o_rev_id": 1116133865, - "in": [ - 1117591128 - ], - "out": [ - 1117588531, - 1136566099 - ] - }, - { - "str": "-", - "token_id": 17765, - "o_rev_id": 1116133865, - "in": [ - 1117591128 - ], - "out": [ - 1117588531, - 1136566099 - ] - }, { "str": "us", - "token_id": 17766, + "token_id": 17750, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -161193,7 +161034,7 @@ }, { "str": "}}", - "token_id": 17767, + "token_id": 17751, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -161205,7 +161046,7 @@ }, { "str": "<", - "token_id": 17768, + "token_id": 17752, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -161217,7 +161058,7 @@ }, { "str": "/", - "token_id": 17769, + "token_id": 17753, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -161229,7 +161070,7 @@ }, { "str": "ref", - "token_id": 17770, + "token_id": 17754, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -161241,7 +161082,7 @@ }, { "str": ">", - "token_id": 17771, + "token_id": 17755, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -161253,7 +161094,7 @@ }, { "str": "}}", - "token_id": 17772, + "token_id": 17756, "o_rev_id": 1116133865, "in": [ 1117591128 @@ -161265,7 +161106,7 @@ }, { "str": ",", - "token_id": 17773, + "token_id": 17757, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161274,7 +161115,7 @@ }, { "str": "as", - "token_id": 17774, + "token_id": 17758, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161283,7 +161124,7 @@ }, { "str": "well", - "token_id": 17775, + "token_id": 17759, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161292,7 +161133,7 @@ }, { "str": "as", - "token_id": 17776, + "token_id": 17760, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161301,7 +161142,7 @@ }, { "str": "reiterating", - "token_id": 17777, + "token_id": 17761, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161310,7 +161151,7 @@ }, { "str": "their", - "token_id": 17778, + "token_id": 17762, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161319,7 +161160,7 @@ }, { "str": "policy", - "token_id": 17779, + "token_id": 17763, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161328,7 +161169,7 @@ }, { "str": "of", - "token_id": 17780, + "token_id": 17764, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161337,7 +161178,7 @@ }, { "str": "the", - "token_id": 17781, + "token_id": 17765, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161346,7 +161187,7 @@ }, { "str": "use", - "token_id": 17782, + "token_id": 17766, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161355,7 +161196,7 @@ }, { "str": "of", - "token_id": 17783, + "token_id": 17767, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161364,7 +161205,7 @@ }, { "str": "screenshots", - "token_id": 17784, + "token_id": 17768, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161373,7 +161214,7 @@ }, { "str": "or", - "token_id": 17785, + "token_id": 17769, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161382,7 +161223,7 @@ }, { "str": "videos", - "token_id": 17786, + "token_id": 17770, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161391,7 +161232,7 @@ }, { "str": "of", - "token_id": 17787, + "token_id": 17771, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161400,7 +161241,7 @@ }, { "str": "nintendo", - "token_id": 17788, + "token_id": 17772, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161409,7 +161250,7 @@ }, { "str": "games", - "token_id": 17789, + "token_id": 17773, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161418,7 +161259,7 @@ }, { "str": "on", - "token_id": 17790, + "token_id": 17774, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161427,7 +161268,7 @@ }, { "str": "their", - "token_id": 17791, + "token_id": 17775, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161436,7 +161277,7 @@ }, { "str": "corporate", - "token_id": 17792, + "token_id": 17776, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161445,7 +161286,7 @@ }, { "str": "[[", - "token_id": 17793, + "token_id": 17777, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161454,7 +161295,7 @@ }, { "str": "twitter", - "token_id": 17794, + "token_id": 17778, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161463,7 +161304,7 @@ }, { "str": "]]", - "token_id": 17795, + "token_id": 17779, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161472,7 +161313,7 @@ }, { "str": "account", - "token_id": 17796, + "token_id": 17780, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161481,7 +161322,7 @@ }, { "str": "<", - "token_id": 17797, + "token_id": 17781, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161490,7 +161331,7 @@ }, { "str": "ref", - "token_id": 17798, + "token_id": 17782, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161499,7 +161340,7 @@ }, { "str": ">", - "token_id": 17799, + "token_id": 17783, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161508,7 +161349,7 @@ }, { "str": "{{", - "token_id": 17800, + "token_id": 17784, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161517,7 +161358,7 @@ }, { "str": "cite", - "token_id": 17801, + "token_id": 17785, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161526,7 +161367,7 @@ }, { "str": "web", - "token_id": 17802, + "token_id": 17786, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161535,7 +161376,7 @@ }, { "str": "|", - "token_id": 17803, + "token_id": 17787, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161544,7 +161385,7 @@ }, { "str": "last", - "token_id": 17804, + "token_id": 17788, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161553,7 +161394,7 @@ }, { "str": "=", - "token_id": 17805, + "token_id": 17789, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161562,7 +161403,7 @@ }, { "str": "harrison", - "token_id": 17806, + "token_id": 17790, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161571,7 +161412,7 @@ }, { "str": "|", - "token_id": 17807, + "token_id": 17791, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161580,7 +161421,7 @@ }, { "str": "first", - "token_id": 17808, + "token_id": 17792, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161589,7 +161430,7 @@ }, { "str": "=", - "token_id": 17809, + "token_id": 17793, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161598,7 +161439,7 @@ }, { "str": "christian", - "token_id": 17810, + "token_id": 17794, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161607,7 +161448,7 @@ }, { "str": "|", - "token_id": 17811, + "token_id": 17795, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161616,7 +161457,7 @@ }, { "str": "date", - "token_id": 17812, + "token_id": 17796, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161625,7 +161466,7 @@ }, { "str": "=", - "token_id": 17813, + "token_id": 17797, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161634,7 +161475,7 @@ }, { "str": "2022", - "token_id": 17814, + "token_id": 17798, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161643,7 +161484,7 @@ }, { "str": "-", - "token_id": 17815, + "token_id": 17799, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161652,7 +161493,7 @@ }, { "str": "10", - "token_id": 17816, + "token_id": 17800, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161661,7 +161502,7 @@ }, { "str": "-", - "token_id": 17817, + "token_id": 17801, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161670,7 +161511,7 @@ }, { "str": "11", - "token_id": 17818, + "token_id": 17802, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161679,7 +161520,7 @@ }, { "str": "|", - "token_id": 17819, + "token_id": 17803, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161688,7 +161529,7 @@ }, { "str": "title", - "token_id": 17820, + "token_id": 17804, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161697,7 +161538,7 @@ }, { "str": "=", - "token_id": 17821, + "token_id": 17805, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161706,7 +161547,7 @@ }, { "str": "japanese", - "token_id": 17822, + "token_id": 17806, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161715,7 +161556,7 @@ }, { "str": "vtubers", - "token_id": 17823, + "token_id": 17807, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161724,7 +161565,7 @@ }, { "str": "found", - "token_id": 17824, + "token_id": 17808, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161733,7 +161574,7 @@ }, { "str": "a", - "token_id": 17825, + "token_id": 17809, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161742,7 +161583,7 @@ }, { "str": "new", - "token_id": 17826, + "token_id": 17810, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161751,7 +161592,7 @@ }, { "str": "way", - "token_id": 17827, + "token_id": 17811, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161760,7 +161601,7 @@ }, { "str": "to", - "token_id": 17828, + "token_id": 17812, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161769,7 +161610,7 @@ }, { "str": "dodge", - "token_id": 17829, + "token_id": 17813, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161778,7 +161619,7 @@ }, { "str": "porn", - "token_id": 17830, + "token_id": 17814, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161787,7 +161628,7 @@ }, { "str": "bans", - "token_id": 17831, + "token_id": 17815, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161796,7 +161637,7 @@ }, { "str": "while", - "token_id": 17832, + "token_id": 17816, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161805,7 +161646,7 @@ }, { "str": "playing", - "token_id": 17833, + "token_id": 17817, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161814,7 +161655,7 @@ }, { "str": "splatoon", - "token_id": 17834, + "token_id": 17818, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161823,7 +161664,7 @@ }, { "str": "3", - "token_id": 17835, + "token_id": 17819, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161832,7 +161673,7 @@ }, { "str": "|", - "token_id": 17836, + "token_id": 17820, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161841,7 +161682,7 @@ }, { "str": "url", - "token_id": 17837, + "token_id": 17821, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161850,7 +161691,7 @@ }, { "str": "=", - "token_id": 17838, + "token_id": 17822, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161859,7 +161700,7 @@ }, { "str": "https", - "token_id": 17839, + "token_id": 17823, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161868,7 +161709,7 @@ }, { "str": ":", - "token_id": 17840, + "token_id": 17824, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161877,7 +161718,7 @@ }, { "str": "/", - "token_id": 17841, + "token_id": 17825, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161886,7 +161727,7 @@ }, { "str": "/", - "token_id": 17842, + "token_id": 17826, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161895,7 +161736,7 @@ }, { "str": "dotesports", - "token_id": 17843, + "token_id": 17827, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161904,7 +161745,7 @@ }, { "str": ".", - "token_id": 17844, + "token_id": 17828, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161913,7 +161754,7 @@ }, { "str": "com", - "token_id": 17845, + "token_id": 17829, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161922,7 +161763,7 @@ }, { "str": "/", - "token_id": 17846, + "token_id": 17830, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161931,7 +161772,7 @@ }, { "str": "news", - "token_id": 17847, + "token_id": 17831, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161940,7 +161781,7 @@ }, { "str": "/", - "token_id": 17848, + "token_id": 17832, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161949,7 +161790,7 @@ }, { "str": "japanese", - "token_id": 17849, + "token_id": 17833, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161958,7 +161799,7 @@ }, { "str": "-", - "token_id": 17850, + "token_id": 17834, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161967,7 +161808,7 @@ }, { "str": "vtubers", - "token_id": 17851, + "token_id": 17835, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161976,7 +161817,7 @@ }, { "str": "-", - "token_id": 17852, + "token_id": 17836, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161985,7 +161826,7 @@ }, { "str": "found", - "token_id": 17853, + "token_id": 17837, "o_rev_id": 1116133865, "in": [], "out": [ @@ -161994,7 +161835,7 @@ }, { "str": "-", - "token_id": 17854, + "token_id": 17838, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162003,7 +161844,7 @@ }, { "str": "a", - "token_id": 17855, + "token_id": 17839, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162012,7 +161853,7 @@ }, { "str": "-", - "token_id": 17856, + "token_id": 17840, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162021,7 +161862,7 @@ }, { "str": "new", - "token_id": 17857, + "token_id": 17841, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162030,7 +161871,7 @@ }, { "str": "-", - "token_id": 17858, + "token_id": 17842, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162039,7 +161880,7 @@ }, { "str": "way", - "token_id": 17859, + "token_id": 17843, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162048,7 +161889,7 @@ }, { "str": "-", - "token_id": 17860, + "token_id": 17844, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162057,7 +161898,7 @@ }, { "str": "to", - "token_id": 17861, + "token_id": 17845, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162066,7 +161907,7 @@ }, { "str": "-", - "token_id": 17862, + "token_id": 17846, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162075,7 +161916,7 @@ }, { "str": "dodge", - "token_id": 17863, + "token_id": 17847, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162084,7 +161925,7 @@ }, { "str": "-", - "token_id": 17864, + "token_id": 17848, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162093,7 +161934,7 @@ }, { "str": "porn", - "token_id": 17865, + "token_id": 17849, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162102,7 +161943,7 @@ }, { "str": "-", - "token_id": 17866, + "token_id": 17850, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162111,7 +161952,7 @@ }, { "str": "bans", - "token_id": 17867, + "token_id": 17851, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162120,7 +161961,7 @@ }, { "str": "-", - "token_id": 17868, + "token_id": 17852, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162129,7 +161970,7 @@ }, { "str": "while", - "token_id": 17869, + "token_id": 17853, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162138,7 +161979,7 @@ }, { "str": "-", - "token_id": 17870, + "token_id": 17854, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162147,7 +161988,7 @@ }, { "str": "playing", - "token_id": 17871, + "token_id": 17855, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162156,7 +161997,7 @@ }, { "str": "-", - "token_id": 17872, + "token_id": 17856, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162165,7 +162006,7 @@ }, { "str": "splatoon", - "token_id": 17873, + "token_id": 17857, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162174,7 +162015,7 @@ }, { "str": "-", - "token_id": 17874, + "token_id": 17858, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162183,7 +162024,7 @@ }, { "str": "3", - "token_id": 17875, + "token_id": 17859, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162192,7 +162033,7 @@ }, { "str": "|", - "token_id": 17876, + "token_id": 17860, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162201,7 +162042,7 @@ }, { "str": "access", - "token_id": 17877, + "token_id": 17861, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162210,7 +162051,7 @@ }, { "str": "-", - "token_id": 17878, + "token_id": 17862, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162219,7 +162060,7 @@ }, { "str": "date", - "token_id": 17879, + "token_id": 17863, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162228,7 +162069,7 @@ }, { "str": "=", - "token_id": 17880, + "token_id": 17864, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162237,7 +162078,7 @@ }, { "str": "2022", - "token_id": 17881, + "token_id": 17865, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162246,7 +162087,7 @@ }, { "str": "-", - "token_id": 17882, + "token_id": 17866, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162255,7 +162096,7 @@ }, { "str": "10", - "token_id": 17883, + "token_id": 17867, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162264,7 +162105,7 @@ }, { "str": "-", - "token_id": 17884, + "token_id": 17868, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162273,7 +162114,7 @@ }, { "str": "15", - "token_id": 17885, + "token_id": 17869, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162282,7 +162123,7 @@ }, { "str": "|", - "token_id": 17886, + "token_id": 17870, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162291,7 +162132,7 @@ }, { "str": "website", - "token_id": 17887, + "token_id": 17871, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162300,7 +162141,7 @@ }, { "str": "=", - "token_id": 17888, + "token_id": 17872, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162309,7 +162150,7 @@ }, { "str": "dot", - "token_id": 17889, + "token_id": 17873, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162318,7 +162159,7 @@ }, { "str": "esports", - "token_id": 17890, + "token_id": 17874, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162327,7 +162168,7 @@ }, { "str": "|", - "token_id": 17891, + "token_id": 17875, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162336,7 +162177,7 @@ }, { "str": "language", - "token_id": 17892, + "token_id": 17876, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162345,7 +162186,7 @@ }, { "str": "=", - "token_id": 17893, + "token_id": 17877, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162354,7 +162195,7 @@ }, { "str": "en", - "token_id": 17894, + "token_id": 17878, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162363,7 +162204,7 @@ }, { "str": "-", - "token_id": 17895, + "token_id": 17879, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162372,7 +162213,7 @@ }, { "str": "us", - "token_id": 17896, + "token_id": 17880, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162381,7 +162222,7 @@ }, { "str": "}}", - "token_id": 17897, + "token_id": 17881, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162390,7 +162231,7 @@ }, { "str": "<", - "token_id": 17898, + "token_id": 17882, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162399,7 +162240,7 @@ }, { "str": "/", - "token_id": 17899, + "token_id": 17883, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162408,7 +162249,7 @@ }, { "str": "ref", - "token_id": 17900, + "token_id": 17884, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162417,7 +162258,7 @@ }, { "str": ">", - "token_id": 17901, + "token_id": 17885, "o_rev_id": 1116133865, "in": [], "out": [ @@ -162426,14 +162267,14 @@ }, { "str": "being", - "token_id": 17902, + "token_id": 17886, "o_rev_id": 1116133865, "in": [], "out": [] }, { "str": "|", - "token_id": 17903, + "token_id": 17887, "o_rev_id": 1116134031, "in": [ 1117591128 @@ -162445,7 +162286,7 @@ }, { "str": "[[", - "token_id": 17904, + "token_id": 17888, "o_rev_id": 1116134147, "in": [ 1117591128 @@ -162457,7 +162298,7 @@ }, { "str": "televisaunivision", - "token_id": 17905, + "token_id": 17889, "o_rev_id": 1116134147, "in": [ 1117591128 @@ -162469,7 +162310,7 @@ }, { "str": "]]", - "token_id": 17906, + "token_id": 17890, "o_rev_id": 1116134147, "in": [ 1117591128 @@ -162481,7 +162322,7 @@ }, { "str": "of", - "token_id": 17907, + "token_id": 17891, "o_rev_id": 1116210516, "in": [], "out": [ @@ -162490,7 +162331,7 @@ }, { "str": "after", - "token_id": 17908, + "token_id": 17892, "o_rev_id": 1116213350, "in": [], "out": [ @@ -162499,7 +162340,7 @@ }, { "str": "defeating", - "token_id": 17909, + "token_id": 17893, "o_rev_id": 1116213350, "in": [], "out": [ @@ -162508,7 +162349,7 @@ }, { "str": "dj", - "token_id": 17910, + "token_id": 17894, "o_rev_id": 1116213350, "in": [], "out": [ @@ -162517,7 +162358,7 @@ }, { "str": "octavio", - "token_id": 17911, + "token_id": 17895, "o_rev_id": 1116213350, "in": [], "out": [ @@ -162526,7 +162367,7 @@ }, { "str": ",", - "token_id": 17912, + "token_id": 17896, "o_rev_id": 1116213350, "in": [], "out": [ @@ -162535,7 +162376,7 @@ }, { "str": "player", - "token_id": 17913, + "token_id": 17897, "o_rev_id": 1116213350, "in": [], "out": [ @@ -162544,21 +162385,21 @@ }, { "str": "industries", - "token_id": 17914, + "token_id": 17898, "o_rev_id": 1116374072, "in": [], "out": [] }, { "str": "xtrawave", - "token_id": 17915, + "token_id": 17899, "o_rev_id": 1116374072, "in": [], "out": [] }, { "str": "a", - "token_id": 17916, + "token_id": 17900, "o_rev_id": 1116374072, "in": [ 1179974250 @@ -162569,14 +162410,14 @@ }, { "str": "successfully", - "token_id": 17917, + "token_id": 17901, "o_rev_id": 1116374072, "in": [], "out": [] }, { "str": "splatlands", - "token_id": 17918, + "token_id": 17902, "o_rev_id": 1116374072, "in": [], "out": [ @@ -162585,7 +162426,7 @@ }, { "str": "the", - "token_id": 17919, + "token_id": 17903, "o_rev_id": 1116374072, "in": [ 1117591128 @@ -162597,7 +162438,7 @@ }, { "str": "real", - "token_id": 17920, + "token_id": 17904, "o_rev_id": 1116374072, "in": [ 1117591128 @@ -162609,7 +162450,7 @@ }, { "str": "salmonid", - "token_id": 17921, + "token_id": 17905, "o_rev_id": 1116374072, "in": [], "out": [ @@ -162618,7 +162459,7 @@ }, { "str": "friend", - "token_id": 17922, + "token_id": 17906, "o_rev_id": 1116374072, "in": [], "out": [ @@ -162627,7 +162468,7 @@ }, { "str": "transforms", - "token_id": 17923, + "token_id": 17907, "o_rev_id": 1116374072, "in": [], "out": [ @@ -162636,7 +162477,7 @@ }, { "str": "premiers", - "token_id": 17924, + "token_id": 17908, "o_rev_id": 1116374072, "in": [], "out": [ @@ -162645,77 +162486,77 @@ }, { "str": "[[", - "token_id": 17925, + "token_id": 17909, "o_rev_id": 1116408495, "in": [], "out": [] }, { "str": "video", - "token_id": 17926, + "token_id": 17910, "o_rev_id": 1116408495, "in": [], "out": [] }, { "str": "game", - "token_id": 17927, + "token_id": 17911, "o_rev_id": 1116408495, "in": [], "out": [] }, { "str": "|", - "token_id": 17928, + "token_id": 17912, "o_rev_id": 1116408495, "in": [], "out": [] }, { "str": "]]", - "token_id": 17929, + "token_id": 17913, "o_rev_id": 1116408495, "in": [], "out": [] }, { "str": "city", - "token_id": 17930, + "token_id": 17914, "o_rev_id": 1116839086, "in": [], "out": [] }, { "str": "of", - "token_id": 17931, + "token_id": 17915, "o_rev_id": 1116839086, "in": [], "out": [] }, { "str": "splatsville", - "token_id": 17932, + "token_id": 17916, "o_rev_id": 1116839086, "in": [], "out": [] }, { "str": "(", - "token_id": 17933, + "token_id": 17917, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": ")", - "token_id": 17934, + "token_id": 17918, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "as", - "token_id": 17935, + "token_id": 17919, "o_rev_id": 1116872596, "in": [ 1202097960 @@ -162726,7 +162567,7 @@ }, { "str": "of", - "token_id": 17936, + "token_id": 17920, "o_rev_id": 1116872596, "in": [ 1202097960 @@ -162737,35 +162578,35 @@ }, { "str": "18", - "token_id": 17937, + "token_id": 17921, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "october", - "token_id": 17938, + "token_id": 17922, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "2022", - "token_id": 17939, + "token_id": 17923, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": ",", - "token_id": 17940, + "token_id": 17924, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "'", - "token_id": 17941, + "token_id": 17925, "o_rev_id": 1116872596, "in": [ 1202097960 @@ -162776,7 +162617,7 @@ }, { "str": "'", - "token_id": 17942, + "token_id": 17926, "o_rev_id": 1116872596, "in": [ 1202097960 @@ -162787,18 +162628,20 @@ }, { "str": "splatoon", - "token_id": 17943, + "token_id": 17927, "o_rev_id": 1116872596, "in": [ + 1202097960, 1216768014 ], "out": [ + 1202071552, 1216767975 ] }, { "str": "3", - "token_id": 17944, + "token_id": 17928, "o_rev_id": 1116872596, "in": [ 1202097960 @@ -162809,7 +162652,7 @@ }, { "str": "'", - "token_id": 17945, + "token_id": 17929, "o_rev_id": 1116872596, "in": [ 1202097960 @@ -162820,7 +162663,7 @@ }, { "str": "'", - "token_id": 17946, + "token_id": 17930, "o_rev_id": 1116872596, "in": [ 1202097960 @@ -162831,35 +162674,35 @@ }, { "str": "was", - "token_id": 17947, + "token_id": 17931, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "reported", - "token_id": 17948, + "token_id": 17932, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "to", - "token_id": 17949, + "token_id": 17933, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "be", - "token_id": 17950, + "token_id": 17934, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "the", - "token_id": 17951, + "token_id": 17935, "o_rev_id": 1116872596, "in": [ 1202097960 @@ -162870,35 +162713,35 @@ }, { "str": "highest", - "token_id": 17952, + "token_id": 17936, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "-", - "token_id": 17953, + 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"just", - "token_id": 17962, + "token_id": 17946, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "over", - "token_id": 17963, + "token_id": 17947, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "one", - "token_id": 17964, + "token_id": 17948, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "month", - "token_id": 17965, + "token_id": 17949, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "after", - "token_id": 17966, + "token_id": 17950, "o_rev_id": 1116872596, "in": [ 1202097960 @@ -162991,154 +162834,154 @@ }, { "str": "its", - "token_id": 17967, + "token_id": 17951, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "release", - "token_id": 17968, + "token_id": 17952, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": ".", - "token_id": 17969, + "token_id": 17953, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "<", - "token_id": 17970, + "token_id": 17954, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "ref", - "token_id": 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+162999,7 @@ }, { "str": "-", - "token_id": 17990, + "token_id": 17974, "o_rev_id": 1116872596, "in": [], "out": [ @@ -163165,49 +163008,53 @@ }, { "str": "18", - "token_id": 17991, + "token_id": 17975, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "|", - "token_id": 17992, + "token_id": 17976, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "title", - "token_id": 17993, + "token_id": 17977, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "=", - "token_id": 17994, + "token_id": 17978, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "splatoon", - "token_id": 17995, + "token_id": 17979, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "3", - "token_id": 17996, + "token_id": 17980, "o_rev_id": 1116872596, - "in": [], - "out": [] + "in": [ + 1202097960 + ], + "out": [ + 1202071552 + ] }, { "str": "is", - "token_id": 17997, + "token_id": 17981, "o_rev_id": 1116872596, "in": [ 1202097960 @@ -163218,28 +163065,28 @@ }, { "str": "already", - "token_id": 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1116872596, "in": [], "out": [ @@ -163693,28 +163544,28 @@ }, { "str": "|", - "token_id": 18063, + "token_id": 18047, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "website", - "token_id": 18064, + "token_id": 18048, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "=", - "token_id": 18065, + "token_id": 18049, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "[[", - "token_id": 18066, + "token_id": 18050, "o_rev_id": 1116872596, "in": [], "out": [ @@ -163723,14 +163574,14 @@ }, { "str": "nintendo", - "token_id": 18067, + "token_id": 18051, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "life", - "token_id": 18068, + "token_id": 18052, "o_rev_id": 1116872596, "in": [], "out": [ @@ -163739,7 +163590,7 @@ }, { "str": "]]", - "token_id": 18069, + "token_id": 18053, "o_rev_id": 1116872596, "in": [], "out": [ @@ -163748,14 +163599,14 @@ }, { "str": "|", - "token_id": 18070, + "token_id": 18054, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "publisher", - "token_id": 18071, + "token_id": 18055, "o_rev_id": 1116872596, "in": [], "out": [ @@ -163764,14 +163615,14 @@ }, { "str": "=", - "token_id": 18072, + "token_id": 18056, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "hookshot", - "token_id": 18073, + "token_id": 18057, "o_rev_id": 1116872596, "in": [], "out": [ @@ -163780,7 +163631,7 @@ }, { "str": "media", - "token_id": 18074, + "token_id": 18058, "o_rev_id": 1116872596, "in": [], "out": [ @@ -163789,50 +163640,42 @@ }, { "str": "|", - "token_id": 18075, + "token_id": 18059, "o_rev_id": 1116872596, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] + "in": [], + "out": [] }, { "str": "language", - "token_id": 18076, + "token_id": 18060, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "=", - "token_id": 18077, + "token_id": 18061, "o_rev_id": 1116872596, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] + "in": [], + "out": [] }, { "str": "en", - "token_id": 18078, + "token_id": 18062, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "-", - "token_id": 18079, + "token_id": 18063, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "gb", - "token_id": 18080, + "token_id": 18064, "o_rev_id": 1116872596, "in": [], "out": [ @@ -163841,42 +163684,42 @@ }, { "str": "}}", - "token_id": 18081, + "token_id": 18065, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "<", - "token_id": 18082, + "token_id": 18066, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "/", - "token_id": 18083, + "token_id": 18067, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "ref", - "token_id": 18084, + "token_id": 18068, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": ">", - "token_id": 18085, + "token_id": 18069, "o_rev_id": 1116872596, "in": [], "out": [] }, { "str": "known", - "token_id": 18086, + "token_id": 18070, "o_rev_id": 1117020144, "in": [], "out": [ @@ -163885,7 +163728,7 @@ }, { "str": "as", - "token_id": 18087, + "token_id": 18071, "o_rev_id": 1117020144, "in": [], "out": [ @@ -163894,7 +163737,7 @@ }, { "str": "\"", - "token_id": 18088, + "token_id": 18072, "o_rev_id": 1117020144, "in": [], "out": [ @@ -163903,7 +163746,7 @@ }, { "str": "alterna", - "token_id": 18089, + "token_id": 18073, "o_rev_id": 1117020144, "in": [], "out": [ @@ -163912,7 +163755,7 @@ }, { "str": "\"", - "token_id": 18090, + "token_id": 18074, "o_rev_id": 1117020144, "in": [], "out": [ @@ -163921,7 +163764,7 @@ }, { "str": "sinsogumi", - "token_id": 18091, + "token_id": 18075, "o_rev_id": 1117022476, "in": [], "out": [ @@ -163930,7 +163773,7 @@ }, { "str": "livestream", - "token_id": 18092, + "token_id": 18076, "o_rev_id": 1117022476, "in": [], "out": [ @@ -163939,7 +163782,7 @@ }, { "str": "'", - "token_id": 18093, + "token_id": 18077, "o_rev_id": 1117149714, "in": [ 1117591128 @@ -163951,49 +163794,53 @@ }, { "str": "{{", - "token_id": 18094, + "token_id": 18078, "o_rev_id": 1117149714, "in": [], "out": [] }, { "str": "magazine", - "token_id": 18095, + "token_id": 18079, "o_rev_id": 1117149714, - "in": [], - "out": [] + "in": [ + 1202097960 + ], + "out": [ + 1202071552 + ] }, { "str": "|", - "token_id": 18096, + "token_id": 18080, "o_rev_id": 1117149714, "in": [], "out": [] }, { "str": "=", - "token_id": 18097, + "token_id": 18081, "o_rev_id": 1117149714, "in": [], "out": [] }, { "str": "|", - "token_id": 18098, + "token_id": 18082, "o_rev_id": 1117149714, "in": [], "out": [] }, { "str": "=", - "token_id": 18099, + "token_id": 18083, "o_rev_id": 1117149714, "in": [], "out": [] }, { "str": "|", - "token_id": 18100, + "token_id": 18084, "o_rev_id": 1117149714, "in": [ 1202097960 @@ -164004,7 +163851,7 @@ }, { "str": "=", - "token_id": 18101, + "token_id": 18085, "o_rev_id": 1117149714, "in": [ 1202097960 @@ -164015,21 +163862,21 @@ }, { "str": "|", - "token_id": 18102, + "token_id": 18086, "o_rev_id": 1117149714, "in": [], "out": [] }, { "str": "=", - "token_id": 18103, + "token_id": 18087, "o_rev_id": 1117149714, "in": [], "out": [] }, { "str": "|", - "token_id": 18104, + "token_id": 18088, "o_rev_id": 1117149714, "in": [ 1117591128 @@ -164040,7 +163887,7 @@ }, { "str": "=", - "token_id": 18105, + "token_id": 18089, "o_rev_id": 1117149714, "in": [ 1117591128 @@ -164051,28 +163898,28 @@ }, { "str": "|", - "token_id": 18106, + "token_id": 18090, "o_rev_id": 1117149714, "in": [], "out": [] }, { "str": "magazine", - "token_id": 18107, + "token_id": 18091, "o_rev_id": 1117149714, "in": [], "out": [] }, { "str": "=", - "token_id": 18108, + "token_id": 18092, "o_rev_id": 1117149714, "in": [], "out": [] }, { "str": "|", - "token_id": 18109, + "token_id": 18093, "o_rev_id": 1117149714, "in": [], "out": [ @@ -164081,7 +163928,7 @@ }, { "str": "=", - "token_id": 18110, + "token_id": 18094, "o_rev_id": 1117149714, "in": [], "out": [ @@ -164090,7 +163937,7 @@ }, { "str": "|", - "token_id": 18111, + "token_id": 18095, "o_rev_id": 1117149714, "in": [ 1117591128 @@ -164101,7 +163948,7 @@ }, { "str": "=", - "token_id": 18112, + 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}, { "str": "player", - "token_id": 18139, + "token_id": 18123, "o_rev_id": 1117493302, "in": [], "out": [ @@ -164317,7 +164164,7 @@ }, { "str": "the", - "token_id": 18140, + "token_id": 18124, "o_rev_id": 1117493302, "in": [], "out": [ @@ -164326,7 +164173,7 @@ }, { "str": "spegetti", - "token_id": 18141, + "token_id": 18125, "o_rev_id": 1117493302, "in": [], "out": [ @@ -164335,7 +164182,7 @@ }, { "str": "person", - "token_id": 18142, + "token_id": 18126, "o_rev_id": 1117493302, "in": [], "out": [ @@ -164344,7 +164191,7 @@ }, { "str": "with", - "token_id": 18143, + "token_id": 18127, "o_rev_id": 1117493302, "in": [], "out": [ @@ -164353,7 +164200,7 @@ }, { "str": "guiltiness", - "token_id": 18144, + "token_id": 18128, "o_rev_id": 1117493302, "in": [], "out": [ @@ -164362,7 +164209,7 @@ }, { "str": "mars", - "token_id": 18145, + "token_id": 18129, "o_rev_id": 1117587863, "in": [], "out": [ @@ -164371,7 +164218,7 @@ }, { "str": "you", - "token_id": 18146, + "token_id": 18130, "o_rev_id": 1117587863, "in": [], "out": [ @@ -164380,7 +164227,7 @@ }, { "str": "he", - "token_id": 18147, + "token_id": 18131, "o_rev_id": 1117587863, "in": [], "out": [ @@ -164389,7 +164236,7 @@ }, { "str": "smells", - "token_id": 18148, + "token_id": 18132, "o_rev_id": 1117587863, "in": [], "out": [ @@ -164398,7 +164245,7 @@ }, { "str": "funny", - "token_id": 18149, + "token_id": 18133, "o_rev_id": 1117587863, "in": [], "out": [ @@ -164407,7 +164254,7 @@ }, { "str": "bigpotato", - "token_id": 18150, + "token_id": 18134, "o_rev_id": 1117587863, "in": [], "out": [ @@ -164416,7 +164263,7 @@ }, { "str": "biggest", - "token_id": 18151, + "token_id": 18135, "o_rev_id": 1117587863, "in": [], "out": [ @@ -164425,7 +164272,7 @@ }, { "str": "like", - "token_id": 18152, + "token_id": 18136, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164434,7 +164281,7 @@ }, { "str": "abc", - "token_id": 18153, + "token_id": 18137, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164443,7 +164290,7 @@ }, { 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"in": [], "out": [ @@ -164515,7 +164362,7 @@ }, { "str": "section", - "token_id": 18162, + "token_id": 18146, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164524,7 +164371,7 @@ }, { "str": "on", - "token_id": 18163, + "token_id": 18147, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164533,7 +164380,7 @@ }, { "str": "shivers", - "token_id": 18164, + "token_id": 18148, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164542,7 +164389,7 @@ }, { "str": "platform", - "token_id": 18165, + "token_id": 18149, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164551,7 +164398,7 @@ }, { "str": "hacking", - "token_id": 18166, + "token_id": 18150, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164560,7 +164407,7 @@ }, { "str": "is", - "token_id": 18167, + "token_id": 18151, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164569,7 +164416,7 @@ }, { "str": "allowed", - "token_id": 18168, + "token_id": 18152, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164578,7 +164425,7 @@ }, { "str": "mods", - 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"out": [ @@ -164650,7 +164497,7 @@ }, { "str": "squaddle", - "token_id": 18177, + "token_id": 18161, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164659,7 +164506,7 @@ }, { "str": "|", - "token_id": 18178, + "token_id": 18162, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164668,7 +164515,7 @@ }, { "str": "biggest", - "token_id": 18179, + "token_id": 18163, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164677,7 +164524,7 @@ }, { "str": "pound", - "token_id": 18180, + "token_id": 18164, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164686,7 +164533,7 @@ }, { "str": "chicken", - "token_id": 18181, + "token_id": 18165, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164695,7 +164542,7 @@ }, { "str": "coop", - "token_id": 18182, + "token_id": 18166, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164704,7 +164551,7 @@ }, { "str": "|", - "token_id": 18183, + "token_id": 18167, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164713,7 +164560,7 @@ }, { "str": "pvp", - "token_id": 18184, + "token_id": 18168, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164722,7 +164569,7 @@ }, { "str": "settings", - "token_id": 18185, + "token_id": 18169, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164731,7 +164578,7 @@ }, { "str": "game", - "token_id": 18186, + "token_id": 18170, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164740,7 +164587,7 @@ }, { "str": "not", - "token_id": 18187, + "token_id": 18171, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164749,7 +164596,7 @@ }, { "str": "popular", - "token_id": 18188, + "token_id": 18172, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164758,7 +164605,7 @@ }, { "str": "nor", - "token_id": 18189, + "token_id": 18173, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164767,7 +164614,7 @@ }, { "str": "baby", - "token_id": 18190, + "token_id": 18174, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164776,7 +164623,7 @@ }, { "str": "yoda", - "token_id": 18191, + "token_id": 18175, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164785,7 +164632,7 @@ }, { "str": "|", - "token_id": 18192, + "token_id": 18176, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164794,7 +164641,7 @@ }, { "str": "url", - "token_id": 18193, + "token_id": 18177, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164803,7 +164650,7 @@ }, { "str": "=", - "token_id": 18194, + "token_id": 18178, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164812,7 +164659,7 @@ }, { "str": "|", - "token_id": 18195, + "token_id": 18179, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164821,7 +164668,7 @@ }, { "str": "language", - "token_id": 18196, + "token_id": 18180, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164830,7 +164677,7 @@ }, { "str": "=", - "token_id": 18197, + "token_id": 18181, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164839,7 +164686,7 @@ }, { "str": "en", - "token_id": 18198, + "token_id": 18182, "o_rev_id": 1117588531, "in": [], "out": [ @@ -164848,7 +164695,7 @@ }, { "str": "-", - "token_id": 18199, + "token_id": 18183, "o_rev_id": 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"token_id": 18199, "o_rev_id": 1117806669, "in": [], "out": [] }, { "str": "=", - "token_id": 18216, + "token_id": 18200, "o_rev_id": 1117806669, "in": [], "out": [] }, { "str": "\"", - "token_id": 18217, + "token_id": 18201, "o_rev_id": 1117806669, "in": [], "out": [] }, { "str": "gi", - "token_id": 18218, + "token_id": 18202, "o_rev_id": 1117806669, "in": [], "out": [] }, { "str": "\"", - "token_id": 18219, + "token_id": 18203, "o_rev_id": 1117806669, "in": [], "out": [] }, { "str": "/", - "token_id": 18220, + "token_id": 18204, "o_rev_id": 1117806669, "in": [], "out": [] }, { "str": ">", - "token_id": 18221, + "token_id": 18205, "o_rev_id": 1117806669, "in": [], "out": [] }, { "str": "a", - "token_id": 18222, + "token_id": 18206, "o_rev_id": 1117806669, "in": [], "out": [ @@ -165046,7 +164893,7 @@ }, { "str": "[[", - "token_id": 18223, + "token_id": 18207, "o_rev_id": 1117806669, "in": [], "out": [ @@ -165055,7 +164902,7 @@ }, { "str": "holocaust", - "token_id": 18224, + "token_id": 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[], "out": [ @@ -166750,7 +166573,7 @@ }, { "str": "widely", - "token_id": 18432, + "token_id": 18416, "o_rev_id": 1119275810, "in": [], "out": [ @@ -166759,7 +166582,7 @@ }, { "str": "thought", - "token_id": 18433, + "token_id": 18417, "o_rev_id": 1119275810, "in": [], "out": [ @@ -166768,7 +166591,7 @@ }, { "str": "to", - "token_id": 18434, + "token_id": 18418, "o_rev_id": 1119275810, "in": [], "out": [ @@ -166777,7 +166600,7 @@ }, { "str": "be", - "token_id": 18435, + "token_id": 18419, "o_rev_id": 1119275810, "in": [], "out": [ @@ -166786,7 +166609,7 @@ }, { "str": "the", - "token_id": 18436, + "token_id": 18420, "o_rev_id": 1119275810, "in": [], "out": [ @@ -166795,7 +166618,7 @@ }, { "str": "worst", - "token_id": 18437, + "token_id": 18421, "o_rev_id": 1119275810, "in": [], "out": [ @@ -166804,7 +166627,7 @@ }, { "str": "of", - "token_id": 18438, + "token_id": 18422, "o_rev_id": 1119275810, "in": [], "out": [ @@ -166813,7 +166636,7 @@ }, { "str": "the", - "token_id": 18439, + 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@@ }, { "str": "material", - "token_id": 18447, + "token_id": 18431, "o_rev_id": 1119275810, "in": [], "out": [ @@ -166894,7 +166717,7 @@ }, { "str": ".", - "token_id": 18448, + "token_id": 18432, "o_rev_id": 1119275810, "in": [], "out": [ @@ -166903,7 +166726,7 @@ }, { "str": "10029376", - "token_id": 18449, + "token_id": 18433, "o_rev_id": 1119275930, "in": [], "out": [ @@ -166912,7 +166735,7 @@ }, { "str": "2375", - "token_id": 18450, + "token_id": 18434, "o_rev_id": 1119275930, "in": [], "out": [ @@ -166921,7 +166744,7 @@ }, { "str": "37", - "token_id": 18451, + "token_id": 18435, "o_rev_id": 1119275930, "in": [], "out": [ @@ -166930,7 +166753,7 @@ }, { "str": "100293762938579302971", - "token_id": 18452, + "token_id": 18436, "o_rev_id": 1119327619, "in": [], "out": [ @@ -166939,7 +166762,7 @@ }, { "str": "incident", - "token_id": 18453, + "token_id": 18437, "o_rev_id": 1119540274, "in": [], "out": [ @@ -166948,7 +166771,7 @@ }, { "str": "smallfry", - "token_id": 18454, + 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"str": ")", - "token_id": 18462, + "token_id": 18446, "o_rev_id": 1119542332, "in": [ 1136546128 @@ -167044,7 +166867,7 @@ }, { "str": "|", - "token_id": 18463, + "token_id": 18447, "o_rev_id": 1119542332, "in": [ 1136546128 @@ -167055,7 +166878,7 @@ }, { "str": "boss", - "token_id": 18464, + "token_id": 18448, "o_rev_id": 1119542332, "in": [ 1136546128 @@ -167066,7 +166889,7 @@ }, { "str": "]]", - "token_id": 18465, + "token_id": 18449, "o_rev_id": 1119542332, "in": [ 1136546128 @@ -167077,7 +166900,7 @@ }, { "str": "as", - "token_id": 18466, + "token_id": 18450, "o_rev_id": 1120729646, "in": [ 1148919560 @@ -167088,7 +166911,7 @@ }, { "str": "of", - "token_id": 18467, + "token_id": 18451, "o_rev_id": 1120729646, "in": [ 1148919560 @@ -167099,7 +166922,7 @@ }, { "str": "2022", - "token_id": 18468, + "token_id": 18452, "o_rev_id": 1120729646, "in": [ 1148919560 @@ -167111,7 +166934,7 @@ }, { "str": "september", - "token_id": 18469, + "token_id": 18453, "o_rev_id": 1120729646, "in": [], "out": [ @@ -167120,7 +166943,7 @@ }, { "str": "30", - "token_id": 18470, + "token_id": 18454, "o_rev_id": 1120729646, "in": [], "out": [ @@ -167129,7 +166952,7 @@ }, { "str": ",", - "token_id": 18471, + "token_id": 18455, "o_rev_id": 1120729646, "in": [ 1148919560 @@ -167141,7 +166964,7 @@ }, { "str": "splatoon", - "token_id": 18472, + "token_id": 18456, "o_rev_id": 1120729646, "in": [ 1148919560, @@ -167154,7 +166977,7 @@ }, { "str": "3", - "token_id": 18473, + "token_id": 18457, "o_rev_id": 1120729646, "in": [ 1148919560 @@ -167165,7 +166988,7 @@ }, { "str": "have", - "token_id": 18474, + "token_id": 18458, "o_rev_id": 1120729646, "in": [], "out": [ @@ -167174,7 +166997,7 @@ }, { "str": "sold", - "token_id": 18475, + "token_id": 18459, "o_rev_id": 1120729646, "in": [ 1148919560 @@ -167185,7 +167008,7 @@ }, { "str": "7", - "token_id": 18476, + "token_id": 18460, "o_rev_id": 1120729646, "in": [], "out": [ @@ -167194,7 +167017,7 @@ }, { "str": ".", - "token_id": 18477, + "token_id": 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}, { "str": "of", - "token_id": 18485, + "token_id": 18469, "o_rev_id": 1120729646, "in": [ 1148919560, @@ -167291,7 +167114,7 @@ }, { "str": "which", - "token_id": 18486, + "token_id": 18470, "o_rev_id": 1120729646, "in": [], "out": [ @@ -167300,7 +167123,7 @@ }, { "str": "were", - "token_id": 18487, + "token_id": 18471, "o_rev_id": 1120729646, "in": [], "out": [ @@ -167309,7 +167132,7 @@ }, { "str": "sold", - "token_id": 18488, + "token_id": 18472, "o_rev_id": 1120729646, "in": [], "out": [ @@ -167318,7 +167141,7 @@ }, { "str": "in", - "token_id": 18489, + "token_id": 18473, "o_rev_id": 1120729646, "in": [], "out": [ @@ -167327,7 +167150,7 @@ }, { "str": "japan", - "token_id": 18490, + "token_id": 18474, "o_rev_id": 1120729646, "in": [], "out": [ @@ -167336,7 +167159,7 @@ }, { "str": ".", - "token_id": 18491, + "token_id": 18475, "o_rev_id": 1120729646, "in": [ 1148919560, @@ -167349,7 +167172,7 @@ }, { "str": "<", - "token_id": 18492, + "token_id": 18476, "o_rev_id": 1120729646, 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], "out": [ - 1148919536, - 1202071552 + 1148919536 ] }, { "str": "best", - "token_id": 18569, + "token_id": 18553, "o_rev_id": 1120780306, "in": [ 1148919560, @@ -168307,7 +168128,7 @@ }, { "str": "-", - "token_id": 18570, + "token_id": 18554, "o_rev_id": 1120780306, "in": [ 1148919560, @@ -168320,7 +168141,7 @@ }, { "str": "selling", - "token_id": 18571, + "token_id": 18555, "o_rev_id": 1120780306, "in": [ 1148919560, @@ -168333,7 +168154,7 @@ }, { "str": "switch", - "token_id": 18572, + "token_id": 18556, "o_rev_id": 1120780306, "in": [ 1148919560, @@ -168346,7 +168167,7 @@ }, { "str": "games", - "token_id": 18573, + "token_id": 18557, "o_rev_id": 1120780306, "in": [ 1148919560, @@ -168361,7 +168182,7 @@ }, { "str": "has", - "token_id": 18574, + "token_id": 18558, "o_rev_id": 1121052511, "in": [ 1148919560 @@ -168372,7 +168193,7 @@ }, { "str": "30", - "token_id": 18575, + "token_id": 18559, "o_rev_id": 1121052570, "in": [ 1138419614, @@ -168386,7 +168207,7 @@ }, { "str": 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{ "str": "by", - "token_id": 18585, + "token_id": 18569, "o_rev_id": 1121905526, "in": [], "out": [] }, { "str": "splatting", - "token_id": 18586, + "token_id": 18570, "o_rev_id": 1121905526, "in": [], "out": [] }, { "str": "special", - "token_id": 18587, + "token_id": 18571, "o_rev_id": 1121905526, "in": [], "out": [] }, { "str": "enemies", - "token_id": 18588, + "token_id": 18572, "o_rev_id": 1121905526, "in": [], "out": [] }, { "str": "known", - "token_id": 18589, + "token_id": 18573, "o_rev_id": 1121905526, "in": [], "out": [] }, { "str": "as", - "token_id": 18590, + "token_id": 18574, "o_rev_id": 1121905526, "in": [], "out": [] }, { "str": "\"", - "token_id": 18591, + "token_id": 18575, "o_rev_id": 1121905526, "in": [], "out": [] }, { "str": "boss", - "token_id": 18592, + "token_id": 18576, "o_rev_id": 1121905526, "in": [], "out": [] }, { "str": "salmonids", - "token_id": 18593, + "token_id": 18577, "o_rev_id": 1121905526, "in": [], "out": [] }, { "str": "\"", - "token_id": 18594, 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"token_id": 18830, + "token_id": 18814, "o_rev_id": 1124830905, "in": [], "out": [ @@ -170364,7 +170179,7 @@ }, { "str": "played", - "token_id": 18831, + "token_id": 18815, "o_rev_id": 1124830905, "in": [], "out": [ @@ -170373,7 +170188,7 @@ }, { "str": ",", - "token_id": 18832, + "token_id": 18816, "o_rev_id": 1124830905, "in": [], "out": [ @@ -170382,7 +170197,7 @@ }, { "str": "the", - "token_id": 18833, + "token_id": 18817, "o_rev_id": 1124830905, "in": [], "out": [ @@ -170391,7 +170206,7 @@ }, { "str": "less", - "token_id": 18834, + "token_id": 18818, "o_rev_id": 1124830905, "in": [], "out": [ @@ -170400,7 +170215,7 @@ }, { "str": "enemy", - "token_id": 18835, + "token_id": 18819, "o_rev_id": 1124830905, "in": [], "out": [ @@ -170409,7 +170224,7 @@ }, { "str": "ink", - "token_id": 18836, + "token_id": 18820, "o_rev_id": 1124830905, "in": [], "out": [ @@ -170418,7 +170233,7 @@ }, { "str": "there", - "token_id": 18837, + "token_id": 18821, "o_rev_id": 1124830905, "in": [], "out": [ @@ -170427,7 +170242,7 @@ }, { "str": "would", - "token_id": 18838, + "token_id": 18822, "o_rev_id": 1124830905, "in": [], "out": [ @@ -170436,7 +170251,7 @@ }, { "str": "be", - "token_id": 18839, + "token_id": 18823, "o_rev_id": 1124830905, "in": [], "out": [ @@ -170445,7 +170260,7 @@ }, { "str": "on", - "token_id": 18840, + "token_id": 18824, "o_rev_id": 1124830905, "in": [], "out": [ @@ -170454,7 +170269,7 @@ }, { "str": "the", - "token_id": 18841, + "token_id": 18825, "o_rev_id": 1124830905, "in": [], "out": [ @@ -170463,7 +170278,7 @@ }, { "str": "screen", - "token_id": 18842, + "token_id": 18826, "o_rev_id": 1124830905, "in": [], "out": [ @@ -170472,7 +170287,7 @@ }, { "str": ",", - "token_id": 18843, + "token_id": 18827, "o_rev_id": 1124830905, "in": [], "out": [ @@ -170481,7 +170296,7 @@ }, { "str": "therefore", - "token_id": 18844, + "token_id": 18828, "o_rev_id": 1124830905, "in": [], "out": [ @@ -170490,7 +170305,7 @@ }, { "str": "lowering", - "token_id": 18845, + 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+170377,7 @@ }, { "str": "original", - "token_id": 18853, + "token_id": 18837, "o_rev_id": 1125373483, "in": [], "out": [ @@ -170571,7 +170386,7 @@ }, { "str": "agent", - "token_id": 18854, + "token_id": 18838, "o_rev_id": 1125373483, "in": [], "out": [ @@ -170580,7 +170395,7 @@ }, { "str": "3", - "token_id": 18855, + "token_id": 18839, "o_rev_id": 1125373483, "in": [], "out": [ @@ -170589,7 +170404,7 @@ }, { "str": "seemingly", - "token_id": 18856, + "token_id": 18840, "o_rev_id": 1125373483, "in": [], "out": [ @@ -170598,7 +170413,7 @@ }, { "str": "\"", - "token_id": 18857, + "token_id": 18841, "o_rev_id": 1125373483, "in": [], "out": [ @@ -170607,7 +170422,7 @@ }, { "str": "\"", - "token_id": 18858, + "token_id": 18842, "o_rev_id": 1125373483, "in": [], "out": [ @@ -170616,7 +170431,7 @@ }, { "str": "{{", - "token_id": 18859, + "token_id": 18843, "o_rev_id": 1126376157, "in": [ 1126390791, @@ -170631,7 +170446,7 @@ }, { "str": "won", - "token_id": 18860, + "token_id": 18844, 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[ @@ -172195,7 +172014,7 @@ }, { "str": "player", - "token_id": 19054, + "token_id": 19038, "o_rev_id": 1131725937, "in": [], "out": [ @@ -172204,7 +172023,7 @@ }, { "str": "can", - "token_id": 19055, + "token_id": 19039, "o_rev_id": 1131725937, "in": [], "out": [ @@ -172213,7 +172032,7 @@ }, { "str": "not", - "token_id": 19056, + "token_id": 19040, "o_rev_id": 1131725937, "in": [], "out": [ @@ -172222,7 +172041,7 @@ }, { "str": "place", - "token_id": 19057, + "token_id": 19041, "o_rev_id": 1131725937, "in": [], "out": [ @@ -172231,7 +172050,7 @@ }, { "str": "thein", - "token_id": 19058, + "token_id": 19042, "o_rev_id": 1131725937, "in": [], "out": [ @@ -172240,7 +172059,7 @@ }, { "str": "own", - "token_id": 19059, + "token_id": 19043, "o_rev_id": 1131725937, "in": [], "out": [ @@ -172249,7 +172068,7 @@ }, { "str": "card", - "token_id": 19060, + "token_id": 19044, "o_rev_id": 1131725937, "in": [], "out": [ @@ -172258,7 +172077,7 @@ }, { "str": "over", - "token_id": 19061, + "token_id": 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"o_rev_id": 1131746260, "in": [], "out": [ @@ -172767,7 +172586,7 @@ }, { "str": "}}", - "token_id": 19118, + "token_id": 19102, "o_rev_id": 1131746260, "in": [], "out": [ @@ -172776,7 +172595,7 @@ }, { "str": "{{", - "token_id": 19119, + "token_id": 19103, "o_rev_id": 1131746260, "in": [], "out": [ @@ -172785,7 +172604,7 @@ }, { "str": "}}", - "token_id": 19120, + "token_id": 19104, "o_rev_id": 1131746260, "in": [], "out": [ @@ -172794,35 +172613,39 @@ }, { "str": "{{", - "token_id": 19121, + "token_id": 19105, "o_rev_id": 1131746260, "in": [], - "out": [] - }, + "out": [ + 1334176815 + ] + }, { "str": "}}", - "token_id": 19122, + "token_id": 19106, "o_rev_id": 1131746260, "in": [], - "out": [] + "out": [ + 1334176815 + ] }, { "str": "{{", - "token_id": 19123, + "token_id": 19107, "o_rev_id": 1131746260, "in": [], "out": [] }, { "str": "}}", - "token_id": 19124, + "token_id": 19108, "o_rev_id": 1131746260, "in": [], "out": [] }, { "str": "'", - "token_id": 19125, + "token_id": 19109, "o_rev_id": 1131746260, "in": [], "out": [ @@ -172831,7 +172654,7 @@ }, { "str": "'", - "token_id": 19126, + "token_id": 19110, "o_rev_id": 1131746260, "in": [], "out": [ @@ -172840,7 +172663,7 @@ }, { "str": "'", - "token_id": 19127, + "token_id": 19111, "o_rev_id": 1131746260, "in": [], "out": [ @@ -172849,7 +172672,7 @@ }, { "str": "'", - "token_id": 19128, + "token_id": 19112, "o_rev_id": 1131746260, "in": [], "out": [ @@ -172858,21 +172681,21 @@ }, { "str": "{{", - "token_id": 19129, + "token_id": 19113, "o_rev_id": 1131746260, "in": [], "out": [] }, { "str": "}}", - "token_id": 19130, + "token_id": 19114, "o_rev_id": 1131746260, "in": [], "out": [] }, { "str": "{{", - "token_id": 19131, + "token_id": 19115, "o_rev_id": 1131746260, "in": [], "out": [ @@ -172881,7 +172704,7 @@ }, { "str": "}}", - "token_id": 19132, + "token_id": 19116, "o_rev_id": 1131746260, "in": [], "out": [ @@ -172890,28 +172713,28 @@ }, { "str": "game", - "token_id": 19133, + "token_id": 19117, "o_rev_id": 1131750441, "in": [], "out": [] }, { "str": "s", - "token_id": 19134, + "token_id": 19118, "o_rev_id": 1131750441, "in": [], "out": [] }, { "str": "design", - "token_id": 19135, + "token_id": 19119, "o_rev_id": 1131750441, "in": [], "out": [] }, { "str": "is", - "token_id": 19136, + "token_id": 19120, "o_rev_id": 1131750441, "in": [], "out": [ @@ -172920,7 +172743,7 @@ }, { "str": "themed", - "token_id": 19137, + "token_id": 19121, "o_rev_id": 1131750441, "in": [], "out": [ @@ -172929,7 +172752,7 @@ }, { "str": "around", - "token_id": 19138, + "token_id": 19122, "o_rev_id": 1131750441, "in": [], "out": [ @@ -172938,14 +172761,14 @@ }, { "str": "chaos", - "token_id": 19139, + "token_id": 19123, "o_rev_id": 1131750441, "in": [], "out": [] }, { "str": "due", - "token_id": 19140, + "token_id": 19124, "o_rev_id": 1131750441, "in": [], "out": [ @@ -172954,7 +172777,7 @@ }, { "str": "outcome", - "token_id": 19141, + "token_id": 19125, "o_rev_id": 1131750441, "in": [], "out": [ @@ -172963,7 +172786,7 @@ }, { "str": "of", - "token_id": 19142, + "token_id": 19126, "o_rev_id": 1131750441, "in": [], "out": [ @@ -172972,7 +172795,7 @@ }, { "str": "last", - "token_id": 19143, + "token_id": 19127, "o_rev_id": 1131750441, "in": [], "out": [ @@ -172981,189 +172804,189 @@ }, { "str": "splatfest", - "token_id": 19144, + "token_id": 19128, "o_rev_id": 1131750441, "in": [], "out": [] }, { "str": "{{", - "token_id": 19145, + "token_id": 19129, "o_rev_id": 1131750441, "in": [], "out": [] }, { "str": "r", - "token_id": 19146, + "token_id": 19130, "o_rev_id": 1131750441, "in": [], "out": [] }, { "str": "|", - "token_id": 19147, + "token_id": 19131, "o_rev_id": 1131750441, "in": [], "out": [] }, { "str": "splatfest", - "token_id": 19148, + "token_id": 19132, "o_rev_id": 1131750441, "in": [], "out": [] }, { "str": "}}", - "token_id": 19149, + "token_id": 19133, "o_rev_id": 1131750441, "in": [], "out": [] }, { "str": ",", - "token_id": 19150, + "token_id": 19134, "o_rev_id": 1131750441, 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19153, "o_rev_id": 1131750441, "in": [], "out": [] }, { "str": "octarians", - "token_id": 19170, + "token_id": 19154, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173172,7 +172995,7 @@ }, { "str": "return", - "token_id": 19171, + "token_id": 19155, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173181,7 +173004,7 @@ }, { "str": "as", - "token_id": 19172, + "token_id": 19156, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173190,7 +173013,7 @@ }, { "str": "primary", - "token_id": 19173, + "token_id": 19157, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173199,7 +173022,7 @@ }, { "str": "enemies", - "token_id": 19174, + "token_id": 19158, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173208,7 +173031,7 @@ }, { "str": "in", - "token_id": 19175, + "token_id": 19159, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173217,7 +173040,7 @@ }, { "str": "'", - "token_id": 19176, + "token_id": 19160, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173226,7 +173049,7 @@ }, { "str": "'", - "token_id": 19177, + "token_id": 19161, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173235,7 +173058,7 @@ }, { "str": "splatoon", - "token_id": 19178, + "token_id": 19162, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173244,7 +173067,7 @@ }, { "str": "3", - "token_id": 19179, + "token_id": 19163, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173253,7 +173076,7 @@ }, { "str": "'", - "token_id": 19180, + "token_id": 19164, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173262,7 +173085,7 @@ }, { "str": "'", - "token_id": 19181, + "token_id": 19165, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173271,7 +173094,7 @@ }, { "str": ",", - "token_id": 19182, + "token_id": 19166, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173280,7 +173103,7 @@ }, { "str": "but", - "token_id": 19183, + "token_id": 19167, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173289,7 +173112,7 @@ }, { "str": "the", - "token_id": 19184, + "token_id": 19168, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173298,7 +173121,7 @@ }, { "str": "majority", - "token_id": 19185, + "token_id": 19169, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173307,7 +173130,7 @@ }, { "str": "of", - "token_id": 19186, + "token_id": 19170, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173316,7 +173139,7 @@ }, { "str": "them", - "token_id": 19187, + "token_id": 19171, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173325,7 +173148,7 @@ }, { "str": "now", - "token_id": 19188, + "token_id": 19172, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173334,7 +173157,7 @@ }, { "str": "appear", - "token_id": 19189, + "token_id": 19173, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173343,7 +173166,7 @@ }, { "str": "mutated", - "token_id": 19190, + "token_id": 19174, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173352,7 +173175,7 @@ }, { "str": "with", - "token_id": 19191, + "token_id": 19175, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173361,7 +173184,7 @@ }, { "str": "brown", - "token_id": 19192, + "token_id": 19176, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173370,7 +173193,7 @@ }, { "str": "fur", - "token_id": 19193, + "token_id": 19177, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173379,7 +173202,7 @@ }, { "str": "and", - "token_id": 19194, + "token_id": 19178, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173388,7 +173211,7 @@ }, { "str": "purple", - "token_id": 19195, + "token_id": 19179, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173397,7 +173220,7 @@ }, { "str": "eyes", - "token_id": 19196, + "token_id": 19180, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173406,7 +173229,7 @@ }, { "str": ".", - "token_id": 19197, + "token_id": 19181, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173415,7 +173238,7 @@ }, { "str": "the", - "token_id": 19198, + "token_id": 19182, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173424,7 +173247,7 @@ }, { "str": "story", - "token_id": 19199, + "token_id": 19183, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173433,7 +173256,7 @@ }, { "str": "starts", - "token_id": 19200, + "token_id": 19184, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173442,7 +173265,7 @@ }, { "str": "in", - "token_id": 19201, + "token_id": 19185, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173451,7 +173274,7 @@ }, { "str": "the", - "token_id": 19202, + "token_id": 19186, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173460,14 +173283,14 @@ }, { "str": "crater", - "token_id": 19203, + "token_id": 19187, "o_rev_id": 1131750441, "in": [], "out": [] }, { "str": "where", - "token_id": 19204, + "token_id": 19188, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173476,21 +173299,21 @@ }, { "str": "the", - "token_id": 19205, + "token_id": 19189, "o_rev_id": 1131750441, "in": [], "out": [] }, { "str": "player", - "token_id": 19206, + "token_id": 19190, "o_rev_id": 1131750441, "in": [], "out": [] }, { "str": "'", - "token_id": 19207, + "token_id": 19191, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173499,7 +173322,7 @@ }, { "str": "s", - "token_id": 19208, + "token_id": 19192, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173508,7 +173331,7 @@ }, { "str": "character", - "token_id": 19209, + "token_id": 19193, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173517,7 +173340,7 @@ }, { "str": ",", - "token_id": 19210, + "token_id": 19194, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173526,7 +173349,7 @@ }, { "str": "an", - "token_id": 19211, + "token_id": 19195, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173535,7 +173358,7 @@ }, { "str": "inkling", - "token_id": 19212, + "token_id": 19196, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173544,7 +173367,7 @@ }, { "str": "or", - "token_id": 19213, + "token_id": 19197, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173553,7 +173376,7 @@ }, { "str": "octoling", - "token_id": 19214, + "token_id": 19198, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173562,7 +173385,7 @@ }, { "str": "accompanied", - "token_id": 19215, + "token_id": 19199, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173571,7 +173394,7 @@ }, { "str": "by", - "token_id": 19216, + "token_id": 19200, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173580,14 +173403,14 @@ }, { "str": "their", - "token_id": 19217, + "token_id": 19201, "o_rev_id": 1131750441, "in": [], "out": [] }, { "str": "companion", - "token_id": 19218, + "token_id": 19202, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173596,7 +173419,7 @@ }, { "str": "smallfry", - "token_id": 19219, + "token_id": 19203, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173605,7 +173428,7 @@ }, { "str": ",", - "token_id": 19220, + "token_id": 19204, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173614,7 +173437,7 @@ }, { "str": "is", - "token_id": 19221, + "token_id": 19205, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173623,35 +173446,35 @@ }, { "str": "recruited", - "token_id": 19222, + "token_id": 19206, "o_rev_id": 1131750441, "in": [], "out": [] }, { "str": "by", - "token_id": 19223, + "token_id": 19207, "o_rev_id": 1131750441, "in": [], "out": [] }, { "str": "into", - "token_id": 19224, + "token_id": 19208, "o_rev_id": 1131750441, "in": [], "out": [] }, { "str": "as", - "token_id": 19225, + "token_id": 19209, "o_rev_id": 1131750441, "in": [], "out": [] }, { "str": "new", - "token_id": 19226, + "token_id": 19210, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173660,28 +173483,28 @@ }, { "str": "agent", - "token_id": 19227, + "token_id": 19211, "o_rev_id": 1131750441, "in": [], "out": [] }, { "str": "3", - "token_id": 19228, + "token_id": 19212, "o_rev_id": 1131750441, "in": [], "out": [] }, { "str": ".", - "token_id": 19229, + "token_id": 19213, "o_rev_id": 1131750441, "in": [], "out": [] }, { "str": "the", - "token_id": 19230, + "token_id": 19214, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173690,7 +173513,7 @@ }, { "str": "majority", - "token_id": 19231, + "token_id": 19215, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173699,7 +173522,7 @@ }, { "str": "of", - "token_id": 19232, + "token_id": 19216, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173708,7 +173531,7 @@ }, { "str": "the", - "token_id": 19233, + "token_id": 19217, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173717,7 +173540,7 @@ }, { "str": "mode", - "token_id": 19234, + "token_id": 19218, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173726,7 +173549,7 @@ }, { "str": "takes", - "token_id": 19235, + "token_id": 19219, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173735,7 +173558,7 @@ }, { "str": "place", - "token_id": 19236, + "token_id": 19220, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173744,7 +173567,7 @@ }, { "str": "in", - "token_id": 19237, + "token_id": 19221, "o_rev_id": 1131750441, "in": [ 1327668959 @@ -173756,7 +173579,7 @@ }, { "str": "alterna", - "token_id": 19238, + "token_id": 19222, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173765,7 +173588,7 @@ }, { "str": "located", - "token_id": 19239, + "token_id": 19223, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173774,7 +173597,7 @@ }, { "str": "beneath", - "token_id": 19240, + "token_id": 19224, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173783,7 +173606,7 @@ }, { "str": "former", - "token_id": 19241, + "token_id": 19225, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173792,7 +173615,7 @@ }, { "str": "from", - "token_id": 19242, + "token_id": 19226, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173801,7 +173624,7 @@ }, { "str": "the", - "token_id": 19243, + "token_id": 19227, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173810,7 +173633,7 @@ }, { "str": "previous", - "token_id": 19244, + "token_id": 19228, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173819,7 +173642,7 @@ }, { "str": "games", - "token_id": 19245, + "token_id": 19229, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173828,7 +173651,7 @@ }, { "str": "who", - "token_id": 19246, + "token_id": 19230, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173837,7 +173660,7 @@ }, { "str": "is", - "token_id": 19247, + "token_id": 19231, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173846,7 +173669,7 @@ }, { "str": "now", - "token_id": 19248, + "token_id": 19232, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173855,7 +173678,7 @@ }, { "str": "the", - "token_id": 19249, + "token_id": 19233, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173864,7 +173687,7 @@ }, { "str": "captain", - "token_id": 19250, + "token_id": 19234, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173873,7 +173696,7 @@ }, { "str": "of", - "token_id": 19251, + "token_id": 19235, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173882,14 +173705,14 @@ }, { "str": "the", - "token_id": 19252, + "token_id": 19236, "o_rev_id": 1131750441, "in": [], "out": [] }, { "str": "group", - "token_id": 19253, + "token_id": 19237, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173898,7 +173721,7 @@ }, { "str": "following", - "token_id": 19254, + "token_id": 19238, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173907,7 +173730,7 @@ }, { "str": "cuttlefish", - "token_id": 19255, + "token_id": 19239, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173916,7 +173739,7 @@ }, { "str": "'", - "token_id": 19256, + "token_id": 19240, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173925,7 +173748,7 @@ }, { "str": "s", - "token_id": 19257, + "token_id": 19241, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173934,7 +173757,7 @@ }, { "str": "retirement", - "token_id": 19258, + "token_id": 19242, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173943,7 +173766,7 @@ }, { "str": "appear", - "token_id": 19259, + "token_id": 19243, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173952,7 +173775,7 @@ }, { "str": "in", - "token_id": 19260, + "token_id": 19244, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173961,7 +173784,7 @@ }, { "str": "this", - "token_id": 19261, + "token_id": 19245, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173970,7 +173793,7 @@ }, { "str": "area", - "token_id": 19262, + "token_id": 19246, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173979,7 +173802,7 @@ }, { "str": "to", - "token_id": 19263, + "token_id": 19247, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173988,7 +173811,7 @@ }, { "str": "aid", - "token_id": 19264, + "token_id": 19248, "o_rev_id": 1131750441, "in": [], "out": [ @@ -173997,7 +173820,7 @@ }, { "str": "the", - "token_id": 19265, + "token_id": 19249, "o_rev_id": 1131750441, "in": [], "out": [ @@ -174006,7 +173829,7 @@ }, { "str": "player", - "token_id": 19266, + "token_id": 19250, "o_rev_id": 1131750441, "in": [], "out": [ @@ -174015,7 +173838,7 @@ }, { "str": "in", - "token_id": 19267, + "token_id": 19251, "o_rev_id": 1131750441, "in": [], "out": [ @@ -174024,7 +173847,7 @@ }, { "str": "their", - "token_id": 19268, + "token_id": 19252, "o_rev_id": 1131750441, "in": [], "out": [ @@ -174033,7 +173856,7 @@ }, { "str": "goal", - "token_id": 19269, + "token_id": 19253, "o_rev_id": 1131750441, "in": [], "out": [ @@ -174042,7 +173865,7 @@ }, { "str": "of", - "token_id": 19270, + "token_id": 19254, 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+173937,7 @@ }, { "str": "shortly", - "token_id": 19278, + "token_id": 19262, "o_rev_id": 1131750441, "in": [], "out": [ @@ -174123,7 +173946,7 @@ }, { "str": "after", - "token_id": 19279, + "token_id": 19263, "o_rev_id": 1131750441, "in": [], "out": [ @@ -174132,7 +173955,7 @@ }, { "str": "recruiting", - "token_id": 19280, + "token_id": 19264, "o_rev_id": 1131750441, "in": [], "out": [ @@ -174141,7 +173964,7 @@ }, { "str": "player", - "token_id": 19281, + "token_id": 19265, "o_rev_id": 1131750441, "in": [], "out": [ @@ -174150,7 +173973,7 @@ }, { "str": "{{", - "token_id": 19282, + "token_id": 19266, "o_rev_id": 1131750441, "in": [], "out": [ @@ -174159,7 +173982,7 @@ }, { "str": "web", - "token_id": 19283, + "token_id": 19267, "o_rev_id": 1131750441, "in": [], "out": [ @@ -174168,7 +173991,7 @@ }, { "str": "|", - "token_id": 19284, + "token_id": 19268, "o_rev_id": 1131750441, "in": [], "out": [ @@ -174177,7 +174000,7 @@ }, { "str": "url", - "token_id": 19285, + "token_id": 19269, 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@@ }, { "str": "begins", - "token_id": 19317, + "token_id": 19301, "o_rev_id": 1131820454, "in": [], "out": [ @@ -174468,7 +174291,7 @@ }, { "str": ",", - "token_id": 19318, + "token_id": 19302, "o_rev_id": 1131820454, "in": [], "out": [ @@ -174477,7 +174300,7 @@ }, { "str": "and", - "token_id": 19319, + "token_id": 19303, "o_rev_id": 1131820454, "in": [], "out": [ @@ -174486,7 +174309,7 @@ }, { "str": "pet", - "token_id": 19320, + "token_id": 19304, "o_rev_id": 1131820454, "in": [ 1148919560 @@ -174498,14 +174321,14 @@ }, { "str": "salmonid", - "token_id": 19321, + "token_id": 19305, "o_rev_id": 1131820454, "in": [], "out": [] }, { "str": "known", - "token_id": 19322, + "token_id": 19306, "o_rev_id": 1131820454, "in": [ 1202097960 @@ -174517,7 +174340,7 @@ }, { "str": "as", - "token_id": 19323, + "token_id": 19307, "o_rev_id": 1131820454, "in": [], "out": [ @@ -174526,7 +174349,7 @@ }, { "str": "\"", - "token_id": 19324, + "token_id": 19308, "o_rev_id": 1131820454, "in": [], "out": [ @@ -174535,25 +174358,25 @@ }, { "str": "little", - "token_id": 19325, + "token_id": 19309, "o_rev_id": 1131820454, "in": [], "out": [ - 1141913882 + 1203947758 ] }, { "str": "buddy", - "token_id": 19326, + "token_id": 19310, "o_rev_id": 1131820454, "in": [], "out": [ - 1141913882 + 1203947758 ] }, { "str": "\"", - "token_id": 19327, + "token_id": 19311, "o_rev_id": 1131820454, "in": [], "out": [ @@ -174562,7 +174385,7 @@ }, { "str": "are", - "token_id": 19328, + "token_id": 19312, "o_rev_id": 1131820454, "in": [], "out": [ @@ -174571,14 +174394,14 @@ }, { "str": "they", - "token_id": 19329, + "token_id": 19313, "o_rev_id": 1131820454, "in": [], "out": [] }, { "str": "face", - "token_id": 19330, + "token_id": 19314, "o_rev_id": 1131820454, "in": [], "out": [ @@ -174587,7 +174410,7 @@ }, { "str": "off", - "token_id": 19331, + "token_id": 19315, "o_rev_id": 1131820454, "in": [], "out": [ @@ -174596,7 +174419,7 @@ }, { "str": "against", - "token_id": 19332, + "token_id": 19316, 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+174866,7 @@ }, { "str": "game", - "token_id": 19382, + "token_id": 19366, "o_rev_id": 1131820454, "in": [ 1148919560 @@ -175054,7 +174877,7 @@ }, { "str": "]]", - "token_id": 19383, + "token_id": 19367, "o_rev_id": 1131820454, "in": [ 1148919560 @@ -175065,56 +174888,56 @@ }, { "str": "realizes", - "token_id": 19384, + "token_id": 19368, "o_rev_id": 1131820454, "in": [], "out": [] }, { "str": "that", - "token_id": 19385, + "token_id": 19369, "o_rev_id": 1131820454, "in": [], "out": [] }, { "str": "cuttlefish", - "token_id": 19386, + "token_id": 19370, "o_rev_id": 1131820454, "in": [], "out": [] }, { "str": "has", - "token_id": 19387, + "token_id": 19371, "o_rev_id": 1131820454, "in": [], "out": [] }, { "str": "gone", - "token_id": 19388, + "token_id": 19372, "o_rev_id": 1131820454, "in": [], "out": [] }, { "str": "missing", - "token_id": 19389, + "token_id": 19373, "o_rev_id": 1131820454, "in": [], "out": [] }, { "str": ".", - "token_id": 19390, + "token_id": 19374, "o_rev_id": 1131820454, "in": [], "out": [] }, { "str": "they", - "token_id": 19391, + "token_id": 19375, "o_rev_id": 1131820454, "in": [], "out": [ @@ -175123,7 +174946,7 @@ }, { "str": "are", - "token_id": 19392, + "token_id": 19376, "o_rev_id": 1131820454, "in": [], "out": [ @@ -175132,42 +174955,42 @@ }, { "str": "approached", - "token_id": 19393, + "token_id": 19377, "o_rev_id": 1131820454, "in": [], "out": [] }, { "str": "by", - "token_id": 19394, + "token_id": 19378, "o_rev_id": 1131820454, "in": [], "out": [] }, { "str": "deep", - "token_id": 19395, + "token_id": 19379, "o_rev_id": 1131820454, "in": [], "out": [] }, { "str": "cut", - "token_id": 19396, + "token_id": 19380, "o_rev_id": 1131820454, "in": [], "out": [] }, { "str": "are", - "token_id": 19397, + "token_id": 19381, "o_rev_id": 1131820454, "in": [], "out": [] }, { "str": "searching", - "token_id": 19398, + "token_id": 19382, "o_rev_id": 1131820454, "in": [], "out": [ @@ -175176,28 +174999,28 @@ }, { "str": "alterna", - 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@@ }, { "str": "among", - "token_id": 19479, + "token_id": 19463, "o_rev_id": 1131820454, "in": [], "out": [ @@ -175867,7 +175682,7 @@ }, { "str": "the", - "token_id": 19480, + "token_id": 19464, "o_rev_id": 1131820454, "in": [], "out": [ @@ -175876,7 +175691,7 @@ }, { "str": "poor", - "token_id": 19481, + "token_id": 19465, "o_rev_id": 1131820454, "in": [], "out": [ @@ -175885,7 +175700,7 @@ }, { "str": ",", - "token_id": 19482, + "token_id": 19466, "o_rev_id": 1131820454, "in": [ 1327668959 @@ -175897,7 +175712,7 @@ }, { "str": "and", - "token_id": 19483, + "token_id": 19467, "o_rev_id": 1131820454, "in": [], "out": [ @@ -175906,7 +175721,7 @@ }, { "str": "team", - "token_id": 19484, + "token_id": 19468, "o_rev_id": 1131820454, "in": [], "out": [ @@ -175915,7 +175730,7 @@ }, { "str": "up", - "token_id": 19485, + "token_id": 19469, "o_rev_id": 1131820454, "in": [], "out": [ @@ -175924,21 +175739,21 @@ }, { "str": "with", - "token_id": 19486, + "token_id": 19470, "o_rev_id": 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[], "out": [] }, { "str": "treasures", - "token_id": 19496, + "token_id": 19480, "o_rev_id": 1131820454, "in": [], "out": [ @@ -176007,28 +175822,28 @@ }, { "str": "to", - "token_id": 19497, + "token_id": 19481, "o_rev_id": 1131820454, "in": [], "out": [] }, { "str": "assemble", - "token_id": 19498, + "token_id": 19482, "o_rev_id": 1131820454, "in": [], "out": [] }, { "str": "a", - "token_id": 19499, + "token_id": 19483, "o_rev_id": 1131820454, "in": [], "out": [] }, { "str": "lawnmower", - "token_id": 19500, + "token_id": 19484, "o_rev_id": 1131820454, "in": [], "out": [ @@ -176037,14 +175852,14 @@ }, { "str": "and", - "token_id": 19501, + "token_id": 19485, "o_rev_id": 1131820454, "in": [], "out": [] }, { "str": "reach", - "token_id": 19502, + "token_id": 19486, "o_rev_id": 1131820454, "in": [], "out": [ @@ -176053,7 +175868,7 @@ }, { "str": "grizz", - "token_id": 19503, + "token_id": 19487, "o_rev_id": 1131820454, "in": [], "out": [ @@ -176062,7 +175877,7 @@ }, { "str": ",", - 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"out": [] }, { "str": "into", - "token_id": 19512, + "token_id": 19496, "o_rev_id": 1131820454, "in": [], "out": [ @@ -176141,7 +175956,7 @@ }, { "str": "a", - "token_id": 19513, + "token_id": 19497, "o_rev_id": 1131820454, "in": [ 1154926670 @@ -176153,7 +175968,7 @@ }, { "str": "small", - "token_id": 19514, + "token_id": 19498, "o_rev_id": 1131820454, "in": [], "out": [ @@ -176162,7 +175977,7 @@ }, { "str": "squid", - "token_id": 19515, + "token_id": 19499, "o_rev_id": 1131820454, "in": [], "out": [ @@ -176171,21 +175986,21 @@ }, { "str": ",", - "token_id": 19516, + "token_id": 19500, "o_rev_id": 1131820454, "in": [], "out": [] }, { "str": "and", - "token_id": 19517, + "token_id": 19501, "o_rev_id": 1131820454, "in": [], "out": [] }, { "str": "chase", - "token_id": 19518, + "token_id": 19502, "o_rev_id": 1131820454, "in": [], "out": [ @@ -176194,7 +176009,7 @@ }, { "str": "grizz", - "token_id": 19519, + "token_id": 19503, "o_rev_id": 1131820454, "in": [], "out": [ @@ -176203,7 +176018,7 @@ }, { "str": "into", - "token_id": 19520, + "token_id": 19504, "o_rev_id": 1131820454, "in": [], "out": [ @@ -176212,7 +176027,7 @@ }, { "str": "space", - "token_id": 19521, + "token_id": 19505, "o_rev_id": 1131820454, "in": [], "out": [ @@ -176221,7 +176036,7 @@ }, { "str": ".", - "token_id": 19522, + "token_id": 19506, "o_rev_id": 1131820454, "in": [], "out": [ @@ -176230,21 +176045,21 @@ }, { "str": "with", - "token_id": 19523, + "token_id": 19507, "o_rev_id": 1131820454, "in": [], "out": [] }, { "str": "the", - "token_id": 19524, + "token_id": 19508, "o_rev_id": 1131820454, "in": [], "out": [] }, { "str": "help", - "token_id": 19525, + "token_id": 19509, "o_rev_id": 1131820454, "in": [], "out": [ @@ -176253,7 +176068,7 @@ }, { "str": "of", - "token_id": 19526, + "token_id": 19510, "o_rev_id": 1131820454, "in": [], "out": [ @@ -176262,7 +176077,7 @@ }, { "str": "little", - "token_id": 19527, + "token_id": 19511, "o_rev_id": 1131820454, "in": [], "out": [ @@ -176271,7 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[] }, { "str": "two", - "token_id": 19760, + "token_id": 19744, "o_rev_id": 1131883866, "in": [], "out": [ @@ -178026,7 +177842,7 @@ }, { "str": "\"", - "token_id": 19761, + "token_id": 19745, "o_rev_id": 1131883866, "in": [], "out": [ @@ -178035,14 +177851,14 @@ }, { "str": "attacking", - "token_id": 19762, + "token_id": 19746, "o_rev_id": 1131883866, "in": [], "out": [] }, { "str": "\"", - "token_id": 19763, + "token_id": 19747, "o_rev_id": 1131883866, "in": [], "out": [ @@ -178051,21 +177867,21 @@ }, { "str": "players", - "token_id": 19764, + "token_id": 19748, "o_rev_id": 1131883866, "in": [], "out": [] }, { "str": ".", - "token_id": 19765, + "token_id": 19749, "o_rev_id": 1131883866, "in": [], "out": [] }, { "str": "if", - "token_id": 19766, + "token_id": 19750, "o_rev_id": 1131883866, "in": [], "out": [ @@ -178074,42 +177890,42 @@ }, { "str": "an", - "token_id": 19767, + "token_id": 19751, "o_rev_id": 1131883866, "in": [], "out": [] }, { "str": "attacking", - "token_id": 19768, + 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}, { "str": "of", - "token_id": 19802, + "token_id": 19786, "o_rev_id": 1131954930, "in": [], "out": [] }, { "str": "the", - "token_id": 19803, + "token_id": 19787, "o_rev_id": 1131954930, "in": [], "out": [] }, { "str": "attacking", - "token_id": 19804, + "token_id": 19788, "o_rev_id": 1131954930, "in": [], "out": [ @@ -178390,7 +178206,7 @@ }, { "str": "team", - "token_id": 19805, + "token_id": 19789, "o_rev_id": 1131954930, "in": [], "out": [ @@ -178399,21 +178215,21 @@ }, { "str": "'", - "token_id": 19806, + "token_id": 19790, "o_rev_id": 1131954930, "in": [], "out": [] }, { "str": "s", - "token_id": 19807, + "token_id": 19791, "o_rev_id": 1131954930, "in": [], "out": [] }, { "str": "side", - "token_id": 19808, + "token_id": 19792, "o_rev_id": 1131954930, "in": [], "out": [ @@ -178422,7 +178238,7 @@ }, { "str": "[[", - "token_id": 19809, + "token_id": 19793, "o_rev_id": 1132012904, "in": [ 1148919560, @@ -178435,7 +178251,7 @@ }, { "str": "list", - "token_id": 19810, + "token_id": 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@@ }, { "str": "https", - "token_id": 20544, + "token_id": 20528, "o_rev_id": 1138063838, "in": [ 1148919560, @@ -184686,7 +184484,7 @@ }, { "str": ":", - "token_id": 20545, + "token_id": 20529, "o_rev_id": 1138063838, "in": [ 1148919560, @@ -184700,7 +184498,7 @@ }, { "str": "/", - "token_id": 20546, + "token_id": 20530, "o_rev_id": 1138063838, "in": [ 1148919560, @@ -184714,7 +184512,7 @@ }, { "str": "/", - "token_id": 20547, + "token_id": 20531, "o_rev_id": 1138063838, "in": [ 1148919560, @@ -184728,7 +184526,7 @@ }, { "str": "web", - "token_id": 20548, + "token_id": 20532, "o_rev_id": 1138063838, "in": [ 1148919560, @@ -184742,7 +184540,7 @@ }, { "str": ".", - "token_id": 20549, + "token_id": 20533, "o_rev_id": 1138063838, "in": [ 1148919560, @@ -184756,7 +184554,7 @@ }, { "str": "archive", - "token_id": 20550, + "token_id": 20534, "o_rev_id": 1138063838, "in": [ 1148919560, @@ -184770,7 +184568,7 @@ }, { "str": ".", - "token_id": 20551, + "token_id": 20535, "o_rev_id": 1138063838, "in": [ 1148919560, @@ -184784,7 +184582,7 @@ }, { "str": "org", - "token_id": 20552, + "token_id": 20536, "o_rev_id": 1138063838, "in": [ 1148919560, @@ -184798,7 +184596,7 @@ }, { "str": "/", - "token_id": 20553, + "token_id": 20537, "o_rev_id": 1138063838, "in": [ 1148919560, @@ -184812,7 +184610,7 @@ }, { "str": "web", - "token_id": 20554, + "token_id": 20538, "o_rev_id": 1138063838, "in": [ 1148919560, @@ -184826,7 +184624,7 @@ }, { "str": "/", - "token_id": 20555, + "token_id": 20539, "o_rev_id": 1138063838, "in": [ 1148919560, @@ -184840,7 +184638,7 @@ }, { "str": "20230207065826", - "token_id": 20556, + "token_id": 20540, "o_rev_id": 1138063838, "in": [ 1148919560, @@ -184854,7 +184652,7 @@ }, { "str": "/", - "token_id": 20557, + "token_id": 20541, "o_rev_id": 1138063838, "in": [ 1148919560, @@ -184868,7 +184666,7 @@ }, { "str": "https", - "token_id": 20558, + "token_id": 20542, "o_rev_id": 1138063838, "in": [ 1148919560, @@ -184882,7 +184680,7 @@ }, { "str": ":", - "token_id": 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+184792,7 @@ }, { "str": "/", - "token_id": 20567, + "token_id": 20551, "o_rev_id": 1138063838, "in": [ 1148919560, @@ -185008,7 +184806,7 @@ }, { "str": "2023", - "token_id": 20568, + "token_id": 20552, "o_rev_id": 1138063838, "in": [ 1148919560, @@ -185022,7 +184820,7 @@ }, { "str": "/", - "token_id": 20569, + "token_id": 20553, "o_rev_id": 1138063838, "in": [ 1148919560, @@ -185036,7 +184834,7 @@ }, { "str": "230207", - "token_id": 20570, + "token_id": 20554, "o_rev_id": 1138063838, "in": [ 1148919560, @@ -185050,7 +184848,7 @@ }, { "str": "_", - "token_id": 20571, + "token_id": 20555, "o_rev_id": 1138063838, "in": [ 1148919560, @@ -185064,7 +184862,7 @@ }, { "str": "4e", - "token_id": 20572, + "token_id": 20556, "o_rev_id": 1138063838, "in": [ 1148919560, @@ -185078,7 +184876,7 @@ }, { "str": ".", - "token_id": 20573, + "token_id": 20557, "o_rev_id": 1138063838, "in": [ 1148919560, @@ -185092,7 +184890,7 @@ }, { "str": "pdf", - "token_id": 20574, + "token_id": 20558, "o_rev_id": 1138063838, "in": [ 1148919560, @@ -185106,7 +184904,7 @@ }, { "str": "#", - "token_id": 20575, + "token_id": 20559, "o_rev_id": 1138063838, "in": [ 1148919560, @@ -185120,7 +184918,7 @@ }, { "str": "page", - "token_id": 20576, + "token_id": 20560, "o_rev_id": 1138063838, "in": [ 1148919560, @@ -185134,7 +184932,7 @@ }, { "str": "=", - "token_id": 20577, + "token_id": 20561, "o_rev_id": 1138063838, "in": [ 1148919560, @@ -185148,7 +184946,7 @@ }, { "str": "18", - "token_id": 20578, + "token_id": 20562, "o_rev_id": 1138063838, "in": [ 1148919560, @@ -185162,7 +184960,7 @@ }, { "str": "|", - "token_id": 20579, + "token_id": 20563, "o_rev_id": 1138063838, "in": [ 1148919560, @@ -185176,7 +184974,7 @@ }, { "str": "31", - "token_id": 20580, + "token_id": 20564, "o_rev_id": 1138063919, "in": [], "out": [ @@ -185185,7 +184983,7 @@ }, { "str": "december", - "token_id": 20581, + "token_id": 20565, "o_rev_id": 1138063919, "in": [], "out": [ @@ -185194,7 +184992,7 @@ }, { "str": "december", - "token_id": 20582, + "token_id": 20566, "o_rev_id": 1138422912, "in": [ 1148919560 @@ -185206,7 +185004,7 @@ }, { "str": "{{", - "token_id": 20583, + "token_id": 20567, "o_rev_id": 1138423094, "in": [], "out": [ @@ -185215,7 +185013,7 @@ }, { "str": "update", - "token_id": 20584, + "token_id": 20568, "o_rev_id": 1138423094, "in": [], "out": [ @@ -185224,7 +185022,7 @@ }, { "str": "|", - "token_id": 20585, + "token_id": 20569, "o_rev_id": 1138423094, "in": [], "out": [ @@ -185233,7 +185031,7 @@ }, { "str": "part", - "token_id": 20586, + "token_id": 20570, "o_rev_id": 1138423094, "in": [], "out": [ @@ -185242,7 +185040,7 @@ }, { "str": "=", - "token_id": 20587, + "token_id": 20571, "o_rev_id": 1138423094, "in": [], "out": [ @@ -185251,7 +185049,7 @@ }, { "str": "development", - "token_id": 20588, + "token_id": 20572, "o_rev_id": 1138423094, "in": [], "out": [ @@ -185260,7 +185058,7 @@ }, { "str": "|", - "token_id": 20589, + "token_id": 20573, "o_rev_id": 1138423094, "in": [], "out": [ @@ -185269,7 +185067,7 @@ }, { "str": "reason", - "token_id": 20590, + "token_id": 20574, "o_rev_id": 1138423094, "in": [], "out": [ @@ -185278,7 +185076,7 @@ }, { "str": "=", - "token_id": 20591, + "token_id": 20575, "o_rev_id": 1138423094, "in": [], "out": [ @@ -185287,7 +185085,7 @@ }, { "str": "details", - "token_id": 20592, + "token_id": 20576, "o_rev_id": 1138423094, "in": [], "out": [ @@ -185296,7 +185094,7 @@ }, { "str": "from", - "token_id": 20593, + "token_id": 20577, "o_rev_id": 1138423094, "in": [], "out": [ @@ -185305,7 +185103,7 @@ }, { "str": "the", - "token_id": 20594, + "token_id": 20578, "o_rev_id": 1138423094, "in": [], "out": [ @@ -185314,7 +185112,7 @@ }, { "str": "latest", - "token_id": 20595, + "token_id": 20579, "o_rev_id": 1138423094, "in": [], "out": [ @@ -185323,7 +185121,7 @@ }, { "str": "nintendo", - "token_id": 20596, + "token_id": 20580, "o_rev_id": 1138423094, "in": [], "out": [ @@ -185332,7 +185130,7 @@ }, { "str": "direct", - "token_id": 20597, + "token_id": 20581, "o_rev_id": 1138423094, "in": [], "out": [ @@ -185341,7 +185139,7 @@ }, { "str": "need", - "token_id": 20598, + "token_id": 20582, "o_rev_id": 1138423094, "in": [], "out": [ @@ -185350,7 +185148,7 @@ }, { "str": "to", - "token_id": 20599, + "token_id": 20583, "o_rev_id": 1138423094, "in": [], "out": [ @@ -185359,7 +185157,7 @@ }, { "str": "be", - "token_id": 20600, + "token_id": 20584, "o_rev_id": 1138423094, "in": [], "out": [ @@ -185368,7 +185166,7 @@ }, { "str": "added", - "token_id": 20601, + "token_id": 20585, "o_rev_id": 1138423094, "in": [], "out": [ @@ -185377,7 +185175,7 @@ }, { "str": "regarding", - "token_id": 20602, + "token_id": 20586, "o_rev_id": 1138423094, "in": [], "out": [ @@ -185386,7 +185184,7 @@ }, { "str": "the", - "token_id": 20603, + "token_id": 20587, "o_rev_id": 1138423094, "in": [], "out": [ @@ -185395,7 +185193,7 @@ }, { "str": "dlc", - "token_id": 20604, + "token_id": 20588, "o_rev_id": 1138423094, "in": [], "out": [ @@ -185404,7 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[], - "out": [] - }, - { - "str": "a", - "token_id": 20613, + "token_id": 20596, + "o_rev_id": 1138804941, + "in": [ + 1202097960 + ], + "out": [ + 1202071552 + ] + }, + { + "str": "a", + "token_id": 20597, "o_rev_id": 1138804941, "in": [ 1202097960 @@ -185485,84 +185287,84 @@ }, { "str": "nintendo", - "token_id": 20614, + "token_id": 20598, "o_rev_id": 1138804941, "in": [], "out": [] }, { "str": "direct", - "token_id": 20615, + "token_id": 20599, "o_rev_id": 1138804941, "in": [], "out": [] }, { "str": "released", - "token_id": 20616, + "token_id": 20600, "o_rev_id": 1138804941, "in": [], "out": [] }, { "str": "on", - "token_id": 20617, + "token_id": 20601, "o_rev_id": 1138804941, "in": [], "out": [] }, { "str": "8", - "token_id": 20618, + "token_id": 20602, "o_rev_id": 1138804941, "in": [], "out": [] }, { "str": "february", - "token_id": 20619, + "token_id": 20603, "o_rev_id": 1138804941, "in": [], "out": [] }, { "str": "2023", - "token_id": 20620, + "token_id": 20604, "o_rev_id": 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}, { "str": "stuck", - "token_id": 20752, + "token_id": 20736, "o_rev_id": 1139401322, "in": [], "out": [ @@ -186544,7 +186336,7 @@ }, { "str": "it", - "token_id": 20753, + "token_id": 20737, "o_rev_id": 1139401322, "in": [], "out": [ @@ -186553,21 +186345,21 @@ }, { "str": "alternative", - "token_id": 20754, + "token_id": 20738, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "methods", - "token_id": 20755, + "token_id": 20739, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "{{", - "token_id": 20756, + "token_id": 20740, "o_rev_id": 1139401322, "in": [ 1139410278 @@ -186579,7 +186371,7 @@ }, { "str": "notetag", - "token_id": 20757, + "token_id": 20741, "o_rev_id": 1139401322, "in": [ 1139410278 @@ -186591,7 +186383,7 @@ }, { "str": "|", - "token_id": 20758, + "token_id": 20742, "o_rev_id": 1139401322, "in": [ 1139410278 @@ -186603,7 +186395,7 @@ }, { "str": "named", - "token_id": 20759, + "token_id": 20743, "o_rev_id": 1139401322, "in": [ 1139410278 @@ -186614,56 +186406,56 @@ }, { "str": "\"", - "token_id": 20760, + "token_id": 20744, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "ranked", - "token_id": 20761, + "token_id": 20745, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "battles", - "token_id": 20762, + "token_id": 20746, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "\"", - "token_id": 20763, + "token_id": 20747, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "in", - "token_id": 20764, + "token_id": 20748, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "its", - "token_id": 20765, + "token_id": 20749, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "predecessors", - "token_id": 20766, + "token_id": 20750, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "}}", - "token_id": 20767, + "token_id": 20751, "o_rev_id": 1139401322, "in": [ 1139410278 @@ -186675,14 +186467,14 @@ }, { "str": "uses", - "token_id": 20768, + "token_id": 20752, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "if", - "token_id": 20769, + "token_id": 20753, "o_rev_id": 1139401322, "in": [], "out": [ @@ -186691,7 +186483,7 @@ }, { "str": "a", - "token_id": 20770, + "token_id": 20754, "o_rev_id": 1139401322, "in": [], "out": [ @@ -186700,7 +186492,7 @@ }, { "str": "player", - "token_id": 20771, + "token_id": 20755, "o_rev_id": 1139401322, "in": [], "out": [ @@ -186709,7 +186501,7 @@ }, { "str": "gets", - "token_id": 20772, + "token_id": 20756, "o_rev_id": 1139401322, "in": [], "out": [ @@ -186718,7 +186510,7 @@ }, { "str": "splatted", - "token_id": 20773, + "token_id": 20757, "o_rev_id": 1139401322, "in": [], "out": [ @@ -186727,7 +186519,7 @@ }, { "str": ",", - "token_id": 20774, + "token_id": 20758, "o_rev_id": 1139401322, "in": [], "out": [ @@ -186736,34 +186528,34 @@ }, { "str": "another", - "token_id": 20775, + "token_id": 20759, "o_rev_id": 1139401322, "in": [], "out": [ - 1141810947 + 1334188654 ] }, { "str": "player", - "token_id": 20776, + "token_id": 20760, "o_rev_id": 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".", - "token_id": 20807, + "token_id": 20791, "o_rev_id": 1139401322, "in": [], "out": [ @@ -187033,70 +186825,70 @@ }, { "str": "<", - "token_id": 20808, + "token_id": 20792, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "ref", - "token_id": 20809, + "token_id": 20793, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": ">", - "token_id": 20810, + "token_id": 20794, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "{{", - "token_id": 20811, + "token_id": 20795, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "cite", - "token_id": 20812, + "token_id": 20796, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "web", - "token_id": 20813, + "token_id": 20797, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "|", - "token_id": 20814, + "token_id": 20798, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "title", - "token_id": 20815, + "token_id": 20799, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "=", - "token_id": 20816, + "token_id": 20800, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "salmon", - "token_id": 20817, + "token_id": 20801, "o_rev_id": 1139401322, "in": [], "out": [ @@ -187105,7 +186897,7 @@ }, { "str": "run", - "token_id": 20818, + "token_id": 20802, "o_rev_id": 1139401322, "in": [], "out": [ @@ -187114,7 +186906,7 @@ }, { "str": "guide", - "token_id": 20819, + "token_id": 20803, "o_rev_id": 1139401322, "in": [], "out": [ @@ -187123,7 +186915,7 @@ }, { "str": "-", - "token_id": 20820, + "token_id": 20804, "o_rev_id": 1139401322, "in": [], "out": [ @@ -187132,21 +186924,21 @@ }, { "str": "splatoon", - "token_id": 20821, + "token_id": 20805, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "3", - "token_id": 20822, + "token_id": 20806, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "wiki", - "token_id": 20823, + "token_id": 20807, "o_rev_id": 1139401322, "in": [], "out": [ @@ -187155,7 +186947,7 @@ }, { "str": "guide", - "token_id": 20824, + "token_id": 20808, "o_rev_id": 1139401322, "in": [], "out": [ @@ -187164,70 +186956,70 @@ }, { "str": "|", - "token_id": 20825, + "token_id": 20809, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "url", - "token_id": 20826, + "token_id": 20810, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "=", - "token_id": 20827, + "token_id": 20811, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "https", - "token_id": 20828, + "token_id": 20812, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": ":", - "token_id": 20829, + "token_id": 20813, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "/", - "token_id": 20830, + "token_id": 20814, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "/", - "token_id": 20831, + "token_id": 20815, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "www", - "token_id": 20832, + "token_id": 20816, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": ".", - "token_id": 20833, + "token_id": 20817, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "ign", - "token_id": 20834, + "token_id": 20818, "o_rev_id": 1139401322, "in": [], "out": [ @@ -187236,21 +187028,21 @@ }, { "str": ".", - "token_id": 20835, + "token_id": 20819, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "com", - "token_id": 20836, + "token_id": 20820, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "/", - "token_id": 20837, + "token_id": 20821, "o_rev_id": 1139401322, "in": [], "out": [ @@ -187259,7 +187051,7 @@ }, { "str": "wikis", - "token_id": 20838, + "token_id": 20822, "o_rev_id": 1139401322, "in": [], "out": [ @@ -187268,42 +187060,42 @@ }, { "str": "/", - "token_id": 20839, + "token_id": 20823, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "splatoon", - "token_id": 20840, + "token_id": 20824, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "-", - "token_id": 20841, + "token_id": 20825, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "3", - "token_id": 20842, + "token_id": 20826, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "/", - "token_id": 20843, + "token_id": 20827, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "salmon", - "token_id": 20844, + "token_id": 20828, "o_rev_id": 1139401322, "in": [], "out": [ @@ -187312,7 +187104,7 @@ }, { "str": "_", - "token_id": 20845, + "token_id": 20829, "o_rev_id": 1139401322, "in": [], "out": [ @@ -187321,7 +187113,7 @@ }, { "str": "run", - "token_id": 20846, + "token_id": 20830, "o_rev_id": 1139401322, "in": [], "out": [ @@ -187330,7 +187122,7 @@ }, { "str": "_", - "token_id": 20847, + "token_id": 20831, "o_rev_id": 1139401322, "in": [], "out": [ @@ -187339,7 +187131,7 @@ }, { "str": "guide", - "token_id": 20848, + "token_id": 20832, "o_rev_id": 1139401322, "in": [], "out": [ @@ -187348,7 +187140,7 @@ }, { "str": "|", - "token_id": 20849, + "token_id": 20833, "o_rev_id": 1139401322, "in": [ 1178773007 @@ -187359,7 +187151,7 @@ }, { "str": "access", - "token_id": 20850, + "token_id": 20834, "o_rev_id": 1139401322, "in": [ 1178773007 @@ -187370,7 +187162,7 @@ }, { "str": "-", - "token_id": 20851, + "token_id": 20835, "o_rev_id": 1139401322, "in": [ 1202097960 @@ -187381,7 +187173,7 @@ }, { "str": "date", - "token_id": 20852, + "token_id": 20836, "o_rev_id": 1139401322, "in": [ 1178773007 @@ -187392,7 +187184,7 @@ }, { "str": "=", - "token_id": 20853, + "token_id": 20837, "o_rev_id": 1139401322, "in": [ 1178773007 @@ -187403,16 +187195,14 @@ }, { "str": "2023", - "token_id": 20854, + "token_id": 20838, "o_rev_id": 1139401322, "in": [], - "out": [ - 1168453704 - ] + "out": [] }, { "str": "-", - "token_id": 20855, + "token_id": 20839, "o_rev_id": 1139401322, "in": [ 1202097960 @@ -187423,7 +187213,7 @@ }, { "str": "02", - "token_id": 20856, + "token_id": 20840, "o_rev_id": 1139401322, "in": [], "out": [ @@ -187432,21 +187222,21 @@ }, { "str": "-", - "token_id": 20857, + "token_id": 20841, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "14", - "token_id": 20858, + "token_id": 20842, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "|", - "token_id": 20859, + "token_id": 20843, "o_rev_id": 1139401322, "in": [ 1178773007 @@ -187457,7 +187247,7 @@ }, { "str": "website", - "token_id": 20860, + "token_id": 20844, "o_rev_id": 1139401322, "in": [ 1178773007 @@ -187468,7 +187258,7 @@ }, { "str": "=", - "token_id": 20861, + "token_id": 20845, "o_rev_id": 1139401322, "in": [ 1178773007 @@ -187479,7 +187269,7 @@ }, { "str": "ign", - "token_id": 20862, + "token_id": 20846, "o_rev_id": 1139401322, "in": [], "out": [ @@ -187488,7 +187278,7 @@ }, { "str": "|", - "token_id": 20863, + "token_id": 20847, "o_rev_id": 1139401322, "in": [], "out": [ @@ -187497,7 +187287,7 @@ }, { "str": "language", - "token_id": 20864, + "token_id": 20848, "o_rev_id": 1139401322, "in": [ 1178773007 @@ -187508,7 +187298,7 @@ }, { "str": "=", - "token_id": 20865, + "token_id": 20849, "o_rev_id": 1139401322, "in": [], "out": [ @@ -187517,7 +187307,7 @@ }, { "str": "en", - "token_id": 20866, + "token_id": 20850, "o_rev_id": 1139401322, "in": [ 1178773007 @@ -187528,7 +187318,7 @@ }, { "str": "}}", - "token_id": 20867, + "token_id": 20851, "o_rev_id": 1139401322, "in": [], "out": [ @@ -187537,7 +187327,7 @@ }, { "str": "<", - "token_id": 20868, + "token_id": 20852, "o_rev_id": 1139401322, "in": [], "out": [ @@ -187546,14 +187336,14 @@ }, { "str": "/", - "token_id": 20869, + "token_id": 20853, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "ref", - "token_id": 20870, + "token_id": 20854, "o_rev_id": 1139401322, "in": [], "out": [ @@ -187562,7 +187352,7 @@ }, { "str": ">", - "token_id": 20871, + "token_id": 20855, "o_rev_id": 1139401322, "in": [], "out": [ @@ -187571,21 +187361,21 @@ }, { "str": "|", - "token_id": 20872, + "token_id": 20856, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "]]", - "token_id": 20873, + "token_id": 20857, "o_rev_id": 1139401322, "in": [], "out": [] }, { "str": "(", - "token_id": 20874, + "token_id": 20858, "o_rev_id": 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"str": "<", - "token_id": 21183, + "token_id": 21167, "o_rev_id": 1139565249, "in": [], "out": [ @@ -189889,14 +189679,14 @@ }, { "str": "/", - "token_id": 21184, + "token_id": 21168, "o_rev_id": 1139565249, "in": [], "out": [] }, { "str": "ref", - "token_id": 21185, + "token_id": 21169, "o_rev_id": 1139565249, "in": [], "out": [ @@ -189905,7 +189695,7 @@ }, { "str": ">", - "token_id": 21186, + "token_id": 21170, "o_rev_id": 1139565249, "in": [], "out": [ @@ -189914,7 +189704,7 @@ }, { "str": "splatoon", - "token_id": 21187, + "token_id": 21171, "o_rev_id": 1139580573, "in": [], "out": [ @@ -189923,7 +189713,7 @@ }, { "str": "is", - "token_id": 21188, + "token_id": 21172, "o_rev_id": 1139580573, "in": [], "out": [ @@ -189932,7 +189722,7 @@ }, { "str": "good", - "token_id": 21189, + "token_id": 21173, "o_rev_id": 1139580573, "in": [], "out": [ @@ -189941,14 +189731,14 @@ }, { "str": "3", - "token_id": 21190, + "token_id": 21174, "o_rev_id": 1139580950, "in": [], "out": [] }, { "str": "-", - "token_id": 21191, + "token_id": 21175, "o_rev_id": 1139580950, "in": [], "out": [ @@ -189957,42 +189747,42 @@ }, { "str": "3", - "token_id": 21192, + "token_id": 21176, "o_rev_id": 1139580950, "in": [], "out": [] }, { "str": "-", - "token_id": 21193, + "token_id": 21177, "o_rev_id": 1139580950, "in": [], "out": [] }, { "str": "[[", - "token_id": 21194, + "token_id": 21178, "o_rev_id": 1139580950, "in": [], "out": [] }, { "str": "]]", - "token_id": 21195, + "token_id": 21179, "o_rev_id": 1139580950, "in": [], "out": [] }, { "str": "japan", - "token_id": 21196, + "token_id": 21180, "o_rev_id": 1139580950, "in": [], "out": [] }, { "str": "nintendo", - "token_id": 21197, + "token_id": 21181, "o_rev_id": 1139581131, "in": [], "out": [ @@ -190001,21 +189791,21 @@ }, { "str": "it", - "token_id": 21198, + "token_id": 21182, "o_rev_id": 1139598091, "in": [], "out": [] }, { "str": "is", - "token_id": 21199, + "token_id": 21183, "o_rev_id": 1139598091, "in": [], "out": [] }, { "str": "the", - "token_id": 21200, + "token_id": 21184, "o_rev_id": 1139598091, "in": [ 1176122921 @@ -190026,7 +189816,7 @@ }, { "str": "third", - "token_id": 21201, + "token_id": 21185, "o_rev_id": 1139598091, "in": [ 1149845326, @@ -190039,7 +189829,7 @@ }, { "str": "game", - "token_id": 21202, + "token_id": 21186, "o_rev_id": 1139598091, "in": [ 1176122921 @@ -190050,30 +189840,28 @@ }, { "str": "in", - "token_id": 21203, + "token_id": 21187, "o_rev_id": 1139598091, "in": [], "out": [] }, { "str": "the", - "token_id": 21204, + "token_id": 21188, "o_rev_id": 1139598091, "in": [], "out": [] }, { "str": "splatoon", - "token_id": 21205, + "token_id": 21189, "o_rev_id": 1139598091, "in": [], - "out": [ - 1294910906 - ] + "out": [] }, { "str": "series", - "token_id": 21206, + "token_id": 21190, "o_rev_id": 1139598091, "in": [], "out": [ @@ -190082,7 +189870,7 @@ }, { "str": "following", - "token_id": 21207, + "token_id": 21191, "o_rev_id": 1139598091, "in": [], "out": [ @@ -190091,7 +189879,7 @@ }, { "str": "'", - "token_id": 21208, + "token_id": 21192, "o_rev_id": 1139598091, "in": [], "out": [ @@ -190100,7 +189888,7 @@ }, { "str": "'", - "token_id": 21209, + "token_id": 21193, "o_rev_id": 1139598091, "in": [], "out": [ @@ -190109,7 +189897,7 @@ }, { "str": "[[", - "token_id": 21210, + "token_id": 21194, "o_rev_id": 1139598091, "in": [], "out": [ @@ -190118,7 +189906,7 @@ }, { "str": "splatoon", - "token_id": 21211, + "token_id": 21195, "o_rev_id": 1139598091, "in": [], "out": [ @@ -190127,7 +189915,7 @@ }, { "str": "2", - "token_id": 21212, + "token_id": 21196, "o_rev_id": 1139598091, "in": [], "out": [ @@ -190136,7 +189924,7 @@ }, { "str": "]]", - "token_id": 21213, + "token_id": 21197, "o_rev_id": 1139598091, "in": [], "out": [ @@ -190145,7 +189933,7 @@ }, { "str": "'", - "token_id": 21214, + "token_id": 21198, "o_rev_id": 1139598091, "in": [], "out": [ @@ -190154,7 +189942,7 @@ }, { "str": "'", - "token_id": 21215, + "token_id": 21199, "o_rev_id": 1139598091, "in": [], "out": [ @@ -190163,7 +189951,7 @@ }, { "str": ".", - "token_id": 21216, + "token_id": 21200, "o_rev_id": 1139598091, "in": [], "out": [ @@ -190172,112 +189960,112 @@ }, { "str": "dead", - "token_id": 21217, + "token_id": 21201, "o_rev_id": 1139598605, "in": [], "out": [] }, - { - "str": "<", - "token_id": 21218, - "o_rev_id": 1139604253, - "in": [], - "out": [] - }, { "str": "name", - "token_id": 21219, + "token_id": 21202, "o_rev_id": 1139604253, "in": [], "out": [] }, { "str": "=", - "token_id": 21220, + "token_id": 21203, "o_rev_id": 1139604253, "in": [], "out": [] }, { "str": "\"", - "token_id": 21221, + "token_id": 21204, "o_rev_id": 1139604253, "in": [], "out": [] }, { "str": "dotesports", - "token_id": 21222, + "token_id": 21205, "o_rev_id": 1139604253, "in": [], "out": [] }, { "str": "\"", - "token_id": 21223, + "token_id": 21206, + "o_rev_id": 1139604253, + "in": [], + "out": [] + }, + { + "str": "<", + "token_id": 21207, "o_rev_id": 1139604253, "in": [], "out": [] }, { "str": "ref", - "token_id": 21224, + "token_id": 21208, "o_rev_id": 1139604253, "in": [], "out": [] }, { "str": "name", - "token_id": 21225, + "token_id": 21209, "o_rev_id": 1139604253, "in": [], "out": [] }, { "str": "=", - "token_id": 21226, + "token_id": 21210, "o_rev_id": 1139604253, "in": [], "out": [] }, { "str": "\"", - "token_id": 21227, + "token_id": 21211, "o_rev_id": 1139604253, "in": [], "out": [] }, { "str": "dotesports", - "token_id": 21228, + "token_id": 21212, "o_rev_id": 1139604253, "in": [], "out": [] }, { "str": "\"", - "token_id": 21229, + "token_id": 21213, "o_rev_id": 1139604253, "in": [], "out": [] }, { "str": "/", - "token_id": 21230, + "token_id": 21214, "o_rev_id": 1139604253, "in": [], "out": [] }, { "str": ">", - "token_id": 21231, + "token_id": 21215, "o_rev_id": 1139604253, "in": [], "out": [] }, { "str": "one", - "token_id": 21232, + "token_id": 21216, "o_rev_id": 1139607026, "in": [ 1229566085 @@ -190288,7 +190076,7 @@ }, { "str": "or", - "token_id": 21233, + "token_id": 21217, "o_rev_id": 1139607026, "in": [ 1229566085 @@ -190299,7 +190087,7 @@ }, { "str": "two", - "token_id": 21234, + "token_id": 21218, "o_rev_id": 1139607026, "in": [ 1229566085 @@ -190310,14 +190098,14 @@ }, { "str": "if", - "token_id": 21235, + "token_id": 21219, "o_rev_id": 1139607026, "in": [], "out": [] }, { "str": "a", - "token_id": 21236, + "token_id": 21220, "o_rev_id": 1139607026, "in": [], "out": [ @@ -190326,35 +190114,35 @@ }, { "str": "map", - "token_id": 21237, + "token_id": 21221, "o_rev_id": 1139607026, "in": [], "out": [] }, { "str": "has", - "token_id": 21238, + "token_id": 21222, "o_rev_id": 1139607026, "in": [], "out": [] }, { "str": "two", - "token_id": 21239, + "token_id": 21223, "o_rev_id": 1139607026, "in": [], "out": [] }, { "str": "zones", - "token_id": 21240, + "token_id": 21224, "o_rev_id": 1139607026, "in": [], "out": [] }, { "str": "to", - "token_id": 21241, + "token_id": 21225, "o_rev_id": 1139607026, "in": [], "out": [ @@ -190363,7 +190151,7 @@ }, { "str": "control", - "token_id": 21242, + "token_id": 21226, "o_rev_id": 1139607026, "in": [], "out": [ @@ -190372,7 +190160,7 @@ }, { "str": ",", - "token_id": 21243, + "token_id": 21227, "o_rev_id": 1139607026, "in": [], "out": [ @@ -190381,7 +190169,7 @@ }, { "str": "a", - "token_id": 21244, + "token_id": 21228, "o_rev_id": 1139607026, "in": [], "out": [ @@ -190390,7 +190178,7 @@ }, { "str": "team", - "token_id": 21245, + "token_id": 21229, "o_rev_id": 1139607026, "in": [], "out": [ @@ -190399,14 +190187,14 @@ }, { "str": "must", - "token_id": 21246, + "token_id": 21230, "o_rev_id": 1139607026, "in": [], "out": [] }, { "str": "control", - "token_id": 21247, + "token_id": 21231, "o_rev_id": 1139607026, "in": [], "out": [ @@ -190415,7 +190203,7 @@ }, { "str": "both", - "token_id": 21248, + "token_id": 21232, "o_rev_id": 1139607026, "in": [], "out": [ @@ -190424,7 +190212,7 @@ }, { "str": "of", - "token_id": 21249, + "token_id": 21233, "o_rev_id": 1139607026, "in": [], "out": [ @@ -190433,7 +190221,7 @@ }, { "str": "them", - "token_id": 21250, + "token_id": 21234, "o_rev_id": 1139607026, "in": [], "out": [ @@ -190442,56 +190230,56 @@ }, { "str": "for", - "token_id": 21251, + "token_id": 21235, "o_rev_id": 1139607026, "in": [], "out": [] }, { "str": "the", - "token_id": 21252, + "token_id": 21236, "o_rev_id": 1139607026, "in": [], "out": [] }, { "str": "timer", - "token_id": 21253, + "token_id": 21237, "o_rev_id": 1139607026, "in": [], "out": [] }, { "str": "to", - "token_id": 21254, + "token_id": 21238, "o_rev_id": 1139607026, "in": [], "out": [] }, { "str": "count", - "token_id": 21255, + "token_id": 21239, "o_rev_id": 1139607026, "in": [], "out": [] }, { "str": "down", - "token_id": 21256, + "token_id": 21240, "o_rev_id": 1139607026, "in": [], "out": [] }, { "str": ".", - "token_id": 21257, + "token_id": 21241, "o_rev_id": 1139607026, "in": [], "out": [] }, { "str": "functions", - "token_id": 21258, + "token_id": 21242, "o_rev_id": 1139607026, "in": [], "out": [ @@ -190500,7 +190288,7 @@ }, { "str": "similarly", - "token_id": 21259, + "token_id": 21243, "o_rev_id": 1139607026, "in": [ 1229566085 @@ -190512,7 +190300,7 @@ }, { "str": "to", - "token_id": 21260, + "token_id": 21244, "o_rev_id": 1139607026, "in": [], "out": [ @@ -190521,7 +190309,7 @@ }, { "str": "[[", - "token_id": 21261, + "token_id": 21245, "o_rev_id": 1139607026, "in": [], "out": [ @@ -190530,7 +190318,7 @@ }, { "str": "king", - "token_id": 21262, + "token_id": 21246, "o_rev_id": 1139607026, "in": [], "out": [ @@ -190539,7 +190327,7 @@ }, { "str": "of", - "token_id": 21263, + "token_id": 21247, "o_rev_id": 1139607026, "in": [], "out": [ @@ -190548,7 +190336,7 @@ }, { "str": "the", - "token_id": 21264, + "token_id": 21248, "o_rev_id": 1139607026, "in": [], "out": [ @@ -190557,7 +190345,7 @@ }, { "str": "hill", - "token_id": 21265, + "token_id": 21249, "o_rev_id": 1139607026, "in": [], "out": [ @@ -190566,7 +190354,7 @@ }, { "str": "(", - "token_id": 21266, + "token_id": 21250, "o_rev_id": 1139607026, "in": [], "out": [ @@ -190575,7 +190363,7 @@ }, { "str": "game", - "token_id": 21267, + "token_id": 21251, "o_rev_id": 1139607026, "in": [], "out": [ @@ -190584,7 +190372,7 @@ }, { "str": ")", - "token_id": 21268, + "token_id": 21252, "o_rev_id": 1139607026, "in": [], "out": [ @@ -190593,7 +190381,7 @@ }, { "str": "|", - "token_id": 21269, + "token_id": 21253, "o_rev_id": 1139607026, "in": [], "out": [ @@ -190602,7 +190390,7 @@ }, { "str": "king", - "token_id": 21270, + "token_id": 21254, "o_rev_id": 1139607026, "in": [], "out": [ @@ -190611,7 +190399,7 @@ }, { "str": "of", - "token_id": 21271, + "token_id": 21255, "o_rev_id": 1139607026, "in": [], "out": [ @@ -190620,7 +190408,7 @@ }, { "str": "the", - "token_id": 21272, + "token_id": 21256, "o_rev_id": 1139607026, "in": [], "out": [ @@ -190629,7 +190417,7 @@ }, { "str": "hill", - "token_id": 21273, + "token_id": 21257, "o_rev_id": 1139607026, "in": [], "out": [ @@ -190638,7 +190426,7 @@ }, { "str": "]]", - "token_id": 21274, + "token_id": 21258, "o_rev_id": 1139607026, "in": [], "out": [ @@ -190647,7 +190435,7 @@ }, { "str": ",", - "token_id": 21275, + "token_id": 21259, "o_rev_id": 1139607026, "in": [], "out": [ @@ -190656,7 +190444,7 @@ }, { "str": "requiring", - "token_id": 21276, + "token_id": 21260, "o_rev_id": 1139607026, "in": [], "out": [ @@ -190665,35 +190453,35 @@ }, { "str": "three", - "token_id": 21277, + "token_id": 21261, "o_rev_id": 1139607640, "in": [], "out": [] }, { "str": "a", - "token_id": 21278, + "token_id": 21262, "o_rev_id": 1139608388, "in": [], "out": [] }, { "str": "zone", - "token_id": 21279, + "token_id": 21263, "o_rev_id": 1139608388, "in": [], "out": [] }, { "str": "is", - "token_id": 21280, + "token_id": 21264, "o_rev_id": 1139608388, "in": [], "out": [] }, { "str": "it", - "token_id": 21281, + "token_id": 21265, "o_rev_id": 1139608388, "in": [ 1229566085 @@ -190704,7 +190492,7 @@ }, { "str": "is", - "token_id": 21282, + "token_id": 21266, "o_rev_id": 1139608388, "in": [ 1229566085 @@ -190715,14 +190503,14 @@ }, { "str": "teams", - "token_id": 21283, + "token_id": 21267, "o_rev_id": 1139608388, "in": [], "out": [] }, { "str": ",", - "token_id": 21284, + "token_id": 21268, "o_rev_id": 1139608388, "in": [ 1229566085 @@ -190733,7 +190521,7 @@ }, { "str": "and", - "token_id": 21285, + "token_id": 21269, "o_rev_id": 1139608388, "in": [ 1229566085 @@ -190744,7 +190532,7 @@ }, { "str": "the", - "token_id": 21286, + "token_id": 21270, "o_rev_id": 1139608388, "in": [ 1229566085 @@ -190755,35 +190543,35 @@ }, { "str": "both", - "token_id": 21287, + "token_id": 21271, "o_rev_id": 1139608388, "in": [], "out": [] }, { "str": "be", - "token_id": 21288, + "token_id": 21272, "o_rev_id": 1139608388, "in": [], "out": [] }, { "str": "controlled", - "token_id": 21289, + "token_id": 21273, "o_rev_id": 1139608388, "in": [], "out": [] }, { "str": ",", - "token_id": 21290, + "token_id": 21274, "o_rev_id": 1139631288, "in": [], "out": [] }, { "str": "all", - "token_id": 21291, + "token_id": 21275, "o_rev_id": 1139631288, "in": [], "out": [ @@ -190792,14 +190580,14 @@ }, { "str": "featuring", - "token_id": 21292, + "token_id": 21276, "o_rev_id": 1139631288, "in": [], "out": [] }, { "str": "ink", - "token_id": 21293, + "token_id": 21277, "o_rev_id": 1139631288, "in": [ 1215941376 @@ -190810,7 +190598,7 @@ }, { "str": "-", - "token_id": 21294, + "token_id": 21278, "o_rev_id": 1139631288, "in": [], "out": [ @@ -190819,7 +190607,7 @@ }, { "str": "based", - "token_id": 21295, + "token_id": 21279, "o_rev_id": 1139631288, "in": [], "out": [ @@ -190828,7 +190616,7 @@ }, { "str": "combat", - "token_id": 21296, + "token_id": 21280, "o_rev_id": 1139631288, "in": [], "out": [ @@ -190837,7 +190625,7 @@ }, { "str": "first", - "token_id": 21297, + "token_id": 21281, "o_rev_id": 1139632963, "in": [ 1148919560 @@ -190848,7 +190636,7 @@ }, { "str": "revealed", - "token_id": 21298, + "token_id": 21282, "o_rev_id": 1139632963, "in": [ 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[ 1178773007 @@ -232845,7 +232550,7 @@ }, { "str": "ground", - "token_id": 26924, + "token_id": 26884, "o_rev_id": 1141451898, "in": [ 1178773007 @@ -232856,7 +232561,7 @@ }, { "str": "with", - "token_id": 26925, + "token_id": 26885, "o_rev_id": 1141451898, "in": [ 1178773007 @@ -232867,7 +232572,7 @@ }, { "str": "a", - "token_id": 26926, + "token_id": 26886, "o_rev_id": 1141451898, "in": [ 1178773007 @@ -232878,7 +232583,7 @@ }, { "str": "varying", - "token_id": 26927, + "token_id": 26887, "o_rev_id": 1141451898, "in": [ 1178773007 @@ -232889,7 +232594,7 @@ }, { "str": "amount", - "token_id": 26928, + "token_id": 26888, "o_rev_id": 1141451898, "in": [ 1178773007 @@ -232900,7 +232605,7 @@ }, { "str": "of", - "token_id": 26929, + "token_id": 26889, "o_rev_id": 1141451898, "in": [ 1178773007 @@ -232911,7 +232616,7 @@ }, { "str": "ink", - "token_id": 26930, + "token_id": 26890, "o_rev_id": 1141451898, "in": [ 1178773007 @@ -232922,7 +232627,7 @@ }, { "str": "in", - "token_id": 26931, + 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+237870,7 @@ }, { "str": "game", - "token_id": 27639, + "token_id": 27595, "o_rev_id": 1146210663, "in": [], "out": [ @@ -238243,7 +237879,7 @@ }, { "str": "squid", - "token_id": 27640, + "token_id": 27596, "o_rev_id": 1146210937, "in": [], "out": [ @@ -238252,7 +237888,7 @@ }, { "str": "game", - "token_id": 27641, + "token_id": 27597, "o_rev_id": 1146210937, "in": [], "out": [ @@ -238261,28 +237897,28 @@ }, { "str": "{{", - "token_id": 27642, + "token_id": 27598, "o_rev_id": 1147465679, "in": [], "out": [] }, { "str": "nom", - "token_id": 27643, + "token_id": 27599, "o_rev_id": 1147465679, "in": [], "out": [] }, { "str": "}}", - "token_id": 27644, + "token_id": 27600, "o_rev_id": 1147465679, "in": [], "out": [] }, { "str": "21", - "token_id": 27645, + "token_id": 27601, "o_rev_id": 1148047431, "in": [], "out": [ @@ -238291,7 +237927,7 @@ }, { "str": "july", - "token_id": 27646, + "token_id": 27602, "o_rev_id": 1148047431, "in": [], "out": [ @@ -238300,7 +237936,7 @@ }, { "str": 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"out": [ @@ -238440,7 +238076,7 @@ }, { "str": "and", - "token_id": 27663, + "token_id": 27619, "o_rev_id": 1148907167, "in": [], "out": [ @@ -238449,7 +238085,7 @@ }, { "str": "octopi", - "token_id": 27664, + "token_id": 27620, "o_rev_id": 1148907167, "in": [], "out": [ @@ -238458,7 +238094,7 @@ }, { "str": "respectively", - "token_id": 27665, + "token_id": 27621, "o_rev_id": 1148907167, "in": [], "out": [ @@ -238467,7 +238103,7 @@ }, { "str": ")", - "token_id": 27666, + "token_id": 27622, "o_rev_id": 1148907167, "in": [], "out": [ @@ -238476,7 +238112,7 @@ }, { "str": "and", - "token_id": 27667, + "token_id": 27623, "o_rev_id": 1148907648, "in": [], "out": [ @@ -238485,7 +238121,7 @@ }, { "str": "was", - "token_id": 27668, + "token_id": 27624, "o_rev_id": 1148907648, "in": [], "out": [ @@ -238494,7 +238130,7 @@ }, { "str": "the", - "token_id": 27669, + "token_id": 27625, "o_rev_id": 1148907648, "in": [], "out": [ @@ -238503,7 +238139,7 @@ }, { "str": "place", - "token_id": 27670, + 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@@ }, { "str": "also", - "token_id": 27693, + "token_id": 27649, "o_rev_id": 1148918924, "in": [], "out": [ @@ -238719,7 +238355,7 @@ }, { "str": "the", - "token_id": 27694, + "token_id": 27650, "o_rev_id": 1148918924, "in": [], "out": [ @@ -238728,7 +238364,7 @@ }, { "str": "great", - "token_id": 27695, + "token_id": 27651, "o_rev_id": 1148918924, "in": [], "out": [ @@ -238737,7 +238373,7 @@ }, { "str": "army", - "token_id": 27696, + "token_id": 27652, "o_rev_id": 1148918924, "in": [], "out": [ @@ -238746,7 +238382,7 @@ }, { "str": "the", - "token_id": 27697, + "token_id": 27653, "o_rev_id": 1148918924, "in": [], "out": [ @@ -238755,7 +238391,7 @@ }, { "str": "squid", - "token_id": 27698, + "token_id": 27654, "o_rev_id": 1148918924, "in": [], "out": [ @@ -238764,7 +238400,7 @@ }, { "str": "sisters", - "token_id": 27699, + "token_id": 27655, "o_rev_id": 1148918924, "in": [], "out": [ @@ -238773,7 +238409,7 @@ }, { "str": ".", - "token_id": 27700, + "token_id": 27656, "o_rev_id": 1148918924, "in": [], "out": [ @@ -238782,7 +238418,7 @@ }, { "str": "they", - "token_id": 27701, + "token_id": 27657, "o_rev_id": 1148918924, "in": [], "out": [ @@ -238791,7 +238427,7 @@ }, { "str": "new", - "token_id": 27702, + "token_id": 27658, "o_rev_id": 1148918924, "in": [], "out": [ @@ -238800,7 +238436,7 @@ }, { "str": "ai", - "token_id": 27703, + "token_id": 27659, "o_rev_id": 1148918924, "in": [], "out": [ @@ -238809,7 +238445,7 @@ }, { "str": "dj", - "token_id": 27704, + "token_id": 27660, "o_rev_id": 1148918924, "in": [], "out": [ @@ -238818,7 +238454,7 @@ }, { "str": "fifty", - "token_id": 27705, + "token_id": 27661, "o_rev_id": 1148936330, "in": [], "out": [ @@ -238827,28 +238463,28 @@ }, { "str": "[[", - "token_id": 27706, + "token_id": 27662, "o_rev_id": 1148983044, "in": [], "out": [] }, { "str": "splatoon", - "token_id": 27707, + "token_id": 27663, "o_rev_id": 1148983044, "in": [], "out": [] }, { "str": "2", - "token_id": 27708, + "token_id": 27664, "o_rev_id": 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}, { "str": "entire", - "token_id": 27755, + "token_id": 27711, "o_rev_id": 1149845289, "in": [], "out": [ @@ -239270,7 +238906,7 @@ }, { "str": "onion", - "token_id": 27756, + "token_id": 27712, "o_rev_id": 1149845289, "in": [], "out": [ @@ -239279,7 +238915,7 @@ }, { "str": "?", - "token_id": 27757, + "token_id": 27713, "o_rev_id": 1149845289, "in": [], "out": [ @@ -239288,7 +238924,7 @@ }, { "str": "me", - "token_id": 27758, + "token_id": 27714, "o_rev_id": 1149845289, "in": [], "out": [ @@ -239297,7 +238933,7 @@ }, { "str": "too", - "token_id": 27759, + "token_id": 27715, "o_rev_id": 1149845289, "in": [], "out": [ @@ -239306,7 +238942,7 @@ }, { "str": "and", - "token_id": 27760, + "token_id": 27716, "o_rev_id": 1149845289, "in": [], "out": [ @@ -239315,7 +238951,7 @@ }, { "str": "it", - "token_id": 27761, + "token_id": 27717, "o_rev_id": 1149845289, "in": [], "out": [ @@ -239324,7 +238960,7 @@ }, { "str": "'", - "token_id": 27762, + "token_id": 27718, "o_rev_id": 1149845289, "in": [], "out": [ @@ -239333,7 +238969,7 @@ }, { "str": "s", - "token_id": 27763, + "token_id": 27719, "o_rev_id": 1149845289, "in": [], "out": [ @@ -239342,7 +238978,7 @@ }, { "str": "so", - "token_id": 27764, + "token_id": 27720, "o_rev_id": 1149845289, "in": [], "out": [ @@ -239351,7 +238987,7 @@ }, { "str": "fun", - "token_id": 27765, + "token_id": 27721, "o_rev_id": 1149845289, "in": [], "out": [ @@ -239360,7 +238996,7 @@ }, { "str": "!", - "token_id": 27766, + "token_id": 27722, "o_rev_id": 1149845289, "in": [], "out": [ @@ -239369,7 +239005,7 @@ }, { "str": "visit", - "token_id": 27767, + "token_id": 27723, "o_rev_id": 1149845289, "in": [], "out": [ @@ -239378,7 +239014,7 @@ }, { "str": "grammarly", - "token_id": 27768, + "token_id": 27724, "o_rev_id": 1149845289, "in": [], "out": [ @@ -239387,7 +239023,7 @@ }, { "str": "to", - "token_id": 27769, + "token_id": 27725, "o_rev_id": 1149845289, "in": [], "out": [ @@ -239396,7 +239032,7 @@ }, { "str": "find", - "token_id": 27770, + 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1178773007 @@ -239816,7 +239452,7 @@ }, { "str": "sub", - "token_id": 27816, + "token_id": 27772, "o_rev_id": 1149972261, "in": [ 1178773007 @@ -239827,7 +239463,7 @@ }, { "str": "weapons", - "token_id": 27817, + "token_id": 27773, "o_rev_id": 1149972261, "in": [ 1178773007 @@ -239838,7 +239474,7 @@ }, { "str": "are", - "token_id": 27818, + "token_id": 27774, "o_rev_id": 1149972261, "in": [ 1178773007 @@ -239850,7 +239486,7 @@ }, { "str": "assigned", - "token_id": 27819, + "token_id": 27775, "o_rev_id": 1149972261, "in": [ 1178773007 @@ -239862,7 +239498,7 @@ }, { "str": "to", - "token_id": 27820, + "token_id": 27776, "o_rev_id": 1149972261, "in": [ 1178773007 @@ -239874,7 +239510,7 @@ }, { "str": "main", - "token_id": 27821, + "token_id": 27777, "o_rev_id": 1149972261, "in": [ 1178773007 @@ -239886,7 +239522,7 @@ }, { "str": "weapons", - "token_id": 27822, + "token_id": 27778, "o_rev_id": 1149972261, "in": [ 1178773007 @@ -239898,7 +239534,7 @@ }, { "str": "and", - "token_id": 27823, + "token_id": 27779, "o_rev_id": 1149972261, "in": [ 1178773007 @@ -239910,7 +239546,7 @@ }, { "str": "act", - "token_id": 27824, + "token_id": 27780, "o_rev_id": 1149972261, "in": [ 1178773007 @@ -239921,7 +239557,7 @@ }, { "str": "as", - "token_id": 27825, + "token_id": 27781, "o_rev_id": 1149972261, "in": [ 1178773007 @@ -239932,7 +239568,7 @@ }, { "str": "secondary", - "token_id": 27826, + "token_id": 27782, "o_rev_id": 1149972261, "in": [ 1178773007 @@ -239943,7 +239579,7 @@ }, { "str": "weapons", - "token_id": 27827, + "token_id": 27783, "o_rev_id": 1149972261, "in": [ 1178773007 @@ -239954,7 +239590,7 @@ }, { "str": "that", - "token_id": 27828, + "token_id": 27784, "o_rev_id": 1149972261, "in": [ 1178773007 @@ -239965,7 +239601,7 @@ }, { "str": "use", - "token_id": 27829, + "token_id": 27785, "o_rev_id": 1149972261, "in": [ 1178773007 @@ -239976,7 +239612,7 @@ }, { "str": "up", - "token_id": 27830, + "token_id": 27786, "o_rev_id": 1149972261, "in": [ 1178773007 @@ -239987,7 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"weapons", - "token_id": 27898, + "token_id": 27854, "o_rev_id": 1151297826, "in": [], "out": [ @@ -240543,7 +240179,7 @@ }, { "str": ".", - "token_id": 27899, + "token_id": 27855, "o_rev_id": 1151297826, "in": [], "out": [ @@ -240552,7 +240188,7 @@ }, { "str": "although", - "token_id": 27900, + "token_id": 27856, "o_rev_id": 1151297826, "in": [], "out": [ @@ -240561,14 +240197,14 @@ }, { "str": "criticism", - "token_id": 27901, + "token_id": 27857, "o_rev_id": 1151297826, "in": [], "out": [] }, { "str": "was", - "token_id": 27902, + "token_id": 27858, "o_rev_id": 1151297826, "in": [], "out": [ @@ -240577,7 +240213,7 @@ }, { "str": "aimed", - "token_id": 27903, + "token_id": 27859, "o_rev_id": 1151297826, "in": [], "out": [ @@ -240586,7 +240222,7 @@ }, { "str": "at", - "token_id": 27904, + "token_id": 27860, "o_rev_id": 1151297826, "in": [], "out": [ @@ -240595,7 +240231,7 @@ }, { "str": "constant", - "token_id": 27905, + "token_id": 27861, "o_rev_id": 1151297826, "in": [], "out": [ @@ 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[], "out": [ @@ -244148,7 +243810,7 @@ }, { "str": "friend", - "token_id": 28301, + "token_id": 28260, "o_rev_id": 1154926047, "in": [], "out": [ @@ -244157,7 +243819,7 @@ }, { "str": "deep", - "token_id": 28302, + "token_id": 28261, "o_rev_id": 1154926047, "in": [], "out": [ @@ -244166,7 +243828,7 @@ }, { "str": "cut", - "token_id": 28303, + "token_id": 28262, "o_rev_id": 1154926047, "in": [], "out": [ @@ -244175,7 +243837,7 @@ }, { "str": ")", - "token_id": 28304, + "token_id": 28263, "o_rev_id": 1154926047, "in": [], "out": [ @@ -244184,7 +243846,7 @@ }, { "str": "sing", - "token_id": 28305, + "token_id": 28264, "o_rev_id": 1154926047, "in": [], "out": [ @@ -244193,7 +243855,7 @@ }, { "str": "calamari", - "token_id": 28306, + "token_id": 28265, "o_rev_id": 1154926047, "in": [], "out": [ @@ -244202,7 +243864,7 @@ }, { "str": "inkantation", - "token_id": 28307, + "token_id": 28266, "o_rev_id": 1154926047, "in": [], "out": [ @@ -244211,7 +243873,7 @@ }, { "str": "remix", - "token_id": 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"turntable", - "token_id": 28331, + "token_id": 28290, "o_rev_id": 1154926047, "in": [], "out": [ @@ -244427,7 +244089,7 @@ }, { "str": "death", - "token_id": 28332, + "token_id": 28291, "o_rev_id": 1154926047, "in": [], "out": [ @@ -244436,7 +244098,7 @@ }, { "str": "machine", - "token_id": 28333, + "token_id": 28292, "o_rev_id": 1154926047, "in": [], "out": [ @@ -244445,7 +244107,7 @@ }, { "str": ",", - "token_id": 28334, + "token_id": 28293, "o_rev_id": 1154926047, "in": [], "out": [ @@ -244454,7 +244116,7 @@ }, { "str": "which", - "token_id": 28335, + "token_id": 28294, "o_rev_id": 1154926047, "in": [], "out": [ @@ -244463,7 +244125,7 @@ }, { "str": "results", - "token_id": 28336, + "token_id": 28295, "o_rev_id": 1154926047, "in": [], "out": [ @@ -244472,7 +244134,7 @@ }, { "str": "in", - "token_id": 28337, + "token_id": 28296, "o_rev_id": 1154926047, "in": [], "out": [ @@ -244481,7 +244143,7 @@ }, { "str": "defeat", - "token_id": 28338, + "token_id": 28297, "o_rev_id": 1154926047, 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}, { "str": "order", - "token_id": 28354, + "token_id": 28313, "o_rev_id": 1154926047, "in": [], "out": [ @@ -244634,7 +244296,7 @@ }, { "str": "\"", - "token_id": 28355, + "token_id": 28314, "o_rev_id": 1154926047, "in": [], "out": [ @@ -244643,7 +244305,7 @@ }, { "str": ".", - "token_id": 28356, + "token_id": 28315, "o_rev_id": 1154926047, "in": [], "out": [ @@ -244652,7 +244314,7 @@ }, { "str": "it", - "token_id": 28357, + "token_id": 28316, "o_rev_id": 1154926047, "in": [], "out": [ @@ -244661,7 +244323,7 @@ }, { "str": "is", - "token_id": 28358, + "token_id": 28317, "o_rev_id": 1154926047, "in": [], "out": [ @@ -244670,7 +244332,7 @@ }, { "str": "exepected", - "token_id": 28359, + "token_id": 28318, "o_rev_id": 1154926047, "in": [], "out": [ @@ -244679,7 +244341,7 @@ }, { "str": "to", - "token_id": 28360, + "token_id": 28319, "o_rev_id": 1154926047, "in": [], "out": [ @@ -244688,7 +244350,7 @@ }, { "str": "be", - "token_id": 28361, + "token_id": 28320, "o_rev_id": 1154926047, 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1158765539, "in": [], "out": [ @@ -244834,7 +244496,7 @@ }, { "str": "shark", - "token_id": 28379, + "token_id": 28338, "o_rev_id": 1158765539, "in": [], "out": [ @@ -244843,7 +244505,7 @@ }, { "str": "as", - "token_id": 28380, + "token_id": 28339, "o_rev_id": 1159557947, "in": [ 1178773007 @@ -244854,7 +244516,7 @@ }, { "str": "ammunition", - "token_id": 28381, + "token_id": 28340, "o_rev_id": 1159557947, "in": [ 1178773007 @@ -244865,7 +244527,7 @@ }, { "str": "theatrical", - "token_id": 28382, + "token_id": 28341, "o_rev_id": 1161644843, "in": [ 1190838000 @@ -244877,7 +244539,7 @@ }, { "str": "release", - "token_id": 28383, + "token_id": 28342, "o_rev_id": 1161644843, "in": [ 1190838000 @@ -244889,7 +244551,7 @@ }, { "str": "poster", - "token_id": 28384, + "token_id": 28343, "o_rev_id": 1161644843, "in": [ 1190838000 @@ -244901,7 +244563,7 @@ }, { "str": "lite", - "token_id": 28385, + "token_id": 28344, "o_rev_id": 1161644894, "in": [], "out": [ @@ -244910,7 +244572,7 @@ }, { "str": "lite", - "token_id": 28386, + "token_id": 28345, "o_rev_id": 1161644939, "in": [], "out": [ @@ -244919,91 +244581,91 @@ }, { "str": ",", - "token_id": 28387, + "token_id": 28346, "o_rev_id": 1164865603, "in": [], "out": [] }, { "str": "and", - "token_id": 28388, + "token_id": 28347, "o_rev_id": 1164865603, "in": [], "out": [] }, { "str": "gameplay", - "token_id": 28389, + "token_id": 28348, "o_rev_id": 1164865603, "in": [], "out": [] }, { "str": "mechanics", - "token_id": 28390, + "token_id": 28349, "o_rev_id": 1164865603, "in": [], "out": [] }, { "str": "[[", - "token_id": 28391, + "token_id": 28350, "o_rev_id": 1167118245, "in": [], "out": [] }, { "str": "with", - "token_id": 28392, + "token_id": 28351, "o_rev_id": 1167118245, "in": [], "out": [] }, { "str": "gender", - "token_id": 28393, + "token_id": 28352, "o_rev_id": 1167118245, "in": [], "out": [] }, { "str": "-", - "token_id": 28394, + "token_id": 28353, "o_rev_id": 1167118245, "in": [], "out": [] }, { "str": 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1168063147, "in": [], "out": [ @@ -245048,7 +244710,7 @@ }, { "str": "robot", - "token_id": 28404, + "token_id": 28363, "o_rev_id": 1168063147, "in": [], "out": [ @@ -245057,7 +244719,7 @@ }, { "str": "]", - "token_id": 28405, + "token_id": 28364, "o_rev_id": 1168063147, "in": [], "out": [ @@ -245066,7 +244728,7 @@ }, { "str": "'", - "token_id": 28406, + "token_id": 28365, "o_rev_id": 1168063147, "in": [], "out": [ @@ -245075,7 +244737,7 @@ }, { "str": "*", - "token_id": 28407, + "token_id": 28366, "o_rev_id": 1168063147, "in": [], "out": [ @@ -245084,7 +244746,7 @@ }, { "str": "[[", - "token_id": 28408, + "token_id": 28367, "o_rev_id": 1168063147, "in": [], "out": [ @@ -245093,7 +244755,7 @@ }, { "str": "becca", - "token_id": 28409, + "token_id": 28368, "o_rev_id": 1168063147, "in": [], "out": [ @@ -245102,7 +244764,7 @@ }, { "str": "'", - "token_id": 28410, + "token_id": 28369, "o_rev_id": 1168063147, "in": [], "out": [ @@ -245111,7 +244773,7 @@ }, { "str": "s", - "token_id": 28411, + "token_id": 28370, "o_rev_id": 1168063147, "in": [], "out": [ @@ -245120,7 +244782,7 @@ }, { "str": "bunch", - "token_id": 28412, + "token_id": 28371, "o_rev_id": 1168063147, "in": [], "out": [ @@ -245129,7 +244791,7 @@ }, { "str": "]]", - "token_id": 28413, + "token_id": 28372, "o_rev_id": 1168063147, "in": [], "out": [ @@ -245138,7 +244800,7 @@ }, { "str": "'", - "token_id": 28414, + "token_id": 28373, "o_rev_id": 1168063147, "in": [], "out": [ @@ -245147,7 +244809,7 @@ }, { "str": "august", - "token_id": 28415, + "token_id": 28374, "o_rev_id": 1168453704, "in": [ 1202097960 @@ -245159,14 +244821,25 @@ }, { "str": "october", - "token_id": 28416, + "token_id": 28375, "o_rev_id": 1168453704, "in": [], "out": [] }, + { + "str": "september", + "token_id": 28376, + "o_rev_id": 1168453704, + "in": [ + 1180622889 + ], + "out": [ + 1180622793 + ] + }, { "str": "january", - "token_id": 28417, + "token_id": 28377, "o_rev_id": 1168453704, "in": [], "out": [ @@ -245175,7 +244848,7 @@ }, { "str": "september", - "token_id": 28418, + "token_id": 28378, "o_rev_id": 1168453704, "in": [ 1178773007 @@ -245186,7 +244859,7 @@ }, { "str": "september", - "token_id": 28419, + "token_id": 28379, "o_rev_id": 1168453704, "in": [ 1178773007 @@ -245197,7 +244870,7 @@ }, { "str": "may", - "token_id": 28420, + "token_id": 28380, "o_rev_id": 1168453704, "in": [ 1178773007 @@ -245206,22 +244879,9 @@ 1178772974 ] }, - { - "str": "-", - "token_id": 28421, - "o_rev_id": 1168453704, - "in": [ - 1178773007, - 1202097960 - ], - "out": [ - 1178772974, - 1202071552 - ] - }, { "str": "2", - "token_id": 28422, + "token_id": 28381, "o_rev_id": 1168453704, "in": [ 1178773007 @@ -245232,7 +244892,7 @@ }, { "str": "may", - "token_id": 28423, + "token_id": 28382, "o_rev_id": 1168453704, "in": [ 1178773007 @@ -245243,7 +244903,7 @@ }, { "str": "september", - "token_id": 28424, + "token_id": 28383, "o_rev_id": 1168453704, "in": [ 1202097960 @@ -245254,172 +244914,158 @@ }, { "str": "1", - "token_id": 28425, + "token_id": 28384, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "september", - "token_id": 28426, + "token_id": 28385, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "september", - "token_id": 28427, + "token_id": 28386, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "2", - "token_id": 28428, + "token_id": 28387, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "september", - "token_id": 28429, + "token_id": 28388, "o_rev_id": 1168453704, "in": [], "out": [] }, { - "str": "-", - "token_id": 28430, + "str": "october", + "token_id": 28389, "o_rev_id": 1168453704, - "in": [], - "out": [] + "in": [ + 1202097960 + ], + "out": [ + 1202071552 + ] }, { "str": "october", - "token_id": 28431, + "token_id": 28390, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "9", - "token_id": 28432, + "token_id": 28391, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "september", - "token_id": 28433, + "token_id": 28392, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "october", - "token_id": 28434, + "token_id": 28393, "o_rev_id": 1168453704, "in": [], "out": [] }, - { - "str": "-", - "token_id": 28435, - "o_rev_id": 1168453704, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] - }, { "str": "6", - "token_id": 28436, - "o_rev_id": 1168453704, - "in": [], - "out": [] - }, - { - "str": "january", - "token_id": 28437, + "token_id": 28394, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "august", - "token_id": 28438, + "token_id": 28395, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "6", - "token_id": 28439, + "token_id": 28396, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "january", - "token_id": 28440, + "token_id": 28397, "o_rev_id": 1168453704, "in": [], "out": [] }, { - "str": "2023", - "token_id": 28441, + "str": "january", + "token_id": 28398, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "august", - "token_id": 28442, + "token_id": 28399, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "9", - "token_id": 28443, + "token_id": 28400, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "9", - "token_id": 28444, + "token_id": 28401, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "9", - "token_id": 28445, + "token_id": 28402, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "february", - "token_id": 28446, + "token_id": 28403, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "september", - "token_id": 28447, + "token_id": 28404, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "february", - "token_id": 28448, + "token_id": 28405, "o_rev_id": 1168453704, "in": [], "out": [ @@ -245428,7 +245074,7 @@ }, { "str": "-", - "token_id": 28449, + "token_id": 28406, "o_rev_id": 1168453704, "in": [], "out": [ @@ -245437,7 +245083,7 @@ }, { "str": "february", - "token_id": 28450, + "token_id": 28407, "o_rev_id": 1168453704, "in": [], "out": [ @@ -245446,7 +245092,7 @@ }, { "str": "2023", - "token_id": 28451, + "token_id": 28408, "o_rev_id": 1168453704, "in": [], "out": [ @@ -245455,7 +245101,7 @@ }, { "str": "-", - "token_id": 28452, + "token_id": 28409, "o_rev_id": 1168453704, "in": [], "out": [ @@ -245464,7 +245110,7 @@ }, { "str": "9", - "token_id": 28453, + "token_id": 28410, "o_rev_id": 1168453704, "in": [ 1179974250 @@ -245475,7 +245121,7 @@ }, { "str": "february", - "token_id": 28454, + "token_id": 28411, "o_rev_id": 1168453704, "in": [ 1179974250 @@ -245486,7 +245132,7 @@ }, { "str": "october", - "token_id": 28455, + "token_id": 28412, "o_rev_id": 1168453704, "in": [ 1202097960 @@ -245497,246 +245143,217 @@ }, { "str": "september", - "token_id": 28456, + "token_id": 28413, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "october", - "token_id": 28457, + "token_id": 28414, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "october", - "token_id": 28458, + "token_id": 28415, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "september", - "token_id": 28459, + "token_id": 28416, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "october", - "token_id": 28460, + "token_id": 28417, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "2", - "token_id": 28461, + "token_id": 28418, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "september", - "token_id": 28462, + "token_id": 28419, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "9", - "token_id": 28463, + "token_id": 28420, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "october", - "token_id": 28464, + "token_id": 28421, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "august", - "token_id": 28465, + "token_id": 28422, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "october", - "token_id": 28466, + "token_id": 28423, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "9", - "token_id": 28467, + "token_id": 28424, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "september", - "token_id": 28468, + "token_id": 28425, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "october", - "token_id": 28469, + "token_id": 28426, "o_rev_id": 1168453704, "in": [], "out": [] }, - { - "str": "-", - "token_id": 28470, - "o_rev_id": 1168453704, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] - }, { "str": "october", - "token_id": 28471, + "token_id": 28427, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "august", - "token_id": 28472, - "o_rev_id": 1168453704, - "in": [], - "out": [] - }, - { - "str": "-", - "token_id": 28473, + "token_id": 28428, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "6", - "token_id": 28474, + "token_id": 28429, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "january", - "token_id": 28475, + "token_id": 28430, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "february", - "token_id": 28476, + "token_id": 28431, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "october", - "token_id": 28477, + "token_id": 28432, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": 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"august", - "token_id": 28532, + "str": "april", + "token_id": 28476, "o_rev_id": 1168453704, "in": [ 1202097960 ], "out": [ - 1202071552, - 1294910906 + 1202071552 ] }, { - "str": "april", - "token_id": 28533, + "str": "-", + "token_id": 28477, "o_rev_id": 1168453704, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] + "in": [], + "out": [] }, { "str": "october", - "token_id": 28534, + "token_id": 28478, + "o_rev_id": 1168453704, + "in": [], + "out": [] + }, + { + "str": "october", + "token_id": 28479, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "6", - "token_id": 28535, + "token_id": 28480, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "july", - "token_id": 28536, + "token_id": 28481, + "o_rev_id": 1168453704, + "in": [ + 1202097960 + ], + "out": [ + 1202071552 + ] + }, + { + "str": "9", + "token_id": 28482, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "august", - "token_id": 28537, + "token_id": 28483, "o_rev_id": 1168453704, "in": [], "out": [] }, { - "str": "october", - "token_id": 28538, + "str": "august", + "token_id": 28484, "o_rev_id": 1168453704, "in": [], "out": [] }, { - "str": "august", - "token_id": 28539, + "str": "october", + "token_id": 28485, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "august", - "token_id": 28540, + "token_id": 28486, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "august", - "token_id": 28541, + "token_id": 28487, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "august", - "token_id": 28542, + "token_id": 28488, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "august", - "token_id": 28543, + "token_id": 28489, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "october", - "token_id": 28544, + "token_id": 28490, "o_rev_id": 1168453704, "in": [ 1202097960 @@ -246155,7 +245711,7 @@ }, { "str": "october", - "token_id": 28545, + "token_id": 28491, "o_rev_id": 1168453704, "in": [ 1202097960 @@ -246166,168 +245722,151 @@ }, { "str": "1", - "token_id": 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"token_id": 28572, + "str": "september", + "token_id": 28514, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "september", - "token_id": 28573, + "token_id": 28515, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "november", - "token_id": 28574, + "token_id": 28516, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "february", - "token_id": 28575, + "token_id": 28517, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "-", - "token_id": 28576, + "token_id": 28518, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "november", - "token_id": 28577, + "token_id": 28519, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "september", - "token_id": 28578, + "token_id": 28520, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "september", - "token_id": 28579, + "token_id": 28521, "o_rev_id": 1168453704, "in": [], "out": [] }, - { - "str": "-", - "token_id": 28580, - "o_rev_id": 1168453704, - "in": [ - 1202097960 - ], - "out": [ - 1202071552 - ] - }, { "str": "september", - "token_id": 28581, + "token_id": 28522, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "september", - "token_id": 28582, - "o_rev_id": 1168453704, - "in": [], - "out": [] - }, - { - "str": "-", - "token_id": 28583, + "token_id": 28523, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "september", - "token_id": 28584, - "o_rev_id": 1168453704, - "in": [], - "out": [] - }, - { - "str": "-", - "token_id": 28585, + "token_id": 28524, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "september", - "token_id": 28586, + "token_id": 28525, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "september", - "token_id": 28587, + "token_id": 28526, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "september", - "token_id": 28588, + "token_id": 28527, "o_rev_id": 1168453704, "in": [], "out": [] }, { "str": "september", - "token_id": 28589, - "o_rev_id": 1168453704, - "in": [], - "out": [] - }, - { - "str": "-", - "token_id": 28590, + 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"out": [ @@ -246689,7 +246176,7 @@ }, { "str": "inkling", - "token_id": 28617, + "token_id": 28554, "o_rev_id": 1173805464, "in": [], "out": [ @@ -246698,7 +246185,7 @@ }, { "str": "dab", - "token_id": 28618, + "token_id": 28555, "o_rev_id": 1173805464, "in": [], "out": [ @@ -246707,35 +246194,35 @@ }, { "str": "mode", - "token_id": 28619, + "token_id": 28556, "o_rev_id": 1175444090, "in": [], "out": [] }, { "str": "be", - "token_id": 28620, + "token_id": 28557, "o_rev_id": 1175444090, "in": [], "out": [] }, { "str": "played", - "token_id": 28621, + "token_id": 28558, "o_rev_id": 1175444090, "in": [], "out": [] }, { "str": "during", - "token_id": 28622, + "token_id": 28559, "o_rev_id": 1175444090, "in": [], "out": [] }, { "str": "defends", - "token_id": 28623, + "token_id": 28560, "o_rev_id": 1175444090, "in": [ 1229566085 @@ -246746,7 +246233,7 @@ }, { "str": "an", - "token_id": 28624, + "token_id": 28561, "o_rev_id": 1175444090, "in": [ 1229566085 @@ -246757,49 +246244,49 @@ }, { 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}, { "str": "brendan", - "token_id": 28659, + "token_id": 28596, "o_rev_id": 1175444090, "in": [], "out": [ @@ -247038,7 +246525,7 @@ }, { "str": "|", - "token_id": 28660, + "token_id": 28597, "o_rev_id": 1175444090, "in": [], "out": [ @@ -247047,7 +246534,7 @@ }, { "str": "last3", - "token_id": 28661, + "token_id": 28598, "o_rev_id": 1175444090, "in": [], "out": [ @@ -247056,7 +246543,7 @@ }, { "str": "=", - "token_id": 28662, + "token_id": 28599, "o_rev_id": 1175444090, "in": [], "out": [ @@ -247065,7 +246552,7 @@ }, { "str": "cotten", - "token_id": 28663, + "token_id": 28600, "o_rev_id": 1175444090, "in": [], "out": [ @@ -247074,7 +246561,7 @@ }, { "str": "|", - "token_id": 28664, + "token_id": 28601, "o_rev_id": 1175444090, "in": [], "out": [ @@ -247083,7 +246570,7 @@ }, { "str": "first3", - "token_id": 28665, + "token_id": 28602, "o_rev_id": 1175444090, "in": [], "out": [ @@ -247092,7 +246579,7 @@ }, { "str": "=", - "token_id": 28666, + "token_id": 28603, "o_rev_id": 1175444090, 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+ "token_id": 28636, "o_rev_id": 1175444090, "in": [], "out": [] }, { "str": "/", - "token_id": 28700, + "token_id": 28637, "o_rev_id": 1175444090, "in": [], "out": [] }, { "str": "www", - "token_id": 28701, + "token_id": 28638, "o_rev_id": 1175444090, "in": [], "out": [ @@ -247392,7 +246879,7 @@ }, { "str": ".", - "token_id": 28702, + "token_id": 28639, "o_rev_id": 1175444090, "in": [], "out": [ @@ -247401,7 +246888,7 @@ }, { "str": "ign", - "token_id": 28703, + "token_id": 28640, "o_rev_id": 1175444090, "in": [], "out": [ @@ -247410,21 +246897,21 @@ }, { "str": ".", - "token_id": 28704, + "token_id": 28641, "o_rev_id": 1175444090, "in": [], "out": [] }, { "str": "com", - "token_id": 28705, + "token_id": 28642, "o_rev_id": 1175444090, "in": [], "out": [] }, { "str": "/", - "token_id": 28706, + "token_id": 28643, "o_rev_id": 1175444090, "in": [], "out": [ @@ -247433,7 +246920,7 @@ }, { "str": "wikis", - "token_id": 28707, + "token_id": 28644, "o_rev_id": 1175444090, "in": [], "out": [ @@ -247442,42 +246929,42 @@ }, { "str": "/", - "token_id": 28708, + "token_id": 28645, "o_rev_id": 1175444090, "in": [], "out": [] }, { "str": "splatoon", - "token_id": 28709, + "token_id": 28646, "o_rev_id": 1175444090, "in": [], "out": [] }, { "str": "-", - "token_id": 28710, + "token_id": 28647, "o_rev_id": 1175444090, "in": [], "out": [] }, { "str": "3", - "token_id": 28711, + "token_id": 28648, "o_rev_id": 1175444090, "in": [], "out": [] }, { "str": "/", - "token_id": 28712, + "token_id": 28649, "o_rev_id": 1175444090, "in": [], "out": [] }, { "str": "splatoon", - "token_id": 28713, + "token_id": 28650, "o_rev_id": 1175444090, "in": [], "out": [ @@ -247486,7 +246973,7 @@ }, { "str": "_", - "token_id": 28714, + "token_id": 28651, "o_rev_id": 1175444090, "in": [], "out": [ @@ -247495,7 +246982,7 @@ }, { "str": "3", - "token_id": 28715, + "token_id": 28652, "o_rev_id": 1175444090, "in": [], "out": [ @@ -247504,7 +246991,7 @@ }, { "str": "_", - "token_id": 28716, + "token_id": 28653, 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"=", - "token_id": 28732, + "token_id": 28669, "o_rev_id": 1175444090, "in": [], "out": [ @@ -247655,7 +247142,7 @@ }, { "str": "2023", - "token_id": 28733, + "token_id": 28670, "o_rev_id": 1175444090, "in": [], "out": [ @@ -247664,7 +247151,7 @@ }, { "str": "-", - "token_id": 28734, + "token_id": 28671, "o_rev_id": 1175444090, "in": [], "out": [ @@ -247673,7 +247160,7 @@ }, { "str": "09", - "token_id": 28735, + "token_id": 28672, "o_rev_id": 1175444090, "in": [], "out": [ @@ -247682,7 +247169,7 @@ }, { "str": "-", - "token_id": 28736, + "token_id": 28673, "o_rev_id": 1175444090, "in": [], "out": [ @@ -247691,7 +247178,7 @@ }, { "str": "15", - "token_id": 28737, + "token_id": 28674, "o_rev_id": 1175444090, "in": [], "out": [ @@ -247700,7 +247187,7 @@ }, { "str": "|", - "token_id": 28738, + "token_id": 28675, "o_rev_id": 1175444090, "in": [], "out": [ @@ -247709,7 +247196,7 @@ }, { "str": "website", - "token_id": 28739, + "token_id": 28676, "o_rev_id": 1175444090, "in": [], "out": [ @@ 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"|", - "token_id": 29054, + "token_id": 28991, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250155,7 +249642,7 @@ }, { "str": "url", - "token_id": 29055, + "token_id": 28992, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250164,7 +249651,7 @@ }, { "str": "=", - "token_id": 29056, + "token_id": 28993, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250173,7 +249660,7 @@ }, { "str": "https", - "token_id": 29057, + "token_id": 28994, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250182,7 +249669,7 @@ }, { "str": ":", - "token_id": 29058, + "token_id": 28995, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250191,7 +249678,7 @@ }, { "str": "/", - "token_id": 29059, + "token_id": 28996, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250200,7 +249687,7 @@ }, { "str": "www", - "token_id": 29060, + "token_id": 28997, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250209,7 +249696,7 @@ }, { "str": ".", - "token_id": 29061, + "token_id": 28998, "o_rev_id": 1179969817, "in": [], "out": [ @@ 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1179969817, "in": [], "out": [ @@ -250497,7 +249984,7 @@ }, { "str": "|", - "token_id": 29093, + "token_id": 29030, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250506,7 +249993,7 @@ }, { "str": "access", - "token_id": 29094, + "token_id": 29031, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250515,7 +250002,7 @@ }, { "str": "-", - "token_id": 29095, + "token_id": 29032, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250524,7 +250011,7 @@ }, { "str": "date", - "token_id": 29096, + "token_id": 29033, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250533,7 +250020,7 @@ }, { "str": "=", - "token_id": 29097, + "token_id": 29034, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250542,7 +250029,7 @@ }, { "str": "11", - "token_id": 29098, + "token_id": 29035, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250551,7 +250038,7 @@ }, { "str": "october", - "token_id": 29099, + "token_id": 29036, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250560,7 +250047,7 @@ }, { "str": "2022", - "token_id": 29100, + "token_id": 29037, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250569,7 +250056,7 @@ }, { "str": "|", - "token_id": 29101, + "token_id": 29038, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250578,7 +250065,7 @@ }, { "str": "website", - "token_id": 29102, + "token_id": 29039, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250587,7 +250074,7 @@ }, { "str": "=", - "token_id": 29103, + "token_id": 29040, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250596,7 +250083,7 @@ }, { "str": "nintendo", - "token_id": 29104, + "token_id": 29041, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250605,7 +250092,7 @@ }, { "str": "life", - "token_id": 29105, + "token_id": 29042, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250614,7 +250101,7 @@ }, { "str": "|", - "token_id": 29106, + "token_id": 29043, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250623,7 +250110,7 @@ }, { "str": "language", - "token_id": 29107, + "token_id": 29044, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250632,7 +250119,7 @@ }, { "str": "=", - "token_id": 29108, + "token_id": 29045, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250641,7 +250128,7 @@ }, { "str": "en", - "token_id": 29109, + "token_id": 29046, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250650,7 +250137,7 @@ }, { "str": "-", - "token_id": 29110, + "token_id": 29047, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250659,7 +250146,7 @@ }, { "str": "gb", - "token_id": 29111, + "token_id": 29048, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250668,7 +250155,7 @@ }, { "str": "|", - "token_id": 29112, + "token_id": 29049, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250677,7 +250164,7 @@ }, { "str": "archive", - "token_id": 29113, + "token_id": 29050, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250686,7 +250173,7 @@ }, { "str": "-", - "token_id": 29114, + "token_id": 29051, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250695,7 +250182,7 @@ }, { "str": "date", - "token_id": 29115, + "token_id": 29052, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250704,7 +250191,7 @@ }, { "str": "=", - "token_id": 29116, + "token_id": 29053, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250713,7 +250200,7 @@ }, { "str": "11", - "token_id": 29117, + "token_id": 29054, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250722,7 +250209,7 @@ }, { "str": "october", - "token_id": 29118, + "token_id": 29055, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250731,7 +250218,7 @@ }, { "str": "2022", - "token_id": 29119, + "token_id": 29056, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250740,7 +250227,7 @@ }, { "str": "|", - "token_id": 29120, + "token_id": 29057, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250749,7 +250236,7 @@ }, { "str": "archive", - "token_id": 29121, + "token_id": 29058, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250758,7 +250245,7 @@ }, { "str": "-", - "token_id": 29122, + "token_id": 29059, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250767,7 +250254,7 @@ }, { "str": "url", - "token_id": 29123, + "token_id": 29060, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250776,7 +250263,7 @@ }, { "str": "=", - "token_id": 29124, + "token_id": 29061, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250785,7 +250272,7 @@ }, { "str": "https", - "token_id": 29125, + "token_id": 29062, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250794,7 +250281,7 @@ }, { "str": ":", - "token_id": 29126, + "token_id": 29063, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250803,7 +250290,7 @@ }, { "str": "/", - "token_id": 29127, + "token_id": 29064, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250812,7 +250299,7 @@ }, { "str": "/", - "token_id": 29128, + "token_id": 29065, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250821,7 +250308,7 @@ }, { "str": "web", - "token_id": 29129, + "token_id": 29066, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250830,7 +250317,7 @@ }, { "str": ".", - "token_id": 29130, + "token_id": 29067, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250839,7 +250326,7 @@ }, { "str": "archive", - "token_id": 29131, + "token_id": 29068, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250848,7 +250335,7 @@ }, { "str": ".", - "token_id": 29132, + "token_id": 29069, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250857,7 +250344,7 @@ }, { "str": "org", - "token_id": 29133, + "token_id": 29070, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250866,7 +250353,7 @@ }, { "str": "/", - "token_id": 29134, + "token_id": 29071, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250875,7 +250362,7 @@ }, { "str": "web", - "token_id": 29135, + "token_id": 29072, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250884,7 +250371,7 @@ }, { "str": "/", - "token_id": 29136, + "token_id": 29073, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250893,7 +250380,7 @@ }, { "str": "20221011191559", - "token_id": 29137, + "token_id": 29074, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250902,7 +250389,7 @@ }, { "str": "/", - "token_id": 29138, + "token_id": 29075, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250911,7 +250398,7 @@ }, { "str": "https", - "token_id": 29139, + "token_id": 29076, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250920,7 +250407,7 @@ }, { "str": ":", - "token_id": 29140, + "token_id": 29077, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250929,7 +250416,7 @@ }, { "str": "/", - "token_id": 29141, + "token_id": 29078, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250938,7 +250425,7 @@ }, { "str": "/", - "token_id": 29142, + "token_id": 29079, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250947,7 +250434,7 @@ }, { "str": "www", - "token_id": 29143, + "token_id": 29080, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250956,7 +250443,7 @@ }, { "str": ".", - "token_id": 29144, + "token_id": 29081, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250965,7 +250452,7 @@ }, { "str": "nintendolife", - "token_id": 29145, + "token_id": 29082, "o_rev_id": 1179969817, "in": [], "out": [ @@ -250974,7 +250461,7 @@ }, { "str": ".", - 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"token_id": 29387, "o_rev_id": 1202071552, "in": [], @@ -253129,7 +253183,7 @@ ] }, { - "str": "-", + "str": "october", "token_id": 29388, "o_rev_id": 1202071552, "in": [], @@ -253147,7 +253201,7 @@ ] }, { - "str": ",", + "str": "in", "token_id": 29390, "o_rev_id": 1202071552, "in": [], @@ -253156,7 +253210,7 @@ ] }, { - "str": "|", + "str": "a", "token_id": 29391, "o_rev_id": 1202071552, "in": [], @@ -253165,7 +253219,7 @@ ] }, { - "str": "=", + "str": "nintendo", "token_id": 29392, "o_rev_id": 1202071552, "in": [], @@ -253174,7 +253228,7 @@ ] }, { - "str": ",", + "str": "'", "token_id": 29393, "o_rev_id": 1202071552, "in": [], @@ -253183,7 +253237,7 @@ ] }, { - "str": ",", + "str": "'", "token_id": 29394, "o_rev_id": 1202071552, "in": [], @@ -253192,7 +253246,7 @@ ] }, { - "str": "|", + "str": "splatoon", "token_id": 29395, "o_rev_id": 1202071552, "in": [], @@ -253201,7 +253255,7 @@ ] }, { - "str": "=", + "str": "3", "token_id": 29396, "o_rev_id": 1202071552, "in": [], @@ -253210,7 +253264,7 @@ ] }, { - "str": ",", + "str": "direct", "token_id": 29397, "o_rev_id": 1202071552, "in": [], @@ -253246,7 +253300,7 @@ ] }, { - "str": "|", + "str": "2023", "token_id": 29401, "o_rev_id": 1202071552, "in": [], @@ -253255,7 +253309,7 @@ ] }, { - "str": "=", + "str": "|", "token_id": 29402, "o_rev_id": 1202071552, "in": [], @@ -253264,7 +253318,7 @@ ] }, { - "str": ",", + "str": "language", "token_id": 29403, "o_rev_id": 1202071552, "in": [], @@ -253273,7 +253327,7 @@ ] }, { - "str": ",", + "str": "=", "token_id": 29404, "o_rev_id": 1202071552, "in": [], @@ -253282,7 +253336,7 @@ ] }, { - "str": "-", + "str": "en", "token_id": 29405, "o_rev_id": 1202071552, "in": [], @@ -253291,7 +253345,7 @@ ] }, { - "str": ",", + "str": "-", "token_id": 29406, "o_rev_id": 1202071552, "in": [], @@ -253300,7 +253354,7 @@ ] }, { - "str": "-", + "str": "gb", "token_id": 29407, "o_rev_id": 1202071552, "in": [], @@ -253309,7 +253363,7 @@ ] }, { - "str": "splatoon", + "str": "date", "token_id": 29408, "o_rev_id": 1202071552, "in": [], @@ -253318,7 +253372,7 @@ ] }, { - "str": "3", + "str": ",", "token_id": 29409, "o_rev_id": 1202071552, "in": [], @@ -253327,7 +253381,7 @@ ] }, { - "str": "nintendo", + "str": "url", "token_id": 29410, "o_rev_id": 1202071552, "in": [], @@ -253336,7 +253390,7 @@ ] }, { - "str": ",", + "str": "<", "token_id": 29411, "o_rev_id": 1202071552, "in": [], @@ -253345,7 +253399,7 @@ ] }, { - "str": "'", + "str": "ref", "token_id": 29412, "o_rev_id": 1202071552, "in": [], @@ -253354,7 +253408,7 @@ ] }, { - "str": ",", + "str": ">", "token_id": 29413, "o_rev_id": 1202071552, "in": [], @@ -253363,7 +253417,7 @@ ] }, { - "str": ",", + "str": "cite", "token_id": 29414, "o_rev_id": 1202071552, "in": [], @@ -253390,7 +253444,7 @@ ] }, { - "str": "s", + "str": "2023", "token_id": 29417, "o_rev_id": 1202071552, "in": [], @@ -253399,7 +253453,7 @@ ] }, { - "str": ",", + "str": "|", "token_id": 29418, "o_rev_id": 1202071552, "in": [], @@ -253408,7 +253462,7 @@ ] }, { - "str": ",", + "str": "website", "token_id": 29419, "o_rev_id": 1202071552, "in": [], @@ -253417,7 +253471,7 @@ ] }, { - "str": ",", + "str": "=", "token_id": 29420, "o_rev_id": 1202071552, "in": [], @@ -253426,7 +253480,7 @@ ] }, { - "str": ",", + "str": "language", "token_id": 29421, "o_rev_id": 1202071552, "in": [], @@ -253435,7 +253489,7 @@ ] }, { - "str": ",", + "str": "en", "token_id": 29422, "o_rev_id": 1202071552, "in": [], @@ -253444,7 +253498,7 @@ ] }, { - "str": "game", + "str": ",", "token_id": 29423, "o_rev_id": 1202071552, "in": [], @@ -253453,7 +253507,7 @@ ] }, { - "str": "-", + "str": "url", "token_id": 29424, "o_rev_id": 1202071552, "in": [], @@ -253462,7 +253516,7 @@ ] }, { - "str": "-", + "str": ",", "token_id": 29425, "o_rev_id": 1202071552, "in": [], @@ -253480,7 +253534,7 @@ ] }, { - "str": "-", + "str": ",", "token_id": 29427, "o_rev_id": 1202071552, "in": [], @@ -253489,7 +253543,7 @@ ] }, { - "str": "<", + "str": "2023", "token_id": 29428, "o_rev_id": 1202071552, "in": [], @@ -253498,7 +253552,7 @@ ] }, { - "str": "splatfest", + "str": ",", "token_id": 29429, "o_rev_id": 1202071552, "in": [], @@ -253507,7 +253561,7 @@ ] }, { - "str": ">", + "str": ",", "token_id": 29430, "o_rev_id": 1202071552, "in": [], @@ -253516,7 +253570,7 @@ ] }, { - "str": "{{", + "str": ",", "token_id": 29431, "o_rev_id": 1202071552, "in": [], @@ -253525,7 +253579,7 @@ ] }, { - "str": "|", + "str": ",", "token_id": 29432, "o_rev_id": 1202071552, "in": [], @@ -253534,7 +253588,7 @@ ] }, { - "str": "=", + "str": ",", "token_id": 29433, "o_rev_id": 1202071552, "in": [], @@ -253543,7 +253597,7 @@ ] }, { - "str": "|", + "str": ",", "token_id": 29434, "o_rev_id": 1202071552, "in": [], @@ -253552,7 +253606,7 @@ ] }, { - "str": "=", + "str": "|", "token_id": 29435, "o_rev_id": 1202071552, "in": [], @@ -253561,7 +253615,7 @@ ] }, { - "str": "|", + "str": "language", "token_id": 29436, "o_rev_id": 1202071552, "in": [], @@ -253579,7 +253633,7 @@ ] }, { - "str": ",", + "str": "en", "token_id": 29438, "o_rev_id": 1202071552, "in": [], @@ -253588,7 +253642,7 @@ ] }, { - "str": "|", + "str": ",", "token_id": 29439, "o_rev_id": 1202071552, "in": [], @@ -253597,7 +253651,7 @@ ] }, { - "str": "=", + "str": "title", "token_id": 29440, "o_rev_id": 1202071552, "in": [], @@ -253606,7 +253660,7 @@ ] }, { - "str": "|", + "str": "nintendo", "token_id": 29441, "o_rev_id": 1202071552, "in": [], @@ -253615,7 +253669,7 @@ ] }, { - "str": "=", + "str": "splatoon", "token_id": 29442, "o_rev_id": 1202071552, "in": [], @@ -253624,7 +253678,7 @@ ] }, { - "str": ",", + "str": "3", "token_id": 29443, "o_rev_id": 1202071552, "in": [], @@ -253633,7 +253687,7 @@ ] }, { - "str": "october", + "str": ",", "token_id": 29444, "o_rev_id": 1202071552, "in": [], @@ -253642,7 +253696,7 @@ ] }, { - "str": ",", + "str": "coming", "token_id": 29445, "o_rev_id": 1202071552, "in": [], @@ -253651,7 +253705,7 @@ ] }, { - "str": "|", + "str": "in", "token_id": 29446, "o_rev_id": 1202071552, "in": [], @@ -253660,7 +253714,7 @@ ] }, { - "str": "-", + "str": "work", "token_id": 29447, "o_rev_id": 1202071552, "in": [], @@ -253669,7 +253723,7 @@ ] }, { - "str": "=", + "str": "nintendo", "token_id": 29448, "o_rev_id": 1202071552, "in": [], @@ -253678,7 +253732,7 @@ ] }, { - "str": "a", + "str": "february", "token_id": 29449, "o_rev_id": 1202071552, "in": [], @@ -253687,7 +253741,7 @@ ] }, { - "str": "nintendo", + "str": ",", "token_id": 29450, "o_rev_id": 1202071552, "in": [], @@ -253696,7 +253750,7 @@ ] }, { - "str": "'", + "str": "-", "token_id": 29451, "o_rev_id": 1202071552, "in": [], @@ -253705,7 +253759,7 @@ ] }, { - "str": "'", + "str": ",", "token_id": 29452, "o_rev_id": 1202071552, "in": [], @@ -253714,7 +253768,7 @@ ] }, { - "str": "splatoon", + "str": "|", "token_id": 29453, "o_rev_id": 1202071552, "in": [], @@ -253723,7 +253777,7 @@ ] }, { - "str": "direct", + "str": "archive", "token_id": 29454, "o_rev_id": 1202071552, "in": [], @@ -253732,7 +253786,7 @@ ] }, { - "str": "dlc", + "str": "date", "token_id": 29455, "o_rev_id": 1202071552, "in": [], @@ -253750,7 +253804,7 @@ ] }, { - "str": "nintendo", + "str": "-", "token_id": 29457, "o_rev_id": 1202071552, "in": [], @@ -253759,7 +253813,7 @@ ] }, { - "str": "splatoon", + "str": "url", "token_id": 29458, "o_rev_id": 1202071552, "in": [], @@ -253768,7 +253822,7 @@ ] }, { - "str": "3", + "str": ",", "token_id": 29459, "o_rev_id": 1202071552, "in": [], @@ -253777,7 +253831,7 @@ ] }, { - "str": "new", + "str": "2021", "token_id": 29460, "o_rev_id": 1202071552, "in": [], @@ -253786,7 +253840,7 @@ ] }, { - "str": "weapons", + "str": "|", "token_id": 29461, "o_rev_id": 1202071552, "in": [], @@ -253795,7 +253849,7 @@ ] }, { - "str": ",", + "str": "=", "token_id": 29462, "o_rev_id": 1202071552, "in": [], @@ -253804,7 +253858,7 @@ ] }, { - "str": "|", + "str": "the", "token_id": 29463, "o_rev_id": 1202071552, "in": [], @@ -253813,7 +253867,7 @@ ] }, { - "str": "=", + "str": "of", "token_id": 29464, "o_rev_id": 1202071552, "in": [], @@ -253822,7 +253876,7 @@ ] }, { - "str": "-", + "str": "in", "token_id": 29465, "o_rev_id": 1202071552, "in": [], @@ -253831,7 +253885,7 @@ ] }, { - "str": "-", + "str": "its", "token_id": 29466, "o_rev_id": 1202071552, "in": [], @@ -253840,7 +253894,7 @@ ] }, { - "str": ",", + "str": "|", "token_id": 29467, "o_rev_id": 1202071552, "in": [], @@ -253849,7 +253903,7 @@ ] }, { - "str": "<", + "str": "=", "token_id": 29468, "o_rev_id": 1202071552, "in": [], @@ -253858,7 +253912,7 @@ ] }, { - "str": ">", + "str": "-", "token_id": 29469, "o_rev_id": 1202071552, "in": [], @@ -253867,7 +253921,7 @@ ] }, { - "str": ",", + "str": "date", "token_id": 29470, "o_rev_id": 1202071552, "in": [], @@ -253876,7 +253930,7 @@ ] }, { - "str": "first", + "str": ",", "token_id": 29471, "o_rev_id": 1202071552, "in": [], @@ -253885,7 +253939,7 @@ ] }, { - "str": "expansion", + "str": "|", "token_id": 29472, "o_rev_id": 1202071552, "in": [], @@ -253894,7 +253948,7 @@ ] }, { - "str": ",", + "str": "website", "token_id": 29473, "o_rev_id": 1202071552, "in": [], @@ -253903,7 +253957,7 @@ ] }, { - "str": "|", + "str": "=", "token_id": 29474, "o_rev_id": 1202071552, "in": [], @@ -253912,7 +253966,7 @@ ] }, { - "str": "=", + "str": "polygon", "token_id": 29475, "o_rev_id": 1202071552, "in": [], @@ -253921,7 +253975,7 @@ ] }, { - "str": "-", + "str": "us", "token_id": 29476, "o_rev_id": 1202071552, "in": [], @@ -253930,7 +253984,7 @@ ] }, { - "str": ",", + "str": "september", "token_id": 29477, "o_rev_id": 1202071552, "in": [], @@ -253939,7 +253993,7 @@ ] }, { - "str": "in", + "str": ",", "token_id": 29478, "o_rev_id": 1202071552, "in": [], @@ -253957,7 +254011,7 @@ ] }, { - "str": "campaign", + "str": ",", "token_id": 29480, "o_rev_id": 1202071552, "in": [], @@ -253966,7 +254020,7 @@ ] }, { - "str": ",", + "str": "february", "token_id": 29481, "o_rev_id": 1202071552, "in": [], @@ -253984,7 +254038,7 @@ ] }, { - "str": ",", + "str": "2022", "token_id": 29483, "o_rev_id": 1202071552, "in": [], @@ -254002,7 +254056,7 @@ ] }, { - "str": ",", + "str": "=", "token_id": 29485, "o_rev_id": 1202071552, "in": [], @@ -254011,7 +254065,7 @@ ] }, { - "str": ",", + "str": "\"", "token_id": 29486, "o_rev_id": 1202071552, "in": [], @@ -254020,7 +254074,7 @@ ] }, { - "str": ",", + "str": "\"", "token_id": 29487, "o_rev_id": 1202071552, "in": [], @@ -254029,7 +254083,7 @@ ] }, { - "str": ",", + "str": "date", "token_id": 29488, "o_rev_id": 1202071552, "in": [], @@ -254038,7 +254092,7 @@ ] }, { - "str": "|", + "str": "february", "token_id": 29489, "o_rev_id": 1202071552, "in": [], @@ -254047,7 +254101,7 @@ ] }, { - "str": "=", + "str": ",", "token_id": 29490, "o_rev_id": 1202071552, "in": [], @@ -254056,7 +254110,7 @@ ] }, { - "str": ",", + "str": "|", "token_id": 29491, "o_rev_id": 1202071552, "in": [], @@ -254065,7 +254119,7 @@ ] }, { - "str": "|", + "str": "=", "token_id": 29492, "o_rev_id": 1202071552, "in": [], @@ -254074,7 +254128,7 @@ ] }, { - "str": "=", + "str": ",", "token_id": 29493, "o_rev_id": 1202071552, "in": [], @@ -254083,7 +254137,7 @@ ] }, { - "str": "nintendo", + "str": ",", "token_id": 29494, "o_rev_id": 1202071552, "in": [], @@ -254092,7 +254146,7 @@ ] }, { - "str": "splatoon", + "str": "cite", "token_id": 29495, "o_rev_id": 1202071552, "in": [], @@ -254101,7 +254155,7 @@ ] }, { - "str": "3", + "str": "april", "token_id": 29496, "o_rev_id": 1202071552, "in": [], @@ -254119,7 +254173,7 @@ ] }, { - "str": "coming", + "str": "-", "token_id": 29498, "o_rev_id": 1202071552, "in": [], @@ -254128,7 +254182,7 @@ ] }, { - "str": "in", + "str": ",", "token_id": 29499, "o_rev_id": 1202071552, "in": [], @@ -254137,7 +254191,7 @@ ] }, { - "str": "nintendo", + "str": ",", "token_id": 29500, "o_rev_id": 1202071552, "in": [], @@ -254155,7 +254209,7 @@ ] }, { - "str": "-", + "str": ".", "token_id": 29502, "o_rev_id": 1202071552, "in": [], @@ -254173,7 +254227,7 @@ ] }, { - "str": "|", + "str": "july", "token_id": 29504, "o_rev_id": 1202071552, "in": [], @@ -254182,7 +254236,7 @@ ] }, { - "str": "-", + "str": ",", "token_id": 29505, "o_rev_id": 1202071552, "in": [], @@ -254191,7 +254245,7 @@ ] }, { - "str": "=", + "str": ",", "token_id": 29506, "o_rev_id": 1202071552, "in": [], @@ -254209,7 +254263,7 @@ ] }, { - "str": "|", + "str": "title", "token_id": 29508, "o_rev_id": 1202071552, "in": [], @@ -254218,7 +254272,7 @@ ] }, { - "str": "-", + "str": "=", "token_id": 29509, "o_rev_id": 1202071552, "in": [], @@ -254227,7 +254281,7 @@ ] }, { - "str": "=", + "str": "'", "token_id": 29510, "o_rev_id": 1202071552, "in": [], @@ -254236,7 +254290,7 @@ ] }, { - "str": ",", + "str": "s", "token_id": 29511, "o_rev_id": 1202071552, "in": [], @@ -254245,7 +254299,7 @@ ] }, { - "str": "|", + "str": "first", "token_id": 29512, "o_rev_id": 1202071552, "in": [], @@ -254254,7 +254308,7 @@ ] }, { - "str": "=", + "str": "splatfest", "token_id": 29513, "o_rev_id": 1202071552, "in": [], @@ -254263,7 +254317,7 @@ ] }, { - "str": "the", + "str": "demo", "token_id": 29514, "o_rev_id": 1202071552, "in": [], @@ -254272,7 +254326,7 @@ ] }, { - "str": "of", + "str": ",", "token_id": 29515, "o_rev_id": 1202071552, "in": [], @@ -254281,7 +254335,7 @@ ] }, { - "str": "in", + "str": ",", "token_id": 29516, "o_rev_id": 1202071552, "in": [], @@ -254290,7 +254344,7 @@ ] }, { - "str": "its", + "str": "2022", "token_id": 29517, "o_rev_id": 1202071552, "in": [], @@ -254299,7 +254353,7 @@ ] }, { - "str": "-", + "str": "nintendo", "token_id": 29518, "o_rev_id": 1202071552, "in": [], @@ -254308,7 +254362,7 @@ ] }, { - "str": "|", + "str": "-", "token_id": 29519, "o_rev_id": 1202071552, "in": [], @@ -254317,7 +254371,7 @@ ] }, { - "str": "=", + "str": "url", "token_id": 29520, "o_rev_id": 1202071552, "in": [], @@ -254326,7 +254380,7 @@ ] }, { - "str": "|", + "str": "-", "token_id": 29521, "o_rev_id": 1202071552, "in": [], @@ -254335,7 +254389,7 @@ ] }, { - "str": "-", + "str": ",", "token_id": 29522, "o_rev_id": 1202071552, "in": [], @@ -254344,7 +254398,7 @@ ] }, { - "str": "date", + "str": "live", "token_id": 29523, "o_rev_id": 1202071552, "in": [], @@ -254353,7 +254407,7 @@ ] }, { - "str": "=", + "str": "nintendo", "token_id": 29524, "o_rev_id": 1202071552, "in": [], @@ -254380,7 +254434,7 @@ ] }, { - "str": "=", + "str": "date", "token_id": 29527, "o_rev_id": 1202071552, "in": [], @@ -254389,7 +254443,7 @@ ] }, { - "str": "-", + "str": ",", "token_id": 29528, "o_rev_id": 1202071552, "in": [], @@ -254398,7 +254452,7 @@ ] }, { - "str": "-", + "str": "2022", "token_id": 29529, "o_rev_id": 1202071552, "in": [], @@ -254407,7 +254461,7 @@ ] }, { - "str": "september", + "str": "url", "token_id": 29530, "o_rev_id": 1202071552, "in": [], @@ -254416,7 +254470,7 @@ ] }, { - "str": ",", + "str": "-", "token_id": 29531, "o_rev_id": 1202071552, "in": [], @@ -254425,7 +254479,7 @@ ] }, { - "str": "a", + "str": ",", "token_id": 29532, "o_rev_id": 1202071552, "in": [], @@ -254434,7 +254488,7 @@ ] }, { - "str": "trailer", + "str": "2022", "token_id": 29533, "o_rev_id": 1202071552, "in": [], @@ -254443,7 +254497,7 @@ ] }, { - "str": "splatoon", + "str": "<", "token_id": 29534, "o_rev_id": 1202071552, "in": [], @@ -254452,7 +254506,7 @@ ] }, { - "str": "3", + "str": "ref", "token_id": 29535, "o_rev_id": 1202071552, "in": [], @@ -254461,7 +254515,7 @@ ] }, { - "str": "co", + "str": ">", "token_id": 29536, "o_rev_id": 1202071552, "in": [], @@ -254470,7 +254524,7 @@ ] }, { - "str": "salmon", + "str": ",", "token_id": 29537, "o_rev_id": 1202071552, "in": [], @@ -254479,7 +254533,7 @@ ] }, { - "str": "run", + "str": ",", "token_id": 29538, "o_rev_id": 1202071552, "in": [], @@ -254488,7 +254542,7 @@ ] }, { - "str": "on", + "str": "<", "token_id": 29539, "o_rev_id": 1202071552, "in": [], @@ -254497,7 +254551,7 @@ ] }, { - "str": ",", + "str": "ref", "token_id": 29540, "o_rev_id": 1202071552, "in": [], @@ -254506,7 +254560,7 @@ ] }, { - "str": ",", + "str": ">", "token_id": 29541, "o_rev_id": 1202071552, "in": [], @@ -254515,7 +254569,7 @@ ] }, { - "str": "february", + "str": "{{", "token_id": 29542, "o_rev_id": 1202071552, "in": [], @@ -254524,7 +254578,7 @@ ] }, { - "str": ",", + "str": "cite", "token_id": 29543, "o_rev_id": 1202071552, "in": [], @@ -254533,7 +254587,7 @@ ] }, { - "str": "game", + "str": "web", "token_id": 29544, "o_rev_id": 1202071552, "in": [], @@ -254542,7 +254596,7 @@ ] }, { - "str": ",", + "str": "|", "token_id": 29545, "o_rev_id": 1202071552, "in": [], @@ -254551,7 +254605,7 @@ ] }, { - "str": "=", + "str": "last", "token_id": 29546, "o_rev_id": 1202071552, "in": [], @@ -254560,7 +254614,7 @@ ] }, { - "str": "\"", + "str": ",", "token_id": 29547, "o_rev_id": 1202071552, "in": [], @@ -254569,7 +254623,7 @@ ] }, { - "str": "\"", + "str": "-", "token_id": 29548, "o_rev_id": 1202071552, "in": [], @@ -254578,7 +254632,7 @@ ] }, { - "str": "date", + "str": ",", "token_id": 29549, "o_rev_id": 1202071552, "in": [], @@ -254587,7 +254641,7 @@ ] }, { - "str": "february", + "str": "-", "token_id": 29550, "o_rev_id": 1202071552, "in": [], @@ -254596,7 +254650,7 @@ ] }, { - "str": ",", + "str": "/", "token_id": 29551, "o_rev_id": 1202071552, "in": [], @@ -254605,7 +254659,7 @@ ] }, { - "str": "|", + "str": ">", "token_id": 29552, "o_rev_id": 1202071552, "in": [], @@ -254614,7 +254668,7 @@ ] }, { - "str": "=", + "str": "on", "token_id": 29553, "o_rev_id": 1202071552, "in": [], @@ -254641,7 +254695,7 @@ ] }, { - "str": "<", + "str": ",", "token_id": 29556, "o_rev_id": 1202071552, "in": [], @@ -254650,7 +254704,7 @@ ] }, { - "str": ">", + "str": ",", "token_id": 29557, "o_rev_id": 1202071552, "in": [], @@ -254659,7 +254713,7 @@ ] }, { - "str": "april", + "str": "and", "token_id": 29558, "o_rev_id": 1202071552, "in": [], @@ -254686,7 +254740,7 @@ ] }, { - "str": ",", + "str": "2022", "token_id": 29561, "o_rev_id": 1202071552, "in": [], @@ -254695,7 +254749,7 @@ ] }, { - "str": ",", + "str": "|", "token_id": 29562, "o_rev_id": 1202071552, "in": [], @@ -254704,7 +254758,7 @@ ] }, { - "str": ".", + "str": "title", "token_id": 29563, "o_rev_id": 1202071552, "in": [], @@ -254713,7 +254767,7 @@ ] }, { - "str": ",", + "str": "=", "token_id": 29564, "o_rev_id": 1202071552, "in": [], @@ -254722,7 +254776,7 @@ ] }, { - "str": ",", + "str": "splatoon", "token_id": 29565, "o_rev_id": 1202071552, "in": [], @@ -254731,7 +254785,7 @@ ] }, { - "str": "|", + "str": "3", "token_id": 29566, "o_rev_id": 1202071552, "in": [], @@ -254740,7 +254794,7 @@ ] }, { - "str": "=", + "str": "'", "token_id": 29567, "o_rev_id": 1202071552, "in": [], @@ -254749,7 +254803,7 @@ ] }, { - "str": ",", + "str": "splatfest", "token_id": 29568, "o_rev_id": 1202071552, "in": [], @@ -254758,7 +254812,7 @@ ] }, { - "str": ",", + "str": "in", "token_id": 29569, "o_rev_id": 1202071552, "in": [], @@ -254767,7 +254821,7 @@ ] }, { - "str": "nintendo", + "str": "|", "token_id": 29570, "o_rev_id": 1202071552, "in": [], @@ -254776,7 +254830,7 @@ ] }, { - "str": "a", + "str": "=", "token_id": 29571, "o_rev_id": 1202071552, "in": [], @@ -254785,7 +254839,7 @@ ] }, { - "str": "splatoon", + "str": ",", "token_id": 29572, "o_rev_id": 1202071552, "in": [], @@ -254794,7 +254848,7 @@ ] }, { - "str": "3", + "str": "2022", "token_id": 29573, "o_rev_id": 1202071552, "in": [], @@ -254803,7 +254857,7 @@ ] }, { - "str": "direct", + "str": ",", "token_id": 29574, "o_rev_id": 1202071552, "in": [], @@ -254812,7 +254866,7 @@ ] }, { - "str": "=", + "str": "url", "token_id": 29575, "o_rev_id": 1202071552, "in": [], @@ -254821,7 +254875,7 @@ ] }, { - "str": "'", + "str": "nintendo", "token_id": 29576, "o_rev_id": 1202071552, "in": [], @@ -254830,7 +254884,7 @@ ] }, { - "str": "s", + "str": ",", "token_id": 29577, "o_rev_id": 1202071552, "in": [], @@ -254839,7 +254893,7 @@ ] }, { - "str": "splatfest", + "str": "august", "token_id": 29578, "o_rev_id": 1202071552, "in": [], @@ -254848,7 +254902,7 @@ ] }, { - "str": "demo", + "str": ",", "token_id": 29579, "o_rev_id": 1202071552, "in": [], @@ -254857,7 +254911,7 @@ ] }, { - "str": ",", + "str": "2022", "token_id": 29580, "o_rev_id": 1202071552, "in": [], @@ -254866,7 +254920,7 @@ ] }, { - "str": ",", + "str": "august", "token_id": 29581, "o_rev_id": 1202071552, "in": [], @@ -254875,7 +254929,7 @@ ] }, { - "str": "nintendo", + "str": ",", "token_id": 29582, "o_rev_id": 1202071552, "in": [], @@ -254884,7 +254938,7 @@ ] }, { - "str": "-", + "str": "2022", "token_id": 29583, "o_rev_id": 1202071552, "in": [], @@ -254893,7 +254947,7 @@ ] }, { - "str": "-", + "str": "|", "token_id": 29584, "o_rev_id": 1202071552, "in": [], @@ -254902,7 +254956,7 @@ ] }, { - "str": ",", + "str": "website", "token_id": 29585, "o_rev_id": 1202071552, "in": [], @@ -254911,7 +254965,7 @@ ] }, { - "str": "|", + "str": "=", "token_id": 29586, "o_rev_id": 1202071552, "in": [], @@ -254920,7 +254974,7 @@ ] }, { - "str": "-", + "str": "|", "token_id": 29587, "o_rev_id": 1202071552, "in": [], @@ -254929,7 +254983,7 @@ ] }, { - "str": "=", + "str": "access", "token_id": 29588, "o_rev_id": 1202071552, "in": [], @@ -254938,7 +254992,7 @@ ] }, { - "str": "live", + "str": "-", "token_id": 29589, "o_rev_id": 1202071552, "in": [], @@ -254947,7 +255001,7 @@ ] }, { - "str": "nintendo", + "str": "date", "token_id": 29590, "o_rev_id": 1202071552, "in": [], @@ -254956,7 +255010,7 @@ ] }, { - "str": ",", + "str": "=", "token_id": 29591, "o_rev_id": 1202071552, "in": [], @@ -254965,7 +255019,7 @@ ] }, { - "str": "|", + "str": "august", "token_id": 29592, "o_rev_id": 1202071552, "in": [], @@ -254974,7 +255028,7 @@ ] }, { - "str": "=", + "str": ",", "token_id": 29593, "o_rev_id": 1202071552, "in": [], @@ -254983,7 +255037,7 @@ ] }, { - "str": ",", + "str": "2022", "token_id": 29594, "o_rev_id": 1202071552, "in": [], @@ -254992,7 +255046,7 @@ ] }, { - "str": "|", + "str": "it", "token_id": 29595, "o_rev_id": 1202071552, "in": [], @@ -255001,7 +255055,7 @@ ] }, { - "str": "=", + "str": "august", "token_id": 29596, "o_rev_id": 1202071552, "in": [], @@ -255010,7 +255064,7 @@ ] }, { - "str": "-", + "str": ",", "token_id": 29597, "o_rev_id": 1202071552, "in": [], @@ -255028,7 +255082,7 @@ ] }, { - "str": ",", + "str": ".", "token_id": 29599, "o_rev_id": 1202071552, "in": [], @@ -255037,7 +255091,7 @@ ] }, { - "str": "|", + "str": "=", "token_id": 29600, "o_rev_id": 1202071552, "in": [], @@ -255046,7 +255100,7 @@ ] }, { - "str": "=", + "str": ",", "token_id": 29601, "o_rev_id": 1202071552, "in": [], @@ -255064,7 +255118,7 @@ ] }, { - "str": "<", + "str": ".", "token_id": 29603, "o_rev_id": 1202071552, "in": [], @@ -255073,7 +255127,7 @@ ] }, { - "str": ">", + "str": ",", "token_id": 29604, "o_rev_id": 1202071552, "in": [], @@ -255082,7 +255136,7 @@ ] }, { - "str": "{{", + "str": ",", "token_id": 29605, "o_rev_id": 1202071552, "in": [], @@ -255091,7 +255145,7 @@ ] }, { - "str": "|", + "str": ",", "token_id": 29606, "o_rev_id": 1202071552, "in": [], @@ -255100,7 +255154,7 @@ ] }, { - "str": "=", + "str": ",", "token_id": 29607, "o_rev_id": 1202071552, "in": [], @@ -255109,7 +255163,7 @@ ] }, { - "str": "|", + "str": ",", "token_id": 29608, "o_rev_id": 1202071552, "in": [], @@ -255118,7 +255172,7 @@ ] }, { - "str": "=", + "str": "|", "token_id": 29609, "o_rev_id": 1202071552, "in": [], @@ -255127,7 +255181,7 @@ ] }, { - "str": ",", + "str": "access", "token_id": 29610, "o_rev_id": 1202071552, "in": [], @@ -255136,7 +255190,7 @@ ] }, { - "str": "2022", + "str": "-", "token_id": 29611, "o_rev_id": 1202071552, "in": [], @@ -255145,7 +255199,7 @@ ] }, { - "str": "launch", + "str": "date", "token_id": 29612, "o_rev_id": 1202071552, "in": [], @@ -255154,7 +255208,7 @@ ] }, { - "str": ",", + "str": "=", "token_id": 29613, "o_rev_id": 1202071552, "in": [], @@ -255163,7 +255217,7 @@ ] }, { - "str": "-", + "str": ",", "token_id": 29614, "o_rev_id": 1202071552, "in": [], @@ -255172,7 +255226,7 @@ ] }, { - "str": "/", + "str": "|", "token_id": 29615, "o_rev_id": 1202071552, "in": [], @@ -255181,7 +255235,7 @@ ] }, { - "str": ">", + "str": "website", "token_id": 29616, "o_rev_id": 1202071552, "in": [], @@ -255190,7 +255244,7 @@ ] }, { - "str": "on", + "str": "=", "token_id": 29617, "o_rev_id": 1202071552, "in": [], @@ -255199,7 +255253,7 @@ ] }, { - "str": ",", + "str": "nintendo", "token_id": 29618, "o_rev_id": 1202071552, "in": [], @@ -255208,7 +255262,7 @@ ] }, { - "str": ",", + "str": "life", "token_id": 29619, "o_rev_id": 1202071552, "in": [], @@ -255217,7 +255271,7 @@ ] }, { - "str": ",", + "str": "gb", "token_id": 29620, "o_rev_id": 1202071552, "in": [], @@ -255235,7 +255289,7 @@ ] }, { - "str": "the", + "str": "2022", "token_id": 29622, "o_rev_id": 1202071552, "in": [], @@ -255244,7 +255298,7 @@ ] }, { - "str": "and", + "str": "-", "token_id": 29623, "o_rev_id": 1202071552, "in": [], @@ -255271,7 +255325,7 @@ ] }, { - "str": "|", + "str": ",", "token_id": 29626, "o_rev_id": 1202071552, "in": [], @@ -255280,7 +255334,7 @@ ] }, { - "str": "=", + "str": "|", "token_id": 29627, "o_rev_id": 1202071552, "in": [], @@ -255289,7 +255343,7 @@ ] }, { - "str": "'", + "str": "website", "token_id": 29628, "o_rev_id": 1202071552, "in": [], @@ -255298,7 +255352,7 @@ ] }, { - "str": "splatfest", + "str": "=", "token_id": 29629, "o_rev_id": 1202071552, "in": [], @@ -255307,7 +255361,7 @@ ] }, { - "str": "in", + "str": "|", "token_id": 29630, "o_rev_id": 1202071552, "in": [], @@ -255316,7 +255370,7 @@ ] }, { - "str": "|", + "str": "=", "token_id": 29631, "o_rev_id": 1202071552, "in": [], @@ -255325,7 +255379,7 @@ ] }, { - "str": "=", + "str": ",", "token_id": 29632, "o_rev_id": 1202071552, "in": [], @@ -255334,7 +255388,7 @@ ] }, { - "str": "|", + "str": ",", "token_id": 29633, "o_rev_id": 1202071552, "in": [], @@ -255343,7 +255397,7 @@ ] }, { - "str": "-", + "str": ",", "token_id": 29634, "o_rev_id": 1202071552, "in": [], @@ -255352,7 +255406,7 @@ ] }, { - "str": "=", + "str": ",", "token_id": 29635, "o_rev_id": 1202071552, "in": [], @@ -255361,7 +255415,7 @@ ] }, { - "str": ",", + "str": "-", "token_id": 29636, "o_rev_id": 1202071552, "in": [], @@ -255370,7 +255424,7 @@ ] }, { - "str": "-", + "str": "date", "token_id": 29637, "o_rev_id": 1202071552, "in": [], @@ -255388,7 +255442,7 @@ ] }, { - "str": "|", + "str": "\"", "token_id": 29639, "o_rev_id": 1202071552, "in": [], @@ -255397,7 +255451,7 @@ ] }, { - "str": "-", + "str": "famitsu", "token_id": 29640, "o_rev_id": 1202071552, "in": [], @@ -255406,7 +255460,7 @@ ] }, { - "str": "=", + "str": "\"", "token_id": 29641, "o_rev_id": 1202071552, "in": [], @@ -255415,7 +255469,7 @@ ] }, { - "str": ",", + "str": "28", "token_id": 29642, "o_rev_id": 1202071552, "in": [], @@ -255424,7 +255478,7 @@ ] }, { - "str": "|", + "str": ",", "token_id": 29643, "o_rev_id": 1202071552, "in": [], @@ -255433,7 +255487,7 @@ ] }, { - "str": "=", + "str": ",", "token_id": 29644, "o_rev_id": 1202071552, "in": [], @@ -255442,7 +255496,7 @@ ] }, { - "str": "august", + "str": ",", "token_id": 29645, "o_rev_id": 1202071552, "in": [], @@ -255469,7 +255523,7 @@ ] }, { - "str": "august", + "str": "title", "token_id": 29648, "o_rev_id": 1202071552, "in": [], @@ -255478,7 +255532,7 @@ ] }, { - "str": ",", + "str": "review", "token_id": 29649, "o_rev_id": 1202071552, "in": [], @@ -255487,7 +255541,7 @@ ] }, { - "str": "|", + "str": ",", "token_id": 29650, "o_rev_id": 1202071552, "in": [], @@ -255496,7 +255550,7 @@ ] }, { - "str": "-", + "str": "22", "token_id": 29651, "o_rev_id": 1202071552, "in": [], @@ -255505,7 +255559,7 @@ ] }, { - "str": "=", + "str": ",", "token_id": 29652, "o_rev_id": 1202071552, "in": [], @@ -255514,7 +255568,7 @@ ] }, { - "str": "|", + "str": ",", "token_id": 29653, "o_rev_id": 1202071552, "in": [], @@ -255523,7 +255577,7 @@ ] }, { - "str": "=", + "str": "|", "token_id": 29654, "o_rev_id": 1202071552, "in": [], @@ -255532,7 +255586,7 @@ ] }, { - "str": "|", + "str": "url", "token_id": 29655, "o_rev_id": 1202071552, "in": [], @@ -255541,7 +255595,7 @@ ] }, { - "str": "-", + "str": "=", "token_id": 29656, "o_rev_id": 1202071552, "in": [], @@ -255550,7 +255604,7 @@ ] }, { - "str": "=", + "str": ",", "token_id": 29657, "o_rev_id": 1202071552, "in": [], @@ -255559,7 +255613,7 @@ ] }, { - "str": "august", + "str": ",", "token_id": 29658, "o_rev_id": 1202071552, "in": [], @@ -255577,7 +255631,7 @@ ] }, { - "str": "2022", + "str": "=", "token_id": 29660, "o_rev_id": 1202071552, "in": [], @@ -255586,7 +255640,7 @@ ] }, { - "str": "it", + "str": ",", "token_id": 29661, "o_rev_id": 1202071552, "in": [], @@ -255595,7 +255649,7 @@ ] }, { - "str": "august", + "str": ",", "token_id": 29662, "o_rev_id": 1202071552, "in": [], @@ -255622,7 +255676,7 @@ ] }, { - "str": ".", + "str": "-", "token_id": 29665, "o_rev_id": 1202071552, "in": [], @@ -255631,7 +255685,7 @@ ] }, { - "str": "=", + "str": ",", "token_id": 29666, "o_rev_id": 1202071552, "in": [], @@ -255640,7 +255694,7 @@ ] }, { - "str": ",", + "str": "-", "token_id": 29667, "o_rev_id": 1202071552, "in": [], @@ -255649,7 +255703,7 @@ ] }, { - "str": "splatoon", + "str": ",", "token_id": 29668, "o_rev_id": 1202071552, "in": [], @@ -255658,7 +255712,7 @@ ] }, { - "str": "3", + "str": "splatoon", "token_id": 29669, "o_rev_id": 1202071552, "in": [], @@ -255667,7 +255721,7 @@ ] }, { - "str": ",", + "str": "3", "token_id": 29670, "o_rev_id": 1202071552, "in": [], @@ -255676,7 +255730,7 @@ ] }, { - "str": ".", + "str": "|", "token_id": 29671, "o_rev_id": 1202071552, "in": [], @@ -255685,7 +255739,7 @@ ] }, { - "str": ",", + "str": "access", "token_id": 29672, "o_rev_id": 1202071552, "in": [], @@ -255694,7 +255748,7 @@ ] }, { - "str": ",", + "str": "date", "token_id": 29673, "o_rev_id": 1202071552, "in": [], @@ -255703,7 +255757,7 @@ ] }, { - "str": ",", + "str": "=", "token_id": 29674, "o_rev_id": 1202071552, "in": [], @@ -255721,7 +255775,7 @@ ] }, { - "str": "a", + "str": ",", "token_id": 29676, "o_rev_id": 1202071552, "in": [], @@ -255739,7 +255793,7 @@ ] }, { - "str": ",", + "str": "|", "token_id": 29678, "o_rev_id": 1202071552, "in": [], @@ -255748,7 +255802,7 @@ ] }, { - "str": "|", + "str": "title", "token_id": 29679, "o_rev_id": 1202071552, "in": [], @@ -255766,7 +255820,7 @@ ] }, { - "str": "nintendo", + "str": "splatoon", "token_id": 29681, "o_rev_id": 1202071552, "in": [], @@ -255775,7 +255829,7 @@ ] }, { - "str": "life", + "str": "3", "token_id": 29682, "o_rev_id": 1202071552, "in": [], @@ -255784,7 +255838,7 @@ ] }, { - "str": "gb", + "str": "review", "token_id": 29683, "o_rev_id": 1202071552, "in": [], @@ -255811,7 +255865,7 @@ ] }, { - "str": "-", + "str": "name", "token_id": 29686, "o_rev_id": 1202071552, "in": [], @@ -255820,7 +255874,7 @@ ] }, { - "str": ",", + "str": "=", "token_id": 29687, "o_rev_id": 1202071552, "in": [], @@ -255829,7 +255883,7 @@ ] }, { - "str": ",", + "str": "\"", "token_id": 29688, "o_rev_id": 1202071552, "in": [], @@ -255838,7 +255892,7 @@ ] }, { - "str": "|", + "str": "\"", "token_id": 29689, "o_rev_id": 1202071552, "in": [], @@ -255847,7 +255901,7 @@ ] }, { - "str": "=", + "str": "|", "token_id": 29690, "o_rev_id": 1202071552, "in": [], @@ -255856,7 +255910,7 @@ ] }, { - "str": "|", + "str": "last", "token_id": 29691, "o_rev_id": 1202071552, "in": [], @@ -255883,7 +255937,7 @@ ] }, { - "str": "=", + "str": "first", "token_id": 29694, "o_rev_id": 1202071552, "in": [], @@ -255892,7 +255946,7 @@ ] }, { - "str": ",", + "str": "=", "token_id": 29695, "o_rev_id": 1202071552, "in": [], @@ -255901,7 +255955,7 @@ ] }, { - "str": ",", + "str": "|", "token_id": 29696, "o_rev_id": 1202071552, "in": [], @@ -255910,7 +255964,7 @@ ] }, { - "str": ",", + "str": "date", "token_id": 29697, "o_rev_id": 1202071552, "in": [], @@ -255919,7 +255973,7 @@ ] }, { - "str": "splatoon", + "str": "=", "token_id": 29698, "o_rev_id": 1202071552, "in": [], @@ -255928,7 +255982,7 @@ ] }, { - "str": "3", + "str": ",", "token_id": 29699, "o_rev_id": 1202071552, "in": [], @@ -255937,7 +255991,7 @@ ] }, { - "str": ",", + "str": "|", "token_id": 29700, "o_rev_id": 1202071552, "in": [], @@ -255946,7 +256000,7 @@ ] }, { - "str": "-", + "str": "=", "token_id": 29701, "o_rev_id": 1202071552, "in": [], @@ -255955,7 +256009,7 @@ ] }, { - "str": ",", + "str": "squid", "token_id": 29702, "o_rev_id": 1202071552, "in": [], @@ -255964,7 +256018,7 @@ ] }, { - "str": "\"", + "str": "game", "token_id": 29703, "o_rev_id": 1202071552, "in": [], @@ -255973,7 +256027,7 @@ ] }, { - "str": "\"", + "str": "7", "token_id": 29704, "o_rev_id": 1202071552, "in": [], @@ -255982,7 +256036,7 @@ ] }, { - "str": "28", + "str": ",", "token_id": 29705, "o_rev_id": 1202071552, "in": [], @@ -255991,7 +256045,7 @@ ] }, { - "str": ",", + "str": "9", "token_id": 29706, "o_rev_id": 1202071552, "in": [], @@ -256009,7 +256063,7 @@ ] }, { - "str": ",", + "str": "url", "token_id": 29708, "o_rev_id": 1202071552, "in": [], @@ -256018,7 +256072,7 @@ ] }, { - "str": "-", + "str": "name", "token_id": 29709, "o_rev_id": 1202071552, "in": [], @@ -256027,7 +256081,7 @@ ] }, { - "str": ",", + "str": "=", "token_id": 29710, "o_rev_id": 1202071552, "in": [], @@ -256036,7 +256090,7 @@ ] }, { - "str": "review", + "str": "\"", "token_id": 29711, "o_rev_id": 1202071552, "in": [], @@ -256045,7 +256099,7 @@ ] }, { - "str": ",", + "str": "vg247", "token_id": 29712, "o_rev_id": 1202071552, "in": [], @@ -256054,7 +256108,7 @@ ] }, { - "str": "22", + "str": "\"", "token_id": 29713, "o_rev_id": 1202071552, "in": [], @@ -256063,7 +256117,7 @@ ] }, { - "str": ",", + "str": "7", "token_id": 29714, "o_rev_id": 1202071552, "in": [], @@ -256081,7 +256135,7 @@ ] }, { - "str": ",", + "str": "2022", "token_id": 29716, "o_rev_id": 1202071552, "in": [], @@ -256090,7 +256144,7 @@ ] }, { - "str": ",", + "str": "|", "token_id": 29717, "o_rev_id": 1202071552, "in": [], @@ -256099,7 +256153,7 @@ ] }, { - "str": ",", + "str": "=", "token_id": 29718, "o_rev_id": 1202071552, "in": [], @@ -256108,7 +256162,7 @@ ] }, { - "str": "=", + "str": "7", "token_id": 29719, "o_rev_id": 1202071552, "in": [], @@ -256135,7 +256189,7 @@ ] }, { - "str": ",", + "str": "2022", "token_id": 29722, "o_rev_id": 1202071552, "in": [], @@ -256144,7 +256198,7 @@ ] }, { - "str": ",", + "str": "-", "token_id": 29723, "o_rev_id": 1202071552, "in": [], @@ -256153,7 +256207,7 @@ ] }, { - "str": "-", + "str": "name", "token_id": 29724, "o_rev_id": 1202071552, "in": [], @@ -256162,7 +256216,7 @@ ] }, { - "str": ",", + "str": "=", "token_id": 29725, "o_rev_id": 1202071552, "in": [], @@ -256171,7 +256225,7 @@ ] }, { - "str": "-", + "str": "\"", "token_id": 29726, "o_rev_id": 1202071552, "in": [], @@ -256180,7 +256234,7 @@ ] }, { - "str": ",", + "str": "\"", "token_id": 29727, "o_rev_id": 1202071552, "in": [], @@ -256189,7 +256243,7 @@ ] }, { - "str": "|", + "str": "first", "token_id": 29728, "o_rev_id": 1202071552, "in": [], @@ -256198,7 +256252,7 @@ ] }, { - "str": "=", + "str": "7", "token_id": 29729, "o_rev_id": 1202071552, "in": [], @@ -256216,7 +256270,7 @@ ] }, { - "str": ",", + "str": "|", "token_id": 29731, "o_rev_id": 1202071552, "in": [], @@ -256225,7 +256279,7 @@ ] }, { - "str": ",", + "str": "title", "token_id": 29732, "o_rev_id": 1202071552, "in": [], @@ -256234,7 +256288,7 @@ ] }, { - "str": "|", + "str": "=", "token_id": 29733, "o_rev_id": 1202071552, "in": [], @@ -256243,7 +256297,7 @@ ] }, { - "str": "=", + "str": "review", "token_id": 29734, "o_rev_id": 1202071552, "in": [], @@ -256252,7 +256306,7 @@ ] }, { - "str": "|", + "str": "live", "token_id": 29735, "o_rev_id": 1202071552, "in": [], @@ -256261,7 +256315,7 @@ ] }, { - "str": "=", + "str": ",", "token_id": 29736, "o_rev_id": 1202071552, "in": [], @@ -256270,7 +256324,7 @@ ] }, { - "str": ",", + "str": "video", "token_id": 29737, "o_rev_id": 1202071552, "in": [], @@ -256288,7 +256342,7 @@ ] }, { - "str": "|", + "str": "url", "token_id": 29739, "o_rev_id": 1202071552, "in": [], @@ -256297,7 +256351,7 @@ ] }, { - "str": "=", + "str": "-", "token_id": 29740, "o_rev_id": 1202071552, "in": [], @@ -256306,7 +256360,7 @@ ] }, { - "str": "name", + "str": "the", "token_id": 29741, "o_rev_id": 1202071552, "in": [], @@ -256315,7 +256369,7 @@ ] }, { - "str": "=", + "str": ",", "token_id": 29742, "o_rev_id": 1202071552, "in": [], @@ -256324,7 +256378,7 @@ ] }, { - "str": "\"", + "str": "first", "token_id": 29743, "o_rev_id": 1202071552, "in": [], @@ -256333,7 +256387,7 @@ ] }, { - "str": "\"", + "str": ",", "token_id": 29744, "o_rev_id": 1202071552, "in": [], @@ -256342,7 +256396,7 @@ ] }, { - "str": "|", + "str": ",", "token_id": 29745, "o_rev_id": 1202071552, "in": [], @@ -256351,7 +256405,7 @@ ] }, { - "str": "=", + "str": ",", "token_id": 29746, "o_rev_id": 1202071552, "in": [], @@ -256360,7 +256414,7 @@ ] }, { - "str": "|", + "str": "2022", "token_id": 29747, "o_rev_id": 1202071552, "in": [], @@ -256369,7 +256423,7 @@ ] }, { - "str": "=", + "str": ",", "token_id": 29748, "o_rev_id": 1202071552, "in": [], @@ -256378,7 +256432,7 @@ ] }, { - "str": "|", + "str": ",", "token_id": 29749, "o_rev_id": 1202071552, "in": [], @@ -256387,7 +256441,7 @@ ] }, { - "str": "=", + "str": ",", "token_id": 29750, "o_rev_id": 1202071552, "in": [], @@ -256405,7 +256459,7 @@ ] }, { - "str": "|", + "str": ",", "token_id": 29752, "o_rev_id": 1202071552, "in": [], @@ -256414,7 +256468,7 @@ ] }, { - "str": "=", + "str": ",", "token_id": 29753, "o_rev_id": 1202071552, "in": [], @@ -256423,7 +256477,7 @@ ] }, { - "str": "squid", + "str": "2022", "token_id": 29754, "o_rev_id": 1202071552, "in": [], @@ -256432,7 +256486,7 @@ ] }, { - "str": "game", + "str": ",", "token_id": 29755, "o_rev_id": 1202071552, "in": [], @@ -256441,7 +256495,7 @@ ] }, { - "str": "7", + "str": "in", "token_id": 29756, "o_rev_id": 1202071552, "in": [], @@ -256459,7 +256513,7 @@ ] }, { - "str": "9", + "str": ",", "token_id": 29758, "o_rev_id": 1202071552, "in": [], @@ -256477,7 +256531,7 @@ ] }, { - "str": "name", + "str": ",", "token_id": 29760, "o_rev_id": 1202071552, "in": [], @@ -256486,7 +256540,7 @@ ] }, { - "str": "=", + "str": ",", "token_id": 29761, "o_rev_id": 1202071552, "in": [], @@ -256495,7 +256549,7 @@ ] }, { - "str": "\"", + "str": ",", "token_id": 29762, "o_rev_id": 1202071552, "in": [], @@ -256504,7 +256558,7 @@ ] }, { - "str": "\"", + "str": ",", "token_id": 29763, "o_rev_id": 1202071552, "in": [], @@ -256513,7 +256567,7 @@ ] }, { - "str": "7", + "str": ",", "token_id": 29764, "o_rev_id": 1202071552, "in": [], @@ -256522,7 +256576,7 @@ ] }, { - "str": ",", + "str": "shares", "token_id": 29765, "o_rev_id": 1202071552, "in": [], @@ -256531,7 +256585,7 @@ ] }, { - "str": "7", + "str": "jump", "token_id": 29766, "o_rev_id": 1202071552, "in": [], @@ -256540,7 +256594,7 @@ ] }, { - "str": ",", + "str": "%", "token_id": 29767, "o_rev_id": 1202071552, "in": [], @@ -256549,7 +256603,7 @@ ] }, { - "str": ",", + "str": "record", "token_id": 29768, "o_rev_id": 1202071552, "in": [], @@ -256558,7 +256612,7 @@ ] }, { - "str": "-", + "str": "'", "token_id": 29769, "o_rev_id": 1202071552, "in": [], @@ -256567,7 +256621,7 @@ ] }, { - "str": "name", + "str": "'", "token_id": 29770, "o_rev_id": 1202071552, "in": [], @@ -256576,7 +256630,7 @@ ] }, { - "str": "=", + "str": "launch", "token_id": 29771, "o_rev_id": 1202071552, "in": [], @@ -256585,7 +256639,7 @@ ] }, { - "str": "\"", + "str": "september", "token_id": 29772, "o_rev_id": 1202071552, "in": [], @@ -256594,7 +256648,7 @@ ] }, { - "str": "\"", + "str": ",", "token_id": 29773, "o_rev_id": 1202071552, "in": [], @@ -256603,7 +256657,7 @@ ] }, { - "str": "first", + "str": "september", "token_id": 29774, "o_rev_id": 1202071552, "in": [], @@ -256612,7 +256666,7 @@ ] }, { - "str": "|", + "str": ",", "token_id": 29775, "o_rev_id": 1202071552, "in": [], @@ -256621,7 +256675,7 @@ ] }, { - "str": "=", + "str": "september", "token_id": 29776, "o_rev_id": 1202071552, "in": [], @@ -256630,7 +256684,7 @@ ] }, { - "str": "7", + "str": ",", "token_id": 29777, "o_rev_id": 1202071552, "in": [], @@ -256639,7 +256693,7 @@ ] }, { - "str": ",", + "str": "september", "token_id": 29778, "o_rev_id": 1202071552, "in": [], @@ -256648,7 +256702,7 @@ ] }, { - "str": "|", + "str": "15", "token_id": 29779, "o_rev_id": 1202071552, "in": [], @@ -256657,7 +256711,7 @@ ] }, { - "str": "=", + "str": ",", "token_id": 29780, "o_rev_id": 1202071552, "in": [], @@ -256666,7 +256720,7 @@ ] }, { - "str": "review", + "str": "september", "token_id": 29781, "o_rev_id": 1202071552, "in": [], @@ -256675,7 +256729,7 @@ ] }, { - "str": "live", + "str": "15", "token_id": 29782, "o_rev_id": 1202071552, "in": [], @@ -256693,7 +256747,7 @@ ] }, { - "str": "video", + "str": "september", "token_id": 29784, "o_rev_id": 1202071552, "in": [], @@ -256702,7 +256756,7 @@ ] }, { - "str": ",", + "str": "12", "token_id": 29785, "o_rev_id": 1202071552, "in": [], @@ -256711,7 +256765,7 @@ ] }, { - "str": "review", + "str": ",", "token_id": 29786, "o_rev_id": 1202071552, "in": [], @@ -256720,7 +256774,7 @@ ] }, { - "str": "-", + "str": ",", "token_id": 29787, "o_rev_id": 1202071552, "in": [], @@ -256729,7 +256783,7 @@ ] }, { - "str": "-", + "str": ",", "token_id": 29788, "o_rev_id": 1202071552, "in": [], @@ -256738,7 +256792,7 @@ ] }, { - "str": ",", + "str": "|", "token_id": 29789, "o_rev_id": 1202071552, "in": [], @@ -256747,7 +256801,7 @@ ] }, { - "str": "|", + "str": "date", "token_id": 29790, "o_rev_id": 1202071552, "in": [], @@ -256765,7 +256819,7 @@ ] }, { - "str": "first", + "str": "september", "token_id": 29792, "o_rev_id": 1202071552, "in": [], @@ -256783,7 +256837,7 @@ ] }, { - "str": "3", + "str": "|", "token_id": 29794, "o_rev_id": 1202071552, "in": [], @@ -256792,7 +256846,7 @@ ] }, { - "str": ",", + "str": "title", "token_id": 29795, "o_rev_id": 1202071552, "in": [], @@ -256801,7 +256855,7 @@ ] }, { - "str": "-", + "str": "=", "token_id": 29796, "o_rev_id": 1202071552, "in": [], @@ -256828,7 +256882,7 @@ ] }, { - "str": "nintendo", + "str": "{{", "token_id": 29799, "o_rev_id": 1202071552, "in": [], @@ -256837,7 +256891,7 @@ ] }, { - "str": "splatoon", + "str": "cite", "token_id": 29800, "o_rev_id": 1202071552, "in": [], @@ -256846,7 +256900,7 @@ ] }, { - "str": "3", + "str": "web", "token_id": 29801, "o_rev_id": 1202071552, "in": [], @@ -256855,7 +256909,7 @@ ] }, { - "str": "the", + "str": "september", "token_id": 29802, "o_rev_id": 1202071552, "in": [], @@ -256864,7 +256918,7 @@ ] }, { - "str": "fastest", + "str": ",", "token_id": 29803, "o_rev_id": 1202071552, "in": [], @@ -256873,7 +256927,7 @@ ] }, { - "str": "selling", + "str": ",", "token_id": 29804, "o_rev_id": 1202071552, "in": [], @@ -256882,7 +256936,7 @@ ] }, { - "str": ",", + "str": "2022", "token_id": 29805, "o_rev_id": 1202071552, "in": [], @@ -256891,7 +256945,7 @@ ] }, { - "str": "|", + "str": "nintendo", "token_id": 29806, "o_rev_id": 1202071552, "in": [], @@ -256900,7 +256954,7 @@ ] }, { - "str": "=", + "str": ",", "token_id": 29807, "o_rev_id": 1202071552, "in": [], @@ -256909,7 +256963,7 @@ ] }, { - "str": ",", + "str": "<", "token_id": 29808, "o_rev_id": 1202071552, "in": [], @@ -256918,7 +256972,7 @@ ] }, { - "str": ",", + "str": "ref", "token_id": 29809, "o_rev_id": 1202071552, "in": [], @@ -256927,7 +256981,7 @@ ] }, { - "str": "|", + "str": ">", "token_id": 29810, "o_rev_id": 1202071552, "in": [], @@ -256936,7 +256990,7 @@ ] }, { - "str": "-", + "str": "{{", "token_id": 29811, "o_rev_id": 1202071552, "in": [], @@ -256945,7 +256999,7 @@ ] }, { - "str": "=", + "str": "cite", "token_id": 29812, "o_rev_id": 1202071552, "in": [], @@ -256954,7 +257008,7 @@ ] }, { - "str": ",", + "str": "web", "token_id": 29813, "o_rev_id": 1202071552, "in": [], @@ -256963,7 +257017,7 @@ ] }, { - "str": ",", + "str": "|", "token_id": 29814, "o_rev_id": 1202071552, "in": [], @@ -256972,7 +257026,7 @@ ] }, { - "str": ",", + "str": "last", "token_id": 29815, "o_rev_id": 1202071552, "in": [], @@ -256981,7 +257035,7 @@ ] }, { - "str": "at", + "str": "=", "token_id": 29816, "o_rev_id": 1202071552, "in": [], @@ -256990,7 +257044,7 @@ ] }, { - "str": "the", + "str": "|", "token_id": 29817, "o_rev_id": 1202071552, "in": [], @@ -256999,7 +257053,7 @@ ] }, { - "str": "time", + "str": "first", "token_id": 29818, "o_rev_id": 1202071552, "in": [], @@ -257008,7 +257062,7 @@ ] }, { - "str": "pokémon", + "str": "=", "token_id": 29819, "o_rev_id": 1202071552, "in": [], @@ -257017,7 +257071,7 @@ ] }, { - "str": "and", + "str": "|", "token_id": 29820, "o_rev_id": 1202071552, "in": [], @@ -257026,7 +257080,7 @@ ] }, { - "str": "in", + "str": "date", "token_id": 29821, "o_rev_id": 1202071552, "in": [], @@ -257035,7 +257089,7 @@ ] }, { - "str": ",", + "str": "=", "token_id": 29822, "o_rev_id": 1202071552, "in": [], @@ -257053,7 +257107,7 @@ ] }, { - "str": "pokémon", + "str": ":", "token_id": 29824, "o_rev_id": 1202071552, "in": [], @@ -257062,7 +257116,7 @@ ] }, { - "str": "scarlet", + "str": ",", "token_id": 29825, "o_rev_id": 1202071552, "in": [], @@ -257071,7 +257125,7 @@ ] }, { - "str": "days", + "str": "|", "token_id": 29826, "o_rev_id": 1202071552, "in": [], @@ -257080,7 +257134,7 @@ ] }, { - "str": ",", + "str": "website", "token_id": 29827, "o_rev_id": 1202071552, "in": [], @@ -257089,7 +257143,7 @@ ] }, { - "str": ",", + "str": "=", "token_id": 29828, "o_rev_id": 1202071552, "in": [], @@ -257098,7 +257152,7 @@ ] }, { - "str": ",", + "str": "nintendo", "token_id": 29829, "o_rev_id": 1202071552, "in": [], @@ -257107,7 +257161,7 @@ ] }, { - "str": ",", + "str": "|", "token_id": 29830, "o_rev_id": 1202071552, "in": [], @@ -257116,7 +257170,7 @@ ] }, { - "str": ",", + "str": "language", "token_id": 29831, "o_rev_id": 1202071552, "in": [], @@ -257125,7 +257179,7 @@ ] }, { - "str": ",", + "str": "=", "token_id": 29832, "o_rev_id": 1202071552, "in": [], @@ -257134,7 +257188,7 @@ ] }, { - "str": "%", + "str": "en", "token_id": 29833, "o_rev_id": 1202071552, "in": [], @@ -257143,7 +257197,7 @@ ] }, { - "str": "record", + "str": "october", "token_id": 29834, "o_rev_id": 1202071552, "in": [], @@ -257152,7 +257206,7 @@ ] }, { - "str": "'", + "str": "13", "token_id": 29835, "o_rev_id": 1202071552, "in": [], @@ -257161,7 +257215,7 @@ ] }, { - "str": "'", + "str": ",", "token_id": 29836, "o_rev_id": 1202071552, "in": [], @@ -257170,7 +257224,7 @@ ] }, { - "str": "launch", + "str": "as", "token_id": 29837, "o_rev_id": 1202071552, "in": [], @@ -257179,7 +257233,7 @@ ] }, { - "str": "september", + "str": "october", "token_id": 29838, "o_rev_id": 1202071552, "in": [], @@ -257197,7 +257251,7 @@ ] }, { - "str": "september", + "str": "2022", "token_id": 29840, "o_rev_id": 1202071552, "in": [], @@ -257215,7 +257269,7 @@ ] }, { - "str": "september", + "str": "'", "token_id": 29842, "o_rev_id": 1202071552, "in": [], @@ -257224,7 +257278,7 @@ ] }, { - "str": ",", + "str": "'", "token_id": 29843, "o_rev_id": 1202071552, "in": [], @@ -257233,7 +257287,7 @@ ] }, { - "str": "september", + "str": "splatoon", "token_id": 29844, "o_rev_id": 1202071552, "in": [], @@ -257242,7 +257296,7 @@ ] }, { - "str": "15", + "str": "3", "token_id": 29845, "o_rev_id": 1202071552, "in": [], @@ -257251,7 +257305,7 @@ ] }, { - "str": ",", + "str": "'", "token_id": 29846, "o_rev_id": 1202071552, "in": [], @@ -257260,7 +257314,7 @@ ] }, { - "str": "september", + "str": "'", "token_id": 29847, "o_rev_id": 1202071552, "in": [], @@ -257269,7 +257323,7 @@ ] }, { - "str": "15", + "str": "game", "token_id": 29848, "o_rev_id": 1202071552, "in": [], @@ -257278,7 +257332,7 @@ ] }, { - "str": ",", + "str": "2022", "token_id": 29849, "o_rev_id": 1202071552, "in": [], @@ -257287,7 +257341,7 @@ ] }, { - "str": "september", + "str": ",", "token_id": 29850, "o_rev_id": 1202071552, "in": [], @@ -257296,7 +257350,7 @@ ] }, { - "str": "12", + "str": "after", "token_id": 29851, "o_rev_id": 1202071552, "in": [], @@ -257305,7 +257359,7 @@ ] }, { - "str": ",", + "str": ".", "token_id": 29852, "o_rev_id": 1202071552, "in": [], @@ -257314,7 +257368,7 @@ ] }, { - "str": ",", + "str": "<", "token_id": 29853, "o_rev_id": 1202071552, "in": [], @@ -257323,7 +257377,7 @@ ] }, { - "str": ",", + "str": "ref", "token_id": 29854, "o_rev_id": 1202071552, "in": [], @@ -257332,7 +257386,7 @@ ] }, { - "str": "|", + "str": ">", "token_id": 29855, "o_rev_id": 1202071552, "in": [], @@ -257341,7 +257395,7 @@ ] }, { - "str": "=", + "str": "{{", "token_id": 29856, "o_rev_id": 1202071552, "in": [], @@ -257350,7 +257404,7 @@ ] }, { - "str": "<", + "str": "cite", "token_id": 29857, "o_rev_id": 1202071552, "in": [], @@ -257359,7 +257413,7 @@ ] }, { - "str": ">", + "str": "web", "token_id": 29858, "o_rev_id": 1202071552, "in": [], @@ -257368,7 +257422,7 @@ ] }, { - "str": "|", + "str": "first", "token_id": 29859, "o_rev_id": 1202071552, "in": [], @@ -257377,7 +257431,7 @@ ] }, { - "str": "=", + "str": "october", "token_id": 29860, "o_rev_id": 1202071552, "in": [], @@ -257386,7 +257440,7 @@ ] }, { - "str": "september", + "str": ",", "token_id": 29861, "o_rev_id": 1202071552, "in": [], @@ -257395,7 +257449,7 @@ ] }, { - "str": ",", + "str": "2022", "token_id": 29862, "o_rev_id": 1202071552, "in": [], @@ -257413,7 +257467,7 @@ ] }, { - "str": "=", + "str": "title", "token_id": 29864, "o_rev_id": 1202071552, "in": [], @@ -257422,7 +257476,7 @@ ] }, { - "str": ",", + "str": "=", "token_id": 29865, "o_rev_id": 1202071552, "in": [], @@ -257431,7 +257485,7 @@ ] }, { - "str": "-", + "str": "splatoon", "token_id": 29866, "o_rev_id": 1202071552, "in": [], @@ -257440,7 +257494,7 @@ ] }, { - "str": ",", + "str": "3", "token_id": 29867, "o_rev_id": 1202071552, "in": [], @@ -257449,7 +257503,7 @@ ] }, { - "str": "{{", + "str": "is", "token_id": 29868, "o_rev_id": 1202071552, "in": [], @@ -257458,7 +257512,7 @@ ] }, { - "str": "cite", + "str": "game", "token_id": 29869, "o_rev_id": 1202071552, "in": [], @@ -257467,7 +257521,7 @@ ] }, { - "str": "web", + "str": "of", "token_id": 29870, "o_rev_id": 1202071552, "in": [], @@ -257476,7 +257530,7 @@ ] }, { - "str": "|", + "str": "2022", "token_id": 29871, "o_rev_id": 1202071552, "in": [], @@ -257485,7 +257539,7 @@ ] }, { - "str": "=", + "str": "in", "token_id": 29872, "o_rev_id": 1202071552, "in": [], @@ -257494,7 +257548,7 @@ ] }, { - "str": "|", + "str": "japan", "token_id": 29873, "o_rev_id": 1202071552, "in": [], @@ -257503,7 +257557,7 @@ ] }, { - "str": "=", + "str": "|", "token_id": 29874, "o_rev_id": 1202071552, "in": [], @@ -257512,7 +257566,7 @@ ] }, { - "str": "|", + "str": "url", "token_id": 29875, "o_rev_id": 1202071552, "in": [], @@ -257530,7 +257584,7 @@ ] }, { - "str": "september", + "str": "october", "token_id": 29877, "o_rev_id": 1202071552, "in": [], @@ -257548,7 +257602,7 @@ ] }, { - "str": ",", + "str": "2022", "token_id": 29879, "o_rev_id": 1202071552, "in": [], @@ -257557,7 +257611,7 @@ ] }, { - "str": "2022", + "str": "|", "token_id": 29880, "o_rev_id": 1202071552, "in": [], @@ -257566,7 +257620,7 @@ ] }, { - "str": "nintendo", + "str": "website", "token_id": 29881, "o_rev_id": 1202071552, "in": [], @@ -257575,7 +257629,7 @@ ] }, { - "str": "-", + "str": "=", "token_id": 29882, "o_rev_id": 1202071552, "in": [], @@ -257584,7 +257638,7 @@ ] }, { - "str": ",", + "str": "nintendo", "token_id": 29883, "o_rev_id": 1202071552, "in": [], @@ -257593,7 +257647,7 @@ ] }, { - "str": "|", + "str": "life", "token_id": 29884, "o_rev_id": 1202071552, "in": [], @@ -257602,7 +257656,7 @@ ] }, { - "str": "=", + "str": "|", "token_id": 29885, "o_rev_id": 1202071552, "in": [], @@ -257611,7 +257665,7 @@ ] }, { - "str": "<", + "str": "language", "token_id": 29886, "o_rev_id": 1202071552, "in": [], @@ -257620,7 +257674,7 @@ ] }, { - "str": "ref", + "str": "=", "token_id": 29887, "o_rev_id": 1202071552, "in": [], @@ -257629,7 +257683,7 @@ ] }, { - "str": ">", + "str": "en", "token_id": 29888, "o_rev_id": 1202071552, "in": [], @@ -257638,7 +257692,7 @@ ] }, { - "str": "{{", + "str": "-", "token_id": 29889, "o_rev_id": 1202071552, "in": [], @@ -257647,7 +257701,7 @@ ] }, { - "str": "cite", + "str": "october", "token_id": 29890, "o_rev_id": 1202071552, "in": [], @@ -257656,7 +257710,7 @@ ] }, { - "str": "web", + "str": ",", "token_id": 29891, "o_rev_id": 1202071552, "in": [], @@ -257665,7 +257719,7 @@ ] }, { - "str": "|", + "str": "2022", "token_id": 29892, "o_rev_id": 1202071552, "in": [], @@ -257674,7 +257728,7 @@ ] }, { - "str": "=", + "str": "-", "token_id": 29893, "o_rev_id": 1202071552, "in": [], @@ -257683,7 +257737,7 @@ ] }, { - "str": "|", + "str": "url", "token_id": 29894, "o_rev_id": 1202071552, "in": [], @@ -257692,7 +257746,7 @@ ] }, { - "str": "=", + "str": ",", "token_id": 29895, "o_rev_id": 1202071552, "in": [], @@ -257701,7 +257755,7 @@ ] }, { - "str": "|", + "str": "2022", "token_id": 29896, "o_rev_id": 1202071552, "in": [], @@ -257710,7 +257764,7 @@ ] }, { - "str": "=", + "str": "-", "token_id": 29897, "o_rev_id": 1202071552, "in": [], @@ -257728,7 +257782,7 @@ ] }, { - "str": ":", + "str": "|", "token_id": 29899, "o_rev_id": 1202071552, "in": [], @@ -257737,7 +257791,7 @@ ] }, { - "str": "-", + "str": "website", "token_id": 29900, "o_rev_id": 1202071552, "in": [], @@ -257746,7 +257800,7 @@ ] }, { - "str": ",", + "str": "=", "token_id": 29901, "o_rev_id": 1202071552, "in": [], @@ -257764,7 +257818,7 @@ ] }, { - "str": "website", + "str": "last", "token_id": 29903, "o_rev_id": 1202071552, "in": [], @@ -257782,7 +257836,7 @@ ] }, { - "str": "nintendo", + "str": "|", "token_id": 29905, "o_rev_id": 1202071552, "in": [], @@ -257791,7 +257845,7 @@ ] }, { - "str": "|", + "str": "first", "token_id": 29906, "o_rev_id": 1202071552, "in": [], @@ -257800,7 +257854,7 @@ ] }, { - "str": "language", + "str": "=", "token_id": 29907, "o_rev_id": 1202071552, "in": [], @@ -257809,7 +257863,7 @@ ] }, { - "str": "=", + "str": "|", "token_id": 29908, "o_rev_id": 1202071552, "in": [], @@ -257818,7 +257872,7 @@ ] }, { - "str": "en", + "str": "archive", "token_id": 29909, "o_rev_id": 1202071552, "in": [], @@ -257827,7 +257881,7 @@ ] }, { - "str": "october", + "str": "-", "token_id": 29910, "o_rev_id": 1202071552, "in": [], @@ -257836,7 +257890,7 @@ ] }, { - "str": "13", + "str": "url", "token_id": 29911, "o_rev_id": 1202071552, "in": [], @@ -257845,7 +257899,7 @@ ] }, { - "str": ",", + "str": "=", "token_id": 29912, "o_rev_id": 1202071552, "in": [], @@ -257854,7 +257908,7 @@ ] }, { - "str": "as", + "str": "|", "token_id": 29913, "o_rev_id": 1202071552, "in": [], @@ -257863,7 +257917,7 @@ ] }, { - "str": "october", + "str": "archive", "token_id": 29914, "o_rev_id": 1202071552, "in": [], @@ -257872,7 +257926,7 @@ ] }, { - "str": ",", + "str": "-", "token_id": 29915, "o_rev_id": 1202071552, "in": [], @@ -257881,7 +257935,7 @@ ] }, { - "str": "2022", + "str": "date", "token_id": 29916, "o_rev_id": 1202071552, "in": [], @@ -257890,7 +257944,7 @@ ] }, { - "str": ",", + "str": "=", "token_id": 29917, "o_rev_id": 1202071552, "in": [], @@ -257899,7 +257953,7 @@ ] }, { - "str": "'", + "str": ",", "token_id": 29918, "o_rev_id": 1202071552, "in": [], @@ -257908,7 +257962,7 @@ ] }, { - "str": "'", + "str": "url", "token_id": 29919, "o_rev_id": 1202071552, "in": [], @@ -257917,7 +257971,7 @@ ] }, { - "str": "splatoon", + "str": "-", "token_id": 29920, "o_rev_id": 1202071552, "in": [], @@ -257926,7 +257980,7 @@ ] }, { - "str": "3", + "str": "<", "token_id": 29921, "o_rev_id": 1202071552, "in": [], @@ -257935,7 +257989,7 @@ ] }, { - "str": "'", + "str": "ref", "token_id": 29922, "o_rev_id": 1202071552, "in": [], @@ -257944,7 +257998,7 @@ ] }, { - "str": "'", + "str": ">", "token_id": 29923, "o_rev_id": 1202071552, "in": [], @@ -257953,7 +258007,7 @@ ] }, { - "str": "game", + "str": "|", "token_id": 29924, "o_rev_id": 1202071552, "in": [], @@ -257962,7 +258016,7 @@ ] }, { - "str": "2022", + "str": "last", "token_id": 29925, "o_rev_id": 1202071552, "in": [], @@ -257971,7 +258025,7 @@ ] }, { - "str": ",", + "str": "=", "token_id": 29926, "o_rev_id": 1202071552, "in": [], @@ -257980,7 +258034,7 @@ ] }, { - "str": "after", + "str": "|", "token_id": 29927, "o_rev_id": 1202071552, "in": [], @@ -257989,7 +258043,7 @@ ] }, { - "str": ".", + "str": "first", "token_id": 29928, "o_rev_id": 1202071552, "in": [], @@ -257998,7 +258052,7 @@ ] }, { - "str": "<", + "str": "=", "token_id": 29929, "o_rev_id": 1202071552, "in": [], @@ -258007,7 +258061,7 @@ ] }, { - "str": "ref", + "str": "|", "token_id": 29930, "o_rev_id": 1202071552, "in": [], @@ -258016,7 +258070,7 @@ ] }, { - "str": ">", + "str": "work", "token_id": 29931, "o_rev_id": 1202071552, "in": [], @@ -258025,7 +258079,7 @@ ] }, { - "str": "{{", + "str": "=", "token_id": 29932, "o_rev_id": 1202071552, "in": [], @@ -258034,7 +258088,7 @@ ] }, { - "str": "cite", + "str": "[[", "token_id": 29933, "o_rev_id": 1202071552, "in": [], @@ -258043,7 +258097,7 @@ ] }, { - "str": "web", + "str": "ign", "token_id": 29934, "o_rev_id": 1202071552, "in": [], @@ -258052,7 +258106,7 @@ ] }, { - "str": "first", + "str": "]]", "token_id": 29935, "o_rev_id": 1202071552, "in": [], @@ -258061,7 +258115,7 @@ ] }, { - "str": "october", + "str": "|", "token_id": 29936, "o_rev_id": 1202071552, "in": [], @@ -258070,7 +258124,7 @@ ] }, { - "str": ",", + "str": "date", "token_id": 29937, "o_rev_id": 1202071552, "in": [], @@ -258079,7 +258133,7 @@ ] }, { - "str": "2022", + "str": "=", "token_id": 29938, "o_rev_id": 1202071552, "in": [], @@ -258088,7 +258142,7 @@ ] }, { - "str": "|", + "str": ",", "token_id": 29939, "o_rev_id": 1202071552, "in": [], @@ -258097,7 +258151,7 @@ ] }, { - "str": "title", + "str": "2022", "token_id": 29940, "o_rev_id": 1202071552, "in": [], @@ -258106,7 +258160,7 @@ ] }, { - "str": "=", + "str": "|", "token_id": 29941, "o_rev_id": 1202071552, "in": [], @@ -258115,7 +258169,7 @@ ] }, { - "str": "splatoon", + "str": "access", "token_id": 29942, "o_rev_id": 1202071552, "in": [], @@ -258124,7 +258178,7 @@ ] }, { - "str": "3", + "str": "-", "token_id": 29943, "o_rev_id": 1202071552, "in": [], @@ -258133,7 +258187,7 @@ ] }, { - "str": "is", + "str": "date", "token_id": 29944, "o_rev_id": 1202071552, "in": [], @@ -258142,7 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"token_id": 29955, "o_rev_id": 1202071552, "in": [], @@ -258241,7 +258295,7 @@ ] }, { - "str": "|", + "str": "archive", "token_id": 29956, "o_rev_id": 1202071552, "in": [], @@ -258250,7 +258304,7 @@ ] }, { - "str": "website", + "str": "-", "token_id": 29957, "o_rev_id": 1202071552, "in": [], @@ -258259,7 +258313,7 @@ ] }, { - "str": "=", + "str": "url", "token_id": 29958, "o_rev_id": 1202071552, "in": [], @@ -258268,7 +258322,7 @@ ] }, { - "str": "nintendo", + "str": "=", "token_id": 29959, "o_rev_id": 1202071552, "in": [], @@ -258277,7 +258331,7 @@ ] }, { - "str": "life", + "str": ",", "token_id": 29960, "o_rev_id": 1202071552, "in": [], @@ -258295,7 +258349,7 @@ ] }, { - "str": "language", + "str": "access", "token_id": 29962, "o_rev_id": 1202071552, "in": [], @@ -258304,7 +258358,7 @@ ] }, { - "str": "=", + "str": "-", "token_id": 29963, "o_rev_id": 1202071552, "in": [], @@ -258313,7 +258367,7 @@ ] }, { - "str": "en", + "str": "date", "token_id": 29964, "o_rev_id": 1202071552, "in": 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+261607,7 @@ }, { "str": "-", - "token_id": 30384, + "token_id": 30322, "o_rev_id": 1209478258, "in": [], "out": [ @@ -262120,7 +261616,7 @@ }, { "str": "date", - "token_id": 30385, + "token_id": 30323, "o_rev_id": 1209478258, "in": [], "out": [ @@ -262129,7 +261625,7 @@ }, { "str": "=", - "token_id": 30386, + "token_id": 30324, "o_rev_id": 1209478258, "in": [], "out": [ @@ -262138,7 +261634,7 @@ }, { "str": "2024", - "token_id": 30387, + "token_id": 30325, "o_rev_id": 1209478258, "in": [], "out": [ @@ -262147,7 +261643,7 @@ }, { "str": "-", - "token_id": 30388, + "token_id": 30326, "o_rev_id": 1209478258, "in": [], "out": [ @@ -262156,7 +261652,7 @@ }, { "str": "02", - "token_id": 30389, + "token_id": 30327, "o_rev_id": 1209478258, "in": [], "out": [ @@ -262165,7 +261661,7 @@ }, { "str": "-", - "token_id": 30390, + "token_id": 30328, "o_rev_id": 1209478258, "in": [], "out": [ @@ -262174,7 +261670,7 @@ }, { "str": "22", - "token_id": 30391, + "token_id": 30329, "o_rev_id": 1209478258, 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30337, "o_rev_id": 1209478258, "in": [], "out": [ @@ -262255,7 +261751,7 @@ }, { "str": "ム", - "token_id": 30400, + "token_id": 30338, "o_rev_id": 1209478258, "in": [], "out": [ @@ -262264,7 +261760,7 @@ }, { "str": "ペ", - "token_id": 30401, + "token_id": 30339, "o_rev_id": 1209478258, "in": [], "out": [ @@ -262273,7 +261769,7 @@ }, { "str": "ー", - "token_id": 30402, + "token_id": 30340, "o_rev_id": 1209478258, "in": [], "out": [ @@ -262282,7 +261778,7 @@ }, { "str": "ジ", - "token_id": 30403, + "token_id": 30341, "o_rev_id": 1209478258, "in": [], "out": [ @@ -262291,7 +261787,7 @@ }, { "str": "|", - "token_id": 30404, + "token_id": 30342, "o_rev_id": 1209478258, "in": [], "out": [ @@ -262300,7 +261796,7 @@ }, { "str": "language", - "token_id": 30405, + "token_id": 30343, "o_rev_id": 1209478258, "in": [], "out": [ @@ -262309,7 +261805,7 @@ }, { "str": "=", - "token_id": 30406, + "token_id": 30344, "o_rev_id": 1209478258, "in": [], "out": [ @@ -262318,7 +261814,7 @@ }, { "str": "ja", - "token_id": 30407, + "token_id": 30345, "o_rev_id": 1209478258, "in": [], "out": [ @@ -262327,7 +261823,7 @@ }, { "str": "}}", - "token_id": 30408, + "token_id": 30346, "o_rev_id": 1209478258, "in": [], "out": [ @@ -262336,7 +261832,7 @@ }, { "str": "<", - "token_id": 30409, + "token_id": 30347, "o_rev_id": 1209478258, "in": [], "out": [ @@ -262345,7 +261841,7 @@ }, { "str": "/", - "token_id": 30410, + "token_id": 30348, "o_rev_id": 1209478258, "in": [], "out": [ @@ -262354,7 +261850,7 @@ }, { "str": "ref", - "token_id": 30411, + "token_id": 30349, "o_rev_id": 1209478258, "in": [], "out": [ @@ -262363,7 +261859,7 @@ }, { "str": ">", - "token_id": 30412, + "token_id": 30350, "o_rev_id": 1209478258, "in": [], "out": [ @@ -262372,7 +261868,7 @@ }, { "str": "previous", - "token_id": 30413, + "token_id": 30351, "o_rev_id": 1209577951, "in": [], "out": [ @@ -262381,7 +261877,7 @@ }, { "str": "dlc", - "token_id": 30414, + "token_id": 30352, "o_rev_id": 1209577951, "in": [], "out": [ @@ 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"token_id": 30360, "o_rev_id": 1209577951, "in": [], "out": [ @@ -262462,7 +261958,7 @@ }, { "str": "members", - "token_id": 30423, + "token_id": 30361, "o_rev_id": 1209578428, "in": [], "out": [ @@ -262471,7 +261967,7 @@ }, { "str": "of", - "token_id": 30424, + "token_id": 30362, "o_rev_id": 1209578428, "in": [], "out": [ @@ -262480,7 +261976,7 @@ }, { "str": "[[", - "token_id": 30425, + "token_id": 30363, "o_rev_id": 1209578428, "in": [], "out": [ @@ -262489,7 +261985,7 @@ }, { "str": "#", - "token_id": 30426, + "token_id": 30364, "o_rev_id": 1209578428, "in": [], "out": [ @@ -262498,7 +261994,7 @@ }, { "str": "pearl", - "token_id": 30427, + "token_id": 30365, "o_rev_id": 1209578428, "in": [], "out": [ @@ -262507,7 +262003,7 @@ }, { "str": "and", - "token_id": 30428, + "token_id": 30366, "o_rev_id": 1209578428, "in": [], "out": [ @@ -262516,7 +262012,7 @@ }, { "str": "marina", - "token_id": 30429, + "token_id": 30367, "o_rev_id": 1209578428, "in": [], "out": [ @@ -262525,7 +262021,7 @@ }, { "str": "|", - "token_id": 30430, + "token_id": 30368, "o_rev_id": 1209578428, "in": [], "out": [ @@ -262534,7 +262030,7 @@ }, { "str": "off", - "token_id": 30431, + "token_id": 30369, "o_rev_id": 1209578428, "in": [], "out": [ @@ -262543,7 +262039,7 @@ }, { "str": "the", - "token_id": 30432, + "token_id": 30370, "o_rev_id": 1209578428, "in": [], "out": [ @@ -262552,7 +262048,7 @@ }, { "str": "hook", - "token_id": 30433, + "token_id": 30371, "o_rev_id": 1209578428, "in": [], "out": [ @@ -262561,7 +262057,7 @@ }, { "str": "]]", - "token_id": 30434, + "token_id": 30372, "o_rev_id": 1209578428, "in": [], "out": [ @@ -262570,7 +262066,7 @@ }, { "str": "[[", - "token_id": 30435, + "token_id": 30373, "o_rev_id": 1209578525, "in": [], "out": [ @@ -262579,7 +262075,7 @@ }, { "str": "|", - "token_id": 30436, + "token_id": 30374, "o_rev_id": 1209578525, "in": [], "out": [ @@ -262588,7 +262084,7 @@ }, { "str": "]]", - "token_id": 30437, + "token_id": 30375, "o_rev_id": 1209578525, "in": [], "out": [ @@ -262597,7 +262093,7 @@ }, { "str": "{{", - "token_id": 30438, + "token_id": 30376, "o_rev_id": 1209620073, "in": [], "out": [ @@ -262606,7 +262102,7 @@ }, { "str": "unreliable", - "token_id": 30439, + "token_id": 30377, "o_rev_id": 1209620073, "in": [], "out": [ @@ -262615,7 +262111,7 @@ }, { "str": "source", - "token_id": 30440, + "token_id": 30378, "o_rev_id": 1209620073, "in": [], "out": [ @@ -262624,7 +262120,7 @@ }, { "str": "|", - "token_id": 30441, + "token_id": 30379, "o_rev_id": 1209620073, "in": [], "out": [ @@ -262633,7 +262129,7 @@ }, { "str": "sure", - "token_id": 30442, + "token_id": 30380, "o_rev_id": 1209620073, "in": [], "out": [ @@ -262642,7 +262138,7 @@ }, { "str": "=", - "token_id": 30443, + "token_id": 30381, "o_rev_id": 1209620073, "in": [], "out": [ @@ -262651,7 +262147,7 @@ }, { "str": "y", - "token_id": 30444, + "token_id": 30382, "o_rev_id": 1209620073, "in": [], "out": [ @@ -262660,7 +262156,7 @@ }, { "str": "|", - "token_id": 30445, + 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@@ }, { "str": "wp", - "token_id": 30453, + "token_id": 30391, "o_rev_id": 1209620073, "in": [], "out": [ @@ -262741,7 +262237,7 @@ }, { "str": ":", - "token_id": 30454, + "token_id": 30392, "o_rev_id": 1209620073, "in": [], "out": [ @@ -262750,7 +262246,7 @@ }, { "str": "ugc", - "token_id": 30455, + "token_id": 30393, "o_rev_id": 1209620073, "in": [], "out": [ @@ -262759,7 +262255,7 @@ }, { "str": "|", - "token_id": 30456, + "token_id": 30394, "o_rev_id": 1209620073, "in": [], "out": [ @@ -262768,7 +262264,7 @@ }, { "str": "user", - "token_id": 30457, + "token_id": 30395, "o_rev_id": 1209620073, "in": [], "out": [ @@ -262777,7 +262273,7 @@ }, { "str": "-", - "token_id": 30458, + "token_id": 30396, "o_rev_id": 1209620073, "in": [], "out": [ @@ -262786,7 +262282,7 @@ }, { "str": "generated", - "token_id": 30459, + "token_id": 30397, "o_rev_id": 1209620073, "in": [], "out": [ @@ -262795,7 +262291,7 @@ }, { "str": "content", - "token_id": 30460, + "token_id": 30398, "o_rev_id": 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+262642,7 @@ }, { "str": "squid", - "token_id": 30499, + "token_id": 30437, "o_rev_id": 1209781181, "in": [], "out": [ @@ -263155,7 +262651,7 @@ }, { "str": "now", - "token_id": 30500, + "token_id": 30438, "o_rev_id": 1209781181, "in": [], "out": [ @@ -263164,7 +262660,7 @@ }, { "str": "!", - "token_id": 30501, + "token_id": 30439, "o_rev_id": 1209781181, "in": [], "out": [ @@ -263173,7 +262669,7 @@ }, { "str": "now", - "token_id": 30502, + "token_id": 30440, "o_rev_id": 1209781181, "in": [], "out": [ @@ -263182,7 +262678,7 @@ }, { "str": "you", - "token_id": 30503, + "token_id": 30441, "o_rev_id": 1209781181, "in": [], "out": [ @@ -263191,7 +262687,7 @@ }, { "str": "shall", - "token_id": 30504, + "token_id": 30442, "o_rev_id": 1209781181, "in": [], "out": [ @@ -263200,7 +262696,7 @@ }, { "str": "kill", - "token_id": 30505, + "token_id": 30443, "o_rev_id": 1209781181, "in": [], "out": [ @@ -263209,7 +262705,7 @@ }, { "str": "other", - "token_id": 30506, + "token_id": 30444, "o_rev_id": 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+262849,7 @@ }, { "str": "a", - "token_id": 30522, + "token_id": 30460, "o_rev_id": 1209797851, "in": [], "out": [ @@ -263362,7 +262858,7 @@ }, { "str": "single", - "token_id": 30523, + "token_id": 30461, "o_rev_id": 1209797851, "in": [], "out": [ @@ -263371,7 +262867,7 @@ }, { "str": "player", - "token_id": 30524, + "token_id": 30462, "o_rev_id": 1209797851, "in": [], "out": [ @@ -263380,7 +262876,7 @@ }, { "str": "dlc", - "token_id": 30525, + "token_id": 30463, "o_rev_id": 1209797851, "in": [], "out": [ @@ -263389,7 +262885,7 @@ }, { "str": "with", - "token_id": 30526, + "token_id": 30464, "o_rev_id": 1209797851, "in": [], "out": [ @@ -263398,7 +262894,7 @@ }, { "str": "the", - "token_id": 30527, + "token_id": 30465, "o_rev_id": 1209797851, "in": [], "out": [ @@ -263407,7 +262903,7 @@ }, { "str": "main", - "token_id": 30528, + "token_id": 30466, "o_rev_id": 1209797851, "in": [], "out": [ @@ -263416,7 +262912,7 @@ }, { "str": "character", - "token_id": 30529, + "token_id": 30467, 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30984, "o_rev_id": 1216767975, "in": [], @@ -267199,7 +267253,7 @@ ] }, { - "str": "|", + "str": "occured", "token_id": 30985, "o_rev_id": 1216767975, "in": [], @@ -267208,7 +267262,7 @@ ] }, { - "str": "a", + "str": ".", "token_id": 30986, "o_rev_id": 1216767975, "in": [], @@ -267217,7 +267271,7 @@ ] }, { - "str": "communication", + "str": "a", "token_id": 30987, "o_rev_id": 1216767975, "in": [], @@ -267226,7 +267280,7 @@ ] }, { - "str": "error", + "str": "communication", "token_id": 30988, "o_rev_id": 1216767975, "in": [], @@ -267235,7 +267289,7 @@ ] }, { - "str": "has", + "str": "error", "token_id": 30989, "o_rev_id": 1216767975, "in": [], @@ -267244,7 +267298,7 @@ ] }, { - "str": "occured", + "str": "has", "token_id": 30990, "o_rev_id": 1216767975, "in": [], @@ -267253,7 +267307,7 @@ ] }, { - "str": ".", + "str": "occured", "token_id": 30991, "o_rev_id": 1216767975, "in": [], @@ -267262,7 +267316,7 @@ ] }, { - "str": "2", + "str": ".", "token_id": 30992, "o_rev_id": 1216767975, "in": [], @@ -267721,7 +267775,7 @@ ] }, { - "str": "a", + "str": "|", "token_id": 31043, "o_rev_id": 1216767975, "in": [], @@ -267730,7 +267784,7 @@ ] }, { - "str": "communication", + "str": "a", "token_id": 31044, "o_rev_id": 1216767975, "in": [], @@ -267739,7 +267793,7 @@ ] }, { - "str": "error", + "str": "communication", "token_id": 31045, "o_rev_id": 1216767975, "in": [], @@ -267748,7 +267802,7 @@ ] }, { - "str": "has", + "str": "error", "token_id": 31046, "o_rev_id": 1216767975, "in": [], @@ -267757,7 +267811,7 @@ ] }, { - "str": "occured", + "str": "has", "token_id": 31047, "o_rev_id": 1216767975, "in": [], @@ -267766,7 +267820,7 @@ ] }, { - "str": ".", + "str": "occured", "token_id": 31048, "o_rev_id": 1216767975, "in": [], @@ -267775,7 +267829,7 @@ ] }, { - "str": "a", + "str": ".", "token_id": 31049, "o_rev_id": 1216767975, "in": [], @@ -267784,7 +267838,7 @@ ] }, { - "str": "communication", + "str": "a", "token_id": 31050, "o_rev_id": 1216767975, "in": [], @@ -267793,7 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{ - "str": "occured", + "str": "has", "token_id": 31059, "o_rev_id": 1216767975, "in": [], @@ -267874,7 +267928,7 @@ ] }, { - "str": ".", + "str": "occured", "token_id": 31060, "o_rev_id": 1216767975, "in": [], @@ -267883,7 +267937,7 @@ ] }, { - "str": "a", + "str": ".", "token_id": 31061, "o_rev_id": 1216767975, "in": [], @@ -267892,7 +267946,7 @@ ] }, { - "str": "communication", + "str": "a", "token_id": 31062, "o_rev_id": 1216767975, "in": [], @@ -267901,7 +267955,7 @@ ] }, { - "str": "error", + "str": "communication", "token_id": 31063, "o_rev_id": 1216767975, "in": [], @@ -267910,7 +267964,7 @@ ] }, { - "str": "has", + "str": "error", "token_id": 31064, "o_rev_id": 1216767975, "in": [], @@ -267919,7 +267973,7 @@ ] }, { - "str": "occured", + "str": "has", "token_id": 31065, "o_rev_id": 1216767975, "in": [], @@ -267928,7 +267982,7 @@ ] }, { - "str": ".", + "str": "occured", "token_id": 31066, "o_rev_id": 1216767975, "in": [], @@ -267937,7 +267991,7 @@ ] }, { - "str": "a", + "str": ".", "token_id": 31067, "o_rev_id": 1216767975, "in": [], @@ -267946,7 +268000,7 @@ ] }, { - "str": "communication", + "str": "octo", "token_id": 31068, "o_rev_id": 1216767975, "in": [], @@ -267955,7 +268009,7 @@ ] }, { - "str": "error", + "str": "expansion", "token_id": 31069, "o_rev_id": 1216767975, "in": [], @@ -267964,7 +268018,7 @@ ] }, { - "str": "has", + "str": "|", "token_id": 31070, "o_rev_id": 1216767975, "in": [], @@ -267973,7 +268027,7 @@ ] }, { - "str": "occured", + "str": "a", "token_id": 31071, "o_rev_id": 1216767975, "in": [], @@ -267982,7 +268036,7 @@ ] }, { - "str": ".", + "str": "communication", "token_id": 31072, "o_rev_id": 1216767975, "in": [], @@ -267991,7 +268045,7 @@ ] }, { - "str": "a", + "str": "error", "token_id": 31073, "o_rev_id": 1216767975, "in": [], @@ -268000,7 +268054,7 @@ ] }, { - "str": "communication", + "str": "has", "token_id": 31074, "o_rev_id": 1216767975, "in": [], @@ -268009,7 +268063,7 @@ ] }, { - "str": "error", + "str": "occured", "token_id": 31075, "o_rev_id": 1216767975, "in": [], @@ -268018,7 +268072,7 @@ ] }, { - "str": "has", + "str": ".", "token_id": 31076, "o_rev_id": 1216767975, "in": [], @@ -268027,7 +268081,7 @@ ] }, { - "str": "occured", + "str": "2", "token_id": 31077, "o_rev_id": 1216767975, "in": [], @@ -268036,7 +268090,7 @@ ] }, { - "str": ".", + "str": ":", "token_id": 31078, "o_rev_id": 1216767975, "in": [], @@ -268045,7 +268099,7 @@ ] }, { - "str": "|", + "str": "a", "token_id": 31079, "o_rev_id": 1216767975, "in": [], @@ -268054,7 +268108,7 @@ ] }, { - "str": "a", + "str": "communication", "token_id": 31080, "o_rev_id": 1216767975, "in": [], @@ -268063,7 +268117,7 @@ ] }, { - "str": "communication", + "str": "error", "token_id": 31081, "o_rev_id": 1216767975, "in": [], @@ -268072,7 +268126,7 @@ ] }, { - "str": "error", + "str": "has", "token_id": 31082, "o_rev_id": 1216767975, "in": [], @@ -268081,7 +268135,7 @@ ] }, { - "str": "has", + "str": "occured", "token_id": 31083, "o_rev_id": 1216767975, "in": [], @@ -268090,7 +268144,7 @@ ] }, { - "str": "occured", + "str": ".", "token_id": 31084, "o_rev_id": 1216767975, "in": [], @@ -268099,7 +268153,7 @@ ] }, { - "str": ".", + "str": "a", "token_id": 31085, "o_rev_id": 1216767975, "in": [], @@ -268108,7 +268162,7 @@ ] }, { - "str": "2", + "str": "communication", "token_id": 31086, "o_rev_id": 1216767975, "in": [], @@ -268117,7 +268171,7 @@ ] }, { - "str": "a", + "str": "error", "token_id": 31087, "o_rev_id": 1216767975, "in": [], @@ -268126,7 +268180,7 @@ ] }, { - "str": "communication", + "str": "has", "token_id": 31088, "o_rev_id": 1216767975, "in": [], @@ -268135,7 +268189,7 @@ ] }, { - "str": "error", + "str": "occured", "token_id": 31089, "o_rev_id": 1216767975, "in": [], @@ -268144,7 +268198,7 @@ ] }, { - "str": "has", + "str": ".", "token_id": 31090, "o_rev_id": 1216767975, "in": [], @@ -268153,7 +268207,7 @@ ] }, { - "str": "occured", + "str": "a", "token_id": 31091, "o_rev_id": 1216767975, "in": [], @@ -268162,7 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"str": "communication", + "str": "has", "token_id": 31100, "o_rev_id": 1216767975, "in": [], @@ -268243,7 +268297,7 @@ ] }, { - "str": "error", + "str": "occured", "token_id": 31101, "o_rev_id": 1216767975, "in": [], @@ -268252,7 +268306,7 @@ ] }, { - "str": "has", + "str": ".", "token_id": 31102, "o_rev_id": 1216767975, "in": [], @@ -268261,7 +268315,7 @@ ] }, { - "str": "occured", + "str": "a", "token_id": 31103, "o_rev_id": 1216767975, "in": [], @@ -268270,7 +268324,7 @@ ] }, { - "str": ".", + "str": "communication", "token_id": 31104, "o_rev_id": 1216767975, "in": [], @@ -268279,7 +268333,7 @@ ] }, { - "str": "|", + "str": "error", "token_id": 31105, "o_rev_id": 1216767975, "in": [], @@ -268288,7 +268342,7 @@ ] }, { - "str": "a", + "str": "has", "token_id": 31106, "o_rev_id": 1216767975, "in": [], @@ -268297,7 +268351,7 @@ ] }, { - "str": "communication", + "str": "occured", "token_id": 31107, "o_rev_id": 1216767975, "in": [], @@ -268306,7 +268360,7 @@ ] }, { - "str": "error", + "str": ".", "token_id": 31108, "o_rev_id": 1216767975, "in": [], @@ -268315,7 +268369,7 @@ ] }, { - "str": "has", + "str": "a", "token_id": 31109, "o_rev_id": 1216767975, "in": [], @@ -268324,7 +268378,7 @@ ] }, { - "str": "occured", + "str": "communication", "token_id": 31110, "o_rev_id": 1216767975, "in": [], @@ -268333,7 +268387,7 @@ ] }, { - "str": ".", + "str": "error", "token_id": 31111, "o_rev_id": 1216767975, "in": [], @@ -268342,7 +268396,7 @@ ] }, { - "str": "a", + "str": "has", "token_id": 31112, "o_rev_id": 1216767975, "in": [], @@ -268351,7 +268405,7 @@ ] }, { - "str": "communication", + "str": "occured", "token_id": 31113, "o_rev_id": 1216767975, "in": [], @@ -268360,7 +268414,7 @@ ] }, { - "str": "error", + "str": ".", "token_id": 31114, "o_rev_id": 1216767975, "in": [], @@ -268369,7 +268423,7 @@ ] }, { - "str": "has", + "str": "a", "token_id": 31115, "o_rev_id": 1216767975, "in": [], @@ -268378,7 +268432,7 @@ ] }, { - "str": "occured", + "str": "communication", "token_id": 31116, "o_rev_id": 1216767975, "in": [], @@ -268387,7 +268441,7 @@ ] }, { - "str": ".", + "str": "error", "token_id": 31117, "o_rev_id": 1216767975, "in": [], @@ -268396,7 +268450,7 @@ ] }, { - "str": "a", + "str": "has", "token_id": 31118, "o_rev_id": 1216767975, "in": [], @@ -268405,7 +268459,7 @@ ] }, { - "str": "communication", + "str": "occured", "token_id": 31119, "o_rev_id": 1216767975, "in": [], @@ -268414,7 +268468,7 @@ ] }, { - "str": "error", + "str": ".", "token_id": 31120, "o_rev_id": 1216767975, "in": [], @@ -268423,7 +268477,7 @@ ] }, { - "str": "has", + "str": "a", "token_id": 31121, "o_rev_id": 1216767975, "in": [], @@ -268432,7 +268486,7 @@ ] }, { - "str": "occured", + "str": "communication", "token_id": 31122, "o_rev_id": 1216767975, "in": [], @@ -268441,7 +268495,7 @@ ] }, { - "str": ".", + "str": "error", "token_id": 31123, "o_rev_id": 1216767975, "in": [], @@ -268450,7 +268504,7 @@ ] }, { - "str": "a", + "str": "has", "token_id": 31124, "o_rev_id": 1216767975, "in": [], @@ -268459,7 +268513,7 @@ ] }, { - "str": "communication", + "str": "occured", "token_id": 31125, "o_rev_id": 1216767975, "in": [], @@ -268468,7 +268522,7 @@ ] }, { - "str": "error", + "str": ".", "token_id": 31126, "o_rev_id": 1216767975, "in": [], @@ -268477,7 +268531,7 @@ ] }, { - "str": "has", + "str": "a", "token_id": 31127, "o_rev_id": 1216767975, "in": [], @@ -268486,7 +268540,7 @@ ] }, { - "str": "occured", + "str": "communication", "token_id": 31128, "o_rev_id": 1216767975, "in": [], @@ -268495,7 +268549,7 @@ ] }, { - "str": ".", + "str": "error", "token_id": 31129, "o_rev_id": 1216767975, "in": [], @@ -268504,7 +268558,7 @@ ] }, { - "str": "octo", + "str": "has", "token_id": 31130, "o_rev_id": 1216767975, "in": [], @@ -268513,7 +268567,7 @@ ] }, { - "str": "expansion", + "str": "occured", "token_id": 31131, "o_rev_id": 1216767975, "in": [], @@ -268522,7 +268576,7 @@ ] }, { - "str": "|", + "str": ".", "token_id": 31132, "o_rev_id": 1216767975, "in": [], 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"out": [ @@ -269207,7 +268703,7 @@ }, { "str": "communication", - "token_id": 31208, + "token_id": 31146, "o_rev_id": 1216767975, "in": [], "out": [ @@ -269216,7 +268712,7 @@ }, { "str": "error", - "token_id": 31209, + "token_id": 31147, "o_rev_id": 1216767975, "in": [], "out": [ @@ -269225,7 +268721,7 @@ }, { "str": "has", - "token_id": 31210, + "token_id": 31148, "o_rev_id": 1216767975, "in": [], "out": [ @@ -269234,7 +268730,7 @@ }, { "str": "occured", - "token_id": 31211, + "token_id": 31149, "o_rev_id": 1216767975, "in": [], "out": [ @@ -269243,7 +268739,7 @@ }, { "str": ".", - "token_id": 31212, + "token_id": 31150, "o_rev_id": 1216767975, "in": [], "out": [ @@ -269252,7 +268748,7 @@ }, { "str": "a", - "token_id": 31213, + "token_id": 31151, "o_rev_id": 1216767975, "in": [], "out": [ @@ -269261,7 +268757,7 @@ }, { "str": "communication", - "token_id": 31214, + "token_id": 31152, "o_rev_id": 1216767975, "in": [], "out": [ @@ -269270,7 +268766,7 @@ }, { "str": "error", - "token_id": 31215, + "token_id": 31153, "o_rev_id": 1216767975, "in": [], "out": [ @@ -269279,7 +268775,7 @@ }, { "str": "has", - "token_id": 31216, + "token_id": 31154, "o_rev_id": 1216767975, "in": [], "out": [ @@ -269288,7 +268784,7 @@ }, { "str": "occured", - "token_id": 31217, + "token_id": 31155, "o_rev_id": 1216767975, "in": [], "out": [ @@ -269297,7 +268793,7 @@ }, { "str": ".", - "token_id": 31218, + "token_id": 31156, "o_rev_id": 1216767975, "in": [], "out": [ @@ -269306,7 +268802,7 @@ }, { "str": "a", - "token_id": 31219, + "token_id": 31157, "o_rev_id": 1216767975, "in": [], "out": [ @@ -269315,7 +268811,7 @@ }, { "str": "communication", - "token_id": 31220, + "token_id": 31158, "o_rev_id": 1216767975, "in": [], "out": [ @@ -269324,7 +268820,7 @@ }, { "str": "error", - "token_id": 31221, + "token_id": 31159, "o_rev_id": 1216767975, "in": [], "out": [ @@ -269333,7 +268829,7 @@ }, { "str": "has", - "token_id": 31222, + "token_id": 31160, "o_rev_id": 1216767975, "in": [], 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@@ -270091,7 +269587,7 @@ }, { "str": "www", - "token_id": 31310, + "token_id": 31248, "o_rev_id": 1225856118, "in": [], "out": [ @@ -270100,7 +269596,7 @@ }, { "str": ".", - "token_id": 31311, + "token_id": 31249, "o_rev_id": 1225856118, "in": [], "out": [ @@ -270109,7 +269605,7 @@ }, { "str": "metacritic", - "token_id": 31312, + "token_id": 31250, "o_rev_id": 1225856118, "in": [], "out": [ @@ -270118,7 +269614,7 @@ }, { "str": ".", - "token_id": 31313, + "token_id": 31251, "o_rev_id": 1225856118, "in": [], "out": [ @@ -270127,7 +269623,7 @@ }, { "str": "com", - "token_id": 31314, + "token_id": 31252, "o_rev_id": 1225856118, "in": [], "out": [ @@ -270136,7 +269632,7 @@ }, { "str": "/", - "token_id": 31315, + "token_id": 31253, "o_rev_id": 1225856118, "in": [], "out": [ @@ -270145,7 +269641,7 @@ }, { "str": "game", - "token_id": 31316, + "token_id": 31254, "o_rev_id": 1225856118, "in": [], "out": [ @@ -270154,7 +269650,7 @@ }, { "str": "/", - "token_id": 31317, + "token_id": 31255, 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"token_id": 31325, + "token_id": 31263, "o_rev_id": 1225856118, "in": [], "out": [ @@ -270235,7 +269731,7 @@ }, { "str": "?", - "token_id": 31326, + "token_id": 31264, "o_rev_id": 1225856118, "in": [], "out": [ @@ -270244,7 +269740,7 @@ }, { "str": "platform", - "token_id": 31327, + "token_id": 31265, "o_rev_id": 1225856118, "in": [], "out": [ @@ -270253,7 +269749,7 @@ }, { "str": "=", - "token_id": 31328, + "token_id": 31266, "o_rev_id": 1225856118, "in": [], "out": [ @@ -270262,7 +269758,7 @@ }, { "str": "nintendo", - "token_id": 31329, + "token_id": 31267, "o_rev_id": 1225856118, "in": [], "out": [ @@ -270271,7 +269767,7 @@ }, { "str": "-", - "token_id": 31330, + "token_id": 31268, "o_rev_id": 1225856118, "in": [], "out": [ @@ -270280,7 +269776,7 @@ }, { "str": "switch", - "token_id": 31331, + "token_id": 31269, "o_rev_id": 1225856118, "in": [], "out": [ @@ -270289,7 +269785,7 @@ }, { "str": "}}", - "token_id": 31332, + "token_id": 31270, "o_rev_id": 1225856118, "in": [], "out": [ @@ -270298,7 +269794,7 @@ }, { "str": "<", - "token_id": 31333, + "token_id": 31271, "o_rev_id": 1225856118, "in": [], "out": [ @@ -270307,7 +269803,7 @@ }, { "str": "from", - "token_id": 31334, + "token_id": 31272, "o_rev_id": 1225856679, "in": [], "out": [ @@ -270316,7 +269812,7 @@ }, { "str": "critics", - "token_id": 31335, + "token_id": 31273, "o_rev_id": 1225856679, "in": [], "out": [ @@ -270325,154 +269821,154 @@ }, { "str": "[[", - "token_id": 31336, + "token_id": 31274, "o_rev_id": 1226638805, "in": [], "out": [] }, { "str": "category", - "token_id": 31337, + "token_id": 31275, "o_rev_id": 1226638805, "in": [], "out": [] }, { "str": ":", - "token_id": 31338, + "token_id": 31276, "o_rev_id": 1226638805, "in": [], "out": [] }, { "str": "video", - "token_id": 31339, + "token_id": 31277, "o_rev_id": 1226638805, "in": [], "out": [] }, { "str": "games", - "token_id": 31340, + "token_id": 31278, "o_rev_id": 1226638805, "in": [], "out": [] }, { "str": "scored", - "token_id": 31341, + 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"token_id": 31375, + "token_id": 31313, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270645,7 +270141,7 @@ }, { "str": "or", - "token_id": 31376, + "token_id": 31314, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270654,7 +270150,7 @@ }, { "str": "defending", - "token_id": 31377, + "token_id": 31315, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270663,7 +270159,7 @@ }, { "str": "against", - "token_id": 31378, + "token_id": 31316, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270672,7 +270168,7 @@ }, { "str": "can", - "token_id": 31379, + "token_id": 31317, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270681,7 +270177,7 @@ }, { "str": "and", - "token_id": 31380, + "token_id": 31318, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270690,7 +270186,7 @@ }, { "str": "position", - "token_id": 31381, + "token_id": 31319, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270699,7 +270195,7 @@ }, { "str": "modes", - "token_id": 31382, + "token_id": 31320, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270708,7 +270204,7 @@ }, { "str": "is", - "token_id": 31383, + "token_id": 31321, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270717,7 +270213,7 @@ }, { "str": ".", - "token_id": 31384, + "token_id": 31322, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270726,7 +270222,7 @@ }, { "str": "a", - "token_id": 31385, + "token_id": 31323, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270735,7 +270231,7 @@ }, { "str": ",", - "token_id": 31386, + "token_id": 31324, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270744,7 +270240,7 @@ }, { "str": "similar", - "token_id": 31387, + "token_id": 31325, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270753,7 +270249,7 @@ }, { "str": "towards", - "token_id": 31388, + "token_id": 31326, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270762,7 +270258,7 @@ }, { "str": "the", - "token_id": 31389, + "token_id": 31327, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270771,7 +270267,7 @@ }, { "str": "opponent", - "token_id": 31390, + "token_id": 31328, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270780,7 +270276,7 @@ }, { "str": "side", - "token_id": 31391, + "token_id": 31329, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270789,7 +270285,7 @@ }, { "str": "of", - "token_id": 31392, + "token_id": 31330, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270798,7 +270294,7 @@ }, { "str": "the", - "token_id": 31393, + "token_id": 31331, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270807,7 +270303,7 @@ }, { "str": "map", - "token_id": 31394, + "token_id": 31332, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270816,7 +270312,7 @@ }, { "str": "clearing", - "token_id": 31395, + "token_id": 31333, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270825,7 +270321,7 @@ }, { "str": "|", - "token_id": 31396, + "token_id": 31334, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270834,7 +270330,7 @@ }, { "str": "checkpoints", - "token_id": 31397, + "token_id": 31335, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270843,7 +270339,7 @@ }, { "str": "to", - "token_id": 31398, + "token_id": 31336, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270852,7 +270348,7 @@ }, { "str": "reach", - "token_id": 31399, + "token_id": 31337, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270861,7 +270357,7 @@ }, { "str": "the", - "token_id": 31400, + "token_id": 31338, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270870,7 +270366,7 @@ }, { "str": "team", - "token_id": 31401, + "token_id": 31339, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270879,7 +270375,7 @@ }, { "str": "'", - "token_id": 31402, + "token_id": 31340, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270888,7 +270384,7 @@ }, { "str": "similar", - "token_id": 31403, + "token_id": 31341, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270897,7 +270393,7 @@ }, { "str": "defend", - "token_id": 31404, + "token_id": 31342, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270906,7 +270402,7 @@ }, { "str": "the", - "token_id": 31405, + "token_id": 31343, "o_rev_id": 1229561066, "in": [], "out": [ @@ -270915,7 +270411,7 @@ }, { "str": "such", - "token_id": 31406, + "token_id": 31344, "o_rev_id": 1231129517, "in": [], "out": [ @@ -270924,7 +270420,7 @@ }, { "str": "as", - "token_id": 31407, + "token_id": 31345, "o_rev_id": 1231129517, "in": [], "out": [ @@ -270933,7 +270429,7 @@ }, { "str": "the", - "token_id": 31408, + "token_id": 31346, "o_rev_id": 1231129517, "in": [], "out": [ @@ -270942,7 +270438,7 @@ }, { "str": "magnificent", - "token_id": 31409, + "token_id": 31347, "o_rev_id": 1231129517, "in": [], "out": [ @@ -270951,7 +270447,7 @@ }, { "str": "glooga", - "token_id": 31410, + "token_id": 31348, "o_rev_id": 1231129517, "in": [], "out": [ @@ -270960,7 +270456,7 @@ }, { "str": "dualies", - "token_id": 31411, + "token_id": 31349, "o_rev_id": 1231129517, "in": [], "out": [ @@ -270969,7 +270465,7 @@ }, { "str": ",", - "token_id": 31412, + "token_id": 31350, "o_rev_id": 1231129517, "in": [], "out": [ @@ -270978,7 +270474,7 @@ }, { "str": "which", - "token_id": 31413, + "token_id": 31351, "o_rev_id": 1231129517, "in": [], "out": [ @@ -270987,7 +270483,7 @@ }, { "str": "were", - "token_id": 31414, + "token_id": 31352, "o_rev_id": 1231129517, "in": [], "out": [ @@ -270996,7 +270492,7 @@ }, { "str": "first", - "token_id": 31415, + "token_id": 31353, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271005,7 +270501,7 @@ }, { "str": "introduced", - "token_id": 31416, + "token_id": 31354, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271014,7 +270510,7 @@ }, { "str": "in", - "token_id": 31417, + "token_id": 31355, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271023,7 +270519,7 @@ }, { "str": "the", - "token_id": 31418, + "token_id": 31356, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271032,7 +270528,7 @@ }, { "str": "second", - "token_id": 31419, + "token_id": 31357, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271041,7 +270537,7 @@ }, { "str": "instalment", - "token_id": 31420, + "token_id": 31358, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271050,7 +270546,7 @@ }, { "str": "in", - "token_id": 31421, + "token_id": 31359, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271059,7 +270555,7 @@ }, { "str": "the", - "token_id": 31422, + "token_id": 31360, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271068,7 +270564,7 @@ }, { "str": "splatoon", - "token_id": 31423, + "token_id": 31361, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271077,7 +270573,7 @@ }, { "str": "series", - "token_id": 31424, + "token_id": 31362, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271086,7 +270582,7 @@ }, { "str": ".", - "token_id": 31425, + "token_id": 31363, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271095,7 +270591,7 @@ }, { "str": "rumour", - "token_id": 31426, + "token_id": 31364, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271104,7 +270600,7 @@ }, { "str": "has", - "token_id": 31427, + "token_id": 31365, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271113,7 +270609,7 @@ }, { "str": "it", - "token_id": 31428, + "token_id": 31366, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271122,7 +270618,7 @@ }, { "str": "that", - "token_id": 31429, + "token_id": 31367, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271131,7 +270627,7 @@ }, { "str": "all", - "token_id": 31430, + "token_id": 31368, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271140,7 +270636,7 @@ }, { "str": "glooga", - "token_id": 31431, + "token_id": 31369, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271149,7 +270645,7 @@ }, { "str": "dualie", - "token_id": 31432, + "token_id": 31370, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271158,7 +270654,7 @@ }, { "str": "players", - "token_id": 31433, + "token_id": 31371, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271167,7 +270663,7 @@ }, { "str": "are", - "token_id": 31434, + "token_id": 31372, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271176,7 +270672,7 @@ }, { "str": "extra", - "token_id": 31435, + "token_id": 31373, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271185,7 +270681,7 @@ }, { "str": "handsome", - "token_id": 31436, + "token_id": 31374, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271194,7 +270690,7 @@ }, { "str": ".", - "token_id": 31437, + "token_id": 31375, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271203,7 +270699,7 @@ }, { "str": ".", - "token_id": 31438, + "token_id": 31376, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271212,7 +270708,7 @@ }, { "str": "but", - "token_id": 31439, + "token_id": 31377, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271221,7 +270717,7 @@ }, { "str": "hey", - "token_id": 31440, + "token_id": 31378, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271230,7 +270726,7 @@ }, { "str": "i", - "token_id": 31441, + "token_id": 31379, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271239,7 +270735,7 @@ }, { "str": "don", - "token_id": 31442, + "token_id": 31380, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271248,7 +270744,7 @@ }, { "str": "'", - "token_id": 31443, + "token_id": 31381, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271257,7 +270753,7 @@ }, { "str": "t", - "token_id": 31444, + "token_id": 31382, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271266,7 +270762,7 @@ }, { "str": "make", - "token_id": 31445, + "token_id": 31383, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271275,7 +270771,7 @@ }, { "str": "the", - "token_id": 31446, + "token_id": 31384, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271284,7 +270780,7 @@ }, { "str": "rules", - "token_id": 31447, + "token_id": 31385, "o_rev_id": 1231129517, "in": [], "out": [ @@ -271293,7 +270789,7 @@ }, { "str": "campaign", - "token_id": 31448, + "token_id": 31386, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271302,7 +270798,7 @@ }, { "str": "the", - "token_id": 31449, + "token_id": 31387, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271311,7 +270807,7 @@ }, { "str": "new", - "token_id": 31450, + "token_id": 31388, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271320,7 +270816,7 @@ }, { "str": "agent", - "token_id": 31451, + "token_id": 31389, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271329,7 +270825,7 @@ }, { "str": "3", - "token_id": 31452, + "token_id": 31390, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271338,7 +270834,7 @@ }, { "str": "comes", - "token_id": 31453, + "token_id": 31391, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271347,7 +270843,7 @@ }, { "str": "up", - "token_id": 31454, + "token_id": 31392, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271356,7 +270852,7 @@ }, { "str": "in", - "token_id": 31455, + "token_id": 31393, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271365,7 +270861,7 @@ }, { "str": "this", - "token_id": 31456, + "token_id": 31394, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271374,7 +270870,7 @@ }, { "str": "new", - "token_id": 31457, + "token_id": 31395, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271383,7 +270879,7 @@ }, { "str": "skidbeak", - "token_id": 31458, + "token_id": 31396, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271392,7 +270888,7 @@ }, { "str": "splatoon", - "token_id": 31459, + "token_id": 31397, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271401,7 +270897,7 @@ }, { "str": ".", - "token_id": 31460, + "token_id": 31398, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271410,7 +270906,7 @@ }, { "str": "it", - "token_id": 31461, + "token_id": 31399, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271419,7 +270915,7 @@ }, { "str": "follow", - "token_id": 31462, + "token_id": 31400, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271428,7 +270924,7 @@ }, { "str": "the", - "token_id": 31463, + "token_id": 31401, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271437,7 +270933,7 @@ }, { "str": "new", - "token_id": 31464, + "token_id": 31402, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271446,7 +270942,7 @@ }, { "str": "story", - "token_id": 31465, + "token_id": 31403, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271455,7 +270951,7 @@ }, { "str": "of", - "token_id": 31466, + "token_id": 31404, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271464,7 +270960,7 @@ }, { "str": "a", - "token_id": 31467, + "token_id": 31405, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271473,7 +270969,7 @@ }, { "str": "playable", - "token_id": 31468, + "token_id": 31406, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271482,7 +270978,7 @@ }, { "str": "inkling", - "token_id": 31469, + "token_id": 31407, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271491,7 +270987,7 @@ }, { "str": "or", - "token_id": 31470, + "token_id": 31408, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271500,7 +270996,7 @@ }, { "str": "octoling", - "token_id": 31471, + "token_id": 31409, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271509,7 +271005,7 @@ }, { "str": "who", - "token_id": 31472, + "token_id": 31410, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271518,7 +271014,7 @@ }, { "str": "goes", - "token_id": 31473, + "token_id": 31411, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271527,7 +271023,7 @@ }, { "str": "on", - "token_id": 31474, + "token_id": 31412, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271536,7 +271032,7 @@ }, { "str": "a", - "token_id": 31475, + "token_id": 31413, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271545,7 +271041,7 @@ }, { "str": "remarkable", - "token_id": 31476, + "token_id": 31414, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271554,7 +271050,7 @@ }, { "str": "joringy", - "token_id": 31477, + "token_id": 31415, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271563,7 +271059,7 @@ }, { "str": "across", - "token_id": 31478, + "token_id": 31416, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271572,7 +271068,7 @@ }, { "str": "the", - "token_id": 31479, + "token_id": 31417, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271581,7 +271077,7 @@ }, { "str": "splatlands", - "token_id": 31480, + "token_id": 31418, "o_rev_id": 1236080045, "in": [], "out": [ @@ -271590,7 +271086,7 @@ }, { "str": ".", - "token_id": 31481, + "token_id": 31419, 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"token_id": 31511, + "token_id": 31450, "o_rev_id": 1236243909, "in": [], "out": [ @@ -271869,7 +271372,7 @@ }, { "str": "defeating", - "token_id": 31512, + "token_id": 31451, "o_rev_id": 1236243909, "in": [], "out": [ @@ -271878,14 +271381,14 @@ }, { "str": "octavio", - "token_id": 31513, + "token_id": 31452, "o_rev_id": 1236243909, "in": [], "out": [] }, { - "str": "he", - "token_id": 31514, + "str": ",", + "token_id": 31453, "o_rev_id": 1236243909, "in": [], "out": [ @@ -271893,73 +271396,59 @@ ] }, { - "str": ".", - "token_id": 31515, + "str": "he", + "token_id": 31454, "o_rev_id": 1236243909, "in": [], - "out": [] + "out": [ + 1327601720 + ] }, { "str": ",", - "token_id": 31516, + "token_id": 31455, "o_rev_id": 1236243909, "in": [], "out": [] }, { "str": "proving", - "token_id": 31517, + "token_id": 31456, "o_rev_id": 1236243909, - "in": [ - 1327668959 - ], - "out": [ - 1327622667 - ] + "in": [], + "out": [] }, { "str": "octavio", - "token_id": 31518, + "token_id": 31457, 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"latter", - "token_id": 31533, + "token_id": 31472, "o_rev_id": 1236243909, "in": [], "out": [ @@ -272067,7 +271556,7 @@ }, { "str": "'", - "token_id": 31534, + "token_id": 31473, "o_rev_id": 1236243909, "in": [], "out": [ @@ -272076,7 +271565,7 @@ }, { "str": "s", - "token_id": 31535, + "token_id": 31474, "o_rev_id": 1236243909, "in": [], "out": [ @@ -272085,7 +271574,7 @@ }, { "str": "dismay", - "token_id": 31536, + "token_id": 31475, "o_rev_id": 1236243909, "in": [], "out": [ @@ -272094,7 +271583,7 @@ }, { "str": "dead", - "token_id": 31537, + "token_id": 31476, "o_rev_id": 1238595697, "in": [], "out": [ @@ -272103,7 +271592,7 @@ }, { "str": "dead", - "token_id": 31538, + "token_id": 31477, "o_rev_id": 1238595697, "in": [], "out": [ @@ -272112,7 +271601,7 @@ }, { "str": "dead", - "token_id": 31539, + "token_id": 31478, "o_rev_id": 1238595697, "in": [], "out": [ @@ -272121,91 +271610,91 @@ }, { "str": "[[", - "token_id": 31540, + "token_id": 31479, "o_rev_id": 1239933848, "in": [], "out": [] }, { "str": "]]", - "token_id": 31541, + "token_id": 31480, "o_rev_id": 1239933848, "in": [], "out": [] }, { "str": "[[", - "token_id": 31542, + "token_id": 31481, "o_rev_id": 1239933848, "in": [], "out": [] }, { "str": "category", - "token_id": 31543, + "token_id": 31482, "o_rev_id": 1239933848, "in": [], "out": [] }, { "str": ":", - "token_id": 31544, + "token_id": 31483, "o_rev_id": 1239933848, "in": [], "out": [] }, { "str": "video", - "token_id": 31545, + "token_id": 31484, "o_rev_id": 1239933848, "in": [], "out": [] }, { "str": "games", - "token_id": 31546, + "token_id": 31485, "o_rev_id": 1239933848, "in": [], "out": [] }, { "str": "set", - "token_id": 31547, + "token_id": 31486, "o_rev_id": 1239933848, "in": [], "out": [] }, { "str": "in", - "token_id": 31548, + "token_id": 31487, "o_rev_id": 1239933848, "in": [], "out": [] }, { "str": "the", - "token_id": 31549, + "token_id": 31488, "o_rev_id": 1239933848, "in": [], "out": [] }, { "str": "future", - "token_id": 31550, + "token_id": 31489, "o_rev_id": 1239933848, "in": [], "out": [] }, { "str": "]]", - "token_id": 31551, + "token_id": 31490, "o_rev_id": 1239933848, "in": [], "out": [] }, { "str": "|", - "token_id": 31552, + "token_id": 31491, "o_rev_id": 1240817705, "in": [], "out": [ @@ -272214,7 +271703,7 @@ }, { "str": "archive", - "token_id": 31553, + "token_id": 31492, "o_rev_id": 1240817705, "in": [], "out": [ @@ -272223,7 +271712,7 @@ }, { "str": "-", - "token_id": 31554, + "token_id": 31493, "o_rev_id": 1240817705, "in": [], "out": [ @@ -272232,7 +271721,7 @@ }, { "str": "date", - "token_id": 31555, + "token_id": 31494, "o_rev_id": 1240817705, "in": [], "out": [ @@ -272241,7 +271730,7 @@ }, { "str": "=", - "token_id": 31556, + "token_id": 31495, "o_rev_id": 1240817705, "in": [], "out": [ @@ -272250,7 +271739,7 @@ }, { "str": "18", - "token_id": 31557, + "token_id": 31496, "o_rev_id": 1240817705, "in": [], "out": [ @@ -272259,7 +271748,7 @@ }, { "str": "september", - "token_id": 31558, + "token_id": 31497, "o_rev_id": 1240817705, "in": [], "out": [ @@ -272268,7 +271757,7 @@ }, { "str": "2023", - "token_id": 31559, + "token_id": 31498, "o_rev_id": 1240817705, "in": [], "out": [ @@ -272277,119 +271766,119 @@ }, { "str": "|", - "token_id": 31560, + "token_id": 31499, "o_rev_id": 1240817705, "in": [], "out": [] }, { "str": "archive", - "token_id": 31561, + "token_id": 31500, "o_rev_id": 1240817705, "in": [], "out": [] }, { "str": "-", - "token_id": 31562, + "token_id": 31501, "o_rev_id": 1240817705, "in": [], "out": [] }, { "str": "url", - "token_id": 31563, + "token_id": 31502, "o_rev_id": 1240817705, "in": [], "out": [] }, { "str": "=", - "token_id": 31564, + "token_id": 31503, "o_rev_id": 1240817705, "in": [], "out": [] }, { "str": "https", - "token_id": 31565, + "token_id": 31504, "o_rev_id": 1240817705, "in": [], "out": [] }, { "str": ":", - "token_id": 31566, + "token_id": 31505, "o_rev_id": 1240817705, "in": [], "out": [] }, { "str": "/", - "token_id": 31567, + "token_id": 31506, "o_rev_id": 1240817705, "in": [], "out": [] }, { "str": "web", - "token_id": 31568, + "token_id": 31507, "o_rev_id": 1240817705, "in": [], "out": [] }, { "str": ".", - "token_id": 31569, + "token_id": 31508, "o_rev_id": 1240817705, "in": [], "out": [] }, { "str": "archive", - "token_id": 31570, + "token_id": 31509, "o_rev_id": 1240817705, "in": [], "out": [] }, { "str": ".", - "token_id": 31571, + "token_id": 31510, "o_rev_id": 1240817705, "in": [], "out": [] }, { "str": "org", - "token_id": 31572, + "token_id": 31511, "o_rev_id": 1240817705, "in": [], "out": [] }, { "str": "/", - "token_id": 31573, + "token_id": 31512, "o_rev_id": 1240817705, "in": [], "out": [] }, { "str": "web", - "token_id": 31574, + "token_id": 31513, "o_rev_id": 1240817705, "in": [], "out": [] }, { "str": "/", - "token_id": 31575, + "token_id": 31514, "o_rev_id": 1240817705, "in": [], "out": [] }, { "str": "20230918143850", - "token_id": 31576, + "token_id": 31515, "o_rev_id": 1240817705, "in": [], "out": [ @@ -272398,42 +271887,42 @@ }, { "str": "/", - "token_id": 31577, + "token_id": 31516, "o_rev_id": 1240817705, "in": [], "out": [] }, { "str": "https", - "token_id": 31578, + "token_id": 31517, "o_rev_id": 1240817705, "in": [], "out": [] }, { "str": ":", - "token_id": 31579, + "token_id": 31518, "o_rev_id": 1240817705, "in": [], "out": [] }, { "str": "/", - "token_id": 31580, + "token_id": 31519, "o_rev_id": 1240817705, "in": [], "out": [] }, { "str": "/", - "token_id": 31581, + "token_id": 31520, "o_rev_id": 1240817705, "in": [], "out": [] }, { "str": "www", - "token_id": 31582, + "token_id": 31521, "o_rev_id": 1240817705, "in": [], "out": [ @@ -272442,7 +271931,7 @@ }, { "str": ".", - "token_id": 31583, + "token_id": 31522, "o_rev_id": 1240817705, "in": [], "out": [ @@ -272451,7 +271940,7 @@ }, { "str": "ign", - "token_id": 31584, + "token_id": 31523, "o_rev_id": 1240817705, "in": [], "out": [ @@ -272460,21 +271949,21 @@ }, { "str": ".", - "token_id": 31585, + "token_id": 31524, "o_rev_id": 1240817705, "in": [], "out": [] }, { "str": "com", - "token_id": 31586, + "token_id": 31525, "o_rev_id": 1240817705, "in": [], "out": [] }, { "str": "/", - "token_id": 31587, + "token_id": 31526, "o_rev_id": 1240817705, "in": [], "out": [ @@ -272483,7 +271972,7 @@ }, { "str": "wikis", - "token_id": 31588, + "token_id": 31527, "o_rev_id": 1240817705, "in": [], "out": [ @@ -272492,42 +271981,42 @@ }, { "str": "/", - "token_id": 31589, + "token_id": 31528, "o_rev_id": 1240817705, "in": [], "out": [] }, { "str": "splatoon", - "token_id": 31590, + "token_id": 31529, "o_rev_id": 1240817705, "in": [], "out": [] }, { "str": "-", - "token_id": 31591, + "token_id": 31530, "o_rev_id": 1240817705, "in": [], "out": [] }, { "str": "3", - "token_id": 31592, + "token_id": 31531, "o_rev_id": 1240817705, "in": [], "out": [] }, { "str": "/", - "token_id": 31593, + "token_id": 31532, "o_rev_id": 1240817705, "in": [], "out": [] }, { "str": "splatoon", - "token_id": 31594, + 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"o_rev_id": 1252808014, "in": [], "out": [ @@ -274808,7 +274297,7 @@ }, { "str": "were", - "token_id": 31903, + "token_id": 31842, "o_rev_id": 1252808014, "in": [], "out": [ @@ -274817,7 +274306,7 @@ }, { "str": "traveling", - "token_id": 31904, + "token_id": 31843, "o_rev_id": 1252808014, "in": [], "out": [ @@ -274826,7 +274315,7 @@ }, { "str": "to", - "token_id": 31905, + "token_id": 31844, "o_rev_id": 1252808014, "in": [], "out": [ @@ -274835,7 +274324,7 @@ }, { "str": "the", - "token_id": 31906, + "token_id": 31845, "o_rev_id": 1252808014, "in": [], "out": [ @@ -274844,7 +274333,7 @@ }, { "str": "square", - "token_id": 31907, + "token_id": 31846, "o_rev_id": 1252808014, "in": [], "out": [ @@ -274853,7 +274342,7 @@ }, { "str": "your", - "token_id": 31908, + "token_id": 31847, "o_rev_id": 1252808014, "in": [], "out": [ @@ -274862,7 +274351,7 @@ }, { "str": "character", - "token_id": 31909, + "token_id": 31848, "o_rev_id": 1252808014, "in": [], "out": [ @@ -274871,7 +274360,7 @@ }, { "str": "\"", - "token_id": 31910, + "token_id": 31849, "o_rev_id": 1252808014, "in": [], "out": [ @@ -274880,7 +274369,7 @@ }, { "str": "agent", - "token_id": 31911, + "token_id": 31850, "o_rev_id": 1252808014, "in": [], "out": [ @@ -274889,7 +274378,7 @@ }, { "str": "8", - "token_id": 31912, + "token_id": 31851, "o_rev_id": 1252808014, "in": [], "out": [ @@ -274898,7 +274387,7 @@ }, { "str": "\"", - "token_id": 31913, + "token_id": 31852, "o_rev_id": 1252808014, "in": [], "out": [ @@ -274907,7 +274396,7 @@ }, { "str": "got", - "token_id": 31914, + "token_id": 31853, "o_rev_id": 1252808014, "in": [], "out": [ @@ -274916,7 +274405,7 @@ }, { "str": "glitched", - "token_id": 31915, + "token_id": 31854, "o_rev_id": 1252808014, "in": [], "out": [ @@ -274925,7 +274414,7 @@ }, { "str": "into", - "token_id": 31916, + "token_id": 31855, "o_rev_id": 1252808014, "in": [], "out": [ @@ -274934,7 +274423,7 @@ }, { "str": "a", - "token_id": 31917, + "token_id": 31856, "o_rev_id": 1252808014, "in": [], "out": [ @@ -274943,7 +274432,7 @@ }, { "str": "glitched", - "token_id": 31918, + "token_id": 31857, "o_rev_id": 1252808014, "in": [], "out": [ @@ -274952,7 +274441,7 @@ }, { "str": "version", - "token_id": 31919, + "token_id": 31858, "o_rev_id": 1252808014, "in": [], "out": [ @@ -274961,7 +274450,7 @@ }, { "str": "of", - "token_id": 31920, + "token_id": 31859, "o_rev_id": 1252808014, "in": [], "out": [ @@ -274970,7 +274459,7 @@ }, { "str": "the", - "token_id": 31921, + "token_id": 31860, "o_rev_id": 1252808014, "in": [], "out": [ @@ -274979,7 +274468,7 @@ }, { "str": "square", - "token_id": 31922, + "token_id": 31861, "o_rev_id": 1252808014, "in": [], "out": [ @@ -274988,7 +274477,7 @@ }, { "str": ",", - "token_id": 31923, + "token_id": 31862, "o_rev_id": 1252808014, "in": [], "out": [ @@ -274997,7 +274486,7 @@ }, { "str": "but", - "token_id": 31924, + "token_id": 31863, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275006,7 +274495,7 @@ }, { "str": "pearl", - "token_id": 31925, + "token_id": 31864, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275015,7 +274504,7 @@ }, { "str": "is", - "token_id": 31926, + "token_id": 31865, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275024,7 +274513,7 @@ }, { "str": "there", - "token_id": 31927, + "token_id": 31866, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275033,7 +274522,7 @@ }, { "str": "as", - "token_id": 31928, + "token_id": 31867, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275042,7 +274531,7 @@ }, { "str": "well", - "token_id": 31929, + "token_id": 31868, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275051,7 +274540,7 @@ }, { "str": "as", - "token_id": 31930, + "token_id": 31869, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275060,7 +274549,7 @@ }, { "str": "acth", - "token_id": 31931, + "token_id": 31870, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275069,7 +274558,7 @@ }, { "str": "which", - "token_id": 31932, + "token_id": 31871, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275078,7 +274567,7 @@ }, { "str": "they", - "token_id": 31933, + "token_id": 31872, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275087,7 +274576,7 @@ }, { "str": "serve", - "token_id": 31934, + "token_id": 31873, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275096,7 +274585,7 @@ }, { "str": "to", - "token_id": 31935, + "token_id": 31874, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275105,7 +274594,7 @@ }, { "str": "help", - "token_id": 31936, + "token_id": 31875, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275114,7 +274603,7 @@ }, { "str": "you", - "token_id": 31937, + "token_id": 31876, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275123,7 +274612,7 @@ }, { "str": "free", - "token_id": 31938, + "token_id": 31877, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275132,7 +274621,7 @@ }, { "str": "marina", - "token_id": 31939, + "token_id": 31878, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275141,7 +274630,7 @@ }, { "str": ",", - "token_id": 31940, + "token_id": 31879, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275150,7 +274639,7 @@ }, { "str": "after", - "token_id": 31941, + "token_id": 31880, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275159,7 +274648,7 @@ }, { "str": "you", - "token_id": 31942, + "token_id": 31881, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275168,7 +274657,7 @@ }, { "str": "free", - "token_id": 31943, + "token_id": 31882, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275177,7 +274666,7 @@ }, { "str": "marina", - "token_id": 31944, + "token_id": 31883, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275186,7 +274675,7 @@ }, { "str": "you", - "token_id": 31945, + "token_id": 31884, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275195,7 +274684,7 @@ }, { "str": "find", - "token_id": 31946, + "token_id": 31885, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275204,7 +274693,7 @@ }, { "str": "out", - "token_id": 31947, + "token_id": 31886, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275213,7 +274702,7 @@ }, { "str": "order", - "token_id": 31948, + "token_id": 31887, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275222,7 +274711,7 @@ }, { "str": "it", - "token_id": 31949, + "token_id": 31888, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275231,7 +274720,7 @@ }, { "str": "self", - "token_id": 31950, + "token_id": 31889, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275240,7 +274729,7 @@ }, { "str": "it", - "token_id": 31951, + "token_id": 31890, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275249,7 +274738,7 @@ }, { "str": "the", - "token_id": 31952, + "token_id": 31891, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275258,7 +274747,7 @@ }, { "str": "villain", - "token_id": 31953, + "token_id": 31892, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275267,7 +274756,7 @@ }, { "str": "as", - "token_id": 31954, + "token_id": 31893, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275276,7 +274765,7 @@ }, { "str": "he", - "token_id": 31955, + "token_id": 31894, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275285,7 +274774,7 @@ }, { "str": "is", - "token_id": 31956, + "token_id": 31895, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275294,7 +274783,7 @@ }, { "str": "a", - "token_id": 31957, + "token_id": 31896, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275303,7 +274792,7 @@ }, { "str": "ai", - "token_id": 31958, + "token_id": 31897, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275312,7 +274801,7 @@ }, { "str": "made", - "token_id": 31959, + "token_id": 31898, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275321,7 +274810,7 @@ }, { "str": "by", - "token_id": 31960, + "token_id": 31899, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275330,7 +274819,7 @@ }, { "str": "marina", - "token_id": 31961, + "token_id": 31900, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275339,7 +274828,7 @@ }, { "str": "too", - "token_id": 31962, + "token_id": 31901, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275348,7 +274837,7 @@ }, { "str": "make", - "token_id": 31963, + "token_id": 31902, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275357,7 +274846,7 @@ }, { "str": "peace", - "token_id": 31964, + "token_id": 31903, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275366,7 +274855,7 @@ }, { "str": "will", - "token_id": 31965, + "token_id": 31904, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275375,7 +274864,7 @@ }, { "str": "the", - "token_id": 31966, + "token_id": 31905, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275384,7 +274873,7 @@ }, { "str": "world", - "token_id": 31967, + "token_id": 31906, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275393,7 +274882,7 @@ }, { "str": "but", - "token_id": 31968, + "token_id": 31907, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275402,7 +274891,7 @@ }, { "str": "gone", - "token_id": 31969, + "token_id": 31908, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275411,7 +274900,7 @@ }, { "str": "rouge", - "token_id": 31970, + "token_id": 31909, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275420,7 +274909,7 @@ }, { "str": "and", - "token_id": 31971, + "token_id": 31910, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275429,7 +274918,7 @@ }, { "str": "is", - "token_id": 31972, + "token_id": 31911, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275438,7 +274927,7 @@ }, { "str": "set", - "token_id": 31973, + "token_id": 31912, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275447,7 +274936,7 @@ }, { "str": "to", - "token_id": 31974, + "token_id": 31913, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275456,7 +274945,7 @@ }, { "str": "destroy", - "token_id": 31975, + "token_id": 31914, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275465,7 +274954,7 @@ }, { "str": "everyone", - "token_id": 31976, + "token_id": 31915, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275474,7 +274963,7 @@ }, { "str": "for", - "token_id": 31977, + "token_id": 31916, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275483,7 +274972,7 @@ }, { "str": "what", - "token_id": 31978, + "token_id": 31917, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275492,7 +274981,7 @@ }, { "str": "order", - "token_id": 31979, + "token_id": 31918, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275501,7 +274990,7 @@ }, { "str": "see", - "token_id": 31980, + "token_id": 31919, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275510,7 +274999,7 @@ }, { "str": "'", - "token_id": 31981, + "token_id": 31920, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275519,7 +275008,7 @@ }, { "str": "s", - "token_id": 31982, + "token_id": 31921, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275528,7 +275017,7 @@ }, { "str": "fit", - "token_id": 31983, + "token_id": 31922, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275537,7 +275026,7 @@ }, { "str": ".", - "token_id": 31984, + "token_id": 31923, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275546,7 +275035,7 @@ }, { "str": "in", - "token_id": 31985, + "token_id": 31924, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275555,7 +275044,7 @@ }, { "str": "the", - "token_id": 31986, + "token_id": 31925, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275564,7 +275053,7 @@ }, { "str": "second", - "token_id": 31987, + "token_id": 31926, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275573,7 +275062,7 @@ }, { "str": "stage", - "token_id": 31988, + "token_id": 31927, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275582,7 +275071,7 @@ }, { "str": "of", - "token_id": 31989, + "token_id": 31928, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275591,7 +275080,7 @@ }, { "str": "the", - "token_id": 31990, + "token_id": 31929, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275600,7 +275089,7 @@ }, { "str": "boss", - "token_id": 31991, + "token_id": 31930, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275609,7 +275098,7 @@ }, { "str": "fight", - "token_id": 31992, + "token_id": 31931, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275618,7 +275107,7 @@ }, { "str": ",", - "token_id": 31993, + "token_id": 31932, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275627,7 +275116,7 @@ }, { "str": "pearl", - "token_id": 31994, + "token_id": 31933, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275636,7 +275125,7 @@ }, { "str": "boyahhs", - "token_id": 31995, + "token_id": 31934, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275645,7 +275134,7 @@ }, { "str": "order", - "token_id": 31996, + "token_id": 31935, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275654,7 +275143,7 @@ }, { "str": "to", - "token_id": 31997, + "token_id": 31936, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275663,7 +275152,7 @@ }, { "str": "help", - "token_id": 31998, + "token_id": 31937, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275672,7 +275161,7 @@ }, { "str": "you", - "token_id": 31999, + "token_id": 31938, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275681,7 +275170,7 @@ }, { "str": "and", - "token_id": 32000, + "token_id": 31939, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275690,7 +275179,7 @@ }, { "str": "gives", - "token_id": 32001, + "token_id": 31940, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275699,7 +275188,7 @@ }, { "str": "you", - "token_id": 32002, + "token_id": 31941, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275708,7 +275197,7 @@ }, { "str": "upgrade", - "token_id": 32003, + "token_id": 31942, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275717,7 +275206,7 @@ }, { "str": "chips", - "token_id": 32004, + "token_id": 31943, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275726,7 +275215,7 @@ }, { "str": "to", - "token_id": 32005, + "token_id": 31944, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275735,7 +275224,7 @@ }, { "str": "beat", - "token_id": 32006, + "token_id": 31945, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275744,7 +275233,7 @@ }, { "str": "order", - "token_id": 32007, + "token_id": 31946, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275753,7 +275242,7 @@ }, { "str": ".", - "token_id": 32008, + "token_id": 31947, "o_rev_id": 1252808014, "in": [], "out": [ @@ -275762,7 +275251,7 @@ }, { "str": "after", - "token_id": 32009, + 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[], "out": [] }, { "str": "runs", - "token_id": 32120, + "token_id": 32059, "o_rev_id": 1253075484, "in": [], "out": [] }, { "str": "out", - "token_id": 32121, + "token_id": 32060, "o_rev_id": 1253075484, "in": [], "out": [] }, { "str": "(", - "token_id": 32122, + "token_id": 32061, "o_rev_id": 1254456850, "in": [], "out": [ @@ -276662,7 +276151,7 @@ }, { "str": "aka", - "token_id": 32123, + "token_id": 32062, "o_rev_id": 1254456850, "in": [], "out": [ @@ -276671,7 +276160,7 @@ }, { "str": "the", - "token_id": 32124, + "token_id": 32063, "o_rev_id": 1254456850, "in": [], "out": [ @@ -276680,7 +276169,7 @@ }, { "str": "stupid", - "token_id": 32125, + "token_id": 32064, "o_rev_id": 1254456850, "in": [], "out": [ @@ -276689,7 +276178,7 @@ }, { "str": "one", - "token_id": 32126, + "token_id": 32065, "o_rev_id": 1254456850, "in": [], "out": [ @@ -276698,7 +276187,7 @@ }, { "str": ")", - "token_id": 32127, + "token_id": 32066, "o_rev_id": 1254456850, "in": [], "out": [ @@ -276707,7 +276196,7 @@ }, { "str": "(", - "token_id": 32128, + "token_id": 32067, "o_rev_id": 1254456947, "in": [], "out": [ @@ -276716,7 +276205,7 @@ }, { "str": "the", - "token_id": 32129, + "token_id": 32068, "o_rev_id": 1254456947, "in": [], "out": [ @@ -276725,7 +276214,7 @@ }, { "str": "best", - "token_id": 32130, + "token_id": 32069, "o_rev_id": 1254456947, "in": [], "out": [ @@ -276734,7 +276223,7 @@ }, { "str": "mode", - "token_id": 32131, + "token_id": 32070, "o_rev_id": 1254456947, "in": [], "out": [ @@ -276743,7 +276232,7 @@ }, { "str": ")", - "token_id": 32132, + "token_id": 32071, "o_rev_id": 1254456947, "in": [], "out": [ @@ -276752,7 +276241,7 @@ }, { "str": "(", - "token_id": 32133, + "token_id": 32072, "o_rev_id": 1254457013, "in": [], "out": [ @@ -276761,7 +276250,7 @@ }, { "str": "i", - "token_id": 32134, + "token_id": 32073, "o_rev_id": 1254457013, "in": [], "out": [ @@ -276770,7 +276259,7 @@ }, { "str": "forgot", - "token_id": 32135, + "token_id": 32074, "o_rev_id": 1254457013, "in": [], "out": [ @@ -276779,7 +276268,7 @@ }, { "str": "this", - "token_id": 32136, + "token_id": 32075, "o_rev_id": 1254457013, "in": [], "out": [ @@ -276788,7 +276277,7 @@ }, { "str": "existed", - "token_id": 32137, + "token_id": 32076, "o_rev_id": 1254457013, "in": [], "out": [ @@ -276797,7 +276286,7 @@ }, { "str": "tbh", - "token_id": 32138, + "token_id": 32077, "o_rev_id": 1254457013, "in": [], "out": [ @@ -276806,7 +276295,7 @@ }, { "str": ")", - "token_id": 32139, + "token_id": 32078, "o_rev_id": 1254457013, "in": [], "out": [ @@ -276815,7 +276304,7 @@ }, { "str": "afollowing", - "token_id": 32140, + "token_id": 32079, "o_rev_id": 1254457505, "in": [], "out": [ @@ -276824,7 +276313,7 @@ }, { "str": "craiga", - "token_id": 32141, + "token_id": 32080, "o_rev_id": 1254458503, "in": [], "out": [ @@ -276833,7 +276322,7 @@ }, { "str": "(", - "token_id": 32142, + "token_id": 32081, "o_rev_id": 1254458666, "in": [], "out": [ @@ -276842,7 +276331,7 @@ }, { "str": "a", - "token_id": 32143, + 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@@ -281094,7 +280583,7 @@ }, { "str": "if", - "token_id": 32619, + "token_id": 32558, "o_rev_id": 1284965656, "in": [], "out": [ @@ -281103,7 +280592,7 @@ }, { "str": "you", - "token_id": 32620, + "token_id": 32559, "o_rev_id": 1284965656, "in": [], "out": [ @@ -281112,7 +280601,7 @@ }, { "str": "win", - "token_id": 32621, + "token_id": 32560, "o_rev_id": 1284965656, "in": [], "out": [ @@ -281121,7 +280610,7 @@ }, { "str": "the", - "token_id": 32622, + "token_id": 32561, "o_rev_id": 1284965656, "in": [], "out": [ @@ -281130,7 +280619,7 @@ }, { "str": "series", - "token_id": 32623, + "token_id": 32562, "o_rev_id": 1284965656, "in": [], "out": [ @@ -281139,7 +280628,7 @@ }, { "str": "(", - "token_id": 32624, + "token_id": 32563, "o_rev_id": 1284965656, "in": [], "out": [ @@ -281148,7 +280637,7 @@ }, { "str": "by", - "token_id": 32625, + "token_id": 32564, "o_rev_id": 1284965656, "in": [], "out": [ @@ -281157,7 +280646,7 @@ }, { "str": "getting", - "token_id": 32626, + "token_id": 32565, 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[], "out": [ @@ -281508,7 +280997,7 @@ }, { "str": "-", - "token_id": 32665, + "token_id": 32604, "o_rev_id": 1284965656, "in": [], "out": [ @@ -281517,7 +281006,7 @@ }, { "str": "up", - "token_id": 32666, + "token_id": 32605, "o_rev_id": 1284965656, "in": [], "out": [ @@ -281526,7 +281015,7 @@ }, { "str": "battles", - "token_id": 32667, + "token_id": 32606, "o_rev_id": 1284965656, "in": [], "out": [ @@ -281535,7 +281024,7 @@ }, { "str": "if", - "token_id": 32668, + "token_id": 32607, "o_rev_id": 1284965656, "in": [], "out": [ @@ -281544,7 +281033,7 @@ }, { "str": "you", - "token_id": 32669, + "token_id": 32608, "o_rev_id": 1284965656, "in": [], "out": [ @@ -281553,7 +281042,7 @@ }, { "str": "want", - "token_id": 32670, + "token_id": 32609, "o_rev_id": 1284965656, "in": [], "out": [ @@ -281562,7 +281051,7 @@ }, { "str": "to", - "token_id": 32671, + "token_id": 32610, "o_rev_id": 1284965656, "in": [], "out": [ @@ -281571,7 +281060,7 @@ }, { "str": "increase", - "token_id": 32672, + 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+281157,7 @@ }, { "str": "the", - "token_id": 32680, + "token_id": 32619, "o_rev_id": 1285075363, "in": [ 1285606684, @@ -281682,7 +281171,7 @@ }, { "str": "objective", - "token_id": 32681, + "token_id": 32620, "o_rev_id": 1285075363, "in": [ 1285606684, @@ -281696,7 +281185,7 @@ }, { "str": ",", - "token_id": 32682, + "token_id": 32621, "o_rev_id": 1285075363, "in": [ 1285606684, @@ -281710,7 +281199,7 @@ }, { "str": "or", - "token_id": 32683, + "token_id": 32622, "o_rev_id": 1285075363, "in": [ 1285606684, @@ -281724,7 +281213,7 @@ }, { "str": "in", - "token_id": 32684, + "token_id": 32623, "o_rev_id": 1285075363, "in": [ 1285606684, @@ -281738,7 +281227,7 @@ }, { "str": "the", - "token_id": 32685, + "token_id": 32624, "o_rev_id": 1285075363, "in": [ 1285606684, @@ -281752,7 +281241,7 @@ }, { "str": "case", - "token_id": 32686, + "token_id": 32625, "o_rev_id": 1285075363, "in": [ 1285606684, @@ -281766,7 +281255,7 @@ }, { "str": "of", - "token_id": 32687, + "token_id": 32626, 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"token_id": 32725, + "token_id": 32664, "o_rev_id": 1285081483, "in": [], "out": [ @@ -282297,7 +281786,7 @@ }, { "str": "of", - "token_id": 32726, + "token_id": 32665, "o_rev_id": 1285081483, "in": [], "out": [ @@ -282306,7 +281795,7 @@ }, { "str": "points", - "token_id": 32727, + "token_id": 32666, "o_rev_id": 1285081483, "in": [ 1285606684, @@ -282320,7 +281809,7 @@ }, { "str": "possible", - "token_id": 32728, + "token_id": 32667, "o_rev_id": 1285081483, "in": [], "out": [ @@ -282329,7 +281818,7 @@ }, { "str": ".", - "token_id": 32729, + "token_id": 32668, "o_rev_id": 1285081483, "in": [ 1285606684, @@ -282343,7 +281832,7 @@ }, { "str": "this", - "token_id": 32730, + "token_id": 32669, "o_rev_id": 1285081483, "in": [ 1285606684, @@ -282357,7 +281846,7 @@ }, { "str": "is", - "token_id": 32731, + "token_id": 32670, "o_rev_id": 1285081483, "in": [ 1285606684, @@ -282371,7 +281860,7 @@ }, { "str": "called", - "token_id": 32732, + "token_id": 32671, "o_rev_id": 1285081483, "in": [ 1285606684, @@ -282385,7 +281874,7 @@ }, { "str": "a", - "token_id": 32733, + "token_id": 32672, "o_rev_id": 1285081483, "in": [ 1285606684, @@ -282399,7 +281888,7 @@ }, { "str": "knockout", - "token_id": 32734, + "token_id": 32673, "o_rev_id": 1285081483, "in": [ 1285606684, @@ -282413,7 +281902,7 @@ }, { "str": ",", - "token_id": 32735, + "token_id": 32674, "o_rev_id": 1285081483, "in": [ 1285606684, @@ -282427,7 +281916,7 @@ }, { "str": "similar", - "token_id": 32736, + "token_id": 32675, "o_rev_id": 1285081483, "in": [ 1285606684, @@ -282441,7 +281930,7 @@ }, { "str": "to", - "token_id": 32737, + "token_id": 32676, "o_rev_id": 1285081483, "in": [ 1285606684, @@ -282455,7 +281944,7 @@ }, { "str": "the", - "token_id": 32738, + "token_id": 32677, "o_rev_id": 1285081483, "in": [ 1285606684, @@ -282469,7 +281958,7 @@ }, { "str": "mercy", - "token_id": 32739, + "token_id": 32678, "o_rev_id": 1285081483, "in": [ 1285606684, @@ -282483,7 +281972,7 @@ }, { "str": "rule", - "token_id": 32740, + "token_id": 32679, "o_rev_id": 1285081483, "in": [ 1285606684, @@ -282497,7 +281986,7 @@ }, { "str": "in", - "token_id": 32741, + "token_id": 32680, "o_rev_id": 1285081483, "in": [ 1285606684, @@ -282511,7 +282000,7 @@ }, { "str": "many", - "token_id": 32742, + "token_id": 32681, "o_rev_id": 1285081483, "in": [ 1285606684, @@ -282525,7 +282014,7 @@ }, { "str": "sports", - "token_id": 32743, + "token_id": 32682, "o_rev_id": 1285081483, "in": [ 1285606684, @@ -282539,7 +282028,7 @@ }, { "str": "turf", - "token_id": 32744, + "token_id": 32683, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282553,7 +282042,7 @@ }, { "str": "war", - "token_id": 32745, + "token_id": 32684, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282567,7 +282056,7 @@ }, { "str": "=", - "token_id": 32746, + "token_id": 32685, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282581,7 +282070,7 @@ }, { "str": "=", - "token_id": 32747, + "token_id": 32686, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282595,7 +282084,7 @@ }, { "str": "=", - "token_id": 32748, + "token_id": 32687, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282609,7 +282098,7 @@ }, { "str": "=", - "token_id": 32749, + "token_id": 32688, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282623,7 +282112,7 @@ }, { "str": "=", - "token_id": 32750, + "token_id": 32689, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282637,7 +282126,7 @@ }, { "str": "=", - "token_id": 32751, + "token_id": 32690, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282651,7 +282140,7 @@ }, { "str": "=", - "token_id": 32752, + "token_id": 32691, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282665,7 +282154,7 @@ }, { "str": "=", - "token_id": 32753, + "token_id": 32692, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282679,7 +282168,7 @@ }, { "str": "anarchy", - "token_id": 32754, + "token_id": 32693, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282693,7 +282182,7 @@ }, { "str": "battles", - "token_id": 32755, + "token_id": 32694, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282707,7 +282196,7 @@ }, { "str": "[[", - "token_id": 32756, + "token_id": 32695, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282721,7 +282210,7 @@ }, { "str": "]]", - "token_id": 32757, + "token_id": 32696, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282735,7 +282224,7 @@ }, { "str": "=", - "token_id": 32758, + "token_id": 32697, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282749,7 +282238,7 @@ }, { "str": "=", - "token_id": 32759, + "token_id": 32698, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282763,7 +282252,7 @@ }, { "str": "=", - "token_id": 32760, + "token_id": 32699, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282777,7 +282266,7 @@ }, { "str": "=", - "token_id": 32761, + "token_id": 32700, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282791,7 +282280,7 @@ }, { "str": "anarchy", - "token_id": 32762, + "token_id": 32701, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282805,7 +282294,7 @@ }, { "str": "battle", - "token_id": 32763, + "token_id": 32702, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282819,7 +282308,7 @@ }, { "str": "modes", - "token_id": 32764, + "token_id": 32703, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282833,7 +282322,7 @@ }, { "str": "=", - "token_id": 32765, + "token_id": 32704, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282847,7 +282336,7 @@ }, { "str": "=", - "token_id": 32766, + "token_id": 32705, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282861,7 +282350,7 @@ }, { "str": "=", - "token_id": 32767, + "token_id": 32706, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282875,7 +282364,7 @@ }, { "str": "=", - "token_id": 32768, + "token_id": 32707, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282889,7 +282378,7 @@ }, { "str": "=", - "token_id": 32769, + "token_id": 32708, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282903,7 +282392,7 @@ }, { "str": "=", - "token_id": 32770, + "token_id": 32709, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282917,7 +282406,7 @@ }, { "str": "=", - "token_id": 32771, + "token_id": 32710, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282931,7 +282420,7 @@ }, { "str": "=", - "token_id": 32772, + "token_id": 32711, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282945,7 +282434,7 @@ }, { "str": "x", - "token_id": 32773, + "token_id": 32712, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282959,7 +282448,7 @@ }, { "str": "rank", - "token_id": 32774, + "token_id": 32713, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282973,7 +282462,7 @@ }, { "str": "=", - "token_id": 32775, + "token_id": 32714, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -282987,7 +282476,7 @@ }, { "str": "=", - "token_id": 32776, + "token_id": 32715, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283001,7 +282490,7 @@ }, { "str": "=", - "token_id": 32777, + "token_id": 32716, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283015,7 +282504,7 @@ }, { "str": "=", - "token_id": 32778, + "token_id": 32717, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283029,7 +282518,7 @@ }, { "str": "once", - "token_id": 32779, + "token_id": 32718, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283043,7 +282532,7 @@ }, { "str": "a", - "token_id": 32780, + "token_id": 32719, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283057,7 +282546,7 @@ }, { "str": "player", - "token_id": 32781, + "token_id": 32720, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283071,7 +282560,7 @@ }, { "str": "gets", - "token_id": 32782, + "token_id": 32721, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283085,7 +282574,7 @@ }, { "str": "to", - "token_id": 32783, + "token_id": 32722, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283099,7 +282588,7 @@ }, { "str": "a", - "token_id": 32784, + "token_id": 32723, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283113,7 +282602,7 @@ }, { "str": "rank", - "token_id": 32785, + "token_id": 32724, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283127,7 +282616,7 @@ }, { "str": "of", - "token_id": 32786, + "token_id": 32725, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283141,7 +282630,7 @@ }, { "str": "s", - "token_id": 32787, + "token_id": 32726, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283155,7 +282644,7 @@ }, { "str": "+", - "token_id": 32788, + "token_id": 32727, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283169,7 +282658,7 @@ }, { "str": "0", - "token_id": 32789, + "token_id": 32728, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283183,7 +282672,7 @@ }, { "str": "in", - "token_id": 32790, + "token_id": 32729, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283197,7 +282686,7 @@ }, { "str": "anarchy", - "token_id": 32791, + "token_id": 32730, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283211,7 +282700,7 @@ }, { "str": "mode", - "token_id": 32792, + "token_id": 32731, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283225,7 +282714,7 @@ }, { "str": ",", - "token_id": 32793, + "token_id": 32732, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283239,7 +282728,7 @@ }, { "str": "they", - "token_id": 32794, + "token_id": 32733, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283253,7 +282742,7 @@ }, { "str": "get", - "token_id": 32795, + "token_id": 32734, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283267,7 +282756,7 @@ }, { "str": "to", - "token_id": 32796, + "token_id": 32735, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283281,7 +282770,7 @@ }, { "str": "be", - "token_id": 32797, + "token_id": 32736, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283295,7 +282784,7 @@ }, { "str": "able", - "token_id": 32798, + "token_id": 32737, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283309,7 +282798,7 @@ }, { "str": "to", - "token_id": 32799, + "token_id": 32738, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283323,7 +282812,7 @@ }, { "str": "participate", - "token_id": 32800, + "token_id": 32739, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283337,7 +282826,7 @@ }, { "str": "in", - "token_id": 32801, + "token_id": 32740, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283351,7 +282840,7 @@ }, { "str": "x", - "token_id": 32802, + "token_id": 32741, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283365,7 +282854,7 @@ }, { "str": "rank", - "token_id": 32803, + "token_id": 32742, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283379,7 +282868,7 @@ }, { "str": "battles", - "token_id": 32804, + "token_id": 32743, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283393,7 +282882,7 @@ }, { "str": "players", - "token_id": 32805, + "token_id": 32744, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283407,7 +282896,7 @@ }, { "str": "who", - "token_id": 32806, + "token_id": 32745, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283421,7 +282910,7 @@ }, { "str": "unlock", - "token_id": 32807, + "token_id": 32746, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283435,7 +282924,7 @@ }, { "str": "x", - "token_id": 32808, + "token_id": 32747, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283449,7 +282938,7 @@ }, { "str": "rank", - "token_id": 32809, + "token_id": 32748, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283463,7 +282952,7 @@ }, { "str": "will", - "token_id": 32810, + "token_id": 32749, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283477,7 +282966,7 @@ }, { "str": ",", - "token_id": 32811, + "token_id": 32750, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283491,7 +282980,7 @@ }, { "str": "after", - "token_id": 32812, + "token_id": 32751, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283505,7 +282994,7 @@ }, { "str": "confirming", - "token_id": 32813, + "token_id": 32752, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283519,7 +283008,7 @@ }, { "str": "their", - "token_id": 32814, + "token_id": 32753, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283533,7 +283022,7 @@ }, { "str": "divisions", - "token_id": 32815, + "token_id": 32754, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283547,7 +283036,7 @@ }, { "str": "(", - "token_id": 32816, + "token_id": 32755, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283561,7 +283050,7 @@ }, { "str": "tentatek", - "token_id": 32817, + "token_id": 32756, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283575,7 +283064,7 @@ }, { "str": "for", - "token_id": 32818, + "token_id": 32757, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283589,7 +283078,7 @@ }, { "str": "us", - "token_id": 32819, + "token_id": 32758, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283603,7 +283092,7 @@ }, { "str": "and", - "token_id": 32820, + "token_id": 32759, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283617,7 +283106,7 @@ }, { "str": "europe", - "token_id": 32821, + "token_id": 32760, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283631,7 +283120,7 @@ }, { "str": "and", - "token_id": 32822, + "token_id": 32761, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283645,7 +283134,7 @@ }, { "str": "takoroka", - "token_id": 32823, + "token_id": 32762, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283659,7 +283148,7 @@ }, { "str": "for", - "token_id": 32824, + "token_id": 32763, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283673,7 +283162,7 @@ }, { "str": "asia", - "token_id": 32825, + "token_id": 32764, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283687,7 +283176,7 @@ }, { "str": ")", - "token_id": 32826, + "token_id": 32765, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283701,7 +283190,7 @@ }, { "str": "and", - "token_id": 32827, + "token_id": 32766, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283715,7 +283204,7 @@ }, { "str": "playing", - "token_id": 32828, + "token_id": 32767, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283729,7 +283218,7 @@ }, { "str": "five", - "token_id": 32829, + "token_id": 32768, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283743,7 +283232,7 @@ }, { "str": "battles", - "token_id": 32830, + "token_id": 32769, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283757,7 +283246,7 @@ }, { "str": "in", - "token_id": 32831, + "token_id": 32770, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283771,7 +283260,7 @@ }, { "str": "a", - "token_id": 32832, + "token_id": 32771, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283785,7 +283274,7 @@ }, { "str": "specific", - "token_id": 32833, + "token_id": 32772, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283799,7 +283288,7 @@ }, { "str": "anarchy", - "token_id": 32834, + "token_id": 32773, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283813,7 +283302,7 @@ }, { "str": "mode", - "token_id": 32835, + "token_id": 32774, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283827,7 +283316,7 @@ }, { "str": ",", - "token_id": 32836, + "token_id": 32775, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283841,7 +283330,7 @@ }, { "str": "will", - "token_id": 32837, + "token_id": 32776, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283855,7 +283344,7 @@ }, { "str": "have", - "token_id": 32838, + "token_id": 32777, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283869,7 +283358,7 @@ }, { "str": "their", - "token_id": 32839, + "token_id": 32778, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283883,7 +283372,7 @@ }, { "str": "x", - "token_id": 32840, + "token_id": 32779, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283897,7 +283386,7 @@ }, { "str": "power", - "token_id": 32841, + "token_id": 32780, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283911,7 +283400,7 @@ }, { "str": "displayed", - "token_id": 32842, + "token_id": 32781, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283925,7 +283414,7 @@ }, { "str": "and", - "token_id": 32843, + "token_id": 32782, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283939,7 +283428,7 @@ }, { "str": "their", - "token_id": 32844, + "token_id": 32783, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283953,7 +283442,7 @@ }, { "str": "standings", - "token_id": 32845, + "token_id": 32784, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283967,7 +283456,7 @@ }, { "str": "compared", - "token_id": 32846, + "token_id": 32785, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283981,7 +283470,7 @@ }, { "str": "to", - "token_id": 32847, + "token_id": 32786, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -283995,7 +283484,7 @@ }, { "str": "the", - "token_id": 32848, + "token_id": 32787, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -284009,7 +283498,7 @@ }, { "str": "rest", - "token_id": 32849, + "token_id": 32788, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -284023,7 +283512,7 @@ }, { "str": "of", - "token_id": 32850, + "token_id": 32789, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -284037,7 +283526,7 @@ }, { "str": "their", - "token_id": 32851, + "token_id": 32790, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -284051,7 +283540,7 @@ }, { "str": "division", - "token_id": 32852, + "token_id": 32791, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -284065,7 +283554,7 @@ }, { "str": ".", - "token_id": 32853, + "token_id": 32792, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -284079,7 +283568,7 @@ }, { "str": "the", - "token_id": 32854, + "token_id": 32793, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -284093,7 +283582,7 @@ }, { "str": "top", - "token_id": 32855, + "token_id": 32794, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -284107,7 +283596,7 @@ }, { "str": "five", - "token_id": 32856, + "token_id": 32795, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -284121,7 +283610,7 @@ }, { "str": "-", - "token_id": 32857, + "token_id": 32796, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -284135,7 +283624,7 @@ }, { "str": "hundred", - "token_id": 32858, + "token_id": 32797, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -284149,7 +283638,7 @@ }, { "str": "players", - "token_id": 32859, + "token_id": 32798, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -284163,7 +283652,7 @@ }, { "str": "in", - "token_id": 32860, + "token_id": 32799, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -284177,7 +283666,7 @@ }, { "str": "their", - "token_id": 32861, + "token_id": 32800, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -284191,7 +283680,7 @@ }, { "str": "division", - "token_id": 32862, + "token_id": 32801, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -284205,7 +283694,7 @@ }, { "str": "will", - "token_id": 32863, + "token_id": 32802, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -284219,7 +283708,7 @@ }, { "str": "have", - "token_id": 32864, + "token_id": 32803, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -284233,7 +283722,7 @@ }, { "str": "a", - "token_id": 32865, + "token_id": 32804, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -284247,7 +283736,7 @@ }, { "str": "crown", - "token_id": 32866, + "token_id": 32805, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -284261,7 +283750,7 @@ }, { "str": "shown", - "token_id": 32867, + "token_id": 32806, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -284275,7 +283764,7 @@ }, { "str": "above", - "token_id": 32868, + "token_id": 32807, "o_rev_id": 1285111616, "in": [ 1285606684, @@ -284289,7 +283778,7 @@ }, { "str": 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"token_id": 33036, + "token_id": 32975, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286070,7 +285559,7 @@ }, { "str": "game", - "token_id": 33037, + "token_id": 32976, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286079,7 +285568,7 @@ }, { "str": ",", - "token_id": 33038, + "token_id": 32977, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286088,7 +285577,7 @@ }, { "str": "is", - "token_id": 33039, + "token_id": 32978, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286097,7 +285586,7 @@ }, { "str": "coming", - "token_id": 33040, + "token_id": 32979, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286106,7 +285595,7 @@ }, { "str": "to", - "token_id": 33041, + "token_id": 32980, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286115,7 +285604,7 @@ }, { "str": "nintendo", - "token_id": 33042, + "token_id": 32981, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286124,7 +285613,7 @@ }, { "str": "switch", - "token_id": 33043, + "token_id": 32982, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286133,7 +285622,7 @@ }, { "str": "2", - "token_id": 33044, + "token_id": 32983, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286142,7 +285631,7 @@ }, { "str": "!", - "token_id": 33045, + "token_id": 32984, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286151,7 +285640,7 @@ }, { "str": "|", - "token_id": 33046, + "token_id": 32985, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286160,7 +285649,7 @@ }, { "str": "url", - "token_id": 33047, + "token_id": 32986, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286169,7 +285658,7 @@ }, { "str": "=", - "token_id": 33048, + "token_id": 32987, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286178,7 +285667,7 @@ }, { "str": "https", - "token_id": 33049, + "token_id": 32988, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286187,7 +285676,7 @@ }, { "str": ":", - "token_id": 33050, + "token_id": 32989, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286196,7 +285685,7 @@ }, { "str": "/", - "token_id": 33051, + "token_id": 32990, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286205,7 +285694,7 @@ }, { "str": "/", - "token_id": 33052, + "token_id": 32991, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286214,7 +285703,7 @@ }, { "str": "www", - "token_id": 33053, + "token_id": 32992, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286223,7 +285712,7 @@ }, { "str": ".", - "token_id": 33054, + "token_id": 32993, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286232,7 +285721,7 @@ }, { "str": "nintendo", - "token_id": 33055, + "token_id": 32994, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286241,7 +285730,7 @@ }, { "str": ".", - "token_id": 33056, + "token_id": 32995, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286250,7 +285739,7 @@ }, { "str": "com", - "token_id": 33057, + "token_id": 32996, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286259,7 +285748,7 @@ }, { "str": "/", - "token_id": 33058, + "token_id": 32997, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286268,7 +285757,7 @@ }, { "str": "us", - "token_id": 33059, + "token_id": 32998, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286277,7 +285766,7 @@ }, { "str": "/", - "token_id": 33060, + "token_id": 32999, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286286,7 +285775,7 @@ }, { "str": "whatsnew", - "token_id": 33061, + "token_id": 33000, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286295,7 +285784,7 @@ }, { "str": "/", - "token_id": 33062, + "token_id": 33001, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286304,7 +285793,7 @@ }, { "str": "splatoon", - "token_id": 33063, + "token_id": 33002, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286313,7 +285802,7 @@ }, { "str": "-", - "token_id": 33064, + "token_id": 33003, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286322,7 +285811,7 @@ }, { "str": "raiders", - "token_id": 33065, + "token_id": 33004, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286331,7 +285820,7 @@ }, { "str": "-", - "token_id": 33066, + "token_id": 33005, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286340,7 +285829,7 @@ }, { "str": "the", - "token_id": 33067, + "token_id": 33006, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286349,7 +285838,7 @@ }, { "str": "-", - "token_id": 33068, + "token_id": 33007, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286358,7 +285847,7 @@ }, { "str": "first", - "token_id": 33069, + "token_id": 33008, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286367,7 +285856,7 @@ }, { "str": "-", - "token_id": 33070, + "token_id": 33009, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286376,7 +285865,7 @@ }, { "str": "ever", - "token_id": 33071, + "token_id": 33010, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286385,7 +285874,7 @@ }, { "str": "-", - "token_id": 33072, + "token_id": 33011, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286394,7 +285883,7 @@ }, { "str": "splatoon", - "token_id": 33073, + "token_id": 33012, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286403,7 +285892,7 @@ }, { "str": "-", - "token_id": 33074, + "token_id": 33013, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286412,7 +285901,7 @@ }, { "str": "spinoff", - "token_id": 33075, + "token_id": 33014, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286421,7 +285910,7 @@ }, { "str": "-", - "token_id": 33076, + "token_id": 33015, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286430,7 +285919,7 @@ }, { "str": "game", - "token_id": 33077, + "token_id": 33016, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286439,7 +285928,7 @@ }, { "str": "-", - "token_id": 33078, + "token_id": 33017, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286448,7 +285937,7 @@ }, { "str": "is", - "token_id": 33079, + "token_id": 33018, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286457,7 +285946,7 @@ }, { "str": "-", - "token_id": 33080, + "token_id": 33019, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286466,7 +285955,7 @@ }, { "str": "coming", - "token_id": 33081, + "token_id": 33020, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286475,7 +285964,7 @@ }, { "str": "-", - "token_id": 33082, + "token_id": 33021, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286484,7 +285973,7 @@ }, { "str": "to", - "token_id": 33083, + "token_id": 33022, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286493,7 +285982,7 @@ }, { "str": "-", - "token_id": 33084, + "token_id": 33023, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286502,7 +285991,7 @@ }, { "str": "nintendo", - "token_id": 33085, + "token_id": 33024, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286511,7 +286000,7 @@ }, { "str": "-", - "token_id": 33086, + "token_id": 33025, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286520,7 +286009,7 @@ }, { "str": "switch", - "token_id": 33087, + "token_id": 33026, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286529,7 +286018,7 @@ }, { "str": "-", - "token_id": 33088, + "token_id": 33027, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286538,7 +286027,7 @@ }, { "str": "2", - "token_id": 33089, + "token_id": 33028, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286547,7 +286036,7 @@ }, { "str": "/", - "token_id": 33090, + "token_id": 33029, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286556,7 +286045,7 @@ }, { "str": "|", - "token_id": 33091, + "token_id": 33030, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286565,7 +286054,7 @@ }, { "str": "access", - "token_id": 33092, + "token_id": 33031, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286574,7 +286063,7 @@ }, { "str": "-", - "token_id": 33093, + "token_id": 33032, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286583,7 +286072,7 @@ }, { "str": "date", - "token_id": 33094, + "token_id": 33033, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286592,7 +286081,7 @@ }, { "str": "=", - "token_id": 33095, + "token_id": 33034, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286601,7 +286090,7 @@ }, { "str": "2025", - "token_id": 33096, + "token_id": 33035, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286610,7 +286099,7 @@ }, { "str": "-", - "token_id": 33097, + "token_id": 33036, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286619,7 +286108,7 @@ }, { "str": "06", - "token_id": 33098, + "token_id": 33037, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286628,7 +286117,7 @@ }, { "str": "-", - "token_id": 33099, + "token_id": 33038, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286637,7 +286126,7 @@ }, { "str": "10", - "token_id": 33100, + "token_id": 33039, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286646,7 +286135,7 @@ }, { "str": "|", - "token_id": 33101, + "token_id": 33040, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286655,7 +286144,7 @@ }, { "str": "website", - "token_id": 33102, + "token_id": 33041, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286664,7 +286153,7 @@ }, { "str": "=", - "token_id": 33103, + "token_id": 33042, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286673,7 +286162,7 @@ }, { "str": "nintendo", - "token_id": 33104, + "token_id": 33043, "o_rev_id": 1294902560, "in": [], "out": [ @@ -286682,7 +286171,7 @@ }, { "str": "|", - "token_id": 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}, { "str": "away", - "token_id": 33460, + "token_id": 33401, "o_rev_id": 1327601720, "in": [], "out": [] }, { "str": "by", - "token_id": 33461, + "token_id": 33402, "o_rev_id": 1327601720, "in": [], "out": [] }, { "str": "fuzzy", - "token_id": 33462, + "token_id": 33403, "o_rev_id": 1327601720, "in": [], "out": [] }, { "str": "ooze", - "token_id": 33463, + "token_id": 33404, "o_rev_id": 1327601720, "in": [], "out": [] }, { "str": ",", - "token_id": 33464, + "token_id": 33405, "o_rev_id": 1327601720, "in": [], "out": [ @@ -289381,7 +288884,7 @@ }, { "str": "neo", - "token_id": 33465, + "token_id": 33406, "o_rev_id": 1327601720, "in": [], "out": [ @@ -289390,28 +288893,28 @@ }, { "str": "former", - "token_id": 33466, + "token_id": 33407, "o_rev_id": 1327601720, "in": [], "out": [] }, { "str": "human", - "token_id": 33467, + "token_id": 33408, "o_rev_id": 1327601720, "in": [], "out": [] }, { "str": "settlement", - "token_id": 33468, + "token_id": 33409, "o_rev_id": 1327601720, "in": [], 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"out": [ @@ -289618,7 +289121,7 @@ }, { "str": "upon", - "token_id": 33492, + "token_id": 33433, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289627,7 +289130,7 @@ }, { "str": "falling", - "token_id": 33493, + "token_id": 33434, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289636,7 +289139,7 @@ }, { "str": "into", - "token_id": 33494, + "token_id": 33435, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289645,7 +289148,7 @@ }, { "str": "the", - "token_id": 33495, + "token_id": 33436, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289654,7 +289157,7 @@ }, { "str": "new", - "token_id": 33496, + "token_id": 33437, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289663,7 +289166,7 @@ }, { "str": "squidbeak", - "token_id": 33497, + "token_id": 33438, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289672,7 +289175,7 @@ }, { "str": "splatoon", - "token_id": 33498, + "token_id": 33439, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289681,7 +289184,7 @@ }, { "str": "explores", - "token_id": 33499, + "token_id": 33440, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289690,7 +289193,7 @@ }, { "str": "is", - "token_id": 33500, + "token_id": 33441, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289699,7 +289202,7 @@ }, { "str": "-", - "token_id": 33501, + "token_id": 33442, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289708,7 +289211,7 @@ }, { "str": "from", - "token_id": 33502, + "token_id": 33443, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289717,7 +289220,7 @@ }, { "str": "false", - "token_id": 33503, + "token_id": 33444, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289726,7 +289229,7 @@ }, { "str": "because", - "token_id": 33504, + "token_id": 33445, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289735,7 +289238,7 @@ }, { "str": "of", - "token_id": 33505, + "token_id": 33446, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289744,7 +289247,7 @@ }, { "str": "metal", - "token_id": 33506, + "token_id": 33447, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289753,7 +289256,7 @@ }, { "str": "interference", - "token_id": 33507, + "token_id": 33448, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289762,7 +289265,7 @@ }, { "str": "-", - "token_id": 33508, + "token_id": 33449, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289771,7 +289274,7 @@ }, { "str": ",", - "token_id": 33509, + "token_id": 33450, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289780,7 +289283,7 @@ }, { "str": "three", - "token_id": 33510, + "token_id": 33451, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289789,7 +289292,7 @@ }, { "str": "to", - "token_id": 33511, + "token_id": 33452, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289798,7 +289301,7 @@ }, { "str": "progress", - "token_id": 33512, + "token_id": 33453, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289807,7 +289310,7 @@ }, { "str": "the", - "token_id": 33513, + "token_id": 33454, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289816,7 +289319,7 @@ }, { "str": "story", - "token_id": 33514, + "token_id": 33455, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289825,7 +289328,7 @@ }, { "str": ".", - "token_id": 33515, + "token_id": 33456, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289834,7 +289337,7 @@ }, { "str": "as", - "token_id": 33516, + "token_id": 33457, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289843,7 +289346,7 @@ }, { "str": "neo", - "token_id": 33517, + "token_id": 33458, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289852,7 +289355,7 @@ }, { "str": "agent", - "token_id": 33518, + "token_id": 33459, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289861,7 +289364,7 @@ }, { "str": "3", - "token_id": 33519, + "token_id": 33460, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289870,7 +289373,7 @@ }, { "str": "advances", - "token_id": 33520, + "token_id": 33461, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289879,7 +289382,7 @@ }, { "str": "toward", - "token_id": 33521, + "token_id": 33462, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289888,7 +289391,7 @@ }, { "str": "the", - "token_id": 33522, + "token_id": 33463, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289897,16 +289400,7 @@ }, { "str": "rocket", - "token_id": 33523, - "o_rev_id": 1327622667, - "in": [], - "out": [ - 1327668959 - ] - }, - { - "str": "grizz", - "token_id": 33524, + "token_id": 33464, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289915,7 +289409,7 @@ }, { "str": "the", - "token_id": 33525, + "token_id": 33465, "o_rev_id": 1327622667, "in": [], "out": [ @@ -289924,70 +289418,7 @@ }, { "str": "gamemode", - "token_id": 33526, - "o_rev_id": 1327622667, - "in": [], - "out": [ - 1327668959 - ] - }, - { - "str": "salmon", - "token_id": 33527, - "o_rev_id": 1327622667, - "in": [], - "out": [ - 1327668959 - ] - }, - { - "str": "run", - "token_id": 33528, - "o_rev_id": 1327622667, - "in": [], - "out": [ - 1327668959 - ] - }, - { - "str": "proving", - "token_id": 33529, - "o_rev_id": 1327622667, - "in": [], - "out": [ - 1327668959 - ] - }, - { - "str": "octavio", - "token_id": 33530, 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@@ -290311,7 +289742,7 @@ }, { "str": "and", - "token_id": 33569, + "token_id": 33502, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290320,7 +289751,7 @@ }, { "str": "agent", - "token_id": 33570, + "token_id": 33503, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290329,7 +289760,7 @@ }, { "str": "3", - "token_id": 33571, + "token_id": 33504, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290338,7 +289769,7 @@ }, { "str": "commences", - "token_id": 33572, + "token_id": 33505, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290347,7 +289778,7 @@ }, { "str": ",", - "token_id": 33573, + "token_id": 33506, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290356,7 +289787,7 @@ }, { "str": "but", - "token_id": 33574, + "token_id": 33507, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290365,7 +289796,7 @@ }, { "str": "agent", - "token_id": 33575, + "token_id": 33508, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290374,7 +289805,7 @@ }, { "str": "3", - "token_id": 33576, + "token_id": 33509, 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}, { "str": "octobot", - "token_id": 33607, + "token_id": 33540, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290662,7 +290093,7 @@ }, { "str": ",", - "token_id": 33608, + "token_id": 33541, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290671,7 +290102,7 @@ }, { "str": "who", - "token_id": 33609, + "token_id": 33542, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290680,7 +290111,7 @@ }, { "str": "can", - "token_id": 33610, + "token_id": 33543, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290689,7 +290120,7 @@ }, { "str": "take", - "token_id": 33611, + "token_id": 33544, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290698,7 +290129,7 @@ }, { "str": "out", - "token_id": 33612, + "token_id": 33545, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290707,7 +290138,7 @@ }, { "str": "grizz", - "token_id": 33613, + "token_id": 33546, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290716,7 +290147,7 @@ }, { "str": "with", - "token_id": 33614, + "token_id": 33547, "o_rev_id": 1327622667, 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33622, + "token_id": 33555, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290797,7 +290228,7 @@ }, { "str": "33", - "token_id": 33623, + "token_id": 33556, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290806,7 +290237,7 @@ }, { "str": "seconds", - "token_id": 33624, + "token_id": 33557, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290815,7 +290246,7 @@ }, { "str": "to", - "token_id": 33625, + "token_id": 33558, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290824,7 +290255,7 @@ }, { "str": "defeat", - "token_id": 33626, + "token_id": 33559, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290833,7 +290264,7 @@ }, { "str": "mr", - "token_id": 33627, + "token_id": 33560, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290842,7 +290273,7 @@ }, { "str": ".", - "token_id": 33628, + "token_id": 33561, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290851,7 +290282,7 @@ }, { "str": "grizz", - "token_id": 33629, + "token_id": 33562, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290860,7 +290291,7 @@ }, { "str": ",", - "token_id": 33630, + "token_id": 33563, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290869,7 +290300,7 @@ }, { "str": "deep", - "token_id": 33631, + "token_id": 33564, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290878,7 +290309,7 @@ }, { "str": "cut", - "token_id": 33632, + "token_id": 33565, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290887,7 +290318,7 @@ }, { "str": "and", - "token_id": 33633, + "token_id": 33566, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290896,7 +290327,7 @@ }, { "str": "the", - "token_id": 33634, + "token_id": 33567, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290905,7 +290336,7 @@ }, { "str": "squid", - "token_id": 33635, + "token_id": 33568, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290914,7 +290345,7 @@ }, { "str": "sisters", - "token_id": 33636, + "token_id": 33569, "o_rev_id": 1327622667, "in": [], "out": [ @@ -290923,7 +290354,7 @@ }, { "str": "perform", - "token_id": 33637, + "token_id": 33570, 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}, { "str": "[[", - "token_id": 33731, + "token_id": 33664, "o_rev_id": 1330183493, "in": [], "out": [] }, { "str": "acronym", - "token_id": 33732, + "token_id": 33665, "o_rev_id": 1330183493, "in": [], "out": [] }, { "str": "]]", - "token_id": 33733, + "token_id": 33666, "o_rev_id": 1330183493, "in": [], "out": [] }, { "str": "for", - "token_id": 33734, + "token_id": 33667, "o_rev_id": 1330183493, "in": [], "out": [] }, { "str": "\"", - "token_id": 33735, + "token_id": 33668, "o_rev_id": 1330183493, "in": [], "out": [] }, { "str": "omniscient", - "token_id": 33736, + "token_id": 33669, "o_rev_id": 1330183493, "in": [], "out": [] }, { "str": "recording", - "token_id": 33737, + "token_id": 33670, "o_rev_id": 1330183493, "in": [], "out": [] }, { "str": "computer", - "token_id": 33738, + "token_id": 33671, "o_rev_id": 1330183493, "in": [], "out": [] }, { "str": "of", - "token_id": 33739, + "token_id": 33672, "o_rev_id": 1330183493, "in": [], "out": [] }, { "str": "alterna", - "token_id": 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[] }, { "str": "(", - "token_id": 33768, + "token_id": 33701, "o_rev_id": 1333835188, "in": [], "out": [ @@ -292021,7 +291452,7 @@ }, { "str": ")", - "token_id": 33769, + "token_id": 33702, "o_rev_id": 1333835188, "in": [], "out": [ @@ -292030,7 +291461,7 @@ }, { "str": "{{", - "token_id": 33770, + "token_id": 33703, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292039,7 +291470,7 @@ }, { "str": "unreliable", - "token_id": 33771, + "token_id": 33704, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292048,7 +291479,7 @@ }, { "str": "source", - "token_id": 33772, + "token_id": 33705, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292057,7 +291488,7 @@ }, { "str": "?", - "token_id": 33773, + "token_id": 33706, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292066,7 +291497,7 @@ }, { "str": "|", - "token_id": 33774, + "token_id": 33707, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292075,14 +291506,14 @@ }, { "str": "date", - "token_id": 33775, + "token_id": 33708, "o_rev_id": 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@@ }, { "str": ",", - "token_id": 33799, + "token_id": 33732, "o_rev_id": 1333838058, "in": [], "out": [] }, { "str": "as", - "token_id": 33800, + "token_id": 33733, "o_rev_id": 1333838058, "in": [], "out": [] }, { "str": "they", - "token_id": 33801, + "token_id": 33734, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292310,7 +291741,7 @@ }, { "str": "are", - "token_id": 33802, + "token_id": 33735, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292319,7 +291750,7 @@ }, { "str": "[[", - "token_id": 33803, + "token_id": 33736, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292328,7 +291759,7 @@ }, { "str": "wp", - "token_id": 33804, + "token_id": 33737, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292337,7 +291768,7 @@ }, { "str": ":", - "token_id": 33805, + "token_id": 33738, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292346,7 +291777,7 @@ }, { "str": "ugc", - "token_id": 33806, + "token_id": 33739, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292355,7 +291786,7 @@ }, { "str": "|", - "token_id": 33807, + "token_id": 33740, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292364,7 +291795,7 @@ }, { "str": "user", - "token_id": 33808, + "token_id": 33741, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292373,7 +291804,7 @@ }, { "str": "-", - "token_id": 33809, + "token_id": 33742, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292382,7 +291813,7 @@ }, { "str": "generated", - "token_id": 33810, + "token_id": 33743, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292391,7 +291822,7 @@ }, { "str": "]]", - "token_id": 33811, + "token_id": 33744, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292400,7 +291831,7 @@ }, { "str": ".", - "token_id": 33812, + "token_id": 33745, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292409,7 +291840,7 @@ }, { "str": "}}", - "token_id": 33813, + "token_id": 33746, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292418,7 +291849,7 @@ }, { "str": "{{", - "token_id": 33814, + "token_id": 33747, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292427,7 +291858,7 @@ }, { "str": "unreliable", - "token_id": 33815, + "token_id": 33748, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292436,7 +291867,7 @@ }, { "str": "source", - "token_id": 33816, + "token_id": 33749, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292445,7 +291876,7 @@ }, { "str": "?", - "token_id": 33817, + "token_id": 33750, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292454,7 +291885,7 @@ }, { "str": "|", - "token_id": 33818, + "token_id": 33751, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292463,14 +291894,14 @@ }, { "str": "date", - "token_id": 33819, + "token_id": 33752, "o_rev_id": 1333838058, "in": [], "out": [] }, { "str": "=", - "token_id": 33820, + "token_id": 33753, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292479,21 +291910,21 @@ }, { "str": "january", - "token_id": 33821, + "token_id": 33754, "o_rev_id": 1333838058, "in": [], "out": [] }, { "str": "2026", - "token_id": 33822, + "token_id": 33755, "o_rev_id": 1333838058, "in": [], "out": [] }, { "str": "|", - "token_id": 33823, + "token_id": 33756, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292502,7 +291933,7 @@ }, { "str": "certain", - "token_id": 33824, + "token_id": 33757, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292511,7 +291942,7 @@ }, { "str": "=", - "token_id": 33825, + "token_id": 33758, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292520,7 +291951,7 @@ }, { "str": "yes", - "token_id": 33826, + "token_id": 33759, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292529,7 +291960,7 @@ }, { "str": "|", - "token_id": 33827, + "token_id": 33760, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292538,7 +291969,7 @@ }, { "str": "reason", - "token_id": 33828, + "token_id": 33761, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292547,7 +291978,7 @@ }, { "str": "=", - "token_id": 33829, + "token_id": 33762, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292556,7 +291987,7 @@ }, { "str": "ign", - "token_id": 33830, + "token_id": 33763, "o_rev_id": 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"are", - "token_id": 33846, + "token_id": 33779, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292707,7 +292138,7 @@ }, { "str": "[[", - "token_id": 33847, + "token_id": 33780, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292716,7 +292147,7 @@ }, { "str": "wp", - "token_id": 33848, + "token_id": 33781, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292725,7 +292156,7 @@ }, { "str": ":", - "token_id": 33849, + "token_id": 33782, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292734,7 +292165,7 @@ }, { "str": "ugc", - "token_id": 33850, + "token_id": 33783, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292743,7 +292174,7 @@ }, { "str": "|", - "token_id": 33851, + "token_id": 33784, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292752,7 +292183,7 @@ }, { "str": "user", - "token_id": 33852, + "token_id": 33785, "o_rev_id": 1333838058, "in": [], "out": [ @@ -292761,7 +292192,7 @@ }, { "str": "-", - "token_id": 33853, + "token_id": 33786, "o_rev_id": 1333838058, "in": [], "out": [ @@ 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"o_rev_id": 1333839763, "in": [], "out": [ @@ -292842,14 +292273,14 @@ }, { "str": "date", - "token_id": 33862, + "token_id": 33795, "o_rev_id": 1333839763, "in": [], "out": [] }, { "str": "=", - "token_id": 33863, + "token_id": 33796, "o_rev_id": 1333839763, "in": [], "out": [ @@ -292858,21 +292289,21 @@ }, { "str": "january", - "token_id": 33864, + "token_id": 33797, "o_rev_id": 1333839763, "in": [], "out": [] }, { "str": "2026", - "token_id": 33865, + "token_id": 33798, "o_rev_id": 1333839763, "in": [], "out": [] }, { "str": "}}", - "token_id": 33866, + "token_id": 33799, "o_rev_id": 1333839763, "in": [], "out": [ @@ -292881,7 +292312,7 @@ }, { "str": "{{", - "token_id": 33867, + "token_id": 33800, "o_rev_id": 1333839763, "in": [], "out": [ @@ -292890,7 +292321,7 @@ }, { "str": "cleanup", - "token_id": 33868, + "token_id": 33801, "o_rev_id": 1333839763, "in": [], "out": [ @@ -292899,7 +292330,7 @@ }, { "str": "rewrite", - "token_id": 33869, + "token_id": 33802, "o_rev_id": 1333839763, "in": [], "out": [ @@ -292908,7 +292339,7 @@ }, { "str": "|", - "token_id": 33870, + "token_id": 33803, "o_rev_id": 1333839763, "in": [], "out": [ @@ -292917,7 +292348,7 @@ }, { "str": "date", - "token_id": 33871, + "token_id": 33804, "o_rev_id": 1333839763, "in": [], "out": [ @@ -292926,7 +292357,7 @@ }, { "str": "=", - "token_id": 33872, + "token_id": 33805, "o_rev_id": 1333839763, "in": [], "out": [ @@ -292935,7 +292366,7 @@ }, { "str": "january", - "token_id": 33873, + "token_id": 33806, "o_rev_id": 1333839763, "in": [], "out": [ @@ -292944,7 +292375,7 @@ }, { "str": "2026", - "token_id": 33874, + "token_id": 33807, "o_rev_id": 1333839763, "in": [], "out": [ @@ -292953,7 +292384,7 @@ }, { "str": "|", - "token_id": 33875, + "token_id": 33808, "o_rev_id": 1333839763, "in": [], "out": [ @@ -292962,7 +292393,7 @@ }, { "str": "section", - "token_id": 33876, + "token_id": 33809, "o_rev_id": 1333839763, "in": [], "out": [ @@ -292971,7 +292402,7 @@ }, { "str": "=", - "token_id": 33877, + "token_id": 33810, "o_rev_id": 1333839763, "in": [], "out": [ @@ -292980,7 +292411,7 @@ }, { "str": "yes", - "token_id": 33878, + "token_id": 33811, "o_rev_id": 1333839763, "in": [], "out": [ @@ -292989,7 +292420,7 @@ }, { "str": "}}", - "token_id": 33879, + "token_id": 33812, "o_rev_id": 1333839763, "in": [], "out": [ @@ -292998,7 +292429,7 @@ }, { "str": "|", - "token_id": 33880, + "token_id": 33813, "o_rev_id": 1333947148, "in": [], "out": [ @@ -293007,7 +292438,7 @@ }, { "str": "archive", - "token_id": 33881, + "token_id": 33814, "o_rev_id": 1333947148, "in": [], "out": [ @@ -293016,14 +292447,14 @@ }, { "str": "-", - "token_id": 33882, + "token_id": 33815, "o_rev_id": 1333947148, "in": [], "out": [] }, { "str": "date", - "token_id": 33883, + "token_id": 33816, "o_rev_id": 1333947148, "in": [], "out": [ @@ -293032,7 +292463,7 @@ }, { "str": "=", - "token_id": 33884, + "token_id": 33817, "o_rev_id": 1333947148, "in": [], "out": [ @@ -293041,7 +292472,7 @@ }, { "str": "28", - "token_id": 33885, + "token_id": 33818, "o_rev_id": 1333947148, "in": [], "out": [ @@ -293050,7 +292481,7 @@ }, { "str": "february", - "token_id": 33886, + "token_id": 33819, "o_rev_id": 1333947148, "in": [], "out": [ @@ -293059,7 +292490,7 @@ }, { "str": "2024", - "token_id": 33887, + "token_id": 33820, "o_rev_id": 1333947148, "in": [], "out": [ @@ -293068,119 +292499,119 @@ }, { "str": "|", - "token_id": 33888, + "token_id": 33821, "o_rev_id": 1333947148, "in": [], "out": [] }, { "str": "archive", - "token_id": 33889, + "token_id": 33822, "o_rev_id": 1333947148, "in": [], "out": [] }, { "str": "-", - "token_id": 33890, + "token_id": 33823, "o_rev_id": 1333947148, "in": [], "out": [] }, { "str": "url", - "token_id": 33891, + "token_id": 33824, "o_rev_id": 1333947148, "in": [], "out": [] }, { "str": "=", - "token_id": 33892, + "token_id": 33825, "o_rev_id": 1333947148, "in": [], "out": [] }, { "str": "https", - "token_id": 33893, + "token_id": 33826, "o_rev_id": 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Ramachandran|V. S. Ramachrandran]] that explores, from a neurological viewpoint, various aspects of human [[perception]] and how they relate to appreciation of [[art]], the development of [[language]], and how perception and the way it's processed make humans more like other animals, in particular [[hominids]], or unique among species. For this, Ramachandran investigates cases of patients where certain systems in the brain of an otherwise normal individual have been disrupted including among others: [[autism]], [[synesthesia]], [[phantom limb]]s, [[Cotard delusion]], and [[Broca's aphasia]].\n\nIn the final chapter, Ramachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder.\n\nThe book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==References==\n{{Reflist}}\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 450626031, + "parentid": 448414637, + "user": "Pgr94", + "userid": 1162083, + "timestamp": "2011-09-15T11:32:10Z", + "sha1": "af577642257f98f329c3cfa5e69f69e9254a669c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "the 7 concepts", + "*": "'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachrandran]] that explores, from a neurological viewpoint, various aspects of human [[perception]] and how they relate to appreciation of [[art]], the development of [[language]], and how perception and the way it's processed make humans more like other animals, in particular [[hominids]], or unique among species. For this, Ramachandran investigates cases of patients where certain systems in the brain of an otherwise normal individual have been disrupted including among others: [[autism]], [[synesthesia]], [[phantom limb]]s, [[Cotard delusion]], and [[Broca's aphasia]].\n\nIn the final chapter, Ramachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\nThe book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==References==\n{{Reflist}}\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 450673847, + "parentid": 450626031, + "user": "Loodog", + "userid": 783435, + "timestamp": "2011-09-15T17:35:06Z", + "sha1": "8bbbdd3d89c72d4d0ce9a4bdbd63153a8ca08421", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "infobox book with fair use cover pic", + "*": "{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0393077827\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachrandran]] that explores, from a neurological viewpoint, various aspects of human [[perception]] and how they relate to appreciation of [[art]], the development of [[language]], and how perception and the way it's processed make humans more like other animals, in particular [[hominids]], or unique among species. For this, Ramachandran investigates cases of patients where certain systems in the brain of an otherwise normal individual have been disrupted including among others: [[autism]], [[synesthesia]], [[phantom limb]]s, [[Cotard delusion]], and [[Broca's aphasia]].\n\nIn the final chapter, Ramachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\nThe book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==References==\n{{Reflist}}\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 455120457, + "parentid": 450673847, + "user": "Neurorel", + "userid": 13415791, + "timestamp": "2011-10-11T23:18:14Z", + "sha1": "a9d16e9ea8b4379b1dec38d4b545d42eeb6005e1", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Added excerpt from review by Nicholas Shakespeare.", + "*": "{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0393077827\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachrandran]] that explores, from a neurological viewpoint, various aspects of human [[perception]] and how they relate to appreciation of [[art]], the development of [[language]], and how perception and the way it's processed make humans more like other animals, in particular [[hominids]], or unique among species. For this, Ramachandran investigates cases of patients where certain systems in the brain of an otherwise normal individual have been disrupted including among others: [[autism]], [[synesthesia]], [[phantom limb]]s, [[Cotard delusion]], and [[Broca's aphasia]].\n\nIn the final chapter, Ramachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\nThe book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\nThe Tell-Tale Brain did receive some critical reviews.Nicholas Shakespeare, the eminent British writer felt that the author did not really engage his subject:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011 [http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html] \n\n==References==\n{{Reflist}}\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 455233959, + "parentid": 455120457, + "minor": "", + "user": "Neurorel", + "userid": 13415791, + "timestamp": "2011-10-12T17:08:49Z", + "sha1": "53862367f07348c383a60501afcfc70ae34686fe", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0393077827\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachrandran]] that explores, from a neurological viewpoint, various aspects of human [[perception]] and how they relate to appreciation of [[art]], the development of [[language]], and how perception and the way it's processed make humans more like other animals, in particular [[hominids]], or unique among species. For this, Ramachandran investigates cases of patients where certain systems in the brain of an otherwise normal individual have been disrupted including among others: [[autism]], [[synesthesia]], [[phantom limb]]s, [[Cotard delusion]], and [[Broca's aphasia]].\n\nIn the final chapter, Ramachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\nThe book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\nThe Tell-Tale Brain did receive some critical reviews.[[Nicholas Shakespeare]], the well known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011 [http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html]\n\n==References==\n{{Reflist}}\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 460650213, + "parentid": 455233959, + "user": "Esowteric", + "userid": 1472380, + "timestamp": "2011-11-14T18:59:11Z", + "sha1": "ba5d2484913bc3ae4f97639cd83cb59a0320fe2c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Wikilink Iain McGilchrist and The Master and His Emissary.", + "*": "{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0393077827\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachrandran]] that explores, from a neurological viewpoint, various aspects of human [[perception]] and how they relate to appreciation of [[art]], the development of [[language]], and how perception and the way it's processed make humans more like other animals, in particular [[hominids]], or unique among species. For this, Ramachandran investigates cases of patients where certain systems in the brain of an otherwise normal individual have been disrupted including among others: [[autism]], [[synesthesia]], [[phantom limb]]s, [[Cotard delusion]], and [[Broca's aphasia]].\n\nIn the final chapter, Ramachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\nThe book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\nThe Tell-Tale Brain did receive some critical reviews.[[Nicholas Shakespeare]], the well known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of [[Iain McGilchrist]]'s ''[[The Master and His Emissary]]'', last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011 [http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html]\n\n==References==\n{{Reflist}}\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 460730548, + "parentid": 460650213, + "user": "72.130.187.31", + "anon": "", + "userid": 0, + "timestamp": "2011-11-15T05:12:55Z", + "sha1": "68316afd69cbc00cdc92ea958890de64045ded6d", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "The summary was overall ok, but gives a skewed picture of the reviews to date by quoting only a single one, whereas the overwhelming majority have been strongly positive.", + "*": "{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0393077827\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, various aspects of human [[perception]] and how they relate to appreciation of [[art]], the development of [[language]], and how perception and the way it's processed make humans more like other animals, in particular [[hominids]], or unique among species. For this, Ramachandran investigates cases of patients where certain systems in the brain of an otherwise normal individual have been disrupted including among others: [[autism]], [[synesthesia]], [[phantom limb]]s, [[Cotard delusion]], and [[Broca's aphasia]].\n\nIn the final chapter, Ramachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\nThe book was on the New York Times best-seller list and received very positive reviews for the most part. Oliver Sacks says (on the cover) \"No one is better than VS Ramachandran at combining minute, careful observations with ingenious experiments and bold adventurous theorizing, ... a profoundly intriguing and compelling guide to the intricacies of the human brain.\" Allan Snyder, Director of the Center for the Mind, Australian National University adds \"A masterpiece... Ramachandran is the foremost pioneer — the Galileo — of neurocognition.\" And Nickolas Humphrey, Professor of University College, London \"Ramachandran has written an astonishing book. His humanity, humor and scientific genius inform every passage.\" \n\nThe book also received much acclaim in book reviews published in newspapers and journals: \"Much of “The Tell-Tale Brain,”... is a general tour of neuroscience. There are lively treatments of three areas in which Ramachandran has himself done pioneering work: visual perception, pain in amputated “phantom” limbs, and synesthesia... Ramachandran is an exceptionally inventive researcher who tosses off suggestions at a dizzying pace\" Antony Gottlieb, International Herald Tribune (29-1-11).\n\n\"I cannot imagine a better account of the sweep of contemporary neuroscience... excellent... will give pleasure to anyone interested in original thinking about the brain.\" Clive Cookson, Financial Times (15.1.11)\nhttp://www.ft.com/cms/s/2/2275273a-1f56-11e0-8c1c-00144feab49a.html#axzz1BI6rfptv\n\n'\"What a piece of work is man!\" How many monkeys would it have taken to come up with that tag from Hamlet? Are we really no more than \"chimps with a software upgrade\"? Yes and – emphatically – no, comes the reply from neurologist VS Ramachandran. Our brains are those of apes: Ramachandran is in no doubt of that, yet at the same time we're uniquely special too. His life's work has been about getting to grips with the mental mechanisms that make the miraculous mundane. He goes to real-life clinical cases for evidence of exactly how the brain behaves in action or examines the experimental record for clues to the wonderful intricacy and astonishing scope of the human mind.' ***** Scotsman (15.1.11)\nhttp://www.scotsman.com/features/Book-review-The-TellTale-Brain.6691176.jp\n\n‘When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.’ James McConnachie, Sunday Times (9.1.11)\n\n‘Compared with physics and chemistry, says Ramachandran, neuroscience is a young upstart. But it’s growing up fast. This book, his “modest contribution to the grand attempt to crack the code of the human brain”, is written with all his synapses lit up like supernovas. His mission to educate and entertain is perfectly achieved... Like Sherlock Holmes, he imagines what might be true and tests it for probability. Neuroscience and stand-up comedy collide with eureka results.’ Iain Finlayson, Times (1.1.11)\n\nThe book is mentioned in the Eureka supplement of the Times (January 2011) – ‘A Holmesian look at what we learn about human nature when the brain goes wrong, written by one of the leading neuroscientists in the world.'\n\nThe book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\nThe Tell-Tale Brain did receive some critical reviews.[[Nicholas Shakespeare]], the well known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011 [http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html]\n\n==References==\n{{Reflist}}\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 460801847, + "parentid": 460730548, + "user": "Loodog", + "userid": 783435, + "timestamp": "2011-11-15T17:03:29Z", + "sha1": "b5162152583cd8e767ca5baaf7512a4edad0c8ef", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "it's great to have a balance, but now it looks like a promotional for the book. also, barely any sources for these quotes.", + "*": "{{clean up}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0393077827\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, various aspects of human [[perception]] and how they relate to appreciation of [[art]], the development of [[language]], and how perception and the way it's processed make humans more like other animals, in particular [[hominids]], or unique among species. For this, Ramachandran investigates cases of patients where certain systems in the brain of an otherwise normal individual have been disrupted including among others: [[autism]], [[synesthesia]], [[phantom limb]]s, [[Cotard delusion]], and [[Broca's aphasia]].\n\nIn the final chapter, Ramachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n\n{{ad}}\n''Tell-Tale Brain'' was on the New York Times best-seller list and received largely positive reviews. Oliver Sacks writes, \"No one is better than V. S. Ramachandran at combining minute, careful observations with ingenious experiments and bold adventurous theorizing, ... a profoundly intriguing and compelling guide to the intricacies of the human brain.\"{{fact}} Allan Snyder, Director of the Center for the Mind, Australian National University adds, \"A masterpiece... Ramachandran is the foremost pioneer — the [[Galileo]] — of neurocognition.\"{{fact}} Nickolas Humphrey, Professor of University College, London \"Ramachandran has written an astonishing book. His humanity, humor and scientific genius inform every passage.\"{{fact}}\n\nThe book also received much acclaim in book reviews published in newspapers and journals: \"Much of “The Tell-Tale Brain,”... is a general tour of neuroscience. There are lively treatments of three areas in which Ramachandran has himself done pioneering work: visual perception, pain in amputated “phantom” limbs, and synesthesia... Ramachandran is an exceptionally inventive researcher who tosses off suggestions at a dizzying pace\" Antony Gottlieb, International Herald Tribune (29-1-11).{{fact}}\n\n\"I cannot imagine a better account of the sweep of contemporary neuroscience... excellent... will give pleasure to anyone interested in original thinking about the brain.\" Clive Cookson, Financial Times (15.1.11)\nhttp://www.ft.com/cms/s/2/2275273a-1f56-11e0-8c1c-00144feab49a.html#axzz1BI6rfptv\n\n'\"What a piece of work is man!\" How many monkeys would it have taken to come up with that tag from Hamlet? Are we really no more than \"chimps with a software upgrade\"? Yes and – emphatically – no, comes the reply from neurologist VS Ramachandran. Our brains are those of apes: Ramachandran is in no doubt of that, yet at the same time we're uniquely special too. His life's work has been about getting to grips with the mental mechanisms that make the miraculous mundane. He goes to real-life clinical cases for evidence of exactly how the brain behaves in action or examines the experimental record for clues to the wonderful intricacy and astonishing scope of the human mind.' ***** Scotsman (15.1.11)\nhttp://www.scotsman.com/features/Book-review-The-TellTale-Brain.6691176.jp\n\n\"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.’ James McConnachie, Sunday Times (9.1.11){{fact}}\n\n‘Compared with physics and chemistry, says Ramachandran, neuroscience is a young upstart. But it’s growing up fast. This book, his “modest contribution to the grand attempt to crack the code of the human brain”, is written with all his synapses lit up like supernovas. His mission to educate and entertain is perfectly achieved... Like Sherlock Holmes, he imagines what might be true and tests it for probability. Neuroscience and stand-up comedy collide with eureka results.’ Iain Finlayson, Times (1.1.11){{fact}}\n\nThe book is mentioned in the Eureka supplement of the Times (January 2011) – ‘A Holmesian look at what we learn about human nature when the brain goes wrong, written by one of the leading neuroscientists in the world.'{{fact}}\n\nThe book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\nThe Tell-Tale Brain did receive some critical reviews.[[Nicholas Shakespeare]], the well known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011 [http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html]\n\n==References==\n{{Reflist}}\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 460804882, + "parentid": 460801847, + "minor": "", + "user": "AnomieBOT", + "userid": 7611264, + "timestamp": "2011-11-15T17:23:51Z", + "sha1": "7dcd9c99785c59b2337fe6efcb11a9e818849728", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Dating maintenance tags: {{Fact}} {{Ad}} {{Clean up}}", + "*": "{{clean up|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0393077827\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, various aspects of human [[perception]] and how they relate to appreciation of [[art]], the development of [[language]], and how perception and the way it's processed make humans more like other animals, in particular [[hominids]], or unique among species. For this, Ramachandran investigates cases of patients where certain systems in the brain of an otherwise normal individual have been disrupted including among others: [[autism]], [[synesthesia]], [[phantom limb]]s, [[Cotard delusion]], and [[Broca's aphasia]].\n\nIn the final chapter, Ramachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n\n{{ad|date=November 2011}}\n''Tell-Tale Brain'' was on the New York Times best-seller list and received largely positive reviews. Oliver Sacks writes, \"No one is better than V. S. Ramachandran at combining minute, careful observations with ingenious experiments and bold adventurous theorizing, ... a profoundly intriguing and compelling guide to the intricacies of the human brain.\"{{fact|date=November 2011}} Allan Snyder, Director of the Center for the Mind, Australian National University adds, \"A masterpiece... Ramachandran is the foremost pioneer — the [[Galileo]] — of neurocognition.\"{{fact|date=November 2011}} Nickolas Humphrey, Professor of University College, London \"Ramachandran has written an astonishing book. His humanity, humor and scientific genius inform every passage.\"{{fact|date=November 2011}}\n\nThe book also received much acclaim in book reviews published in newspapers and journals: \"Much of “The Tell-Tale Brain,”... is a general tour of neuroscience. There are lively treatments of three areas in which Ramachandran has himself done pioneering work: visual perception, pain in amputated “phantom” limbs, and synesthesia... Ramachandran is an exceptionally inventive researcher who tosses off suggestions at a dizzying pace\" Antony Gottlieb, International Herald Tribune (29-1-11).{{fact|date=November 2011}}\n\n\"I cannot imagine a better account of the sweep of contemporary neuroscience... excellent... will give pleasure to anyone interested in original thinking about the brain.\" Clive Cookson, Financial Times (15.1.11)\nhttp://www.ft.com/cms/s/2/2275273a-1f56-11e0-8c1c-00144feab49a.html#axzz1BI6rfptv\n\n'\"What a piece of work is man!\" How many monkeys would it have taken to come up with that tag from Hamlet? Are we really no more than \"chimps with a software upgrade\"? Yes and – emphatically – no, comes the reply from neurologist VS Ramachandran. Our brains are those of apes: Ramachandran is in no doubt of that, yet at the same time we're uniquely special too. His life's work has been about getting to grips with the mental mechanisms that make the miraculous mundane. He goes to real-life clinical cases for evidence of exactly how the brain behaves in action or examines the experimental record for clues to the wonderful intricacy and astonishing scope of the human mind.' ***** Scotsman (15.1.11)\nhttp://www.scotsman.com/features/Book-review-The-TellTale-Brain.6691176.jp\n\n\"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.’ James McConnachie, Sunday Times (9.1.11){{fact|date=November 2011}}\n\n‘Compared with physics and chemistry, says Ramachandran, neuroscience is a young upstart. But it’s growing up fast. This book, his “modest contribution to the grand attempt to crack the code of the human brain”, is written with all his synapses lit up like supernovas. His mission to educate and entertain is perfectly achieved... Like Sherlock Holmes, he imagines what might be true and tests it for probability. Neuroscience and stand-up comedy collide with eureka results.’ Iain Finlayson, Times (1.1.11){{fact|date=November 2011}}\n\nThe book is mentioned in the Eureka supplement of the Times (January 2011) – ‘A Holmesian look at what we learn about human nature when the brain goes wrong, written by one of the leading neuroscientists in the world.'{{fact|date=November 2011}}\n\nThe book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\nThe Tell-Tale Brain did receive some critical reviews.[[Nicholas Shakespeare]], the well known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011 [http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html]\n\n==References==\n{{Reflist}}\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 463583282, + "parentid": 460804882, + "user": "Neurorel", + "userid": 13415791, + "timestamp": "2011-12-01T23:51:46Z", + "sha1": "b54ebd952433c94b7569269a8ad381589d6b06e8", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Added quotation from New York Times Sunday Book Review", + "*": "{{clean up|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0393077827\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, various aspects of human [[perception]] and how they relate to appreciation of [[art]], the development of [[language]], and how perception and the way it's processed make humans more like other animals, in particular [[hominids]], or unique among species. For this, Ramachandran investigates cases of patients where certain systems in the brain of an otherwise normal individual have been disrupted including among others: [[autism]], [[synesthesia]], [[phantom limb]]s, [[Cotard delusion]], and [[Broca's aphasia]].\n\nIn the final chapter, Ramachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n\n{{ad|date=November 2011}}\n''Tell-Tale Brain'' was on the New York Times best-seller list and received largely positive reviews. Oliver Sacks writes, \"No one is better than V. S. Ramachandran at combining minute, careful observations with ingenious experiments and bold adventurous theorizing, ... a profoundly intriguing and compelling guide to the intricacies of the human brain.\"{{fact|date=November 2011}} Allan Snyder, Director of the Center for the Mind, Australian National University adds, \"A masterpiece... Ramachandran is the foremost pioneer — the [[Galileo]] — of neurocognition.\"{{fact|date=November 2011}} Nickolas Humphrey, Professor of University College, London \"Ramachandran has written an astonishing book. His humanity, humor and scientific genius inform every passage.\"{{fact|date=November 2011}}\n\nThe book also received much acclaim in book reviews published in newspapers and journals: \"Much of “The Tell-Tale Brain,”... is a general tour of neuroscience. There are lively treatments of three areas in which Ramachandran has himself done pioneering work: visual perception, pain in amputated “phantom” limbs, and synesthesia... Ramachandran is an exceptionally inventive researcher who tosses off suggestions at a dizzying pace\" Antony Gottlieb, International Herald Tribune (29-1-11).{{fact|date=November 2011}}\n\n\"I cannot imagine a better account of the sweep of contemporary neuroscience... excellent... will give pleasure to anyone interested in original thinking about the brain.\" Clive Cookson, Financial Times (15.1.11)\nhttp://www.ft.com/cms/s/2/2275273a-1f56-11e0-8c1c-00144feab49a.html#axzz1BI6rfptv\n\n'\"What a piece of work is man!\" How many monkeys would it have taken to come up with that tag from Hamlet? Are we really no more than \"chimps with a software upgrade\"? Yes and – emphatically – no, comes the reply from neurologist VS Ramachandran. Our brains are those of apes: Ramachandran is in no doubt of that, yet at the same time we're uniquely special too. His life's work has been about getting to grips with the mental mechanisms that make the miraculous mundane. He goes to real-life clinical cases for evidence of exactly how the brain behaves in action or examines the experimental record for clues to the wonderful intricacy and astonishing scope of the human mind.' ***** Scotsman (15.1.11)\nhttp://www.scotsman.com/features/Book-review-The-TellTale-Brain.6691176.jp\n\n\"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.’ James McConnachie, Sunday Times (9.1.11){{fact|date=November 2011}}\n\n‘Compared with physics and chemistry, says Ramachandran, neuroscience is a young upstart. But it’s growing up fast. This book, his “modest contribution to the grand attempt to crack the code of the human brain”, is written with all his synapses lit up like supernovas. His mission to educate and entertain is perfectly achieved... Like Sherlock Holmes, he imagines what might be true and tests it for probability. Neuroscience and stand-up comedy collide with eureka results.’ Iain Finlayson, Times (1.1.11){{fact|date=November 2011}}\n\nThe book is mentioned in the Eureka supplement of the Times (January 2011) – ‘A Holmesian look at what we learn about human nature when the brain goes wrong, written by one of the leading neuroscientists in the world.'{{fact|date=November 2011}}\n\nThe book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n== Critical Reviews ==\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"\nAnthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, Janauary 28,2011[http://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] \n\n[[Nicholas Shakespeare]], the well known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011 [http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html]\n\n==References==\n{{Reflist}}\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 463585308, + "parentid": 463583282, + "user": "Neurorel", + "userid": 13415791, + "timestamp": "2011-12-02T00:07:57Z", + "sha1": "56fdc662f969a6b679e2fa13a6a4e065de0cd69e", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Clarified reference to New York Times Best Sellars List. Let's stick to reviews that can be verified/referenced.", + "*": "{{clean up|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0393077827\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, various aspects of human [[perception]] and how they relate to appreciation of [[art]], the development of [[language]], and how perception and the way it's processed make humans more like other animals, in particular [[hominids]], or unique among species. For this, Ramachandran investigates cases of patients where certain systems in the brain of an otherwise normal individual have been disrupted including among others: [[autism]], [[synesthesia]], [[phantom limb]]s, [[Cotard delusion]], and [[Broca's aphasia]].\n\nIn the final chapter, Ramachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n\n{{ad|date=November 2011}}\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)New York Times Best Sellars, February 20, 2011[[http://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html]] and received both positive and critical reviews. \n\n== Positive Reviews ==\n\nOliver Sacks writes, \"No one is better than V. S. Ramachandran at combining minute, careful observations with ingenious experiments and bold adventurous theorizing, ... a profoundly intriguing and compelling guide to the intricacies of the human brain.\"{{fact|date=November 2011}} Allan Snyder, Director of the Center for the Mind, Australian National University adds, \"A masterpiece... Ramachandran is the foremost pioneer — the [[Galileo]] — of neurocognition.\"{{fact|date=November 2011}} Nickolas Humphrey, Professor of University College, London \"Ramachandran has written an astonishing book. His humanity, humor and scientific genius inform every passage.\"{{fact|date=November 2011}}\n\nThe book also received much acclaim in book reviews published in newspapers and journals: \"Much of “The Tell-Tale Brain,”... is a general tour of neuroscience. There are lively treatments of three areas in which Ramachandran has himself done pioneering work: visual perception, pain in amputated “phantom” limbs, and synesthesia... Ramachandran is an exceptionally inventive researcher who tosses off suggestions at a dizzying pace\" Antony Gottlieb, International Herald Tribune (29-1-11).{{fact|date=November 2011}}\n\n\"I cannot imagine a better account of the sweep of contemporary neuroscience... excellent... will give pleasure to anyone interested in original thinking about the brain.\" Clive Cookson, Financial Times (15.1.11)\nhttp://www.ft.com/cms/s/2/2275273a-1f56-11e0-8c1c-00144feab49a.html#axzz1BI6rfptv\n\n'\"What a piece of work is man!\" How many monkeys would it have taken to come up with that tag from Hamlet? Are we really no more than \"chimps with a software upgrade\"? Yes and – emphatically – no, comes the reply from neurologist VS Ramachandran. Our brains are those of apes: Ramachandran is in no doubt of that, yet at the same time we're uniquely special too. His life's work has been about getting to grips with the mental mechanisms that make the miraculous mundane. He goes to real-life clinical cases for evidence of exactly how the brain behaves in action or examines the experimental record for clues to the wonderful intricacy and astonishing scope of the human mind.' ***** Scotsman (15.1.11)\nhttp://www.scotsman.com/features/Book-review-The-TellTale-Brain.6691176.jp\n\n\"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.’ James McConnachie, Sunday Times (9.1.11){{fact|date=November 2011}}\n\n‘Compared with physics and chemistry, says Ramachandran, neuroscience is a young upstart. But it’s growing up fast. This book, his “modest contribution to the grand attempt to crack the code of the human brain”, is written with all his synapses lit up like supernovas. His mission to educate and entertain is perfectly achieved... Like Sherlock Holmes, he imagines what might be true and tests it for probability. Neuroscience and stand-up comedy collide with eureka results.’ Iain Finlayson, Times (1.1.11){{fact|date=November 2011}}\n\nThe book is mentioned in the Eureka supplement of the Times (January 2011) – ‘A Holmesian look at what we learn about human nature when the brain goes wrong, written by one of the leading neuroscientists in the world.'{{fact|date=November 2011}}\n\nThe book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n== Critical Reviews ==\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"\nAnthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, Janauary 28,2011[http://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] \n\n[[Nicholas Shakespeare]], the well known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011 [http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html]\n\n==References==\n{{Reflist}}\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 463754831, + "parentid": 463585308, + "user": "Neurorel", + "userid": 13415791, + "timestamp": "2011-12-03T00:51:14Z", + "sha1": "40ebd1fcc67235ce2df2ca21f9a026c4284aa222", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "I have attempted to balance the pro and con reviews and provide proper citations.", + "*": "{{clean up|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0393077827\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, various aspects of human [[perception]] and how they relate to appreciation of [[art]], the development of [[language]], and how perception and the way it's processed make humans more like other animals, in particular [[hominids]], or unique among species. For this, Ramachandran investigates cases of patients where certain systems in the brain of an otherwise normal individual have been disrupted including among others: [[autism]], [[synesthesia]], [[phantom limb]]s, [[Cotard delusion]], and [[Broca's aphasia]].\n\nIn the final chapter, Ramachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n\n{{ad|date=November 2011}}\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)New York Times Best Sellars, February 20, 2011[[http://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html]] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03 \n\n== Positive Reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.” Oliver Sachs, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”Oliver Sachs, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”Oliver Sachs, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\n== Critical Reviews ==\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"\nAnthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, Janauary 28,2011[http://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] \n\n[[Nicholas Shakespeare]], the well known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011 [http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories: \n\n\"The trouble begins when the neuro logist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf [http://online.wsj.com/article/SB10001424052748704034804576025681468057572.html]\n\n==References==\n{{Reflist}}\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 464250707, + "parentid": 463754831, + "user": "Neurorel", + "userid": 13415791, + "timestamp": "2011-12-05T18:31:30Z", + "sha1": "9c1bf9bbc097453e0fb7938a99cc65e790ca6972", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Corrected references for Snyder and Doidge", + "*": "{{clean up|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0393077827\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, various aspects of human [[perception]] and how they relate to appreciation of [[art]], the development of [[language]], and how perception and the way it's processed make humans more like other animals, in particular [[hominids]], or unique among species. For this, Ramachandran investigates cases of patients where certain systems in the brain of an otherwise normal individual have been disrupted including among others: [[autism]], [[synesthesia]], [[phantom limb]]s, [[Cotard delusion]], and [[Broca's aphasia]].\n\nIn the final chapter, Ramachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n\n{{ad|date=November 2011}}\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)New York Times Best Sellars, February 20, 2011[[http://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html]] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03 \n\n== Positive Reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.” Oliver Sachs, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”Snyder, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”Doidge, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\n== Critical Reviews ==\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"\nAnthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, Janauary 28,2011[http://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] \n\n[[Nicholas Shakespeare]], the well known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011 [http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories: \n\n\"The trouble begins when the neuro logist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf [http://online.wsj.com/article/SB10001424052748704034804576025681468057572.html]\n\n==References==\n{{Reflist}}\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 466775504, + "parentid": 464250707, + "user": "128.54.46.248", + "anon": "", + "userid": 0, + "timestamp": "2011-12-19T23:33:45Z", + "sha1": "6ddb38562027959238704f11bd4ac434ab471458", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Added James McConnachie's review from the Sunday Times", + "*": "{{clean up|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0393077827\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, various aspects of human [[perception]] and how they relate to appreciation of [[art]], the development of [[language]], and how perception and the way it's processed make humans more like other animals, in particular [[hominids]], or unique among species. For this, Ramachandran investigates cases of patients where certain systems in the brain of an otherwise normal individual have been disrupted including among others: [[autism]], [[synesthesia]], [[phantom limb]]s, [[Cotard delusion]], and [[Broca's aphasia]].\n\nIn the final chapter, Ramachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n\n{{ad|date=November 2011}}\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)New York Times Best Sellars, February 20, 2011[[http://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html]] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03 \n\n== Positive Reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.” Oliver Sachs, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”Snyder, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”Doidge, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, Janauary 09, 2011[http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all] \n\n== Critical Reviews ==\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"\nAnthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, Janauary 28,2011[http://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] \n\n[[Nicholas Shakespeare]], the well known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011 [http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories: \n\n\"The trouble begins when the neuro logist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf [http://online.wsj.com/article/SB10001424052748704034804576025681468057572.html]\n\n==References==\n{{Reflist}}\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 467386609, + "parentid": 466775504, + "user": "Neurorel", + "userid": 13415791, + "timestamp": "2011-12-23T19:52:21Z", + "sha1": "48813599d2a8983470f0ad6049cf57a0f324c077", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Added review by Simon Baron-Cohen from American Scientist.", + "*": "{{clean up|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0393077827\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, various aspects of human [[perception]] and how they relate to appreciation of [[art]], the development of [[language]], and how perception and the way it's processed make humans more like other animals, in particular [[hominids]], or unique among species. For this, Ramachandran investigates cases of patients where certain systems in the brain of an otherwise normal individual have been disrupted including among others: [[autism]], [[synesthesia]], [[phantom limb]]s, [[Cotard delusion]], and [[Broca's aphasia]].\n\nIn the final chapter, Ramachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n\n{{ad|date=November 2011}}\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)New York Times Best Sellars, February 20, 2011[[http://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html]] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03 \n\n== Positive Reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.” Oliver Sachs, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”Snyder, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”Doidge, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, Janauary 09, 2011[http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all] \n\n== Critical Reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the important of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"...that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism...As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July-August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries] \n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"\nAnthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, Janauary 28,2011[http://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] \n\n[[Nicholas Shakespeare]], the well known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011 [http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories: \n\n\"The trouble begins when the neuro logist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf [http://online.wsj.com/article/SB10001424052748704034804576025681468057572.html]\n\n==References==\n{{Reflist}}\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 467386753, + "parentid": 467386609, + "minor": "", + "user": "Neurorel", + "userid": 13415791, + "timestamp": "2011-12-23T19:53:30Z", + "sha1": "dd71d7e47f344d5f26950d7c8921c9a38dd96107", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{clean up|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0393077827\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, various aspects of human [[perception]] and how they relate to appreciation of [[art]], the development of [[language]], and how perception and the way it's processed make humans more like other animals, in particular [[hominids]], or unique among species. For this, Ramachandran investigates cases of patients where certain systems in the brain of an otherwise normal individual have been disrupted including among others: [[autism]], [[synesthesia]], [[phantom limb]]s, [[Cotard delusion]], and [[Broca's aphasia]].\n\nIn the final chapter, Ramachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n\n{{ad|date=November 2011}}\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)New York Times Best Sellars, February 20, 2011[[http://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html]] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03 \n\n== Positive Reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.” Oliver Sachs, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”Snyder, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”Doidge, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, Janauary 09, 2011[http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all] \n\n== Critical Reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"...that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism...As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July-August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries] \n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"\nAnthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, Janauary 28,2011[http://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] \n\n[[Nicholas Shakespeare]], the well known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011 [http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories: \n\n\"The trouble begins when the neuro logist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf [http://online.wsj.com/article/SB10001424052748704034804576025681468057572.html]\n\n==References==\n{{Reflist}}\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 467386937, + "parentid": 467386753, + "minor": "", + "user": "Neurorel", + "userid": 13415791, + "timestamp": "2011-12-23T19:54:53Z", + "sha1": "8fc7f5a669cce764c257fb46a8f0cf6cdc1169b0", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{clean up|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0393077827\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, various aspects of human [[perception]] and how they relate to appreciation of [[art]], the development of [[language]], and how perception and the way it's processed make humans more like other animals, in particular [[hominids]], or unique among species. For this, Ramachandran investigates cases of patients where certain systems in the brain of an otherwise normal individual have been disrupted including among others: [[autism]], [[synesthesia]], [[phantom limb]]s, [[Cotard delusion]], and [[Broca's aphasia]].\n\nIn the final chapter, Ramachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n\n{{ad|date=November 2011}}\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)New York Times Best Sellars, February 20, 2011[[http://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html]] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03 \n\n== Positive Reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.” Oliver Sachs, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”Snyder, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”Doidge, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, Janauary 09, 2011[http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all] \n\n== Critical Reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"...that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism...As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July-August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries] \n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"\nAnthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, Janauary 28,2011[http://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] \n\n[[Nicholas Shakespeare]], the well known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011 [http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories: \n\n\"The trouble begins when the neuro logist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf [http://online.wsj.com/article/SB10001424052748704034804576025681468057572.html]\n\n==References==\n{{Reflist}}\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 490580070, + "parentid": 467386937, + "minor": "", + "user": "Helpful Pixie Bot", + "userid": 14216826, + "timestamp": "2012-05-04T04:49:20Z", + "sha1": "9a8a12317c4c6c94300c8e297ec0b873b6d4d9a6", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "ISBNs (Build KC)", + "*": "{{Cleanup|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, various aspects of human [[perception]] and how they relate to appreciation of [[art]], the development of [[language]], and how perception and the way it's processed make humans more like other animals, in particular [[hominids]], or unique among species. For this, Ramachandran investigates cases of patients where certain systems in the brain of an otherwise normal individual have been disrupted including among others: [[autism]], [[synesthesia]], [[phantom limb]]s, [[Cotard delusion]], and [[Broca's aphasia]].\n\nIn the final chapter, Ramachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n\n{{Advert|date=November 2011}}\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)New York Times Best Sellars, February 20, 2011[[http://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html]] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03 \n\n== Positive Reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.” Oliver Sachs, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”Snyder, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”Doidge, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, Janauary 09, 2011[http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all] \n\n== Critical Reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"...that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism...As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July-August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries] \n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"\nAnthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, Janauary 28,2011[http://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] \n\n[[Nicholas Shakespeare]], the well known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011 [http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories: \n\n\"The trouble begins when the neuro logist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf [http://online.wsj.com/article/SB10001424052748704034804576025681468057572.html]\n\n==References==\n{{Reflist}}\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 492199676, + "parentid": 490580070, + "user": "Dolfrog", + "userid": 175762, + "timestamp": "2012-05-12T13:33:31Z", + "sha1": "5f324e3656c1f846b4d18290f827dc09c4444398", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Expressive aphasia", + "*": "{{Cleanup|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, various aspects of human [[perception]] and how they relate to appreciation of [[art]], the development of [[language]], and how perception and the way it's processed make humans more like other animals, in particular [[hominids]], or unique among species. For this, Ramachandran investigates cases of patients where certain systems in the brain of an otherwise normal individual have been disrupted including among others: [[autism]], [[synesthesia]], [[phantom limb]]s, [[Cotard delusion]], and [[Expressive aphasia]].\n\nIn the final chapter, Ramachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n\n{{Advert|date=November 2011}}\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)New York Times Best Sellars, February 20, 2011[[http://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html]] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03 \n\n== Positive Reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.” Oliver Sachs, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”Snyder, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”Doidge, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, Janauary 09, 2011[http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all] \n\n== Critical Reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"...that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism...As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July-August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries] \n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"\nAnthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, Janauary 28,2011[http://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] \n\n[[Nicholas Shakespeare]], the well known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011 [http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories: \n\n\"The trouble begins when the neuro logist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf [http://online.wsj.com/article/SB10001424052748704034804576025681468057572.html]\n\n==References==\n{{Reflist}}\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 497360713, + "parentid": 492199676, + "minor": "", + "user": "DynamoDegsy", + "userid": 7972131, + "timestamp": "2012-06-13T07:35:41Z", + "sha1": "a5fcab3f4d3ef45d49d561eed057023c85cf4838", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Typo", + "*": "{{Cleanup|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, various aspects of human [[perception]] and how they relate to appreciation of [[art]], the development of [[language]], and how perception and the way it's processed make humans more like other animals, in particular [[hominids]], or unique among species. For this, Ramachandran investigates cases of patients where certain systems in the brain of an otherwise normal individual have been disrupted including among others: [[autism]], [[synesthesia]], [[phantom limb]]s, [[Cotard delusion]], and [[Expressive aphasia]].\n\nIn the final chapter, Ramachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n\n{{Advert|date=November 2011}}\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)New York Times Best Sellars, February 20, 2011[[http://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html]] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03 \n\n== Positive Reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.” Oliver Sachs, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”Snyder, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”Doidge, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011[http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all] \n\n== Critical Reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"...that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism...As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July-August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries] \n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"\nAnthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28,2011[http://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] \n\n[[Nicholas Shakespeare]], the well known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011 [http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories: \n\n\"The trouble begins when the neuro logist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf [http://online.wsj.com/article/SB10001424052748704034804576025681468057572.html]\n\n==References==\n{{Reflist}}\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 503176753, + "parentid": 497360713, + "minor": "", + "user": "FrescoBot", + "userid": 9021902, + "timestamp": "2012-07-19T20:49:21Z", + "sha1": "19745ab534458ff9b1bef97915acc4eca98c473b", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Bot: [[User:FrescoBot/Links|link syntax/spacing]] and minor changes", + "*": "{{Cleanup|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, various aspects of human [[perception]] and how they relate to appreciation of [[art]], the development of [[language]], and how perception and the way it's processed make humans more like other animals, in particular [[hominids]], or unique among species. For this, Ramachandran investigates cases of patients where certain systems in the brain of an otherwise normal individual have been disrupted including among others: [[autism]], [[synesthesia]], [[phantom limb]]s, [[Cotard delusion]], and [[Expressive aphasia]].\n\nIn the final chapter, Ramachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n\n{{Advert|date=November 2011}}\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)New York Times Best Sellars, February 20, 2011[http://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03 \n\n== Positive Reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”Oliver Sachs, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”Snyder, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”Doidge, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011[http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all] \n\n== Critical Reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"...that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism...As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July-August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries] \n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28,2011[http://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] \n\n[[Nicholas Shakespeare]], the well known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011 [http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories: \n\n\"The trouble begins when the neuro logist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf [http://online.wsj.com/article/SB10001424052748704034804576025681468057572.html]\n\n==References==\n{{Reflist}}\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 507603974, + "parentid": 503176753, + "user": "Neurorel", + "userid": 13415791, + "timestamp": "2012-08-15T23:05:31Z", + "sha1": "bbc890a16edc8487181b15658e3041ce7bad486e", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Shortened article and included controversy over Peter Brugger's review of the Tell Tale Brain.", + "*": "{{Cleanup|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 \n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n\n{{Advert|date=November 2011}}\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)New York Times Best Sellars, February 20, 2011[http://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==Controversy==\n\nIn a review for Cognitive Neuropsychiatry (July 11, 2012) Professor Peter Brugger (Neurology, University Hospital, Zurich) criticized the Tell-Tale Brain as a pop-neuroscience book that provides vague answers to big questions.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 In the same issue of Cognitive Neuropsychiatry V.S. Ramachandran answered Brugger's criticism in an Author Response. Ramachandran argues that Brugger's approach to science has been focused on only a few topics and that he (Ramachandran) has taken a much broader approach. Ramachandran states that \"I have --for better or worse-- roamed the whole landscape of visual perception, stereopsis, phantom limbs, denial of paralysis, Capgras syndrome, synaesthesia, and many others.\" Ramachandran,V.S. Author Response,Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nProfessor Greg Hickok (Cognitive Sciences, UC Irvine) has reported this exchange on his web site ( Talkinbrains.org ) and he is conducting an informal poll to determine the reaction of scientists who have read the book.[talkingbrains.org]] \n \n== Positive Reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”Oliver Sachs, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”Snyder, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”Doidge, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011[http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all] \n\n== Critical Reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"...that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism...As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July-August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries] \n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28,2011[http://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] \n\n[[Nicholas Shakespeare]], the well known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011 [http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories: \n\n\"The trouble begins when the neuro logist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf [http://online.wsj.com/article/SB10001424052748704034804576025681468057572.html]\n\n==References==\n{{Reflist}}\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 507605066, + "parentid": 507603974, + "user": "Neurorel", + "userid": 13415791, + "timestamp": "2012-08-15T23:16:16Z", + "sha1": "46bbf86629055233c2f4eed2ef95c51881632853", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Added external link to Talkingbrains web site.", + "*": "{{Cleanup|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 \n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n\n{{Advert|date=November 2011}}\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)New York Times Best Sellars, February 20, 2011[http://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==Controversy==\n\nIn a review for Cognitive Neuropsychiatry (July 11, 2012) Professor Peter Brugger (Neurology, University Hospital, Zurich) criticized the Tell-Tale Brain as a pop-neuroscience book that provides vague answers to big questions.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 In the same issue of Cognitive Neuropsychiatry V.S. Ramachandran answered Brugger's criticism in an Author Response. Ramachandran argues that Brugger's approach to science has been focused on only a few topics and that he (Ramachandran) has taken a much broader approach. Ramachandran states that \"I have --for better or worse-- roamed the whole landscape of visual perception, stereopsis, phantom limbs, denial of paralysis, Capgras syndrome, synaesthesia, and many others.\" Ramachandran,V.S. Author Response,Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nProfessor Greg Hickok (Cognitive Sciences, UC Irvine) has reported this exchange on his web site ( Talkinbrains.org ) and he is conducting an informal poll to determine the reaction of scientists who have read the book.[talkingbrains.org]] \n \n== Positive Reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”Oliver Sachs, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”Snyder, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”Doidge, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011[http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all] \n\n== Critical Reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"...that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism...As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July-August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries] \n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28,2011[http://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] \n\n[[Nicholas Shakespeare]], the well known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011 [http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories: \n\n\"The trouble begins when the neuro logist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf [http://online.wsj.com/article/SB10001424052748704034804576025681468057572.html]\n\n==References==\n{{Reflist}}\n\n==External links==\n\n* [http://talkingbrains.org.html. Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 507605330, + "parentid": 507605066, + "minor": "", + "user": "Neurorel", + "userid": 13415791, + "timestamp": "2012-08-15T23:18:52Z", + "sha1": "94a4b8f61178a57342b7d03354484324ed8f59ed", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Cleanup|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 \n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n\n{{Advert|date=November 2011}}\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)New York Times Best Sellars, February 20, 2011[http://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==Controversy==\n\nIn a review for Cognitive Neuropsychiatry (July 11, 2012) Professor Peter Brugger (Neurology, University Hospital, Zurich) criticized the Tell-Tale Brain as a pop-neuroscience book that provides vague answers to big questions.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 In the same issue of Cognitive Neuropsychiatry V.S. Ramachandran answered Brugger's criticism in an Author Response. Ramachandran argues that Brugger's approach to science has been focused on only a few topics and that he (Ramachandran) has taken a much broader approach. Ramachandran states that \"I have --for better or worse-- roamed the whole landscape of visual perception, stereopsis, phantom limbs, denial of paralysis, Capgras syndrome, synaesthesia, and many others.\" Ramachandran,V.S. Author Response,Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nProfessor Greg Hickok (Cognitive Sciences, UC Irvine) has reported this exchange on his web site ( Talkinbrains.org ) and he is conducting an informal poll to determine the reaction of scientists who have read the book.[talkingbrains.org]] \n \n== Positive Reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”Oliver Sachs, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”Snyder, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”Doidge, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011[http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all] \n\n== Critical Reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"...that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism...As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July-August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries] \n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28,2011[http://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] \n\n[[Nicholas Shakespeare]], the well known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011 [http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories: \n\n\"The trouble begins when the neuro logist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf [http://online.wsj.com/article/SB10001424052748704034804576025681468057572.html]\n\n==References==\n{{Reflist}}\n\n==External links==\n\n* [http://talkingbrains.org. Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 507704191, + "parentid": 507605330, + "minor": "", + "user": "Neurorel", + "userid": 13415791, + "timestamp": "2012-08-16T16:12:46Z", + "sha1": "0290845ea54e4cccecd82897460d7c1514adf999", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Cleanup|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 \n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n\n{{Advert|date=November 2011}}\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)New York Times Best Sellars, February 20, 2011[http://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==Controversy==\n\nIn a review for Cognitive Neuropsychiatry (July 11, 2012) Professor Peter Brugger (Neurology, University Hospital, Zurich) criticized the Tell-Tale Brain as a pop-neuroscience book that provides vague answers to big questions.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 In the same issue of Cognitive Neuropsychiatry V.S. Ramachandran answered Brugger's criticism in an Author Response. Ramachandran argues that Brugger's approach to science has been focused on only a few topics and that he (Ramachandran) has taken a much broader approach. Ramachandran states that \"I have --for better or worse-- roamed the whole landscape of visual perception, stereopsis, phantom limbs, denial of paralysis, Capgras syndrome, synaesthesia, and many others.\" Ramachandran,V.S. Author Response,Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nProfessor Greg Hickok (Cognitive Sciences, UC Irvine) has reported this exchange on his web site (Talkingbrains.org) and he is conducting an informal poll to determine the reaction of scientists who have read the book.[talkingbrains.org]] \n \n== Positive Reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”Oliver Sachs, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”Snyder, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”Doidge, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011[http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all] \n\n== Critical Reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"...that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism...As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July-August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries] \n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28,2011[http://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] \n\n[[Nicholas Shakespeare]], the well known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011 [http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories: \n\n\"The trouble begins when the neuro logist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf [http://online.wsj.com/article/SB10001424052748704034804576025681468057572.html]\n\n==References==\n{{Reflist}}\n\n==External links==\n\n* [http://talkingbrains.org. Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 514920195, + "parentid": 507704191, + "minor": "", + "user": "Chris the speller", + "userid": 525927, + "timestamp": "2012-09-28T01:25:45Z", + "sha1": "11f13e9fbf3351e58ea87716ca66818a8a467f9a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical Reviews */typos, replaced: well known British → well-known British using [[Project:AWB|AWB]] (8414)", + "*": "{{Cleanup|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 \n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n\n{{Advert|date=November 2011}}\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)New York Times Best Sellars, February 20, 2011[http://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==Controversy==\n\nIn a review for Cognitive Neuropsychiatry (July 11, 2012) Professor Peter Brugger (Neurology, University Hospital, Zurich) criticized the Tell-Tale Brain as a pop-neuroscience book that provides vague answers to big questions.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 In the same issue of Cognitive Neuropsychiatry V.S. Ramachandran answered Brugger's criticism in an Author Response. Ramachandran argues that Brugger's approach to science has been focused on only a few topics and that he (Ramachandran) has taken a much broader approach. Ramachandran states that \"I have --for better or worse-- roamed the whole landscape of visual perception, stereopsis, phantom limbs, denial of paralysis, Capgras syndrome, synaesthesia, and many others.\" Ramachandran,V.S. Author Response,Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nProfessor Greg Hickok (Cognitive Sciences, UC Irvine) has reported this exchange on his web site (Talkingbrains.org) and he is conducting an informal poll to determine the reaction of scientists who have read the book.[talkingbrains.org]] \n \n== Positive Reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”Oliver Sachs, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”Snyder, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”Doidge, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011[http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all] \n\n== Critical Reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"...that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism...As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July-August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries] \n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28,2011[http://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] \n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011 [http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories: \n\n\"The trouble begins when the neuro logist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf [http://online.wsj.com/article/SB10001424052748704034804576025681468057572.html]\n\n==References==\n{{Reflist}}\n\n==External links==\n\n* [http://talkingbrains.org. Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 519108836, + "parentid": 514920195, + "minor": "", + "user": "FrescoBot", + "userid": 9021902, + "timestamp": "2012-10-22T00:12:43Z", + "sha1": "8d1b532278450d021f6a50da295066d7f0de00ac", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Bot: [[User:FrescoBot/Links|link syntax/spacing]] and minor changes", + "*": "{{Cleanup|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n\n{{Advert|date=November 2011}}\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)New York Times Best Sellars, February 20, 2011[http://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==Controversy==\n\nIn a review for Cognitive Neuropsychiatry (July 11, 2012) Professor Peter Brugger (Neurology, University Hospital, Zurich) criticized the Tell-Tale Brain as a pop-neuroscience book that provides vague answers to big questions.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 In the same issue of Cognitive Neuropsychiatry V.S. Ramachandran answered Brugger's criticism in an Author Response. Ramachandran argues that Brugger's approach to science has been focused on only a few topics and that he (Ramachandran) has taken a much broader approach. Ramachandran states that \"I have --for better or worse-- roamed the whole landscape of visual perception, stereopsis, phantom limbs, denial of paralysis, Capgras syndrome, synaesthesia, and many others.\"Ramachandran,V.S. Author Response,Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nProfessor Greg Hickok (Cognitive Sciences, UC Irvine) has reported this exchange on his web site (Talkingbrains.org) and he is conducting an informal poll to determine the reaction of scientists who have read the book.[talkingbrains.org]]\n\n== Positive Reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”Oliver Sachs, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”Snyder, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”Doidge, Review on Amazon Web Site [http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011[http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\n== Critical Reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"...that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism...As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July-August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries]\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28,2011[http://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011 [http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neuro logist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf [http://online.wsj.com/article/SB10001424052748704034804576025681468057572.html]\n\n==References==\n{{Reflist}}\n\n==External links==\n\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 520569830, + "parentid": 519108836, + "minor": "", + "user": "Magioladitis", + "userid": 1862829, + "timestamp": "2012-10-30T10:25:05Z", + "sha1": "c5db38da8ca46d57c1689a4096191addab2bebef", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "clean up using [[Project:AWB|AWB]] (8514)", + "*": "{{Cleanup|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n\n{{Advert|date=November 2011}}\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)[http://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html New York Times Best Sellars, February 20, 2011] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==Controversy==\n\nIn a review for Cognitive Neuropsychiatry (July 11, 2012) Professor Peter Brugger (Neurology, University Hospital, Zurich) criticized the Tell-Tale Brain as a pop-neuroscience book that provides vague answers to big questions.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 In the same issue of Cognitive Neuropsychiatry V.S. Ramachandran answered Brugger's criticism in an Author Response. Ramachandran argues that Brugger's approach to science has been focused on only a few topics and that he (Ramachandran) has taken a much broader approach. Ramachandran states that \"I have --for better or worse-- roamed the whole landscape of visual perception, stereopsis, phantom limbs, denial of paralysis, Capgras syndrome, synaesthesia, and many others.\"Ramachandran,V.S. Author Response,Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nProfessor Greg Hickok (Cognitive Sciences, UC Irvine) has reported this exchange on his web site (Talkingbrains.org) and he is conducting an informal poll to determine the reaction of scientists who have read the book.[[talkingbrains.org]]\n\n== Positive Reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Oliver Sachs, Review on Amazon Web Site]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Snyder, Review on Amazon Web Site]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Doidge, Review on Amazon Web Site]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\n== Critical Reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"...that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism...As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries]\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [http://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"[http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neuro logist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"[http://online.wsj.com/article/SB10001424052748704034804576025681468057572.html Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 525447955, + "parentid": 520569830, + "minor": "", + "user": "Amtiss", + "userid": 746244, + "timestamp": "2012-11-28T23:46:04Z", + "sha1": "6b7311e19605b319cffbeca9134a54881400e5cc", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Controversy */ inserted the real talkings brains source", + "*": "{{Cleanup|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n\n{{Advert|date=November 2011}}\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)[http://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html New York Times Best Sellars, February 20, 2011] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==Controversy==\n\nIn a review for Cognitive Neuropsychiatry (July 11, 2012) Professor Peter Brugger (Neurology, University Hospital, Zurich) criticized the Tell-Tale Brain as a pop-neuroscience book that provides vague answers to big questions.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 In the same issue of Cognitive Neuropsychiatry V.S. Ramachandran answered Brugger's criticism in an Author Response. Ramachandran argues that Brugger's approach to science has been focused on only a few topics and that he (Ramachandran) has taken a much broader approach. Ramachandran states that \"I have --for better or worse-- roamed the whole landscape of visual perception, stereopsis, phantom limbs, denial of paralysis, Capgras syndrome, synaesthesia, and many others.\"Ramachandran,V.S. Author Response,Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nProfessor Greg Hickok (Cognitive Sciences, UC Irvine) has reported this exchange on his web site (Talkingbrains.org) and he is conducting an informal poll to determine the reaction of scientists who have read the book.[http://www.talkingbrains.org/2012/08/the-tell-tale-brain-fact-or-fiction.html]\n\n== Positive Reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Oliver Sachs, Review on Amazon Web Site]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Snyder, Review on Amazon Web Site]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Doidge, Review on Amazon Web Site]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\n== Critical Reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"...that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism...As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries]\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [http://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"[http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neuro logist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"[http://online.wsj.com/article/SB10001424052748704034804576025681468057572.html Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 525448236, + "parentid": 525447955, + "minor": "", + "user": "Amtiss", + "userid": 746244, + "timestamp": "2012-11-28T23:47:22Z", + "sha1": "94fae9c905736113b7bd93ccfde2b499dd93ffca", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Controversy */ source text", + "*": "{{Cleanup|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n\n{{Advert|date=November 2011}}\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)[http://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html New York Times Best Sellars, February 20, 2011] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==Controversy==\n\nIn a review for Cognitive Neuropsychiatry (July 11, 2012) Professor Peter Brugger (Neurology, University Hospital, Zurich) criticized the Tell-Tale Brain as a pop-neuroscience book that provides vague answers to big questions.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 In the same issue of Cognitive Neuropsychiatry V.S. Ramachandran answered Brugger's criticism in an Author Response. Ramachandran argues that Brugger's approach to science has been focused on only a few topics and that he (Ramachandran) has taken a much broader approach. Ramachandran states that \"I have --for better or worse-- roamed the whole landscape of visual perception, stereopsis, phantom limbs, denial of paralysis, Capgras syndrome, synaesthesia, and many others.\"Ramachandran,V.S. Author Response,Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nProfessor Greg Hickok (Cognitive Sciences, UC Irvine) has reported this exchange on his web site (Talkingbrains.org) and he is conducting an informal poll to determine the reaction of scientists who have read the book.[http://www.talkingbrains.org/2012/08/the-tell-tale-brain-fact-or-fiction.html The Tell-Tale Brain: Fact or Fiction? - August 14, 2012]\n\n== Positive Reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Oliver Sachs, Review on Amazon Web Site]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Snyder, Review on Amazon Web Site]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Doidge, Review on Amazon Web Site]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\n== Critical Reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"...that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism...As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries]\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [http://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"[http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neuro logist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"[http://online.wsj.com/article/SB10001424052748704034804576025681468057572.html Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]\n\n\n{{science-book-stub}}" + }, + { + "revid": 526956281, + "parentid": 525448236, + "user": "BattyBot", + "userid": 15996738, + "timestamp": "2012-12-08T01:15:48Z", + "sha1": "ca833965c6bd747f93b548b2aac6fc2b14c2e63f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "changed {{cleanup}} to {{cleanup-book}} & [[WP:AWB/GF|general fixes]], removed stub tag using [[Project:AWB|AWB]] (8759)", + "*": "{{cleanup-book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n\n{{Advert|date=November 2011}}\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)[http://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html New York Times Best Sellars, February 20, 2011] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==Controversy==\n\nIn a review for Cognitive Neuropsychiatry (July 11, 2012) Professor Peter Brugger (Neurology, University Hospital, Zurich) criticized the Tell-Tale Brain as a pop-neuroscience book that provides vague answers to big questions.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 In the same issue of Cognitive Neuropsychiatry V.S. Ramachandran answered Brugger's criticism in an Author Response. Ramachandran argues that Brugger's approach to science has been focused on only a few topics and that he (Ramachandran) has taken a much broader approach. Ramachandran states that \"I have --for better or worse-- roamed the whole landscape of visual perception, stereopsis, phantom limbs, denial of paralysis, Capgras syndrome, synaesthesia, and many others.\"Ramachandran,V.S. Author Response,Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nProfessor Greg Hickok (Cognitive Sciences, UC Irvine) has reported this exchange on his web site (Talkingbrains.org) and he is conducting an informal poll to determine the reaction of scientists who have read the book.[http://www.talkingbrains.org/2012/08/the-tell-tale-brain-fact-or-fiction.html The Tell-Tale Brain: Fact or Fiction? - August 14, 2012]\n\n== Positive Reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Oliver Sachs, Review on Amazon Web Site]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Snyder, Review on Amazon Web Site]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Doidge, Review on Amazon Web Site]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\n== Critical Reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"...that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism...As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries]\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [http://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"[http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neuro logist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"[http://online.wsj.com/article/SB10001424052748704034804576025681468057572.html Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]" + }, + { + "revid": 529223756, + "parentid": 526956281, + "user": "Eminence2012", + "userid": 18091861, + "timestamp": "2012-12-22T05:05:08Z", + "sha1": "81e26af7d82be1d6d1ee057debf3241790f83c26", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "looks fine to me/* Reception */", + "*": "{{cleanup-book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| image_caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)[http://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html New York Times Best Sellars, February 20, 2011] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==Controversy==\n\nIn a review for Cognitive Neuropsychiatry (July 11, 2012) Professor Peter Brugger (Neurology, University Hospital, Zurich) criticized the Tell-Tale Brain as a pop-neuroscience book that provides vague answers to big questions.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 In the same issue of Cognitive Neuropsychiatry V.S. Ramachandran answered Brugger's criticism in an Author Response. Ramachandran argues that Brugger's approach to science has been focused on only a few topics and that he (Ramachandran) has taken a much broader approach. Ramachandran states that \"I have --for better or worse-- roamed the whole landscape of visual perception, stereopsis, phantom limbs, denial of paralysis, Capgras syndrome, synaesthesia, and many others.\"Ramachandran,V.S. Author Response,Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nProfessor Greg Hickok (Cognitive Sciences, UC Irvine) has reported this exchange on his web site (Talkingbrains.org) and he is conducting an informal poll to determine the reaction of scientists who have read the book.[http://www.talkingbrains.org/2012/08/the-tell-tale-brain-fact-or-fiction.html The Tell-Tale Brain: Fact or Fiction? - August 14, 2012]\n\n== Positive Reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Oliver Sachs, Review on Amazon Web Site]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Snyder, Review on Amazon Web Site]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Doidge, Review on Amazon Web Site]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\n== Critical Reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"...that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism...As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries]\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [http://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"[http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neuro logist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"[http://online.wsj.com/article/SB10001424052748704034804576025681468057572.html Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]" + }, + { + "revid": 544935892, + "parentid": 529223756, + "minor": "", + "user": "Yobot", + "userid": 7328338, + "timestamp": "2013-03-17T12:28:33Z", + "sha1": "a5038cc3e4580eb5ccc42707590fd2de37fe421b", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "clean up / infobox parameter standardisation using [[Project:AWB|AWB]] (8976)", + "*": "{{cleanup-book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)[http://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html New York Times Best Sellars, February 20, 2011] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==Controversy==\n\nIn a review for Cognitive Neuropsychiatry (July 11, 2012) Professor Peter Brugger (Neurology, University Hospital, Zurich) criticized the Tell-Tale Brain as a pop-neuroscience book that provides vague answers to big questions.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 In the same issue of Cognitive Neuropsychiatry V.S. Ramachandran answered Brugger's criticism in an Author Response. Ramachandran argues that Brugger's approach to science has been focused on only a few topics and that he (Ramachandran) has taken a much broader approach. Ramachandran states that \"I have --for better or worse-- roamed the whole landscape of visual perception, stereopsis, phantom limbs, denial of paralysis, Capgras syndrome, synaesthesia, and many others.\"Ramachandran,V.S. Author Response,Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nProfessor Greg Hickok (Cognitive Sciences, UC Irvine) has reported this exchange on his web site (Talkingbrains.org) and he is conducting an informal poll to determine the reaction of scientists who have read the book.[http://www.talkingbrains.org/2012/08/the-tell-tale-brain-fact-or-fiction.html The Tell-Tale Brain: Fact or Fiction? - August 14, 2012]\n\n== Positive Reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Oliver Sachs, Review on Amazon Web Site]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Snyder, Review on Amazon Web Site]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Doidge, Review on Amazon Web Site]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\n== Critical Reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"...that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism...As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries]\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [http://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"[http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neuro logist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"[http://online.wsj.com/article/SB10001424052748704034804576025681468057572.html Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]" + }, + { + "revid": 585436060, + "parentid": 544935892, + "minor": "", + "user": "LahmacunKebab", + "userid": 18972796, + "timestamp": "2013-12-10T14:26:53Z", + "sha1": "670f3097d8d0595d9bacee484918927bef9a3764", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical Reviews */", + "*": "{{cleanup-book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)[http://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html New York Times Best Sellars, February 20, 2011] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==Controversy==\n\nIn a review for Cognitive Neuropsychiatry (July 11, 2012) Professor Peter Brugger (Neurology, University Hospital, Zurich) criticized the Tell-Tale Brain as a pop-neuroscience book that provides vague answers to big questions.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 In the same issue of Cognitive Neuropsychiatry V.S. Ramachandran answered Brugger's criticism in an Author Response. Ramachandran argues that Brugger's approach to science has been focused on only a few topics and that he (Ramachandran) has taken a much broader approach. Ramachandran states that \"I have --for better or worse-- roamed the whole landscape of visual perception, stereopsis, phantom limbs, denial of paralysis, Capgras syndrome, synaesthesia, and many others.\"Ramachandran,V.S. Author Response,Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nProfessor Greg Hickok (Cognitive Sciences, UC Irvine) has reported this exchange on his web site (Talkingbrains.org) and he is conducting an informal poll to determine the reaction of scientists who have read the book.[http://www.talkingbrains.org/2012/08/the-tell-tale-brain-fact-or-fiction.html The Tell-Tale Brain: Fact or Fiction? - August 14, 2012]\n\n== Positive Reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Oliver Sachs, Review on Amazon Web Site]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Snyder, Review on Amazon Web Site]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Doidge, Review on Amazon Web Site]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\n== Critical Reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"... that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries]\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [http://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"[http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neuro logist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"[http://online.wsj.com/article/SB10001424052748704034804576025681468057572.html Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]" + }, + { + "revid": 671227181, + "parentid": 585436060, + "user": "87.212.163.45", + "anon": "", + "userid": 0, + "timestamp": "2015-07-13T09:06:46Z", + "sha1": "88d28bd359805145c71f99e0310d979630b365be", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical Reviews */", + "*": "{{cleanup-book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = [[File:The Tell Tale Brain cover.jpg]] \n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)[http://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html New York Times Best Sellars, February 20, 2011] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==Controversy==\n\nIn a review for Cognitive Neuropsychiatry (July 11, 2012) Professor Peter Brugger (Neurology, University Hospital, Zurich) criticized the Tell-Tale Brain as a pop-neuroscience book that provides vague answers to big questions.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 In the same issue of Cognitive Neuropsychiatry V.S. Ramachandran answered Brugger's criticism in an Author Response. Ramachandran argues that Brugger's approach to science has been focused on only a few topics and that he (Ramachandran) has taken a much broader approach. Ramachandran states that \"I have --for better or worse-- roamed the whole landscape of visual perception, stereopsis, phantom limbs, denial of paralysis, Capgras syndrome, synaesthesia, and many others.\"Ramachandran,V.S. Author Response,Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nProfessor Greg Hickok (Cognitive Sciences, UC Irvine) has reported this exchange on his web site (Talkingbrains.org) and he is conducting an informal poll to determine the reaction of scientists who have read the book.[http://www.talkingbrains.org/2012/08/the-tell-tale-brain-fact-or-fiction.html The Tell-Tale Brain: Fact or Fiction? - August 14, 2012]\n\n== Positive Reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Oliver Sachs, Review on Amazon Web Site]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Snyder, Review on Amazon Web Site]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Doidge, Review on Amazon Web Site]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\n== Critical Reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"... that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries]\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [http://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"[http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neurologist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"[http://online.wsj.com/article/SB10001424052748704034804576025681468057572.html Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]" + }, + { + "revid": 694843789, + "parentid": 671227181, + "user": "TAnthony", + "userid": 1808194, + "timestamp": "2015-12-11T23:37:51Z", + "sha1": "b267e11447bcf75ee60c7abf727c14b7e0bb8345", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Update Infobox book template image parameter to bare filename per template documentation, and other cleanup using [[Project:AWB|AWB]]", + "*": "{{cleanup-book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)[http://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html New York Times Best Sellars, February 20, 2011] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==Controversy==\n\nIn a review for Cognitive Neuropsychiatry (July 11, 2012) Professor Peter Brugger (Neurology, University Hospital, Zurich) criticized the Tell-Tale Brain as a pop-neuroscience book that provides vague answers to big questions.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 In the same issue of Cognitive Neuropsychiatry V.S. Ramachandran answered Brugger's criticism in an Author Response. Ramachandran argues that Brugger's approach to science has been focused on only a few topics and that he (Ramachandran) has taken a much broader approach. Ramachandran states that \"I have --for better or worse-- roamed the whole landscape of visual perception, stereopsis, phantom limbs, denial of paralysis, Capgras syndrome, synaesthesia, and many others.\"Ramachandran,V.S. Author Response,Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nProfessor Greg Hickok (Cognitive Sciences, UC Irvine) has reported this exchange on his web site (Talkingbrains.org) and he is conducting an informal poll to determine the reaction of scientists who have read the book.[http://www.talkingbrains.org/2012/08/the-tell-tale-brain-fact-or-fiction.html The Tell-Tale Brain: Fact or Fiction? - August 14, 2012]\n\n== Positive Reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Oliver Sachs, Review on Amazon Web Site]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Snyder, Review on Amazon Web Site]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Doidge, Review on Amazon Web Site]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\n== Critical Reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"... that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries]\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [http://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"[http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neurologist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"[http://online.wsj.com/article/SB10001424052748704034804576025681468057572.html Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]" + }, + { + "revid": 725403064, + "parentid": 694843789, + "user": "Mkrgolf", + "userid": 20791642, + "timestamp": "2016-06-15T12:56:38Z", + "sha1": "7356fbc89de80dbe8725099727577a8652ade00b", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{cleanup-book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)[http://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html New York Times Best Sellars, February 20, 2011] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==Controversy==\n\nIn a review for Cognitive Neuropsychiatry (July 11, 2012) Professor Peter Brugger (Neurology, University Hospital, Zurich) criticized the Tell-Tale Brain as a pop-neuroscience book that provides vague answers to big questions.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 In the same issue of Cognitive Neuropsychiatry V.S. Ramachandran answered Brugger's criticism in an Author Response. Ramachandran argues that Brugger's approach to science has been focused on only a few topics and that he (Ramachandran) has taken a much broader approach. Ramachandran states that \"I have --for better or worse-- roamed the whole landscape of visual perception, stereopsis, phantom limbs, denial of paralysis, Capgras syndrome, synaesthesia, and many others.\"Ramachandran,V.S. Author Response,Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nProfessor Greg Hickok (Cognitive Sciences, UC Irvine) has reported this exchange on his web site (Talkingbrains.org) and he is conducting an informal poll to determine the reaction of scientists who have read the book.[http://www.talkingbrains.org/2012/08/the-tell-tale-brain-fact-or-fiction.html The Tell-Tale Brain: Fact or Fiction? - August 14, 2012]\n\n== Positive reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Oliver Sachs, Review on Amazon Web Site]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Snyder, Review on Amazon Web Site]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Doidge, Review on Amazon Web Site]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\n== Critical reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"... that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries]\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [http://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"[http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neurologist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"[http://online.wsj.com/article/SB10001424052748704034804576025681468057572.html Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]" + }, + { + "revid": 767431312, + "parentid": 725403064, + "minor": "", + "user": "Bender the Bot", + "userid": 28903366, + "timestamp": "2017-02-25T22:07:21Z", + "sha1": "7fcf5b1f53b66e450c92ff9d6dee2bc0c9f3ac11", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "HTTP→HTTPS for [[The New York Times]]. using [[Project:AWB|AWB]]", + "*": "{{cleanup-book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)[https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html New York Times Best Sellars, February 20, 2011] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==Controversy==\n\nIn a review for Cognitive Neuropsychiatry (July 11, 2012) Professor Peter Brugger (Neurology, University Hospital, Zurich) criticized the Tell-Tale Brain as a pop-neuroscience book that provides vague answers to big questions.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 In the same issue of Cognitive Neuropsychiatry V.S. Ramachandran answered Brugger's criticism in an Author Response. Ramachandran argues that Brugger's approach to science has been focused on only a few topics and that he (Ramachandran) has taken a much broader approach. Ramachandran states that \"I have --for better or worse-- roamed the whole landscape of visual perception, stereopsis, phantom limbs, denial of paralysis, Capgras syndrome, synaesthesia, and many others.\"Ramachandran,V.S. Author Response,Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nProfessor Greg Hickok (Cognitive Sciences, UC Irvine) has reported this exchange on his web site (Talkingbrains.org) and he is conducting an informal poll to determine the reaction of scientists who have read the book.[http://www.talkingbrains.org/2012/08/the-tell-tale-brain-fact-or-fiction.html The Tell-Tale Brain: Fact or Fiction? - August 14, 2012]\n\n== Positive reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Oliver Sachs, Review on Amazon Web Site]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Snyder, Review on Amazon Web Site]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Doidge, Review on Amazon Web Site]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\n== Critical reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"... that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries]\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"[http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neurologist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"[http://online.wsj.com/article/SB10001424052748704034804576025681468057572.html Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]" + }, + { + "revid": 770399485, + "parentid": 767431312, + "minor": "", + "user": "Bender the Bot", + "userid": 28903366, + "timestamp": "2017-03-15T04:54:46Z", + "sha1": "e48a92f5cf184c01e997d2de78649aacf7e75ff8", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical reviews */HTTP→HTTPS, per [[Wikipedia:Bots/Requests for approval/Bender the Bot 8|BRFA 8]] using [[Project:AWB|AWB]]", + "*": "{{cleanup-book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)[https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html New York Times Best Sellars, February 20, 2011] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==Controversy==\n\nIn a review for Cognitive Neuropsychiatry (July 11, 2012) Professor Peter Brugger (Neurology, University Hospital, Zurich) criticized the Tell-Tale Brain as a pop-neuroscience book that provides vague answers to big questions.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 In the same issue of Cognitive Neuropsychiatry V.S. Ramachandran answered Brugger's criticism in an Author Response. Ramachandran argues that Brugger's approach to science has been focused on only a few topics and that he (Ramachandran) has taken a much broader approach. Ramachandran states that \"I have --for better or worse-- roamed the whole landscape of visual perception, stereopsis, phantom limbs, denial of paralysis, Capgras syndrome, synaesthesia, and many others.\"Ramachandran,V.S. Author Response,Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nProfessor Greg Hickok (Cognitive Sciences, UC Irvine) has reported this exchange on his web site (Talkingbrains.org) and he is conducting an informal poll to determine the reaction of scientists who have read the book.[http://www.talkingbrains.org/2012/08/the-tell-tale-brain-fact-or-fiction.html The Tell-Tale Brain: Fact or Fiction? - August 14, 2012]\n\n== Positive reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Oliver Sachs, Review on Amazon Web Site]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Snyder, Review on Amazon Web Site]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Doidge, Review on Amazon Web Site]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\n== Critical reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"... that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries]\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"[http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neurologist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"[https://online.wsj.com/article/SB10001424052748704034804576025681468057572.html Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]" + }, + { + "revid": 771344182, + "parentid": 770399485, + "user": "Joemark23", + "userid": 30647275, + "timestamp": "2017-03-21T00:28:50Z", + "sha1": "9b9d54bcd134e99ac1992d0871b5476d696c04e7", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Controversy */", + "*": "{{cleanup-book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)[https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html New York Times Best Sellars, February 20, 2011] and received both positive and critical reviews. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==Controversy==\n\nIn a review for Cognitive Neuropsychiatry (July 11, 2012) Professor Peter Brugger (Neurology, University Hospital, Zurich) criticized the Tell-Tale Brain as a pop-neuroscience book that provides vague answers to big questions.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 In the same issue of Cognitive Neuropsychiatry V.S. Ramachandran answered Brugger's criticism in an Author Response. Ramachandran argues that Brugger's approach to science has been focused on only a few topics and that he (Ramachandran) has taken a much broader approach. Ramachandran states that \"I have --for better or worse-- roamed the whole landscape of visual perception, stereopsis, phantom limbs, denial of paralysis, Capgras syndrome, synaesthesia, and many others.\"Ramachandran,V.S. Author Response,Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\n== Positive reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Oliver Sachs, Review on Amazon Web Site]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Snyder, Review on Amazon Web Site]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Doidge, Review on Amazon Web Site]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\n== Critical reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"... that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries]\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"[http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neurologist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"[https://online.wsj.com/article/SB10001424052748704034804576025681468057572.html Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]" + }, + { + "revid": 771345815, + "parentid": 771344182, + "user": "Joemark23", + "userid": 30647275, + "timestamp": "2017-03-21T00:40:38Z", + "sha1": "e683e442602fe5c16049a2570bccf371a6385b2c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Reception */ Previous statements regarding the reception of Dr. Ramachandran's book, inacurately reflected the fact that a vast majority of reviews were positive.", + "*": "{{cleanup-book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)[https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html New York Times Best Sellars, February 20, 2011] and received mostly highly positive with some exceptions[http://cbc.ucsd.edu/press.html]. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==Controversy==\n\nIn a review for Cognitive Neuropsychiatry (July 11, 2012) Professor Peter Brugger (Neurology, University Hospital, Zurich) criticized the Tell-Tale Brain as a pop-neuroscience book that provides vague answers to big questions.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 In the same issue of Cognitive Neuropsychiatry V.S. Ramachandran answered Brugger's criticism in an Author Response. Ramachandran argues that Brugger's approach to science has been focused on only a few topics and that he (Ramachandran) has taken a much broader approach. Ramachandran states that \"I have --for better or worse-- roamed the whole landscape of visual perception, stereopsis, phantom limbs, denial of paralysis, Capgras syndrome, synaesthesia, and many others.\"Ramachandran,V.S. Author Response,Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\n== Positive reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Oliver Sachs, Review on Amazon Web Site]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Snyder, Review on Amazon Web Site]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Doidge, Review on Amazon Web Site]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\n== Critical reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"... that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries]\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"[http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neurologist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"[https://online.wsj.com/article/SB10001424052748704034804576025681468057572.html Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]" + }, + { + "revid": 771346828, + "parentid": 771345815, + "user": "Joemark23", + "userid": 30647275, + "timestamp": "2017-03-21T00:48:04Z", + "sha1": "b8dc9048bd2ac68412d1c1c54f8cc627570ea99b", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical reviews */", + "*": "{{cleanup-book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)[https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html New York Times Best Sellars, February 20, 2011] and received mostly highly positive with some exceptions[http://cbc.ucsd.edu/press.html]. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==Controversy==\n\nIn a review for Cognitive Neuropsychiatry (July 11, 2012) Professor Peter Brugger (Neurology, University Hospital, Zurich) criticized the Tell-Tale Brain as a pop-neuroscience book that provides vague answers to big questions.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 In the same issue of Cognitive Neuropsychiatry V.S. Ramachandran answered Brugger's criticism in an Author Response. Ramachandran argues that Brugger's approach to science has been focused on only a few topics and that he (Ramachandran) has taken a much broader approach. Ramachandran states that \"I have --for better or worse-- roamed the whole landscape of visual perception, stereopsis, phantom limbs, denial of paralysis, Capgras syndrome, synaesthesia, and many others.\"Ramachandran,V.S. Author Response,Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\n== Positive reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Oliver Sachs, Review on Amazon Web Site]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Snyder, Review on Amazon Web Site]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Doidge, Review on Amazon Web Site]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\n== Critical reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"... that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries]. Dr. Baron-Cohen, however, does not address numerous other chapters and ideas discussed in the book. Ramachandran himself, has noted (even in the Tell-Tale Brain) that the evidence for the Broken Mirror Theory of autism, is, at present, \"Compelling but not conclusive\". \n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"[http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neurologist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"[https://online.wsj.com/article/SB10001424052748704034804576025681468057572.html Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]" + }, + { + "revid": 771347289, + "parentid": 771346828, + "user": "Joemark23", + "userid": 30647275, + "timestamp": "2017-03-21T00:51:16Z", + "sha1": "3f62dcc06ac9411829672e7f5db58711ff51763f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical reviews */ On page 312, footnote 2 of the Tell-Tale Brain, Ramachandran points out how controversial the Broken Mirror Theory is.", + "*": "{{cleanup-book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)[https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html New York Times Best Sellars, February 20, 2011] and received mostly highly positive with some exceptions[http://cbc.ucsd.edu/press.html]. The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==Controversy==\n\nIn a review for Cognitive Neuropsychiatry (July 11, 2012) Professor Peter Brugger (Neurology, University Hospital, Zurich) criticized the Tell-Tale Brain as a pop-neuroscience book that provides vague answers to big questions.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 In the same issue of Cognitive Neuropsychiatry V.S. Ramachandran answered Brugger's criticism in an Author Response. Ramachandran argues that Brugger's approach to science has been focused on only a few topics and that he (Ramachandran) has taken a much broader approach. Ramachandran states that \"I have --for better or worse-- roamed the whole landscape of visual perception, stereopsis, phantom limbs, denial of paralysis, Capgras syndrome, synaesthesia, and many others.\"Ramachandran,V.S. Author Response,Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\n== Positive reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Oliver Sachs, Review on Amazon Web Site]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Snyder, Review on Amazon Web Site]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Doidge, Review on Amazon Web Site]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\n== Critical reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"... that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\"Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries]. Dr. Baron-Cohen, however, does not address numerous other chapters and ideas discussed in the book. Ramachandran himself, has noted (even in the Tell-Tale Brain) that the evidence for the Broken Mirror Theory of autism, is, at present, \"Compelling but not conclusive\". \n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\"Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]. However, in his footnotes, Ramachandran does in fact point out the controversy surrounding mirror neurons. \n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"[http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neurologist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"[https://online.wsj.com/article/SB10001424052748704034804576025681468057572.html Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]" + }, + { + "revid": 771957452, + "parentid": 771347289, + "minor": "", + "user": "Magioladitis", + "userid": 1862829, + "timestamp": "2017-03-24T13:47:36Z", + "sha1": "31ac6422214059b9e89ad0a15358529e3d25043f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Fix prefpunct and/or other fixes using [[Project:AWB|AWB]]", + "*": "{{cleanup book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)[https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html New York Times Best Sellars, February 20, 2011] and received mostly highly positive with some exceptions.[http://cbc.ucsd.edu/press.html] The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==Controversy==\n\nIn a review for Cognitive Neuropsychiatry (July 11, 2012) Professor Peter Brugger (Neurology, University Hospital, Zurich) criticized the Tell-Tale Brain as a pop-neuroscience book that provides vague answers to big questions.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 In the same issue of Cognitive Neuropsychiatry V.S. Ramachandran answered Brugger's criticism in an Author Response. Ramachandran argues that Brugger's approach to science has been focused on only a few topics and that he (Ramachandran) has taken a much broader approach. Ramachandran states that \"I have --for better or worse-- roamed the whole landscape of visual perception, stereopsis, phantom limbs, denial of paralysis, Capgras syndrome, synaesthesia, and many others.\"Ramachandran,V.S. Author Response,Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\n== Positive reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Oliver Sachs, Review on Amazon Web Site]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Snyder, Review on Amazon Web Site]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Doidge, Review on Amazon Web Site]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\n== Critical reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"... that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\".Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries] Dr. Baron-Cohen, however, does not address numerous other chapters and ideas discussed in the book. Ramachandran himself, has noted (even in the Tell-Tale Brain) that the evidence for the Broken Mirror Theory of autism, is, at present, \"Compelling but not conclusive\".\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\".Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] However, in his footnotes, Ramachandran does in fact point out the controversy surrounding mirror neurons.\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"[http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neurologist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"[https://online.wsj.com/article/SB10001424052748704034804576025681468057572.html Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]" + }, + { + "revid": 772572484, + "parentid": 771957452, + "user": "Stephlapier255", + "userid": 30707348, + "timestamp": "2017-03-28T02:23:15Z", + "sha1": "589d6c54af2b522f21047fca3f932b3ee09ca60c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Positive reviews */ Including important positive review", + "*": "{{cleanup book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)[https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html New York Times Best Sellars, February 20, 2011] and received mostly highly positive with some exceptions.[http://cbc.ucsd.edu/press.html] The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==Controversy==\n\nIn a review for Cognitive Neuropsychiatry (July 11, 2012) Professor Peter Brugger (Neurology, University Hospital, Zurich) criticized the Tell-Tale Brain as a pop-neuroscience book that provides vague answers to big questions.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 In the same issue of Cognitive Neuropsychiatry V.S. Ramachandran answered Brugger's criticism in an Author Response. Ramachandran argues that Brugger's approach to science has been focused on only a few topics and that he (Ramachandran) has taken a much broader approach. Ramachandran states that \"I have --for better or worse-- roamed the whole landscape of visual perception, stereopsis, phantom limbs, denial of paralysis, Capgras syndrome, synaesthesia, and many others.\"Ramachandran,V.S. Author Response,Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\n== Positive reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Oliver Sachs, Review on Amazon Web Site]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Snyder, Review on Amazon Web Site]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Doidge, Review on Amazon Web Site]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\nAllan Snyder, FRS, Director of the Centre for the Mind writes: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.\"http://books.wwnorton.com/books/detail.aspx?ID=17227\n\n== Critical reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"... that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\".Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries] Dr. Baron-Cohen, however, does not address numerous other chapters and ideas discussed in the book. Ramachandran himself, has noted (even in the Tell-Tale Brain) that the evidence for the Broken Mirror Theory of autism, is, at present, \"Compelling but not conclusive\".\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\".Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] However, in his footnotes, Ramachandran does in fact point out the controversy surrounding mirror neurons.\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"[http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neurologist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"[https://online.wsj.com/article/SB10001424052748704034804576025681468057572.html Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]" + }, + { + "revid": 785294020, + "parentid": 772572484, + "user": "216.10.188.57", + "anon": "", + "userid": 0, + "timestamp": "2017-06-12T18:30:13Z", + "sha1": "95307bbef8825343d08430021463b2f008cb4c3d", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Positive reviews */ Removed redundant material.", + "*": "{{cleanup book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)[https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html New York Times Best Sellars, February 20, 2011] and received mostly highly positive with some exceptions.[http://cbc.ucsd.edu/press.html] The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==Controversy==\n\nIn a review for Cognitive Neuropsychiatry (July 11, 2012) Professor Peter Brugger (Neurology, University Hospital, Zurich) criticized the Tell-Tale Brain as a pop-neuroscience book that provides vague answers to big questions.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 In the same issue of Cognitive Neuropsychiatry V.S. Ramachandran answered Brugger's criticism in an Author Response. Ramachandran argues that Brugger's approach to science has been focused on only a few topics and that he (Ramachandran) has taken a much broader approach. Ramachandran states that \"I have --for better or worse-- roamed the whole landscape of visual perception, stereopsis, phantom limbs, denial of paralysis, Capgras syndrome, synaesthesia, and many others.\"Ramachandran,V.S. Author Response,Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\n== Positive reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Oliver Sachs, Review on Amazon Web Site]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Doidge, Review on Amazon Web Site]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\nAllan Snyder, FRS, Director of the Centre for the Mind writes: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.\"[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Snyder, Review on Amazon Web Site]http://books.wwnorton.com/books/detail.aspx?ID=17227\n\n== Critical reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"... that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\".Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries] Dr. Baron-Cohen, however, does not address numerous other chapters and ideas discussed in the book. Ramachandran himself, has noted (even in the Tell-Tale Brain) that the evidence for the Broken Mirror Theory of autism, is, at present, \"Compelling but not conclusive\".\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\".Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] However, in his footnotes, Ramachandran does in fact point out the controversy surrounding mirror neurons.\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"[http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neurologist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"[https://online.wsj.com/article/SB10001424052748704034804576025681468057572.html Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]" + }, + { + "revid": 788355724, + "parentid": 785294020, + "user": "69.196.46.186", + "anon": "", + "userid": 0, + "timestamp": "2017-06-30T23:54:32Z", + "sha1": "589d6c54af2b522f21047fca3f932b3ee09ca60c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Undid revision 785294020 by [[Special:Contributions/216.10.188.57|216.10.188.57]] ([[User talk:216.10.188.57|talk]])", + "*": "{{cleanup book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)[https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html New York Times Best Sellars, February 20, 2011] and received mostly highly positive with some exceptions.[http://cbc.ucsd.edu/press.html] The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==Controversy==\n\nIn a review for Cognitive Neuropsychiatry (July 11, 2012) Professor Peter Brugger (Neurology, University Hospital, Zurich) criticized the Tell-Tale Brain as a pop-neuroscience book that provides vague answers to big questions.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 In the same issue of Cognitive Neuropsychiatry V.S. Ramachandran answered Brugger's criticism in an Author Response. Ramachandran argues that Brugger's approach to science has been focused on only a few topics and that he (Ramachandran) has taken a much broader approach. Ramachandran states that \"I have --for better or worse-- roamed the whole landscape of visual perception, stereopsis, phantom limbs, denial of paralysis, Capgras syndrome, synaesthesia, and many others.\"Ramachandran,V.S. Author Response,Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\n== Positive reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Oliver Sachs, Review on Amazon Web Site]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Snyder, Review on Amazon Web Site]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Doidge, Review on Amazon Web Site]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\nAllan Snyder, FRS, Director of the Centre for the Mind writes: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.\"http://books.wwnorton.com/books/detail.aspx?ID=17227\n\n== Critical reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"... that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\".Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries] Dr. Baron-Cohen, however, does not address numerous other chapters and ideas discussed in the book. Ramachandran himself, has noted (even in the Tell-Tale Brain) that the evidence for the Broken Mirror Theory of autism, is, at present, \"Compelling but not conclusive\".\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\".Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] However, in his footnotes, Ramachandran does in fact point out the controversy surrounding mirror neurons.\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"[http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neurologist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"[https://online.wsj.com/article/SB10001424052748704034804576025681468057572.html Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]" + }, + { + "revid": 794591153, + "parentid": 788355724, + "minor": "", + "user": "Bender the Bot", + "userid": 28903366, + "timestamp": "2017-08-08T22:00:02Z", + "sha1": "d05f9d06428889b30cf211bc034ec40c7c1cc1d6", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical reviews */Repairing broken [[Wall Street Journal]] links using [[Project:AWB|AWB]]", + "*": "{{cleanup book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)[https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html New York Times Best Sellars, February 20, 2011] and received mostly highly positive with some exceptions.[http://cbc.ucsd.edu/press.html] The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n==Controversy==\n\nIn a review for Cognitive Neuropsychiatry (July 11, 2012) Professor Peter Brugger (Neurology, University Hospital, Zurich) criticized the Tell-Tale Brain as a pop-neuroscience book that provides vague answers to big questions.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012 In the same issue of Cognitive Neuropsychiatry V.S. Ramachandran answered Brugger's criticism in an Author Response. Ramachandran argues that Brugger's approach to science has been focused on only a few topics and that he (Ramachandran) has taken a much broader approach. Ramachandran states that \"I have --for better or worse-- roamed the whole landscape of visual perception, stereopsis, phantom limbs, denial of paralysis, Capgras syndrome, synaesthesia, and many others.\"Ramachandran,V.S. Author Response,Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\n== Positive reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Oliver Sachs, Review on Amazon Web Site]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Snyder, Review on Amazon Web Site]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Doidge, Review on Amazon Web Site]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\nAllan Snyder, FRS, Director of the Centre for the Mind writes: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.\"http://books.wwnorton.com/books/detail.aspx?ID=17227\n\n== Critical reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"... that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\".Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries] Dr. Baron-Cohen, however, does not address numerous other chapters and ideas discussed in the book. Ramachandran himself, has noted (even in the Tell-Tale Brain) that the evidence for the Broken Mirror Theory of autism, is, at present, \"Compelling but not conclusive\".\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\".Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] However, in his footnotes, Ramachandran does in fact point out the controversy surrounding mirror neurons.\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"[http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neurologist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"[https://www.wsj.com/articles/SB10001424052748704034804576025681468057572 Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]" + }, + { + "revid": 800665303, + "parentid": 794591153, + "user": "103.208.220.131", + "anon": "", + "userid": 0, + "timestamp": "2017-09-14T23:12:36Z", + "sha1": "fcbd86051dd15e2c95e0d89ff05d9e4948d88397", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Why is one slightly negative review given such prominence here? This seems like a non neutral POV by this editor. I adjust to reflect clear majority reviews very positive.", + "*": "{{cleanup book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)[https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html New York Times Best Sellars, February 20, 2011] and received mostly highly positive with some exceptions.[http://cbc.ucsd.edu/press.html] The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n== Positive reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Oliver Sachs, Review on Amazon Web Site]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Snyder, Review on Amazon Web Site]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”[http://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Doidge, Review on Amazon Web Site]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\nAllan Snyder, FRS, Director of the Centre for the Mind writes: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.\"http://books.wwnorton.com/books/detail.aspx?ID=17227\n\n== Critical reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"... that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\".Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries] Dr. Baron-Cohen, however, does not address numerous other chapters and ideas discussed in the book. Ramachandran himself, has noted (even in the Tell-Tale Brain) that the evidence for the Broken Mirror Theory of autism, is, at present, \"Compelling but not conclusive\".\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\".Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] However, in his footnotes, Ramachandran does in fact point out the controversy surrounding mirror neurons.\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"[http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neurologist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"[https://www.wsj.com/articles/SB10001424052748704034804576025681468057572 Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]" + }, + { + "revid": 800928735, + "parentid": 800665303, + "minor": "", + "user": "KolbertBot", + "userid": 31691822, + "timestamp": "2017-09-16T16:08:14Z", + "sha1": "ff6c120e5049ce9a68179103031b8e5ca240bf20", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Bot: [[User:KolbertBot|HTTP→HTTPS]]", + "*": "{{cleanup book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17,Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)[https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html New York Times Best Sellars, February 20, 2011] and received mostly highly positive with some exceptions.[http://cbc.ucsd.edu/press.html] The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n== Positive reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”[https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Oliver Sachs, Review on Amazon Web Site]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”[https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Snyder, Review on Amazon Web Site]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”[https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Doidge, Review on Amazon Web Site]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\nAllan Snyder, FRS, Director of the Centre for the Mind writes: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.\"http://books.wwnorton.com/books/detail.aspx?ID=17227\n\n== Critical reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"... that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\".Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries] Dr. Baron-Cohen, however, does not address numerous other chapters and ideas discussed in the book. Ramachandran himself, has noted (even in the Tell-Tale Brain) that the evidence for the Broken Mirror Theory of autism, is, at present, \"Compelling but not conclusive\".\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\".Anthony Gottlieb,A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] However, in his footnotes, Ramachandran does in fact point out the controversy surrounding mirror neurons.\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"[http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neurologist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"[https://www.wsj.com/articles/SB10001424052748704034804576025681468057572 Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]" + }, + { + "revid": 801090300, + "parentid": 800928735, + "minor": "", + "user": "BD2412", + "userid": 196446, + "timestamp": "2017-09-17T16:16:50Z", + "sha1": "3733961c38f6741994e5b862e551e0b3359644bc", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "clean up spacing around punctuation, replaced: ,A → , A, ,I → , I using [[Project:AWB|AWB]]", + "*": "{{cleanup book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17, Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)[https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html New York Times Best Sellars, February 20, 2011] and received mostly highly positive with some exceptions.[http://cbc.ucsd.edu/press.html] The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n== Positive reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”[https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Oliver Sachs, Review on Amazon Web Site]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”[https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Snyder, Review on Amazon Web Site]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”[https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Doidge, Review on Amazon Web Site]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\nAllan Snyder, FRS, Director of the Centre for the Mind writes: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.\"http://books.wwnorton.com/books/detail.aspx?ID=17227\n\n== Critical reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"... that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\".Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries] Dr. Baron-Cohen, however, does not address numerous other chapters and ideas discussed in the book. Ramachandran himself, has noted (even in the Tell-Tale Brain) that the evidence for the Broken Mirror Theory of autism, is, at present, \"Compelling but not conclusive\".\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\".Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] However, in his footnotes, Ramachandran does in fact point out the controversy surrounding mirror neurons.\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"[http://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neurologist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"[https://www.wsj.com/articles/SB10001424052748704034804576025681468057572 Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]" + }, + { + "revid": 833891199, + "parentid": 801090300, + "minor": "", + "user": "KolbertBot", + "userid": 31691822, + "timestamp": "2018-04-02T22:13:22Z", + "sha1": "f570185dee2c1aad8c6957bb1db1747a69681630", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Bot: [[User:KolbertBot|HTTP→HTTPS]] (v485)", + "*": "{{cleanup book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17, Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)[https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html New York Times Best Sellars, February 20, 2011] and received mostly highly positive with some exceptions.[http://cbc.ucsd.edu/press.html] The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n== Positive reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”[https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Oliver Sachs, Review on Amazon Web Site]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”[https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Snyder, Review on Amazon Web Site]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”[https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Doidge, Review on Amazon Web Site]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\nAllan Snyder, FRS, Director of the Centre for the Mind writes: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.\"http://books.wwnorton.com/books/detail.aspx?ID=17227\n\n== Critical reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"... that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\".Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries] Dr. Baron-Cohen, however, does not address numerous other chapters and ideas discussed in the book. Ramachandran himself, has noted (even in the Tell-Tale Brain) that the evidence for the Broken Mirror Theory of autism, is, at present, \"Compelling but not conclusive\".\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\".Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] However, in his footnotes, Ramachandran does in fact point out the controversy surrounding mirror neurons.\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"[https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neurologist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"[https://www.wsj.com/articles/SB10001424052748704034804576025681468057572 Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 books]]" + }, + { + "revid": 840168304, + "parentid": 833891199, + "minor": "", + "user": "Bearcat", + "userid": 24902, + "timestamp": "2018-05-08T04:46:58Z", + "sha1": "03f9b3a6472f97870eab083733dc6509cc58e280", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* External links */recat using [[Project:AWB|AWB]]", + "*": "{{cleanup book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17, Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list)[https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html New York Times Best Sellars, February 20, 2011] and received mostly highly positive with some exceptions.[http://cbc.ucsd.edu/press.html] The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n== Positive reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”[https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Oliver Sachs, Review on Amazon Web Site]\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”[https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Snyder, Review on Amazon Web Site]\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”[https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/product-description/0393077829/ref=dp_proddesc_0?ie=UTF8&n=283155&s=books Doidge, Review on Amazon Web Site]\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\nAllan Snyder, FRS, Director of the Centre for the Mind writes: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.\"http://books.wwnorton.com/books/detail.aspx?ID=17227\n\n== Critical reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"... that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\".Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries] Dr. Baron-Cohen, however, does not address numerous other chapters and ideas discussed in the book. Ramachandran himself, has noted (even in the Tell-Tale Brain) that the evidence for the Broken Mirror Theory of autism, is, at present, \"Compelling but not conclusive\".\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\".Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] However, in his footnotes, Ramachandran does in fact point out the controversy surrounding mirror neurons.\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"[https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html Nicholas Shakespeare, Book Reviews, The Telegraph, Jan 7, 2011]\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neurologist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"[https://www.wsj.com/articles/SB10001424052748704034804576025681468057572 Raymond Tallis, The Mind in the Mirror, Wall Street Journal Bookshelf]\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 862632766, + "parentid": 840168304, + "user": "RJFJR", + "userid": 141808, + "timestamp": "2018-10-05T17:04:11Z", + "sha1": "f9055505cca283b454e8b85d446007023422c97a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Filled in 8 bare reference(s) with [[:en:WP:REFILL|reFill]] ()", + "*": "{{cleanup book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17, Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list){{cite web|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|publisher=}} and received mostly highly positive with some exceptions.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n== Positive reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/133-8201841-3538510?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/131-9291652-8282259?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/137-4519162-4049053?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\nAllan Snyder, FRS, Director of the Centre for the Mind writes: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.\"{{cite web|url=http://books.wwnorton.com/books/detail.aspx?ID=17227|title=Page Not Found - W. W. Norton & Company|website=books.wwnorton.com}}\n\n== Critical reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"... that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in autism. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\".Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries] Dr. Baron-Cohen, however, does not address numerous other chapters and ideas discussed in the book. Ramachandran himself, has noted (even in the Tell-Tale Brain) that the evidence for the Broken Mirror Theory of autism, is, at present, \"Compelling but not conclusive\".\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\".Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] However, in his footnotes, Ramachandran does in fact point out the controversy surrounding mirror neurons.\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neurologist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"{{cite web|url=http://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|date=8 January 2011|publisher=|via=www.wsj.com}}\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 862632876, + "parentid": 862632766, + "minor": "", + "user": "RJFJR", + "userid": 141808, + "timestamp": "2018-10-05T17:05:07Z", + "sha1": "7856f9157891b84d23259c4e4c12263406e03b5f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical reviews */ link", + "*": "{{cleanup book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show cortical remapping after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17, Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list){{cite web|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|publisher=}} and received mostly highly positive with some exceptions.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n== Positive reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/133-8201841-3538510?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/131-9291652-8282259?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/137-4519162-4049053?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\nAllan Snyder, FRS, Director of the Centre for the Mind writes: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.\"{{cite web|url=http://books.wwnorton.com/books/detail.aspx?ID=17227|title=Page Not Found - W. W. Norton & Company|website=books.wwnorton.com}}\n\n== Critical reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"... that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in [[autism]]. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\".Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries] Dr. Baron-Cohen, however, does not address numerous other chapters and ideas discussed in the book. Ramachandran himself, has noted (even in the Tell-Tale Brain) that the evidence for the Broken Mirror Theory of autism, is, at present, \"Compelling but not conclusive\".\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\".Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] However, in his footnotes, Ramachandran does in fact point out the controversy surrounding mirror neurons.\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neurologist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"{{cite web|url=http://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|date=8 January 2011|publisher=|via=www.wsj.com}}\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 868189470, + "parentid": 862632876, + "minor": "", + "user": "RJFJR", + "userid": 141808, + "timestamp": "2018-11-10T16:03:47Z", + "sha1": "2eaf6d35c59f4ecd4337de27c29ca6fb40e797c8", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* top */ link", + "*": "{{cleanup book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show [[cortical remapping]] after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17, Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list){{cite web|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|publisher=}} and received mostly highly positive with some exceptions.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n== Positive reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/133-8201841-3538510?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/131-9291652-8282259?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/137-4519162-4049053?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\nAllan Snyder, FRS, Director of the Centre for the Mind writes: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.\"{{cite web|url=http://books.wwnorton.com/books/detail.aspx?ID=17227|title=Page Not Found - W. W. Norton & Company|website=books.wwnorton.com}}\n\n== Critical reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"... that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in [[autism]]. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\".Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries] Dr. Baron-Cohen, however, does not address numerous other chapters and ideas discussed in the book. Ramachandran himself, has noted (even in the Tell-Tale Brain) that the evidence for the Broken Mirror Theory of autism, is, at present, \"Compelling but not conclusive\".\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\".Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] However, in his footnotes, Ramachandran does in fact point out the controversy surrounding mirror neurons.\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neurologist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"{{cite web|url=http://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|date=8 January 2011|publisher=|via=www.wsj.com}}\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 880448918, + "parentid": 868189470, + "minor": "", + "user": "KolbertBot", + "userid": 31691822, + "timestamp": "2019-01-27T14:06:06Z", + "sha1": "b30e620aac67249f4c13b1f9cf7f9d9d650515b2", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Bot: [[User:KolbertBot|HTTP→HTTPS]] (v485)", + "*": "{{cleanup book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show [[cortical remapping]] after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17, Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list){{cite web|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|publisher=}} and received mostly highly positive with some exceptions.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n== Positive reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/133-8201841-3538510?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/131-9291652-8282259?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/137-4519162-4049053?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\nAllan Snyder, FRS, Director of the Centre for the Mind writes: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.\"{{cite web|url=http://books.wwnorton.com/books/detail.aspx?ID=17227|title=Page Not Found - W. W. Norton & Company|website=books.wwnorton.com}}\n\n== Critical reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but questioned the validity of Ramachandran's views on the importance of mirror neurons. In particular, Baron-Cohen took issue with Ramachandran's well known prediction \"... that mirror neurons will do for psychology what DNA did for biology: they will provide a unifying framework and help explain a host of mental abilities that have hitherto remained mysterious and inaccessible to experiments.” Baron-Cohen stated \"Whether [Ramachandran] has overstated the importance of mirror neurons and will decide to retract this statement remains to be seen.\" Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, pointed out that Ramachandran has failed to acknowledge the experimental evidence that contradicts his theory that dysfunctional mirror neurons play a significant role in [[autism]]. Baron-Cohen writes \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\".Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [http://www.americanscientist.org/bookshelf/pub/making-sense-of-the-brains-mysteries] Dr. Baron-Cohen, however, does not address numerous other chapters and ideas discussed in the book. Ramachandran himself, has noted (even in the Tell-Tale Brain) that the evidence for the Broken Mirror Theory of autism, is, at present, \"Compelling but not conclusive\".\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story. Doubt has been cast on the idea that imitation and the understanding of actions depend on mirror neurons, and on the theory that autism involves a defect in these systems of cells. It has even been claimed that the techniques used to detect the activity of mirror neurons have been widely misinterpreted. Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\".Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] However, in his footnotes, Ramachandran does in fact point out the controversy surrounding mirror neurons.\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neurologist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"{{cite web|url=https://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|date=8 January 2011|publisher=|via=www.wsj.com}}\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 904391806, + "parentid": 880448918, + "user": "HouseOfChange", + "userid": 20986356, + "timestamp": "2019-07-01T21:16:31Z", + "sha1": "1507691e96a9d689fee8450cc282ba0440772297", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical reviews */ repair broken link, trim coatracking of limited relevance to article topic", + "*": "{{cleanup book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. Ramachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show [[cortical remapping]] after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17, Issue 4, 2012\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list){{cite web|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|publisher=}} and received mostly highly positive with some exceptions.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n== Positive reviews ==\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/133-8201841-3538510?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/131-9291652-8282259?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/137-4519162-4049053?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nIn the Sunday Times, James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\nAllan Snyder, FRS, Director of the Centre for the Mind writes: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.\"{{cite web|url=http://books.wwnorton.com/books/detail.aspx?ID=17227|title=Page Not Found - W. W. Norton & Company|website=books.wwnorton.com}}\n\n== Critical reviews ==\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but devoted most of his review to questioning the validity of Ramachandran's views on the importance of mirror neurons. Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, stated \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\".Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [https://www.americanscientist.org/article/making-sense-of-the-brains-mysteries] Dr. Baron-Cohen, however, did not address numerous other chapters and ideas discussed in the book. Ramachandran himself, has noted (even in the Tell-Tale Brain) that the evidence for the Broken Mirror Theory of autism, is, at present, \"Compelling but not conclusive\".\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning that his ideas about the importance of mirror neurons are controversial:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is. In the past four years, a spate of studies has dented every part of the mirror-neuron story... Ramachandran may have good reason to discount these skeptical studies, but he surely should have mentioned them.\".Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] However, in his footnotes, Ramachandran does in fact point out the controversy surrounding mirror neurons.\n\n[[Nicholas Shakespeare]], the well-known British writer, felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester complained that Ramachandran has failed to provide the research needed to back up his theories:\n\n\"The trouble begins when the neurologist turns philosopher and tries to use these insights to get closer to \"what makes us human.\" He suggests that such cross-wiring underpins both humans' ability to enjoy metaphors and artists' capacity to create novel connections—an assertion that has scarcely any research to back it up. (What little has been done depends on laughably simplistic models of how metaphors and creativity really work.) Likewise, his explanation of how we became speaking animals has scarcely a toe-hold on empirical data.\"{{cite web|url=https://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|date=8 January 2011|publisher=|via=www.wsj.com}}\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 908253636, + "parentid": 904391806, + "user": "HouseOfChange", + "userid": 20986356, + "timestamp": "2019-07-28T14:26:26Z", + "sha1": "2154d66518cab5ccea49d7dc17852c6808f33cee", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "See talk page: begin synopsis, remove false claim that NYT and WSJ reviews were \"negative\", trim reviewer quotes to reflect that article is about a book, not about its author", + "*": "{{cleanup book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. \n\n==Synopsis==\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\nRamachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show [[cortical remapping]] after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17, Issue 4, 2012\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list){{cite web|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|publisher=}} and received mostly highly positive with some exceptions.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/133-8201841-3538510?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/131-9291652-8282259?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/137-4519162-4049053?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nIn the ''Sunday Times'', James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\nAllan Snyder, FRS, Director of the Centre for the Mind writes: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.\"{{cite web|url=http://books.wwnorton.com/books/detail.aspx?ID=17227|title=Page Not Found - W. W. Norton & Company|website=books.wwnorton.com}}\n\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but devoted most of his review to questioning the validity of Ramachandran's views on the importance of mirror neurons. Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, stated \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\".Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [https://www.americanscientist.org/article/making-sense-of-the-brains-mysteries] Dr. Baron-Cohen, however, did not address numerous other chapters and ideas discussed in the book. Ramachandran himself, has noted (even in the Tell-Tale Brain) that the evidence for the Broken Mirror Theory of autism, is, at present, \"Compelling but not conclusive\".\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning how controversial some of his ideas about mirror neurons are:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is... Even if mirror neurons turn out not to be quite as important as Ramachandran thinks — he has elsewhere predicted that they will do for psychology what DNA did for biology — the book is packed with other evidence that neuroscience has made illuminating progress in recent years. Reading such accounts of exactly what our brains get up to is apt to leave one with the disconcerting thought that they are often a lot cleverer than their owners realize.\"Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] \n[[Nicholas Shakespeare]] felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester, complained that Ramachandran has failed to provide the research needed to back up some of his theories, concluding:\n\n\"''The Tell-Tale Brain'', though it is engagingly written and often fascinating, reminds us how little cause we have to privilege what the neuro scientists tell us about what makes us human over the testimony of novelists, poets, social workers or philosophers.\"{{cite web|url=https://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|date=8 January 2011|publisher=|via=www.wsj.com}}\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 908258055, + "parentid": 908253636, + "user": "HouseOfChange", + "userid": 20986356, + "timestamp": "2019-07-28T15:07:20Z", + "sha1": "9b582b3efeb479c436e95fc7216c50eb4105b4e0", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Reception */ remove duplicate", + "*": "{{cleanup book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. \n\n==Synopsis==\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\nRamachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show [[cortical remapping]] after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17, Issue 4, 2012\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list){{cite web|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|publisher=}} and received mostly highly positive with some exceptions.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n[[Oliver Sacks]] writes “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/133-8201841-3538510?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/131-9291652-8282259?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nNorman Doidge, M.D., author of The Brain That Changes Itself praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/137-4519162-4049053?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nIn the ''Sunday Times'', James McConnachie writes: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\nIn his review for the American Scientist, [[Simon Baron-Cohen]], Professor of Developmental Psychopathology at Cambridge University, said he found the book stimulating and enjoyable but devoted most of his review to questioning the validity of Ramachandran's views on the importance of mirror neurons. Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, stated \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\".Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [https://www.americanscientist.org/article/making-sense-of-the-brains-mysteries] Dr. Baron-Cohen, however, did not address numerous other chapters and ideas discussed in the book. Ramachandran himself, has noted (even in the Tell-Tale Brain) that the evidence for the Broken Mirror Theory of autism, is, at present, \"Compelling but not conclusive\".\n\nIn the New York Times, [[Anthony Gottlieb]] criticized Ramachandran for not mentioning how controversial some of his ideas about mirror neurons are:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is... Even if mirror neurons turn out not to be quite as important as Ramachandran thinks — he has elsewhere predicted that they will do for psychology what DNA did for biology — the book is packed with other evidence that neuroscience has made illuminating progress in recent years. Reading such accounts of exactly what our brains get up to is apt to leave one with the disconcerting thought that they are often a lot cleverer than their owners realize.\"Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] \n[[Nicholas Shakespeare]] felt that Ramachandran did not fully engage the ideas presented in the book:\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist The Master and His Emissary, last year’s magisterial study of the brain’s two opposed hemispheres, which it nicely (though unintentionally) complements – even to the extent of using some of the same illustrations.\"{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}\n\nIn his review for the Wall Street Journal, [[Raymond Tallis]], emeritus professor of geriatric medicine at the University of Manchester, complained that Ramachandran has failed to provide the research needed to back up some of his theories, concluding:\n\n\"''The Tell-Tale Brain'', though it is engagingly written and often fascinating, reminds us how little cause we have to privilege what the neuro scientists tell us about what makes us human over the testimony of novelists, poets, social workers or philosophers.\"{{cite web|url=https://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|date=8 January 2011|publisher=|via=www.wsj.com}}\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 908259103, + "parentid": 908258055, + "user": "HouseOfChange", + "userid": 20986356, + "timestamp": "2019-07-28T15:17:14Z", + "sha1": "fa264924f64d0df87757267f8398df4cea86ef73", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Reception */ separate book blurbs from book reviews, start uniformly formatting quotes from book reviews", + "*": "{{cleanup book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. \n\n==Synopsis==\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\nRamachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show [[cortical remapping]] after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17, Issue 4, 2012\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list){{cite web|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|publisher=}} and received mostly highly positive with some exceptions.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n===Pre-publication endorsements (book blurbs)===\n[[Oliver Sacks]] wrote “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/133-8201841-3538510?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/131-9291652-8282259?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nNorman Doidge, M.D., author of ''The Brain That Changes Itself'' praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/137-4519162-4049053?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\n===Book reviews===\nIn the ''Sunday Times'', James McConnachie wrote: \"When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]\n\n[[Simon Baron-Cohen]] (''American Scientist'') said he found the book stimulating and enjoyable but devoted most of his review to questioning the validity of Ramachandran's views on the importance of mirror neurons. Baron-Cohen, who is Director of the Autism Research Center at Cambridge University, stated \"There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.\".Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [https://www.americanscientist.org/article/making-sense-of-the-brains-mysteries]\n\n[[Anthony Gottlieb]] (''New York Times'') criticized Ramachandran for not mentioning how controversial some of his ideas about mirror neurons are, but generally praised the book:\n\n\"Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is... Even if mirror neurons turn out not to be quite as important as Ramachandran thinks — he has elsewhere predicted that they will do for psychology what DNA did for biology — the book is packed with other evidence that neuroscience has made illuminating progress in recent years. Reading such accounts of exactly what our brains get up to is apt to leave one with the disconcerting thought that they are often a lot cleverer than their owners realize.\"Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all] \n\n[[Nicholas Shakespeare]] (''The Telegraph''):\n\n\"Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist ''The Master and His Emissary''...\"{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}\n\n[[Raymond Tallis]] (''Wall Street Journal'') praised the book but complained that Ramachandran has failed to provide the research needed to back up some of his theories, concluding:\n\n\"''The Tell-Tale Brain'', though it is engagingly written and often fascinating, reminds us how little cause we have to privilege what the neuro scientists tell us about what makes us human over the testimony of novelists, poets, social workers or philosophers.\"{{cite web|url=https://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|date=8 January 2011|publisher=|via=www.wsj.com}}\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 908259693, + "parentid": 908259103, + "user": "HouseOfChange", + "userid": 20986356, + "timestamp": "2019-07-28T15:22:20Z", + "sha1": "d16399ce6f58e7a02c0e640b558b1d5a9e6c2b6e", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Book reviews */ put long quotes into blockquotes", + "*": "{{cleanup book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. \n\n==Synopsis==\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\nRamachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show [[cortical remapping]] after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17, Issue 4, 2012\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list){{cite web|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|publisher=}} and received mostly highly positive with some exceptions.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n===Pre-publication endorsements (book blurbs)===\n[[Oliver Sacks]] wrote “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/133-8201841-3538510?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/131-9291652-8282259?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nNorman Doidge, M.D., author of ''The Brain That Changes Itself'' praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/137-4519162-4049053?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\n===Book reviews===\nJames McConnachie (''Sunday Times''):
When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]
\n\n[[Simon Baron-Cohen]] (''American Scientist'') said he found the book stimulating and enjoyable but devoted most of his review to questioning the validity of Ramachandran's views on mirror neurons and the broken-mirror theory of autism, saying for example:\n
There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [https://www.americanscientist.org/article/making-sense-of-the-brains-mysteries]
\n\n[[Anthony Gottlieb]] (''New York Times'') criticized Ramachandran for not mentioning how controversial some of his ideas about mirror neurons are, but generally praised the book:\n\n
Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is... Even if mirror neurons turn out not to be quite as important as Ramachandran thinks — he has elsewhere predicted that they will do for psychology what DNA did for biology — the book is packed with other evidence that neuroscience has made illuminating progress in recent years. Reading such accounts of exactly what our brains get up to is apt to leave one with the disconcerting thought that they are often a lot cleverer than their owners realize.Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]
\n\n[[Nicholas Shakespeare]] (''The Telegraph''):\n\n
Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist ''The Master and His Emissary'', last year’s magisterial study of the brain’s two opposed hemispheres...{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}
\n\n[[Raymond Tallis]] (''Wall Street Journal'') praised the book but complained that Ramachandran has failed to provide the research needed to back up some of his theories, concluding:\n\n
''The Tell-Tale Brain'', though it is engagingly written and often fascinating, reminds us how little cause we have to privilege what the neuro scientists tell us about what makes us human over the testimony of novelists, poets, social workers or philosophers.{{cite web|url=https://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|date=8 January 2011|publisher=|via=www.wsj.com}}
\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 908260436, + "parentid": 908259693, + "user": "HouseOfChange", + "userid": 20986356, + "timestamp": "2019-07-28T15:28:24Z", + "sha1": "7353cf15beb098a5aa37dda0c2f6643657f87232", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Reception */ ce. organize reviews in rough order of the importance of review publisher", + "*": "{{cleanup book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. \n\n==Synopsis==\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\nRamachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show [[cortical remapping]] after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17, Issue 4, 2012\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list).{{cite web|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|publisher=}} It received mostly positive reviews, with some criticism particularly focusing on Ramchandran's theories about mirror neurons.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n===Pre-publication endorsements (book blurbs)===\n[[Oliver Sacks]] wrote “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/133-8201841-3538510?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/131-9291652-8282259?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nNorman Doidge, M.D., author of ''The Brain That Changes Itself'' praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/137-4519162-4049053?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\n===Book reviews===\nJames McConnachie (''Sunday Times''):
When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]
\n\n[[Anthony Gottlieb]] (''New York Times'') generally recommended the book but criticized Ramachandran for not mentioning how controversial some of his ideas about mirror neurons are:\n\n
Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is... Even if mirror neurons turn out not to be quite as important as Ramachandran thinks — he has elsewhere predicted that they will do for psychology what DNA did for biology — the book is packed with other evidence that neuroscience has made illuminating progress in recent years. Reading such accounts of exactly what our brains get up to is apt to leave one with the disconcerting thought that they are often a lot cleverer than their owners realize.Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]
\n\n[[Raymond Tallis]] (''Wall Street Journal'') praised the book but complained that Ramachandran has failed to provide the research needed to back up some of his theories, concluding:\n\n
''The Tell-Tale Brain'', though it is engagingly written and often fascinating, reminds us how little cause we have to privilege what the neuro scientists tell us about what makes us human over the testimony of novelists, poets, social workers or philosophers.{{cite web|url=https://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|date=8 January 2011|publisher=|via=www.wsj.com}}
\n\n[[Nicholas Shakespeare]] (''The Telegraph''):\n\n
Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist ''The Master and His Emissary'', last year’s magisterial study of the brain’s two opposed hemispheres...{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}
\n\n[[Simon Baron-Cohen]] (''American Scientist'') said he found the book stimulating and enjoyable but devoted most of his review to questioning the validity of Ramachandran's views on mirror neurons and the broken-mirror theory of autism, saying for example:\n
There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [https://www.americanscientist.org/article/making-sense-of-the-brains-mysteries]
\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 908262059, + "parentid": 908260436, + "user": "HouseOfChange", + "userid": 20986356, + "timestamp": "2019-07-28T15:42:08Z", + "sha1": "737044c8b9512ef664f8ad5aa7032055ccc643fc", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Book reviews */ Found another review, NYRB, add more to WSJ quote", + "*": "{{cleanup book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. \n\n==Synopsis==\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\nRamachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show [[cortical remapping]] after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17, Issue 4, 2012\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list).{{cite web|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|publisher=}} It received mostly positive reviews, with some criticism particularly focusing on Ramchandran's theories about mirror neurons.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n===Pre-publication endorsements (book blurbs)===\n[[Oliver Sacks]] wrote “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/133-8201841-3538510?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/131-9291652-8282259?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nNorman Doidge, M.D., author of ''The Brain That Changes Itself'' praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/137-4519162-4049053?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\n===Book reviews===\nJames McConnachie (''Sunday Times''):
When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]
\n\n[[Anthony Gottlieb]] (''New York Times'') generally recommended the book but criticized Ramachandran for not mentioning how controversial some of his ideas about mirror neurons are:\n\n
Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is... Even if mirror neurons turn out not to be quite as important as Ramachandran thinks — he has elsewhere predicted that they will do for psychology what DNA did for biology — the book is packed with other evidence that neuroscience has made illuminating progress in recent years. Reading such accounts of exactly what our brains get up to is apt to leave one with the disconcerting thought that they are often a lot cleverer than their owners realize.Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]
\n\n[[Colin McGinn]] (''New York Review of Books'') praised the book despite criticizing it for reductionism/oversimplification, saying:
Ramachandran discusses an enormous range of syndromes and topics in ''The Tell-Tale Brain''. His writing is generally lucid, charming, and informative, with much humor to lighten the load of Latinate brain disquisitions. He is a leader in his field and is certainly an ingenious and tireless researcher. This is the best book of its kind that I have come across for scientific rigor, general interest, and clarity—though some of it will be a hard slog for the uninitiated. {{Cite web |url=https://www.nybooks.com/articles/2011/03/24/can-brain-explain-your-mind/ |title=Can the brain explain your mind? |last=McGinn |first=Colin |work=NY Review of Books |quote= |date=March 24, 2011 |accessdate=July 28, 2019}}
\n\n[[Raymond Tallis]] (''Wall Street Journal'') praised the book but complained that Ramachandran has failed to provide the research needed to back up some of his theories, concluding:\n\n
Until we clear up the ground-floor aspects of human consciousness—in particular, first-person being—claims to advance our understanding of its higher levels, and of the grand edifice of civilization, by peering into intra cranial darkness will not withstand even the most cursory examination. ...''The Tell-Tale Brain'', though it is engagingly written and often fascinating, reminds us how little cause we have to privilege what the neuro scientists tell us about what makes us human over the testimony of novelists, poets, social workers or philosophers.{{cite web|url=https://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|date=8 January 2011|publisher=|via=www.wsj.com}}
\n\n[[Nicholas Shakespeare]] (''The Telegraph''):\n\n
Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist ''The Master and His Emissary'', last year’s magisterial study of the brain’s two opposed hemispheres...{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}
\n\n[[Simon Baron-Cohen]] (''American Scientist'') said he found the book stimulating and enjoyable but devoted most of his review to questioning the validity of Ramachandran's views on mirror neurons and the broken-mirror theory of autism, saying for example:\n
There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the [Broken Mirror] theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [https://www.americanscientist.org/article/making-sense-of-the-brains-mysteries]
\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 908263835, + "parentid": 908262059, + "minor": "", + "user": "HouseOfChange", + "userid": 20986356, + "timestamp": "2019-07-28T15:56:47Z", + "sha1": "c19a7845d080ab49258357385f9696799cec204c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Book reviews */ rm redlink", + "*": "{{cleanup book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. \n\n==Synopsis==\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\nRamachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show [[cortical remapping]] after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic.Brugger, Peter, Book Review, Cognitive Neuropsychiatry, Vol. 17, Issue 4, 2012\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list).{{cite web|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|publisher=}} It received mostly positive reviews, with some criticism particularly focusing on Ramchandran's theories about mirror neurons.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n===Pre-publication endorsements (book blurbs)===\n[[Oliver Sacks]] wrote “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/133-8201841-3538510?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/131-9291652-8282259?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nNorman Doidge, M.D., author of ''The Brain That Changes Itself'' praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/137-4519162-4049053?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\n===Book reviews===\nJames McConnachie (''Sunday Times''):
When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]
\n\n[[Anthony Gottlieb]] (''New York Times'') generally recommended the book but criticized Ramachandran for not mentioning how controversial some of his ideas about mirror neurons are:\n\n
Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is... Even if mirror neurons turn out not to be quite as important as Ramachandran thinks — he has elsewhere predicted that they will do for psychology what DNA did for biology — the book is packed with other evidence that neuroscience has made illuminating progress in recent years. Reading such accounts of exactly what our brains get up to is apt to leave one with the disconcerting thought that they are often a lot cleverer than their owners realize.Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]
\n\n[[Colin McGinn]] (''New York Review of Books'') praised the book despite criticizing it for reductionism/oversimplification, saying:
Ramachandran discusses an enormous range of syndromes and topics in ''The Tell-Tale Brain''. His writing is generally lucid, charming, and informative, with much humor to lighten the load of Latinate brain disquisitions. He is a leader in his field and is certainly an ingenious and tireless researcher. This is the best book of its kind that I have come across for scientific rigor, general interest, and clarity—though some of it will be a hard slog for the uninitiated. {{Cite web |url=https://www.nybooks.com/articles/2011/03/24/can-brain-explain-your-mind/ |title=Can the brain explain your mind? |last=McGinn |first=Colin |work=NY Review of Books |quote= |date=March 24, 2011 |accessdate=July 28, 2019}}
\n\n[[Raymond Tallis]] (''Wall Street Journal'') praised the book but complained that Ramachandran has failed to provide the research needed to back up some of his theories, concluding:\n\n
Until we clear up the ground-floor aspects of human consciousness—in particular, first-person being—claims to advance our understanding of its higher levels, and of the grand edifice of civilization, by peering into intra cranial darkness will not withstand even the most cursory examination. ...''The Tell-Tale Brain'', though it is engagingly written and often fascinating, reminds us how little cause we have to privilege what the neuro scientists tell us about what makes us human over the testimony of novelists, poets, social workers or philosophers.{{cite web|url=https://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|date=8 January 2011|publisher=|via=www.wsj.com}}
\n\n[[Nicholas Shakespeare]] (''The Telegraph''):\n\n
Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist ''The Master and His Emissary'', last year’s magisterial study of the brain’s two opposed hemispheres...{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}
\n\n[[Simon Baron-Cohen]] (''American Scientist'') said he found the book stimulating and enjoyable but devoted most of his review to questioning the validity of Ramachandran's views on mirror neurons and the broken-mirror theory of autism, saying for example:\n
There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the Broken Mirror theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [https://www.americanscientist.org/article/making-sense-of-the-brains-mysteries]
\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 908278188, + "parentid": 908263835, + "user": "HouseOfChange", + "userid": 20986356, + "timestamp": "2019-07-28T17:51:38Z", + "sha1": "1a0f129ccec5246d5795d84b39cc1de1385e4914", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Synopsis */ add better citation for Brugger, including link where people can read what he says", + "*": "{{cleanup book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. \n\n==Synopsis==\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\nRamachandran explores various aspects of visual perception and cognition to argue that humans are unique among species. For example, he notes that although animals show [[cortical remapping]] after the loss of a limb, the plasticity seen in the human brain (after amputation) is much more dramatic. {{Cite journal |url=https://www.zora.uzh.ch/id/eprint/67368/1/The_tell-tale_brain.pdf |title=The tell-tale brain: Unlocking the mystery of human nature |last=Brugger |first=Peter |work=Cognitive Neuropsychiatry |doi=10.1080/13546805.2012.685295|quote=I think I will recommend this book to any of my friends who do not shun pop (neuro)science in principle. Although the ''TellTale Brain'' does contain a lot of pop on the surface, the overall content is very much Popper, who once clearly stated that 'bold ideas, unjustified anticipations and speculative thought are our only means for interpreting nature' (Popper, 1959/1980, p. 280). |date=December 7, 2018 |accessdate=July 10, 2019}}\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list).{{cite web|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|publisher=}} It received mostly positive reviews, with some criticism particularly focusing on Ramchandran's theories about mirror neurons.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n===Pre-publication endorsements (book blurbs)===\n[[Oliver Sacks]] wrote “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/133-8201841-3538510?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/131-9291652-8282259?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nNorman Doidge, M.D., author of ''The Brain That Changes Itself'' praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/137-4519162-4049053?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\n===Book reviews===\nJames McConnachie (''Sunday Times''):
When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]
\n\n[[Anthony Gottlieb]] (''New York Times'') generally recommended the book but criticized Ramachandran for not mentioning how controversial some of his ideas about mirror neurons are:\n\n
Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is... Even if mirror neurons turn out not to be quite as important as Ramachandran thinks — he has elsewhere predicted that they will do for psychology what DNA did for biology — the book is packed with other evidence that neuroscience has made illuminating progress in recent years. Reading such accounts of exactly what our brains get up to is apt to leave one with the disconcerting thought that they are often a lot cleverer than their owners realize.Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]
\n\n[[Colin McGinn]] (''New York Review of Books'') praised the book despite criticizing it for reductionism/oversimplification, saying:
Ramachandran discusses an enormous range of syndromes and topics in ''The Tell-Tale Brain''. His writing is generally lucid, charming, and informative, with much humor to lighten the load of Latinate brain disquisitions. He is a leader in his field and is certainly an ingenious and tireless researcher. This is the best book of its kind that I have come across for scientific rigor, general interest, and clarity—though some of it will be a hard slog for the uninitiated. {{Cite web |url=https://www.nybooks.com/articles/2011/03/24/can-brain-explain-your-mind/ |title=Can the brain explain your mind? |last=McGinn |first=Colin |work=NY Review of Books |quote= |date=March 24, 2011 |accessdate=July 28, 2019}}
\n\n[[Raymond Tallis]] (''Wall Street Journal'') praised the book but complained that Ramachandran has failed to provide the research needed to back up some of his theories, concluding:\n\n
Until we clear up the ground-floor aspects of human consciousness—in particular, first-person being—claims to advance our understanding of its higher levels, and of the grand edifice of civilization, by peering into intra cranial darkness will not withstand even the most cursory examination. ...''The Tell-Tale Brain'', though it is engagingly written and often fascinating, reminds us how little cause we have to privilege what the neuro scientists tell us about what makes us human over the testimony of novelists, poets, social workers or philosophers.{{cite web|url=https://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|date=8 January 2011|publisher=|via=www.wsj.com}}
\n\n[[Nicholas Shakespeare]] (''The Telegraph''):\n\n
Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist ''The Master and His Emissary'', last year’s magisterial study of the brain’s two opposed hemispheres...{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}
\n\n[[Simon Baron-Cohen]] (''American Scientist'') said he found the book stimulating and enjoyable but devoted most of his review to questioning the validity of Ramachandran's views on mirror neurons and the broken-mirror theory of autism, saying for example:\n
There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the Broken Mirror theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [https://www.americanscientist.org/article/making-sense-of-the-brains-mysteries]
\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 908451141, + "parentid": 908278188, + "user": "HouseOfChange", + "userid": 20986356, + "timestamp": "2019-07-29T20:16:47Z", + "sha1": "1b260b3f3e1f821a330c80a5791df95c8295cbe8", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Synopsis */ add more to synopsis, which is based on lengthy description in Brugger", + "*": "{{cleanup book|date=November 2011}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. \n\n==Synopsis==\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\nIn the first chapter, Ramachandran discusses the human ability to change and adapt, illustrating the concept from his work on phantom limbs. The second chapter describes some of his work with visual perception and cognition, addressing the concept of human awareness.\n\nIn chapter three, he connects ideas about synesthesia to creativity. Chapters four and five talk about mirror neurons, while chapter six discusses human language.\n\nRamachandran proposes \"nine laws of aesthetics,\" which he discusses in chapters seven and eight. The final chapter, chapter nine, \"The Ape With A Soul\" concerns introspection and human self-awareness. {{Cite journal |url=https://www.zora.uzh.ch/id/eprint/67368/1/The_tell-tale_brain.pdf |title=The tell-tale brain: Unlocking the mystery of human nature |last=Brugger |first=Peter |work=Cognitive Neuropsychiatry |doi=10.1080/13546805.2012.685295|quote=I think I will recommend this book to any of my friends who do not shun pop (neuro)science in principle. Although the ''TellTale Brain'' does contain a lot of pop on the surface, the overall content is very much Popper, who once clearly stated that 'bold ideas, unjustified anticipations and speculative thought are our only means for interpreting nature' (Popper, 1959/1980, p. 280). |date=December 7, 2018 |accessdate=July 10, 2019}}\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list).{{cite web|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|publisher=}} It received mostly positive reviews, with some criticism particularly focusing on Ramchandran's theories about mirror neurons.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n===Pre-publication endorsements (book blurbs)===\n[[Oliver Sacks]] wrote “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/133-8201841-3538510?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/131-9291652-8282259?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nNorman Doidge, M.D., author of ''The Brain That Changes Itself'' praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/137-4519162-4049053?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\n===Book reviews===\nJames McConnachie (''Sunday Times''):
When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]
\n\n[[Anthony Gottlieb]] (''New York Times'') generally recommended the book but criticized Ramachandran for not mentioning how controversial some of his ideas about mirror neurons are:\n\n
Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is... Even if mirror neurons turn out not to be quite as important as Ramachandran thinks — he has elsewhere predicted that they will do for psychology what DNA did for biology — the book is packed with other evidence that neuroscience has made illuminating progress in recent years. Reading such accounts of exactly what our brains get up to is apt to leave one with the disconcerting thought that they are often a lot cleverer than their owners realize.Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]
\n\n[[Colin McGinn]] (''New York Review of Books'') praised the book despite criticizing it for reductionism/oversimplification, saying:
Ramachandran discusses an enormous range of syndromes and topics in ''The Tell-Tale Brain''. His writing is generally lucid, charming, and informative, with much humor to lighten the load of Latinate brain disquisitions. He is a leader in his field and is certainly an ingenious and tireless researcher. This is the best book of its kind that I have come across for scientific rigor, general interest, and clarity—though some of it will be a hard slog for the uninitiated. {{Cite web |url=https://www.nybooks.com/articles/2011/03/24/can-brain-explain-your-mind/ |title=Can the brain explain your mind? |last=McGinn |first=Colin |work=NY Review of Books |quote= |date=March 24, 2011 |accessdate=July 28, 2019}}
\n\n[[Raymond Tallis]] (''Wall Street Journal'') praised the book but complained that Ramachandran has failed to provide the research needed to back up some of his theories, concluding:\n\n
Until we clear up the ground-floor aspects of human consciousness—in particular, first-person being—claims to advance our understanding of its higher levels, and of the grand edifice of civilization, by peering into intra cranial darkness will not withstand even the most cursory examination. ...''The Tell-Tale Brain'', though it is engagingly written and often fascinating, reminds us how little cause we have to privilege what the neuro scientists tell us about what makes us human over the testimony of novelists, poets, social workers or philosophers.{{cite web|url=https://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|date=8 January 2011|publisher=|via=www.wsj.com}}
\n\n[[Nicholas Shakespeare]] (''The Telegraph''):\n\n
Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist ''The Master and His Emissary'', last year’s magisterial study of the brain’s two opposed hemispheres...{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}
\n\n[[Simon Baron-Cohen]] (''American Scientist'') said he found the book stimulating and enjoyable but devoted most of his review to questioning the validity of Ramachandran's views on mirror neurons and the broken-mirror theory of autism, saying for example:\n
There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the Broken Mirror theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [https://www.americanscientist.org/article/making-sense-of-the-brains-mysteries]
\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 908451228, + "parentid": 908451141, + "user": "HouseOfChange", + "userid": 20986356, + "timestamp": "2019-07-29T20:17:26Z", + "sha1": "20ad90eb11359c47be64738f7f067eec040be64f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Remove template, article has been cleaned up", + "*": "{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[neuroscience]]\n| genre = [[non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. \n\n==Synopsis==\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\nIn the first chapter, Ramachandran discusses the human ability to change and adapt, illustrating the concept from his work on phantom limbs. The second chapter describes some of his work with visual perception and cognition, addressing the concept of human awareness.\n\nIn chapter three, he connects ideas about synesthesia to creativity. Chapters four and five talk about mirror neurons, while chapter six discusses human language.\n\nRamachandran proposes \"nine laws of aesthetics,\" which he discusses in chapters seven and eight. The final chapter, chapter nine, \"The Ape With A Soul\" concerns introspection and human self-awareness. {{Cite journal |url=https://www.zora.uzh.ch/id/eprint/67368/1/The_tell-tale_brain.pdf |title=The tell-tale brain: Unlocking the mystery of human nature |last=Brugger |first=Peter |work=Cognitive Neuropsychiatry |doi=10.1080/13546805.2012.685295|quote=I think I will recommend this book to any of my friends who do not shun pop (neuro)science in principle. Although the ''TellTale Brain'' does contain a lot of pop on the surface, the overall content is very much Popper, who once clearly stated that 'bold ideas, unjustified anticipations and speculative thought are our only means for interpreting nature' (Popper, 1959/1980, p. 280). |date=December 7, 2018 |accessdate=July 10, 2019}}\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list).{{cite web|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|publisher=}} It received mostly positive reviews, with some criticism particularly focusing on Ramchandran's theories about mirror neurons.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n===Pre-publication endorsements (book blurbs)===\n[[Oliver Sacks]] wrote “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/133-8201841-3538510?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/131-9291652-8282259?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nNorman Doidge, M.D., author of ''The Brain That Changes Itself'' praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/137-4519162-4049053?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\n===Book reviews===\nJames McConnachie (''Sunday Times''):
When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]
\n\n[[Anthony Gottlieb]] (''New York Times'') generally recommended the book but criticized Ramachandran for not mentioning how controversial some of his ideas about mirror neurons are:\n\n
Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is... Even if mirror neurons turn out not to be quite as important as Ramachandran thinks — he has elsewhere predicted that they will do for psychology what DNA did for biology — the book is packed with other evidence that neuroscience has made illuminating progress in recent years. Reading such accounts of exactly what our brains get up to is apt to leave one with the disconcerting thought that they are often a lot cleverer than their owners realize.Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]
\n\n[[Colin McGinn]] (''New York Review of Books'') praised the book despite criticizing it for reductionism/oversimplification, saying:
Ramachandran discusses an enormous range of syndromes and topics in ''The Tell-Tale Brain''. His writing is generally lucid, charming, and informative, with much humor to lighten the load of Latinate brain disquisitions. He is a leader in his field and is certainly an ingenious and tireless researcher. This is the best book of its kind that I have come across for scientific rigor, general interest, and clarity—though some of it will be a hard slog for the uninitiated. {{Cite web |url=https://www.nybooks.com/articles/2011/03/24/can-brain-explain-your-mind/ |title=Can the brain explain your mind? |last=McGinn |first=Colin |work=NY Review of Books |quote= |date=March 24, 2011 |accessdate=July 28, 2019}}
\n\n[[Raymond Tallis]] (''Wall Street Journal'') praised the book but complained that Ramachandran has failed to provide the research needed to back up some of his theories, concluding:\n\n
Until we clear up the ground-floor aspects of human consciousness—in particular, first-person being—claims to advance our understanding of its higher levels, and of the grand edifice of civilization, by peering into intra cranial darkness will not withstand even the most cursory examination. ...''The Tell-Tale Brain'', though it is engagingly written and often fascinating, reminds us how little cause we have to privilege what the neuro scientists tell us about what makes us human over the testimony of novelists, poets, social workers or philosophers.{{cite web|url=https://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|date=8 January 2011|publisher=|via=www.wsj.com}}
\n\n[[Nicholas Shakespeare]] (''The Telegraph''):\n\n
Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist ''The Master and His Emissary'', last year’s magisterial study of the brain’s two opposed hemispheres...{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}
\n\n[[Simon Baron-Cohen]] (''American Scientist'') said he found the book stimulating and enjoyable but devoted most of his review to questioning the validity of Ramachandran's views on mirror neurons and the broken-mirror theory of autism, saying for example:\n
There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the Broken Mirror theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [https://www.americanscientist.org/article/making-sense-of-the-brains-mysteries]
\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 967550738, + "parentid": 908451228, + "minor": "", + "user": "Gazelle55", + "userid": 31384714, + "timestamp": "2020-07-13T22:34:31Z", + "sha1": "b169b5d74cef0c973bd9db3d5be8f4fb37dfb8a3", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Missing capitals", + "*": "{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[Neuroscience]]\n| genre = [[Non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. \n\n==Synopsis==\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\nIn the first chapter, Ramachandran discusses the human ability to change and adapt, illustrating the concept from his work on phantom limbs. The second chapter describes some of his work with visual perception and cognition, addressing the concept of human awareness.\n\nIn chapter three, he connects ideas about synesthesia to creativity. Chapters four and five talk about mirror neurons, while chapter six discusses human language.\n\nRamachandran proposes \"nine laws of aesthetics,\" which he discusses in chapters seven and eight. The final chapter, chapter nine, \"The Ape With A Soul\" concerns introspection and human self-awareness. {{Cite journal |url=https://www.zora.uzh.ch/id/eprint/67368/1/The_tell-tale_brain.pdf |title=The tell-tale brain: Unlocking the mystery of human nature |last=Brugger |first=Peter |work=Cognitive Neuropsychiatry |doi=10.1080/13546805.2012.685295|quote=I think I will recommend this book to any of my friends who do not shun pop (neuro)science in principle. Although the ''TellTale Brain'' does contain a lot of pop on the surface, the overall content is very much Popper, who once clearly stated that 'bold ideas, unjustified anticipations and speculative thought are our only means for interpreting nature' (Popper, 1959/1980, p. 280). |date=December 7, 2018 |accessdate=July 10, 2019}}\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list).{{cite web|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|publisher=}} It received mostly positive reviews, with some criticism particularly focusing on Ramchandran's theories about mirror neurons.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n===Pre-publication endorsements (book blurbs)===\n[[Oliver Sacks]] wrote “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/133-8201841-3538510?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/131-9291652-8282259?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nNorman Doidge, M.D., author of ''The Brain That Changes Itself'' praised the book by saying:“Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/137-4519162-4049053?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\n===Book reviews===\nJames McConnachie (''Sunday Times''):
When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]
\n\n[[Anthony Gottlieb]] (''New York Times'') generally recommended the book but criticized Ramachandran for not mentioning how controversial some of his ideas about mirror neurons are:\n\n
Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is... Even if mirror neurons turn out not to be quite as important as Ramachandran thinks — he has elsewhere predicted that they will do for psychology what DNA did for biology — the book is packed with other evidence that neuroscience has made illuminating progress in recent years. Reading such accounts of exactly what our brains get up to is apt to leave one with the disconcerting thought that they are often a lot cleverer than their owners realize.Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]
\n\n[[Colin McGinn]] (''New York Review of Books'') praised the book despite criticizing it for reductionism/oversimplification, saying:
Ramachandran discusses an enormous range of syndromes and topics in ''The Tell-Tale Brain''. His writing is generally lucid, charming, and informative, with much humor to lighten the load of Latinate brain disquisitions. He is a leader in his field and is certainly an ingenious and tireless researcher. This is the best book of its kind that I have come across for scientific rigor, general interest, and clarity—though some of it will be a hard slog for the uninitiated. {{Cite web |url=https://www.nybooks.com/articles/2011/03/24/can-brain-explain-your-mind/ |title=Can the brain explain your mind? |last=McGinn |first=Colin |work=NY Review of Books |quote= |date=March 24, 2011 |accessdate=July 28, 2019}}
\n\n[[Raymond Tallis]] (''Wall Street Journal'') praised the book but complained that Ramachandran has failed to provide the research needed to back up some of his theories, concluding:\n\n
Until we clear up the ground-floor aspects of human consciousness—in particular, first-person being—claims to advance our understanding of its higher levels, and of the grand edifice of civilization, by peering into intra cranial darkness will not withstand even the most cursory examination. ...''The Tell-Tale Brain'', though it is engagingly written and often fascinating, reminds us how little cause we have to privilege what the neuro scientists tell us about what makes us human over the testimony of novelists, poets, social workers or philosophers.{{cite web|url=https://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|date=8 January 2011|publisher=|via=www.wsj.com}}
\n\n[[Nicholas Shakespeare]] (''The Telegraph''):\n\n
Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist ''The Master and His Emissary'', last year’s magisterial study of the brain’s two opposed hemispheres...{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}
\n\n[[Simon Baron-Cohen]] (''American Scientist'') said he found the book stimulating and enjoyable but devoted most of his review to questioning the validity of Ramachandran's views on mirror neurons and the broken-mirror theory of autism, saying for example:\n
There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the Broken Mirror theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [https://www.americanscientist.org/article/making-sense-of-the-brains-mysteries]
\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 967552585, + "parentid": 967550738, + "user": "Gazelle55", + "userid": 31384714, + "timestamp": "2020-07-13T22:51:09Z", + "sha1": "3010afb09ec116fcbcdb332cd96e636f788fcf2e", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Pre-publication endorsements (book blurbs) */ Long quote should be a block quote; linked to Doidge and removed his bio details here", + "*": "{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[Neuroscience]]\n| genre = [[Non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. \n\n==Synopsis==\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\nIn the first chapter, Ramachandran discusses the human ability to change and adapt, illustrating the concept from his work on phantom limbs. The second chapter describes some of his work with visual perception and cognition, addressing the concept of human awareness.\n\nIn chapter three, he connects ideas about synesthesia to creativity. Chapters four and five talk about mirror neurons, while chapter six discusses human language.\n\nRamachandran proposes \"nine laws of aesthetics,\" which he discusses in chapters seven and eight. The final chapter, chapter nine, \"The Ape With A Soul\" concerns introspection and human self-awareness. {{Cite journal |url=https://www.zora.uzh.ch/id/eprint/67368/1/The_tell-tale_brain.pdf |title=The tell-tale brain: Unlocking the mystery of human nature |last=Brugger |first=Peter |work=Cognitive Neuropsychiatry |doi=10.1080/13546805.2012.685295|quote=I think I will recommend this book to any of my friends who do not shun pop (neuro)science in principle. Although the ''TellTale Brain'' does contain a lot of pop on the surface, the overall content is very much Popper, who once clearly stated that 'bold ideas, unjustified anticipations and speculative thought are our only means for interpreting nature' (Popper, 1959/1980, p. 280). |date=December 7, 2018 |accessdate=July 10, 2019}}\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list).{{cite web|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|publisher=}} It received mostly positive reviews, with some criticism particularly focusing on Ramchandran's theories about mirror neurons.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n===Pre-publication endorsements (book blurbs)===\n[[Oliver Sacks]] wrote “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/133-8201841-3538510?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nAllan Snyder, Director of the Center for the Mind, said that the books is: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/131-9291652-8282259?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\n[[Norman Doidge]] offered the following praise for the book:\n\n{{quote|Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/137-4519162-4049053?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}}}\n\n===Book reviews===\nJames McConnachie (''Sunday Times''):
When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]
\n\n[[Anthony Gottlieb]] (''New York Times'') generally recommended the book but criticized Ramachandran for not mentioning how controversial some of his ideas about mirror neurons are:\n\n
Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is... Even if mirror neurons turn out not to be quite as important as Ramachandran thinks — he has elsewhere predicted that they will do for psychology what DNA did for biology — the book is packed with other evidence that neuroscience has made illuminating progress in recent years. Reading such accounts of exactly what our brains get up to is apt to leave one with the disconcerting thought that they are often a lot cleverer than their owners realize.Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]
\n\n[[Colin McGinn]] (''New York Review of Books'') praised the book despite criticizing it for reductionism/oversimplification, saying:
Ramachandran discusses an enormous range of syndromes and topics in ''The Tell-Tale Brain''. His writing is generally lucid, charming, and informative, with much humor to lighten the load of Latinate brain disquisitions. He is a leader in his field and is certainly an ingenious and tireless researcher. This is the best book of its kind that I have come across for scientific rigor, general interest, and clarity—though some of it will be a hard slog for the uninitiated. {{Cite web |url=https://www.nybooks.com/articles/2011/03/24/can-brain-explain-your-mind/ |title=Can the brain explain your mind? |last=McGinn |first=Colin |work=NY Review of Books |quote= |date=March 24, 2011 |accessdate=July 28, 2019}}
\n\n[[Raymond Tallis]] (''Wall Street Journal'') praised the book but complained that Ramachandran has failed to provide the research needed to back up some of his theories, concluding:\n\n
Until we clear up the ground-floor aspects of human consciousness—in particular, first-person being—claims to advance our understanding of its higher levels, and of the grand edifice of civilization, by peering into intra cranial darkness will not withstand even the most cursory examination. ...''The Tell-Tale Brain'', though it is engagingly written and often fascinating, reminds us how little cause we have to privilege what the neuro scientists tell us about what makes us human over the testimony of novelists, poets, social workers or philosophers.{{cite web|url=https://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|date=8 January 2011|publisher=|via=www.wsj.com}}
\n\n[[Nicholas Shakespeare]] (''The Telegraph''):\n\n
Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist ''The Master and His Emissary'', last year’s magisterial study of the brain’s two opposed hemispheres...{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}
\n\n[[Simon Baron-Cohen]] (''American Scientist'') said he found the book stimulating and enjoyable but devoted most of his review to questioning the validity of Ramachandran's views on mirror neurons and the broken-mirror theory of autism, saying for example:\n
There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the Broken Mirror theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [https://www.americanscientist.org/article/making-sense-of-the-brains-mysteries]
\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 967552844, + "parentid": 967552585, + "user": "Gazelle55", + "userid": 31384714, + "timestamp": "2020-07-13T22:53:47Z", + "sha1": "71904a437f10d624d986d9a61f8d3759bed2f7a4", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Pre-publication endorsements (book blurbs) */ Cleanup", + "*": "{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[Neuroscience]]\n| genre = [[Non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. \n\n==Synopsis==\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\nIn the first chapter, Ramachandran discusses the human ability to change and adapt, illustrating the concept from his work on phantom limbs. The second chapter describes some of his work with visual perception and cognition, addressing the concept of human awareness.\n\nIn chapter three, he connects ideas about synesthesia to creativity. Chapters four and five talk about mirror neurons, while chapter six discusses human language.\n\nRamachandran proposes \"nine laws of aesthetics,\" which he discusses in chapters seven and eight. The final chapter, chapter nine, \"The Ape With A Soul\" concerns introspection and human self-awareness. {{Cite journal |url=https://www.zora.uzh.ch/id/eprint/67368/1/The_tell-tale_brain.pdf |title=The tell-tale brain: Unlocking the mystery of human nature |last=Brugger |first=Peter |work=Cognitive Neuropsychiatry |doi=10.1080/13546805.2012.685295|quote=I think I will recommend this book to any of my friends who do not shun pop (neuro)science in principle. Although the ''TellTale Brain'' does contain a lot of pop on the surface, the overall content is very much Popper, who once clearly stated that 'bold ideas, unjustified anticipations and speculative thought are our only means for interpreting nature' (Popper, 1959/1980, p. 280). |date=December 7, 2018 |accessdate=July 10, 2019}}\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list).{{cite web|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|publisher=}} It received mostly positive reviews, with some criticism particularly focusing on Ramchandran's theories about mirror neurons.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n===Pre-publication endorsements (book blurbs)===\n[[Oliver Sacks]] wrote: “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/133-8201841-3538510?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\n[[Allan Snyder]], Director of the Center for the Mind, said of the book: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/131-9291652-8282259?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\n[[Norman Doidge]] offered the following praise for the book:\n\n{{quote|Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/137-4519162-4049053?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}}}\n\n===Book reviews===\nJames McConnachie (''Sunday Times''):
When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]
\n\n[[Anthony Gottlieb]] (''New York Times'') generally recommended the book but criticized Ramachandran for not mentioning how controversial some of his ideas about mirror neurons are:\n\n
Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is... Even if mirror neurons turn out not to be quite as important as Ramachandran thinks — he has elsewhere predicted that they will do for psychology what DNA did for biology — the book is packed with other evidence that neuroscience has made illuminating progress in recent years. Reading such accounts of exactly what our brains get up to is apt to leave one with the disconcerting thought that they are often a lot cleverer than their owners realize.Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]
\n\n[[Colin McGinn]] (''New York Review of Books'') praised the book despite criticizing it for reductionism/oversimplification, saying:
Ramachandran discusses an enormous range of syndromes and topics in ''The Tell-Tale Brain''. His writing is generally lucid, charming, and informative, with much humor to lighten the load of Latinate brain disquisitions. He is a leader in his field and is certainly an ingenious and tireless researcher. This is the best book of its kind that I have come across for scientific rigor, general interest, and clarity—though some of it will be a hard slog for the uninitiated. {{Cite web |url=https://www.nybooks.com/articles/2011/03/24/can-brain-explain-your-mind/ |title=Can the brain explain your mind? |last=McGinn |first=Colin |work=NY Review of Books |quote= |date=March 24, 2011 |accessdate=July 28, 2019}}
\n\n[[Raymond Tallis]] (''Wall Street Journal'') praised the book but complained that Ramachandran has failed to provide the research needed to back up some of his theories, concluding:\n\n
Until we clear up the ground-floor aspects of human consciousness—in particular, first-person being—claims to advance our understanding of its higher levels, and of the grand edifice of civilization, by peering into intra cranial darkness will not withstand even the most cursory examination. ...''The Tell-Tale Brain'', though it is engagingly written and often fascinating, reminds us how little cause we have to privilege what the neuro scientists tell us about what makes us human over the testimony of novelists, poets, social workers or philosophers.{{cite web|url=https://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|date=8 January 2011|publisher=|via=www.wsj.com}}
\n\n[[Nicholas Shakespeare]] (''The Telegraph''):\n\n
Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist ''The Master and His Emissary'', last year’s magisterial study of the brain’s two opposed hemispheres...{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}
\n\n[[Simon Baron-Cohen]] (''American Scientist'') said he found the book stimulating and enjoyable but devoted most of his review to questioning the validity of Ramachandran's views on mirror neurons and the broken-mirror theory of autism, saying for example:\n
There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the Broken Mirror theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [https://www.americanscientist.org/article/making-sense-of-the-brains-mysteries]
\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 967553019, + "parentid": 967552844, + "user": "Gazelle55", + "userid": 31384714, + "timestamp": "2020-07-13T22:55:35Z", + "sha1": "159c04dc65937c2199fb1ff3c6b0924aee2b4de6", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Pre-publication endorsements (book blurbs) */ Noting the professions of those writing the endorsements", + "*": "{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[Neuroscience]]\n| genre = [[Non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. \n\n==Synopsis==\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\nIn the first chapter, Ramachandran discusses the human ability to change and adapt, illustrating the concept from his work on phantom limbs. The second chapter describes some of his work with visual perception and cognition, addressing the concept of human awareness.\n\nIn chapter three, he connects ideas about synesthesia to creativity. Chapters four and five talk about mirror neurons, while chapter six discusses human language.\n\nRamachandran proposes \"nine laws of aesthetics,\" which he discusses in chapters seven and eight. The final chapter, chapter nine, \"The Ape With A Soul\" concerns introspection and human self-awareness. {{Cite journal |url=https://www.zora.uzh.ch/id/eprint/67368/1/The_tell-tale_brain.pdf |title=The tell-tale brain: Unlocking the mystery of human nature |last=Brugger |first=Peter |work=Cognitive Neuropsychiatry |doi=10.1080/13546805.2012.685295|quote=I think I will recommend this book to any of my friends who do not shun pop (neuro)science in principle. Although the ''TellTale Brain'' does contain a lot of pop on the surface, the overall content is very much Popper, who once clearly stated that 'bold ideas, unjustified anticipations and speculative thought are our only means for interpreting nature' (Popper, 1959/1980, p. 280). |date=December 7, 2018 |accessdate=July 10, 2019}}\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list).{{cite web|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|publisher=}} It received mostly positive reviews, with some criticism particularly focusing on Ramchandran's theories about mirror neurons.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n===Pre-publication endorsements (book blurbs)===\nThe neurologist [[Oliver Sacks]] wrote: “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/133-8201841-3538510?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nThe scientist [[Allan Snyder]] said of the book: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/131-9291652-8282259?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nThe psychiatrist [[Norman Doidge]] offered the following praise for the book:\n\n{{quote|Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/137-4519162-4049053?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}}}\n\n===Book reviews===\nJames McConnachie (''Sunday Times''):
When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]
\n\n[[Anthony Gottlieb]] (''New York Times'') generally recommended the book but criticized Ramachandran for not mentioning how controversial some of his ideas about mirror neurons are:\n\n
Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is... Even if mirror neurons turn out not to be quite as important as Ramachandran thinks — he has elsewhere predicted that they will do for psychology what DNA did for biology — the book is packed with other evidence that neuroscience has made illuminating progress in recent years. Reading such accounts of exactly what our brains get up to is apt to leave one with the disconcerting thought that they are often a lot cleverer than their owners realize.Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]
\n\n[[Colin McGinn]] (''New York Review of Books'') praised the book despite criticizing it for reductionism/oversimplification, saying:
Ramachandran discusses an enormous range of syndromes and topics in ''The Tell-Tale Brain''. His writing is generally lucid, charming, and informative, with much humor to lighten the load of Latinate brain disquisitions. He is a leader in his field and is certainly an ingenious and tireless researcher. This is the best book of its kind that I have come across for scientific rigor, general interest, and clarity—though some of it will be a hard slog for the uninitiated. {{Cite web |url=https://www.nybooks.com/articles/2011/03/24/can-brain-explain-your-mind/ |title=Can the brain explain your mind? |last=McGinn |first=Colin |work=NY Review of Books |quote= |date=March 24, 2011 |accessdate=July 28, 2019}}
\n\n[[Raymond Tallis]] (''Wall Street Journal'') praised the book but complained that Ramachandran has failed to provide the research needed to back up some of his theories, concluding:\n\n
Until we clear up the ground-floor aspects of human consciousness—in particular, first-person being—claims to advance our understanding of its higher levels, and of the grand edifice of civilization, by peering into intra cranial darkness will not withstand even the most cursory examination. ...''The Tell-Tale Brain'', though it is engagingly written and often fascinating, reminds us how little cause we have to privilege what the neuro scientists tell us about what makes us human over the testimony of novelists, poets, social workers or philosophers.{{cite web|url=https://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|date=8 January 2011|publisher=|via=www.wsj.com}}
\n\n[[Nicholas Shakespeare]] (''The Telegraph''):\n\n
Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist ''The Master and His Emissary'', last year’s magisterial study of the brain’s two opposed hemispheres...{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}
\n\n[[Simon Baron-Cohen]] (''American Scientist'') said he found the book stimulating and enjoyable but devoted most of his review to questioning the validity of Ramachandran's views on mirror neurons and the broken-mirror theory of autism, saying for example:\n
There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the Broken Mirror theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [https://www.americanscientist.org/article/making-sense-of-the-brains-mysteries]
\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 967553399, + "parentid": 967553019, + "user": "Gazelle55", + "userid": 31384714, + "timestamp": "2020-07-13T22:58:58Z", + "sha1": "2f6c0239faf31de95c5fca5ed0aa09d16b8e5164", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Book reviews */ Normal phrasing", + "*": "{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[Neuroscience]]\n| genre = [[Non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. \n\n==Synopsis==\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\nIn the first chapter, Ramachandran discusses the human ability to change and adapt, illustrating the concept from his work on phantom limbs. The second chapter describes some of his work with visual perception and cognition, addressing the concept of human awareness.\n\nIn chapter three, he connects ideas about synesthesia to creativity. Chapters four and five talk about mirror neurons, while chapter six discusses human language.\n\nRamachandran proposes \"nine laws of aesthetics,\" which he discusses in chapters seven and eight. The final chapter, chapter nine, \"The Ape With A Soul\" concerns introspection and human self-awareness. {{Cite journal |url=https://www.zora.uzh.ch/id/eprint/67368/1/The_tell-tale_brain.pdf |title=The tell-tale brain: Unlocking the mystery of human nature |last=Brugger |first=Peter |work=Cognitive Neuropsychiatry |doi=10.1080/13546805.2012.685295|quote=I think I will recommend this book to any of my friends who do not shun pop (neuro)science in principle. Although the ''TellTale Brain'' does contain a lot of pop on the surface, the overall content is very much Popper, who once clearly stated that 'bold ideas, unjustified anticipations and speculative thought are our only means for interpreting nature' (Popper, 1959/1980, p. 280). |date=December 7, 2018 |accessdate=July 10, 2019}}\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list).{{cite web|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|publisher=}} It received mostly positive reviews, with some criticism particularly focusing on Ramchandran's theories about mirror neurons.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n===Pre-publication endorsements (book blurbs)===\nThe neurologist [[Oliver Sacks]] wrote: “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/133-8201841-3538510?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nThe scientist [[Allan Snyder]] said of the book: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/131-9291652-8282259?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nThe psychiatrist [[Norman Doidge]] offered the following praise for the book:\n\n{{quote|Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/137-4519162-4049053?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}}}\n\n===Book reviews===\nJames McConnachie wrote in the ''Sunday Times'':
When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]
\n\nWriting in ''[[The New York Times]]'', [[Anthony Gottlieb]] generally recommended the book but criticized Ramachandran for not mentioning how controversial some of his ideas about mirror neurons are:\n\n
Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is... Even if mirror neurons turn out not to be quite as important as Ramachandran thinks — he has elsewhere predicted that they will do for psychology what DNA did for biology — the book is packed with other evidence that neuroscience has made illuminating progress in recent years. Reading such accounts of exactly what our brains get up to is apt to leave one with the disconcerting thought that they are often a lot cleverer than their owners realize.Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]
\n\n[[Colin McGinn]] praised the book in the ''[[New York Review of Books]]'' despite criticizing it for reductionism/oversimplification, saying:
Ramachandran discusses an enormous range of syndromes and topics in ''The Tell-Tale Brain''. His writing is generally lucid, charming, and informative, with much humor to lighten the load of Latinate brain disquisitions. He is a leader in his field and is certainly an ingenious and tireless researcher. This is the best book of its kind that I have come across for scientific rigor, general interest, and clarity—though some of it will be a hard slog for the uninitiated. {{Cite web |url=https://www.nybooks.com/articles/2011/03/24/can-brain-explain-your-mind/ |title=Can the brain explain your mind? |last=McGinn |first=Colin |work=NY Review of Books |quote= |date=March 24, 2011 |accessdate=July 28, 2019}}
\n\n[[Raymond Tallis]] praised the book in ''[[The Wall Street Journal]]'' but complained that Ramachandran has failed to provide the research needed to back up some of his theories, concluding:\n\n
Until we clear up the ground-floor aspects of human consciousness—in particular, first-person being—claims to advance our understanding of its higher levels, and of the grand edifice of civilization, by peering into intra cranial darkness will not withstand even the most cursory examination. ...''The Tell-Tale Brain'', though it is engagingly written and often fascinating, reminds us how little cause we have to privilege what the neuro scientists tell us about what makes us human over the testimony of novelists, poets, social workers or philosophers.{{cite web|url=https://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|date=8 January 2011|publisher=|via=www.wsj.com}}
\n\n[[Nicholas Shakespeare]] wrote in ''[[The Telegraph]]'':\n\n
Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist ''The Master and His Emissary'', last year’s magisterial study of the brain’s two opposed hemispheres...{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}
\n\nWriting in ''[[American Scientist]]'', [[Simon Baron-Cohen]] said he found the book stimulating and enjoyable but devoted most of his review to questioning the validity of Ramachandran's views on mirror neurons and the broken-mirror theory of autism, saying for example:\n
There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the Broken Mirror theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [https://www.americanscientist.org/article/making-sense-of-the-brains-mysteries]
\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 967553905, + "parentid": 967553399, + "user": "Gazelle55", + "userid": 31384714, + "timestamp": "2020-07-13T23:03:37Z", + "sha1": "1fe633dfbe1e922a28fb4d1294c66a760c6a17da", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Book reviews */ Some more cleanup", + "*": "{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[Neuroscience]]\n| genre = [[Non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. \n\n==Synopsis==\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, free-will, and self-awareness.\n\nIn the first chapter, Ramachandran discusses the human ability to change and adapt, illustrating the concept from his work on phantom limbs. The second chapter describes some of his work with visual perception and cognition, addressing the concept of human awareness.\n\nIn chapter three, he connects ideas about synesthesia to creativity. Chapters four and five talk about mirror neurons, while chapter six discusses human language.\n\nRamachandran proposes \"nine laws of aesthetics,\" which he discusses in chapters seven and eight. The final chapter, chapter nine, \"The Ape With A Soul\" concerns introspection and human self-awareness. {{Cite journal |url=https://www.zora.uzh.ch/id/eprint/67368/1/The_tell-tale_brain.pdf |title=The tell-tale brain: Unlocking the mystery of human nature |last=Brugger |first=Peter |work=Cognitive Neuropsychiatry |doi=10.1080/13546805.2012.685295|quote=I think I will recommend this book to any of my friends who do not shun pop (neuro)science in principle. Although the ''TellTale Brain'' does contain a lot of pop on the surface, the overall content is very much Popper, who once clearly stated that 'bold ideas, unjustified anticipations and speculative thought are our only means for interpreting nature' (Popper, 1959/1980, p. 280). |date=December 7, 2018 |accessdate=July 10, 2019}}\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list).{{cite web|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|publisher=}} It received mostly positive reviews, with some criticism particularly focusing on Ramchandran's theories about mirror neurons.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n===Pre-publication endorsements (book blurbs)===\nThe neurologist [[Oliver Sacks]] wrote: “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/133-8201841-3538510?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nThe scientist [[Allan Snyder]] said of the book: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/131-9291652-8282259?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nThe psychiatrist [[Norman Doidge]] offered the following praise for the book:\n\n{{quote|Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/137-4519162-4049053?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}}}\n\n===Book reviews===\nJames McConnachie wrote in the ''Sunday Times'':
When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]
\n\nWriting in ''[[The New York Times]]'', [[Anthony Gottlieb]] generally recommended the book but criticized Ramachandran for not mentioning how controversial some of his ideas about mirror neurons are:\n\n
Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is... Even if mirror neurons turn out not to be quite as important as Ramachandran thinks — he has elsewhere predicted that they will do for psychology what DNA did for biology — the book is packed with other evidence that neuroscience has made illuminating progress in recent years. Reading such accounts of exactly what our brains get up to is apt to leave one with the disconcerting thought that they are often a lot cleverer than their owners realize.Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]
\n\nThe philosopher [[Colin McGinn]] praised the book in the ''[[New York Review of Books]]'' despite criticizing it for reductionism/oversimplification, saying:
Ramachandran discusses an enormous range of syndromes and topics in ''The Tell-Tale Brain''. His writing is generally lucid, charming, and informative, with much humor to lighten the load of Latinate brain disquisitions. He is a leader in his field and is certainly an ingenious and tireless researcher. This is the best book of its kind that I have come across for scientific rigor, general interest, and clarity—though some of it will be a hard slog for the uninitiated. {{Cite web |url=https://www.nybooks.com/articles/2011/03/24/can-brain-explain-your-mind/ |title=Can the brain explain your mind? |last=McGinn |first=Colin |work=NY Review of Books |quote= |date=March 24, 2011 |accessdate=July 28, 2019}}
\n\nThe philosopher [[Raymond Tallis]] praised the book in ''[[The Wall Street Journal]]'' but complained that Ramachandran has failed to provide the research needed to back up some of his theories, concluding:\n\n
Until we clear up the ground-floor aspects of human consciousness—in particular, first-person being—claims to advance our understanding of its higher levels, and of the grand edifice of civilization, by peering into intra cranial darkness will not withstand even the most cursory examination. ...''The Tell-Tale Brain'', though it is engagingly written and often fascinating, reminds us how little cause we have to privilege what the neuro scientists tell us about what makes us human over the testimony of novelists, poets, social workers or philosophers.{{cite web|url=https://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|date=8 January 2011|publisher=|via=www.wsj.com}}
\n\n[[Nicholas Shakespeare]] wrote in ''[[The Daily Telegraph]]'':\n\n
Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist ''The Master and His Emissary'', last year’s magisterial study of the brain’s two opposed hemispheres...{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}
\n\nWriting in ''[[American Scientist]]'', [[Simon Baron-Cohen]] said he found the book stimulating and enjoyable but devoted most of his review to questioning the validity of Ramachandran's views on mirror neurons and the broken-mirror theory of autism, saying for example:\n
There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the Broken Mirror theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [https://www.americanscientist.org/article/making-sense-of-the-brains-mysteries]
\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 967554085, + "parentid": 967553905, + "minor": "", + "user": "Gazelle55", + "userid": 31384714, + "timestamp": "2020-07-13T23:05:23Z", + "sha1": "017590d79b3604240684ea036c693c54c92de56c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Synopsis */ Some links", + "*": "{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[Neuroscience]]\n| genre = [[Non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. \n\n==Synopsis==\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, [[free will]], and self-awareness.\n\nIn the first chapter, Ramachandran discusses the human ability to change and adapt, illustrating the concept from his work on [[phantom limb]]s. The second chapter describes some of his work with visual perception and cognition, addressing the concept of human awareness.\n\nIn chapter three, he connects ideas about synesthesia to creativity. Chapters four and five talk about [[mirror neuron]]s, while chapter six discusses human language.\n\nRamachandran proposes \"nine laws of [[aesthetics]],\" which he discusses in chapters seven and eight. The final chapter, chapter nine, \"The Ape With A Soul\" concerns introspection and human self-awareness. {{Cite journal |url=https://www.zora.uzh.ch/id/eprint/67368/1/The_tell-tale_brain.pdf |title=The tell-tale brain: Unlocking the mystery of human nature |last=Brugger |first=Peter |work=Cognitive Neuropsychiatry |doi=10.1080/13546805.2012.685295|quote=I think I will recommend this book to any of my friends who do not shun pop (neuro)science in principle. Although the ''TellTale Brain'' does contain a lot of pop on the surface, the overall content is very much Popper, who once clearly stated that 'bold ideas, unjustified anticipations and speculative thought are our only means for interpreting nature' (Popper, 1959/1980, p. 280). |date=December 7, 2018 |accessdate=July 10, 2019}}\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list).{{cite web|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|publisher=}} It received mostly positive reviews, with some criticism particularly focusing on Ramchandran's theories about mirror neurons.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n===Pre-publication endorsements (book blurbs)===\nThe neurologist [[Oliver Sacks]] wrote: “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/133-8201841-3538510?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nThe scientist [[Allan Snyder]] said of the book: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/131-9291652-8282259?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nThe psychiatrist [[Norman Doidge]] offered the following praise for the book:\n\n{{quote|Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/137-4519162-4049053?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}}}\n\n===Book reviews===\nJames McConnachie wrote in the ''Sunday Times'':
When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]
\n\nWriting in ''[[The New York Times]]'', [[Anthony Gottlieb]] generally recommended the book but criticized Ramachandran for not mentioning how controversial some of his ideas about mirror neurons are:\n\n
Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is... Even if mirror neurons turn out not to be quite as important as Ramachandran thinks — he has elsewhere predicted that they will do for psychology what DNA did for biology — the book is packed with other evidence that neuroscience has made illuminating progress in recent years. Reading such accounts of exactly what our brains get up to is apt to leave one with the disconcerting thought that they are often a lot cleverer than their owners realize.Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]
\n\nThe philosopher [[Colin McGinn]] praised the book in the ''[[New York Review of Books]]'' despite criticizing it for reductionism/oversimplification, saying:
Ramachandran discusses an enormous range of syndromes and topics in ''The Tell-Tale Brain''. His writing is generally lucid, charming, and informative, with much humor to lighten the load of Latinate brain disquisitions. He is a leader in his field and is certainly an ingenious and tireless researcher. This is the best book of its kind that I have come across for scientific rigor, general interest, and clarity—though some of it will be a hard slog for the uninitiated. {{Cite web |url=https://www.nybooks.com/articles/2011/03/24/can-brain-explain-your-mind/ |title=Can the brain explain your mind? |last=McGinn |first=Colin |work=NY Review of Books |quote= |date=March 24, 2011 |accessdate=July 28, 2019}}
\n\nThe philosopher [[Raymond Tallis]] praised the book in ''[[The Wall Street Journal]]'' but complained that Ramachandran has failed to provide the research needed to back up some of his theories, concluding:\n\n
Until we clear up the ground-floor aspects of human consciousness—in particular, first-person being—claims to advance our understanding of its higher levels, and of the grand edifice of civilization, by peering into intra cranial darkness will not withstand even the most cursory examination. ...''The Tell-Tale Brain'', though it is engagingly written and often fascinating, reminds us how little cause we have to privilege what the neuro scientists tell us about what makes us human over the testimony of novelists, poets, social workers or philosophers.{{cite web|url=https://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|date=8 January 2011|publisher=|via=www.wsj.com}}
\n\n[[Nicholas Shakespeare]] wrote in ''[[The Daily Telegraph]]'':\n\n
Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist ''The Master and His Emissary'', last year’s magisterial study of the brain’s two opposed hemispheres...{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}
\n\nWriting in ''[[American Scientist]]'', [[Simon Baron-Cohen]] said he found the book stimulating and enjoyable but devoted most of his review to questioning the validity of Ramachandran's views on mirror neurons and the broken-mirror theory of autism, saying for example:\n
There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the Broken Mirror theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [https://www.americanscientist.org/article/making-sense-of-the-brains-mysteries]
\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 1019929778, + "parentid": 967554085, + "user": "GreenC bot", + "userid": 27823944, + "timestamp": "2021-04-26T06:11:44Z", + "sha1": "0df6c38469ba32ca96b19173d7673a2633ec38b3", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Rescued 1 archive link. [[User:GreenC/WaybackMedic_2.5|Wayback Medic 2.5]]", + "*": "{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[Neuroscience]]\n| genre = [[Non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. \n\n==Synopsis==\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, [[free will]], and self-awareness.\n\nIn the first chapter, Ramachandran discusses the human ability to change and adapt, illustrating the concept from his work on [[phantom limb]]s. The second chapter describes some of his work with visual perception and cognition, addressing the concept of human awareness.\n\nIn chapter three, he connects ideas about synesthesia to creativity. Chapters four and five talk about [[mirror neuron]]s, while chapter six discusses human language.\n\nRamachandran proposes \"nine laws of [[aesthetics]],\" which he discusses in chapters seven and eight. The final chapter, chapter nine, \"The Ape With A Soul\" concerns introspection and human self-awareness. {{Cite journal |url=https://www.zora.uzh.ch/id/eprint/67368/1/The_tell-tale_brain.pdf |title=The tell-tale brain: Unlocking the mystery of human nature |last=Brugger |first=Peter |work=Cognitive Neuropsychiatry |doi=10.1080/13546805.2012.685295|quote=I think I will recommend this book to any of my friends who do not shun pop (neuro)science in principle. Although the ''TellTale Brain'' does contain a lot of pop on the surface, the overall content is very much Popper, who once clearly stated that 'bold ideas, unjustified anticipations and speculative thought are our only means for interpreting nature' (Popper, 1959/1980, p. 280). |date=December 7, 2018 |accessdate=July 10, 2019}}\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list).{{cite web|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|publisher=}} It received mostly positive reviews, with some criticism particularly focusing on Ramchandran's theories about mirror neurons.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[https://web.archive.org/web/20121017122227/http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n===Pre-publication endorsements (book blurbs)===\nThe neurologist [[Oliver Sacks]] wrote: “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/133-8201841-3538510?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nThe scientist [[Allan Snyder]] said of the book: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/131-9291652-8282259?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nThe psychiatrist [[Norman Doidge]] offered the following praise for the book:\n\n{{quote|Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/137-4519162-4049053?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}}}\n\n===Book reviews===\nJames McConnachie wrote in the ''Sunday Times'':
When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]
\n\nWriting in ''[[The New York Times]]'', [[Anthony Gottlieb]] generally recommended the book but criticized Ramachandran for not mentioning how controversial some of his ideas about mirror neurons are:\n\n
Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is... Even if mirror neurons turn out not to be quite as important as Ramachandran thinks — he has elsewhere predicted that they will do for psychology what DNA did for biology — the book is packed with other evidence that neuroscience has made illuminating progress in recent years. Reading such accounts of exactly what our brains get up to is apt to leave one with the disconcerting thought that they are often a lot cleverer than their owners realize.Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]
\n\nThe philosopher [[Colin McGinn]] praised the book in the ''[[New York Review of Books]]'' despite criticizing it for reductionism/oversimplification, saying:
Ramachandran discusses an enormous range of syndromes and topics in ''The Tell-Tale Brain''. His writing is generally lucid, charming, and informative, with much humor to lighten the load of Latinate brain disquisitions. He is a leader in his field and is certainly an ingenious and tireless researcher. This is the best book of its kind that I have come across for scientific rigor, general interest, and clarity—though some of it will be a hard slog for the uninitiated. {{Cite web |url=https://www.nybooks.com/articles/2011/03/24/can-brain-explain-your-mind/ |title=Can the brain explain your mind? |last=McGinn |first=Colin |work=NY Review of Books |quote= |date=March 24, 2011 |accessdate=July 28, 2019}}
\n\nThe philosopher [[Raymond Tallis]] praised the book in ''[[The Wall Street Journal]]'' but complained that Ramachandran has failed to provide the research needed to back up some of his theories, concluding:\n\n
Until we clear up the ground-floor aspects of human consciousness—in particular, first-person being—claims to advance our understanding of its higher levels, and of the grand edifice of civilization, by peering into intra cranial darkness will not withstand even the most cursory examination. ...''The Tell-Tale Brain'', though it is engagingly written and often fascinating, reminds us how little cause we have to privilege what the neuro scientists tell us about what makes us human over the testimony of novelists, poets, social workers or philosophers.{{cite web|url=https://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|date=8 January 2011|publisher=|via=www.wsj.com}}
\n\n[[Nicholas Shakespeare]] wrote in ''[[The Daily Telegraph]]'':\n\n
Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist ''The Master and His Emissary'', last year’s magisterial study of the brain’s two opposed hemispheres...{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}
\n\nWriting in ''[[American Scientist]]'', [[Simon Baron-Cohen]] said he found the book stimulating and enjoyable but devoted most of his review to questioning the validity of Ramachandran's views on mirror neurons and the broken-mirror theory of autism, saying for example:\n
There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the Broken Mirror theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [https://www.americanscientist.org/article/making-sense-of-the-brains-mysteries]
\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 1072077071, + "parentid": 1019929778, + "user": "GreenC bot", + "userid": 27823944, + "timestamp": "2022-02-15T21:09:56Z", + "sha1": "6d1a022d19dbe63d825f1d54ed406c8e20354435", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Rescued 1 archive link. [[User:GreenC/WaybackMedic_2.5|Wayback Medic 2.5]]", + "*": "{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[Neuroscience]]\n| genre = [[Non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. \n\n==Synopsis==\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, [[free will]], and self-awareness.\n\nIn the first chapter, Ramachandran discusses the human ability to change and adapt, illustrating the concept from his work on [[phantom limb]]s. The second chapter describes some of his work with visual perception and cognition, addressing the concept of human awareness.\n\nIn chapter three, he connects ideas about synesthesia to creativity. Chapters four and five talk about [[mirror neuron]]s, while chapter six discusses human language.\n\nRamachandran proposes \"nine laws of [[aesthetics]],\" which he discusses in chapters seven and eight. The final chapter, chapter nine, \"The Ape With A Soul\" concerns introspection and human self-awareness. {{Cite journal |url=https://www.zora.uzh.ch/id/eprint/67368/1/The_tell-tale_brain.pdf |title=The tell-tale brain: Unlocking the mystery of human nature |last=Brugger |first=Peter |work=Cognitive Neuropsychiatry |doi=10.1080/13546805.2012.685295|quote=I think I will recommend this book to any of my friends who do not shun pop (neuro)science in principle. Although the ''TellTale Brain'' does contain a lot of pop on the surface, the overall content is very much Popper, who once clearly stated that 'bold ideas, unjustified anticipations and speculative thought are our only means for interpreting nature' (Popper, 1959/1980, p. 280). |date=December 7, 2018 |accessdate=July 10, 2019}}\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list).{{cite web|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|publisher=}} It received mostly positive reviews, with some criticism particularly focusing on Ramchandran's theories about mirror neurons.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[https://web.archive.org/web/20121017122227/http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n===Pre-publication endorsements (book blurbs)===\nThe neurologist [[Oliver Sacks]] wrote: “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/133-8201841-3538510?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nThe scientist [[Allan Snyder]] said of the book: “A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/131-9291652-8282259?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nThe psychiatrist [[Norman Doidge]] offered the following praise for the book:\n\n{{quote|Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/137-4519162-4049053?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}}}\n\n===Book reviews===\nJames McConnachie wrote in the ''Sunday Times'':
When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [https://web.archive.org/web/20160303233556/http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]
\n\nWriting in ''[[The New York Times]]'', [[Anthony Gottlieb]] generally recommended the book but criticized Ramachandran for not mentioning how controversial some of his ideas about mirror neurons are:\n\n
Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is... Even if mirror neurons turn out not to be quite as important as Ramachandran thinks — he has elsewhere predicted that they will do for psychology what DNA did for biology — the book is packed with other evidence that neuroscience has made illuminating progress in recent years. Reading such accounts of exactly what our brains get up to is apt to leave one with the disconcerting thought that they are often a lot cleverer than their owners realize.Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]
\n\nThe philosopher [[Colin McGinn]] praised the book in the ''[[New York Review of Books]]'' despite criticizing it for reductionism/oversimplification, saying:
Ramachandran discusses an enormous range of syndromes and topics in ''The Tell-Tale Brain''. His writing is generally lucid, charming, and informative, with much humor to lighten the load of Latinate brain disquisitions. He is a leader in his field and is certainly an ingenious and tireless researcher. This is the best book of its kind that I have come across for scientific rigor, general interest, and clarity—though some of it will be a hard slog for the uninitiated. {{Cite web |url=https://www.nybooks.com/articles/2011/03/24/can-brain-explain-your-mind/ |title=Can the brain explain your mind? |last=McGinn |first=Colin |work=NY Review of Books |quote= |date=March 24, 2011 |accessdate=July 28, 2019}}
\n\nThe philosopher [[Raymond Tallis]] praised the book in ''[[The Wall Street Journal]]'' but complained that Ramachandran has failed to provide the research needed to back up some of his theories, concluding:\n\n
Until we clear up the ground-floor aspects of human consciousness—in particular, first-person being—claims to advance our understanding of its higher levels, and of the grand edifice of civilization, by peering into intra cranial darkness will not withstand even the most cursory examination. ...''The Tell-Tale Brain'', though it is engagingly written and often fascinating, reminds us how little cause we have to privilege what the neuro scientists tell us about what makes us human over the testimony of novelists, poets, social workers or philosophers.{{cite web|url=https://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|date=8 January 2011|publisher=|via=www.wsj.com}}
\n\n[[Nicholas Shakespeare]] wrote in ''[[The Daily Telegraph]]'':\n\n
Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist ''The Master and His Emissary'', last year’s magisterial study of the brain’s two opposed hemispheres...{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}
\n\nWriting in ''[[American Scientist]]'', [[Simon Baron-Cohen]] said he found the book stimulating and enjoyable but devoted most of his review to questioning the validity of Ramachandran's views on mirror neurons and the broken-mirror theory of autism, saying for example:\n
There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the Broken Mirror theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [https://www.americanscientist.org/article/making-sense-of-the-brains-mysteries]
\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 1104913821, + "parentid": 1072077071, + "user": "Ibadibam", + "userid": 1138432, + "timestamp": "2022-08-17T14:18:19Z", + "sha1": "3bf6bd9dea076694d2b3087fb8d5ef743a0b3951", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Reception */fixed typo; straight quotes", + "*": "{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[Neuroscience]]\n| genre = [[Non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores, from a neurological viewpoint, the uniqueness of human nature. \n\n==Synopsis==\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, [[free will]], and self-awareness.\n\nIn the first chapter, Ramachandran discusses the human ability to change and adapt, illustrating the concept from his work on [[phantom limb]]s. The second chapter describes some of his work with visual perception and cognition, addressing the concept of human awareness.\n\nIn chapter three, he connects ideas about synesthesia to creativity. Chapters four and five talk about [[mirror neuron]]s, while chapter six discusses human language.\n\nRamachandran proposes \"nine laws of [[aesthetics]],\" which he discusses in chapters seven and eight. The final chapter, chapter nine, \"The Ape With A Soul\" concerns introspection and human self-awareness. {{Cite journal |url=https://www.zora.uzh.ch/id/eprint/67368/1/The_tell-tale_brain.pdf |title=The tell-tale brain: Unlocking the mystery of human nature |last=Brugger |first=Peter |work=Cognitive Neuropsychiatry |doi=10.1080/13546805.2012.685295|quote=I think I will recommend this book to any of my friends who do not shun pop (neuro)science in principle. Although the ''TellTale Brain'' does contain a lot of pop on the surface, the overall content is very much Popper, who once clearly stated that 'bold ideas, unjustified anticipations and speculative thought are our only means for interpreting nature' (Popper, 1959/1980, p. 280). |date=December 7, 2018 |accessdate=July 10, 2019}}\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list).{{cite web|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|publisher=}} It received mostly positive reviews, with some criticism particularly focusing on Ramachandran's theories about mirror neurons.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[https://web.archive.org/web/20121017122227/http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n===Pre-publication endorsements (book blurbs)===\nThe neurologist [[Oliver Sacks]] wrote: “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/133-8201841-3538510?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nThe scientist [[Allan Snyder]] said of the book: \"A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.\"{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/131-9291652-8282259?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nThe psychiatrist [[Norman Doidge]] offered the following praise for the book:\n\n{{quote|Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/137-4519162-4049053?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}}}\n\n===Book reviews===\nJames McConnachie wrote in the ''Sunday Times'':
When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [https://web.archive.org/web/20160303233556/http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]
\n\nWriting in ''[[The New York Times]]'', [[Anthony Gottlieb]] generally recommended the book but criticized Ramachandran for not mentioning how controversial some of his ideas about mirror neurons are:\n\n
Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is... Even if mirror neurons turn out not to be quite as important as Ramachandran thinks — he has elsewhere predicted that they will do for psychology what DNA did for biology — the book is packed with other evidence that neuroscience has made illuminating progress in recent years. Reading such accounts of exactly what our brains get up to is apt to leave one with the disconcerting thought that they are often a lot cleverer than their owners realize.Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]
\n\nThe philosopher [[Colin McGinn]] praised the book in the ''[[New York Review of Books]]'' despite criticizing it for reductionism/oversimplification, saying:
Ramachandran discusses an enormous range of syndromes and topics in ''The Tell-Tale Brain''. His writing is generally lucid, charming, and informative, with much humor to lighten the load of Latinate brain disquisitions. He is a leader in his field and is certainly an ingenious and tireless researcher. This is the best book of its kind that I have come across for scientific rigor, general interest, and clarity—though some of it will be a hard slog for the uninitiated. {{Cite web |url=https://www.nybooks.com/articles/2011/03/24/can-brain-explain-your-mind/ |title=Can the brain explain your mind? |last=McGinn |first=Colin |work=NY Review of Books |quote= |date=March 24, 2011 |accessdate=July 28, 2019}}
\n\nThe philosopher [[Raymond Tallis]] praised the book in ''[[The Wall Street Journal]]'' but complained that Ramachandran has failed to provide the research needed to back up some of his theories, concluding:\n\n
Until we clear up the ground-floor aspects of human consciousness—in particular, first-person being—claims to advance our understanding of its higher levels, and of the grand edifice of civilization, by peering into intra cranial darkness will not withstand even the most cursory examination. ...''The Tell-Tale Brain'', though it is engagingly written and often fascinating, reminds us how little cause we have to privilege what the neuro scientists tell us about what makes us human over the testimony of novelists, poets, social workers or philosophers.{{cite web|url=https://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|date=8 January 2011|publisher=|via=www.wsj.com}}
\n\n[[Nicholas Shakespeare]] wrote in ''[[The Daily Telegraph]]'':\n\n
Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist ''The Master and His Emissary'', last year’s magisterial study of the brain’s two opposed hemispheres...{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}
\n\nWriting in ''[[American Scientist]]'', [[Simon Baron-Cohen]] said he found the book stimulating and enjoyable but devoted most of his review to questioning the validity of Ramachandran's views on mirror neurons and the broken-mirror theory of autism, saying for example:\n
There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the Broken Mirror theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [https://www.americanscientist.org/article/making-sense-of-the-brains-mysteries]
\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 1144804184, + "parentid": 1104913821, + "user": "CrafterNova", + "userid": 39680754, + "timestamp": "2023-03-15T17:26:07Z", + "sha1": "cc06374584c740ee8f81a2d39d96682403c97f1f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "copyedit", + "*": "{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[Neuroscience]]\n| genre = [[Non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores the uniqueness of human nature from a neurological viewpoint.\n\n==Synopsis==\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, [[free will]], and self-awareness.\n\nIn the first chapter, Ramachandran discusses the human ability to change and adapt, illustrating the concept from his work on [[phantom limb]]s. The second chapter describes some of his work with visual perception and cognition, addressing the concept of human awareness.\n\nIn chapter three, he connects ideas about synesthesia to creativity. Chapters four and five talk about [[mirror neuron]]s, while chapter six discusses human language.\n\nRamachandran proposes \"nine laws of [[aesthetics]],\" which he discusses in chapters seven and eight. The final chapter, chapter nine, \"The Ape With A Soul\" concerns introspection and human self-awareness. {{Cite journal |url=https://www.zora.uzh.ch/id/eprint/67368/1/The_tell-tale_brain.pdf |title=The tell-tale brain: Unlocking the mystery of human nature |last=Brugger |first=Peter |work=Cognitive Neuropsychiatry |doi=10.1080/13546805.2012.685295|quote=I think I will recommend this book to any of my friends who do not shun pop (neuro)science in principle. Although the ''TellTale Brain'' does contain a lot of pop on the surface, the overall content is very much Popper, who once clearly stated that 'bold ideas, unjustified anticipations and speculative thought are our only means for interpreting nature' (Popper, 1959/1980, p. 280). |date=December 7, 2018 |accessdate=July 10, 2019}}\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list).{{cite web|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|publisher=}} It received mostly positive reviews, with some criticism particularly focusing on Ramachandran's theories about mirror neurons.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[https://web.archive.org/web/20121017122227/http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n===Pre-publication endorsements (book blurbs)===\nThe neurologist [[Oliver Sacks]] wrote: “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/133-8201841-3538510?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nThe scientist [[Allan Snyder]] said of the book: \"A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.\"{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/131-9291652-8282259?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}\n\nThe psychiatrist [[Norman Doidge]] offered the following praise for the book:\n\n{{quote|Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.{{cite web|url=https://www.amazon.com/Tell-Tale-Brain-Neuroscientists-Quest-Makes/dp/0393077829/137-4519162-4049053?_encoding=UTF8&n=283155&ref_=dp_proddesc_0&s=books|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|via=Amazon}}}}\n\n===Book reviews===\nJames McConnachie wrote in the ''Sunday Times'':
When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [https://web.archive.org/web/20160303233556/http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]
\n\nWriting in ''[[The New York Times]]'', [[Anthony Gottlieb]] generally recommended the book but criticized Ramachandran for not mentioning how controversial some of his ideas about mirror neurons are:\n\n
Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is... Even if mirror neurons turn out not to be quite as important as Ramachandran thinks — he has elsewhere predicted that they will do for psychology what DNA did for biology — the book is packed with other evidence that neuroscience has made illuminating progress in recent years. Reading such accounts of exactly what our brains get up to is apt to leave one with the disconcerting thought that they are often a lot cleverer than their owners realize.Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]
\n\nThe philosopher [[Colin McGinn]] praised the book in the ''[[New York Review of Books]]'' despite criticizing it for reductionism/oversimplification, saying:
Ramachandran discusses an enormous range of syndromes and topics in ''The Tell-Tale Brain''. His writing is generally lucid, charming, and informative, with much humor to lighten the load of Latinate brain disquisitions. He is a leader in his field and is certainly an ingenious and tireless researcher. This is the best book of its kind that I have come across for scientific rigor, general interest, and clarity—though some of it will be a hard slog for the uninitiated. {{Cite web |url=https://www.nybooks.com/articles/2011/03/24/can-brain-explain-your-mind/ |title=Can the brain explain your mind? |last=McGinn |first=Colin |work=NY Review of Books |quote= |date=March 24, 2011 |accessdate=July 28, 2019}}
\n\nThe philosopher [[Raymond Tallis]] praised the book in ''[[The Wall Street Journal]]'' but complained that Ramachandran has failed to provide the research needed to back up some of his theories, concluding:\n\n
Until we clear up the ground-floor aspects of human consciousness—in particular, first-person being—claims to advance our understanding of its higher levels, and of the grand edifice of civilization, by peering into intra cranial darkness will not withstand even the most cursory examination. ...''The Tell-Tale Brain'', though it is engagingly written and often fascinating, reminds us how little cause we have to privilege what the neuro scientists tell us about what makes us human over the testimony of novelists, poets, social workers or philosophers.{{cite web|url=https://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|date=8 January 2011|publisher=|via=www.wsj.com}}
\n\n[[Nicholas Shakespeare]] wrote in ''[[The Daily Telegraph]]'':\n\n
Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist ''The Master and His Emissary'', last year’s magisterial study of the brain’s two opposed hemispheres...{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}
\n\nWriting in ''[[American Scientist]]'', [[Simon Baron-Cohen]] said he found the book stimulating and enjoyable but devoted most of his review to questioning the validity of Ramachandran's views on mirror neurons and the broken-mirror theory of autism, saying for example:\n
There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the Broken Mirror theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [https://www.americanscientist.org/article/making-sense-of-the-brains-mysteries]
\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 1173115659, + "parentid": 1144804184, + "user": "Citation bot", + "userid": 7903804, + "timestamp": "2023-08-31T10:41:16Z", + "sha1": "ee0dbb10f9e7284af67bc628bee5e948b5ecafcd", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Alter: template type. Add: newspaper, isbn, work, s2cid, pages, issue, volume, journal. Removed proxy/dead URL that duplicated identifier. Removed parameters. Some additions/deletions were parameter name changes. | [[:en:WP:UCB|Use this bot]]. [[:en:WP:DBUG|Report bugs]]. | Suggested by Abductive | [[Category:Neuroscience books]] | #UCB_Category 32/38", + "*": "{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[Neuroscience]]\n| genre = [[Non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores the uniqueness of human nature from a neurological viewpoint.\n\n==Synopsis==\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, [[free will]], and self-awareness.\n\nIn the first chapter, Ramachandran discusses the human ability to change and adapt, illustrating the concept from his work on [[phantom limb]]s. The second chapter describes some of his work with visual perception and cognition, addressing the concept of human awareness.\n\nIn chapter three, he connects ideas about synesthesia to creativity. Chapters four and five talk about [[mirror neuron]]s, while chapter six discusses human language.\n\nRamachandran proposes \"nine laws of [[aesthetics]],\" which he discusses in chapters seven and eight. The final chapter, chapter nine, \"The Ape With A Soul\" concerns introspection and human self-awareness. {{Cite journal |url=https://www.zora.uzh.ch/id/eprint/67368/1/The_tell-tale_brain.pdf |title=The tell-tale brain: Unlocking the mystery of human nature |last=Brugger |first=Peter |journal=Cognitive Neuropsychiatry |doi=10.1080/13546805.2012.685295|quote=I think I will recommend this book to any of my friends who do not shun pop (neuro)science in principle. Although the ''TellTale Brain'' does contain a lot of pop on the surface, the overall content is very much Popper, who once clearly stated that 'bold ideas, unjustified anticipations and speculative thought are our only means for interpreting nature' (Popper, 1959/1980, p. 280). |date=December 7, 2018 |volume=17 |issue=4 |pages=351–358 |s2cid=144065665 |accessdate=July 10, 2019}}\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list).{{cite news|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|work=The New York Times |publisher=}} It received mostly positive reviews, with some criticism particularly focusing on Ramachandran's theories about mirror neurons.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[https://web.archive.org/web/20121017122227/http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n===Pre-publication endorsements (book blurbs)===\nThe neurologist [[Oliver Sacks]] wrote: “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”{{cite book|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|isbn=978-0393077827 }}\n\nThe scientist [[Allan Snyder]] said of the book: \"A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.\"{{cite book|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|isbn=978-0393077827 }}\n\nThe psychiatrist [[Norman Doidge]] offered the following praise for the book:\n\n{{quote|Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.{{cite book|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|isbn=978-0393077827 }}}}\n\n===Book reviews===\nJames McConnachie wrote in the ''Sunday Times'':
When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [https://web.archive.org/web/20160303233556/http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]
\n\nWriting in ''[[The New York Times]]'', [[Anthony Gottlieb]] generally recommended the book but criticized Ramachandran for not mentioning how controversial some of his ideas about mirror neurons are:\n\n
Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is... Even if mirror neurons turn out not to be quite as important as Ramachandran thinks — he has elsewhere predicted that they will do for psychology what DNA did for biology — the book is packed with other evidence that neuroscience has made illuminating progress in recent years. Reading such accounts of exactly what our brains get up to is apt to leave one with the disconcerting thought that they are often a lot cleverer than their owners realize.Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]
\n\nThe philosopher [[Colin McGinn]] praised the book in the ''[[New York Review of Books]]'' despite criticizing it for reductionism/oversimplification, saying:
Ramachandran discusses an enormous range of syndromes and topics in ''The Tell-Tale Brain''. His writing is generally lucid, charming, and informative, with much humor to lighten the load of Latinate brain disquisitions. He is a leader in his field and is certainly an ingenious and tireless researcher. This is the best book of its kind that I have come across for scientific rigor, general interest, and clarity—though some of it will be a hard slog for the uninitiated. {{Cite magazine |url=https://www.nybooks.com/articles/2011/03/24/can-brain-explain-your-mind/ |title=Can the brain explain your mind? |last=McGinn |first=Colin |work=NY Review of Books |quote= |date=March 24, 2011 |accessdate=July 28, 2019}}
\n\nThe philosopher [[Raymond Tallis]] praised the book in ''[[The Wall Street Journal]]'' but complained that Ramachandran has failed to provide the research needed to back up some of his theories, concluding:\n\n
Until we clear up the ground-floor aspects of human consciousness—in particular, first-person being—claims to advance our understanding of its higher levels, and of the grand edifice of civilization, by peering into intra cranial darkness will not withstand even the most cursory examination. ...''The Tell-Tale Brain'', though it is engagingly written and often fascinating, reminds us how little cause we have to privilege what the neuro scientists tell us about what makes us human over the testimony of novelists, poets, social workers or philosophers.{{cite news|url=https://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|newspaper=Wall Street Journal |date=8 January 2011|publisher=|via=www.wsj.com}}
\n\n[[Nicholas Shakespeare]] wrote in ''[[The Daily Telegraph]]'':\n\n
Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist ''The Master and His Emissary'', last year’s magisterial study of the brain’s two opposed hemispheres...{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}
\n\nWriting in ''[[American Scientist]]'', [[Simon Baron-Cohen]] said he found the book stimulating and enjoyable but devoted most of his review to questioning the validity of Ramachandran's views on mirror neurons and the broken-mirror theory of autism, saying for example:\n
There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the Broken Mirror theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [https://www.americanscientist.org/article/making-sense-of-the-brains-mysteries]
\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 1221992479, + "parentid": 1173115659, + "user": "SimLibrarian", + "userid": 39191556, + "timestamp": "2024-05-03T06:32:35Z", + "sha1": "8830a3b50cafb0924e2af7f5539b25b82daa13e5", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Adding local [[Wikipedia:Short description|short description]]: \"2010 book by Vilayanur Ramachandran\", overriding Wikidata description \"book by Vilayanur Ramachandran\"", + "*": "{{Short description|2010 book by Vilayanur Ramachandran}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[Neuroscience]]\n| genre = [[Non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores the uniqueness of human nature from a neurological viewpoint.\n\n==Synopsis==\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, [[free will]], and self-awareness.\n\nIn the first chapter, Ramachandran discusses the human ability to change and adapt, illustrating the concept from his work on [[phantom limb]]s. The second chapter describes some of his work with visual perception and cognition, addressing the concept of human awareness.\n\nIn chapter three, he connects ideas about synesthesia to creativity. Chapters four and five talk about [[mirror neuron]]s, while chapter six discusses human language.\n\nRamachandran proposes \"nine laws of [[aesthetics]],\" which he discusses in chapters seven and eight. The final chapter, chapter nine, \"The Ape With A Soul\" concerns introspection and human self-awareness. {{Cite journal |url=https://www.zora.uzh.ch/id/eprint/67368/1/The_tell-tale_brain.pdf |title=The tell-tale brain: Unlocking the mystery of human nature |last=Brugger |first=Peter |journal=Cognitive Neuropsychiatry |doi=10.1080/13546805.2012.685295|quote=I think I will recommend this book to any of my friends who do not shun pop (neuro)science in principle. Although the ''TellTale Brain'' does contain a lot of pop on the surface, the overall content is very much Popper, who once clearly stated that 'bold ideas, unjustified anticipations and speculative thought are our only means for interpreting nature' (Popper, 1959/1980, p. 280). |date=December 7, 2018 |volume=17 |issue=4 |pages=351–358 |s2cid=144065665 |accessdate=July 10, 2019}}\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list).{{cite news|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|work=The New York Times |publisher=}} It received mostly positive reviews, with some criticism particularly focusing on Ramachandran's theories about mirror neurons.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[https://web.archive.org/web/20121017122227/http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n===Pre-publication endorsements (book blurbs)===\nThe neurologist [[Oliver Sacks]] wrote: “No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. The Tell-Tale Brain is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.”{{cite book|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|isbn=978-0393077827 }}\n\nThe scientist [[Allan Snyder]] said of the book: \"A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.\"{{cite book|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|isbn=978-0393077827 }}\n\nThe psychiatrist [[Norman Doidge]] offered the following praise for the book:\n\n{{quote|Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.{{cite book|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|isbn=978-0393077827 }}}}\n\n===Book reviews===\nJames McConnachie wrote in the ''Sunday Times'':
When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [https://web.archive.org/web/20160303233556/http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]
\n\nWriting in ''[[The New York Times]]'', [[Anthony Gottlieb]] generally recommended the book but criticized Ramachandran for not mentioning how controversial some of his ideas about mirror neurons are:\n\n
Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is... Even if mirror neurons turn out not to be quite as important as Ramachandran thinks — he has elsewhere predicted that they will do for psychology what DNA did for biology — the book is packed with other evidence that neuroscience has made illuminating progress in recent years. Reading such accounts of exactly what our brains get up to is apt to leave one with the disconcerting thought that they are often a lot cleverer than their owners realize.Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]
\n\nThe philosopher [[Colin McGinn]] praised the book in the ''[[New York Review of Books]]'' despite criticizing it for reductionism/oversimplification, saying:
Ramachandran discusses an enormous range of syndromes and topics in ''The Tell-Tale Brain''. His writing is generally lucid, charming, and informative, with much humor to lighten the load of Latinate brain disquisitions. He is a leader in his field and is certainly an ingenious and tireless researcher. This is the best book of its kind that I have come across for scientific rigor, general interest, and clarity—though some of it will be a hard slog for the uninitiated. {{Cite magazine |url=https://www.nybooks.com/articles/2011/03/24/can-brain-explain-your-mind/ |title=Can the brain explain your mind? |last=McGinn |first=Colin |work=NY Review of Books |quote= |date=March 24, 2011 |accessdate=July 28, 2019}}
\n\nThe philosopher [[Raymond Tallis]] praised the book in ''[[The Wall Street Journal]]'' but complained that Ramachandran has failed to provide the research needed to back up some of his theories, concluding:\n\n
Until we clear up the ground-floor aspects of human consciousness—in particular, first-person being—claims to advance our understanding of its higher levels, and of the grand edifice of civilization, by peering into intra cranial darkness will not withstand even the most cursory examination. ...''The Tell-Tale Brain'', though it is engagingly written and often fascinating, reminds us how little cause we have to privilege what the neuro scientists tell us about what makes us human over the testimony of novelists, poets, social workers or philosophers.{{cite news|url=https://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|newspaper=Wall Street Journal |date=8 January 2011|publisher=|via=www.wsj.com}}
\n\n[[Nicholas Shakespeare]] wrote in ''[[The Daily Telegraph]]'':\n\n
Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist ''The Master and His Emissary'', last year’s magisterial study of the brain’s two opposed hemispheres...{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}
\n\nWriting in ''[[American Scientist]]'', [[Simon Baron-Cohen]] said he found the book stimulating and enjoyable but devoted most of his review to questioning the validity of Ramachandran's views on mirror neurons and the broken-mirror theory of autism, saying for example:\n
There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the Broken Mirror theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [https://www.americanscientist.org/article/making-sense-of-the-brains-mysteries]
\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 1221992549, + "parentid": 1221992479, + "minor": "", + "user": "SimLibrarian", + "userid": 39191556, + "timestamp": "2024-05-03T06:33:25Z", + "sha1": "95d86370d40f1921d38a209778635552fca09894", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Book reviews */ rm spaces around emdashes ([[MOS:DASH]]), changed curly to straight punctuation ([[MOS:CURLY]])", + "*": "{{Short description|2010 book by Vilayanur Ramachandran}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[Neuroscience]]\n| genre = [[Non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores the uniqueness of human nature from a neurological viewpoint.\n\n==Synopsis==\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, [[free will]], and self-awareness.\n\nIn the first chapter, Ramachandran discusses the human ability to change and adapt, illustrating the concept from his work on [[phantom limb]]s. The second chapter describes some of his work with visual perception and cognition, addressing the concept of human awareness.\n\nIn chapter three, he connects ideas about synesthesia to creativity. Chapters four and five talk about [[mirror neuron]]s, while chapter six discusses human language.\n\nRamachandran proposes \"nine laws of [[aesthetics]],\" which he discusses in chapters seven and eight. The final chapter, chapter nine, \"The Ape With A Soul\" concerns introspection and human self-awareness. {{Cite journal |url=https://www.zora.uzh.ch/id/eprint/67368/1/The_tell-tale_brain.pdf |title=The tell-tale brain: Unlocking the mystery of human nature |last=Brugger |first=Peter |journal=Cognitive Neuropsychiatry |doi=10.1080/13546805.2012.685295|quote=I think I will recommend this book to any of my friends who do not shun pop (neuro)science in principle. Although the ''TellTale Brain'' does contain a lot of pop on the surface, the overall content is very much Popper, who once clearly stated that 'bold ideas, unjustified anticipations and speculative thought are our only means for interpreting nature' (Popper, 1959/1980, p. 280). |date=December 7, 2018 |volume=17 |issue=4 |pages=351–358 |s2cid=144065665 |accessdate=July 10, 2019}}\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the Hardcover Nonfiction list).{{cite news|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|work=The New York Times |publisher=}} It received mostly positive reviews, with some criticism particularly focusing on Ramachandran's theories about mirror neurons.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[https://web.archive.org/web/20121017122227/http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n===Pre-publication endorsements (book blurbs)===\nThe neurologist [[Oliver Sacks]] wrote: \"No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. ''The Tell-Tale Brain'' is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.\"{{cite book|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|isbn=978-0393077827 }}\n\nThe scientist [[Allan Snyder]] said of the book: \"A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.\"{{cite book|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|isbn=978-0393077827 }}\n\nThe psychiatrist [[Norman Doidge]] offered the following praise for the book:\n\n{{quote|Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.{{cite book|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|isbn=978-0393077827 }}}}\n\n===Book reviews===\nJames McConnachie wrote in the ''Sunday Times'':
When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [https://web.archive.org/web/20160303233556/http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]
\n\nWriting in ''[[The New York Times]]'', [[Anthony Gottlieb]] generally recommended the book but criticized Ramachandran for not mentioning how controversial some of his ideas about mirror neurons are:\n\n
Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is... Even if mirror neurons turn out not to be quite as important as Ramachandran thinks—he has elsewhere predicted that they will do for psychology what DNA did for biology—the book is packed with other evidence that neuroscience has made illuminating progress in recent years. Reading such accounts of exactly what our brains get up to is apt to leave one with the disconcerting thought that they are often a lot cleverer than their owners realize.Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]
\n\nThe philosopher [[Colin McGinn]] praised the book in the ''[[New York Review of Books]]'' despite criticizing it for reductionism/oversimplification, saying:
Ramachandran discusses an enormous range of syndromes and topics in ''The Tell-Tale Brain''. His writing is generally lucid, charming, and informative, with much humor to lighten the load of Latinate brain disquisitions. He is a leader in his field and is certainly an ingenious and tireless researcher. This is the best book of its kind that I have come across for scientific rigor, general interest, and clarity—though some of it will be a hard slog for the uninitiated. {{Cite magazine |url=https://www.nybooks.com/articles/2011/03/24/can-brain-explain-your-mind/ |title=Can the brain explain your mind? |last=McGinn |first=Colin |work=NY Review of Books |quote= |date=March 24, 2011 |accessdate=July 28, 2019}}
\n\nThe philosopher [[Raymond Tallis]] praised the book in ''[[The Wall Street Journal]]'' but complained that Ramachandran has failed to provide the research needed to back up some of his theories, concluding:\n\n
Until we clear up the ground-floor aspects of human consciousness—in particular, first-person being—claims to advance our understanding of its higher levels, and of the grand edifice of civilization, by peering into intra cranial darkness will not withstand even the most cursory examination. ...''The Tell-Tale Brain'', though it is engagingly written and often fascinating, reminds us how little cause we have to privilege what the neuro scientists tell us about what makes us human over the testimony of novelists, poets, social workers or philosophers.{{cite news|url=https://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|newspaper=Wall Street Journal |date=8 January 2011|publisher=|via=www.wsj.com}}
\n\n[[Nicholas Shakespeare]] wrote in ''[[The Daily Telegraph]]'':\n\n
Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist ''The Master and His Emissary'', last year’s magisterial study of the brain’s two opposed hemispheres...{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}
\n\nWriting in ''[[American Scientist]]'', [[Simon Baron-Cohen]] said he found the book stimulating and enjoyable but devoted most of his review to questioning the validity of Ramachandran's views on mirror neurons and the broken-mirror theory of autism, saying for example:\n
There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the Broken Mirror theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [https://www.americanscientist.org/article/making-sense-of-the-brains-mysteries]
\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + }, + { + "revid": 1338832494, + "parentid": 1221992549, + "user": "Electronmore", + "userid": 52183485, + "timestamp": "2026-02-17T14:17:52Z", + "sha1": "acdb50b7e99648b4f8f764f411bd609d7cb0c14d", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* growthexperiments-addlink-summary-summary:2|0|0 */", + "*": "{{Short description|2010 book by Vilayanur Ramachandran}}\n{{Infobox book\n\n| name = The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human\n| image = The Tell Tale Brain cover.jpg\n| caption = \n| author = [[Vilayanur S. Ramachandran]]\n| title_orig = \n| translator = \n| illustrator = \n| cover_artist = \n| country = \n| language = English\n| series = \n| subject = [[Neuroscience]]\n| genre = [[Non-fiction]]\n| publisher = W. W. Norton & Company\n| pub_date = January 17, 2011\n| english_pub_date = \n| media_type = \n| pages = 357\n| isbn = 978-0-393-07782-7\n| oclc = \n| dewey = \n| congress = \n| preceded_by = \n| followed_by = \n}}\n\n'''''The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human''''' is a 2010 nonfiction book by [[Vilayanur S. Ramachandran|V. S. Ramachandran]] that explores the uniqueness of human nature from a neurological viewpoint.\n\n==Synopsis==\n\nRamachandran discusses seven main concepts which define the human aspect of [[self]] and how each may be disrupted by a specific neurological disorder. The concepts are: unity, continuity, embodiment, privacy, social embedding, [[free will]], and self-awareness.\n\nIn the first chapter, Ramachandran discusses the human ability to change and adapt, illustrating the concept from his work on [[phantom limb]]s. The second chapter describes some of his work with [[visual perception]] and cognition, addressing the concept of human awareness.\n\nIn chapter three, he connects ideas about synesthesia to creativity. Chapters four and five talk about [[mirror neuron]]s, while chapter six discusses human language.\n\nRamachandran proposes \"nine laws of [[aesthetics]],\" which he discusses in chapters seven and eight. The final chapter, chapter nine, \"The Ape With A Soul\" concerns introspection and human self-awareness. {{Cite journal |url=https://www.zora.uzh.ch/id/eprint/67368/1/The_tell-tale_brain.pdf |title=The tell-tale brain: Unlocking the mystery of human nature |last=Brugger |first=Peter |journal=Cognitive Neuropsychiatry |doi=10.1080/13546805.2012.685295|quote=I think I will recommend this book to any of my friends who do not shun pop (neuro)science in principle. Although the ''TellTale Brain'' does contain a lot of pop on the surface, the overall content is very much Popper, who once clearly stated that 'bold ideas, unjustified anticipations and speculative thought are our only means for interpreting nature' (Popper, 1959/1980, p. 280). |date=December 7, 2018 |volume=17 |issue=4 |pages=351–358 |s2cid=144065665 |accessdate=July 10, 2019}}\n\n==Reception==\n''Tell-Tale Brain'' was on the New York Times best-seller list (Number 32 on the [[Hardcover]] Nonfiction list).{{cite news|url=https://www.nytimes.com/best-sellers-books/2011-02-20/hardcover-nonfiction/list.html|title=Hardcover Nonfiction Books - Best Sellers - February 20, 2011 - The New York Times|work=The New York Times |publisher=}} It received mostly positive reviews, with some criticism particularly focusing on Ramachandran's theories about mirror neurons.{{cite web|url=http://cbc.ucsd.edu/press.html|title=The Center for Brain and Cognition - Home|website=cbc.ucsd.edu}} The book won the 2010 [[Vodafone Crossword Book Award]] (Non-Fiction).[https://web.archive.org/web/20121017122227/http://ibnlive.in.com/news/vodafone-crossword-book-awards-2010-announced/180813-40-100.html \"Vodafone Crossword book awards 2010 announced\"], IBN Live, Sep 03\n\n===Pre-publication endorsements (book blurbs)===\nThe neurologist [[Oliver Sacks]] wrote: \"No one is better than V. S. Ramachandran at combining minute, careful observation with ingenious experiments and bold, adventurous theorizing. ''The Tell-Tale Brain'' is Ramachandran at his best, a profoundly intriguing and compelling guide to the intricacies of the human brain.\"{{cite book|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|isbn=978-0393077827 }}\n\nThe scientist [[Allan Snyder]] said of the book: \"A masterpiece. The best of its kind and beautifully crafted. Alluring story telling, building to a penetrating understanding of what it is to be uniquely human. Ramachandran is the foremost pioneer—the Galileo—of neurocognition.\"{{cite book|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|isbn=978-0393077827 }}\n\nThe psychiatrist [[Norman Doidge]] offered the following praise for the book:\n\n{{quote|Ramachandran is the modern wizard of neuroscience. In The Tell-Tale Brain, we see the genius at work, tackling extraordinary cases, many of which mark turning points in neuroscientific knowledge. We see him hypothesizing, experimenting, failing, having epiphanies, experimenting, succeeding. In this utterly entertaining account, we see how these fascinating cases fit together, and how he uses them to explain, from a Darwinian point of view, how our brains, though evolved from those of other animals, become neurologically distinct and fundamentally human.{{cite book|title=The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human|first=search|last=results|date=17 January 2011|publisher=W. W. Norton & Company|isbn=978-0393077827 }}}}\n\n===Book reviews===\nJames McConnachie wrote in the ''Sunday Times'':
When VS Ramachandran, one of the world’s most influential neurologists, wants to get inside a human head, he doesn’t reach for his scalpel or MRI scanner. Instead, like Sherlock Holmes (to whom he is often compared), he seizes on an oddity in a case study, then begins a pleasing process of deduction interspersed with leaps of excitingly creative thought. This absorbing book charts the acclaimed experiments he has performed around the world and at the University of California’s cutting-edge Centre for the Brain, and explains how they have helped unravel the workings of the human mind.\"James McConnachie, The Tell-Tale Brain by VS Ramachandran, The Sunday Times, January 09, 2011 [https://web.archive.org/web/20160303233556/http://www.thesundaytimes.co.uk/sto/culture/books/non_fiction/article500581.ece?pagewanted=all]
\n\nWriting in ''[[The New York Times]]'', [[Anthony Gottlieb]] generally recommended the book but criticized Ramachandran for not mentioning how controversial some of his ideas about mirror neurons are:\n\n
Although Ramachandran admits that his account of the significance of mirror neurons is speculative, he doesn’t let on just how controversial it is... Even if mirror neurons turn out not to be quite as important as Ramachandran thinks—he has elsewhere predicted that they will do for psychology what DNA did for biology—the book is packed with other evidence that neuroscience has made illuminating progress in recent years. Reading such accounts of exactly what our brains get up to is apt to leave one with the disconcerting thought that they are often a lot cleverer than their owners realize.Anthony Gottlieb, A Lion in the Undergrowth, Sunday Book Review, January 28, 2011 [https://www.nytimes.com/2011/01/30/books/review/Gottlieb-t.html?pagewanted=all]
\n\nThe philosopher [[Colin McGinn]] praised the book in the ''[[New York Review of Books]]'' despite criticizing it for reductionism/oversimplification, saying:
Ramachandran discusses an enormous range of syndromes and topics in ''The Tell-Tale Brain''. His writing is generally lucid, charming, and informative, with much humor to lighten the load of Latinate brain disquisitions. He is a leader in his field and is certainly an ingenious and tireless researcher. This is the best book of its kind that I have come across for scientific rigor, general interest, and clarity—though some of it will be a hard slog for the uninitiated. {{Cite magazine |url=https://www.nybooks.com/articles/2011/03/24/can-brain-explain-your-mind/ |title=Can the brain explain your mind? |last=McGinn |first=Colin |work=NY Review of Books |quote= |date=March 24, 2011 |accessdate=July 28, 2019}}
\n\nThe philosopher [[Raymond Tallis]] praised the book in ''[[The Wall Street Journal]]'' but complained that Ramachandran has failed to provide the research needed to back up some of his theories, concluding:\n\n
Until we clear up the ground-floor aspects of human consciousness—in particular, first-person being—claims to advance our understanding of its higher levels, and of the grand edifice of civilization, by peering into intra cranial darkness will not withstand even the most cursory examination. ...''The Tell-Tale Brain'', though it is engagingly written and often fascinating, reminds us how little cause we have to privilege what the neuro scientists tell us about what makes us human over the testimony of novelists, poets, social workers or philosophers.{{cite news|url=https://www.wsj.com/articles/SB10001424052748704034804576025681468057572|title=The Mind in the Mirror|first=Raymond|last=Tallis|newspaper=Wall Street Journal |date=8 January 2011|publisher=|via=www.wsj.com}}
\n\n[[Nicholas Shakespeare]] wrote in ''[[The Daily Telegraph]]'':\n\n
Ramachandran wanders along intriguing neural pathways, pausing to investigate strange disorders, but he leaves the impression that he is an explorer who has yet to leave the coast. Further, he appears not fully to appreciate that the interior of this vast continent he is mapping may be at war. His book is intermittently fascinating, but is not important in the way of Iain McGilchrist ''The Master and His Emissary'', last year’s magisterial study of the brain’s two opposed hemispheres...{{cite web|url=https://www.telegraph.co.uk/culture/books/bookreviews/8243355/The-Tell-Tale-Brain-Unlocking-the-Mystery-ofHuman-Nature-by-V-S-Ramachandran-review.html|title=The Tell-Tale Brain: Unlocking the Mystery of Human Nature by V S Ramachandran: review|first=Nicholas|last=Shakespeare|date=5 October 2018|publisher=|via=www.telegraph.co.uk}}
\n\nWriting in ''[[American Scientist]]'', [[Simon Baron-Cohen]] said he found the book stimulating and enjoyable but devoted most of his review to questioning the validity of Ramachandran's views on mirror neurons and the broken-mirror theory of autism, saying for example:\n
There are also clinical and experimental reasons for being skeptical of the broken-mirror theory of autism... As an explanation of autism, the Broken Mirror theory offers some tantalizing clues; however, some problematic counter-evidence challenges the theory and particularly its scope.Baron-Cohen, Making Sense of the Brain's Mysteries, American Scientist, On-line Book Review, July–August, 2011 [https://www.americanscientist.org/article/making-sense-of-the-brains-mysteries]
\n\n==References==\n{{Reflist}}\n\n==External links==\n* [http://talkingbrains.org Talkingbrains web site]\n\n{{DEFAULTSORT:Tell-Tale Brain, The}}\n[[Category:Neuroscience books]]\n[[Category:2010 non-fiction books]]" + } +] \ No newline at end of file diff --git a/tests/fixtures/yeah_yeah_yeahs_(ep)_revisions.json b/tests/fixtures/yeah_yeah_yeahs_(ep)_revisions.json new file mode 100644 index 0000000..6fb3aaa --- /dev/null +++ b/tests/fixtures/yeah_yeah_yeahs_(ep)_revisions.json @@ -0,0 +1,4433 @@ +[ + { + "revid": 1625540, + "parentid": 0, + "user": "138.88.197.26", + "anon": "", + "userid": 0, + "timestamp": "2003-10-25T22:57:57Z", + "sha1": "da5138f8565d93a57ed50c5b59fd4f4d70df1383", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeah]]'s self-titled debut, released in [[2001]] by [[Touch and Go Records]]. \r\n\r\n==Track listing==\r\n# \"Bang\"\r\n# \"Mystery Girl\"\r\n# \"Art Star\"\r\n# \"Miles Away\"\r\n# \"Our Time\"\r\n\r\n==Personnel==\r\n\r\n* [[Brian Chase]] - [[Drums]]\r\n* [[Nick Zinner]] - [[Guitars]]\r\n* [[Karen O]] - [[Vocals]]" + }, + { + "revid": 13284473, + "parentid": 1625540, + "minor": "", + "user": "Delirium", + "userid": 6827, + "timestamp": "2003-10-25T23:09:28Z", + "sha1": "3aab1e8cc5f36a71c5b1f663d66ce2b979a2c0d2", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]] self-titled debut, released in [[2001]] by [[Touch and Go Records]]. \r\n\r\n==Track listing==\r\n# \"Bang\"\r\n# \"Mystery Girl\"\r\n# \"Art Star\"\r\n# \"Miles Away\"\r\n# \"Our Time\"\r\n\r\n==Personnel==\r\n\r\n* [[Brian Chase]] - [[Drums]]\r\n* [[Nick Zinner]] - [[Guitars]]\r\n* [[Karen O]] - [[Vocals]]" + }, + { + "revid": 15538620, + "parentid": 13284473, + "minor": "", + "user": "SimonP", + "userid": 1591, + "timestamp": "2005-05-05T22:52:19Z", + "sha1": "df4aee077db8d4a1b9b49bb43b039d1bb37da753", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "[[Category:2001 albums]]", + "*": "'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]] self-titled debut, released in [[2001]] by [[Touch and Go Records]]. \n\n==Track listing==\n# \"Bang\"\n# \"Mystery Girl\"\n# \"Art Star\"\n# \"Miles Away\"\n# \"Our Time\"\n\n==Personnel==\n\n* [[Brian Chase]] - [[Drums]]\n* [[Nick Zinner]] - [[Guitars]]\n* [[Karen O]] - [[Vocals]]\n[[Category:2001 albums]]" + }, + { + "revid": 16212703, + "parentid": 15538620, + "user": "Tarnas", + "userid": 206560, + "timestamp": "2005-06-21T04:55:32Z", + "sha1": "4e4db63a0e212b6f52ddb74944c1d8b2733e3fbf", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "copyedits, format", + "*": "'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut, released in [[2001]] by [[Touch and Go Records]]. \n\n==Tracklisting==\n# \"Bang\"\n# \"Mystery Girl\"\n# \"Art Star\"\n# \"Miles Away\"\n# \"Our Time\"\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n[[Category:2001 albums]]" + }, + { + "revid": 21849120, + "parentid": 16212703, + "user": "Weebot", + "userid": 232436, + "timestamp": "2005-08-26T01:31:55Z", + "sha1": "083a8e05f74e8d9091634ef4558314eb7e5be428", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "infobox", + "*": "{{Album infobox |\n Name = Yeah Yeah Yeahs|\n Type = [[Extended play|EP]] |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah yeah yeahs ep.jpg |\n Background = Salmon |\n Released = [[2001]]|\n Recorded = ???|\n Genre = [[Garage Rock]] |\n Length = ?? [[minute|min]] ?? [[second|sec]] |\n Label = [[Shifty (label)|Shifty]] |\n Producer = ??? |\n Reviews = ''\n*''[[All Music Guide]]'' (4/5) [http://www.allmusic.com/cg/amg.dll?p=amg&token=ADFEAEE47D1ED847A47E20E0B11A40DEB561F61A8F1AACD83E284541D1B43844C30E79EC40A6D8B1E8B800E203E3F731A65F10D1CAEE53B0D56C3F3E87EBAF705843&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs EP'''''
([[2001]]) | \n Next album = ''[[Machine EP|Machine]]''
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([[2001]]) | \n Next album = ''[[Machine EP|Machine]]''
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([[2001]]) | \n Next album = ''[[Machine EP|Machine]]''
([[2002]]) |}}\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut, which is released in [[2001]] by their own label, [[Shifty (label)|Shifty]]. \n\n==Track listing==\n# \"Bang\"\n# \"Mystery Girl\"\n# \"Art Star\"\n# \"Miles Away\"\n# \"Our Time\"\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n[[Category:2001 albums]][[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 21918503, + "parentid": 21915219, + "minor": "", + "user": "Tarnas", + "userid": 206560, + "timestamp": "2005-08-26T23:10:33Z", + "sha1": "847bf3958e64d16e5e456fa5e86c45ae9966715d", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "word choice", + "*": "{{Album infobox |\n Name = Yeah Yeah Yeahs|\n Type = [[Extended play|EP]] |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah yeah yeahs ep.jpg |\n Background = Salmon |\n Released = [[2001]]|\n Recorded = ???|\n Genre = [[Garage Rock]] |\n Length = ?? [[minute|min]] ?? [[second|sec]] |\n Label = [[Shifty (label)|Shifty]] |\n Producer = ??? |\n Reviews = ''\n*''[[All Music Guide]]'' (4/5) [http://www.allmusic.com/cg/amg.dll?p=amg&token=ADFEAEE47D1ED847A47E20E0B11A40DEB561F61A8F1AACD83E284541D1B43844C30E79EC40A6D8B1E8B800E203E3F731A65F10D1CAEE53B0D56C3F3E87EBAF705843&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
([[2001]]) | \n Next album = ''[[Machine EP|Machine]]''
([[2002]]) |}}\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut, released in [[2001]] by the band's own label, [[Shifty (label)|Shifty]]. \n\n==Track listing==\n# \"Bang\"\n# \"Mystery Girl\"\n# \"Art Star\"\n# \"Miles Away\"\n# \"Our Time\"\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n[[Category:2001 albums]][[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 21979379, + "parentid": 21918503, + "user": "Weebot", + "userid": 232436, + "timestamp": "2005-08-27T20:09:38Z", + "sha1": "095dfee4caeffe8e709028919226c42d6b0fe620", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "production", + "*": "{{Album infobox |\n Name = Yeah Yeah Yeahs|\n Type = [[Extended play|EP]] |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah yeah yeahs ep.jpg |\n Background = Salmon |\n Released = [[2001]]|\n Recorded = ???|\n Genre = [[Garage Rock]] |\n Length = ?? [[minute|min]] ?? [[second|sec]] |\n Label = [[Shifty (label)|Shifty]] |\n Producer = ??? |\n Reviews = ''\n*''[[All Music Guide]]'' (4/5) [http://www.allmusic.com/cg/amg.dll?p=amg&token=ADFEAEE47D1ED847A47E20E0B11A40DEB561F61A8F1AACD83E284541D1B43844C30E79EC40A6D8B1E8B800E203E3F731A65F10D1CAEE53B0D56C3F3E87EBAF705843&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
([[2001]]) | \n Next album = ''[[Machine EP|Machine]]''
([[2002]]) |}}\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut, released in [[2001]] by the band's own label, [[Shifty (label)|Shifty]]. \n\n==Track listing==\n# \"Bang\"\n# \"Mystery Girl\"\n# \"Art Star\"\n# \"Miles Away\"\n# \"Our Time\"\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - Mastering\n*Jerry Teel - Engineer\n[[Category:2001 albums]][[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 21979511, + "parentid": 21979379, + "minor": "", + "user": "Weebot", + "userid": 232436, + "timestamp": "2005-08-27T20:12:00Z", + "sha1": "885fd972f26d237663fdf404786372c3a5038c4c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Album infobox |\n Name = Yeah Yeah Yeahs|\n Type = [[Extended play|EP]] |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah yeah yeahs ep.jpg |\n Background = Salmon |\n Released = [[2001]]|\n Recorded = ???|\n Genre = [[Garage Rock]] |\n Length = ?? [[minute|min]] ?? [[second|sec]] |\n Label = [[Shifty (label)|Shifty]] |\n Producer = ??? |\n Reviews = ''\n*''[[All Music Guide]]'' (4/5) [http://www.allmusic.com/cg/amg.dll?p=amg&token=ADFEAEE47D1ED847A47E20E0B11A40DEB561F61A8F1AACD83E284541D1B43844C30E79EC40A6D8B1E8B800E203E3F731A65F10D1CAEE53B0D56C3F3E87EBAF705843&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
([[2001]]) | \n Next album = ''[[Machine EP|Machine]]''
([[2002]]) |}}\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut, released in [[2001]] by the band's own label, [[Shifty (label)|Shifty]]. \n\n==Track listing==\n# \"Bang\"\n# \"Mystery Girl\"\n# \"Art Star\"\n# \"Miles Away\"\n# \"Our Time\"\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n[[Category:2001 albums]][[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 25611004, + "parentid": 21979511, + "minor": "", + "user": "Weebot", + "userid": 232436, + "timestamp": "2005-10-15T21:31:40Z", + "sha1": "be42581cbe70f6254dfaa9c0aeef2d179927c6fb", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Album infobox |\n Name = Yeah Yeah Yeahs|\n Type = [[Extended play|EP]] |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah yeah yeahs ep.jpg |\n Background = Salmon |\n Released = [[2001]]|\n Recorded = ???|\n Genre = [[Garage Rock]] |\n Length = ?? [[minute|min]] ?? [[second|sec]] |\n Label = [[Shifty (label)|Shifty]] |\n Producer = ??? |\n Reviews = ''\n*''[[All Music Guide]]'' (4/5) [http://www.allmusic.com/cg/amg.dll?p=amg&token=ADFEAEE47D1ED847A47E20E0B11A40DEB561F61A8F1AACD83E284541D1B43844C30E79EC40A6D8B1E8B800E203E3F731A65F10D1CAEE53B0D56C3F3E87EBAF705843&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
([[2001]]) | \n Next album = ''[[Machine EP|Machine]]''
([[2002]]) |}}\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in [[2001]] by the band's own label, [[Shifty (label)|Shifty]]. \n\n==Track listing==\n# \"Bang\"\n# \"Mystery Girl\"\n# \"Art Star\"\n# \"Miles Away\"\n# \"Our Time\"\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n[[Category:2001 albums]][[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 25611062, + "parentid": 25611004, + "user": "Weebot", + "userid": 232436, + "timestamp": "2005-10-15T21:32:30Z", + "sha1": "e0cce3ac2dd9f31d2fd3d8b7aa3eab9c4b89823a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "stars", + "*": "{{Album infobox |\n Name = Yeah Yeah Yeahs|\n Type = [[Extended play|EP]] |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah yeah yeahs ep.jpg |\n Background = Salmon |\n Released = [[2001]]|\n Recorded = ???|\n Genre = [[Garage Rock]] |\n Length = ?? [[minute|min]] ?? [[second|sec]] |\n Label = [[Shifty (label)|Shifty]] |\n Producer = ??? |\n Reviews = ''\n*''[[All Music Guide]]'' [[Image:4 out of 5.png]] [http://www.allmusic.com/cg/amg.dll?p=amg&token=ADFEAEE47D1ED847A47E20E0B11A40DEB561F61A8F1AACD83E284541D1B43844C30E79EC40A6D8B1E8B800E203E3F731A65F10D1CAEE53B0D56C3F3E87EBAF705843&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
([[2001]]) | \n Next album = ''[[Machine EP|Machine]]''
([[2002]]) |}}\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in [[2001]] by the band's own label, [[Shifty (label)|Shifty]]. \n\n==Track listing==\n# \"Bang\"\n# \"Mystery Girl\"\n# \"Art Star\"\n# \"Miles Away\"\n# \"Our Time\"\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n[[Category:2001 albums]][[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 25704602, + "parentid": 25611062, + "minor": "", + "user": "Weebot", + "userid": 232436, + "timestamp": "2005-10-17T02:10:13Z", + "sha1": "e0cce3ac2dd9f31d2fd3d8b7aa3eab9c4b89823a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Yeah Yeah Yeahs EP moved to Yeah Yeah Yeahs (EP)", + "*": "{{Album infobox |\n Name = Yeah Yeah Yeahs|\n Type = [[Extended play|EP]] |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah yeah yeahs ep.jpg |\n Background = Salmon |\n Released = [[2001]]|\n Recorded = ???|\n Genre = [[Garage Rock]] |\n Length = ?? [[minute|min]] ?? [[second|sec]] |\n Label = [[Shifty (label)|Shifty]] |\n Producer = ??? |\n Reviews = ''\n*''[[All Music Guide]]'' [[Image:4 out of 5.png]] [http://www.allmusic.com/cg/amg.dll?p=amg&token=ADFEAEE47D1ED847A47E20E0B11A40DEB561F61A8F1AACD83E284541D1B43844C30E79EC40A6D8B1E8B800E203E3F731A65F10D1CAEE53B0D56C3F3E87EBAF705843&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
([[2001]]) | \n Next album = ''[[Machine EP|Machine]]''
([[2002]]) |}}\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in [[2001]] by the band's own label, [[Shifty (label)|Shifty]]. \n\n==Track listing==\n# \"Bang\"\n# \"Mystery Girl\"\n# \"Art Star\"\n# \"Miles Away\"\n# \"Our Time\"\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n[[Category:2001 albums]][[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 27973571, + "parentid": 25704602, + "minor": "", + "user": "Weebot", + "userid": 232436, + "timestamp": "2005-11-11T00:06:18Z", + "sha1": "977b9acb3de1d8b71c501706671ebbb2a389d8bb", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Album infobox |\n Name = Yeah Yeah Yeahs|\n Type = [[Extended play|EP]] |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah yeah yeahs ep.jpg |\n Background = Salmon |\n Released = [[2001]]|\n Recorded = ???|\n Genre = [[Garage Rock]] |\n Length = ?? [[minute|min]] ?? [[second|sec]] |\n Label = [[Shifty (label)|Shifty]] |\n Producer = ??? |\n Reviews = ''\n*''[[All Music Guide]]'' [[Image:4 out of 5.png]] [http://www.allmusic.com/cg/amg.dll?p=amg&token=ADFEAEE47D1ED847A47E20E0B11A40DEB561F61A8F1AACD83E284541D1B43844C30E79EC40A6D8B1E8B800E203E3F731A65F10D1CAEE53B0D56C3F3E87EBAF705843&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
(2001) | \n Next album = ''[[Machine EP|Machine]]''
(2002) |}}\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in [[2001]] by the band's own label, [[Shifty (label)|Shifty]]. \n\n==Track listing==\n# \"Bang\"\n# \"Mystery Girl\"\n# \"Art Star\"\n# \"Miles Away\"\n# \"Our Time\"\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n[[Category:2001 albums]][[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 28415047, + "parentid": 27973571, + "user": "Kicking222", + "userid": 427784, + "timestamp": "2005-11-15T17:32:45Z", + "sha1": "5656f3506a97411cf84ca8f5adc3e6404d60fa86", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Album infobox |\n Name = Yeah Yeah Yeahs|\n Type = [[Extended play|EP]] |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah yeah yeahs ep.jpg |\n Background = Salmon |\n Released = [[2001]]|\n Recorded = ???|\n Genre = [[Garage Rock]] |\n Length = 13 [[minute|min]] 41 [[second|sec]] |\n Label = [[Shifty (label)|Shifty]] |\n Producer = ??? |\n Reviews = ''\n*''[[All Music Guide]]'' [[Image:4 out of 5.png]] [http://www.allmusic.com/cg/amg.dll?p=amg&token=ADFEAEE47D1ED847A47E20E0B11A40DEB561F61A8F1AACD83E284541D1B43844C30E79EC40A6D8B1E8B800E203E3F731A65F10D1CAEE53B0D56C3F3E87EBAF705843&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
(2001) | \n Next album = ''[[Machine EP|Machine]]''
(2002) |}}\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in [[2001]] by the band's own label, [[Shifty (label)|Shifty]]. \n\n==Track listing==\n# \"Bang\"\n# \"Mystery Girl\"\n# \"Art Star\"\n# \"Miles Away\"\n# \"Our Time\"\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n[[Category:2001 albums]][[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 32016623, + "parentid": 28415047, + "user": "Fritz Saalfeld", + "userid": 128909, + "timestamp": "2005-12-19T21:58:06Z", + "sha1": "906c02483d96088f3c5f9707a6db20b75035a01a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "[[WP:AWB|Assisted]] clean up: Changed length format in infobox to mm:ss (See [[WP:ALBUMS]])", + "*": "{{Album infobox |\n Name = Yeah Yeah Yeahs|\n Type = [[Extended play|EP]] |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah yeah yeahs ep.jpg |\n Background = Salmon |\n Released = [[2001]]|\n Recorded = ???|\n Genre = [[Garage Rock]] |\n Length = 13:41 |\n Label = [[Shifty (label)|Shifty]] |\n Producer = ??? |\n Reviews = ''\n*''[[All Music Guide]]'' [[Image:4 out of 5.png]] [http://www.allmusic.com/cg/amg.dll?p=amg&token=ADFEAEE47D1ED847A47E20E0B11A40DEB561F61A8F1AACD83E284541D1B43844C30E79EC40A6D8B1E8B800E203E3F731A65F10D1CAEE53B0D56C3F3E87EBAF705843&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
(2001) | \n Next album = ''[[Machine EP|Machine]]''
(2002) |}}\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in [[2001]] by the band's own label, [[Shifty (label)|Shifty]]. \n\n==Track listing==\n# \"Bang\"\n# \"Mystery Girl\"\n# \"Art Star\"\n# \"Miles Away\"\n# \"Our Time\"\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n[[Category:2001 albums]][[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 38952264, + "parentid": 32016623, + "minor": "", + "user": "Cmdrjameson", + "userid": 101935, + "timestamp": "2006-02-09T19:13:20Z", + "sha1": "549653e7b7fe9729855e4a4da5c4ea57c3ac5c12", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Remove refs from allmusic URL", + "*": "{{Album infobox |\n Name = Yeah Yeah Yeahs|\n Type = [[Extended play|EP]] |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah yeah yeahs ep.jpg |\n Background = Salmon |\n Released = [[2001]]|\n Recorded = ???|\n Genre = [[Garage Rock]] |\n Length = 13:41 |\n Label = [[Shifty (label)|Shifty]] |\n Producer = ??? |\n Reviews = ''\n*''[[All Music Guide]]'' [[Image:4 out of 5.png]] [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
(2001) | \n Next album = ''[[Machine EP|Machine]]''
(2002) |}}\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in [[2001]] by the band's own label, [[Shifty (label)|Shifty]]. \n\n==Track listing==\n# \"Bang\"\n# \"Mystery Girl\"\n# \"Art Star\"\n# \"Miles Away\"\n# \"Our Time\"\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n[[Category:2001 albums]][[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 45746567, + "parentid": 38952264, + "minor": "", + "user": "Jogers", + "userid": 379407, + "timestamp": "2006-03-27T20:06:09Z", + "sha1": "33cd25a99381afaf2698bf9237a8683d594d94da", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "rm the from the infobox using [[Wikipedia:AutoWikiBrowser|AWB]]", + "*": "{{Album infobox |\n Name = Yeah Yeah Yeahs|\n Type = [[Extended play|EP]] |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah yeah yeahs ep.jpg |\n Background = Salmon |\n Released = [[2001]]|\n Recorded = ???|\n Genre = [[Garage Rock]] |\n Length = 13:41 |\n Label = [[Shifty (label)|Shifty]] |\n Producer = ??? |\n Reviews = \n*''[[All Music Guide]]'' [[Image:4 out of 5.png]] [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
(2001) | \n Next album = ''[[Machine EP|Machine]]''
(2002) |}}\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in [[2001]] by the band's own label, [[Shifty (label)|Shifty]]. \n\n==Track listing==\n# \"Bang\"\n# \"Mystery Girl\"\n# \"Art Star\"\n# \"Miles Away\"\n# \"Our Time\"\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n[[Category:2001 albums]][[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 46513749, + "parentid": 45746567, + "minor": "", + "user": "Jogers", + "userid": 379407, + "timestamp": "2006-04-01T22:51:25Z", + "sha1": "fd7cc36634d1f38c1974f67ac51b26cc70cd35b8", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "rm the italics from All Music Guide using [[Wikipedia:AutoWikiBrowser|AWB]]", + "*": "{{Album infobox |\n Name = Yeah Yeah Yeahs|\n Type = [[Extended play|EP]] |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah yeah yeahs ep.jpg |\n Background = Salmon |\n Released = [[2001]]|\n Recorded = ???|\n Genre = [[Garage Rock]] |\n Length = 13:41 |\n Label = [[Shifty (label)|Shifty]] |\n Producer = ??? |\n Reviews = \n*[[All Music Guide]] [[Image:4 out of 5.png]] [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
(2001) | \n Next album = ''[[Machine EP|Machine]]''
(2002) |}}\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in [[2001]] by the band's own label, [[Shifty (label)|Shifty]]. \n\n==Track listing==\n# \"Bang\"\n# \"Mystery Girl\"\n# \"Art Star\"\n# \"Miles Away\"\n# \"Our Time\"\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n[[Category:2001 albums]][[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 54978283, + "parentid": 46513749, + "user": "(chubbstar)", + "userid": 1192374, + "timestamp": "2006-05-24T23:45:45Z", + "sha1": "f5296fb28cada12ab9a09c37bc61af0f473a5e5f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Album infobox |\n Name = Yeah Yeah Yeahs|\n Type = [[Extended play|EP]] |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah yeah yeahs ep.jpg |\n Background = Salmon |\n Released = [[2001]]|\n Recorded = Unknown|\n Genre = [[Garage Rock]] |\n Length = 13:38 |\n Label = [[Shifty (label)|Shifty]] |\n Producer = Unknown |\n Reviews = \n*[[All Music Guide]] [[Image:4 out of 5.png]] [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
(2001) | \n Next album = ''[[Machine EP|Machine]]''
(2002) |}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in [[2001]] by the band's own label, [[Shifty (label)|Shifty]]. \n\n==Track listing==\n# \"Bang!\" - 3:09\n# \"Mystery Girl\" - 2:54\n# \"Art Star\" - 2:00\n# \"Miles Away\" - 2:16\n# \"Our Time\" 3:19\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n[[Category:2001 albums]][[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 58838824, + "parentid": 54978283, + "user": "(chubbstar)", + "userid": 1192374, + "timestamp": "2006-06-15T22:07:01Z", + "sha1": "483ff2187ca9d2ec2f56ac8325fc0d0c2d31391f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Album infobox |\n Name = Yeah Yeah Yeahs|\n Type = [[Extended play|EP]] |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah yeah yeahs ep.jpg |\n Background = Salmon |\n Released = [[2001]]|\n Recorded = Unknown|\n Genre = [[Garage Rock]] |\n Length = 13:38 |\n Label = [[Shifty (label)|Shifty]] |\n Producer = Unknown |\n Reviews = \n*[[All Music Guide]] [[Image:4 out of 5.png]] [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
(2001) | \n Next album = ''[[Machine EP|Machine]]''
(2002) |}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in [[2001]] by the band's own label, [[Shifty (label)|Shifty]]. \n\n==Track listing==\n# \"[[Bang!]]\" - 3:09\n# \"Mystery Girl\" - 2:54\n# \"[[Art Star]]\" - 2:00\n# \"Miles Away\" - 2:16\n# \"Our Time\" 3:19\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n[[Category:2001 albums]][[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 58839226, + "parentid": 58838824, + "user": "(chubbstar)", + "userid": 1192374, + "timestamp": "2006-06-15T22:09:34Z", + "sha1": "64eee27436e59eab0e155d996a37179a281348b4", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Album infobox |\n Name = Yeah Yeah Yeahs|\n Type = [[Extended play|EP]] |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah yeah yeahs ep.jpg |\n Background = Salmon |\n Released = [[2001]]|\n Recorded = Unknown|\n Genre = [[Garage Rock]] |\n Length = 13:38 |\n Label = [[Shifty (label)|Shifty]] |\n Producer = Unknown |\n Reviews = \n*[[All Music Guide]] [[Image:4 out of 5.png]] [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
(2001) | \n Next album = ''[[Machine EP|Machine]]''
(2002) |}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in [[2001]] by the band's own label, [[Shifty (label)|Shifty]]. \n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" - 3:09\n# \"Mystery Girl\" - 2:54\n# \"[[Art Star]]\" - 2:00\n# \"Miles Away\" - 2:16\n# \"Our Time\" 3:19\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n[[Category:2001 albums]][[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 62258579, + "parentid": 58839226, + "minor": "", + "user": "Rich Farmbrough", + "userid": 82835, + "timestamp": "2006-07-05T21:44:38Z", + "sha1": "50bc571f16f6e925bde085a21eda0fb54682af2a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Album proj fixes/Fmt track listing/Date fragments delinked &/or gen fixes using [[Wikipedia:AutoWikiBrowser|AWB]]", + "*": "{{Album infobox |\n Name = Yeah Yeah Yeahs|\n Type = [[Extended play|EP]] |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah yeah yeahs ep.jpg |\n Background = Salmon |\n Released = 2001|\n Recorded = Unknown|\n Genre = [[Garage Rock]] |\n Length = 13:38 |\n Label = [[Shifty (label)|Shifty]] |\n Producer = Unknown |\n Reviews = \n*[[All Music Guide]] [[Image:4 out of 5.png]] [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
(2001) | \n Next album = ''[[Machine EP|Machine]]''
(2002) |}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. \n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" 3:19\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 66697222, + "parentid": 62258579, + "user": "Rich Farmbrough", + "userid": 82835, + "timestamp": "2006-07-30T15:58:42Z", + "sha1": "f1cb7fc2783d0cc1802da157fee085436c0987de", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Album proj fixes/Fmt track listing &/or gen fixes using [[WP:AWB|AWB]]", + "*": "{{Infobox Album |\n Name = Yeah Yeah Yeahs|\n Type = [[Extended play|EP]] |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah yeah yeahs ep.jpg |\n Background = Salmon |\n Released = 2001|\n Recorded = Unknown|\n Genre = [[Garage Rock]] |\n Length = 13:38 |\n Label = [[Shifty (label)|Shifty]] |\n Producer = Unknown |\n Reviews = \n*[[All Music Guide]] [[Image:4 out of 5.png]] [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
(2001) | \n Next album = ''[[Machine EP|Machine]]''
(2002) |}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. \n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 68326447, + "parentid": 66697222, + "minor": "", + "user": "Harej bot", + "userid": 1134615, + "timestamp": "2006-08-08T03:19:30Z", + "sha1": "6de15e03ebd840baa6618567453281d5ec1e0da5", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "image replacement, Replaced: Image:4 out of 5.png → Image:4of5.png, using [[WP:AWB|AWB]]", + "*": "{{Infobox Album |\n Name = Yeah Yeah Yeahs|\n Type = [[Extended play|EP]] |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah yeah yeahs ep.jpg |\n Background = Salmon |\n Released = 2001|\n Recorded = Unknown|\n Genre = [[Garage Rock]] |\n Length = 13:38 |\n Label = [[Shifty (label)|Shifty]] |\n Producer = Unknown |\n Reviews = \n*[[All Music Guide]] [[Image:4of5.png]] [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
(2001) | \n Next album = ''[[Machine EP|Machine]]''
(2002) |}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. \n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 72188517, + "parentid": 68326447, + "user": "Kicking222", + "userid": 427784, + "timestamp": "2006-08-27T13:59:01Z", + "sha1": "101e0c52ba46168c2ce9a90521190c3414f0f649", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "note on \"Master\" misnomer", + "*": "{{Infobox Album |\n Name = Yeah Yeah Yeahs|\n Type = [[Extended play|EP]] |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah yeah yeahs ep.jpg |\n Background = Salmon |\n Released = 2001|\n Recorded = Unknown|\n Genre = [[Garage Rock]] |\n Length = 13:38 |\n Label = [[Shifty (label)|Shifty]] |\n Producer = Unknown |\n Reviews = \n*[[All Music Guide]] [[Image:4of5.png]] [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
(2001) | \n Next album = ''[[Machine EP|Machine]]''
(2002) |}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace baring that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 76618426, + "parentid": 72188517, + "minor": "", + "user": "Rwlesses", + "userid": 324926, + "timestamp": "2006-09-19T17:36:33Z", + "sha1": "c30cb7d010ed1046126bd9fb33c81c73936e7f3f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox Album |\n Name = Yeah Yeah Yeahs|\n Type = EP |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah yeah yeahs ep.jpg |\n Released = 2001|\n Recorded = Unknown|\n Genre = [[Garage Rock]] |\n Length = 13:38 |\n Label = [[Shifty (label)|Shifty]] |\n Producer = Unknown |\n Reviews = \n*[[All Music Guide]] [[Image:4of5.png]] [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
(2001) | \n Next album = ''[[Machine EP|Machine]]''
(2002) |}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace baring that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 80233876, + "parentid": 76618426, + "minor": "", + "user": "SmackBot", + "userid": 433328, + "timestamp": "2006-10-08T16:42:50Z", + "sha1": "b64da0c16d651f11efc1dc7b79aca6672ae67798", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Album proj fixes/note/Fmt track listing (simple fixes only) &/or gen fixes using [[WP:AWB|AWB]]", + "*": "{{Infobox Album | \n Name = Yeah Yeah Yeahs|\n Type = EP |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah yeah yeahs ep.jpg |\n Released = 2001|\n Recorded = Unknown|\n Genre = [[Garage Rock]] |\n Length = 13:38 |\n Label = [[Shifty (label)|Shifty]] |\n Producer = Unknown |\n Reviews = \n*[[All Music Guide]] {{rating-5|4}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
(2001) | \n Next album = ''[[Machine EP|Machine]]''
(2002) |}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace baring that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 83473467, + "parentid": 80233876, + "user": "71.254.64.159", + "anon": "", + "userid": 0, + "timestamp": "2006-10-24T18:43:17Z", + "sha1": "2d254012923fef020d0224bcc954f594f5ee6729", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Personnel */", + "*": "{{Infobox Album | \n Name = Yeah Yeah Yeahs|\n Type = EP |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah yeah yeahs ep.jpg |\n Released = 2001|\n Recorded = Unknown|\n Genre = [[Garage Rock]] |\n Length = 13:38 |\n Label = [[Shifty (label)|Shifty]] |\n Producer = Unknown |\n Reviews = \n*[[All Music Guide]] {{rating-5|4}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
(2001) | \n Next album = ''[[Machine EP|Machine]]''
(2002) |}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace baring that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\nhi\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 83497350, + "parentid": 83473467, + "minor": "", + "user": "Gwernol", + "userid": 266416, + "timestamp": "2006-10-24T20:50:47Z", + "sha1": "b64da0c16d651f11efc1dc7b79aca6672ae67798", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Reverted edits by [[Special:Contributions/71.254.64.159|71.254.64.159]] ([[User talk:71.254.64.159|talk]]) to last version by SmackBot", + "*": "{{Infobox Album | \n Name = Yeah Yeah Yeahs|\n Type = EP |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah yeah yeahs ep.jpg |\n Released = 2001|\n Recorded = Unknown|\n Genre = [[Garage Rock]] |\n Length = 13:38 |\n Label = [[Shifty (label)|Shifty]] |\n Producer = Unknown |\n Reviews = \n*[[All Music Guide]] {{rating-5|4}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
(2001) | \n Next album = ''[[Machine EP|Machine]]''
(2002) |}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace baring that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 86084882, + "parentid": 83497350, + "user": "Pietaster", + "userid": 533049, + "timestamp": "2006-11-06T17:51:09Z", + "sha1": "9e60d760d674a2391d5b410d8accea53c8f433f9", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox Album | \n Name = Yeah Yeah Yeahs|\n Type = EP |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah yeah yeahs ep.jpg |\n Released = [[July 9]], [[2001]] |\n Recorded = Unknown|\n Genre = [[Garage Rock]] |\n Length = 13:38 |\n Label = [[Shifty (label)|Shifty]] |\n Producer = Unknown |\n Reviews = \n*[[All Music Guide]] {{rating-5|4}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
(2001) | \n Next album = ''[[Machine EP|Machine]]''
(2002) |}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace baring that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 87926045, + "parentid": 86084882, + "user": "75.180.19.73", + "anon": "", + "userid": 0, + "timestamp": "2006-11-15T05:18:11Z", + "sha1": "1e06018b24490308e43264eca1f1d864fcf8dfbf", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "misspelling", + "*": "{{Infobox Album | \n Name = Yeah Yeah Yeahs|\n Type = EP |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah yeah yeahs ep.jpg |\n Released = [[July 9]], [[2001]] |\n Recorded = Unknown|\n Genre = [[Garage Rock]] |\n Length = 13:38 |\n Label = [[Shifty (label)|Shifty]] |\n Producer = Unknown |\n Reviews = \n*[[All Music Guide]] {{rating-5|4}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
(2001) | \n Next album = ''[[Machine EP|Machine]]''
(2002) |}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 89214771, + "parentid": 87926045, + "user": "Laspirateur", + "userid": 2815690, + "timestamp": "2006-11-21T11:44:40Z", + "sha1": "1059f8a51423604f2d838572c0b936ee17040cf7", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox Album | \n Name = Yeah Yeah Yeahs|\n Type = EP |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah_Yeah_Yeahs_(EP).jpg |\n Released = [[July 9]], [[2001]] |\n Recorded = Unknown|\n Genre = [[Garage Rock]] |\n Length = 13:38 |\n Label = [[Shifty (label)|Shifty]] |\n Producer = Unknown |\n Reviews = \n*[[All Music Guide]] {{rating-5|4}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
(2001) | \n Next album = ''[[Machine EP|Machine]]''
(2002) |}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 95683806, + "parentid": 89214771, + "minor": "", + "user": "Halo", + "userid": 64686, + "timestamp": "2006-12-21T07:02:22Z", + "sha1": "acc6ed036b474fac8208aa166c0af748ff16414d", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Added EPs category", + "*": "{{Infobox Album | \n Name = Yeah Yeah Yeahs|\n Type = EP |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah_Yeah_Yeahs_(EP).jpg |\n Released = [[July 9]], [[2001]] |\n Recorded = Unknown|\n Genre = [[Garage Rock]] |\n Length = 13:38 |\n Label = [[Shifty (label)|Shifty]] |\n Producer = Unknown |\n Reviews = \n*[[All Music Guide]] {{rating-5|4}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
(2001) | \n Next album = ''[[Machine EP|Machine]]''
(2002) |}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:EPs|Yeah Yeah Yeahs]]" + }, + { + "revid": 105447918, + "parentid": 95683806, + "minor": "", + "user": "Thijs!bot", + "userid": 1392310, + "timestamp": "2007-02-04T00:01:45Z", + "sha1": "6b5a317ab7c51920b4040040643135e5168076dd", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "robot Adding: [[sv:Yeah Yeah Yeahs (EP)]]", + "*": "{{Infobox Album | \n Name = Yeah Yeah Yeahs|\n Type = EP |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah_Yeah_Yeahs_(EP).jpg |\n Released = [[July 9]], [[2001]] |\n Recorded = Unknown|\n Genre = [[Garage Rock]] |\n Length = 13:38 |\n Label = [[Shifty (label)|Shifty]] |\n Producer = Unknown |\n Reviews = \n*[[All Music Guide]] {{rating-5|4}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
(2001) | \n Next album = ''[[Machine EP|Machine]]''
(2002) |}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:EPs|Yeah Yeah Yeahs]]\n\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 115105284, + "parentid": 105447918, + "minor": "", + "user": "AlleborgoBot", + "userid": 3813685, + "timestamp": "2007-03-14T17:40:56Z", + "sha1": "c6de1a66b37af320314b622f5084c7af510e3d5c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "robot Adding: [[it:Yeah Yeah Yeahs (EP)]]", + "*": "{{Infobox Album | \n Name = Yeah Yeah Yeahs|\n Type = EP |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah_Yeah_Yeahs_(EP).jpg |\n Released = [[July 9]], [[2001]] |\n Recorded = Unknown|\n Genre = [[Garage Rock]] |\n Length = 13:38 |\n Label = [[Shifty (label)|Shifty]] |\n Producer = Unknown |\n Reviews = \n*[[All Music Guide]] {{rating-5|4}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
(2001) | \n Next album = ''[[Machine EP|Machine]]''
(2002) |}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:EPs|Yeah Yeah Yeahs]]\n\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 127443373, + "parentid": 115105284, + "user": "Thesis4Eva", + "userid": 2716527, + "timestamp": "2007-05-01T15:52:32Z", + "sha1": "e93870d452767edb40cf867712074914a4ae6213", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "added [[Crimson and Clover]] sampling", + "*": "{{Infobox Album | \n Name = Yeah Yeah Yeahs|\n Type = EP |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah_Yeah_Yeahs_(EP).jpg |\n Released = [[July 9]], [[2001]] |\n Recorded = Unknown|\n Genre = [[Garage Rock]] |\n Length = 13:38 |\n Label = [[Shifty (label)|Shifty]] |\n Producer = Unknown |\n Reviews = \n*[[All Music Guide]] {{rating-5|4}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
(2001) | \n Next album = ''[[Machine EP|Machine]]''
(2002) |}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n\n==Trivia==\n* The track \"Our Time\" samples the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O. sings \"''It's the year to be hated / So glad that we made it'',\" the melody is borrowed from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:EPs|Yeah Yeah Yeahs]]\n\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 127444251, + "parentid": 127443373, + "minor": "", + "user": "Thesis4Eva", + "userid": 2716527, + "timestamp": "2007-05-01T15:56:11Z", + "sha1": "e809d9d3c6a5fc811f36030da08214cbcfcdcb22", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Trivia */ sp", + "*": "{{Infobox Album | \n Name = Yeah Yeah Yeahs|\n Type = EP |\n Artist = [[Yeah Yeah Yeahs]] |\n Cover = Yeah_Yeah_Yeahs_(EP).jpg |\n Released = [[July 9]], [[2001]] |\n Recorded = Unknown|\n Genre = [[Garage Rock]] |\n Length = 13:38 |\n Label = [[Shifty (label)|Shifty]] |\n Producer = Unknown |\n Reviews = \n*[[All Music Guide]] {{rating-5|4}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] (***) [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]|\n Last album = |\n This album = '''''Yeah Yeah Yeahs'''''
(2001) | \n Next album = ''[[Machine EP|Machine]]''
(2002) |}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] - [[drums]]\n* [[Nick Zinner]] - [[guitars]]\n* [[Karen O]] - [[vocals]]\n\n== Production ==\n*Crispin - Artwork\n*Chuck Scott - [[Mastering]]\n*Jerry Teel - Engineer\n\n==Trivia==\n* The track \"Our Time\" samples the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is borrowed from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:EPs|Yeah Yeah Yeahs]]\n\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 131084934, + "parentid": 127444251, + "user": "PEJL", + "userid": 1432240, + "timestamp": "2007-05-15T18:02:02Z", + "sha1": "d942ea34c845be9b560ee1014984c3c60b6cd147", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "change to use {{Rating-Christgau}}, tweak formatting and capitalization", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = [[July 9]], [[2001]]\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews = \n*[[All Music Guide]] {{rating-5|4}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n| Last album = \n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] – [[drums]]\n* [[Nick Zinner]] – [[guitars]]\n* [[Karen O]] – [[vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n* The track \"Our Time\" samples the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is borrowed from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:EPs]]\n\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 131425996, + "parentid": 131084934, + "minor": "", + "user": "Nerwen", + "userid": 1438379, + "timestamp": "2007-05-17T00:15:12Z", + "sha1": "142ef8a318be6387b75dc5da89942de69c4ba292", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "category adjust", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = [[July 9]], [[2001]]\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews = \n*[[All Music Guide]] {{rating-5|4}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n| Last album = \n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] – [[drums]]\n* [[Nick Zinner]] – [[guitars]]\n* [[Karen O]] – [[vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n* The track \"Our Time\" samples the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is borrowed from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 139745155, + "parentid": 131425996, + "user": "Gyakusetsu", + "userid": 2105105, + "timestamp": "2007-06-21T20:17:04Z", + "sha1": "1118a962d1dfe54d8048142cd0d5712c8c072104", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Added YYY Template", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = [[July 9]], [[2001]]\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews = \n*[[All Music Guide]] {{rating-5|4}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n| Last album = \n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] – [[drums]]\n* [[Nick Zinner]] – [[guitars]]\n* [[Karen O]] – [[vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n* The track \"Our Time\" samples the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is borrowed from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 145943523, + "parentid": 139745155, + "user": "After Midnight", + "userid": 1344935, + "timestamp": "2007-07-20T16:15:58Z", + "sha1": "da7444272959b9900cbea3dae73bd0f24106d4ea", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Removing instance of image Yeah Yeah Yeahs (EP).jpg that has been speedied deleted per ([[WP:CSD#I6|CSD I6]]); using [[WP:TWINKLE|TW]]", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n\n| Released = [[July 9]], [[2001]]\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews = \n*[[All Music Guide]] {{rating-5|4}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n| Last album = \n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] – [[drums]]\n* [[Nick Zinner]] – [[guitars]]\n* [[Karen O]] – [[vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n* The track \"Our Time\" samples the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is borrowed from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 146307656, + "parentid": 145943523, + "minor": "", + "user": "Pcg13", + "userid": 4818807, + "timestamp": "2007-07-22T12:45:42Z", + "sha1": "044d831d64922d5888714416556fd2dfda1dd5b2", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Added Rolling Stone professional review to reviews section.", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n\n| Released = [[July 9]], [[2001]]\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews = \n*[[All Music Guide]] {{rating-5|4}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*''[[Rolling Stone]]'' {{rating-5|3}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album = \n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] – [[drums]]\n* [[Nick Zinner]] – [[guitars]]\n* [[Karen O]] – [[vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n* The track \"Our Time\" samples the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is borrowed from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 147021179, + "parentid": 146307656, + "user": "Superzote", + "userid": 4944635, + "timestamp": "2007-07-25T16:34:47Z", + "sha1": "d8a10ff6f9d3991e68b654efd7f354d5fa1a8c66", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg -->\n| Released = [[July 9]], [[2001]]\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews = \n*[[All Music Guide]] {{rating-5|4}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*''[[Rolling Stone]]'' {{rating-5|3}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album = \n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] – [[drums]]\n* [[Nick Zinner]] – [[guitars]]\n* [[Karen O]] – [[vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n* The track \"Our Time\" samples the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is borrowed from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 147021188, + "parentid": 147021179, + "user": "Superzote", + "userid": 4944635, + "timestamp": "2007-07-25T16:34:51Z", + "sha1": "e63bef8cff9e447f5a9df4fc8c5ecf8be80d258f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = [[July 9]], [[2001]]\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews = \n*[[All Music Guide]] {{rating-5|4}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*''[[Rolling Stone]]'' {{rating-5|3}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album = \n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] – [[drums]]\n* [[Nick Zinner]] – [[guitars]]\n* [[Karen O]] – [[vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n* The track \"Our Time\" samples the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is borrowed from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 176410605, + "parentid": 147021188, + "user": "172.209.9.126", + "anon": "", + "userid": 0, + "timestamp": "2007-12-07T18:29:33Z", + "sha1": "eda56645f698c277672a44188ea2fcffc260498b", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Trivia */", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = [[July 9]], [[2001]]\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews = \n*[[All Music Guide]] {{rating-5|4}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*''[[Rolling Stone]]'' {{rating-5|3}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album = \n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] – [[drums]]\n* [[Nick Zinner]] – [[guitars]]\n* [[Karen O]] – [[vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n* The track \"Our Time\" samples the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is borrowed from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002 (even tho it wasn't a single)\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 176757380, + "parentid": 176410605, + "user": "87.55.137.9", + "anon": "", + "userid": 0, + "timestamp": "2007-12-09T12:33:34Z", + "sha1": "2e1d81e2492391ee7523963345425de12e51291b", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "+da:", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = [[July 9]], [[2001]]\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews = \n*[[All Music Guide]] {{rating-5|4}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*''[[Rolling Stone]]'' {{rating-5|3}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album = \n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] – [[drums]]\n* [[Nick Zinner]] – [[guitars]]\n* [[Karen O]] – [[vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n* The track \"Our Time\" samples the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is borrowed from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002 (even tho it wasn't a single)\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[da:Yeah Yeah Yeahs (EP)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 178324508, + "parentid": 176757380, + "user": "86.149.191.42", + "anon": "", + "userid": 0, + "timestamp": "2007-12-16T17:43:44Z", + "sha1": "a589cbe2d8ee7e19a597cf50b37583ff31676c80", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Trivia */ spelling. ahem", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = [[July 9]], [[2001]]\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews = \n*[[All Music Guide]] {{rating-5|4}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*''[[Rolling Stone]]'' {{rating-5|3}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album = \n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] – [[drums]]\n* [[Nick Zinner]] – [[guitars]]\n* [[Karen O]] – [[vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n* The track \"Our Time\" samples the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is borrowed from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002 (even though it wasn't a single)\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[da:Yeah Yeah Yeahs (EP)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 182395992, + "parentid": 178324508, + "user": "216.220.21.44", + "anon": "", + "userid": 0, + "timestamp": "2008-01-05T22:40:05Z", + "sha1": "cb2178894d4118e2bd4ab220529c68b7c139bf26", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Trivia */", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = [[July 9]], [[2001]]\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews = \n*[[All Music Guide]] {{rating-5|4}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*''[[Rolling Stone]]'' {{rating-5|3}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album = \n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] – [[drums]]\n* [[Nick Zinner]] – [[guitars]]\n* [[Karen O]] – [[vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002 (even though it wasn't a single)\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[da:Yeah Yeah Yeahs (EP)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 195160697, + "parentid": 182395992, + "user": "Starfighter Pilot", + "userid": 490133, + "timestamp": "2008-03-01T18:55:47Z", + "sha1": "5536341190165d50e77ae5d6540337c4b43037d9", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = [[July 9]], [[2001]]\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews = \n*[[All Music Guide]] {{rating-5|4}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{rating-5|3}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album = \n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] – [[drums]]\n* [[Nick Zinner]] – [[guitars]]\n* [[Karen O]] – [[vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002 (even though it wasn't a single)\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[da:Yeah Yeah Yeahs (EP)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 212572906, + "parentid": 195160697, + "user": "92.16.104.13", + "anon": "", + "userid": 0, + "timestamp": "2008-05-15T10:15:52Z", + "sha1": "b8afec0c5c407f4ebc023afc3fdc91cca8699696", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Trivia */", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = [[July 9]], [[2001]]\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews = \n*[[All Music Guide]] {{rating-5|4}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{rating-5|3}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album = \n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] – [[drums]]\n* [[Nick Zinner]] – [[guitars]]\n* [[Karen O]] – [[vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002.\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[da:Yeah Yeah Yeahs (EP)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 224222451, + "parentid": 212572906, + "minor": "", + "user": "J Milburn Bot", + "userid": 7423137, + "timestamp": "2008-07-07T21:38:02Z", + "sha1": "e80a2a361bf81579f007c73d3936421f59ac39bb", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "All Music Guide has now been rebranded to Allmusic", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = [[July 9]], [[2001]]\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews = \n*[[Allmusic]] {{rating-5|4}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{rating-5|3}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album = \n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] – [[drums]]\n* [[Nick Zinner]] – [[guitars]]\n* [[Karen O]] – [[vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002.\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[da:Yeah Yeah Yeahs (EP)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 233841957, + "parentid": 224222451, + "minor": "", + "user": "Slysplace", + "userid": 3404724, + "timestamp": "2008-08-24T01:28:10Z", + "sha1": "f90a24f4f14fc6551f766df6fd9dbf966fd5988c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Repairing DAB Redirects / links to DAB pages - [[Wikipedia:Disambiguation pages with links|You can help!]], Replaced: [[vocals]] → [[Singing|Vocals]] using [[Project:AutoWikiBrowser|AWB]]", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = [[July 9]], [[2001]]\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews = \n*[[Allmusic]] {{rating-5|4}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{rating-5|3}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album = \n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitars]]\n* [[Karen O]] – [[Singing|Vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002.\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[da:Yeah Yeah Yeahs (EP)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 236953522, + "parentid": 233841957, + "minor": "", + "user": "DinoBot2", + "userid": 7128788, + "timestamp": "2008-09-07T22:54:11Z", + "sha1": "8c31b8ecdbdea1067edb6faa2bff24cb82146f29", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Bot: converting to {{Rating}} template", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = [[July 9]], [[2001]]\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitars]]\n* [[Karen O]] – [[Singing|Vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002.\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[da:Yeah Yeah Yeahs (EP)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 241253713, + "parentid": 236953522, + "minor": "", + "user": "Slysplace", + "userid": 3404724, + "timestamp": "2008-09-27T02:20:45Z", + "sha1": "884226569a9e850316ba3c06b199d0649ee00399", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Repairing Music related DAB Redirects / links to [[Wikipedia:Disambiguation pages with links|DAB]] pages using [[Project:AutoWikiBrowser|AWB]]", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = [[July 9]], [[2001]]\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, [[Shifty (label)|Shifty]]. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover.\n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|Vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002.\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[da:Yeah Yeah Yeahs (EP)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 253644264, + "parentid": 241253713, + "user": "82.10.246.117", + "anon": "", + "userid": 0, + "timestamp": "2008-11-23T19:48:43Z", + "sha1": "1763aa074931413e8fe51a6d53075b24cf6e6d20", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = [[July 9]], [[2001]]\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]]http://www.zobbel.de/cluk/CLUK_Y.HTM. \n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|Vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002.\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[da:Yeah Yeah Yeahs (EP)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 253644901, + "parentid": 253644264, + "user": "82.10.246.117", + "anon": "", + "userid": 0, + "timestamp": "2008-11-23T19:52:24Z", + "sha1": "6eb035b4946a55ee294ed398fb6f6b6a96b935d0", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = [[July 9]], [[2001]]\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]]http://www.zobbel.de/cluk/CLUK_Y.HTM. \n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|Vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002.\n\n==References==\n{{reflist|1}}\n\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[da:Yeah Yeah Yeahs (EP)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 263330205, + "parentid": 253644901, + "minor": "", + "user": "DragonBot", + "userid": 5466012, + "timestamp": "2009-01-11T06:21:01Z", + "sha1": "0953a8f7367132f20e046efb0fdd64fa8f851888", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "robot Modifying: [[da:Yeah Yeah Yeahs (ep)]]", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = [[July 9]], [[2001]]\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]]http://www.zobbel.de/cluk/CLUK_Y.HTM. \n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:09\n# \"Mystery Girl\" – 2:54\n# \"[[Art Star]]\" – 2:00\n# \"Miles Away\" – 2:16\n# \"Our Time\" – 3:19\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|Vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002.\n\n==References==\n{{reflist|1}}\n\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 275965023, + "parentid": 263330205, + "user": "128.138.64.201", + "anon": "", + "userid": 0, + "timestamp": "2009-03-09T04:16:07Z", + "sha1": "754bdcdb0ee0d41558413b8a88d08776d5d8f1f7", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Track listing */", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = [[July 9]], [[2001]]\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]]http://www.zobbel.de/cluk/CLUK_Y.HTM. \n\n==Track listing==\n# \"[[Bang! (Yeah Yeah Yeahs song)|Bang!]]\" – 3:07\n# \"Mystery Girl\" – 2:57\n# \"[[Art Star]]\" – 1:59\n# \"Miles Away\" – 2:17\n# \"Our Time\" – 3:23\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|Vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002.\n\n==References==\n{{reflist|1}}\n\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 280160684, + "parentid": 275965023, + "user": "58.165.35.5", + "anon": "", + "userid": 0, + "timestamp": "2009-03-28T05:51:27Z", + "sha1": "509e20335bb18bf096e2912f24e8333b8a20e450", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = [[July 9]], [[2001]]\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]]http://www.zobbel.de/cluk/CLUK_Y.HTM. \n\n==Track listing==\n# \"Bang\" – 3:07\n# \"Mystery Girl\" – 2:57\n# \"Art Star\" – 1:59\n# \"Miles Away\" – 2:17\n# \"Our Time\" – 3:23\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|Vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002.\n\n==References==\n{{reflist|1}}\n\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 298054266, + "parentid": 280160684, + "user": "Mungo Kitsch", + "userid": 4118222, + "timestamp": "2009-06-23T03:41:48Z", + "sha1": "65067fefe974449b8f7a06ea8a587eb5a5506985", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Trivia */ Oy vey, trivia sections.", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = [[July 9]], [[2001]]\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]]http://www.zobbel.de/cluk/CLUK_Y.HTM. \n\n==Track listing==\n# \"Bang\" – 3:07\n# \"Mystery Girl\" – 2:57\n# \"Art Star\" – 1:59\n# \"Miles Away\" – 2:17\n# \"Our Time\" – 3:23\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|Vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n{{trivia|date = June 2009}}\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002.\n\n==References==\n{{reflist|1}}\n\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 303897408, + "parentid": 298054266, + "user": "96.48.43.213", + "anon": "", + "userid": 0, + "timestamp": "2009-07-24T08:17:39Z", + "sha1": "3717115983862a0900a11ee771a71cf6bfc9a091", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Added information concerning similarities to Saliva album.", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = [[July 9]], [[2001]]\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]]http://www.zobbel.de/cluk/CLUK_Y.HTM. There is some controversy over the album cover, due to it's close resemblance to the popular Saliva album, [[Every Six Seconds]] http://allmusic.com/cg/amg.dll?p=amg&sql=10:apfqxqr0ldje.\n\n==Track listing==\n# \"Bang\" – 3:07\n# \"Mystery Girl\" – 2:57\n# \"Art Star\" – 1:59\n# \"Miles Away\" – 2:17\n# \"Our Time\" – 3:23\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|Vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n{{trivia|date = June 2009}}\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002.\n\n==References==\n{{reflist|1}}\n\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 303915350, + "parentid": 303897408, + "user": "96.48.43.213", + "anon": "", + "userid": 0, + "timestamp": "2009-07-24T11:18:59Z", + "sha1": "2181ae986ba1fb5bcfbba2c2778af4e63e868bca", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Minor punctuation fix. \"it's\" to \"its\"", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = [[July 9]], [[2001]]\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]]http://www.zobbel.de/cluk/CLUK_Y.HTM. There is some controversy over the album cover, due to its close resemblance to the popular Saliva album, [[Every Six Seconds]] http://allmusic.com/cg/amg.dll?p=amg&sql=10:apfqxqr0ldje.\n\n==Track listing==\n# \"Bang\" – 3:07\n# \"Mystery Girl\" – 2:57\n# \"Art Star\" – 1:59\n# \"Miles Away\" – 2:17\n# \"Our Time\" – 3:23\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|Vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n{{trivia|date = June 2009}}\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002.\n\n==References==\n{{reflist|1}}\n\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 305869507, + "parentid": 303915350, + "user": "Quibik", + "userid": 1302777, + "timestamp": "2009-08-03T19:26:55Z", + "sha1": "a39e4e9c7697854206da51bb82b242f904a86150", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "No controversy mentioned in the source given. Removing sentence.", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = [[July 9]], [[2001]]\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]]http://www.zobbel.de/cluk/CLUK_Y.HTM.\n\n==Track listing==\n# \"Bang\" – 3:07\n# \"Mystery Girl\" – 2:57\n# \"Art Star\" – 1:59\n# \"Miles Away\" – 2:17\n# \"Our Time\" – 3:23\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n{{trivia|date = June 2009}}\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002.\n\n==References==\n{{reflist|1}}\n\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 310045479, + "parentid": 305869507, + "minor": "", + "user": "Quibik", + "userid": 1302777, + "timestamp": "2009-08-25T21:28:09Z", + "sha1": "055568a4a6f9649fb14221d0c3fd76b566aae25b", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = [[July 9]], [[2001]]\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]]http://www.zobbel.de/cluk/CLUK_Y.HTM.\n\n==Track listing==\n# \"Bang\" – 3:07\n# \"Mystery Girl\" – 2:57\n# \"Art Star\" – 1:59\n# \"Miles Away\" – 2:17\n# \"Our Time\" – 3:23\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n{{trivia|date = June 2009}}\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002.\n\n==References==\n{{reflist|1}}\n\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 333785368, + "parentid": 310045479, + "minor": "", + "user": "SmackBot", + "userid": 433328, + "timestamp": "2009-12-24T10:10:11Z", + "sha1": "93204b91438ad2d931a157fcb86c33f0d202e1d6", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Delink dates ([[WP:MOSUNLINKDATES]]) using [[Project:AWB]]", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]]http://www.zobbel.de/cluk/CLUK_Y.HTM.\n\n==Track listing==\n# \"Bang\" – 3:07\n# \"Mystery Girl\" – 2:57\n# \"Art Star\" – 1:59\n# \"Miles Away\" – 2:17\n# \"Our Time\" – 3:23\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n{{trivia|date = June 2009}}\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002.\n\n==References==\n{{Reflist|1}}\n\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 335329081, + "parentid": 333785368, + "user": "74.176.90.222", + "anon": "", + "userid": 0, + "timestamp": "2010-01-01T19:58:46Z", + "sha1": "00590757a9aae3861fde9297cce883aa7548539f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Indie rock]], [[art punk]], [[garage punk]], [[hardcore punk]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]]http://www.zobbel.de/cluk/CLUK_Y.HTM.\n\n==Track listing==\n# \"Bang\" – 3:07\n# \"Mystery Girl\" – 2:57\n# \"Art Star\" – 1:59\n# \"Miles Away\" – 2:17\n# \"Our Time\" – 3:23\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n{{trivia|date = June 2009}}\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002.\n\n==References==\n{{Reflist|1}}\n\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 336434335, + "parentid": 335329081, + "user": "Spencerz", + "userid": 6020837, + "timestamp": "2010-01-07T17:44:45Z", + "sha1": "93204b91438ad2d931a157fcb86c33f0d202e1d6", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "[[WP:UNDO|Undid]] revision 335329081 by [[Special:Contributions/74.176.90.222|74.176.90.222]] ([[User talk:74.176.90.222|talk]])", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]]http://www.zobbel.de/cluk/CLUK_Y.HTM.\n\n==Track listing==\n# \"Bang\" – 3:07\n# \"Mystery Girl\" – 2:57\n# \"Art Star\" – 1:59\n# \"Miles Away\" – 2:17\n# \"Our Time\" – 3:23\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n{{trivia|date = June 2009}}\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002.\n\n==References==\n{{Reflist|1}}\n\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 348299240, + "parentid": 336434335, + "minor": "", + "user": "LaaknorBot", + "userid": 6917606, + "timestamp": "2010-03-07T09:11:11Z", + "sha1": "3c4a86bf6583189f76266056f1120f3e427428f4", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "robot Adding: [[pl:Yeah Yeah Yeahs (EP)]]", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]]http://www.zobbel.de/cluk/CLUK_Y.HTM.\n\n==Track listing==\n# \"Bang\" – 3:07\n# \"Mystery Girl\" – 2:57\n# \"Art Star\" – 1:59\n# \"Miles Away\" – 2:17\n# \"Our Time\" – 3:23\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n{{trivia|date = June 2009}}\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002.\n\n==References==\n{{Reflist|1}}\n\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 albums]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[pl:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 350285186, + "parentid": 348299240, + "minor": "", + "user": "Koavf", + "userid": 205121, + "timestamp": "2010-03-16T22:01:33Z", + "sha1": "c48b666ddcea40a97072311010f48034ef669c6c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* References */EP, replaced: 1 albums]] → 1 EPs]] using [[Project:AWB|AWB]]", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]]http://www.zobbel.de/cluk/CLUK_Y.HTM.\n\n==Track listing==\n# \"Bang\" – 3:07\n# \"Mystery Girl\" – 2:57\n# \"Art Star\" – 1:59\n# \"Miles Away\" – 2:17\n# \"Our Time\" – 3:23\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n{{trivia|date = June 2009}}\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002.\n\n==References==\n{{Reflist|1}}\n\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut albums]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[pl:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 350285497, + "parentid": 350285186, + "minor": "", + "user": "Koavf", + "userid": 205121, + "timestamp": "2010-03-16T22:03:28Z", + "sha1": "9cbbda183c7db12f5efb6abcde7b7db0f609ea47", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Removed category [[:Category:Debut albums|Debut albums]]; Quick-adding category [[:Category:Debut EPs|Debut EPs]] (using [[WP:HOTCAT|HotCat]])", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]]http://www.zobbel.de/cluk/CLUK_Y.HTM.\n\n==Track listing==\n# \"Bang\" – 3:07\n# \"Mystery Girl\" – 2:57\n# \"Art Star\" – 1:59\n# \"Miles Away\" – 2:17\n# \"Our Time\" – 3:23\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n{{trivia|date = June 2009}}\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002.\n\n==References==\n{{Reflist|1}}\n\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut EPs]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[pl:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 356788358, + "parentid": 350285497, + "user": "SaphMB", + "userid": 5542576, + "timestamp": "2010-04-18T14:22:18Z", + "sha1": "3045f6ab9fc5c1b61cfc445ad6d8fe3ca0fe8636", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Record Store Day", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]]http://www.zobbel.de/cluk/CLUK_Y.HTM.\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[7\" Single|7\"]] were made available for [[Record Store Day]] [[2010]] to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\n==Track listing==\n# \"Bang\" – 3:07\n# \"Mystery Girl\" – 2:57\n# \"Art Star\" – 1:59\n# \"Miles Away\" – 2:17\n# \"Our Time\" – 3:23\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n{{trivia|date = June 2009}}\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002.\n\n==References==\n{{Reflist|1}}\n\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut EPs]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[pl:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 356788457, + "parentid": 356788358, + "minor": "", + "user": "SaphMB", + "userid": 5542576, + "timestamp": "2010-04-18T14:23:01Z", + "sha1": "7c9fa0035957247d5cc9103b3a69120d0b2101ef", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]]http://www.zobbel.de/cluk/CLUK_Y.HTM.\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] [[2010]] to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\n==Track listing==\n# \"Bang\" – 3:07\n# \"Mystery Girl\" – 2:57\n# \"Art Star\" – 1:59\n# \"Miles Away\" – 2:17\n# \"Our Time\" – 3:23\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n{{trivia|date = June 2009}}\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002.\n\n==References==\n{{Reflist|1}}\n\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut EPs]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[pl:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 373331287, + "parentid": 356788457, + "user": "Rlholden", + "userid": 11132554, + "timestamp": "2010-07-13T21:24:12Z", + "sha1": "a7fc863e705fae5ca556da03c5f15e5b956c6901", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Track listing */", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]]http://www.zobbel.de/cluk/CLUK_Y.HTM.\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] [[2010]] to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\n==Track listing==\n{{Tracklisting\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n{{trivia|date = June 2009}}\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in [[1969]].\n\n* The EP was named NME's second best single of 2002.\n\n==References==\n{{Reflist|1}}\n\n\n{{Yeah Yeah Yeahs}}\n\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 EPs]]\n[[Category:Debut EPs]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[pl:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 386909567, + "parentid": 373331287, + "minor": "", + "user": "SmackBot", + "userid": 433328, + "timestamp": "2010-09-25T10:28:13Z", + "sha1": "56fe86ce0c9fd848e9632a9ddc011def4f0882e8", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Delink dates and general fixes", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Garage Rock]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]]http://www.zobbel.de/cluk/CLUK_Y.HTM.\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\n==Track listing==\n{{Tracklisting\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n{{Trivia|date=June 2009}}\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n* The EP was named NME's second best single of 2002.\n\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[pl:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 387540818, + "parentid": 386909567, + "user": "77.188.25.203", + "anon": "", + "userid": 0, + "timestamp": "2010-09-28T14:55:28Z", + "sha1": "d9415775a1e632e1f0faa50689f0b740f3c88c91", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox Album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Indie Rock]]
[[Garage Rock]]
[[Garage Punk]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]]http://www.zobbel.de/cluk/CLUK_Y.HTM.\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\n==Track listing==\n{{Tracklisting\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n{{Trivia|date=June 2009}}\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n* The EP was named NME's second best single of 2002.\n\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[pl:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 390873052, + "parentid": 387540818, + "minor": "", + "user": "Yobot", + "userid": 7328338, + "timestamp": "2010-10-15T12:58:25Z", + "sha1": "45de6060fb608e2269d15068325a214f4acfa27c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "[[WP:CHECKWIKI]] error fixes + [[WP:GENFIXES|genfixes]] using [[Project:AWB|AWB]]", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Indie Rock]]
[[Garage Rock]]
[[Garage Punk]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]]http://www.zobbel.de/cluk/CLUK_Y.HTM.\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\n==Track listing==\n{{Tracklisting\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n{{Trivia|date=June 2009}}\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n* The EP was named NME's second best single of 2002.\n\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[pl:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 390996304, + "parentid": 390873052, + "user": "186.87.18.30", + "anon": "", + "userid": 0, + "timestamp": "2010-10-16T03:04:41Z", + "sha1": "6579a436dcbe9810928b7db52ec3ed6d02a66d4f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "not garage punk", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Garage Rock Revival]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]]http://www.zobbel.de/cluk/CLUK_Y.HTM.\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\n==Track listing==\n{{Tracklisting\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n{{Trivia|date=June 2009}}\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n* The EP was named NME's second best single of 2002.\n\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[pl:Yeah Yeah Yeahs (EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 393222522, + "parentid": 390996304, + "minor": "", + "user": "Ripchip Bot", + "userid": 11048848, + "timestamp": "2010-10-27T15:11:38Z", + "sha1": "9cd99cd3c1475b9c0781f3c670f391aeec86f6cd", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "robot Adding: [[pt:Yeah Yeah Yeahs (Master EP)]]", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Garage Rock Revival]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]]http://www.zobbel.de/cluk/CLUK_Y.HTM.\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\n==Track listing==\n{{Tracklisting\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n{{Trivia|date=June 2009}}\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n* The EP was named NME's second best single of 2002.\n\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[pl:Yeah Yeah Yeahs (EP)]]\n[[pt:Yeah Yeah Yeahs (Master EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 394439688, + "parentid": 393222522, + "user": "166.137.15.84", + "anon": "", + "userid": 0, + "timestamp": "2010-11-02T20:04:41Z", + "sha1": "774a50ff419dee7494f7a0c68bedb4fed954e623", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[hardcore punk]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]]http://www.zobbel.de/cluk/CLUK_Y.HTM.\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\n==Track listing==\n{{Tracklisting\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n{{Trivia|date=June 2009}}\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n* The EP was named NME's second best single of 2002.\n\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[pl:Yeah Yeah Yeahs (EP)]]\n[[pt:Yeah Yeah Yeahs (Master EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 395894876, + "parentid": 394439688, + "minor": "", + "user": "Luckas-bot", + "userid": 7320905, + "timestamp": "2010-11-10T06:53:37Z", + "sha1": "2db7d1b6817cf46c10b3d269762d4c436b19ad62", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "robot Adding: [[gl:Yeah Yeah Yeahs (EP)]]", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[hardcore punk]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:itazefuk2gf8 link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]]http://www.zobbel.de/cluk/CLUK_Y.HTM.\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\n==Track listing==\n{{Tracklisting\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n{{Trivia|date=June 2009}}\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n* The EP was named NME's second best single of 2002.\n\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[gl:Yeah Yeah Yeahs (EP)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[pl:Yeah Yeah Yeahs (EP)]]\n[[pt:Yeah Yeah Yeahs (Master EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 401986411, + "parentid": 395894876, + "minor": "", + "user": "CactusBot", + "userid": 13350630, + "timestamp": "2010-12-12T17:57:18Z", + "sha1": "96e859a7a7ec784e9ae9d050fc00aeb66c7f6b72", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Bot: 1 external link(s) adapted for allmusic.com, 1 migrated to template usage", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[hardcore punk]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [{{Allmusic|class=album|id=r579012|pure_url=yes}} link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]]http://www.zobbel.de/cluk/CLUK_Y.HTM.\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\n==Track listing==\n{{Tracklisting\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n{{Trivia|date=June 2009}}\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n* The EP was named NME's second best single of 2002.\n\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[gl:Yeah Yeah Yeahs (EP)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[pl:Yeah Yeah Yeahs (EP)]]\n[[pt:Yeah Yeah Yeahs (Master EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 408885045, + "parentid": 401986411, + "user": "189.194.173.73", + "anon": "", + "userid": 0, + "timestamp": "2011-01-20T00:44:12Z", + "sha1": "d93941d1ae38befc44509a83dc35688402faf029", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Minor edit", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[hardcore punk]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [{{Allmusic|class=album|id=r579012|pure_url=yes}} link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]].http://www.zobbel.de/cluk/CLUK_Y.HTM\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\n==Track listing==\n{{Tracklisting\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==Trivia==\n{{Trivia|date=June 2009}}\n* The track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n* The EP was named NME's second best single of 2002.\n\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[gl:Yeah Yeah Yeahs (EP)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[pl:Yeah Yeah Yeahs (EP)]]\n[[pt:Yeah Yeah Yeahs (Master EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 413759068, + "parentid": 408885045, + "minor": "", + "user": "Uberhill", + "userid": 10335956, + "timestamp": "2011-02-13T21:32:46Z", + "sha1": "8256ce867702c6f411229c7b73e4aa9f39ad89b6", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Integrating trivia", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[hardcore punk]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [{{Allmusic|class=album|id=r579012|pure_url=yes}} link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link]\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]].http://www.zobbel.de/cluk/CLUK_Y.HTM\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\nThe EP was named NME's second best single of 2002.\n\n==Track listing==\n{{Tracklisting\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[gl:Yeah Yeah Yeahs (EP)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[pl:Yeah Yeah Yeahs (EP)]]\n[[pt:Yeah Yeah Yeahs (Master EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 420712179, + "parentid": 413759068, + "user": "200.92.154.121", + "anon": "", + "userid": 0, + "timestamp": "2011-03-25T20:42:49Z", + "sha1": "319d12e678748a49636b640bbeb473fc49a0feb0", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Replaced Rolling Stone link with a Wayback Machine archive", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[hardcore punk]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [{{Allmusic|class=album|id=r579012|pure_url=yes}} link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://replay.waybackmachine.org/20090307202935/http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link] \n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]].http://www.zobbel.de/cluk/CLUK_Y.HTM\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\nThe EP was named NME's second best single of 2002.\n\n==Track listing==\n{{Tracklisting\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[gl:Yeah Yeah Yeahs (EP)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[pl:Yeah Yeah Yeahs (EP)]]\n[[pt:Yeah Yeah Yeahs (Master EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 420882765, + "parentid": 420712179, + "user": "Fezmar9", + "userid": 4832855, + "timestamp": "2011-03-26T22:23:21Z", + "sha1": "4057a2426f9b65ab485b4c19ef48bcb53defd45c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "+cat", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[hardcore punk]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Reviews =\n*[[Allmusic]] {{Rating|4|5}} [{{Allmusic|class=album|id=r579012|pure_url=yes}} link]\n*[[Robert Christgau]] {{Rating-Christgau|hm3}} [http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs link]\n*[[Pitchfork Media]] (7.0/10) [http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep link]\n*''[[Rolling Stone]]'' {{Rating|3|5}} [http://replay.waybackmachine.org/20090307202935/http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link] \n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]].http://www.zobbel.de/cluk/CLUK_Y.HTM\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\nThe EP was named NME's second best single of 2002.\n\n==Track listing==\n{{Tracklisting\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:Record Store Day releases]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[gl:Yeah Yeah Yeahs (EP)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[pl:Yeah Yeah Yeahs (EP)]]\n[[pt:Yeah Yeah Yeahs (Master EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 438939394, + "parentid": 420882765, + "user": "Kadhaver", + "userid": 14790280, + "timestamp": "2011-07-11T17:19:28Z", + "sha1": "f01a80969163a911b169c7cefb821e747e024703", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Moved reviews from infobox. [[Wikipedia:WikiProject Albums/Moving infobox reviews into article space|You can help]]!", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[hardcore punk]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n{{Album ratings\n|rev1= [[Allmusic]]\n|rev1score={{Rating|4|5}}{{cite web|url={{Allmusic|class=album|id=r579012|pure_url=yes}} |title=Allmusic review}}\n|rev2=[[Robert Christgau]]\n|rev2score={{Rating-Christgau|hm3}}http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs\n|rev3=[[Pitchfork Media]]\n|rev3score=(7.0/10)http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep\n|rev4=[[Rolling Stone]]\n|rev4score={{Rating|3|5}}http://replay.waybackmachine.org/20090307202935/http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link\n}}\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]].http://www.zobbel.de/cluk/CLUK_Y.HTM\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\nThe EP was named NME's second best single of 2002.\n\n==Track listing==\n{{Tracklisting\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:Record Store Day releases]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[gl:Yeah Yeah Yeahs (EP)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[pl:Yeah Yeah Yeahs (EP)]]\n[[pt:Yeah Yeah Yeahs (Master EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 444464172, + "parentid": 438939394, + "user": "Koavf", + "userid": 205121, + "timestamp": "2011-08-12T16:44:42Z", + "sha1": "97c4d5a5f08d8eb3b6c1e02e7a18809146e94a22", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "barelink tag using [[Project:AWB|AWB]]", + "*": "{{cleanup-linkrot|date=August 2011}}\n{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[hardcore punk]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n{{Album ratings\n|rev1= [[Allmusic]]\n|rev1score={{Rating|4|5}}{{cite web|url={{Allmusic|class=album|id=r579012|pure_url=yes}} |title=Allmusic review}}\n|rev2=[[Robert Christgau]]\n|rev2score={{Rating-Christgau|hm3}}http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs\n|rev3=[[Pitchfork Media]]\n|rev3score=(7.0/10)http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep\n|rev4=[[Rolling Stone]]\n|rev4score={{Rating|3|5}}http://replay.waybackmachine.org/20090307202935/http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link\n}}\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]].http://www.zobbel.de/cluk/CLUK_Y.HTM\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\nThe EP was named NME's second best single of 2002.\n\n==Track listing==\n{{Tracklisting\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:Record Store Day releases]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[gl:Yeah Yeah Yeahs (EP)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[pl:Yeah Yeah Yeahs (EP)]]\n[[pt:Yeah Yeah Yeahs (Master EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 458303640, + "parentid": 444464172, + "minor": "", + "user": "Xeno", + "userid": 1795359, + "timestamp": "2011-10-31T14:49:16Z", + "sha1": "f01a80969163a911b169c7cefb821e747e024703", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "rv unapproved bot task per [[Wikipedia:Administrators'_noticeboard/IncidentArchive716#Koavf|discussion]]", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[hardcore punk]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n{{Album ratings\n|rev1= [[Allmusic]]\n|rev1score={{Rating|4|5}}{{cite web|url={{Allmusic|class=album|id=r579012|pure_url=yes}} |title=Allmusic review}}\n|rev2=[[Robert Christgau]]\n|rev2score={{Rating-Christgau|hm3}}http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs\n|rev3=[[Pitchfork Media]]\n|rev3score=(7.0/10)http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep\n|rev4=[[Rolling Stone]]\n|rev4score={{Rating|3|5}}http://replay.waybackmachine.org/20090307202935/http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs link\n}}\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]].http://www.zobbel.de/cluk/CLUK_Y.HTM\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\nThe EP was named NME's second best single of 2002.\n\n==Track listing==\n{{Tracklisting\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:Record Store Day releases]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[gl:Yeah Yeah Yeahs (EP)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[pl:Yeah Yeah Yeahs (EP)]]\n[[pt:Yeah Yeah Yeahs (Master EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 467979268, + "parentid": 458303640, + "minor": "", + "user": "J.wong.wiki", + "userid": 14973005, + "timestamp": "2011-12-27T21:41:16Z", + "sha1": "1fca7697cbbb26840a27bec1d29c098f8ac88242", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Replace Rolling Stone reference link (to archive) with news cite.", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[hardcore punk]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]].http://www.zobbel.de/cluk/CLUK_Y.HTM\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\nThe EP was named NME's second best single of 2002.\n\n{{Album ratings\n|rev1= [[Allmusic]]\n|rev1score={{Rating|4|5}}{{cite web|url={{Allmusic|class=album|tab=review|id=r579012|pure_url=yes}} |title=Allmusic review}}\n|rev2=[[Robert Christgau]]\n|rev2score={{Rating-Christgau|hm3}}http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs\n|rev3=[[Pitchfork Media]]\n|rev3score=(7.0/10)http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep\n|rev4=[[Rolling Stone]]\n|rev4score={{Rating|3|5}}{{Cite news |newspaper=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |first=Rob |last=Sheffield |authorlink=Rob Sheffield |title=''Yeah Yeah Yeahs'' > EP Review |url=http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs |accessdate= {{Date|2007-07-25}} |archiveurl=http://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate={{Date|2008-02-06}} }} Posted July 16, 2002.\n}}\n\n==Track listing==\n{{Tracklisting\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:Record Store Day releases]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[gl:Yeah Yeah Yeahs (EP)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[pl:Yeah Yeah Yeahs (EP)]]\n[[pt:Yeah Yeah Yeahs (Master EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 467979364, + "parentid": 467979268, + "minor": "", + "user": "J.wong.wiki", + "userid": 14973005, + "timestamp": "2011-12-27T21:41:56Z", + "sha1": "056d2abc1921b224591ef3b264fbbe6fdc4c782a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[hardcore punk]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]].http://www.zobbel.de/cluk/CLUK_Y.HTM\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\nThe EP was named NME's second best single of 2002.\n\n{{Album ratings\n|rev1= [[Allmusic]]\n|rev1score={{Rating|4|5}}{{cite web|url={{Allmusic|class=album|tab=review|id=r579012|pure_url=yes}} |title=Allmusic review}}\n|rev2=[[Robert Christgau]]\n|rev2score={{Rating-Christgau|hm3}}http://www.robertchristgau.com/get_artist.php?id=4649&name=Yeah+Yeah+Yeahs\n|rev3=[[Pitchfork Media]]\n|rev3score=(7.0/10)http://www.pitchforkmedia.com/article/record_review/23382-yeah-yeah-yeahs-ep\n| rev4 = ''[[Rolling Stone]]''\n| rev4score={{Rating|3|5}}{{Cite news |newspaper=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |first=Rob |last=Sheffield |authorlink=Rob Sheffield |title=''Yeah Yeah Yeahs'' > EP Review |url=http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs |accessdate= {{Date|2007-07-25}} |archiveurl=http://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate={{Date|2008-02-06}} }} Posted July 16, 2002.\n}}\n\n==Track listing==\n{{Tracklisting\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:Record Store Day releases]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[gl:Yeah Yeah Yeahs (EP)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[pl:Yeah Yeah Yeahs (EP)]]\n[[pt:Yeah Yeah Yeahs (Master EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 468021007, + "parentid": 467979364, + "minor": "", + "user": "J.wong.wiki", + "userid": 14973005, + "timestamp": "2011-12-28T03:36:52Z", + "sha1": "0c58c4bf8f39b01e0995d38b2b86958c95c61000", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Add author to Allmusic cite (and tab=review for url template). Replace Christgau, Pitchfork reference bare url's with cites and live url for Pitchfork. Add Christgau Village Voice cite and \"Relevant portion also posted at\" prefix existing url cite.", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[hardcore punk]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]].http://www.zobbel.de/cluk/CLUK_Y.HTM\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\nThe EP was named NME's second best single of 2002.\n\n{{Album ratings\n| rev1 = [[Allmusic]]\n| rev1score = {{Rating|4|5}} {{cite web |url={{Allmusic|class=album|tab=review|id=r579012|pure_url=yes}} |first=Heather |last=Phares |title=Yeah Yeah Yeahs ''Yeah Yeah Yeahs'' |work=[[Allmusic]] |accessdate={{Date|2005-08-26}} }}\n| rev2 = [[Robert Christgau]]\n| rev2score = {{Rating-Christgau|hm3}} {{Cite news |newspaper=[[The Village Voice]] |date=January 2, 2002 |first=Robert |last=Christgau |title=Consumer Guide: Popstakes: Honorable Mention: ''Yeah Yeah Yeahs'' |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |accessdate={{Date|2011-12-28}} }} Relevant portion also posted at {{Cite web |publisher=[[Robert Christgau]] |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' > Consumer Guide Album |url=http://robertchristgau.com/get_album.php?id=10922 |accessdate={{Date|2005-08-26}} }}\n| rev3 = [[Pitchfork Magazine|Pitchfork]]\n| rev3score = (7.0/10) {{Cite web |work=[[pitchfork.com]] |publisher=Pitchfork Media |date=July 3, 2002 |first=Chris |last=Dahlen |title=Yeah Yeah Yeahs ''Yeah Yeah Yeahs'' > Album Review |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |accessdate={{Date|2008-03-01}} }}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score={{Rating|3|5}}{{Cite news |newspaper=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |first=Rob |last=Sheffield |authorlink=Rob Sheffield |title=''Yeah Yeah Yeahs'' > EP Review |url=http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs |accessdate= {{Date|2007-07-25}} |archiveurl=http://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate={{Date|2007-07-22}} }} Posted July 16, 2002.\n}}\n\n==Track listing==\n{{Tracklisting\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:Record Store Day releases]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[gl:Yeah Yeah Yeahs (EP)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[pl:Yeah Yeah Yeahs (EP)]]\n[[pt:Yeah Yeah Yeahs (Master EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 476333340, + "parentid": 468021007, + "minor": "", + "user": "Yobot", + "userid": 7328338, + "timestamp": "2012-02-11T20:35:35Z", + "sha1": "fe35135be26180ec08901815fb6b3c19278d8a82", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "[[WP:CHECKWIKI]] error fixes + [[WP:GENFIXES|general fixes]] using [[Project:AWB|AWB]] (7959)", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[hardcore punk]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]].http://www.zobbel.de/cluk/CLUK_Y.HTM\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\nThe EP was named NME's second best single of 2002.\n\n{{Album ratings\n| rev1 = [[Allmusic]]\n| rev1score = {{Rating|4|5}} {{cite web |url={{Allmusic|class=album|tab=review|id=r579012|pure_url=yes}} |first=Heather |last=Phares |title=Yeah Yeah Yeahs ''Yeah Yeah Yeahs'' |work=[[Allmusic]] |accessdate={{Date|2005-08-26}} }}\n| rev2 = [[Robert Christgau]]\n| rev2score = {{Rating-Christgau|hm3}} {{Cite news |newspaper=[[The Village Voice]] |date=January 2, 2002 |first=Robert |last=Christgau |title=Consumer Guide: Popstakes: Honorable Mention: ''Yeah Yeah Yeahs'' |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |accessdate={{Date|2011-12-28}} }} Relevant portion also posted at {{Cite web |publisher=[[Robert Christgau]] |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' > Consumer Guide Album |url=http://robertchristgau.com/get_album.php?id=10922 |accessdate={{Date|2005-08-26}} }}\n| rev3 = [[Pitchfork Magazine|Pitchfork]]\n| rev3score = (7.0/10) {{Cite web |work=[[pitchfork.com]] |publisher=Pitchfork Media |date=July 3, 2002 |first=Chris |last=Dahlen |title=Yeah Yeah Yeahs ''Yeah Yeah Yeahs'' > Album Review |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |accessdate={{Date|2008-03-01}} }}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score={{Rating|3|5}}{{Cite news |newspaper=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |first=Rob |last=Sheffield |authorlink=Rob Sheffield |title=''Yeah Yeah Yeahs'' > EP Review |url=http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs |accessdate= {{Date|2007-07-25}} |archiveurl=http://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate={{Date|2007-07-22}} }} Posted July 16, 2002.\n}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:Record Store Day releases]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[gl:Yeah Yeah Yeahs (EP)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[pl:Yeah Yeah Yeahs (EP)]]\n[[pt:Yeah Yeah Yeahs (Master EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 503847086, + "parentid": 476333340, + "user": "Braincricket", + "userid": 13848841, + "timestamp": "2012-07-23T22:45:17Z", + "sha1": "8c11c8737611587c800348efd07f84c33a96bf91", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Production */Fixing [[Wikipedia:Disambiguation pages with links|links to disambiguation pages]] using [[Project:AWB|AWB]] (8062)", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[hardcore punk]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]].http://www.zobbel.de/cluk/CLUK_Y.HTM\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\nThe EP was named NME's second best single of 2002.\n\n{{Album ratings\n| rev1 = [[Allmusic]]\n| rev1score = {{Rating|4|5}} {{cite web |url={{Allmusic|class=album|tab=review|id=r579012|pure_url=yes}} |first=Heather |last=Phares |title=Yeah Yeah Yeahs ''Yeah Yeah Yeahs'' |work=[[Allmusic]] |accessdate={{Date|2005-08-26}} }}\n| rev2 = [[Robert Christgau]]\n| rev2score = {{Rating-Christgau|hm3}} {{Cite news |newspaper=[[The Village Voice]] |date=January 2, 2002 |first=Robert |last=Christgau |title=Consumer Guide: Popstakes: Honorable Mention: ''Yeah Yeah Yeahs'' |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |accessdate={{Date|2011-12-28}} }} Relevant portion also posted at {{Cite web |publisher=[[Robert Christgau]] |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' > Consumer Guide Album |url=http://robertchristgau.com/get_album.php?id=10922 |accessdate={{Date|2005-08-26}} }}\n| rev3 = [[Pitchfork Magazine|Pitchfork]]\n| rev3score = (7.0/10) {{Cite web |work=[[pitchfork.com]] |publisher=Pitchfork Media |date=July 3, 2002 |first=Chris |last=Dahlen |title=Yeah Yeah Yeahs ''Yeah Yeah Yeahs'' > Album Review |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |accessdate={{Date|2008-03-01}} }}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score={{Rating|3|5}}{{Cite news |newspaper=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |first=Rob |last=Sheffield |authorlink=Rob Sheffield |title=''Yeah Yeah Yeahs'' > EP Review |url=http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs |accessdate= {{Date|2007-07-25}} |archiveurl=http://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate={{Date|2007-07-22}} }} Posted July 16, 2002.\n}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:Record Store Day releases]]\n\n[[da:Yeah Yeah Yeahs (ep)]]\n[[gl:Yeah Yeah Yeahs (EP)]]\n[[it:Yeah Yeah Yeahs (EP)]]\n[[pl:Yeah Yeah Yeahs (EP)]]\n[[pt:Yeah Yeah Yeahs (Master EP)]]\n[[sv:Yeah Yeah Yeahs (EP)]]" + }, + { + "revid": 541395954, + "parentid": 503847086, + "minor": "", + "user": "Addbot", + "userid": 6569922, + "timestamp": "2013-03-01T02:28:02Z", + "sha1": "42d74c36325c63d381c314c3a570f33ca4f7ee97", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "[[User:Addbot|Bot:]] Migrating 6 interwiki links, now provided by [[Wikipedia:Wikidata|Wikidata]] on [[d:q2709107]] ([[User talk:Addbot|Report Errors]])", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[hardcore punk]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]].http://www.zobbel.de/cluk/CLUK_Y.HTM\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\nThe EP was named NME's second best single of 2002.\n\n{{Album ratings\n| rev1 = [[Allmusic]]\n| rev1score = {{Rating|4|5}} {{cite web |url={{Allmusic|class=album|tab=review|id=r579012|pure_url=yes}} |first=Heather |last=Phares |title=Yeah Yeah Yeahs ''Yeah Yeah Yeahs'' |work=[[Allmusic]] |accessdate={{Date|2005-08-26}} }}\n| rev2 = [[Robert Christgau]]\n| rev2score = {{Rating-Christgau|hm3}} {{Cite news |newspaper=[[The Village Voice]] |date=January 2, 2002 |first=Robert |last=Christgau |title=Consumer Guide: Popstakes: Honorable Mention: ''Yeah Yeah Yeahs'' |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |accessdate={{Date|2011-12-28}} }} Relevant portion also posted at {{Cite web |publisher=[[Robert Christgau]] |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' > Consumer Guide Album |url=http://robertchristgau.com/get_album.php?id=10922 |accessdate={{Date|2005-08-26}} }}\n| rev3 = [[Pitchfork Magazine|Pitchfork]]\n| rev3score = (7.0/10) {{Cite web |work=[[pitchfork.com]] |publisher=Pitchfork Media |date=July 3, 2002 |first=Chris |last=Dahlen |title=Yeah Yeah Yeahs ''Yeah Yeah Yeahs'' > Album Review |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |accessdate={{Date|2008-03-01}} }}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score={{Rating|3|5}}{{Cite news |newspaper=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |first=Rob |last=Sheffield |authorlink=Rob Sheffield |title=''Yeah Yeah Yeahs'' > EP Review |url=http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs |accessdate= {{Date|2007-07-25}} |archiveurl=http://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate={{Date|2007-07-22}} }} Posted July 16, 2002.\n}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:Record Store Day releases]]" + }, + { + "revid": 548254845, + "parentid": 541395954, + "user": "173.17.243.114", + "anon": "", + "userid": 0, + "timestamp": "2013-04-02T02:40:20Z", + "sha1": "0695e45e3c1fe41973a04df4b54a62871c5966df", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Indie rock]], [[art punk]], [[garage punk]], [[hardcore punk]], [[post-hardcore]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]].http://www.zobbel.de/cluk/CLUK_Y.HTM\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\nThe EP was named NME's second best single of 2002.\n\n{{Album ratings\n| rev1 = [[Allmusic]]\n| rev1score = {{Rating|4|5}} {{cite web |url={{Allmusic|class=album|tab=review|id=r579012|pure_url=yes}} |first=Heather |last=Phares |title=Yeah Yeah Yeahs ''Yeah Yeah Yeahs'' |work=[[Allmusic]] |accessdate={{Date|2005-08-26}} }}\n| rev2 = [[Robert Christgau]]\n| rev2score = {{Rating-Christgau|hm3}} {{Cite news |newspaper=[[The Village Voice]] |date=January 2, 2002 |first=Robert |last=Christgau |title=Consumer Guide: Popstakes: Honorable Mention: ''Yeah Yeah Yeahs'' |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |accessdate={{Date|2011-12-28}} }} Relevant portion also posted at {{Cite web |publisher=[[Robert Christgau]] |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' > Consumer Guide Album |url=http://robertchristgau.com/get_album.php?id=10922 |accessdate={{Date|2005-08-26}} }}\n| rev3 = [[Pitchfork Magazine|Pitchfork]]\n| rev3score = (7.0/10) {{Cite web |work=[[pitchfork.com]] |publisher=Pitchfork Media |date=July 3, 2002 |first=Chris |last=Dahlen |title=Yeah Yeah Yeahs ''Yeah Yeah Yeahs'' > Album Review |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |accessdate={{Date|2008-03-01}} }}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score={{Rating|3|5}}{{Cite news |newspaper=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |first=Rob |last=Sheffield |authorlink=Rob Sheffield |title=''Yeah Yeah Yeahs'' > EP Review |url=http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs |accessdate= {{Date|2007-07-25}} |archiveurl=http://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate={{Date|2007-07-22}} }} Posted July 16, 2002.\n}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:Record Store Day releases]]" + }, + { + "revid": 548254892, + "parentid": 548254845, + "user": "Teflon Peter Christ", + "userid": 6661051, + "timestamp": "2013-04-02T02:40:45Z", + "sha1": "42d74c36325c63d381c314c3a570f33ca4f7ee97", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Undid revision 548254845 by [[Special:Contributions/173.17.243.114|173.17.243.114]] ([[User talk:173.17.243.114|talk]])", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[hardcore punk]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]].http://www.zobbel.de/cluk/CLUK_Y.HTM\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\nThe EP was named NME's second best single of 2002.\n\n{{Album ratings\n| rev1 = [[Allmusic]]\n| rev1score = {{Rating|4|5}} {{cite web |url={{Allmusic|class=album|tab=review|id=r579012|pure_url=yes}} |first=Heather |last=Phares |title=Yeah Yeah Yeahs ''Yeah Yeah Yeahs'' |work=[[Allmusic]] |accessdate={{Date|2005-08-26}} }}\n| rev2 = [[Robert Christgau]]\n| rev2score = {{Rating-Christgau|hm3}} {{Cite news |newspaper=[[The Village Voice]] |date=January 2, 2002 |first=Robert |last=Christgau |title=Consumer Guide: Popstakes: Honorable Mention: ''Yeah Yeah Yeahs'' |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |accessdate={{Date|2011-12-28}} }} Relevant portion also posted at {{Cite web |publisher=[[Robert Christgau]] |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' > Consumer Guide Album |url=http://robertchristgau.com/get_album.php?id=10922 |accessdate={{Date|2005-08-26}} }}\n| rev3 = [[Pitchfork Magazine|Pitchfork]]\n| rev3score = (7.0/10) {{Cite web |work=[[pitchfork.com]] |publisher=Pitchfork Media |date=July 3, 2002 |first=Chris |last=Dahlen |title=Yeah Yeah Yeahs ''Yeah Yeah Yeahs'' > Album Review |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |accessdate={{Date|2008-03-01}} }}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score={{Rating|3|5}}{{Cite news |newspaper=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |first=Rob |last=Sheffield |authorlink=Rob Sheffield |title=''Yeah Yeah Yeahs'' > EP Review |url=http://www.rollingstone.com/artists/yeahyeahyeahs/albums/album/142218/review/5944456/yeah_yeah_yeahs |accessdate= {{Date|2007-07-25}} |archiveurl=http://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate={{Date|2007-07-22}} }} Posted July 16, 2002.\n}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:Record Store Day releases]]" + }, + { + "revid": 555256457, + "parentid": 548254892, + "user": "Angeldeb82", + "userid": 1021097, + "timestamp": "2013-05-15T19:20:36Z", + "sha1": "a1d73f20e3c4dfa6d67bb32a4d68cd3ea03f7228", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Fixed a lot of tweaks; replaced obsolete Rolling Stone link with new one; added more scores and links.", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[hardcore punk]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' (mislabeled as '''''Master''''') is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]].http://www.zobbel.de/cluk/CLUK_Y.HTM\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\nThe EP was named NME's second best single of 2002.\n\n{{Album ratings\n| MC = (73/100) {{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs/critic-reviews |title=Critic Reviews for Yeah Yeah Yeahs (EP) |work=[[Metacritic]] |accessdate={{Date|2013-05-15}}}}\n| rev1 = [[Allmusic]]\n| rev1score = {{Rating|4|5}} {{cite web |url={{Allmusic|class=album|tab=review|id=r579012|pure_url=yes}} |first=Heather |last=Phares |title=Yeah Yeah Yeahs - Yeah Yeah Yeahs |work=[[Allmusic]] |accessdate={{Date|2005-08-26}}}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}} \n| rev3 = [[Robert Christgau]]\n| rev3score = {{Rating-Christgau|hm3}} {{Cite news |newspaper=[[The Village Voice]] |date=January 2, 2002 |first=Robert |last=Christgau |title=Consumer Guide: Popstakes: Honorable Mention: ''Yeah Yeah Yeahs'' |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |accessdate={{Date|2011-12-28}} }} Relevant portion also posted at {{Cite web |publisher=[[Robert Christgau]] |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |url=http://robertchristgau.com/get_album.php?id=10922 |accessdate={{Date|2005-08-26}}}}\n| rev4 = [[E!|E! Online]]\n| rev4score = B \n| rev5 = Neumu.net\n| rev5score = {{Rating|8|10}} {{Cite web |publisher=Neumu.net |first=Jenny |last=Tatone |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |url=http://neumu.net/fortyfour/2002/2002-00130/2002-00130_fortyfour.shtml |accessdate={{Date|2013-05-15}} |archiveurl=http://web.archive.org/web/20080225113620/http://neumu.net/fortyfour/2002/2002-00130/2002-00130_fortyfour.shtml |archivedate={{Date|2008-02-25}} |deadurl=no}}\n| rev6 = [[Pitchfork Media|Pitchfork]]\n| rev6score = (7.0/10) {{Cite web |work=pitchfork.com |publisher=[[Pitchfork Media]] |date=July 3, 2002 |first=Chris |last=Dahlen |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |accessdate={{Date|2008-03-01}}}}\n| rev7 = ''[[Rolling Stone]]''\n| rev7score = {{Rating|3|5}} {{Cite news |newspaper=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |first=Rob |last=Sheffield |authorlink=Rob Sheffield |title=Yeah Yeah Yeahs |url=http://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |accessdate={{Date|2007-07-25}} |archiveurl=http://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate={{Date|2007-07-22}} |deadurl=no}} Posted July 16, 2002.\n| rev8 = ''[[Stylus Magazine]]''\n| rev8score = C+ {{Cite web |publisher=''[[Stylus Magazine]]'' |date=September 1, 2003 first=Kurt |last=Deschermeier |title=Yeah Yeah Yeahs - Master - Review |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |accessdate={{Date|2013-05-15}}}}\n}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:Record Store Day releases]]" + }, + { + "revid": 555256539, + "parentid": 555256457, + "minor": "", + "user": "Angeldeb82", + "userid": 1021097, + "timestamp": "2013-05-15T19:21:07Z", + "sha1": "6934c2650b75d57d697ed89499b99b71347e7cc7", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[hardcore punk]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' (mislabeled as '''''Master''''') is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]].http://www.zobbel.de/cluk/CLUK_Y.HTM\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\nThe EP was named NME's second best single of 2002.\n\n{{Album ratings\n| MC = (73/100) {{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs/critic-reviews |title=Critic Reviews for Yeah Yeah Yeahs (EP) |work=[[Metacritic]] |accessdate={{Date|2013-05-15}}}}\n| rev1 = [[Allmusic]]\n| rev1score = {{Rating|4|5}} {{cite web |url={{Allmusic|class=album|tab=review|id=r579012|pure_url=yes}} |first=Heather |last=Phares |title=Yeah Yeah Yeahs - Yeah Yeah Yeahs |work=[[Allmusic]] |accessdate={{Date|2005-08-26}}}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}} \n| rev3 = [[Robert Christgau]]\n| rev3score = {{Rating-Christgau|hm3}} {{Cite news |newspaper=[[The Village Voice]] |date=January 2, 2002 |first=Robert |last=Christgau |title=Consumer Guide: Popstakes: Honorable Mention: ''Yeah Yeah Yeahs'' |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |accessdate={{Date|2011-12-28}} }} Relevant portion also posted at {{Cite web |publisher=[[Robert Christgau]] |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |url=http://robertchristgau.com/get_album.php?id=10922 |accessdate={{Date|2005-08-26}}}}\n| rev4 = [[E!|E! Online]]\n| rev4score = B \n| rev5 = Neumu.net\n| rev5score = {{Rating|8|10}} {{Cite web |publisher=Neumu.net |first=Jenny |last=Tatone |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |url=http://neumu.net/fortyfour/2002/2002-00130/2002-00130_fortyfour.shtml |accessdate={{Date|2013-05-15}} |archiveurl=http://web.archive.org/web/20080225113620/http://neumu.net/fortyfour/2002/2002-00130/2002-00130_fortyfour.shtml |archivedate={{Date|2008-02-25}} |deadurl=no}}\n| rev6 = [[Pitchfork Media|Pitchfork]]\n| rev6score = (7.0/10) {{Cite web |work=pitchfork.com |publisher=[[Pitchfork Media]] |date=July 3, 2002 |first=Chris |last=Dahlen |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |accessdate={{Date|2008-03-01}}}}\n| rev7 = ''[[Rolling Stone]]''\n| rev7score = {{Rating|3|5}} {{Cite news |newspaper=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |first=Rob |last=Sheffield |authorlink=Rob Sheffield |title=Yeah Yeah Yeahs |url=http://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |accessdate={{Date|2007-07-25}} |archiveurl=http://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate={{Date|2007-07-22}} |deadurl=no}} Posted July 16, 2002.\n| rev8 = ''[[Stylus Magazine]]''\n| rev8score = C+ {{Cite web |publisher=''[[Stylus Magazine]]'' |date=September 1, 2003 |first=Kurt |last=Deschermeier |title=Yeah Yeah Yeahs - Master - Review |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |accessdate={{Date|2013-05-15}}}}\n}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:Record Store Day releases]]" + }, + { + "revid": 555374387, + "parentid": 555256539, + "user": "Angeldeb82", + "userid": 1021097, + "timestamp": "2013-05-16T14:56:34Z", + "sha1": "99e631f1bd936c61dbb1ee31d99d812a2902eb3a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Since Neumu.net has been down for I don't know how long due to an \"Internal Server Error\", I may as well label it as a \"dead link\".", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[hardcore punk]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine EP|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' (mislabeled as '''''Master''''') is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]].http://www.zobbel.de/cluk/CLUK_Y.HTM\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\nThe EP was named NME's second best single of 2002.\n\n{{Album ratings\n| MC = (73/100) {{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs/critic-reviews |title=Critic Reviews for Yeah Yeah Yeahs (EP) |work=[[Metacritic]] |accessdate={{Date|2013-05-15}}}}\n| rev1 = [[Allmusic]]\n| rev1score = {{Rating|4|5}} {{cite web |url={{Allmusic|class=album|tab=review|id=r579012|pure_url=yes}} |first=Heather |last=Phares |title=Yeah Yeah Yeahs - Yeah Yeah Yeahs |work=[[Allmusic]] |accessdate={{Date|2005-08-26}}}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}} \n| rev3 = [[Robert Christgau]]\n| rev3score = {{Rating-Christgau|hm3}} {{Cite news |newspaper=[[The Village Voice]] |date=January 2, 2002 |first=Robert |last=Christgau |title=Consumer Guide: Popstakes: Honorable Mention: ''Yeah Yeah Yeahs'' |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |accessdate={{Date|2011-12-28}} }} Relevant portion also posted at {{Cite web |publisher=[[Robert Christgau]] |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |url=http://robertchristgau.com/get_album.php?id=10922 |accessdate={{Date|2005-08-26}}}}\n| rev4 = [[E!|E! Online]]\n| rev4score = B \n| rev5 = Neumu.net\n| rev5score = {{Rating|8|10}} {{Cite web |publisher=Neumu.net |first=Jenny |last=Tatone |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |url=http://neumu.net/fortyfour/2002/2002-00130/2002-00130_fortyfour.shtml |accessdate={{Date|2013-05-15}} |archiveurl=http://web.archive.org/web/20080225113620/http://neumu.net/fortyfour/2002/2002-00130/2002-00130_fortyfour.shtml |archivedate={{Date|2008-02-25}} |deadurl=yes}}\n| rev6 = [[Pitchfork Media|Pitchfork]]\n| rev6score = (7.0/10) {{Cite web |work=pitchfork.com |publisher=[[Pitchfork Media]] |date=July 3, 2002 |first=Chris |last=Dahlen |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |accessdate={{Date|2008-03-01}}}}\n| rev7 = ''[[Rolling Stone]]''\n| rev7score = {{Rating|3|5}} {{Cite news |newspaper=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |first=Rob |last=Sheffield |authorlink=Rob Sheffield |title=Yeah Yeah Yeahs |url=http://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |accessdate={{Date|2007-07-25}} |archiveurl=http://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate={{Date|2007-07-22}} |deadurl=no}} Posted July 16, 2002.\n| rev8 = ''[[Stylus Magazine]]''\n| rev8score = C+ {{Cite web |publisher=''[[Stylus Magazine]]'' |date=September 1, 2003 |first=Kurt |last=Deschermeier |title=Yeah Yeah Yeahs - Master - Review |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |accessdate={{Date|2013-05-15}}}}\n}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:Record Store Day releases]]" + }, + { + "revid": 574560619, + "parentid": 555374387, + "user": "Kuz8949364", + "userid": 18878834, + "timestamp": "2013-09-26T05:15:51Z", + "sha1": "c4d009a351e9960e8cae0fd98db8c50db9e8962b", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[hardcore punk]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine (EP)|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' (mislabeled as '''''Master''''') is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]].http://www.zobbel.de/cluk/CLUK_Y.HTM\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\nThe EP was named NME's second best single of 2002.\n\n{{Album ratings\n| MC = (73/100) {{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs/critic-reviews |title=Critic Reviews for Yeah Yeah Yeahs (EP) |work=[[Metacritic]] |accessdate={{Date|2013-05-15}}}}\n| rev1 = [[Allmusic]]\n| rev1score = {{Rating|4|5}} {{cite web |url={{Allmusic|class=album|tab=review|id=r579012|pure_url=yes}} |first=Heather |last=Phares |title=Yeah Yeah Yeahs - Yeah Yeah Yeahs |work=[[Allmusic]] |accessdate={{Date|2005-08-26}}}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}} \n| rev3 = [[Robert Christgau]]\n| rev3score = {{Rating-Christgau|hm3}} {{Cite news |newspaper=[[The Village Voice]] |date=January 2, 2002 |first=Robert |last=Christgau |title=Consumer Guide: Popstakes: Honorable Mention: ''Yeah Yeah Yeahs'' |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |accessdate={{Date|2011-12-28}} }} Relevant portion also posted at {{Cite web |publisher=[[Robert Christgau]] |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |url=http://robertchristgau.com/get_album.php?id=10922 |accessdate={{Date|2005-08-26}}}}\n| rev4 = [[E!|E! Online]]\n| rev4score = B \n| rev5 = Neumu.net\n| rev5score = {{Rating|8|10}} {{Cite web |publisher=Neumu.net |first=Jenny |last=Tatone |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |url=http://neumu.net/fortyfour/2002/2002-00130/2002-00130_fortyfour.shtml |accessdate={{Date|2013-05-15}} |archiveurl=http://web.archive.org/web/20080225113620/http://neumu.net/fortyfour/2002/2002-00130/2002-00130_fortyfour.shtml |archivedate={{Date|2008-02-25}} |deadurl=yes}}\n| rev6 = [[Pitchfork Media|Pitchfork]]\n| rev6score = (7.0/10) {{Cite web |work=pitchfork.com |publisher=[[Pitchfork Media]] |date=July 3, 2002 |first=Chris |last=Dahlen |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |accessdate={{Date|2008-03-01}}}}\n| rev7 = ''[[Rolling Stone]]''\n| rev7score = {{Rating|3|5}} {{Cite news |newspaper=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |first=Rob |last=Sheffield |authorlink=Rob Sheffield |title=Yeah Yeah Yeahs |url=http://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |accessdate={{Date|2007-07-25}} |archiveurl=http://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate={{Date|2007-07-22}} |deadurl=no}} Posted July 16, 2002.\n| rev8 = ''[[Stylus Magazine]]''\n| rev8score = C+ {{Cite web |publisher=''[[Stylus Magazine]]'' |date=September 1, 2003 |first=Kurt |last=Deschermeier |title=Yeah Yeah Yeahs - Master - Review |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |accessdate={{Date|2013-05-15}}}}\n}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:Record Store Day releases]]" + }, + { + "revid": 576493745, + "parentid": 574560619, + "user": "Koavf", + "userid": 205121, + "timestamp": "2013-10-09T20:27:47Z", + "sha1": "b00f318dbd57da7680721552deb377d435a80b85", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "added [[Category:2001 debut albums]] using [[WP:HC|HotCat]]", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[hardcore punk]]\n| Length = 13:38\n| Label = [[Shifty (label)|Shifty]]\n| Producer = Unknown\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine (EP)|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' (mislabeled as '''''Master''''') is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]].http://www.zobbel.de/cluk/CLUK_Y.HTM\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\nThe EP was named NME's second best single of 2002.\n\n{{Album ratings\n| MC = (73/100) {{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs/critic-reviews |title=Critic Reviews for Yeah Yeah Yeahs (EP) |work=[[Metacritic]] |accessdate={{Date|2013-05-15}}}}\n| rev1 = [[Allmusic]]\n| rev1score = {{Rating|4|5}} {{cite web |url={{Allmusic|class=album|tab=review|id=r579012|pure_url=yes}} |first=Heather |last=Phares |title=Yeah Yeah Yeahs - Yeah Yeah Yeahs |work=[[Allmusic]] |accessdate={{Date|2005-08-26}}}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}} \n| rev3 = [[Robert Christgau]]\n| rev3score = {{Rating-Christgau|hm3}} {{Cite news |newspaper=[[The Village Voice]] |date=January 2, 2002 |first=Robert |last=Christgau |title=Consumer Guide: Popstakes: Honorable Mention: ''Yeah Yeah Yeahs'' |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |accessdate={{Date|2011-12-28}} }} Relevant portion also posted at {{Cite web |publisher=[[Robert Christgau]] |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |url=http://robertchristgau.com/get_album.php?id=10922 |accessdate={{Date|2005-08-26}}}}\n| rev4 = [[E!|E! Online]]\n| rev4score = B \n| rev5 = Neumu.net\n| rev5score = {{Rating|8|10}} {{Cite web |publisher=Neumu.net |first=Jenny |last=Tatone |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |url=http://neumu.net/fortyfour/2002/2002-00130/2002-00130_fortyfour.shtml |accessdate={{Date|2013-05-15}} |archiveurl=http://web.archive.org/web/20080225113620/http://neumu.net/fortyfour/2002/2002-00130/2002-00130_fortyfour.shtml |archivedate={{Date|2008-02-25}} |deadurl=yes}}\n| rev6 = [[Pitchfork Media|Pitchfork]]\n| rev6score = (7.0/10) {{Cite web |work=pitchfork.com |publisher=[[Pitchfork Media]] |date=July 3, 2002 |first=Chris |last=Dahlen |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |accessdate={{Date|2008-03-01}}}}\n| rev7 = ''[[Rolling Stone]]''\n| rev7score = {{Rating|3|5}} {{Cite news |newspaper=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |first=Rob |last=Sheffield |authorlink=Rob Sheffield |title=Yeah Yeah Yeahs |url=http://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |accessdate={{Date|2007-07-25}} |archiveurl=http://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate={{Date|2007-07-22}} |deadurl=no}} Posted July 16, 2002.\n| rev8 = ''[[Stylus Magazine]]''\n| rev8score = C+ {{Cite web |publisher=''[[Stylus Magazine]]'' |date=September 1, 2003 |first=Kurt |last=Deschermeier |title=Yeah Yeah Yeahs - Master - Review |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |accessdate={{Date|2013-05-15}}}}\n}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:Record Store Day releases]]\n[[Category:2001 debut albums]]" + }, + { + "revid": 576493873, + "parentid": 576493745, + "user": "Koavf", + "userid": 205121, + "timestamp": "2013-10-09T20:28:54Z", + "sha1": "7fdc16214c1f1888d471f2a077fbb93e0ebce321", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Removing link(s) to \"Shifty (label)\": redlink. ([[WP:TW|TW]])", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[hardcore punk]]\n| Length = 13:38\n| Label = Shifty\n| Producer = Unknown\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine (EP)|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' (mislabeled as '''''Master''''') is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]].http://www.zobbel.de/cluk/CLUK_Y.HTM\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\nThe EP was named NME's second best single of 2002.\n\n{{Album ratings\n| MC = (73/100) {{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs/critic-reviews |title=Critic Reviews for Yeah Yeah Yeahs (EP) |work=[[Metacritic]] |accessdate={{Date|2013-05-15}}}}\n| rev1 = [[Allmusic]]\n| rev1score = {{Rating|4|5}} {{cite web |url={{Allmusic|class=album|tab=review|id=r579012|pure_url=yes}} |first=Heather |last=Phares |title=Yeah Yeah Yeahs - Yeah Yeah Yeahs |work=[[Allmusic]] |accessdate={{Date|2005-08-26}}}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}} \n| rev3 = [[Robert Christgau]]\n| rev3score = {{Rating-Christgau|hm3}} {{Cite news |newspaper=[[The Village Voice]] |date=January 2, 2002 |first=Robert |last=Christgau |title=Consumer Guide: Popstakes: Honorable Mention: ''Yeah Yeah Yeahs'' |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |accessdate={{Date|2011-12-28}} }} Relevant portion also posted at {{Cite web |publisher=[[Robert Christgau]] |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |url=http://robertchristgau.com/get_album.php?id=10922 |accessdate={{Date|2005-08-26}}}}\n| rev4 = [[E!|E! Online]]\n| rev4score = B \n| rev5 = Neumu.net\n| rev5score = {{Rating|8|10}} {{Cite web |publisher=Neumu.net |first=Jenny |last=Tatone |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |url=http://neumu.net/fortyfour/2002/2002-00130/2002-00130_fortyfour.shtml |accessdate={{Date|2013-05-15}} |archiveurl=http://web.archive.org/web/20080225113620/http://neumu.net/fortyfour/2002/2002-00130/2002-00130_fortyfour.shtml |archivedate={{Date|2008-02-25}} |deadurl=yes}}\n| rev6 = [[Pitchfork Media|Pitchfork]]\n| rev6score = (7.0/10) {{Cite web |work=pitchfork.com |publisher=[[Pitchfork Media]] |date=July 3, 2002 |first=Chris |last=Dahlen |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |accessdate={{Date|2008-03-01}}}}\n| rev7 = ''[[Rolling Stone]]''\n| rev7score = {{Rating|3|5}} {{Cite news |newspaper=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |first=Rob |last=Sheffield |authorlink=Rob Sheffield |title=Yeah Yeah Yeahs |url=http://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |accessdate={{Date|2007-07-25}} |archiveurl=http://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate={{Date|2007-07-22}} |deadurl=no}} Posted July 16, 2002.\n| rev8 = ''[[Stylus Magazine]]''\n| rev8score = C+ {{Cite web |publisher=''[[Stylus Magazine]]'' |date=September 1, 2003 |first=Kurt |last=Deschermeier |title=Yeah Yeah Yeahs - Master - Review |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |accessdate={{Date|2013-05-15}}}}\n}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:Record Store Day releases]]\n[[Category:2001 debut albums]]" + }, + { + "revid": 620302398, + "parentid": 576493873, + "user": "Charlyz", + "userid": 1889941, + "timestamp": "2014-08-07T23:58:17Z", + "sha1": "52794890d2485c89dac25cd301791c6873145de6", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Filling in 1 references using [[WP:REFLINKS|Reflinks]]", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[hardcore punk]]\n| Length = 13:38\n| Label = Shifty\n| Producer = Unknown\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine (EP)|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' (mislabeled as '''''Master''''') is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]].{{cite web|url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata - Malik Yusef |website=The Zobbel Website |date= |accessdate=2014-08-07}}\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\nThe EP was named NME's second best single of 2002.\n\n{{Album ratings\n| MC = (73/100) {{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs/critic-reviews |title=Critic Reviews for Yeah Yeah Yeahs (EP) |work=[[Metacritic]] |accessdate={{Date|2013-05-15}}}}\n| rev1 = [[Allmusic]]\n| rev1score = {{Rating|4|5}} {{cite web |url={{Allmusic|class=album|tab=review|id=r579012|pure_url=yes}} |first=Heather |last=Phares |title=Yeah Yeah Yeahs - Yeah Yeah Yeahs |work=[[Allmusic]] |accessdate={{Date|2005-08-26}}}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}} \n| rev3 = [[Robert Christgau]]\n| rev3score = {{Rating-Christgau|hm3}} {{Cite news |newspaper=[[The Village Voice]] |date=January 2, 2002 |first=Robert |last=Christgau |title=Consumer Guide: Popstakes: Honorable Mention: ''Yeah Yeah Yeahs'' |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |accessdate={{Date|2011-12-28}} }} Relevant portion also posted at {{cite web |publisher=[[Robert Christgau]] |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |url=http://robertchristgau.com/get_album.php?id=10922 |accessdate={{Date|2005-08-26}}}}\n| rev4 = [[E!|E! Online]]\n| rev4score = B \n| rev5 = Neumu.net\n| rev5score = {{Rating|8|10}} {{cite web |publisher=Neumu.net |first=Jenny |last=Tatone |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |url=http://neumu.net/fortyfour/2002/2002-00130/2002-00130_fortyfour.shtml |accessdate={{Date|2013-05-15}} |archiveurl=http://web.archive.org/web/20080225113620/http://neumu.net/fortyfour/2002/2002-00130/2002-00130_fortyfour.shtml |archivedate={{Date|2008-02-25}} |deadurl=yes}}\n| rev6 = [[Pitchfork Media|Pitchfork]]\n| rev6score = (7.0/10) {{cite web |work=pitchfork.com |publisher=[[Pitchfork Media]] |date=July 3, 2002 |first=Chris |last=Dahlen |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |accessdate={{Date|2008-03-01}}}}\n| rev7 = ''[[Rolling Stone]]''\n| rev7score = {{Rating|3|5}} {{Cite news |newspaper=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |first=Rob |last=Sheffield |authorlink=Rob Sheffield |title=Yeah Yeah Yeahs |url=http://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |accessdate={{Date|2007-07-25}} |archiveurl=http://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate={{Date|2007-07-22}} |deadurl=no}} Posted July 16, 2002.\n| rev8 = ''[[Stylus Magazine]]''\n| rev8score = C+ {{cite web |publisher=''[[Stylus Magazine]]'' |date=September 1, 2003 |first=Kurt |last=Deschermeier |title=Yeah Yeah Yeahs - Master - Review |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |accessdate={{Date|2013-05-15}}}}\n}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:Record Store Day releases]]\n[[Category:2001 debut albums]]" + }, + { + "revid": 659763706, + "parentid": 620302398, + "user": "Buchino", + "userid": 13190197, + "timestamp": "2015-04-28T22:40:54Z", + "sha1": "3501663dbd4f7961ca814a08699861b8dde4bbd2", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Track listing */ Writing credits added.", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[hardcore punk]]\n| Length = 13:38\n| Label = Shifty\n| Producer = Unknown\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine (EP)|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' (mislabeled as '''''Master''''') is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]].{{cite web|url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata - Malik Yusef |website=The Zobbel Website |date= |accessdate=2014-08-07}}\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\nThe EP was named NME's second best single of 2002.\n\n{{Album ratings\n| MC = (73/100) {{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs/critic-reviews |title=Critic Reviews for Yeah Yeah Yeahs (EP) |work=[[Metacritic]] |accessdate={{Date|2013-05-15}}}}\n| rev1 = [[Allmusic]]\n| rev1score = {{Rating|4|5}} {{cite web |url={{Allmusic|class=album|tab=review|id=r579012|pure_url=yes}} |first=Heather |last=Phares |title=Yeah Yeah Yeahs - Yeah Yeah Yeahs |work=[[Allmusic]] |accessdate={{Date|2005-08-26}}}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}} \n| rev3 = [[Robert Christgau]]\n| rev3score = {{Rating-Christgau|hm3}} {{Cite news |newspaper=[[The Village Voice]] |date=January 2, 2002 |first=Robert |last=Christgau |title=Consumer Guide: Popstakes: Honorable Mention: ''Yeah Yeah Yeahs'' |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |accessdate={{Date|2011-12-28}} }} Relevant portion also posted at {{cite web |publisher=[[Robert Christgau]] |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |url=http://robertchristgau.com/get_album.php?id=10922 |accessdate={{Date|2005-08-26}}}}\n| rev4 = [[E!|E! Online]]\n| rev4score = B \n| rev5 = Neumu.net\n| rev5score = {{Rating|8|10}} {{cite web |publisher=Neumu.net |first=Jenny |last=Tatone |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |url=http://neumu.net/fortyfour/2002/2002-00130/2002-00130_fortyfour.shtml |accessdate={{Date|2013-05-15}} |archiveurl=http://web.archive.org/web/20080225113620/http://neumu.net/fortyfour/2002/2002-00130/2002-00130_fortyfour.shtml |archivedate={{Date|2008-02-25}} |deadurl=yes}}\n| rev6 = [[Pitchfork Media|Pitchfork]]\n| rev6score = (7.0/10) {{cite web |work=pitchfork.com |publisher=[[Pitchfork Media]] |date=July 3, 2002 |first=Chris |last=Dahlen |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |accessdate={{Date|2008-03-01}}}}\n| rev7 = ''[[Rolling Stone]]''\n| rev7score = {{Rating|3|5}} {{Cite news |newspaper=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |first=Rob |last=Sheffield |authorlink=Rob Sheffield |title=Yeah Yeah Yeahs |url=http://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |accessdate={{Date|2007-07-25}} |archiveurl=http://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate={{Date|2007-07-22}} |deadurl=no}} Posted July 16, 2002.\n| rev8 = ''[[Stylus Magazine]]''\n| rev8score = C+ {{cite web |publisher=''[[Stylus Magazine]]'' |date=September 1, 2003 |first=Kurt |last=Deschermeier |title=Yeah Yeah Yeahs - Master - Review |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |accessdate={{Date|2013-05-15}}}}\n}}\n\n==Track listing==\nAll songs written and composed by Yeah Yeah Yeahs, except “Mystery Girl” (Yeah Yeah Yeahs/Jack Martin).\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:Record Store Day releases]]\n[[Category:2001 debut albums]]" + }, + { + "revid": 685847409, + "parentid": 659763706, + "user": "67.100.127.199", + "anon": "", + "userid": 0, + "timestamp": "2015-10-15T10:35:53Z", + "sha1": "dc8e3f07f27bf9b41ea060ce20ec981e20dc6557", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[indie rock]], [[alternative rock]]\n| Length = 13:38\n| Label = Shifty\n| Producer = Unknown\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine (EP)|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' (mislabeled as '''''Master''''') is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]].{{cite web|url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata - Malik Yusef |website=The Zobbel Website |date= |accessdate=2014-08-07}}\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\nThe EP was named NME's second best single of 2002.\n\n{{Album ratings\n| MC = (73/100) {{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs/critic-reviews |title=Critic Reviews for Yeah Yeah Yeahs (EP) |work=[[Metacritic]] |accessdate={{Date|2013-05-15}}}}\n| rev1 = [[Allmusic]]\n| rev1score = {{Rating|4|5}} {{cite web |url={{Allmusic|class=album|tab=review|id=r579012|pure_url=yes}} |first=Heather |last=Phares |title=Yeah Yeah Yeahs - Yeah Yeah Yeahs |work=[[Allmusic]] |accessdate={{Date|2005-08-26}}}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}} \n| rev3 = [[Robert Christgau]]\n| rev3score = {{Rating-Christgau|hm3}} {{Cite news |newspaper=[[The Village Voice]] |date=January 2, 2002 |first=Robert |last=Christgau |title=Consumer Guide: Popstakes: Honorable Mention: ''Yeah Yeah Yeahs'' |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |accessdate={{Date|2011-12-28}} }} Relevant portion also posted at {{cite web |publisher=[[Robert Christgau]] |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |url=http://robertchristgau.com/get_album.php?id=10922 |accessdate={{Date|2005-08-26}}}}\n| rev4 = [[E!|E! Online]]\n| rev4score = B \n| rev5 = Neumu.net\n| rev5score = {{Rating|8|10}} {{cite web |publisher=Neumu.net |first=Jenny |last=Tatone |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |url=http://neumu.net/fortyfour/2002/2002-00130/2002-00130_fortyfour.shtml |accessdate={{Date|2013-05-15}} |archiveurl=http://web.archive.org/web/20080225113620/http://neumu.net/fortyfour/2002/2002-00130/2002-00130_fortyfour.shtml |archivedate={{Date|2008-02-25}} |deadurl=yes}}\n| rev6 = [[Pitchfork Media|Pitchfork]]\n| rev6score = (7.0/10) {{cite web |work=pitchfork.com |publisher=[[Pitchfork Media]] |date=July 3, 2002 |first=Chris |last=Dahlen |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |accessdate={{Date|2008-03-01}}}}\n| rev7 = ''[[Rolling Stone]]''\n| rev7score = {{Rating|3|5}} {{Cite news |newspaper=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |first=Rob |last=Sheffield |authorlink=Rob Sheffield |title=Yeah Yeah Yeahs |url=http://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |accessdate={{Date|2007-07-25}} |archiveurl=http://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate={{Date|2007-07-22}} |deadurl=no}} Posted July 16, 2002.\n| rev8 = ''[[Stylus Magazine]]''\n| rev8score = C+ {{cite web |publisher=''[[Stylus Magazine]]'' |date=September 1, 2003 |first=Kurt |last=Deschermeier |title=Yeah Yeah Yeahs - Master - Review |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |accessdate={{Date|2013-05-15}}}}\n}}\n\n==Track listing==\nAll songs written and composed by Yeah Yeah Yeahs, except “Mystery Girl” (Yeah Yeah Yeahs/Jack Martin).\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:Record Store Day releases]]\n[[Category:2001 debut albums]]" + }, + { + "revid": 686128095, + "parentid": 685847409, + "user": "67.100.127.97", + "anon": "", + "userid": 0, + "timestamp": "2015-10-17T05:32:30Z", + "sha1": "cf1bb6fd48a1df130c7fb0c521f605e47d2a7435", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[indie rock]], [[alternative rock]], [[hard rock]], [[stoner rock]], [[heavy metal music|heavy metal]]\n| Length = 13:38\n| Label = Shifty\n| Producer = Unknown\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine (EP)|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' (mislabeled as '''''Master''''') is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]].{{cite web|url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata - Malik Yusef |website=The Zobbel Website |date= |accessdate=2014-08-07}}\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\nThe EP was named NME's second best single of 2002.\n\n{{Album ratings\n| MC = (73/100) {{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs/critic-reviews |title=Critic Reviews for Yeah Yeah Yeahs (EP) |work=[[Metacritic]] |accessdate={{Date|2013-05-15}}}}\n| rev1 = [[Allmusic]]\n| rev1score = {{Rating|4|5}} {{cite web |url={{Allmusic|class=album|tab=review|id=r579012|pure_url=yes}} |first=Heather |last=Phares |title=Yeah Yeah Yeahs - Yeah Yeah Yeahs |work=[[Allmusic]] |accessdate={{Date|2005-08-26}}}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}} \n| rev3 = [[Robert Christgau]]\n| rev3score = {{Rating-Christgau|hm3}} {{Cite news |newspaper=[[The Village Voice]] |date=January 2, 2002 |first=Robert |last=Christgau |title=Consumer Guide: Popstakes: Honorable Mention: ''Yeah Yeah Yeahs'' |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |accessdate={{Date|2011-12-28}} }} Relevant portion also posted at {{cite web |publisher=[[Robert Christgau]] |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |url=http://robertchristgau.com/get_album.php?id=10922 |accessdate={{Date|2005-08-26}}}}\n| rev4 = [[E!|E! Online]]\n| rev4score = B \n| rev5 = Neumu.net\n| rev5score = {{Rating|8|10}} {{cite web |publisher=Neumu.net |first=Jenny |last=Tatone |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |url=http://neumu.net/fortyfour/2002/2002-00130/2002-00130_fortyfour.shtml |accessdate={{Date|2013-05-15}} |archiveurl=http://web.archive.org/web/20080225113620/http://neumu.net/fortyfour/2002/2002-00130/2002-00130_fortyfour.shtml |archivedate={{Date|2008-02-25}} |deadurl=yes}}\n| rev6 = [[Pitchfork Media|Pitchfork]]\n| rev6score = (7.0/10) {{cite web |work=pitchfork.com |publisher=[[Pitchfork Media]] |date=July 3, 2002 |first=Chris |last=Dahlen |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |accessdate={{Date|2008-03-01}}}}\n| rev7 = ''[[Rolling Stone]]''\n| rev7score = {{Rating|3|5}} {{Cite news |newspaper=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |first=Rob |last=Sheffield |authorlink=Rob Sheffield |title=Yeah Yeah Yeahs |url=http://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |accessdate={{Date|2007-07-25}} |archiveurl=http://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate={{Date|2007-07-22}} |deadurl=no}} Posted July 16, 2002.\n| rev8 = ''[[Stylus Magazine]]''\n| rev8score = C+ {{cite web |publisher=''[[Stylus Magazine]]'' |date=September 1, 2003 |first=Kurt |last=Deschermeier |title=Yeah Yeah Yeahs - Master - Review |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |accessdate={{Date|2013-05-15}}}}\n}}\n\n==Track listing==\nAll songs written and composed by Yeah Yeah Yeahs, except “Mystery Girl” (Yeah Yeah Yeahs/Jack Martin).\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:Record Store Day releases]]\n[[Category:2001 debut albums]]" + }, + { + "revid": 686128454, + "parentid": 686128095, + "user": "67.100.127.97", + "anon": "", + "userid": 0, + "timestamp": "2015-10-17T05:37:21Z", + "sha1": "08bf0f1ed8b9f5068f0f81d91aecd6d679a077c7", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[indie rock]], [[alternative rock]], [[hard rock]], [[stoner rock]], [[heavy metal music|heavy metal]]\n| Length = 13:38\n| Label = Shifty\n| Producer = Unknown\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine (EP)|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' (mislabeled as '''''Master''''') is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]].{{cite web|url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata - Malik Yusef |website=The Zobbel Website |date= |accessdate=2014-08-07}}\n\n[[Special Edition|Limited edition]] copies of ''Yeah Yeah Yeahs'' on [[12\" Single|12\"]] were made available for [[Record Store Day]] 2010 to commemorate the 10th Anniversary of [[Wichita Recordings]].\n\nThe EP was named NME's second best single of 2002.\n\n{{Album ratings\n| MC = (73/100) {{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs/critic-reviews |title=Critic Reviews for Yeah Yeah Yeahs (EP) |work=[[Metacritic]] |accessdate={{Date|2013-05-15}}}}\n| rev1 = [[Allmusic]]\n| rev1score = {{Rating|4|5}} {{cite web |url={{Allmusic|class=album|tab=review|id=r579012|pure_url=yes}} |first=Heather |last=Phares |title=Yeah Yeah Yeahs - Yeah Yeah Yeahs |work=[[Allmusic]] |accessdate={{Date|2005-08-26}}}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}} \n| rev3 = [[Robert Christgau]]\n| rev3score = {{Rating-Christgau|hm3}} {{Cite news |newspaper=[[The Village Voice]] |date=January 2, 2002 |first=Robert |last=Christgau |title=Consumer Guide: Popstakes: Honorable Mention: ''Yeah Yeah Yeahs'' |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |accessdate={{Date|2011-12-28}} }} Relevant portion also posted at {{cite web |publisher=[[Robert Christgau]] |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |url=http://robertchristgau.com/get_album.php?id=10922 |accessdate={{Date|2005-08-26}}}}\n| rev4 = [[E!|E! Online]]\n| rev4score = B \n| rev5 = Neumu.net\n| rev5score = {{Rating|8|10}} {{cite web |publisher=Neumu.net |first=Jenny |last=Tatone |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |url=http://neumu.net/fortyfour/2002/2002-00130/2002-00130_fortyfour.shtml |accessdate={{Date|2013-05-15}} |archiveurl=http://web.archive.org/web/20080225113620/http://neumu.net/fortyfour/2002/2002-00130/2002-00130_fortyfour.shtml |archivedate={{Date|2008-02-25}} |deadurl=yes}}\n| rev6 = [[Pitchfork Media|Pitchfork]]\n| rev6score = (7.0/10) {{cite web |work=pitchfork.com |publisher=[[Pitchfork Media]] |date=July 3, 2002 |first=Chris |last=Dahlen |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |accessdate={{Date|2008-03-01}}}}\n| rev7 = ''[[Rolling Stone]]''\n| rev7score = {{Rating|3|5}} {{Cite news |newspaper=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |first=Rob |last=Sheffield |authorlink=Rob Sheffield |title=Yeah Yeah Yeahs |url=http://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |accessdate={{Date|2007-07-25}} |archiveurl=http://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate={{Date|2007-07-22}} |deadurl=no}} Posted July 16, 2002.\n| rev8 = ''[[Stylus Magazine]]''\n| rev8score = C+ {{cite web |publisher=''[[Stylus Magazine]]'' |date=September 1, 2003 |first=Kurt |last=Deschermeier |title=Yeah Yeah Yeahs - Master - Review |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |accessdate={{Date|2013-05-15}}}}\n}}\n\n==Track listing==\nAll songs written and composed by Yeah Yeah Yeahs, except “Mystery Girl” (Yeah Yeah Yeahs/Jack Martin).\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:2001 debut albums]]" + }, + { + "revid": 687106749, + "parentid": 686128454, + "user": "67.101.5.29", + "anon": "", + "userid": 0, + "timestamp": "2015-10-23T09:52:17Z", + "sha1": "ef8d0b31bab5991f66e88eb5d3f349f2309363b8", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = Unknown\n| Genre = [[Art punk]], [[garage punk]], [[indie rock]], [[alternative rock]], [[hard rock]], [[stoner rock]], [[heavy metal music|heavy metal]]\n| Length = 13:38\n| Label = Shifty\n| Producer = Unknown\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine (EP)|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' (mislabeled as '''''Master''''') is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]].{{cite web|url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata - Malik Yusef |website=The Zobbel Website |date= |accessdate=2014-08-07}}\n\nThe EP was named NME's second best single of 2002.\n\n{{Album ratings\n| MC = (73/100) {{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs/critic-reviews |title=Critic Reviews for Yeah Yeah Yeahs (EP) |work=[[Metacritic]] |accessdate={{Date|2013-05-15}}}}\n| rev1 = [[Allmusic]]\n| rev1score = {{Rating|4|5}} {{cite web |url={{Allmusic|class=album|tab=review|id=r579012|pure_url=yes}} |first=Heather |last=Phares |title=Yeah Yeah Yeahs - Yeah Yeah Yeahs |work=[[Allmusic]] |accessdate={{Date|2005-08-26}}}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}} \n| rev3 = [[Robert Christgau]]\n| rev3score = {{Rating-Christgau|hm3}} {{Cite news |newspaper=[[The Village Voice]] |date=January 2, 2002 |first=Robert |last=Christgau |title=Consumer Guide: Popstakes: Honorable Mention: ''Yeah Yeah Yeahs'' |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |accessdate={{Date|2011-12-28}} }} Relevant portion also posted at {{cite web |publisher=[[Robert Christgau]] |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |url=http://robertchristgau.com/get_album.php?id=10922 |accessdate={{Date|2005-08-26}}}}\n| rev4 = [[E!|E! Online]]\n| rev4score = B \n| rev5 = Neumu.net\n| rev5score = {{Rating|8|10}} {{cite web |publisher=Neumu.net |first=Jenny |last=Tatone |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |url=http://neumu.net/fortyfour/2002/2002-00130/2002-00130_fortyfour.shtml |accessdate={{Date|2013-05-15}} |archiveurl=http://web.archive.org/web/20080225113620/http://neumu.net/fortyfour/2002/2002-00130/2002-00130_fortyfour.shtml |archivedate={{Date|2008-02-25}} |deadurl=yes}}\n| rev6 = [[Pitchfork Media|Pitchfork]]\n| rev6score = (7.0/10) {{cite web |work=pitchfork.com |publisher=[[Pitchfork Media]] |date=July 3, 2002 |first=Chris |last=Dahlen |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |accessdate={{Date|2008-03-01}}}}\n| rev7 = ''[[Rolling Stone]]''\n| rev7score = {{Rating|3|5}} {{Cite news |newspaper=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |first=Rob |last=Sheffield |authorlink=Rob Sheffield |title=Yeah Yeah Yeahs |url=http://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |accessdate={{Date|2007-07-25}} |archiveurl=http://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate={{Date|2007-07-22}} |deadurl=no}} Posted July 16, 2002.\n| rev8 = ''[[Stylus Magazine]]''\n| rev8score = C+ {{cite web |publisher=''[[Stylus Magazine]]'' |date=September 1, 2003 |first=Kurt |last=Deschermeier |title=Yeah Yeah Yeahs - Master - Review |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |accessdate={{Date|2013-05-15}}}}\n}}\n\n==Track listing==\nAll songs written and composed by Yeah Yeah Yeahs, except “Mystery Girl” (Yeah Yeah Yeahs/Jack Martin).\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:2001 debut albums]]" + }, + { + "revid": 687881195, + "parentid": 687106749, + "user": "Myxomatosis57", + "userid": 16364713, + "timestamp": "2015-10-28T08:49:56Z", + "sha1": "0aa259041b8fa5f5e05297fecbf87c78eb350e6e", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = \n| Genre = [[Garage rock revival]]\n| Length = 13:38\n| Label = Shifty\n| Producer = Unknown\n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine (EP)|Machine]]''
(2002)\n| References = Yes\n}}\n\n'''''Yeah Yeah Yeahs''''' (mislabeled as '''''Master''''') is the [[Yeah Yeah Yeahs]]' self-titled debut [[Extended play|EP]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached #1 on the [[UK Indie Chart]].{{cite web|url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata - Malik Yusef |website=The Zobbel Website |date= |accessdate=2014-08-07}}\n\nThe EP was named NME's second best single of 2002.\n\n{{Album ratings\n| MC = (73/100) {{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs/critic-reviews |title=Critic Reviews for Yeah Yeah Yeahs (EP) |work=[[Metacritic]] |accessdate={{Date|2013-05-15}}}}\n| rev1 = [[Allmusic]]\n| rev1score = {{Rating|4|5}} {{cite web |url={{Allmusic|class=album|tab=review|id=r579012|pure_url=yes}} |first=Heather |last=Phares |title=Yeah Yeah Yeahs - Yeah Yeah Yeahs |work=[[Allmusic]] |accessdate={{Date|2005-08-26}}}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}} \n| rev3 = [[Robert Christgau]]\n| rev3score = {{Rating-Christgau|hm3}} {{Cite news |newspaper=[[The Village Voice]] |date=January 2, 2002 |first=Robert |last=Christgau |title=Consumer Guide: Popstakes: Honorable Mention: ''Yeah Yeah Yeahs'' |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |accessdate={{Date|2011-12-28}} }} Relevant portion also posted at {{cite web |publisher=[[Robert Christgau]] |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |url=http://robertchristgau.com/get_album.php?id=10922 |accessdate={{Date|2005-08-26}}}}\n| rev4 = [[E!|E! Online]]\n| rev4score = B \n| rev5 = Neumu.net\n| rev5score = {{Rating|8|10}} {{cite web |publisher=Neumu.net |first=Jenny |last=Tatone |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |url=http://neumu.net/fortyfour/2002/2002-00130/2002-00130_fortyfour.shtml |accessdate={{Date|2013-05-15}} |archiveurl=http://web.archive.org/web/20080225113620/http://neumu.net/fortyfour/2002/2002-00130/2002-00130_fortyfour.shtml |archivedate={{Date|2008-02-25}} |deadurl=yes}}\n| rev6 = [[Pitchfork Media|Pitchfork]]\n| rev6score = (7.0/10) {{cite web |work=pitchfork.com |publisher=[[Pitchfork Media]] |date=July 3, 2002 |first=Chris |last=Dahlen |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |accessdate={{Date|2008-03-01}}}}\n| rev7 = ''[[Rolling Stone]]''\n| rev7score = {{Rating|3|5}} {{Cite news |newspaper=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |first=Rob |last=Sheffield |authorlink=Rob Sheffield |title=Yeah Yeah Yeahs |url=http://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |accessdate={{Date|2007-07-25}} |archiveurl=http://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate={{Date|2007-07-22}} |deadurl=no}} Posted July 16, 2002.\n| rev8 = ''[[Stylus Magazine]]''\n| rev8score = C+ {{cite web |publisher=''[[Stylus Magazine]]'' |date=September 1, 2003 |first=Kurt |last=Deschermeier |title=Yeah Yeah Yeahs - Master - Review |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |accessdate={{Date|2013-05-15}}}}\n}}\n\n==Track listing==\nAll songs written and composed by Yeah Yeah Yeahs, except “Mystery Girl” (Yeah Yeah Yeahs/Jack Martin).\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:2001 debut albums]]" + }, + { + "revid": 748288963, + "parentid": 687881195, + "minor": "", + "user": "Holiday56", + "userid": 4279454, + "timestamp": "2016-11-07T12:48:50Z", + "sha1": "f5cbb03900038db32e39a11ba55c42a4b03046ed", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = \n| Genre = [[Garage rock revival]]\n| Length = 13:38\n| Label = Shifty\n| Producer = \n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine (EP)|Machine]]''
(2002)\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |accessdate=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url={{Allmusic|class=album|tab=review|id=r579012|pure_url=yes}} |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |accessdate=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |accessdate=November 7, 2016 |last=Kemp |first=Rob |page=127 |archiveurl=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archivedate=May 23, 2009}}\n| rev3 = ''[[Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite news |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |title=Consumer Guide: Popstakes |newspaper=[[The Village Voice]] |date=January 2, 2002 |accessdate=December 28, 2011 |last=Christgau |first=Robert |authorlink=Robert Christgau}} Relevant portion also posted at {{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |publisher=RobertChristgau.com |accessdate=August 26, 2005}}\n| rev4 = [[Pitchfork Media]]\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |publisher=[[Pitchfork Media]] |date=July 3, 2002 |accessdate=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=http://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |accessdate=July 25, 2007 |last=Sheffield |first=Rob |authorlink=Rob Sheffield |archiveurl=http://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate=July 22, 2007 |deadurl=no}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |title=[[The Rolling Stone Album Guide|The New Rolling Stone Album Guide]] |year=2004 |publisher=[[Simon & Schuster]] |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-743-20169-8 |page=894}}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |accessdate=May 15, 2013 |last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |accessdate=August 7, 2014}} The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\nAll songs written and composed by Yeah Yeah Yeahs, except “Mystery Girl” (Yeah Yeah Yeahs/Jack Martin).\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:2001 debut albums]]" + }, + { + "revid": 779020847, + "parentid": 748288963, + "user": "Mr Stephen", + "userid": 863017, + "timestamp": "2017-05-06T15:14:44Z", + "sha1": "2608d3538388cb854f3072bcfa8b1bf7fbc723f2", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "clean up, straight quotes, ISBN format using [[Project:AWB|AWB]]", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = \n| Genre = [[Garage rock revival]]\n| Length = 13:38\n| Label = Shifty\n| Producer = \n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine (EP)|Machine]]''
(2002)\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |accessdate=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url={{Allmusic|class=album|tab=review|id=r579012|pure_url=yes}} |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |accessdate=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |accessdate=November 7, 2016 |last=Kemp |first=Rob |page=127 |archiveurl=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archivedate=May 23, 2009}}\n| rev3 = ''[[Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite news |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |title=Consumer Guide: Popstakes |newspaper=[[The Village Voice]] |date=January 2, 2002 |accessdate=December 28, 2011 |last=Christgau |first=Robert |authorlink=Robert Christgau}} Relevant portion also posted at {{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |publisher=RobertChristgau.com |accessdate=August 26, 2005}}\n| rev4 = [[Pitchfork Media]]\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |publisher=[[Pitchfork Media]] |date=July 3, 2002 |accessdate=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=http://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |accessdate=July 25, 2007 |last=Sheffield |first=Rob |authorlink=Rob Sheffield |archiveurl=http://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate=July 22, 2007 |deadurl=no}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |title=[[The Rolling Stone Album Guide|The New Rolling Stone Album Guide]] |year=2004 |publisher=[[Simon & Schuster]] |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=894}}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |accessdate=May 15, 2013 |last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |accessdate=August 7, 2014}} The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\nAll songs written and composed by Yeah Yeah Yeahs, except \"Mystery Girl\" (Yeah Yeah Yeahs/Jack Martin).\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:2001 debut albums]]" + }, + { + "revid": 795664044, + "parentid": 779020847, + "user": "Dhoffryn", + "userid": 31650101, + "timestamp": "2017-08-15T18:07:47Z", + "sha1": "1ca834ea38ea6542aeaae0687dab09be1b36e998", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = \n| Genre = [[Garage rock revival]]\n| Length = 13:38\n| Label = Shifty\n| Producer = \n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine (EP)|Machine]]''
(2002)\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |accessdate=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url={{Allmusic|class=album|tab=review|id=r579012|pure_url=yes}} |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |accessdate=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |accessdate=November 7, 2016 |last=Kemp |first=Rob |page=127 |archiveurl=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archivedate=May 23, 2009}}\n| rev3 = ''[[Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite news |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |title=Consumer Guide: Popstakes |newspaper=[[The Village Voice]] |date=January 2, 2002 |accessdate=December 28, 2011 |last=Christgau |first=Robert |authorlink=Robert Christgau}} Relevant portion also posted at {{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |publisher=RobertChristgau.com |accessdate=August 26, 2005}}\n| rev4 = [[Pitchfork Media]]\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |publisher=[[Pitchfork Media]] |date=July 3, 2002 |accessdate=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=http://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |accessdate=July 25, 2007 |last=Sheffield |first=Rob |authorlink=Rob Sheffield |archiveurl=http://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate=July 22, 2007 |deadurl=no}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |title=[[The Rolling Stone Album Guide|The New Rolling Stone Album Guide]] |year=2004 |publisher=[[Simon & Schuster]] |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=894}}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |accessdate=May 15, 2013 |last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |accessdate=August 7, 2014}} As of 2005, sales in the United States have exceeded 55,000 copies, according to [[Nielsen SoundScan]] https://books.google.hr/books?id=thQEAAAAMBAJ&pg=PA64&dq=yeah+yeah+yeahs+album+sales&hl=en&sa=X&ved=0ahUKEwjn5YLT6dnVAhUBChoKHbNRDRIQ6AEIKjAB#v=onepage&q=yeah%20yeah%20yeahs%20album%20sales&f=false. The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\nAll songs written and composed by Yeah Yeah Yeahs, except \"Mystery Girl\" (Yeah Yeah Yeahs/Jack Martin).\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:2001 debut albums]]" + }, + { + "revid": 796356393, + "parentid": 795664044, + "minor": "", + "user": "Holiday56", + "userid": 4279454, + "timestamp": "2017-08-20T08:06:18Z", + "sha1": "10922d5e463a116a0af004fae151caec61d5a0d3", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = \n| Genre = [[Garage rock revival]]\n| Length = 13:38\n| Label = Shifty\n| Producer = \n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine (EP)|Machine]]''
(2002)\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |accessdate=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url={{Allmusic|class=album|tab=review|id=r579012|pure_url=yes}} |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |accessdate=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |accessdate=November 7, 2016 |last=Kemp |first=Rob |page=127 |archiveurl=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archivedate=May 23, 2009}}\n| rev3 = ''[[Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite news |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |title=Consumer Guide: Popstakes |newspaper=[[The Village Voice]] |date=January 2, 2002 |accessdate=December 28, 2011 |last=Christgau |first=Robert |authorlink=Robert Christgau}} Relevant portion also posted at {{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |publisher=RobertChristgau.com |accessdate=August 26, 2005}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |accessdate=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=http://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |accessdate=July 25, 2007 |last=Sheffield |first=Rob |authorlink=Rob Sheffield |archiveurl=http://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate=July 22, 2007 |deadurl=no}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |authorlink=Sasha Frere-Jones |title=[[The Rolling Stone Album Guide|The New Rolling Stone Album Guide]] |year=2004 |publisher=[[Simon & Schuster]] |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=894}}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |accessdate=May 15, 2013 |last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |accessdate=August 7, 2014}} As of 2005, sales in the United States have exceeded 55,000 copies, according to [[Nielsen SoundScan]] https://books.google.hr/books?id=thQEAAAAMBAJ&pg=PA64&dq=yeah+yeah+yeahs+album+sales&hl=en&sa=X&ved=0ahUKEwjn5YLT6dnVAhUBChoKHbNRDRIQ6AEIKjAB#v=onepage&q=yeah%20yeah%20yeahs%20album%20sales&f=false. The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\nAll songs written and composed by Yeah Yeah Yeahs, except \"Mystery Girl\" (Yeah Yeah Yeahs/Jack Martin).\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:2001 debut albums]]" + }, + { + "revid": 799904163, + "parentid": 796356393, + "user": "Dhoffryn", + "userid": 31650101, + "timestamp": "2017-09-10T14:29:13Z", + "sha1": "27f6edcf5d868e5da97d76c906a8f74b4d9da97e", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = \n| Genre = [[Garage rock revival]]\n| Length = 13:38\n| Label = Shifty\n| Producer = \n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine (EP)|Machine]]''
(2002)\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |accessdate=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url={{Allmusic|class=album|tab=review|id=r579012|pure_url=yes}} |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |accessdate=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |accessdate=November 7, 2016 |last=Kemp |first=Rob |page=127 |archiveurl=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archivedate=May 23, 2009}}\n| rev3 = ''[[Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite news |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |title=Consumer Guide: Popstakes |newspaper=[[The Village Voice]] |date=January 2, 2002 |accessdate=December 28, 2011 |last=Christgau |first=Robert |authorlink=Robert Christgau}} Relevant portion also posted at {{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |publisher=RobertChristgau.com |accessdate=August 26, 2005}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |accessdate=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=http://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |accessdate=July 25, 2007 |last=Sheffield |first=Rob |authorlink=Rob Sheffield |archiveurl=http://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate=July 22, 2007 |deadurl=no}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |authorlink=Sasha Frere-Jones |title=[[The Rolling Stone Album Guide|The New Rolling Stone Album Guide]] |year=2004 |publisher=[[Simon & Schuster]] |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=894}}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |accessdate=May 15, 2013 |last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |accessdate=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]] http://uk.reuters.com/article/industry-us-touchandgo/economic-downturn-claims-chicago-indie-label-idUKTRE51K0K120090221. The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\nAll songs written and composed by Yeah Yeah Yeahs, except \"Mystery Girl\" (Yeah Yeah Yeahs/Jack Martin).\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:2001 debut albums]]" + }, + { + "revid": 801310447, + "parentid": 799904163, + "minor": "", + "user": "KolbertBot", + "userid": 31691822, + "timestamp": "2017-09-18T22:56:35Z", + "sha1": "b3c6d2a9337762a5f000d97a3e9a58d677f0225a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Bot: [[User:KolbertBot|HTTP→HTTPS]]", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = \n| Genre = [[Garage rock revival]]\n| Length = 13:38\n| Label = Shifty\n| Producer = \n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine (EP)|Machine]]''
(2002)\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |accessdate=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url={{Allmusic|class=album|tab=review|id=r579012|pure_url=yes}} |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |accessdate=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |accessdate=November 7, 2016 |last=Kemp |first=Rob |page=127 |archiveurl=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archivedate=May 23, 2009}}\n| rev3 = ''[[Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite news |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |title=Consumer Guide: Popstakes |newspaper=[[The Village Voice]] |date=January 2, 2002 |accessdate=December 28, 2011 |last=Christgau |first=Robert |authorlink=Robert Christgau}} Relevant portion also posted at {{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |publisher=RobertChristgau.com |accessdate=August 26, 2005}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |accessdate=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |accessdate=July 25, 2007 |last=Sheffield |first=Rob |authorlink=Rob Sheffield |archiveurl=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate=July 22, 2007 |deadurl=no}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |authorlink=Sasha Frere-Jones |title=[[The Rolling Stone Album Guide|The New Rolling Stone Album Guide]] |year=2004 |publisher=[[Simon & Schuster]] |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=894}}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |accessdate=May 15, 2013 |last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |accessdate=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]] http://uk.reuters.com/article/industry-us-touchandgo/economic-downturn-claims-chicago-indie-label-idUKTRE51K0K120090221. The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\nAll songs written and composed by Yeah Yeah Yeahs, except \"Mystery Girl\" (Yeah Yeah Yeahs/Jack Martin).\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:2001 debut albums]]" + }, + { + "revid": 813122887, + "parentid": 801310447, + "user": "IntoThinAir", + "userid": 18336458, + "timestamp": "2017-12-01T22:33:28Z", + "sha1": "fca77d641181ca800b31c3e949fa9056045f733f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "dead link fix", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = \n| Genre = [[Garage rock revival]]\n| Length = 13:38\n| Label = Shifty\n| Producer = \n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine (EP)|Machine]]''
(2002)\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |accessdate=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url={{Allmusic|class=album|tab=review|id=r579012|pure_url=yes}} |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |accessdate=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |accessdate=November 7, 2016 |last=Kemp |first=Rob |page=127 |archiveurl=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archivedate=May 23, 2009}}\n| rev3 = ''[[Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite news |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |title=Consumer Guide: Popstakes |newspaper=[[The Village Voice]] |date=January 2, 2002 |accessdate=December 28, 2011 |last=Christgau |first=Robert |authorlink=Robert Christgau}} Relevant portion also posted at {{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |publisher=RobertChristgau.com |accessdate=August 26, 2005}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |accessdate=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |accessdate=July 25, 2007 |last=Sheffield |first=Rob |authorlink=Rob Sheffield |archiveurl=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate=July 22, 2007 |deadurl=no}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |authorlink=Sasha Frere-Jones |title=[[The Rolling Stone Album Guide|The New Rolling Stone Album Guide]] |year=2004 |publisher=[[Simon & Schuster]] |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=894}}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |accessdate=May 15, 2013 |archiveurl=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archivedate=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, ''Shifty''. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |accessdate=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]] http://uk.reuters.com/article/industry-us-touchandgo/economic-downturn-claims-chicago-indie-label-idUKTRE51K0K120090221. The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\nAll songs written and composed by Yeah Yeah Yeahs, except \"Mystery Girl\" (Yeah Yeah Yeahs/Jack Martin).\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:2001 debut albums]]" + }, + { + "revid": 859807901, + "parentid": 813122887, + "user": "Holiday56", + "userid": 4279454, + "timestamp": "2018-09-16T11:52:10Z", + "sha1": "aba5f85f7c16e7d0a51ddc8f6ee0e4a17d9dc427", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox album \n| Name = Yeah Yeah Yeahs\n| Type = EP\n| Artist = [[Yeah Yeah Yeahs]]\n| Cover = Yeah_Yeah_Yeahs_(EP).jpg\n| Released = July 9, 2001\n| Recorded = \n| Genre = [[Garage rock revival]]\n| Length = 13:38\n| Label = Shifty\n| Producer = \n| Last album =\n| This album = '''''Yeah Yeah Yeahs'''''
(2001)\n| Next album = ''[[Machine (EP)|Machine]]''
(2002)\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |accessdate=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |accessdate=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |accessdate=November 7, 2016 |last=Kemp |first=Rob |page=127 |archiveurl=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archivedate=May 23, 2009}}\n| rev3 = ''[[Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite news |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |title=Consumer Guide: Popstakes |newspaper=[[The Village Voice]] |date=January 2, 2002 |accessdate=December 28, 2011 |last=Christgau |first=Robert |authorlink=Robert Christgau}} Relevant portion also posted at {{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |publisher=RobertChristgau.com |accessdate=August 26, 2005}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |accessdate=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |accessdate=July 25, 2007 |last=Sheffield |first=Rob |authorlink=Rob Sheffield |archiveurl=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate=July 22, 2007 |deadurl=no}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |authorlink=Sasha Frere-Jones |title=[[The Rolling Stone Album Guide|The New Rolling Stone Album Guide]] |year=2004 |publisher=[[Simon & Schuster]] |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=894}}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |accessdate=May 15, 2013 |archiveurl=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archivedate=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, Shifty. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |accessdate=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]] http://uk.reuters.com/article/industry-us-touchandgo/economic-downturn-claims-chicago-indie-label-idUKTRE51K0K120090221. The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\nAll songs written and composed by Yeah Yeah Yeahs, except \"Mystery Girl\" (Yeah Yeah Yeahs/Jack Martin).\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:2001 debut albums]]" + }, + { + "revid": 865416272, + "parentid": 859807901, + "user": "Zackmann08", + "userid": 15881234, + "timestamp": "2018-10-23T20:18:53Z", + "sha1": "e039f8131dfea3c66a9f48b4b551011ed3c579a7", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "fixing deprecated params", + "*": "{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt =\n| released = July 9, 2001\n| recorded =\n| venue =\n| studio =\n| genre = [[Garage rock revival]]\n| length = 13:38\n| label = Shifty\n| producer =\n| prev_title =\n| prev_year =\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |accessdate=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |accessdate=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |accessdate=November 7, 2016 |last=Kemp |first=Rob |page=127 |archiveurl=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archivedate=May 23, 2009}}\n| rev3 = ''[[Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite news |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |title=Consumer Guide: Popstakes |newspaper=[[The Village Voice]] |date=January 2, 2002 |accessdate=December 28, 2011 |last=Christgau |first=Robert |authorlink=Robert Christgau}} Relevant portion also posted at {{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |publisher=RobertChristgau.com |accessdate=August 26, 2005}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |accessdate=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |accessdate=July 25, 2007 |last=Sheffield |first=Rob |authorlink=Rob Sheffield |archiveurl=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate=July 22, 2007 |deadurl=no}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |authorlink=Sasha Frere-Jones |title=[[The Rolling Stone Album Guide|The New Rolling Stone Album Guide]] |year=2004 |publisher=[[Simon & Schuster]] |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=894}}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |accessdate=May 15, 2013 |archiveurl=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archivedate=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, Shifty. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |accessdate=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]] http://uk.reuters.com/article/industry-us-touchandgo/economic-downturn-claims-chicago-indie-label-idUKTRE51K0K120090221. The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\nAll songs written and composed by Yeah Yeah Yeahs, except \"Mystery Girl\" (Yeah Yeah Yeahs/Jack Martin).\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:2001 debut albums]]" + }, + { + "revid": 874769358, + "parentid": 865416272, + "minor": "", + "user": "Holiday56", + "userid": 4279454, + "timestamp": "2018-12-21T12:24:08Z", + "sha1": "405823bf17d752b006b8572e683071fb18f949a4", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt =\n| released = July 9, 2001\n| recorded =\n| venue =\n| studio =\n| genre = [[Garage rock revival]]\n| length = 13:38\n| label = Shifty\n| producer =\n| prev_title =\n| prev_year =\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |accessdate=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |accessdate=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |accessdate=November 7, 2016 |last=Kemp |first=Rob |page=127 |archiveurl=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archivedate=May 23, 2009}}\n| rev3 = ''[[Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite news |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |title=Consumer Guide: Popstakes |newspaper=[[The Village Voice]] |date=January 2, 2002 |accessdate=December 28, 2011 |last=Christgau |first=Robert |authorlink=Robert Christgau}} Relevant portion also posted at {{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |publisher=RobertChristgau.com |accessdate=August 26, 2005}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |accessdate=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |accessdate=July 25, 2007 |last=Sheffield |first=Rob |authorlink=Rob Sheffield |archiveurl=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate=July 22, 2007 |deadurl=no}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |authorlink=Sasha Frere-Jones |title=[[The Rolling Stone Album Guide|The New Rolling Stone Album Guide]] |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=894}}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |accessdate=May 15, 2013 |archiveurl=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archivedate=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, Shifty. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |accessdate=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]] http://uk.reuters.com/article/industry-us-touchandgo/economic-downturn-claims-chicago-indie-label-idUKTRE51K0K120090221. The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\nAll songs written and composed by Yeah Yeah Yeahs, except \"Mystery Girl\" (Yeah Yeah Yeahs/Jack Martin).\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:2001 debut albums]]" + }, + { + "revid": 875118147, + "parentid": 874769358, + "user": "Jax 0677", + "userid": 6151339, + "timestamp": "2018-12-23T23:07:44Z", + "sha1": "0ea6ce6709e0619781af25a8a8f76997a5213df2", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* External links */ {{LR}}", + "*": "{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt =\n| released = July 9, 2001\n| recorded =\n| venue =\n| studio =\n| genre = [[Garage rock revival]]\n| length = 13:38\n| label = Shifty\n| producer =\n| prev_title =\n| prev_year =\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |accessdate=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |accessdate=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |accessdate=November 7, 2016 |last=Kemp |first=Rob |page=127 |archiveurl=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archivedate=May 23, 2009}}\n| rev3 = ''[[Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite news |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |title=Consumer Guide: Popstakes |newspaper=[[The Village Voice]] |date=January 2, 2002 |accessdate=December 28, 2011 |last=Christgau |first=Robert |authorlink=Robert Christgau}} Relevant portion also posted at {{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |publisher=RobertChristgau.com |accessdate=August 26, 2005}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |accessdate=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |accessdate=July 25, 2007 |last=Sheffield |first=Rob |authorlink=Rob Sheffield |archiveurl=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate=July 22, 2007 |deadurl=no}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |authorlink=Sasha Frere-Jones |title=[[The Rolling Stone Album Guide|The New Rolling Stone Album Guide]] |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=894}}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |accessdate=May 15, 2013 |archiveurl=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archivedate=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, Shifty. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |accessdate=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]] http://uk.reuters.com/article/industry-us-touchandgo/economic-downturn-claims-chicago-indie-label-idUKTRE51K0K120090221. The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\nAll songs written and composed by Yeah Yeah Yeahs, except \"Mystery Girl\" (Yeah Yeah Yeahs/Jack Martin).\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:2001 debut albums]]\n{{LR}}" + }, + { + "revid": 875120207, + "parentid": 875118147, + "minor": "", + "user": "AnomieBOT", + "userid": 7611264, + "timestamp": "2018-12-23T23:27:46Z", + "sha1": "6593f41f5050cd144ad40e16b7d2bd3131d02bc2", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Dating maintenance tags: {{LR}}", + "*": "{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt =\n| released = July 9, 2001\n| recorded =\n| venue =\n| studio =\n| genre = [[Garage rock revival]]\n| length = 13:38\n| label = Shifty\n| producer =\n| prev_title =\n| prev_year =\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |accessdate=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |accessdate=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |accessdate=November 7, 2016 |last=Kemp |first=Rob |page=127 |archiveurl=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archivedate=May 23, 2009}}\n| rev3 = ''[[Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite news |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |title=Consumer Guide: Popstakes |newspaper=[[The Village Voice]] |date=January 2, 2002 |accessdate=December 28, 2011 |last=Christgau |first=Robert |authorlink=Robert Christgau}} Relevant portion also posted at {{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |publisher=RobertChristgau.com |accessdate=August 26, 2005}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |accessdate=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |accessdate=July 25, 2007 |last=Sheffield |first=Rob |authorlink=Rob Sheffield |archiveurl=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate=July 22, 2007 |deadurl=no}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |authorlink=Sasha Frere-Jones |title=[[The Rolling Stone Album Guide|The New Rolling Stone Album Guide]] |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=894}}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |accessdate=May 15, 2013 |archiveurl=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archivedate=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, Shifty. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |accessdate=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]] http://uk.reuters.com/article/industry-us-touchandgo/economic-downturn-claims-chicago-indie-label-idUKTRE51K0K120090221. The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\nAll songs written and composed by Yeah Yeah Yeahs, except \"Mystery Girl\" (Yeah Yeah Yeahs/Jack Martin).\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:2001 debut albums]]\n{{LR|date=December 2018}}" + }, + { + "revid": 875198344, + "parentid": 875120207, + "user": "Jmertel23", + "userid": 32942831, + "timestamp": "2018-12-24T14:13:09Z", + "sha1": "ef0e23282831c0429c2a27c08b4fda279651c93e", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Filled in 1 bare reference(s) with [[:en:WP:REFILL|reFill]] ()", + "*": "{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt =\n| released = July 9, 2001\n| recorded =\n| venue =\n| studio =\n| genre = [[Garage rock revival]]\n| length = 13:38\n| label = Shifty\n| producer =\n| prev_title =\n| prev_year =\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |accessdate=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |accessdate=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |accessdate=November 7, 2016 |last=Kemp |first=Rob |page=127 |archiveurl=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archivedate=May 23, 2009}}\n| rev3 = ''[[Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite news |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |title=Consumer Guide: Popstakes |newspaper=[[The Village Voice]] |date=January 2, 2002 |accessdate=December 28, 2011 |last=Christgau |first=Robert |authorlink=Robert Christgau}} Relevant portion also posted at {{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |publisher=RobertChristgau.com |accessdate=August 26, 2005}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |accessdate=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |accessdate=July 25, 2007 |last=Sheffield |first=Rob |authorlink=Rob Sheffield |archiveurl=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate=July 22, 2007 |deadurl=no}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |authorlink=Sasha Frere-Jones |title=[[The Rolling Stone Album Guide|The New Rolling Stone Album Guide]] |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=894}}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |accessdate=May 15, 2013 |archiveurl=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archivedate=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, Shifty. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |accessdate=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]] {{cite web|url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221|title=Economic downturn claims Chicago indie label|date=21 February 2009|publisher=|via=uk.reuters.com}}. The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\nAll songs written and composed by Yeah Yeah Yeahs, except \"Mystery Girl\" (Yeah Yeah Yeahs/Jack Martin).\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:Debut EPs]]\n[[Category:2001 debut albums]]" + }, + { + "revid": 888003488, + "parentid": 875198344, + "user": "Hiddenstranger", + "userid": 11241628, + "timestamp": "2019-03-16T07:57:52Z", + "sha1": "3c90fe25a751ec566440b8d0f7c97776fa412cb8", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt =\n| released = July 9, 2001\n| recorded =\n| venue =\n| studio =\n| genre = [[Garage rock revival]]\n| length = 13:38\n| label = Shifty\n| producer =\n| prev_title =\n| prev_year =\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |accessdate=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |accessdate=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |accessdate=November 7, 2016 |last=Kemp |first=Rob |page=127 |archiveurl=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archivedate=May 23, 2009}}\n| rev3 = ''[[Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite news |url=http://www.robertchristgau.com/xg/cg/cgv102-02.php |title=Consumer Guide: Popstakes |newspaper=[[The Village Voice]] |date=January 2, 2002 |accessdate=December 28, 2011 |last=Christgau |first=Robert |authorlink=Robert Christgau}} Relevant portion also posted at {{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |publisher=RobertChristgau.com |accessdate=August 26, 2005}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |accessdate=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |accessdate=July 25, 2007 |last=Sheffield |first=Rob |authorlink=Rob Sheffield |archiveurl=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate=July 22, 2007 |deadurl=no}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |authorlink=Sasha Frere-Jones |title=[[The Rolling Stone Album Guide|The New Rolling Stone Album Guide]] |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=894}}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |accessdate=May 15, 2013 |archiveurl=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archivedate=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, Shifty. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |accessdate=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]] {{cite web|url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221|title=Economic downturn claims Chicago indie label|date=21 February 2009|publisher=|via=uk.reuters.com}}. The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\nAll songs written and composed by Yeah Yeah Yeahs, except \"Mystery Girl\" (Yeah Yeah Yeahs/Jack Martin).\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut albums]]" + }, + { + "revid": 891994625, + "parentid": 888003488, + "user": "Holiday56", + "userid": 4279454, + "timestamp": "2019-04-11T14:11:36Z", + "sha1": "2e375c5acb21f345752d77d0b6c4af96346c4b5f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt =\n| released = July 9, 2001\n| recorded =\n| venue =\n| studio =\n| genre = [[Garage rock revival]]\n| length = 13:38\n| label = Shifty\n| producer =\n| prev_title =\n| prev_year =\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |accessdate=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |accessdate=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |accessdate=November 7, 2016 |last=Kemp |first=Rob |page=127 |archiveurl=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archivedate=May 23, 2009}}\n| rev3 = ''[[Robert Christgau#\"Consumer Guide\" and \"Expert Witness\" columns|Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |publisher=RobertChristgau.com |accessdate=August 26, 2005}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |accessdate=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |accessdate=July 25, 2007 |last=Sheffield |first=Rob |authorlink=Rob Sheffield |archiveurl=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate=July 22, 2007 |deadurl=no}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |authorlink=Sasha Frere-Jones |title=[[The Rolling Stone Album Guide|The New Rolling Stone Album Guide]] |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=894}}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |accessdate=May 15, 2013 |archiveurl=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archivedate=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, Shifty. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |accessdate=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]] {{cite web|url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221|title=Economic downturn claims Chicago indie label|date=21 February 2009|publisher=|via=uk.reuters.com}}. The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\nAll songs written and composed by Yeah Yeah Yeahs, except \"Mystery Girl\" (Yeah Yeah Yeahs/Jack Martin).\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut albums]]" + }, + { + "revid": 891994673, + "parentid": 891994625, + "user": "Holiday56", + "userid": 4279454, + "timestamp": "2019-04-11T14:12:00Z", + "sha1": "bd22b562e03a42f60347f594f56869d5610aeeb4", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt =\n| released = July 9, 2001\n| recorded =\n| venue =\n| studio =\n| genre = [[Garage rock revival]]\n| length = 13:38\n| label = Shifty\n| producer =\n| prev_title =\n| prev_year =\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |accessdate=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |accessdate=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |accessdate=November 7, 2016 |last=Kemp |first=Rob |page=127 |archiveurl=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archivedate=May 23, 2009}}\n| rev3 = ''[[Robert Christgau#\"Consumer Guide\" and \"Expert Witness\" columns|Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: ''Yeah Yeah Yeahs'' |publisher=RobertChristgau.com |accessdate=August 26, 2005 |last=Christgau |first=Robert |authorlink=Robert Christgau}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |accessdate=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |accessdate=July 25, 2007 |last=Sheffield |first=Rob |authorlink=Rob Sheffield |archiveurl=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate=July 22, 2007 |deadurl=no}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |authorlink=Sasha Frere-Jones |title=[[The Rolling Stone Album Guide|The New Rolling Stone Album Guide]] |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=894}}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |accessdate=May 15, 2013 |archiveurl=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archivedate=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, Shifty. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |accessdate=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]] {{cite web|url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221|title=Economic downturn claims Chicago indie label|date=21 February 2009|publisher=|via=uk.reuters.com}}. The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\nAll songs written and composed by Yeah Yeah Yeahs, except \"Mystery Girl\" (Yeah Yeah Yeahs/Jack Martin).\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut albums]]" + }, + { + "revid": 891994842, + "parentid": 891994673, + "user": "Holiday56", + "userid": 4279454, + "timestamp": "2019-04-11T14:13:25Z", + "sha1": "dc6e5bc79105889f4a1cdfe78b25f423370bc85f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt =\n| released = July 9, 2001\n| recorded =\n| venue =\n| studio =\n| genre = [[Garage rock revival]]\n| length = 13:38\n| label = Shifty\n| producer =\n| prev_title =\n| prev_year =\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |accessdate=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |accessdate=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |accessdate=November 7, 2016 |last=Kemp |first=Rob |page=127 |archiveurl=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archivedate=May 23, 2009}}\n| rev3 = ''[[Robert Christgau#\"Consumer Guide\" and \"Expert Witness\" columns|Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |publisher=RobertChristgau.com |accessdate=August 26, 2005 |last=Christgau |first=Robert |authorlink=Robert Christgau}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |accessdate=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |accessdate=July 25, 2007 |last=Sheffield |first=Rob |authorlink=Rob Sheffield |archiveurl=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate=July 22, 2007 |deadurl=no}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |authorlink=Sasha Frere-Jones |title=[[The Rolling Stone Album Guide|The New Rolling Stone Album Guide]] |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=894}}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |accessdate=May 15, 2013 |archiveurl=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archivedate=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, Shifty. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |accessdate=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]] {{cite web|url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221|title=Economic downturn claims Chicago indie label|date=21 February 2009|publisher=|via=uk.reuters.com}}. The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\nAll songs written and composed by Yeah Yeah Yeahs, except \"Mystery Girl\" (Yeah Yeah Yeahs/Jack Martin).\n{{Track listing\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut albums]]" + }, + { + "revid": 893679721, + "parentid": 891994842, + "user": "47.154.11.143", + "anon": "", + "userid": 0, + "timestamp": "2019-04-22T22:34:40Z", + "sha1": "e5fde5f6b8306f577b514df057467c6ddb2d267b", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Track listing */", + "*": "{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt =\n| released = July 9, 2001\n| recorded =\n| venue =\n| studio =\n| genre = [[Garage rock revival]]\n| length = 13:38\n| label = Shifty\n| producer =\n| prev_title =\n| prev_year =\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |accessdate=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |accessdate=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |accessdate=November 7, 2016 |last=Kemp |first=Rob |page=127 |archiveurl=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archivedate=May 23, 2009}}\n| rev3 = ''[[Robert Christgau#\"Consumer Guide\" and \"Expert Witness\" columns|Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |publisher=RobertChristgau.com |accessdate=August 26, 2005 |last=Christgau |first=Robert |authorlink=Robert Christgau}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |accessdate=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |accessdate=July 25, 2007 |last=Sheffield |first=Rob |authorlink=Rob Sheffield |archiveurl=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate=July 22, 2007 |deadurl=no}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |authorlink=Sasha Frere-Jones |title=[[The Rolling Stone Album Guide|The New Rolling Stone Album Guide]] |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=894}}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |accessdate=May 15, 2013 |archiveurl=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archivedate=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, Shifty. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |accessdate=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]] {{cite web|url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221|title=Economic downturn claims Chicago indie label|date=21 February 2009|publisher=|via=uk.reuters.com}}. The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\n{{Track listing\n| all_writing = Yeah Yeah Yeahs, except where noted\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| note2 = Jack Martin, Yeah Yeah Yeahs\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut albums]]" + }, + { + "revid": 893679795, + "parentid": 893679721, + "user": "47.154.11.143", + "anon": "", + "userid": 0, + "timestamp": "2019-04-22T22:35:11Z", + "sha1": "a6cba2dd3e7482eea6041f15547fcf8ae1a93db4", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Track listing */", + "*": "{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt =\n| released = July 9, 2001\n| recorded =\n| venue =\n| studio =\n| genre = [[Garage rock revival]]\n| length = 13:38\n| label = Shifty\n| producer =\n| prev_title =\n| prev_year =\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |accessdate=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |accessdate=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |accessdate=November 7, 2016 |last=Kemp |first=Rob |page=127 |archiveurl=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archivedate=May 23, 2009}}\n| rev3 = ''[[Robert Christgau#\"Consumer Guide\" and \"Expert Witness\" columns|Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |publisher=RobertChristgau.com |accessdate=August 26, 2005 |last=Christgau |first=Robert |authorlink=Robert Christgau}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |accessdate=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |accessdate=July 25, 2007 |last=Sheffield |first=Rob |authorlink=Rob Sheffield |archiveurl=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate=July 22, 2007 |deadurl=no}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |authorlink=Sasha Frere-Jones |title=[[The Rolling Stone Album Guide|The New Rolling Stone Album Guide]] |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=894}}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |accessdate=May 15, 2013 |archiveurl=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archivedate=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, Shifty. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |accessdate=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]] {{cite web|url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221|title=Economic downturn claims Chicago indie label|date=21 February 2009|publisher=|via=uk.reuters.com}}. The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\n{{Track listing\n| all_writing = Yeah Yeah Yeahs, except where noted\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| note2 = Jack Martin, Yeah Yeah Yeahs\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n| total_length = 13:38\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut albums]]" + }, + { + "revid": 901358092, + "parentid": 893679795, + "minor": "", + "user": "Holiday56", + "userid": 4279454, + "timestamp": "2019-06-11T10:39:04Z", + "sha1": "bffd3222528bca34a5202524c92b109763b23fbd", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt =\n| released = July 9, 2001\n| recorded =\n| venue =\n| studio =\n| genre = [[Garage rock revival]]\n| length = 13:38\n| label = Shifty\n| producer =\n| prev_title =\n| prev_year =\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |accessdate=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |accessdate=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |accessdate=November 7, 2016 |last=Kemp |first=Rob |page=127 |archiveurl=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archivedate=May 23, 2009}}\n| rev3 = ''[[Robert Christgau#Consumer Guide|Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |publisher=RobertChristgau.com |accessdate=August 26, 2005 |last=Christgau |first=Robert |authorlink=Robert Christgau}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |accessdate=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |accessdate=July 25, 2007 |last=Sheffield |first=Rob |authorlink=Rob Sheffield |archiveurl=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate=July 22, 2007 |deadurl=no}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |authorlink=Sasha Frere-Jones |title=[[The Rolling Stone Album Guide|The New Rolling Stone Album Guide]] |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=894}}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |accessdate=May 15, 2013 |archiveurl=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archivedate=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, Shifty. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |accessdate=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]] {{cite web|url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221|title=Economic downturn claims Chicago indie label|date=21 February 2009|publisher=|via=uk.reuters.com}}. The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\n{{Track listing\n| all_writing = Yeah Yeah Yeahs, except where noted\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| note2 = Jack Martin, Yeah Yeah Yeahs\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n| total_length = 13:38\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut albums]]" + }, + { + "revid": 902899825, + "parentid": 901358092, + "user": "Hiddenstranger", + "userid": 11241628, + "timestamp": "2019-06-22T03:04:50Z", + "sha1": "ee86583170fcb98d38e4230eecf10e5db3137d88", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt =\n| released = July 9, 2001\n| recorded =\n| venue =\n| studio =\n| genre = [[Garage rock revival]]\n| length = 13:38\n| label = Shifty\n| producer =\n| prev_title =\n| prev_year =\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |accessdate=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |accessdate=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |accessdate=November 7, 2016 |last=Kemp |first=Rob |page=127 |archiveurl=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archivedate=May 23, 2009}}\n| rev3 = ''[[Robert Christgau#Consumer Guide|Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |publisher=RobertChristgau.com |accessdate=August 26, 2005 |last=Christgau |first=Robert |authorlink=Robert Christgau}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |accessdate=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |accessdate=July 25, 2007 |last=Sheffield |first=Rob |authorlink=Rob Sheffield |archiveurl=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate=July 22, 2007 |deadurl=no}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |authorlink=Sasha Frere-Jones |title=[[The Rolling Stone Album Guide|The New Rolling Stone Album Guide]] |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=894}}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |accessdate=May 15, 2013 |archiveurl=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archivedate=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, Shifty. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |accessdate=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]] {{cite web|url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221|title=Economic downturn claims Chicago indie label|date=21 February 2009|publisher=|via=uk.reuters.com}}. The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\n{{Track listing\n| all_writing = Yeah Yeah Yeahs, except where noted\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| note2 = Jack Martin, Yeah Yeah Yeahs\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n| total_length = 13:38\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 914223710, + "parentid": 902899825, + "minor": "", + "user": "Citation bot", + "userid": 7903804, + "timestamp": "2019-09-05T23:29:06Z", + "sha1": "2855ceb25601faa87297b0414eb1b568e6097e5b", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Alter: title. Add: title-link. | You can [[WP:UCB|use this bot]] yourself. [[WP:DBUG|Report bugs here]].| Activated by [[User:Ost316]] | [[Category:CS1 errors: missing periodical]].", + "*": "{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt =\n| released = July 9, 2001\n| recorded =\n| venue =\n| studio =\n| genre = [[Garage rock revival]]\n| length = 13:38\n| label = Shifty\n| producer =\n| prev_title =\n| prev_year =\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |accessdate=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |accessdate=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |accessdate=November 7, 2016 |last=Kemp |first=Rob |page=127 |archiveurl=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archivedate=May 23, 2009}}\n| rev3 = ''[[Robert Christgau#Consumer Guide|Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |publisher=RobertChristgau.com |accessdate=August 26, 2005 |last=Christgau |first=Robert |authorlink=Robert Christgau}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |accessdate=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |accessdate=July 25, 2007 |last=Sheffield |first=Rob |authorlink=Rob Sheffield |archiveurl=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate=July 22, 2007 |deadurl=no}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |authorlink=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=894|title-link=The Rolling Stone Album Guide }}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |accessdate=May 15, 2013 |archiveurl=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archivedate=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, Shifty. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |accessdate=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]] {{cite web|url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221|title=Economic downturn claims Chicago indie label|date=21 February 2009|publisher=|via=uk.reuters.com}}. The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\n{{Track listing\n| all_writing = Yeah Yeah Yeahs, except where noted\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| note2 = Jack Martin, Yeah Yeah Yeahs\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n| total_length = 13:38\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 916445705, + "parentid": 914223710, + "minor": "", + "user": "Monkbot", + "userid": 20483999, + "timestamp": "2019-09-18T23:39:45Z", + "sha1": "9a76eb0298f397bf716a9149f3e4fb1e274322a4", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* top */[[User:Monkbot/task 16: remove replace deprecated dead-url params|Task 16]]: replaced (1×) / removed (0×) deprecated |dead-url= and |deadurl= with |url-status=;", + "*": "{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt =\n| released = July 9, 2001\n| recorded =\n| venue =\n| studio =\n| genre = [[Garage rock revival]]\n| length = 13:38\n| label = Shifty\n| producer =\n| prev_title =\n| prev_year =\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |accessdate=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |accessdate=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |accessdate=November 7, 2016 |last=Kemp |first=Rob |page=127 |archiveurl=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archivedate=May 23, 2009}}\n| rev3 = ''[[Robert Christgau#Consumer Guide|Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |publisher=RobertChristgau.com |accessdate=August 26, 2005 |last=Christgau |first=Robert |authorlink=Robert Christgau}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |accessdate=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |accessdate=July 25, 2007 |last=Sheffield |first=Rob |authorlink=Rob Sheffield |archiveurl=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate=July 22, 2007 |url-status=live}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |authorlink=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=894|title-link=The Rolling Stone Album Guide }}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |accessdate=May 15, 2013 |archiveurl=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archivedate=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, Shifty. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |accessdate=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]] {{cite web|url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221|title=Economic downturn claims Chicago indie label|date=21 February 2009|publisher=|via=uk.reuters.com}}. The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\n{{Track listing\n| all_writing = Yeah Yeah Yeahs, except where noted\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| note2 = Jack Martin, Yeah Yeah Yeahs\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n| total_length = 13:38\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 925947720, + "parentid": 916445705, + "user": "InternetArchiveBot", + "userid": 27015025, + "timestamp": "2019-11-13T09:06:21Z", + "sha1": "e0b0d249ee322ab2236fee13d12639d8dc55ef18", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Bluelink 1 book for [[WP:V|verifiability]].) #IABot (v2.0) ([[User:GreenC bot|GreenC bot]]", + "*": "{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt =\n| released = July 9, 2001\n| recorded =\n| venue =\n| studio =\n| genre = [[Garage rock revival]]\n| length = 13:38\n| label = Shifty\n| producer =\n| prev_title =\n| prev_year =\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |accessdate=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |accessdate=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |accessdate=November 7, 2016 |last=Kemp |first=Rob |page=127 |archiveurl=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archivedate=May 23, 2009}}\n| rev3 = ''[[Robert Christgau#Consumer Guide|Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |publisher=RobertChristgau.com |accessdate=August 26, 2005 |last=Christgau |first=Robert |authorlink=Robert Christgau}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |accessdate=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |accessdate=July 25, 2007 |last=Sheffield |first=Rob |authorlink=Rob Sheffield |archiveurl=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate=July 22, 2007 |url-status=live}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |authorlink=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |accessdate=May 15, 2013 |archiveurl=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archivedate=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, Shifty. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |accessdate=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]] {{cite web|url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221|title=Economic downturn claims Chicago indie label|date=21 February 2009|publisher=|via=uk.reuters.com}}. The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\n{{Track listing\n| all_writing = Yeah Yeah Yeahs, except where noted\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| note2 = Jack Martin, Yeah Yeah Yeahs\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n| total_length = 13:38\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 970145434, + "parentid": 925947720, + "user": "GreenC bot", + "userid": 27823944, + "timestamp": "2020-07-29T14:50:04Z", + "sha1": "101f6e13c79d64cd1ae189893684a555d02ae25e", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Reformat 1 archive link. [[User:GreenC/WaybackMedic_2.5|Wayback Medic 2.5]]", + "*": "{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt =\n| released = July 9, 2001\n| recorded =\n| venue =\n| studio =\n| genre = [[Garage rock revival]]\n| length = 13:38\n| label = Shifty\n| producer =\n| prev_title =\n| prev_year =\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |accessdate=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |accessdate=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |accessdate=November 7, 2016 |last=Kemp |first=Rob |page=127 |archiveurl=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archivedate=May 23, 2009}}\n| rev3 = ''[[Robert Christgau#Consumer Guide|Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |publisher=RobertChristgau.com |accessdate=August 26, 2005 |last=Christgau |first=Robert |authorlink=Robert Christgau}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |accessdate=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |accessdate=July 25, 2007 |last=Sheffield |first=Rob |authorlink=Rob Sheffield |archiveurl=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate=February 6, 2008 |url-status=live}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |authorlink=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |accessdate=May 15, 2013 |archiveurl=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archivedate=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, Shifty. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |accessdate=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]] {{cite web|url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221|title=Economic downturn claims Chicago indie label|date=21 February 2009|publisher=|via=uk.reuters.com}}. The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\n{{Track listing\n| all_writing = Yeah Yeah Yeahs, except where noted\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| note2 = Jack Martin, Yeah Yeah Yeahs\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n| total_length = 13:38\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 1000381156, + "parentid": 970145434, + "minor": "", + "user": "Yobot", + "userid": 7328338, + "timestamp": "2021-01-14T21:28:34Z", + "sha1": "e8fa5779ade0674f62ac1dc9dafb565125cf8fd0", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* top */References after punctuation per [[WP:REFPUNCT]], [[WP:CITEFOOT]], [[WP:PAIC]] + other fixes", + "*": "{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt =\n| released = July 9, 2001\n| recorded =\n| venue =\n| studio =\n| genre = [[Garage rock revival]]\n| length = 13:38\n| label = Shifty\n| producer =\n| prev_title =\n| prev_year =\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |accessdate=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |accessdate=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |accessdate=November 7, 2016 |last=Kemp |first=Rob |page=127 |archiveurl=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archivedate=May 23, 2009}}\n| rev3 = ''[[Robert Christgau#Consumer Guide|Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |publisher=RobertChristgau.com |accessdate=August 26, 2005 |last=Christgau |first=Robert |author-link=Robert Christgau}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |accessdate=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |accessdate=July 25, 2007 |last=Sheffield |first=Rob |author-link=Rob Sheffield |archiveurl=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archivedate=February 6, 2008 |url-status=live}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |accessdate=May 15, 2013 |archiveurl=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archivedate=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, Shifty. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |accessdate=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]].{{cite web|url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221|title=Economic downturn claims Chicago indie label|date=21 February 2009|publisher=|via=uk.reuters.com}} The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\n{{Track listing\n| all_writing = Yeah Yeah Yeahs, except where noted\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| note2 = Jack Martin, Yeah Yeah Yeahs\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n| total_length = 13:38\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 1001730343, + "parentid": 1000381156, + "minor": "", + "user": "Monkbot", + "userid": 20483999, + "timestamp": "2021-01-21T01:47:57Z", + "sha1": "37e536d885b4ff3e8bce4b01f3eb48dfc19df69b", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "[[User:Monkbot/task 18|Task 18 (cosmetic)]]: eval 10 templates: del empty params (1×); hyphenate params (14×);", + "*": "{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt =\n| released = July 9, 2001\n| recorded =\n| venue =\n| studio =\n| genre = [[Garage rock revival]]\n| length = 13:38\n| label = Shifty\n| producer =\n| prev_title =\n| prev_year =\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |access-date=November 7, 2016 |last=Kemp |first=Rob |page=127 |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009}}\n| rev3 = ''[[Robert Christgau#Consumer Guide|Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |publisher=RobertChristgau.com |access-date=August 26, 2005 |last=Christgau |first=Robert |author-link=Robert Christgau}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |access-date=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |access-date=July 25, 2007 |last=Sheffield |first=Rob |author-link=Rob Sheffield |archive-url=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archive-date=February 6, 2008 |url-status=live}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |access-date=May 15, 2013 |archive-url=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archive-date=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, Shifty. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |access-date=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]].{{cite web|url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221|title=Economic downturn claims Chicago indie label|date=21 February 2009|via=uk.reuters.com}} The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\n{{Track listing\n| all_writing = Yeah Yeah Yeahs, except where noted\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| note2 = Jack Martin, Yeah Yeah Yeahs\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n| total_length = 13:38\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 1004297475, + "parentid": 1001730343, + "minor": "", + "user": "Tom.Reding", + "userid": 9784415, + "timestamp": "2021-02-01T23:11:23Z", + "sha1": "6d5bb4218675a93853bc1265abc72dd5997c24e9", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "+{{[[Template:Authority control|Authority control]]}} ([[d:Q2709107|1 ID]] from [[Wikidata]]), [[WP:GenFixes]] on", + "*": "{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt =\n| released = July 9, 2001\n| recorded =\n| venue =\n| studio =\n| genre = [[Garage rock revival]]\n| length = 13:38\n| label = Shifty\n| producer =\n| prev_title =\n| prev_year =\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |access-date=November 7, 2016 |last=Kemp |first=Rob |page=127 |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009}}\n| rev3 = ''[[Robert Christgau#Consumer Guide|Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |publisher=RobertChristgau.com |access-date=August 26, 2005 |last=Christgau |first=Robert |author-link=Robert Christgau}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |access-date=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |access-date=July 25, 2007 |last=Sheffield |first=Rob |author-link=Rob Sheffield |archive-url=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archive-date=February 6, 2008 |url-status=live}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |access-date=May 15, 2013 |archive-url=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archive-date=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, Shifty. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |access-date=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]].{{cite web|url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221|title=Economic downturn claims Chicago indie label|date=21 February 2009|via=uk.reuters.com}} The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\n{{Track listing\n| all_writing = Yeah Yeah Yeahs, except where noted\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| note2 = Jack Martin, Yeah Yeah Yeahs\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n| total_length = 13:38\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{metacritic album|yeah-yeah-yeahs-ep/yeah-yeah-yeahs|Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 1081349451, + "parentid": 1004297475, + "minor": "", + "user": "Terasail", + "userid": 39239779, + "timestamp": "2022-04-06T22:51:55Z", + "sha1": "2dbd406a9602aab619bb6acd8da9edf41ff605ad", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Removed any id values that are stored at WikiData from template: {{[[Template:Metacritic album|Metacritic album]]}} ([[d:Q2709107#P1712|Identifier]]). ([[User:Terasail#User Scripts|User JS]])", + "*": "{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt =\n| released = July 9, 2001\n| recorded =\n| venue =\n| studio =\n| genre = [[Garage rock revival]]\n| length = 13:38\n| label = Shifty\n| producer =\n| prev_title =\n| prev_year =\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |access-date=November 7, 2016 |last=Kemp |first=Rob |page=127 |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009}}\n| rev3 = ''[[Robert Christgau#Consumer Guide|Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |publisher=RobertChristgau.com |access-date=August 26, 2005 |last=Christgau |first=Robert |author-link=Robert Christgau}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |access-date=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite journal |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |journal=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |access-date=July 25, 2007 |last=Sheffield |first=Rob |author-link=Rob Sheffield |archive-url=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archive-date=February 6, 2008 |url-status=live}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |access-date=May 15, 2013 |archive-url=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archive-date=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, Shifty. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |access-date=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]].{{cite web|url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221|title=Economic downturn claims Chicago indie label|date=21 February 2009|via=uk.reuters.com}} The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\n{{Track listing\n| all_writing = Yeah Yeah Yeahs, except where noted\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| note2 = Jack Martin, Yeah Yeah Yeahs\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n| total_length = 13:38\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{Metacritic album|title=Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 1178806134, + "parentid": 1081349451, + "user": "Citation bot", + "userid": 7903804, + "timestamp": "2023-10-06T00:45:22Z", + "sha1": "ccd58c084089f3f6aaea8150044186dc67bd306f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Alter: template type. Add: magazine. Removed parameters. Some additions/deletions were parameter name changes. | [[:en:WP:UCB|Use this bot]]. [[:en:WP:DBUG|Report bugs]]. | Suggested by Whoop whoop pull up | #UCB_webform 43/44", + "*": "{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt =\n| released = July 9, 2001\n| recorded =\n| venue =\n| studio =\n| genre = [[Garage rock revival]]\n| length = 13:38\n| label = Shifty\n| producer =\n| prev_title =\n| prev_year =\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |access-date=November 7, 2016 |last=Kemp |first=Rob |page=127 |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009}}\n| rev3 = ''[[Robert Christgau#Consumer Guide|Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |publisher=RobertChristgau.com |access-date=August 26, 2005 |last=Christgau |first=Robert |author-link=Robert Christgau}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |access-date=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite magazine |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |magazine=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |access-date=July 25, 2007 |last=Sheffield |first=Rob |author-link=Rob Sheffield |archive-url=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archive-date=February 6, 2008 |url-status=live}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |access-date=May 15, 2013 |archive-url=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archive-date=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, Shifty. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |access-date=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]].{{cite web|url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221|title=Economic downturn claims Chicago indie label|date=21 February 2009|via=uk.reuters.com}} The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\n{{Track listing\n| all_writing = Yeah Yeah Yeahs, except where noted\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| note2 = Jack Martin, Yeah Yeah Yeahs\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n| total_length = 13:38\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{Metacritic album|title=Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 1245440448, + "parentid": 1178806134, + "user": "GreenC bot", + "userid": 27823944, + "timestamp": "2024-09-13T00:42:52Z", + "sha1": "4f3303db2517b8ae65e107d6e281eea737554ced", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Rescued 1 archive link. [[User:GreenC/WaybackMedic_2.5|Wayback Medic 2.5]] per [[WP:URLREQ#xyz.reuters.com]]", + "*": "{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt =\n| released = July 9, 2001\n| recorded =\n| venue =\n| studio =\n| genre = [[Garage rock revival]]\n| length = 13:38\n| label = Shifty\n| producer =\n| prev_title =\n| prev_year =\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n{{Album ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |access-date=November 7, 2016 |last=Kemp |first=Rob |page=127 |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009}}\n| rev3 = ''[[Robert Christgau#Consumer Guide|Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |publisher=RobertChristgau.com |access-date=August 26, 2005 |last=Christgau |first=Robert |author-link=Robert Christgau}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |access-date=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite magazine |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |magazine=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |access-date=July 25, 2007 |last=Sheffield |first=Rob |author-link=Rob Sheffield |archive-url=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archive-date=February 6, 2008 |url-status=live}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |access-date=May 15, 2013 |archive-url=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archive-date=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, Shifty. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |access-date=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]].{{cite web|url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221|archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221|url-status=dead|archive-date=August 16, 2017|title=Economic downturn claims Chicago indie label|date=21 February 2009|via=uk.reuters.com}} The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\n{{Track listing\n| all_writing = Yeah Yeah Yeahs, except where noted\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| note2 = Jack Martin, Yeah Yeah Yeahs\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n| total_length = 13:38\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{Metacritic album|title=Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 1294185374, + "parentid": 1245440448, + "minor": "", + "user": "Ser Amantio di Nicolao", + "userid": 753665, + "timestamp": "2025-06-06T04:24:27Z", + "sha1": "31f678103982a26e60868f719ff3c9bda2fda8af", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* top */ add {{Use mdy dates|date=June 2025}}", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt =\n| released = July 9, 2001\n| recorded =\n| venue =\n| studio =\n| genre = [[Garage rock revival]]\n| length = 13:38\n| label = Shifty\n| producer =\n| prev_title =\n| prev_year =\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |access-date=November 7, 2016 |last=Kemp |first=Rob |page=127 |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009}}\n| rev3 = ''[[Robert Christgau#Consumer Guide|Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |publisher=RobertChristgau.com |access-date=August 26, 2005 |last=Christgau |first=Robert |author-link=Robert Christgau}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |access-date=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite magazine |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |magazine=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |access-date=July 25, 2007 |last=Sheffield |first=Rob |author-link=Rob Sheffield |archive-url=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archive-date=February 6, 2008 |url-status=live}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |access-date=May 15, 2013 |archive-url=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archive-date=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' is the debut [[Extended play|EP]] by American [[indie rock]] band [[Yeah Yeah Yeahs]], released in 2001 by the band's own label, Shifty. It is sometimes incorrectly called ''Master'' due to the prominence of a necklace bearing that word on the album's cover. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |access-date=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]].{{cite web|url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221|archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221|url-status=dead|archive-date=August 16, 2017|title=Economic downturn claims Chicago indie label|date=21 February 2009|via=uk.reuters.com}} The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\n{{Track listing\n| all_writing = Yeah Yeah Yeahs, except where noted\n| title1 = Bang\n| length1 = 3:07\n| title2 = Mystery Girl\n| note2 = Jack Martin, Yeah Yeah Yeahs\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 1:59\n| title4 = Miles Away\n| length4 = 2:17\n| title5 = Our Time\n| length5 = 3:23\n| total_length = 13:38\n}}\n\nThe track \"Our Time\" interpolates the [[Tommy James and the Shondells]] song \"[[Crimson and Clover]]\"; when Karen O sings \"''It's the year to be hated / So glad that we made it'',\" the melody is taken from the hit song, which reached #1 on the U.S. Billboard Hot 100 in 1969.\n\n==Personnel==\n* [[Brian Chase]] – [[Drum kit|drums]]\n* [[Nick Zinner]] – [[guitar]]s\n* [[Karen O]] – [[Singing|vocals]]\n\n===Production===\n*Crispin – artwork\n*Chuck Scott – [[Audio mastering|mastering]]\n*Jerry Teel – engineer\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{Metacritic album|title=Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 1342054706, + "parentid": 1294185374, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-06T18:29:13Z", + "sha1": "53edb2a8855467575812d5ffbddac1dc3b5486a5", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Some changes, removed this unsourced bit, will expand later", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]}}\n| length = 13:44\n| label = [[Self-released]]\n| producer = {{hlist|[[The Honeymoon Killers (American band)|Jerry Teel]]|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |access-date=November 7, 2016 |last=Kemp |first=Rob |page=127 |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009}}\n| rev3 = ''[[Robert Christgau#Consumer Guide|Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |publisher=RobertChristgau.com |access-date=August 26, 2005 |last=Christgau |first=Robert |author-link=Robert Christgau}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |access-date=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite magazine |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |magazine=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |access-date=July 25, 2007 |last=Sheffield |first=Rob |author-link=Rob Sheffield |archive-url=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archive-date=February 6, 2008 |url-status=live}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |access-date=May 15, 2013 |archive-url=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archive-date=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}\n\n'''''Yeah Yeah Yeahs''''' (often referred to as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]], released on July 9, 2001 by [[Self-released|the band themselves]]. It reached number 1 on the [[UK Indie Chart]].{{cite web |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |title=Chart Log UK: Rachael Yamagata – Malik Yusef |publisher=Zobbel.de |access-date=August 7, 2014}} As of 2009, sales in the United States have exceeded 71,000 copies, according to [[Nielsen SoundScan]].{{cite web|url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221|archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221|url-status=dead|archive-date=August 16, 2017|title=Economic downturn claims Chicago indie label|date=21 February 2009|via=uk.reuters.com}} The EP was named ''[[NME]]''{{'}}s second best single of 2002.\n\n==Track listing==\nAll tracks are written by [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by the band and Jack Martin.\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:44\n}}\n'''Notes'''\n\n* On some releases, \"Bang\" is stylized as \"Bang!\"\n\n==Personnel==\nAll personnel credits adapted from ''Yeah Yeah Yeahs'''s liner notes.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{Metacritic album|title=Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 1342091682, + "parentid": 1342054706, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-06T23:10:13Z", + "sha1": "33632d915288a008ae7a3a14985a79ab0ea79017", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]}}\n| length = 13:44\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often referred to as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]], released on July 9, 2001 by [[Self-released|the band themselves]]. Reviews were generally favorable, and it gained a [[cult following]] after it was reissued in 2002 by [[Touch and Go Records]] in the United States.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} ''[[NME]]'' ranked it the second best single of 2002.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} It reached number one on the [[UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}}{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} and, as of 2009, sales in the United States have exceeded 71,000 copies. {{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |access-date=November 7, 2016 |last=Kemp |first=Rob |page=127 |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009}}\n| rev3 = ''[[Robert Christgau#Consumer Guide|Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |publisher=RobertChristgau.com |access-date=August 26, 2005 |last=Christgau |first=Robert |author-link=Robert Christgau}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |access-date=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite magazine |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |magazine=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |access-date=July 25, 2007 |last=Sheffield |first=Rob |author-link=Rob Sheffield |archive-url=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archive-date=February 6, 2008 |url-status=live}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |access-date=May 15, 2013 |archive-url=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archive-date=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}\n\n==Track listing==\nAll tracks are written by [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by the band and Jack Martin.\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:44\n}}\n'''Notes'''\n\n* On some releases, \"Bang\" is stylized as \"Bang!\"\n\n==Personnel==\nAll personnel credits adapted from ''Yeah Yeah Yeahs'''s liner notes.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{Metacritic album|title=Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 1342121355, + "parentid": 1342091682, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-07T03:36:39Z", + "sha1": "e602e35b25b2d268ea1cc17ca8501ab019f98f9a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Okay still expanding but we're getting there", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]}}\n| length = 13:44\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often referred to as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It was [[self-released]] in July 2001 to moderate sales and little critical attention. \n\nIn April 2002, [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] reissued ''Yeah Yeah Yeahs'' in the United States and United Kingdom, respectively. It became a [[sleeper hit]] in both countries, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States. The EP was favorably received by music critics; it placed second on ''[[NME]]'''s list of the best singles of 2002, and 42nd on [[Paste (magazine)|''Paste'']]'s list of the greatest EPs ever made. \n\n== Release and reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |access-date=November 7, 2016 |last=Kemp |first=Rob |page=127 |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009}}\n| rev3 = ''[[Robert Christgau#Consumer Guide|Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |publisher=RobertChristgau.com |access-date=August 26, 2005 |last=Christgau |first=Robert |author-link=Robert Christgau}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |access-date=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite magazine |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |magazine=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |access-date=July 25, 2007 |last=Sheffield |first=Rob |author-link=Rob Sheffield |archive-url=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archive-date=February 6, 2008 |url-status=live}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |access-date=May 15, 2013 |archive-url=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archive-date=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}''Yeah Yeah Yeahs'' was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} It reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and reportedly sold over 71,000 copies in the United States by early 2009.{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}}{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} The EP received positive reviews from music critics, with the British press in particular lauding the record. At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on their list of that year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In 2024, [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\".{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\nAll tracks are written by [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by the band and Jack Martin.\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:44\n}}\n'''Notes'''\n\n* On some releases, \"Bang\" is stylized as \"Bang!\"\n\n==Personnel==\nAll personnel credits adapted from ''Yeah Yeah Yeahs'''s liner notes.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{Metacritic album|title=Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 1342121552, + "parentid": 1342121355, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-07T03:38:44Z", + "sha1": "104da80ff3fa58c91f47ea1b6b84622447973095", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Release and reception */", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]}}\n| length = 13:44\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often referred to as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It was [[self-released]] in July 2001 to moderate sales and little critical attention. \n\nIn April 2002, [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] reissued ''Yeah Yeah Yeahs'' in the United States and United Kingdom, respectively. It became a [[sleeper hit]] in both countries, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States. The EP was favorably received by music critics; it placed second on ''[[NME]]'''s list of the best singles of 2002, and 42nd on [[Paste (magazine)|''Paste'']]'s list of the greatest EPs ever made.\n\n== Release and reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |access-date=November 7, 2016 |last=Kemp |first=Rob |page=127 |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009}}\n| rev3 = ''[[Robert Christgau#Consumer Guide|Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |publisher=RobertChristgau.com |access-date=August 26, 2005 |last=Christgau |first=Robert |author-link=Robert Christgau}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |access-date=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite magazine |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |magazine=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |access-date=July 25, 2007 |last=Sheffield |first=Rob |author-link=Rob Sheffield |archive-url=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archive-date=February 6, 2008 |url-status=live}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |access-date=May 15, 2013 |archive-url=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archive-date=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001 through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} It reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and was reported to have sold over 71,000 copies in the United States by early 2009.{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}}{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} The EP received positive reviews from critics, with the British press in particular lauding the record. At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on their list of that year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In 2024, [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\".{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\nAll tracks are written by [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by the band and Jack Martin.\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:44\n}}\n'''Notes'''\n\n* On some releases, \"Bang\" is stylized as \"Bang!\"\n\n==Personnel==\nAll personnel credits adapted from ''Yeah Yeah Yeahs'''s liner notes.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{Metacritic album|title=Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 1342121608, + "parentid": 1342121552, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-07T03:39:19Z", + "sha1": "2f92ccd6dc472a18c08fd2123e354fedaccfd0ef", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Track listing */", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]}}\n| length = 13:44\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often referred to as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It was [[self-released]] in July 2001 to moderate sales and little critical attention. \n\nIn April 2002, [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] reissued ''Yeah Yeah Yeahs'' in the United States and United Kingdom, respectively. It became a [[sleeper hit]] in both countries, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States. The EP was favorably received by music critics; it placed second on ''[[NME]]'''s list of the best singles of 2002, and 42nd on [[Paste (magazine)|''Paste'']]'s list of the greatest EPs ever made.\n\n== Release and reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |access-date=November 7, 2016 |last=Kemp |first=Rob |page=127 |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009}}\n| rev3 = ''[[Robert Christgau#Consumer Guide|Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |publisher=RobertChristgau.com |access-date=August 26, 2005 |last=Christgau |first=Robert |author-link=Robert Christgau}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |access-date=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite magazine |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |magazine=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |access-date=July 25, 2007 |last=Sheffield |first=Rob |author-link=Rob Sheffield |archive-url=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archive-date=February 6, 2008 |url-status=live}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |access-date=May 15, 2013 |archive-url=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archive-date=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001 through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} It reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and was reported to have sold over 71,000 copies in the United States by early 2009.{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}}{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} The EP received positive reviews from critics, with the British press in particular lauding the record. At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on their list of that year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In 2024, [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\".{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\nAll tracks are written by [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by the band and Jack Martin.\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:44\n}}\n'''Notes'''\n\n* On some releases, track one is mistitled as \"Bang!\"\n\n==Personnel==\nAll personnel credits adapted from ''Yeah Yeah Yeahs'''s liner notes.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{Metacritic album|title=Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 1342121676, + "parentid": 1342121608, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-07T03:39:51Z", + "sha1": "244a76f01c5f3a59593ac71afa7a0caa51cc318a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Personnel */", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]}}\n| length = 13:44\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often referred to as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It was [[self-released]] in July 2001 to moderate sales and little critical attention. \n\nIn April 2002, [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] reissued ''Yeah Yeah Yeahs'' in the United States and United Kingdom, respectively. It became a [[sleeper hit]] in both countries, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States. The EP was favorably received by music critics; it placed second on ''[[NME]]'''s list of the best singles of 2002, and 42nd on [[Paste (magazine)|''Paste'']]'s list of the greatest EPs ever made.\n\n== Release and reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |access-date=November 7, 2016 |last=Kemp |first=Rob |page=127 |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009}}\n| rev3 = ''[[Robert Christgau#Consumer Guide|Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |publisher=RobertChristgau.com |access-date=August 26, 2005 |last=Christgau |first=Robert |author-link=Robert Christgau}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |access-date=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite magazine |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |magazine=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |access-date=July 25, 2007 |last=Sheffield |first=Rob |author-link=Rob Sheffield |archive-url=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archive-date=February 6, 2008 |url-status=live}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |access-date=May 15, 2013 |archive-url=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archive-date=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001 through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} It reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and was reported to have sold over 71,000 copies in the United States by early 2009.{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}}{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} The EP received positive reviews from critics, with the British press in particular lauding the record. At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on their list of that year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In 2024, [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\".{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\nAll tracks are written by [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by the band and Jack Martin.\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:44\n}}\n'''Notes'''\n\n* On some releases, track one is mistitled as \"Bang!\"\n\n==Personnel==\nAll personnel credits adapted from ''Yeah Yeah Yeahs'''s liner notes.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{Metacritic album|title=Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 1342122855, + "parentid": 1342121676, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-07T03:53:54Z", + "sha1": "a1e8e0d3495cef28e9cb28110e5483b3c7ffeaee", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]|[[punk rock]]}}\n| length = 13:44\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often referred to as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a [[garage rock]] record featuring the band's early [[punk rock]] influences. \n\nIn April 2002, [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] reissued ''Yeah Yeah Yeahs'' in the United States and United Kingdom, respectively. It became a [[sleeper hit]] in both countries, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States. The EP was favorably received by music critics; it placed second on ''[[NME]]'''s list of the best singles of 2002, and 42nd on [[Paste (magazine)|''Paste'']]'s list of the greatest EPs ever made.\n\n== Release and reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=May 15, 2013}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=August 26, 2005 |last=Phares |first=Heather}}\n| rev2 = ''[[Blender (magazine)|Blender]]''\n| rev2score = {{Rating|4|5}}{{cite journal |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |journal=[[Blender (magazine)|Blender]] |issue=8 |date=August 2002 |access-date=November 7, 2016 |last=Kemp |first=Rob |page=127 |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009}}\n| rev3 = ''[[Robert Christgau#Consumer Guide|Christgau's Consumer Guide]]''\n| rev3score = {{Rating-Christgau|hm3}}{{cite web |url=http://robertchristgau.com/get_album.php?id=10922 |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |publisher=RobertChristgau.com |access-date=August 26, 2005 |last=Christgau |first=Robert |author-link=Robert Christgau}}\n| rev4 = ''[[Pitchfork (website)|Pitchfork]]''\n| rev4score = 7.0/10{{cite web |url=http://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |title=Yeah Yeah Yeahs: Yeah Yeah Yeahs |work=[[Pitchfork (website)|Pitchfork]] |date=July 3, 2002 |access-date=March 1, 2008 |last=Dahlen |first=Chris}}\n| rev5 = ''[[Rolling Stone]]''\n| rev5score = {{Rating|3|5}}{{cite magazine |url=https://www.rollingstone.com/music/albumreviews/yeah-yeah-yeahs-20020716 |title=Yeah Yeah Yeahs |magazine=[[Rolling Stone]] |issue=902 |date=August 18, 2002 |access-date=July 25, 2007 |last=Sheffield |first=Rob |author-link=Rob Sheffield |archive-url=https://web.archive.org/web/20080206123354/http://www.rollingstone.com/reviews/album/142218/review/5944456/yeah_yeah_yeahs |archive-date=February 6, 2008 |url-status=live}}\n| rev6 = ''[[The Rolling Stone Album Guide]]''\n| rev6Score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev7 = ''[[Stylus Magazine]]''\n| rev7score = C+{{cite web |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |title=Yeah Yeah Yeahs – Master – Review |work=[[Stylus Magazine]] |date=September 1, 2003 |access-date=May 15, 2013 |archive-url=https://web.archive.org/web/20100205053911/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm|archive-date=February 5, 2010|last=Deschermeier |first=Kurt}}\n}}''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001 through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} It reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and was reported to have sold over 71,000 copies in the United States by early 2009.{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}}{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} The EP received positive reviews from critics, with the British press in particular lauding the record. At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on their list of that year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In 2024, [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\".{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\nAll tracks are written by [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by the band and Jack Martin.\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:44\n}}\n'''Notes'''\n\n* On some releases, track one is mistitled as \"Bang!\"\n\n==Personnel==\nAll personnel credits adapted from ''Yeah Yeah Yeahs'''s liner notes.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{Metacritic album|title=Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]" + }, + { + "revid": 1342233524, + "parentid": 1342122855, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-07T20:56:49Z", + "sha1": "91a57b95677146255dd07550940e8df46f94e1fe", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]|[[punk rock]]}}\n| length = 13:44\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often referred to as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a [[garage rock]] record featuring the band's early [[punk rock]] influences. \n\nIn April 2002, [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] reissued ''Yeah Yeah Yeahs'' in the United States and United Kingdom, respectively. It became a [[sleeper hit]] in both countries, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States. The EP was favorably received by music critics; it placed second on ''[[NME]]'''s list of the best singles of 2002, and 42nd on [[Paste (magazine)|''Paste'']]'s list of the greatest EPs ever made.\n\n== Composition ==\n{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n| pos = left\n}}\n''Yeah Yeah Yeahs'' is a [[garage rock]] EP that features the band's early [[punk rock]] sound. It consists of five tracks and runs for 13 minutes and 44 seconds. A primary influence on the record was the rock band [[ESG (band)|ESG]], whom lead singer [[Karen O]] said they were \"trying to be like... with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} \n\n''Yeah Yeah Yeahs'' begins with \"Bang\", a song about an unsatisfying [[Hookup culture|sexual encounter]] Karen O had with an ex-boyfriend, emphasized by the repeated lyric, \"As a fuck, son, you suck(ed)\".{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} \"Mystery Girl\", co-written by the band and Jack Martin, continues these themes of [[Sexual intercourse|sex]] and [[masturbation]]. \"Art Star\" begins with a [[spoken word]] piece and continues with [[Screaming in music|screaming]] vocals from Karen O, two elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} The EP closes with \"Our Time\", an inspirational [[anthem]] with lyrics that were believed to motivate New Yorkers to persevere after the [[September 11 attacks]].\n\n== Release and reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = {{Rating|7|10}}{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001 through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} It reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA]] Heatseekers Chart,{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Tracklisten]]'s Denmark Singles Chart,{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} It was reported to have sold over 71,000 copies in the United States by early 2009.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} \n\n''Yeah Yeah Yeahs'' was received positively by critics, with the British press in particular lauding the record. At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Heather Phares of ''[[AllMusic]]'' believed it cemented the band as \"the artiest and most challenging\" group in the 2000s [[Garage rock|garage rock revival]], while [[Blender (magazine)|''Blender'']]'s Rob Kemp said it made Karen O the most exciting rock star of the time. Though Chris Dahlen from [[Pitchfork (website)|''Pitchfork'']] mocked the general rock movement, he was satisfied with the EP and said it demonstrated a \"sharp survey\" of the band's capabilities. [[Rob Sheffield]] of ''[[Rolling Stone]]'' took issue with its [[sound quality]] and felt it dampened its potential, though [[Sasha Frere-Jones]] from the same publication was more positive in her retrospective review for ''[[The Rolling Stone Album Guide]]''. [[Stylus Magazine|''Stylus'']]'s Kurt Deschermeier praised the first and third tracks but felt the other songs were unremarkable.\n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on their list of that year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In 2024, [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\".{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\nAll tracks are written by [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by the band and Jack Martin.\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:44\n}}\n'''Notes'''\n* On some releases, track one is mistitled as \"Bang!\"\n\n==Personnel==\nAll personnel credits adapted from ''Yeah Yeah Yeahs'''s liner notes.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|Australia Hitseekers ([[ARIA]])\n|9\n|-\n! scope=\"row\"|Denmark Singles ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{Metacritic album|title=Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1342233746, + "parentid": 1342233524, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-07T20:58:24Z", + "sha1": "cf5efd7b8bbea2efea21fc87c67f35a58458d411", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]|[[punk rock]]}}\n| length = 13:44\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a [[garage rock]] record featuring the band's early [[punk rock]] influences. \n\nIn April 2002, [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] reissued ''Yeah Yeah Yeahs'' in the United States and United Kingdom, respectively. It became a [[sleeper hit]] in both countries, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States. The EP was favorably received by music critics; it placed second on ''[[NME]]'''s list of the best singles of 2002, and 42nd on [[Paste (magazine)|''Paste'']]'s list of the greatest EPs ever made.\n\n== Composition ==\n{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n| pos = left\n}}\n''Yeah Yeah Yeahs'' is a [[garage rock]] EP that features the band's early [[punk rock]] sound. It consists of five tracks and runs for 13 minutes and 44 seconds. A primary influence on the record was the rock band [[ESG (band)|ESG]], whom lead singer [[Karen O]] said they were \"trying to be like... with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} \n\n''Yeah Yeah Yeahs'' begins with \"Bang\", a song about an unsatisfying [[Hookup culture|sexual encounter]] Karen O had with an ex-boyfriend, emphasized by the repeated lyric, \"As a fuck, son, you suck(ed)\".{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} \"Mystery Girl\", co-written by the band and Jack Martin, continues these themes of [[Sexual intercourse|sex]] and [[masturbation]]. \"Art Star\" begins with a [[spoken word]] piece and continues with [[Screaming in music|screaming]] vocals from Karen O, two elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} The EP closes with \"Our Time\", an inspirational [[anthem]] with lyrics that were believed to motivate New Yorkers to persevere after the [[September 11 attacks]].\n\n== Release and reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = {{Rating|7|10}}{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001 through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} It reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA]] Heatseekers Chart,{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Tracklisten]]'s Denmark Singles Chart,{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} It was reported to have sold over 71,000 copies in the United States by early 2009.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} \n\n''Yeah Yeah Yeahs'' was received positively by critics, with the British press in particular lauding the record. At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Heather Phares of ''[[AllMusic]]'' believed it cemented the band as \"the artiest and most challenging\" group in the 2000s [[Garage rock|garage rock revival]], while [[Blender (magazine)|''Blender'']]'s Rob Kemp said it made Karen O the most exciting rock star of the time. Though Chris Dahlen from [[Pitchfork (website)|''Pitchfork'']] mocked the general rock movement, he was satisfied with the EP and said it demonstrated a \"sharp survey\" of the band's capabilities. [[Rob Sheffield]] of ''[[Rolling Stone]]'' took issue with its [[sound quality]] and felt it dampened its potential, though [[Sasha Frere-Jones]] from the same publication was more positive in her retrospective review for ''[[The Rolling Stone Album Guide]]''. [[Stylus Magazine|''Stylus'']]'s Kurt Deschermeier praised the first and third tracks but felt the other songs were unremarkable.\n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on their list of that year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In 2024, [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\".{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\nAll tracks are written by [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by the band and Jack Martin.\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:44\n}}\n'''Notes'''\n* On some releases, track one is mistitled as \"Bang!\"\n\n==Personnel==\nAll personnel credits adapted from ''Yeah Yeah Yeahs'''s liner notes.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|Australia Hitseekers ([[ARIA]])\n|9\n|-\n! scope=\"row\"|Denmark Singles ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{Metacritic album|title=Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1342233887, + "parentid": 1342233746, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-07T20:59:14Z", + "sha1": "bcf3fa1ebc42f0997ab3ec536bef568c0ea19c47", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]|[[punk rock]]}}\n| length = 13:44\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a [[garage rock]] record featuring the band's early [[punk rock]] influences. \n\nIn April 2002, [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] reissued ''Yeah Yeah Yeahs'' in the United States and United Kingdom, respectively. It became a [[sleeper hit]] in both countries, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States. The EP was favorably received by music critics; it placed second on ''[[NME]]'''s list of the best singles of 2002, and 42nd on [[Paste (magazine)|''Paste'']]'s list of the greatest EPs ever made.\n\n== Composition ==\n{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n| pos = left\n}}\n''Yeah Yeah Yeahs'' is a [[garage rock]] EP that features the band's early [[punk rock]] sound. It consists of five tracks and runs for 13 minutes and 44 seconds. A primary influence on the record was the rock band [[ESG (band)|ESG]], whom lead singer [[Karen O]] said they were \"trying to be like... with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} \n\n''Yeah Yeah Yeahs'' begins with \"Bang\", a song about an unsatisfying [[Hookup culture|sexual encounter]] Karen O had with an ex-boyfriend, emphasized by the repeated lyric, \"As a fuck, son, you suck(ed)\".{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} \"Mystery Girl\", co-written by the band and Jack Martin, continues these themes of [[Sexual intercourse|sex]] and [[masturbation]]. \"Art Star\" begins with a [[spoken word]] piece and continues with [[Screaming in music|screaming]] vocals from Karen O, two elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} The EP closes with \"Our Time\", an inspirational [[anthem]] with lyrics that were believed to motivate New Yorkers to persevere after the [[September 11 attacks]].\n\n== Release and reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = {{Rating|7|10}}{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001 through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} It reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA]] Heatseekers Chart,{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Tracklisten]]'s Denmark Singles Chart,{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} It was reported to have sold over 71,000 copies in the United States by early 2009.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} \n\n''Yeah Yeah Yeahs'' was received positively by critics, with the British press in particular lauding the record. At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Heather Phares of ''[[AllMusic]]'' believed it cemented the band as \"the artiest and most challenging\" group in the 2000s [[Garage rock|garage rock revival]], while [[Blender (magazine)|''Blender'']]'s Rob Kemp said it made Karen O the most exciting rock star of the time. \n\nThough Chris Dahlen from [[Pitchfork (website)|''Pitchfork'']] mocked the general rock movement, he was satisfied with the EP and said it demonstrated a \"sharp survey\" of the band's capabilities. [[Rob Sheffield]] of ''[[Rolling Stone]]'' took issue with its [[sound quality]] and felt it dampened its potential, though [[Sasha Frere-Jones]] from the same publication was more positive in her retrospective review for ''[[The Rolling Stone Album Guide]]''. [[Stylus Magazine|''Stylus'']]'s Kurt Deschermeier praised the first and third tracks but felt the other songs were unremarkable.\n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on their list of that year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In 2024, [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\".{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\nAll tracks are written by [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by the band and Jack Martin.\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:44\n}}\n'''Notes'''\n* On some releases, track one is mistitled as \"Bang!\"\n\n==Personnel==\nAll personnel credits adapted from ''Yeah Yeah Yeahs'''s liner notes.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|Australia Hitseekers ([[ARIA]])\n|9\n|-\n! scope=\"row\"|Denmark Singles ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{Metacritic album|title=Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1343331689, + "parentid": 1342233887, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-13T16:52:12Z", + "sha1": "1425333c7437f01fa0acb29be4f1631642ceb9db", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Okay, the article is mostly finished", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]|[[alternative rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a [[garage rock]] record featuring the band's early [[punk rock]] influences. It was [[self-released]] on July 9, 2001 to little success. \n\nIn April 2002, [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] reissued ''Yeah Yeah Yeahs'' in the United States and United Kingdom, respectively. It became a [[sleeper hit]] in both countries, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States. The EP was favorably received by music critics; it placed second on ''[[NME]]'''s list of the best singles of 2002, and 42nd on [[Paste (magazine)|''Paste'']]'s list of the greatest EPs ever made in 2024.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs (cropped).jpg|left|thumb|Yeah Yeah Yeahs in 2002]]\nIn 2000, singer/songwriter [[Karen Orzolek]]—later becoming known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by their observations of the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nIn late 2001, Yeah Yeah Yeahs enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover. \n\n== Music and lyrics ==\n{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\n''Yeah Yeah Yeahs'' is a [[garage rock]],{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} [[indie rock]], and [[alternative rock]] EP.{{Cite web |date= |title=Yeah Yeah Yeahs, by Yeah Yeah Yeahs |url=https://yeahyeahyeahs.bandcamp.com/album/yeah-yeah-yeahs |access-date=March 13, 2026 |website=[[Bandcamp]] |language=en}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" was described as the record's most \"ferocious\" and \"grinding garage\" song. The closing track, \"Our Time\", is an inspirational [[anthem]] about perseverance, which later came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release and reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = {{Rating|7|10}}{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001 through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} It reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA]] Heatseekers Chart,{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Tracklisten]]'s Denmark Singles Chart,{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} It was reported to have sold over 71,000 copies in the United States by early 2009.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary. \n\n''Yeah Yeah Yeahs'' was received positively by critics, with the British press in particular lauding the record. At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Heather Phares of ''[[AllMusic]]'' believed it cemented the band as \"the artiest and most challenging\" group in the 2000s [[Garage rock|garage rock revival]], while [[Blender (magazine)|''Blender'']]'s Rob Kemp said it made Karen O the most exciting rock star of the time. [[Everett True]] became infatuated with the record and, in turn, the band, believing they captured the spirit of rock n' roll. Though Chris Dahlen from [[Pitchfork (website)|''Pitchfork'']] mocked the general rock movement, he was satisfied with the EP and said it demonstrated a \"sharp survey\" of the band's capabilities. [[Rob Sheffield]] of ''[[Rolling Stone]]'' took issue with its [[sound quality]] and felt it dampened its potential. [[Stylus Magazine|''Stylus'']]'s Kurt Deschermeier praised the first and third tracks but felt the other songs were unremarkable. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on their list of that year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] rated the EP four stars and stated that they \"instantly made their case for good-old-fashioned attitude\". This scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2024, [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", with writers for the publication believing it succeeded the early works of [[the Strokes]] and [[Interpol (band)|Interpol]], two of their contemporaries of the time.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n'''Notes'''\n* On some releases, track one is mistitled as \"Bang!\"\n\n==Personnel==\nAll personnel credits adapted from ''Yeah Yeah Yeahs'''s liner notes.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|Australia Hitseekers ([[ARIA]])\n|9\n|-\n! scope=\"row\"|Denmark Singles ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist|1}}\n\n==External links==\n* {{Metacritic album|title=Yeah Yeah Yeahs}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1343331781, + "parentid": 1343331689, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-13T16:52:55Z", + "sha1": "8a3ea486745e0ca0840f0b5e3304aed72283a9b5", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]|[[alternative rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a [[garage rock]] record featuring the band's early [[punk rock]] influences. It was [[self-released]] on July 9, 2001. \n\nIn April 2002, [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] reissued ''Yeah Yeah Yeahs'' in the United States and United Kingdom, respectively. It became a [[sleeper hit]] in both countries, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States. The EP was favorably received by music critics; it placed second on ''[[NME]]'''s list of the best singles of 2002, and 42nd on [[Paste (magazine)|''Paste'']]'s list of the greatest EPs ever made in 2024.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs (cropped).jpg|left|thumb|Yeah Yeah Yeahs in 2002]]\nIn 2000, singer/songwriter [[Karen Orzolek]]—later becoming known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by their observations of the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nIn late 2001, Yeah Yeah Yeahs enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover. \n\n== Music and lyrics ==\n{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\n''Yeah Yeah Yeahs'' is a [[garage rock]],{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} [[indie rock]], and [[alternative rock]] EP.{{Cite web |date= |title=Yeah Yeah Yeahs, by Yeah Yeah Yeahs |url=https://yeahyeahyeahs.bandcamp.com/album/yeah-yeah-yeahs |access-date=March 13, 2026 |website=[[Bandcamp]] |language=en}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" was described as the record's most \"ferocious\" and \"grinding garage\" song. The closing track, \"Our Time\", is an inspirational [[anthem]] about perseverance, which later came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release and reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = {{Rating|7|10}}{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001 through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} It reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA]] Heatseekers Chart,{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Tracklisten]]'s Denmark Singles Chart,{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} It was reported to have sold over 71,000 copies in the United States by early 2009.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary. \n\n''Yeah Yeah Yeahs'' was received positively by critics, with the British press in particular lauding the record. At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Heather Phares of ''[[AllMusic]]'' believed it cemented the band as \"the artiest and most challenging\" group in the 2000s [[Garage rock|garage rock revival]], while [[Blender (magazine)|''Blender'']]'s Rob Kemp said it made Karen O the most exciting rock star of the time. [[Everett True]] became infatuated with the record and, in turn, the band, believing they captured the spirit of rock n' roll. Though Chris Dahlen from [[Pitchfork (website)|''Pitchfork'']] mocked the general rock movement, he was satisfied with the EP and said it demonstrated a \"sharp survey\" of the band's capabilities. [[Rob Sheffield]] of ''[[Rolling Stone]]'' took issue with its [[sound quality]] and felt it dampened its potential. [[Stylus Magazine|''Stylus'']]'s Kurt Deschermeier praised the first and third tracks but felt the other songs were unremarkable. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on their list of that year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] rated the EP four stars and stated that they \"instantly made their case for good-old-fashioned attitude\". This scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2024, [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", with writers for the publication believing it succeeded the early works of [[the Strokes]] and [[Interpol (band)|Interpol]], two of their contemporaries of the time.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n'''Notes'''\n* On some releases, track one is mistitled as \"Bang!\"\n\n==Personnel==\nAll personnel credits adapted from ''Yeah Yeah Yeahs'''s liner notes.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|Australia Hitseekers ([[ARIA]])\n|9\n|-\n! scope=\"row\"|Denmark Singles ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1343332439, + "parentid": 1343331781, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-13T16:59:04Z", + "sha1": "88ae87231c9a78848cf6340fd5b7ddea7ee318f8", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Release and reception */", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]|[[alternative rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a [[garage rock]] record featuring the band's early [[punk rock]] influences. It was [[self-released]] on July 9, 2001. \n\nIn April 2002, [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] reissued ''Yeah Yeah Yeahs'' in the United States and United Kingdom, respectively. It became a [[sleeper hit]] in both countries, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States. The EP was favorably received by music critics; it placed second on ''[[NME]]'''s list of the best singles of 2002, and 42nd on [[Paste (magazine)|''Paste'']]'s list of the greatest EPs ever made in 2024.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs (cropped).jpg|left|thumb|Yeah Yeah Yeahs in 2002]]\nIn 2000, singer/songwriter [[Karen Orzolek]]—later becoming known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by their observations of the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nIn late 2001, Yeah Yeah Yeahs enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover. \n\n== Music and lyrics ==\n{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\n''Yeah Yeah Yeahs'' is a [[garage rock]],{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} [[indie rock]], and [[alternative rock]] EP.{{Cite web |date= |title=Yeah Yeah Yeahs, by Yeah Yeah Yeahs |url=https://yeahyeahyeahs.bandcamp.com/album/yeah-yeah-yeahs |access-date=March 13, 2026 |website=[[Bandcamp]] |language=en}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" was described as the record's most \"ferocious\" and \"grinding garage\" song. The closing track, \"Our Time\", is an inspirational [[anthem]] about perseverance, which later came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release and reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = {{Rating|7|10}}{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001 through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} It reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA]] Heatseekers Chart,{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Tracklisten]]'s Denmark Singles Chart,{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} It was reported to have sold over 71,000 copies in the United States by early 2009.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary. \n\n''Yeah Yeah Yeahs'' was received positively by music critics. At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Heather Phares of ''[[AllMusic]]'' believed it cemented the band as \"the artiest and most challenging\" group in the 2000s [[Garage rock|garage rock revival]], while [[Blender (magazine)|''Blender'']]'s Rob Kemp said it made Karen O the most exciting rock star of the time. Antonio Santangelo from [[CMJ]] agreed that Karen O succeeded in sounding sexy and fresh.{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} [[Everett True]] became infatuated with the record and the band, believing they captured the spirit of rock n' roll. Though Chris Dahlen from [[Pitchfork (website)|''Pitchfork'']] mocked the general rock movement, he was satisfied with the EP and said it demonstrated a \"sharp survey\" of the band's capabilities. [[Rob Sheffield]] of ''[[Rolling Stone]]'' took issue with its [[sound quality]] and felt it dampened its potential. [[Stylus Magazine|''Stylus'']]'s Kurt Deschermeier praised the first and third tracks but felt the other songs were unremarkable. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on their list of that year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] rated the EP four stars and stated that they \"instantly made their case for good-old-fashioned attitude\". This scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2024, [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", with writers for the publication believing it succeeded the early works of [[the Strokes]] and [[Interpol (band)|Interpol]], two of their contemporaries of the time.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n'''Notes'''\n* On some releases, track one is mistitled as \"Bang!\"\n\n==Personnel==\nAll personnel credits adapted from ''Yeah Yeah Yeahs'''s liner notes.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|Australia Hitseekers ([[ARIA]])\n|9\n|-\n! scope=\"row\"|Denmark Singles ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1343332743, + "parentid": 1343332439, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-13T17:01:27Z", + "sha1": "5dd869bd919e41f9d4a90f31659e568e8a3869b0", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]|[[alternative rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a [[garage rock]] record featuring the band's early [[punk rock]] influences. It was [[self-released]] on July 9, 2001. \n\nIn April 2002, [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] reissued ''Yeah Yeah Yeahs'' in the United States and United Kingdom, respectively. It became a [[sleeper hit]] in both countries, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States. The EP was favorably received by music critics; it placed second on ''[[NME]]'''s list of the best singles of 2002, and 42nd on [[Paste (magazine)|''Paste'']]'s list of the greatest EPs ever made in 2024.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs (cropped).jpg|left|thumb|Yeah Yeah Yeahs in 2002]]\nIn 2000, singer/songwriter [[Karen Orzolek]]—later becoming known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by their observations of the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nIn late 2001, Yeah Yeah Yeahs enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover. \n\n== Music and lyrics ==\n{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\n''Yeah Yeah Yeahs'' is a [[garage rock]],{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} [[indie rock]], and [[alternative rock]] EP.{{Cite web |date= |title=Yeah Yeah Yeahs, by Yeah Yeah Yeahs |url=https://yeahyeahyeahs.bandcamp.com/album/yeah-yeah-yeahs |access-date=March 13, 2026 |website=[[Bandcamp]] |language=en}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" was described as the record's most \"ferocious\" and \"grinding garage\" song. The closing track, \"Our Time\", is an inspirational [[anthem]] about perseverance, which later came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release and reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = {{Rating|7|10}}{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001 through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} It reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA]] Heatseekers Chart,{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Tracklisten]]'s Denmark Singles Chart,{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} It was reported to have sold over 71,000 copies in the United States by early 2009.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary. \n\n''Yeah Yeah Yeahs'' was received positively by music critics. At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Heather Phares of ''[[AllMusic]]'' believed it cemented the band as \"the artiest and most challenging\" group in the 2000s [[Garage rock|garage rock revival]]. [[Blender (magazine)|''Blender'']]'s Rob Kemp said it made Karen O the most exciting rock star of the time, and Antonio Santangelo from ''[[CMJ]]'' similarly agreed that she sounded \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} [[Everett True]] became infatuated with the record and the band, believing they captured the spirit of rock n' roll. Though Chris Dahlen from [[Pitchfork (website)|''Pitchfork'']] mocked the general rock movement, he was satisfied with the EP and said it demonstrated a \"sharp survey\" of the band's capabilities. [[Rob Sheffield]] of ''[[Rolling Stone]]'' took issue with its [[sound quality]] and felt it dampened its potential. [[Stylus Magazine|''Stylus'']]'s Kurt Deschermeier praised the first and third tracks but felt the other songs were unremarkable. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on their list of that year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] rated the EP four stars and stated that they \"instantly made their case for good-old-fashioned attitude\". This scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2024, [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", with writers for the publication believing it succeeded the early works of [[the Strokes]] and [[Interpol (band)|Interpol]], two of their contemporaries of the time.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n'''Notes'''\n* On some releases, track one is mistitled as \"Bang!\"\n\n==Personnel==\nAll personnel credits adapted from ''Yeah Yeah Yeahs'''s liner notes.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|Australia Hitseekers ([[ARIA]])\n|9\n|-\n! scope=\"row\"|Denmark Singles ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1343341873, + "parentid": 1343332743, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-13T18:05:18Z", + "sha1": "9719a1dfdb0e8c6c52b32e7398446a04bb8e740d", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]|[[alternative rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a [[garage rock]] record featuring the band's early [[punk rock]] influences. It was [[self-released]] on July 9, 2001. \n\nIn April 2002, [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] reissued ''Yeah Yeah Yeahs'' in the United States and United Kingdom, respectively. It became a [[sleeper hit]] in both countries, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States. The EP was favorably received by music critics; it placed second on ''[[NME]]'''s list of the best singles of 2002, and 42nd on [[Paste (magazine)|''Paste'']]'s list of the greatest EPs ever made in 2024.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs (cropped).jpg|left|thumb|Yeah Yeah Yeahs in 2002]]\nIn 2000, singer/songwriter [[Karen Orzolek]]—later becoming known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by their observations of the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 13, 2026 |website=[[Rolling Stone]]}}{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover. \n\n== Music and lyrics ==\n{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\n''Yeah Yeah Yeahs'' is a [[garage rock]],{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} [[indie rock]], and [[alternative rock]] EP.{{Cite web |date= |title=Yeah Yeah Yeahs, by Yeah Yeah Yeahs |url=https://yeahyeahyeahs.bandcamp.com/album/yeah-yeah-yeahs |access-date=March 13, 2026 |website=[[Bandcamp]] |language=en}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" was described as the record's most \"ferocious\" and \"grinding garage\" song. The closing track, \"Our Time\", is an inspirational [[anthem]] about perseverance, which later came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release and reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = {{Rating|7|10}}{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001 through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} It reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA]] Heatseekers Chart,{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Tracklisten]]'s Denmark Singles Chart,{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} It was reported to have sold over 71,000 copies in the United States by early 2009.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary. \n\n''Yeah Yeah Yeahs'' was received positively by music critics. At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Heather Phares of ''[[AllMusic]]'' believed it cemented the band as \"the artiest and most challenging\" group in the 2000s [[Garage rock|garage rock revival]]. [[Blender (magazine)|''Blender'']]'s Rob Kemp said it made Karen O the most exciting rock star of the time, and Antonio Santangelo from ''[[CMJ]]'' similarly agreed that she sounded \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} [[Everett True]] became infatuated with the record and the band, believing they captured the spirit of rock n' roll. Though Chris Dahlen from [[Pitchfork (website)|''Pitchfork'']] mocked the general rock movement, he was satisfied with the EP and said it demonstrated a \"sharp survey\" of the band's capabilities. [[Rob Sheffield]] of ''[[Rolling Stone]]'' took issue with its [[sound quality]] and felt it dampened its potential. [[Stylus Magazine|''Stylus'']]'s Kurt Deschermeier praised the first and third tracks but felt the other songs were unremarkable. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on their list of that year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] rated the EP four stars and stated that they \"instantly made their case for good-old-fashioned attitude\". This scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2024, [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", with writers for the publication believing it succeeded the early works of [[the Strokes]] and [[Interpol (band)|Interpol]], two of their contemporaries of the time.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n'''Notes'''\n* On some releases, track one is mistitled as \"Bang!\"\n\n==Personnel==\nAll personnel credits adapted from ''Yeah Yeah Yeahs'''s liner notes.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|Australia Hitseekers ([[ARIA]])\n|9\n|-\n! scope=\"row\"|Denmark Singles ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1343644908, + "parentid": 1343341873, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-15T15:44:22Z", + "sha1": "2ac4995c69b25bbb13060a7797347128871b09dc", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Actually this kind of cramps", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]|[[alternative rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a [[garage rock]] record featuring the band's early [[punk rock]] influences. It was [[self-released]] on July 9, 2001. \n\nIn April 2002, [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] reissued ''Yeah Yeah Yeahs'' in the United States and United Kingdom, respectively. It became a [[sleeper hit]] in both countries, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States. The EP was favorably received by music critics; it placed second on ''[[NME]]'''s list of the best singles of 2002, and 42nd on [[Paste (magazine)|''Paste'']]'s list of the greatest EPs ever made in 2024.\n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later becoming known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by their observations of the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 13, 2026 |website=[[Rolling Stone]]}}{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover. \n\n== Music and lyrics ==\n{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\n''Yeah Yeah Yeahs'' is a [[garage rock]],{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} [[indie rock]], and [[alternative rock]] EP.{{Cite web |date= |title=Yeah Yeah Yeahs, by Yeah Yeah Yeahs |url=https://yeahyeahyeahs.bandcamp.com/album/yeah-yeah-yeahs |access-date=March 13, 2026 |website=[[Bandcamp]] |language=en}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" was described as the record's most \"ferocious\" and \"grinding garage\" song. The closing track, \"Our Time\", is an inspirational [[anthem]] about perseverance, which later came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release and reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = {{Rating|7|10}}{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001 through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} It reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA]] Heatseekers Chart,{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Tracklisten]]'s Denmark Singles Chart,{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} It was reported to have sold over 71,000 copies in the United States by early 2009.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary. \n\n''Yeah Yeah Yeahs'' was received positively by music critics. At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Heather Phares of ''[[AllMusic]]'' believed it cemented the band as \"the artiest and most challenging\" group in the 2000s [[Garage rock|garage rock revival]]. [[Blender (magazine)|''Blender'']]'s Rob Kemp said it made Karen O the most exciting rock star of the time, and Antonio Santangelo from ''[[CMJ]]'' similarly agreed that she sounded \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} [[Everett True]] became infatuated with the record and the band, believing they captured the spirit of rock n' roll. Though Chris Dahlen from [[Pitchfork (website)|''Pitchfork'']] mocked the general rock movement, he was satisfied with the EP and said it demonstrated a \"sharp survey\" of the band's capabilities. [[Rob Sheffield]] of ''[[Rolling Stone]]'' took issue with its [[sound quality]] and felt it dampened its potential. [[Stylus Magazine|''Stylus'']]'s Kurt Deschermeier praised the first and third tracks but felt the other songs were unremarkable. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on their list of that year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] rated the EP four stars and stated that they \"instantly made their case for good-old-fashioned attitude\". This scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2024, [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", with writers for the publication believing it succeeded the early works of [[the Strokes]] and [[Interpol (band)|Interpol]], two of their contemporaries of the time.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n'''Notes'''\n* On some releases, track one is mistitled as \"Bang!\"\n\n==Personnel==\nAll personnel credits adapted from ''Yeah Yeah Yeahs'''s liner notes.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|Australia Hitseekers ([[ARIA]])\n|9\n|-\n! scope=\"row\"|Denmark Singles ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1343646813, + "parentid": 1343644908, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-15T16:00:33Z", + "sha1": "4c23b75a8e67d15b7e8b8304f7d356ec61415056", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]|[[alternative rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a [[garage rock]] record featuring the band's early [[punk rock]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later becoming known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by their observations of the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 13, 2026 |website=[[Rolling Stone]]}}{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover. \n\n== Music and lyrics ==\n{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\n''Yeah Yeah Yeahs'' is a [[garage rock]],{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} [[indie rock]], and [[alternative rock]] EP.{{Cite web |date= |title=Yeah Yeah Yeahs, by Yeah Yeah Yeahs |url=https://yeahyeahyeahs.bandcamp.com/album/yeah-yeah-yeahs |access-date=March 13, 2026 |website=[[Bandcamp]] |language=en}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" was described as the record's most \"ferocious\" and \"grinding garage\" song. The closing track, \"Our Time\", is an inspirational [[anthem]] about perseverance, which later came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001 through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} It reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA]] Heatseekers Chart,{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Tracklisten]]'s Denmark Singles Chart,{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} By 2009, it was reported to have sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = {{Rating|7|10}}{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}''Yeah Yeah Yeahs'' was received positively by music critics. At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Heather Phares of ''[[AllMusic]]'' believed it cemented the band as \"the artiest and most challenging\" group in the 2000s [[Garage rock|garage rock revival]]. [[Blender (magazine)|''Blender'']]'s Rob Kemp said it made Karen O the most exciting rock star of the time, and Antonio Santangelo from ''[[CMJ]]'' similarly agreed that she sounded \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} [[Everett True]] became infatuated with the record and the band, believing they captured the spirit of rock n' roll. Though Chris Dahlen from [[Pitchfork (website)|''Pitchfork'']] mocked the general rock movement, he was satisfied with the EP and said it demonstrated a \"sharp survey\" of the band's capabilities. [[Rob Sheffield]] of ''[[Rolling Stone]]'' took issue with its [[sound quality]] and felt it dampened its potential. [[Stylus Magazine|''Stylus'']]'s Kurt Deschermeier praised the first and third tracks but felt the other songs were unremarkable. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on their list of that year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] rated the EP four stars and stated that the band \"instantly made their case for good-old-fashioned attitude\". This scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2024, writers at [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", believing it succeeded the early works of [[the Strokes]] and [[Interpol (band)|Interpol]], two of their contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\nAll tracks written by [[Yeah Yeah Yeahs]] except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin.\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n}}\n==Personnel==\nAll personnel credits adapted from ''Yeah Yeah Yeahs'''s liner notes.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|Australia Hitseekers ([[ARIA]])\n|9\n|-\n! scope=\"row\"|Denmark Singles ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1343846477, + "parentid": 1343646813, + "user": "~2026-16604-17", + "temp": "", + "userid": 52844322, + "timestamp": "2026-03-16T19:20:13Z", + "sha1": "ece2c1cd1ccfaaaa62fff98ff0d3428c2dba7a74", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Track listing */", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]|[[alternative rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a [[garage rock]] record featuring the band's early [[punk rock]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later becoming known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by their observations of the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 13, 2026 |website=[[Rolling Stone]]}}{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover. \n\n== Music and lyrics ==\n{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\n''Yeah Yeah Yeahs'' is a [[garage rock]],{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} [[indie rock]], and [[alternative rock]] EP.{{Cite web |date= |title=Yeah Yeah Yeahs, by Yeah Yeah Yeahs |url=https://yeahyeahyeahs.bandcamp.com/album/yeah-yeah-yeahs |access-date=March 13, 2026 |website=[[Bandcamp]] |language=en}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" was described as the record's most \"ferocious\" and \"grinding garage\" song. The closing track, \"Our Time\", is an inspirational [[anthem]] about perseverance, which later came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001 through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} It reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA]] Heatseekers Chart,{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Tracklisten]]'s Denmark Singles Chart,{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} By 2009, it was reported to have sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = {{Rating|7|10}}{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}''Yeah Yeah Yeahs'' was received positively by music critics. At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Heather Phares of ''[[AllMusic]]'' believed it cemented the band as \"the artiest and most challenging\" group in the 2000s [[Garage rock|garage rock revival]]. [[Blender (magazine)|''Blender'']]'s Rob Kemp said it made Karen O the most exciting rock star of the time, and Antonio Santangelo from ''[[CMJ]]'' similarly agreed that she sounded \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} [[Everett True]] became infatuated with the record and the band, believing they captured the spirit of rock n' roll. Though Chris Dahlen from [[Pitchfork (website)|''Pitchfork'']] mocked the general rock movement, he was satisfied with the EP and said it demonstrated a \"sharp survey\" of the band's capabilities. [[Rob Sheffield]] of ''[[Rolling Stone]]'' took issue with its [[sound quality]] and felt it dampened its potential. [[Stylus Magazine|''Stylus'']]'s Kurt Deschermeier praised the first and third tracks but felt the other songs were unremarkable. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on their list of that year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] rated the EP four stars and stated that the band \"instantly made their case for good-old-fashioned attitude\". This scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2024, writers at [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", believing it succeeded the early works of [[the Strokes]] and [[Interpol (band)|Interpol]], two of their contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\nAll tracks written by [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin.\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n}}\n\n==Personnel==\nAll personnel credits adapted from ''Yeah Yeah Yeahs'''s liner notes.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|Australia Hitseekers ([[ARIA]])\n|9\n|-\n! scope=\"row\"|Denmark Singles ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1344617308, + "parentid": 1343846477, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-21T15:27:45Z", + "sha1": "091dd6412f1a30f3cd4e9a3488c6503f8c70e4cd", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Per review", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]|[[alternative rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a [[garage rock]] record featuring the band's early [[punk rock]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later becoming known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by their observations of the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover. \n\n== Music and lyrics ==\n{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\n''Yeah Yeah Yeahs'' is a [[garage rock]],{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} [[indie rock]], and [[alternative rock]] EP.{{Cite web |date= |title=Yeah Yeah Yeahs, by Yeah Yeah Yeahs |url=https://yeahyeahyeahs.bandcamp.com/album/yeah-yeah-yeahs |access-date=March 13, 2026 |website=[[Bandcamp]] |language=en}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" was described as the record's most \"ferocious\" and \"grinding garage\" song. The closing track, \"Our Time\", is an inspirational [[anthem]] about perseverance, which later came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = {{Rating|7|10}}{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; ''[[AllMusic]]'' described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2024, writers for [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\nAll tracks written by [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin.\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n}}\n\n==Personnel==\nAll personnel credits adapted from ''Yeah Yeah Yeahs'''s liner notes.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1344617798, + "parentid": 1344617308, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-21T15:32:15Z", + "sha1": "a635b54d9986efff9cd39dab403dc7b33a13c490", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]|[[alternative rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a [[garage rock]] record featuring the band's early [[punk rock]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later becoming known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by their observations of the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover. \n\n== Music and lyrics ==\n{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\n''Yeah Yeah Yeahs'' is a [[garage rock]],{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} [[indie rock]], and [[alternative rock]] EP.{{Cite web |date= |title=Yeah Yeah Yeahs, by Yeah Yeah Yeahs |url=https://yeahyeahyeahs.bandcamp.com/album/yeah-yeah-yeahs |access-date=March 13, 2026 |website=[[Bandcamp]] |language=en}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" was described as the record's most \"ferocious\" and \"grinding garage\" song. The closing track, \"Our Time\", is an inspirational [[anthem]] about perseverance, which later came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = {{Rating|7|10}}{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; ''[[AllMusic]]'' described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2024, writers for [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\nAll tracks written by [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin.\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n}}\n\n==Personnel==\nAll personnel credits adapted from ''Yeah Yeah Yeahs'''s liner notes.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1344659248, + "parentid": 1344617798, + "user": "RTSthestardust", + "userid": 40537837, + "timestamp": "2026-03-21T20:23:04Z", + "sha1": "b01414c217cc5018f2d3ef6f04172b273c2a9c28", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Personnel */", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]|[[alternative rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a [[garage rock]] record featuring the band's early [[punk rock]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later becoming known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by their observations of the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover. \n\n== Music and lyrics ==\n{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\n''Yeah Yeah Yeahs'' is a [[garage rock]],{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} [[indie rock]], and [[alternative rock]] EP.{{Cite web |date= |title=Yeah Yeah Yeahs, by Yeah Yeah Yeahs |url=https://yeahyeahyeahs.bandcamp.com/album/yeah-yeah-yeahs |access-date=March 13, 2026 |website=[[Bandcamp]] |language=en}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" was described as the record's most \"ferocious\" and \"grinding garage\" song. The closing track, \"Our Time\", is an inspirational [[anthem]] about perseverance, which later came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = {{Rating|7|10}}{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; ''[[AllMusic]]'' described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2024, writers for [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\nAll tracks written by [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin.\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n}}\n\n==Personnel==\nCredits were adapted from its liner notes.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1344986786, + "parentid": 1344659248, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-23T17:54:26Z", + "sha1": "362063fd7412d3f26c80d2e0594728045a9a3e68", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]|[[alternative rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a [[garage rock]] record featuring the band's early [[punk rock]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later becoming known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by their observations of the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover. \n\n== Music and lyrics ==\n{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\n''Yeah Yeah Yeahs'' is a [[garage rock]],{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} [[indie rock]], and [[alternative rock]] EP.{{Cite web |date= |title=Yeah Yeah Yeahs, by Yeah Yeah Yeahs |url=https://yeahyeahyeahs.bandcamp.com/album/yeah-yeah-yeahs |access-date=March 13, 2026 |website=[[Bandcamp]] |language=en}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" was described as the record's most \"ferocious\" and \"grinding garage\" song. The closing track, \"Our Time\", is an inspirational [[anthem]] about perseverance, which later came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = {{Rating|7|10}}{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; ''[[AllMusic]]'' described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2024, writers for [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1345211121, + "parentid": 1344986786, + "user": "Caro7200", + "userid": 36838435, + "timestamp": "2026-03-24T22:55:50Z", + "sha1": "4643039310f5509e05525671b5d667d4f34b7c16", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical reception */ numeric", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]|[[alternative rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a [[garage rock]] record featuring the band's early [[punk rock]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later becoming known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by their observations of the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover. \n\n== Music and lyrics ==\n{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\n''Yeah Yeah Yeahs'' is a [[garage rock]],{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} [[indie rock]], and [[alternative rock]] EP.{{Cite web |date= |title=Yeah Yeah Yeahs, by Yeah Yeah Yeahs |url=https://yeahyeahyeahs.bandcamp.com/album/yeah-yeah-yeahs |access-date=March 13, 2026 |website=[[Bandcamp]] |language=en}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" was described as the record's most \"ferocious\" and \"grinding garage\" song. The closing track, \"Our Time\", is an inspirational [[anthem]] about perseverance, which later came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |publisher=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; ''[[AllMusic]]'' described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2024, writers for [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1345211324, + "parentid": 1345211121, + "minor": "", + "user": "Caro7200", + "userid": 36838435, + "timestamp": "2026-03-24T22:57:56Z", + "sha1": "d61fecb2a0e02a7f5fdf6838b8fd9786b7593e56", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical reception */", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]|[[alternative rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a [[garage rock]] record featuring the band's early [[punk rock]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later becoming known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by their observations of the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover. \n\n== Music and lyrics ==\n{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\n''Yeah Yeah Yeahs'' is a [[garage rock]],{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} [[indie rock]], and [[alternative rock]] EP.{{Cite web |date= |title=Yeah Yeah Yeahs, by Yeah Yeah Yeahs |url=https://yeahyeahyeahs.bandcamp.com/album/yeah-yeah-yeahs |access-date=March 13, 2026 |website=[[Bandcamp]] |language=en}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" was described as the record's most \"ferocious\" and \"grinding garage\" song. The closing track, \"Our Time\", is an inspirational [[anthem]] about perseverance, which later came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2024, writers for [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1345211458, + "parentid": 1345211324, + "minor": "", + "user": "Caro7200", + "userid": 36838435, + "timestamp": "2026-03-24T22:59:15Z", + "sha1": "14c8d32f5f72c33f39d8acb80130cc86852ae1ff", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Background and recording */", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]|[[alternative rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a [[garage rock]] record featuring the band's early [[punk rock]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by their observations of the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\n''Yeah Yeah Yeahs'' is a [[garage rock]],{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} [[indie rock]], and [[alternative rock]] EP.{{Cite web |date= |title=Yeah Yeah Yeahs, by Yeah Yeah Yeahs |url=https://yeahyeahyeahs.bandcamp.com/album/yeah-yeah-yeahs |access-date=March 13, 2026 |website=[[Bandcamp]] |language=en}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" was described as the record's most \"ferocious\" and \"grinding garage\" song. The closing track, \"Our Time\", is an inspirational [[anthem]] about perseverance, which later came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2024, writers for [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist|1}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1345211575, + "parentid": 1345211458, + "minor": "", + "user": "Caro7200", + "userid": 36838435, + "timestamp": "2026-03-24T23:00:25Z", + "sha1": "544d8df3229bc41f506939e01324dab55759a0b5", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]|[[alternative rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a [[garage rock]] record featuring the band's early [[punk rock]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by their observations of the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\n''Yeah Yeah Yeahs'' is a [[garage rock]],{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} [[indie rock]], and [[alternative rock]] EP.{{Cite web |date= |title=Yeah Yeah Yeahs, by Yeah Yeah Yeahs |url=https://yeahyeahyeahs.bandcamp.com/album/yeah-yeah-yeahs |access-date=March 13, 2026 |website=[[Bandcamp]] |language=en}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" was described as the record's most \"ferocious\" and \"grinding garage\" song. The closing track, \"Our Time\", is an inspirational [[anthem]] about perseverance, which later came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2024, writers for [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1345216992, + "parentid": 1345211575, + "minor": "", + "user": "Caro7200", + "userid": 36838435, + "timestamp": "2026-03-24T23:47:49Z", + "sha1": "3d7cca25a9a1246eb10908dc400abe21c26a27dc", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Music and lyrics */", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]|[[alternative rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a [[garage rock]] record featuring the band's early [[punk rock]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by their observations of the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\n''Yeah Yeah Yeahs'' is a [[garage rock]],{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} [[indie rock]], and [[alternative rock]] EP.{{Cite web |date= |title=Yeah Yeah Yeahs, by Yeah Yeah Yeahs |url=https://yeahyeahyeahs.bandcamp.com/album/yeah-yeah-yeahs |access-date=March 13, 2026 |website=[[Bandcamp]] |language=en}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" was described as the record's most \"ferocious\" and \"grinding garage\" song. The closing track, \"Our Time\", is an [[anthem]] about perseverance, which later came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2024, writers for [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1345231228, + "parentid": 1345216992, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-25T01:35:41Z", + "sha1": "8d041ab9a64eaaf1f1aa43fe299937efa5cb5904", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]|[[alternative rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a [[garage rock]] record featuring the band's early [[punk rock]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by their observations of the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\n''Yeah Yeah Yeahs'' is a [[garage rock]],{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} [[indie rock]], and [[alternative rock]] EP.{{Cite web |date= |title=Yeah Yeah Yeahs, by Yeah Yeah Yeahs |url=https://yeahyeahyeahs.bandcamp.com/album/yeah-yeah-yeahs |access-date=March 13, 2026 |website=[[Bandcamp]] |language=en}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" was described as the record's most \"ferocious\" and \"grinding garage\" song. The closing track, \"Our Time\", is an [[anthem]] about perseverance, which later came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, [[Under the Radar (magazine)|''Under the Radar'']] ranked it among the best albums of its year, writing that it was essential to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite web |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |website=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1345296519, + "parentid": 1345231228, + "minor": "", + "user": "Caro7200", + "userid": 36838435, + "timestamp": "2026-03-25T11:14:01Z", + "sha1": "b92bb58fb0a54b29446921e31c27167ba7e5eb59", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]|[[alternative rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a [[garage rock]] record featuring the band's early [[punk rock]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by their observations of the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\n''Yeah Yeah Yeahs'' is a [[garage rock]],{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} [[indie rock]], and [[alternative rock]] EP.{{Cite web |date= |title=Yeah Yeah Yeahs, by Yeah Yeah Yeahs |url=https://yeahyeahyeahs.bandcamp.com/album/yeah-yeah-yeahs |access-date=March 13, 2026 |website=[[Bandcamp]] |language=en}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" was described as the record's most \"ferocious\" and \"grinding garage\" song. The closing track, \"Our Time\", is an [[anthem]] about perseverance, which later came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, writing that it was essential to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production\n* [[Nick Zinner]] – guitars, production\n* [[Karen O]] – vocals, production\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1345308153, + "parentid": 1345296519, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-25T12:34:41Z", + "sha1": "435805d49ed67b3238da34a3fe34330f001ffe50", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]|[[alternative rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a [[garage rock]] record featuring the band's early [[punk rock]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by their observations of the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Its art and packaging were designed by the band and Crispin. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\n''Yeah Yeah Yeahs'' is a [[garage rock]],{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} [[indie rock]], and [[alternative rock]] EP.{{Cite web |date= |title=Yeah Yeah Yeahs, by Yeah Yeah Yeahs |url=https://yeahyeahyeahs.bandcamp.com/album/yeah-yeah-yeahs |access-date=March 13, 2026 |website=[[Bandcamp]] |language=en}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" was described as the record's most \"ferocious\" and \"grinding garage\" song. The closing track, \"Our Time\", is an [[anthem]] about perseverance, which later came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, writing that it was essential to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1345315837, + "parentid": 1345308153, + "minor": "", + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-03-25T13:34:31Z", + "sha1": "bd1777fddf607fe5d9932b15b7ae89dfac9e7e73", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical reception */ ce; tense", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]|[[alternative rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a [[garage rock]] record featuring the band's early [[punk rock]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by their observations of the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Its art and packaging were designed by the band and Crispin. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\n''Yeah Yeah Yeahs'' is a [[garage rock]],{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} [[indie rock]], and [[alternative rock]] EP.{{Cite web |date= |title=Yeah Yeah Yeahs, by Yeah Yeah Yeahs |url=https://yeahyeahyeahs.bandcamp.com/album/yeah-yeah-yeahs |access-date=March 13, 2026 |website=[[Bandcamp]] |language=en}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" was described as the record's most \"ferocious\" and \"grinding garage\" song. The closing track, \"Our Time\", is an [[anthem]] about perseverance, which later came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1345315924, + "parentid": 1345315837, + "minor": "", + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-03-25T13:35:22Z", + "sha1": "1c56fec8e73d4aa73cbcd1c2eb488b7635c95cf0", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical reception */ ref order", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]|[[alternative rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a [[garage rock]] record featuring the band's early [[punk rock]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by their observations of the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Its art and packaging were designed by the band and Crispin. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\n''Yeah Yeah Yeahs'' is a [[garage rock]],{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} [[indie rock]], and [[alternative rock]] EP.{{Cite web |date= |title=Yeah Yeah Yeahs, by Yeah Yeah Yeahs |url=https://yeahyeahyeahs.bandcamp.com/album/yeah-yeah-yeahs |access-date=March 13, 2026 |website=[[Bandcamp]] |language=en}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" was described as the record's most \"ferocious\" and \"grinding garage\" song. The closing track, \"Our Time\", is an [[anthem]] about perseverance, which later came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1345316313, + "parentid": 1345315924, + "minor": "", + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-03-25T13:38:41Z", + "sha1": "4b070aae0d1fee370140dbcb78625b458f83935a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Background and recording */ tighten", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]|[[alternative rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a [[garage rock]] record featuring the band's early [[punk rock]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Its art and packaging were designed by the band and Crispin. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\n''Yeah Yeah Yeahs'' is a [[garage rock]],{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} [[indie rock]], and [[alternative rock]] EP.{{Cite web |date= |title=Yeah Yeah Yeahs, by Yeah Yeah Yeahs |url=https://yeahyeahyeahs.bandcamp.com/album/yeah-yeah-yeahs |access-date=March 13, 2026 |website=[[Bandcamp]] |language=en}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" was described as the record's most \"ferocious\" and \"grinding garage\" song. The closing track, \"Our Time\", is an [[anthem]] about perseverance, which later came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1345340142, + "parentid": 1345316313, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-25T16:09:24Z", + "sha1": "52ee487ee6f9afd0f74533196ff9eba5d5cf2d17", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Garage rock]]|[[indie rock]]|[[alternative rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a [[garage rock]] record featuring the band's early musical style. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Its art and packaging were designed by the band and Crispin. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\n''Yeah Yeah Yeahs'' is a [[garage rock]],{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} [[indie rock]], and [[alternative rock]] EP.{{Cite web |date= |title=Yeah Yeah Yeahs, by Yeah Yeah Yeahs |url=https://yeahyeahyeahs.bandcamp.com/album/yeah-yeah-yeahs |access-date=March 13, 2026 |website=[[Bandcamp]] |language=en}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" was described as the record's most \"ferocious\" and \"grinding garage\" song. The closing track, \"Our Time\", is an [[anthem]] about perseverance, which later came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1345357159, + "parentid": 1345340142, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-25T18:13:53Z", + "sha1": "100d7756151d8a73f71815d4794955bff6dd7976", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "It's more these three genres upon further research/source scanning", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Its art and packaging were designed by the band and Crispin. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\n''Yeah Yeah Yeahs'' is an [[art punk]], [[garage rock]], and [[indie rock]] EP.{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" was described as the record's most \"ferocious\" and \"grinding garage\" song. The closing track, \"Our Time\", is an [[anthem]] about perseverance, which later came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1345357462, + "parentid": 1345357159, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-25T18:16:14Z", + "sha1": "bfe74b03af8199d8c08952a2d78a3e1f3c92b633", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Its art and packaging were designed by the band and Crispin. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' is an [[art punk]], [[garage rock]], and [[indie rock]] EP.{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" was described as the record's most \"ferocious\" and \"grinding garage\" song. The closing track, \"Our Time\", is an [[anthem]] about perseverance, which later came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1345357682, + "parentid": 1345357462, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-25T18:17:45Z", + "sha1": "625343f0fed2f043ca9bf9484f61aae868455b59", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Its art and packaging were designed by the band and Crispin. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' is an [[art punk]], [[garage rock]], and [[indie rock]] EP.{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" was described as the record's most \"ferocious\" and \"grinding garage\" song. The closing track, \"Our Time\", is an [[anthem]] about perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1345359367, + "parentid": 1345357682, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-25T18:25:41Z", + "sha1": "659e903def6bba75b7b21eec469954fa6034e9d1", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical reception */", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Its art and packaging were designed by the band and Crispin. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' is an [[art punk]], [[garage rock]], and [[indie rock]] EP.{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" creates imagery of a [[heat wave]], dirt roads and gas stations; it has been described as the record's most \"ferocious\" and \"grinding garage\" song. The closing track, \"Our Time\", is an [[anthem]] about perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2018, ''[[Stereogum]]'' ranked \"Art Star\" and \"Miles Away\" among the band's best songs. In 2024, writers for [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1345360359, + "parentid": 1345359367, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-25T18:30:21Z", + "sha1": "39d0965495d771c5273b685c968bc5bf5c9680b1", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Music and lyrics */", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Its art and packaging were designed by the band and Crispin. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' is an [[art punk]], [[garage rock]], and [[indie rock]] EP.{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" does not have a clear message, but describes a hot day and gas stations. The closing track, \"Our Time\", is an [[anthem]] about perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2018, ''[[Stereogum]]'' ranked \"Art Star\" and \"Miles Away\" among the band's best songs. In 2024, writers for [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1345360477, + "parentid": 1345360359, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-25T18:30:56Z", + "sha1": "164c57f14c92447ca935b4be1b6859d92277f368", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Music and lyrics */", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Its art and packaging were designed by the band and Crispin. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' is an [[art punk]], [[garage rock]], and [[indie rock]] EP.{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" does not have a clear message, but describes a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\", is an [[anthem]] about perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2018, ''[[Stereogum]]'' ranked \"Art Star\" and \"Miles Away\" among the band's best songs. In 2024, writers for [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1345360632, + "parentid": 1345360477, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-25T18:31:37Z", + "sha1": "bc1f48603283e3fd725c20e5fdc1aec466ee9fbc", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Music and lyrics */ I'm dumb", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Its art and packaging were designed by the band and Crispin. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' is an [[art punk]], [[garage rock]], and [[indie rock]] EP.{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\", is an [[anthem]] about perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2018, ''[[Stereogum]]'' ranked \"Art Star\" and \"Miles Away\" among the band's best songs. In 2024, writers for [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1345360839, + "parentid": 1345360632, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-25T18:32:40Z", + "sha1": "a3c9ab75a03e6d44265693ee06c7a4a1065226a0", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Music and lyrics */ I'm dumb", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Its art and packaging were designed by the band and Crispin. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' is an [[art punk]], [[garage rock]], and [[indie rock]] EP.{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\", is an [[anthem]] about perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2018, ''[[Stereogum]]'' ranked \"Art Star\" and \"Miles Away\" among the band's best songs. In 2024, writers for [[Paste (magazine)|''Paste'']] ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1345361883, + "parentid": 1345360839, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-25T18:37:50Z", + "sha1": "1aed11bd00cde02a4334415f116fbc8a129a5b35", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical reception */ Eh not needed", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Its art and packaging were designed by the band and Crispin. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' is an [[art punk]], [[garage rock]], and [[indie rock]] EP.{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\", is an [[anthem]] about perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''Paste'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1345361972, + "parentid": 1345361883, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-25T18:38:17Z", + "sha1": "d241f284c284d793a2c59fa34910690d0c5d4f32", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical reception */ Oops", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Its art and packaging were designed by the band and Crispin. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' is an [[art punk]], [[garage rock]], and [[indie rock]] EP.{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\", is an [[anthem]] about perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com}} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026}}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather}}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1345401265, + "parentid": 1345361972, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-25T22:32:58Z", + "sha1": "1389a852b1e8856379aa1e77b39f336d2a7a005f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Rescuing 3 sources and tagging 0 as dead.) #IABot (v2.0.9.5", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Its art and packaging were designed by the band and Crispin. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' is an [[art punk]], [[garage rock]], and [[indie rock]] EP.{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\", is an [[anthem]] about perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]" + }, + { + "revid": 1345402233, + "parentid": 1345401265, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-25T22:38:15Z", + "sha1": "99b70460606240a1cfd7788997f4952e4539a90f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Its art and packaging were designed by the band and Crispin. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' is an [[art punk]], [[garage rock]], and [[indie rock]] EP.{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\", is an [[anthem]] about perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]\n[[Category:Art punk EPs]]" + }, + { + "revid": 1345404608, + "parentid": 1345402233, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-25T22:52:31Z", + "sha1": "ba5e76396cb591dd13be2d56cd61edf77de272be", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Ok actually Alternative rock", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Its art and packaging were designed by the band and Crispin. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' is an [[alternative rock]], [[art punk]], [[garage rock]], and [[indie rock]] EP.{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\", is an [[anthem]] about perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:2001 debut EPs]]\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 albums]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]\n[[Category:Art punk EPs]]" + }, + { + "revid": 1345407322, + "parentid": 1345404608, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-25T23:11:56Z", + "sha1": "47cfef5861c3b4ad9b1879b1130f2d22a2e48fb5", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Its art and packaging were designed by the band and Crispin. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' is an [[alternative rock]], [[art punk]], [[garage rock]], and [[indie rock]] EP.{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"Art Star\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\", is an [[anthem]] about perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:2001 albums]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1345409374, + "parentid": 1345407322, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-25T23:27:08Z", + "sha1": "9998bbba5b348936fefa90e5d18efa73fa3ff8a1", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Its art and packaging were designed by the band and Crispin. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' is an [[alternative rock]], [[art punk]], [[garage rock]], and [[indie rock]] EP.{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals, elements that distinguish it from the band's later releases.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\", is an [[anthem]] about perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:2001 albums]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1345594547, + "parentid": 1345409374, + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-03-27T00:00:17Z", + "sha1": "137f9c3505758f5fd7283f2dd8101bbe1e0ddfe2", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Music and lyrics */ what does this mean", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Its art and packaging were designed by the band and Crispin. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' is an [[alternative rock]], [[art punk]], [[garage rock]], and [[indie rock]] EP.{{Cite web |last=Clarke |first=Betty |date=April 26, 2009 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/music/2009/apr/27/yeah-yeahs-pop-review |access-date=March 13, 2026 |website=[[The Guardian]]}} It consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and features a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\", is an [[anthem]] about perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:2001 albums]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1345599580, + "parentid": 1345594547, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-27T00:45:11Z", + "sha1": "201394b4b66f164d7b7cabaee2234a511c845aca", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Some per review", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen Orzolek]]—later known as Karen O—and guitarist [[Nick Zinner]] founded the acoustic duo Unitard. Later that year, they changed their name to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs gained a following for their live shows.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Its art and packaging were designed by the band and Crispin. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\", is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:2001 albums]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1345600004, + "parentid": 1345599580, + "minor": "", + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-03-27T00:49:28Z", + "sha1": "570607e8fa8f15b6826829f704909aad6e7d49db", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Background and recording */ ce", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs had gained a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Its art and packaging were designed by the band and Crispin. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O, whose [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\", is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:2001 albums]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1345600292, + "parentid": 1345600004, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-27T00:51:48Z", + "sha1": "4725c1d26da514d8e5c0534caa8736bf4a932517", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs had gained a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Its art and packaging were designed by the band and Crispin. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Karen O's [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} though she described her singing as \"really, really, really sloshed.\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" Themes of sex and [[masturbation]] are further developed in \"Mystery Girl\", co-written by the band and Jack Martin. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\", is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:2001 albums]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1345666970, + "parentid": 1345600292, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-27T11:38:06Z", + "sha1": "7f7a89a47f136933014b5f8cb2dc1fbed51735b4", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in April 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}}\n\nBy late 2001, Yeah Yeah Yeahs had gained a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} Around this time, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce their debut [[Extended play|EP]]. They recorded it at the short-lived Funhouse Recording Studio with Teel, while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City. Its art and packaging were designed by the band and Crispin. Although it is self-titled, the EP is sometimes incorrectly referred to as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Karen O's [[staccato]] vocals became a focal point of the record,{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} though she described her singing as \"really, really, really sloshed.\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\", is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own label, Shifty. It was reissued in April 2002 by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom, becoming a [[sleeper hit]].{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n{{Reflist}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:2001 albums]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1345696386, + "parentid": 1345666970, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-27T16:04:23Z", + "sha1": "5c575dae0d139b4d8081de4b7ccac02da1824f44", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Added some information", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} \n\nBy 2001, Yeah Yeah Yeahs earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they began creating music and enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] intended to secure more shows. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} It was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}}\n\nThe artwork and packaging for ''Yeah Yeah Yeahs'' was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\", is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in the spring of 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} the EP was reissued by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom that same year.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}\n\nThe EP became a [[sleeper hit]]; it reached number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} By 2009, it had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:2001 albums]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1345696979, + "parentid": 1345696386, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-27T16:08:38Z", + "sha1": "7516706a70c9444ee5d2709dbc16c251750cb7ec", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Release */ Trimming", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup and played their first show as an [[opening act]] for [[the White Stripes]].{{Cite web |last=Yashari |first=Leora |date=November 20, 2017 |title=Karen O is (still) pushing boundaries |url=https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |url-status=dead |archive-url=https://web.archive.org/web/20181020230743/https://www.lennyletter.com/story/karen-o-is-still-pushing-boundaries |archive-date=October 20, 2018 |access-date=March 13, 2026 |website=[[Lenny Letter]]}}{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By 2001, they earned a live following and began creating music.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] intended to secure more shows. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\", is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in the spring of 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:2001 albums]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1345697547, + "parentid": 1345696979, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-27T16:12:57Z", + "sha1": "9927c054161883b8aff4ad77aeaef5c4ec3e7e07", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Short description|2001 EP by Yeah Yeah Yeahs}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they began creating music and enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] intended to secure more shows. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\", is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in the spring of 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n{{DEFAULTSORT:Yeah Yeah Yeahs (Ep)}}\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:2001 albums]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1345708163, + "parentid": 1345697547, + "user": "Starcheerspeaksnewslostwars", + "userid": 11554556, + "timestamp": "2026-03-27T17:28:59Z", + "sha1": "67b9ff212674e6c4ed189cfa27fb60dc9e37122a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Unnecessary", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] and [[Wichita Recordings|Wichita]] in the United States and United Kingdom, respectively. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they began creating music and enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] intended to secure more shows. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\", is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in the spring of 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2002)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1345713810, + "parentid": 1345708163, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-27T18:17:22Z", + "sha1": "0d8e71cfbf3cc1d1cdf406bf48298016f4abffa3", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Danish was 2007", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] and other [[Independent record label|independent labels]] worldwide. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they began creating music and enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] intended to secure more shows. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\", is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in the spring of 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States,{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}} [[Wichita Recordings]] in the United Kingdom,{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} and [[Toy's Factory|Toy's Factory Records]] in Japan.{{Cite AV media notes |title=Yeah Yeah Yeahs |date=2002 |type=CD liner notes |others=[[Yeah Yeah Yeahs]] |publisher=[[Toy's Factory]] |id=TFCK-87306}} The EP bbecame a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1345737439, + "parentid": 1345713810, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-27T21:39:36Z", + "sha1": "1243831f6a357701958856e2ffb8a3f1b0a87fae", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Release */", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] and other [[Independent record label|independent labels]] worldwide. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they began creating music and enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] intended to secure more shows. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\", is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States,{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}} [[Wichita Recordings]] in the United Kingdom,{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} and [[Toy's Factory|Toy's Factory Records]] in Japan.{{Cite AV media notes |title=Yeah Yeah Yeahs |date=2002 |type=CD liner notes |others=[[Yeah Yeah Yeahs]] |publisher=[[Toy's Factory]] |id=TFCK-87306}} The EP bbecame a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1345737475, + "parentid": 1345737439, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-27T21:39:57Z", + "sha1": "b7f5f7d2f6b25b56648c63d5db1af0b5ac15b9cb", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Release */ Oops", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] and other [[Independent record label|independent labels]] worldwide. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they began creating music and enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] intended to secure more shows. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\", is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States,{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}} [[Wichita Recordings]] in the United Kingdom,{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} and [[Toy's Factory|Toy's Factory Records]] in Japan.{{Cite AV media notes |title=Yeah Yeah Yeahs |date=2002 |type=CD liner notes |others=[[Yeah Yeah Yeahs]] |publisher=[[Toy's Factory]] |id=TFCK-87306}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1345850744, + "parentid": 1345737475, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-28T15:18:29Z", + "sha1": "e8dc6737e6cffb01a6d24a0ae8648742a84fc32a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they began creating music and enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] intended to secure more shows. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\", is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1345924893, + "parentid": 1345850744, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-29T00:47:43Z", + "sha1": "9711a3e5c770d889ff91aa659ab7b345420b0336", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Added line about Our Time", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they began creating music and enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] intended to secure more shows. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was written in 2000 before the EP's conception and performed at their first show.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1346047540, + "parentid": 1345924893, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-29T17:06:13Z", + "sha1": "1276417c070aa9bc3af71508684f2de194eeb11a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Music and lyrics */", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they began creating music and enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] intended to secure more shows. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\", originally titled \"Time to Be Hated\",{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 29, 2026 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 29, 2026 |website=[[The Guardian]]}} was written in 2000 before the EP's conception and performed at their first show.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1346047661, + "parentid": 1346047540, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-29T17:07:06Z", + "sha1": "6ca9643135af93fecdbc534c6cc880e646fe066e", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Music and lyrics */", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they began creating music and enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] intended to secure more shows. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\") was the first song Karen O ever wrote;{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 29, 2026 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 29, 2026 |website=[[The Guardian]]}} it was conceived in 2000 before the EP's conception and performed at their first show.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1346362066, + "parentid": 1346047661, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-03-31T12:14:26Z", + "sha1": "da080dbd2bc6f94352be3e540b00f0e3d04ffadb", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they began creating music and enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] intended to secure more shows. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\") was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1346964337, + "parentid": 1346362066, + "user": "ChristieBot", + "userid": 44604045, + "timestamp": "2026-04-03T22:06:34Z", + "sha1": "a1d4a98ef7dad7f46a8341138237fd29afc42579", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Add good article icon", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American indie rock band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made. \n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they began creating music and enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] intended to secure more shows. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\") was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1347305750, + "parentid": 1346964337, + "minor": "", + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-05T22:55:21Z", + "sha1": "bd0b07a2630a87603fca85d555c0dcaa70410360", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* top */ ce", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made.\n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they began creating music and enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] intended to secure more shows. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\") was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1347432732, + "parentid": 1347305750, + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-06T17:50:00Z", + "sha1": "bd1cf5450c26cee554448255afb4e8bd70c9bebb", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Background and recording */ tw", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made.\n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] intended to secure more shows. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks and runs for 13 minutes and 52 seconds. The songs were written by Karen O and its music was composed by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\") was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1347432873, + "parentid": 1347432732, + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-06T17:50:56Z", + "sha1": "8560b527f12f1484b45fecdd90b5faa4a5027be5", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Music and lyrics */ ce", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made.\n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] intended to secure more shows. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. The lyrics were written by Karen O and its music by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\") was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1347433040, + "parentid": 1347432873, + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-06T17:52:22Z", + "sha1": "1323823bfcab37b3535679f0788958e79ed72a73", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Background and recording */ ce", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made.\n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. The lyrics were written by Karen O and its music by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\") was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of its year, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348058384, + "parentid": 1347433040, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-10T12:39:03Z", + "sha1": "ec62c4a145bfd576b85dc8f44cc3edfa9f252fb8", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made.\n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. The lyrics were written by Karen O and its music by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\") was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|While the EP was originally released in 2001, ''[[NME]]'' did not pick it up until the 2002 reissue, leading to its inclusion in the best singles of 2002.}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of 2001, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348058612, + "parentid": 1348058384, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-10T12:40:56Z", + "sha1": "3f18f0e1fad9a9b7236389cbe508963b265178c3", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made.\n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. The lyrics were written by Karen O and its music by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\") was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|While the EP was originally released in 2001, it was not recognized by ''[[NME]]'' until the 2002 reissue, leading to its inclusion in the best singles of 2002.}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of 2001, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348086768, + "parentid": 1348058612, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-10T16:18:18Z", + "sha1": "2b709b91522322b4a3767f89eaf7b493b4d07647", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical reception */", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[NME]]'' as the second best single of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made.\n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. The lyrics were written by Karen O and its music by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\") was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' second on its list of the year's best singles.{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by ''[[NME]]'' until its 2002 reissue.}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of 2001, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348091353, + "parentid": 1348086768, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-10T16:49:50Z", + "sha1": "44832c5c7482dc78b2c545b4432157f2d1d977b1", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[The New York Times]]'' and ''[[NME]]'' among the best releases of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made.\n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. The lyrics were written by Karen O and its music by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\") was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second.{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of 2001, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348093834, + "parentid": 1348091353, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-10T17:07:55Z", + "sha1": "03cc1982a6803dd06349ff9a3db5496f39fcddc3", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Pazz & Jop", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[The New York Times]]'' and ''[[NME]]'' among the best releases of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made.\n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. The lyrics were written by Karen O and its music by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\") was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second.{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} Also in 2002, it featured at number 40 in ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' ranked it among the best albums of 2001, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, writers for ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it built on the early works of contemporaries like [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348095838, + "parentid": 1348093834, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-10T17:23:11Z", + "sha1": "45ef326f989d7999613d5af9e4c2b03e8fc4243f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical reception */", + "*": "\\{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[The New York Times]]'' and ''[[NME]]'' among the best releases of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made.\n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. The lyrics were written by Karen O and its music by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\") was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second.{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} Also in 2002, it featured at number 40 in ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works by two of their contemporaries, [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348095877, + "parentid": 1348095838, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-10T17:23:32Z", + "sha1": "e553c00b316e289415cdcddabae776495af775a6", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Wat", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. After forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It is a record featuring the band's early [[garage rock]] and [[art punk]] influences. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[The New York Times]]'' and ''[[NME]]'' among the best releases of 2002. It received little attention upon release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made.\n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. The lyrics were written by Karen O and its music by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\") was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second.{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} Also in 2002, it featured at number 40 in ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works by two of their contemporaries, [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348131597, + "parentid": 1348095877, + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-10T21:51:12Z", + "sha1": "d546269bbf78250c5e3115dfb0636b78cf8d0e8c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* top */ ce", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It features the band's early [[garage rock]] and [[art punk]] influences.\n\nAfter forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[The New York Times]]'' and ''[[NME]]'' among the best releases of 2002. It received little attention upon it's frst release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] ranked it among the greatest EPs ever made.\n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. The lyrics were written by Karen O and its music by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\") was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second.{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} Also in 2002, it featured at number 40 in ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works by two of their contemporaries, [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348131748, + "parentid": 1348131597, + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-10T21:52:05Z", + "sha1": "2849f830f357d1cc1412ee097368ea6026117d03", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* top */ \"ranked\" x2", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It features the band's early [[garage rock]] and [[art punk]] influences.\n\nAfter forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[The New York Times]]'' and ''[[NME]]'' among the best releases of 2002. It received little attention upon it's frst release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] placed it as among the greatest EPs ever made.\n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. The lyrics were written by Karen O and its music by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\", whose lyrics satirizes [[Jet set|jet-set culture]] and the [[art world]], is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\") was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second.{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} Also in 2002, it featured at number 40 in ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works by two of their contemporaries, [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348131882, + "parentid": 1348131748, + "minor": "", + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-10T21:53:00Z", + "sha1": "6effcb7b0a675866cd8cbfa37c4b43e3c671a5b0", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Music and lyrics */ ce", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It features the band's early [[garage rock]] and [[art punk]] influences.\n\nAfter forming in 2000 and building a reputation with their live shows, Yeah Yeah Yeahs recorded and produced the EP with Jerry Teel, a member of [[Boss Hog]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. \n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[The New York Times]]'' and ''[[NME]]'' among the best releases of 2002. It received little attention upon it's frst release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] placed it as among the greatest EPs ever made.\n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. The lyrics were written by Karen O and its music by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\"'s lyrics satirizes [[Jet set|jet-set culture]] and the art world, and is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\") was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second.{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} Also in 2002, it featured at number 40 in ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works by two of their contemporaries, [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348149280, + "parentid": 1348131882, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-11T00:30:48Z", + "sha1": "c8ed5812cf82bac7d05961c495ea6cc4b770e0a4", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Tightened lead a bit", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. The EP was recorded in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[The New York Times]]'' and ''[[NME]]'' among the best releases of 2002. It received little attention upon it's frst release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] placed it as among the greatest EPs ever made.\n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. The lyrics were written by Karen O and its music by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. \"[[Art Star]]\"'s lyrics satirizes [[Jet set|jet-set culture]] and the art world, and is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\") was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second.{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} Also in 2002, it featured at number 40 in ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works by two of their contemporaries, [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348150412, + "parentid": 1348149280, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-11T00:37:11Z", + "sha1": "8141c6e059995a5ac7758447cc1dedf386398cdf", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "The \"'s bothers me greatly", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. The EP was recorded in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[The New York Times]]'' and ''[[NME]]'' among the best releases of 2002. It received little attention upon it's frst release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] placed it as among the greatest EPs ever made.\n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. The lyrics were written by Karen O and its music by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\") was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second.{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} Also in 2002, it featured at number 40 in ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works by two of their contemporaries, [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348150472, + "parentid": 1348150412, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-11T00:37:36Z", + "sha1": "756b08a02e15a8c84fa10e8ac5619250382042ab", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. The EP was recorded in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[The New York Times]]'' and ''[[NME]]'' among the best releases of 2002. It received little attention upon it's frst release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] placed it as among the greatest EPs ever made.\n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. The lyrics were written by Karen O and its music by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\"), was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second.{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} Also in 2002, it featured at number 40 in ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works by two of their contemporaries, [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348287409, + "parentid": 1348150472, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-11T20:35:31Z", + "sha1": "59c9734b41bb3a71b9175682d05ed868adf98511", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. The EP was recorded in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[The New York Times]]'' and ''[[NME]]'' among the best releases of 2002. It received little attention upon it's frst release but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] placed it among the greatest EPs ever made.\n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. The lyrics were written by Karen O and its music by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\"), was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second.{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} Also in 2002, it featured at number 40 in ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works by two of their contemporaries, [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348287761, + "parentid": 1348287409, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-11T20:38:18Z", + "sha1": "fff7ac64506ed2d3d0a88f1ab8663504d0ab85b0", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. The EP was recorded in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[The New York Times]]'' and ''[[NME]]'' among the best releases of 2002. It initially received little attention but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] placed it among the greatest EPs ever made.\n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging was designed by the band and Crispin. The front cover is a [[close-up]] of a topless Karen O, and the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. The lyrics were written by Karen O and its music by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\"), was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second.{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} Also in 2002, it featured at number 40 in ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works by two of their contemporaries, [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348300606, + "parentid": 1348287761, + "minor": "", + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-11T22:13:34Z", + "sha1": "0478511d636de4bff32952c5dcff3a1e1ca92429", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Background and recording */ tweak", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. The EP was recorded in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[The New York Times]]'' and ''[[NME]]'' among the best releases of 2002. It initially received little attention but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] placed it among the greatest EPs ever made.\n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. The lyrics were written by Karen O and its music by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The rock band [[ESG (band)|ESG]] served as a primary influence for the EP, with the band attempting to recreate their sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\"), was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second.{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} Also in 2002, it featured at number 40 in ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works by two of their contemporaries, [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348300988, + "parentid": 1348300606, + "minor": "", + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-11T22:16:21Z", + "sha1": "741829c375771333534432a065048b6800974c51", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Music and lyrics */ tweak", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. The EP was recorded in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[The New York Times]]'' and ''[[NME]]'' among the best releases of 2002. It initially received little attention but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] placed it among the greatest EPs ever made.\n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The [[dance-punk]] and [[funk]] band [[ESG (band)|ESG]] served as a primary influence for the music, while the band attempting to recreate ESG's sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\"), was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were highlighted for additional praise, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second.{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} Also in 2002, it featured at number 40 in ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works by two of their contemporaries, [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348303242, + "parentid": 1348300988, + "minor": "", + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-11T22:34:36Z", + "sha1": "a6b8e05b3a464a976fb3a892102adf8deb13f263", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical reception */ tweak", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Self-released]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. The EP was recorded in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[The New York Times]]'' and ''[[NME]]'' among the best releases of 2002. It initially received little attention but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] placed it among the greatest EPs ever made.\n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The [[dance-punk]] and [[funk]] band [[ESG (band)|ESG]] served as a primary influence for the music, while the band attempting to recreate ESG's sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\"), was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had reportedly sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were espically praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting the music's potential, and a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second.{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} That year, it placed as number 40 in ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works by two of their contemporaries, [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348312706, + "parentid": 1348303242, + "minor": "", + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-11T23:53:04Z", + "sha1": "93ff8790dfc583406028201da9a61c551ffc6a41", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "ce", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Touch and Go Records]], [[Wichita Recordings]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. The EP was recorded in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[The New York Times]]'' and ''[[NME]]'' among the best releases of 2002. It initially received little attention but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] placed it among the greatest EPs ever made.\n\n== Background and recording ==\nThe singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] founded the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted to a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\n''Yeah Yeah Yeahs'' was recorded at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio with Teel—which doubled as their rehearsal space—while Chuck Scott [[Mastering (audio)|mastered]] it at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although it is self-titled, the EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The [[dance-punk]] and [[funk]] band [[ESG (band)|ESG]] served as a primary influence for the music, while the band attempting to recreate ESG's sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\"), was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were espically praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting the music's potential, and a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second.{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} That year, it placed as number 40 in ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works by two of their contemporaries, [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348313267, + "parentid": 1348312706, + "minor": "", + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-11T23:57:27Z", + "sha1": "2acef4bde3d82d90daa7cbf338df579ca702cd29", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Background and recording */ flow", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Touch and Go Records]], [[Wichita Recordings]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. The EP was recorded in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[The New York Times]]'' and ''[[NME]]'' among the best releases of 2002. It initially received little attention but became a [[sleeper hit]] after its reissue, topping the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and exceeding sales of 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] placed it among the greatest EPs ever made.\n\n== Background and recording ==\nThe Yeah Yeah Yeahs' singer [[Karen O]] and guitarist [[Nick Zinner]] formed the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted towards a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio, which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The [[dance-punk]] and [[funk]] band [[ESG (band)|ESG]] served as a primary influence for the music, while the band attempting to recreate ESG's sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\"), was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were espically praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting the music's potential, and a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second.{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} That year, it placed as number 40 in ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works by two of their contemporaries, [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348315487, + "parentid": 1348313267, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-12T00:13:37Z", + "sha1": "bf4d1203fb6f61c0f810faa7b4f7d79a1a09ac57", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Touch and Go Records]], [[Wichita Recordings]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. The EP was recorded in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[The New York Times]]'' and ''[[NME]]'' among the best releases of 2002. The EP received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] placed it among the greatest EPs ever made.\n\n== Background and recording ==\nThe Yeah Yeah Yeahs' singer [[Karen O]] and guitarist [[Nick Zinner]] formed the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted towards a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio, which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The [[dance-punk]] and [[funk]] band [[ESG (band)|ESG]] served as a primary influence for the music, while the band attempting to recreate ESG's sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\"), was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were espically praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some criticism was directed at its [[sound quality]], which was seen as limiting the music's potential, and a [[Stylus Magazine|''Stylus'']] writer found three of its five tracks unremarkable. [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second.{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} That year, it placed as number 40 in ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works by two of their contemporaries, [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348315572, + "parentid": 1348315487, + "minor": "", + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-12T00:14:20Z", + "sha1": "2ef14ab4de83e01fda1f095a43e96a708ae3ec3a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical reception */ ce", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Touch and Go Records]], [[Wichita Recordings]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. The EP was recorded in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[The New York Times]]'' and ''[[NME]]'' among the best releases of 2002. The EP received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] placed it among the greatest EPs ever made.\n\n== Background and recording ==\nThe Yeah Yeah Yeahs' singer [[Karen O]] and guitarist [[Nick Zinner]] formed the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted towards a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio, which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The [[dance-punk]] and [[funk]] band [[ESG (band)|ESG]] served as a primary influence for the music, while the band attempting to recreate ESG's sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\"), was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were espically praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}}\n\nSome critics noted its [[Lo-fi music|low-fi]] sound quality, which was seen as limiting the music's potential, while a [[Stylus Magazine|''Stylus'']] writer described the song-writing of three of its five tracks \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities. \n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second.{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} That year, it placed as number 40 in ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works by two of their contemporaries, [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348316000, + "parentid": 1348315572, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-12T00:18:01Z", + "sha1": "f85418210cfaff67db91c84a745cb07463f391bf", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "I feel like this is too short to be its own paragraph", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = [[Touch and Go Records]], [[Wichita Recordings]]\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. The EP was recorded in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[The New York Times]]'' and ''[[NME]]'' among the best releases of 2002. The EP received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] placed it among the greatest EPs ever made.\n\n== Background and recording ==\nThe Yeah Yeah Yeahs' singer [[Karen O]] and guitarist [[Nick Zinner]] formed the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted towards a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio, which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The [[dance-punk]] and [[funk]] band [[ESG (band)|ESG]] served as a primary influence for the music, while the band attempting to recreate ESG's sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\"), was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were espically praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some critics noted its [[Lo-fi music|low-fi]] sound quality, which was seen as limiting the music's potential, while a [[Stylus Magazine|''Stylus'']] writer described the song-writing of three of its five tracks \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second.{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} That year, it placed as number 40 in ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works by two of their contemporaries, [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348319769, + "parentid": 1348316000, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-12T00:48:44Z", + "sha1": "98585c05c239e4a77c87e2d0807f0578d27aedba", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|Shifty was the band's own record label.}}|[[Touch and Go Records|Touch and Go]]|[[Wichita Recordings|Wichita]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings|Wichita]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. The EP was recorded in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[The New York Times]]'' and ''[[NME]]'' among the best releases of 2002. The EP received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] placed it among the greatest EPs ever made.\n\n== Background and recording ==\nThe Yeah Yeah Yeahs' singer [[Karen O]] and guitarist [[Nick Zinner]] formed the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted towards a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio, which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The [[dance-punk]] and [[funk]] band [[ESG (band)|ESG]] served as a primary influence for the music, while the band attempting to recreate ESG's sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\" (originally titled \"Time to Be Hated\"), was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her favorites.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were espically praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some critics noted its [[Lo-fi music|low-fi]] sound quality, which was seen as limiting the music's potential, while a [[Stylus Magazine|''Stylus'']] writer described the song-writing of three of its five tracks \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second.{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} That year, it placed as number 40 in ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works by two of their contemporaries, [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348334508, + "parentid": 1348319769, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-12T02:30:56Z", + "sha1": "be5fef5258c9c014e00cb66814a860adb6739093", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|Shifty was the band's own record label.}}|[[Touch and Go Records|Touch and Go]]|[[Wichita Recordings|Wichita]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings|Wichita]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. The EP was recorded in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[The New York Times]]'' and ''[[NME]]'' among the best releases of 2002. The EP received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] placed it among the greatest EPs ever made.\n\n== Background and recording ==\nThe Yeah Yeah Yeahs' singer [[Karen O]] and guitarist [[Nick Zinner]] formed the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted towards a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio, which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The [[dance-punk]] and [[funk]] band [[ESG (band)|ESG]] served as a primary influence for the music, while the band attempting to recreate ESG's sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The closing track, \"Our Time\",{{Efn|\"Our Time\" was originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}}}} is an [[anthem]] about a healed romance and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]]; it was the first song Karen O ever wrote for Yeah Yeah Yeahs and one of her personal favorites.\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were espically praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some critics noted its [[Lo-fi music|low-fi]] sound quality, which was seen as limiting the music's potential, while a [[Stylus Magazine|''Stylus'']] writer described the song-writing of three of its five tracks \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second.{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} That year, it placed as number 40 in ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works by two of their contemporaries, [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348335092, + "parentid": 1348334508, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-12T02:36:10Z", + "sha1": "9d2fb6b9bc7c6ef88ef510c5c140df1f433f1297", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|Shifty was the band's own record label.}}|[[Touch and Go Records|Touch and Go]]|[[Wichita Recordings|Wichita]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings|Wichita]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. The EP was recorded in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' was received positively by critics and ranked by ''[[The New York Times]]'' and ''[[NME]]'' among the best releases of 2002. The EP received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units in the United States by the end of the decade. In 2024, [[Paste (magazine)|''Paste'']] placed it among the greatest EPs ever made.\n\n== Background and recording ==\nThe Yeah Yeah Yeahs' singer [[Karen O]] and guitarist [[Nick Zinner]] formed the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted towards a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio, which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The [[dance-punk]] and [[funk]] band [[ESG (band)|ESG]] served as a primary influence for the music, while the band attempting to recreate ESG's sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the first song Karen O ever wrote for Yeah Yeah Yeahs and the EP's closing track,{{Efn|\"Our Time\" was originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}}}} is an [[anthem]] about a healed romance and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]]. \n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were espically praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some critics noted its [[Lo-fi music|low-fi]] sound quality, which was seen as limiting the music's potential, while a [[Stylus Magazine|''Stylus'']] writer described the song-writing of three of its five tracks \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second.{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} That year, it placed as number 40 in ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works by two of their contemporaries, [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348335985, + "parentid": 1348335092, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-12T02:42:30Z", + "sha1": "e243ec743a4409a6568dde71fa3ce42a9b70688c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|Shifty was the band's own record label.}}|[[Touch and Go Records|Touch and Go]]|[[Wichita Recordings|Wichita]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings|Wichita]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. The EP was recorded in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the greatest EPs ever made.\n\n== Background and recording ==\nThe Yeah Yeah Yeahs' singer [[Karen O]] and guitarist [[Nick Zinner]] formed the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted towards a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio, which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The [[dance-punk]] and [[funk]] band [[ESG (band)|ESG]] served as a primary influence for the music, while the band attempting to recreate ESG's sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the first song Karen O ever wrote for Yeah Yeah Yeahs and the EP's closing track,{{Efn|\"Our Time\" was originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}}}} is an [[anthem]] about a healed romance and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]]. \n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were espically praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some critics noted its [[Lo-fi music|low-fi]] sound quality, which was seen as limiting the music's potential, while a [[Stylus Magazine|''Stylus'']] writer described the song-writing of three of its five tracks \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second.{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} That year, it placed as number 40 in ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works by two of their contemporaries, [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348336145, + "parentid": 1348335985, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-12T02:43:38Z", + "sha1": "8d398ed0e5d85a7f235671d71cf048f630fd8502", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|Shifty was the band's own record label.}}|[[Touch and Go Records|Touch and Go]]|[[Wichita Recordings|Wichita]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings|Wichita]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. The EP was recorded in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\nThe Yeah Yeah Yeahs' singer [[Karen O]] and guitarist [[Nick Zinner]] formed the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted towards a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio, which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The [[dance-punk]] and [[funk]] band [[ESG (band)|ESG]] served as a primary influence for the music, while the band attempting to recreate ESG's sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the first song Karen O ever wrote for Yeah Yeah Yeahs and the EP's closing track,{{Efn|\"Our Time\" was originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}}}} is an [[anthem]] about a healed romance and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]]. \n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were espically praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some critics noted its [[Lo-fi music|low-fi]] sound quality, which was seen as limiting the music's potential, while a [[Stylus Magazine|''Stylus'']] writer described the song-writing of three of its five tracks \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second.{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} That year, it placed as number 40 in ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works by two of their contemporaries, [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348336235, + "parentid": 1348336145, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-12T02:44:21Z", + "sha1": "04e913ff125eb4425e3b5b80bd180cbbc266d867", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = \n| venue = \n| studio = \n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|Shifty was the band's own record label.}}|[[Touch and Go Records|Touch and Go]]|[[Wichita Recordings|Wichita]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| prev_title = \n| prev_year = \n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings|Wichita]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. The EP was recorded in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\nThe Yeah Yeah Yeahs' singer [[Karen O]] and guitarist [[Nick Zinner]] formed the acoustic duo Unitard in 2000. They changed their name that year to Yeah Yeah Yeahs and shifted towards a \"trashy, punky, [and] grimy\" sound inspired by the contemporary Ohio music scene.{{Cite web |last=Houghton |first=Cillea |date=April 4, 2023 |title=Behind the New York City-inspired band name: Yeah Yeah Yeahs |url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/ |archive-date=August 24, 2025 |access-date=March 13, 2026 |website=[[American Songwriter]]}}{{Cite news |last=Hanley |first=Lynsey |date=February 26, 2006 |title=Affirmative action |url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs |archive-date=December 13, 2023 |access-date=March 13, 2026 |work=[[The Guardian]]}} In September 2000, they added drummer [[Brian Chase]] to the lineup.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a live following.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio, which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The [[dance-punk]] and [[funk]] band [[ESG (band)|ESG]] served as a primary influence for the music, while the band attempting to recreate ESG's sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend,{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the first song Karen O ever wrote for Yeah Yeah Yeahs and the EP's closing track,{{Efn|\"Our Time\" was originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}}}} is an [[anthem]] about a healed romance and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]]. \n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. After gaining significant media coverage for a high-profile performance at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} it was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} The EP became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} \n\nBy 2009, ''Yeah Yeah Yeahs'' had sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In April 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were espically praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some critics noted its [[Lo-fi music|low-fi]] sound quality, which was seen as limiting the music's potential, while a [[Stylus Magazine|''Stylus'']] writer described the song-writing of three of its five tracks \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second.{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} That year, it placed as number 40 in ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works by two of their contemporaries, [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348444154, + "parentid": 1348336235, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-12T18:22:05Z", + "sha1": "cb44ef563d14e8a3bbed617fc79e8246b380ab63", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|Shifty was the band's own record label.}}|[[Touch and Go Records|Touch and Go]]|[[Wichita Recordings|Wichita]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings|Wichita]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. The EP was recorded over two days in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The [[dance-punk]] and [[funk]] band [[ESG (band)|ESG]] served as a primary influence for the music, with the band attempting to recreate ESG's sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song written for the band,{{Efn|\"Our Time\" was originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}}}} is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]]. \n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. That same year, [[Albert Hammond Jr.]] of [[the Strokes]] wore a Yeah Yeah Yeahs pin while performing on ''[[Saturday Night Live]]'', earning the band media coverage and culminating in a high-profile performance at [[South by Southwest]] in 2002.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} The EP was reissued by [[Independent record label|independent labels]] such as [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}\n\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} By 2009, the EP sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were espically praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some critics noted its [[Lo-fi music|low-fi]] sound quality, which was seen as limiting the music's potential, while a [[Stylus Magazine|''Stylus'']] writer described the song-writing of three of its five tracks \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second.{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} That year, it placed as number 40 in ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works by two of their contemporaries, [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348444753, + "parentid": 1348444154, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-12T18:25:48Z", + "sha1": "4f75dad948adbc7b2267771205688ade999ec051", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|Shifty was the band's own record label.}}|[[Touch and Go Records|Touch and Go]]|[[Wichita Recordings|Wichita]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings|Wichita]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. The EP was recorded over two days in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The [[dance-punk]] and [[funk]] band [[ESG (band)|ESG]] served as a primary influence for the music, with the band attempting to recreate ESG's sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song written for the band,{{Efn|\"Our Time\" was originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}}}} is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]]. \n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. That same year, [[Albert Hammond Jr.]] of [[the Strokes]] wore a Yeah Yeah Yeahs pin while performing on ''[[Saturday Night Live]]'', netting the band media coverage and a high-profile performance at [[South by Southwest]] in 2002.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} The EP was then reissued by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom,{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} and other [[Independent record label|independent labels]] worldwide.\n\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} By 2009, the EP sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were espically praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some critics noted its [[Lo-fi music|low-fi]] sound quality, which was seen as limiting the music's potential, while a [[Stylus Magazine|''Stylus'']] writer described the song-writing of three of its five tracks \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second.{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} That year, it placed as number 40 in ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works by two of their contemporaries, [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348445158, + "parentid": 1348444753, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-12T18:28:34Z", + "sha1": "6aa18c85b02628a0f78cee57a0285901a965b8ae", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|Shifty was the band's own record label.}}|[[Touch and Go Records|Touch and Go]]|[[Wichita Recordings|Wichita]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings|Wichita]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. The EP was recorded over two days in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The [[dance-punk]] and [[funk]] band [[ESG (band)|ESG]] served as a primary influence for the music, with the band attempting to recreate ESG's sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song written for the band,{{Efn|\"Our Time\" was originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}}}} is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]]. \n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. That same year, [[Albert Hammond Jr.]] of [[the Strokes]] wore a Yeah Yeah Yeahs pin while performing on ''[[Saturday Night Live]]'', netting the band media coverage and a high-profile performance at [[South by Southwest]] in 2002.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} The EP was then reissued by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom,{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} and other [[Independent record label|independent labels]] worldwide.\n\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} By 2009, the EP sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were espically praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} and it placed at number 40 on ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works by two of their contemporaries, [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348445337, + "parentid": 1348445158, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-12T18:29:46Z", + "sha1": "e619afe07800bdff63c548d23a2fe752150045f5", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|Shifty was the band's own record label.}}|[[Touch and Go Records|Touch and Go]]|[[Wichita Recordings|Wichita]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings|Wichita]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. The EP was recorded over two days in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The [[dance-punk]] and [[funk]] band [[ESG (band)|ESG]] served as a primary influence for the music, with the band attempting to recreate ESG's sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song written for the band,{{Efn|\"Our Time\" was originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}}}} is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]]. \n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. That same year, [[Albert Hammond Jr.]] of [[the Strokes]] wore a Yeah Yeah Yeahs pin while performing on ''[[Saturday Night Live]]'', netting the band media coverage and a high-profile performance at [[South by Southwest]] in 2002.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} The EP was then reissued by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom,{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} and other [[Independent record label|independent labels]] worldwide.\n\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} By 2009, the EP sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were espically praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} and it placed at number 40 on ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of their contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348445380, + "parentid": 1348445337, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-12T18:29:58Z", + "sha1": "987220790e2a93577e2ecfdaeb528cd30256141d", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|Shifty was the band's own record label.}}|[[Touch and Go Records|Touch and Go]]|[[Wichita Recordings|Wichita]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' (often mistitled as '''''Master''''') is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings|Wichita]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. The EP was recorded over two days in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The [[dance-punk]] and [[funk]] band [[ESG (band)|ESG]] served as a primary influence for the music, with the band attempting to recreate ESG's sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song written for the band,{{Efn|\"Our Time\" was originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}}}} is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]]. \n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. That same year, [[Albert Hammond Jr.]] of [[the Strokes]] wore a Yeah Yeah Yeahs pin while performing on ''[[Saturday Night Live]]'', netting the band media coverage and a high-profile performance at [[South by Southwest]] in 2002.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} The EP was then reissued by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom,{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} and other [[Independent record label|independent labels]] worldwide.\n\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} By 2009, the EP sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were espically praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} and it placed at number 40 on ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348447280, + "parentid": 1348445380, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-12T18:43:33Z", + "sha1": "eb3b9949750a6dd80245d59ded322c653d7489f0", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|Shifty was the band's own record label.}}|[[Touch and Go Records|Touch and Go]]|[[Wichita Recordings|Wichita]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings|Wichita]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. The EP was recorded over two days in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The [[dance-punk]] and [[funk]] band [[ESG (band)|ESG]] served as a primary influence for the music, with the band attempting to recreate ESG's sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song written for the band,{{Efn|\"Our Time\" was originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}}}} is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]]. \n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. That same year, [[Albert Hammond Jr.]] of [[the Strokes]] wore a Yeah Yeah Yeahs pin while performing on ''[[Saturday Night Live]]'', netting the band media coverage and a high-profile performance at [[South by Southwest]] in 2002.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} The EP was then reissued by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom,{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} and other [[Independent record label|independent labels]] worldwide.\n\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} By 2009, the EP sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were espically praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} and it placed at number 40 on ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the 2001 CD release.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348447410, + "parentid": 1348447280, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-12T18:44:46Z", + "sha1": "83f842524f2e95a260ac59d59094254018531542", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|Shifty was the band's own record label.}}|[[Touch and Go Records|Touch and Go]]|[[Wichita Recordings|Wichita]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings|Wichita]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. The EP was recorded over two days in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The [[dance-punk]] and [[funk]] band [[ESG (band)|ESG]] served as a primary influence for the music, with the band attempting to recreate ESG's sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song written for the band,{{Efn|\"Our Time\" was originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}}}} is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]]. \n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. That same year, [[Albert Hammond Jr.]] of [[the Strokes]] wore a Yeah Yeah Yeahs pin while performing on ''[[Saturday Night Live]]'', netting the band media coverage and a high-profile performance at [[South by Southwest]] in 2002.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} The EP was then reissued by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom,{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} and other [[Independent record label|independent labels]] worldwide.\n\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} By 2009, the EP sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were espically praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} and it placed at number 40 on ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348458077, + "parentid": 1348447410, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-12T19:55:49Z", + "sha1": "f92526545d1bd614d7064693d3e1faef264c27b3", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Touch and Go Records|Touch and Go]]|[[Wichita Recordings|Wichita]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings|Wichita]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide. The EP was recorded over two days in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The [[dance-punk]] and [[funk]] band [[ESG (band)|ESG]] served as a primary influence for the music, with the band attempting to recreate ESG's sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song written for the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}}}} is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]]. \n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. That same year, [[Albert Hammond Jr.]] of [[the Strokes]] wore a Yeah Yeah Yeahs pin while performing on ''[[Saturday Night Live]]'', netting the band media coverage and a high-profile performance at [[South by Southwest]] in 2002.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} The EP was then reissued by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom,{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} and other [[Independent record label|independent labels]] worldwide.\n\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} By 2009, the EP sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were espically praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} and it placed at number 40 on ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348695375, + "parentid": 1348458077, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-13T22:12:17Z", + "sha1": "ff4fd29d60cd40d5db324f551a7bed347211cdbc", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| recorded = 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Touch and Go Records|Touch and Go]]|[[Wichita Recordings|Wichita]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings|Wichita]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide in 2002. The EP was recorded over two days in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The [[dance-punk]] and [[funk]] band [[ESG (band)|ESG]] served as a primary influence for the music, with the band attempting to recreate ESG's sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song written for the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}}}} is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]]. \n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. That same year, [[Albert Hammond Jr.]] of [[the Strokes]] wore a Yeah Yeah Yeahs pin while performing on ''[[Saturday Night Live]]'', netting the band media coverage and a high-profile performance at [[South by Southwest]] in 2002.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} The EP was then reissued by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom,{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} and other [[Independent record label|independent labels]] worldwide.\n\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} By 2009, the EP sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were espically praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} and it placed at number 40 on ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348696114, + "parentid": 1348695375, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-13T22:17:37Z", + "sha1": "cc88d88cc3109ba379b39021113f95a008b56e2d", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Touch and Go Records|Touch and Go]]|[[Wichita Recordings|Wichita]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings|Wichita]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide in 2002. The EP was recorded over two days in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances.{{cite web |last=McLean |first=Craig |date=June 13, 2009 |title=Yeah Yeah Yeahs: why fans of the art-punk trio can't say no |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |url-status= |archive-url=https://web.archive.org/web/20110615161512/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6485717.ece |archive-date=June 15, 2011 |access-date=March 13, 2026 |work=[[The Times]]}} During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} The [[dance-punk]] and [[funk]] band [[ESG (band)|ESG]] served as a primary influence for the music, with the band attempting to recreate ESG's sound \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} They also aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live. Karen O's [[staccato]] vocals became a focal point of the record, though she described her singing as \"really, really, really sloshed.\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}}{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} Other influences include the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", is about Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song written for the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}}}} is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]]. \n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. That same year, [[Albert Hammond Jr.]] of [[the Strokes]] wore a Yeah Yeah Yeahs pin while performing on ''[[Saturday Night Live]]'', netting the band media coverage and a high-profile performance at [[South by Southwest]] in 2002.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} The EP was then reissued by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom,{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} and other [[Independent record label|independent labels]] worldwide.\n\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} By 2009, the EP sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were espically praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} and it placed at number 40 on ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1348701524, + "parentid": 1348696114, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-13T22:53:34Z", + "sha1": "99da10ba549bd9ed48003af2319c38f0a6001750", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Touch and Go Records|Touch and Go]]|[[Wichita Recordings|Wichita]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings|Wichita]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide in 2002. The EP was recorded over two days in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as \"really, really, really sloshed.\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} A major point of inspiration was the [[dance-punk]] band [[ESG (band)|ESG]], whose sound the band attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song ever written for the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}}}} is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]]. \n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. That same year, [[Albert Hammond Jr.]] of [[the Strokes]] wore a Yeah Yeah Yeahs pin while performing on ''[[Saturday Night Live]]'', netting the band media coverage and a high-profile performance at [[South by Southwest]] in 2002.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} The EP was then reissued by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom,{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} and other [[Independent record label|independent labels]] worldwide.\n\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} By 2009, the EP sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were espically praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} and it placed at number 40 on ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349090086, + "parentid": 1348701524, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-15T18:28:56Z", + "sha1": "114d6ed35a07758b5ba0e7d1d86a2bf3a17706c2", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Touch and Go Records|Touch and Go]]|[[Wichita Recordings|Wichita]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings|Wichita]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide in 2002. The EP was recorded over two days in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as \"really, really, really sloshed.\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} A major point of inspiration was the [[dance-punk]] band [[ESG (band)|ESG]], whose sound the band attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} The band co-wrote \"Mystery Girl\" with Jack Martin, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song ever written for the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}}}} is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]]. \n\n== Release and sales ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. That same year, [[Albert Hammond Jr.]] of [[the Strokes]] wore a Yeah Yeah Yeahs pin while performing on ''[[Saturday Night Live]]'', netting the band media coverage and a high-profile performance at [[South by Southwest]] in 2002.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} The EP was then reissued by [[Touch and Go Records]] in the United States and [[Wichita Recordings]] in the United Kingdom,{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}} and other [[Independent record label|independent labels]] worldwide.\n\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} By 2009, the EP sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} and it placed at number 40 on ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349107700, + "parentid": 1349090086, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-15T20:19:02Z", + "sha1": "4b36b0eb1c203076f169f41f7031c7fa3e40dad0", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Touch and Go Records|Touch and Go]]|[[Wichita Recordings|Wichita]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings|Wichita]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide in 2002. The EP was recorded over two days in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as \"really, really, really sloshed.\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} A major point of inspiration was the [[dance-punk]] band [[ESG (band)|ESG]], whose sound the band attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} The band co-wrote \"Mystery Girl\" with Jack Martin, a session guitarist, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song ever written for the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}}}} is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]]. \n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. In late 2001, the band earned significant media coverage after [[Albert Hammond Jr.]] of [[the Strokes]] wore a Yeah Yeah Yeahs pin while performing on ''[[Saturday Night Live]]''. This led to a high-profile concert at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} after which the EP was reissued by [[Touch and Go Records]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}\n\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} By 2009, the EP sold over 71,000 copies in the United States.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} and it placed at number 40 on ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349109171, + "parentid": 1349107700, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-15T20:27:49Z", + "sha1": "bd11c30fef4ecb9f03e83ae73b10819a7f89af4d", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Touch and Go Records|Touch and Go]]|[[Wichita Recordings|Wichita]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings|Wichita]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide in 2002. The EP was recorded over two days in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as \"really, really, really sloshed.\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} A major point of inspiration was the [[dance-punk]] band [[ESG (band)|ESG]], whose sound the band attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} The band co-wrote \"Mystery Girl\" with Jack Martin, a session guitarist, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song ever written for the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}}}} is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]]. \n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. In late 2001, the band earned significant media coverage after [[Albert Hammond Jr.]] of [[the Strokes]] wore a Yeah Yeah Yeahs pin while performing on ''[[Saturday Night Live]]''. This led to a high-profile concert at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} after which the EP was reissued by [[Touch and Go Records]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}\n\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} The EP sold over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}}{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}} and it placed at number 40 on ''[[The Village Voice]]'''s [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349110848, + "parentid": 1349109171, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-15T20:37:50Z", + "sha1": "67d6a5df67e8c5ccfc0742683b05c6e576e12348", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Touch and Go Records|Touch and Go]]|[[Wichita Recordings|Wichita]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings|Wichita]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide in 2002. The EP was recorded over two days in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as \"really, really, really sloshed.\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} A major point of inspiration was the [[dance-punk]] band [[ESG (band)|ESG]], whose sound the band attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} The band co-wrote \"Mystery Girl\" with Jack Martin, a session guitarist, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song ever written for the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]}}}} is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]]. \n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. In late 2001, the band earned significant media coverage after [[Albert Hammond Jr.]] of [[the Strokes]] wore a Yeah Yeah Yeahs pin while performing on ''[[Saturday Night Live]]''. This led to a high-profile concert at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} after which the EP was reissued by [[Touch and Go Records]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}\n\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} The EP sold over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349111307, + "parentid": 1349110848, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-15T20:40:44Z", + "sha1": "e34a5fe0f0aa02564e95ee1f8f441da926df6f72", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Music and lyrics */", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = \n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Touch and Go Records|Touch and Go]]|[[Wichita Recordings|Wichita]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings|Wichita]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide in 2002. The EP was recorded over two days in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of the lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as \"really, really, really sloshed.\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} A major point of inspiration was the [[dance-punk]] band [[ESG (band)|ESG]], whose sound the band attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} The band co-wrote \"Mystery Girl\" with Jack Martin, a session guitarist, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song ever written for the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/|archive-date=August 15, 2025|url-status=live}}}} is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. In late 2001, the band earned significant media coverage after [[Albert Hammond Jr.]] of [[the Strokes]] wore a Yeah Yeah Yeahs pin while performing on ''[[Saturday Night Live]]''. This led to a high-profile concert at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} after which the EP was reissued by [[Touch and Go Records]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}\n\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} The EP sold over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349112612, + "parentid": 1349111307, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-15T20:49:02Z", + "sha1": "adc0a11ccd302bc420f00ed31ac8af51fbe48e5b", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Touch and Go Records|Touch and Go]]|[[Wichita Recordings|Wichita]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued by [[Touch and Go Records|Touch and Go]] in the United States, [[Wichita Recordings|Wichita]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide in 2002. The EP was recorded over two days in early 2001 with producer Jerry Teel, a member of [[Boss Hog]], and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as \"really, really, really sloshed.\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} A major point of inspiration was the [[dance-punk]] band [[ESG (band)|ESG]], whose sound the band attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} The band co-composed \"Mystery Girl\" with Jack Martin, a session guitarist, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song ever written for the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/|archive-date=August 15, 2025|url-status=live}}}} is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. In late 2001, the band earned significant media coverage after [[Albert Hammond Jr.]] of [[the Strokes]] wore a Yeah Yeah Yeahs pin while performing on ''[[Saturday Night Live]]''. This led to a high-profile concert at [[South by Southwest]] in 2002,{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} after which the EP was reissued by [[Touch and Go Records]] in the United States, [[Wichita Recordings]] in the United Kingdom, and other [[Independent record label|independent labels]] worldwide.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}\n\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} The EP sold over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349158478, + "parentid": 1349112612, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-16T01:55:54Z", + "sha1": "c657878f5cb0ce3d8c97a50ff79be871fdd32258", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Found more label info somehow!", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States in 2002. The EP, which was recorded over two days in early 2001 with producer Jerry Teel, features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as \"really, really, really sloshed.\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} A major point of inspiration was the [[dance-punk]] band [[ESG (band)|ESG]], whose sound the band attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} The band co-composed \"Mystery Girl\" with Jack Martin, a session guitarist, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song ever written for the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/|archive-date=August 15, 2025|url-status=live}}}} is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. However, the band and the EP gained more exposure after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]'' in late 2001. [[Wichita Recordings]] co-founder Mark Bowen then offered to distribute the EP in the United Kingdom after hearing \"Bang\" in 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} A high-profile concert at [[South by Southwest]] also led to the band signing with [[Touch and Go Records]] for redistribution in the United States, also in 2002.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} \n\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} The EP sold over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349160783, + "parentid": 1349158478, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-16T02:09:21Z", + "sha1": "794df6a6a89e847bd62d3d824454f24247d2acf7", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States in 2002. The EP, which was recorded over two days in early 2001 with producer Jerry Teel, features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as \"really, really, really sloshed.\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} A major point of inspiration was the [[dance-punk]] band [[ESG (band)|ESG]], whose sound the band attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} The band co-composed \"Mystery Girl\" with Jack Martin, a session guitarist, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song ever written for the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/|archive-date=August 15, 2025|url-status=live}}}} is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. However, the band and the EP gained some exposure in late 2001 after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. Label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} \n\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} The EP sold over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349241724, + "parentid": 1349160783, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-16T11:42:09Z", + "sha1": "63fe70d2598b6bdc3ceb83c02a1b6423881780c4", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States in 2002. The EP, which was recorded over two days in early 2001 with producer Jerry Teel, features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite web |last=True |first=Everett |author-link=Everett True |date=2002 |title=Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well. |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=March 13, 2026 |website=Collapse Board}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as \"really, really, really sloshed.\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} A major point of inspiration was the [[dance-punk]] band [[ESG (band)|ESG]], whose sound the band attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite web |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it. |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=live |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=March 7, 2026 |website=Collapse Board}} The band co-composed \"Mystery Girl\" with Jack Martin, a session guitarist, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song ever written for the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/|archive-date=August 15, 2025|url-status=live}}}} is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. However, the band and the EP gained some exposure in late 2001 after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. Label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} \n\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} The EP sold over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349334157, + "parentid": 1349241724, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-16T21:18:00Z", + "sha1": "8c0465cb2e2ee38c2fd08eee031e17227ef86760", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Formatted these properly", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States in 2002. The EP, which was recorded over two days in early 2001 with producer Jerry Teel, features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as \"really, really, really sloshed.\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} A major point of inspiration was the [[dance-punk]] band [[ESG (band)|ESG]], whose sound the band attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} The band co-composed \"Mystery Girl\" with Jack Martin, a session guitarist, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song ever written for the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/|archive-date=August 15, 2025|url-status=live}}}} is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. However, the band and the EP gained some exposure in late 2001 after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. Label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} \n\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} The EP sold over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Brian Chase]] – drums, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Karen O]] – vocals, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Chuck Scott – mastering\n* Crispin – artwork\n* Jerry Teel – [[Audio engineer|engineering]], production\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349344345, + "parentid": 1349334157, + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-16T22:19:21Z", + "sha1": "1a119e1f53a2b7bb0b56d240fba087fdc3466b80", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Personnel */ who is Crispin? last name?", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States in 2002. The EP, which was recorded over two days in early 2001 with producer Jerry Teel, features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as \"really, really, really sloshed.\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} A major point of inspiration was the [[dance-punk]] band [[ESG (band)|ESG]], whose sound the band attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} The band co-composed \"Mystery Girl\" with Jack Martin, a session guitarist, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song ever written for the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/|archive-date=August 15, 2025|url-status=live}}}} is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. However, the band and the EP gained some exposure in late 2001 after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. Label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} \n\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} The EP sold over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=[[Dey Street Books]] |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349344622, + "parentid": 1349344345, + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-16T22:21:05Z", + "sha1": "842182f921a0900cb6acaef0e7ed13cc38bffaac", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Bibliography */ no need to link the publisher, but do need the publisher location", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States in 2002. The EP, which was recorded over two days in early 2001 with producer Jerry Teel, features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as \"really, really, really sloshed.\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} A major point of inspiration was the [[dance-punk]] band [[ESG (band)|ESG]], whose sound the band attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} The band co-composed \"Mystery Girl\" with Jack Martin, a session guitarist, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song ever written for the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/|archive-date=August 15, 2025|url-status=live}}}} is an [[anthem]] about a romance that nearly failed and perseverance, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. However, the band and the EP gained some exposure in late 2001 after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. Label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} \n\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} The EP sold over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349345348, + "parentid": 1349344622, + "minor": "", + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-16T22:25:57Z", + "sha1": "1f8a189fbc51c4865d6126646808753dc53b476e", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Music and lyrics */ ce", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States in 2002. The EP, which was recorded over two days in early 2001 with producer Jerry Teel, features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} The band co-composed \"Mystery Girl\" with Jack Martin, a session guitarist, which is about a sexually-promiscuous woman and her adventures.\n\nThe lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\".\n\n\"Our Time\", the closing track and first song written by the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/|archive-date=August 15, 2025|url-status=live}}}} is an anthem about perseverance and a romance that nearly failed, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. However, the band and the EP gained some exposure in late 2001 after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. Label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} \n\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} The EP sold over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349345501, + "parentid": 1349345348, + "minor": "", + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-16T22:27:01Z", + "sha1": "2c384b61b96009cd2af2340c544596a1d3e6686d", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical reception */ ce", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States in 2002. The EP, which was recorded over two days in early 2001 with producer Jerry Teel, features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 units by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} The band co-composed \"Mystery Girl\" with Jack Martin, a session guitarist, which is about a sexually-promiscuous woman and her adventures.\n\nThe lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\".\n\n\"Our Time\", the closing track and first song written by the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/|archive-date=August 15, 2025|url-status=live}}}} is an anthem about perseverance and a romance that nearly failed, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. However, the band and the EP gained some exposure in late 2001 after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. Label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} \n\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} The EP sold over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}}\n\nSome critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, both ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349345638, + "parentid": 1349345501, + "minor": "", + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-16T22:27:54Z", + "sha1": "9c33200ea22818d5a9d656ff7028e603da63388a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* top */ copies vs units", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States in 2002. The EP, which was recorded over two days in early 2001 with producer Jerry Teel, features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} The band co-composed \"Mystery Girl\" with Jack Martin, a session guitarist, which is about a sexually-promiscuous woman and her adventures.\n\nThe lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\".\n\n\"Our Time\", the closing track and first song written by the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/|archive-date=August 15, 2025|url-status=live}}}} is an anthem about perseverance and a romance that nearly failed, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. However, the band and the EP gained some exposure in late 2001 after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. Label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} \n\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} The EP sold over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}}\n\nSome critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, both ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349354500, + "parentid": 1349345638, + "minor": "", + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-16T23:28:04Z", + "sha1": "7d385028dabb9e48c048d3d49efa17617e2fc91a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* top */ less is more", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the UK and [[Touch and Go Records|Touch and Go]] in the US. The EP, which was recorded over two days in early 2001 with producer Jerry Teel, features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} The band co-composed \"Mystery Girl\" with Jack Martin, a session guitarist, which is about a sexually-promiscuous woman and her adventures.\n\nThe lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\".\n\n\"Our Time\", the closing track and first song written by the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/|archive-date=August 15, 2025|url-status=live}}}} is an anthem about perseverance and a romance that nearly failed, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. However, the band and the EP gained some exposure in late 2001 after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. Label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} \n\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} The EP sold over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}}\n\nSome critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, both ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| writer2 = {{hlist|Yeah Yeah Yeahs|Jack Martin}}\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except where noted\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349362444, + "parentid": 1349354500, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-17T00:21:30Z", + "sha1": "65f80588f5793dcd531c3e6f4404b9cf98de80a0", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Sorry Ceoil, these are still too short for me", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the UK and [[Touch and Go Records|Touch and Go]] in the US. The EP, which was recorded over two days in early 2001 with producer Jerry Teel, features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. The EP was received positively by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} The band co-composed \"Mystery Girl\" with Jack Martin, a session guitarist, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song written by the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/|archive-date=August 15, 2025|url-status=live}}}} is an anthem about perseverance and a romance that nearly failed, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. However, the band and the EP gained some exposure in late 2001 after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. Label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}} \n\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], reaching number one on the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} The EP sold over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} In 2010, a batch of limited-edition copies were [[Reissue|reissued]] through Wichita to celebrate the label's 10th anniversary.\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAt [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, ''Yeah Yeah Yeahs'' received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". Critics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, both ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349367827, + "parentid": 1349362444, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-17T00:53:49Z", + "sha1": "ebb1badf2bb91d4518a01ee0f7773d6e9b739721", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Trying this sorting, removing an irrelevant reissue", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the UK and [[Touch and Go Records|Touch and Go]] in the US. The EP, which was recorded over two days in early 2001 with producer Jerry Teel, features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. The EP was received favorably by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} The band co-composed \"Mystery Girl\" with Jack Martin, a session guitarist, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song written by the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/|archive-date=August 15, 2025|url-status=live}}}} is an anthem about perseverance and a romance that nearly failed, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. However, the band and the EP gained some exposure in late 2001 after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. Label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, both ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349582999, + "parentid": 1349367827, + "minor": "", + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-18T00:27:28Z", + "sha1": "2c62729d762d2be3071c100247cc4b777cdf6067", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Background and recording */ fix criminal ref order", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the UK and [[Touch and Go Records|Touch and Go]] in the US. The EP, which was recorded over two days in early 2001 with producer Jerry Teel, features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. The EP was received favorably by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.}{{Sfn|Goodman|2017|p=229} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} The band co-composed \"Mystery Girl\" with Jack Martin, a session guitarist, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song written by the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/|archive-date=August 15, 2025|url-status=live}}}} is an anthem about perseverance and a romance that nearly failed, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. However, the band and the EP gained some exposure in late 2001 after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. Label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, both ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349583189, + "parentid": 1349582999, + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-18T00:28:43Z", + "sha1": "10da0251741b3f9b91846df8a0f836025a0c4727", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Background and recording */ ugg", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the UK and [[Touch and Go Records|Touch and Go]] in the US. The EP, which was recorded over two days in early 2001 with producer Jerry Teel, features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. The EP was received favorably by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} The band co-composed \"Mystery Girl\" with Jack Martin, a session guitarist, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song written by the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/|archive-date=August 15, 2025|url-status=live}}}} is an anthem about perseverance and a romance that nearly failed, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. However, the band and the EP gained some exposure in late 2001 after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. Label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, both ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349583503, + "parentid": 1349583189, + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-18T00:30:54Z", + "sha1": "7018b04d24761a4bf671d2be3dc893abcec2cbee", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Music and lyrics */ doenst need a fre", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the UK and [[Touch and Go Records|Touch and Go]] in the US. The EP, which was recorded over two days in early 2001 with producer Jerry Teel, features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. The EP was received favorably by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} The band co-composed \"Mystery Girl\" with Jack Martin, a session guitarist, which is about a sexually-promiscuous woman and her adventures. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song written by the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/|archive-date=August 15, 2025|url-status=live}}}} is an anthem about perseverance and a romance that nearly failed, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. However, the band and the EP gained some exposure in late 2001 after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. Label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, both ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349583825, + "parentid": 1349583503, + "minor": "", + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-18T00:32:48Z", + "sha1": "626ecdcc2b46c73b57d4e794b166b2eaea7e16d9", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Music and lyrics */ ce", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the UK and [[Touch and Go Records|Touch and Go]] in the US. The EP, which was recorded over two days in early 2001 with producer Jerry Teel, features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. The EP was received favorably by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with the session guitarist Jack Martin, and is about a sexually-promiscuous woman. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song written by the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/|archive-date=August 15, 2025|url-status=live}}}} is an anthem about perseverance and a romance that nearly failed, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. However, the band and the EP gained some exposure in late 2001 after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. Label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, both ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349584393, + "parentid": 1349583825, + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-18T00:36:23Z", + "sha1": "52ad030d2978f468955d5bbe878c40da64125d98", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Music and lyrics */ ref posit", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the UK and [[Touch and Go Records|Touch and Go]] in the US. The EP, which was recorded over two days in early 2001 with producer Jerry Teel, features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. The EP was received favorably by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with the session guitarist Jack Martin, and is about a sexually-promiscuous woman. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song written by the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/|archive-date=August 15, 2025|url-status=live}}}} is an anthem about perseverance and a romance that nearly failed, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\n''Yeah Yeah Yeahs'' was [[self-released]] by the band on July 9, 2001, through their own Shifty label, and received little attention on release. However, the band and the EP gained some exposure in late 2001 after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. Label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, both ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349585115, + "parentid": 1349584393, + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-18T00:41:07Z", + "sha1": "306b4eb20fa17e314e1d5e482190c862868516bd", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Release */ \"[[self-released]] by the band \" seems a bit obvious, but what did this mean...ie did they finance the recording and distribution", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the UK and [[Touch and Go Records|Touch and Go]] in the US. The EP, which was recorded over two days in early 2001 with producer Jerry Teel, features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention and sold poorly until its 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. The EP was received favorably by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with the session guitarist Jack Martin, and is about a sexually-promiscuous woman. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song written by the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/|archive-date=August 15, 2025|url-status=live}}}} is an anthem about perseverance and a romance that nearly failed, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. The label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, both ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349588850, + "parentid": 1349585115, + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-18T01:03:33Z", + "sha1": "6b6343d9adbaf19c90db8b6744156b51be848974", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* top */ ce", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by the [[independent record label|independent]] record labels [[Wichita Recordings|Wichita]] in the UK and [[Touch and Go Records|Touch and Go]] in the US. The EP was recorded over two days in early 2001 with producer Jerry Teel, and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' received little attention until the 2002 reissue, after which it topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. The EP was received favorably by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with the session guitarist Jack Martin, and is about a sexually-promiscuous woman. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song written by the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/|archive-date=August 15, 2025|url-status=live}}}} is an anthem about perseverance and a romance that nearly failed, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. The label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, both ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349589260, + "parentid": 1349588850, + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-18T01:05:27Z", + "sha1": "d1b85eefd23655551347ed4046b351e1820085cd", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "ce", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was recorded over two days in early 2001 with producer Jerry Teel, and features the band's early [[garage rock]] and [[art punk]] influences. The EP was [[self-released]] on July 9, 2001 and sold poorly until reissued in 2002 by the [[independent record label|independent]] record labels [[Wichita Recordings|Wichita]] in the UK and [[Touch and Go Records|Touch and Go]] in the US.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. The EP was received favorably by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with the session guitarist Jack Martin, and is about a sexually-promiscuous woman. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". \"Our Time\", the closing track and first song written by the band,{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/|archive-date=August 15, 2025|url-status=live}}}} is an anthem about perseverance and a romance that nearly failed, which came to inspire New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. The label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, both ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349590184, + "parentid": 1349589260, + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-18T01:10:34Z", + "sha1": "f80ae76c00caf460aca3513c41aefc1978c7e709", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Music and lyrics */ ce", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was recorded over two days in early 2001 with producer Jerry Teel, and features the band's early [[garage rock]] and [[art punk]] influences. The EP was [[self-released]] on July 9, 2001 and sold poorly until reissued in 2002 by the [[independent record label|independent]] record labels [[Wichita Recordings|Wichita]] in the UK and [[Touch and Go Records|Touch and Go]] in the US.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. The EP was received favorably by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with the session guitarist Jack Martin, and is about a sexually-promiscuous woman. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The anthemic closing track \"Our Time\" was the first song band wrote.{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/|archive-date=August 15, 2025|url-status=live}}}} It's lyrics about a nearly failed romance evoked a sence of perseverance which resonated with New Yorkers during the aftermat of the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. The label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, both ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349735250, + "parentid": 1349590184, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-18T18:01:41Z", + "sha1": "8e7dbc9b8696b45ea686c7c8ea63043be090f93b", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded over two days in early 2001 with producer Jerry Teel, and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 copies by the end of the decade. It was received favorably by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with the session guitarist Jack Martin, and is about a sexually-promiscuous woman. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The anthemic closing track \"Our Time\" was the first song band wrote.{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/|archive-date=August 15, 2025|url-status=live}}}} It's lyrics about a nearly failed romance evoked a sence of perseverance which resonated with New Yorkers during the aftermat of the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. The label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, both ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349823674, + "parentid": 1349735250, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-19T02:29:50Z", + "sha1": "56768df5f1f8f406e05abef835f09c41ece53ce1", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded over two days in early 2001 with producer Jerry Teel, and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 copies by the end of the decade. It was received favorably by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with an ex-boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with the session guitarist Jack Martin, and is about a sexually-promiscuous woman. The lyrics of \"[[Art Star]]\" satirizes [[Jet set|jet-set culture]] and the art world, and it is the only Yeah Yeah Yeahs song with a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} \"Miles Away\" is about a woman that has \"hurt fewer people in a better world\". The anthemic closing track \"Our Time\" was the first song band wrote.{{Efn|Originally titled \"Time to Be Hated\".{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |access-date=March 28, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/|archive-date=August 15, 2025|url-status=live}}}} It's lyrics about a nearly failed romance evoked a sence of perseverance which resonated with New Yorkers during the aftermat of the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. The label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, both ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n==References==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349828727, + "parentid": 1349823674, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-19T02:54:35Z", + "sha1": "fe1d3f3d39b184d6f4c79c2c8c252d21cc140676", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded over two days in early 2001 with producer Jerry Teel, and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 copies by the end of the decade. It was received favorably by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with session guitarist Jack Martin and depicts the adventures of a sexually promiscuous woman. The lyrics of the standout track \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who has \"hurt fewer people in a better world\". \"Our Time\", originally titled \"Time to be Hated\", is the closing track and first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which inspired some New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. The label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, both ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Notes ===\n{{Notelist}}\n\n=== Citations ===\n{{Reflist}}\n\n=== Sources ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349829216, + "parentid": 1349828727, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-19T02:56:50Z", + "sha1": "58bf93e5c440451ae689deec6910953b930a2775", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Oops", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded over two days in early 2001 with producer Jerry Teel, and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 copies by the end of the decade. It was received favorably by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with session guitarist Jack Martin and depicts the adventures of a sexually promiscuous woman. The lyrics of the standout track \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who has \"hurt fewer people in a better world\". \"Our Time\", originally titled \"Time to be Hated\", is the closing track and first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which inspired some New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. The label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, both ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Sources ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349829423, + "parentid": 1349829216, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-19T02:57:51Z", + "sha1": "d91ee085ec8199f73e275f9d2335c781643a46d1", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty{{efn|The band's own record label.}}|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded over two days in early 2001 with producer Jerry Teel, and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 copies by the end of the decade. It was received favorably by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with session guitarist Jack Martin and depicts the adventures of a sexually promiscuous woman. The lyrics of the standout track \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who has \"hurt fewer people in a better world\". \"Our Time\", originally titled \"Time to be Hated\", is the closing track and first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which inspired some New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. The label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, both ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Efn|Although released in 2001, the EP was not recognized by either publication until its 2002 reissue.}}{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== Notes ==\n{{Notelist}}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Sources ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349829816, + "parentid": 1349829423, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-19T02:59:54Z", + "sha1": "bdaef9f6947f220f6c12f6ae25ef7d54d912644c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Removing the notes", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded over two days in early 2001 with producer Jerry Teel, and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 copies by the end of the decade. It was received favorably by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with session guitarist Jack Martin and depicts the adventures of a sexually promiscuous woman. The lyrics of the standout track \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who has \"hurt fewer people in a better world\". \"Our Time\", originally titled \"Time to be Hated\", is the closing track and first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which inspired some New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. The label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, both ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Sources ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349829857, + "parentid": 1349829816, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-19T03:00:06Z", + "sha1": "3df7fcfc87c8be353c2d0a7a92ba3da93585971a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* References */", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded over two days in early 2001 with producer Jerry Teel, and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 copies by the end of the decade. It was received favorably by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desire to share their music.{{Sfn|Goodman|2017|p=229}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with session guitarist Jack Martin and depicts the adventures of a sexually promiscuous woman. The lyrics of the standout track \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who has \"hurt fewer people in a better world\". \"Our Time\", originally titled \"Time to be Hated\", is the closing track and first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which inspired some New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. The label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, both ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349835816, + "parentid": 1349829857, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-19T03:31:36Z", + "sha1": "230654bce8ba3b67815dea0e2d68c565cb527ce4", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded over two days in early 2001 with producer Jerry Teel, and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 copies by the end of the decade. It was received favorably by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desires to share their music and secure more shows.{{Sfn|Goodman|2017|p=229}}{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=We just wanted to play at clubs and entertain ourselves. And honestly, we didn't have anything better to do. We were bored. New York City was boring for us at the time. [...] Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with session guitarist Jack Martin and depicts the adventures of a sexually promiscuous woman. The lyrics of the standout track \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who has \"hurt fewer people in a better world\". \"Our Time\", originally titled \"Time to be Hated\", is the closing track and first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which inspired some New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. The label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab On Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAlthough the band did not anticipate its success,{{Sfn|Goodman|2017|p=229}} ''Yeah Yeah Yeahs'' became a [[sleeper hit]] and sold over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, both ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349838235, + "parentid": 1349835816, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-19T03:44:37Z", + "sha1": "e91a14242012c6159a5b9ba59baaf5f6a99247e1", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* References */", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded over two days in early 2001 with producer Jerry Teel, and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 copies by the end of the decade. It was received favorably by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desires to share their music and secure more shows.{{Sfn|Goodman|2017|p=229}}{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=We just wanted to play at clubs and entertain ourselves. And honestly, we didn't have anything better to do. We were bored. New York City was boring for us at the time. [...] Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite web |last=Houghton|first=Cillea|date=April 4, 2023|title=Behind the New York City-inspired band name: Yeah Yeah Yeahs|url=https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|url-status=live|archive-url=https://web.archive.org/web/20250824184119/https://americansongwriter.com/behind-the-new-york-city-inspired-band-name-yeah-yeah-yeahs/|archive-date=August 24, 2025|access-date=March 13, 2026|website=[[American Songwriter]]}}{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with session guitarist Jack Martin and depicts the adventures of a sexually promiscuous woman. The lyrics of the standout track \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who has \"hurt fewer people in a better world\". \"Our Time\", originally titled \"Time to be Hated\", is the closing track and first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which inspired some New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. The label executive Mark Bowen was impressed after he heard \"Bang\" online,{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab on Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}} offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Breihan |first=Tom |date=March 31, 2010 |title=Yeah Yeah Yeahs, Bright Eyes help Wichita celebrate 10th anniversary |url=https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |url-status=live |archive-url=https://web.archive.org/web/20250126052644/https://pitchfork.com/news/38347-yeah-yeah-yeahs-bright-eyes-help-wichita-celebrate-10th-anniversary/ |archive-date=January 26, 2025 |access-date=February 10, 2026 |website=[[Pitchfork (magazine)|Pitchfork]]}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAlthough the band did not anticipate its success,{{Sfn|Goodman|2017|p=229}} ''Yeah Yeah Yeahs'' became a [[sleeper hit]] and sold over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, both ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1349990581, + "parentid": 1349838235, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-19T20:12:15Z", + "sha1": "a1391901b7dd399fa81dc7ae514ffb361654a39f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Removed some extraneous sources", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded over two days in early 2001 with producer Jerry Teel, and features the band's early [[garage rock]] and [[art punk]] influences.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 copies by the end of the decade. It was received favorably by critics and ranked among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desires to share their music and secure more shows.{{Sfn|Goodman|2017|p=229}}{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=We just wanted to play at clubs and entertain ourselves. And honestly, we didn't have anything better to do. We were bored. New York City was boring for us at the time. [...] Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with session guitarist Jack Martin and depicts the adventures of a sexually promiscuous woman. The lyrics of the standout track \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who has \"hurt fewer people in a better world\". \"Our Time\", originally titled \"Time to be Hated\", is the closing track and first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which inspired some New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. The label executive Mark Bowen was impressed after he heard \"Bang\" online, offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab on Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| MC = 73/100{{cite web |url=http://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |title=Reviews for Yeah Yeah Yeahs (EP) by Yeah Yeah Yeahs |publisher=[[Metacritic]] |access-date=March 7, 2026 |archive-date=October 13, 2025 |archive-url=https://web.archive.org/web/20251013010933/https://www.metacritic.com/music/yeah-yeah-yeahs-ep/yeah-yeah-yeahs |url-status=live }}\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAlthough the band did not anticipate its success,{{Sfn|Goodman|2017|p=229}} ''Yeah Yeah Yeahs'' became a [[sleeper hit]] and sold over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream publications, the EP received an [[Weighted arithmetic mean|average]] score of 73, indicating \"generally favorable reviews\". \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn 2002, both ''[[The New York Times]]'' and ''[[NME]]'' ranked ''Yeah Yeah Yeahs'' among the best singles of the year, with ''NME'' placing it second,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' ranked it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} In the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' ranked it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1350007698, + "parentid": 1349990581, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-19T21:38:52Z", + "sha1": "51da2ff7557f15392ca68608f570ea890d3d8a97", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Expanded lead a bit, removed Metacritic since it wasn't representing muc", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and originally not intended for release. However, the band felt a desire to share their music in hopes of landing more shows. Musically, ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, while lead singer and songwriter [[Karen O]] explores themes of romance, sex, and humor in her lyrics.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 copies by the end of the decade. The EP was received favorably by critics for its sound and Karen O's performances, and was named among the best releases of 2002 by publications like ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desires to share their music and secure more shows.{{Sfn|Goodman|2017|p=229}}{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=We just wanted to play at clubs and entertain ourselves. And honestly, we didn't have anything better to do. We were bored. New York City was boring for us at the time. [...] Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with session guitarist Jack Martin and depicts the adventures of a sexually promiscuous woman. The lyrics of the standout track \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who has \"hurt fewer people in a better world\". \"Our Time\", originally titled \"Time to be Hated\", is the closing track and first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which inspired some New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. The label executive Mark Bowen was impressed after he heard \"Bang\" online, offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab on Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAlthough the band did not anticipate its success,{{Sfn|Goodman|2017|p=229}} ''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} In 2002, both ''[[The New York Times]]'' and ''[[NME]]'' included the EP among the best singles of the year, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1350007770, + "parentid": 1350007698, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-19T21:39:19Z", + "sha1": "cfe74526638cc35a284f1131e0c702f4a8d0adb5", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and originally not intended for release. However, the band felt a desire to share their music in hopes of landing more shows. Musically, ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, while lead singer and songwriter [[Karen O]] explores themes of romance, sex, and humor in her lyrics.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 copies by the end of the decade. The EP was received favorably by critics for its sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desires to share their music and secure more shows.{{Sfn|Goodman|2017|p=229}}{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=We just wanted to play at clubs and entertain ourselves. And honestly, we didn't have anything better to do. We were bored. New York City was boring for us at the time. [...] Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with session guitarist Jack Martin and depicts the adventures of a sexually promiscuous woman. The lyrics of the standout track \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who has \"hurt fewer people in a better world\". \"Our Time\", originally titled \"Time to be Hated\", is the closing track and first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which inspired some New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. The label executive Mark Bowen was impressed after he heard \"Bang\" online, offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab on Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAlthough the band did not anticipate its success,{{Sfn|Goodman|2017|p=229}} ''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} In 2002, both ''[[The New York Times]]'' and ''[[NME]]'' included the EP among the best singles of the year, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1350007904, + "parentid": 1350007770, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-19T21:40:06Z", + "sha1": "5bc94f86879080ecdea8e03f787b4fc728702900", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and originally not intended for release. However, the band felt a desire to share their music in hopes of landing more shows. Musically, ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, while lead singer and songwriter [[Karen O]] explores themes of romance, sex, and humor in her lyrics.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 copies by the end of the decade. The EP was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desires to share their music and secure more shows.{{Sfn|Goodman|2017|p=229}}{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=We just wanted to play at clubs and entertain ourselves. And honestly, we didn't have anything better to do. We were bored. New York City was boring for us at the time. [...] Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with session guitarist Jack Martin and depicts the adventures of a sexually promiscuous woman. The lyrics of the standout track \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who has \"hurt fewer people in a better world\". \"Our Time\", originally titled \"Time to be Hated\", is the closing track and first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which inspired some New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. The label executive Mark Bowen was impressed after he heard \"Bang\" online, offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab on Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAlthough the band did not anticipate its success,{{Sfn|Goodman|2017|p=229}} ''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} In 2002, both ''[[The New York Times]]'' and ''[[NME]]'' included the EP among the best singles of the year, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1350010861, + "parentid": 1350007904, + "minor": "", + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-19T21:55:47Z", + "sha1": "387f311f4361c2072cc9b6067602491e176fe43c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "ce", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and was not intended for release. However, the band wanted to share their music in hopes of landing more shows. Musically, ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, while lead singer and songwriter [[Karen O]] explores themes of romance, sex, and humor in her lyrics.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 copies by the end of the decade. The EP was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desires to share their music and secure more shows.{{Sfn|Goodman|2017|p=229}}{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=We just wanted to play at clubs and entertain ourselves. And honestly, we didn't have anything better to do. We were bored. New York City was boring for us at the time. [...] Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with session guitarist Jack Martin and depicts the adventures of a sexually promiscuous woman. The lyrics of the standout track \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who has \"hurt fewer people in a better world\". \"Our Time\", originally titled \"Time to be Hated\", is the closing track and first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which inspired some New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. The label executive Mark Bowen was impressed after he heard \"Bang\" online, offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab on Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAlthough the band did not anticipate its success,{{Sfn|Goodman|2017|p=229}} ''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} In 2002, both ''[[The New York Times]]'' and ''[[NME]]'' included the EP among the best singles of the year, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1350014247, + "parentid": 1350010861, + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-19T22:15:28Z", + "sha1": "b54028fa7bb07961602d2b9e6bdafba02fd0e8f7", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "r", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and was not intended for release. However, the band wanted to share their music in hopes of landing more shows. Musically, ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, while lead singer and songwriter [[Karen O]] explores themes of romance, sex, and humor in her lyrics.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 copies by the end of the decade. The EP was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desires to share their music and secure more shows.{{Sfn|Goodman|2017|p=229}}{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=We just wanted to play at clubs and entertain ourselves. And honestly, we didn't have anything better to do. We were bored. New York City was boring for us at the time. [...] Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with the guitarist Jack Martin and depicts the adventures of a sexually promiscuous woman. The lyrics of the standout track \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who has \"hurt fewer people in a better world\". \"Our Time\", originally titled \"Time to be Hated\", is the closing track and first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which inspired some New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. The label executive Mark Bowen was impressed after he heard \"Bang\" online, offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab on Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAlthough the band did not anticipate its success,{{Sfn|Goodman|2017|p=229}} ''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} In 2002, both ''[[The New York Times]]'' and ''[[NME]]'' included the EP among the best singles of the year, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1350021055, + "parentid": 1350014247, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-19T22:54:02Z", + "sha1": "9deeca8a6cc8055ccea67cab5b4ea5804d7be010", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and was not intended for release. However, the band wanted to share their music in hopes of landing more shows. Musically, ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, while lead singer and songwriter [[Karen O]] explores themes of romance, sex, and humor in her lyrics.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 copies by the end of the decade. The EP was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desires to share their music and secure more shows.{{Sfn|Goodman|2017|p=229}}{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=We just wanted to play at clubs and entertain ourselves. And honestly, we didn't have anything better to do. We were bored. New York City was boring for us at the time. [...] Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts the adventures of a sexually promiscuous woman. The lyrics of the standout track \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who has \"hurt fewer people in a better world\". \"Our Time\", originally titled \"Time to be Hated\", is the closing track and first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which inspired some New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. The label executive Mark Bowen was impressed after he heard \"Bang\" online, offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab on Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAlthough the band did not anticipate its success,{{Sfn|Goodman|2017|p=229}} ''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} In 2002, both ''[[The New York Times]]'' and ''[[NME]]'' included the EP among the best singles of the year, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1350156036, + "parentid": 1350021055, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-20T13:24:38Z", + "sha1": "c11120c490950d6d38c980e71a96ae3c47a36d3f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Music and lyrics */ Clarifying that this is a lyric and not a quote from somewhere else", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and was not intended for release. However, the band wanted to share their music in hopes of landing more shows. Musically, ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, while lead singer and songwriter [[Karen O]] explores themes of romance, sex, and humor in her lyrics.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 copies by the end of the decade. The EP was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desires to share their music and secure more shows.{{Sfn|Goodman|2017|p=229}}{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=We just wanted to play at clubs and entertain ourselves. And honestly, we didn't have anything better to do. We were bored. New York City was boring for us at the time. [...] Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts the adventures of a sexually promiscuous woman. The lyrics of the standout track \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". \"Our Time\", originally titled \"Time to be Hated\", is the closing track and first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which inspired some New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. The label executive Mark Bowen was impressed after he heard \"Bang\" online, offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab on Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAlthough the band did not anticipate its success,{{Sfn|Goodman|2017|p=229}} ''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} In 2002, both ''[[The New York Times]]'' and ''[[NME]]'' included the EP among the best singles of the year, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1350760008, + "parentid": 1350156036, + "minor": "", + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-23T21:17:31Z", + "sha1": "5e3465f2b085a7b6a0830da571fcb24a8b416f72", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical reception */ ce", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and was not intended for release. However, the band wanted to share their music in hopes of landing more shows. Musically, ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, while lead singer and songwriter [[Karen O]] explores themes of romance, sex, and humor in her lyrics.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 copies by the end of the decade. The EP was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desires to share their music and secure more shows.{{Sfn|Goodman|2017|p=229}}{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=We just wanted to play at clubs and entertain ourselves. And honestly, we didn't have anything better to do. We were bored. New York City was boring for us at the time. [...] Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts the adventures of a sexually promiscuous woman. The lyrics of the standout track \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". \"Our Time\", originally titled \"Time to be Hated\", is the closing track and first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which inspired some New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. The label executive Mark Bowen was impressed after he heard \"Bang\" online, offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab on Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAlthough the band did not anticipate its success,{{Sfn|Goodman|2017|p=229}} ''Yeah Yeah Yeahs'' was received favorably. It became a [[sleeper hit]] and by the end of the decade had sold over 71,000 copies in the United States .{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} In 2002, both ''[[The New York Times]]'' and ''[[NME]]'' included the EP among the best singles of the year, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1350760192, + "parentid": 1350760008, + "minor": "", + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-23T21:18:47Z", + "sha1": "e1d861139659fa0de49738cc7aa129f444324474", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical reception */ ce", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and was not intended for release. However, the band wanted to share their music in hopes of landing more shows. Musically, ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, while lead singer and songwriter [[Karen O]] explores themes of romance, sex, and humor in her lyrics.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 copies by the end of the decade. The EP was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desires to share their music and secure more shows.{{Sfn|Goodman|2017|p=229}}{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=We just wanted to play at clubs and entertain ourselves. And honestly, we didn't have anything better to do. We were bored. New York City was boring for us at the time. [...] Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts the adventures of a sexually promiscuous woman. The lyrics of the standout track \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". \"Our Time\", originally titled \"Time to be Hated\", is the closing track and first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which inspired some New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin while performing on ''[[Saturday Night Live]]''. The label executive Mark Bowen was impressed after he heard \"Bang\" online, offering the band a deal with [[Wichita Recordings]] to redistribute the EP in the United Kingdom in April 2002.{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab on Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAlthough the then unknown band did not anticipate its success,{{Sfn|Goodman|2017|p=229}} ''Yeah Yeah Yeahs'' was received favorably. It became a [[sleeper hit]] and by the end of the decade had sold over 71,000 copies in the United States .{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' included the EP among the best singles of the year, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1350762530, + "parentid": 1350760192, + "minor": "", + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-23T21:38:23Z", + "sha1": "b75eb168a6c60bac0a38458e871b54390af1853d", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Release */ ce", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and was not intended for release. However, the band wanted to share their music in hopes of landing more shows. Musically, ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, while lead singer and songwriter [[Karen O]] explores themes of romance, sex, and humor in her lyrics.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 copies by the end of the decade. The EP was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desires to share their music and secure more shows.{{Sfn|Goodman|2017|p=229}}{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=We just wanted to play at clubs and entertain ourselves. And honestly, we didn't have anything better to do. We were bored. New York City was boring for us at the time. [...] Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n''Yeah Yeah Yeahs'' consists of five tracks. Karen O wrote all of its lyrics, while the music was co-written by the band.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts the adventures of a sexually promiscuous woman. The lyrics of the standout track \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". \"Our Time\", originally titled \"Time to be Hated\", is the closing track and first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which inspired some New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''.\n\nThe [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and in April 2002 offered to redistribute the EP in the U.K.{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab on Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAlthough the then unknown band did not anticipate its success,{{Sfn|Goodman|2017|p=229}} ''Yeah Yeah Yeahs'' was received favorably. It became a [[sleeper hit]] and by the end of the decade had sold over 71,000 copies in the United States .{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' included the EP among the best singles of the year, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1350764341, + "parentid": 1350762530, + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-23T21:54:13Z", + "sha1": "d5a40c2377c95242499b25e6665780b4ee8f8d29", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Music and lyrics */ ce, don't like \"the adventures \"", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and was not intended for release. However, the band wanted to share their music in hopes of landing more shows. Musically, ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, while lead singer and songwriter [[Karen O]] explores themes of romance, sex, and humor in her lyrics.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 copies by the end of the decade. The EP was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desires to share their music and secure more shows.{{Sfn|Goodman|2017|p=229}}{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=We just wanted to play at clubs and entertain ourselves. And honestly, we didn't have anything better to do. We were bored. New York City was boring for us at the time. [...] Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nThe ''Yeah Yeah Yeahs'' EP consists of five tracks. Karen O wrote all the lyrics, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts of a sexually promiscuous woman. The lyrics of the standout track \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}\n\n\"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". \"Our Time\", originally titled \"Time to be Hated\", is the closing track and first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which inspired some New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''.\n\nThe [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and in April 2002 offered to redistribute the EP in the U.K.{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab on Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAlthough the then unknown band did not anticipate its success,{{Sfn|Goodman|2017|p=229}} ''Yeah Yeah Yeahs'' was received favorably. It became a [[sleeper hit]] and by the end of the decade had sold over 71,000 copies in the United States .{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' included the EP among the best singles of the year, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1350764509, + "parentid": 1350764341, + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-23T21:55:38Z", + "sha1": "98074ef8a4a7bbae43f6489588612f06c722fd39", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Music and lyrics */ ce", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and was not intended for release. However, the band wanted to share their music in hopes of landing more shows. Musically, ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, while lead singer and songwriter [[Karen O]] explores themes of romance, sex, and humor in her lyrics.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 copies by the end of the decade. The EP was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desires to share their music and secure more shows.{{Sfn|Goodman|2017|p=229}}{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=We just wanted to play at clubs and entertain ourselves. And honestly, we didn't have anything better to do. We were bored. New York City was boring for us at the time. [...] Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nThe ''Yeah Yeah Yeahs'' EP consists of five tracks. Karen O wrote all the lyrics, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts of a sexually promiscuous woman. The lyrics of the standout track \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}\n\n\"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track \"Our Time\" was originally titled \"Time to be Hated\" and was the first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which inspired some New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''.\n\nThe [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and in April 2002 offered to redistribute the EP in the U.K.{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab on Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAlthough the then unknown band did not anticipate its success,{{Sfn|Goodman|2017|p=229}} ''Yeah Yeah Yeahs'' was received favorably. It became a [[sleeper hit]] and by the end of the decade had sold over 71,000 copies in the United States .{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' included the EP among the best singles of the year, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted its [[Lo-fi music|low-fi]] quality, which was seen as limiting its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1350764900, + "parentid": 1350764509, + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-23T21:59:07Z", + "sha1": "9acb5e89bf2474b8c3c1d80fba04174f741f330f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical reception */ ce", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and was not intended for release. However, the band wanted to share their music in hopes of landing more shows. Musically, ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, while lead singer and songwriter [[Karen O]] explores themes of romance, sex, and humor in her lyrics.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 copies by the end of the decade. The EP was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desires to share their music and secure more shows.{{Sfn|Goodman|2017|p=229}}{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=We just wanted to play at clubs and entertain ourselves. And honestly, we didn't have anything better to do. We were bored. New York City was boring for us at the time. [...] Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nThe ''Yeah Yeah Yeahs'' EP consists of five tracks. Karen O wrote all the lyrics, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts of a sexually promiscuous woman. The lyrics of the standout track \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}\n\n\"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track \"Our Time\" was originally titled \"Time to be Hated\" and was the first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which inspired some New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''.\n\nThe [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and in April 2002 offered to redistribute the EP in the U.K.{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab on Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAlthough the then unknown band did not anticipate its success,{{Sfn|Goodman|2017|p=229}} ''Yeah Yeah Yeahs'' was received favorably. It became a [[sleeper hit]] and by the end of the decade had sold over 71,000 copies in the United States .{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' included the EP among the best singles of the year, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted that its [[Lo-fi music|low-fi]] sytle and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP eventually scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' called it one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1350765030, + "parentid": 1350764900, + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-23T22:00:18Z", + "sha1": "6db5faf25f13879a9b6bfd657a864301947c522e", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical reception */ ce", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and was not intended for release. However, the band wanted to share their music in hopes of landing more shows. Musically, ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, while lead singer and songwriter [[Karen O]] explores themes of romance, sex, and humor in her lyrics.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and sold over 71,000 copies by the end of the decade. The EP was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desires to share their music and secure more shows.{{Sfn|Goodman|2017|p=229}}{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=We just wanted to play at clubs and entertain ourselves. And honestly, we didn't have anything better to do. We were bored. New York City was boring for us at the time. [...] Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nThe ''Yeah Yeah Yeahs'' EP consists of five tracks. Karen O wrote all the lyrics, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts of a sexually promiscuous woman. The lyrics of the standout track \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}\n\n\"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track \"Our Time\" was originally titled \"Time to be Hated\" and was the first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which inspired some New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''.\n\nThe [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and in April 2002 offered to redistribute the EP in the U.K.{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab on Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAlthough the then unknown band did not anticipate its success,{{Sfn|Goodman|2017|p=229}} ''Yeah Yeah Yeahs'' was received favorably. It became a [[sleeper hit]] and by the end of the decade had sold over 71,000 copies in the United States .{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' included the EP among the best singles of the year, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while the English journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted that its [[Lo-fi music|low-fi]] sytle and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP eventually scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' named it as one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1350769081, + "parentid": 1350765030, + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-23T22:37:07Z", + "sha1": "52d5b1a08c7470e292c6a6a4f3ddb2c9e6c42693", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* top */ ce", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and was not intended for release. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance, sex and humor.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desires to share their music and secure more shows.{{Sfn|Goodman|2017|p=229}}{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=We just wanted to play at clubs and entertain ourselves. And honestly, we didn't have anything better to do. We were bored. New York City was boring for us at the time. [...] Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nThe ''Yeah Yeah Yeahs'' EP consists of five tracks. Karen O wrote all the lyrics, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene,{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}} and the \"cocky attitude\" they had whilst performing live.{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts of a sexually promiscuous woman. The lyrics of the standout track \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}\n\n\"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track \"Our Time\" was originally titled \"Time to be Hated\" and was the first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which inspired some New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''.\n\nThe [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and in April 2002 offered to redistribute the EP in the U.K.{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab on Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAlthough the then unknown band did not anticipate its success,{{Sfn|Goodman|2017|p=229}} ''Yeah Yeah Yeahs'' was received favorably. It became a [[sleeper hit]] and by the end of the decade had sold over 71,000 copies in the United States .{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' included the EP among the best singles of the year, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while the English journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted that its [[Lo-fi music|low-fi]] sytle and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP eventually scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' named it as one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1350769534, + "parentid": 1350769081, + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-23T22:41:34Z", + "sha1": "682306631d4276d941a69218a74231adffafea94", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Music and lyrics */ ce", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and was not intended for release. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance, sex and humor.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desires to share their music and secure more shows.{{Sfn|Goodman|2017|p=229}}{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=We just wanted to play at clubs and entertain ourselves. And honestly, we didn't have anything better to do. We were bored. New York City was boring for us at the time. [...] Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote all the lyrics on the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had when performing live.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman. The lyrics of the most critically prraised track \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a [[spoken word]] introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}\n\n\"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track \"Our Time\" was originally titled \"Time to be Hated\" and was the first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which inspired some New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''.\n\nThe [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and in April 2002 offered to redistribute the EP in the U.K.{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab on Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAlthough the then unknown band did not anticipate its success,{{Sfn|Goodman|2017|p=229}} ''Yeah Yeah Yeahs'' was received favorably. It became a [[sleeper hit]] and by the end of the decade had sold over 71,000 copies in the United States .{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' included the EP among the best singles of the year, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while the English journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted that its [[Lo-fi music|low-fi]] sytle and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP eventually scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' named it as one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1350769609, + "parentid": 1350769534, + "minor": "", + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-23T22:42:12Z", + "sha1": "e83828be7b56b0cd8ab0cf13818b9e3e29c424c6", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Music and lyrics */ dl", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and was not intended for release. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance, sex and humor.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desires to share their music and secure more shows.{{Sfn|Goodman|2017|p=229}}{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=We just wanted to play at clubs and entertain ourselves. And honestly, we didn't have anything better to do. We were bored. New York City was boring for us at the time. [...] Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote all the lyrics on the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had when performing live.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman. The lyrics of the most critically prraised track \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}\n\n\"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track \"Our Time\" was originally titled \"Time to be Hated\" and was the first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which inspired some New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''.\n\nThe [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and in April 2002 offered to redistribute the EP in the U.K.{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab on Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAlthough the then unknown band did not anticipate its success,{{Sfn|Goodman|2017|p=229}} ''Yeah Yeah Yeahs'' was received favorably. It became a [[sleeper hit]] and by the end of the decade had sold over 71,000 copies in the United States .{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' included the EP among the best singles of the year, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while the English journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted that its [[Lo-fi music|low-fi]] sytle and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP eventually scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' named it as one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1350769694, + "parentid": 1350769609, + "minor": "", + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-23T22:42:55Z", + "sha1": "3003ba707796e894417479bc2be153d0fed852c0", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Music and lyrics */ ce", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and was not intended for release. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance, sex and humor.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]]. However, they ultimately developed the demo into their debut EP, a decision that Zinner attributes to their desires to share their music and secure more shows.{{Sfn|Goodman|2017|p=229}}{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=We just wanted to play at clubs and entertain ourselves. And honestly, we didn't have anything better to do. We were bored. New York City was boring for us at the time. [...] Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote all the lyrics on the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had when performing live.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman. The lyrics of the most critically prraised track \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}}\n\n\"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track \"Our Time\" was originally titled \"Time to be Hated\" and was the first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which gained resonance for New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''.\n\nThe [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and in April 2002 offered to redistribute the EP in the U.K.{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=After hearing this song we got in touch with them, but were amazed they had no record deal. We flew to America and saw them play fourth on the bill to Arab on Radar; Karen O was already a superstar in every way. Months later Jo Whiley played the record at lunchtime on Radio 1 (despite its liberal use of the word \"fuck\" in the chorus) and everyone went nuts. It was our first top 40 hit.}}{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States after seeing a high-profile concert at [[South by Southwest]] in July 2002.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAlthough the then unknown band did not anticipate its success,{{Sfn|Goodman|2017|p=229}} ''Yeah Yeah Yeahs'' was received favorably. It became a [[sleeper hit]] and by the end of the decade had sold over 71,000 copies in the United States .{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' included the EP among the best singles of the year, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while the English journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted that its [[Lo-fi music|low-fi]] sytle and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP eventually scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' named it as one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1350782336, + "parentid": 1350769694, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-24T00:45:57Z", + "sha1": "6e165735454342321b7be263f854775f7ff242a8", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance, sex and humor.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote all the lyrics on the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman. The lyrics of the critically praised \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track \"Our Time\" was originally titled \"Time to be Hated\" and was the first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which gained resonance for New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. \n\n[[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAlthough the then unknown band did not anticipate its success,{{Sfn|Goodman|2017|p=229}} ''Yeah Yeah Yeahs'' was received favorably. It became a [[sleeper hit]] and by the end of the decade had sold over 71,000 copies in the United States .{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' included the EP among the best singles of the year, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while the English journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted that its [[Lo-fi music|low-fi]] sytle and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP eventually scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' named it as one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1350782549, + "parentid": 1350782336, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-24T00:47:48Z", + "sha1": "665d47125b31b64e6f446872b95f86458f24f537", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance, sex and humor.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote all the lyrics on the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman. The lyrics of the critically praised \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track \"Our Time\" was originally titled \"Time to be Hated\" and was the first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which gained resonance for New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. \n\n[[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAlthough the band did not intend for any success,{{Sfn|Goodman|2017|p=229}} ''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' included the EP among the best singles of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while the English journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted that its [[Lo-fi music|low-fi]] sytle and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP eventually scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' named it as one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1350782880, + "parentid": 1350782549, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-24T00:50:18Z", + "sha1": "a6b5d9c33f464e8280e5331e108cbd872e51ad14", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance, sex and humor.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|left|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote all the lyrics on the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman. The lyrics of the critically praised \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track \"Our Time\" was originally titled \"Time to be Hated\" and was the first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which gained resonance for New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. \n\n[[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAlthough the band did not intend for any success,{{Sfn|Goodman|2017|p=229}} ''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' included the EP among the best singles of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while the English journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted that its [[Lo-fi music|low-fi]] sytle and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP eventually scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' named it as one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1350783663, + "parentid": 1350782880, + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-04-24T00:55:34Z", + "sha1": "44dee62da7acc6a84bc2bb5ebb9972b79592cfb5", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "align image..not sure how to left align the sound file\"", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance, sex and humor.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]]]]\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman. The lyrics of the critically praised \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track \"Our Time\" was originally titled \"Time to be Hated\" and was the first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which gained resonance for New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. \n\n[[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAlthough the band did not intend for any success,{{Sfn|Goodman|2017|p=229}} ''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' included the EP among the best singles of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while the English journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted that its [[Lo-fi music|low-fi]] sytle and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP eventually scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' named it as one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1350785026, + "parentid": 1350783663, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-24T01:04:51Z", + "sha1": "13f18dfd1dfeb361b50ff4abc4f312f0c1872664", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Got you!", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance, sex and humor.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\n[[File:Yyy2003.png|alt=A woman and two men photographed mid-concert in 2003|thumb|Yeah Yeah Yeahs performing in 2003. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]]]]\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n| pos = left\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman. The lyrics of the critically praised \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track \"Our Time\" was originally titled \"Time to be Hated\" and was the first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which gained resonance for New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. \n\n[[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAlthough the band did not intend for any success,{{Sfn|Goodman|2017|p=229}} ''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' included the EP among the best singles of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while the English journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted that its [[Lo-fi music|low-fi]] sytle and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP eventually scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' named it as one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1350800600, + "parentid": 1350785026, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-24T03:11:39Z", + "sha1": "3e4cd44a902d753c74b2254fdc082c64b5b579e7", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Replacing then moving this back, it fits better in Background imo especially now", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance, sex and humor.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman. The lyrics of the critically praised \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track \"Our Time\" was originally titled \"Time to be Hated\" and was the first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which gained resonance for New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. However, the band and the EP gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. \n\n[[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\nAlthough the band did not intend for any success,{{Sfn|Goodman|2017|p=229}} ''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' included the EP among the best singles of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while the English journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted that its [[Lo-fi music|low-fi]] sytle and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP eventually scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' named it as one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1350892723, + "parentid": 1350800600, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-24T17:30:16Z", + "sha1": "d285d41122613d63fe4c7e603da06d3379d36829", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Release */", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance, sex and humor.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman. The lyrics of the critically praised \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track \"Our Time\" was originally titled \"Time to be Hated\" and was the first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which gained resonance for New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. \n\n[[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' included the EP among the best singles of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted that its [[Lo-fi music|low-fi]] sytle and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' named it as one of 2001's best albums, and said that it was essential both to the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1351147997, + "parentid": 1350892723, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-26T05:35:45Z", + "sha1": "d82600f444bc8cf6e0e44d98c1d9ff6cce0bf119", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance, sex and humor.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=''Collapse Board'' |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=''Collapse Board''}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman. The lyrics of the critically praised \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite web |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |website=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track \"Our Time\" was originally titled \"Time to be Hated\" and was the first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which gained resonance for New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. \n\n[[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite web |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |website=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted that its [[Lo-fi music|low-fi]] sytle and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1351230215, + "parentid": 1351147997, + "user": "Citation bot", + "userid": 7903804, + "timestamp": "2026-04-26T19:20:25Z", + "sha1": "4f43d0613e750a919905987a2553f8506ef85898", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Alter: template type, via. Added magazine. Removed parameters. Some additions/deletions were parameter name changes. | [[:en:WP:UCB|Use this bot]]. [[:en:WP:DBUG|Report bugs]]. | Suggested by FunkMonk | #UCB_toolbar", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance, sex and humor.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman. The lyrics of the critically praised \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track \"Our Time\" was originally titled \"Time to be Hated\" and was the first song Karen O wrote for the band.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]}} It is an [[anthem]] about a nearly failed romance, which gained resonance for New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. \n\n[[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted that its [[Lo-fi music|low-fi]] sytle and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1351415364, + "parentid": 1351230215, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-04-27T20:13:20Z", + "sha1": "5940002ada7c42f98a724dab01dd5d7aabb81705", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance, sex and humor.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which gained resonance for New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. \n\n[[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with writers for [[Blender (magazine)|''Blender'']] and ''[[CMJ]]'' describing her vocals as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted that its [[Lo-fi music|low-fi]] sytle and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1351951233, + "parentid": 1351415364, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-05-01T03:20:19Z", + "sha1": "10837266655abdadd34c9ef42e5c978b4b78b6c3", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Per review", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which gained resonance for New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. \n\n[[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted that its [[Lo-fi music|low-fi]] sytle and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1351951545, + "parentid": 1351951233, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-05-01T03:22:26Z", + "sha1": "b88f5b62dfc00870dc421e7851623adedc9b9d15", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"[[Art Star]]\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which gained resonance for New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. \n\n[[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted that its [[Lo-fi music|low-fi]] sytle and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = [[Art Star]]\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1352027075, + "parentid": 1351951545, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-05-01T15:52:52Z", + "sha1": "61d969dab27fc8e828aabed3b867535d22d424a1", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which gained resonance for New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. \n\n[[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, while journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[CMJ]]'' describing her as \"hot and sexy\".{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}} Some critics noted that its [[Lo-fi music|low-fi]] sytle and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1352027943, + "parentid": 1352027075, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-05-01T15:58:46Z", + "sha1": "ac07a228ce6aa8a4b7ee6d1abc7031f5795d08ea", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical reception */ Per review", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which gained resonance for New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. \n\n[[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' comparing her to the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1352028177, + "parentid": 1352027943, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-05-01T16:00:22Z", + "sha1": "dfc33838846381110a3fd62d6905fc372470c09e", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical reception */", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which gained resonance for New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. \n\n[[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' favorably comparing her to [[Joan Jett]]. Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1352028247, + "parentid": 1352028177, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-05-01T16:00:48Z", + "sha1": "b15615155fe58e0f052e4ed2fa72017188169b16", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical reception */", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which gained resonance for New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. \n\n[[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' favorably comparing her to rock singer [[Joan Jett]]. Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1352028285, + "parentid": 1352028247, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-05-01T16:01:02Z", + "sha1": "7719a3f38f995585b460228a06a995ffd5e90c5d", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical reception */", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which gained resonance for New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. \n\n[[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' likening her to rock singer [[Joan Jett]]. Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1352028330, + "parentid": 1352028285, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-05-01T16:01:22Z", + "sha1": "eab41e49aef9cbf078974ed82db836dd33a82073", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical reception */ Eh revert", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which gained resonance for New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. \n\n[[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1352112818, + "parentid": 1352028330, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-05-02T03:29:26Z", + "sha1": "6c57a71afa93ce265491c26fd881efea039c8ea7", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Music and lyrics */ Flows better", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of a topless Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. \n\n[[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1352507083, + "parentid": 1352112818, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-05-04T16:11:25Z", + "sha1": "09e968eb9e263d611ba843ab5084de5545131577", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Background and recording */", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in New York City.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band were significantly influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. \n\n[[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1352664781, + "parentid": 1352507083, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-05-05T15:09:45Z", + "sha1": "3102a9556f4c4b76b8e2d24118d14064bb70d183", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Background and recording */", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio in New York City,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in the same city.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band was influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. \n\n[[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1353248903, + "parentid": 1352664781, + "user": "RTSthestardust", + "userid": 40537837, + "timestamp": "2026-05-09T03:13:35Z", + "sha1": "f33f3848e26017b9ebddae766d8ef11fe2dae0ee", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "border", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| border = yes\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio in New York City,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in the same city.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band was influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. \n\n[[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1353543733, + "parentid": 1353248903, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-05-10T21:52:59Z", + "sha1": "93d99c63eeb00ed41fb748e3dfe5fdd69aec4d0b", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Charts */ Then known as Hitlistan", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| border = yes\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio in New York City,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in the same city.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band was influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. \n\n[[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan|Hitlistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1353781187, + "parentid": 1353543733, + "minor": "", + "user": "Indopug", + "userid": 6060594, + "timestamp": "2026-05-12T09:42:49Z", + "sha1": "fde43e7e9af63a5252dab4222db29088b016c161", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Track listing */", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| border = yes\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio in New York City,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in the same city.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band was influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. \n\n[[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title_width = 150px\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan|Hitlistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1355957261, + "parentid": 1353781187, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-05-24T22:37:37Z", + "sha1": "e388e4b973c5dca981fbb0ea2563f4cc323ffd66", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Release */ Added a live performance review", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| border = yes\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio in New York City,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in the same city.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band was influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. They promoted the record with multiple concerts worldwide, one which was reviewed by ''[[The Guardian]]'' in April 2002, who wrote:\n\n{{Blockquote|text=Having fun is a quality that makes the Yeah Yeah Yeahs different from the other [[new-wave]] garage bands strutting their way out of the Big Apple. The trio's riotous tunes embrace grubbiness before suddenly revealing a debt to [[the Shangri-Las]], and each one ends in unstoppable giggles from O. There is a feeling that the Yeah Yeah Yeahs are simply filling time before getting the next round in. But playing for kicks - and breathing clichés - doesn't mean that the trio don't look and sound great.{{Cite web |last=Clarke |first=Betty |date=April 1, 2002 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/culture/2002/apr/02/artsfeatures.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20250225000123/https://www.theguardian.com/culture/2002/apr/02/artsfeatures.yeahyeahyeahs |archive-date=February 25, 2025 |access-date=May 24, 2026 |website=[[The Guardian]]}}}}\n\n[[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title_width = 150px\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan|Hitlistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1355958023, + "parentid": 1355957261, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-05-24T22:42:52Z", + "sha1": "3031215ab7508a80bde12775928005bf33a23310", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Release */", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| border = yes\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio in New York City,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in the same city.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band was influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. They promoted the record with multiple concerts worldwide, one which was reviewed by Betty Clarke of ''[[The Guardian]]'' in April 2002, who wrote:\n\n{{Blockquote|text=Having fun is a quality that makes the Yeah Yeah Yeahs different from the other [[new-wave]] garage bands strutting their way out of the Big Apple. The trio's riotous tunes embrace grubbiness before suddenly revealing a debt to [[the Shangri-Las]], and each one ends in unstoppable giggles from O. There is a feeling that the Yeah Yeah Yeahs are simply filling time before getting the next round in. But playing for kicks - and breathing clichés - doesn't mean that the trio don't look and sound great.{{Cite web |last=Clarke |first=Betty |date=April 1, 2002 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/culture/2002/apr/02/artsfeatures.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20250225000123/https://www.theguardian.com/culture/2002/apr/02/artsfeatures.yeahyeahyeahs |archive-date=February 25, 2025 |access-date=May 24, 2026 |website=[[The Guardian]]}}}}\n\n[[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title_width = 150px\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan|Hitlistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1355958090, + "parentid": 1355958023, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-05-24T22:43:28Z", + "sha1": "1d5cbcd1e199825694c1a0e34439fc7d362e1562", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Release */", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| border = yes\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio in New York City,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in the same city.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band was influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. They promoted the record with multiple concerts worldwide, one which was reviewed positively by Betty Clarke of ''[[The Guardian]]'' in April 2002, who observed that \"Having fun is a quality that makes the Yeah Yeah Yeahs different from the other [[New wave music|new-wave]] garage bands strutting their way out of the Big Apple.\"{{Cite web |last=Clarke |first=Betty |date=April 1, 2002 |title=Yeah Yeah Yeahs |url=https://www.theguardian.com/culture/2002/apr/02/artsfeatures.yeahyeahyeahs |url-status=live |archive-url=https://web.archive.org/web/20250225000123/https://www.theguardian.com/culture/2002/apr/02/artsfeatures.yeahyeahyeahs |archive-date=February 25, 2025 |access-date=May 24, 2026 |website=[[The Guardian]]}}\n\n[[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title_width = 150px\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan|Hitlistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1356006621, + "parentid": 1355958090, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-05-25T05:25:22Z", + "sha1": "fde43e7e9af63a5252dab4222db29088b016c161", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Actually nvm", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| border = yes\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} By early 2001, the band earned a following for their live performances. During this period, they enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio in New York City,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in the same city.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=}} The band was influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences on the record were the rock bands [[Blondie (band)|Blondie]], [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]], and [[Tommy James and the Shondells]].{{cite magazine |last=Santangelo |first=Antonia |date=July 8, 2002 |title=Reviews |url=https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2 |magazine=CMJ New Music Report |page=12 |volume=72 |issue=770 |issn=0890-0795|access-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20220825201420/https://books.google.com/books?id=aBw3t2fY64UC&pg=PA10-IA2#v=onepage&q&f=false|archive-date=August 25, 2022|publisher=[[CMJ]]}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It is the only Yeah Yeah Yeahs song to feature a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label, and received little attention on release. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. \n\n[[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title_width = 150px\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan|Hitlistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1356467840, + "parentid": 1356006621, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-05-27T23:21:39Z", + "sha1": "3a29b1837df4826b11c3792d38f635da5139ebb4", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Per review", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| border = yes\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio and earning a following for their live performances.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} They enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio in New York City,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in the same city.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=|quote=But where their 2001 debut five-song EP was appropriately primitive and fractured, onstage the Yeah Yeah Yeahs became a fiercely funky unit, with Chase rocking hi-hat rhythms that threaten to topple his kit, Zinner making like a one-man Sonic Youth, and Karen coming on like an epileptic nymphomaniac, a performance style she initially attributed to being \"really, really, really sloshed.\"}} The band was influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences were the rock bands [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]] and [[Jonathan Fire*Eater]], and the musicians [[PJ Harvey]], and [[John Zorn]].{{Cite web |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |date=March 29, 2013 |title=What the Yeah Yeah Yeahs listened to when they were kids |url=https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |url-status=live |archive-url=https://web.archive.org/web/20251115185706/https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |archive-date=November 15, 2025 |access-date=May 27, 2026 |website=[[The New York Times]] |series=The 6th Floor Blog}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It features a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of some contemporaries.{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title_width = 150px\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan|Hitlistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1356468140, + "parentid": 1356467840, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-05-27T23:24:09Z", + "sha1": "cf3454e548723a3e83e34348719feaf0d03c3610", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Critical reception */", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| border = yes\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio and earning a following for their live performances.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} They enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio in New York City,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in the same city.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=|quote=But where their 2001 debut five-song EP was appropriately primitive and fractured, onstage the Yeah Yeah Yeahs became a fiercely funky unit, with Chase rocking hi-hat rhythms that threaten to topple his kit, Zinner making like a one-man Sonic Youth, and Karen coming on like an epileptic nymphomaniac, a performance style she initially attributed to being \"really, really, really sloshed.\"}} The band was influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences were the rock bands [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]] and [[Jonathan Fire*Eater]], and the musicians [[PJ Harvey]], and [[John Zorn]].{{Cite web |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |date=March 29, 2013 |title=What the Yeah Yeah Yeahs listened to when they were kids |url=https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |url-status=live |archive-url=https://web.archive.org/web/20251115185706/https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |archive-date=November 15, 2025 |access-date=May 27, 2026 |website=[[The New York Times]] |series=The 6th Floor Blog}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample from \"Bang\", the EP's opening track\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It features a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of contemporary bands [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title_width = 150px\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan|Hitlistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1356931209, + "parentid": 1356468140, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-05-30T18:49:01Z", + "sha1": "2c1211760a99532cbe579bd92b3f00824e1d1a7b", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| border = yes\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio and earning a following for their live performances.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} They enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio in New York City,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in the same city.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=|quote=But where their 2001 debut five-song EP was appropriately primitive and fractured, onstage the Yeah Yeah Yeahs became a fiercely funky unit, with Chase rocking hi-hat rhythms that threaten to topple his kit, Zinner making like a one-man Sonic Youth, and Karen coming on like an epileptic nymphomaniac, a performance style she initially attributed to being \"really, really, really sloshed.\"}} The band was influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences were the rock bands [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]] and [[Jonathan Fire*Eater]], and the musicians [[PJ Harvey]], and [[John Zorn]].{{Cite web |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |date=March 29, 2013 |title=What the Yeah Yeah Yeahs listened to when they were kids |url=https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |url-status=live |archive-url=https://web.archive.org/web/20251115185706/https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |archive-date=November 15, 2025 |access-date=May 27, 2026 |website=[[The New York Times]] |series=The 6th Floor Blog}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample of \"Bang\" with the repeated lyric \"As a fuck, son, you sucked!\", beginning a few seconds before the first chorus.\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend, emphasized by the repeated lyric \"As a fuck, son, you sucked!\"{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It features a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002, after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}}{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of contemporary bands [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title_width = 150px\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan|Hitlistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1356932972, + "parentid": 1356931209, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-05-30T19:06:30Z", + "sha1": "67232304f06d2482ca795133fc76bcfc725e6bc1", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Music and lyrics */", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| border = yes\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio and earning a following for their live performances.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} They enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio in New York City,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in the same city.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. Although the EP is self-titled, it is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=|quote=But where their 2001 debut five-song EP was appropriately primitive and fractured, onstage the Yeah Yeah Yeahs became a fiercely funky unit, with Chase rocking hi-hat rhythms that threaten to topple his kit, Zinner making like a one-man Sonic Youth, and Karen coming on like an epileptic nymphomaniac, a performance style she initially attributed to being \"really, really, really sloshed.\"}} The band was influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences were the rock bands [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]] and [[Jonathan Fire*Eater]], and the musicians [[PJ Harvey]], and [[John Zorn]].{{Cite web |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |date=March 29, 2013 |title=What the Yeah Yeah Yeahs listened to when they were kids |url=https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |url-status=live |archive-url=https://web.archive.org/web/20251115185706/https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |archive-date=November 15, 2025 |access-date=May 27, 2026 |website=[[The New York Times]] |series=The 6th Floor Blog}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample of \"Bang\" with the repeated lyric \"As a fuck, son, you sucked!\", beginning a few seconds before the first chorus.\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend,{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It features a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002,{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}} after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of contemporary bands [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title_width = 150px\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan|Hitlistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1356965121, + "parentid": 1356932972, + "minor": "", + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-05-30T23:21:34Z", + "sha1": "dd5e8c0c22264bae4e130dd29a35a4e727dd6743", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Background and recording */ ce", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| border = yes\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio and earning a following for their live performances.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} They enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio in New York City,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in the same city.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. The EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=|quote=But where their 2001 debut five-song EP was appropriately primitive and fractured, onstage the Yeah Yeah Yeahs became a fiercely funky unit, with Chase rocking hi-hat rhythms that threaten to topple his kit, Zinner making like a one-man Sonic Youth, and Karen coming on like an epileptic nymphomaniac, a performance style she initially attributed to being \"really, really, really sloshed.\"}} The band was influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences were the rock bands [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]] and [[Jonathan Fire*Eater]], and the musicians [[PJ Harvey]], and [[John Zorn]].{{Cite web |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |date=March 29, 2013 |title=What the Yeah Yeah Yeahs listened to when they were kids |url=https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |url-status=live |archive-url=https://web.archive.org/web/20251115185706/https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |archive-date=November 15, 2025 |access-date=May 27, 2026 |website=[[The New York Times]] |series=The 6th Floor Blog}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample of \"Bang\" with the repeated lyric \"As a fuck, son, you sucked!\", beginning a few seconds before the first chorus.\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend,{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It features a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002,{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}} after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |via=uk.reuters.com}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of contemporary bands [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title_width = 150px\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan|Hitlistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1357798266, + "parentid": 1356965121, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-06-04T19:09:58Z", + "sha1": "9ab47d8fb68693de3ddd0de70fc16b7e53d2bbee", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| border = yes\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio and earning a following for their live performances.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} They enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}} \n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio in New York City,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in the same city.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. The EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=|quote=But where their 2001 debut five-song EP was appropriately primitive and fractured, onstage the Yeah Yeah Yeahs became a fiercely funky unit, with Chase rocking hi-hat rhythms that threaten to topple his kit, Zinner making like a one-man Sonic Youth, and Karen coming on like an epileptic nymphomaniac, a performance style she initially attributed to being \"really, really, really sloshed.\"}} The band was influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences were the rock bands [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]] and [[Jonathan Fire*Eater]], and the musicians [[PJ Harvey]], and [[John Zorn]].{{Cite web |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |date=March 29, 2013 |title=What the Yeah Yeah Yeahs listened to when they were kids |url=https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |url-status=live |archive-url=https://web.archive.org/web/20251115185706/https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |archive-date=November 15, 2025 |access-date=May 27, 2026 |website=[[The New York Times]] |series=The 6th Floor Blog}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample of \"Bang\" with the repeated lyric \"As a fuck, son, you sucked!\", beginning a few seconds before the first chorus.\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend,{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It features a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002,{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}} after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |access-date=June 4, 2026|website=[[Reuters]]|last=Harding|first=Cortney}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}} \n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of contemporary bands [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title_width = 150px\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan|Hitlistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1358728803, + "parentid": 1357798266, + "minor": "", + "user": "FrB.TG", + "userid": 19895717, + "timestamp": "2026-06-10T15:39:01Z", + "sha1": "4aedb6e6f01b7cccf244c07119c13c4a3aea805a", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| border = yes\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio and earning a following for their live performances.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} They enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}}\n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio in New York City,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in the same city.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. The EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=|quote=But where their 2001 debut five-song EP was appropriately primitive and fractured, onstage the Yeah Yeah Yeahs became a fiercely funky unit, with Chase rocking hi-hat rhythms that threaten to topple his kit, Zinner making like a one-man Sonic Youth, and Karen coming on like an epileptic nymphomaniac, a performance style she initially attributed to being \"really, really, really sloshed.\"}} The band was influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences were the rock bands [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]] and [[Jonathan Fire*Eater]], and the musicians [[PJ Harvey]], and [[John Zorn]].{{Cite web |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |date=March 29, 2013 |title=What the Yeah Yeah Yeahs listened to when they were kids |url=https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |url-status=live |archive-url=https://web.archive.org/web/20251115185706/https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |archive-date=November 15, 2025 |access-date=May 27, 2026 |website=[[The New York Times]] |series=The 6th Floor Blog}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample of \"Bang\" with the repeated lyric \"As a fuck, son, you sucked!\", beginning a few seconds before the first chorus.\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend,{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It features a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002,{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}} after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n== Critical reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |access-date=June 4, 2026|website=[[Reuters]]|last=Harding|first=Cortney}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}}\n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of contemporary bands [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title_width = 150px\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan|Hitlistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1358728895, + "parentid": 1358728803, + "user": "FrB.TG", + "userid": 19895717, + "timestamp": "2026-06-10T15:39:56Z", + "sha1": "3acb953dfe4a2200aa2f93d8470f81a3422c2b63", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Since this also covers the commercial performance of the album, better to remove \"critical\"", + "*": "{{good article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| border = yes\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio and earning a following for their live performances.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} They enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}}\n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio in New York City,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in the same city.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. The EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=|quote=But where their 2001 debut five-song EP was appropriately primitive and fractured, onstage the Yeah Yeah Yeahs became a fiercely funky unit, with Chase rocking hi-hat rhythms that threaten to topple his kit, Zinner making like a one-man Sonic Youth, and Karen coming on like an epileptic nymphomaniac, a performance style she initially attributed to being \"really, really, really sloshed.\"}} The band was influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences were the rock bands [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]] and [[Jonathan Fire*Eater]], and the musicians [[PJ Harvey]], and [[John Zorn]].{{Cite web |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |date=March 29, 2013 |title=What the Yeah Yeah Yeahs listened to when they were kids |url=https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |url-status=live |archive-url=https://web.archive.org/web/20251115185706/https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |archive-date=November 15, 2025 |access-date=May 27, 2026 |website=[[The New York Times]] |series=The 6th Floor Blog}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample of \"Bang\" with the repeated lyric \"As a fuck, son, you sucked!\", beginning a few seconds before the first chorus.\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend,{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It features a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002,{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}} after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n== Reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |access-date=June 4, 2026|website=[[Reuters]]|last=Harding|first=Cortney}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}}\n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of contemporary bands [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title_width = 150px\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan|Hitlistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1358784129, + "parentid": 1358728895, + "user": "FACBot", + "userid": 22689343, + "timestamp": "2026-06-10T23:06:53Z", + "sha1": "ff15ee7803ef92b7ba1097c7f89e7da700001df8", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Featured (Yeah Yeah Yeahs (EP)): promoted to Featured Article status", + "*": "{{Featured article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| border = yes\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio and earning a following for their live performances.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} They enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}}\n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio in New York City,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in the same city.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. The EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=|quote=But where their 2001 debut five-song EP was appropriately primitive and fractured, onstage the Yeah Yeah Yeahs became a fiercely funky unit, with Chase rocking hi-hat rhythms that threaten to topple his kit, Zinner making like a one-man Sonic Youth, and Karen coming on like an epileptic nymphomaniac, a performance style she initially attributed to being \"really, really, really sloshed.\"}} The band was influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences were the rock bands [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]] and [[Jonathan Fire*Eater]], and the musicians [[PJ Harvey]], and [[John Zorn]].{{Cite web |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |date=March 29, 2013 |title=What the Yeah Yeah Yeahs listened to when they were kids |url=https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |url-status=live |archive-url=https://web.archive.org/web/20251115185706/https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |archive-date=November 15, 2025 |access-date=May 27, 2026 |website=[[The New York Times]] |series=The 6th Floor Blog}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample of \"Bang\" with the repeated lyric \"As a fuck, son, you sucked!\", beginning a few seconds before the first chorus.\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend,{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It features a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002,{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}} after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n== Reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |access-date=June 4, 2026|website=[[Reuters]]|last=Harding|first=Cortney}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}}\n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of contemporary bands [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title_width = 150px\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan|Hitlistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1360841927, + "parentid": 1358784129, + "minor": "", + "user": "Ceoil", + "userid": 735741, + "timestamp": "2026-06-23T23:26:51Z", + "sha1": "e79aa3c7e7f01888725d7925fafebea6228f704f", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* */ ce", + "*": "{{Featured article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| border = yes\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' evidences the band's early [[garage rock]] and [[art punk]] influences and singer [[Karen O]]'s lyrical preoccupation with themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio and earning a following for their live performances.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} They enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}}\n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio in New York City,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in the same city.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. The EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=|quote=But where their 2001 debut five-song EP was appropriately primitive and fractured, onstage the Yeah Yeah Yeahs became a fiercely funky unit, with Chase rocking hi-hat rhythms that threaten to topple his kit, Zinner making like a one-man Sonic Youth, and Karen coming on like an epileptic nymphomaniac, a performance style she initially attributed to being \"really, really, really sloshed.\"}} The band was influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences were the rock bands [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]] and [[Jonathan Fire*Eater]], and the musicians [[PJ Harvey]], and [[John Zorn]].{{Cite web |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |date=March 29, 2013 |title=What the Yeah Yeah Yeahs listened to when they were kids |url=https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |url-status=live |archive-url=https://web.archive.org/web/20251115185706/https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |archive-date=November 15, 2025 |access-date=May 27, 2026 |website=[[The New York Times]] |series=The 6th Floor Blog}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample of \"Bang\" with the repeated lyric \"As a fuck, son, you sucked!\", beginning a few seconds before the first chorus.\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend,{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It features a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002,{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}} after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n== Reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |access-date=June 4, 2026|website=[[Reuters]]|last=Harding|first=Cortney}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}}\n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of contemporary bands [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title_width = 150px\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan|Hitlistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1365162170, + "parentid": 1360841927, + "user": "Watagwaan", + "userid": 35807425, + "timestamp": "2026-07-20T17:25:50Z", + "sha1": "ff15ee7803ef92b7ba1097c7f89e7da700001df8", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Old was condensed/easier to comprehend", + "*": "{{Featured article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| border = yes\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio and earning a following for their live performances.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} They enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}}\n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio in New York City,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in the same city.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. The EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=|quote=But where their 2001 debut five-song EP was appropriately primitive and fractured, onstage the Yeah Yeah Yeahs became a fiercely funky unit, with Chase rocking hi-hat rhythms that threaten to topple his kit, Zinner making like a one-man Sonic Youth, and Karen coming on like an epileptic nymphomaniac, a performance style she initially attributed to being \"really, really, really sloshed.\"}} The band was influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences were the rock bands [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]] and [[Jonathan Fire*Eater]], and the musicians [[PJ Harvey]], and [[John Zorn]].{{Cite web |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |date=March 29, 2013 |title=What the Yeah Yeah Yeahs listened to when they were kids |url=https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |url-status=live |archive-url=https://web.archive.org/web/20251115185706/https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |archive-date=November 15, 2025 |access-date=May 27, 2026 |website=[[The New York Times]] |series=The 6th Floor Blog}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample of \"Bang\" with the repeated lyric \"As a fuck, son, you sucked!\", beginning a few seconds before the first chorus.\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend,{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It features a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002,{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}} after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n== Reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |access-date=June 4, 2026|website=[[Reuters]]|last=Harding|first=Cortney}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}}\n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of contemporary bands [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title_width = 150px\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan|Hitlistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1366756290, + "parentid": 1365162170, + "minor": "", + "user": "TFA Protector Bot", + "userid": 18984730, + "timestamp": "2026-07-30T01:00:45Z", + "sha1": "ff15ee7803ef92b7ba1097c7f89e7da700001df8", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Protected \"[[Yeah Yeah Yeahs (EP)]]\": Upcoming TFA ([[WP:BOT|bot protection]]) ([Move=Require administrator access] (expires 00:00, 6 August 2026 (UTC)))", + "*": "{{Featured article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| border = yes\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio and earning a following for their live performances.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} They enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}}\n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio in New York City,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in the same city.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. The EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=|quote=But where their 2001 debut five-song EP was appropriately primitive and fractured, onstage the Yeah Yeah Yeahs became a fiercely funky unit, with Chase rocking hi-hat rhythms that threaten to topple his kit, Zinner making like a one-man Sonic Youth, and Karen coming on like an epileptic nymphomaniac, a performance style she initially attributed to being \"really, really, really sloshed.\"}} The band was influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences were the rock bands [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]] and [[Jonathan Fire*Eater]], and the musicians [[PJ Harvey]], and [[John Zorn]].{{Cite web |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |date=March 29, 2013 |title=What the Yeah Yeah Yeahs listened to when they were kids |url=https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |url-status=live |archive-url=https://web.archive.org/web/20251115185706/https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |archive-date=November 15, 2025 |access-date=May 27, 2026 |website=[[The New York Times]] |series=The 6th Floor Blog}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample of \"Bang\" with the repeated lyric \"As a fuck, son, you sucked!\", beginning a few seconds before the first chorus.\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend,{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It features a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002,{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}} after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n== Reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |access-date=June 4, 2026|website=[[Reuters]]|last=Harding|first=Cortney}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}}\n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of contemporary bands [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title_width = 150px\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan|Hitlistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1367742615, + "parentid": 1366756290, + "minor": "", + "user": "TFA Protector Bot", + "userid": 18984730, + "timestamp": "2026-08-04T23:00:05Z", + "sha1": "ff15ee7803ef92b7ba1097c7f89e7da700001df8", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Changed protection settings for \"[[Yeah Yeah Yeahs (EP)]]\": Semi-protecting upcoming [[WP:TFA|TFA]] ([Edit=Require autoconfirmed or confirmed access] (expires 00:00, 6 August 2026 (UTC)) [Move=Require administrator access] (expires 00:00, 6 August 2026 (UTC)))", + "*": "{{Featured article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| border = yes\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio and earning a following for their live performances.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} They enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}}\n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio in New York City,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in the same city.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. The EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=|quote=But where their 2001 debut five-song EP was appropriately primitive and fractured, onstage the Yeah Yeah Yeahs became a fiercely funky unit, with Chase rocking hi-hat rhythms that threaten to topple his kit, Zinner making like a one-man Sonic Youth, and Karen coming on like an epileptic nymphomaniac, a performance style she initially attributed to being \"really, really, really sloshed.\"}} The band was influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences were the rock bands [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]] and [[Jonathan Fire*Eater]], and the musicians [[PJ Harvey]], and [[John Zorn]].{{Cite web |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |date=March 29, 2013 |title=What the Yeah Yeah Yeahs listened to when they were kids |url=https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |url-status=live |archive-url=https://web.archive.org/web/20251115185706/https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |archive-date=November 15, 2025 |access-date=May 27, 2026 |website=[[The New York Times]] |series=The 6th Floor Blog}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample of \"Bang\" with the repeated lyric \"As a fuck, son, you sucked!\", beginning a few seconds before the first chorus.\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend,{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It features a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002,{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}} after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n== Reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |access-date=June 4, 2026|website=[[Reuters]]|last=Harding|first=Cortney}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}}\n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of contemporary bands [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title_width = 150px\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan|Hitlistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1367747269, + "parentid": 1367742615, + "minor": "", + "user": "NewestPiano", + "userid": 48282118, + "timestamp": "2026-08-04T23:44:52Z", + "sha1": "ffbdd9b2a6fa13c88c8cde6b161efdb1eddda200", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Added page protection template (protected)", + "*": "{{Featured article}}\n{{Use mdy dates|date=June 2025}}\n{{Pp-protected|small=yes}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| border = yes\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio and earning a following for their live performances.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} They enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}}\n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio in New York City,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in the same city.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. The EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=|quote=But where their 2001 debut five-song EP was appropriately primitive and fractured, onstage the Yeah Yeah Yeahs became a fiercely funky unit, with Chase rocking hi-hat rhythms that threaten to topple his kit, Zinner making like a one-man Sonic Youth, and Karen coming on like an epileptic nymphomaniac, a performance style she initially attributed to being \"really, really, really sloshed.\"}} The band was influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences were the rock bands [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]] and [[Jonathan Fire*Eater]], and the musicians [[PJ Harvey]], and [[John Zorn]].{{Cite web |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |date=March 29, 2013 |title=What the Yeah Yeah Yeahs listened to when they were kids |url=https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |url-status=live |archive-url=https://web.archive.org/web/20251115185706/https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |archive-date=November 15, 2025 |access-date=May 27, 2026 |website=[[The New York Times]] |series=The 6th Floor Blog}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample of \"Bang\" with the repeated lyric \"As a fuck, son, you sucked!\", beginning a few seconds before the first chorus.\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend,{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It features a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002,{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}} after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n== Reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |access-date=June 4, 2026|website=[[Reuters]]|last=Harding|first=Cortney}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}}\n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of contemporary bands [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title_width = 150px\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan|Hitlistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1367755549, + "parentid": 1367747269, + "user": "Zmbro", + "userid": 28066471, + "timestamp": "2026-08-05T00:58:29Z", + "sha1": "f90763031d0f7933202b34be83f4b1e37a079612", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* References */ + Discogs link", + "*": "{{Featured article}}\n{{Use mdy dates|date=June 2025}}\n{{Pp-protected|small=yes}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| border = yes\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio and earning a following for their live performances.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} They enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}}\n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio in New York City,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in the same city.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. The EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=|quote=But where their 2001 debut five-song EP was appropriately primitive and fractured, onstage the Yeah Yeah Yeahs became a fiercely funky unit, with Chase rocking hi-hat rhythms that threaten to topple his kit, Zinner making like a one-man Sonic Youth, and Karen coming on like an epileptic nymphomaniac, a performance style she initially attributed to being \"really, really, really sloshed.\"}} The band was influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences were the rock bands [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]] and [[Jonathan Fire*Eater]], and the musicians [[PJ Harvey]], and [[John Zorn]].{{Cite web |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |date=March 29, 2013 |title=What the Yeah Yeah Yeahs listened to when they were kids |url=https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |url-status=live |archive-url=https://web.archive.org/web/20251115185706/https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |archive-date=November 15, 2025 |access-date=May 27, 2026 |website=[[The New York Times]] |series=The 6th Floor Blog}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample of \"Bang\" with the repeated lyric \"As a fuck, son, you sucked!\", beginning a few seconds before the first chorus.\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend,{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It features a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002,{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}} after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n== Reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |access-date=June 4, 2026|website=[[Reuters]]|last=Harding|first=Cortney}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}}\n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of contemporary bands [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title_width = 150px\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan|Hitlistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n== External links ==\n*{{Discogs master|type=album|33447}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1367758960, + "parentid": 1367755549, + "user": "JingleJim", + "userid": 12889482, + "timestamp": "2026-08-05T01:20:43Z", + "sha1": "c3a43ee6dbae2ed462c44c332df09bf2ce354714", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "grammar", + "*": "{{Featured article}}\n{{Use mdy dates|date=June 2025}}\n{{Pp-protected|small=yes}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| border = yes\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP in an effort to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio and earning a following for their live performances.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} They enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}}\n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio in New York City,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in the same city.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. The EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=|quote=But where their 2001 debut five-song EP was appropriately primitive and fractured, onstage the Yeah Yeah Yeahs became a fiercely funky unit, with Chase rocking hi-hat rhythms that threaten to topple his kit, Zinner making like a one-man Sonic Youth, and Karen coming on like an epileptic nymphomaniac, a performance style she initially attributed to being \"really, really, really sloshed.\"}} The band was influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences were the rock bands [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]] and [[Jonathan Fire*Eater]], and the musicians [[PJ Harvey]], and [[John Zorn]].{{Cite web |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |date=March 29, 2013 |title=What the Yeah Yeah Yeahs listened to when they were kids |url=https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |url-status=live |archive-url=https://web.archive.org/web/20251115185706/https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |archive-date=November 15, 2025 |access-date=May 27, 2026 |website=[[The New York Times]] |series=The 6th Floor Blog}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample of \"Bang\" with the repeated lyric \"As a fuck, son, you sucked!\", beginning a few seconds before the first chorus.\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend,{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It features a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002,{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}} after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n== Reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |access-date=June 4, 2026|website=[[Reuters]]|last=Harding|first=Cortney}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}}\n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of contemporary bands [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title_width = 150px\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan|Hitlistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n== External links ==\n*{{Discogs master|type=album|33447}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1367775551, + "parentid": 1367758960, + "user": "Mr00Mister", + "userid": 18913318, + "timestamp": "2026-08-05T03:18:25Z", + "sha1": "0e311fc6ed647e9bf4c4410c80f56901859459a6", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "/* Track listing */", + "*": "{{Featured article}}\n{{Use mdy dates|date=June 2025}}\n{{Pp-protected|small=yes}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| border = yes\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP in an effort to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio and earning a following for their live performances.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} They enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}}\n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio in New York City,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in the same city.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. The EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=|quote=But where their 2001 debut five-song EP was appropriately primitive and fractured, onstage the Yeah Yeah Yeahs became a fiercely funky unit, with Chase rocking hi-hat rhythms that threaten to topple his kit, Zinner making like a one-man Sonic Youth, and Karen coming on like an epileptic nymphomaniac, a performance style she initially attributed to being \"really, really, really sloshed.\"}} The band was influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences were the rock bands [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]] and [[Jonathan Fire*Eater]], and the musicians [[PJ Harvey]], and [[John Zorn]].{{Cite web |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |date=March 29, 2013 |title=What the Yeah Yeah Yeahs listened to when they were kids |url=https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |url-status=live |archive-url=https://web.archive.org/web/20251115185706/https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |archive-date=November 15, 2025 |access-date=May 27, 2026 |website=[[The New York Times]] |series=The 6th Floor Blog}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample of \"Bang\" with the repeated lyric \"As a fuck, son, you sucked!\", beginning a few seconds before the first chorus.\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend,{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It features a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |others=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002,{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}} after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n== Reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |access-date=June 4, 2026|website=[[Reuters]]|last=Harding|first=Cortney}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}}\n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of contemporary bands [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |others=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan|Hitlistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n== External links ==\n*{{Discogs master|type=album|33447}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1367865707, + "parentid": 1367775551, + "user": "OboeBlanket", + "userid": 50898088, + "timestamp": "2026-08-05T17:22:48Z", + "sha1": "da0b3ff4f439f3bd7ad7a069c675730e2132d143", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "AV media", + "*": "{{Featured article}}\n{{Use mdy dates|date=June 2025}}\n{{Pp-protected|small=yes}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| border = yes\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP in an effort to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio and earning a following for their live performances.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} They enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}}\n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio in New York City,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in the same city.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. The EP is sometimes mistitled as ''Master'' due to the necklace Karen O wears on the cover, or as ''Bang'' after its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=|quote=But where their 2001 debut five-song EP was appropriately primitive and fractured, onstage the Yeah Yeah Yeahs became a fiercely funky unit, with Chase rocking hi-hat rhythms that threaten to topple his kit, Zinner making like a one-man Sonic Youth, and Karen coming on like an epileptic nymphomaniac, a performance style she initially attributed to being \"really, really, really sloshed.\"}} The band was influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences were the rock bands [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]] and [[Jonathan Fire*Eater]], and the musicians [[PJ Harvey]], and [[John Zorn]].{{Cite web |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |date=March 29, 2013 |title=What the Yeah Yeah Yeahs listened to when they were kids |url=https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |url-status=live |archive-url=https://web.archive.org/web/20251115185706/https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |archive-date=November 15, 2025 |access-date=May 27, 2026 |website=[[The New York Times]] |series=The 6th Floor Blog}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample of \"Bang\" with the repeated lyric \"As a fuck, son, you sucked!\", beginning a few seconds before the first chorus.\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend,{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It features a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |author=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002,{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}} after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n== Reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |access-date=June 4, 2026|website=[[Reuters]]|last=Harding|first=Cortney}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}}\n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of contemporary bands [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |author=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan|Hitlistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n== External links ==\n*{{Discogs master|type=album|33447}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1367886870, + "parentid": 1367865707, + "user": "TreeLethargy", + "userid": 29346105, + "timestamp": "2026-08-05T20:07:39Z", + "sha1": "6ab6010bc1ef395c4b2b195d2da87e1bc6cfb14c", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "", + "*": "{{Featured article}}\n{{Use mdy dates|date=June 2025}}\n{{Pp-protected|small=yes}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| border = yes\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP in an effort to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio and earning a following for their live performances.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} They enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}}\n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio in New York City,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in the same city.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. The EP has been mislabeled as ''Master'', owing to the [[nameplate necklace]] engraved with the word which Karen O wears on the cover, or as ''Bang'', after the title of its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=|quote=But where their 2001 debut five-song EP was appropriately primitive and fractured, onstage the Yeah Yeah Yeahs became a fiercely funky unit, with Chase rocking hi-hat rhythms that threaten to topple his kit, Zinner making like a one-man Sonic Youth, and Karen coming on like an epileptic nymphomaniac, a performance style she initially attributed to being \"really, really, really sloshed.\"}} The band was influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences were the rock bands [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]] and [[Jonathan Fire*Eater]], and the musicians [[PJ Harvey]], and [[John Zorn]].{{Cite web |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |date=March 29, 2013 |title=What the Yeah Yeah Yeahs listened to when they were kids |url=https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |url-status=live |archive-url=https://web.archive.org/web/20251115185706/https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |archive-date=November 15, 2025 |access-date=May 27, 2026 |website=[[The New York Times]] |series=The 6th Floor Blog}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample of \"Bang\" with the repeated lyric \"As a fuck, son, you sucked!\", beginning a few seconds before the first chorus.\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend,{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It features a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |author=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002,{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}} after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n== Reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |access-date=June 4, 2026|website=[[Reuters]]|last=Harding|first=Cortney}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}}\n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of contemporary bands [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |author=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan|Hitlistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n== External links ==\n*{{Discogs master|type=album|33447}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + }, + { + "revid": 1367918295, + "parentid": 1367886870, + "user": "KuyaMoHirowo", + "userid": 47012757, + "timestamp": "2026-08-06T00:00:02Z", + "sha1": "6ef56008a29e46ddcb992e795315725112907139", + "contentformat": "text/x-wiki", + "contentmodel": "wikitext", + "comment": "Removed page protection template (unprotected)", + "*": "{{Featured article}}\n{{Use mdy dates|date=June 2025}}\n{{Infobox album\n| name = Yeah Yeah Yeahs\n| type = EP\n| artist = [[Yeah Yeah Yeahs]]\n| cover = Yeah_Yeah_Yeahs_(EP).jpg\n| border = yes\n| alt = A close-up of a woman from her mouth to her shoulders, wearing a golden necklace that reads \"Master\" in all uppercase letters\n| released = July 9, 2001\n| genre = {{hlist|[[Alternative rock]]|[[art punk]]|[[garage rock]]|[[indie rock]]}}\n| length = 13:52\n| label = {{hlist|Shifty|[[Wichita Recordings|Wichita]]|[[Touch and Go Records|Touch and Go]]}}\n| producer = {{hlist|Jerry Teel|Yeah Yeah Yeahs}}\n| next_title = [[Machine (EP)|Machine]]\n| next_year = 2002\n}}\n'''''Yeah Yeah Yeahs''''' is the debut [[extended play]] (EP) by the American [[indie rock]] band [[Yeah Yeah Yeahs]]. It was [[self-released]] on July 9, 2001, and reissued in 2002 by [[Wichita Recordings|Wichita]] in the United Kingdom and [[Touch and Go Records|Touch and Go]] in the United States. It was recorded as a [[Demo (music)|demo]] over two days in early 2001 with producer Jerry Teel, and developed into their debut EP in an effort to land more shows. ''Yeah Yeah Yeahs'' features the band's early [[garage rock]] and [[art punk]] influences, and lead singer and lyricist [[Karen O]]'s themes of romance and sex.\n\n''Yeah Yeah Yeahs'' topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]] and had sold over 71,000 copies by the end of the decade. It was praised by critics for its unique sound and Karen O's performances, and named among the best releases of 2002 by ''[[The New York Times]]'' and ''[[NME]]''. In 2024, [[Paste (magazine)|''Paste'']] placed it among the 100 greatest EPs of all time.\n\n== Background and recording ==\n[[File:Yeah Yeah Yeahs Coachella 2006.jpg|thumb|alt=A woman and two men performing at a music event.|left|Yeah Yeah Yeahs performing at [[Coachella]] in 2006. From left to right: [[Karen O]], [[Brian Chase]] and [[Nick Zinner]].]]\nIn 2000, singer/songwriter [[Karen O]] and guitarist [[Nick Zinner]] formed the duo Unitard. They changed their name that year to Yeah Yeah Yeahs and added drummer [[Brian Chase]] to the lineup, forming a trio and earning a following for their live performances.{{Cite web |last=Brazeal |first=Anne |date=September 8, 2014 |title=Original buzz: Yeah Yeah Yeahs |url=https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |url-status=live |archive-url=https://web.archive.org/web/20251215050728/https://www.thefader.com/2014/09/08/yeah-yeah-yeahs-interview-2003 |archive-date=December 15, 2025 |access-date=March 13, 2026 |website=[[The Fader]]}} They enlisted Jerry Teel, a former guitarist for the punk rock band [[Boss Hog]], to co-produce a [[Demo (music)|demo]] that was developed into their debut EP.{{Sfn|Goodman|2017|p=229}} Zinner explained in an interview that \"Our first EP was recorded as a demo, so we could get shows at cool clubs opening up for bigger bands. That was literally our aspiration.\"{{Cite news |last= |first= |date=April 14, 2013 |title=Yeah Yeah Yeahs on love songs, New York and transforming on stage |url=https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |url-status=live |archive-url=https://web.archive.org/web/20250815102854/https://www.npr.org/2013/04/14/176830368/yeah-yeah-yeahs-on-love-songs-new-york-and-transforming-on-stage |archive-date=August 15, 2025 |access-date=April 19, 2026 |work=[[NPR]] |quote=}}\n\nThe ''Yeah Yeah Yeahs'' EP was recorded across two days with Teel at [[Avenue B (Manhattan)|Avenue B]]'s Funhouse Recording Studio in New York City,{{Cite web |date=January 5, 2006 |title=Yeah Yeah Yeahs |url=https://www.clashmusic.com/features/yeah-yeah-yeahs/ |url-status=live |archive-url=https://web.archive.org/web/20240420074329/https://www.clashmusic.com/features/yeah-yeah-yeahs/ |archive-date=April 20, 2024 |access-date=April 12, 2026 |website=[[Clash (magazine)|Clash]]}} which doubled as their rehearsal space. It was [[Mastering (audio)|mastered]] by Chuck Scott at Soundoptik in the same city.{{Sfn|Goodman|2017|p=229}} The artwork and packaging were designed by the band and Crispin. The front cover contains a [[close-up]] of Karen O, while the back cover features three different [[Selfie|self-photographs]] of her, Zinner and Chase. The EP has been mislabeled as ''Master'', owing to the [[nameplate necklace]] engraved with the word which Karen O wears on the cover, or as ''Bang'', after the title of its opening track.{{Cite web |last=Breihan |first=Tom |date=July 9, 2021 |title=The Yeah Yeah Yeahs EP turns 20 |url=https://stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary |url-status=live |archive-url=https://web.archive.org/web/20230606053222/https://www.stereogum.com/2153436/yeah-yeah-yeahs-debut-ep/reviews/the-anniversary/ |archive-date=June 6, 2023 |access-date=February 10, 2026 |website=[[Stereogum]]}}\n\n== Music and lyrics ==\nKaren O wrote the lyrics for the EP's five tracks, while the band co-wrote the music.{{Cite web |last=Rogers |first=Jude |author-link=Jude Rogers |date=March 14, 2019 |title='I just wanted to write a love song that stands the test of time': Karen O on her best work |url=https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs |access-date=March 13, 2026 |website=[[The Guardian]]|archive-url=https://web.archive.org/web/20241123065446/https://www.theguardian.com/music/2019/mar/14/all-i-ever-wanted-to-do-was-write-a-love-song-that-stands-the-test-of-time-karen-o-on-her-best-songs|archive-date=November 23, 2024|url-status=live}} They aimed to capture the \"trashy, punky, [and] grimy\" sound they observed in the contemporary Ohio music scene, and the \"cocky attitude\" they had while performing.{{Cite news |last=Hanley|first=Lynsey|date=February 26, 2006|title=Affirmative action|url=https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|url-status=live|archive-url=https://web.archive.org/web/20231213134047/https://www.theguardian.com/music/2006/feb/26/popandrock.yeahyeahyeahs|archive-date=December 13, 2023|access-date=March 13, 2026|work=[[The Guardian]]}}{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=2002 |title=Yeah Yeah Yeahs |url=https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |url-status=live |archive-url=https://web.archive.org/web/20191121173149/https://collapseboard.com/another-ancient-interview-with-yeah-yeah-yeahs-this-one-was-their-first-ever-cover-story-thought-you-might-enjoy-reading-this-as-well/ |archive-date=November 21, 2019 |access-date=April 16, 2026 |magazine=[[Careless Talk Costs Lives (magazine)|Careless Talk Costs Lives]] |via=Collapse Board |issue=9}} Karen O's [[staccato]] vocals became a focal point of the EP, though she described her singing as sounding \"really, really, really [[Alcohol intoxication|sloshed]].\"{{Cite magazine |last=Berman |first=Stuart |date=August 16, 2003 |title=A conversation with Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs |magazine=[[Eye Weekly]] |page=23 |pages=|quote=But where their 2001 debut five-song EP was appropriately primitive and fractured, onstage the Yeah Yeah Yeahs became a fiercely funky unit, with Chase rocking hi-hat rhythms that threaten to topple his kit, Zinner making like a one-man Sonic Youth, and Karen coming on like an epileptic nymphomaniac, a performance style she initially attributed to being \"really, really, really sloshed.\"}} The band was influenced by the [[dance-punk]] band [[ESG (band)|ESG]], whose sound they attempted to recreate \"with guitar instead of bass.\"{{Cite web |date=August 29, 2014 |title=Karen O: soundtrack of my life |url=https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |url-status=live |archive-url=https://web.archive.org/web/20140831054959/https://www.theguardian.com/music/2014/aug/29/karen-o-soundtrack-of-my-life-yeah-yeah-yeahs |archive-date=August 31, 2014 |access-date=March 7, 2026 |website=[[The Guardian]]|last=O|first=Karen|author-link=Karen O}} Other influences were the rock bands [[The Jon Spencer Blues Explosion|Jon Spencer Blues Explosion]] and [[Jonathan Fire*Eater]], and the musicians [[PJ Harvey]], and [[John Zorn]].{{Cite web |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |date=March 29, 2013 |title=What the Yeah Yeah Yeahs listened to when they were kids |url=https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |url-status=live |archive-url=https://web.archive.org/web/20251115185706/https://archive.nytimes.com/6thfloor.blogs.nytimes.com/2013/03/29/what-the-yeah-yeah-yeahs-listened-to-when-they-were-kids/ |archive-date=November 15, 2025 |access-date=May 27, 2026 |website=[[The New York Times]] |series=The 6th Floor Blog}}{{Listen\n| filename = YYYs Bang Sample.ogg\n| title = \"Bang\"\n| description = Sample of \"Bang\" with the repeated lyric \"As a fuck, son, you sucked!\", beginning a few seconds before the first chorus.\n}}\n\nThe opening track, \"Bang\", was inspired by Karen O's sexual dissatisfaction with a former boyfriend,{{Cite magazine |last=True |first=Everett |author-link=Everett True |date=August 2002 |title=Yeah Yeah Yeahs FAQ |url=http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |url-status=dead |archive-url=https://web.archive.org/web/20121017110318/http://www.collapseboard.com/features/interviews/an-ancient-interview-with-yeah-yeah-yeahs-thought-you-might-enjoy-reading-it/3/ |archive-date=October 17, 2012 |access-date=April 16, 2026 |magazine=BB Gun |via=Collapse Board}} emphasized by the repeated lyric \"As a fuck, son, you sucked!\" \"Mystery Girl\" was co-written with guitarist Jack Martin and depicts a sexually promiscuous woman.{{Cite web |last=DeVille |first=Chris |date=September 24, 2020 |title=Watch Yeah Yeah Yeahs play \"Our Time\" at their first show, 20 years ago today |url=https://stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news |url-status=live |archive-url=https://web.archive.org/web/20250815220314/https://www.stereogum.com/2099961/yeah-yeah-yeahs-first-show-mercury-lounge/news/ |archive-date=August 15, 2025 |access-date=March 28, 2026 |website=[[Stereogum]]|quote=Jack Martin for being our guest guitarist!}} The lyrics of the critically praised \"Art Star\" satirize [[Jet set|jet-set culture]] and the art world.{{Cite web |last=Kane |first=Tyler |date=April 16, 2013 |title=The 10 best Yeah Yeah Yeahs songs |url=https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |url-status=live |archive-url=https://web.archive.org/web/20250806150945/https://www.pastemagazine.com/music/yeah-yeah-yeahs/the-10-best-yeah-yeah-yeahs-songs |archive-date=August 6, 2025 |access-date=April 19, 2026 |website=[[Paste (magazine)|Paste]] |quote=\"Art Star\" was the outlying track that proved a lurking, yet-to-be-seen quirkiness—and how they willing the trio was to hop to polarized ends of the musical spectrum.}}{{Cite magazine |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |date=February 6, 2006 |title=Positive attitude |url=https://www.newyorker.com/magazine/2006/02/13/positive-attitude |url-status=live |archive-url=https://web.archive.org/web/20230401151503/https://www.newyorker.com/magazine/2006/02/13/positive-attitude |archive-date=April 1, 2023 |access-date=March 26, 2026 |magazine=[[The New Yorker]]}} It features a spoken word introduction and [[Screaming in music|screaming]] vocals.{{Cite web |last=Gray |first=Julia |date=June 1, 2018 |title=The 10 best Yeah Yeah Yeahs songs |url=https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists |access-date=March 7, 2026 |website=[[Stereogum]]|archive-url=https://web.archive.org/web/20260111202417/https://stereogum.com/1999279/the-10-best-yeah-yeah-yeahs-songs/lists|archive-date=January 11, 2026|url-status=live}} \"Miles Away\" concerns a woman who, as said in the song, has \"hurt fewer people in a better world\". The closing track, \"Our Time\", was originally titled \"Year to Be Hated\" and one of the first songs Karen O ever wrote. It is an [[anthem]] about a nearly failed romance, which resonated with New Yorkers after the [[September 11 attacks]].\n\n== Release ==\nThe band [[self-released]] ''Yeah Yeah Yeahs'' on July 9, 2001, through their Shifty label. They did not intend for any success,{{Sfn|Goodman|2017|p=229}} though they gained some exposure later that year after [[Albert Hammond Jr.]] of [[the Strokes]] wore their pin during a performance on ''[[Saturday Night Live]]''. [[Wichita Recordings]] co-founder Mark Bowen was impressed after hearing \"Bang\", and was surprised to see that the band had yet to sign with a record label. According to Bowen, \"We flew to America and saw them play fourth on the bill to [[Arab on Radar]]; Karen O was already a superstar in every way.\"{{Cite web |last=Bowen |first=Mark |date=July 9, 2010 |title=Ten years of Wichita Recordings |url=https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |url-status=live |archive-url=https://web.archive.org/web/20250809164454/https://www.theguardian.com/music/2010/jul/08/ten-years-wichita-recordings |archive-date=August 9, 2025 |access-date=April 15, 2026 |website=[[The Guardian]] |quote=}} He then offered them distribution of the EP in the United Kingdom in 2002.{{Cite AV media notes |title=Yeah Yeah Yeahs |year=2002 |publisher=[[Wichita Recordings]] |id=WEBB029T |type=Vinyl liner notes |author=[[Yeah Yeah Yeahs]]}} [[Touch and Go Records]] reissued it in the United States in July 2002,{{Cite web |title=Yeah Yeah Yeahs |url=https://touchandgorecords.com/bands/album.php?id=107 |archive-url=https://web.archive.org/web/20260208165424/http://www.touchandgorecords.com/bands/album.php?id=107 |archive-date=February 8, 2026 |access-date=April 16, 2026 |website=touchandgorecords.com |publisher=[[Touch and Go Records]]}} after seeing a high-profile concert at [[South by Southwest]] earlier that year.{{Sfn|Goodman|2017|p=236}}{{Sfn|Goodman|2017|p=245}}\n== Reception ==\n{{Music ratings\n| rev1 = [[AllMusic]]\n| rev1score = {{Rating|4|5}}{{cite web |url=https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |title=Yeah Yeah Yeahs – Yeah Yeah Yeahs |website=[[AllMusic]] |access-date=March 7, 2026 |last=Phares |first=Heather |archive-date=August 12, 2025 |archive-url=https://web.archive.org/web/20250812012815/https://www.allmusic.com/album/yeah-yeah-yeahs-mw0000458768 |url-status=live }}\n| rev2 = [[Blender (magazine)|''Blender'']]\n| rev2score = {{Rating|4|5}}{{Cite web |last=Kemp |first=Rob |date=July 9, 2002 |title=Yeah Yeah Yeahs |url=http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |url-status=dead |archive-url=https://web.archive.org/web/20090523043622/http://www.blender.com/guide/new/50562/yeah-yeah-yeahs.html |archive-date=May 23, 2009 |access-date=March 7, 2026 |website=[[Blender (magazine)|Blender]]}}\n| rev3 = [[Pitchfork (website)|''Pitchfork'']]\n| rev3score = 7.0/10{{Cite web |last=Dahlen |first=Chris |date=July 3, 2002 |title=Yeah Yeah Yeahs EP |url=https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |url-status=live |archive-url=https://web.archive.org/web/20090318025809/https://pitchfork.com/reviews/albums/8885-yeah-yeah-yeahs-ep/ |archive-date=March 18, 2009 |access-date=March 7, 2026 |website=[[Pitchfork (website)|Pitchfork]]}}\n| rev4 = ''[[Rolling Stone]]''\n| rev4score = {{Rating|3|5}}{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 16, 2002 |title=Yeah Yeah Yeahs |url=https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |url-status=live |archive-url=https://web.archive.org/web/20241227114634/https://www.rollingstone.com/music/music-album-reviews/yeah-yeah-yeahs-249164/ |archive-date=December 27, 2024 |access-date=March 7, 2026 |magazine=[[Rolling Stone]]}}\n| rev5 = ''[[The Rolling Stone Album Guide]]''\n| rev5score = {{Rating|4|5}}{{cite book |chapter=Yeah Yeah Yeahs |last=Frere-Jones |first=Sasha |author-link=Sasha Frere-Jones |title=The New Rolling Stone Album Guide |year=2004 |publisher=[[Simon & Schuster]] |edition=4th |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/894 894]|title-link=The Rolling Stone Album Guide }}\n| rev6 = [[Stylus Magazine|''Stylus'']]\n| rev6score = C+{{Cite web |last=Deschermeier |first=Kurt |date=September 1, 2003 |title=Master |url=http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |url-status=dead |archive-url=https://web.archive.org/web/20061112141616/http://stylusmagazine.com/reviews/yeah-yeah-yeahs/master.htm |archive-date=November 12, 2006 |access-date=March 7, 2026 |website=[[Stylus Magazine]]}}\n}}\n''Yeah Yeah Yeahs'' was received favorably and became a [[sleeper hit]], selling over 71,000 copies in the United States by the end of the decade.{{cite web |date=February 21, 2009 |title=Economic downturn claims Chicago indie label |url=https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |url-status=dead |archive-url=https://web.archive.org/web/20170816152106/https://uk.reuters.com/article/industry-us-touchandgo-idUKTRE51K0K120090221 |archive-date=August 16, 2017 |access-date=June 4, 2026|website=[[Reuters]]|last=Harding|first=Cortney}} It topped the [[UK Independent Singles and Albums Charts|UK Indie Chart]],{{cite web |title=Chart Log UK: Rachael Yamagata – Malik Yusef |url=http://www.zobbel.de/cluk/CLUK_Y.HTM |url-status=live |archive-url=https://web.archive.org/web/20131103062840/http://www.zobbel.de/cluk/CLUK_Y.HTM |archive-date=November 3, 2013 |access-date=August 7, 2014 |publisher=Zobbel.de}} and reached number nine on the [[ARIA Charts|Australia Hitseekers Chart]],{{cite web |title=ARIA Report: Issue 868 |url=http://www.aria.com.au/issue868.pdf |url-status=dead |archive-url=https://webarchive.nla.gov.au/awa/20080222222440/http://pandora.nla.gov.au/pan/23790/20061220-0000/issue868.pdf |archive-date=February 22, 2008 |access-date=March 7, 2026 |publisher=ARIA}}{{cbignore|bot=medic}} number seven on the [[Danish Singles Chart]],{{cite web |title=Yeah Yeah Yeahs |url=https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=danishcharts.dk|archive-date=April 15, 2026|url-status=live|archive-url=https://web.archive.org/web/20260415202204/https://danishcharts.dk/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s}} and number 56 on the [[Swedish Singles Chart]].{{cite web |title=Yeah Yeah Yeahs |url=https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |access-date=March 7, 2026 |website=swedishcharts.com |archive-date=November 18, 2019 |archive-url=https://web.archive.org/web/20191118023021/https://swedishcharts.com/showitem.asp?interpret=Yeah+Yeah+Yeahs&titel=Yeah+Yeah+Yeahs&cat=s |url-status=live }} Both ''[[The New York Times]]'' and ''[[NME]]'' placed the EP among the best releases of 2002, with ''NME'' awarding it second-best,{{Cite web |last=Pareles |first=Jon |author-link=Jon Pareles |date=December 29, 2002 |title=Music: The year in review, the critics/the 10 best albums; somber anthems, loose-limbed funk |url=https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |url-status=live |archive-url=https://web.archive.org/web/20210210202523/https://www.nytimes.com/2002/12/29/arts/music-year-review-critics-10-best-albums-somber-anthems-loose-limbed-funk-536792.html |archive-date=February 10, 2021 |access-date=April 10, 2026 |website=[[The New York Times]]}}{{Cite web |date=October 10, 2016 |title=NME's best albums and tracks of 2002 |url=https://www.nme.com/features/2002-2-1045353 |url-status=live |archive-url=https://web.archive.org/web/20250124234412/https://www.nme.com/features/2002-2-1045353 |archive-date=January 24, 2025 |access-date=February 12, 2026 |website=[[NME]]}} while ''[[The Village Voice]]'' placed it at number 40 on their [[Pazz & Jop]] poll.{{Cite web |last=Christgau |first=Robert |author-link=Robert Christgau |date=2002 |title=The 2002 Pazz & Jop critics poll |url=https://www.robertchristgau.com/xg/pnj/pjres02.php |url-status=live |archive-url=https://web.archive.org/web/20260212065438/https://www.robertchristgau.com/xg/pnj/pjres02.php |archive-date=February 12, 2026 |access-date=April 10, 2026 |website=robertchristgau.com}}\n\nCritics generally praised the EP's sound; [[AllMusic]] described it as one of the most innovative releases of the 2000s [[Garage rock|garage rock revival]] at the time, and journalist [[Everett True]] wrote that it captured the spirit of rock n' roll. Karen O's performances were especially praised, with [[Blender (magazine)|''Blender'']] calling her \"divine\" and ''[[Rolling Stone]]'' describing her as the \"[[Joan Jett|Joanest Jett]] in town\". Some critics noted that its [[Lo-fi music|low-fi]] style and production limited its commercial potential, while a [[Stylus Magazine|''Stylus'']] writer described three of its five tracks as \"unremarkable\". [[Pitchfork (website)|''Pitchfork'']] noted early skepticism surrounding the garage rock movement but concluded that the EP demonstrated a \"sharp survey\" of the band's capabilities.\n\nIn the 2004 edition of ''[[The Rolling Stone Album Guide]]'', the critic [[Sasha Frere-Jones]] awarded the EP four stars, writing that the band \"instantly made their case for good-old-fashioned attitude\"; the EP scored higher than their acclaimed debut album, ''[[Fever to Tell]]''. In 2016, ''[[Under the Radar (magazine)|Under the Radar]]'' said it was one of 2001's best albums and essential to both the band's success and the contemporary [[Music of New York City|New York music scene]].{{Cite magazine |last=Berlyant |first=Matthew |date=December 29, 2016 |title=The 15th anniversary: Yeah Yeah Yeahs' \"Yeah Yeah Yeahs\" EP |url=https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |url-status=live |archive-url=https://web.archive.org/web/20240221192539/https://www.undertheradarmag.com/news/the_15th_anniversary_yeah_yeah_yeahs_yeah_yeah_yeahs_ep/ |archive-date=February 21, 2024 |access-date=March 24, 2026 |magazine=[[Under the Radar (magazine)|Under the Radar]]}} In 2024, ''[[Paste (magazine)|Paste]]'' placed it at number 42 on their list of the \"100 Greatest EPs of All Time\", writing that it bested the early works of contemporary bands [[the Strokes]] and [[Interpol (band)|Interpol]].{{Cite web |date=September 25, 2024 |title=The 100 Greatest EPs of All Time |url=https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |url-status=live |archive-url=https://web.archive.org/web/20260130195229/https://www.pastemagazine.com/music/greatest-albums/the-100-greatest-eps-of-all-time |archive-date=January 30, 2026 |access-date=March 6, 2026 |website=[[Paste (magazine)|Paste]]}}\n\n==Track listing==\n{{Track listing\n| title1 = Bang\n| length1 = 3:09\n| title2 = Mystery Girl\n| length2 = 2:57\n| title3 = Art Star\n| length3 = 2:00\n| title4 = Miles Away\n| length4 = 2:20\n| title5 = Our Time\n| length5 = 3:23\n| headline = ''Yeah Yeah Yeahs'' track listing\n| total_length = 13:52\n| all_writing = [[Yeah Yeah Yeahs]], except \"Mystery Girl\", written by Yeah Yeah Yeahs and Jack Martin\n}}\n\n==Personnel==\nCredits are adapted from the liner notes of ''Yeah Yeah Yeahs''.{{Cite AV media notes |title=Yeah Yeah Yeahs |id=SH05 |publisher=Shifty |author=[[Yeah Yeah Yeahs]] |year=2001 |type=CD liner notes}}\n{{col-begin}}\n{{col-2}}\n'''Yeah Yeah Yeahs'''\n* [[Karen O]] – vocals, production, artwork\n* [[Nick Zinner]] – guitars, production, artwork\n* [[Brian Chase]] – drums, production, artwork\n{{col-2}}\n'''Additional personnel'''\n* Jerry Teel – [[Audio engineer|engineering]], production\n* Chuck Scott – [[Mastering (audio)|mastering]]\n* Crispin – artwork\n{{col-end}}\n\n== Charts ==\n{| class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n|+Chart performance for ''Yeah Yeah Yeahs''\n! scope=\"col\"| Chart (2001–2007)\n! scope=\"col\"| Peak
position\n|-\n! scope=\"row\"|[[ARIA Charts|Australia Hitseekers]] ([[ARIA]])\n|9\n|-\n! scope=\"row\"|[[Danish Singles Chart|Danish Singles]] ([[Tracklisten]])\n|7\n|-\n! scope=\"row\"|[[Swedish Singles Chart|Swedish Singles]] ([[Sverigetopplistan|Hitlistan]])\n|56\n|-\n! scope=\"row\"|[[UK Independent Singles and Albums Charts|UK Indie Chart]] ([[Official Charts Company|OCC]])\n|1\n|}\n\n== References ==\n\n=== Citations ===\n{{Reflist}}\n\n=== Bibliography ===\n* {{Cite book |last=Goodman |first=Lizzy |author-link=Lizzy Goodman |title=[[Meet Me in the Bathroom (book)|Meet Me in the Bathroom]] |publisher=Dey Street Books |year=2017 |isbn=978-0-06-223309-7}}\n\n== External links ==\n*{{Discogs master|type=album|33447}}\n\n{{Yeah Yeah Yeahs}}\n{{Authority control}}\n\n[[Category:Yeah Yeah Yeahs albums]]\n[[Category:2001 debut EPs]]\n[[Category:Alternative rock EPs]]\n[[Category:Art punk EPs]]\n[[Category:Indie rock EPs]]\n[[Category:Garage rock EPs]]" + } +] \ No newline at end of file diff --git a/tests/fixtures/yoshiminosato_station_revisions.json b/tests/fixtures/yoshiminosato_station_revisions.json new file mode 100644 index 0000000..99d4270 --- /dev/null +++ b/tests/fixtures/yoshiminosato_station_revisions.json @@ -0,0 +1,354 @@ +[ + { + "revid": 220564664, + "parentid": 0, + "minor": false, + "user": "Dex1337", + "userid": 5085350, + "timestamp": "2008-06-20T13:44:55Z", + "sha1": "f11d94cba7b948c5aa15706a36afedb338243ee3", + "comment": "Stub to start", + "*": "{{nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki|}} is a [[train station]] in [[Tajiri, Osaka|Tajiri]], [[Osaka Prefecture]], [[Japan]]. \n\n==Lines==\n*[[Nankai Electric Railway]]\n**[[Nankai Main Line]]\n**[[Nankai Airport Line]]\n\n==Layout==\n{{Sectstub|date=June 2008}}\n\n==Adjacent stations==\n{{j-railservice start}}\n{{j-route|route=Nankai Main Line|col=blue|f=w}}\n{{j-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{j-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{j-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{j-rserv|service=Sub. Express (区間急行)|b=d|previous={{ja-stalink|Hagurazaki}}|next={{ja-stalink|Okadaura}}|col=green}}\n{{j-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{end box}}\t\n\n{{Nankai Main Line}}\n[[Category:Railway stations in Osaka Prefecture]]\n\n{{osaka-rail-station-stub}}\n\n[[ja:吉見ノ里駅]]" + }, + { + "revid": 220564869, + "parentid": 220564664, + "minor": true, + "user": "Dex1337", + "userid": 5085350, + "timestamp": "2008-06-20T13:46:09Z", + "sha1": "3c4c5c801a7259faa776bce9b45aed38ca1a492d", + "comment": "", + "*": "{{nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki|}} is a [[train station]] in [[Tajiri, Osaka|Tajiri]], [[Osaka Prefecture]], [[Japan]]. \n\n==Lines==\n*[[Nankai Electric Railway]]\n**[[Nankai Main Line]]\n\n==Layout==\n{{Sectstub|date=June 2008}}\n\n==Adjacent stations==\n{{j-railservice start}}\n{{j-route|route=Nankai Main Line|col=blue|f=w}}\n{{j-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{j-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{j-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{j-rserv|service=Sub. Express (区間急行)|b=d|previous={{ja-stalink|Hagurazaki}}|next={{ja-stalink|Okadaura}}|col=green}}\n{{j-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{end box}}\t\n\n{{Nankai Main Line}}\n[[Category:Railway stations in Osaka Prefecture]]\n\n{{osaka-rail-station-stub}}\n\n[[ja:吉見ノ里駅]]" + }, + { + "revid": 244952576, + "parentid": 220564869, + "minor": false, + "user": "The Anomebot2", + "userid": 1979668, + "timestamp": "2008-10-13T08:55:49Z", + "sha1": "002d5d169635179310ec9f97467835bc097922f6", + "comment": "Adding geodata: {{coord missing|Japan}}", + "*": "{{nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki|}} is a [[train station]] in [[Tajiri, Osaka|Tajiri]], [[Osaka Prefecture]], [[Japan]]. \n\n==Lines==\n*[[Nankai Electric Railway]]\n**[[Nankai Main Line]]\n\n==Layout==\n{{Sectstub|date=June 2008}}\n\n==Adjacent stations==\n{{j-railservice start}}\n{{j-route|route=Nankai Main Line|col=blue|f=w}}\n{{j-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{j-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{j-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{j-rserv|service=Sub. Express (区間急行)|b=d|previous={{ja-stalink|Hagurazaki}}|next={{ja-stalink|Okadaura}}|col=green}}\n{{j-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{end box}}\t\n\n{{Nankai Main Line}}\n\n{{coord missing|Japan}}\n\n[[Category:Railway stations in Osaka Prefecture]]\n\n{{osaka-rail-station-stub}}\n\n[[ja:吉見ノ里駅]]" + }, + { + "revid": 354282470, + "parentid": 244952576, + "minor": false, + "user": "The Anomebot2", + "userid": 1979668, + "timestamp": "2010-04-06T09:13:19Z", + "sha1": "a3f84c7f2723b74596597b947e499adf6533da3e", + "comment": "Adding geodata: {{coord|34.3912|N|135.2896|E|type:railwaystation_region:JP|display=title}}", + "*": "{{nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki|}} is a [[train station]] in [[Tajiri, Osaka|Tajiri]], [[Osaka Prefecture]], [[Japan]]. \n\n==Lines==\n*[[Nankai Electric Railway]]\n**[[Nankai Main Line]]\n\n==Layout==\n{{Sectstub|date=June 2008}}\n\n==Adjacent stations==\n{{j-railservice start}}\n{{j-route|route=Nankai Main Line|col=blue|f=w}}\n{{j-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{j-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{j-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{j-rserv|service=Sub. Express (区間急行)|b=d|previous={{ja-stalink|Hagurazaki}}|next={{ja-stalink|Okadaura}}|col=green}}\n{{j-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{end box}}\t\n\n{{Nankai Main Line}}\n\n{{coord|34.3912|N|135.2896|E|type:railwaystation_region:JP|display=title}}\n\n[[Category:Railway stations in Osaka Prefecture]]\n\n{{osaka-rail-station-stub}}\n\n[[ja:吉見ノ里駅]]" + }, + { + "revid": 365408444, + "parentid": 354282470, + "minor": true, + "user": "SmackBot", + "userid": 433328, + "timestamp": "2010-06-01T11:09:11Z", + "sha1": "6ec3699ae51af17f91d54ad67fe7687b778ce8ab", + "comment": "Date maintenance tags and general fixes: build 417:", + "*": "{{Nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki|}} is a [[train station]] in [[Tajiri, Osaka|Tajiri]], [[Osaka Prefecture]], [[Japan]].\n\n==Lines==\n*[[Nankai Electric Railway]]\n**[[Nankai Main Line]]\n\n==Layout==\n{{Expand section|date=June 2008}}\n\n==Adjacent stations==\n{{J-railservice start}}\n{{J-route|route=Nankai Main Line|col=blue|f=w}}\n{{J-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{J-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{J-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{J-rserv|service=Sub. Express (区間急行)|b=d|previous={{Ja-stalink|Hagurazaki}}|next={{Ja-stalink|Okadaura}}|col=green}}\n{{J-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{End box}}\t\n\n{{Nankai Main Line}}\n\n{{Coord|34.3912|N|135.2896|E|type:railwaystation_region:JP|display=title}}\n\n[[Category:Railway stations in Osaka Prefecture]]\n\n\n{{osaka-rail-station-stub}}\n\n[[ja:吉見ノ里駅]]" + }, + { + "revid": 406060457, + "parentid": 365408444, + "minor": true, + "user": "Rich Farmbrough", + "userid": 82835, + "timestamp": "2011-01-05T10:55:00Z", + "sha1": "9ac5da68bb3c38ddd2e7a68550407574437db939", + "comment": "Tag Empty section or minor fixes using [[Project:AWB|AWB]]", + "*": "{{Nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki|}} is a [[train station]] in [[Tajiri, Osaka|Tajiri]], [[Osaka Prefecture]], [[Japan]].\n\n==Lines==\n*[[Nankai Electric Railway]]\n**[[Nankai Main Line]]\n\n==Layout==\n{{Empty section|date=June 2008}}\n\n==Adjacent stations==\n{{J-railservice start}}\n{{J-route|route=Nankai Main Line|col=blue|f=w}}\n{{J-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{J-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{J-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{J-rserv|service=Sub. Express (区間急行)|b=d|previous={{Ja-stalink|Hagurazaki}}|next={{Ja-stalink|Okadaura}}|col=green}}\n{{J-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{S-end}}\n\n{{Nankai Main Line}}\n\n{{Coord|34.3912|N|135.2896|E|type:railwaystation_region:JP|display=title}}\n\n[[Category:Railway stations in Osaka Prefecture]]\n\n\n{{osaka-rail-station-stub}}\n\n[[ja:吉見ノ里駅]]" + }, + { + "revid": 420629519, + "parentid": 406060457, + "minor": false, + "user": "JEXP", + "userid": 4560231, + "timestamp": "2011-03-25T08:42:36Z", + "sha1": "9632c3a9d8104138ba45d4ce49a77d1d60b2468f", + "comment": "", + "*": "{{infobox japan station\n|namerom=Yoshiminosato\n|name=吉見ノ里\n|image=Nankai yoshiminosato station.jpg\n|imagesize=\n|caption=\n|pref=Osaka\n|city=\n|ward=\n|town=Tajiri\n|village=\n|district=sennan\n|address=603, Yoshimi\n|jaloc=大阪府泉南郡田尻町大字吉見603番地\n|coordinates={{Coord|34.3912|N|135.2896|E|type:railwaystation_region:JP|display=title,inline}}\n|postal=598-0092\n|open=1915\n|close=\n|oldname=\n|presentname=\n|station_number=\n|operator=[[Nankai Electric Railway]] \n|line=[[Nankai Main Line|Main Line]]\n|stats=2,862\n|statsnote=\n|bus=n\n}}\n\n{{Nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki|}} is a [[train station]] in [[Tajiri, Osaka|Tajiri]], [[Osaka Prefecture]], [[Japan]].\n\n==Lines==\n*[[Nankai Electric Railway]]\n**[[Nankai Main Line]]\n\n==Layout==\n{{Empty section|date=June 2008}}\n\n==Adjacent stations==\n{{J-railservice start}}\n{{J-route|route=Nankai Main Line|col=blue|f=w}}\n{{J-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{J-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{J-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{J-rserv|service=Sub. Express (区間急行)|b=d|previous={{Ja-stalink|Hagurazaki}}|next={{Ja-stalink|Okadaura}}|col=green}}\n{{J-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{S-end}}\n\n{{Nankai Main Line}}\n\n[[Category:Railway stations in Osaka Prefecture]]\n\n\n{{osaka-rail-station-stub}}\n\n[[ja:吉見ノ里駅]]" + }, + { + "revid": 448152816, + "parentid": 420629519, + "minor": true, + "user": "Ultratomio", + "userid": 81104, + "timestamp": "2011-09-03T03:27:06Z", + "sha1": "c8d234d7d4a5eb3790e9c26eb965aa78790621c8", + "comment": "", + "*": "{{infobox japan station\n|namerom=Yoshiminosato\n|name=吉見ノ里\n|image=Nankai yoshiminosato station.jpg\n|imagesize=\n|caption=\n|pref=Osaka\n|city=\n|ward=\n|town=Tajiri\n|village=\n|district=sennan\n|address=603, Yoshimi\n|jaloc=大阪府泉南郡田尻町大字吉見603番地\n|coordinates= {{coord|34.391196|135.289268|format=dms|type:railwaystation_region:JP|display=title,inline}}\n|postal=598-0092\n|open=1915\n|close=\n|oldname=\n|presentname=\n|station_number=\n|operator=[[Nankai Electric Railway]] \n|line=[[Nankai Main Line|Main Line]]\n|stats=2,862\n|statsnote=\n|bus=n\n}}\n\n{{Nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki|}} is a [[train station]] in [[Tajiri, Osaka|Tajiri]], [[Osaka Prefecture]], [[Japan]].\n\n==Lines==\n*[[Nankai Electric Railway]]\n**[[Nankai Main Line]]\n\n==Layout==\n{{Empty section|date=June 2008}}\n\n==Adjacent stations==\n{{J-railservice start}}\n{{J-route|route=Nankai Main Line|col=blue|f=w}}\n{{J-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{J-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{J-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{J-rserv|service=Sub. Express (区間急行)|b=d|previous={{Ja-stalink|Hagurazaki}}|next={{Ja-stalink|Okadaura}}|col=green}}\n{{J-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{S-end}}\n\n{{Nankai Main Line}}\n\n[[Category:Railway stations in Osaka Prefecture]]\n\n\n{{osaka-rail-station-stub}}\n\n[[ja:吉見ノ里駅]]" + }, + { + "revid": 453006623, + "parentid": 448152816, + "minor": false, + "user": "FSII", + "userid": 14617803, + "timestamp": "2011-09-29T06:44:02Z", + "sha1": "3b6e0ed680bca610f60ef6d2996aa5ac73971af5", + "comment": "Template migration per [[Wikipedia:Stub_types_for_deletion/Log/2011/May/13]]", + "*": "{{infobox japan station\n|namerom=Yoshiminosato\n|name=吉見ノ里\n|image=Nankai yoshiminosato station.jpg\n|imagesize=\n|caption=\n|pref=Osaka\n|city=\n|ward=\n|town=Tajiri\n|village=\n|district=sennan\n|address=603, Yoshimi\n|jaloc=大阪府泉南郡田尻町大字吉見603番地\n|coordinates= {{coord|34.391196|135.289268|format=dms|type:railwaystation_region:JP|display=title,inline}}\n|postal=598-0092\n|open=1915\n|close=\n|oldname=\n|presentname=\n|station_number=\n|operator=[[Nankai Electric Railway]] \n|line=[[Nankai Main Line|Main Line]]\n|stats=2,862\n|statsnote=\n|bus=n\n}}\n\n{{Nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki|}} is a [[train station]] in [[Tajiri, Osaka|Tajiri]], [[Osaka Prefecture]], [[Japan]].\n\n==Lines==\n*[[Nankai Electric Railway]]\n**[[Nankai Main Line]]\n\n==Layout==\n{{Empty section|date=June 2008}}\n\n==Adjacent stations==\n{{J-railservice start}}\n{{J-route|route=Nankai Main Line|col=blue|f=w}}\n{{J-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{J-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{J-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{J-rserv|service=Sub. Express (区間急行)|b=d|previous={{Ja-stalink|Hagurazaki}}|next={{Ja-stalink|Okadaura}}|col=green}}\n{{J-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{S-end}}\n\n{{Nankai Main Line}}\n\n[[Category:Railway stations in Osaka Prefecture]]\n\n\n{{Osaka-railstation-stub}}\n\n[[ja:吉見ノ里駅]]" + }, + { + "revid": 528279274, + "parentid": 453006623, + "minor": false, + "user": "Wedensambo", + "userid": 17398247, + "timestamp": "2012-12-16T08:23:31Z", + "sha1": "ffb69d9044621d5f4d2e9eff552f7df4d252fd8d", + "comment": "corrected a link", + "*": "{{infobox japan station\n|namerom=Yoshiminosato\n|name=吉見ノ里\n|image=Nankai yoshiminosato station.jpg\n|imagesize=\n|caption=\n|pref=Osaka\n|city=\n|ward=\n|town=Tajiri\n|village=\n|district=sennan\n|address=603, Yoshimi\n|jaloc=大阪府泉南郡田尻町大字吉見603番地\n|coordinates= {{coord|34.391196|135.289268|format=dms|type:railwaystation_region:JP|display=title,inline}}\n|postal=598-0092\n|open=1915\n|close=\n|oldname=\n|presentname=\n|station_number=\n|operator=[[Nankai Electric Railway]] \n|line=[[Nankai Main Line|Main Line]]\n|stats=2,862\n|statsnote=\n|bus=n\n}}\n\n{{Nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki|}} is a [[railway station]] in [[Tajiri, Osaka|Tajiri]], [[Osaka Prefecture]], [[Japan]].\n\n==Lines==\n*[[Nankai Electric Railway]]\n**[[Nankai Main Line]]\n\n==Layout==\n{{Empty section|date=June 2008}}\n\n==Adjacent stations==\n{{J-railservice start}}\n{{J-route|route=Nankai Main Line|col=blue|f=w}}\n{{J-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{J-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{J-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{J-rserv|service=Sub. Express (区間急行)|b=d|previous={{Ja-stalink|Hagurazaki}}|next={{Ja-stalink|Okadaura}}|col=green}}\n{{J-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{S-end}}\n\n{{Nankai Main Line}}\n\n[[Category:Railway stations in Osaka Prefecture]]\n\n\n{{Osaka-railstation-stub}}\n\n[[ja:吉見ノ里駅]]" + }, + { + "revid": 530653800, + "parentid": 528279274, + "minor": true, + "user": "Charlesdrakew", + "userid": 3308922, + "timestamp": "2012-12-31T19:43:24Z", + "sha1": "3b6e0ed680bca610f60ef6d2996aa5ac73971af5", + "comment": "[[Help:Reverting|Reverted]] edits by [[Special:Contributions/Wedensambo|Wedensambo]] ([[User talk:Wedensambo|talk]]) to last version by FSII", + "*": "{{infobox japan station\n|namerom=Yoshiminosato\n|name=吉見ノ里\n|image=Nankai yoshiminosato station.jpg\n|imagesize=\n|caption=\n|pref=Osaka\n|city=\n|ward=\n|town=Tajiri\n|village=\n|district=sennan\n|address=603, Yoshimi\n|jaloc=大阪府泉南郡田尻町大字吉見603番地\n|coordinates= {{coord|34.391196|135.289268|format=dms|type:railwaystation_region:JP|display=title,inline}}\n|postal=598-0092\n|open=1915\n|close=\n|oldname=\n|presentname=\n|station_number=\n|operator=[[Nankai Electric Railway]] \n|line=[[Nankai Main Line|Main Line]]\n|stats=2,862\n|statsnote=\n|bus=n\n}}\n\n{{Nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki|}} is a [[train station]] in [[Tajiri, Osaka|Tajiri]], [[Osaka Prefecture]], [[Japan]].\n\n==Lines==\n*[[Nankai Electric Railway]]\n**[[Nankai Main Line]]\n\n==Layout==\n{{Empty section|date=June 2008}}\n\n==Adjacent stations==\n{{J-railservice start}}\n{{J-route|route=Nankai Main Line|col=blue|f=w}}\n{{J-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{J-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{J-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{J-rserv|service=Sub. Express (区間急行)|b=d|previous={{Ja-stalink|Hagurazaki}}|next={{Ja-stalink|Okadaura}}|col=green}}\n{{J-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{S-end}}\n\n{{Nankai Main Line}}\n\n[[Category:Railway stations in Osaka Prefecture]]\n\n\n{{Osaka-railstation-stub}}\n\n[[ja:吉見ノ里駅]]" + }, + { + "revid": 546439386, + "parentid": 530653800, + "minor": true, + "user": "KLBot2", + "userid": 14393296, + "timestamp": "2013-03-23T00:41:52Z", + "sha1": "88881ce2c0bdadf9955b0b1f23e6a67776f6e796", + "comment": "Bot: Migrating 1 interwiki links, now provided by [[Wikidata]] on [[:d:Q8056171]]", + "*": "{{infobox japan station\n|namerom=Yoshiminosato\n|name=吉見ノ里\n|image=Nankai yoshiminosato station.jpg\n|imagesize=\n|caption=\n|pref=Osaka\n|city=\n|ward=\n|town=Tajiri\n|village=\n|district=sennan\n|address=603, Yoshimi\n|jaloc=大阪府泉南郡田尻町大字吉見603番地\n|coordinates= {{coord|34.391196|135.289268|format=dms|type:railwaystation_region:JP|display=title,inline}}\n|postal=598-0092\n|open=1915\n|close=\n|oldname=\n|presentname=\n|station_number=\n|operator=[[Nankai Electric Railway]] \n|line=[[Nankai Main Line|Main Line]]\n|stats=2,862\n|statsnote=\n|bus=n\n}}\n\n{{Nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki|}} is a [[train station]] in [[Tajiri, Osaka|Tajiri]], [[Osaka Prefecture]], [[Japan]].\n\n==Lines==\n*[[Nankai Electric Railway]]\n**[[Nankai Main Line]]\n\n==Layout==\n{{Empty section|date=June 2008}}\n\n==Adjacent stations==\n{{J-railservice start}}\n{{J-route|route=Nankai Main Line|col=blue|f=w}}\n{{J-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{J-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{J-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{J-rserv|service=Sub. Express (区間急行)|b=d|previous={{Ja-stalink|Hagurazaki}}|next={{Ja-stalink|Okadaura}}|col=green}}\n{{J-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{S-end}}\n\n{{Nankai Main Line}}\n\n[[Category:Railway stations in Osaka Prefecture]]\n\n\n{{Osaka-railstation-stub}}" + }, + { + "revid": 585499379, + "parentid": 546439386, + "minor": false, + "user": "Fraulein451", + "userid": 16206019, + "timestamp": "2013-12-10T22:15:02Z", + "sha1": "082040789874589f2de18441cedb58c476de0997", + "comment": "added reference section", + "*": "{{infobox japan station\n|namerom=Yoshiminosato\n|name=吉見ノ里\n|image=Nankai yoshiminosato station.jpg\n|imagesize=\n|caption=\n|pref=Osaka\n|city=\n|ward=\n|town=Tajiri\n|village=\n|district=sennan\n|address=603, Yoshimi\n|jaloc=大阪府泉南郡田尻町大字吉見603番地\n|coordinates= {{coord|34.391196|135.289268|format=dms|type:railwaystation_region:JP|display=title,inline}}\n|postal=598-0092\n|open=1915\n|close=\n|oldname=\n|presentname=\n|station_number=\n|operator=[[Nankai Electric Railway]] \n|line=[[Nankai Main Line|Main Line]]\n|stats=2,862\n|statsnote=\n|bus=n\n}}\n\n{{Nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki|}} is a [[train station]] in [[Tajiri, Osaka|Tajiri]], [[Osaka Prefecture]], [[Japan]].\n\n==Lines==\n*[[Nankai Electric Railway]]\n**[[Nankai Main Line]]\n\n==Layout==\n{{Empty section|date=June 2008}}\n\n==Adjacent stations==\n{{J-railservice start}}\n{{J-route|route=Nankai Main Line|col=blue|f=w}}\n{{J-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{J-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{J-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{J-rserv|service=Sub. Express (区間急行)|b=d|previous={{Ja-stalink|Hagurazaki}}|next={{Ja-stalink|Okadaura}}|col=green}}\n{{J-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{S-end}}\n\n==References==\n{{reflist}}\n\n{{Nankai Main Line}}\n\n[[Category:Railway stations in Osaka Prefecture]]\n\n\n{{Osaka-railstation-stub}}" + }, + { + "revid": 687027444, + "parentid": 585499379, + "minor": false, + "user": "WilliamJE", + "userid": 937448, + "timestamp": "2015-10-22T21:53:51Z", + "sha1": "62cf6fee0b6681932f85cf0b8494eb20596aa020", + "comment": "added [[Category:1915 establishments in Japan]] using [[WP:HC|HotCat]]", + "*": "{{infobox japan station\n|namerom=Yoshiminosato\n|name=吉見ノ里\n|image=Nankai yoshiminosato station.jpg\n|imagesize=\n|caption=\n|pref=Osaka\n|city=\n|ward=\n|town=Tajiri\n|village=\n|district=sennan\n|address=603, Yoshimi\n|jaloc=大阪府泉南郡田尻町大字吉見603番地\n|coordinates= {{coord|34.391196|135.289268|format=dms|type:railwaystation_region:JP|display=title,inline}}\n|postal=598-0092\n|open=1915\n|close=\n|oldname=\n|presentname=\n|station_number=\n|operator=[[Nankai Electric Railway]] \n|line=[[Nankai Main Line|Main Line]]\n|stats=2,862\n|statsnote=\n|bus=n\n}}\n\n{{Nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki|}} is a [[train station]] in [[Tajiri, Osaka|Tajiri]], [[Osaka Prefecture]], [[Japan]].\n\n==Lines==\n*[[Nankai Electric Railway]]\n**[[Nankai Main Line]]\n\n==Layout==\n{{Empty section|date=June 2008}}\n\n==Adjacent stations==\n{{J-railservice start}}\n{{J-route|route=Nankai Main Line|col=blue|f=w}}\n{{J-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{J-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{J-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{J-rserv|service=Sub. Express (区間急行)|b=d|previous={{Ja-stalink|Hagurazaki}}|next={{Ja-stalink|Okadaura}}|col=green}}\n{{J-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{S-end}}\n\n==References==\n{{reflist}}\n\n{{Nankai Main Line}}\n\n[[Category:Railway stations in Osaka Prefecture]]\n[[Category:1915 establishments in Japan]]\n\n\n{{Osaka-railstation-stub}}" + }, + { + "revid": 696406606, + "parentid": 687027444, + "minor": true, + "user": "EarwigBot", + "userid": 9563533, + "timestamp": "2015-12-22T23:02:23Z", + "sha1": "b18a896be1fc22368c4c2f137b56638c3415c2c0", + "comment": "([[WP:BOT|Bot]]; [[User:EarwigBot#Task 20|Task 20]]): Replacing {{Infobox Japan station}} with {{Infobox station}} per [[Wikipedia:Templates for discussion/Log/2015 May 9#Template:Infobox Japan station|TfD]].", + "*": "{{Infobox station\n| name = Yoshiminosato Station\n| native_name = 吉見ノ里駅\n| native_name_lang = ja\n| type = \n| image = Nankai yoshiminosato station.jpg\n| alt = \n| caption = \n| other_name = \n| address = 603, Yoshimi, [[Tajiri, Osaka|Tajiri]], [[sennan District, Osaka|sennan]], [[Osaka Prefecture|Osaka]]
{{Nihongo2|（大阪府泉南郡田尻町大字吉見603番地）}}\n| country = Japan\n| coordinates = {{coord|34.391196|135.289268|format=dms|type:railwaystation_region:JP|display=title,inline}}\n| operator = [[Nankai Electric Railway]]\n| line = [[Nankai Main Line|Main Line]]\n| platforms = \n| connections = {{Plainlist|\n* \n }}\n| structure = \n| code = \n| opened = 1915\n| closed = \n| former = \n| passengers = 2,862 daily\n| pass_year = \n| services = \n}}\n\n{{Nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki|}} is a [[train station]] in [[Tajiri, Osaka|Tajiri]], [[Osaka Prefecture]], [[Japan]].\n\n==Lines==\n*[[Nankai Electric Railway]]\n**[[Nankai Main Line]]\n\n==Layout==\n{{Empty section|date=June 2008}}\n\n==Adjacent stations==\n{{J-railservice start}}\n{{J-route|route=Nankai Main Line|col=blue|f=w}}\n{{J-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{J-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{J-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{J-rserv|service=Sub. Express (区間急行)|b=d|previous={{Ja-stalink|Hagurazaki}}|next={{Ja-stalink|Okadaura}}|col=green}}\n{{J-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{S-end}}\n\n==References==\n{{reflist}}\n\n{{Nankai Main Line}}\n\n[[Category:Railway stations opened in 1915]]\n[[Category:Railway stations in Osaka Prefecture]]\n[[Category:1915 establishments in Japan]]\n\n\n{{Osaka-railstation-stub}}" + }, + { + "revid": 754998474, + "parentid": 696406606, + "minor": false, + "user": "KylieTastic", + "userid": 2790592, + "timestamp": "2016-12-15T18:01:03Z", + "sha1": "c8e3275864c09c16261c698cd700735e729b7284", + "comment": "tidy up - remove old empty setion(s)", + "*": "{{Infobox station\n| name = Yoshiminosato Station\n| native_name = 吉見ノ里駅\n| native_name_lang = ja\n| type = \n| image = Nankai yoshiminosato station.jpg\n| alt = \n| caption = \n| other_name = \n| address = 603, Yoshimi, [[Tajiri, Osaka|Tajiri]], [[sennan District, Osaka|sennan]], [[Osaka Prefecture|Osaka]]
{{Nihongo2|（大阪府泉南郡田尻町大字吉見603番地）}}\n| country = Japan\n| coordinates = {{coord|34.391196|135.289268|format=dms|type:railwaystation_region:JP|display=title,inline}}\n| operator = [[Nankai Electric Railway]]\n| line = [[Nankai Main Line|Main Line]]\n| platforms = \n| connections = {{Plainlist|\n* \n }}\n| structure = \n| code = \n| opened = 1915\n| closed = \n| former = \n| passengers = 2,862 daily\n| pass_year = \n| services = \n}}\n\n{{Nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki|}} is a [[train station]] in [[Tajiri, Osaka|Tajiri]], [[Osaka Prefecture]], [[Japan]].\n\n==Lines==\n*[[Nankai Electric Railway]]\n**[[Nankai Main Line]]\n\n==Adjacent stations==\n{{J-railservice start}}\n{{J-route|route=Nankai Main Line|col=blue|f=w}}\n{{J-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{J-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{J-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{J-rserv|service=Sub. Express (区間急行)|b=d|previous={{Ja-stalink|Hagurazaki}}|next={{Ja-stalink|Okadaura}}|col=green}}\n{{J-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{S-end}}\n\n==References==\n{{reflist}}\n\n{{Nankai Main Line}}\n\n[[Category:Railway stations opened in 1915]]\n[[Category:Railway stations in Osaka Prefecture]]\n[[Category:1915 establishments in Japan]]\n\n\n{{Osaka-railstation-stub}}" + }, + { + "revid": 777311072, + "parentid": 754998474, + "minor": false, + "user": "JaventheAlderick", + "userid": 28102886, + "timestamp": "2017-04-26T12:41:35Z", + "sha1": "754103bb01d9e71c462a186c972466b80df1c9f1", + "comment": "Added info to info boxes as well as 1 source.", + "*": "{{Infobox station\n| name = Yoshiminosato Station\n| native_name = 吉見ノ里駅\n| native_name_lang = ja\n| type = \n| image = Nankai yoshiminosato station.jpg\n| alt = \n| caption = \n| other_name = \n| address = 603, Yoshimi, [[Tajiri, Osaka|Tajiri]], [[sennan District, Osaka|sennan]], [[Osaka Prefecture|Osaka]]
{{Nihongo2|（大阪府泉南郡田尻町大字吉見603番地）}}\n| country = Japan\n| coordinates = {{coord|34.391196|135.289268|format=dms|type:railwaystation_region:JP|display=title,inline}}\n| operator = [[Nankai Electric Railway]]{{cite web|title=吉見ノ里駅｜南海電鉄|url=http://www.nankai.co.jp/traffic/station/yoshiminosato.html|website=www.nankai.co.jp|publisher=Nankai Electric Railway|accessdate=26 April 2017|language=ja|date=28 January 2017|quote=Yoshiminosato Station}}\n| line = [[Nankai Main Line|Main Line]]{{cite web|title=吉見ノ里駅｜南海電鉄|url=http://www.nankai.co.jp/traffic/station/yoshiminosato.html|website=www.nankai.co.jp|publisher=Nankai Electric Railway|accessdate=26 April 2017|language=ja|date=28 January 2017|quote=Yoshiminosato Station}}\n| platforms = \n| connections = {{Plainlist|\n* \n }}\n| structure = \n| code = NK34{{cite web|title=吉見ノ里駅｜南海電鉄|url=http://www.nankai.co.jp/traffic/station/yoshiminosato.html|website=www.nankai.co.jp|publisher=Nankai Electric Railway|accessdate=26 April 2017|language=ja|date=28 January 2017|quote=Yoshiminosato Station}}\n| opened = October 1915{{cite web|title=吉見ノ里駅｜南海電鉄|url=http://www.nankai.co.jp/traffic/station/yoshiminosato.html|website=www.nankai.co.jp|publisher=Nankai Electric Railway|accessdate=26 April 2017|language=ja|date=28 January 2017|quote=Yoshiminosato Station}}\n| closed = \n| former = \n| passengers = 2,862 daily\n| pass_year = \n| services = \n}}\n\n{{Nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki|}} is a [[train station]] in [[Tajiri, Osaka|Tajiri]], [[Osaka Prefecture]], [[Japan]].{{cite web|title=吉見ノ里駅｜南海電鉄|url=http://www.nankai.co.jp/traffic/station/yoshiminosato.html|website=www.nankai.co.jp|publisher=Nankai Electric Railway|accessdate=26 April 2017|language=ja|date=28 January 2017|quote=Yoshiminosato Station}}\n\n==Lines==\n*[[Nankai Electric Railway]]\n**[[Nankai Main Line]]{{cite web|title=吉見ノ里駅｜南海電鉄|url=http://www.nankai.co.jp/traffic/station/yoshiminosato.html|website=www.nankai.co.jp|publisher=Nankai Electric Railway|accessdate=26 April 2017|language=ja|date=28 January 2017|quote=Yoshiminosato Station}}\n\n==Adjacent stations==\n{{J-railservice start}}\n{{J-route|route=Nankai Main Line|col=blue|f=w}}\n{{J-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{J-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{J-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{J-rserv|service=Sub. Express (区間急行)|b=d|previous={{Ja-stalink|Hagurazaki}}|next={{Ja-stalink|Okadaura}}|col=green}}\n{{J-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{S-end}}\n\n==References==\n{{reflist}}\n\n{{Nankai Main Line}}\n\n[[Category:Railway stations opened in 1915]]\n[[Category:Railway stations in Osaka Prefecture]]\n[[Category:1915 establishments in Japan]]\n\n\n{{Osaka-railstation-stub}}" + }, + { + "revid": 780502617, + "parentid": 777311072, + "minor": true, + "user": "AnomieBOT", + "userid": 7611264, + "timestamp": "2017-05-15T14:37:10Z", + "sha1": "e54361bee91c8f7d9a05fca25a0d441aa4d9d138", + "comment": "[[User:AnomieBOT/docs/TemplateSubster|Substing templates]]: {{Ja-stalink}}. See [[User:AnomieBOT/docs/TemplateSubster]] for info.", + "*": "{{Infobox station\n| name = Yoshiminosato Station\n| native_name = 吉見ノ里駅\n| native_name_lang = ja\n| type = \n| image = Nankai yoshiminosato station.jpg\n| alt = \n| caption = \n| other_name = \n| address = 603, Yoshimi, [[Tajiri, Osaka|Tajiri]], [[sennan District, Osaka|sennan]], [[Osaka Prefecture|Osaka]]
{{Nihongo2|（大阪府泉南郡田尻町大字吉見603番地）}}\n| country = Japan\n| coordinates = {{coord|34.391196|135.289268|format=dms|type:railwaystation_region:JP|display=title,inline}}\n| operator = [[Nankai Electric Railway]]{{cite web|title=吉見ノ里駅｜南海電鉄|url=http://www.nankai.co.jp/traffic/station/yoshiminosato.html|website=www.nankai.co.jp|publisher=Nankai Electric Railway|accessdate=26 April 2017|language=ja|date=28 January 2017|quote=Yoshiminosato Station}}\n| line = [[Nankai Main Line|Main Line]]{{cite web|title=吉見ノ里駅｜南海電鉄|url=http://www.nankai.co.jp/traffic/station/yoshiminosato.html|website=www.nankai.co.jp|publisher=Nankai Electric Railway|accessdate=26 April 2017|language=ja|date=28 January 2017|quote=Yoshiminosato Station}}\n| platforms = \n| connections = {{Plainlist|\n* \n }}\n| structure = \n| code = NK34{{cite web|title=吉見ノ里駅｜南海電鉄|url=http://www.nankai.co.jp/traffic/station/yoshiminosato.html|website=www.nankai.co.jp|publisher=Nankai Electric Railway|accessdate=26 April 2017|language=ja|date=28 January 2017|quote=Yoshiminosato Station}}\n| opened = October 1915{{cite web|title=吉見ノ里駅｜南海電鉄|url=http://www.nankai.co.jp/traffic/station/yoshiminosato.html|website=www.nankai.co.jp|publisher=Nankai Electric Railway|accessdate=26 April 2017|language=ja|date=28 January 2017|quote=Yoshiminosato Station}}\n| closed = \n| former = \n| passengers = 2,862 daily\n| pass_year = \n| services = \n}}\n\n{{Nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki|}} is a [[train station]] in [[Tajiri, Osaka|Tajiri]], [[Osaka Prefecture]], [[Japan]].{{cite web|title=吉見ノ里駅｜南海電鉄|url=http://www.nankai.co.jp/traffic/station/yoshiminosato.html|website=www.nankai.co.jp|publisher=Nankai Electric Railway|accessdate=26 April 2017|language=ja|date=28 January 2017|quote=Yoshiminosato Station}}\n\n==Lines==\n*[[Nankai Electric Railway]]\n**[[Nankai Main Line]]{{cite web|title=吉見ノ里駅｜南海電鉄|url=http://www.nankai.co.jp/traffic/station/yoshiminosato.html|website=www.nankai.co.jp|publisher=Nankai Electric Railway|accessdate=26 April 2017|language=ja|date=28 January 2017|quote=Yoshiminosato Station}}\n\n==Adjacent stations==\n{{J-railservice start}}\n{{J-route|route=Nankai Main Line|col=blue|f=w}}\n{{J-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{J-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{J-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{J-rserv|service=Sub. Express (区間急行)|b=d|previous={{STN|Hagurazaki}}|next={{STN|Okadaura}}|col=green}}\n{{J-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{S-end}}\n\n==References==\n{{reflist}}\n\n{{Nankai Main Line}}\n\n[[Category:Railway stations opened in 1915]]\n[[Category:Railway stations in Osaka Prefecture]]\n[[Category:1915 establishments in Japan]]\n\n\n{{Osaka-railstation-stub}}" + }, + { + "revid": 840729939, + "parentid": 780502617, + "minor": false, + "user": "Nyamo Kurosawa", + "userid": 29953658, + "timestamp": "2018-05-11T19:41:25Z", + "sha1": "da4e9e4d1a2924c0ade0847499e6e36f9ca09e88", + "comment": "cleanup/expanded infobox, reference cleanup, added maintenance tag", + "*": "{{One source|date=May 2018}}\n{{Infobox station\n| name = Yoshiminosato Station\n| native_name = 吉見ノ里駅\n| native_name_lang = ja\n| type = \n| image = File:吉見ノ里駅 - panoramio.jpg\n| alt = \n| caption = Yoshiminosato Station in July 2012\n| other_name = \n| address = 603, Yoshimi, [[Tajiri, Osaka|Tajiri]], [[Sennan District, Osaka|Sennan]]
{{Nihongo2|（大阪府泉南郡田尻町大字吉見603番地）}}\n| borough = [[Osaka Prefecture]]\n| country = Japan\n| coordinates = {{coord|34.391196|135.289268|format=dms|type:railwaystation_region:JP|display=title,inline}}\n| operator = [[File:Nankai group logo.svg|15px]] [[Nankai Electric Railway]]\n| line = [[File:Nankai mainline symbol.svg|15px]] [[Nankai Main Line]]\n| platforms = \n| connections = \n| structure = \n| code = NK34\n| website = {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}}\n| opened = October 1915{{cite web|title=吉見ノ里駅｜南海電鉄|url=http://www.nankai.co.jp/traffic/station/yoshiminosato.html|website=www.nankai.co.jp|publisher=Nankai Electric Railway|accessdate=26 April 2017|language=ja|date=28 January 2017|quote=Yoshiminosato Station}}\n| closed = \n| former = \n| passengers = 2,862 daily\n| pass_year = \n| map_type = Japan\n}}\n{{Nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki|}} is a train station in [[Tajiri, Osaka|Tajiri]], [[Osaka Prefecture]], Japan, operated by the private railway operator [[Nankai Electric Railway]].\n\n==Lines==\nYoshiminosato Station is served by the [[Nankai Main Line]], and has the station number \"NK34\".\n\n==Adjacent stations==\n{{J-railservice start}}\n{{J-route|route=Nankai Main Line|col=#0065af|f=w}}\n{{J-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{J-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{J-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{J-rserv|service=Sub. Express (区間急行)|b=d|previous={{STN|Hagurazaki}}|next={{STN|Okadaura}}|col=green}}\n{{J-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{S-end}}\n\n==See also==\n* [[List of railway stations in Japan]]\n\n==References==\n{{reflist}}\n\n==External links==\n{{Commons category}}\n* {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}} {{ja icon}}\n\n{{Nankai Main Line}}\n\n[[Category:Railway stations opened in 1915]]\n[[Category:Railway stations in Osaka Prefecture]]\n[[Category:1915 establishments in Japan]]\n\n{{Osaka-railstation-stub}}" + }, + { + "revid": 901384888, + "parentid": 840729939, + "minor": true, + "user": "Monkbot", + "userid": 20483999, + "timestamp": "2019-06-11T14:35:28Z", + "sha1": "33c27527f0f4185f38f92722c26f9c8aeb404735", + "comment": "/* top */[[User:Monkbot/Task_6:_CS1_language_support|Task 6p]]: add |script-title=; replace {{xx icon}} with |language= in CS1 citations; normalize language icons;", + "*": "{{One source|date=May 2018}}\n{{Infobox station\n| name = Yoshiminosato Station\n| native_name = 吉見ノ里駅\n| native_name_lang = ja\n| type = \n| image = File:吉見ノ里駅 - panoramio.jpg\n| alt = \n| caption = Yoshiminosato Station in July 2012\n| other_name = \n| address = 603, Yoshimi, [[Tajiri, Osaka|Tajiri]], [[Sennan District, Osaka|Sennan]]
{{Nihongo2|（大阪府泉南郡田尻町大字吉見603番地）}}\n| borough = [[Osaka Prefecture]]\n| country = Japan\n| coordinates = {{coord|34.391196|135.289268|format=dms|type:railwaystation_region:JP|display=title,inline}}\n| operator = [[File:Nankai group logo.svg|15px]] [[Nankai Electric Railway]]\n| line = [[File:Nankai mainline symbol.svg|15px]] [[Nankai Main Line]]\n| platforms = \n| connections = \n| structure = \n| code = NK34\n| website = {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}}\n| opened = October 1915{{cite web|script-title=ja:吉見ノ里駅｜南海電鉄|url=http://www.nankai.co.jp/traffic/station/yoshiminosato.html|website=www.nankai.co.jp|publisher=Nankai Electric Railway|accessdate=26 April 2017|language=ja|date=28 January 2017|quote=Yoshiminosato Station}}\n| closed = \n| former = \n| passengers = 2,862 daily\n| pass_year = \n| map_type = Japan\n}}\n{{Nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki|}} is a train station in [[Tajiri, Osaka|Tajiri]], [[Osaka Prefecture]], Japan, operated by the private railway operator [[Nankai Electric Railway]].\n\n==Lines==\nYoshiminosato Station is served by the [[Nankai Main Line]], and has the station number \"NK34\".\n\n==Adjacent stations==\n{{J-railservice start}}\n{{J-route|route=Nankai Main Line|col=#0065af|f=w}}\n{{J-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{J-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{J-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{J-rserv|service=Sub. Express (区間急行)|b=d|previous={{STN|Hagurazaki}}|next={{STN|Okadaura}}|col=green}}\n{{J-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{S-end}}\n\n==See also==\n* [[List of railway stations in Japan]]\n\n==References==\n{{reflist}}\n\n==External links==\n{{Commons category}}\n* {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}} {{ja icon}}\n\n{{Nankai Main Line}}\n\n[[Category:Railway stations opened in 1915]]\n[[Category:Railway stations in Osaka Prefecture]]\n[[Category:1915 establishments in Japan]]\n\n{{Osaka-railstation-stub}}" + }, + { + "revid": 926768613, + "parentid": 901384888, + "minor": true, + "user": "Rich Farmbrough", + "userid": 82835, + "timestamp": "2019-11-18T16:22:54Z", + "sha1": "4062a3cea4b9a8c2f6ed54c1930ccd29c8afcb02", + "comment": "Date formats", + "*": "{{Use dmy dates|date=November 2019}}\n{{One source|date=May 2018}}\n{{Infobox station\n| name = Yoshiminosato Station\n| native_name = 吉見ノ里駅\n| native_name_lang = ja\n| type = \n| image = File:吉見ノ里駅 - panoramio.jpg\n| alt = \n| caption = Yoshiminosato Station in July 2012\n| other_name = \n| address = 603, Yoshimi, [[Tajiri, Osaka|Tajiri]], [[Sennan District, Osaka|Sennan]]
{{Nihongo2|（大阪府泉南郡田尻町大字吉見603番地）}}\n| borough = [[Osaka Prefecture]]\n| country = Japan\n| coordinates = {{coord|34.391196|135.289268|format=dms|type:railwaystation_region:JP|display=title,inline}}\n| operator = [[File:Nankai group logo.svg|15px]] [[Nankai Electric Railway]]\n| line = [[File:Nankai mainline symbol.svg|15px]] [[Nankai Main Line]]\n| platforms = \n| connections = \n| structure = \n| code = NK34\n| website = {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}}\n| opened = October 1915{{cite web|script-title=ja:吉見ノ里駅｜南海電鉄|url=http://www.nankai.co.jp/traffic/station/yoshiminosato.html|website=www.nankai.co.jp|publisher=Nankai Electric Railway|accessdate=26 April 2017|language=ja|date=28 January 2017|quote=Yoshiminosato Station}}\n| closed = \n| former = \n| passengers = 2,862 daily\n| pass_year = \n| map_type = Japan\n}}\n{{Nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki|}} is a train station in [[Tajiri, Osaka|Tajiri]], [[Osaka Prefecture]], Japan, operated by the private railway operator [[Nankai Electric Railway]].\n\n==Lines==\nYoshiminosato Station is served by the [[Nankai Main Line]], and has the station number \"NK34\".\n\n==Adjacent stations==\n{{J-railservice start}}\n{{J-route|route=Nankai Main Line|col=#0065af|f=w}}\n{{J-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{J-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{J-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{J-rserv|service=Sub. Express (区間急行)|b=d|previous={{STN|Hagurazaki}}|next={{STN|Okadaura}}|col=green}}\n{{J-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{S-end}}\n\n==See also==\n* [[List of railway stations in Japan]]\n\n==References==\n{{reflist}}\n\n==External links==\n{{Commons category}}\n* {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}} {{ja icon}}\n\n{{Nankai Main Line}}\n\n[[Category:Railway stations opened in 1915]]\n[[Category:Railway stations in Osaka Prefecture]]\n[[Category:1915 establishments in Japan]]\n\n\n{{Osaka-railstation-stub}}" + }, + { + "revid": 933820681, + "parentid": 926768613, + "minor": true, + "user": "Monkbot", + "userid": 20483999, + "timestamp": "2020-01-03T05:27:39Z", + "sha1": "6851d433c0b7013c23529598508a2e6ab1b77881", + "comment": "/* External links */[[User:Monkbot/task 15: normalize lang icon templates|Task 15]]: language icon template(s) replaced (1×);", + "*": "{{Use dmy dates|date=November 2019}}\n{{One source|date=May 2018}}\n{{Infobox station\n| name = Yoshiminosato Station\n| native_name = 吉見ノ里駅\n| native_name_lang = ja\n| type = \n| image = File:吉見ノ里駅 - panoramio.jpg\n| alt = \n| caption = Yoshiminosato Station in July 2012\n| other_name = \n| address = 603, Yoshimi, [[Tajiri, Osaka|Tajiri]], [[Sennan District, Osaka|Sennan]]
{{Nihongo2|（大阪府泉南郡田尻町大字吉見603番地）}}\n| borough = [[Osaka Prefecture]]\n| country = Japan\n| coordinates = {{coord|34.391196|135.289268|format=dms|type:railwaystation_region:JP|display=title,inline}}\n| operator = [[File:Nankai group logo.svg|15px]] [[Nankai Electric Railway]]\n| line = [[File:Nankai mainline symbol.svg|15px]] [[Nankai Main Line]]\n| platforms = \n| connections = \n| structure = \n| code = NK34\n| website = {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}}\n| opened = October 1915{{cite web|script-title=ja:吉見ノ里駅｜南海電鉄|url=http://www.nankai.co.jp/traffic/station/yoshiminosato.html|website=www.nankai.co.jp|publisher=Nankai Electric Railway|accessdate=26 April 2017|language=ja|date=28 January 2017|quote=Yoshiminosato Station}}\n| closed = \n| former = \n| passengers = 2,862 daily\n| pass_year = \n| map_type = Japan\n}}\n{{Nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki|}} is a train station in [[Tajiri, Osaka|Tajiri]], [[Osaka Prefecture]], Japan, operated by the private railway operator [[Nankai Electric Railway]].\n\n==Lines==\nYoshiminosato Station is served by the [[Nankai Main Line]], and has the station number \"NK34\".\n\n==Adjacent stations==\n{{J-railservice start}}\n{{J-route|route=Nankai Main Line|col=#0065af|f=w}}\n{{J-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{J-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{J-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{J-rserv|service=Sub. Express (区間急行)|b=d|previous={{STN|Hagurazaki}}|next={{STN|Okadaura}}|col=green}}\n{{J-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{S-end}}\n\n==See also==\n* [[List of railway stations in Japan]]\n\n==References==\n{{reflist}}\n\n==External links==\n{{Commons category}}\n* {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}} {{in lang|ja}}\n\n{{Nankai Main Line}}\n\n[[Category:Railway stations opened in 1915]]\n[[Category:Railway stations in Osaka Prefecture]]\n[[Category:1915 establishments in Japan]]\n\n\n{{Osaka-railstation-stub}}" + }, + { + "revid": 947149698, + "parentid": 933820681, + "minor": false, + "user": "Ganbaruby", + "userid": 15242876, + "timestamp": "2020-03-24T16:16:58Z", + "sha1": "c4446e69d1dbd5213e1c5138b9a4523c6958cc15", + "comment": "Adding local [[Wikipedia:Short description|short description]]: \"Railway station in Tajiri, Osaka Prefecture, Japan\", overriding Wikidata description \"railway station in Tajiri, Sennan district, Osaka Prefecture, Japan\" ([[Wikipedia:Shortdesc helper|Shortdesc helper]])", + "*": "{{short description|Railway station in Tajiri, Osaka Prefecture, Japan}}\n{{Use dmy dates|date=November 2019}}\n{{One source|date=May 2018}}\n{{Infobox station\n| name = Yoshiminosato Station\n| native_name = 吉見ノ里駅\n| native_name_lang = ja\n| type = \n| image = File:吉見ノ里駅 - panoramio.jpg\n| alt = \n| caption = Yoshiminosato Station in July 2012\n| other_name = \n| address = 603, Yoshimi, [[Tajiri, Osaka|Tajiri]], [[Sennan District, Osaka|Sennan]]
{{Nihongo2|（大阪府泉南郡田尻町大字吉見603番地）}}\n| borough = [[Osaka Prefecture]]\n| country = Japan\n| coordinates = {{coord|34.391196|135.289268|format=dms|type:railwaystation_region:JP|display=title,inline}}\n| operator = [[File:Nankai group logo.svg|15px]] [[Nankai Electric Railway]]\n| line = [[File:Nankai mainline symbol.svg|15px]] [[Nankai Main Line]]\n| platforms = \n| connections = \n| structure = \n| code = NK34\n| website = {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}}\n| opened = October 1915{{cite web|script-title=ja:吉見ノ里駅｜南海電鉄|url=http://www.nankai.co.jp/traffic/station/yoshiminosato.html|website=www.nankai.co.jp|publisher=Nankai Electric Railway|accessdate=26 April 2017|language=ja|date=28 January 2017|quote=Yoshiminosato Station}}\n| closed = \n| former = \n| passengers = 2,862 daily\n| pass_year = \n| map_type = Japan\n}}\n{{Nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki|}} is a train station in [[Tajiri, Osaka|Tajiri]], [[Osaka Prefecture]], Japan, operated by the private railway operator [[Nankai Electric Railway]].\n\n==Lines==\nYoshiminosato Station is served by the [[Nankai Main Line]], and has the station number \"NK34\".\n\n==Adjacent stations==\n{{J-railservice start}}\n{{J-route|route=Nankai Main Line|col=#0065af|f=w}}\n{{J-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{J-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{J-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{J-rserv|service=Sub. Express (区間急行)|b=d|previous={{STN|Hagurazaki}}|next={{STN|Okadaura}}|col=green}}\n{{J-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{S-end}}\n\n==See also==\n* [[List of railway stations in Japan]]\n\n==References==\n{{reflist}}\n\n==External links==\n{{Commons category}}\n* {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}} {{in lang|ja}}\n\n{{Nankai Main Line}}\n\n[[Category:Railway stations opened in 1915]]\n[[Category:Railway stations in Osaka Prefecture]]\n[[Category:1915 establishments in Japan]]\n\n\n{{Osaka-railstation-stub}}" + }, + { + "revid": 957802210, + "parentid": 947149698, + "minor": false, + "user": "BrownHairedGirl", + "userid": 754619, + "timestamp": "2020-05-20T16:50:29Z", + "sha1": "fcb05c1b6e8b7dd24e5904586d9e7108095be96e", + "comment": "[[Category:Railway stations in Japan by year of opening]], replaced: [[Category:Railway stations opened in 1915]] → [[Category:Railway stations in Japan opened in 1915]], [[Category:1915 establishments in Japan]] →...", + "*": "{{short description|Railway station in Tajiri, Osaka Prefecture, Japan}}\n{{Use dmy dates|date=November 2019}}\n{{One source|date=May 2018}}\n{{Infobox station\n| name = Yoshiminosato Station\n| native_name = 吉見ノ里駅\n| native_name_lang = ja\n| type = \n| image = File:吉見ノ里駅 - panoramio.jpg\n| alt = \n| caption = Yoshiminosato Station in July 2012\n| other_name = \n| address = 603, Yoshimi, [[Tajiri, Osaka|Tajiri]], [[Sennan District, Osaka|Sennan]]
{{Nihongo2|（大阪府泉南郡田尻町大字吉見603番地）}}\n| borough = [[Osaka Prefecture]]\n| country = Japan\n| coordinates = {{coord|34.391196|135.289268|format=dms|type:railwaystation_region:JP|display=title,inline}}\n| operator = [[File:Nankai group logo.svg|15px]] [[Nankai Electric Railway]]\n| line = [[File:Nankai mainline symbol.svg|15px]] [[Nankai Main Line]]\n| platforms = \n| connections = \n| structure = \n| code = NK34\n| website = {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}}\n| opened = October 1915{{cite web|script-title=ja:吉見ノ里駅｜南海電鉄|url=http://www.nankai.co.jp/traffic/station/yoshiminosato.html|website=www.nankai.co.jp|publisher=Nankai Electric Railway|accessdate=26 April 2017|language=ja|date=28 January 2017|quote=Yoshiminosato Station}}\n| closed = \n| former = \n| passengers = 2,862 daily\n| pass_year = \n| map_type = Japan\n}}\n{{Nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki|}} is a train station in [[Tajiri, Osaka|Tajiri]], [[Osaka Prefecture]], Japan, operated by the private railway operator [[Nankai Electric Railway]].\n\n==Lines==\nYoshiminosato Station is served by the [[Nankai Main Line]], and has the station number \"NK34\".\n\n==Adjacent stations==\n{{J-railservice start}}\n{{J-route|route=Nankai Main Line|col=#0065af|f=w}}\n{{J-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{J-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{J-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{J-rserv|service=Sub. Express (区間急行)|b=d|previous={{STN|Hagurazaki}}|next={{STN|Okadaura}}|col=green}}\n{{J-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{S-end}}\n\n==See also==\n* [[List of railway stations in Japan]]\n\n==References==\n{{reflist}}\n\n==External links==\n{{Commons category}}\n* {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}} {{in lang|ja}}\n\n{{Nankai Main Line}}\n\n[[Category:Railway stations in Japan opened in 1915]]\n[[Category:Railway stations in Osaka Prefecture]]\n\n\n{{Osaka-railstation-stub}}" + }, + { + "revid": 1001788551, + "parentid": 957802210, + "minor": true, + "user": "Monkbot", + "userid": 20483999, + "timestamp": "2021-01-21T10:02:57Z", + "sha1": "5096407b54252716b7b621d5d50b4f13c8bf4046", + "comment": "[[User:Monkbot/task 18|Task 18 (cosmetic)]]: eval 1 template: hyphenate params (1×);", + "*": "{{short description|Railway station in Tajiri, Osaka Prefecture, Japan}}\n{{Use dmy dates|date=November 2019}}\n{{One source|date=May 2018}}\n{{Infobox station\n| name = Yoshiminosato Station\n| native_name = 吉見ノ里駅\n| native_name_lang = ja\n| type = \n| image = File:吉見ノ里駅 - panoramio.jpg\n| alt = \n| caption = Yoshiminosato Station in July 2012\n| other_name = \n| address = 603, Yoshimi, [[Tajiri, Osaka|Tajiri]], [[Sennan District, Osaka|Sennan]]
{{Nihongo2|（大阪府泉南郡田尻町大字吉見603番地）}}\n| borough = [[Osaka Prefecture]]\n| country = Japan\n| coordinates = {{coord|34.391196|135.289268|format=dms|type:railwaystation_region:JP|display=title,inline}}\n| operator = [[File:Nankai group logo.svg|15px]] [[Nankai Electric Railway]]\n| line = [[File:Nankai mainline symbol.svg|15px]] [[Nankai Main Line]]\n| platforms = \n| connections = \n| structure = \n| code = NK34\n| website = {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}}\n| opened = October 1915{{cite web|script-title=ja:吉見ノ里駅｜南海電鉄|url=http://www.nankai.co.jp/traffic/station/yoshiminosato.html|website=www.nankai.co.jp|publisher=Nankai Electric Railway|access-date=26 April 2017|language=ja|date=28 January 2017|quote=Yoshiminosato Station}}\n| closed = \n| former = \n| passengers = 2,862 daily\n| pass_year = \n| map_type = Japan\n}}\n{{Nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki|}} is a train station in [[Tajiri, Osaka|Tajiri]], [[Osaka Prefecture]], Japan, operated by the private railway operator [[Nankai Electric Railway]].\n\n==Lines==\nYoshiminosato Station is served by the [[Nankai Main Line]], and has the station number \"NK34\".\n\n==Adjacent stations==\n{{J-railservice start}}\n{{J-route|route=Nankai Main Line|col=#0065af|f=w}}\n{{J-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{J-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{J-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{J-rserv|service=Sub. Express (区間急行)|b=d|previous={{STN|Hagurazaki}}|next={{STN|Okadaura}}|col=green}}\n{{J-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{S-end}}\n\n==See also==\n* [[List of railway stations in Japan]]\n\n==References==\n{{reflist}}\n\n==External links==\n{{Commons category}}\n* {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}} {{in lang|ja}}\n\n{{Nankai Main Line}}\n\n[[Category:Railway stations in Japan opened in 1915]]\n[[Category:Railway stations in Osaka Prefecture]]\n\n\n{{Osaka-railstation-stub}}" + }, + { + "revid": 1064464805, + "parentid": 1001788551, + "minor": false, + "user": "MChew", + "userid": 222511, + "timestamp": "2022-01-08T14:02:05Z", + "sha1": "e0343234521d85c43df8625d496f75c033fb55d9", + "comment": "update", + "*": "{{short description|Railway station in Tajiri, Osaka Prefecture, Japan}}\n{{Use dmy dates|date=November 2019}}\n{{Infobox station\n| name = Yoshiminosato Station\n| native_name = 吉見ノ里駅\n| native_name_lang = ja\n| type = \n| image = File:吉見ノ里駅 - panoramio.jpg\n| alt = \n| caption = Yoshiminosato Station in July 2012\n| other_name = \n| address = 603, Yoshimi, Tajiri-cho, Sennan-gun, Osaka-fu 598-0092\n| country = Japan\n| coordinates = {{coord|34.391196|135.289268|format=dms|type:railwaystation_region:JP|display=title,inline}}\n| operator = [[File:Nankai group logo.svg|15px]] [[Nankai Electric Railway]]\n| line = [[File:Nankai mainline symbol.svg|15px]] [[Nankai Main Line]]\n| platforms = 2 side platforms\n| connections = \n| structure = \n| code = NK34\n| website = {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}}\n| opened = 1 October 1915{{cite web|script-title=ja:吉見ノ里駅｜南海電鉄|url=http://www.nankai.co.jp/traffic/station/yoshiminosato.html|website=www.nankai.co.jp|publisher=Nankai Electric Railway|access-date=26 April 2017|language=ja|date=28 January 2017|quote=Yoshiminosato Station}}\n| closed = \n| former = \n| passengers = 3912 daily\n| pass_year = 2019\n| map_type = Japan Osaka Prefecture#Japan \n| map_dot_label = Yoshiminosato Station\n| services = \n}}\n{{Nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki}} is a passenger [[railway station]] located in the town of [[Tajiri, Osaka|Tajiri]], [[Sen'nan District, Osaka|Sen'nan District]]. [[Osaka Prefecture]], Japan, operated by the private railway operator [[Nankai Electric Railway]]. It has has the station number \"NK34\".\n\n==Lines==\nYoshiminosato Station is served by the [[Nankai Main Line]]], and is 37.4 kilometers from the [[terminal station|terminus]] of the line at {{STN|Nanba}}.\n\n==Layout==\nThe station consists of two opposed [[side platform]]s connected by a level crossing. The station is unattended. \n\n===Platforms===\n{{ja-rail-line|first=2|pfn=1|nidx=Nankai Main Line|dwidth=200px|dir=for {{STN|Wakayamashi}}|col=#0065af}}\n{{ja-rail-line|first=3|pfn=2|nidx=Nankai Main Line|dwidth=200px|dir=for {{STN|Namba}} and {{STN|Kansai Airport}}|col=#0065af}}\n\n==Adjacent stations==\n{{J-railservice start}}\n{{J-route|route=Nankai Main Line|col=#0065af|f=w}}\n{{J-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{J-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{J-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{J-rserv|service=Sub. Express (区間急行)|b=d|previous={{STN|Hagurazaki}}|next={{STN|Okadaura}}|col=green}}\n{{J-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{S-end}}\n\n==History==\nYoshiminosato Station opened on 1 October 1915. \n\n==Passenger statistics==\nIn fiscal 2019, the station was used by an average of 3912 passengers daily.{{cite web|url=https://www.pref.osaka.lg.jp/attach/3355/00387493/n2020-09-01~31.pdf|script-title=ja:大阪府統計年鑑（令和2年 |trans-title=Osaka Prefectural Statistical Yearbook|year= 2020|publisher= Osaka Prefecture|location= Japan|language= Japanese|archiveurl= |archivedate= |accessdate= 11 August 2021}}\n\n==Surrounding area==\n* Tajiri Town Hall\n*Tajiri Municipal Elementary School\n* Tajiri Municipal Junior High School\n*Tajiri History Museum\n\n==See also==\n* [[List of railway stations in Japan]]\n\n==References==\n{{reflist}}\n\n==External links==\n{{Commons category-inline}}\n* {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}} {{in lang|ja}}\n\n{{Nankai Main Line}}\n\n[[Category:Railway stations in Japan opened in 1915]]\n[[Category:Railway stations in Osaka Prefecture]]\n[[Category:Tajiri, Osaka]]\n\n{{Osaka-railstation-stub}}" + }, + { + "revid": 1069550634, + "parentid": 1064464805, + "minor": true, + "user": "Arjayay", + "userid": 5718152, + "timestamp": "2022-02-02T21:36:35Z", + "sha1": "e0e5173ce61ae468c1484562481181bdf6262bec", + "comment": "Duplicate word removed", + "*": "{{short description|Railway station in Tajiri, Osaka Prefecture, Japan}}\n{{Use dmy dates|date=November 2019}}\n{{Infobox station\n| name = Yoshiminosato Station\n| native_name = 吉見ノ里駅\n| native_name_lang = ja\n| type = \n| image = File:吉見ノ里駅 - panoramio.jpg\n| alt = \n| caption = Yoshiminosato Station in July 2012\n| other_name = \n| address = 603, Yoshimi, Tajiri-cho, Sennan-gun, Osaka-fu 598-0092\n| country = Japan\n| coordinates = {{coord|34.391196|135.289268|format=dms|type:railwaystation_region:JP|display=title,inline}}\n| operator = [[File:Nankai group logo.svg|15px]] [[Nankai Electric Railway]]\n| line = [[File:Nankai mainline symbol.svg|15px]] [[Nankai Main Line]]\n| platforms = 2 side platforms\n| connections = \n| structure = \n| code = NK34\n| website = {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}}\n| opened = 1 October 1915{{cite web|script-title=ja:吉見ノ里駅｜南海電鉄|url=http://www.nankai.co.jp/traffic/station/yoshiminosato.html|website=www.nankai.co.jp|publisher=Nankai Electric Railway|access-date=26 April 2017|language=ja|date=28 January 2017|quote=Yoshiminosato Station}}\n| closed = \n| former = \n| passengers = 3912 daily\n| pass_year = 2019\n| map_type = Japan Osaka Prefecture#Japan \n| map_dot_label = Yoshiminosato Station\n| services = \n}}\n{{Nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki}} is a passenger [[railway station]] located in the town of [[Tajiri, Osaka|Tajiri]], [[Sen'nan District, Osaka|Sen'nan District]]. [[Osaka Prefecture]], Japan, operated by the private railway operator [[Nankai Electric Railway]]. It has the station number \"NK34\".\n\n==Lines==\nYoshiminosato Station is served by the [[Nankai Main Line]]], and is 37.4 kilometers from the [[terminal station|terminus]] of the line at {{STN|Nanba}}.\n\n==Layout==\nThe station consists of two opposed [[side platform]]s connected by a level crossing. The station is unattended. \n\n===Platforms===\n{{ja-rail-line|first=2|pfn=1|nidx=Nankai Main Line|dwidth=200px|dir=for {{STN|Wakayamashi}}|col=#0065af}}\n{{ja-rail-line|first=3|pfn=2|nidx=Nankai Main Line|dwidth=200px|dir=for {{STN|Namba}} and {{STN|Kansai Airport}}|col=#0065af}}\n\n==Adjacent stations==\n{{J-railservice start}}\n{{J-route|route=Nankai Main Line|col=#0065af|f=w}}\n{{J-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{J-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{J-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{J-rserv|service=Sub. Express (区間急行)|b=d|previous={{STN|Hagurazaki}}|next={{STN|Okadaura}}|col=green}}\n{{J-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{S-end}}\n\n==History==\nYoshiminosato Station opened on 1 October 1915. \n\n==Passenger statistics==\nIn fiscal 2019, the station was used by an average of 3912 passengers daily.{{cite web|url=https://www.pref.osaka.lg.jp/attach/3355/00387493/n2020-09-01~31.pdf|script-title=ja:大阪府統計年鑑（令和2年 |trans-title=Osaka Prefectural Statistical Yearbook|year= 2020|publisher= Osaka Prefecture|location= Japan|language= Japanese|archiveurl= |archivedate= |accessdate= 11 August 2021}}\n\n==Surrounding area==\n* Tajiri Town Hall\n*Tajiri Municipal Elementary School\n* Tajiri Municipal Junior High School\n*Tajiri History Museum\n\n==See also==\n* [[List of railway stations in Japan]]\n\n==References==\n{{reflist}}\n\n==External links==\n{{Commons category-inline}}\n* {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}} {{in lang|ja}}\n\n{{Nankai Main Line}}\n\n[[Category:Railway stations in Japan opened in 1915]]\n[[Category:Railway stations in Osaka Prefecture]]\n[[Category:Tajiri, Osaka]]\n\n{{Osaka-railstation-stub}}" + }, + { + "revid": 1133699666, + "parentid": 1069550634, + "minor": false, + "user": "Truthanado", + "userid": 3784107, + "timestamp": "2023-01-15T03:00:52Z", + "sha1": "b06599ad17fe633d2b15426456f03ba873399910", + "comment": "c/e, date in infobox, dmy dates consistent with other Japanese rail articles, international units", + "*": "{{short description|Railway station in Tajiri, Osaka Prefecture, Japan}}\n{{Use dmy dates|date=November 2019}}\n{{Infobox station\n| name = Yoshiminosato Station\n| native_name = 吉見ノ里駅\n| native_name_lang = ja\n| type = \n| image = File:吉見ノ里駅 - panoramio.jpg\n| alt = \n| caption = Yoshiminosato Station in July 2012\n| other_name = \n| address = 603, Yoshimi, Tajiri-cho, Sennan-gun, Osaka-fu 598-0092\n| country = Japan\n| coordinates = {{coord|34.391196|135.289268|format=dms|type:railwaystation_region:JP|display=title,inline}}\n| operator = [[File:Nankai group logo.svg|15px]] [[Nankai Electric Railway]]\n| line = [[File:Nankai mainline symbol.svg|15px]] [[Nankai Main Line]]\n| platforms = 2 side platforms\n| connections = \n| structure = \n| code = NK34\n| website = {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}}\n| opened = {{start date and age|1915|10|01|df=y}}{{cite web|script-title=ja:吉見ノ里駅｜南海電鉄|url=http://www.nankai.co.jp/traffic/station/yoshiminosato.html|website=www.nankai.co.jp|publisher=Nankai Electric Railway|access-date=26 April 2017|language=ja|date=28 January 2017|quote=Yoshiminosato Station}}\n| closed = \n| former = \n| passengers = 3912 daily\n| pass_year = 2019\n| map_type = Japan Osaka Prefecture#Japan \n| map_dot_label = Yoshiminosato Station\n| services = \n}}\n{{Nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki}} is a passenger [[railway station]] located in the town of [[Tajiri, Osaka|Tajiri]], [[Sen'nan District, Osaka|Sen'nan District]]. [[Osaka Prefecture]], Japan, operated by the private railway operator [[Nankai Electric Railway]]. It has the station number \"NK34\".\n\n==Lines==\nYoshiminosato Station is served by the [[Nankai Main Line]]], and is {{convert|37.4|km|sp=us}} from the [[terminal station|terminus]] of the line at {{STN|Nanba}}.\n\n==Layout==\nThe station consists of two opposed [[side platform]]s connected by a level crossing. The station is unattended. \n\n===Platforms===\n{{ja-rail-line|first=2|pfn=1|nidx=Nankai Main Line|dwidth=200px|dir=for {{STN|Wakayamashi}}|col=#0065af}}\n{{ja-rail-line|first=3|pfn=2|nidx=Nankai Main Line|dwidth=200px|dir=for {{STN|Namba}} and {{STN|Kansai Airport}}|col=#0065af}}\n\n==Adjacent stations==\n{{J-railservice start}}\n{{J-route|route=Nankai Main Line|col=#0065af|f=w}}\n{{J-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{J-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{J-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{J-rserv|service=Sub. Express (区間急行)|b=d|previous={{STN|Hagurazaki}}|next={{STN|Okadaura}}|col=green}}\n{{J-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{S-end}}\n\n==History==\nYoshiminosato Station opened on 1 October 1915. \n\n==Passenger statistics==\nIn fiscal 2019, the station was used by an average of 3912 passengers daily.{{cite web|url=https://www.pref.osaka.lg.jp/attach/3355/00387493/n2020-09-01~31.pdf|script-title=ja:大阪府統計年鑑（令和2年 |trans-title=Osaka Prefectural Statistical Yearbook|year= 2020|publisher= Osaka Prefecture|location= Japan|language= Japanese|archiveurl= |archivedate= |accessdate= 11 August 2021}}\n\n==Surrounding area==\n* Tajiri Town Hall\n*Tajiri Municipal Elementary School\n* Tajiri Municipal Junior High School\n*Tajiri History Museum\n\n==See also==\n* [[List of railway stations in Japan]]\n\n==References==\n{{Reflist}}\n\n==External links==\n{{Commons category-inline}}\n* {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}} {{in lang|ja}}\n\n{{Nankai Main Line}}\n\n[[Category:Railway stations in Japan opened in 1915]]\n[[Category:Railway stations in Osaka Prefecture]]\n[[Category:Tajiri, Osaka]]\n\n{{Osaka-railstation-stub}}" + }, + { + "revid": 1203845748, + "parentid": 1133699666, + "minor": true, + "user": "Mazewaxie", + "userid": 25082147, + "timestamp": "2024-02-05T18:47:21Z", + "sha1": "c32b24b64ab72fc2989cd153da2c0d85fac523a3", + "comment": "[[WP:GENFIXES]]", + "*": "{{short description|Railway station in Tajiri, Osaka Prefecture, Japan}}\n{{Use dmy dates|date=November 2019}}\n{{Infobox station\n| name = Yoshiminosato Station\n| native_name = 吉見ノ里駅\n| native_name_lang = ja\n| type = \n| image = File:吉見ノ里駅 - panoramio.jpg\n| alt = \n| caption = Yoshiminosato Station in July 2012\n| other_name = \n| address = 603, Yoshimi, Tajiri-cho, Sennan-gun, Osaka-fu 598-0092\n| country = Japan\n| coordinates = {{coord|34.391196|135.289268|format=dms|type:railwaystation_region:JP|display=title,inline}}\n| operator = [[File:Nankai group logo.svg|15px]] [[Nankai Electric Railway]]\n| line = [[File:Nankai mainline symbol.svg|15px]] [[Nankai Main Line]]\n| platforms = 2 side platforms\n| connections = \n| structure = \n| code = NK34\n| website = {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}}\n| opened = {{start date and age|1915|10|01|df=y}}{{cite web|script-title=ja:吉見ノ里駅｜南海電鉄|url=http://www.nankai.co.jp/traffic/station/yoshiminosato.html|website=www.nankai.co.jp|publisher=Nankai Electric Railway|access-date=26 April 2017|language=ja|date=28 January 2017|quote=Yoshiminosato Station}}\n| closed = \n| former = \n| passengers = 3912 daily\n| pass_year = 2019\n| map_type = Japan Osaka Prefecture#Japan \n| map_dot_label = Yoshiminosato Station\n| services = \n}}\n{{Nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki}} is a passenger [[railway station]] located in the town of [[Tajiri, Osaka|Tajiri]], [[Sen'nan District, Osaka|Sen'nan District]]. [[Osaka Prefecture]], Japan, operated by the private railway operator [[Nankai Electric Railway]]. It has the station number \"NK34\".\n\n==Lines==\nYoshiminosato Station is served by the [[Nankai Main Line]], and is {{convert|37.4|km|sp=us}} from the [[terminal station|terminus]] of the line at {{STN|Nanba}}.\n\n==Layout==\nThe station consists of two opposed [[side platform]]s connected by a level crossing. The station is unattended.\n\n===Platforms===\n{{ja-rail-line|first=2|pfn=1|nidx=Nankai Main Line|dwidth=200px|dir=for {{STN|Wakayamashi}}|col=#0065af}}\n{{ja-rail-line|first=3|pfn=2|nidx=Nankai Main Line|dwidth=200px|dir=for {{STN|Namba}} and {{STN|Kansai Airport}}|col=#0065af}}\n\n==Adjacent stations==\n{{J-railservice start}}\n{{J-route|route=Nankai Main Line|col=#0065af|f=w}}\n{{J-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{J-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{J-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{J-rserv|service=Sub. Express (区間急行)|b=d|previous={{STN|Hagurazaki}}|next={{STN|Okadaura}}|col=green}}\n{{J-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{S-end}}\n\n==History==\nYoshiminosato Station opened on 1 October 1915.\n\n==Passenger statistics==\nIn fiscal 2019, the station was used by an average of 3912 passengers daily.{{cite web|url=https://www.pref.osaka.lg.jp/attach/3355/00387493/n2020-09-01~31.pdf|script-title=ja:大阪府統計年鑑（令和2年 |trans-title=Osaka Prefectural Statistical Yearbook|year= 2020|publisher= Osaka Prefecture|location= Japan|language= Japanese|archiveurl= |archivedate= |accessdate= 11 August 2021}}\n\n==Surrounding area==\n* Tajiri Town Hall\n*Tajiri Municipal Elementary School\n* Tajiri Municipal Junior High School\n*Tajiri History Museum\n\n==See also==\n* [[List of railway stations in Japan]]\n\n==References==\n{{Reflist}}\n\n==External links==\n{{Commons category-inline}}\n* {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}} {{in lang|ja}}\n\n{{Nankai Main Line}}\n\n[[Category:Railway stations in Japan opened in 1915]]\n[[Category:Railway stations in Osaka Prefecture]]\n[[Category:Tajiri, Osaka]]\n\n\n{{Osaka-railstation-stub}}" + }, + { + "revid": 1267623422, + "parentid": 1203845748, + "minor": true, + "user": "PrimeBOT", + "userid": 29463730, + "timestamp": "2025-01-05T23:23:09Z", + "sha1": "2cf02beee3bf4e3b91cbfaab3cd3bc29a5c7d303", + "comment": "[[User:PrimeBOT/24|Task 24]]: template update following [[Wikipedia:Templates_for_discussion/Log/2024_December_6#Template:STN|a TFD]]", + "*": "{{short description|Railway station in Tajiri, Osaka Prefecture, Japan}}\n{{Use dmy dates|date=November 2019}}\n{{Infobox station\n| name = Yoshiminosato Station\n| native_name = 吉見ノ里駅\n| native_name_lang = ja\n| type = \n| image = File:吉見ノ里駅 - panoramio.jpg\n| alt = \n| caption = Yoshiminosato Station in July 2012\n| other_name = \n| address = 603, Yoshimi, Tajiri-cho, Sennan-gun, Osaka-fu 598-0092\n| country = Japan\n| coordinates = {{coord|34.391196|135.289268|format=dms|type:railwaystation_region:JP|display=title,inline}}\n| operator = [[File:Nankai group logo.svg|15px]] [[Nankai Electric Railway]]\n| line = [[File:Nankai mainline symbol.svg|15px]] [[Nankai Main Line]]\n| platforms = 2 side platforms\n| connections = \n| structure = \n| code = NK34\n| website = {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}}\n| opened = {{start date and age|1915|10|01|df=y}}{{cite web|script-title=ja:吉見ノ里駅｜南海電鉄|url=http://www.nankai.co.jp/traffic/station/yoshiminosato.html|website=www.nankai.co.jp|publisher=Nankai Electric Railway|access-date=26 April 2017|language=ja|date=28 January 2017|quote=Yoshiminosato Station}}\n| closed = \n| former = \n| passengers = 3912 daily\n| pass_year = 2019\n| map_type = Japan Osaka Prefecture#Japan \n| map_dot_label = Yoshiminosato Station\n| services = \n}}\n{{Nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki}} is a passenger [[railway station]] located in the town of [[Tajiri, Osaka|Tajiri]], [[Sen'nan District, Osaka|Sen'nan District]]. [[Osaka Prefecture]], Japan, operated by the private railway operator [[Nankai Electric Railway]]. It has the station number \"NK34\".\n\n==Lines==\nYoshiminosato Station is served by the [[Nankai Main Line]], and is {{convert|37.4|km|sp=us}} from the [[terminal station|terminus]] of the line at {{STN|Nanba|x}}.\n\n==Layout==\nThe station consists of two opposed [[side platform]]s connected by a level crossing. The station is unattended.\n\n===Platforms===\n{{ja-rail-line|first=2|pfn=1|nidx=Nankai Main Line|dwidth=200px|dir=for {{STN|Wakayamashi|x}}|col=#0065af}}\n{{ja-rail-line|first=3|pfn=2|nidx=Nankai Main Line|dwidth=200px|dir=for {{STN|Namba|x}} and {{STN|Kansai Airport|x}}|col=#0065af}}\n\n==Adjacent stations==\n{{J-railservice start}}\n{{J-route|route=Nankai Main Line|col=#0065af|f=w}}\n{{J-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{J-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{J-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{J-rserv|service=Sub. Express (区間急行)|b=d|previous={{STN|Hagurazaki|x}}|next={{STN|Okadaura|x}}|col=green}}\n{{J-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{S-end}}\n\n==History==\nYoshiminosato Station opened on 1 October 1915.\n\n==Passenger statistics==\nIn fiscal 2019, the station was used by an average of 3912 passengers daily.{{cite web|url=https://www.pref.osaka.lg.jp/attach/3355/00387493/n2020-09-01~31.pdf|script-title=ja:大阪府統計年鑑（令和2年 |trans-title=Osaka Prefectural Statistical Yearbook|year= 2020|publisher= Osaka Prefecture|location= Japan|language= Japanese|archiveurl= |archivedate= |accessdate= 11 August 2021}}\n\n==Surrounding area==\n* Tajiri Town Hall\n*Tajiri Municipal Elementary School\n* Tajiri Municipal Junior High School\n*Tajiri History Museum\n\n==See also==\n* [[List of railway stations in Japan]]\n\n==References==\n{{Reflist}}\n\n==External links==\n{{Commons category-inline}}\n* {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}} {{in lang|ja}}\n\n{{Nankai Main Line}}\n\n[[Category:Railway stations in Japan opened in 1915]]\n[[Category:Railway stations in Osaka Prefecture]]\n[[Category:Tajiri, Osaka]]\n\n\n{{Osaka-railstation-stub}}" + }, + { + "revid": 1302961780, + "parentid": 1267623422, + "minor": false, + "user": "InternetArchiveBot", + "userid": 27015025, + "timestamp": "2025-07-28T10:18:14Z", + "sha1": "46bbeac783a9ced6f51944a581720a747405886d", + "comment": "Rescuing 1 sources and tagging 0 as dead.) #IABot (v2.0.9.5", + "*": "{{short description|Railway station in Tajiri, Osaka Prefecture, Japan}}\n{{Use dmy dates|date=November 2019}}\n{{Infobox station\n| name = Yoshiminosato Station\n| native_name = 吉見ノ里駅\n| native_name_lang = ja\n| type = \n| image = File:吉見ノ里駅 - panoramio.jpg\n| alt = \n| caption = Yoshiminosato Station in July 2012\n| other_name = \n| address = 603, Yoshimi, Tajiri-cho, Sennan-gun, Osaka-fu 598-0092\n| country = Japan\n| coordinates = {{coord|34.391196|135.289268|format=dms|type:railwaystation_region:JP|display=title,inline}}\n| operator = [[File:Nankai group logo.svg|15px]] [[Nankai Electric Railway]]\n| line = [[File:Nankai mainline symbol.svg|15px]] [[Nankai Main Line]]\n| platforms = 2 side platforms\n| connections = \n| structure = \n| code = NK34\n| website = {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}}\n| opened = {{start date and age|1915|10|01|df=y}}{{cite web|script-title=ja:吉見ノ里駅｜南海電鉄|url=http://www.nankai.co.jp/traffic/station/yoshiminosato.html|website=www.nankai.co.jp|publisher=Nankai Electric Railway|access-date=26 April 2017|language=ja|date=28 January 2017|quote=Yoshiminosato Station}}\n| closed = \n| former = \n| passengers = 3912 daily\n| pass_year = 2019\n| map_type = Japan Osaka Prefecture#Japan \n| map_dot_label = Yoshiminosato Station\n| services = \n}}\n{{Nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki}} is a passenger [[railway station]] located in the town of [[Tajiri, Osaka|Tajiri]], [[Sen'nan District, Osaka|Sen'nan District]]. [[Osaka Prefecture]], Japan, operated by the private railway operator [[Nankai Electric Railway]]. It has the station number \"NK34\".\n\n==Lines==\nYoshiminosato Station is served by the [[Nankai Main Line]], and is {{convert|37.4|km|sp=us}} from the [[terminal station|terminus]] of the line at {{STN|Nanba|x}}.\n\n==Layout==\nThe station consists of two opposed [[side platform]]s connected by a level crossing. The station is unattended.\n\n===Platforms===\n{{ja-rail-line|first=2|pfn=1|nidx=Nankai Main Line|dwidth=200px|dir=for {{STN|Wakayamashi|x}}|col=#0065af}}\n{{ja-rail-line|first=3|pfn=2|nidx=Nankai Main Line|dwidth=200px|dir=for {{STN|Namba|x}} and {{STN|Kansai Airport|x}}|col=#0065af}}\n\n==Adjacent stations==\n{{J-railservice start}}\n{{J-route|route=Nankai Main Line|col=#0065af|f=w}}\n{{J-rserv|service=Limited Express \"Southern\" (特急サザン)|b=d|p|col=red}}\n{{J-rserv|service=Limited Express without seat reservations (自由席特急)|b=d|p|col=red}}\n{{J-rserv|service=Express (急行)|b=d|p|col=orange}}\n{{J-rserv|service=Sub. Express (区間急行)|b=d|previous={{STN|Hagurazaki|x}}|next={{STN|Okadaura|x}}|col=green}}\n{{J-rserv|service=Local (普通車)|previous=Hagurazaki|next=Okadaura|col=gray|f=b}}\n{{S-end}}\n\n==History==\nYoshiminosato Station opened on 1 October 1915.\n\n==Passenger statistics==\nIn fiscal 2019, the station was used by an average of 3912 passengers daily.{{cite web|url= https://www.pref.osaka.lg.jp/attach/3355/00387493/n2020-09-01~31.pdf|script-title= ja:大阪府統計年鑑（令和2年|trans-title= Osaka Prefectural Statistical Yearbook|year= 2020|publisher= Osaka Prefecture|location= Japan|language= Japanese|archiveurl= https://web.archive.org/web/20210927134744/https://www.pref.osaka.lg.jp/attach/3355/00387493/n2020-09-01~31.pdf|archivedate= 27 September 2021|accessdate= 11 August 2021|url-status= dead}}\n\n==Surrounding area==\n* Tajiri Town Hall\n*Tajiri Municipal Elementary School\n* Tajiri Municipal Junior High School\n*Tajiri History Museum\n\n==See also==\n* [[List of railway stations in Japan]]\n\n==References==\n{{Reflist}}\n\n==External links==\n{{Commons category-inline}}\n* {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}} {{in lang|ja}}\n\n{{Nankai Main Line}}\n\n[[Category:Railway stations in Japan opened in 1915]]\n[[Category:Railway stations in Osaka Prefecture]]\n[[Category:Tajiri, Osaka]]\n\n\n{{Osaka-railstation-stub}}" + }, + { + "revid": 1325428645, + "parentid": 1302961780, + "minor": false, + "user": "SG5536B", + "userid": 46890682, + "timestamp": "2025-12-03T01:16:41Z", + "sha1": "11be57cb4b1b90d2fb38fa1c7790371c710e14f7", + "comment": "Adjacent stations to infobox", + "*": "{{short description|Railway station in Tajiri, Osaka Prefecture, Japan}}\n{{Use dmy dates|date=November 2019}}\n{{Infobox station\n| name = Yoshiminosato Station\n| native_name = 吉見ノ里駅\n| native_name_lang = ja\n| type = \n| image = Yoshiminosato Station (after renewal).jpg\n| alt = \n| caption = Yoshiminosato Station in October 2025\n| other_name = \n| address = 603, Yoshimi, Tajiri-cho, Sennan-gun, Osaka-fu 598-0092\n| country = Japan\n| coordinates = {{coord|34.391196|135.289268|format=dms|type:railwaystation_region:JP|display=title,inline}}\n| operator = {{ric|Nankai|name=y}}\n| line = {{ric|Nankai|Main|name=y}}\n| platforms = 2 side platforms\n| connections = \n| structure = \n| code = NK34\n| website = {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}}\n| opened = {{start date and age|1915|10|01|df=y}}{{cite web|script-title=ja:吉見ノ里駅｜南海電鉄|url=http://www.nankai.co.jp/traffic/station/yoshiminosato.html|website=www.nankai.co.jp|publisher=Nankai Electric Railway|access-date=26 April 2017|language=ja|date=28 January 2017|quote=Yoshiminosato Station}}\n| closed = \n| former = \n| passengers = 3912 daily\n| pass_year = 2019\n| map_type = Japan Osaka Prefecture#Japan \n| map_dot_label = Yoshiminosato Station\n| services = {{adjstn|system=Nankai|line=Main|left=Hagurazaki|type={{SLL|Local|gray|white}}{{SLL|Sub. Express|#093|white}}|right=Okadaura}}\n}}\n{{Nihongo|'''Yoshiminosato Station'''|吉見ノ里駅|Yoshiminosato-eki}} is a passenger [[railway station]] located in the town of [[Tajiri, Osaka|Tajiri]], [[Sen'nan District, Osaka|Sen'nan District]]. [[Osaka Prefecture]], Japan, operated by the private railway operator [[Nankai Electric Railway]]. It has the station number \"NK34\".\n\n==Lines==\nYoshiminosato Station is served by the [[Nankai Main Line]], and is {{convert|37.4|km|sp=us}} from the [[terminal station|terminus]] of the line at {{STN|Namba|x}}.\n\n==Layout==\nThe station consists of two opposed [[side platform]]s connected by a level crossing. The station is unattended.\n\n===Platforms===\n{{ja-rail-line|first=2|pfn=1|nidx=Nankai Main Line|dwidth=200px|dir=for {{STN|Wakayamashi|x}}|col=#0065af}}\n{{ja-rail-line|first=3|pfn=2|nidx=Nankai Main Line|dwidth=200px|dir=for {{STN|Namba|x}} and {{STN|Kansai Airport|x}}|col=#0065af}}\n\n==History==\nYoshiminosato Station opened on 1 October 1915.\n\n==Passenger statistics==\nIn fiscal 2019, the station was used by an average of 3912 passengers daily.{{cite web|url= https://www.pref.osaka.lg.jp/attach/3355/00387493/n2020-09-01~31.pdf|script-title= ja:大阪府統計年鑑（令和2年|trans-title= Osaka Prefectural Statistical Yearbook|year= 2020|publisher= Osaka Prefecture|location= Japan|language= Japanese|archiveurl= https://web.archive.org/web/20210927134744/https://www.pref.osaka.lg.jp/attach/3355/00387493/n2020-09-01~31.pdf|archivedate= 27 September 2021|accessdate= 11 August 2021|url-status= dead}}\n\n==Surrounding area==\n* Tajiri Town Hall\n*Tajiri Municipal Elementary School\n* Tajiri Municipal Junior High School\n*Tajiri History Museum\n\n==See also==\n* [[List of railway stations in Japan]]\n\n==References==\n{{Reflist}}\n\n==External links==\n{{Commons category-inline}}\n* {{Official website|1=http://www.nankai.co.jp/traffic/station/yoshiminosato}} {{in lang|ja}}\n\n{{Nankai Main Line}}\n\n[[Category:Railway stations in Japan opened in 1915]]\n[[Category:Railway stations in Osaka Prefecture]]\n[[Category:Tajiri, Osaka]]\n\n\n{{Osaka-railstation-stub}}" + } +] diff --git a/tests/test_regression.py b/tests/test_regression.py index 66c9770..e9351fa 100644 --- a/tests/test_regression.py +++ b/tests/test_regression.py @@ -5,13 +5,46 @@ import pytest sys.path.insert(0, os.path.join(os.path.dirname(__file__), "..")) -from WikiWho.wikiwho import Wikiwho +import WikiWho.wikiwho as wikiwho_module +from WikiWho.structures import Paragraph, Revision, Sentence, Word +from WikiWho.wikiwho import ( + _MatchCandidateLedger, + Wikiwho, + _StructuralDocument, + _StructuralIndex, + _TokenSlot, + _can_partially_restore_historical_sentence, + _compact_structural_anchor_chains, + _compact_targeted_anchor_occurrences, + _compact_targeted_anchor_occurrences_all, + _current_revision_token_slots, + _duplicated_candidate_windows, + _duplicated_candidate_windows_in_document, + _duplicated_structural_candidate_windows, + _has_template_name_spacing_change, + _matched_structural_anchor_occurrences, + _match_word_sequences, + _pipe_key_changed_only_by_template_spacing, + _propose_structural_word_matches, + _propose_structural_word_matches_document, + _propose_structural_word_matches_slots, + _recover_unique_template_field_words, + _residual_structural_window_keys, + _revision_structural_document, + _structural_anchor_chains, + _targeted_structural_anchor_occurrences, + _word_match_keys, +) +from WikiWho.utils import iter_rev_tokens, split_into_paragraphs, split_into_tokens FIXTURES_DIR = os.path.join(os.path.dirname(__file__), "fixtures") ARTICLES = [ "Adam Himebauch", + "Luis Donaldo Colosio Riojas", + "One Thing Leads 2 Another", "Splatoon 3", + "The Tell-Tale Brain", ] @@ -24,7 +57,7 @@ def load_fixture(title): golden_path = os.path.join(FIXTURES_DIR, f"{slug(title)}_golden.json") if not os.path.exists(rev_path) or not os.path.exists(golden_path): pytest.skip( - f"Fixtures missing for '{title}' — run 'python -m tests.generate_fixtures' on master first" + f"Fixtures missing for '{title}' — run 'python -m tests.generate_fixtures'" ) with open(rev_path, encoding="utf-8") as f: revisions = json.load(f) @@ -34,7 +67,7 @@ def load_fixture(title): @pytest.mark.parametrize("title", ARTICLES) -def test_token_authorship_matches_master(title): +def test_token_authorship_matches_golden(title): revisions, golden = load_fixture(title) ww = Wikiwho(title) @@ -58,3 +91,938 @@ def test_token_authorship_matches_master(title): assert got == want, ( f"token[{i}] ({got['str']!r}) mismatch:\n got: {got}\n want: {want}" ) + + +def test_three_word_link_run_preserves_adam_authorship(): + revisions, _ = load_fixture("Adam Himebauch") + previous_revision_id = 748557058 + current_revision_id = 754869525 + current_index = next( + index for index, revision in enumerate(revisions) + if revision["revid"] == current_revision_id + ) + wikiwho = Wikiwho("Adam Himebauch") + wikiwho.analyse_article(revisions[:current_index + 1]) + phrase = ( + "a", "building", "in", "[[", "little", "italy", ",", + "manhattan", "|", "little", "italy", "]]", + ) + + def phrase_words(revision_id): + words = list(iter_rev_tokens(wikiwho.revisions[revision_id])) + values = tuple(word.value for word in words) + starts = [ + start for start in range(len(values) - len(phrase) + 1) + if values[start:start + len(phrase)] == phrase + ] + assert len(starts) == 1 + return words[starts[0]:starts[0] + len(phrase)] + + previous_words = phrase_words(previous_revision_id) + current_words = phrase_words(current_revision_id) + + assert [word.token_id for word in current_words] == [ + word.token_id for word in previous_words + ] + assert {word.origin_rev_id for word in current_words} == {678462685} + + +def test_moved_words_before_link_are_recovered(): + previous = ( + [f"p{index}" for index in range(12)] + + ["lived", "in", "[[", "victoria", ",", "british", "columbia", "]]", "from", "1900"] + + [f"q{index}" for index in range(12)] + ) + current = ( + [f"q{index}" for index in range(12)] + + ["lived", "in", "[[", "victoria", ",", "british", "columbia", "]]", "from", "1900"] + + [f"p{index}" for index in range(12)] + ) + + mapping, _ = _match_word_sequences( + previous, + current, + full_text_prev=previous, + full_text_curr=current, + ) + + assert mapping[current.index("lived")] == previous.index("lived") + + +def test_validated_move_recovers_tokens_across_punctuation(): + moved = [ + "|", "title", "=", "colosio", ",", "vizcaíno", ",", "marina", "y", + "cerqueda", ",", "las", "nuevas", "caras", "de", "la", "política", "en", "méxico", + ] + left = [f"left{index}" for index in range(16)] + right = [f"right{index}" for index in range(24)] + previous = left + moved + right + current = right + moved + left + + mapping, _ = _match_word_sequences( + previous, + current, + full_text_prev=previous, + full_text_curr=current, + ) + + assert mapping[current.index("marina")] == previous.index("marina") + + +def test_reference_markup_does_not_strengthen_a_weak_move_anchor(): + moved = ["across", "the", "country", ".", "<", "ref", "name", "=", ":", "0", ">"] + left = [f"left{index}" for index in range(16)] + right = [f"right{index}" for index in range(24)] + previous = left + moved + right + current = right + moved + left + + mapping, _ = _match_word_sequences( + previous, + current, + full_text_prev=previous, + full_text_curr=current, + ) + + assert mapping[current.index("across")] is None + + +def test_structural_context_is_not_built_without_an_available_duplicate(): + previous = ["stable", "content", "has", "no", "residual", "duplicate"] + current = list(previous) + context_calls = [] + + def get_structural_context(): + context_calls.append(True) + raise AssertionError("structural context should remain lazy") + + mapping, deleted = _match_word_sequences( + previous, + current, + get_structural_context=get_structural_context, + ) + + assert mapping == list(range(len(previous))) + assert deleted == [] + assert context_calls == [] + + +def test_informative_token_fast_path_preserves_the_original_predicate(): + tokens = ( + None, "", ".", "{{", "alpha", "123", "—東京—", "__a__", + "!!!a!!!", "…", "é", "\u0301", "Ⅻ", + ) + + for token in tokens: + expected = ( + isinstance(token, str) and + token not in wikiwho_module.WORD_MATCH_MOVE_STRUCTURAL_TOKENS and + any(character.isalnum() for character in token) + ) + assert wikiwho_module._is_informative_move_token(token) == expected + + +def test_residual_triplet_preflight_is_a_sound_negative_gate(monkeypatch): + ledger = _MatchCandidateLedger(4, 4) + + def unexpected_full_window_scan(*args, **kwargs): + raise AssertionError("negative triplet gate should avoid full windows") + + monkeypatch.setattr( + wikiwho_module, "_available_residual_windows", + unexpected_full_window_scan, + ) + assert wikiwho_module._unresolved_residual_windows( + ledger, + ["alpha", "beta", "gamma", "delta"], + ["alpha", "beta", "changed", "delta"], + ) == set() + + +def test_residual_triplet_preflight_preserves_the_exact_positive_gate(): + previous = ["left", "alpha", "beta", "gamma", "right"] + current = ["other", "alpha", "beta", "gamma", "tail"] + ledger = _MatchCandidateLedger(len(previous), len(current)) + expected = wikiwho_module._available_residual_windows( + previous, lambda index: index not in ledger.prev_used_by, + ).intersection(wikiwho_module._available_residual_windows( + current, lambda index: ledger.prev_for_curr[index] is None, + )) + + assert wikiwho_module._unresolved_residual_windows( + ledger, previous, current, + ) == expected + assert ("alpha", "beta", "gamma") in expected + + +def test_current_structural_slots_reuse_the_parsed_revision_hierarchy(): + revision = Revision() + paragraph = Paragraph() + paragraph.hash_value = "paragraph" + + reused = Sentence() + reused.hash_value = "reused" + for value in ("already", "parsed"): + word = Word() + word.value = value + reused.words.append(word) + + unmatched = Sentence() + unmatched.hash_value = "unmatched" + unmatched.splitted.extend(("new", ",", "tokens")) + + paragraph.sentences = { + reused.hash_value: [reused], + unmatched.hash_value: [unmatched], + } + paragraph.ordered_sentences = [reused.hash_value, unmatched.hash_value] + revision.paragraphs = {paragraph.hash_value: [paragraph]} + revision.ordered_paragraphs = [paragraph.hash_value] + + slots = _current_revision_token_slots(revision) + + assert [ + (slot.value, slot.article_index, slot.path) for slot in slots + ] == [ + ("already", 0, (0, 0, 0)), + ("parsed", 1, (0, 0, 1)), + ("new", 2, (0, 1, 0)), + (",", 3, (0, 1, 1)), + ("tokens", 4, (0, 1, 2)), + ] + assert slots[0].word is reused.words[0] + assert slots[1].word is reused.words[1] + assert all(slot.word is None for slot in slots[2:]) + + document = _revision_structural_document(revision) + assert document.values == [ + "already", "parsed", "new", ",", "tokens", + ] + assert document.paragraph_ranges == {0: (0, 5)} + assert document.sentence_ranges[reused] == (0, 0, 0, 2) + assert document.sentence_ranges[unmatched] == (0, 1, 2, 3) + + +def test_current_structural_slots_fail_closed_on_inconsistent_values(): + revision = Revision() + paragraph = Paragraph() + paragraph.hash_value = "paragraph" + sentence = Sentence() + sentence.hash_value = "sentence" + word = Word() + word.value = "persistent" + sentence.words.append(word) + sentence.splitted.append("different") + paragraph.sentences = {sentence.hash_value: [sentence]} + paragraph.ordered_sentences = [sentence.hash_value] + revision.paragraphs = {paragraph.hash_value: [paragraph]} + revision.ordered_paragraphs = [paragraph.hash_value] + + assert _current_revision_token_slots(revision) is None + assert _revision_structural_document(revision) is None + + +def test_structural_document_fails_closed_on_aliased_occurrence_objects(): + sentence = Sentence() + sentence.hash_value = "sentence" + for value in ("same", "sentence", "object"): + word = Word() + word.value = value + sentence.words.append(word) + + paragraph = Paragraph() + paragraph.hash_value = "paragraph" + paragraph.sentences = {sentence.hash_value: [sentence, sentence]} + paragraph.ordered_sentences = [sentence.hash_value, sentence.hash_value] + + revision = Revision() + revision.paragraphs = {paragraph.hash_value: [paragraph]} + revision.ordered_paragraphs = [paragraph.hash_value] + assert _revision_structural_document(revision) is None + + first = Sentence() + first.hash_value = "first" + shared_word = Word() + shared_word.value = "shared" + first.words.append(shared_word) + second = Sentence() + second.hash_value = "second" + second.words.append(shared_word) + paragraph.sentences = {first.hash_value: [first], second.hash_value: [second]} + paragraph.ordered_sentences = [first.hash_value, second.hash_value] + assert _revision_structural_document(revision) is None + + +def test_compact_anchor_automaton_preserves_exact_occurrence_states(): + def make_document(paragraphs): + values = [] + ranges = {} + for paragraph_index, paragraph in enumerate(paragraphs): + start = len(values) + values.extend(paragraph) + ranges[paragraph_index] = (start, len(values)) + document = _StructuralDocument(values, ranges, {}) + document.ensure_index() + return document + + shared = ["shared{}".format(index) for index in range(20)] + repeated = [ + "duplicate", "window", "has", "context", "separator", + "duplicate", "window", "has", "context", + ] + previous = make_document(( + shared, + repeated, + ["previous{}".format(index) for index in range(12)], + )) + current = make_document(( + repeated + ["changed"], + shared, + ["current{}".format(index) for index in range(12)], + )) + + automaton = _compact_targeted_anchor_occurrences_all( + previous, current, {0, 1}, {0, 1}, + ) + + def normalized(states): + return { + key: (value if isinstance(value, tuple) or value is None + else "unseen") + for key, value in states.items() + } + + for size in (10, 8, 6, 4): + expected = _compact_targeted_anchor_occurrences( + previous, current, size, {0, 1}, {0, 1}, + ) + actual = { + key: value for key, value in automaton.items() + if len(key) == size + } + assert normalized(actual) == normalized(expected) + + +def test_compact_duplicate_scan_branches_are_exact(monkeypatch): + values = [ + "dup", "one", "two", "alpha", + "beta", "gamma", "dup", "one", "two", + ] + document = _StructuralDocument( + values, {0: (0, 4), 1: (4, len(values))}, {}, + ) + candidates = { + ("dup", "one", "two"), + ("alpha", "beta", "gamma"), + ("missing", "candidate", "window"), + } + + monkeypatch.setattr( + wikiwho_module, + "WORD_MATCH_STRUCTURAL_DUPLICATE_AUTOMATON_MIN_TOKENS", + 0, + ) + automaton = _duplicated_candidate_windows_in_document( + document, candidates, + ) + monkeypatch.setattr( + wikiwho_module, + "WORD_MATCH_STRUCTURAL_DUPLICATE_AUTOMATON_MAX_PATTERN_SYMBOLS", + 0, + ) + budget_fallback = _duplicated_candidate_windows_in_document( + document, candidates, + ) + monkeypatch.setattr( + wikiwho_module, + "WORD_MATCH_STRUCTURAL_DUPLICATE_AUTOMATON_MIN_TOKENS", + 10 ** 9, + ) + tuple_scan = _duplicated_candidate_windows_in_document( + document, candidates, + ) + + assert automaton == budget_fallback == tuple_scan == { + ("dup", "one", "two"), + } + + +def _make_structural_representations(paragraphs, residual_paragraphs=None): + if residual_paragraphs is None: + residual_paragraphs = set(range(len(paragraphs))) + else: + residual_paragraphs = set(residual_paragraphs) + + values = [] + paragraph_ranges = {} + full_slots = [] + residual_values = [] + residual_slots = [] + residual_by_article = {} + for paragraph_index, paragraph in enumerate(paragraphs): + paragraph_start = len(values) + for word_index, value in enumerate(paragraph): + article_index = len(values) + residual_index = None + if paragraph_index in residual_paragraphs: + residual_index = len(residual_values) + residual_values.append(value) + slot = _TokenSlot( + value, article_index, paragraph_index, 0, word_index, + residual_index=residual_index, + ) + values.append(value) + full_slots.append(slot) + if residual_index is not None: + residual_slots.append(slot) + residual_by_article[article_index] = ( + residual_index, (paragraph_index, 0, word_index), + ) + paragraph_ranges[paragraph_index] = ( + paragraph_start, len(values), + ) + return { + "document": _StructuralDocument(values, paragraph_ranges, {}), + "full_slots": full_slots, + "residual_by_article": residual_by_article, + "residual_slots": residual_slots, + "residual_values": residual_values, + } + + +def _candidate_evidence(ledger): + return [ + ( + candidate.pairs, candidate.confidence, candidate.source, + candidate.support, candidate.displacement, candidate.paths, + ) + for candidate in ledger.candidates + ] + + +def test_compact_anchor_chains_equal_slot_chains_for_every_routing_branch( + monkeypatch): + paragraphs = [ + ["paragraph{}-token{}".format(paragraph, token) + for token in range(20)] + for paragraph in range(3) + ] + previous = _make_structural_representations(paragraphs) + current = _make_structural_representations(( + paragraphs[1], paragraphs[0], paragraphs[2], + )) + previous["document"].ensure_index() + current["document"].ensure_index() + + # Below half selects targeted discovery; exactly half and above half use + # the complete scan. Both automaton policies must preserve the slot + # implementation's globally unique anchor universe and chain scores. + target_cases = ( + ({0}, {1}), + ({0}, {0, 1}), + ({0, 1, 2}, {0, 1, 2}), + ) + for threshold, symbol_budget in ( + (0, 10 ** 9), (0, 0), (10 ** 9, 10 ** 9)): + monkeypatch.setattr( + wikiwho_module, + "WORD_MATCH_STRUCTURAL_ANCHOR_AUTOMATON_MIN_TOKENS", + threshold, + ) + monkeypatch.setattr( + wikiwho_module, + "WORD_MATCH_STRUCTURAL_ANCHOR_AUTOMATON_MAX_PATTERN_SYMBOLS", + symbol_budget, + ) + for prev_targets, curr_targets in target_cases: + expected = _structural_anchor_chains( + _StructuralIndex( + previous["full_slots"], build_occurrences=False, + ), + _StructuralIndex( + current["full_slots"], build_occurrences=False, + ), + prev_targets, curr_targets, + )[2] + actual = _compact_structural_anchor_chains( + previous["document"], current["document"], + prev_targets, curr_targets, + ) + assert actual == expected + + +def _duplicate_reorder_representations(): + duplicate = ["shared", "duplicate", "lineage", "phrase"] + anchor_a = ["anchor-a-{}".format(index) for index in range(24)] + anchor_b = ["anchor-b-{}".format(index) for index in range(24)] + fillers = [ + ["filler-{}-{}".format(paragraph, index) for index in range(24)] + for paragraph in range(4) + ] + previous_paragraphs = [ + ["old-a"] + duplicate + ["before-a"] + anchor_a, + ["old-b"] + duplicate + ["before-b"] + anchor_b, + ] + fillers + current_paragraphs = [ + ["new-b"] + duplicate + ["after-b"] + anchor_b, + ["new-a"] + duplicate + ["after-a"] + anchor_a, + ] + fillers + return ( + _make_structural_representations(previous_paragraphs, {0, 1}), + _make_structural_representations(current_paragraphs, {0, 1}), + ) + + +def test_compact_proposer_equals_slot_proposer_across_scan_policies( + monkeypatch): + previous, current = _duplicate_reorder_representations() + + expected = _MatchCandidateLedger( + len(previous["residual_values"]), + len(current["residual_values"]), + ) + _propose_structural_word_matches_slots( + expected, previous["residual_values"], current["residual_values"], + prev_slots=previous["residual_slots"], + curr_slots=current["residual_slots"], + full_prev_slots=previous["full_slots"], + full_curr_slots=current["full_slots"], + ) + assert expected.candidates + + def duplicated_candidates(candidates): + duplicated_previous = _duplicated_candidate_windows_in_document( + previous["document"], candidates, + ) + return _duplicated_candidate_windows_in_document( + current["document"], duplicated_previous, + ) + + context = ( + previous["document"], current["document"], + previous["residual_by_article"], + current["residual_by_article"], + ) + for anchor_threshold, duplicate_threshold in ( + (0, 0), (0, 10 ** 9), (10 ** 9, 10 ** 9)): + monkeypatch.setattr( + wikiwho_module, + "WORD_MATCH_STRUCTURAL_ANCHOR_AUTOMATON_MIN_TOKENS", + anchor_threshold, + ) + monkeypatch.setattr( + wikiwho_module, + "WORD_MATCH_STRUCTURAL_DUPLICATE_AUTOMATON_MIN_TOKENS", + duplicate_threshold, + ) + actual = _MatchCandidateLedger( + len(previous["residual_values"]), + len(current["residual_values"]), + ) + assert _propose_structural_word_matches_document( + actual, + previous["residual_values"], current["residual_values"], + lambda: context, duplicated_candidates, + ) + assert _candidate_evidence(actual) == _candidate_evidence(expected) + assert actual.resolve() == expected.resolve() + + +@pytest.mark.parametrize( + "fallback_reason", ("duplicate-state-unavailable", "document-unavailable"), +) +def test_compact_proposer_routes_failures_to_the_slot_oracle( + fallback_reason): + previous, current = _duplicate_reorder_representations() + expected = _MatchCandidateLedger( + len(previous["residual_values"]), + len(current["residual_values"]), + ) + _propose_structural_word_matches_slots( + expected, previous["residual_values"], current["residual_values"], + prev_slots=previous["residual_slots"], + curr_slots=current["residual_slots"], + full_prev_slots=previous["full_slots"], + full_curr_slots=current["full_slots"], + ) + + context_calls = [] + document_calls = [] + + def get_structural_context(): + context_calls.append(True) + return ( + previous["residual_slots"], current["residual_slots"], + previous["full_slots"], current["full_slots"], + ) + + def get_structural_documents(): + document_calls.append(True) + return None + + def get_structural_duplicates(candidates): + if fallback_reason == "duplicate-state-unavailable": + return None + duplicated_previous = _duplicated_candidate_windows_in_document( + previous["document"], candidates, + ) + return _duplicated_candidate_windows_in_document( + current["document"], duplicated_previous, + ) + + actual = _MatchCandidateLedger( + len(previous["residual_values"]), + len(current["residual_values"]), + ) + _propose_structural_word_matches( + actual, previous["residual_values"], current["residual_values"], + get_structural_context=get_structural_context, + get_structural_duplicates=get_structural_duplicates, + get_structural_documents=get_structural_documents, + ) + + assert context_calls == [True] + assert document_calls == ( + [] if fallback_reason == "duplicate-state-unavailable" else [True] + ) + assert _candidate_evidence(actual) == _candidate_evidence(expected) + assert actual.resolve() == expected.resolve() + + +def test_duplicate_window_counts_respect_paragraph_boundaries(): + values = ( + (("dup", "one", "two", "alpha"), 0), + (("beta", "gamma", "dup", "one", "two"), 1), + ) + slots = [] + article_index = 0 + for paragraph_values, paragraph_index in values: + for word_index, value in enumerate(paragraph_values): + slots.append(_TokenSlot( + value, article_index, paragraph_index, 0, word_index, + )) + article_index += 1 + + duplicated = _duplicated_candidate_windows(slots, { + ("dup", "one", "two"), + ("alpha", "beta", "gamma"), + ("missing", "candidate", "window"), + }) + + assert duplicated == {("dup", "one", "two")} + + +def test_structural_index_caps_occurrences_and_merges_anchor_windows(): + duplicated_values = [ + "alpha", "beta", "gamma", "delta", "separator", + "alpha", "beta", "gamma", "delta", + ] + duplicated_slots = [ + _TokenSlot(value, index, 0, 0, index) + for index, value in enumerate(duplicated_values) + ] + duplicated_index = _StructuralIndex(duplicated_slots) + + states = duplicated_index.occurrence_states(4, 4) + assert states[("alpha", "beta", "gamma", "delta")] is None + assert states[("beta", "gamma", "delta", "separator")] == (0, 1) + assert duplicated_index.informative_count( + duplicated_slots, 0, 4, + ) == 4 + + unique_values = ["token{}".format(index) for index in range(20)] + prev_slots = [ + _TokenSlot(value, index, 0, 0, index) + for index, value in enumerate(unique_values) + ] + curr_slots = [ + _TokenSlot(value, index, 0, 0, index) + for index, value in enumerate(unique_values) + ] + _, _, chains = _structural_anchor_chains( + _StructuralIndex(prev_slots), _StructuralIndex(curr_slots), + ) + + assert chains[(0, 0)] == ([(0, 20, 0, 20, 20)], (20, 20)) + + +def test_structural_lcs_preflight_requires_a_residual_only_ambiguous_window(): + values = ["alpha", "beta", "gamma", "delta", "epsilon"] + prev_slots = [ + _TokenSlot(value, index, 0, 0, index) + for index, value in enumerate(values) + ] + curr_slots = [ + _TokenSlot(value, index, 0, 0, index) + for index, value in enumerate(values) + ] + prev_index = _StructuralIndex(prev_slots, build_occurrences=False) + curr_index = _StructuralIndex(curr_slots, build_occurrences=False) + ambiguous = {("beta", "gamma", "delta")} + complete_residual = { + (0, 0, index): index for index in range(len(values)) + } + + prev_windows = _residual_structural_window_keys( + prev_slots, prev_index, complete_residual, ambiguous, + ) + assert prev_windows == ambiguous + assert _residual_structural_window_keys( + curr_slots, curr_index, complete_residual, prev_windows, + ) == ambiguous + + interrupted_current = dict(complete_residual) + del interrupted_current[(0, 0, 2)] + assert not _residual_structural_window_keys( + curr_slots, curr_index, interrupted_current, prev_windows, + ) + + +def test_single_map_structural_evidence_matches_independent_global_states(): + shared_values = ["shared{}".format(index) for index in range(20)] + repeated_values = [ + "duplicate", "window", "has", "context", "separator", + "duplicate", "window", "has", "context", + ] + untouched_values = [ + "untouched{}".format(index) for index in range(12) + ] + + def make_slots(paragraphs): + slots = [] + article_index = 0 + for paragraph_index, values in enumerate(paragraphs): + for word_index, value in enumerate(values): + slots.append(_TokenSlot( + value, article_index, paragraph_index, 0, word_index, + )) + article_index += 1 + return slots + + prev_slots = make_slots(( + shared_values, + repeated_values, + untouched_values, + )) + curr_slots = make_slots(( + repeated_values + ["changed"], + shared_values, + untouched_values, + )) + + independent_prev = _StructuralIndex(prev_slots) + independent_curr = _StructuralIndex(curr_slots) + streamed_prev = _StructuralIndex(prev_slots, build_occurrences=False) + streamed_curr = _StructuralIndex(curr_slots, build_occurrences=False) + + for size in (10, 8, 6, 4): + expected_prev = independent_prev.occurrence_states(size, 4) + expected_curr = independent_curr.occurrence_states(size, 4) + expected_matches = { + key: prev_position + expected_curr[key] + for key, prev_position in expected_prev.items() + if (prev_position is not None and + expected_curr.get(key) is not None) + } + actual = _matched_structural_anchor_occurrences( + streamed_prev, streamed_curr, size, + ) + assert { + key: occurrence + for key, occurrence in actual.items() + if occurrence is not None and len(occurrence) == 4 + } == expected_matches + + targeted = _targeted_structural_anchor_occurrences( + streamed_prev, streamed_curr, size, {0}, {0}, + ) + assert { + key: occurrence + for key, occurrence in targeted.items() + if isinstance(occurrence, tuple) and len(occurrence) == 4 + } == { + key: occurrence for key, occurrence in expected_matches.items() + if occurrence[0] == 0 or occurrence[2] == 0 + } + + for key, prev_position in expected_prev.items(): + if prev_position is None: + assert actual[key] is None + elif key not in expected_curr: + assert actual[key] == prev_position + elif expected_curr[key] is None: + assert actual[key] is None + + ambiguity_sizes = (6, 5, 4, 3) + expected_duplicates = set() + candidate_windows = set() + for size in ambiguity_sizes: + expected_prev = independent_prev.occurrence_states(size, 3) + expected_curr = independent_curr.occurrence_states(size, 3) + candidate_windows.update( + set(expected_prev).intersection(expected_curr) + ) + prev_duplicates = set( + key for key, position in expected_prev.items() + if position is None + ) + curr_duplicates = set( + key for key, position in expected_curr.items() + if position is None + ) + expected_duplicates.update( + prev_duplicates.intersection(curr_duplicates) + ) + duplicated_prev = _duplicated_structural_candidate_windows( + streamed_prev, candidate_windows, + ) + assert _duplicated_structural_candidate_windows( + streamed_curr, duplicated_prev, + ) == expected_duplicates + + +def test_link_pipe_keys_do_not_trigger_template_spacing_recovery(): + previous_link = [ + token.lower() + for token in split_into_tokens("[[File:Foo bar.jpg|thumb|caption]]") + ] + current_link = [ + token.lower() + for token in split_into_tokens("[[File:Foobar.jpg|thumb|caption]]") + ] + previous_keys = _word_match_keys(previous_link) + current_keys = _word_match_keys(current_link) + previous_pipes = [ + key for token, key in zip(previous_link, previous_keys) if token == "|" + ] + current_pipes = [ + key for token, key in zip(current_link, current_keys) if token == "|" + ] + + assert len(previous_pipes) == len(current_pipes) == 2 + assert not _has_template_name_spacing_change(previous_keys, current_keys) + assert all( + not _pipe_key_changed_only_by_template_spacing(previous_key, current_key) + for previous_key, current_key in zip(previous_pipes, current_pipes) + ) + + previous = ( + [f"previous{index}" for index in range(8)] + + previous_link + + [f"suffix{index}" for index in range(8)] + ) + current = ( + [f"current{index}" for index in range(8)] + + current_link + + [f"ending{index}" for index in range(8)] + ) + ledger = _MatchCandidateLedger(len(previous), len(current)) + _recover_unique_template_field_words( + previous, + current, + _word_match_keys(previous), + _word_match_keys(current), + ledger, + full_text_prev=previous, + full_text_curr=current, + count_state={"counts": {}}, + ) + mapping, _ = ledger.resolve() + + assert mapping[current.index("thumb")] is None + + +def test_template_pipe_keys_still_detect_template_name_spacing_change(): + previous = [ + token.lower() + for token in split_into_tokens("{{single chart|country=switzerland|62}}") + ] + current = [ + token.lower() + for token in split_into_tokens("{{singlechart|country=switzerland|62}}") + ] + previous_keys = _word_match_keys(previous) + current_keys = _word_match_keys(current) + previous_pipes = [ + key for token, key in zip(previous, previous_keys) if token == "|" + ] + current_pipes = [ + key for token, key in zip(current, current_keys) if token == "|" + ] + + assert len(previous_pipes) == len(current_pipes) == 2 + assert {key[2] for key in previous_pipes} == { + "template-field", + "template-arg", + } + assert _has_template_name_spacing_change(previous_keys, current_keys) + assert all( + _pipe_key_changed_only_by_template_spacing(previous_key, current_key) + for previous_key, current_key in zip(previous_pipes, current_pipes) + ) + + +def test_delayed_sentence_reinsertion_can_restore_available_token_identities(): + available = [] + for index in range(33): + word = Word() + word.value = f"available{index}" + word.outbound.append(20) + available.append(word) + occupied = [] + for value in (",", "of"): + word = Word() + word.value = value + word.matched = True + occupied.append(word) + + words = available + occupied + + assert _can_partially_restore_historical_sentence(words, previous_revision_id=21) + assert not _can_partially_restore_historical_sentence(words, previous_revision_id=20) + + +def test_partially_restored_sentence_is_registered_for_future_reuse(): + revisions, _ = load_fixture("The Tell-Tale Brain") + target_revid = 466775504 + target_index = next( + index for index, revision in enumerate(revisions) + if revision["revid"] == target_revid + ) + wikiwho = Wikiwho("The Tell-Tale Brain") + wikiwho.analyse_article(revisions[:target_index + 1]) + + prefix = ["\"", "when", "vs", "ramachandran", ",", "one", "of", "the"] + matching_sentences = [] + revision = wikiwho.revisions[target_revid] + for paragraphs in revision.paragraphs.values(): + for paragraph in paragraphs: + for sentences in paragraph.sentences.values(): + for sentence in sentences: + if [word.value for word in sentence.words[:len(prefix)]] == prefix: + matching_sentences.append(sentence) + + assert len(matching_sentences) == 1 + restored = matching_sentences[0] + assert any( + candidate is restored + for candidate in wikiwho.sentences_ht[restored.hash_value] + ) + assert wikiwho.sentences_ht[restored.hash_value][0] is restored + assert restored.value == "" + assert restored.splitted is None + + +def test_inline_template_end_is_not_split_as_table_markup(): + text = "{{linktext|偉大|}}한 {{linktext|遺産|}}" + multiline_template = "{{#if:1\n|yes\n|}}\nafter" + parameter = "{{{name\n|default\n|}}}\nafter" + template_in_table = "{|\n|-\n| {{#if:1\n|yes\n|}}\n|}\nafter" + + assert split_into_paragraphs(text) == [text] + assert split_into_paragraphs(multiline_template) == [multiline_template] + assert split_into_paragraphs(parameter) == [parameter] + assert any( + "{{#if:1\n|yes\n|}}" in paragraph + for paragraph in split_into_paragraphs(template_in_table) + ) + assert "{|\n| cell\n|}" in split_into_paragraphs("{|\n| cell\n|}") diff --git a/tests/test_structural_native.py b/tests/test_structural_native.py new file mode 100644 index 0000000..4ec790f --- /dev/null +++ b/tests/test_structural_native.py @@ -0,0 +1,292 @@ +from collections import defaultdict +import random + +import pytest + +import WikiWho.wikiwho as wikiwho_module +from WikiWho.structures import Paragraph, Revision, Sentence, Word +from WikiWho.utils import ( + TOKEN_SYMBOLS, + split_into_paragraphs, + split_into_tokens, +) + + +native = pytest.importorskip("WikiWho._structural_native") +native.configure_token_symbols(TOKEN_SYMBOLS) + + +@pytest.mark.parametrize("text", [ + "", + "| || ææææ xææææ", + "[[[link]]] {{{template}}}", + "", + "'''''Yeah Yeah Yeahs'''''", + "日本語 ＡＢＣ a日本b", + "{{cite web|title=One}}", +]) +def test_native_tokenizer_matches_python_contract(text): + assert native.split_into_tokens(text) == split_into_tokens(text) + + +@pytest.mark.parametrize("text", [ + "", + "a\r\nb\rc", + "xy
z", + "|-\n", + "{|\n|-\n |}\n", + "{{#if:1\n|yes\n|}}\nafter", + "|-", + "\n\n|-\n", +]) +def test_native_paragraph_splitter_matches_python_contract(text): + assert native.split_into_paragraphs(text) == split_into_paragraphs(text) + + +def test_native_splitters_match_randomized_markup_contract(): + random_source = random.Random(20260807) + atoms = [ + "a", "b", " ", "\t", "\n", "\r", "\r\n", "|", "}", "-", + "", "
", "", "", "{|", "|}", "|-\n", + "[[", "]]", "{{", "}}", "", "日本語", "🙂", + ] + for _ in range(2000): + text = "".join( + random_source.choice(atoms) + for _ in range(random_source.randrange(0, 40)) + ) + assert native.split_into_paragraphs(text) == split_into_paragraphs(text) + assert native.split_into_tokens(text) == split_into_tokens(text) + + +def _subsequence_count(tokens, needle): + if not needle: + return 0 + count = 0 + for start in range(len(tokens) - len(needle) + 1): + if tuple(tokens[start:start + len(needle)]) == needle: + count += 1 + if count == 2: + break + return count + + +def test_native_subsequence_counter_matches_exact_randomized_contract(): + random_source = random.Random(20260807) + alphabet = ["a", "b", "c", "|", "{{", "}}", "日本", "🙂"] + for _ in range(2000): + tokens = [ + random_source.choice(alphabet) + for _ in range(random_source.randrange(0, 100)) + ] + needle = tuple( + random_source.choice(alphabet) + for _ in range(random_source.randrange(0, 16)) + ) + positions = defaultdict(list) + for index in range(len(tokens) - 1): + positions[(tokens[index], tokens[index + 1])].append(index) + if len(needle) >= 2: + first_positions = positions.get((needle[0], needle[1]), ()) + last_positions = positions.get((needle[-2], needle[-1]), ()) + else: + first_positions = last_positions = () + assert native.count_subsequence_at_positions( + tokens, needle, first_positions, last_positions, + ) == _subsequence_count(tokens, needle) + + +def _make_document(paragraphs): + values = [] + ranges = {} + for paragraph_index, paragraph in enumerate(paragraphs): + start = len(values) + values.extend(paragraph) + ranges[paragraph_index] = (start, len(values)) + return wikiwho_module._StructuralDocument(values, ranges, {}) + + +def test_native_structural_kernels_match_exact_python_fallback(monkeypatch): + anchor = ["anchor{}".format(index) for index in range(12)] + duplicate = ["shared", "duplicate", "lineage", "window"] + previous_paragraphs = [ + ["old"] + anchor + ["tail"], + duplicate + ["separator"] + duplicate, + ] + current_paragraphs = [ + duplicate + ["changed"] + duplicate, + ["new"] + anchor + ["tail"], + ] + + native_previous = _make_document(previous_paragraphs) + native_current = _make_document(current_paragraphs) + native_previous.ensure_index() + native_current.ensure_index() + + duplicate_candidates = {tuple(duplicate), tuple(anchor[:4])} + native_duplicates = ( + wikiwho_module._duplicated_candidate_windows_in_document( + native_previous, duplicate_candidates, + ) + ) + native_chains = wikiwho_module._compact_structural_anchor_chains( + native_previous, native_current, {0, 1}, {0, 1}, + ) + + residual_by_article = {} + residual_flags = bytearray(len(native_previous.values)) + for paragraph_index, (start, end) in ( + native_previous.paragraph_ranges.items()): + for article_index in range(start, end): + if article_index == 2: + continue + residual_by_article[article_index] = ( + article_index, (paragraph_index, 0, article_index - start), + ) + residual_flags[article_index] = 1 + used_previous = {1: 0} + native_available = wikiwho_module._compact_available_residual_windows( + native_previous, residual_by_article, + lambda index: index not in used_previous, + native_availability=used_previous, + native_previous_mode=True, + ) + paragraph_length = native_previous.paragraph_length(0) + native_residual = ( + wikiwho_module._compact_residual_structural_window_keys( + native_previous, 0, 0, paragraph_length, + residual_by_article, residual_flags=residual_flags, + ) + ) + + previous_lcs = ["left", "said", "said", "middle", "right"] + current_lcs = ["left", "said", "middle", "right"] + native_lcs = wikiwho_module._lcs_token_pairs( + previous_lcs, current_lcs, previous_lcs, current_lcs, + ) + + ledger = wikiwho_module._MatchCandidateLedger( + len(native_previous.values), len(native_current.values), + ) + ledger.propose(0, 0, 100, "test") + native_unresolved = wikiwho_module._unresolved_residual_windows( + ledger, native_previous.values, native_current.values, + ) + + monkeypatch.setattr(wikiwho_module, "_structural_native", None) + python_previous = _make_document(previous_paragraphs) + python_current = _make_document(current_paragraphs) + python_previous.ensure_index() + python_current.ensure_index() + + assert native_previous.keys == python_previous.keys + assert list(native_previous.informative_prefix) == ( + python_previous.informative_prefix + ) + assert native_duplicates == ( + wikiwho_module._duplicated_candidate_windows_in_document( + python_previous, duplicate_candidates, + ) + ) == {tuple(duplicate)} + assert native_chains == wikiwho_module._compact_structural_anchor_chains( + python_previous, python_current, {0, 1}, {0, 1}, + ) + assert native_chains + assert native_available == ( + wikiwho_module._compact_available_residual_windows( + python_previous, residual_by_article, + lambda index: index not in used_previous, + native_availability=used_previous, + native_previous_mode=True, + ) + ) + assert native_residual == ( + wikiwho_module._compact_residual_structural_window_keys( + python_previous, 0, 0, paragraph_length, + residual_by_article, residual_flags=residual_flags, + ) + ) + assert native_lcs == wikiwho_module._lcs_token_pairs( + previous_lcs, current_lcs, previous_lcs, current_lcs, + ) + assert native_unresolved == wikiwho_module._unresolved_residual_windows( + ledger, python_previous.values, python_current.values, + ) + + +def _make_paragraph(label, sentence_values, persistent): + paragraph = Paragraph() + paragraph.hash_value = "paragraph-{}".format(label) + sentence = Sentence() + sentence.hash_value = "sentence-{}".format(label) + if persistent: + for value in sentence_values: + word = Word() + word.value = value + sentence.words.append(word) + else: + sentence.splitted.extend(sentence_values) + paragraph.sentences = {sentence.hash_value: [sentence]} + paragraph.ordered_sentences = [sentence.hash_value] + return paragraph, sentence + + +def _make_revision(paragraphs): + revision = Revision() + revision.paragraphs = {} + revision.ordered_paragraphs = [] + for paragraph in paragraphs: + revision.paragraphs.setdefault(paragraph.hash_value, []).append( + paragraph + ) + revision.ordered_paragraphs.append(paragraph.hash_value) + return revision + + +def _document_snapshot(document): + if document is None: + return None + return ( + document.values, + document.paragraph_ranges, + document.sentence_ranges, + ) + + +def test_native_document_pair_matches_fail_closed_python_builder(monkeypatch): + shared, shared_sentence = _make_paragraph( + "shared", ["stable", "shared", "paragraph"], True, + ) + previous_only, previous_sentence = _make_paragraph( + "previous", ["old", "duplicate", "lineage"], True, + ) + current_only, current_sentence = _make_paragraph( + "current", ["new", "duplicate", "lineage"], False, + ) + previous = _make_revision([previous_only, shared]) + current = _make_revision([shared, current_only]) + targets = ({previous_sentence}, {current_sentence}) + + native_all = wikiwho_module._revision_structural_document_pair( + previous, current, + ) + native_targeted = wikiwho_module._revision_structural_document_pair( + previous, current, *targets, + ) + + monkeypatch.setattr(wikiwho_module, "_structural_native", None) + python_all = wikiwho_module._revision_structural_document_pair( + previous, current, + ) + python_targeted = wikiwho_module._revision_structural_document_pair( + previous, current, *targets, + ) + + assert tuple(map(_document_snapshot, native_all)) == tuple( + map(_document_snapshot, python_all) + ) + assert tuple(map(_document_snapshot, native_targeted)) == tuple( + map(_document_snapshot, python_targeted) + ) + assert shared_sentence in native_all[0].sentence_ranges + assert shared_sentence not in native_targeted[0].sentence_ranges